[FN#78] The monastery was built in 1244 by Yoshi-shige (Hatano), the feudal lord who invited Do-gen. He lived in Ei-hei-ji until his death, which took place in 1253. It is still flourishing as the head temple of the So To Sect.

In 1247, being requested by Toki-yori, the Regent General (1247-1263), he came down to Kama-kura, where he stayed half a year and went back to Ei-hei-ji. After some time Toki-yori, to show his gratitude for the master, drew up a certificate granting a large tract of land as the property of Ei-hei-ji, and handed it over to Gen-myo, a disciple of Do-gen. The carrier of the certificate was so pleased with the donation that he displayed it to all his brethren and produced it before the master, who severely reproached him saying: "O, shame on thee, wretch! Thou art -defiled by the desire of worldly riches even to thy inmost soul, just as noodle is stained with oil. Thou canst not be purified from it to all eternity. I am afraid thou wilt bring shame on the Right Law." On the spot Gen-myo was deprived of his holy robe and excommunicated. Furthermore, the master ordered the 'polluted' seat in the Meditation Hall, where Gen-myo was wont to sit, to be removed, and the 'polluted' earth under the seat to be dug out to the depth of seven feet.

In 1250 the ex-Emperor Go-sa-ga (1243-1246) sent a special messenger twice to the Ei-hei monastery to do honour to the master with the donation of a purple robe, but he declined to accept it. And when the mark of distinction was offered for the third time, he accepted it, expressing his feelings by the following verses:

"Although in Ei-hei's vale the shallow waters leap, Yet thrice it came, Imperial favour deep. The Ape may smile and laugh the Crane At aged Monk in purple as insane."

He was never seen putting on the purple robe, being always clad in black, that was better suited to his secluded life.



4. The Social State of Japan when Zen was established by Ei-sai and Do-gen.

Now we have to observe the condition of the country when Zen was introduced into Japan by Ei-sai and Do-gen. Nobilities that had so long governed the island were nobilities no more. Enervated by their luxuries, effeminated by their ease, made insipient by their debauchery, they were entirely powerless. All that they possessed in reality was the nominal rank and hereditary birth. On the contrary, despised as the ignorant, sneered at as the upstart, put in contempt as the vulgar, the Samurai or military class had everything in their hands. It was the time when Yori-tomo[FN#79] (1148-1199) conquered all over the empire, and established the Samurai Government at Kama-kura. It was the time when even the emperors were dethroned or exiled at will by the Samurai. It was the time when even the Buddhist monks[FN#80] frequently took up arms to force their will. It was the time when Japan's independence was endangered by Kublai, the terror of the world. It was the time when the whole nation was full of martial spirit. It is beyond doubt that to these rising Samurais, rude and simple, the philosophical doctrines of Buddhism, represented by Ten Dai and Shin Gon, were too complicated and too alien to their nature. But in Zen they could find something congenial to their nature, something that touched their chord of sympathy, because Zen was the doctrine of chivalry in a certain sense.

[FN#79] The Samurai Government was first established by Yoritomo, of the Minamoto family, in 1186, and Japan was under the control of the military class until 1867, when the political power was finally restored to the Imperial house.

[FN#80] They were degenerated monks (who were called monk-soldiers), belonging to great monasteries such as En-ryaku-ji (Hi-yei), Ko-fuku-ji (at Nara), Mi-i-dera, etc.



5. The Resemblance of the Zen Monk to the Samurai.

Let us point out in brief the similarities between Zen and Japanese chivalry. First, both the Samurai and the Zen monk have to undergo a strict discipline and endure privation without complaint. Even such a prominent teacher as Ei-sai, for example, lived contentedly in such needy circumstances that on one occasion[FN#81] he and his disciples had nothing to eat for several days. Fortunately, they were requested by a believer to recite the Scriptures, and presented with two rolls of silk. The hungry young monks, whose mouths watered already at the expectation of a long-looked-for dinner, were disappointed when that silk was given to a poor man, who called on Ei-sai to obtain some help. Fast continued for a whole week, when another poor follow came in and asked Ei-sai to give something. At this time, having nothing to show his substantial mark of sympathy towards the poor, Ei-sai tore off the gilt glory of the image of Buddha Bhecajya and gave it. The young monks, bitten both by hunger and by anger at this outrageous act to the object of worship, questioned Ei-sai by way of reproach: "Is it, sir, right for us Buddhists to demolish the image of a Buddha?" "Well," replied Ei-sai promptly, "Buddha would give even his own life for the sake of suffering people. How could he be reluctant to give his halo?" This anecdote clearly shows us self-sacrifice is of first importance in the Zen discipline.

[FN#81] The incident is told by Do-gen in his Zui-mon-ki.

6. The Honest Poverty of the Zen Monk and the Samurai.

Secondly, the so-called honest poverty is a characteristic of both the Zen monk and the Samurai. To get rich by an ignoble means is against the rules of Japanese chivalry or Bushido. The Samurai would rather starve than to live by some expedient unworthy of his dignity. There are many instances, in the Japanese history, of Samurais who were really starved to death in spite of their having a hundred pieces of gold carefully preserved to meet the expenses at the time of an emergency; hence the proverb: "The falcon would not feed on the ear of corn, even if he should starve." Similarly, we know of no case of Zen monks, ancient and modern, who got rich by any ignoble means. They would rather face poverty with gladness of heart. Fu-gai, one of the most distinguished Zen masters just before the Restoration, supported many student monks in his monastery. They were often too numerous to be supported by his scant means. This troubled his disciple much whose duty it was to look after the food-supply, as there was no other means to meet the increased demand than to supply with worse stuff. Accordingly, one day the disciple advised Fu-gai not to admit new students any more into the monastery. Then the master, making no reply, lolled out his tongue and said: "Now look into my mouth, and tell if there be any tongue in it." The perplexed disciple answered affirmatively. "Then don't bother yourself about it. If there be any tongue, I can taste any sort of food." Honest poverty may, without exaggeration, be called one of the characteristics of the Samurais and of the Zen monks; hence a proverb: "The Zen monk has no money, moneyed Monto[FN#82] knows nothing."

[FN#82] The priest belonging to Shin Shu, who are generally rich.



7. The Manliness of the Zen Monk and of the Samurai.

Thirdly, both the Zen monk and the Samurai were distinguished by their manliness and dignity in manner, sometimes amounting to rudeness. This is due partly to the hard discipline that they underwent, and partly to the mode of instruction. The following story,[FN#83] translated by Mr. D. Suzuki, a friend of mine, may well exemplify our statement:

[FN#83] The Journal of the Pali Text Society, 1906-1907.

When Rin-zai[FN#84] was assiduously applying himself to Zen discipline under Obak (Huang Po in Chinese, who died 850), the head monk recognized his genius. One day the monk asked him how long he had been in the monastery, to which Rin-zai replied: 'Three years.' The elder said: 'Have you ever approached the master and asked his instruction in Buddhism?' Rin-zai said: 'I have never done this, for I did not know what to ask.' 'Why, you might go to the master and ask him what is the essence of Buddhism?'

[FN#84] Lin Tsi, the founder of the Lin Tsi school.

"Rin-zai, according to this advice, approached Obak and repeated the question, but before he finished the master gave him a slap.

"When Rin-zai came back, the elder asked how the interview went. Said Rin-zai: 'Before I could finish my question the master slapped me, but I fail to grasp its meaning.' The elder said: 'You go to him again and ask the same question.' When he did so, he received the same response from the master. But Rin-zai was urged again to try it for the third time, but the outcome did not improve.

"At last he went to the elder, and said 'In obedience to your kind suggestion, I have repeated my question three times, and been slapped three times. I deeply regret that, owing to my stupidity, I am unable to comprehend the hidden meaning of all this. I shall leave this place and go somewhere else.' Said the elder: 'If you wish to depart, do not fail to go and see the master to say him farewell.'

"Immediately after this the elder saw the master, and said: 'That young novice, who asked about Buddhism three times, is a remarkable fellow. When he comes to take leave of you, be so gracious as to direct him properly. After a hard training, he will prove to be a great master, and, like a huge tree, he will give a refreshing shelter to the world.'

"When Rin-zai came to see the master, the latter advised him not to go anywhere else, but to Dai-gu (Tai-yu) of Kaoan, for he would be able to instruct him in the faith.

"Rin-zai went to Dai-gu, who asked him whence he came. Being informed that he was from Obak, Dai-gu further inquired what instruction he had under the master. Rin-zai answered: 'I asked him three times about the essence of Buddhism, and he slapped me three times. But I am yet unable to see whether I had any fault or not.' Dai-gu said: 'Obak was tender-hearted even as a dotard, and you are not warranted at all to come over here and ask me whether anything was faulty with you.'

"Being thus reprimanded, the signification of the whole affair suddenly dawned upon the mind of Rin-zai, and he exclaimed: 'There is not much, after all, in the Buddhism of Obak.' Whereupon Dai-gu took hold of him, and said: 'This ghostly good-for-nothing creature! A few minutes ago you came to me and complainingly asked what was wrong with you, and now boldly declare that there is not much in the Buddhism of Obak. What is the reason of all this? Speak out quick! speak out quick!' In response to this, Rin-zai softly struck three times his fist at the ribs of Dai-gu. The latter then released him, saying: 'Your teacher is Obak, and I will have nothing to do with you.'

"Rin-zai took leave of Dai-gu and came back to Obak, who, on seeing him come, exclaimed: 'Foolish fellow! what does it avail you to come and go all the time like this?' Rin-zai said: 'It is all due to your doting kindness.'

"When, after the usual salutation, Rin-zai stood by the side of Obak, the latter asked him whence he had come this time. Rin-zai answered: "In obedience to your kind instruction, I was with Dai-gu. Thence am I come.'

And he related, being asked for further information, all that had happened there.

"Obak said: 'As soon as that fellow shows himself up here, I shall have to give him a good thrashing.' 'You need not wait for him to come; have it right this moment,' was the reply; and with this Rin-zai gave his master a slap on the back.

"Obak said: 'How dares this lunatic come into my presence and play with a tiger's whiskers?' Rin-zai then burst out into a Ho,[FN#85] and Obak said: 'Attendant, come and carry this lunatic away to his cell.'"

[FN#85] A loud outcry, frequently made use of by Zen teachers, after Rin-zai. Its Chinese pronunciation is 'Hoh,' and pronounced 'Katsu' in Japanese, but 'tsu' is not audible.



8. The Courage and the Composure of Mind of the Zen Monk and of the Samurai.

Fourthly, our Samurai encountered death, as is well known, with unflinching courage. He would never turn back from, but fight till his last with his enemy. To be called a coward was for him the dishonour worse than death itself. An incident about Tsu Yuen (So-gen), who came over to Japan in 1280, being invited by Toki-mune[FN#86] (Ho-jo), the Regent General, well illustrates how much Zen monks resembled our Samurais. The event happened when he was in China, where the invading army of Yuen spread terror all over the country. Some of the barbarians, who crossed the border of the State of Wan, broke into the monastery of Tsu Yuen, and threatened to behead him. Then calmly sitting down, ready to meet his fate, he composed the following verses

"The heaven and earth afford me no shelter at all; I'm glad, unreal are body and soul. Welcome thy weapon, O warrior of Yuen! Thy trusty steel, That flashes lightning, cuts the wind of Spring, I feel."

[FN#86] A bold statesman and soldier, who was the real ruler of Japan 1264-1283.

This reminds us of Sang Chao[FN#87] (So-jo), who, on the verge of death by the vagabond's sword, expressed his feelings in the follow lines:

"In body there exists no soul. The mind is not real at all. Now try on me thy flashing steel, As if it cuts the wind of Spring, I feel."

[FN#87] The man was not a pure Zen master, being a disciple of Kumarajiva, the founder of the San Ron Sect. This is a most remarkable evidence that Zen, especially the Rin Zan school, was influenced by Kumarajiva and his disciples. For the details of the anecdote, see E-gen.

The barbarians, moved by this calm resolution and dignified air of Tsu Yuen, rightly supposed him to be no ordinary personage, and left the monastery, doing no harm to him.



9. Zen and the Regent Generals of the Ho-Jo Period.

No wonder, then, that the representatives of the Samurai class, the Regent Generals, especially such able rulers as Toki-yori, Toki-mune, and others noted for their good administration, of the Ho-jo period (1205-1332) greatly favoured Zen. They not only patronized the faith, building great temples[FN#88] and inviting best Chinese Zen teachers[FN#89] but also lived just as Zen monks, having the head shaven, wearing a holy robe, and practising cross-legged Meditation.

[FN#88] To-fuku-ji, the head temple of a sub-sect of the Rin Zai under the same name, was built in 1243. Ken-cho-ji, the head temple of a subsect of the Rin Zai under the same name, was built in 1253. En-gaku ji, the head temple of a sub-sect of the Rin Zai under the same name, was built in 1282. Nan-zen-ji, the head temple of a sub-sect of the Rin Zai under the same name, was erected in 1326.

[FN#89] Tao Lung (Do-ryu), known as Dai-kaku Zen-ji, invited by Tokiyori, came over to Japan in 1246. He became the founder of Ken-cho-ji-ha, a sub-sect of the Rin Zai, and died in 1278. Of his disciples, Yaku-o was most noted, and Yaku-o's disciple, Jaku-shitsu, became the founder of Yo-genji-ha, another sub-sect of the Rin Zai. Tsu Yuen (So-gen), known as Buk-ko-koku-shi, invited by Toki-mune, crossed the sea in 1280, became the founder of En-gaku-ji-ha (a sub-sect of the Rin Zai), and died in 1286. Tsing Choh (Sei-setsu), invited by Taka-toki, came in 1327, and died in 1339. Chu Tsun (So-shun) came in 1331, and died in 1336. Fan Sien (Bon-sen) came together with Chu Tsun, and died in 1348. These were the prominent Chinese teachers of that time.

Toki-yori (1247-1263), for instance, who entered the monastic life while be was still the real governor of the country, led as simple a life, as is shown in his verse, which ran as follows:

"Higher than its bank the rivulet flows; Greener than moss tiny grass grows. No one call at my humble cottage on the rock, But the gate by itself opens to the Wind's knock."

Toki-yori attained to Enlightenment by the instruction of Do-gen and Do-ryu, and breathed his last calmly sitting cross-legged, and expressing his feelings in the following lines:

"Thirty-seven of years, Karma mirror stood high; Now I break it to pieces, Path of Great is then nigh."

His successor, Toki-mune (1264-1283), a bold statesman and soldier, was no less of a devoted believer in Zen. Twice he beheaded the envoys sent by the great Chinese conqueror, Kublai, who demanded Japan should either surrender or be trodden under his foot. And when the alarming news of the Chinese Armada's approaching the land reached him, be is said to have called on his tutor, Tsu Yuen, to receive the last instruction. "Now, reverend sir," said. he, "an imminent peril threatens the land." "How art thou going to encounter it?" asked the master. Then Toki-mune burst into a thundering Ka with all his might to show his undaunted spirit in encountering the approaching enemy. "O, the lion's roar!" said Tsu Yuen.

"Thou art a genuine lion. Go, and never turn back." Thus encouraged by the teacher, the Regent General sent out the defending army, and successfully rescued the state from the mouth of destruction, gaining a splendid victory over the invaders, almost all of whom perished in the western seas.



10. Zen after the Downfall of the Ho-Jo Regency.

Towards the end of the Ho-Jo period,[FN#90] and after the downfall of the Regency in 1333, sanguinary battles were fought between the Imperialists and the rebels. The former, brave and faithful as they were, being outnumbered by the latter, perished in the field one after another for the sake of the ill-starred Emperor Go-dai-go (1319-1338), whose eventful life ended in anxiety and despair.

[FN#90] Although Zen was first favoured by the Ho-jo Regency and chiefly prospered at Kama-kura, yet it rapidly began to exercise its influence on nobles and Emperors at Kyo-to. This is mainly due to the activity of En-ni, known as Sho-Ichi-Koku-Shi (1202-1280), who first earned Zen under Gyo-yu, a disciple of Ei-sai, and afterwards went to China, where he was Enlightened under the instruction of Wu Chun, of the monastery of King Shan. After his return, Michi-iye (Fuji-wara), a powerful nobleman, erected for him To-fuku-ji in 1243, and he became the founder of a sub-sect of the Rin Zai, named after that monastery. The Emperor Go-saga (1243-1246), an admirer of his, received the Moral Precepts from him. One of his disciples, To-zan, became the spiritual adviser of the Emperor Fushi-mi (1288-1298), and another disciple, Mu kwan, was created the abbot of the monastery of Nan-zen-ji by the Emperor Kame-yama (1260-1274), as the founder of a sub-sect of the Rin Zai under the same name.

Another teacher who gained lasting influence on the Court is Nan-po, known as Dai-O-Koku-Shi (1235-1308), who was appointed the abbot of the monastery of Man-ju-ji in Kyo to by the Emperor Fushi-mi. One of his disciples, Tsu-o, was the spiritual adviser to both the Emperor Hana-zono (1308-1318) and the Emperor Go-dai-go. And another disciple, Myo-cho, known as Dai-To-Koku-Shi (1282-1337), also was admired by the two Emperors, and created the abbot of Dai-toku-ji, as the founder of a sub-sect of the Rin Zai under the same name. It was for Myo-cho's disciple, Kan-zan (1277 1360), that the Emperor Hana-zono turned his detached palace into a monastery, named Myo-shin-ji, the head temple of a sub-sect of the Rin Zai under the same name.

It was at this time that Japan gave birth to Masa-shige (Kusu-noki), an able general and tactician of the Imperialists, who for the sake of the Emperor not only sacrificed himself and his brother, but by his will his son and his son's successor died for the same cause, boldly attacking the enemy whose number was overwhelmingly great. Masa-shige's loyalty, wisdom, bravery, and prudence are not merely unique in the history of Japan, but perhaps in the history of man. The tragic tale about his parting with his beloved son, and his bravery shown at his last battle, never fail to inspire the Japanese with heroism. He is the best specimen of the Samurai class. According to an old document,[FN#91] this Masa-shige was the practiser of Zen, and just before his last battle he called on Chu Tsun (So-shun) to receive the final instruction. "What have I to do when death takes the place of life?" asked Masa-shige. The teacher replied:

"Be bold, at once cut off both ties, The drawn sword gleams against the skies."

Thus becoming, as it were, an indispensable discipline for the Samurai, Zen never came to an end with the Ho-jo period, but grew more prosperous than before during the reign[FN#92] of the Emperor Go-dai-go, one of the most enthusiastic patrons of the faith.

[FN#91] The event is detailed at length in a life of So-shun, but some historians suspect it to be fictitious. This awaits a further research.

[FN#92] As we have already mentioned, Do-gen, the founder of the Japanese So To Sect, shunned the society of the rich and the powerful, and led a secluded life. In consequence his sect did not make any rapid progress until the Fourth Patriarch of his line, Kei-zan (1268-1325) who, being of energetic spirit, spread his faith with remarkable activity, building many large monasteries, of which Yo-ko-ji, in the province of No-to, So-ji-ji (near Yokohama), one of the head temples of the sect, are well known. One of his disciples, Mei ho (1277-1350), propagated the faith in the northern provinces; while another disciple, Ga-san (1275-1365), being a greater character, brought up more than thirty distinguished disciples, of whom Tai-gen, Tsu-gen, Mu-tan, Dai-tetsu, and Jip-po, are best known. Tai-gen (died 1370) and big successors propagated the faith over the middle provinces, while Tsu-gen (1332-1391) and his successors spread the sect all over the north-eastern and south-western provinces. Thus it is worthy of our notice that most of the Rin Zai teachers confined their activities within Kamakura and Kyo-to, while the So To masters spread the faith all over the country.

The Shoguns of the Ashi-kaga period (1338-1573) were not less devoted to the faith than the Emperors who succeeded the Emperor Go-dai-go. And even Taka-uji (1338-1357), the notorious founder of the Shogunate, built a monastery and invited So-seki,[FN#93] better known as Mu-So-Koku-Shi, who was respected as the tutor by the three successive Emperors after Go-dai-go. Taka-uji's example was followed by all succeeding Shoguns, and Shogun's example was followed by the feudal lords and their vassals. This resulted in the propagation of Zen throughout the country. We can easily imagine how Zen was prosperous in these days from the splendid monasteries[FN#94] built at this period, such as the Golden Hall Temple and the Silver Hall Temple that still adorn the fair city of Kyo-to.

[FN#93] So-seki (1276-1351) was perhaps the greatest Zen master of the period. Of numerous monasteries built for him, E-rin-ji, in the province of Kae, and Ten-ryu-ji, the head temple of a sub-sect of the Rin Zai under the same name, are of importance. Out of over seventy eminent disciples of his, Gi-do (1365-1388), the author of Ku-ge-shu; Shun-oku (1331-1338), the founder of the monastery of So-koku-ji, the head temple of a sub-sect of the Rin Zai under the same name; and Zek-kai (1337-1405), author of Sho-ken-shu, are best known.

[FN#94] Myo-shin-ji was built in 1337 by the Emperor Hana-zono; Ten-ryu-ji was erected by Taka-uji, the first Shogun of the period, in 1344; So-koku-ji by Yosh-imitsu, the third Shogun, in 1385; Kin-Kaku-ji, or Golden Hall Temple, by the same Shogun, in 1397; Gin-kaku-ji, or Silver Hall Temple, by Yoshi-masa, the eighth Shogun, in 1480.



11. Zen in the Dark Age.

The latter half of the Ashikaga period was the age of arms and bloodshed. Every day the sun shone on the glittering armour of marching soldiers. Every wind sighed over the lifeless remains of the brave. Everywhere the din of battle resounded. Out of these fighting feudal lords stood two champions. Each of them distinguished himself as a veteran soldier and tactician. Each of them was known as an experienced practiser of Zen. One was Haru-nobu[FN#95] (Take-da, died in 1573), better known by his Buddhist name, Shin-gen. The other was Teru-tora[FN#96] (Uye-sugi, died in 1578), better known by his Buddhist name, Ken-shin. The character of Shin-gen can be imagined from the fact that he never built any castle or citadel or fortress to guard himself against his enemy, but relied on his faithful vassals and people; while that of Ken-shin, from the fact that he provided his enemy, Shin-gen, with salt when the latter suffered from want of it, owing to the cowardly stratagem of a rival lord. The heroic battles waged by these two great generals against each other are the flowers of the Japanese war-history. Tradition has it that when Shin-gen's army was put to rout by the furious attacks of Ken-shin's troops, and a single warrior mounted on a huge charger rode swiftly as a sweeping wind into Shin-gen's head-quarters, down came a blow of the heavy sword aimed at Shin-gen's forehead, with a question expressed in the technical terms of Zen: "What shalt thou do in such a state at such a moment?" Having no time to draw his sword, Shin-gen parried it with his war-fan, answering simultaneously in Zen words: "A flake of snow on the red-hot furnace!" Had not his attendants come to the rescue Shin-gen's life might have gone as 'a flake of snow on the red-hot furnace.' Afterwards the horseman was known to have been Ken-shin himself. This tradition shows us how Zen was practically lived by the Samurais of the Dark Age.

[FN#95] Shin-gen practised Zen under the instruction of Kwai-sen, who was burned to death by Nobu-naga (O-da) in 1582. See Hon-cho-ko-so-den.

[FN#96] Ken-shin learned Zen under Shu-ken, a So Ta master. See To-jo-ren-to-roku.

Although the priests of other Buddhist sects had their share in these bloody affairs, as was natural at such a time, yet Zen monks stood aloof and simply cultivated their literature. Consequently, when all the people grew entirely ignorant at the end of the Dark Age, the Zen monks were the only men of letters. None can deny this merit of their having preserved learning and prepared for its revival in the following period.[FN#97]

[FN#97] After the introduction of Zen into Japan many important books were written, and the following are chief doctrinal works: Ko-zen-go-koku-ron, by Ei-sai; Sho bo-gen-zo; Gaku-do-yo-zin-shu; Fu-kwan-za-zen-gi; Ei-hei-ko-roku, by Do-gen; Za-zen-yo-zin-ki; and Den-ko-roku, by Kei-zan.



12. Zen under the Toku-gana Shogunate.

Peace was at last restored by Iye-yasu, the founder of the Toku-gana Shogunate (1603-1867). During this period the Shogunate gave countenance to Buddhism on one hand, acknowledging it as the state religion, bestowing rich property to large monasteries, making priests take rank over common people, ordering every householder to build a Buddhist altar in his house; while, on the other hand, it did everything to extirpate Christianity, introduced in the previous period (1544). All this paralyzed the missionary spirit of the Buddhists, and put all the sects in dormant state. As for Zen[FN#98] it was still favoured by feudal lords and their vassals, and almost all provincial lords embraced the faith.

[FN#98] The So To Sect was not wanting in competent teachers, for it might take pride in its Ten-kei (1648-1699), whose religious insight was unsurpassed by any other master of the age; in its Shi getsu, who was a commentator of various Zen books, and died 1764; in its Men-zan (1683-1769), whose indefatigable works on the exposition of So To Zen are invaluable indeed; and its Getsu-shu (1618-1696) and Man-zan (1635-1714), to whose labours the reformation of the faith is ascribed. Similarly, the Rin Zai Sect, in its Gu-do (1579-1661); in its Isshi (1608-1646); in its Taku-an (1573-1645), the favourite tutor of the third Shogun, Iye-mitsu; in its Haku-in (1667-1751), the greatest of the Rin Zai masters of the day, to whose extraordinary personality and labour the revival of the sect is due; and its To-rei (1721-1792), a learned disciple of Haku-in. Of the important Zen books written by these masters, Ro-ji-tan-kin, by Ten-kei; Men-zan-ko-roku, by Men-zan; Ya-sen-kwan-wa, Soku-ko-roku, Kwai-an-koku-go, Kei-so-doku-zui, by Haku-in; Shu-mon-mu-jin-to-ron, by To-rei, are well known.

It was about the middle of this period that the forty-seven vassals of Ako displayed the spirit of the Samurai by their perseverance, self-sacrifice, and loyalty, taking vengeance on the enemy of their deceased lord. The leader of these men, the tragic tales of whom can never be told or heard without tears, was Yoshi-o (O-ishi died 1702), a believer of Zen,[FN#99] and his tomb in the cemetery of the temple of Sen-gaku-ji, Tokyo, is daily visited by hundreds of his admirers. Most of the professional swordsmen forming a class in these days practised Zen. Mune-nori[FN#100](Ya-gyu), for instance, established his reputation by the combination of Zen and the fencing art.

[FN#99] See "Zen Shu," No. 151.

[FN#100] He is known as Ta-jima, who practised Zen under Taku-an.

The following story about Boku-den (Tsuka-hara), a great swordsman, fully illustrates this tendency:

"On a certain occasion Boku-den took a ferry to cross over the Yabase in the province of Omi. There was among the passengers a Samurai, tall and square-shouldered, apparently an experienced fencer. He behaved rudely toward the fellow-passengers, and talked so much of his own dexterity in the art that Boku-den, provoked by his brag, broke silence. 'You seem, my friend, to practise the art in order to conquer the enemy, but I do it in order not to be conquered,' said Boku-den. 'O monk,' demanded the man, as Boku-den was clad like a Zen monk, 'what school of swordsmanship do you belong to?' Well, mine is the Conquering-enemy-without-fighting-school.' 'Don't tell a fib, old monk. If you could conquer the enemy without fighting, what then is your sword for?' 'My sword is not to kill, but to save,' said Boku-den, making use of Zen phrases; 'my art is transmitted from mind to mind.' 'Now then, come, monk,' challenged the man, 'let us see, right at this moment, who is the victor, you or I.' The gauntlet was picked up without hesitation. 'But we must not fight,' said Boku-den, 'in the ferry, lest the passengers should be hurt. Yonder a small island you see. There we shall decide the contest.' To this proposal the man agreed, and the boat was pulled to that island. No sooner had the boat reached the shore than the man jumped over to the land, and cried: 'Come on, monk, quick, quick!' Boku-den, however, slowly rising, said: 'Do not hasten to lose your head. It is a rule of my school to prepare slowly for fighting, keeping the soul in the abdomen.' So saying he snatched the oar from the boatman and rowed the boat back to some distance, leaving the man alone, who, stamping the ground madly, cried out: 'O, you fly, monk, you coward. Come, old monk!' 'Now listen,' said Boku-den, 'this is the secret art of the Conquering-enemy-without-fighting-school. Beware that you do not forget it, nor tell it to anybody else.' Thus, getting rid of the brawling fellow, Boku-den and his fellow-passengers safely landed on the opposite shore."[FN#101] The O Baku School of Zen was introduced by Yin Yuen (In-gen) who crossed the sea in 1654, accompanied by many able disciples.[FN#102] The Shogunate gave him a tract of land at Uji, near Kyo-to, and in 1659 he built there a monastery noted for its Chinese style of architecture, now known as O-baku-san. The teachers of the same school[FN#103] came one after another from China, and Zen[FN#104] peculiar to them, flourished a short while.

[FN#101] Shi-seki-shu-ran.

[FN#102] In-gen (1654-1673) came over with Ta-Mei (Dai-bi, died 1673), Hwui Lin (E-rin died 1681), Tuh Chan (Doku-tan, died 1706), and others. For the life of In-gen: see Zoku-ko-shu-den and Kaku-shu-ko-yo.

[FN#103] Tsih Fei (Soku-hi died 1671), Muh Ngan (Moku-an died 1684), Kao Tsuen (Ko-sen died 1695), the author of Fu-so-zen-rin-so-bo-den, To-koku-ko-so-den, and Sen-un-shu, are best known.

[FN#104] This is a sub-sect of the Rin Zai School, as shown in the following table:

TABLE OF THE TRANSMISSION OF ZEN FROM CHINA TO JAPAN.

1. Bodhidharma. 2. Hwui Ko (E-ka). 3. San Tsang (So-san). 4. Tao Sin (Do-shin). 5. Hung Jan (Ko nin). —-THE NORTHERN SECT 6. Shang Siu (Jin-shu). —-THE SOUTHERN SECT 6. Hwui Nang (E-no). —-THE RIN ZAI SCHOOL. 7. Nan Yoh (Nan-gaku). —-10. Gi-ku. —-11. Lin Tsi (Rin-zai). —-21. Yuen Wu (En-go). —-22. Fuh Hai (Bukkai). —-28. Kaku-a. —-THE O BAKU SCHOOL. 42. In-gen. —-25. Hti Ngan (Kyo-an). —-26. Ei-sai. —-THE SO TO SCHOOL. 7. Tsing Yuen (Sei-gen). —-8. Shih Teu (Seki-to). —-11. Tung Shan (To-zan). —-23. Ju Tsing (Nyo-jo). —-24. Do-gen.

The O Baku School is the amalgamation of Zen and the worship of Amitabha, and different from the other two schools. The statistics for 1911 give the following figures:

The Number of Temples: The So To School 14,255 The Rin Zai School 6,128 The O Baku School 546

The Number of Teachers:

The So To School 9,576 The Rin Zai School 4,523 The O Baku School 349

It was also in this period that Zen gained a great influence on the popular literature characterized by the shortest form of poetical composition. This was done through the genius of Ba-sho,[FN#105] a great literary man, recluse and traveller, who, as his writings show us, made no small progress in the study of Zen. Again, it was made use of by the teachers of popular[FN#106] ethics, who did a great deal in the education of the lower classes. In this way Zen and its peculiar taste gradually found its way into the arts of peace, such as literature, fine art, tea-ceremony, cookery, gardening, architecture, and at last it has permeated through every fibre of Japanese life.

[FN#105] He (died 1694) learned Zen under a contemporary Zen master (Buccho), and is said to have been enlightened before his reformation of the popular literature.

[FN#106] The teaching was called Shin-gaku, or the 'learning of mind.' It was first taught by Bai-gan (Ishi-da), and is the reconciliation of Shintoism and Buddhism with Confucianism. Bai-gan and his successors practised Meditation, and were enlightened in their own way. Do-ni (Naka-zawa, died 1803) made use of Zen more than any other teacher.



13. Zen after the Restoration.

After the Restoration of the Mei-ji (1867) the popularity of Zen began to wane, and for some thirty years remained in inactivity; but since the Russo-Japanese War its revival has taken place. And now it is looked upon as an ideal faith, both for a nation full of hope and energy, and for a person who has to fight his own way in the strife of life. Bushido, or the code of chivalry, should be observed not only by the soldier in the battle-field, but by every citizen in the struggle for existence. If a person be a person and not a beast, then he must be a Samurai-brave, generous, upright, faithful, and manly, full of self-respect and self-confidence, at the same time full of the spirit of self-sacrifice. We can find an incarnation of Bushido in the late General Nogi, the hero of Port Arthur, who, after the sacrifice of his two sons for the country in the Russo-Japanese War, gave up his own and his wife's life for the sake of the deceased Emperor. He died not in vain, as some might think, because his simplicity, uprightness, loyalty, bravery, self-control, and self-sacrifice, all combined in his last act, surely inspire the rising generation with the spirit of the Samurai to give birth to hundreds of Nogis. Now let us see in the following chapters what Zen so closely connected with Bushido teaches us.



CHAPTER III



THE UNIVERSE IS THE SCRIPTURE[FN#107] OF ZEN

1. Scripture is no More than Waste Paper.

[FN#107] Zen is not based on any particular sutra, either of Mahayana or of Hinayana. There are twofold Tripitakas (or the three collections of the Buddhist scriptures)-namely, the Mahayana-tripitaka and the Hinayana-tripitaka. The former are the basis of the Mahayana, or the higher and reformed Buddhism, full of profound metaphysical reasonings; while the latter form that of the Hinayana, or the lower and early Buddhism, which is simple and ethical teaching. These twofold Tripitakas are as follows:

THE MAHAYANA-TRIPITAKA.

The Sutra Pitaka.-The Saddharma-pundarika-sutra, Samdhi-nirmocana-sutra, Avatamsaka-sutra, Prajnyaparamita-sutra, Amitayus-sutra, Mahaparinirvana-sutra, etc.

The Vinaya Pitaka.—Brahmajala-sutra, Bodhisattva-caryanirdeca, etc.

The Abhidharma Pitaka.—Mahaprajnyaparamita-sutra, Mahayana-craddhotpada-castra, Madhyamaka-castra, Yogacarya bhumi-castra, etc.

THE HINAYANA-TRIPITAKA. The Sutra Pitaka.—Dirghagama, Ekottaragama, Madhyamagama, Samyuktagama, etc.

The Vinaya Pitaka.—Dharmagupta-vinaya, Mahasamghika-vinaya, Sarvastivada-vinaya, etc.

The Abhidharma Pitaka.—Dharma-skandha-pada, Samgiti-paryaya-pada, Jnyanaprasthana-castra, Abhidharma-kosa-castra, etc.

The term 'Tripitaka,' however, was not known at the time of Shakya Muni, and almost all of the northern Buddhist records agree in stating that the Tripitaka was rehearsed and settled in the same year in which the Muni died. Mahavansa also says: "The book called Abhidharma-pitaka was compiled, which was preached to god, and was arranged in due order by 500 Budhu priests." But we believe that Shakya Muni's teaching was known to the early Buddhists, not as Tripitaka, but as Vinaya and Dharma, and even at the time of King Acoka (who ascended the throne about 269 B.C.) it was not called Tripitaka, but Dharma, as we have it in his Edicts. Mahayanists unanimously assert the compilation of the Tripitaka in the first council of Rajagrha, but they differ in opinion as to the question who rehearsed the Abhidharma; notwithstanding, they agree as for the other respects, as you see in the following:

The Sutra Pitaka, compiled by Ananda; the Vinaya Pitaka, compiled by Upali; the Abhidharma Pitaka, compiled by Ananda—according to Nagarjuna (Mahaprajnyaparamita-castra).

The Sutra Pitaka, compiled by Ananda; the Vinaya Pitaka, compiled by Upali; the Abhidharma Pitaka, compiled by Kacyapa according to Huen Tsang (Ta-tan-si-yu-ki).

The Sutra Pitaka, compiled by Ananda; the Vinaya Pitaka, compiled by Upali; the Abhidharma Pitaka, compiled by Purna—according to Paramartha ('A Commentary on the History of the Hinayana Schools').

The above-mentioned discrepancy clearly betrays the uncertainty of their assertions, and gives us reason to discredit the compilation of Abhidharma Pitaka at the first council. Besides, judging from the Dharma-gupta-vinaya and other records, which states that Purna took no part in the first council, and that he had different opinions as to the application of the rules of discipline from that of Kacyapa, there should be some errors in Paramartha's assertion. Of these three collections of the Sacred Writings, the first two, or Sutra and Vinaya, of Mahayana, as well as of Himayana, are believed to be the direct teachings of Shakya Muni himself, because all the instructions are put in the mouth of the Master or sanctioned by him. The Mahayanists, however, compare the Hinayana doctrine with a resting-place on the road for a traveller, while the Mahayana doctrine with his destination. All the denominations of Buddhism, with a single exception of Zen, are based on the authority of some particular sacred writings. The Ten Dai Sect, for instance, is based on Saddharma-pundarika-sutra; the Jo Do Sect on Larger Sukhavati-vyuha, Smaller Sukhavati-vyuha, and Amitayus-dhyana-sutra; the Ke Gon Sect on Avatamsaka-sutra; the Hosso Sect on Samdhi-nirmocana-sutra.

Zen is based on the highest spiritual plane attained by Shakya Muni himself. It can only be realized by one who has attained the same plane. To describe it in full by means of words is beyond the power even of Gotama himself. It is for this reason that the author of Lankavatara-sutra insists that Shakya Muni spoke no word through his long career of forty-nine years as a religious teacher, and that of Mahaprajnyaparamita-sutra[FN#108] also express the same opinion. The Scripture is no more nor less than the finger pointing to the moon of Buddhahood. When we recognize the moon and enjoy its benign beauty, the finger is of no use. As the finger has no brightness whatever, so the Scripture has no holiness whatever. The Scripture is religious currency representing spiritual wealth. It does not matter whether money be gold, or sea-shells, or cows. It is a mere substitute. What it stands for is of paramount importance. Away with your stone-knife! Do not watch the stake against which a running hare once struck its head and died. Do not wait for another hare. Another may not come for ever. Do not cut the side of the boat out of which you dropped your sword to mark where it sunk. The boat is ever moving on. The Canon is the window through which we observe the grand scenery of spiritual nature. To hold communion directly with it we must get out of the window. It is a mere stray fly that is always buzzing within it, struggling to get out. Those who spend most of their lives in the study of the Scriptures, arguing and explaining with hair-splitting reasonings, and attain no higher plane in spirituality, are religious flies good for nothing but their buzzing about the nonsensical technicalities. It is on this account that Rin-zai declared:[FN#109] 'The twelve divisions of the Buddhist Canon are nothing better than waste paper.'

[FN#108] Mahaprajnyaparamita-sutra, vol. 425.

[FN#109] Rin-zai-roku.



2. No Need of the Scriptural Authority for Zen.

Some Occidental scholars erroneously identify Buddhism with the primitive faith of Hinayanism, and are inclined to call Mahayanism, a later developed faith, a degenerated one. If the primitive faith be called the genuine, as these scholars think, and the later developed faith be the degenerated one, then the child should be called the genuine man and the grown-up people be the degenerated ones; similarly, the primitive society must be the genuine and the modern civilization be the degenerated one. So also the earliest writings of the Old Testament should be genuine and the four Gospels be degenerated. Beyond all doubt Zen belongs to Mahayanism, yet this does not imply that it depends on the scriptural authority of that school, because it does not trouble itself about the Canon whether it be Hinayana or Mahayana, or whether it was directly spoken by Shakya Muni or written by some later Buddhists. Zen is completely free from the fetters of old dogmas, dead creeds, and conventions of stereotyped past, that check the development of a religious faith and prevent the discovery of a new truth. Zen needs no Inquisition. It never compelled nor will compel the compromise of a Galileo or a Descartes. No excommunication of a Spinoza or the burning of a Bruno is possible for Zen.

On a certain occasion Yoh Shan (Yaku-san) did not preach the doctrine for a long while, and was requested to give a sermon by his assistant teacher, saying: "Would your reverence preach the Dharma to your pupils, who long thirst after your merciful instruction?" "Then ring the bell," replied Yoh Shan. The bell rang, and all the monks assembled in the Hall eager to bear the sermon. Yoh Shan went up to the pulpit and descended immediately without saying a word. "You, reverend sir," asked the assistant, "promised to deliver a sermon a little while ago. Why do you not preach?" "Sutras are taught by the Sutra teachers," said the master; "Castras are taught by the Castra teachers. No wonder that I say nothing."[FN#110] This little episode will show you that Zen is no fixed doctrine embodied in a Sutra or a Castra, but a conviction or realization within us.

[FN#110] Zen-rin-rui-shu and E-gen.

To quote another example, an officer offered to Tung Shan (To-zan) plenty of alms, and requested him to recite the sacred Canon. Tung Shan, rising from his chair, made a bow respectfully to the officer, who did the same to the teacher. Then Tung Shan went round the chair, taking the officer with him, and making a bow again to the officer, asked: "Do you see what I mean?" "No, sir," replied the other. "I have been reciting the sacred Canon, why do you not see?"[FN#111] Thus Zen does not regard Scriptures in black and white as its Canon, for it takes to-days and tomorrows of this actual life as its inspired pages.

[FN#111] Zen-rin-rui-sha and To-zan-roku.



3. The Usual Explanation of the Canon.

An eminent Chinese Buddhist scholar, well known as Ten Dai Dai Shi (A.D. 538-597), arranged the whole preachings of Shakya Muni in a chronological order in accordance with his own religious theory, and observed that there were the Five Periods in the career of the Buddha as a religious teacher. He tried to explain away all the discrepancies and contradictions, with which the Sacred Books are encumbered, by arranging the Sutras in a line of development. His elucidation was so minute and clear, and his metaphysical reasonings so acute and captivating, that his opinion was universally accepted as an historical truth, not merely by the Chinese, but also by the Japanese Mahayanists. We shall briefly state here the so-called Five Periods.

Shakya Muni attained to Buddhaship in his thirtieth year, and sat motionless for seven days under the Bodhi tree, absorbed in deep meditation, enjoying the first bliss of his Enlightenment. In the second week he preached his Dharma to the innumerable multitude of Bodhisattvas,[FN#112] celestial beings, and deities in the nine assemblies held at seven different places. This is the origin of a famous Mahayana book entitled Buddhavatamsaka-mahavaipulya-sutra. In this book the Buddha set forth his profound Law just as it was discovered by his highly Enlightened mind, without considering the mental states of his hearers. Consequently the ordinary hearers (or the Buddha's immediate disciples) could not understand the doctrine, and sat stupefied as if they were 'deaf and dumb,' while the great Bodhisattvas fully understood and realized the doctrine. This is called the first period, which lasted only two or three[FN#113] weeks.

[FN#112] Bodhisattva is an imaginary personage, or ideal saint, superior to Arhat, or the highest saint of Hinayanism. The term 'Bodhisattva' was first applied to the Buddha before his Enlightenment, and afterwards was adopted by Mahayanists to mean the adherent of Mahayanism in contradistinction with the Cravaka or hearers of Hinayanism.

[FN#113] Bodhiruci says to the effect that the preachings in the first five assemblies were made in the first week, and the rest were delivered in the second week. Nagarjuna says that the Buddha spoke no word for fifty-seven days after his Enlightenment. It is said in Saddharma-pundarika-sutra that after three weeks the Buddha preached at Varanasi, and it says nothing respecting Avatamsaka-sutra. Though there are divers opinions about the Buddha's first sermon and its date, all traditions agree in this that he spent some time in meditation, and then delivered the first sermon to the five ascetics at Varanasi.

Thereupon Shakya Muni, having discovered that ordinary bearers were too ignorant to believe in the Mahayana doctrine and appreciate the greatness of Buddhahood, thought it necessary to modify his teaching so as to adjust it to the capacity of ordinary people. So he went to Varanasi (or Benares) and preached his modified doctrine—that is, Hinayanism. The instruction given at that time has been handed down to us as the four Agamas,[FN#114] or the four Nikayas. This is called the second period, which lasted about twelve years. It was at the beginning of this period that the Buddha converted the five ascetics,[FN#115] who became his disciples. Most of the ravakas or the adherents of Hinayanism were converted during this period. They trained their hearts in accordance with the modified Law, learned the four noble truths,[FN#116] and worked out their own salvation.

[FN#114] (1) Anguttara, (2) Majjhima, (3) Digha, (4) Samyutta.

[FN#115] Kondanynya, Vappa, Baddiya, Mahanana, Assaji.

[FN#116] The first is the sacred truth of suffering; the second the truth of the origin of suffering—that is, lust and desire; the third the sacred truth of the extinction of suffering; the fourth the sacred truth of the path that leads to the extinction of suffering. There are eight noble paths that lead to the extinction of suffering—that is, Right faith, Right resolve, Right speech, Right action, Right living, Right effort, Right thought, and Right meditation.

The Buddha then having found his disciples firmly adhering to Hinayanism without knowing that it was a modified and imperfect doctrine, he had to lead them up to a higher and perfect doctrine that he might lead them up to Buddhahood. With this object in view Shakya Muni preached Vimalakirtti-nirdeca-sutra[FN#117], Lankavatara-sutra, and other sutras, in which he compared Hinayanism with Mahayanism, and described the latter in glowing terms as a deep and perfect Law, whilst he set forth the former at naught as a superficial and imperfect one. Thus he showed his disciples the inferiority of Hinayanism, and caused them to desire for Mahayanism. This is said to be the third period, which lasted some eight years.

[FN#117] This is one of the most noted Mahayana books, and is said to be the best specimen of the sutras belonging to this period. It is in this sutra that most of Shakya's eminent disciples, known as the adherents of Hinayanism, are astonished with the profound wisdom, the eloquent speech, and the supernatural power of Vimalakirtti, a Bodhisattva, and confess the inferiority of their faith. The author frequently introduces episodes in order to condemn Hinayanism, making use of miracles of his own invention.

The disciples of the Buddha now understood that Mahayanism was far superior to Hinayanism, but they thought the higher doctrine was only for Bodhisattvas and beyond their understanding. Therefore they still adhered to the modified doctrine, though they did no longer decry Mahayanism, which they had no mind to practise. Upon this Shakya Muni preached Prajnyaparamita-sutras[FN#118] in the sixteen assemblies held at four different places, and taught them Mahayanism in detail in order to cause them to believe it and practise it. Thus they became aware that there was no definite demarcation between Mahayanism and Hinayanism, and that they might become Mahayanists. This is the fourth period, which lasted about twenty-two years. Now, the Buddha, aged seventy-two, thought it was high time to preach his long-cherished doctrine that all sentient beings can attain to Supreme Enlightenment; so he preached Saddharma-pundarika-sutra, in which he prophesied when and where his disciples should become Buddhas. It was his greatest object to cause all sentient beings to be Enlightened and enable them to enjoy the bliss of Nirvana. It was for this that he had endured great pain and hardships through his previous existences. It was for this that he had left his heavenly abode to appear on earth. It was for this that he had preached from time to time through his long career of forty-seven years. Having thus realized his great aim, Shakya Muni had now to prepare for his final departure, and preached Mahaparinirvana-sutra in order to show that all the animated and inanimate things were endowed with the same nature as his. After this last instruction he passed to eternity. This is called the fifth period, which lasted some eight years.

[FN#118] Nagarjuna's doctrine depends mainly on these sutras.

These five periods above mentioned can scarcely be called historical in the proper sense of the term, yet they are ingeniously invented by Ten Dai Dai Shi to set the Buddhist Scriptures in the order of doctrinal development, and place Saddharma-pundarika in the highest rank among the Mahayana books. His argument, however dogmatic and anti-historical in no small degree, would be not a little valuable for our reader, who wants to know the general phase of the Buddhist Canon, consisting of thousands of fascicles.



4. Sutras used by Zen Masters.

Ten Dai failed to explain away the discrepancies and contradictions of which the Canon is full, and often contradicted himself by the ignoring of historical[FN#119] facts.

[FN#119] Let us state our own opinion on the subject in question. The foundation of Hinayanism consists in the four Nikayas, or four Agamas, the most important books of that school. Besides the four Agamas, there exist in the Chinese Tripitaka numerous books translated by various authors, some of which are extracts from Agamas, and some the lives of the Buddha, while others are entirely different sutras, apparently of later date. Judging from these sources, it seems to us that most of Shakya Muni's original teachings are embodied into the four Agamas. But it is still a matter of uncertainty that whether they are stated in Agamas now extant just as they were, for the Buddha's preachings were rehearsed immediately after the Buddha's death in the first council held at Rajagrha, yet not consigned to writing. They were handed down by memory about one hundred years. Then the monks at Vaisali committed the so-called Ten Indulgences, infringing the rules of the Order, and maintained that Shakya Muni had not condemned them in his preachings. As there were, however, no written sutras to disprove their assertion, the elders, such as Yaca, Revata, and others, who opposed the Indulgences, had to convoke the second council of 700 monks, in which they succeeded in getting the Indulgences condemned, and rehearsed the Buddha's instruction for the second time. Even in this council of Vaisali we cannot find the fact that the Master's preachings were reduced to writing. The decisions of the 700 elders were not accepted by the party of opposition, who held a separate council, and settled their own rules and doctrine. Thus the same doctrine of the Teacher began to be differently stated and believed.

This being the first open schism, one disruption after another took place among the Buddhistic Order. There were many different schools of the Buddhists at the time when King Acoka ascended the throne (about 269 B.C.), and the patronage of the King drew a great number of pagan ascetics into the Order, who, though they dressed themselves in the yellow robes, yet still preserved their religious views in their original colour. This naturally led the Church into continual disturbances and moral corruption. In the eighteenth year of Acoka's reign the King summoned the council of 1,000 monks at Pataliputra (Patna), and settled the orthodox doctrine in order to keep the Dharma pure from heretical beliefs. We believe that about this time some of the Buddha's preachings were reduced to writing, for the missionaries despatched by the King in the year following the council seem to have set out with written sutras. In addition to this, some of the names of the passages of the Dharma are given in the Bharbra edict of the King, which was addressed to the monks in Magadha. We do not suppose, however, that all the sutras were written at once in these days, but that they were copied down from memory one after another at different times, because some of the sutras were put down in Ceylon 160 years after the Council of Patna.

In the introductory book of Ekottaragama (Anguttara Nikaya), now extant in the Chinese Tripitaka, we notice the following points: (1) It is written in a style quite different from that of the original Agama, but similar to that of the supplementary books of the Mahayana sutras; (2) it states Ananda's compilation of the Tripitaka after the death of the Master; (3) it refers to the past Buddhas, the future Buddha Maitreya, and innumerable Bodhisattvas; (4) it praises the profound doctrine of Mahayanism. From this we infer that the Agama was put in the present form after the rise of the Mahayana School, and handed down through the hand of Mahasanghika scholars, who were much in sympathy with Mahayanism.

Again, the first book of Dirghagama, (Digha Nikaya), that describes the line of Buddhas who appeared before Shakya Muni, adopts the whole legend of Gotama's life as a common mode of all Buddhas appearing on earth; while the second book narrates the death of Gotama and the distribution of his relies, and refers to Pataliputra, the new capital of Acoka. This shows us that the present Agama is not of an earlier date than the third century B.C. Samyuktagama (Samyutta Nikaya) also gives a detailed account of Acoka's conversion, and of his father Bindusara. From these evidences we may safely infer that the Hinayana sutras were put in the present shape at different times between the third century B.C. and the first century A.D. With regard to the Mahayana sutras we have little doubt about their being the writings of the later Buddhist reformers, even if they are put in the mouth of Shakya Muni. They are entirely different from the sutras of Hinayanism, and cannot be taken as the preachings of one and the same person. The reader should notice the following points:

(1) Four councils were held for the rehearsal of the Tripitaka namely, the first at Rajagrha, in the year of Shakya Muni's death; the second at Vaisali, some 100 years after the Buddha; the third at the time of King Acoka, about 235 years after the Master; the fourth at the time of King Kanishka, the first century A.D. But all these councils were held to compile the Hinayana sutras, and nothing is known of the rehearsal of the Mahayana books. Some are of opinion that the first council was held within the Sattapanni cave, near Rajagrha, where the Hinayana Tripitaka was rehearsed by 500 monks, while outside the cave there assembled a greater number of monks, who were not admitted into the cave, and rehearsed the Mahayana Tripitaka. This opinion, however, is based on no reliable source.

(2) The Indian orthodox Buddhists of old declared that the Mahayana sutras were the fabrication of heretics or of the Evil One, and not the teachings of the Buddha. In reply to this, the Mahayanists had to prove that the Mahayana sutras were compiled by the direct disciples of the Master; but even Nagarjuna could not vindicate the compilation of the doubtful books, and said (in Mahaprajnyaparamita-castra) that they were compiled by Ananda and Manjucri, with myriads of Bodhisattvas at the outside of the Iron Mountain Range, which encloses the earth. Asanga also proved (in Mahayanalankara-sutra-castra) with little success that Mahayanism was the Buddha's direct teachings. Some may quote Bodhisattva-garbhastha-sutra in favour of the Mahayana; but it is of no avail, as the sutra itself is the work of a later date.

(3) Although almost all of the Mahayana sutras, excepting Avatamsaka-sutra, treat of Hinayanism as the imperfect doctrine taught in the first part of the Master's career, yet not merely the whole life of Gotama, but also events which occurred after his death are narrated in the Hinayana sutras. This shows that the Mahayana sutras were composed after the establishment of early Buddhism.

(4) The narratives given in the Hinayana sutras in reference to Shakya Muni seem to be based on historical facts, but those in the Mahayana books are full of wonders and extravagant miracles far from facts.

(5) The Hinayana sutras retain the traces of their having been classified and compiled as we see in Ekottaragama, while Mahayana books appear to have been composed one after another by different authors at different times, because each of them strives to excel others, declaring itself to be the sutra of the highest doctrine, as we see in Saddharma-pundarika, Samdhinirmocana, Suvarnaprabhasottamaraja, etc.

(6) The dialogues in the Hinayana sutras are in general those between the Buddha and his disciples, while in the Mahayana books imaginary beings called Bodhisattvas take the place of disciples. Moreover, in some books no monks are mentioned.

(7) Most of the Mahayana sutras declare that they themselves possess those mystic powers that protect the reader or the owner from such evils as epidemic, famine, war, etc.; but the Hinayana sutras are pure from such beliefs.

(8) The Mahayana sutras extol not only the merits of the reading, but the copying of the sutras. This unfailingly shows the fact that they were not handed down by memory, as the Hinayana sutras, but written by their respective authors.

(9) The Hinayana sutras were written with a plain style in Pali, while the Mahayana books, with brilliant phraseology, in Sanskrit.

(10) The Buddha in the Hinayana sutras is little more than a human being, while Buddha or Tathagata in the Mahayana is a superhuman being or Great Deity.

(11) The moral precepts of the Hinayana were laid down by the Master every time when his disciples acted indecently, while those of the Mahayana books were spoken all at once by Tathagata.

(12) Some Mahayana sutras appear to be the exaggeration or modification of what was stated in the Hinayana books, as we see in Mahaparinirvana-sutra.

(13) If we take both the Hinayana and the Mahayana as spoken by one and the same person, we cannot understand why there are so many contradictory statements, as we see in the following:

(a) Historical Contradictions.—For instance, Hinayana sutras are held to be the first sermon of the Buddha by the author of Saddharma-pundarika, while Avatamsaka declares itself to be the first sermon. Nagarjuna holds that Prajnya sutras are the first.

(b) Contradictions as to the Person of the Master.—For instance, Agamas say the Buddha's body was marked with thirty-two peculiarities, while the Mahayana books enumerate ninety-seven peculiarities, or even innumerable marks.

(c) Doctrinal Contradictions.—For instance, the Hinayana sutras put forth the pessimistic, nihilistic view of life, while the Mahayana books, as a rule, express the optimistic, idealistic view.

(14) The Hinayana sutras say nothing of the Mahayana books, while the latter always compare their doctrine with that of the former, and speak of it in contempt. It is clear that the name 'Hinayana' was coined by the Mahayanists, as there is no sutra which calls itself 'Hinayana.' It is therefore evident that when the Hinayana books took the present shape there appeared no Mahayana sutras.

(15) The authors of the Mahayana sutras should have expected the opposition of the Hinayanists, because they say not seldom that there might be some who would not believe in and oppose Mahayanism as not being the Buddha's teaching, but that of the Evil One. They say also that one who would venture to say the Mahayana books are fictitious should fall into Hell. For example, the author of Mahaparinirvana-sutra says: "Wicked Bhiksus would say all Vaipulya Mahayana sutras are not spoken by the Buddha, but by the Evil One."

(16) There are evidences showing that the Mahayana doctrine was developed out of the Hinayana one.

(a) The Mahayanists' grand conception of Tathagata is the natural development of that of those progressive Hinayanists who belonged to the Mahasamghika School, which was formed some one hundred years after the Master. These Hinayanists maintained that the Buddha had infinite power, endless life, and limitlessly great body. The author of Mahaparinirvana-sutra also says that Buddha is immortal, his Dharma-kaya is infinite and eternal. The authors of Mahayana-mulagata-hrdayabhumi-dhyana-sutra and of Suvarnaprabha-sottamaraja-sutra enumerate the Three Bodies of Buddha, while the writer of Lankavatara-sutra describes the Four Bodies, and that of Avatamsaka-sutra the Ten Bodies of Tathagata.

(b) According to the Hinayana sutras, there are only four stages of saintship, but the Mahasamghika School increases the number and gives ten steps. Some Mahayana sutras also enumerate the ten stages of Bodhisattva, while others give forty-one or fifty two stages.

(c) The Himayana sutras name six past Buddhas and one future Buddha Maitreya, while the Mahayana sutras name thirty-five, fifty-three, or three thousand Buddhas.

(d) The Hinayana sutras give the names of six Vijnyanas, while the Mahayana books seven, eight, or nine Vijnyanas.

(17) For a few centuries after the Buddha we hear only of Hinayanism, but not of Mahayanism, there being no Mahayana teacher.

(18) In some Mahayana sutras (Mahavairocanabhisambodhi-sutra, for example) Tathagata Vairocana takes the place of Gotama, and nothing is said of the latter.

(19) The contents of the Mahayana sutras often prove that they were, composed, or rewritten, or some additions were made, long after the Buddha. For instance, Mahamaya-sutra says that Acvaghosa would refute heretical doctrines 600 years after the Master, and Nagarjuna would advocate the Dharma 700 years after Gotama, while Lankavatara-sutra prophesies that Nagarjuna would appear in South India.

(20) The author of San-ron-gen-gi tells us Mahadeva, a leader of the Mahasamghika School, used Mahayana sutras, together with the orthodox Tripitaka 116 after the Buddha. It is, however, doubtful that they existed at so early a date.

(21) Mahaprajnyaparamita-castra, ascribed to Nagarjuna, refers to many Mahayana books, which include Saddharma-pundarika, Vimalakirtti-nirdeca, Sukhavati-vyuha, Mahaprajnyaparamita, Pratyutpanna-buddhasammukhavasthita-samadhi, etc. He quotes in his Dacabhumivibhasa-castra, Mahaparinirvana, Dacabhumi, etc.

(22) Sthiramati, whose date is said to be earlier than Nagarjuna and later than Acvaghosa, tries to prove that Mahayanism was directly taught by the Master in his Mahayanavataraka-castra. And Mahayanottaratantra-castra, which is ascribed by some scholars to him, refers to Avatamsaka, Vajracchedikka-prajnyaparamita, Saddharmapundarika, Crimala-devi-simhananda, etc.

(23) Chi-leu-cia-chin, who came to China in A.D. 147 or A.D. 164, translated some part of Mahayana books known as Maharatnakuta-sutra and Mahavaipulya-mahasannipata-sutra.

(24) An-shi-kao, who came to China in A.D. 148, translated such Mahayana books as Sukhavati-vyaha, Candra-dipa-samadhi, etc.

(25) Matanga, who came to China in A.D. 67, is said by his biographer to have been informed of both Mahayanism and Hinayanism to have given interpretations to a noted Mahayana book, entitled Suvarnaprabhasa.

(26) Sandhinirmocana-sutra is supposed to be a work of Asanga not without reason, because Asanga's doctrine is identical with that of the sutra, and the sutra itself is contained in the latter part of Yogacaryabhumi-castra. The author divides the whole preachings of the Master into the three periods that he might place the Idealistic doctrine in the highest rank of the Mahayana schools.

(27) We have every reason to believe that Mahayana sutras began to appear (perhaps Prajnya sutras being the first) early in the first century A.D., that most of the important books appeared before Nagarjuna, and that some of Mantra sutras were composed so late as the time of Vajrabodhi, who came to China in A.D. 719.

To say nothing of the strong opposition raised by the Japanese scholars,[FN#120] such an assumption can be met with an assumption of entirely opposite nature, and the difficulties can never be overcome. For Zen masters, therefore, these assumptions and reasonings are mere quibbles unworthy of their attention.

[FN#120] The foremost of them was Chuki Tominaga (1744), of whose life little is known. He is said to have been a nameless merchant at Osaka. His Shutsu-jo-ko-go is the first great work of higher criticism on the Buddhist Scriptures.

To believe blindly in the Scriptures is one thing, and to be pious is another. How often the childish views of Creation and of God in the Scriptures concealed the light of scientific truths; how often the blind believers of them fettered the progress of civilization; how often religious men prevented us from the realizing of a new truth, simply because it is against the ancient folk-lore in the Bible. Nothing is more absurd than the constant dread in which religious men, declaring to worship God in truth and in spirit, are kept at the scientific discovery of new facts incompatible with the folk-lore. Nothing is more irreligious than to persecute the seekers of truth in order to keep up absurdities and superstitions of bygone ages. Nothing is more inhuman than the commission of 'devout cruelty' under the mask of love of God and man. Is it not the misfortune, not only of Christianity, but of whole mankind, to have the Bible encumbered with legendary histories, stories of miracles, and a crude cosmology, which from time to time come in conflict with science?

The Buddhist Scriptures are also overloaded with Indian superstitions and a crude cosmology, which pass under the name of Buddhism. Accordingly, Buddhist scholars have confused not seldom the doctrine of the Buddha with these absurdities, and thought it impious to abandon them. Kaiseki,[FN#121] for instance, was at a loss to distinguish Buddhism from the Indian astronomy, which is utterly untenable in the face of the fact. He taxed his reason to the utmost to demonstrate the Indian theory and at the same time to refute the Copernican theory. One day he called on Yeki-do[FN#122] a contemporary Zen master, and explained the construction of the Three Worlds as described in the Scriptures, saying that Buddhism would come to naught if the theory of the Three Worlds be overthrown by the Copernican. Then Yeki-do exclaimed: "Buddhism aims to destroy the Three Worlds and to establish Buddha's Holy Kingdom throughout the universe. Why do you waste your energy in the construction of the Three Worlds?"[FN#123]

[FN#121] A learned Japanese Buddhist scholar, who died in 1882.

[FN#122] A famous Zen master, the abbot of the So-ji-ji Monastery, who died in 1879.

[FN#123] Kin-sei-zen-rin-gen-ko-roku.

In this way Zen does not trouble itself about unessentials of the Scriptures, on which it never depends for its authority. Do-gen, the founder of the Japanese So To Sect, severely condemns (in his Sho-bo-gen-zo) the notions of the impurity of women inculcated in the Scriptures. He openly attacks those Chinese monks who swore that they would not see any woman, and ridicules those who laid down rules prohibiting women from getting access to monasteries. A Zen master was asked by a Samurai whether there was hell in sooth as taught in the Scriptures. "I must ask you," replied he, "before I give you an answer. For what purpose is your question? What business have you, a Samurai, with a thing of that sort? Why do you bother yourself about such an idle question? Surely you neglect your duty and are engaged in such a fruitless research. Does this not amount to your stealing the annual salary from your lord?" The Samurai, offended not a little with these rebukes, stared at the master, ready to draw his sword at another insult. Then the teacher said smilingly: "Now you are in Hell. Don't you see?"

Does, then, Zen use no scripture? To this question we answer both affirmatively and negatively: negatively, because Zen regards all sutras as a sort of pictured food which has no power of appeasing spiritual hunger; affirmatively, because it freely makes use of them irrespective of Mahayana or Hinayana. Zen would not make a bonfire of the Scriptures as Caliph Omar did of the Alexandrian library. A Zen master, having seen a Confucianist burning his books on the thought that they were rather a hindrance to his spiritual growth, observed: "You had better burn your books in mind and heart, but not the books in black and white."[FN#124]

[FN#124] Ukiyo-soshi.

As even deadly poison proves to be medicine in the band of a good doctor, so a heterodox doctrine antagonistic to Buddhism is used by the Zen teachers as a finger pointing to the principle of Zen. But they as a rule resorted to Lankavatara-sutra,[FN#125] Vajracchedika-prajnya-paramita-sutra,[FN#126] Vimalakirtti-nirdeca-sutra[FN#127] Mahavaipulya-purnabuddha-sutra[FN#128] Mababuddhosnisa-tathagata-guhyahetu-saksatkrta-prasannatha-sarvabhodhi sattvacarya-surangama-sutra,[FN#129] Mahapari-nirvana-sutra,[FN#130] Saddharma-pundarika-sutra, Avatamsaka-sutra, and so forth.

[FN#125] This book is the nearest approach to the doctrine of Zen, and is said to have been pointed out by Bodhidharma as the best book for the use of his followers. See Nanjo's Catalogue, Nos. 175, 1761 177.

[FN#126] The author of the sutra insists on the unreality of all things. The book was first used by the Fifth Patriarch, as we have seen in the first chapter. See Nanjo's Catalogue, Nos. 10, 11, 12, 13, 14, 15.

[FN#127] The sutra agrees with Zen in many respects, especially in its maintaining that the highest truth can only be realized in mind, and cannot be expressed by word of mouth. See Nanjo's Catalogue, Nos. 144, 145, 146, 147, 148, 149.

[FN#128] The sutra was translated into Chinese by Buddhatrata in the seventh century. The author treats at length of Samadhi, and sets forth a doctrine similar to Zen, so that the text was used by many Chinese Zenists. See Nanjo's Catalogue, Nos. 427 and 1629.

[FN#129] The sutra was translated into Chinese by Paramiti and Mikacakya, of the Tang dynasty (618-907). The author conceives Reality as Mind or Spirit. The book belongs to the Mantra class, although it is much used by Zenists. See Nanjo's Catalogue, No. 446.

[FN#130] The author of the book sets forth his own conception of Nirvana and of Buddha, and maintains that all beings are endowed with Buddha-nature. He also gives in detail an incredible account about Gotama's death.



5. A Sutra Equal in Size to the Whole World.

The holy writ that Zen masters admire is not one of parchment nor of palm-leaves, nor in black and white, but one written in heart and mind. On one occasion a King of Eastern India invited the venerable Prajnyatara, the teacher of Bodhidharma, and his disciples to dinner at his own palace.

Finding all the monks reciting the sacred sutras with the single exception of the master, the Ring questioned Prajnyatara: "Why do you not, reverend sir, recite the Scriptures as others do?" "My poor self, your majesty," replied he, "does not go out to the objects of sense in my expiration nor is it confined within body and mind in my inspiration. Thus I constantly recite hundreds, thousands, and millions of sacred sutras." In like manner the Emperor Wu, of the Liang dynasty, once requested Chwen Hih (Fu Dai-shi) to give a lecture on the Scriptures. Chwen went upon the platform, struck the desk with a block of wood, and came down. Pao Chi (Ho-shi), a Buddhist tutor to the Emperor, asked the perplexed monarch: "Does your Lordship understand him?" "No," answered His Majesty. "The lecture of the Great Teacher is over." As it is clear to you from these examples, Zen holds that the faith must be based not on the dead Scriptures, but on living facts, that one must turn over not the gilt pages of the holy writ, but read between the lines in the holy pages of daily life, that Buddha must be prayed not by word of mouth, but by actual deed and work, and that one must split open, as the author of Avatamsaka-sutra allegorically tells us, the smallest grain of dirt to find therein a sutra equal in size to the whole world. "The so-called sutra," says Do-gen, "covers the whole universe. It transcends time and space. It is written with the characters of heaven, of man, of beasts, of Asuras,[FN#13l] of hundreds of grass, and of thousands of trees. There are characters, some long, some short, some round, some square, some blue, some red, some yellow, and some white-in short, all the phenomena in the universe are the characters with which the sutra is written." Shakya Muni read that sutra through the bright star illuminating the broad expanse of the morning skies, when he sat in meditation under the Bodhi Tree.

[FN#13l] The name of a demon.

Ling Yun (Rei-un) read it through the lovely flowers of a peach-tree in spring after some twenty years of his research for Light, and said:

"A score of years I looked for Light: There came and went many a spring and fall. E'er since the peach blossoms came in my sight, I never doubt anything at all."

Hian Yen (Kyo-gen) read it through the noise of bamboo, at which he threw pebbles. Su Shih (So-shoku) read it through a waterfall, one evening, and said:

"The brook speaks forth the Tathagata's words divine, The hills reveal His glorious forms that shine."



6. Great Men and Nature.

All great men, whether they be poets or scientists or religious men or philosophers, are not mere readers of books, but the perusers of Nature. Men of erudition are often lexicons in flesh and blood, but men of genius read between the lines in the pages of life. Kant, a man of no great erudition, could accomplish in the theory of knowledge what Copernicus did in astronomy. Newton found the law of gravitation not in a written page, but in a falling apple. Unlettered Jesus realized truth beyond the comprehension of many learned doctors. Charles Darwin, whose theory changed the whole current of the world's thought, was not a great reader of books, but a careful observer of facts. Shakespeare, the greatest of poets, was the greatest reader of Nature and life. He could hear the music even of heavenly bodies, and said:

"There's not the smallest orb which thou beholdest, But in his motion like an angel sings."

Chwang Tsz (So-shi), the greatest of Chinese philosophers, says: "Thou knowest the music of men, but not the music of the earth. Thou knowest the music of the earth, but not the music of the heaven."[FN#132] Goethe, perceiving a profound meaning in Nature, says: "Flowers are the beautiful hieroglyphics of Nature with which she indicates how much she loves us."

[FN#132] Chwang Tsz, vol. i., p. 10.

Son-toku[FN#133] (Ninomiya), a great economist, who, overcoming all difficulties and hardships by which he was beset from his childhood, educated himself, says: "The earth and the heaven utter no word, but they ceaselessly repeat the holy book unwritten."

[FN#133] One of the greatest self-made men in Japan, who lived 1787-1856.



7. The Absolute and Reality are but an Abstraction.

A grain of sand you, trample upon has a deeper significance than a series of lectures by your verbal philosopher whom you respect. It contains within itself the whole history of the earth; it tells you what it has seen since the dawn of time; while your philosopher simply plays on abstract terms and empty words. What does his Absolute, or One, or Substance mean? What does his Reality or Truth imply? Do they denote or connote anything? Mere name! mere abstraction! One school of philosophy after another has been established on logical subtleties; thousands of books have been written on these grand names and fair mirages, which vanish the moment that your hand of experience reaches after them.

"Duke Hwan," says Chwang Tsz,[FN#134] "seated above in his hall, was" (once) reading a book, and a wheelwright, Phien, was making a wheel below it. Laying aside his hammer and chisel, Phien went up the steps and said: 'I venture to ask your Grace what words you are reading?' The duke said: 'The words of sages.' 'Are these sages alive?' Phien continued. 'They are dead,' was the reply. 'Then,' said the other, 'what you, my Ruler, are reading is only the dregs and sediments of those old men.' The duke said:

[FN#134] Chwang Tsz, vol. ii., p. 24.

'How should you, a wheelwright, have anything to say about the book which I am reading? If you can explain yourself, very well; if you cannot, you shall die.' The wheelwright said: 'Your servant will look at the thing from the point of view of his own art. In making a wheel, if I proceed gently, that is pleasant enough, but the workmanship is not strong; if I proceed violently, that is toilsome and the joinings do not fit. If the movements of my hand are neither (too) gentle nor (too) violent, the idea in my mind is realized. But I cannot tell (how to do this) by word of mouth; there is a knack in it. I cannot teach the knack to my son, nor can my son learn it from me. Thus it is that I am in my seventieth year, and am (still) making wheels in my old age. But these ancients, and what it was not possible for them to convey, are dead and gone. So then what you, my Ruler, are reading is but their dregs and sediments." Zen has no business with the dregs and sediments of sages of yore.



8. The Sermon of the Inanimate.

The Scripture of Zen is written with facts simple and familiar, so simple and familiar with everyday life that they escape observation on that very account. The sun rises in the east. The moon sets in the west. High is the mountain. Deep is the sea. Spring comes with flowers; summer with the cool breeze; autumn with the bright moon; winter with the fakes of snow. These things, perhaps too simple and too familiar for ordinary observers to pay attention to, have had profound significance for Zen. Li Ngao (Ri-ko) one day asked Yoh Shan (Yaku-san): "What is the way to truth?" Yoh Shan, pointing to the sky and then to the pitcher beside him, said: "You see?" "No, sir," replied Li Ngao. "The cloud is in the sky," said Yoh Shan, "and the water in the pitcher." Huen Sha (Gen-sha) one day went upon the platform and was ready to deliver a sermon when he heard a swallow singing. "Listen," said he, "that small bird preaches the essential doctrine and proclaims the eternal truth." Then he went back to his room, giving no sermon.[FN#135]

[FN#135] Den-to-roku and E-gen.

The letters of the alphabet, a, b, c, etc., have no meaning whatever. They are but artificial signs, but when spelt they can express any great idea that great thinkers may form. Trees, grass, mountains, rivers, stars, moons, suns. These are the alphabets with which the Zen Scripture is written. Even a, b, c, etc., when spelt, can express any great idea. Why not, then, these trees, grass, etc., the alphabets of Nature when they compose the Volume of the Universe? Even the meanest clod of earth proclaims the sacred law.

Hwui Chung[FN#136] (E-chu) is said first to have given an expression to the Sermon of the Inanimate. "Do the inanimate preach the Doctrine?" asked a monk of Hwui Chung on one occasion. "Yes, they preach eloquently and incessantly. There is no pause in their orations," was the reply. "Why, then, do I not hear them?" asked the other again. "Even if you do not, there are many others who can hear them." "Who can hear them?" "All the sages hear and understand them," said Hwui Chung. Thus the Sermon of the Inanimate had been a favourite topic of discussion 900 years before Shakespeare who expressed the similar idea, saying:

"And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in everything."

[FN#136] A direct disciple of the Sixth Patriarch.

"How wonderful is the Sermon of the Inanimate," says Tung Shan (To-zan). "You cannot hear it through your ears, but you can hear it through your eyes." You should hear it through your mind's eyes, through your heart's eyes, through your inmost soul's eyes, not through your intellect, not through your perception, not through your knowledge, not through your logic, not through your metaphysics. To understand it you have to divine, not to define; you have to observe, not to calculate; you have to sympathize, not to analyze; you have to see through, not to criticize; you have not to explain, but to feel; you have not to abstract, but to grasp; you have to see all in each, but not to know all in all; you have to get directly at the soul of things, penetrating their hard crust of matter by your rays of the innermost consciousness. "The falling leaves as well as the blooming flowers reveal to us the holy law of Buddha," says a Japanese Zenist.

Ye who seek for purity and peace, go to Nature. She will give you more than ye ask. Ye who long for strength and perseverance, go to Nature. She will train and strengthen you. Ye who aspire after an ideal, go to Nature. She will help you in its realization. Ye who yearn after Enlightenment, go to Nature. She will never fail to grant your request.



CHAPTER IV



BUDDHA, THE UNIVERSAL SPIRIT

1. The Ancient Buddhist Pantheon.

The ancient Buddhist pantheon was full of deities or Buddhas, 3,000[FN#137] in number, or rather countless, and also of Bodhisattvas no less than Buddhas. Nowadays, however, in every church of Mahayanism one Buddha or another together with some Bodhisattvas reigns supreme as the sole object of worship, while other supernatural beings sink in oblivion. These Enlightened Beings, regardless of their positions in the pantheon, were generally regarded as persons who in their past lives cultivated virtues, underwent austerities, and various sorts of penance, and at length attained to a complete Enlightenment, by virtue of which they secured not only peace and eternal bliss, but acquired divers supernatural powers, such as clairvoyance, clairaudience, all-knowledge, and what not. Therefore, it is natural that some Mahayanists[FN#138] came to believe that, if they should go through the same course of discipline and study, they could attain to the same Enlightenment and Bliss, or the same Buddhahood, while other Mahayanists[FN#139] came to believe in the doctrine that the believer is saved and led up to the eternal state of bliss, without undergoing these hard disciplines, by the power of a Buddha known as having boundless mercy and fathomless wisdom whom he invokes.

[FN#137] Trikalpa-trisahasra-buddhanrama-sutra gives the names of 3,000 Buddhas, and Buddhabhisita-buddhanama-sutra enumerates Buddhas and Bodhisattvas 11,093 in number. See Nanjo's Catalogue, Nos. 404, 405, 406, 407.

[FN#138] Those who believe in the doctrine of Holy Path. See 'A History of the Twelve Japanese Buddhist Sects,' pp. 109-111.

[FN#139] Those who believe in the doctrine of the Pure Land.



2. Zen is Iconoclastic.

For the followers of Bodhidharma, however, this conception of Buddha seemed too crude to be accepted unhesitatingly and the doctrine too much irrelevant with and uncongenial to actual life. Since Zen denounced, as we have seen in the previous chapter, the scriptural authority, it is quite reasonable to have given up this view of Buddha inculcated in the Mahayana sutras, and to set at naught those statues and images of supernatural beings kept in veneration by the orthodox Buddhists. Tan Hia (Tan-ka), a noted Chinese Zen master, was found warming himself on a cold morning by the fire made of a wooden statue of Buddha. On another occasion he was found mounting astride the statue of a saint. Chao Chen (Jo-shu) one day happened to find Wang Yuen (Bun-yen) worshipping the Buddha in the temple, and forthwith struck him with his staff. "Is there not anything good in the worshipping of the Buddha?" protested Wang Yuen. Then the master said: "Nothing is better than anything good."[FN#140] These examples fully illustrate Zen's attitude towards the objects of Buddhist worship. Zen is not, nevertheless, iconoclastic in the commonly accepted sense of the term, nor is it idolatrous, as Christian missionaries are apt to suppose.

[FN#140] Zen-rin-rui-shu.

Zen is more iconoclastic than any of the Christian or the Mohammedan denominations in the sense that it opposes the acceptance of the petrified idea of Deity, so conventional and formal that it carries no inner conviction of the believers. Faith dies out whenever one comes to stick to one's fixed and immutable idea of Deity, and to deceive oneself, taking bigotry for genuine faith. Faith must be living and growing, and the living and growing faith should assume no fixed form. It might seem for a superficial observer to take a fixed form, as a running river appears constant, though it goes through ceaseless changes. The dead faith, immutable and conventional, makes its embracer appear religious and respectable, while it arrests his spiritual growth. It might give its owner comfort and pride, yet it at bottom proves to be fetters to his moral uplifting. It is on this account that Zen declares: "Buddha is nothing but spiritual chain or moral fetters," and, "If you remember even a name of Buddha, it would deprive you of purity of heart." The conventional or orthodox idea of Buddha or Deity might seem smooth and fair, like a gold chain, being polished and hammered through generations by religious goldsmiths; but it has too much fixity and frigidity to be worn by us.