At last the children were gone. Mr. Harby trod by heavily, without looking her way, or speaking. Mr. Brunt hesitated as she was locking her cupboard.

"If you settle Clarke and Letts in the same way, Miss Brangwen, you'll be all right," he said, his blue eyes glancing down in a strange fellowship, his long nose pointing at her.

"Shall I?" she laughed nervously. She did not want anybody to talk to her.

As she went along the street, clattering on the granite pavement, she was aware of boys dodging behind her. Something struck her hand that was carrying her bag, bruising her. As it rolled away she saw that it was a potato. Her hand was hurt, but she gave no sign. Soon she would take the tram.

She was afraid, and strange. It was to her quite strange and ugly, like some dream where she was degraded. She would have died rather than admit it to anybody. She could not look at her swollen hand. Something had broken in her; she had passed a crisis. Williams was beaten, but at a cost.

Feeling too much upset to go home, she rode a little farther into the town, and got down from the tram at a small tea-shop. There, in the dark little place behind the shop, she drank her tea and ate bread-and-butter. She did not taste anything. The taking of tea was just a mechanical action, to cover over her existence. There she sat in the dark, obscure little place, without knowing. Only unconsciously she nursed the back of her hand, which was bruised.

When finally she took her way home, it was sunset red across the west. She did not know why she was going home. There was nothing for her there. She had, true, only to pretend to be normal. There was nobody she could speak to, nowhere to go for escape. But she must keep on, under this red sunset, alone, knowing the horror in humanity, that would destroy her, and with which she was at war. Yet it had to be so.

In the morning again she must go to school. She got up and went without murmuring even to herself. She was in the hands of some bigger, stronger, coarser will.

School was fairly quiet. But she could feel the class watching her, ready to spring on her. Her instinct was aware of the class instinct to catch her if she were weak. But she kept cold and was guarded.

Williams was absent from school. In the middle of the morning there was a knock at the door: someone wanted the headmaster. Mr. Harby went out, heavily, angrily, nervously. He was afraid of irate parents. After a moment in the passage, he came again into school.

"Sturgess," he called to one of his larger boys. "Stand in front of the class and write down the name of anyone who speaks. Will you come this way, Miss Brangwen."

He seemed vindictively to seize upon her.

Ursula followed him, and found in the lobby a thin woman with a whitish skin, not ill-dressed in a grey costume and a purple hat.

"I called about Vernon," said the woman, speaking in a refined accent. There was about the woman altogether an appearance of refinement and of cleanliness, curiously contradicted by her half beggar's deportment, and a sense of her being unpleasant to touch, like something going bad inside. She was neither a lady nor an ordinary working man's wife, but a creature separate from society. By her dress she was not poor.

Ursula knew at once that she was Williams' mother, and that he was Vernon. She remembered that he was always clean, and well-dressed, in a sailor suit. And he had this same peculiar, half transparent unwholesomeness, rather like a corpse.

"I wasn't able to send him to school to-day," continued the woman, with a false grace of manner. "He came home last night so ill—he was violently sick—I thought I should have to send for the doctor.—You know he has a weak heart."

The woman looked at Ursula with her pale, dead eyes.

"No," replied the girl, "I did not know."

She stood still with repulsion and uncertainty. Mr. Harby, large and male, with his overhanging moustache, stood by with a slight, ugly smile at the corner of his eyes. The woman went on insidiously, not quite human:

"Oh, yes, he has had heart disease ever since he was a child. That is why he isn't very regular at school. And it is very bad to beat him. He was awfully ill this morning—I shall call on the doctor as I go back."

"Who is staying with him now, then?" put in the deep voice of the schoolmaster, cunningly.

"Oh, I left him with a woman who comes in to help me—and who understands him. But I shall call in the doctor on my way home."

Ursula stood still. She felt vague threats in all this. But the woman was so utterly strange to her, that she did not understand.

"He told me he had been beaten," continued the woman, "and when I undressed him to put him to bed, his body was covered with marks—I could show them to any doctor."

Mr. Harby looked at Ursula to answer. She began to understand. The woman was threatening to take out a charge of assault on her son against her. Perhaps she wanted money.

"I caned him," she said. "He was so much trouble."

"I'm sorry if he was troublesome," said the woman, "but he must have been shamefully beaten. I could show the marks to any doctor. I'm sure it isn't allowed, if it was known."

"I caned him while he kept kicking me," said Ursula, getting angry because she was half excusing herself, Mr. Harby standing there with the twinkle at the side of his eyes, enjoying the dilemma of the two women.

"I'm sure I'm sorry if he behaved badly," said the woman. "But I can't think he deserved beating as he has been. I can't send him to school, and really can't afford to pay the doctor.—Is it allowed for the teachers to beat the children like that, Mr. Harby?"

The headmaster refused to answer. Ursula loathed herself, and loathed Mr. Harby with his twinkling cunning and malice on the occasion. The other miserable woman watched her chance.

"It is an expense to me, and I have a great struggle to keep my boy decent."

Ursula still would not answer. She looked out at the asphalt yard, where a dirty rag of paper was blowing.

"And it isn't allowed to beat a child like that, I am sure, especially when he is delicate."

Ursula stared with a set face on the yard, as if she did not hear. She loathed all this, and had ceased to feel or to exist.

"Though I know he is troublesome sometimes—but I think it was too much. His body is covered with marks."

Mr. Harby stood sturdy and unmoved, waiting now to have done, with the twinkling, tiny wrinkles of an ironical smile at the corners of his eyes. He felt himself master of the situation.

"And he was violently sick. I couldn't possibly send him to school to-day. He couldn't keep his head up."

Yet she had no answer.

"You will understand, sir, why he is absent," she said, turning to Mr. Harby.

"Oh, yes," he said, rough and off-hand. Ursula detested him for his male triumph. And she loathed the woman. She loathed everything.

"You will try to have it remembered, sir, that he has a weak heart. He is so sick after these things."

"Yes," said the headmaster, "I'll see about it."

"I know he is troublesome," the woman only addressed herself to the male now—"but if you could have him punished without beating—he is really delicate."

Ursula was beginning to feel upset. Harby stood in rather superb mastery, the woman cringing to him to tickle him as one tickles trout.

"I had come to explain why he was away this morning, sir. You will understand."

She held out her hand. Harby took it and let it go, surprised and angry.

"Good morning," she said, and she gave her gloved, seedy hand to Ursula. She was not ill-looking, and had a curious insinuating way, very distasteful yet effective.

"Good morning, Mr. Harby, and thank you."

The figure in the grey costume and the purple hat was going across the school yard with a curious lingering walk. Ursula felt a strange pity for her, and revulsion from her. She shuddered. She went into the school again.

The next morning Williams turned up, looking paler than ever, very neat and nicely dressed in his sailor blouse. He glanced at Ursula with a half-smile: cunning, subdued, ready to do as she told him. There was something about him that made her shiver. She loathed the idea of having laid hands on him. His elder brother was standing outside the gate at playtime, a youth of about fifteen, tall and thin and pale. He raised his hat, almost like a gentleman. But there was something subdued, insidious about him too.

"Who is it?" said Ursula.

"It's the big Williams," said Violet Harby roughly. "She was here yesterday, wasn't she?"

"Yes."

"It's no good her coming—her character's not good enough for her to make any trouble."

Ursula shrank from the brutality and the scandal. But it had some vague, horrid fascination. How sordid everything seemed! She felt sorry for the queer woman with the lingering walk, and those queer, insidious boys. The Williams in her class was wrong somewhere. How nasty it was altogether.

So the battle went on till her heart was sick. She had several more boys to subjugate before she could establish herself. And Mr. Harby hated her almost as if she were a man. She knew now that nothing but a thrashing would settle some of the big louts who wanted to play cat and mouse with her. Mr. Harby would not give them the thrashing if he could help it. For he hated the teacher, the stuck-up, insolent high-school miss with her independence.

"Now, Wright, what have you done this time?" he would say genially to the boy who was sent to him from Standard Five for punishment. And he left the lad standing, lounging, wasting his time.

So that Ursula would appeal no more to the headmaster, but, when she was driven wild, she seized her cane, and slashed the boy who was insolent to her, over head and ears and hands. And at length they were afraid of her, she had them in order.

But she had paid a great price out of her own soul, to do this. It seemed as if a great flame had gone through her and burnt her sensitive tissue. She who shrank from the thought of physical suffering in any form, had been forced to fight and beat with a cane and rouse all her instincts to hurt. And afterwards she had been forced to endure the sound of their blubbering and desolation, when she had broken them to order.

Oh, and sometimes she felt as if she would go mad. What did it matter, what did it matter if their books were dirty and they did not obey? She would rather, in reality, that they disobeyed the whole rules of the school, than that they should be beaten, broken, reduced to this crying, hopeless state. She would rather bear all their insults and insolences a thousand times than reduce herself and them to this. Bitterly she repented having got beside herself, and having tackled the boy she had beaten.

Yet it had to be so. She did not want to do it. Yet she had to. Oh, why, why had she leagued herself to this evil system where she must brutalize herself to live? Why had she become a school-teacher, why, why?

The children had forced her to the beatings. No, she did not pity them. She had come to them full of kindness and love, and they would have torn her to pieces. They chose Mr. Harby. Well then, they must know her as well as Mr. Harby, they must first be subjugate to her. For she was not going to be made nought, no, neither by them, nor by Mr. Harby, nor by all the system around her. She was not going to be put down, prevented from standing free. It was not to be said of her, she could not take her place and carry out her task. She would fight and hold her place in this state also, in the world of work and man's convention.

She was isolated now from the life of her childhood, a foreigner in a new life, of work and mechanical consideration. She and Maggie, in their dinner-hours and their occasional teas at the little restaurant, discussed life and ideas. Maggie was a great suffragette, trusting in the vote. To Ursula the vote was never a reality. She had within her the strange, passionate knowledge of religion and living far transcending the limits of the automatic system that contained the vote. But her fundamental, organic knowledge had as yet to take form and rise to utterance. For her, as for Maggie, the liberty of woman meant something real and deep. She felt that somewhere, in something, she was not free. And she wanted to be. She was in revolt. For once she were free she could get somewhere. Ah, the wonderful, real somewhere that was beyond her, the somewhere that she felt deep, deep inside her.

In coming out and earning her own living she had made a strong, cruel move towards freeing herself. But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to.

It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going. It was a blind fight. She had suffered bitterly in this school of St. Philip's. She was like a young filly that has been broken in to the shafts, and has lost its freedom. And now she was suffering bitterly from the agony of the shafts. The agony, the galling, the ignominy of her breaking in. This wore into her soul. But she would never submit. To shafts like these she would never submit for long. But she would know them. She would serve them that she might destroy them.

She and Maggie went to all kinds of places together, to big suffrage meetings in Nottingham, to concerts, to theatres, to exhibitions of pictures. Ursula saved her money and bought a bicycle, and the two girls rode to Lincoln, to Southwell, and into Derbyshire. They had an endless wealth of things to talk about. And it was a great joy, finding, discovering.

But Ursula never told about Winifred Inger. That was a sort of secret side-show to her life, never to be opened. She did not even think of it. It was the closed door she had not the strength to open.

Once she was broken in to her teaching, Ursula began gradually to have a new life of her own again. She was going to college in eighteen months' time. Then she would take her degree, and she would—ah, she would perhaps be a big woman, and lead a movement. Who knows?—At any rate she would go to college in eighteen months' time. All that mattered now was work, work.

And till college, she must go on with this teaching in St. Philip's School, which was always destroying her, but which she could now manage, without spoiling all her life. She would submit to it for a time, since the time had a definite limit.

The class-teaching itself at last became almost mechanical. It was a strain on her, an exhausting wearying strain, always unnatural. But there was a certain amount of pleasure in the sheer oblivion of teaching, so much work to do, so many children to see after, so much to be done, that one's self was forgotten. When the work had become like habit to her, and her individual soul was left out, had its growth elsewhere, then she could be almost happy.

Her real, individual self drew together and became more coherent during these two years of teaching, during the struggle against the odds of class teaching. It was always a prison to her, the school. But it was a prison where her wild, chaotic soul became hard and independent. When she was well enough and not tired, then she did not hate the teaching. She enjoyed getting into the swing of work of a morning, putting forth all her strength, making the thing go. It was for her a strenuous form of exercise. And her soul was left to rest, it had the time of torpor in which to gather itself together in strength again. But the teaching hours were too long, the tasks too heavy, and the disciplinary condition of the school too unnatural for her. She was worn very thin and quivering.

She came to school in the morning seeing the hawthorn flowers wet, the little, rosy grains swimming in a bowl of dew. The larks quivered their song up into the new sunshine, and the country was so glad. It was a violation to plunge into the dust and greyness of the town.

So that she stood before her class unwilling to give herself up to the activity of teaching, to turn her energy, that longed for the country and for joy of early summer, into the dominating of fifty children and the transferring to them some morsels of arithmetic. There was a little absentness about her. She could not force herself into forgetfulness. A jar of buttercups and fool's-parsley in the window-bottom kept her away in the meadows, where in the lush grass the moon-daisies were half-submerged, and a spray of pink ragged robin. Yet before her were faces of fifty children. They were almost like big daisies in a dimness of the grass.

A brightness was on her face, a little unreality in her teaching. She could not quite see her children. She was struggling between two worlds, her own world of young summer and flowers, and this other world of work. And the glimmer of her own sunlight was between her and her class.

Then the morning passed with a strange far-awayness and quietness. Dinner-time came, when she and Maggie ate joyously, with all the windows open. And then they went out into St. Philip's churchyard, where was a shadowy corner under red hawthorn trees. And there they talked and read Shelley or Browning or some work about "Woman and Labour".

And when she went back to school, Ursula lived still in the shadowy corner of the graveyard, where pink-red petals lay scattered from the hawthorn tree, like myriad tiny shells on a beach, and a church bell sometimes rang sonorously, and sometimes a bird called out, whilst Maggie's voice went on low and sweet.

These days she was happy in her soul: oh, she was so happy, that she wished she could take her joy and scatter it in armfuls broadcast. She made her children happy, too, with a little tingling of delight. But to her, the children were not a school class this afternoon. They were flowers, birds, little bright animals, children, anything. They only were not Standard Five. She felt no responsibility for them. It was for once a game, this teaching. And if they got their sums wrong, what matter? And she would take a pleasant bit of reading. And instead of history with dates, she would tell a lovely tale. And for grammar, they could have a bit of written analysis that was not difficult, because they had done it before:

"She shall be sportive as a fawn That wild with glee across the lawn Or up the mountain springs."

She wrote that from memory, because it pleased her.

So the golden afternoon passed away and she went home happy. She had finished her day of school, and was free to plunge into the glowing evening of Cossethay. And she loved walking home. But it had not been school. It had been playing at school beneath red hawthorn blossom.

She could not go on like this. The quarterly examination was coming, and her class was not ready. It irritated her that she must drag herself away from her happy self, and exert herself with all her strength to force, to compel this heavy class of children to work hard at arithmetic. They did not want to work, she did not want to compel them. And yet, some second conscience gnawed at her, telling her the work was not properly done. It irritated her almost to madness, and she let loose all the irritation in the class. Then followed a day of battle and hate and violence, when she went home raw, feeling the golden evening taken away from her, herself incarcerated in some dark, heavy place, and chained there with a consciousness of having done badly at work.

What good was it that it was summer, that right till evening, when the corncrakes called, the larks would mount up into the light, to sing once more before nightfall. What good was it all, when she was out of tune, when she must only remember the burden and shame of school that day.

And still, she hated school. Still she cried, she did not believe in it. Why should the children learn, and why should she teach them? It was all so much milling the wind. What folly was it that made life into this, the fulfilling of some stupid, factitious duty? It was all so made up, so unnatural. The school, the sums, the grammar, the quarterly examinations, the registers—it was all a barren nothing!

Why should she give her allegiance to this world, and let it so dominate her, that her own world of warm sun and growing, sap-filled life was turned into nothing? She was not going to do it. She was not going to be a prisoner in the dry, tyrannical man-world. She was not going to care about it. What did it matter if her class did ever so badly in the quarterly examination. Let it—what did it matter?

Nevertheless, when the time came, and the report on her class was bad, she was miserable, and the joy of the summer was taken away from her, she was shut up in gloom. She could not really escape from this world of system and work, out into her fields where she was happy. She must have her place in the working world, be a recognized member with full rights there. It was more important to her than fields and sun and poetry, at this time. But she was only the more its enemy.

It was a very difficult thing, she thought, during the long hours of intermission in the summer holidays, to be herself, her happy self that enjoyed so much to lie in the sun, to play and swim and be content, and also to be a school-teacher getting results out of a class of children. She dreamed fondly of the time when she need not be a teacher any more. But vaguely, she knew that responsibility had taken place in her for ever, and as yet her prime business was to work.

The autumn passed away, the winter was at hand. Ursula became more and more an inhabitant of the world of work, and of what is called life. She could not see her future, but a little way off, was college, and to the thought of this she clung fixedly. She would go to college, and get her two or three years' training, free of cost. Already she had applied and had her place appointed for the coming year.

So she continued to study for her degree. She would take French, Latin, English, mathematics and botany. She went to classes in Ilkeston, she studied at evening. For there was this world to conquer, this knowledge to acquire, this qualification to attain. And she worked with intensity, because of a want inside her that drove her on. Almost everything was subordinated now to this one desire to take her place in the world. What kind of place it was to be she did not ask herself. The blind desire drove her on. She must take her place.

She knew she would never be much of a success as an elementary school teacher. But neither had she failed. She hated it, but she had managed it.

Maggie had left St. Philip's School, and had found a more congenial post. The two girls remained friends. They met at evening classes, they studied and somehow encouraged a firm hope each in the other. They did not know whither they were making, nor what they ultimately wanted. But they knew they wanted now to learn, to know and to do.

They talked of love and marriage, and the position of woman in marriage. Maggie said that love was the flower of life, and blossomed unexpectedly and without law, and must be plucked where it was found, and enjoyed for the brief hour of its duration.

To Ursula this was unsatisfactory. She thought she still loved Anton Skrebensky. But she did not forgive him that he had not been strong enough to acknowledge her. He had denied her. How then could she love him? How then was love so absolute? She did not believe it. She believed that love was a way, a means, not an end in itself, as Maggie seemed to think. And always the way of love would be found. But whither did it lead?

"I believe there are many men in the world one might love—there is not only one man," said Ursula.

She was thinking of Skrebensky. Her heart was hollow with the knowledge of Winifred Inger.

"But you must distinguish between love and passion," said Maggie, adding, with a touch of contempt: "Men will easily have a passion for you, but they won't love you."

"Yes," said Ursula, vehemently, the look of suffering, almost of fanaticism, on her face. "Passion is only part of love. And it seems so much because it can't last. That is why passion is never happy."

She was staunch for joy, for happiness, and permanency, in contrast with Maggie, who was for sadness, and the inevitable passing-away of things. Ursula suffered bitterly at the hands of life, Maggie was always single, always withheld, so she went in a heavy brooding sadness that was almost meat to her. In Ursula's last winter at St. Philip's the friendship of the two girls came to a climax. It was during this winter that Ursula suffered and enjoyed most keenly Maggie's fundamental sadness of enclosedness. Maggie enjoyed and suffered Ursula's struggles against the confines of her life. And then the two girls began to drift apart, as Ursula broke from that form of life wherein Maggie must remain enclosed.



CHAPTER XIV

THE WIDENING CIRCLE

Maggie's people, the Schofields, lived in the large gardener's cottage, that was half a farm, behind Belcote Hall. The hall was too damp to live in, so the Schofields were caretakers, gamekeepers, farmers, all in one. The father was gamekeeper and stock-breeder, the eldest son was market-gardener, using the big hall gardens, the second son was farmer and gardener. There was a large family, as at Cossethay.

Ursula loved to stay at Belcote, to be treated as a grand lady by Maggie's brothers. They were good-looking men. The eldest was twenty-six years old. He was the gardener, a man not very tall, but strong and well made, with brown, sunny, easy eyes and a face handsomely hewn, brown, with a long fair moustache which he pulled as he talked to Ursula.

The girl was excited because these men attended to her when she came near. She could make their eyes light up and quiver, she could make Anthony, the eldest, twist and twist his moustache. She knew she could move them almost at will with her light laughter and chatter. They loved her ideas, watched her as she talked vehemently about politics or economics. And she, while she talked, saw the golden-brown eyes of Anthony gleam like the eyes of a satyr as they watched her. He did not listen to her words, he listened to her. It excited her.

He was like a faun pleased when she would go with him over his hothouses, to look at the green and pretty plants, at the pink primulas nodding among their leaves, and cinarrias flaunting purple and crimson and white. She asked about everything, and he told her very exactly and minutely, in a queer pedantic way that made her want to laugh. Yet she was really interested in what he did. And he had the curious light in his face, like the light in the eyes of the goat that was tethered by the farmyard gate.

She went down with him into the warmish cellar, where already in the darkness the little yellow knobs of rhubarb were coming. He held the lantern down to the dark earth. She saw the tiny knob-end of the rhubarb thrusting upwards upon the thick red stem, thrusting itself like a knob of flame through the soft soil. His face was turned up to her, the light glittered on his eyes and his teeth as he laughed, with a faint, musical neigh. He looked handsome. And she heard a new sound in her ears, the faintly-musical, neighing laugh of Anthony, whose moustache twisted up, and whose eyes were luminous with a cold, steady, arrogant-laughing glare. There seemed a little prance of triumph in his movement, she could not rid herself of a movement of acquiescence, a touch of acceptance. Yet he was so humble, his voice was so caressing. He held his hand for her to step on when she must climb a wall. And she stepped on the living firmness of him, that quivered firmly under her weight.

She was aware of him as if in a mesmeric state. In her ordinary sense, she had nothing to do with him. But the peculiar ease and unnoticeableness of his entering the house, the power of his cold, gleaming light on her when he looked at her, was like a bewitchment. In his eyes, as in the pale grey eyes of a goat, there seemed some of that steady, hard fire of moonlight which has nothing to do with the day. It made her alert, and yet her mind went out like an extinguished thing. She was all senses, all her senses were alive.

Then she saw him on Sunday, dressed up in Sunday clothes, trying to impress her. And he looked ridiculous. She clung to the ridiculous effect of his stiff, Sunday clothes.

She was always conscious of some unfaithfulness to Maggie, on Anthony's score. Poor Maggie stood apart as if betrayed. Maggie and Anthony were enemies by instinct. Ursula had to go back to her friend brimming with affection and a poignancy of pity. Which Maggie received with a little stiffness. Then poetry and books and learning took the place of Anthony, with his goats' movements and his cold, gleaming humour.

While Ursula was at Belcote, the snow fell. In the morning, a covering of snow weighed on the rhododendron bushes.

"Shall we go out?" said Maggie.

She had lost some of her leader's sureness, and was now tentative, a little in reserve from her friend.

They took the key of the gate and wandered into the park. It was a white world on which dark trees and tree masses stood under a sky keen with frost. The two girls went past the hall, that was shuttered and silent, their footprints marking the snow on the drive. Down the park, a long way off, a man was carrying armfuls of hay across the snow. He was a small, dark figure, like an animal moving in its unawareness.

Ursula and Maggie went on exploring, down to a tinkling, chilly brook, that had worn the snow away in little scoops, and ran dark between. They saw a robin glance its bright eyes and burst scarlet and grey into the hedge, then some pertly-marked blue-tits scuffled. Meanwhile the brook slid on coldly, chuckling to itself.

The girls wandered across the snowy grass to where the artificial fish-ponds lay under thin ice. There was a big tree with a thick trunk twisted with ivy, that hung almost horizontal over the ponds. Ursula climbed joyfully into this and sat amid bosses of bright ivy and dull berries. Some ivy leaves were like green spears held out, and tipped with snow. The ice was seen beneath them.

Maggie took out a book, and sitting lower down the trunk began to read Coleridge's "Christabel". Ursula half listened. She was wildly thrilled. Then she saw Anthony coming across the snow, with his confident, slightly strutting stride. His face looked brown and hard against the snow, smiling with a sort of tense confidence.

"Hello!" she called to him.

A response went over his face, his head was lifted in an answering, jerking gesture.

"Hello!" he said. "You're like a bird in there."

And Ursula's laugh rang out. She answered to the peculiar, reedy twang in his penetrating voice.

She did not think of Anthony, yet she lived in a sort of connection with him, in his world. One evening she met him as she was coming down the lane, and they walked side by side.

"I think it's so lovely here," she cried.

"Do you?" he said. "I'm glad you like it."

There was a curious confidence in his voice.

"Oh, I love it. What more does one want than to live in this beautiful place, and make things grow in your garden. It is like the Garden of Eden."

"Is it?" he said, with a little laugh. "Yes—well, it's not so bad——" he was hesitating. The pale gleam was strong in his eyes, he was looking at her steadily, watching her, as an animal might. Something leaped in her soul. She knew he was going to suggest to her that she should be as he was.

"Would you like to stay here with me?" he asked, tentatively.

She blenched with fear and with the intense sensation of proffered licence suggested to her.

They had come to the gate.

"How?" she asked. "You aren't alone here."

"We could marry," he answered, in the strange, coldly-gleaming insinuating tone that chilled the sunshine into moonlight. All substantial things seemed transformed. Shadows and dancing moonlight were real, and all cold, inhuman, gleaming sensations. She realized with something like terror that she was going to accept this. She was going inevitably to accept him. His hand was reaching out to the gate before them. She stood still. His flesh was hard and brown and final. She seemed to be in the grip of some insult.

"I couldn't," she answered, involuntarily.

He gave the same brief, neighing little laugh, very sad and bitter now, and slotted back the bar of the gate. Yet he did not open. For a moment they both stood looking at the fire of sunset that quivered among the purple twigs of the trees. She saw his brown, hard, well-hewn face gleaming with anger and humiliation and submission. He was an animal that knows that it is subdued. Her heart flamed with sensation of him, of the fascinating thing he offered her, and with sorrow, and with an inconsolable sense of loneliness. Her soul was an infant crying in the night. He had no soul. Oh, and why had she? He was the cleaner.

She turned away, she turned round from him, and saw the east flushed strangely rose, the moon coming yellow and lovely upon a rosy sky, above the darkening, bluish snow. All this so beautiful, all this so lovely! He did not see it. He was one with it. But she saw it, and was one with it. Her seeing separated them infinitely.

They went on in silence down the path, following their different fates. The trees grew darker and darker, the snow made only a dimness in an unreal world. And like a shadow, the day had gone into a faintly luminous, snowy evening, while she was talking aimlessly to him, to keep him at a distance, yet to keep him near her, and he walked heavily. He opened the garden gate for her quietly, and she was entering into her own pleasances, leaving him outside the gate.

Then even whilst she was escaping, or trying to escape, this feeling of pain, came Maggie the next day, saying:

"I wouldn't make Anthony love you, Ursula, if you don't want him. It is not nice."

"But, Maggie, I never made him love me," cried Ursula, dismayed and suffering, and feeling as if she had done something base.

She liked Anthony, though. All her life, at intervals, she returned to the thought of him and of that which he offered. But she was a traveller, she was a traveller on the face of the earth, and he was an isolated creature living in the fulfilment of his own senses.

She could not help it, that she was a traveller. She knew Anthony, that he was not one. But oh, ultimately and finally, she must go on and on, seeking the goal that she knew she did draw nearer to.

She was wearing away her second and last cycle at St. Philip's. As the months went she ticked them off, first October, then November, December, January. She was careful always to subtract a month from the remainder, for the summer holidays. She saw herself travelling round a circle, only an arc of which remained to complete. Then, she was in the open, like a bird tossed into mid-air, a bird that had learned in some measure to fly.

There was college ahead; that was her mid-air, unknown, spacious. Come college, and she would have broken from the confines of all the life she had known. For her father was also going to move. They were all going to leave Cossethay.

Brangwen had kept his carelessness about his circumstances. He knew his work in the lace designing meant little to him personally, he just earned his wage by it. He did not know what meant much to him. Living close to Anna Brangwen, his mind was always suffused through with physical heat, he moved from instinct to instinct, groping, always groping on.

When it was suggested to him that he might apply for one of the posts as hand-work instructor, posts about to be created by the Nottingham Education Committee, it was as if a space had been given to him, into which he could remove from his hot, dusky enclosure. He sent in his application, confidently, expectantly. He had a sort of belief in his supernatural fate. The inevitable weariness of his daily work had stiffened some of his muscles, and made a slight deadness in his ruddy, alert face. Now he might escape.

He was full of the new possibilities, and his wife was acquiescent. She was willing now to have a change. She too was tired of Cossethay. The house was too small for the growing children. And since she was nearly forty years old, she began to come awake from her sleep of motherhood, her energy moved more outwards. The din of growing lives roused her from her apathy. She too must have her hand in making life. She was quite ready to move, taking all her brood. It would be better now if she transplanted them. For she had borne her last child, it would be growing up.

So that in her easy, unused fashion she talked plans and arrangements with her husband, indifferent really as to the method of the change, since a change was coming; even if it did not come in this way it would come in another.

The house was full of ferment. Ursula was wild with excitement. At last her father was going to be something, socially. So long, he had been a social cypher, without form or standing. Now he was going to be Art and Handwork Instructor for the County of Nottingham. That was really a status. It was a position. He would be a specialist in his way. And he was an uncommon man. Ursula felt they were all getting a foothold at last. He was coming to his own. Who else that she knew could turn out from his own fingers the beautiful things her father could produce? She felt he was certain of this new job.

They would move. They would leave this cottage at Cossethay which had grown too small for them; they would leave Cossethay, where the children had all been born, and where they were always kept to the same measure. For the people who had known them as children along with the other village boys and girls would never, could never understand that they should grow up different. They had held "Urtler Brangwen" one of themselves, and had given her her place in her native village, as in a family. And the bond was strong. But now, when she was growing to something beyond what Cossethay would allow or understand, the bond between her and her old associates was becoming a bondage.

"'Ello, Urs'ler, 'ow are yer goin' on?" they said when they met her. And it demanded of her in the old voice the old response. And something in her must respond and belong to people who knew her. But something else denied bitterly. What was true of her ten years ago was not true now. And something else which she was, and must be, they could neither see nor allow. They felt it there nevertheless, something beyond them, and they were injured. They said she was proud and conceited, that she was too big for her shoes nowadays. They said, she needn't pretend, because they knew what she was. They had known her since she was born. They quoted this and that about her. And she was ashamed because she did feel different from the people she had lived amongst. It hurt her that she could not be at her ease with them any more. And yet—and yet—one's kite will rise on the wind as far as ever one has string to let it go. It tugs and tugs and will go, and one is glad the further it goes, even it everybody else is nasty about it. So Cossethay hampered her, and she wanted to go away, to be free to fly her kite as high as she liked. She wanted to go away, to be free to stand straight up to her own height.

So that when she knew that her father had the new post, and that the family would move, she felt like skipping on the face of the earth, and making psalms of joy. The old, bound shell of Cossethay was to be cast off, and she was to dance away into the blue air. She wanted to dance and sing.

She made dreams of the new place she would live in, where stately cultured people of high feeling would be friends with her, and she would live with the noble in the land, moving to a large freedom of feeling. She dreamed of a rich, proud, simple girl-friend, who had never known Mr. Harby and his like, nor ever had a note in her voice of bondaged contempt and fear, as Maggie had.

And she gave herself to all that she loved in Cossethay, passionately, because she was going away now. She wandered about to her favourite spots. There was a place where she went trespassing to find the snowdrops that grew wild. It was evening and the winter-darkened meadows were full of mystery. When she came to the woods an oak tree had been newly chopped down in the dell. Pale drops of flowers glimmered many under the hazels, and by the sharp, golden splinters of wood that were splashed about, the grey-green blades of snowdrop leaves pricked unheeding, the drooping still little flowers were without heed.

Ursula picked some lovingly, in an ecstasy. The golden chips of wood shone yellow like sunlight, the snowdrops in the twilight were like the first stars of night. And she, alone amongst them, was wildly happy to have found her way into such a glimmering dusk, to the intimate little flowers, and the splash of wood chips like sunshine over the twilight of the ground. She sat down on the felled tree and remained awhile remote.

Going home, she left the purplish dark of the trees for the open lane, where the puddles shone long and jewel-like in the ruts, the land about her was darkened, and the sky a jewel overhead. Oh, how amazing it was to her! It was almost too much. She wanted to run, and sing, and cry out for very wildness and poignancy, but she could not run and sing and cry out in such a way as to cry out the deep things in her heart, so she was still, and almost sad with loneliness.

At Easter she went again to Maggie's home, for a few days. She was, however shy and fugitive. She saw Anthony, how suggestive he was to look on, and how his eyes had a sort of supplicating light, that was rather beautiful. She looked at him, and she looked again, for him to become real to her. But it was her own self that was occupied elsewhere. She seemed to have some other being.

And she turned to spring and the opening buds. There was a large pear tree by a wall, and it was full, thronged with tiny, grey-green buds, myriads. She stood before it arrested with delight, and a realization went deep into her heart. There was so great a host in array behind the cloud of pale, dim green, so much to come forth—so much sunshine to pour down.

So the weeks passed on, trance-like and pregnant. The pear tree at Cossethay burst into bloom against the cottage-end, like a wave burst into foam. Then gradually the bluebells came, blue as water standing thin in the level places under the trees and bushes, flowing in more and more, till there was a flood of azure, and pale-green leaves burning, and tiny birds with fiery little song and flight. Then swiftly the flood sank and was gone, and it was summer.

There was to be no going to the seaside for a holiday. The holiday was the removal from Cossethay.

They were going to live near Willey Green, which place was most central for Brangwen. It was an old, quiet village on the edge of the thronged colliery-district. So that it served, in its quaintness of odd old cottages lingering in their sunny gardens, as a sort of bower or pleasaunce to the sprawling colliery-townlet of Beldover, a pleasant walk-round for the colliers on Sunday morning, before the public-houses opened.

In Willey Green stood the Grammar School where Brangwen was occupied for two days during the week, and where experiments in education were being carried on.

Ursula wanted to live in Willey Green on the remoter side, towards Southwell, and Sherwood Forest. There it was so lovely and romantic. But out into the world meant out into the world. Will Brangwen must become modern.

He bought, with his wife's money, a fairly large house in the new, red-brick part of Beldover. It was a villa built by the widow of the late colliery manager, and stood in a quiet, new little side-street near the large church.

Ursula was rather sad. Instead of having arrived at distinction they had come to new red-brick suburbia in a grimy, small town.

Mrs. Brangwen was happy. The rooms were splendidly large—a splendid dining-room, drawing-room and kitchen, besides a very pleasant study downstairs. Everything was admirably appointed. The widow had settled herself in lavishly. She was a native of Beldover, and had intended to reign almost queen. Her bathroom was white and silver, her stairs were of oak, her chimney-pieces were massive and oaken, with bulging, columnar supports.

"Good and substantial," was the keynote. But Ursula resented the stout, inflated prosperity implied everywhere. She made her father promise to chisel down the bulging oaken chimney-pieces, chisel them flat. That sort of important paunch was very distasteful to her. Her father was himself long and loosely built. What had he to do with so much "good and substantial" importance?

They bought a fair amount also of the widow's furniture. It was in common good taste—the great Wilton carpet, the large round table, the Chesterfield covered with glossy chintz in roses and birds. It was all really very sunny and nice, with large windows, and a view right across the shallow valley.

After all, they would be, as one of their acquaintances said, among the elite of Beldover. They would represent culture. And as there was no one of higher social importance than the doctors, the colliery-managers, and the chemists, they would shine, with their Della Robbia beautiful Madonna, their lovely reliefs from Donatello, their reproductions from Botticelli. Nay, the large photographs of the Primavera and the Aphrodite and the Nativity in the dining-room, the ordinary reception-room, would make dumb the mouth of Beldover.

And after all, it is better to be princess in Beldover than a vulgar nobody in the country.

There was great preparation made for the removal of the whole Brangwen family, ten in all. The house in Beldover was prepared, the house in Cossethay was dismantled. Come the end of the school-term the removal would begin.

Ursula left school at the end of July, when the summer holiday commenced. The morning outside was bright and sunny, and the freedom got inside the schoolroom this last day. It was as if the walls of the school were going to melt away. Already they seemed shadowy and unreal. It was breaking-up morning. Soon scholars and teachers would be outside, each going his own way. The irons were struck off, the sentence was expired, the prison was a momentary shadow halting about them. The children were carrying away books and inkwell, and rolling up maps. All their faces were bright with gladness and goodwill. There was a bustle of cleaning and clearing away all marks of this last term of imprisonment. They were all breaking free. Busily, eagerly, Ursula made up her totals of attendances in the register. With pride she wrote down the thousands: to so many thousands of children had she given another sessions's lessons. It looked tremendous. The excited hours passed slowly in suspense. Then at last it was over. For the last time, she stood before her children whilst they said their prayers and sang a hymn. Then it was over.

"Good-bye, children," she said. "I shall not forget you, and you must not forget me."

"No, miss," cried the children in chorus, with shining faces.

She stood smiling on them, moved, as they filed out. Then she gave her monitors their term sixpences, and they too departed. Cupboards were locked, blackboards washed, ink wells and dusters removed. The place stood bare and vacated. She had triumphed over it. It was a shell now. She had fought a good fight here, and it had not been altogether unenjoyable. She owed some gratitude even to this hard, vacant place, that stood like a memorial or a trophy. So much of her life had been fought for and won and lost here. Something of this school would always belong to her, something of her to it. She acknowledged it. And now came the leave-taking.

In the teachers' room the teachers were chatting and loitering, talking excitedly of where they were going: to the Isle of Man, to Llandudno, to Yarmouth. They were eager, and attached to each other, like comrades leaving a ship.

Then it was Mr. Harby's turn to make a speech to Ursula. He looked handsome, with his silver-grey temples and black brows, and his imperturbable male solidity.

"Well," he said, "we must say good-bye to Miss Brangwen and wish her all good fortune for the future. I suppose we shall see her again some time, and hear how she is getting on."

"Oh, yes," said Ursula, stammering, blushing, laughing. "Oh, yes, I shall come and see you."

Then she realized that this sounded too personal, and she felt foolish.

"Miss Schofield suggested these two books," he said, putting a couple of volumes on the table: "I hope you will like them."

Ursula feeling very shy picked up the books. There was a volume of Swinburne's poetry, and a volume of Meredith's.

"Oh, I shall love them," she said. "Thank you very much—thank you all so much—it is so——"

She stuttered to an end, and very red, turned the leaves of the books eagerly, pretending to be taking the first pleasure, but really seeing nothing.

Mr. Harby's eyes were twinkling. He alone was at his ease, master of the situation. It was pleasing to him to make Ursula the gift, and for once extend good feeling to his teachers. As a rule, it was so difficult, each one was so strained in resentment under his rule.

"Yes," he said, "we hoped you would like the choice——"

He looked with his peculiar, challenging smile for a moment, then returned to his cupboards.

Ursula felt very confused. She hugged her books, loving them. And she felt that she loved all the teachers, and Mr. Harby. It was very confusing.

At last she was out. She cast one hasty glance over the school buildings squatting on the asphalt yard in the hot, glistening sun, one look down the well-known road, and turned her back on it all. Something strained in her heart. She was going away.

"Well, good luck," said the last of the teachers, as she shook hands at the end of the road. "We'll expect you back some day."

He spoke in irony. She laughed, and broke away. She was free. As she sat on the top of the tram in the sunlight, she looked round her with tremendous delight. She had left something which had meant much to her. She would not go to school any more, and do the familiar things. Queer! There was a little pang amid her exultation, of fear, not of regret. Yet how she exulted this morning!

She was tremulous with pride and joy. She loved the two books. They were tokens to her, representing the fruit and trophies of her two years which, thank God, were over.

"To Ursula Brangwen, with best wishes for her future, and in warm memory of the time she spent in St. Philip's School," was written in the headmaster's neat, scrupulous handwriting. She could see the careful hand holding the pen, the thick fingers with tufts of black hair on the back of each one.

He had signed, all the teachers had signed. She liked having all their signatures. She felt she loved them all. They were her fellow-workers. She carried away from the school a pride she could never lose. She had her place as comrade and sharer in the work of the school, her fellow teachers had signed to her, as one of them. And she was one of all workers, she had put in her tiny brick to the fabric man was building, she had qualified herself as co-builder.

Then the day for the home removal came. Ursula rose early, to pack up the remaining goods. The carts arrived, lent by her uncle at the Marsh, in the lull between hay and corn harvest. The goods roped in the cart, Ursula mounted her bicycle and sped away to Beldover.

The house was hers. She entered its clean-scrubbed silence. The dining-room had been covered with a thick rush matting, hard and of the beautiful, luminous, clean colour of sun-dried reeds. The walls were pale grey, the doors were darker grey. Ursula admired it very much, as the sun came through the large windows, streaming in.

She flung open doors and windows to the sunshine. Flowers were bright and shining round the small lawn, which stood above the road, looking over the raw field opposite, which would later be built upon. No one came. So she wandered down the garden at the back of the wall. The eight bells of the church rang the hour. She could hear the many sounds of the town about her.

At last, the cart was seen coming round the corner, familiar furniture piled undignified on top, Tom, her brother, and Theresa, marching on foot beside the mass, proud of having walked ten miles or more, from the tram terminus. Ursula poured out beer, and the men drank thirstily, by the door. A second cart was coming. Her father appeared on his motor bicycle. There was the staggering transport of furniture up the steps to the little lawn, where it was deposited all pell-mell in the sunshine, very queer and discomforting.

Brangwen was a pleasant man to work with, cheerful and easy. Ursula loved deciding him where the heavy things should stand. She watched anxiously the struggle up the steps and through the doorways. Then the big things were in, the carts set off again. Ursula and her father worked away carrying in all the light things that remained upon the lawn, and putting them in place. Dinner time came. They ate bread and cheese in the kitchen.

"Well, we're getting on," said Brangwen, cheerfully.

Two more loads arrived. The afternoon passed away in a struggle with the furniture, upstairs. Towards five o'clock, appeared the last loads, consisting also of Mrs. Brangwen and the younger children, driven by Uncle Fred in the trap. Gudrun had walked with Margaret from the station. The whole family had come.

"There!" said Brangwen, as his wife got down from the cart: "Now we're all here."

"Ay," said his wife pleasantly.

And the very brevity, the silence of intimacy between the two made a home in the hearts of the children, who clustered round feeling strange in the new place.

Everything was at sixes and sevens. But a fire was made in the kitchen, the hearth-rug put down, the kettle set on the hob, and Mrs. Brangwen began towards sunset to prepare the first meal. Ursula and Gudrun were slaving in the bedrooms, candles were rushing about. Then from the kitchen came the smell of ham and eggs and coffee, and in the gaslight, the scrambled meal began. The family seemed to huddle together like a little camp in a strange place. Ursula felt a load of responsibility upon her, caring for the half-little ones. The smallest kept near the mother.

It was dark, and the children went sleepy but excited to bed. It was a long time before the sound of voices died out. There was a tremendous sense of adventure.

In the morning everybody was awake soon after dawn, the children crying:

"When I wakened up I didn't know where I was."

There were the strange sounds of the town, and the repeated chiming of the big church bells, so much harsher and more insistent than the little bells of Cossethay. They looked through the windows past the other new red houses to the wooded hill across the valley. They had all a delightful sense of space and liberation, space and light and air.

But gradually all set to work. They were a careless, untidy family. Yet when once they set about to get the house in order, the thing went with felicity and quickness. By evening the place was roughly established.

They would not have a servant to live in the house, only a woman who could go home at night. And they would not even have the woman yet. They wanted to do as they liked in their own home, with no stranger in the midst.



CHAPTER XV

THE BITTERNESS OF ECSTASY

A storm of industry raged on in the house. Ursula did not go to college till October. So, with a distinct feeling of responsibility, as if she must express herself in this house, she laboured arranging, re-arranging, selecting, contriving.

She could use her father's ordinary tools, both for woodwork and metal-work, so she hammered and tinkered. Her mother was quite content to have the thing done. Brangwen was interested. He had a ready belief in his daughter. He himself was at work putting up his work-shed in the garden.

At last she had finished for the time being. The drawing-room was big and empty. It had the good Wilton carpet, of which the family was so proud, and the large couch and large chairs covered with shiny chintz, and the piano, a little sculpture in plaster that Brangwen had done, and not very much more. It was too large and empty-feeling for the family to occupy very much. Yet they liked to know it was there, large and empty.

The home was the dining-room. There the hard rush floor-covering made the ground light, reflecting light upon the bottom their hearts; in the window-bay was a broad, sunny seat, the table was so solid one could not jostle it, and the chairs so strong one could knock them over without hurting them. The familiar organ that Brangwen had made stood on one side, looking peculiarly small, the sideboard was comfortably reduced to normal proportions. This was the family living-room.

Ursula had a bedroom to herself. It was really a servants' bedroom, small and plain. Its window looked over the back garden at other back gardens, some of them old and very nice, some of them littered with packing-cases, then at the backs of the houses whose fronts were the shops in High Street, or the genteel homes of the under-manager or the chief cashier, facing the chapel.

She had six weeks still before going to college. In this time she nervously read over some Latin and some botany, and fitfully worked at some mathematics. She was going into college as a teacher, for her training. But, having already taken her matriculation examination, she was entered for a university course. At the end of a year she would sit for the Intermediate Arts, then two years after for her B.A. So her case was not that of the ordinary school-teacher. She would be working among the private students who came only for pure education, not for mere professional training. She would be of the elect.

For the next three years she would be more or less dependent on her parents again. Her training was free. All college fees were paid by the government, she had moreover a few pounds grant every year. This would just pay for her train fares and her clothing. Her parents would only have to feed her. She did not want to cost them much. They would not be well off. Her father would earn only two hundred a year, and a good deal of her mother's capital was spent in buying the house. Still, there was enough to get along with.

Gudrun was attending the Art School at Nottingham. She was working particularly at sculpture. She had a gift for this. She loved making little models in clay, of children or of animals. Already some of these had appeared in the Students' Exhibition in the Castle, and Gudrun was a distinguished person. She was chafing at the Art School and wanted to go to London. But there was not enough money. Neither would her parents let her go so far.

Theresa had left the High School. She was a great strapping, bold hussy, indifferent to all higher claims. She would stay at home. The others were at school, except the youngest. When term started, they would all be transferred to the Grammar School at Willey Green.

Ursula was excited at making acquaintances in Beldover. The excitement soon passed. She had tea at the clergyman's, at the chemist's, at the other chemist's, at the doctor's, at the under-manager's—then she knew practically everybody. She could not take people very seriously, though at the time she wanted to.

She wandered the country, on foot and on her bicycle, finding it very beautiful in the forest direction, between Mansfield and Southwell and Worksop. But she was here only skirmishing for amusement. Her real exploration would begin in college.

Term began. She went into town each day by train. The cloistered quiet of the college began to close around her.

She was not at first disappointed. The big college built of stone, standing in the quiet street, with a rim of grass and lime trees all so peaceful: she felt it remote, a magic land. Its architecture was foolish, she knew from her father. Still, it was different from that of all other buildings. Its rather pretty, plaything, Gothic form was almost a style, in the dirty industrial town.

She liked the hall, with its big stone chimney-piece and its Gothic arches supporting the balcony above. To be sure the arches were ugly, the chimney-piece of cardboard-like carved stone, with its armorial decoration, looked silly just opposite the bicycle stand and the radiator, whilst the great notice-board with its fluttering papers seemed to slam away all sense of retreat and mystery from the far wall. Nevertheless, amorphous as it might be, there was in it a reminiscence of the wondrous, cloistral origin of education. Her soul flew straight back to the medieval times, when the monks of God held the learning of men and imparted it within the shadow of religion. In this spirit she entered college.

The harshness and vulgarity of the lobbies and cloak-rooms hurt her at first. Why was it not all beautiful? But she could not openly admit her criticism. She was on holy ground.

She wanted all the students to have a high, pure spirit, she wanted them to say only the real, genuine things, she wanted their faces to be still and luminous as the nuns' and the monks' faces.

Alas, the girls chattered and giggled and were nervous, they were dressed up and frizzed, the men looked mean and clownish.

Still, it was lovely to pass along the corridor with one's books in one's hands, to push the swinging, glass-panelled door, and enter the big room where the first lecture would be given. The windows were large and lofty, the myriad brown students' desks stood waiting, the great blackboard was smooth behind the rostrum.

Ursula sat beside her window, rather far back. Looking down, she saw the lime trees turning yellow, the tradesman's boy passing silent down the still, autumn-sunny street. There was the world, remote, remote.

Here, within the great, whispering sea-shell, that whispered all the while with reminiscence of all the centuries, time faded away, and the echo of knowledge filled the timeless silence.

She listened, she scribbled her notes with joy, almost with ecstasy, never for a moment criticizing what she heard. The lecturer was a mouth-piece, a priest. As he stood, black-gowned, on the rostrum, some strands of the whispering confusion of knowledge that filled the whole place seemed to be singled out and woven together by him, till they became a lecture.

At first, she preserved herself from criticism. She would not consider the professors as men, ordinary men who ate bacon, and pulled on their boots before coming to college. They were the black-gowned priests of knowledge, serving for ever in a remote, hushed temple. They were the initiated, and the beginning and the end of the mystery was in their keeping.

Curious joy she had of the lectures. It was a joy to hear the theory of education, there was such freedom and pleasure in ranging over the very stuff of knowledge, and seeing how it moved and lived and had its being. How happy Racine made her! She did not know why. But as the big lines of the drama unfolded themselves, so steady, so measured, she felt a thrill as of being in the realm of the reality. Of Latin, she was doing Livy and Horace. The curious, intimate, gossiping tone of the Latin class suited Horace. Yet she never cared for him, nor even Livy. There was an entire lack of sternness in the gossipy class-room. She tried hard to keep her old grasp of the Roman spirit. But gradually the Latin became mere gossip-stuff and artificiality to her, a question of manners and verbosities.

Her terror was the mathematics class. The lecturer went so fast, her heart beat excitedly, she seemed to be straining every nerve. And she struggled hard, during private study, to get the stuff into control.

Then came the lovely, peaceful afternoons in the botany laboratory. There were few students. How she loved to sit on her high stool before the bench, with her pith and her razor and her material, carefully mounting her slides, carefully bringing her microscope into focus, then turning with joy to record her observation, drawing joyfully in her book, if the slide were good.

She soon made a college friend, a girl who had lived in Florence, a girl who wore a wonderful purple or figured scarf draped over a plain, dark dress. She was Dorothy Russell, daughter of a south-country advocate. Dorothy lived with a maiden aunt in Nottingham, and spent her spare moments slaving for the Women's Social and Political Union. She was quiet and intense, with an ivory face and dark hair looped plain over her ears. Ursula was very fond of her, but afraid of her. She seemed so old and so relentless towards herself. Yet she was only twenty-two. Ursula always felt her to be a creature of fate, like Cassandra.

The two girls had a close, stern friendship. Dorothy worked at all things with the same passion, never sparing herself. She came closest to Ursula during the botany hours. For she could not draw. Ursula made beautiful and wonderful drawings of the sections under the microscope, and Dorothy always came to learn the manner of the drawing.

So the first year went by, in magnificent seclusion and activity of learning. It was strenuous as a battle, her college life, yet remote as peace.

She came to Nottingham in the morning with Gudrun. The two sisters were distinguished wherever they went, slim, strong girls, eager and extremely sensitive. Gudrun was the more beautiful of the two, with her sleepy, half-languid girlishness that looked so soft, and yet was balanced and inalterable underneath. She wore soft, easy clothing, and hats which fell by themselves into a careless grace.

Ursula was much more carefully dressed, but she was self-conscious, always falling into depths of admiration of somebody else, and modelling herself upon this other, and so producing a hopeless incongruity. When she dressed for practical purposes she always looked well. In winter, wearing a tweed coat-and-skirt and a small hat of black fur pulled over her eager, palpitant face, she seemed to move down the street in a drifting motion of suspense and exceeding sensitive receptivity.

At the end of the first year Ursula got through her Intermediate Arts examination, and there came a lull in her eager activities. She slackened off, she relaxed altogether. Worn nervous and inflammable by the excitement of the preparation for the examination, and by the sort of exaltation which carried her through the crisis itself, she now fell into a quivering passivity, her will all loosened.

The family went to Scarborough for a month. Gudrun and the father were busy at the handicraft holiday school there, Ursula was left a good deal with the children. But when she could, she went off by herself.

She stood and looked out over the shining sea. It was very beautiful to her. The tears rose hot in her heart.

Out of the far, far space there drifted slowly in to her a passionate, unborn yearning. "There are so many dawns that have not yet risen." It seemed as if, from over the edge of the sea, all the unrisen dawns were appealing to her, all her unborn soul was crying for the unrisen dawns.

As she sat looking out at the tender sea, with its lovely, swift glimmer, the sob rose in her breast, till she caught her lip suddenly under her teeth, and the tears were forcing themselves from her. And in her very sob, she laughed. Why did she cry? She did not want to cry. It was so beautiful that she laughed. It was so beautiful that she cried.

She glanced apprehensively round, hoping no one would see her in this state.

Then came a time when the sea was rough. She watched the water travelling in to the coast, she watched a big wave running unnoticed, to burst in a shock of foam against a rock, enveloping all in a great white beauty, to pour away again, leaving the rock emerged black and teeming. Oh, and if, when the wave burst into whiteness, it were only set free!

Sometimes she loitered along the harbour, looking at the sea-browned sailors, who, in their close blue jerseys, lounged on the harbour-wall, and laughed at her with impudent, communicative eyes.

There was established a little relation between her and them. She never would speak to them or know any more of them. Yet as she walked by and they leaned on the sea-wall, there was something between her and them, something keen and delightful and painful. She liked best the young one whose fair, salty hair tumbled over his blue eyes. He was so new and fresh and salt and not of this world.

From Scarborough she went to her Uncle Tom's. Winifred had a small baby, born at the end of the summer. She had become strange and alien to Ursula. There was an unmentionable reserve between the two women. Tom Brangwen was an attentive father, a very domestic husband. But there was something spurious about his domesticity, Ursula did not like him any more. Something ugly, blatant in his nature had come out now, making him shift everything over to a sentimental basis. A materialistic unbeliever, he carried it all off by becoming full of human feeling, a warm, attentive host, a generous husband, a model citizen. And he was clever enough to rouse admiration everywhere, and to take in his wife sufficiently. She did not love him. She was glad to live in a state of complacent self-deception with him, she worked according to him.

Ursula was relieved to go home. She had still two peaceful years before her. Her future was settled for two years. She returned to college to prepare for her final examination.

But during this year the glamour began to depart from college. The professors were not priests initiated into the deep mysteries of life and knowledge. After all, they were only middle-men handling wares they had become so accustomed to that they were oblivious of them. What was Latin?—So much dry goods of knowledge. What was the Latin class altogether but a sort of second-hand curio shop, where one bought curios and learned the market-value of curios; dull curios too, on the whole. She was as bored by the Latin curiosities as she was by Chinese and Japanese curiosities in the antique shops. "Antiques"—the very word made her soul fall flat and dead.

The life went out of her studies, why, she did not know. But the whole thing seemed sham, spurious; spurious Gothic arches, spurious peace, spurious Latinity, spurious dignity of France, spurious naivete of Chaucer. It was a second-hand dealer's shop, and one bought an equipment for an examination. This was only a little side-show to the factories of the town. Gradually the perception stole into her. This was no religious retreat, no perception of pure learning. It was a little apprentice-shop where one was further equipped for making money. The college itself was a little, slovenly laboratory for the factory.

A harsh and ugly disillusion came over her again, the same darkness and bitter gloom from which she was never safe now, the realization of the permanent substratum of ugliness under everything. As she came to the college in the afternoon, the lawns were frothed with daisies, the lime trees hung tender and sunlit and green; and oh, the deep, white froth of the daisies was anguish to see.

For inside, inside the college, she knew she must enter the sham workshop. All the while, it was a sham store, a sham warehouse, with a single motive of material gain, and no productivity. It pretended to exist by the religious virtue of knowledge. But the religious virtue of knowledge was become a flunkey to the god of material success.

A sort of inertia came over her. Mechanically, from habit, she went on with her studies. But it was almost hopeless. She could scarcely attend to anything. At the Anglo-Saxon lecture in the afternoon, she sat looking down, out of the window, hearing no word, of Beowulf or of anything else. Down below, in the street, the sunny grey pavement went beside the palisade. A woman in a pink frock, with a scarlet sunshade, crossed the road, a little white dog running like a fleck of light about her. The woman with the scarlet sunshade came over the road, a lilt in her walk, a little shadow attending her. Ursula watched spell-bound. The woman with the scarlet sunshade and the flickering terrier was gone—and whither? Whither?

In what world of reality was the woman in the pink dress walking? To what warehouse of dead unreality was she herself confined?

What good was this place, this college? What good was Anglo-Saxon, when one only learned it in order to answer examination questions, in order that one should have a higher commercial value later on? She was sick with this long service at the inner commercial shrine. Yet what else was there? Was life all this, and this only? Everywhere, everything was debased to the same service. Everything went to produce vulgar things, to encumber material life.

Suddenly she threw over French. She would take honours in botany. This was the one study that lived for her. She had entered into the lives of the plants. She was fascinated by the strange laws of the vegetable world. She had here a glimpse of something working entirely apart from the purpose of the human world.

College was barren, cheap, a temple converted to the most vulgar, petty commerce. Had she not gone to hear the echo of learning pulsing back to the source of the mystery?—The source of mystery! And barrenly, the professors in their gowns offered commercial commodity that could be turned to good account in the examination room; ready-made stuff too, and not really worth the money it was intended to fetch; which they all knew.

All the time in the college now, save when she was labouring in her botany laboratory, for there the mystery still glimmered, she felt she was degrading herself in a kind of trade of sham jewjaws.

Angry and stiff, she went through her last term. She would rather be out again earning her own living. Even Brinsley Street and Mr. Harby seemed real in comparison. Her violent hatred of the Ilkeston School was nothing compared with the sterile degradation of college. But she was not going back to Brinsley Street either. She would take her B.A., and become a mistress in some Grammar School for a time.

The last year of her college career was wheeling slowly round. She could see ahead her examination and her departure. She had the ash of disillusion gritting under her teeth. Would the next move turn out the same? Always the shining doorway ahead; and then, upon approach, always the shining doorway was a gate into another ugly yard, dirty and active and dead. Always the crest of the hill gleaming ahead under heaven: and then, from the top of the hill only another sordid valley full of amorphous, squalid activity.

No matter! Every hill-top was a little different, every valley was somehow new. Cossethay and her childhood with her father; the Marsh and the little Church school near the Marsh, and her grandmother and her uncles; the High School at Nottingham and Anton Skrebensky; Anton Skrebensky and the dance in the moonlight between the fires; then the time she could not think of without being blasted, Winifred Inger, and the months before becoming a school-teacher; then the horrors of Brinsley Street, lapsing into comparative peacefulness, Maggie, and Maggie's brother, whose influence she could still feel in her veins, when she conjured him up; then college, and Dorothy Russell, who was now in France, then the next move into the world again!

Already it was a history. In every phase she was so different. Yet she was always Ursula Brangwen. But what did it mean, Ursula Brangwen? She did not know what she was. Only she was full of rejection, of refusal. Always, always she was spitting out of her mouth the ash and grit of disillusion, of falsity. She could only stiffen in rejection, in rejection. She seemed always negative in her action.

That which she was, positively, was dark and unrevealed, it could not come forth. It was like a seed buried in dry ash. This world in which she lived was like a circle lighted by a lamp. This lighted area, lit up by man's completest consciousness, she thought was all the world: that here all was disclosed for ever. Yet all the time, within the darkness she had been aware of points of light, like the eyes of wild beasts, gleaming, penetrating, vanishing. And her soul had acknowledged in a great heave of terror only the outer darkness. This inner circle of light in which she lived and moved, wherein the trains rushed and the factories ground out their machine-produce and the plants and the animals worked by the light of science and knowledge, suddenly it seemed like the area under an arc-lamp, wherein the moths and children played in the security of blinding light, not even knowing there was any darkness, because they stayed in the light.

But she could see the glimmer of dark movement just out of range, she saw the eyes of the wild beast gleaming from the darkness, watching the vanity of the camp fire and the sleepers; she felt the strange, foolish vanity of the camp, which said "Beyond our light and our order there is nothing," turning their faces always inward towards the sinking fire of illuminating consciousness, which comprised sun and stars, and the Creator, and the System of Righteousness, ignoring always the vast darkness that wheeled round about, with half-revealed shapes lurking on the edge.

Yea, and no man dared even throw a firebrand into the darkness. For if he did he was jeered to death by the others, who cried "Fool, anti-social knave, why would you disturb us with bogeys? There is no darkness. We move and live and have our being within the light, and unto us is given the eternal light of knowledge, we comprise and comprehend the innermost core and issue of knowledge. Fool and knave, how dare you belittle us with the darkness?"

Nevertheless the darkness wheeled round about, with grey shadow-shapes of wild beasts, and also with dark shadow-shapes of the angels, whom the light fenced out, as it fenced out the more familiar beasts of darkness. And some, having for a moment seen the darkness, saw it bristling with the tufts of the hyena and the wolf; and some having given up their vanity of the light, having died in their own conceit, saw the gleam in the eyes of the wolf and the hyena, that it was the flash of the sword of angels, flashing at the door to come in, that the angels in the darkness were lordly and terrible and not to be denied, like the flash of fangs.

It was a little while before Easter, in her last year of college, when Ursula was twenty-two years old, that she heard again from Skrebensky. He had written to her once or twice from South Africa, during the first months of his service out there in the war, and since had sent her a post-card every now and then, at ever longer intervals. He had become a first lieutenant, and had stayed out in Africa. She had not heard of him now for more than two years.

Often her thoughts returned to him. He seemed like the gleaming dawn, yellow, radiant, of a long, grey, ashy day. The memory of him was like the thought of the first radiant hours of morning. And here was the blank grey ashiness of later daytime. Ah, if he had only remained true to her, she might have known the sunshine, without all this toil and hurt and degradation of a spoiled day. He would have been her angel. He held the keys of the sunshine. Still he held them. He could open to her the gates of succeeding freedom and delight. Nay, if he had remained true to her, he would have been the doorway to her, into the boundless sky of happiness and plunging, inexhaustible freedom which was the paradise of her soul. Ah, the great range he would have opened to her, the illimitable endless space for self-realization and delight for ever.

The one thing she believed in was in the love she had held for him. It remained shining and complete, a thing to hark back to. And she said to herself, when present things seemed a failure:

"Ah, I was fond of him," as if with him the leading flower of her life had died.

Now she heard from him again. The chief effect was pain. The pleasure, the spontaneous joy was not there any longer. But her will rejoiced. Her will had fixed itself to him. And the old excitement of her dreams stirred and woke up. He was come, the man with the wondrous lips that could send the kiss wavering to the very end of all space. Was he come back to her? She did not believe.

My dear Ursula, I am back in England again for a few months before going out again, this time to India. I wonder if you still keep the memory of our times together. I have still got the little photograph of you. You must be changed since then, for it is about six years ago. I am fully six years older,—I have lived through another life since I knew you at Cossethay. I wonder if you would care to see me. I shall come up to Derby next week, and I would call in Nottingham, and we might have tea together. Will you let me know? I shall look for your answer.

Anton Skrebensky

Ursula had taken this letter from the rack in the hall at college, and torn it open as she crossed to the Women's room. The world seemed to dissolve away from around her, she stood alone in clear air.

Where could she go, to be alone? She fled away, upstairs, and through the private way to the reference library. Seizing a book, she sat down and pondered the letter. Her heart beat, her limbs trembled. As in a dream, she heard one gong sound in the college, then, strangely, another. The first lecture had gone by.

Hurriedly she took one of her note-books and began to write.

"Dear Anton, Yes, I still have the ring. I should be very glad to see you again. You can come here to college for me, or I will meet you somewhere in the town. Will you let me know? Your sincere friend——"

Trembling, she asked the librarian, who was her friend, if he would give her an envelope. She sealed and addressed her letter, and went out, bare-headed, to post it. When it was dropped into the pillar-box, the world became a very still, pale place, without confines. She wandered back to college, to her pale dream, like a first wan light of dawn.

Skrebensky came one afternoon the following week. Day after day, she had hurried swiftly to the letter-rack on her arrival at college in the morning, and during the intervals between lectures. Several times, swiftly, with secretive fingers, she had plucked his letter down from its public prominence, and fled across the hall holding it fast and hidden. She read her letters in the botany laboratory, where her corner was always reserved to her.

Several letters, and then he was coming. It was Friday afternoon he appointed. She worked over her microscope with feverish activity, able to give only half her attention, yet working closely and rapidly. She had on her slide some special stuff come up from London that day, and the professor was fussy and excited about it. At the same time, as she focused the light on her field, and saw the plant-animal lying shadowy in a boundless light, she was fretting over a conversation she had had a few days ago with Dr. Frankstone, who was a woman doctor of physics in the college.

"No, really," Dr. Frankstone had said, "I don't see why we should attribute some special mystery to life—do you? We don't understand it as we understand electricity, even, but that doesn't warrant our saying it is something special, something different in kind and distinct from everything else in the universe—do you think it does? May it not be that life consists in a complexity of physical and chemical activities, of the same order as the activities we already know in science? I don't see, really, why we should imagine there is a special order of life, and life alone——"

The conversation had ended on a note of uncertainty, indefinite, wistful. But the purpose, what was the purpose? Electricity had no soul, light and heat had no soul. Was she herself an impersonal force, or conjunction of forces, like one of these? She looked still at the unicellular shadow that lay within the field of light, under her microscope. It was alive. She saw it move—she saw the bright mist of its ciliary activity, she saw the gleam of its nucleus, as it slid across the plane of light. What then was its will? If it was a conjunction of forces, physical and chemical, what held these forces unified, and for what purpose were they unified?

For what purpose were the incalculable physical and chemical activities nodalized in this shadowy, moving speck under her microscope? What was the will which nodalized them and created the one thing she saw? What was its intention? To be itself? Was its purpose just mechanical and limited to itself?

It intended to be itself. But what self? Suddenly in her mind the world gleamed strangely, with an intense light, like the nucleus of the creature under the microscope. Suddenly she had passed away into an intensely-gleaming light of knowledge. She could not understand what it all was. She only knew that it was not limited mechanical energy, nor mere purpose of self-preservation and self-assertion. It was a consummation, a being infinite. Self was a oneness with the infinite. To be oneself was a supreme, gleaming triumph of infinity.

Ursula sat abstracted over her microscope, in suspense. Her soul was busy, infinitely busy, in the new world. In the new world, Skrebensky was waiting for her—he would be waiting for her. She could not go yet, because her soul was engaged. Soon she would go.

A stillness, like passing away, took hold of her. Far off, down the corridors, she heard the gong booming five o'clock. She must go. Yet she sat still.

The other students were pushing back their stools and putting their microscopes away. Everything broke into turmoil. She saw, through the window, students going down the steps, with books under their arms, talking, all talking.

A great craving to depart came upon her. She wanted also to be gone. She was in dread of the material world, and in dread of her own transfiguration. She wanted to run to meet Skrebensky—the new life, the reality.

Very rapidly she wiped her slides and put them back, cleared her place at the bench, active, active, active. She wanted to run to meet Skrebensky, hasten—hasten. She did not know what she was to meet. But it would be a new beginning. She must hurry.

She flitted down the corridor on swift feet, her razor and note-books and pencil in one hand, her pinafore over her arm. Her face was lifted and tense with eagerness. He might not be there.

Issuing from the corridor, she saw him at once. She knew him at once. Yet he was so strange. He stood with the curious self-effacing diffidence which so frightened her in well-bred young men whom she knew. He stood as if he wished to be unseen. He was very well-dressed. She would not admit to herself the chill like a sunshine of frost that came over her. This was he, the key, the nucleus to the new world.

He saw her coming swiftly across the hall, a slim girl in a white flannel blouse and dark skirt, with some of the abstraction and gleam of the unknown upon her, and he started, excited. He was very nervous. Other students were loitering about the hall.

She laughed, with a blind, dazzled face, as she gave him her hand. He too could not perceive her.

In a moment she was gone, to get her outdoor things. Then again, as when she had been at school, they walked out into the town to tea. And they went to the same tea-shop.

She knew a great difference in him. The kinship was there, the old kinship, but he had belonged to a different world from hers. It was as if they had cried a state of truce between him and her, and in this truce they had met. She knew, vaguely, in the first minute, that they were enemies come together in a truce. Every movement and word of his was alien to her being.

Yet still she loved the fine texture of his face, of his skin. He was rather browner, physically stronger. He was a man now. She thought his manliness made the strangeness in him. When he was only a youth, fluid, he was nearer to her. She thought a man must inevitably set into this strange separateness, cold otherness of being. He talked, but not to her. She tried to speak to him, but she could not reach him.

He seemed so balanced and sure, he made such a confident presence. He was a great rider, so there was about him some of a horseman's sureness and habitual definiteness of decision, also some of the horseman's animal darkness. Yet his soul was only the more wavering, vague. He seemed made up of a set of habitual actions and decisions. The vulnerable, variable quick of the man was inaccessible. She knew nothing of it. She could only feel the dark, heavy fixity of his animal desire.

This dumb desire on his part had brought him to her? She was puzzled, hurt by some hopeless fixity in him, that terrified her with a cold feeling of despair. What did he want? His desires were so underground. Why did he not admit himself? What did he want? He wanted something that should be nameless. She shrank in fear.

Yet she flashed with excitement. In his dark, subterranean male soul, he was kneeling before her, darkly exposing himself. She quivered, the dark flame ran over her. He was waiting at her feet. He was helpless, at her mercy. She could take or reject. If she rejected him, something would die in him. For him it was life or death. And yet, all must be kept so dark, the consciousness must admit nothing.

"How long," she said, "are you staying in England?"

"I am not sure—but not later than July, I believe."

Then they were both silent. He was here, in England, for six months. They had a space of six months between them. He waited. The same iron rigidity, as if the world were made of steel, possessed her again. It was no use turning with flesh and blood to this arrangement of forged metal.

Quickly, her imagination adjusted itself to the situation.

"Have you an appointment in India?" she asked.

"Yes—I have just the six months' leave."

"Will you like being out there?"

"I think so—there's a good deal of social life, and plenty going on—hunting, polo—and always a good horse—and plenty of work, any amount of work."

He was always side-tracking, always side-tracking his own soul. She could see him so well out there, in India—one of the governing class, superimposed upon an old civilization, lord and master of a clumsier civilization than his own. It was his choice. He would become again an aristocrat, invested with authority and responsibility, having a great helpless populace beneath him. One of the ruling class, his whole being would be given over to the fulfilling and the executing of the better idea of the state. And in India, there would be real work to do. The country did need the civilization which he himself represented: it did need his roads and bridges, and the enlightenment of which he was part. He would go to India. But that was not her road.

Yet she loved him, the body of him, whatever his decisions might be. He seemed to want something of her. He was waiting for her to decide of him. It had been decided in her long ago, when he had kissed her first. He was her lover, though good and evil should cease. Her will never relaxed, though her heart and soul must be imprisoned and silenced. He waited upon her, and she accepted him. For he had come back to her.

A glow came into his face, into his fine, smooth skin, his eyes, gold-grey, glowed intimately to her. He burned up, he caught fire and became splendid, royal, something like a tiger. She caught his brilliant, burnished glamour. Her heart and her soul were shut away fast down below, hidden. She was free of them. She was to have her satisfaction.

She became proud and erect, like a flower, putting itself forth in its proper strength. His warmth invigorated her. His beauty of form, which seemed to glow out in contrast with the rest of people, made her proud. It was like deference to her, and made her feel as if she represented before him all the grace and flower of humanity. She was no mere Ursula Brangwen. She was Woman, she was the whole of Woman in the human order. All-containing, universal, how should she be limited to individuality?

She was exhilarated, she did not want to go away from him. She had her place by him. Who should take her away?

They came out of the cafe.

"Is there anything you would like to do?" he said. "Is there anything we can do?"

It was a dark, windy night in March.

"There is nothing to do," she said.

Which was the answer he wanted.

"Let us walk then—where shall we walk?" he asked.

"Shall we go to the river?" she suggested, timidly.

In a moment they were on the tram, going down to Trent Bridge. She was so glad. The thought of walking in the dark, far-reaching water-meadows, beside the full river, transported her. Dark water flowing in silence through the big, restless night made her feel wild.

They crossed the bridge, descended, and went away from the lights. In an instant, in the darkness, he took her hand and they went in silence, with subtle feet treading the darkness. The town fumed away on their left, there were strange lights and sounds, the wind rushed against the trees, and under the bridge. They walked close together, powerful in unison. He drew her very close, held her with a subtle, stealthy, powerful passion, as if they had a secret agreement which held good in the profound darkness. The profound darkness was their universe.

"It is like it was before," she said.

Yet it was not in the least as it was before. Nevertheless his heart was perfectly in accord with her. They thought one thought.

"I knew I should come back," he said at length.

She quivered.

"Did you always love me?" she asked.

The directness of the question overcame him, submerged him for a moment. The darkness travelled massively along.

"I had to come back to you," he said, as if hypnotized. "You were always at the back of everything."

She was silent with triumph, like fate.

"I loved you," she said, "always."

The dark flame leaped up in him. He must give her himself. He must give her the very foundations of himself. He drew her very close, and they went on in silence.

She started violently, hearing voices. They were near a stile across the dark meadows.

"It's only lovers," he said to her, softly.

She looked to see the dark figures against the fence, wondering that the darkness was inhabited.

"Only lovers will walk here to-night," he said.

Then in a low, vibrating voice he told her about Africa, the strange darkness, the strange, blood fear.

"I am not afraid of the darkness in England," he said. "It is soft, and natural to me, it is my medium, especially when you are here. But in Africa it seems massive and fluid with terror—not fear of anything—just fear. One breathes it, like the smell of blood. The blacks know it. They worship it, really, the darkness. One almost likes it—the fear—something sensual."

She thrilled again to him. He was to her a voice out of the darkness. He talked to her all the while, in low tones, about Africa, conveying something strange and sensual to her: the negro, with his loose, soft passion that could envelop one like a bath. Gradually he transferred to her the hot, fecund darkness that possessed his own blood. He was strangely secret. The whole world must be abolished. He maddened her with his soft, cajoling, vibrating tones. He wanted her to answer, to understand. A turgid, teeming night, heavy with fecundity in which every molecule of matter grew big with increase, secretly urgent with fecund desire, seemed to come to pass. She quivered, taut and vibrating, almost pained. And gradually, he ceased telling her of Africa, there came a silence, whilst they walked the darkness beside the massive river. Her limbs were rich and tense, she felt they must be vibrating with a low, profound vibration. She could scarcely walk. The deep vibration of the darkness could only be felt, not heard.