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The Ragged Edge
by Harold MacGrath
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"Let us sit here," she said, indicating the white sand bordering the lagoon; "and in a minute or two you will see something quite wonderful . . . . There!"

Out of the dark unruffled sapphire of the lagoon came vertical flashes of burning silver, singly and in groups.

"What in the world is it?" he asked.

"Flying fish. Something is feeding upon them. I thought you might like to see. You might be able to use the picture some day."

"I don't know." He bent his head to his knees. "Something's wrong. I can't invent; the thing won't come."

"Shall I tell you a real story?"

"Something you have seen?"

"Yes."

"Tell it. Perhaps what I need is something to bite in."

So she told him the adventure of the two beachcombers in the typhoon, and how they became regenerated by their magnificent courage.

"That's tremendous!" he cried. "Lord, if I can only remember to write it exactly as you told it!" He jumped to his feet. "I'll tackle it to-night!"

"But it's after ten!"

"What's that got to do with it? ... The roofs of the native huts scattering in the wind! ... the absolute agony of the twisting palms!.... and those two beggars laughing as they breasted death! Girl, you've gone and done it!"

He leaned down and caught her by the hand, and then raced with her to the bungalow.

Five hours later she tiptoed down the hall and paused at the threshold of what they now called his study. There were no doors in the bungalow; instead, there were curtains of strung bead and bamboo, always tinkling mysteriously. His pipe hung dead in his teeth, but the smoke was dense about him. His hand flew across the paper. As soon as he finished a sheet, he tossed it aside and began another. Occasionally he would lean back and stare at the window which gave upon the sea. But she could tell by the dullness of his eyes that he saw only some inner vision.

Unobserved, she knelt and kissed the threshold: for she knew what kisses were now. The curtain tinkled as her head brushed it, but he neither saw nor heard.



CHAPTER XXII

Every morning at dawn it was Spurlock's custom to take a plunge in the lagoon. Ruth took hers in the sea, but was careful never to go beyond her depth because of the sharks. She always managed to get back to the bungalow before he did.

As she came in this morning she saw that the lamp was still burning in the study; so she stopped at the door. Spurlock lay with his head on his arms, asleep. The lamp was spreading soot over everything and the reek of kerosene was stronger than usual. She ran to the lamp and extinguished it. Spurlock slept on. It was still too dark for reading, but she could see well enough to note the number of the last page—fifty-six.

Ruth wore a printed cotton kimono. She tied the obi clumsily about her waist, then gently laid her hand on the bowed head. He did not move. Mischief bubbled up in her. She set her fingers in the hair and tugged, drawing him to a sitting posture and stooping so that her eyes would be on the level with his when he awoke.

He opened his eyes, protestingly, and beheld the realization of his dream. He had been dreaming of Ruth—an old recurrency of that dream he had had in Canton, of Ruth leading him to the top of the mountain. For a moment he believed this merely a new phase of the dream. He smiled.

"The Dawn Pearl!" he said, making to recline again.

But she was relentless. "Hoddy, wake up!" She jerked his head to and fro until the hair stung.

"What?... Oh!... Well, good Lord!" He wrenched loose his head and stood up, sending the chair clattering to the floor. Rollo barked.

"Go and take your plunge while I attend to breakfast."

He started to pick up a sheet of manuscript, but she pushed him from the table toward the doorway; and he staggered out of the bungalow, suddenly stretched his arms, and broke into a trot.

Ruth returned to the table. The tropical dawn is swift. She could now see to read; so she stirred the manuscript about until she came upon the first page. "The Beachcombers."

Romance! The Seven Seas are hers. She roves the blue fields of the North, with the clean North Wind on her lips and her blonde head jewelled with frost—mocking valour and hardihood! Out of the West she comes, riding the great ships and the endless steel ways that encompass the earth, and smoke comes with her and the glare of furnace fires—commerce! From the East she brings strange words upon her tongue and strange raiment upon her shoulders and the perfume of myrrh—antiquity! But oh! when she springs from the South, her rosy feet trailing the lotus, ripe lequats wreathing her head, in one hand the bright torch of danger and in the other the golden apples of love, with her eyes full of sapphires and her mouth full of pearls!

"With her eyes full of sapphires and her mouth full of pearls." All day long the phrase interpolated her thoughts.

A week later the manuscript was polished and typewritten, ready for the test. Spurlock felt very well pleased with himself. To have written a short story in a week was rather a remarkable feat.

It was at breakfast on this day that he told Ruth he had sent to Batavia for some dresses. They would arrive sometime in June.

"That gown is getting shabby."

Ruth spread out the ruffled skirt, sundrily torn and soiled. "I haven't worn anything else in weeks. I haven't touched the other."

"Anything like that?"

"Yes; but the colour is lavender."

"Wear that to-night, then. It fits your style. You are very lovely, Ruth."

She wanted to dance. The joy that filled her veins with throbbing fire urged her to rise and go swinging and whirling and dipping. She sat perfectly still, however.

"I am glad you think that," she replied. "Please tell me whenever I am at fault."

"I wish you did have some faults, Ruth. You're an angel of goodness."

"No, no! I have had wicked thoughts."

He laughed and pushed back his chair. "So has the butterfly evil thoughts. We're to be given a treat to-night. McClintock will be tuning up the piano to-day. I say, I'll take the yarn over and read it to McClintock. That old chap has a remarkable range in reading. But, hang it, I know it's good!"

"Of course it is!"

In the afternoon he began work on another tale. It was his purpose to complete four or five stories before he sent any away. But to-day he did not get beyond half a dozen desultory start-offs. From McClintock's came an infernal tinkle-tinkle, tump-tump! There was no composing with such a sound hammering upon the ear. But eventually Spurlock laughed. Not so bad. Battle, murder, and sudden death—and an old chap like McClintock tuning his piano in the midst of it. He made a note of the idea and stored it away.

He read "The Beachcombers" to McClintock that night after coffee; and when he had done, the old trader nodded.

"That's a good story, lad. You've caught the colour and the life. But it sounds too real to be imagined. You've never seen a typhoon, have you?"

"No."

"Well, imagination beats me!"

"It's something Ruth saw. She told me the tale the other night, and I've only elaborated it."

"Ah, I see." McClintock saw indeed—two things: that the boy had no conceit and that this odd girl would always be giving. "Well, it's a good story."

He offered cigars, and Ruth got up. She always left the table when they began to smoke. Spurlock had not coached her on this line of conduct. Somewhere she had read that it was the proper thing to do and that men liked to be alone with their tobacco. She hated to leave; for this hour would be the most interesting. Both Spurlock and McClintock stood by their chairs until she was gone.

"Yes, sir," said McClintock, as he sat down; "that's South Sea stuff, that yarn of yours. I like the way you shared it. I have read that authors are very selfish and self-centred."

"Oh, Ruth couldn't put it on paper, to be sure; but there was no reason to hide the source."

"Have you told her?"

"Told her? Told her what?" Spurlock sat straight in his chair.

"You know what I mean," said the trader, gravely. "In spots you are a thoroughbred; but here's a black mark on your ticket, lad. My friend the doctor suspected it, and so do I. You are not a tourist seeking adventure. You have all the earmarks of a fugitive from justice."

Spurlock grew limp in his chair. "If you thought that, why did you give me this job?"—his voice faint and thick.

"The doctor and I agreed to give you a chance—for her sake. Without realizing what she has done, she's made a dreadful mess of it. A child—as innocent as a child! Nothing about life; bemused by the fairy stories you writers call novels! I don't know what you have done; I don't care. But you must tell her."

"I can't! I can't—not now!"

"Bat!—can't you see that she's the kind who would understand and forgive? She loves you."

The walls appeared to rock; bulging shadows reached out; the candle flames became mocking eyes; and the blood drummed thunderously in Spurlock's ears. The door to the apocalypse had opened!

"Loves me? . . . Ruth?"

"Why the devil not? Why do you suppose she married you if she didn't love you? While you read I watched her face. It was in her eyes—the big thing that comes but once. But you! Why the devil did you marry her? That's the thing that confounds me."

"God help me, what a muddle!" The cigar crumbled in Spurlock's hand.

"All life is a muddle, and we are all muddlers, more or less. It is a matter of degree. Lord, I am sixty. For thirty years I have lived alone; but once upon a time I lived among men. I know life. I sit back now, letting life slip by and musing upon it; and I find my loneliness sweet. I have had my day; and there were women in it. So, when I tell you she loves you, I know. Supposing they find you and take you away?—and she unprepared? Have you thought of that? Why did you marry her?"

"God alone knows!"

"And you don't love her! What kind of a woman do you want, anyhow?"—with rising anger. He saw the tragedy on the boy's face; but he was merciless. "Are you a poltroon, after all?"

"That's it! I ought to have died that night!"

"Or is there a taint of insanity in your family history? Alone and practically penniless like yourself! You weren't even stirred by gratitude. You just married her. Lad, that fuddles me!"

"Did you bring me down here to crucify me?" cried Spurlock, in passionate rebellion.

"No, lad," said McClintock, his tone becoming kindly. "Only, what you have done is out of all human calculation. You did not marry her because you loved her; you did not marry because she might have had money; you did not marry her out of gratitude; you did not marry her because you had to. You just married her! But there she is—'with her eyes full of sapphires and her mouth full of pearls'!" McClintock quoted with gentle irony. "What have you got there in your breast—a stone? Is there blood or water in your veins?"

The dam broke, but not with violence. A vast relief filled Spurlock's heart as he decided to tell this man everything which related to Ruth. This island was the one haven he had; he might be forced to remain here for several years—until the Hand had forgotten him. He must win this man's confidence, even at the risk of being called mad. So, in broken, rather breathless phrases, he told his story; and when he had done, he laid his arms upon the table and bent his head to them.

There followed a silence which endured several minutes; or, rather a tableau. The candles—for McClintock never used oil in his dining room—were burning low in the sconces. Occasionally the flames would bend, twist and writhe crazily as the punka-boy bestirred himself.

McClintock's astonishment merged into a state of mild hypnosis. That any human being could conceive and execute such a thing! A Roundhead, here in these prosaic times!—and mad as a hatter! Trying the role of St. Anthony, when God Himself had found only one man strong enough for that! McClintock shook his head violently, as if to dismiss this dream he was having. But the objects in his range of vision remained unchanged. Presently he reached out and laid his hand upon Spurlock's motionless shoulders.

"'Tis a cruel thing you've done, lad. Even if you were sick in the mind and did not understand what you were doing, it's a mighty cruel thing you have done. Probably she mistook you; probably she thought you cared. I'm neither an infidel nor an agnostic, so I'll content myself by saying that the hand of God is in this somewhere. 'He's a good fellow, and 'twill all end well'. You have set out to do something which is neither God's way nor man's. What'll you be doing?"

"What can I do?" asked Spurlock, raising his haggard face. "Can't you see? I can't hurt her, if ... if she cares! I can't tell her I'm a madman as well as a thief!... What a fool! What a fool!"

A thief. McClintock's initial revulsion was natural; he was an honest man. But this revulsion was engulfed by the succeeding waves of pity and understanding. One transgression; he was sure of that. The boy was all conscience, and he suffered through this conscience to such lengths that the law would be impotent to add anything. All this muddle to placate his conscience!

"Here—quick!" McClintock thrust a cigar into Spurlock's hand. "Put it in your teeth and light it. I hear her coming."

Spurlock obeyed mechanically. The candle was shaking in his hand as Ruth appeared in the doorway.

"I thought we were going to have some music," she said.

Her husband stared at her over the candle flame. Flesh and blood, vivid, alluring; she was no longer the symbol, therefore she had become, as in the twinkling of an eye, an utter stranger. And this utter stranger ... loved him! He had no reason to doubt McClintock's statement; the Scot had solved the riddle why Ruth Enschede had married Howard Spurlock. All emotions laid hold of him, but none could he stay long enough to analyze it. For a space he rode the whirligig.

"We were talking shop," said McClintock, rising. Observing Spurlock's spell-bound attitude, he clapped the boy on the shoulder. "Come along! We'll start that concert right away."

In the living room Spurlock's glance was constantly drawn toward Ruth; but in fear that she might sense something wrong, he walked over to the piano and struck a few chords.

"You play?" asked McClintock, who was sorting the rolls.

"A little. This is a good piano."

"It ought to be; it cost enough to get it here," said the Scot, ruefully. "Ever play one of these machines?"

"Yes. I've always been more or less music-mad. But machinery will never approach the hand."

"I know a man.... But I'll tell you about him some other time. I'm crazy over music, too. I can't pump out all there is to these compositions. Try something."

Spurlock gratefully accepted the Grieg concerto, gratefully, because it was brilliant and thunderous. Papillon would have broken him down; anything tender would have sapped his will; and like as not he would have left the stool and rushed into the night. He played for an hour—Grieg, Chopin, Rubenstein, Liszt, crashing music. The action steadied him; and there was a phase of irony, too, that helped. He had been for months without music of the character he loved—and he dared not play any of it!

McClintock, after the music began, left the piano and sat in a corner just beyond the circle of light cast by the lamp. His interest was divided: while his ears drank in the sounds, his glance constantly roved from Ruth to the performer and back to Ruth. These amazing infants!

Suddenly he came upon the true solution: that the boy hadn't meant to steal whatever it was he had stolen. A victim of one of those mental typhoons that scatter irretrievably the barriers of instinct and breeding; and he had gone on the rocks all in a moment. Never any doubt of it. That handsome, finely drawn face belonged to a soul with clean ideals. All in a moment. McClintock's heart went out to Spurlock; he would always be the boy's friend, even though he had dragged this girl on to the rocks with him.

Love and lavender, he thought, perhaps wistfully. He could remember when women laid away their gowns in lavender—as this girl's mother had. He would always be her friend, too. That boy—blind as a bat! Why, he hadn't seen the Woman until to-night!

From the first chord of the Grieg concerto to the finale of the Chopin ballade, Ruth had sat tensely on the edge of her chair. She had dreaded the beginning of this hour. What would happen to her? Would her soul be shaken, twisted, hypnotized?—as it had been those other times? Music—that took out of her the sense of reality, whirled her into the clouds, that gave to her will the directless energy of a chip of wood on stormy waters. But before the Grieg concerto was done, she knew that she was free. Free! All the fine ecstasy, without the numbing terror.

Spurlock sat limply, his arms hanging. McClintock, striking a match to relight his cigar, broke the spell. Ruth sighed; Spurlock stood up and drew his hand across his forehead as if awakening from a dream.

"I didn't know the machine had such stuff in it," said McClintock. "I imagine I must have a hundred rolls—all the old fellows. It's a sorry world," he went on. "Nobody composes any more, nobody paints, nobody writes—I mean, on a par with what we've just heard."

The clock tinkled ten. Shortly Ruth and Spurlock took the way home. They walked in silence. With a finger crooked in his side-pocket, she measured her step with his, her senses still dizzy from the echo of the magic sounds. At the threshold of the study he bade her good-night; but he did not touch her forehead with his lips.

"I feel like work," he lied. What he wanted desperately was to be alone.

"But you are tired!"

"I want to go over the story again."

"Mr. McClintock liked it."

"He couldn't help it, Ruth. It's big, thanks to you."

"You.... need me a little?"

"Not a little, but a great deal."

That satisfied something of her undefined hunger. She went to her bedroom, but she did not go to bed. She drew a chair to the window and stared at the splendour of the tropical night. By and by she heard the screen door. Hollo rumbled in his throat.

"Hush!" she said.

Presently she saw Spurlock on the way to the lagoon. He walked with bent head. After quarter of an hour, she followed.

The unexpected twist—his disclosure to McClintock—had given Spurlock but temporary relief. The problem had returned, made gigantic by the possibility of Ruth's love. The thought allured him, and therein lay the danger. If it were but the question of his reason for marrying her, the solution would have been simple. But he was a thief, a fugitive from justice. On that basis alone, he had no right to give or accept love.

Had he been sick in the mind when he had done this damnable thing? It did not seem possible, for he could recall clearly all he had said and done; there were no blank spaces to give him one straw of excuse.

Ruth loved him. It was perfectly logical. And he could not return this love. He must fight the thought continually, day in and day out. The Dawn Pearl! To be with her constantly, with no diversions to serve as barricades! Damn McClintock for putting this thought in his head—that Ruth loved him!

He flung himself upon the beach, face downward, his outflung hands digging into the sand: which was oddly like his problem—he could not grip it. Torment!

And so Ruth discovered him. She was about to rush to his side, when she saw his clenched hands rise and fall upon the sand repeatedly. Her heart swelled to suffocation. To go to him, to console him! But she stirred not from her hiding place. Instinctively she knew—some human recollection she had inherited—that she must not disturb him in this man-agony. She could not go to him when it was apparent that he needed her beyond all other instances! What had caused this agony did not matter—then. It was enough that she witnessed it and could not go to him.

By and by—as the paroxysm subsided and he became motionless—she stole back to the bungalow to wait. Through her door curtain she could see the light from the study lamp. If, when he returned, he blew out the light, she would go to bed; but if the light burned on for any length of time, she would go silently to the study curtain to learn if his agony was still upon him. She heard him come in; the light burned on.

She discovered him sitting upon the floor beside his open trunk. He had something across his knees. At first she could not tell what it was; but as her eyes became accustomed to the light, she recognized the old coat.



CHAPTER XXIII

Next morning Ruth did not refer to the episode on the sands of the lagoon. Here again instinct guided her. If he had nothing to tell her, she had nothing to ask. She did not want particularly to know what had caused his agony, what had driven him back to the old coat. He was in trouble and she could not help him; that was the ache in her heart.

At breakfast both of them played their parts skillfully. There was nothing in his manner to suggest the misery of the preceding night. There was nothing on her face to hint of the misery that brimmed her heart this morning. So they fenced with smiles.

He noted that she was fully dressed, that her hair was carefully done, that there was a knotted ribbon around her throat. It now occurred to him that she had always been fully dressed. He did not know—and probably never would unless she told him—that it was very easy (and comfortable for a woman) to fall into slatternly ways in this latitude. So long as she could remember, her father had never permitted her to sit at the table unless she came fully dressed. Later, she understood his reasons; and it had now become habit.

Fascination. It would be difficult to find another human being subjected to so many angles of attack as Spurlock. Ruth loved him. This did not tickle his vanity; on the contrary, it enlivened his terror, which is a phase of fascination. She loved him. That held his thought as the magnet holds the needle, inescapably. The mortal youth in him, then, was fascinated, the thinker, the poet; from all sides Ruth attacked him, innocently. The novel danger of the situation enthralled him. He saw himself retreating from barricade to barricade, Ruth always advancing, perfectly oblivious of the terror she inspired.

While he was stirring his tea, she ran and fetched the comb. She attacked his hair resolutely. He laughed to hide his uneasiness. The touch of her hands was pleasurable.

"The part was crooked," she explained.

"I don't believe McClintock would have gone into convulsions at the sight of it. Anyhow, ten minutes after I get to work I'll be rumpling it."

"That isn't the point, Hoddy. You don't notice the heat; but it is always there, pressing down. You must always shave and part your hair straight. It doesn't matter that you deal with black people. It isn't for their sakes, it's for your own. Mr. McClintock does it; and he knows why. In the morning and at night he is dressed as he would dress in the big hotels. In the afternoon he probably loafs in his pajamas. You can, too, if you wish.."

"All right, teacher; I'll shave and comb my hair." He rose for fear she might touch him again.

But such is the perversity of the human that frequently thereafter he purposely crooked the part in his hair, to give her the excuse to fetch the comb. Not that he deliberately courted danger; it was rather the searcher, seeking analysis, the why and wherefore of this or that invading emotion.

He was always tenderly courteous; he answered her ordinary questions readily and her extraordinary ones patiently; he always rose when she entered or left the room. This formality irked her: she wanted to play a little, romp. The moment she entered the room and he rose, she felt that she was immediately consigned to the circle of strangers; and it emptied her heart of its joy and filled it with diffidence. There was a wall; she was always encountering it; the one time she was able to break through this wall was when the part in his hair was crooked.

She began to exercise those lures which were bred in her bone—the bones of all women. She required no instructions from books; her wit and beauty were her own. What lends a tragic mockery to all these tender traps of hers was that she was within lawful bounds. This man was her husband in the eyes of both God and man.

But Spurlock was ever on guard, even when she fussed over his hair. His analytical bent saved him many times, though he was not sensitive to this. The fire—if there was any in him—never made headway against this insistant demand to know the significance of these manifold inward agitations.

Thus, more and more Ruth turned to the mongrel dog who bore the name of Rollo unflinchingly—the dog that adored her openly, shamelessly, who now without a whimper took his diurnal tubbing. Upon this grateful animal she lavished that affection which was subtly repelled by its lawful object.

Spurlock was by nature orderly, despite his literary activities. Before the first month was gone, McClintock admitted that the boy was a find. Accounts were now always where he could put his hand on them. The cheating of the boys in the stores ceased. If there were any pearls, none came into the light. Gradually McClintock shifted the burden to Spurlock's shoulders and retired among his books and music rolls.

Twice Spurlock went to Copeley's—twenty miles to the northwest—for ice and mail. It was a port of call, since fortnightly a British mail-boat dropped her mudhook in the bay. All sorts of battered tramps, junks and riff-raff of the seas trailed in and out. Spurlock was tremendously interested in these derelicts, and got a good deal of information regarding them, which he stored away for future use. There were electric and ice plants, and a great store in which one could buy anything from jewsharps to gas-engines. White men and natives dealt conveniently at Copeley's. It saved long voyages and long waits; and the buyers rarely grumbled because the prices were stiff. There were white men with families, a fine mission-house, and a club-house for cards and billiards.

He was made welcome as McClintock's agent; but he politely declined all the proffered courtesies. Getting back the ice was rather a serious affair. He loaded the launch with a thousand pounds—all she could carry—and started home immediately after sundown; but even then he lost from a hundred to a hundred and fifty pounds before he had the stuff cached in McClintock's bamboo-covered sawdust pit. This ice was used for refrigerator purposes and for McClintock's evening peg.

Ruth with Rollo as her guide explored the island. In the heart of the jungle the dog had his private muck baths. Into one of these he waded and rolled and rolled, despite her commands. At first she thought he was endeavouring to rid himself of the fleas, but after a time she came to understand that the muck had healing qualities and soothed the burning scratches made by his claws. In the presence of the husband of his mistress Rollo was always dignifiedly cheerful, but he never leaped or cavorted as he did when alone with Ruth.

Spurlock was fond of dogs; he was fond of this offspring of many mesalliances; but he never made any attempt to win Rollo, to share him. The dog was, in a sense, a gift of the gods. He filled the role of comrade which Spurlock dared not enact, at least not utterly as he would have liked. Yes—as he would have liked.

For Ruth grew lovelier as the days went on. She was as lovely in the spirit as in the flesh. Her moods were many and always striking. She was never violent when angry: she became as calm and baffling as the sea in doldrums. She never grew angry for anything her husband did: such anger as came to her was directed against the lazy, incompetent servant who was always snooping about in the inner temple—Spurlock's study.

She formed a habit which embarrassed Spurlock greatly, but at first he dared not complain. She would come and sit cross-legged just beyond the bamboo curtain and silently watch him at work. One night she apparently fell asleep. He could not permit her to remain in that position. So, very carefully, he raised her in his arms and carried her to her bed. The moment he was out in the hall, Ruth sat up hugging and rocking her body in delight. This charming episode was repeated three times. Then he sensed the trap.

"Ruth, you must not come and sit on the threshold. I can't concentrate on my work. It doesn't annoy me; it only disturbs me. I can't help looking at you frequently. You don't want me to spoil the story, do you?"

"No. But it's so wonderful to watch you! Whenever you have written something beautiful, your face shows it."

"I know; but ..."

"And sometimes you say out loud: 'That's great stuff!' I never make any sound."

"But it is the sight of you!"

"All right, Hoddy. I promise not to do it again." She rose. "Good night."

He stared at the agitated curtain; and slowly his chin sank until it touched his chest. He had hurt her. But the recollection of the warm pliant body in his arms ...!

"I am a thief!" he whispered. He had only to recall this fact (which he did in each crisis) to erect a barrier she could not go around or over.

Sometimes it seemed to him that he was an impostor: that Ruth believed him to be one Howard Spurlock, when he was only masquerading as Spurlock. If ever the denouement came—if ever the Hand reached him—Ruth would then understand why he had rebuffed all her tender advances. The law would accord her all her previous rights: she would return to the exact status out of which in his madness he had taken her. She might even forgive him.

He thanked God for this talent of his. He could lose himself for hours at a time. Whatever he wrote he was: he became this or that character, he suffered or prospered equally. He was the beachcomber, or the old sailor with the black pearl (Ruth's tales), or the wastrel musician McClintock had described to him. There was a fourth story; but he never told either Ruth or McClintock about this. He called it "The Man Who Could Not Go Home." Himself. He did not write this with lead but with his heart's blood.

By the middle of July he was in full health. In the old days he had been something of an athlete—a runner, an oarsman, and a crack at tennis. The morning swims in the lagoon had thickened the red corpuscle. For all the enervating heat, he applied himself vigorously to his tasks.

Late in July he finished the fourth story. This time there wasn't any doubt. He had done it. These were yarns! As he was about to slip the manuscripts into the envelope, something caught his eye: by Howard Spurlock. Entranced, he stared at the name. Suddenly he understood what had happened. A wrathful God was watching him. Howard Spurlock. The honey on his tongue turned to ashes. To write under a pseudonym!—to be forced to disown his children! He could not write under his own name, enjoy the fruits of fame should these tales prove successful.

Here was a thundering blow. All his dreams shattered in an instant. What is the supreme idea in the heart and mind of youth? To win fame and fortune: and particularly to enjoy them. Spurlock slumped in his chair, weak and empty. This was the bitterest hour he had ever known. From thoughts of fame to thoughts of mere bread and butter! It seemed to Spurlock that he had tumbled off the edge of Somewhere into the abyss of Nowhere.

At length, when he saw no escape from the inevitable, he took the four title pages from the manuscripts and typed new ones, substituting Taber for Spurlock. A vast indifference settled down upon him. He did not care whether the stories were accepted or not. He was so depressed and disheartened that he did not then believe he would ever write again.

Both Ruth and McClintock came down to the launch to wish him God-speed and good luck. Ruth hugged the envelope and McClintock, with the end of a burnt match, drew a cabalistic sign. Through it all Spurlock maintained a gaiety which deceived them completely. But his treasured dream lay shattered at his feet.

And yet—such is the buoyancy of youth—within a fortnight he began his first novel, pretending to himself that it was on Ruth's account. To be alone with her, in idleness, was an intolerable thought.

* * * * *

Coconuts grew perpetually. There will often be six growths in a single palm. So proas loaded with nuts were always landing on the beach. The Tigress went prowling for nut, too. Once, both Ruth and Spurlock accompanied McClintock far south, to an island of blacks; and Spurlock had his first experience with the coconut dance and the booming of wooden tom-toms.

At first Spurlock tasted coconut in his eggs, in what meat he ate; it permeated everything, taste and smell. For a long time even the strong pipe tobacco (with which McClintock supplied him) possessed a coconut flavour. Then, mysteriously, he no longer smelled or tasted it.

On the day he carried the manuscript to Copeley's he brought back a packet of letters, magazines, and newspapers. McClintock never threw away any advertising matter; in fact, he openly courted pamphlets; and they came from automobile dealers and great mail-order houses, from haberdashers and tailors and manufacturers of hair-tonics, razors, gloves, shoes, open plumbing. In this way (he informed Spurlock) he kept posted on what was going on in the strictly commercial world. "Besides, lad, even an advertisement of a cough-drop is something to read." So there was always plenty of mail.

Among the commercial enticements McClintock found a real letter. In privacy he read and reread it a dozen times, and eventually destroyed it by fire. It was, in his opinion, the most astonishing letter he had ever read. He hated to destroy it; but that was the obligation imposed; and he was an honourable man.

Not since she had discovered it had Ruth touched or opened the mission Bible; but to-night (the same upon which the wonderful manuscripts started on their long and circuitous voyage to America) she was inexplicably drawn to it. In all these weeks she had not once knelt to pray. Why should she? she asked rebelliously. God had never answered any of her prayers. But this time she wanted nothing for herself: she wanted something for Hoddy—success. So, not exactly hopefully but earnestly, she returned to the feet of God. She did not open the Bible but laid it on the edge of the bed, knelt and rested her forehead upon the worn leather cover.

It was not a long prayer. She said it audibly, having learned long since that an audible prayer was a concentrated one. And yet, at the end of this prayer a subconscious thought broke through to consciousness. "And someday let him care for me!"

She sprang up, alarmed. This unexpected interpolation might spoil the efficacy of all that had gone before. She hadn't meant to ask anything for herself. Her stifled misery had betrayed her. She had been fighting down this thought for days: that Hoddy did not care, that he did not love her, that he had mistaken a vagary of the mind for a substance, and now regretted what he had done—married a girl who was not his equal in anything. The agony on the sands now ceased to puzzle her.

All her tender lures, inherent and acquired, had shattered themselves futilely against the reserve he had set between them. Why had he offered her that kiss on board The Tigress? Perhaps that had been his hour of disenchantment. She hadn't measured up; she had been stupid; she hadn't known how to make love.

Loneliness. Here was an appalling fact: all her previous loneliness had been trifling beside that which now encompassed her and would for years to come.

If only sometimes he would grow angry at her, impatient! But his tender courtesy was unfailing; and under this would be the abiding bitterness of having mistaken gratitude for love. Very well. She would meet him upon this ground: he should never be given the slightest hint that she was unhappy.

She still had her letter of credit. She could run away from him, if she wished, as she had run away from her father; she could carry out the original adventure. But the cases were not identical. Her father—man of rock—had never needed her, whereas Hoddy, even if he did not love her, would always be needing her.

Love stories!... A sob rushed into her throat, and to smother it she buried her face in a pillow.

Spurlock, filled with self-mockery, sat in a chair on the west veranda. The chair had extension arms over which a man might comfortably dangle his legs. For awhile he watched the revolving light on Copeley's. Occasionally he relit his pipe. Once he chuckled aloud. Certain phases of irony always caused him to chuckle audibly. Every one of those four stories would be accepted. He knew it absolutely, as if he had the check in his hand. Why? Because Howard Spurlock the author dared not risk the liberty of Howard Spurlock the malefactor; because there were still some dregs in this cup of irony. For what could be more ironical than for Howard Spurlock to see himself grow famous under the name of Taber? The ambrosia of which he had so happily dreamt!—and this gall and wormwood! He stood up and rapped his pipe on the rail.

"All right," he said. "Whatever you say—you, behind those stars there, if you are a God. We Spurlocks take our medicine, standing. Pile it on! But if you can hear the voice of the mote, the speck, don't let her suffer for anything I've done. Be a sport, and pile it all on me!"

He went to bed.

There is something in prayer; not that there may be any noticeable result, any definite answer; but no human being can offer an honest prayer to God without gaining immeasurably in courage, in fortitude, in resignation, and that alone is worth the effort.

On the morrow Spurlock (who was unaware that he had offered a prayer) let down the bars to his reserve. He became really companionable, discussed the new story he had in mind, and asked some questions about colour. Ruth, having decided a course for herself—that of renunciation—and having the strength to keep it, met these advances in precisely the mood they were offered. So these two young philosophers got along very well that day; and the succeeding days.

She taught him all the lore she had; about bird-life and tree-life and the changing mysteries of the sea. She taught him how to sail a proa, how to hack open a milk-coconut, how to relish bamboo sprouts. Eventually this comradeship (slightly resented by Rollo) reached a point where he could call out from the study: "Hey, Ruth!—come and tell me what you think of this."

Her attitude now entirely sisterly, he ceased to be afraid of her; there was never anything in her eyes (so far as he could see) but friendly interest in all he said or did. And yet, often when alone, he wondered: had McClintock been wrong, or had she ceased to care in that way? The possibility that she no longer cared should have filled him with unalloyed happiness, whereas it depressed him, cut the natural vanity of youth into shreds and tatters. Yesterday this glorious creature had loved him; to-day she was only friendly. No more did she offer her forehead for the good-night kiss. And instead of accepting the situation gratefully, he felt vaguely hurt!

One evening in September a proa rasped in upon the beach. It brought no coconut. There stepped forth a tall brown man. He remained standing by the stem of the proa, his glance roving investigatingly. He wore a battered sun-helmet, a loin-cloth and a pair of dilapidated canvas shoes. At length he proceeded toward McClintock's bungalow, drawn by the lights and the sound of music.

Sure of foot, noiseless, he made the veranda and paused at the side of one of the screened windows. By and by he ventured to peer into this window. He saw three people: a young man at the piano, an elderly man smoking in a corner, and a young woman reclining in a chair, her eyes closed. The watcher's intake of breath was sibilant.

It was she! The Dawn Pearl!

He vaulted the veranda rail, careless now whether or not he was heard, and ran down to the beach. He gave an order, the proa was floated and the sail run up. In a moment the brisk evening breeze caught the lank canvas and bellied it taut. The proa bore away to the northwest out of which it had come.

James Boyle O'Higgins knew little or nothing of the South Seas, but he knew human beings, all colours. His deduction was correct that the beauty of Ruth Enschede could not remain hidden long even on a forgotten isle.



CHAPTER XXIV

Spurlock's novel was a tale of regeneration. For a long time to come that would naturally be the theme of any story he undertook to write. After he was gone in the morning, Ruth would steal into the study and hurriedly read what he had written the previous night. She never questioned the motives of the characters; she had neither the ability nor the conceit for that; but she could and often did correct his lapses in colour. She never touched the manuscript with pencil, but jotted down her notes on slips of paper and left them where he might easily find them.

She marvelled at his apparent imperviousness to the heat. He worked afternoons, when everybody else went to sleep; he worked at night under a heat-giving light, with insects buzzing and dropping about, with a blue haze of tobacco smoke that tried to get out and could not. With his arms bare, the neckband of his shirt tucked in, he laboured. Frequently he would take up a box of talc and send a shower down his back, or fill his palms with the powder and rub his face and arms and hands. He kept at it even on those nights when the monsoon began to break with heavy storms and he had to weight down with stones everything on his table. Soot was everywhere, for the lamp would not stay trimmed in the gale. But he wrote on.

As the novel grew Ruth was astonished to see herself enter and dominate it: sometimes as she actually was, with all her dreams reviewed—as if he had caught her talking in her sleep. It frightened her to behold her heart and mind thus laid bare; but the chapter following would reassure her. Here would be a woman perfectly unrecognizable, strong, ruthless but just.

This heroine ruled an island which (in the '80s) was rich with shell—pearl-shell; and she fought pearl thievers and marauding beachcombers, fought them with weapons and with woman's guile. No man knew whence she had come nor why. That there would eventually be a lover Ruth knew; and she waited his appearance upon the scene, waited with an impatience which was both personal and literary. If the creator drew a hero anything like himself, she would accept it as a sign that he did care a little.

Ruth did not resent the use of her mind and body in this tale of adventure. She gloried in it: he needed her. When the hero finally did appear, Ruth became filled with gentle self-mockery. He was no Hoddy, but a tremendous man, with hairy arms and bearded face and drink-shattered intellect. Day by day she followed the spiritual and physical contest between this man and woman. One day a pall of blackness encompassed the sick mind of the giant; and when he came to his senses, they properly functioned: and he saw his wife by his bedside!

An astonishing idea entered Ruth's head one day—when the novel was complete in the rough—an astonishing idea because it had not developed long ago. A thing which had mystified her since childhood, a smouldering wonder why it should be, and until now she had never felt the urge to investigate. She tucked the mission Bible under her arm, and crooking a finger at Rollo, went forth to the west beach where the sou'-west surge piled up muddily, burdened with broken spars, crates, boxes, and weeds. During the wet monsoon the west beach was always littered. Where the stuff came from was always a mystery.

The Enschede Bible—the one out of which she read—had been strangely mutilated. Sections and pages had been pasted together, and all through both Testaments a word had been blotted out. The open books she knew by heart; aye, they had been ground into her, morning and night. One of her duties, after she had been taught to read, had been to read aloud after breakfast and before going to bed. The same old lines and verses, over and over, until there had come times when shrieking would have relieved her. How she had hated it!... All these mumblings which were never explained, which carried no more sense to her brain than they would have carried to Old Morgan's swearing parrot. Like the parrot, she could memorize the lines, but she could not understand them. Never had her father explained. "Read the first chapter of Job"; beyond that, nothing. Whenever she came upon the obliterated word and paused, her father would say: "Faith. Go on." So, after a time, encountering the blot, she herself would supply the word Faith. But was it Faith? That is what she was this day going to find out.

She closed her eyes more vividly to recall some line which had carried the blot. And so she came upon the word Love. Blotted out—Love! With infinite care, through nearly a thousand pages, her father had obliterated the word Love. Why? Love was a word of God's, and yet her father had denied it—denied it to the Book, denied it to his own flesh and blood. Why? He could preach the Word and deny Love!—tame the savage heart, succour broken white men!—pray with his face strained with religious fervour! The idea made her dizzy because it was so inexplicable. She could accord her father with one grace: he was not in any manner a hypocrite. Tender with the sick, firm with the strong, fearless, with a body that had the resistance of iron, there was nothing of the hypocrite in him.

She recalled him. A gaunt, powerful man: no feature of his face decided, and yet for all that it had the significance of a countenance hewn out of rock. Never had he corrected her with hand or whip, the ring in his voice had always been sufficient to cower her. But never had the hand touched her with a father's caress; never had he taken her into his arms; never had he kissed her. She had never been "My child" or "My dear"; always her name—Ruth.

Love, obliterated, annihilated; out of his heart and out of his Bible. Why? Here was a curtain indeed. No matter. It was ended. She herself had cut the slender tie that had bound them. Ah, but she could remember; and many things there were that she would never forgive. Sometimes—a lonely forlorn child—she had gone to him and put her arms around his neck. Stonily he had disengaged himself. "I forbid you to do that." She had brought home a puppy one day. He had taken it back. He destroyed her clumsily made dolls whenever he found them.

Once she had asked him: "Are you my father?"

He had answered: "I am."

She had no reason to doubt him. Her father, her own father! She remembered now a verse from the Psalms her father had always been quoting; but now she recited it with perfect understanding.

How long wilt thou forget me, O Lord? for ever? How long wilt thou hide thy face from me?

She came upon the Song of Songs—which had been pasted down in the Enschede Bible—the burning litany of love; and from time to time she intoned some verse of tender lyric beauty. There was one verse that haunted and mocked her.

Stay me with flagons, comfort me with apples, for I am sick of love.

Here was Ruth Enschede—sick of love! Love—something the world would always keep hidden from her, at least human love. All she had found was the love of this dog. She threw her arms around Rollo's neck and laid her cheek upon the flea-bitten head.

"Oh, Rollo, there are so many things I don't know! But you love me, don't you?"

Rollo wagged his stump violently and tried to lick her face. He understood. When she released him he ran down the beach for a stick which he fetched and laid at her feet. But she was staring seaward and did not notice the offering.

* * * * *

October. The skies became brilliant; the dry monsoon was setting in. Then came the great day. It was at lunch when McClintock announced that in the mail-pouch he had found a letter addressed to Howard Taber, care of Donald McClintock and so-forth.

Spurlock grew cold. All that confidence, born of irony, disappeared; and fear laid hold of him. The envelope might contain only a request as to what he wanted done with the manuscripts. In mailing the tales he had not enclosed return postage or the equivalent in money.

"So you're writing under a nom de plume, eh?" said McClintock, holding out the letter.

"You open it, Ruth. I'm in a funk," Spurlock confessed.

McClintock laughed as he gave the letter to Ruth. She, having all the confidence in the world, ripped off an end and drew out the contents—a letter and a check. What the editor had to say none of the three cared just then. Spurlock snatched the check out of Ruth's hands and ran to the window.

"A thousand dollars in British pounds!... A thousand dollars for four short stories!" The tan on Spurlock's face lightened. He was profoundly stirred. He turned to Ruth and McClintock. "You two ... both of you! But for you I couldn't have done it. If only you knew what this means to me!"

"We do, lad," replied McClintock, gravely. The youth of them! And what was he going to do when they left his island? What would Donald McClintock be doing with himself, when youth left the island, never more to return?

Ruth was thrilling with joy. Every drop of blood in her body glowed and expanded. To go to Hoddy, to smother him with kisses and embraces in this hour of triumph! To save herself from committing the act—the thought of which was positive hypnotism—she began the native dance. Spurlock (himself verging upon the hysterical) welcomed the diversion. He seized a tray, squatted on the floor, and imitated the tom-tom. It was a mad half-hour.

"Well, lad, supposing you read what the editor has to say?" was McClintock's suggestion, when the frolic was over.

"You read it, Ruth. You're luck."

"Aye!" was McClintock's inaudible affirmative. Luck. The boy would never know just how lucky he was. Ruth read:

DEAR SIR:

"We are delighted to accept these four stories, particularly 'The Man Who Could Not Go Home.' We shall be pleased to see more of your work.

"'The Man Who Could Not Go Home.' Why," said Ruth, "you did not read that to us."

"Wanted to see if I could turn out one all on my own," replied Spurlock, looking at McClintock, who nodded slightly. "It was the story of a man, so to speak, who had left his vitals in his native land and wandered strange paths emptily. But never mind that. Come along home, Ruth. I'm burning to get to work."

After all those former bitter failures, this cup was sweet, even if there was the flavour of irony. At least, he would always be able to take care of Ruth. The Dawn Pearl; how well they had named her! The pearl without price—his and not his!

He took her arm and drew it under his; and together they went down the veranda steps. Ruth's arm trembled and her step faltered, but he was too far away in thought to be observant. He saw rifts in clouds—sunshine. The future was not so black. All the money he earned—serving McClintock and the muse—could be laid away. Then, in a few years, he and Ruth might fare forth in comfort and security. After five or six years it would not be difficult to hide in Italy or in France. No; the future was not so dark; there was a bit of dawn visible. If this success continued, it would be easy to assume the name of Taber. Ruth could not very well object, since an air of distinction would go with Taber.

Suddenly he felt Ruth swing violently away from him, and he wheeled to learn the cause.

He beheld a tall gaunt man, his brown face corrugated like a winter's road, grim, stony. His gangling body was clothed in rusty twill trousers and a long black seersucker coat, buttoned to the throat, around which ran a collar which would have marked him the world over as a man of the Word. His hand rested heavily and cruelly upon Ruth's shoulder.

"So, wanton, I have found you!"

"Wanton! Why, you infernal liar!" cried Spurlock, striking at the arm. But the free arm of the stranger hit him a flail-like blow on the chest and sent him sprawling into the yielding sand. Berserker, Spurlock rose, head down, and charged.

"Hoddy, Hoddy!... No, no! This is my father!" warned Ruth.

Spurlock halted in his tracks. "But what does he mean by calling you a wanton?—you, my wife?"

Enschede's hand slipped from his daughter's shoulder. The iron slipped from his face, leaving it blank with astonishment. "Your wife?"

"His lawful wife," said Ruth, with fine dignity.

For a moment none of them stirred; then slowly Enschede turned away. To Spurlock's observing eye, Enschede's wrinkles multiplied and the folds in his clothes. The young man's imagination suddenly pictured the man as a rock, loosed from its ancient bed, crumbling as it fell. But why did he turn away?

"Wait!" Ruth called to her father.

The recollection of all her unhappiness, the loveless years, the unending loneliness, the injustice of it, rolled up to her lips in verbal lava. It is not well that a daughter should talk to her father as Ruth talked to hers that day.

The father, granite; the daughter, fire: Spurlock saw the one and heard the other, his amazement indescribable. Never before had he seen a man like Enschede nor heard a voice like Ruth's. But as the mystery which surrounded Ruth fell away that which enveloped her father thickened.

"I used to cry myself to sleep, Hoddy, I was so forlorn and lonely. He heard me; but he never came in to ask what was the matter. For fifteen years!—so long as I can remember! All I wanted was a little love, a caress now and then. But I waited in vain. So I ran away, blindly, knowing nothing of the world outside. Youth! You denied me even that," said Ruth, her glance now flashing to her father. "Spring!—I never knew any. I dared not sing, I dared not laugh, except when you went away. What little happiness I had I was forced to steal. I am glad you found me. I am out of your life forever, never having been in it. Did you break my mother's heart as you tried to break mine? I am no longer accountable to you for anything. Wanton! Had I been one, even God would have forgiven me, understanding. Some day I may forgive you; but not now. No, no! Not now!"

Ruth turned abruptly and walked toward the bungalow, mounted the veranda steps, and vanished within. Without a word, without a sign, Enschede started toward the beach, where his proa waited.

For a time Spurlock did not move. This incredible scene robbed him of the sense of locomotion. But his glance roved, to the door through which Ruth had gone, to Enschede's drooping back. Unexpectedly he found himself speeding toward the father.

"Enschede!" he called.

Enschede halted. "Well?" he said, as Spurlock reached his side.

"Are you a human being, to leave her thus?"

"It is better so. You heard her. What she said is true."

"But why? In the name of God, why? Your flesh and blood! Have you never loved anything?"

"Are you indeed my daughter's lawful husband?" Enschede countered.

"I am. You will find the proof in McClintock's safe. You called her a wanton!"

"Because I had every reason to believe she was one. There was every indication that she fled the island in company with a dissolute rogue." Still the voice was without emotion; calm, colourless.

Fired with wrath, Spurlock recounted the Canton episode. "She travelled alone; and she is the purest woman God ever permitted to inhabit the earth. What!—you know so little of that child? She ran away from you. Somebody tricked you back yonder—baited you for spite. She ran away from you; and now I can easily understand why. What sort of a human being are you, anyhow?"

Enschede gazed seaward. When he faced Spurlock, the granite was cracked and rived; never had Spurlock seen such dumb agony in human eyes. "What shall I say? Shall I tell you, or shall I leave you in the dark—as I must always leave her? What shall I say except that I am accursed of men? Yes; I have loved something—her mother. Not wisely but too well. I loved her beyond anything in heaven or on earth—to idolatry. God is a jealous God, and He turned upon me relentlessly. I had consecrated my life to His Work; and I took the primrose path."

"But a man may love his wife!" cried Spurlock, utterly bewildered.

"Not as I loved mine. So, one day, because God was wroth, her mother ran away with a blackguard, and died in the gutter, miserably. Perhaps I've been mad all these years; I don't know. Perhaps I am still mad. But I vowed that Ruth should never suffer the way I did—and do. For I still love her mother. So I undertook to protect her by keeping love out of her life, by crushing it whenever it appeared, obliterating it. I made it a point to bring beachcombers to the house to fill her with horror of mankind. I never let her read stories, or have pets, dolls. Anything that might stir the sense of love And God has mocked me through it all."

"Man, in God's name, come with me and tell her this!" urged Spurlock.

"It is too late. Besides, I would tear out my tongue rather than let it speak her mother's infamy. To tell Ruth anything, it would be necessary to tell her everything; and I cannot and you must not. She was always asking questions about her mother and supplying the answers. So she built a shrine. Always her prayers ended—'And may my beautiful mother guide me!' No. It is better as it is. She is no longer mine; she is yours."

"What a mistake!"

"Yes. But you—you have a good face. Be kind to her. Whenever you grow impatient with her, remember the folly of her father. I can now give myself to God utterly; no human emotion will ever be shuttling in between."

"And all the time you loved her?"—appalled.

"Perhaps."

Enschede stepped into the proa, and the natives shoved off. Spurlock remained where he was until the sail became an infinitesimal speck in the distance. His throat filled; he wanted to weep. For yonder went the loneliest man in all God's unhappy world.



CHAPTER XXV

Spurlock pushed back his helmet and sat down in the white sand, buckling his knees and folding his arms around them—pondering. Was he really awake? The arrival and departure of this strange father lacked the essential human touch to make it real. Without a struggle he could give up his flesh and blood like that! "I can now give myself to God utterly; no human emotion will ever be shuttling in between." The mortal agony behind those eyes! And all the while he had probably loved his child. To take Spring and Love out of her life, as if there were no human instincts to tell Ruth what was being denied her! And what must have been the man's thought as he came upon Ruth wearing a gown of her mother's?—a fair picture of the mother in the primrose days? Not a flicker of an eyelash; steel and granite outwardly.

The conceit of Howard Spurlock in imagining he knew what mental suffering was! But Enschede was right: Ruth must never know. To find the true father at the expense of the beautiful fairy tale Ruth had woven around the woman in the locket was an intolerable thought. But the father, to go his way forever alone! The iron in the man!—the iron in this child of his!

Wanting a little love, a caress now and then. Spurlock bent his head to his knees. He took into his soul some of the father's misery, some of the daughter's, to mingle with his own. Enschede, to have starved his heart as well as Ruth's because, having laid a curse, he knew not how to turn aside from it! How easily he might have forgotten the unworthy mother in the love of the child! And this day to hear her voice lifted in a quality of anathema. Poor Ruth: for a father, a madman; for a husband—a thief!

Spurlock rocked his body slightly. He knew that at this moment Ruth lay upon her bed in torment, for she was by nature tender; and the reaction of her scathing words, no matter how justifiable, would be putting scars on her soul. And he, her lawful husband, dared not go to her and console her! Accursed—all of them—Enschede, Ruth, and himself.

"What's the matter, lad, after all the wonderful fireworks at lunch?"

Spurlock beheld McClintock standing beside him. He waved a hand toward the sea.

"A sail?" said McClintock. "What about it?"

"Enschede."

"Enschede?—her father? What's happened?" McClintock sat down. "Do you mean to tell me he's come and gone in an hour? What the devil kind of a father is he?"

Spurlock shook his head.

"What's become of Ruth?"

"Gone to her room."

"Come, lad; let's have it," said McClintock. "Anything that concerns Ruth is of interest to me. What happened between Ruth and her father that made him hurry off without passing ordinary courtesies with me?"

"I suppose I ought to tell you," said Spurlock; "but it is understood that Ruth shall never know the truth."

"Not if it will hurt her."

"Hurt her? It would tear her to pieces; God knows she has had enough. Her mother.... Do you recall the night she showed you the face in the locket? Do you remember how she said—'If only my mother had lived'? Did you ever see anything more tender or beautiful?"

"I remember. Go on and tell me."

When Spurlock had finished the tale, touched here and there by his own imagination, McClintock made a negative sign.

"So that was it? And what the devil are you doing here, moping alone on the beach? Why aren't you with her in this hour of bitterness?"

"What can I do?"

"You can go to her and take her in your arms."

"I might have been able to do that if you hadn't told me ... she cared."

"Man, she's your wife!"

"And I am a thief."

"You're a damn fool, too!" exploded the trader.

"I am as God made me."

"No. God gives us an equal chance; but we make ourselves. You are captain of your soul; don't forget your Henley. But I see now. That poor child, trying to escape, and not knowing how. Her father for fifteen years, and you now for the rest of her life! Tell her you're a thief. Get it off your soul."

"Add that to what she is now suffering? It's too late. She would not forgive me."

"And why should you care whether she forgave you or not?"

Spurlock jumped to his feet, the look of the damned upon his face. "Why? Because I love her! Because I loved her at the start, but was too big a fool to know it!"

His own astonishment was quite equal to McClintock's. The latter began to heave himself up from the sand.

"Did I hear you ..." began McClintock.

"Yes!" interrupted Spurlock, savagely. "You heard me say it! It was inevitable. I might have known it. Another labyrinth in hell!"

A smile broke over the trader's face. It began in the eyes and spread to the lips: warm, embracing, even fatherly.

"Man, man! You're coming to life. There's something human about you now. Go to her and tell her. Put your arms around her and tell her you love her. Dear God, what a beautiful moment!"

The fire went out of Spurlock's eyes and the shadow of hopeless weariness fell upon him. "I can't make you understand; I can't make you see things as I see them. As matters now stand, I'm only a thief, not a blackguard. What!—add another drop to her cup? Who knows? Any day they may find me. So long as matters remain as they are, and they found me, there would be no shame for Ruth. Can't I make you see?"

"But I'm telling you Ruth loves you. And her kind of love forgives everything and anything but infidelity."

"You did not hear her when she spoke to her father; I did."

"But she would understand you; whereas she will never understand her father. Spurlock: 'tis Roundhead, sure enough. Go to her, I say, and take her in your arms, you poor benighted Ironsides! I can't make you see. Man, if you tell her you love her, and later they took you away to prison, who would sit at the prison gate until your term was up? Ruth. Why am I here—thirty years of loneliness? Because I know women, the good and the bad; and because I could not have the good, I would not take the bad. The woman I wanted was another man's wife. So here I am, king of all I survey, with a predilection for poker, a scorched liver, and a piano-player. But you! Ruth is your lawful wife. Not to go to her is wickeder than if I had run away with my friend's wife. You're a queer lad. With your pencil you see into the hearts of all; and without your pencil you are dumb and blind. Ruth is not another man's wife; she is all your own, for better or for worse. Have you thought of the monstrous lie you are adding to your theft?"

"Lie?" said Spurlock, astounded.

"Aye—to pretend to her that you don't care. That's a most damnable lie; and when she finds out, 'tis then she will not forgive. She'll have this hour always with her; and you failed her. Go to her."

"I can't."

"Afraid?"

"Yes."

This simple admission disarmed McClintock. "Well, well; I have given out of my wisdom. I'd like to shake you until your bones rattled; but the bones of a Roundhead wouldn't rattle to any purpose. Lad, I admire you even in your folly. Mountains out of molehills and armies out of windmills; and you'll tire yourself in one direction and shatter yourself in the other. There is strength in you—misguided. You will torture yourself and torture her all through life; but in the end she will pour the wine of her faith into a sound chalice. I would that you were my own."

"I, a thief?"

"Aye; thief, Roundhead and all. If a certain kink in your sense of honour will not permit you to go to her as a lover, go to her as a comrade. Talk to her of the new story; divert her; for this day her heart has been twisted sorely."

McClintock without further speech strode toward his bungalow; and half an hour later Spurlock, passing, heard the piano-tuning key at work.

Spurlock plodded through the heavy sand, leaden in the heart and mind as well as in the feet. But recently he had asked God to pile it all on him; and God had added this, with a fresh portion for Ruth. One thing—he could be thankful for that—the peak of his misfortunes had been reached; the world might come to an end now and not matter in the least.

Love ... to take her in his arms and to comfort her: and then to add to her cup of bitterness the knowledge that her husband was a thief! For himself he did not care; God could continue to grind and pulverize him; but to add another grain to the evil he had already wrought upon Ruth was unthinkable. The future? He dared not speculate upon that.

He paused at the bamboo curtain of her room, which was in semi-darkness. He heard Rollo's stump beat a gentle tattoo on the floor.

"Ruth?"

Silence for a moment. "Yes. What is it?"

"Is there anything I can do?" The idiocy of the question filled him with the craving of laughter. Was there anything he could do!

"No, Hoddy; nothing."

"Would you like to have me come in and talk?" How tender that sounded!—talk!

"If you want to."

Bamboo and bead tinkled and slithered behind him. The dusky obscurity of the room was twice welcome. He did not want Ruth to see his own stricken countenance; nor did he care to see hers, ravaged by tears. He knew she had been weeping. He drew a chair to the side of the bed and sat down, terrified by the utter fallowness of his mind. Filled as he was with conflicting emotions, any stretch of silence would be dangerous. The fascination of the idea of throwing himself upon his knees and crying out all that was in his heart! As his eyes began to focus objects, he saw one of her arms extended upon the counterpane, in his direction, the hand clenched tightly.

"I am very wicked," she said. "After all, he is my father, Hoddy; and I cursed him. But all those empty years!... My heart was hot. I'm sorry. I do forgive him; but he will never know now."

"Write him," urged Spurlock, finding speech.

"He would return my letters unopened or destroy them."

That was true, thought Spurlock. No matter what happened, whether the road smoothed out or became still rougher, he would always be carrying this secret with him; and each time he recalled it, the rack.

"Would you rather be alone?"

"No. It's kind of comforting to have you there. You understand. I sha'n't cry any more. Tell me a story—with apple-blossoms in it—about people who are happy."

Miserably his thoughts shuttled to and fro in search of what he knew she wanted—a love story. Presently he began to weave a tale, sorry enough, with all the ancient claptraps and rusted platitudes. How long he sat there, reeling off this drivel, he never knew. When he reached the happy ending, he waited. But there was no sign from her. By and by he gathered enough courage to lean toward her. She had fallen asleep. The hand that had been clenched lay open, relaxed; and upon the palm he saw her mother's locket.



CHAPTER XXVI

Spurlock went out on his toes, careful lest the bamboo curtain rattle behind him. He went into the study and sat down at his table, but not to write. He drew out the check and the editorial letter. He had sold half a dozen short tales to third-rate magazines; but this letter had been issued from a distinguished editorial room, of international reputation. If he could keep it up—style and calibre of imagination—within a year the name of Taber would become widely known. Everything in the world to live for!—fame that he could not reap, love that he must not take! What was all this pother about hell as a future state?

By and by things began to stir on the table: little invisible things. The life with which he had endued these sheets of paper began to beckon imperiously. So he sharpened a score of pencils, and after fiddling about and rewriting the last page he had written the previous night, he plunged into work. It was hot and dry. There were mysterious rustlings that made him glance hopefully toward the sea. He was always deceived by these rustlings which promised wind and seldom fulfilled that promise.

"Time to dress for dinner," said Ruth from behind the curtain. "I don't see how you do it, Hoddy. It's so stuffy—and all that tobacco smoke!"

He inspected his watch. Half after six. He was astonished. For four hours he had shifted his own troubles to the shoulders of these imaginative characters.

"He called me a wanton, Hoddy. That is what I don't understand."

"There isn't an angel in heaven, Ruth, purer or sweeter than you are. No doubt—because he did not understand you—he thought you had run away with someone. The trader you spoke about: he disliked your father, didn't he? Well, he probably played your father a horrible practical joke."

"Perhaps that was it. I always wondered why he bought my mother's pearls so readily. I am dreadfully sad."

"I'll tell you what. I'll speak to McClintock to-night and see if he won't take us for a junket on The Tigress. Eh? Banging against the old rollers—that'll put some life into us both. Run along while I rig up and get the part in my hair straight."

"If he had only been my father!—McClintock!"

"God didn't standardize human beings, Ruth; no grain of wheat is like another. See the new litter of Mrs. Pig? By George, every one of them looks like the other; and yet each one attacks the source of supply with a squeal and an oof that's entirely different from his brothers' and sisters'. Put on that new dress—the one that's all white. We'll celebrate that check, and let the rest of the world go hang."

"You are very good to me, Hoddy."

Something reached down into his heart and twisted it. But he held the smile until she turned away from the curtain. He dressed mechanically; so many moves this way, so many moves that. The evening breeze came; the bamboo shades on the veranda clicked and rasped; the loose edges of the manuscript curled. To prevent the leaves from blowing about, should a blow develop, he distributed paper weights. Still unconscious of anything he did physically.

He tried not to think—of Ruth with her mother's locket, of her misguided father, taking his lonely way to sea. He drew compellingly upon his new characters to keep him out of this melancholy channel; but they ebbed and ebbed; he could not hold them. Enschede: no human emotion should ever again shuttle between him and God. As if God would not continue to mock him so long as his brain held a human thought! God had given him a pearl without price, and he had misunderstood until this day.

McClintock was in a gay mood at dinner that night; but he did not see fit to give these children the true reason. For a long time there had been a standing offer from the company at Copeley's to take over the McClintock plantation; and to-day he had decided to sell. Why? Because he knew that when these two young people left, the island would become intolerable. For nearly thirty years he had lived here in contented loneliness; then youth had to come and fill him with discontent.

He would give The Tigress a triple coat of paint, and take these two on a long cruise, wherever they wanted to go—Roundhead and Seraph, the blunderbus and the flaming angel. And there was another matter. To have sprung this upon them to-night would have been worth a thousand pounds. But his lips were honour-locked.

There was a pint of champagne and a quart of mineral water (both taboo) at his elbow. In a tall glass the rind of a Syrian orange was arranged in spiral form. The wine bubbled and seethed; and the exquisite bouquet of oranges permeated the room.

"I sha'n't offer any of these to you two," he said; "but I know you won't mind me having an imitation king's peg. The occasion is worth a dash of the grape, lad. You're on the way to big things. A thousand dollars is a lot of money for an author to earn."

Spurlock laughed. "Drink your peg; don't bother about me. I wouldn't touch the stuff for all the pearls in India. A cup of lies. I know all about it."

Ruth's eyes began to glow. She had often wondered if Hoddy would ever go back to it. She knew now that he never would.

"Sometimes a cup of lies is a cheering thing," replied the trader. "In wine there is truth. What about that?"

"It means that drink cheats a man into telling things he ought not to. And there's your liver."

"Ay, and there's my liver. It'll be turning over to-morrow. But never mind that," said McClintock grinning as he drew the dish of bread-fruit toward him. "To-morrow I shall have a visitor. I do not say guest because that suggests friendship; and I am no friend of this Wastrel. I've told you about him; and you wrote a shrewd yarn on the subject."

"The pianist?"

"Yes. He'll be here two or three days. So Mrs. Spurlock had better stick to the bungalow."

"Ah," said Spurlock; "that kind of a man."

"Many kinds; a thorough outlaw. We've never caught him cheating at cards; too clever; but we know he cheats. But he's witty and amusing, and when reasonably drunk he can play the piano like a Paderewski. He's an interpretative genius, if there ever was one. Nobody knows what his real name is, but he's a Hollander. Kicked out of there for something shady. A remittance man. A check arrives in Batavia every three months. He has a grand time. Then he goes stony, and beats his way around the islands for another three months. Retribution has a queer way of acting sometimes. The Wastrel—as we call him—cannot play when he's sober; hands too shaky. He can't play cards, either, when he's sober. Alcohol—would you believe it?—steadies his nerves and keens his brain: which is against the laws of gravitation, you might say. He has often told me that if he could play sober, he would go to America and reap a fortune."

"You never told me what he is like," said Spurlock.

"I thought it best that you should imagine him. You were wide the mark, physically; otherwise you had him pat. He is big and powerful; one of those drinkers who show it but little outwardly. Whisky kills him suddenly; it does not sap him gradually. In his youth he must have been a remarkably handsome man, for he is still handsome. I don't believe he is much past forty. A bad one in a rough-and-tumble; all the water-front tricks. His hair is oddly streaked with gray—I might say a dishonourable gray. Perhaps in the beginning the women made fools of themselves over him."

"That's reasonable. I don't know how to explain it," said Spurlock, "but music hits women queerly. I've often seen them storming the Carnegie Hall stage."

"Aye, music hits them. I'm thinking that the Wastrel was one day a celebrated professional; and the women were partly the cause of his fall. Women! He is always chanting the praise of some discovery; sometimes it will be a native, often a white woman out of the stews. So it will be wise for Mrs. Spurlock to keep to the bungalow until the rogue goes back to Copeley's. Queer world. For every Eden, there will be a serpent; for every sheepfold, there will be a wolf."

"What's the matter, Ruth?" asked Spurlock, anxiously.

"It has been ... rather a hard day, Hoddy," Ruth answered. She was wan and white.

So, after the dinner was over, Spurlock took her home; and worked far into the night.

* * * * *

The general office was an extension of the west wing of the McClintock bungalow. From one window the beach was always visible; from another, the stores. Spurlock was invariably at the high desk in the early morning, poring over ledgers, and giving the beach and the stores an occasional glance. Whenever McClintock had guests, he loafed with them on the west veranda in the morning.

This morning he heard voices—McClintock's and the Wastrel's.

"Sorry," said McClintock, "but I must ask you to check out this afternoon before five. I'm having some unexpected guests."

"Ah! Sometimes I wonder I don't run amok and kill someone," said the Wastrel, in broken English. "I give you all of my genius, and you say—'Get out!' I am some kind of a dog."

"That is your fault, none of mine. Without whisky," went on McClintock, "your irritability is beyond tolerance. You have said a thousand times that there was no shame in you. Nobody can trust you. Nobody can anticipate your next move. We tolerate you for your genius, that's a fact. But underneath this tolerance there is always the vague hope that your manhood will someday reassert itself."

The Wastrel laughed. "Did you ever hear me whine?"

"No," admitted McClintock

"You've no objection to my dropping in again later, after your guests go?"

"No. When I'm alone I don't mind."

"Very well. You won't mind if I empty this gin?"

"No. Befuddle yourself, if you want to."

Silence.

Spurlock mused over the previous night. After he had eaten dinner with Ruth, he had gone to McClintock's; and he had heard music such as he had heard only in the great concert halls. The picturesque scoundrel had the true gift; and Spurlock was filled with pity at the thought of such genius gone to pot. To use it as a passport to card-tables and gin-bottles! McClintock wasn't having any guests; at any rate, he had not mentioned the fact.

Spurlock had sensed what had gone completely over McClintock's head—that this was the playing of a soul in damnation. His own peculiar genius—a miracle key to the hidden things in men's souls—had given him this immediate and astonishing illumination. As the Wastrel played, Spurlock knew that the man saw the inevitable end—death by drink; saw the glory of the things he had thrown away, the past, once so full of promise. And, decently as he could, McClintock was giving the man the boot.

There was, it might be said, a double illumination. But for Ruth, he, Howard Spurlock, might have ended upon the beach, inescapably damned. The Dawn Pearl. After all, the Wastrel was in luck: he was alone.

These thoughts, however, came to a broken end. From the window he saw The Tigress faring toward Copeley's! Then somebody was coming? Some political high muckamuck, probably. Still, he was puzzled because McClintock had not spoken.

Presently McClintock came in. "General inspection after lunch; drying bins, stores and the young palms south-east. It will be hot work, but it must be done at once."

"All right, Mr. McClintock." Spurlock lowered his voice. "You are giving that chap the boot rather suddenly?"

"Had to."

"Somebody coming?"

"Yes. Top-side insurance people. You know all this stuff is insured. They'll inspect the schooner on the way back," McClintock lied, cheerfully.

"The Wastrel seemed to take it all right."

"Oh, it's a part of the game," said McClintock. "He knows he had to take it. There are some islands upon which he is not permitted to land any more."

At luncheon, preoccupied in thought, Spurlock did not notice the pallor on Ruth's cheeks or the hunted look in her eyes. She hung about his chair, followed him to the door, touched his sleeve timidly, all the while striving to pronounce the words which refused to rise to her tongue.

He patted the hand on his sleeve. "Could you get any of the music last night?"

"Yes."

"Wonderful! It's an infernal shame."

"Couldn't ... couldn't I go with you this afternoon?"

"Too hot."

"But I'm used to that, Hoddy," she said, eagerly.

"I'd rather you went over the last four chapters, which I haven't polished yet. You know what's what. Slash and cut as much as you please. I'll knock off at tea. By-by."

The desperate eagerness to go with him—and she dared not voice it! She watched him until McClintock joined him and the two made off toward the south. She turned back into the hall. Rollo began to cavort.

"No, Rollo; not this afternoon."

"But I've got to go!" insisted Rollo, in perfectly understandable dog-talk.

"Be still!"

"Oh, come along! I've just got to have my muck bath. I'm burning up."

"Rollo!"

There were no locks or panelled doors in the bungalow; and Rollo was aware of it. He dashed against the screen door before she could catch him and made the veranda. Once more he begged; but as Ruth only repeated her sharp command, he spun about and raced toward the jungle. Immediately he was gone, she regretted that she had not followed.

Hidden menace; a prescience of something dreadful about to happen. Ruth shivered; she was cold. Alone; not even the dog to warn her, and Hoddy deep in the island somewhere. Help—should she need it—from the natives was out of the question. She had not made friends with any; so they still eyed her askance.

Yes; she had heard the music the night before. She had resisted as long as she could; then she had stolen over. She had to make sure, for the peace of her mind, that this was really the man. One glance through the window at that picturesque head had been sufficient. A momentary petrifaction, and terror had lent wings to her feet.

He had found her by the same agency her father had: native talk, which flew from isle to isle as fast as proas could carry it. She was a lone white woman, therefore marked.

What was it in her heart or mind or soul that went out to this man? Music—was that it? Was he powerless to stir her without the gift? But hadn't he fascinated her by his talk, gentle and winning? Ah, but that had been after he had played for her.

She had gone into Morgan's one afternoon for a bag of salt. One hour later she had gone back to the mission—without the salt. For the first time in her life she had heard music; the door to enchanted sounds had been flung wide. For hours after she had not been sensible to life, only to exquisite echoes.

Of course she had often heard sailors hammering out their ditties. Sometimes ships would stop three or four days for water and repairs; and the men would carouse in the back room at Morgan's.

Day after day—five, to be exact—she had returned to Morgan's; and each time the man would understand what had drawn her, and with a kindly smile would sit down at the piano and play. Sometimes the music would be tender and dreamy, like a native mother's crooning to her young; sometimes it would be so gay that the flesh tingled and the feet were urged to dance; again, it would be like the storms crashing, thunderous.

On the fifth day he had ventured speech with her. He told her something about music, the great world outside. Then he had gone away. But two weeks later he returned. Again he played for her; and again the eruption of the strange senses that lay hidden in her soul. He talked with his manner gentle and kindly. Shy, grateful in her loneliness for this unexpected attention, she had listened. She had even confided to him how lonely it was in the island. He had promised her some books, for she had voiced her hunger for stories. On his third visit to the island she had surprised him, that is, she had glanced up suddenly and caught the look of the beast in his eyes.

And it had not shocked her! It was this appalling absence of indignation that had put terror into her heart. The same look she had often seen in the eyes of the drunken beachcombers her father had brought home, and it had not filled her with horror. And now she comprehended that the man (she had never known him by any name) knew she had surprised the look and had not resented it.

Still, thereafter she had avoided Morgan's; partly out of fear and partly because of her father's mandate. Yet the thing hidden within her called and called.

Traps, set with peculiar cunning; she had encountered them everywhere. By following her he had discovered her secret nook in the rocks. Here she would find candy awaiting her, bits of ribbon, books. She wondered even at this late day how she had been able to hold her maddening curiosity in check. Books! She knew now what had saved her—her mother's hand, reaching down from heaven, had set the giver's flaming eyes upon the covers of these books. One day she had thrown all the gifts into the lagoon, and visited the secret nook no more.

And here he was, but a hundred yards away, this wastrel who trailed his genius through the mud. Hoddy! All her fears fell away. Between herself and yonder evil mind she had the strongest buckler God could give—love. Hoddy. No other man should touch her; she was Hoddy's, body and soul, in this life and after.

She turned into the study, sat down at the table and fingered the pencils, curiously stirred. Lead, worth nothing at all until Hoddy picked them up; then they became full of magic. She began to read, and presently she entered another world, and remained in it for two hours. She read on and on, now thrilled by the swiftly moving drama, now enraptured by the tender passages of love. Love.... He could imagine it even if he could not feel it. That was the true miracle of the gift; without actual experience, to imagine love and hate and greed and how they would react upon each other; and then, when these passions had served their temporary purpose, to cast them aside for new imaginings.

She heard the bamboo curtain rattle slightly. She looked up quickly. The Wastrel, his eyes full of humorous evil, stood inside the room.



CHAPTER XXVII

His idea, cleverly planned, was to shatter her resistance, to confound her suddenly by striking her mind with words which would rob her coherent thought. Everything in his favour—the luck of the gods! The only white men were miles down the coast. She might scream until her voice failed; the natives would not come to her aid; they never meddled with the affairs of the whites.

"It is droll," he said. "Your father—poor imbecile!—believes we ran away together. I arranged that he should. So that way is closed. You never can go back."

There was a roaring in her ears like that of angry waters. Wanton!... This, then, was what her father had meant. And he had gone away without knowing the truth!

"My proa boys are ready; the wind is brisk; and in an hour we shall be beyond all pursuit. Will you come sensibly, or shall I carry you? You are mine!"

Ruth's peculiar education had not vitiated the primitive senses; they were always on guard; and in a moment such as this they rushed instantly to the surface. Danger, the most terrible she had ever faced, was substantially in this room. She must kill this man, or kill herself. She knew it. No tricks would serve. There would be no mercy in this man. Any natural fineness would be numbed by drink. To-morrow he might be sorry; but to-day, this hour!

She rose, not quickly, but with a dignity which only accentuated her beauty.

"And you ran away with a weakling! You denied me for a puppet!"

"My lawful husband."

"Ah, yes, yes; lawful husbands in these parts are those who can take and hold.... As I shall take and hold." The Wastrel advanced.

"If you touch me I will kill you," said Ruth, grasping the scissors which lay beside the pencils—Hoddy's!

The Wastrel laughed, still advancing. "Fire! That was what drew me to you in the beginning. Well, kill me. Either we go forth together, or they shall bury me."

"Beast!"

For a little while they manoeuvred around the table. Suddenly the Wastrel took hold of the edge and flung the table aside. Even in this dread moment Ruth was conscious of a pathetic interest in the scattering pencils.

He reached for her, and she struck savagely. But with the skill of a fencer he met the blow and broke it, seizing the wrist.

"It looks as though, we should go together," he said, pulling her toward him.

Ruth was strong in body and soul. She fought him with tooth and nail. Three times she escaped. Chairs were overturned. Once she reached the bamboo curtain, clutched at it and tore it down as his arms went around her waist. The third time she escaped she reached the inconsequent barricade of the overturned table.

"If there is any honour in you, stop and think. I love my husband. I love him!" She was weak and dizzy: from horror as much as from physical exertion. She knew that the next time he caught her she would not be able to free herself. "What good would it do you to destroy me? For I have courage to kill myself."

The Wastrel laughed. He had heard this talk before.

The race began once more; but this time Ruth knew that there would be no escape. If only she had thought to plunge the scissors into her own heart! Hoddy ... to return and find her either gone or dead! But even as the Wastrel's arms gathered her, there came the sound of hurrying steps on the veranda.

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