That all her features were resigned To this sole image in her mind.

But she never looks at him with such intensity of devotion as when he says anything about the soul and the soul's atmosphere, religion.

Women are twice as religious as men;—all the world knows that. Whether they are any better, in the eyes of Absolute Justice, might be questioned; for the additional religious element supplied by sex hardly seems to be a matter of praise or blame. But in all common aspects they are so much above us that we get most of our religion from them,—from their teachings, from their example,—above all, from their pure affections.

Now this poor little Iris had been talked to strangely in her childhood. Especially she had been told that she hated all good things,—which every sensible parent knows well enough is not true of a great many children, to say the least. I have sometimes questioned whether many libels on human nature had not been a natural consequence of the celibacy of the clergy, which was enforced for so long a period.

The child had met this and some other equally encouraging statements as to her spiritual conditions, early in life, and fought the battle of spiritual independence prematurely, as many children do. If all she did was hateful to God, what was the meaning of the approving or else the disapproving conscience, when she had done "right" or "wrong"? No "shoulder-striker" hits out straighter than a child with its logic. Why, I can remember lying in my bed in the nursery and settling questions which all that I have heard since and got out of books has never been able to raise again. If a child does not assert itself in this way in good season, it becomes just what its parents or teachers were, and is no better than a plastic image.—How old was I at the time?—I suppose about 5823 years old,—that is, counting from Archbishop Usher's date of the Creation, and adding the life of the race, whose accumulated intelligence is a part of my inheritance, to my own. A good deal older than Plato, you see, and much more experienced than my Lord Bacon and most of the world's teachers.—Old books, as you well know, are books of the world's youth, and new books are fruits of its age. How many of all these ancient folios round me are like so many old cupels! The gold has passed out of them long ago, but their pores are full of the dross with which it was mingled.

And so Iris—having thrown off that first lasso which not only fetters, but chokes those whom it can hold, so that they give themselves up trembling and breathless to the great soul-subduer, who has them by the windpipe had settled a brief creed for herself, in which love of the neighbor, whom we have seen, was the first article, and love of the Creator, whom we have not seen, grew out of this as its natural development, being necessarily second in order of time to the first unselfish emotions which we feel for the fellow-creatures who surround us in our early years.

The child must have some place of worship. What would a young girl be who never mingled her voice with the songs and prayers that rose all around her with every returning day of rest? And Iris was free to choose. Sometimes one and sometimes another would offer to carry her to this or that place of worship; and when the doors were hospitably opened, she would often go meekly in by herself. It was a curious fact, that two churches as remote from each other in doctrine as could well be divided her affections.

The Church of Saint Polycarp had very much the look of a Roman Catholic chapel. I do not wish to run the risk of giving names to the ecclesiastical furniture which gave it such a Romish aspect; but there were pictures, and inscriptions in antiquated characters, and there were reading-stands, and flowers on the altar, and other elegant arrangements. Then there were boys to sing alternately in choirs responsive to each other, and there was much bowing, with very loud responding, and a long service and a short sermon, and a bag, such as Judas used to hold in the old pictures, was carried round to receive contributions. Everything was done not only "decently and in order," but, perhaps one might say, with a certain air of magnifying their office on the part of the dignified clergymen, often two or three in number. The music and the free welcome were grateful to Iris, and she forgot her prejudices at the door of the chapel. For this was a church with open doors, with seats for all classes and all colors alike,—a church of zealous worshippers after their faith, of charitable and serviceable men and women, one that took care of its children and never forgot its poor, and whose people were much more occupied in looking out for their own souls than in attacking the faith of their neighbors. In its mode of worship there was a union of two qualities,—the taste and refinement, which the educated require just as much in their churches as elsewhere, and the air of stateliness, almost of pomp, which impresses the common worshipper, and is often not without its effect upon those who think they hold outward forms as of little value. Under the half-Romish aspect of the Church of Saint Polycarp, the young girl found a devout and loving and singularly cheerful religious spirit. The artistic sense, which betrayed itself in the dramatic proprieties of its ritual, harmonized with her taste. The mingled murmur of the loud responses, in those rhythmic phrases, so simple, yet so fervent, almost as if every tenth heart-beat, instead of its dull tic-tac, articulated itself as "Good Lord, deliver us! "—the sweet alternation of the two choirs, as their holy song floated from side to side, the keen young voices rising like a flight of singing-birds that passes from one grove to another, carrying its music with it back and forward,—why should she not love these gracious outward signs of those inner harmonies which none could deny made beautiful the lives of many of her fellow-worshippers in the humble, yet not inelegant Chapel of Saint Polycarp?

The young Marylander, who was born and bred to that mode of worship, had introduced her to the chapel, for which he did the honors for such of our boarders as were not otherwise provided for. I saw them looking over the same prayer-book one Sunday, and I could not help thinking that two such young and handsome persons could hardly worship together in safety for a great while. But they seemed to mind nothing but their prayer-book. By-and-by the silken bag was handed round.—I don't believe she will; so awkward, you know;—besides, she only came by invitation. There she is, with her hand in her pocket, though,—and sure enough, her little bit of silver tinkled as it struck the coin beneath. God bless her! she has n't much to give; but her eye glistens when she gives it, and that is all Heaven asks.—That was the first time I noticed these young people together, and I am sure they behaved with the most charming propriety,—in fact, there was one of our silent lady-boarders with them, whose eyes would have kept Cupid and Psyche to their good behavior. A day or two after this I noticed that the young gentleman had left his seat, which you may remember was at the corner diagonal to that of Iris, so that they have been as far removed from each other as they could be at the table. His new seat is three or four places farther down the table. Of course I made a romance out of this, at once. So stupid not to see it! How could it be otherwise?—Did you speak, Madam? I beg your pardon. (To my lady-reader.)

I never saw anything like the tenderness with which this young girl treats her little deformed neighbor. If he were in the way of going to church, I know she would follow him. But his worship, if any, is not with the throng of men and women and staring children.

I, the Professor, on the other hand, am a regular church-goer. I should go for various reasons if I did not love it; but I am happy enough to find great pleasure in the midst of devout multitudes, whether I can accept all their creeds or not. One place of worship comes nearer than the rest to my ideal standard, and to this it was that I carried our young girl.

The Church of the Galileans, as it is called, is even humbler in outside pretensions than the Church of Saint Polycarp. Like that, it is open to all comers. The stranger who approaches it looks down a quiet street and sees the plainest of chapels,—a kind of wooden tent, that owes whatever grace it has to its pointed windows and the high, sharp roofs—traces, both, of that upward movement of ecclesiastical architecture which soared aloft in cathedral-spires, shooting into the sky as the spike of a flowering aloe from the cluster of broad, sharp-wedged leaves below. This suggestion of medieval symbolism, aided by a minute turret in which a hand-bell might have hung and found just room enough to turn over, was all of outward show the small edifice could boast. Within there was very little that pretended to be attractive. A small organ at one side, and a plain pulpit, showed that the building was a church; but it was a church reduced to its simplest expression:

Yet when the great and wise monarch of the East sat upon his throne, in all the golden blaze of the spoils of Ophir and the freights of the navy of Tarshish, his glory was not like that of this simple chapel in its Sunday garniture. For the lilies of the field, in their season, and the fairest flowers of the year, in due succession, were clustered every Sunday morning over the preacher's desk. Slight, thin-tissued blossoms of pink and blue and virgin white in early spring, then the full-breasted and deep-hearted roses of summer, then the velvet-robed crimson and yellow flowers of autumn, and in the winter delicate exotics that grew under skies of glass in the false summers of our crystal palaces without knowing that it was the dreadful winter of New England which was rattling the doors and frosting the panes,—in their language the whole year told its history of life and growth and beauty from that simple desk. There was always at least one good sermon,—this floral homily. There was at least one good prayer,—that brief space when all were silent, after the manner of the Friends at their devotions.

Here, too, Iris found an atmosphere of peace and love. The same gentle, thoughtful faces, the same cheerful but reverential spirit, the same quiet, the same life of active benevolence. But in all else how different from the Church of Saint Polycarp! No clerical costume, no ceremonial forms, no carefully trained choirs. A liturgy they have, to be sure, which does not scruple to borrow from the time-honored manuals of devotion, but also does not hesitate to change its expressions to its own liking.

Perhaps the good people seem a little easy with each other;—they are apt to nod familiarly, and have even been known to whisper before the minister came in. But it is a relief to get rid of that old Sunday—no,—Sabbath face, which suggests the idea that the first day of the week is commemorative of some most mournful event. The truth is, these brethren and sisters meet very much as a family does for its devotions, not putting off their humanity in the least, considering it on the whole quite a delightful matter to come together for prayer and song and good counsel from kind and wise lips. And if they are freer in their demeanor than some very precise congregations, they have not the air of a worldly set of people. Clearly they have not come to advertise their tailors and milliners, nor for the sake of exchanging criticisms on the literary character of the sermon they may hear. There is no restlessness and no restraint among these quiet, cheerful worshippers. One thing that keeps them calm and happy during the season so evidently trying to many congregations is, that they join very generally in the singing. In this way they get rid of that accumulated nervous force which escapes in all sorts of fidgety movements, so that a minister trying to keep his congregation still reminds one of a boy with his hand over the nose of a pump which another boy is working,—this spirting impatience of the people is so like the jets that find their way through his fingers, and the grand rush out at the final Amen! has such a wonderful likeness to the gush that takes place when the boy pulls his hand away, with immense relief, as it seems, to both the pump and the officiating youngster.

How sweet is this blending of all voices and all hearts in one common song of praise! Some will sing a little loud, perhaps,—and now and then an impatient chorister will get a syllable or two in advance, or an enchanted singer so lose all thought of time and place in the luxury of a closing cadence that he holds on to the last semi-breve upon his private responsibility; but how much more of the spirit of the old Psalmist in the music of these imperfectly trained voices than in the academic niceties of the paid performers who take our musical worship out of our hands!

I am of the opinion that the creed of the Church of the Galileans is not laid down in as many details as that of the Church of Saint Polycarp. Yet I suspect, if one of the good people from each of those churches had met over the bed of a suffering fellow-creature, or for the promotion of any charitable object, they would have found they had more in common than all the special beliefs or want of beliefs that separated them would amount to. There are always many who believe that the fruits of a tree afford a better test of its condition than a statement of the composts with which it is dressed, though the last has its meaning and importance, no doubt.

Between these two churches, then, our young Iris divides her affections. But I doubt if she listens to the preacher at either with more devotion than she does to her little neighbor when he talks of these matters.

What does he believe? In the first place, there is some deep-rooted disquiet lying at the bottom of his soul, which makes him very bitter against all kinds of usurpation over the right of private judgment. Over this seems to lie a certain tenderness for humanity in general, bred out of life-long trial, I should say, but sharply streaked with fiery lines of wrath at various individual acts of wrong, especially if they come in an ecclesiastical shape, and recall to him the days when his mother's great-grandmother was strangled on Witch Hill, with a text from the Old Testament for her halter. With all this, he has a boundless belief in the future of this experimental hemisphere, and especially in the destiny of the free thought of its northeastern metropolis.

—A man can see further, Sir,—he said one day,—from the top of Boston State House, and see more that is worth seeing, than from all the pyramids and turrets and steeples in all the places in the world! No smoke, Sir; no fog, Sir; and a clean sweep from the Outer Light and the sea beyond it to the New Hampshire mountains! Yes, Sir,—and there are great truths that are higher than mountains and broader than seas, that people are looking for from the tops of these hills of ours;—such as the world never saw, though it might have seen them at Jerusalem, if its eyes had been open!—Where do they have most crazy people? Tell me that, Sir!

I answered, that I had heard it said there were more in New England than in most countries, perhaps more than in any part of the world.

Very good, Sir,—he answered.—When have there been most people killed and wounded in the course of this century?

During the wars of the French Empire, no doubt,—I said.

That's it! that's it!—said the Little Gentleman;—where the battle of intelligence is fought, there are most minds bruised and broken! We're battling for a faith here, Sir.

The divinity-student remarked, that it was rather late in the world's history for men to be looking out for a new faith.

I did n't say a new faith,—said the Little Gentleman;—old or new, it can't help being different here in this American mind of ours from anything that ever was before; the people are new, Sir, and that makes the difference. One load of corn goes to the sty, and makes the fat of swine,—another goes to the farm-house, and becomes the muscle that clothes the right arms of heroes. It is n't where a pawn stands on the board that makes the difference, but what the game round it is when it is on this or that square.

Can any man look round and see what Christian countries are now doing, and how they are governed, and what is the general condition of society, without seeing that Christianity is the flag under which the world sails, and not the rudder that steers its course? No, Sir! There was a great raft built about two thousand years ago,—call it an ark, rather,—the world's great ark! big enough to hold all mankind, and made to be launched right out into the open waves of life,—and here it has been lying, one end on the shore and one end bobbing up and down in the water, men fighting all the time as to who should be captain and who should have the state-rooms, and throwing each other over the side because they could not agree about the points of compass, but the great vessel never getting afloat with its freight of nations and their rulers;—and now, Sir, there is and has been for this long time a fleet of "heretic" lighters sailing out of Boston Bay, and they have been saying, and they say now, and they mean to keep saying, "Pump out your bilge-water, shovel over your loads of idle ballast, get out your old rotten cargo, and we will carry it out into deep waters and sink it where it will never be seen again; so shall the ark of the world's hope float on the ocean, instead of sticking in the dock-mud where it is lying!"

It's a slow business, this of getting the ark launched. The Jordan was n't deep enough, and the Tiber was n't deep enough, and the Rhone was n't deep enough, and the Thames was n't deep enough, and perhaps the Charles is n't deep enough; but I don't feel sure of that, Sir, and I love to hear the workmen knocking at the old blocks of tradition and making the ways smooth with the oil of the Good Samaritan. I don't know, Sir,—but I do think she stirs a little,—I do believe she slides;—and when I think of what a work that is for the dear old three-breasted mother of American liberty, I would not take all the glory of all the greatest cities in the world for my birthright in the soil of little Boston!

—Some of us could not help smiling at this burst of local patriotism, especially when it finished with the last two words.

And Iris smiled, too. But it was the radiant smile of pleasure which always lights up her face when her little neighbor gets excited on the great topics of progress in freedom and religion, and especially on the part which, as he pleases himself with believing, his own city is to take in that consummation of human development to which he looks forward.

Presently she looked into his face with a changed expression,—the anxiety of a mother that sees her child suffering.

You are not well,—she said.

I am never well,—he answered.—His eyes fell mechanically on the death's-head ring he wore on his right hand. She took his hand as if it had been a baby's, and turned the grim device so that it should be out of sight. One slight, sad, slow movement of the head seemed to say, "The death-symbol is still there!"

A very odd personage, to be sure! Seems to know what is going on, —reads books, old and new,—has many recent publications sent him, they tell me, but, what is more curious, keeps up with the everyday affairs of the world, too. Whether he hears everything that is said with preternatural acuteness, or whether some confidential friend visits him in a quiet way, is more than I can tell. I can make nothing more of the noises I hear in his room than my old conjectures. The movements I mention are less frequent, but I often hear the plaintive cry,—I observe that it is rarely laughing of late;—I never have detected one articulate word, but I never heard such tones from anything but a human voice.

There has been, of late, a deference approaching to tenderness, on the part of the boarders generally so far as he is concerned. This is doubtless owing to the air of suffering which seems to have saddened his look of late. Either some passion is gnawing at him inwardly, or some hidden disease is at work upon him.

—What 's the matter with Little Boston?—said the young man John to me one day.—There a'n't much of him, anyhow; but 't seems to me he looks peakeder than ever. The old woman says he's in a bad way, 'n' wants a puss to take care of him. Them pusses that take care of old rich folks marry 'em sometimes,—'n' they don't commonly live a great while after that. No, Sir! I don't see what he wants to die for, after he's taken so much trouble to live in such poor accommodations as that crooked body of his. I should like to know how his soul crawled into it, 'n' how it's goin' to get out. What business has he to die, I should like to know? Let Ma'am Allen (the gentleman with the diamond) die, if he likes, and be (this is a family-magazine); but we a'n't goin' to have him dyin'. Not by a great sight. Can't do without him anyhow. A'n't it fun to hear him blow off his steam?

I believe the young fellow would take it as a personal insult, if the Little Gentleman should show any symptoms of quitting our table for a better world.

—In the mean time, what with going to church in company with our young lady, and taking every chance I could get to talk with her, I have found myself becoming, I will not say intimate, but well acquainted with Miss Iris. There is a certain frankness and directness about her that perhaps belong to her artist nature. For, you see, the one thing that marks the true artist is a clear perception and a firm, bold hand, in distinction from that imperfect mental vision and uncertain touch which give us the feeble pictures and the lumpy statues of the mere artisans on canvas or in stone. A true artist, therefore, can hardly fail to have a sharp, well-defined mental physiognomy. Besides this, many young girls have a strange audacity blended with their instinctive delicacy. Even in physical daring many of them are a match for boys; whereas you will find few among mature women, and especially if they are mothers, who do not confess, and not unfrequently proclaim, their timidity. One of these young girls, as many of us hereabouts remember, climbed to the top of a jagged, slippery rock lying out in the waves,—an ugly height to get up, and a worse one to get down, even for a bold young fellow of sixteen. Another was in the way of climbing tall trees for crows' nests,—and crows generally know about how far boys can "shin up," and set their household establishments above that high-water mark. Still another of these young ladies I saw for the first time in an open boat, tossing on the ocean ground-swell, a mile or two from shore, off a lonely island. She lost all her daring, after she had some girls of her own to look out for.

Many blondes are very gentle, yielding in character, impressible, unelastic. But the positive blondes, with the golden tint running through them, are often full of character. They come, probably enough, from those deep-bosomed German women that Tacitus portrayed in such strong colors. The negative blondes, or those women whose tints have faded out as their line of descent has become impoverished, are of various blood, and in them the soul has often become pale with that blanching of the hair and loss of color in the eyes which makes them approach the character of Albinesses.

I see in this young girl that union of strength and sensibility which, when directed and impelled by the strong instinct so apt to accompany this combination of active and passive capacity, we call genius. She is not an accomplished artist, certainly, as yet; but there is always an air in every careless figure she draws, as it were of upward aspiration,—the elan of John of Bologna's Mercury,—a lift to them, as if they had on winged sandals, like the herald of the Gods. I hear her singing sometimes; and though she evidently is not trained, yet is there a wild sweetness in her fitful and sometimes fantastic melodies,—such as can come only from the inspiration of the moment,—strangely enough, reminding me of those long passages I have heard from my little neighbor's room, yet of different tone, and by no means to be mistaken for those weird harmonies.

I cannot pretend to deny that I am interested in the girl. Alone, unprotected, as I have seen so many young girls left in boarding-houses, the centre of all the men's eyes that surround the table, watched with jealous sharpness by every woman, most of all by that poor relation of our landlady, who belongs to the class of women that like to catch others in mischief when they themselves are too mature for indiscretions, (as one sees old rogues turn to thief-catchers,) one of Nature's gendarmerie, clad in a complete suit of wrinkles, the cheapest coat-of-mail against the shafts of the great little enemy,—so surrounded, Iris spans this commonplace household-life of ours with her arch of beauty, as the rainbow, whose name she borrows, looks down on a dreary pasture with its feeding flocks and herds of indifferent animals.

These young girls that live in boarding-houses can do pretty much as they will. The female gendarmes are off guard occasionally. The sitting-room has its solitary moments, when any two boarders who wish to meet may come together accidentally, (accidentally, I said, Madam, and I had not the slightest intention of Italicizing the word,) and discuss the social or political questions of the day, or any other subject that may prove interesting. Many charming conversations take place at the foot of the stairs, or while one of the parties is holding the latch of a door,—in the shadow of porticoes, and especially on those outside balconies which some of our Southern neighbors call "stoops," the most charming places in the world when the moon is just right and the roses and honeysuckles are in full blow,—as we used to think in eighteen hundred and never mention it.

On such a balcony or "stoop," one evening, I walked with Iris. We were on pretty good terms now, and I had coaxed her arm under mine,—my left arm, of course. That leaves one's right arm free to defend the lovely creature, if the rival—odious wretch! attempt, to ravish her from your side. Likewise if one's heart should happen to beat a little, its mute language will not be without its meaning, as you will perceive when the arm you hold begins to tremble, a circumstance like to occur, if you happen to be a good-looking young fellow, and you two have the "stoop" to yourselves.

We had it to ourselves that evening. The Koh-inoor, as we called him, was in a corner with our landlady's daughter. The young fellow John was smoking out in the yard. The gendarme was afraid of the evening air, and kept inside, The young Marylander came to the door, looked out and saw us walking together, gave his hat a pull over his forehead and stalked off. I felt a slight spasm, as it were, in the arm I held, and saw the girl's head turn over her shoulder for a second. What a kind creature this is! She has no special interest in this youth, but she does not like to see a young fellow going off because he feels as if he were not wanted.

She had her locked drawing-book under her arm.—Let me take it,—I said.

She gave it to me to carry.

This is full of caricatures of all of us, I am sure,—said I.

She laughed, and said,—No,—not all of you.

I was there, of course?

Why, no,—she had never taken so much pains with me.

Then she would let me see the inside of it?

She would think of it.

Just as we parted, she took a little key from her pocket and handed it to me. This unlocks my naughty book,—she said,—you shall see it. I am not afraid of you.

I don't know whether the last words exactly pleased me. At any rate, I took the book and hurried with it to my room. I opened it, and saw, in a few glances, that I held the heart of Iris in my hand.

—I have no verses for you this month, except these few lines suggested by the season.

MIDSUMMER.

Here! sweep these foolish leaves away, I will not crush my brains to-day! Look! are the southern curtains drawn? Fetch me a fan, and so begone!

Not that,—the palm-tree's rustling leaf Brought from a parching coral-reef! Its breath is heated;—I would swing The broad gray plumes,—the eagle's wing.

I hate these roses' feverish blood! Pluck me a half-blown lily-bud, A long-stemmed lily from the lake, Cold as a coiling water-snake.

Rain me sweet odors on the air, And wheel me up my Indian chair, And spread some book not overwise Flat out before my sleepy eyes.

—Who knows it not,—this dead recoil Of weary fibres stretched with toil, The pulse that flutters faint and low When Summer's seething breezes blow?

O Nature! bare thy loving breast And give thy child one hour of rest, One little hour to lie unseen Beneath thy scarf of leafy green!

So, curtained by a singing pine, Its murmuring voice shall blend with mine, Till, lost in dreams, my faltering lay In sweeter music dies away.



X

IRIS, HER BOOK

I pray thee by the soul of her that bore thee, By thine own sister's spirit I implore thee, Deal gently with the leaves that lie before thee!

For Iris had no mother to infold her, Nor ever leaned upon a sister's shoulder, Telling the twilight thoughts that Nature told her.

She had not learned the mystery of awaking Those chorded keys that soothe a sorrow's aching, Giving the dumb heart voice, that else were breaking.

Yet lived, wrought, suffered. Lo, the pictured token! Why should her fleeting day-dreams fade unspoken, Like daffodils that die with sheaths unbroken?

She knew not love, yet lived in maiden fancies, Walked simply clad, a queen of high romances, And talked strange tongues with angels in her trances.

Twin-souled she seemed, a twofold nature wearing, Sometimes a flashing falcon in her daring, Then a poor mateless dove that droops despairing.

Questioning all things: Why her Lord had sent her? What were these torturing gifts, and wherefore lent her? Scornful as spirit fallen, its own tormentor.

And then all tears and anguish: Queen of Heaven, Sweet Saints, and Thou by mortal sorrows riven, Save me! oh, save me! Shall I die forgiven?

And then—Ah, God! But nay, it little matters Look at the wasted seeds that autumn scatters, The myriad germs that Nature shapes and shatters!

If she had—Well! She longed, and knew not wherefore Had the world nothing she might live to care for? No second self to say her evening prayer for?

She knew the marble shapes that set men dreaming, Yet with her shoulders bare and tresses streaming Showed not unlovely to her simple seeming.

Vain? Let it be so! Nature was her teacher. What if a lonely and unsistered creature Loved her own harmless gift of pleasing feature,

Saying, unsaddened,—This shall soon be faded, And double-hued the shining tresses braided, And all the sunlight of the morning shaded?

—This her poor book is full of saddest follies, Of tearful smiles and laughing melancholies, With summer roses twined and wintry hollies.

In the strange crossing of uncertain chances, Somewhere, beneath some maiden's tear-dimmed glances May fall her little book of dreams and fancies.

Sweet sister! Iris, who shall never name thee, Trembling for fear her open heart may shame thee, Speaks from this vision-haunted page to claim thee.

Spare her, I pray thee! If the maid is sleeping, Peace with her! she has had her hour of weeping. No more! She leaves her memory in thy keeping.

These verses were written in the first leaves of the locked volume. As I turned the pages, I hesitated for a moment. Is it quite fair to take advantage of a generous, trusting impulse to read the unsunned depths of a young girl's nature, which I can look through, as the balloon-voyagers tell us they see from their hanging-baskets through the translucent waters which the keenest eye of such as sail over them in ships might strive to pierce in vain? Why has the child trusted me with such artless confessions,—self-revelations, which might be whispered by trembling lips, under the veil of twilight, in sacred confessionals, but which I cannot look at in the light of day without a feeling of wronging a sacred confidence?

To all this the answer seemed plain enough after a little thought. She did not know how fearfully she had disclosed herself; she was too profoundly innocent. Her soul was no more ashamed than the fair shapes that walked in Eden without a thought of over-liberal loveliness. Having nobody to tell her story to,—having, as she said in her verses, no musical instrument to laugh and cry with her,—nothing, in short, but the language of pen and pencil,—all the veinings of her nature were impressed on these pages as those of a fresh leaf are transferred to the blank sheets which inclose it. It was the same thing which I remember seeing beautifully shown in a child of some four or five years we had one day at our boarding-house. The child was a deaf mute. But its soul had the inner sense that answers to hearing, and the shaping capacity which through natural organs realizes itself in words. Only it had to talk with its face alone; and such speaking eyes, such rapid alternations of feeling and shifting expressions of thought as flitted over its face, I have never seen in any other human countenance.

I wonder if something of spiritual transparency is not typified in the golden-blonde organization. There are a great many little creatures,—many small fishes, for instance,—which are literally transparent, with the exception of some of the internal organs. The heart can be seen beating as if in a case of clouded crystal. The central nervous column with its sheath runs as a dark stripe through the whole length of the diaphanous muscles of the body. Other little creatures are so darkened with pigment that we can see only their surface. Conspirators and poisoners are painted with black, beady-eyes and swarthy hue; Judas, in Leonardo's picture, is the model of them all.

However this may be, I should say there never had been a book like this of Iris,—so full of the heart's silent language, so transparent that the heart itself could be seen beating through it. I should say there never could have been such a book, but for one recollection, which is not peculiar to myself, but is shared by a certain number of my former townsmen. If you think I over-color this matter of the young girl's book, hear this, which there are others, as I just said, besides myself, will tell you is strictly true.



X

THE BOOK OF THE THREE MAIDEN SISTERS.

In the town called Cantabridge, now a city, water-veined and gas windpiped, in the street running down to the Bridge, beyond which dwelt Sally, told of in a book of a friend of mine, was of old a house inhabited by three maidens. They left no near kinsfolk, I believe; whether they did or not, I have no ill to speak of them; for they lived and died in all good report and maidenly credit. The house they lived in was of the small, gambrel-roofed cottage pattern, after the shape of Esquires' houses, but after the size of the dwellings of handicraftsmen. The lower story was fitted up as a shop. Specially was it provided with one of those half-doors now so rarely met with, which are to whole doors as spencers worn by old folk are to coats. They speak of limited commerce united with a social or observing disposition—on the part of the shopkeeper,—allowing, as they do, talk with passers-by, yet keeping off such as have not the excuse of business to cross the threshold. On the door-posts, at either side, above the half-door, hung certain perennial articles of merchandise, of which my memory still has hanging among its faded photographs a kind of netted scarf and some pairs of thick woollen stockings. More articles, but not very many, were stored inside; and there was one drawer, containing children's books, out of which I once was treated to a minute quarto ornamented with handsome cuts. This was the only purchase I ever knew to be made at the shop kept by the three maiden ladies, though it is probable there were others. So long as I remember the shop, the same scarf and, I should say, the same stockings hung on the door-posts.—You think I am exaggerating again, and that shopkeepers would not keep the same article exposed for years. Come to me, the Professor, and I will take you in five minutes to a shop in this city where I will show you an article hanging now in the very place where more than thirty years ago I myself inquired the price of it of the present head of the establishment. [ This was a glass alembic, which hung up in Daniel Henchman's apothecary shop, corner of Cambridge and Chambers streets.]

The three maidens were of comely presence, and one of them had had claims to be considered a Beauty. When I saw them in the old meeting-house on Sundays, as they rustled in through the aisles in silks and satins, not gay, but more than decent, as I remember them, I thought of My Lady Bountiful in the history of "Little King Pippin," and of the Madam Blaize of Goldsmith (who, by the way, must have taken the hint of it from a pleasant poem, "Monsieur de la Palisse," attributed to De la Monnoye, in the collection of French songs before me). There was some story of an old romance in which the Beauty had played her part. Perhaps they all had had lovers; for, as I said, they were shapely and seemly personages, as I remember them; but their lives were out of the flower and in the berry at the time of my first recollections.

One after another they all three dropped away, objects of kindly attention to the good people round, leaving little or almost nothing, and nobody to inherit it. Not absolutely nothing, of course. There must have been a few old dresses—perhaps some bits of furniture, a Bible, and the spectacles the good old souls read it through, and little keepsakes, such as make us cry to look at, when we find them in old drawers;—such relics there must have been. But there was more. There was a manuscript of some hundred pages, closely written, in which the poor things had chronicled for many years the incidents of their daily life. After their death it was passed round somewhat freely, and fell into my hands. How I have cried and laughed and colored over it! There was nothing in it to be ashamed of, perhaps there was nothing in it to laugh at, but such a picture of the mode of being of poor simple good old women I do believe was never drawn before. And there were all the smallest incidents recorded, such as do really make up humble life, but which die out of all mere literary memoirs, as the houses where the Egyptians or the Athenians lived crumble and leave only their temples standing. I know, for instance, that on a given day of a certain year, a kindly woman, herself a poor widow, now, I trust, not without special mercies in heaven for her good deeds,—for I read her name on a proper tablet in the churchyard a week ago,—sent a fractional pudding from her own table to the Maiden Sisters, who, I fear, from the warmth and detail of their description, were fasting, or at least on short allowance, about that time. I know who sent them the segment of melon, which in her riotous fancy one of them compared to those huge barges to which we give the ungracious name of mudscows. But why should I illustrate further what it seems almost a breach of confidence to speak of? Some kind friend, who could challenge a nearer interest than the curious strangers into whose hands the book might fall, at last claimed it, and I was glad that it should be henceforth sealed to common eyes. I learned from it that every good and, alas! every evil act we do may slumber unforgotten even in some earthly record. I got a new lesson in that humanity which our sharp race finds it so hard to learn. The poor widow, fighting hard to feed and clothe and educate her children, had not forgotten the poorer ancient maidens. I remembered it the other day, as I stood by her place of rest, and I felt sure that it was remembered elsewhere. I know there are prettier words than pudding, but I can't help it,—the pudding went upon the record, I feel sure, with the mite which was cast into the treasury by that other poor widow whose deed the world shall remember forever, and with the coats and garments which the good women cried over, when Tabitha, called by interpretation Dorcas, lay dead in the upper chamber, with her charitable needlework strewed around her.

—Such was the Book of the Maiden Sisters. You will believe me more readily now when I tell you that I found the soul of Iris in the one that lay open before me. Sometimes it was a poem that held it, sometimes a drawing, angel, arabesque, caricature, or a mere hieroglyphic symbol of which I could make nothing. A rag of cloud on one page, as I remember, with a streak of red zigzagging out of it across the paper as naturally as a crack runs through a China bowl. On the next page a dead bird,—some little favorite, I suppose; for it was worked out with a special love, and I saw on the leaf that sign with which once or twice in my life I have had a letter sealed,—a round spot where the paper is slightly corrugated, and, if there is writing there, the letters are somewhat faint and blurred. Most of the pages were surrounded with emblematic traceries. It was strange to me at first to see how often she introduced those homelier wild-flowers which we call weeds,—for it seemed there was none of them too humble for her to love, and none too little cared for by Nature to be without its beauty for her artist eye and pencil. By the side of the garden-flowers,—of Spring's curled darlings, the hyacinths, of rosebuds, dear to sketching maidens, of flower-de-luces and morning-glories, nay, oftener than these, and more tenderly caressed by the colored brush that rendered them,—were those common growths which fling themselves to be crushed under our feet and our wheels, making themselves so cheap in this perpetual martyrdom that we forget each of them is a ray of the Divine beauty.

Yellow japanned buttercups and star-disked dandelions,—just as we see them lying in the grass, like sparks that have leaped from the kindling sun of summer; the profuse daisy-like flower which whitens the fields, to the great disgust of liberal shepherds, yet seems fair to loving eyes, with its button-like mound of gold set round with milk-white rays; the tall-stemmed succory, setting its pale blue flowers aflame, one after another, sparingly, as the lights are kindled in the candelabra of decaying palaces where the heirs of dethroned monarchs are dying out; the red and white clovers, the broad, flat leaves of the plantain,—"the white man's foot," as the Indians called it,—the wiry, jointed stems of that iron creeping plant which we call "knot-grass," and which loves its life so dearly that it is next to impossible to murder it with a hoe, as it clings to the cracks of the pavement;—all these plants, and many more, she wove into her fanciful garlands and borders.—On one of the pages were some musical notes. I touched them from curiosity on a piano belonging to one of our boarders. Strange! There are passages that I have heard before, plaintive, full of some hidden meaning, as if they were gasping for words to interpret them. She must have heard the strains that have so excited my curiosity, coming from my neighbor's chamber. The illuminated border she had traced round the page that held these notes took the place of the words they seemed to be aching for. Above, a long monotonous sweep of waves, leaden-hued, anxious and jaded and sullen, if you can imagine such an expression in water. On one side an Alpine needle, as it were, of black basalt, girdled with snow. On the other a threaded waterfall. The red morning-tint that shone in the drops had a strange look,—one would say the cliff was bleeding;—perhaps she did not mean it. Below, a stretch of sand, and a solitary bird of prey, with his wings spread over some unseen object.—And on the very next page a procession wound along, after the fashion of that on the title-page of Fuller's "Holy War," in which I recognized without difficulty every boarder at our table in all the glory of the most resplendent caricature—three only excepted,—the Little Gentleman, myself, and one other.

I confess I did expect to see something that would remind me of the girl's little deformed neighbor, if not portraits of him.—There is a left arm again, though;—no,—that is from the "Fighting Gladiator," the "Jeune Heros combattant" of the Louvre;—there is the broad ring of the shield. From a cast, doubtless. [The separate casts of the "Gladiator's" arm look immense; but in its place the limb looks light, almost slender,—such is the perfection of that miraculous marble. I never felt as if I touched the life of the old Greeks until I looked on that statue.]—Here is something very odd, to be sure. An Eden of all the humped and crooked creatures! What could have been in her head when she worked out such a fantasy? She has contrived to give them all beauty or dignity or melancholy grace. A Bactrian camel lying under a palm. A dromedary flashing up the sands,—spray of the dry ocean sailed by the "ship of the desert." A herd of buffaloes, uncouth, shaggy-maned, heavy in the forehand, light in the hind-quarter. [The buffalo is the lion of the ruminants.] And there is a Norman horse, with his huge, rough collar, echoing, as it were, the natural form of the other beast. And here are twisted serpents; and stately swans, with answering curves in their bowed necks, as if they had snake's blood under their white feathers; and grave, high-shouldered herons standing on one foot like cripples, and looking at life round them with the cold stare of monumental effigies.—A very odd page indeed! Not a creature in it without a curve or a twist, and not one of them a mean figure to look at. You can make your own comment; I am fanciful, you know. I believe she is trying to idealize what we vulgarly call deformity, which she strives to look at in the light of one of Nature's eccentric curves, belonging to her system of beauty, as the hyperbola, and parabola belong to the conic sections, though we cannot see them as symmetrical and entire figures, like the circle and ellipse. At any rate, I cannot help referring this paradise of twisted spines to some idea floating in her head connected with her friend whom Nature has warped in the moulding.—That is nothing to another transcendental fancy of mine. I believe her soul thinks itself in his little crooked body at times,—if it does not really get freed or half freed from her own. Did you ever see a case of catalepsy? You know what I mean,—transient loss of sense, will, and motion; body and limbs taking any position in which they are put, as if they belonged to a lay-figure. She had been talking with him and listening to him one day when the boarders moved from the table nearly all at once. But she sat as before, her cheek resting on her hand, her amber eyes wide open and still. I went to her, she was breathing as usual, and her heart was beating naturally enough,—but she did not answer. I bent her arm; it was as plastic as softened wax, and kept the place I gave it.—This will never do, though, and I sprinkled a few drops of water on her forehead. She started and looked round.—I have been in a dream,—she said;—I feel as if all my strength were in this arm;—give me your hand!—She took my right hand in her left, which looked soft and white enough, but—Good Heaven! I believe she will crack my bones! All the nervous power in her body must have flashed through those muscles; as when a crazy lady snaps her iron window-bars,—she who could hardly glove herself when in her common health. Iris turned pale, and the tears came to her eyes;—she saw she had given pain. Then she trembled, and might have fallen but for me;—the poor little soul had been in one of those trances that belong to the spiritual pathology of higher natures, mostly those of women.

To come back to this wondrous book of Iris. Two pages faced each other which I took for symbolical expressions of two states of mind. On the left hand, a bright blue sky washed over the page, specked with a single bird. No trace of earth, but still the winged creature seemed to be soaring upward and upward. Facing it, one of those black dungeons such as Piranesi alone of all men has pictured. I am sure she must have seen those awful prisons of his, out of which the Opium-Eater got his nightmare vision, described by another as "cemeteries of departed greatness, where monstrous and forbidden things are crawling and twining their slimy convolutions among mouldering bones, broken sculpture, and mutilated inscriptions." Such a black dungeon faced the page that held the blue sky and the single bird; at the bottom of it something was coiled,—what, and whether meant for dead or alive, my eyes could not make out.

I told you the young girl's soul was in this book. As I turned over the last leaves I could not help starting. There were all sorts of faces among the arabesques which laughed and scowled in the borders that ran round the pages. They had mostly the outline of childish or womanly or manly beauty, without very distinct individuality. But at last it seemed to me that some of them were taking on a look not wholly unfamiliar to me; there were features that did not seem new.—Can it be so? Was there ever such innocence in a creature so full of life? She tells her heart's secrets as a three-years-old child betrays itself without need of being questioned! This was no common miss, such as are turned out in scores from the young-lady-factories, with parchments warranting them accomplished and virtuous,—in case anybody should question the fact. I began to understand her;—and what is so charming as to read the secret of a real femme incomprise?—for such there are, though they are not the ones who think themselves uncomprehended women.

Poets are never young, in one sense. Their delicate ear hears the far-off whispers of eternity, which coarser souls must travel towards for scores of years before their dull sense is touched by them. A moment's insight is sometimes worth a life's experience. I have frequently seen children, long exercised by pain and exhaustion, whose features had a strange look of advanced age. Too often one meets such in our charitable institutions. Their faces are saddened and wrinkled, as if their few summers were threescore years and ten.

And so, many youthful poets have written as if their hearts were old before their time; their pensive morning twilight has been as cool and saddening as that of evening in more common lives. The profound melancholy of those lines of Shelley,

"I could lie down like a tired child And weep away the life of care Which I have borne and yet must bear."

came from a heart, as he says, "too soon grown old,"—at twenty-six years, as dull people count time, even when they talk of poets.

I know enough to be prepared for an exceptional nature,—only this gift of the hand in rendering every thought in form and color, as well as in words, gives a richness to this young girl's alphabet of feeling and imagery that takes me by surprise. And then besides, and most of all, I am puzzled at her sudden and seemingly easy confidence in me. Perhaps I owe it to my—Well, no matter! How one must love the editor who first calls him the venerable So-and-So!

—I locked the book and sighed as I laid it down. The world is always ready to receive talent with open arms. Very often it does not know what to do with genius. Talent is a docile creature. It bows its head meekly while the world slips the collar over it. It backs into the shafts like a lamb. It draws its load cheerfully, and is patient of the bit and of the whip. But genius is always impatient of its harness; its wild blood makes it hard to train.

Talent seems, at first, in one sense, higher than genius,—namely, that it is more uniformly and absolutely submitted to the will, and therefore more distinctly human in its character. Genius, on the other hand, is much more like those instincts which govern the admirable movements of the lower creatures, and therefore seems to have something of the lower or animal character. A goose flies by a chart which the Royal Geographical Society could not mend. A poet, like the goose, sails without visible landmarks to unexplored regions of truth, which philosophy has yet to lay down on its atlas. The philosopher gets his track by observation; the poet trusts to his inner sense, and makes the straighter and swifter line.

And yet, to look at it in another light, is not even the lowest instinct more truly divine than any voluntary human act done by the suggestion of reason? What is a bee's architecture but an unobstructed divine thought?—what is a builder's approximative rule but an obstructed thought of the Creator, a mutilated and imperfect copy of some absolute rule Divine Wisdom has established, transmitted through a human soul as an image through clouded glass?

Talent is a very common family-trait; genius belongs rather to individuals;—just as you find one giant or one dwarf in a family, but rarely a whole brood of either. Talent is often to be envied, and genius very commonly to be pitied. It stands twice the chance of the other of dying in hospital, in jail, in debt, in bad repute. It is a perpetual insult to mediocrity; its every word is a trespass against somebody's vested ideas,—blasphemy against somebody's O'm, or intangible private truth.

—What is the use of my weighing out antitheses in this way, like a rhetorical grocer?—You know twenty men of talent, who are making their way in the world; you may, perhaps, know one man of genius, and very likely do not want to know any more. For a divine instinct, such as drives the goose southward and the poet heavenward, is a hard thing to manage, and proves too strong for many whom it possesses. It must have been a terrible thing to have a friend like Chatterton or Burns. And here is a being who certainly has more than talent, at once poet and artist in tendency, if not yet fairly developed,—a woman, too;—and genius grafted on womanhood is like to overgrow it and break its stem, as you may see a grafted fruit-tree spreading over the stock which cannot keep pace with its evolution.

I think now you know something of this young person. She wants nothing but an atmosphere to expand in. Now and then one meets with a nature for which our hard, practical New England life is obviously utterly incompetent. It comes up, as a Southern seed, dropped by accident in one of our gardens, finds itself trying to grow and blow into flower among the homely roots and the hardy shrubs that surround it. There is no question that certain persons who are born among us find themselves many degrees too far north. Tropical by organization, they cannot fight for life with our eastern and northwestern breezes without losing the color and fragrance into which their lives would have blossomed in the latitude of myrtles and oranges. Strange effects are produced by suffering any living thing to be developed under conditions such as Nature had not intended for it. A French physiologist confined some tadpoles under water in the dark. Removed from the natural stimulus of light, they did not develop legs and arms at the proper period of their growth, and so become frogs; they swelled and spread into gigantic tadpoles. I have seen a hundred colossal human tadpoles, overgrown Zarvce or embryos; nay, I am afraid we Protestants should look on a considerable proportion of the Holy Father's one hundred and thirty-nine millions as spiritual larvae, sculling about in the dark by the aid of their caudal extremities, instead of standing on their legs, and breathing by gills, instead of taking the free air of heaven into the lungs made to receive it. Of course we never try to keep young souls in the tadpole state, for fear they should get a pair or two of legs by-and-by and jump out of the pool where they have been bred and fed! Never! Never. Never?

Now to go back to our plant. You may know, that, for the earlier stages of development of almost any vegetable, you only want air, water, light, and warmth. But by-and-by, if it is to have special complex principles as a part of its organization, they must be supplied by the soil;—your pears will crack, if the root of the tree gets no iron,—your asparagus-bed wants salt as much as you do. Just at the period of adolescence, the mind often suddenly begins to come into flower and to set its fruit. Then it is that many young natures, having exhausted the spiritual soil round them of all it contains of the elements they demand, wither away, undeveloped and uncolored, unless they are transplanted.

Pray for these dear young souls! This is the second natural birth;—for I do not speak of those peculiar religious experiences which form the point of transition in many lives between the consciousness of a general relation to the Divine nature and a special personal relation. The litany should count a prayer for them in the list of its supplications; masses should be said for them as for souls in purgatory; all good Christians should remember them as they remember those in peril through travel or sickness or in warfare.

I would transport this child to Rome at once, if I had my will. She should ripen under an Italian sun. She should walk under the frescoed vaults of palaces, until her colors deepened to those of Venetian beauties, and her forms were perfected into rivalry with the Greek marbles, and the east wind was out of her soil. Has she not exhausted this lean soil of the elements her growing nature requires?

I do not know. The magnolia grows and comes into full flower on Cape Ann, many degrees out of its proper region. I was riding once along that delicious road between the hills and the sea, when we passed a thicket where there seemed to be a chance of finding it. In five minutes I had fallen on the trees in full blossom, and filled my arms with the sweet, resplendent flowers. I could not believe I was in our cold, northern Essex, which, in the dreary season when I pass its slate-colored, unpainted farm-houses, and huge, square, windy, 'squire-built "mansions," looks as brown and unvegetating as an old rug with its patterns all trodden out and the colored fringe worn from all its border.

If the magnolia can bloom in northern New England, why should not a poet or a painter come to his full growth here just as well? Yes, but if the gorgeous tree-flower is rare, and only as if by a freak of Nature springs up in a single spot among the beeches and alders, is there not as much reason to think the perfumed flower of imaginative genius will find it hard to be born and harder to spread its leaves in the clear, cold atmosphere of our ultra-temperate zone of humanity?

Take the poet. On the one hand, I believe that a person with the poetical faculty finds material everywhere. The grandest objects of sense and thought are common to all climates and civilizations. The sky, the woods, the waters, the storms, life, death love, the hope and vision of eternity,—these are images that write themselves in poetry in every soul which has anything of the divine gift.

On the other hand, there is such a thing as a lean, impoverished life, in distinction from a rich and suggestive one. Which our common New England life might be considered, I will not decide. But there are some things I think the poet misses in our western Eden. I trust it is not unpatriotic to mention them in this point of view as they come before us in so many other aspects.

There is no sufficient flavor of humanity in the soil out of which we grow. At Cantabridge, near the sea, I have once or twice picked up an Indian arrowhead in a fresh furrow. At Canoe Meadow, in the Berkshire Mountains, I have found Indian arrowheads. So everywhere Indian arrowheads. Whether a hundred or a thousand years old, who knows? who cares? There is no history to the red race,—there is hardly an individual in it;—a few instincts on legs and holding a tomahawk—there is the Indian of all time. The story of one red ant is the story of all red ants. So, the poet, in trying to wing his way back through the life that has kindled, flitted, and faded along our watercourses and on our southern hillsides for unknown generations, finds nothing to breathe or fly in; he meets

"A vast vacuity! all unawares, Fluttering his pennons vain, plumb down he drops Ten thousand fathom deep."

But think of the Old World,—that part of it which is the seat of ancient civilization! The stakes of the Britons' stockades are still standing in the bed of the Thames. The ploughman turns up an old Saxon's bones, and beneath them is a tessellated pavement of the time of the Caesars. In Italy, the works of mediaeval Art seem to be of yesterday,—Rome, under her kings, is but an intruding newcomer, as we contemplate her in the shadow of the Cyclopean walls of Fiesole or Volterra. It makes a man human to live on these old humanized soils. He cannot help marching in step with his kind in the rear of such a procession. They say a dead man's hand cures swellings, if laid on them. There is nothing like the dead cold hand of the Past to take down our tumid egotism and lead us into the solemn flow of the life of our race. Rousseau came out of one of his sad self-torturing fits, as he cast his eye on the arches of the old Roman aqueduct, the Pont du Gard.

I am far from denying that there is an attraction in a thriving railroad village. The new "depot," the smartly-painted pine houses, the spacious brick hotel, the white meeting-house, and the row of youthful and leggy trees before it, are exhilarating. They speak of progress, and the time when there shall be a city, with a His Honor the Mayor, in the place of their trim but transient architectural growths. Pardon me, if I prefer the pyramids. They seem to me crystals formed from a stronger solution of humanity than the steeple of the new meeting-house. I may be wrong, but the Tiber has a voice for me, as it whispers to the piers of the Pons Alius, even more full of meaning than my well-beloved Charles eddying round the piles of West Boston Bridge.

Then, again, we Yankees are a kind of gypsies,—a mechanical and migratory race. A poet wants a home. He can dispense with an apple-parer and a reaping-machine. I feel this more for others than for myself, for the home of my birth and childhood has been as yet exempted from the change which has invaded almost everything around it.

—Pardon me a short digression. To what small things our memory and our affections attach themselves! I remember, when I was a child, that one of the girls planted some Star-of-Bethlehem bulbs in the southwest corner of our front-yard. Well, I left the paternal roof and wandered in other lands, and learned to think in the words of strange people. But after many years, as I looked on the little front-yard again, it occurred to me that there used to be some Star-of-Bethlehems in the southwest corner. The grass was tall there, and the blade of the plant is very much like grass, only thicker and glossier. Even as Tully parted the briers and brambles when he hunted for the sphere-containing cylinder that marked the grave of Archimedes, so did I comb the grass with my fingers for my monumental memorial-flower. Nature had stored my keepsake tenderly in her bosom; the glossy, faintly streaked blades were there; they are there still, though they never flower, darkened as they are by the shade of the elms and rooted in the matted turf.

Our hearts are held down to our homes by innumerable fibres, trivial as that I have just recalled; but Gulliver was fixed to the soil, you remember, by pinning his head a hair at a time. Even a stone with a whitish band crossing it, belonging to the pavement of the back-yard, insisted on becoming one of the talismans of memory. This intussusception of the ideas of inanimate objects, and their faithful storing away among the sentiments, are curiously prefigured in the material structure of the thinking centre itself. In the very core of the brain, in the part where Des Cartes placed the soul, is a small mineral deposit, consisting, as I have seen it in the microscope, of grape-like masses of crystalline matter.

But the plants that come up every year in the same place, like the Star-of-Bethlehems, of all the lesser objects, give me the liveliest home-feeling. Close to our ancient gambrel-roofed house is the dwelling of pleasant old Neighbor Walrus. I remember the sweet honeysuckle that I saw in flower against the wall of his house a few months ago, as long as I remember the sky and stars. That clump of peonies, butting their purple heads through the soil every spring in just the same circle, and by-and-by unpacking their hard balls of buds in flowers big enough to make a double handful of leaves, has come up in just that place, Neighbor Walrus tells me, for more years than I have passed on this planet. It is a rare privilege in our nomadic state to find the home of one's childhood and its immediate neighborhood thus unchanged. Many born poets, I am afraid, flower poorly in song, or not at all, because they have been too often transplanted.

Then a good many of our race are very hard and unimaginative;—their voices have nothing caressing; their movements are as of machinery without elasticity or oil. I wish it were fair to print a letter a young girl, about the age of our Iris, wrote a short time since. "I am *** *** ***," she says, and tells her whole name outright. Ah!—said I, when I read that first frank declaration,—you are one of the right sort!—She was. A winged creature among close-clipped barn door fowl. How tired the poor girl was of the dull life about her,—the old woman's "skeleton hand" at the window opposite, drawing her curtains,—"Ma'am shooing away the hens,"—the vacuous country eyes staring at her as only country eyes can stare,—a routine of mechanical duties, and the soul's half-articulated cry for sympathy, without an answer! Yes,—pray for her, and for all such! Faith often cures their longings; but it is so hard to give a soul to heaven that has not first been trained in the fullest and sweetest human affections! Too often they fling their hearts away on unworthy objects. Too often they pine in a secret discontent, which spreads its leaden cloud over the morning of their youth. The immeasurable distance between one of these delicate natures and the average youths among whom is like to be her only choice makes one's heart ache. How many women are born too finely organized in sense and soul for the highway they must walk with feet unshod! Life is adjusted to the wants of the stronger sex. There are plenty of torrents to be crossed in its journey; but their stepping-stones are measured by the stride of man, and not of woman.

Women are more subject than men to atrophy of the heart. So says the great medical authority, Laennec. Incurable cases of this kind used to find their hospitals in convents. We have the disease in New England,—but not the hospitals. I don't like to think of it. I will not believe our young Iris is going to die out in this way. Providence will find her some great happiness, or affliction, or duty,—and which would be best for her, I cannot tell. One thing is sure: the interest she takes in her little neighbor is getting to be more engrossing than ever. Something is the matter with him, and she knows it, and I think worries herself about it.

I wonder sometimes how so fragile and distorted a frame has kept the fiery spirit that inhabits it so long its tenant. He accounts for it in his own way.

The air of the Old World is good for nothing, he said, one day.—Used up, Sir,—breathed over and over again. You must come to this side, Sir, for an atmosphere fit to breathe nowadays. Did not worthy Mr. Higginson say that a breath of New England's air is better than a sup of Old England's ale? I ought to have died when I was a boy, Sir; but I could n't die in this Boston air,—and I think I shall have to go to New York one of these days, when it's time for me to drop this bundle,—or to New Orleans, where they have the yellow fever,—or to Philadelphia, where they have so many doctors.

This was some time ago; but of late he has seemed, as I have before said, to be ailing. An experienced eye, such as I think I may call mine, can tell commonly whether a man is going to die, or not, long before he or his friends are alarmed about him. I don't like it.

Iris has told me that the Scottish gift of second-sight runs in her family, and that she is afraid she has it. Those who are so endowed look upon a well man and see a shroud wrapt about him. According to the degree to which it covers him, his death will be near or more remote. It is an awful faculty; but science gives one too much like it. Luckily for our friends, most of us who have the scientific second-sight school ourselves not to betray our knowledge by word or look.

Day by day, as the Little Gentleman comes to the table, it seems to me that the shadow of some approaching change falls darker and darker over his countenance. Nature is struggling with something, and I am afraid she is under in the wrestling-match. You do not care much, perhaps, for my particular conjectures as to the nature of his difficulty. I should say, however, from the sudden flushes to which he is subject, and certain other marks which, as an expert, I know how to interpret, that his heart was in trouble; but then he presses his hand to the right side, as if there were the centre of his uneasiness.

When I say difficulty about the heart, I do not mean any of those sentimental maladies of that organ which figure more largely in romances than on the returns which furnish our Bills of Mortality. I mean some actual change in the organ itself, which may carry him off by slow and painful degrees, or strike him down with one huge pang and only time for a single shriek,—as when the shot broke through the brave Captain Nolan's breast, at the head of the Light Brigade at Balaklava, and with a loud cry he dropped dead from his saddle.

I thought it only fair to say something of what I apprehended to some who were entitled to be warned. The landlady's face fell when I mentioned my fears.

Poor man!—she said.—And will leave the best room empty! Has n't he got any sisters or nieces or anybody to see to his things, if he should be took away? Such a sight of cases, full of everything! Never thought of his failin' so suddin. A complication of diseases, she expected. Liver-complaint one of 'em?

After this first involuntary expression of the too natural selfish feelings, (which we must not judge very harshly, unless we happen to be poor widows ourselves, with children to keep filled, covered, and taught,—rents high,—beef eighteen to twenty cents per pound,)—after this first squeak of selfishness, followed by a brief movement of curiosity, so invariable in mature females, as to the nature of the complaint which threatens the life of a friend or any person who may happen to be mentioned as ill,—the worthy soul's better feelings struggled up to the surface, and she grieved for the doomed invalid, until a tear or two came forth and found their way down a channel worn for them since the early days of her widowhood.

Oh, this dreadful, dreadful business of being the prophet of evil! Of all the trials which those who take charge of others' health and lives have to undergo, this is the most painful. It is all so plain to the practised eye!—and there is the poor wife, the doting mother, who has never suspected anything, or at least has clung always to the hope which you are just going to wrench away from her!—I must tell Iris that I think her poor friend is in a precarious state. She seems nearer to him than anybody.

I did tell her. Whatever emotion it produced, she kept a still face, except, perhaps, a little trembling of the lip.—Could I be certain that there was any mortal complaint?—Why, no, I could not be certain; but it looked alarming to me.—He shall have some of my life,—she said.

I suppose this to have been a fancy of hers, or a kind of magnetic power she could give out;—at any rate, I cannot help thinking she wills her strength away from herself, for she has lost vigor and color from that day. I have sometimes thought he gained the force she lost; but this may have been a whim, very probably.

One day she came suddenly to me, looking deadly pale. Her lips moved, as if she were speaking; but I could not at first hear a word. Her hair looked strangely, as if lifting itself, and her eyes were full of wild light. She sunk upon a chair, and I thought was falling into one of her trances. Something had frozen her blood with fear; I thought, from what she said, half audibly, that she believed she had seen a shrouded figure.

That night, at about eleven o'clock, I was sent for to see the Little Gentleman, who was taken suddenly ill. Bridget, the servant, went before me with a light. The doors were both unfastened, and I found myself ushered, without hindrance, into the dim light of the mysterious apartment I had so longed to enter.

I found these stanzas in the young girl's book among many others. I give them as characterizing the tone of her sadder moments.

UNDER THE VIOLETS.

Her hands are cold; her face is white; No more her pulses come and go; Her eyes are shut to life and light; Fold the white vesture, snow on snow, And lay her where the violets blow.

But not beneath a graven stone, To plead for tears with alien eyes; A slender cross of wood alone Shall say, that here a maiden lies In peace beneath the peaceful skies.

And gray old trees of hugest limb Shall wheel their circling shadows round To make the scorching sunlight dim That drinks the greenness from the ground, And drop their dead leaves on her mound.

When o'er their boughs the squirrels run, And through their leaves the robins call, And, ripening in the autumn sun, The acorns and the chestnuts fall, Doubt not that she will heed them all.

For her the morning choir shall sing Its matins from the branches high, And every minstrel voice of spring, That trills beneath the April sky, Shall greet her with its earliest cry.

When, turning round their dial-track, Eastward the lengthening shadows pass, Her little mourners, clad in black, The crickets, sliding through the grass, Shall pipe for her an evening mass.

At last the rootlets of the trees Shall find the prison where she lies, And bear the buried dust they seize In leaves and blossoms to the skies. So may the soul that warmed it rise!

If any, born of kindlier blood, Should ask, What maiden lies below? Say only this: A tender bud, That tried to blossom in the snow, Lies withered where the violets blow.



XI

You will know, perhaps, in the course of half an hour's reading, what has been haunting my hours of sleep and waking for months. I cannot tell, of course, whether you are a nervous person or not. If, however, you are such a person,—if it is late at night,—if all the rest of the household have gone off to bed,—if the wind is shaking your windows as if a human hand were rattling the sashes,—if your candle or lamp is low and will soon burn out,—let me advise you to take up some good quiet sleepy volume, or attack the "Critical Notices" of the last Quarterly and leave this to be read by daylight, with cheerful voices round, and people near by who would hear you, if you slid from your chair and came down in a lump on the floor.

I do not say that your heart will beat as mine did, I am willing to confess, when I entered the dim chamber. Did I not tell you that I was sensitive and imaginative, and that I had lain awake with thinking what were the strange movements and sounds which I heard late at night in my little neighbor's apartment? It had come to that pass that I was truly unable to separate what I had really heard from what I had dreamed in those nightmares to which I have been subject, as before mentioned. So, when I walked into the room, and Bridget, turning back, closed the door and left me alone with its tenant, I do believe you could have grated a nutmeg on my skin, such a "goose-flesh" shiver ran over it. It was not fear, but what I call nervousness,—unreasoning, but irresistible; as when, for instance, one looking at the sun going down says, "I will count fifty before it disappears"; and as he goes on and it becomes doubtful whether he will reach the number, he gets strangely flurried, and his imagination pictures life and death and heaven and hell as the issues depending on the completion or non-completion of the fifty he is counting. Extreme curiosity will excite some people as much as fear, or what resembles fear, acts on some other less impressible natures.

I may find myself in the midst of strange facts in this little conjurer's room. Or, again, there may be nothing in this poor invalid's chamber but some old furniture, such as they say came over in the Mayflower. All this is just what I mean to, find out while I am looking at the Little Gentleman, who has suddenly become my patient. The simplest things turn out to be unfathomable mysteries; the most mysterious appearances prove to be the most commonplace objects in disguise.

I wonder whether the boys who live in Roxbury and Dorchester are ever moved to tears or filled with silent awe as they look upon the rocks and fragments of "puddingstone" abounding in those localities. I have my suspicions that those boys "heave a stone" or "fire a brickbat," composed of the conglomerate just mentioned, without any more tearful or philosophical contemplations than boys of less favored regions expend on the same performance. Yet a lump of puddingstone is a thing to look at, to think about, to study over, to dream upon, to go crazy with, to beat one's brains out against. Look at that pebble in it. From what cliff was it broken? On what beach rolled by the waves of what ocean? How and when imbedded in soft ooze, which itself became stone, and by-and-by was lifted into bald summits and steep cliffs, such as you may see on Meetinghouse-Hill any day—yes, and mark the scratches on their faces left when the boulder-carrying glaciers planed the surface of the continent with such rough tools that the storms have not worn the marks out of it with all the polishing of ever so many thousand years?

Or as you pass a roadside ditch or pool in springtime, take from it any bit of stick or straw which has lain undisturbed for a time. Some little worm-shaped masses of clear jelly containing specks are fastened to the stick: eggs of a small snail-like shell-fish. One of these specks magnified proves to be a crystalline sphere with an opaque mass in its centre. And while you are looking, the opaque mass begins to stir, and by-and-by slowly to turn upon its axis like a forming planet,—life beginning in the microcosm, as in the great worlds of the firmament, with the revolution that turns the surface in ceaseless round to the source of life and light.

A pebble and the spawn of a mollusk! Before you have solved their mysteries, this earth where you first saw them may be a vitrified slag, or a vapor diffused through the planetary spaces. Mysteries are common enough, at any rate, whatever the boys in Roxbury and Dorchester think of "brickbats" and the spawn of creatures that live in roadside puddles.

But then a great many seeming mysteries are relatively perfectly plain, when we can get at them so as to turn them over. How many ghosts that "thick men's blood with cold" prove to be shirts hung out to dry! How many mermaids have been made out of seals! How many times have horse-mackerels been taken for the sea-serpent!

—Let me take the whole matter coolly, while I see what is the matter with the patient. That is what I say to myself, as I draw a chair to the bedside. The bed is an old-fashioned, dark mahogany four-poster. It was never that which made the noise of something moving. It is too heavy to be pushed about the room.—The Little Gentleman was sitting, bolstered up by pillows, with his hands clasped and their united palms resting on the back of the head, one of the three or four positions specially affected by persons whose breathing is difficult from disease of the heart or other causes.

Sit down, Sir,—he said,—sit down! I have come to the hill Difficulty, Sir, and am fighting my way up.—His speech was laborious and interrupted.

Don't talk,—I said,—except to answer my questions.—And I proceeded to "prospect" for the marks of some local mischief, which you know is at the bottom of all these attacks, though we do not always find it. I suppose I go to work pretty much like other professional folks of my temperament. Thus:

Wrist, if you please.—I was on his right side, but he presented his left wrist, crossing it over the other.—I begin to count, holding watch in left hand. One, two, three, four,—What a handsome hand! wonder if that splendid stone is a carbuncle.—One, two, three, four, five, six, seven,—Can't see much, it is so dark, except one white object.—One, two, three, four,—Hang it! eighty or ninety in the minute, I guess.—Tongue, if you please.—Tongue is put out. Forget to look at it, or, rather, to take any particular notice of it;—but what is that white object, with the long arm stretching up as if pointing to the sky, just as Vesalius and Spigelius and those old fellows used to put their skeletons? I don't think anything of such objects, you know; but what should he have it in his chamber for? As I had found his pulse irregular and intermittent, I took out a stethoscope, which is a pocket-spyglass for looking into people's chests with your ears, and laid it over the place where the heart beats. I missed the usual beat of the organ.—How is this?—I said,—where is your heart gone to?—He took the stethoscope and shifted it across to the right side; there was a displacement of the organ.—I am ill-packed,—he said;—there was no room for my heart in its place as it is with other men.—God help him!

It is hard to draw the line between scientific curiosity and the desire for the patient's sake to learn all the details of his condition. I must look at this patient's chest, and thump it and listen to it. For this is a case of ectopia cordis, my boy,—displacement of the heart; and it is n't every day you get a chance to overhaul such an interesting malformation. And so I managed to do my duty and satisfy my curiosity at the same time. The torso was slight and deformed; the right arm attenuated,—the left full, round, and of perfect symmetry. It had run away with the life of the other limbs,—a common trick enough of Nature's, as I told you before. If you see a man with legs withered from childhood, keep out of the way of his arms, if you have a quarrel with him. He has the strength of four limbs in two; and if he strikes you, it is an arm-blow plus a kick administered from the shoulder instead of the haunch, where it should have started from.

Still examining him as a patient, I kept my eyes about me to search all parts of the chamber and went on with the double process, as before.—Heart hits as hard as a fist,—bellows-sound over mitral valves (professional terms you need not attend to).—What the deuse is that long case for? Got his witch grandmother mummied in it? And three big mahogany presses,—hey?—A diabolical suspicion came over me which I had had once before,—that he might be one of our modern alchemists,—you understand, make gold, you know, or what looks like it, sometimes with the head of a king or queen or of Liberty to embellish one side of the piece.—Don't I remember hearing him shut a door and lock it once? What do you think was kept under that lock? Let's have another look at his hand, to see if there are any calluses.

One can tell a man's business, if it is a handicraft, very often by just taking a look at his open hand. Ah! Four calluses at the end of the fingers of the right hand. None on those of the left. Ah, ha! What do those mean?

All this seems longer in the telling, of course, than it was in fact. While I was making these observations of the objects around me, I was also forming my opinion as to the kind of case with which I had to deal.

There are three wicks, you know, to the lamp of a man's life: brain, blood, and breath. Press the brain a little, its light goes out, followed by both the others. Stop the heart a minute and out go all three of the wicks. Choke the air out of the lungs, and presently the fluid ceases to supply the other centres of flame, and all is soon stagnation, cold, and darkness. The "tripod of life" a French physiologist called these three organs. It is all clear enough which leg of the tripod is going to break down here. I could tell you exactly what the difficulty is;—which would be as intelligible and amusing as a watchmaker's description of a diseased timekeeper to a ploughman. It is enough to say, that I found just what I expected to, and that I think this attack is only the prelude of more serious consequences,—which expression means you very well know what.

And now the secrets of this life hanging on a thread must surely come out. If I have made a mystery where there was none, my suspicions will be shamed, as they have often been before. If there is anything strange, my visits will clear it up.

I sat an hour or two by the side of the Little Gentleman's bed, after giving him some henbane to quiet his brain, and some foxglove, which an imaginative French professor has called the "Opium of the Heart." Under their influence he gradually fell into an uneasy, half-waking slumber, the body fighting hard for every breath, and the mind wandering off in strange fancies and old recollections, which escaped from his lips in broken sentences.

—The last of 'em,—he said,—the last of 'em all,—thank God! And the grave he lies in will look just as well as if he had been straight. Dig it deep, old Martin, dig it deep,—and let it be as long as other folks' graves. And mind you get the sods flat, old man,—flat as ever a straight-backed young fellow was laid under. And then, with a good tall slab at the head, and a foot-stone six foot away from it, it'll look just as if there was a man underneath.

A man! Who said he was a man? No more men of that pattern to bear his name!—Used to be a good-looking set enough.—Where 's all the manhood and womanhood gone to since his great-grandfather was the strongest man that sailed out of the town of Boston, and poor Leah there the handsomest woman in Essex, if she was a witch?

—Give me some light,—he said,—more light. I want to see the picture.

He had started either from a dream or a wandering reverie. I was not unwilling to have more light in the apartment, and presently had lighted an astral lamp that stood on a table.—He pointed to a portrait hanging against the wall.—Look at her,—he said,—look at her! Wasn't that a pretty neck to slip a hangman's noose over?

The portrait was of a young woman, something more than twenty years old, perhaps. There were few pictures of any merit painted in New England before the time of Smibert, and I am at a loss to know what artist could have taken this half-length, which was evidently from life. It was somewhat stiff and flat, but the grace of the figure and the sweetness of the expression reminded me of the angels of the early Florentine painters. She must have been of some consideration, for she was dressed in paduasoy and lace with hanging sleeves, and the old carved frame showed how the picture had been prized by its former owners. A proud eye she had, with all her sweetness.—I think it was that which hanged her, as his strong arm hanged Minister George Burroughs;—but it may have been a little mole on one cheek, which the artist had just hinted as a beauty rather than a deformity. You know, I suppose, that nursling imps addict themselves, after the fashion of young opossums, to these little excrescences. "Witch-marks" were good evidence that a young woman was one of the Devil's wet-nurses;—I should like to have seen you make fun of them in those days!—Then she had a brooch in her bodice, that might have been taken for some devilish amulet or other; and she wore a ring upon one of her fingers, with a red stone in it, that flamed as if the painter had dipped his pencil in fire;—who knows but that it was given her by a midnight suitor fresh from that fierce element, and licensed for a season to leave his couch of flame to tempt the unsanctified hearts of earthly maidens and brand their cheeks with the print of his scorching kisses?

She and I,—he said, as he looked steadfastly at the canvas,—she and I are the last of 'em.—She will stay, and I shall go. They never painted me,—except when the boys used to make pictures of me with chalk on the board-fences. They said the doctors would want my skeleton when I was dead.—You are my friend, if you are a doctor,—a'n't you?

I just gave him my hand. I had not the heart to speak.

I want to lie still,—he said,—after I am put to bed upon the hill yonder. Can't you have a great stone laid over me, as they did over the first settlers in the old burying-ground at Dorchester, so as to keep the wolves from digging them up? I never slept easy over the sod;—I should like to lie quiet under it. And besides,—he said, in a kind of scared whisper,—I don't want to have my bones stared at, as my body has been. I don't doubt I was a remarkable case; but, for God's sake, oh, for God's sake, don't let 'em make a show of the cage I have been shut up in and looked through the bars of for so many years.

I have heard it said that the art of healing makes men hard-hearted and indifferent to human suffering. I am willing to own that there is often a professional hardness in surgeons, just as there is in theologians,—only much less in degree than in these last. It does not commonly improve the sympathies of a man to be in the habit of thrusting knives into his fellow-creatures and burning them with red-hot irons, any more than it improves them to hold the blinding-white cantery of Gehenna by its cool handle and score and crisp young souls with it until they are scorched into the belief of—Transubstantiation or the Immaculate Conception. And, to say the plain truth, I think there are a good many coarse people in both callings. A delicate nature will not commonly choose a pursuit which implies the habitual infliction of suffering, so readily as some gentler office. Yet, while I am writing this paragraph, there passes by my window, on his daily errand of duty, not seeing me, though I catch a glimpse of his manly features through the oval glass of his chaise, as he drives by, a surgeon of skill and standing, so friendly, so modest, so tenderhearted in all his ways, that, if he had not approved himself at once adroit and firm, one would have said he was of too kindly a mould to be the minister of pain, even if he were saving pain.

You may be sure that some men, even among those who have chosen the task of pruning their fellow-creatures, grow more and more thoughtful and truly compassionate in the midst of their cruel experience. They become less nervous, but more sympathetic. They have a truer sensibility for others' pain, the more they study pain and disease in the light of science. I have said this without claiming any special growth in humanity for myself, though I do hope I grow tenderer in my feelings as I grow older. At any rate, this was not a time in which professional habits could keep down certain instincts of older date than these.

This poor little man's appeal to my humanity against the supposed rapacity of Science, which he feared would have her "specimen," if his ghost should walk restlessly a thousand years, waiting for his bones to be laid in the dust, touched my heart. But I felt bound to speak cheerily.

—We won't die yet awhile, if we can help it,—I said,—and I trust we can help it. But don't be afraid; if I live longest, I will see that your resting place is kept sacred till the dandelions and buttercups blow over you.

He seemed to have got his wits together by this time, and to have a vague consciousness that he might have been saying more than he meant for anybody's ears.—I have been talking a little wild, Sir, eh? he said.—There is a great buzzing in my head with those drops of yours, and I doubt if my tongue has not been a little looser than I would have it, Sir. But I don't much want to live, Sir; that's the truth of the matter, and it does rather please me to think that fifty years from now nobody will know that the place where I lie does n't hold as stout and straight a man as the best of 'em that stretch out as if they were proud of the room they take. You may get me well, if you can, Sir, if you think it worth while to try; but I tell you there has been no time for this many a year when the smell of fresh earth was not sweeter to me than all the flowers that grow out of it. There's no anodyne like your good clean gravel, Sir. But if you can keep me about awhile, and it amuses you to try, you may show your skill upon me, if you like. There is a pleasure or two that I love the daylight for, and I think the night is not far off, at best.—I believe I shall sleep now; you may leave me, and come, if you like, in the morning.

Before I passed out, I took one more glance round the apartment. The beautiful face of the portrait looked at me, as portraits often do, with a frightful kind of intelligence in its eyes. The drapery fluttered on the still outstretched arm of the tall object near the window;—a crack of this was open, no doubt, and some breath of wind stirred the hanging folds. In my excited state, I seemed to see something ominous in that arm pointing to the heavens. I thought of the figures in the Dance of Death at Basle, and that other on the panels of the covered Bridge at Lucerne, and it seemed to me that the grim mask who mingles with every crowd and glides over every threshold was pointing the sick man to his far home, and would soon stretch out his bony hand and lead him or drag him on the unmeasured journey towards it.

The fancy had possession of me, and I shivered again as when I first entered the chamber. The picture and the shrouded shape; I saw only these two objects. They were enough. The house was deadly still, and the night-wind, blowing through an open window, struck me as from a field of ice, at the moment I passed into the creaking corridor. As I turned into the common passage, a white figure, holding a lamp, stood full before me. I thought at first it was one of those images made to stand in niches and hold a light in their hands. But the illusion was momentary, and my eyes speedily recovered from the shock of the bright flame and snowy drapery to see that the figure was a breathing one. It was Iris, in one of her statue-trances. She had come down, whether sleeping or waking, I knew not at first, led by an instinct that told her she was wanted,—or, possibly, having overheard and interpreted the sound of our movements,—or, it may be, having learned from the servant that there was trouble which might ask for a woman's hand. I sometimes think women have a sixth sense, which tells them that others, whom they cannot see or hear, are in suffering. How surely we find them at the bedside of the dying! How strongly does Nature plead for them, that we should draw our first breath in their arms, as we sigh away our last upon their faithful breasts!