Liza crossed the room and stood in silence before Varvara Petrovna. The latter kissed her, took her hands, and, holding her at arm's-length, looked at her with feeling, then made the sign of the cross over her and kissed her again.

"Well, good-bye, Liza" (there was almost the sound of tears in Varvara Petrovna's voice), "believe that I shall never cease to love you whatever fate has in store for you. God be with you. I have always blessed His holy Will...."

She would have added something more, but restrained herself and broke off. Liza was walking back to her place, still in the same silence, as it were plunged in thought, but she suddenly stopped before her mother.

"I am not going yet, mother. I'll stay a little longer at auntie's," she brought out in a low voice, but there was a note of iron determination in those quiet words.

"My goodness! What now?" wailed Praskovya Ivanovna, clasping her hands helplessly. But Liza did not answer, and seemed indeed not to hear her; she sat down in the same corner and fell to gazing into space again as before.

There was a look of pride and triumph in Varvara Petrovna's face.

"Mavriky Nikolaevitch, I have a great favour to ask of you. Be so kind as to go and take a look at that person downstairs, and if there is any possibility of admitting him, bring him up here."

Mavriky Nikolaevitch bowed and went out. A moment later he brought in Mr. Lebyadkin.

IV

I have said something of this gentleman's outward appearance. He was a tall, curly-haired, thick-set fellow about forty with a purplish, rather bloated and flabby face, with cheeks that quivered at every movement of his head, with little bloodshot eyes that were sometimes rather crafty, with moustaches and sidewhiskers, and with an incipient double chin, fleshy and rather unpleasant-looking. But what was most striking about him was the fact that he appeared now wearing a dress-coat and clean linen.

"There are people on whom clean linen is almost unseemly," as Liputin had once said when Stepan Trofimovitch reproached him in jest for being untidy. The captain had perfectly new black gloves too, of which he held the right one in his hand, while the left, tightly stretched and unbuttoned, covered part of the huge fleshy fist in which he held a bran-new, glossy round hat, probably worn for the first time that day. It appeared therefore that "the garb of love," of which he had shouted to Shatov the day before, really did exist. All this, that is, the dress-coat and clean linen, had been procured by Liputin's advice with some mysterious object in view (as I found out later). There was no doubt that his coming now (in a hired carriage) was at the instigation and with the assistance of some one else; it would never have dawned on him, nor could he by himself have succeeded in dressing, getting ready and making up his mind in three-quarters of an hour, even if the scene in the porch of the cathedral had reached his ears at once. He was not drunk, but was in the dull, heavy, dazed condition of a man suddenly awakened after many days of drinking. It seemed as though he would be drunk again if one were to put one's hands on his shoulders and rock him to and fro once or twice. He was hurrying into the drawing-room but stumbled over a rug near the doorway. Marya Timofyevna was helpless with laughter. He looked savagely at her and suddenly took a few rapid steps towards Varvara Petrovna.

"I have come, madam..." he blared out like a trumpet-blast.

"Be so good, sir, as to take a seat there, on that chair," said Varvara Petrovna, drawing herself up. "I shall hear you as well from there, and it will be more convenient for me to look at you from here."

The captain stopped short, looking blankly before him. He turned, however, and sat down on the seat indicated close to the door. An extreme lack of self-confidence and at the same time insolence, and a sort of incessant irritability, were apparent in the expression of his face. He was horribly scared, that was evident, but his self-conceit was wounded, and it might be surmised that his mortified vanity might on occasion lead him to any effrontery, in spite of his cowardice. He was evidently uneasy at every movement of his clumsy person. We all know that when such gentlemen are brought by some marvellous chance into society, they find their worst ordeal in their own hands, and the impossibility of disposing them becomingly, of which they are conscious at every moment. The captain sat rigid in his chair, with his hat and gloves in his hands and his eyes fixed with a senseless stare on the stern face of Varvara Petrovna. He would have liked, perhaps, to have looked about more freely, but he could not bring himself to do so yet. Marya Timofyevna, apparently thinking his appearance very funny, laughed again, but he did not stir. Varvara Petrovna ruthlessly kept him in this position for a long time, a whole minute, staring at him without mercy.

"In the first place allow me to learn your name from yourself," Varvara Petrovna pronounced in measured and impressive tones.

"Captain Lebyadkin," thundered the captain. "I have come, madam..." He made a movement again.

"Allow me!" Varvara Petrovna checked him again. "Is this unfortunate person who interests me so much really your sister?"

"My sister, madam, who has escaped from control, for she is in a certain condition...."

He suddenly faltered and turned crimson. "Don't misunderstand me, madam," he said, terribly confused. "Her own brother's not going to throw mud at her... in a certain condition doesn't mean in such a condition... in the sense of an injured reputation... in the last stage..." he suddenly broke off.

"Sir!" said Varvara Petrovna, raising her head.

"In this condition!" he concluded suddenly, tapping the middle of his forehead with his finger.

A pause followed.

"And has she suffered in this way for long?" asked Varvara Petrovna, with a slight drawl.

"Madam, I have come to thank you for the generosity you showed in the porch, in a Russian, brotherly way."

"Brotherly?"

"I mean, not brotherly, but simply in the sense that I am my sister's brother; and believe me, madam," he went on more hurriedly, turning crimson again, "I am not so uneducated as I may appear at first sight in your drawing-room. My sister and I are nothing, madam, compared with the luxury we observe here. Having enemies who slander us, besides. But on the question of reputation Lebyadkin is proud, madam... and... and ... and I've come to repay with thanks.... Here is money, madam!"

At this point he pulled out a pocket-book, drew out of it a bundle of notes, and began turning them over with trembling fingers in a perfect fury of impatience. It was evident that he was in haste to explain something, and indeed it was quite necessary to do so. But probably feeling himself that his fluster with the money made him look even more foolish, he lost the last traces of self-possession. The money refused to be counted. His fingers fumbled helplessly, and to complete his shame a green note escaped from the pocket-book, and fluttered in zigzags on to the carpet.

"Twenty roubles, madam." He leapt up suddenly with the roll of notes in his hand, his face perspiring with discomfort. Noticing the note which had dropped on the floor, he was bending down to pick it up, but for some reason overcome by shame, he dismissed it with a wave.

"For your servants, madam; for the footman who picks it up. Let them remember my sister!"

"I cannot allow that," Varvara Petrovna brought out hurriedly, even with some alarm.

"In that case..."

He bent down, picked it up, flushing crimson, and suddenly going up to Varvara Petrovna held out the notes he had counted.

"What's this?" she cried, really alarmed at last, and positively shrinking back in her chair.

Mavriky Nikolaevitch, Stepan Trofimovitch, and I all stepped forward.

"Don't be alarmed, don't be alarmed; I'm not mad, by God, I'm not mad," the captain kept asseverating excitedly. "Yes, sir, you're out of your senses."

"Madam, she's not at all as you suppose. I am an insignificant link. Oh, madam, wealthy are your mansions, but poor is the dwelling of Marya Anonyma, my sister, whose maiden name was Lebyadkin, but whom we'll call Anonyma for the time, only for the time, madam, for God Himself will not suffer it for ever. Madam, you gave her ten roubles and she took it, because it was from you, madam! Do you hear, madam? From no one else in the world would this Marya Anonyma take it, or her grandfather, the officer killed in the Caucasus before the very eyes of Yermolov, would turn in his grave. But from you, madam, from you she will take anything. But with one hand she takes it, and with the other she holds out to you twenty roubles by way of subscription to one of the benevolent committees in Petersburg and Moscow, of which you are a member... for you published yourself, madam, in the Moscow News, that you are ready to receive subscriptions in our town, and that any one may subscribe... ."

The captain suddenly broke off; he breathed hard as though after some difficult achievement. All he said about the benevolent society had probably been prepared beforehand, perhaps under Liputin's supervision. He perspired more than ever; drops literally trickled down his temples. Varvara Petrovna looked searchingly at him.

"The subscription list," she said severely, "is always downstairs in charge of my porter. There you can enter your subscriptions if you wish to. And so I beg you to put your notes away and not to wave them in the air. That's right. I beg you also to go back to your seat. That's right. I am very sorry, sir, that I made a mistake about your sister, and gave her something as though she were poor when she is so rich. There's only one thing I don't understand, why she can only take from me, and no one else. You so insisted upon that that I should like a full explanation."

"Madam, that is a secret that may be buried only in the grave!" answered the captain.

"Why?" Varvara Petrovna asked, not quite so firmly.

"Madam, madam..."

He relapsed into gloomy silence, looking on the floor, laying his right hand on his heart. Varvara Petrovna waited, not taking her eyes off him.

"Madam!" he roared suddenly. "Will you allow me to ask you one question? Only one, but frankly, directly, like a Russian, from the heart?"

"Kindly do so."

"Have you ever suffered madam, in your life?"

"You simply mean to say that you have been or are being ill-treated by some one."

"Madam, madam!" He jumped up again, probably unconscious of doing so, and struck himself on the breast. "Here in this bosom so much has accumulated, so much that God Himself will be amazed when it is revealed at the Day of Judgment."

"H'm! A strong expression!"

"Madam, I speak perhaps irritably...."

"Don't be uneasy. I know myself when to stop you."

"May I ask you another question, madam?"

"Ask another question."

"Can one die simply from the generosity of one's feelings?"

"I don't know, as I've never asked myself such a question."

"You don't know! You've never asked yourself such a question," he said with pathetic irony. "Well, if that's it, if that's it...

"Be still, despairing heart!"

And he struck himself furiously on the chest. He was by now walking about the room again.

It is typical of such people to be utterly incapable of keeping their desires to themselves; they have, on the contrary, an irresistible impulse to display them in all their unseemliness as soon as they arise. When such a gentleman gets into a circle in which he is not at home he usually begins timidly,—but you have only to give him an inch and he will at once rush into impertinence. The captain was already excited. He walked about waving his arms and not listening to questions, talked about himself very, very quickly, so that sometimes his tongue would not obey him, and without finishing one phrase he passed to another. It is true he was probably not quite sober. Moreover, Lizaveta Nikolaevna was sitting there too, and though he did not once glance at her, her presence seemed to over-excite him terribly; that, however, is only my supposition. There must have been some reason which led Varvara Petrovna to resolve to listen to such a man in spite of her repugnance, Praskovya Ivanovna was simply shaking with terror, though, I believe she really did not quite understand what it was about." Stepan Trofimovitch was trembling too, but that was, on the contrary, because he was disposed to understand everything, and exaggerate it. Mavriky Nikolaevitch stood in the attitude of one ready to defend all present; Liza was pale, and she gazed fixedly with wide-open eyes at the wild captain. Shatov sat in the same position as before, but, what was strangest of all, Marya Timofyevna had not only ceased laughing, but had become terribly sad. She leaned her right elbow on the table, and with a prolonged, mournful gaze watched her brother declaiming. Darya Pavlovna alone seemed to me calm.

"All that is nonsensical allegory," said Varvara Petrovna, getting angry at last. "You haven't answered my question, why? I insist on an answer."

"I haven't answered, why? You insist on an answer, why?" repeated the captain, winking. "That little word 'why' has run through all the universe from the first day of creation, and all nature cries every minute to it's Creator, 'why?' And for seven thousand years it has had no answer, and must Captain Lebyadkin alone answer? And is that justice, madam?"

"That's all nonsense and not to the point!" cried Varvara Petrovna, getting angry and losing patience. "That's allegory; besides, you express yourself too sensationally, sir, which I consider impertinence."

"Madam," the captain went on, not hearing, "I should have liked perhaps to be called Ernest, yet I am forced to bear the vulgar name Ignat—why is that do you suppose? I should have liked to be called Prince de Monbart, yet I am only Lebyadkin, derived from a swan.* Why is that? I am a poet, madam, a poet in soul, and might be getting a thousand roubles at a time from a publisher, yet I am forced to live in a pig pail. Why? Why, madam? To my mind Russia is a freak of nature and nothing else."

"Can you really say nothing more definite?"

"I can read you the poem, 'The Cockroach,' madam."

"Wha-a-t?"

"Madam, I'm not mad yet! I shall be mad, no doubt I shall be, but I'm not so yet. Madam, a friend of mine—a most honourable man—has written a Krylov's fable, called 'The Cockroach.' May I read it?"

"You want to read some fable of Krylov's?"

"No, it's not a fable of Krylov's I want to read. It's my fable, my own composition. Believe me, madam, without offence I'm not so uneducated and depraved as not to understand that Russia can boast of a great fable-writer, Krylov, to whom the Minister of Education has raised a monument in the Summer Gardens for the diversion of the young. Here, madam, you ask me why? The answer is at the end of this fable, in letters of fire."

"Read your fable."

"Lived a cockroach in the world Such was his condition, In a glass he chanced to fall Full of fly-perdition."

"Heavens! What does it mean?" cried Varvara Petrovna. "That's when flies get into a glass in the summer-time," the captain explained hurriedly with the irritable impatience of an author interrupted in reading. "Then it is perdition to the flies, any fool can understand. Don't interrupt, don't interrupt. You'll see, you'll see...." He kept waving his arms.

"But he squeezed against the flies, They woke up and cursed him, Raised to Jove their angry cries; 'The glass is full to bursting!' In the middle of the din Came along Nikifor, Fine old man, and looking in...

* From Lebyed, a Swan.

I haven't quite finished it. But no matter, I'll tell it in words," the captain rattled on. "Nikifor takes the glass, and in spite of their outcry empties away the whole stew, flies, and beetles and all, into the pig pail, which ought to have been done long ago. But observe, madam, observe, the cockroach doesn't complain. That's the answer to your question, why?" he cried triumphantly. "'The cockroach does not complain.' As for Nikifor he typifies nature," he added, speaking rapidly and walking complacently about the room.

Varvara Petrovna was terribly angry.

"And allow me to ask you about that money said to have been received from Nikolay Vsyevolodovitch, and not to have been given to you, about which you dared to accuse a person belonging to my household."

"It's a slander!" roared Lebyadkin, flinging up his right hand tragically.

"No, it's not a slander."

"Madam, there are circumstances that force one to endure family disgrace rather than proclaim the truth aloud. Lebyadkin will not blab, madam!"

He seemed dazed; he was carried away; he felt his importance; he certainly had some fancy in his mind. By now he wanted to insult some one, to do something nasty to show his power.

"Ring, please, Stepan Trofimovitch," Varvara Petrovna asked him.

"Lebyadkin's cunning, madam." he said, winking with his evil smile; "he's cunning, but he too has a weak spot, he too at times is in the portals of passions, and these portals are the old military hussars' bottle, celebrated by Denis Davydov. So when he is in those portals, madam, he may happen to send a letter in verse, a most magnificent letter—but which afterwards he would have wished to take back, with the tears of all his life; for the feeling of the beautiful is destroyed. But the bird has flown, you won't catch it by the tail. In those portals now, madam, Lebyadkin may have spoken about an honourable young lady, in the honourable indignation of a soul revolted by wrongs, and his slanderers have taken advantage of it. But Lebyadkin is cunning, madam! And in vain a malignant wolf sits over him every minute, filling his glass and waiting for the end. Lebyadkin won't blab. And at the bottom of the bottle he always finds instead Lebyadkin's cunning. But enough, oh, enough, madam! Your splendid halls might belong to the noblest in the land, but the cockroach will not complain. Observe that, observe that he does not complain, and recognise his noble spirit!"

At that instant a bell rang downstairs from the porter's room, and almost at the same moment Alexey Yegorytch appeared in response to Stepan Trofimovitch's ring, which he had somewhat delayed answering. The correct old servant was unusually excited.

"Nikolay Vsyevolodovitch has graciously arrived this moment and is coming here," he pronounced, in reply to Varvara Petrovna's questioning glance. I particularly remember her at that moment; at first she turned pale, but suddenly her eyes flashed. She drew herself up in her chair with an air of extraordinary determination. Every one was astounded indeed. The utterly unexpected arrival of Nikolay Vsyevolodovitch, who was not expected for another month, was not only strange from its unexpectedness but from its fateful coincidence with the present moment. Even the captain remained standing like a post in the middle of the room with his mouth wide open, staring at the door with a fearfully stupid expression.

And, behold, from the next room—a very large and long apartment—came the sound of swiftly approaching footsteps, little, exceedingly rapid steps; some one seemed to be running, and that some one suddenly flew into the drawing-room, not Nikolay Vsyevolodovitch, but a young man who was a complete stranger to all.

V

I will permit myself to halt here to sketch in a few hurried strokes this person who had so suddenly arrived on the scene.

He was a young man of twenty-seven or thereabouts, a little above the medium height, with rather long, lank, flaxen hair, and with faintly defined, irregular moustache and beard. He was dressed neatly, and in the fashion, though not like a dandy. At the first glance he looked round-shouldered and awkward, but yet he was not round-shouldered, and his manner was easy. He seemed a queer fish, and yet later on we all thought his manners good, and his conversation always to the point.

No one would have said that he was ugly, and yet no one would have liked his face-His head was elongated at the back, and looked flattened at the sides, so that his face seemed pointed, his forehead was high and narrow, but his features were small; his eyes were keen, his nose was small and sharp, his lips were long and thin. The expression of his face suggested ill-health, but this was misleading. He had a wrinkle on each cheek which gave him the look of a man who had just recovered from a serious illness. Yet he was perfectly well and strong, and had never been ill.

He walked and moved very hurriedly, yet never seemed in a hurry to be off. It seemed as though nothing could disconcert him; in every circumstance and in every sort of society he remained the same. He had a great deal of conceit, but was utterly unaware of it himself.

He talked quickly, hurriedly, but at the same time with assurance, and was never at a loss for a word. In spite of his hurried manner his ideas were in perfect order, distinct and definite—and this was particularly striking. His articulation was wonderfully clear. His words pattered out like smooth, long grains, always well chosen, and at your service. At first this attracted one, but afterwards it became repulsive, just because of this over-distinct articulation, this string of ever-ready words, one somehow began to imagine that he must have a tongue of special shape, somehow exceptionally long and thin, extremely red with a very sharp everlastingly active little tip.

Well, this was the young man who darted now into the drawing-room, and really, I believe to this day, that he began to talk in the next room, and came in speaking. He was standing before Varvara Petrovna in a trice.

"... Only fancy, Varvara Petrovna," he pattered on, "I came in expecting to find he'd been here for the last quarter of an hour; he arrived an hour and a half ago; we met at Kirillov's: he set off half an hour ago meaning to come straight here, and told me to come here too, a quarter of an hour later...."

"But who? Who told you to come here?" Varvara Petrovna inquired.

"Why, Nikolay Vsyevolodovitch! Surely this isn't the first you've heard of it! But his luggage must have been here a long while, anyway. How is it you weren't told? Then I'm the first to bring the news. One might send out to look for him; he's sure to be here himself directly though. And I fancy, at the moment that just fits in with some of his expectations, and is far as I can judge, at least, some of his calculations."

At this point he turned his eyes about the room and fixed them with special attention on the captain.

"Ach, Lizaveta Nikolaevna, how glad I am to meet you at the very first step, delighted to shake hands with you." He flew up to Liza, who was smiling gaily, to take her proffered hand, "and I observe that my honoured friend Praskovya Ivanovna has not forgotten her 'professor,' and actually isn't cross with him, as she always used to be in Switzerland. But how are your legs, here, Praskovya Ivanovna, and were the Swiss doctors right when at the consultation they prescribed your native air? What? Fomentations? That ought to do good. But how sorry I was, Varvara Petrovna "(he turned rapidly to her) "that I didn't arrive in time to meet you abroad, and offer my respects to you in person; I had so much to tell you too. I did send word to my old man here, but I fancy that he did as he always does..."

"Petrusha!" cried Stepan Trofimovitch, instantly roused from his stupefaction. He clasped his hands and flew to his son. "Pierre, mon enfant! Why, I didn't know you!" He pressed him in his arms and the tears rolled down his cheeks.

"Come, be quiet, be quiet, no flourishes, that's enough, that's enough, please," Petrusha muttered hurriedly, trying to extricate himself from his embrace.

"I've always sinned against you, always!"

"Well, that's enough. We can talk of that later. I knew you'd carry on. Come, be a little more sober, please."

"But it's ten years since I've seen you."

"The less reason for demonstrations."

"Mon enfant!..."

"Come, I believe in your affection, I believe in it, take your arms away. You see, you're disturbing other people.... Ah, here's Nikolay Vsyevolodovitch; keep quiet, please."

Nikolay Vsyevolodovitch was already in the room; he came in very quietly and stood still for an instant in the doorway, quietly scrutinising the company.

I was struck by the first sight of him just as I had been four years before, when I saw him for the first time. I had not forgotten him in the least. But I think there are some countenances which always seem to exhibit something new which one has not noticed before, every time one meets them, though one may have seen them a hundred times already. Apparently he was exactly the same as he had been four years before. He was as elegant, as dignified, he moved with the same air of consequence as before, indeed he looked almost as young. His faint smile had just the same official graciousness and complacency. His eyes had the same stern, thoughtful and, as it were, preoccupied look. In fact, it seemed as though we had only parted the day before. But one thing struck me. In old days, though he had been considered handsome, his face was "like a mask," as some of our sharp-tongued ladies had expressed it. Now—now, I don't know why he impressed me at once as absolutely, incontestably beautiful, so that no one could have said that his face was like a mask. Wasn't it perhaps that he was a little paler and seemed rather thinner than before? Or was there, perhaps, the light of some new idea in his eyes?

"Nikolay Vsyevolodovitch!" cried Varvara Petrovna, drawing herself up but not rising from her chair. "Stop a minute!" She checked his advance with a peremptory gesture.

But to explain the awful question which immediately followed that gesture and exclamation—a question which I should have imagined to be impossible even in Varvara Petrovna, I must ask the reader to remember what that lady's temperament had always been, and the extraordinary impulsiveness she showed at some critical moments. I beg him to consider also, that in spite of the exceptional strength of her spirit and the very considerable amount of common sense and practical, so to say business, tact she possessed, there were moments in her life in which she abandoned herself altogether, entirely and, if it's permissible to say so, absolutely without restraint. I beg him to take into consideration also that the present moment might really be for her one of those in which all the essence of life, of all the past and all the present, perhaps, too, all the future, is concentrated, as it were, focused. I must briefly recall, too, the anonymous letter of which she had spoken to Praskovya Ivanovna with so much irritation, though I think she said nothing of the latter part of it. Yet it perhaps contained the explanation of the possibility of the terrible question with which she suddenly addressed her son.

"Nikolay Vsyevolodovitch," she repeated, rapping out her words in a resolute voice in which there was a ring of menacing challenge, "I beg you to tell me at once, without moving from that place; is it true that this unhappy cripple—here she is, here, look at her—is it true that she is... your lawful wife?"

I remember that moment only too well; he did not wink an eyelash but looked intently at his mother. Not the faintest change in his face followed. At last he smiled, a sort of indulgent smile, and without answering a word went quietly up to his mother, took her hand, raised it respectfully to his lips and kissed it. And so great was his invariable and irresistible ascendancy over his mother that even now she could not bring herself to pull away her hand. She only gazed at him, her whole figure one concentrated question, seeming to betray that she could not bear the suspense another moment.

But he was still silent. When he had kissed her hand, he scanned the whole room once more, and moving, as before, without haste went towards Marya Timofyevna. It is very difficult to describe people's countenances at certain moments. I remember, for instance, that Marya Timofyevna, breathless with fear, rose to her feet to meet him and clasped her hands before her, as though beseeching him. And at the same time I remember the frantic ecstasy which almost distorted her face—an ecstasy almost too great for any human being to bear. Perhaps both were there, both the terror and the ecstasy. But I remember moving quickly towards her (I was standing not far off), for I fancied she was going to faint.

"You should not be here," Nikolay Vsyevolodovitch said to her in a caressing and melodious voice; and there was the light of an extraordinary tenderness in his eyes. He stood before her in the most respectful attitude, and every gesture showed sincere respect for her. The poor girl faltered impulsively in a half-whisper.

"But may I... kneel down... to you now?"

"No, you can't do that."

He smiled at her magnificently, so that she too laughed joyfully at once. In the same melodious voice, coaxing her tenderly as though she were a child, he went on gravely.

"Only think that you are a girl, and that though I'm your devoted friend I'm an outsider, not your husband, nor your father, nor your betrothed. Give me your arm and let us go; I will take you to the carriage, and if you will let me I will see you all the way home."

She listened, and bent her head as though meditating.

"Let's go," she said with a sigh, giving him her hand.

But at that point a slight mischance befell her. She must have turned carelessly, resting on her lame leg, which was shorter than the other. She fell sideways into the chair, and if the chair had not been there would have fallen on to the floor. He instantly seized and supported her, and holding her arm firmly in his, led her carefully and sympathetically to the door. She was evidently mortified at having fallen; she was overwhelmed, blushed, and was terribly abashed. Looking dumbly on the ground, limping painfully, she hobbled after him, almost hanging on his arm. So they went out. Liza, I saw, suddenly jumped up from her chair for some reason as they were going out, and she followed them with intent eyes till they reached the door. Then she sat down again in silence, but there was a nervous twitching in her face, as though she had touched a viper.

While this scene was taking place between Nikolay Vsyevolodovitch and Marya Timofyevna every one was speechless with amazement; one could have heard a fly; but as soon as they had gone out, every one began suddenly talking.

VI

It was very little of it talk, however; it was mostly exclamation. I've forgotten a little the order in which things happened, for a scene of confusion followed. Stepan Trofimovitch uttered some exclamation in French, clasping his hands, but Varvara Petrovna had no thought for him. Even Mavriky Nikolaevitch muttered some rapid, jerky comment. But Pyotr Stepanovitch was the most excited of all. He was trying desperately with bold gesticulations to persuade Varvara Petrovna of something, but it was a long time before I could make out what it was. He appealed to Praskovya Ivanovna, and Lizaveta Nikolaevna too, even, in his excitement, addressed a passing shout to his father—in fact he seemed all over the room at once. Varvara Petrovna, flushing all over, sprang up from her seat and cried to Praskovya Ivanovna:

"Did you hear what he said to her here just now, did you hear it?"

But the latter was incapable of replying. She could only mutter something and wave her hand. The poor woman had troubles of her own to think about. She kept turning her head towards Liza and was watching her with unaccountable terror, but she didn't even dare to think of getting up and going away until her daughter should get up. In the meantime the captain wanted to slip away. That I noticed. There was no doubt that he had been in a great panic from the instant that Nikolay Vsyevolodovitch had made his appearance; but Pyotr Stepanovitch took him by the arm and would not let him go.

"It is necessary, quite necessary," he pattered on to Varvara Petrovna, still trying to persuade her. He stood facing her, as she was sitting down again in her easy chair, and, I remember, was listening to him eagerly; he had succeeded in securing her attention.

"It is necessary. You can see for yourself, Varvara Petrovna, that there is a misunderstanding here, and much that is strange on the surface, and yet the thing's as clear as daylight, and as simple as my finger. I quite understand that no one has authorised me to tell the story, and I dare say I look ridiculous putting myself forward. But in the first place, Nikolay Vsyevolodovitch attaches no sort of significance to the matter himself, and, besides, there are incidents of which it is difficult for a man to make up his mind to give an explanation himself. And so it's absolutely necessary that it should be undertaken by a third person, for whom it's easier to put some delicate points into words. Believe me, Varvara Petrovna, that Nikolay Vsyevolodovitch is not at all to blame for not immediately answering your question just now with a full explanation, it's all a trivial affair. I've known him since his Petersburg days. Besides, the whole story only does honour to Nikolay Vsyevolodovitch, if one must make use of that vague word 'honour.'"

"You mean to say that you were a witness of some incident which gave rise... to this misunderstanding?" asked Varvara Petrovna.

"I witnessed it, and took part in it," Pyotr Stepanovitch hastened to declare.

"If you'll give me your word that this will not wound Nikolay Vsyevolodovitch's delicacy in regard to his feeling for me, from whom he ne-e-ver conceals anything... and if you are convinced also that your doing this will be agreeable to him..."

"Certainly it will be agreeable, and for that reason I consider it a particularly agreeable duty. I am convinced that he would beg me to do it himself."

The intrusive desire of this gentleman, who seemed to have dropped on us from heaven to tell stories about other people's affairs, was rather strange and inconsistent with ordinary usage.

But he had caught Varvara Petrovna by touching on too painful a spot. I did not know the man's character at that time, and still less his designs.

"I am listening," Varvara Petrovna announced with a reserved and cautious manner. She was rather painfully aware of her condescension.

"It's a short story; in fact if you like it's not a story at all," he rattled on, "though a novelist might work it up into a novel in an idle hour. It's rather an interesting little incident, Praskovya Ivanovna, and I am sure that Lizaveta Nikolaevna will be interested to hear it, because there are a great many things in it that are odd if not wonderful. Five years ago, in Petersburg, Nikolay Vsyevolodovitch made the acquaintance of this gentleman, this very Mr. Lebyadkin who's standing here with his mouth open, anxious, I think, to slip away at once. Excuse me, Varvara Petrovna. I don't advise you to make your escape though, you discharged clerk in the former commissariat department you see; I remember you very well. Nikolay Vsyevolodovitch and I know very well what you've been up to here, and, don't forget, you'll have to answer for it. I ask your pardon once more, Varvara Petrovna. In those days Nikolay Vsyevolodovitch used to call this gentleman his Falstaff; that must be," he explained suddenly, "some old burlesque character, at whom every one laughs, and who is willing to let every one laugh at him, if only they'll pay him for it. Nikolay Vsyevolodovitch was leading at that time in Petersburg a life, so to say, of mockery. I can't find another word to describe it, because he is not a man who falls into disillusionment, and he disdained to be occupied with work at that time. I'm only speaking of that period, Varvara Petrovna. Lebyadkin had a sister, the woman who was sitting here just now. The brother and sister hadn't a corner * of their own, but were always quartering themselves on different people. He used to hang about the arcades in the Gostiny Dvor, always wearing his old uniform, and would stop the more respectable-looking passers-by, and everything he got from them he'd spend in drink. His sister lived like the birds of heaven. She'd help people in their 'corners,' and do jobs for them on occasion. It was a regular Bedlam. I'll pass over the description of this life in 'corners,' a life to which Nikolay Vsyevolodovitch had taken,"

* In the poorer quarters of Russian towns a single room is often let out to several families, each of which occupies a "corner."

"at that time, from eccentricity. I'm only talking of that period, Varvara Petrovna; as for 'eccentricity,' that's his own expression. He does not conceal much from me. Mile. Lebyadkin, who was thrown in the way of meeting Nikolay Vsyevolodovitch very often, at one time, was fascinated by his appearance. He was, so to say, a diamond set in the dirty background of her life. I am a poor hand at describing feelings, so I'll pass them over; but some of that dirty lot took to jeering at her once, and it made her sad. They always had laughed at her, but she did not seem to notice it before. She wasn't quite right in her head even then, but very different from what she is now. There's reason to believe that in her childhood she received something like an education through the kindness of a benevolent lady. Nikolay Vsyevolodovitch had never taken the slightest notice of her. He used to spend his time chiefly in playing preference with a greasy old pack of cards for stakes of a quarter-farthing with clerks. But once, when she was being ill-treated, he went up (without inquiring into the cause) and seized one of the clerks by the collar and flung him out of a second-floor window. It was not a case of chivalrous indignation at the sight of injured innocence; the whole operation took place in the midst of roars of laughter, and the one who laughed loudest was Nikolay Vsyevolodovitch himself. As it all ended without harm, they were reconciled and began drinking punch. But the injured innocent herself did not forget it. Of course it ended in her becoming completely crazy. I repeat I'm a poor hand at describing feelings. But a delusion was the chief feature in this case. And Nikolay Vsyevolodovitch aggravated that delusion as though he did it on purpose. Instead of laughing at her he began all at once treating Mile. Lebyadkin with sudden respect. Kirillov, who was there (a very original man, Varvara Petrovna, and very abrupt, you'll see him perhaps one day, for he's here now), well, this Kirillov who, as a rule, is perfectly silent, suddenly got hot, and said to Nikolay Vsyevolodovitch, I remember, that he treated the girl as though she were a marquise, and that that was doing for her altogether. I must add that Nikolay Vsyevolodovitch had rather a respect for this Kirillov. What do you suppose was the answer he gave him: 'You imagine, Mr. Kirillov, that I am laughing at her. Get rid of that idea, I really do respect her, for she's better than any of us.' And, do you know, he said it in such a serious tone. Meanwhile, he hadn't really said a word to her for two or three months, except 'good morning' and 'good-bye.' I remember, for I was there, that she came at last to the point of looking on him almost as her betrothed who dared not 'elope with her,' simply because he had many enemies and family difficulties, or something of the sort. There was a great deal of laughter about it. It ended in Nikolay Vsyevolodovitch's making provision for her when he had to come here, and I believe he arranged to pay a considerable sum, three hundred roubles a year, if not more, as a pension for her. In short it was "all a caprice, a fancy of a man prematurely weary on his side, perhaps—it may even have been, as Kirillov says, a new experiment of a blase man, with the object of finding out what you can bring a crazy cripple to." (You picked out on purpose, he said, the lowest creature, a cripple, for ever covered with disgrace and blows, knowing, too, that this creature was dying of comic love for you, and set to work to mystify her completely on purpose, simply to see what would come of it.) "Though, how is a man so particularly to blame for the fancies of a crazy woman, to whom he had hardly uttered two sentences the whole time. There are things, Varvara Petrovna, of which it is not only impossible to speak sensibly, but it's even nonsensical to begin speaking of them at all. Well, eccentricity then, let it stand at that. Anyway, there's nothing worse to be said than that; and yet now they've made this scandal out of it. ... I am to some extent aware, Varvara Petrovna, of what is happening here."

The speaker suddenly broke off and was turning to Lebyadkin. But Varvara Petrovna checked him. She was in a state of extreme exaltation.

"Have you finished?" she asked.

"Not yet; to complete my story I should have to ask this gentleman one or two questions if you'll allow me... you'll see the point in a minute, Varvara Petrovna."

"Enough, afterwards, leave it for the moment I beg you. Oh, I was quite right to let you speak!"

"And note this, Varvara Petrovna," Pyotr Stepanovitch said hastily. "Could Nikolay Vsyevolodovitch have explained all this just now in answer to your question, which was perhaps too peremptory?"

"Oh, yes, it was."

"And wasn't I right in saying that in some cases it's much easier for a third person to explain things than for the person interested?"

"Yes, yes... but in one thing you were mistaken, and, I see with regret, are still mistaken."

"Really, what's that?"

"You see.... But won't you sit down, Pyotr Stepanovitch?"

"Oh, as you please. I am tired indeed. Thank you." He instantly moved up an easy chair and turned it so that he had Varvara Petrovna on one side and Praskovya Ivanovna at the table on the other, while he faced Lebyadkin, from whom he did not take his eyes for one minute.

"You are mistaken in calling this eccentricity...."

"Oh, if it's only that...."

"No, no, no, wait a little," said Varvara Petrovna, who was obviously about to say a good deal and to speak with enthusiasm. As soon as Pyotr Stepanovitch noticed it, he was all attention.

"No, it was something higher than eccentricity, and I assure you, something sacred even! A proud man who has suffered humiliation early in life and reached the stage of 'mockery' as you so subtly called it—Prince Harry, in fact, to use the capital nickname Stepan Trofimovitch gave him then, which would have been perfectly correct if it were not that he is more like Hamlet, to my thinking at least."

"Et vous avez raison," Stepan Trofimovitch pronounced, impressively and with feeling.

"Thank you, Stepan Trofimovitch. I thank you particularly too for your unvarying faith in Nicolas, in the loftiness of his soul and of his destiny. That faith you have even strengthened in me when I was losing heart."

"Chere, chere." Stepan Trofimovitch was stepping forward, when he checked himself, reflecting that it was dangerous to interrupt.

"And if Nicolas had always had at his side" (Varvara Petrovna almost shouted) "a gentle Horatio, great in his humility—another excellent expression of yours, Stepan Trofimovitch—-he might long ago have been saved from the sad and 'sudden demon of irony,' which has tormented him all his life. (' The demon of irony' was a wonderful expression of yours again, Stepan Trofimovitch.) But Nicolas has never had an Horatio or an Ophelia. He had no one but his mother, and what can a mother do alone, and in such circumstances? Do you know, Pyotr Stepanovitch, it's perfectly comprehensible to me now that a being like Nicolas could be found even in such filthy haunts as you have described. I can so clearly picture now that 'mockery' of life. (A wonderfully subtle expression of yours!) That insatiable thirst of contrast, that gloomy background against which he stands out like a diamond, to use your comparison again, Pyotr Stepanovitch. And then he meets there a creature ill-treated by every one, crippled, half insane, and at the same time perhaps filled with noble feelings."

"H'm.... Yes, perhaps."

"And after that you don't understand that he's not laughing at her like every one. Oh, you people! You can't understand his defending her from insult, treating her with respect 'like a marquise' (this Kirillov must have an exceptionally deep understanding of men, though he didn't understand Nicolas). It was just this contrast, if you like, that led to the trouble. If the unhappy creature had been in different surroundings, perhaps she would never have been brought to entertain such a frantic delusion. Only a woman can understand it, Pyotr Stepanovitch, only a woman. How sorry I am that you... not that you're not a woman, but that you can't be one just for the moment so as to understand."

"You mean in the sense that the worse things are the better it is. I understand, I understand, Varvara Petrovna. It's rather as it is in religion; the harder life is for a man or the more crushed and poor the people are, the more obstinately they dream of compensation in heaven; and if a hundred thousand priests are at work at it too, inflaming their delusion, and speculating on it, then... I understand you, Varvara Petrovna, I assure you."

"That's not quite it; but tell me, ought Nicolas to have laughed at her and have treated her as the other clerks, in order to extinguish the delusion in this unhappy organism." (Why Varvara Petrovna used the word organism I couldn't understand.) "Can you really refuse to recognise the lofty compassion, the noble tremor of the whole organism with which Nicolas answered Kirillov: 'I do not laugh at her.' A noble, sacred answer!"

"Sublime," muttered Stepan Trofimovitch.

"And observe, too, that he is by no means so rich as you suppose. The money is mine and not his, and he would take next to nothing from me then."

"I understand, I understand all that, Varvara Petrovna," said Pyotr Stepanovitch, with a movement of some impatience.

"Oh, it's my character! I recognise myself in Nicolas. I recognise that youthfulness, that liability to violent, tempestuous impulses. And if we ever come to be friends, Pyotr Stepanovitch, and, for my part, I sincerely hope we may, especially as I am so deeply indebted to you, then, perhaps you'll understand...."

"Oh, I assure you, I hope for it too," Pyotr Stepanovitch muttered jerkily.

"You'll understand then the impulse which leads one in the blindness of generous feeling to take up a man who is unworthy of one in every respect, a man who utterly fails to understand one, who is ready to torture one at every opportunity and, in contradiction to everything, to exalt such a man into a sort of ideal, into a dream. To concentrate in him all one's hopes, to bow down before him; to love him all one's life, absolutely without knowing why—perhaps just because he was unworthy of it.... Oh, how I've suffered all my life, Pyotr Stepanovitch!"

Stepan Trofimovitch, with a look of suffering on his face, began trying to catch my eye, but I turned away in time.

"... And only lately, only lately—oh, how unjust I've been to Nicolas! ... You would not believe how they have been worrying me on all sides, all, all, enemies, and rascals, and friends, friends perhaps more than enemies. When the first contemptible anonymous letter was sent to me, Pyotr Stepanovitch, you'll hardly believe it, but I had not strength enough to treat all this wickedness with contempt.... I shall never, never forgive myself for my weakness."

"I had heard something of anonymous letters here already," said Pyotr Stepanovitch, growing suddenly more lively, "and I'll find out the writers of them, you may be sure."

"But you can't imagine the intrigues that have been got up here. They have even been pestering our poor Praskovya Ivanovna, and what reason can they have for worrying her? I was quite unfair to you to-day perhaps, my dear Praskovya Ivanovna," she added in a generous impulse of kindliness, though not without a certain triumphant irony.

"Don't say any more, my dear," the other lady muttered reluctantly. "To my thinking we'd better make an end of all this; too much has been said."

And again she looked timidly towards Liza, but the latter was looking at Pyotr Sterjanovitch.

"And I intend now to adopt this poor unhappy creature, this insane woman who has lost everything and kept only her heart," Varvara Petrovna exclaimed suddenly. "It's a sacred duty I intend to carry out. I take her under my protection from this day."

"And that will be a very good thing in one way," Pyotr Stepanovitch cried, growing quite eager again. "Excuse me, I did not finish just now. It's just the care of her I want to speak of. Would you believe it, that as soon as Nikolay Vsyevolodovitch had gone (I'm beginning from where I left off, Varvara Petrovna), this gentleman here, this Mr. Lebyadkin, instantly imagined he had the right to dispose of the whole pension that was provided for his sister. And he did dispose of it. I don't know exactly how it had been arranged by Nikolay Vsyevolodovitch at that time. But a year later, when he learned from abroad what had happened, he was obliged to make other arrangements. Again, I don't know the details; he'll tell you them himself. I only know that the interesting young person was placed somewhere in a remote nunnery, in very comfortable surroundings, but under friendly superintendence—you understand? But what do you think Mr. Lebyadkin made up his mind to do I He exerted himself to the utmost, to begin with, to find where his source of income, that is his sister, was hidden. Only lately he attained his object, took her from the nunnery, asserting some claim to her, and brought her straight here. Here he doesn't feed her properly, beats her, and bullies her. As soon as by some means he gets a considerable sum from Nikolay Vsyevolodovitch, he does nothing but get drunk, and instead of gratitude ends by impudently defying Nikolay Vsyevolodovitch, making senseless demands, threatening him with proceedings if the pension is not paid straight into his hands. So he takes what is a voluntary gift from Nikolay Vsyevolodovitch as a tax—can you imagine it? Mr. Lebyadkin, is that all true that I have said just now?"

The captain, who had till that moment stood in silence looking down, took two rapid steps forward and turned crimson.

"Pyotr Stepanovitch, you've treated me cruelly," he brought out abruptly.

"Why cruelly? How? But allow us to discuss the question of cruelty or gentleness later on. Now answer my first question; is it true all that I have said or not? If you consider it's false you are at liberty to give your own version at once."

"I... you know yourself, Pyotr Stepanovitch," the captain muttered, but he could not go on and relapsed into silence. It must be observed that Pyotr Stepanovitch was sitting in an easy chair with one leg crossed over the other, while the captain stood before him in the most respectful attitude.

Lebyadkin's hesitation seemed to annoy Pyotr Stepanovitch; a spasm of anger distorted his face.

"Then you have a statement you want to make?" he said, looking subtly at the captain. "Kindly speak. We're waiting for you."

"You know yourself Pyotr Stepanovitch, that I can't say anything."

"No, I don't know it. It's the first time I've heard it. Why can't you speak?"

The captain was silent, with his eyes on the ground.

"Allow me to go, Pyotr Stepanovitch," he brought out resolutely.

"No, not till you answer my question: is it all true that I've said?"

"It is true," Lebyadkin brought out in a hollow voice, looking at his tormentor. Drops of perspiration stood out on his forehead.

"Is it all true?"

"It's all true."

"Have you nothing to add or to observe? If you think that we've been unjust, say so; protest, state your grievance aloud."

"No, I think nothing."

"Did you threaten Nikolay Vsyevolodovitch lately?"

"It was... it was more drink than anything, Pyotr Stepanovitch." He suddenly raised his head. "If family honour and undeserved disgrace cry out among men then—then is a man to blame?" he roared suddenly, forgetting himself as before.

"Are you sober now, Mr. Lebyadkin?"

Pyotr Stepanovitch looked at him penetratingly.

"I am... sober."

"What do you mean by family honour and undeserved disgrace?"

"I didn't mean anybody, anybody at all. I meant myself," the captain said, collapsing again.

"You seem to be very much offended by what I've said about you and your conduct? You are very irritable, Mr. Lebyadkin. But let me tell you I've hardly begun yet what I've got to say about your conduct, in its real sense. I'll begin to discuss your conduct in its real sense. I shall begin, that may very well happen, but so far I've not begun, in a real sense."

Lebyadkin started and stared wildly at Pyotr Stepanovitch.

"Pyotr Stepanovitch, I am just beginning to wake up."

"H'm! And it's I who have waked you up?"

"Yes, it's you who have waked me, Pyotr Stepanovitch; and I've been asleep for the last four years with a storm-cloud hanging over me. May I withdraw at last, Pyotr Stepanovitch?"

"Now you may, unless Varvara Petrovna thinks it necessary..."

But the latter dismissed him with a wave of her hand.

The captain bowed, took two steps towards the door, stopped suddenly, laid his hand on his heart, tried to say something, did not say it, and was moving quickly away. But in the doorway he came face to face with Nikolay Vsyevolodovitch; the latter stood aside. The captain shrank into himself, as it were, before him, and stood as though frozen to the spot, his eyes fixed upon him like a rabbit before a boa-constrictor. After a little pause Nikolay Vsyevolodovitch waved him aside with a slight motion of his hand, and walked into the drawing-room.

VII

He was cheerful and serene. Perhaps something very pleasant had happened to him, of which we knew nothing as yet; but he seemed particularly contented.

"Do you forgive me, Nicolas?" Varvara Petrovna hastened to say, and got up suddenly to meet him.

But Nicolas positively laughed.

"Just as I thought," he said, good-humouredly and jestingly. "I see you know all about it already. When I had gone from here I reflected in the carriage that I ought at least to have told you the story instead of going off like that. But when I remembered that Pyotr Stepanovitch was still here, I thought no more of it."

As he spoke he took a cursory look round.

"Pyotr Stepanovitch told us an old Petersburg episode in the life of a queer fellow," Varvara Petrovna rejoined enthusiastically—"a mad and capricious fellow, though always lofty in his feelings, always chivalrous and noble...."

"Chivalrous? You don't mean to say it's come to that," laughed Nicolas. "However, I'm very grateful to Pyotr Stepanovitch for being in such a hurry this time." He exchanged a rapid glance with the latter. "You must know, maman, that Pyotr Stepanovitch is the universal peacemaker; that's his part in life, his weakness, his hobby, and I particularly recommend him to you from that point of view. I can guess what a yarn he's been spinning. He's a great hand at spinning them; he has a perfect record-office in his head. He's such a realist, you know, that he can't tell a lie, and prefers truthfulness to effect... except, of course, in special cases when effect is more important than truth." (As he said this he was still looking about him.) "So, you see clearly, maman, that it's not for you to ask my forgiveness, and if there's any craziness about this affair it's my fault, and it proves that, when all's said and done, I really am mad.... I must keep up my character here...."

Then he tenderly embraced his mother.

"In any case the subject has been fully discussed and is done with," he added, and there was a rather dry and resolute note in his voice. Varvara Petrovna understood that note, but her exaltation was not damped, quite the contrary.

"I didn't expect you for another month, Nicolas!"

"I will explain everything to you, maman, of course, but now..."

And he went towards Praskovya Ivanovna.

But she scarcely turned her head towards him, though she had been completely overwhelmed by his first appearance. Now she had fresh anxieties to think of; at the moment the captain had stumbled upon Nikolay Vsyevolodovitch as he was going out, Liza had suddenly begun laughing—at first quietly and intermittently, but her laughter grew more and more violent, louder and more conspicuous. She flushed crimson, in striking contrast with her gloomy expression just before.

While Nikolay Vsyevolodovitch was talking to Varvara Petrovna, she had twice beckoned to Mavriky Nikolaevitch as though she wanted to whisper something to him; but as soon as the young man bent down to her, she instantly burst into laughter; so that it seemed as though it was at poor Mavriky Nikolaevitch that she was laughing. She evidently tried to control herself, however, and put her handkerchief to her lips. Nikolay Vsyevolodovitch turned to greet her with a most innocent and open-hearted air.

"Please excuse me," she responded, speaking quickly. "You... you've seen Mavriky Nikolaevitch of course.... My goodness, how inexcusably tall you are, Mavriky Nikolaevitch!"

And laughter again, Mavriky Nikolaevitch was tall, but by no means inexcusably so.

"Have... you been here long?" she muttered, restraining herself again, genuinely embarrassed though her eyes were shining.

"More than two hours," answered Nicolas, looking at her intently. I may remark that he was exceptionally reserved and courteous, but that apart from his courtesy his expression was utterly indifferent, even listless.

"And where are you going to stay?"

"Here."

Varvara Petrovna, too, was watching Liza, but she was suddenly struck by an idea.

"Where have you been all this time, Nicolas, more than two hours?" she said, going up to him. "The train comes in at ten o'clock."

"I first took Pyotr Stepanovitch to Kirillov's. I came across Pyotr Stepanovitch at Matveyev (three stations away), and we travelled together."

"I had been waiting at Matveyev since sunrise," put in Pyotr Stepanovitch. "The last carriages of our train ran off the rails in the night, and we nearly had our legs broken."

"Your legs broken!" cried Liza. "Maman, maman, you and I meant to go to Matveyev last week, we should have broken our legs too!"

"Heaven have mercy on us!" cried Praskovya Ivanovna, crossing herself.

"Maman, maman, dear maman, you mustn't be frightened if I break both my legs'. It may so easily happen to me; you say yourself that I ride so recklessly every day. Mavriky Nikolaevitch, will you go about with me when I'm lame?" She began giggling again. "If it does happen I won't let anyone take me about but you, you can reckon on that.... Well, suppose I break only one leg. Come, be polite, say you'll think it a pleasure."

"A pleasure to be crippled?" said Mavriky Nikolaevitch, frowning gravely.

"But then you'll lead me about, only you and no one else."

"Even then it'll be you leading me about, Lizaveta Nikolaevna," murmured Mavriky Nikolaevitch, even more gravely.

"Why, he's trying to make a joke!" cried Liza, almost in dismay. "Mavriky Nikolaevitch, don't you ever dare take to that! But what an egoist you are! I am certain that, to your credit, you're slandering yourself. It will be quite the contrary; from morning till night you'll assure me that I have become more charming for having lost my leg. There's one insurmountable difficulty—you're so fearfully tall, and when I've lost my leg I shall be so very tiny.. How will you be able to take me on your arm; we shall look a strange couple!"

And she laughed hysterically. Her jests and insinuations were feeble, but she was not capable of considering the effect she was producing.

"Hysterics!" Pyotr Stepanovitch whispered to me. "A glass of water, make haste!"

He was right. A minute later every one was fussing about, water was brought. Liza embraced her mother, kissed her warmly, wept on her shoulder, then drawing back and looking her in the face she fell to laughing again. The mother too began whimpering. Varvara Petrovna made haste to carry them both off to her own rooms, going out by the same door by which Darya Pavlovna had come to us. But they were not away long, not more than four minutes.

I am trying to remember now every detail of these last moments of that memorable morning. I remember that when we were left without the ladies (except Darya Pavlovna, who had not moved from her seat), Nikolay Vsyevolodovitch made the round, greeting us all except Shatov, who still sat in his corner, his head more bowed than ever. Stepan Trofimovitch was beginning something very witty to Nikolay Vsyevolodovitch, but the latter turned away hurriedly to Darya Pavlovna. But before he reached her, Pyotr Stepanovitch caught him and drew him away, almost violently, towards the window, where he whispered something quickly to him, apparently something very important to judge by the expression of his face and the gestures that accompanied the whisper. Nikolay Vsyevolodovitch listened inattentively and listlessly with his official smile, and at last even impatiently, and seemed all the time on the point of breaking away. He moved away from the window just as the ladies came back. Varvara Petrovna made Liza sit down in the same seat as before, declaring that she must wait and rest another ten minutes; and that the fresh air would perhaps be too much for her nerves at once. She was looking after Liza with great devotion, and sat down beside her. Pyotr Stepanovitch, now disengaged, skipped up to them at once, and broke into a rapid and lively flow of conversation. At that point Nikolay Vsyevolodovitch at last went up to Darya Pavlovna with his leisurely step. Dasha began stirring uneasily at his approach, and jumped up quickly in evident embarrassment, flushing all over her face.

"I believe one may congratulate you... or is it too soon?" he brought out with a peculiar line in his face.

Dasha made him some answer, but it was difficult to catch it.

"Forgive my indiscretion," he added, raising his voice, "but you know I was expressly informed. Did you know about it?"

"Yes, I know that you were expressly informed."

"But I hope I have not done any harm by my congratulations," he laughed. "And if Stepan Trofimovitch..."

"What, what's the congratulation about?" Pyotr Stepanovitch suddenly skipped up to them. "What are you being congratulated about, Darya Pavlovna? Bah! Surely that's not it? Your blush proves I've guessed right. And indeed, what else does one congratulate our charming and virtuous young ladies on? And what congratulations make them blush most readily? Well, accept mine too, then, if I've guessed right! And pay up. Do you remember when we were in Switzerland you bet you'd never be married.... Oh, yes, apropos of Switzerland—what am I thinking about? Only fancy, that's half what I came about, and I was almost forgetting it. Tell me," he turned quickly to Stepan Trofimovitch, "when are you going to Switzerland?"

"I... to Switzerland?" Stepan Trofimovitch replied, wondering and confused.

"What? Aren't you going? Why you're getting married, too, you wrote?"

"Pierre!" cried Stepan Trofimovitch.

"Well, why Pierre?... You see, if that'll please you, I've flown here to announce that I'm not at all against it, since you were set on having my opinion as quickly as possible; and if, indeed," he pattered on, "you want to 'be saved,' as you wrote, beseeching my help in the same letter, I am at your service again. Is it true that he is going to be married, Varvara Petrovna?" He turned quickly to her. "I hope I'm not being indiscreet; he writes himself that the whole town knows it and every one's congratulating him, so that, to avoid it he only goes out at night. I've got his letters in my pocket. But would you believe it, Varvara Petrovna, I can't make head or tail of it? Just tell me one thing, Stepan Trofimovitch, are you to be congratulated or are you to be 'saved' I You wouldn't believe it; in one line he's despairing and in the next he's most joyful. To begin with he begs my forgiveness; well, of course, that's their way... though it must be said; fancy, the man's only seen me twice in his life and then by accident. And suddenly now, when he's going to be married for the third time, he imagines that this is a breach of some sort of parental duty to me, and entreats me a thousand miles away not to be angry and to allow him to. Please don't be hurt, Stepan Trofimovitch. It's characteristic of your generation, I take a broad view of it, and don't blame you. And let's admit it does you honour and all the rest. But the point is again that I don't see the point of it. There's something about some sort of 'sins in Switzerland.' 'I'm getting married,' he says, for my sins or on account of the 'sins' of another,' or whatever it is—'sins' anyway. 'The girl,' says he, 'is a pearl and a diamond,' and, well, of course, he's 'unworthy of her'; it's their way of talking; but on account of some sins or circumstances 'he is obliged to lead her to the altar, and go to Switzerland, and therefore abandon everything and fly to save me.' Do you understand anything of all that? However... however, I notice from the expression of your faces"—(he turned about with the letter in his hand looking with an innocent smile into the faces of the company)—"that, as usual, I seem to have put my foot in it through my stupid way of being open, or, as Nikolay Vsyevolodovitch says, 'being in a hurry.' I thought, of course, that we were all friends here, that is, your friends, Stepan Trofimovitch, your friends. I am really a stranger, and I see... and I see that you all know something, and that just that something I don't know." He still went on looking about him.

"So Stepan Trofimovitch wrote to you that he was getting married for the 'sins of another committed in Switzerland,' and that you were to fly here 'to save him,' in those very words?" said Varvara Petrovna, addressing him suddenly. Her face was yellow and distorted, and her lips were twitching.

"Well, you see, if there's anything I've not understood," said Pyotr Stepanovitch, as though in alarm, talking more quickly than ever, "it's his fault, of course, for writing like that. Here's the letter. You know, Varvara Petrovna, his letters are endless and incessant, and, you know, for the last two or three months there has been letter upon letter, till, I must own, at last I sometimes didn't read them through. Forgive me, Stepan Trofimovitch, for my foolish confession, but you must admit, please, that, though you addressed them to me, you wrote them more for posterity, so that you really can't mind.... Come, come, don't be offended; we're friends, anyway. But this letter, Varvara Petrovna, this letter, I did read through. These 'sins'—these 'sins of another'—are probably some little sins of our own, and I don't mind betting very innocent ones, though they have suddenly made us take a fancy to work up a terrible story, with a glamour of the heroic about it; and it's just for the sake of that glamour we've got it up. You see there's something a little lame about our accounts—it must be confessed, in the end. We've a great weakness for cards, you know.... But this is unnecessary, quite unnecessary, I'm sorry, I chatter too much. But upon my word, Varvara Petrovna, he gave me a fright, and I really was half prepared to save him. He really made me feel ashamed. Did he expect me to hold a knife to his throat, or what? Am I such a merciless creditor? He writes something here of a dowry.... But are you really going to get married, Stepan Trofimovitch? That would be just like you, to say a lot for the sake of talking. Ach, Varvara Petrovna, I'm sure you must be blaming me now, and just for my way of talking too...."

"On the contrary, on the contrary, I see that you are driven out of all patience, and, no doubt you have had good reason," Varvara Petrovna answered spitefully. She had listened with spiteful enjoyment to all the "candid outbursts" of Pyotr Stepanovitch, who was obviously playing a part (what part I did not know then, but it was unmistakable, and over-acted indeed).

"On the contrary," she went on, "I'm only too grateful to you for speaking; but for you I might not have known of it. My eyes are opened for the first time for twenty years. Nikolay Vsyevolodovitch, you said just now that you had been expressly informed; surely Stepan Trofimovitch hasn't written to you in the same style?"

"I did get a very harmless and... and... very generous letter from him...."

"You hesitate, you pick out your words. That's enough! Stepan Trofimovitch, I request a great favour from you." She suddenly turned to him with flashing eyes. "Kindly leave us at once, and never set foot in my house again."

I must beg the reader to remember her recent "exaltation," which had not yet passed. It's true that Stepan Trofimovitch was terribly to blame! But what was a complete surprise to me then was the wonderful dignity of his bearing under his son's "accusation," which he had never thought of interrupting, and before Varvara Petrovna's "denunciation." How did he come by such spirit? I only found out one thing, that he had certainly been deeply wounded at his first meeting with Petrusha, by the way he had embraced him. It was a deep and genuine grief; at least in his eyes and to his heart. He had another grief at the same time, that is the poignant consciousness of having acted contemptibly. He admitted this to me afterwards with perfect openness. And you know real genuine sorrow will sometimes make even a phenomenally frivolous, unstable man solid and stoical; for a short time at any rate; what's more, even fools are by genuine sorrow turned into wise men, also only for a short time of course; it is characteristic of sorrow. And if so, what might not happen with a man like Stepan Trofimovitch? It worked a complete transformation—though also only for a time, of course.

He bowed with dignity to Varvara Petrovna without uttering a word (there was nothing else left for him to do, indeed). He was on the point of going out without a word, but could not refrain from approaching Darya Pavlovna. She seemed to foresee that he would do so, for she began speaking of her own accord herself, in utter dismay, as though in haste to anticipate him.

"Please, Stepan Trofimovitch, for God's sake, don't say anything," she began, speaking with haste and excitement, with a look of pain in her face, hurriedly stretching out her hands to him. "Be sure that I still respect you as much... and think just as highly of you, and... think well of me too, Stepan Trofimovitch, that will mean a great deal to me, a great deal...."

Stepan Trofimovitch made her a very, very low bow.

"It's for you to decide, Darya Pavlovna; you know that you are perfectly free in the whole matter! You have been, and you are now, and you always will be," Varvara Petrovna concluded impressively.

"Bah! Now I understand it all!" cried Pyotr Stepanovitch, slapping himself on the forehead. "But... but what a position I am put in by all this! Darya Pavlovna, please forgive me!... What do you call your treatment of me, eh?" he said, addressing his father.

"Pierre, you might speak to me differently, mightn't you, my boy," Stepan Trofimovitch observed quite quietly.

"Don't cry out, please," said Pierre, with a wave of his hand. "Believe me, it's all your sick old nerves, and crying out will do no good at all. You'd better tell me instead, why didn't you warn me since you might have supposed I should speak out at the first chance?"

Stepan Trofimovitch looked searchingly at him.

"Pierre, you who know so much of what goes on here, can you really have known nothing of this business and have heard nothing about it?"

"What? What a set! So it's not enough to be a child in your old age, you must be a spiteful child too! Varvara Petrovna, did you hear what he said?"

There was a general outcry; but then suddenly an incident took place which no one could have anticipated.

VIII

First of all I must mention that, for the last two or three minutes Lizaveta Nikolaevna had seemed to be possessed by a new impulse; she was whispering something hurriedly to her mother, and to Mavriky Nikolaevitch, who bent down to listen. Her face was agitated, but at the same time it had a look of resolution. At last she got up from her seat in evident haste to go away, and hurried her: mother whom Mavriky Nikolaevitch began helping up from her low chair. But it seemed they were not destined to get away without seeing everything to the end.

Shatov, who had been forgotten by every one in his corner (not far from Lizaveta Nikolaevna), and who did not seem to know himself why he went on sitting there, got up from his chair, and walked, without haste, with resolute steps right across the room to Nikolay Vsyevolodovitch, looking him straight in the face. The latter noticed him approaching at some distance, and faintly smiled, but when Shatov was close to him he left off smiling.

When Shatov stood still facing him with his eyes fixed on him, and without uttering a word, every one suddenly noticed it and there was a general hush; Pyotr Stepanovitch was the last to cease speaking. Liza and her mother were standing in the middle of the room. So passed five seconds; the look of haughty astonishment was followed by one of anger on Nikolay Vsyevolodovitch's face; he scowled....

And suddenly Shatov swung his long, heavy arm, and with all his might struck him a blow in the face. Nikolay Vsyevolodovitch staggered violently.

Shatov struck the blow in a peculiar way, not at all after the conventional fashion (if one may use such an expression). It was not a slap with the palm of his hand, but a blow with the whole fist, and it was a big, heavy, bony fist covered with red hairs and freckles. If the blow had struck the nose, it would have broken it. But it hit him on the cheek, and struck the left corner of the lip and the upper teeth, from which blood streamed at once.

I believe there was a sudden scream, perhaps Varvara Petrovna screamed—that I don't remember, because there was a dead hush again; the whole scene did not last more than ten seconds, however.

Yet a very great deal happened in those seconds.

I must remind the reader again that Nikolay Vsyevolodovitch's was one of those natures that know nothing of fear. At a duel he could face the pistol of his opponent with indifference, and could take aim and kill with brutal coolness. If anyone had slapped him in the face, I should have expected him not to challenge his assailant to a duel, but to murder him on the spot. He was just one of those characters, and would have killed the man, knowing very well what he was doing, and without losing his self-control. I fancy, indeed, that he never was liable to those fits of blind rage which deprive a man of all power of reflection. Even when overcome with intense anger, as he sometimes was, he was always able to retain complete self-control, and therefore to realise that he would certainly be sent to penal servitude for murdering a man not in a duel; nevertheless, he'd have killed any one who insulted him, and without the faintest hesitation.

I have been studying Nikolay Vsyevolodovitch of late, and through special circumstances I know a great many facts about him now, at the time I write. I should compare him, perhaps, with some gentlemen of the past of whom legendary traditions are still perceived among us. We are told, for instance, about the Decabrist L—n, that he was always seeking for danger, that he revelled in the sensation, and that it had become a craving of his nature; that in his youth he had rushed into duels for nothing; that in Siberia he used to go to kill bears with nothing but a knife; that in the Siberian forests he liked to meet with runaway convicts, who are, I may observe in passing, more formidable than bears. There is no doubt that these legendary gentlemen were capable of a feeling of fear, and even to an extreme degree, perhaps, or they would have been a great deal quieter, and a sense of danger would never' have become a physical craving with them. But the conquest of fear was what fascinated them. The continual ecstasy of vanquishing and the consciousness that no one could vanquish them was what attracted them. The same L—-n struggled with hunger for some time before he was sent into exile, and toiled to earn his daily bread simply because he did not care to comply with the requests of his rich father, which he considered unjust. So his conception of struggle was many-sided, and he did not prize stoicism and strength of character only in duels and bear-fights.

But many years have passed since those times, and the nervous, exhausted, complex character of the men of to-day is incompatible with the craving for those direct and unmixed sensations which were so sought after by some restlessly active gentlemen of the good old days. Nikolay Vsyevolodovitch would, perhaps, have looked down on L—n, and have called him a boastful cock-a-hoop coward; it's true he wouldn't have expressed himself aloud. Stavrogin would have shot his opponent in a duel, and would have faced a bear if necessary, and would have defended himself from a brigand in the forest as successfully and as fearlessly as L—n, but it would be without the slightest thrill of enjoyment, languidly, listlessly, even with ennui and entirely from unpleasant necessity. In anger, of course, there has been a progress compared with L—n, even compared with Lermontov. There was perhaps more malignant anger in Nikolay Vsyevolodovitch than in both put together, but it was a calm, cold, if one may so say, reasonable anger, and therefore the most revolting and most terrible possible. I repeat again, I considered him then, and I still consider him (now that everything is over), a man who, if he received a slap in the face, or any equivalent insult, would be certain to kill his assailant at once, on the spot, without challenging him.

Yet, in the present case, what happened was something different and amazing.

He had scarcely regained his balance after being almost knocked over in this humiliating way, and the horrible, as it were, sodden, thud of the blow in the face had scarcely died away in the room when he seized Shatov by the shoulders with both hands, but at once, almost at the same instant, pulled both hands away and clasped them behind his back. He did not speak, but looked at Shatov, and turned as white as his shirt. But, strange to say, the light in his eyes seemed to die out. Ten seconds later his eyes looked cold, and I'm sure I'm not lying—calm. Only he was terribly pale. Of course I don't know what was passing within the man, I saw only his exterior. It seems to me that if a man should snatch up a bar of red-hot iron and hold it tight in his hand to test his fortitude, and after struggling for ten seconds with insufferable pain end by overcoming it, such a man would, I fancy, go through something like what Nikolay Vsyevolodovitch was enduring during those ten seconds.

Shatov was the first to drop his eyes, and evidently because he was unable to go on facing him; then he turned slowly and walked out of the room, but with a very different step. He withdrew quietly, with peculiar awkwardness, with his shoulders hunched, his head hanging as though he were inwardly pondering something. I believe he was whispering something. He made his way to the door carefully, without stumbling against anything or knocking anything over; he opened the door a very little way, and squeezed through almost sideways. As he went out his shock of hair standing on end at the back of his head was particularly noticeable.

Then first of all one fearful scream was heard. I saw Lizaveta Nikolaevna seize her mother by the shoulder and Mavriky Nikolaevitch by the arm and make two or three violent efforts to draw them out of the room. But she suddenly uttered a shriek, and fell full length on the floor, fainting. I can hear the thud of her head on the carpet to this day.



PART II



CHAPTER I. NIGHT

EIGHT DAYS HAD PASSED. Now that it is all over and I am writing a record of it, we know all about it; but at the time we knew nothing, and it was natural that many things should seem strange to us: Stepan Trofimovitch and I, anyway, shut ourselves up for the first part of the time, and looked on with dismay from a distance. I did, indeed, go about here and there, and, as before, brought him various items of news, without which he could not exist.

I need hardly say that there were rumours of the most varied kind going about the town in regard to the blow that Stavrogin had received, Lizaveta Nikolaevna's fainting fit, and all that happened on that Sunday. But what we wondered was, through whom the story had got about so quickly and so accurately. Not one of the persons present had any need to give away the secret of what had happened, or interest to serve by doing so.

The servants had not been present. Lebyadkinwas the only one who might have chattered, not so much from spite, for he had gone out in great alarm (and fear of an enemy destroys spite against him), but simply from incontinence of speech-But Lebyadkin and his sister had disappeared next day, and nothing could be heard of them. There was no trace of them at Filipov's house, they had moved, no one knew where, and seemed to have vanished. Shatov, of whom I wanted to inquire about Marya Timofyevna, would not open his door, and I believe sat locked up in his room for the whole of those eight days, even discontinuing his work in the town. He would not see me. I went to see him on Tuesday and knocked at his door. I got no answer, but being convinced by unmistakable evidence that he was at home, I knocked a second time. Then, jumping up, apparently from his bed, he strode to the door and shouted at the top of his voice:

"Shatov is not at home!"

With that I went away.

Stepan Trofimovitch and I, not without dismay at the boldness of the supposition, though we tried to encourage one another, reached at last a conclusion: we made up our mind that the only person who could be responsible for spreading these rumours was Pyotr Stepanovitch, though he himself not long after assured his father that he had found the story on every one's lips, especially at the club, and that the governor and his wife were familiar with every detail of it. What is even more remarkable is that the next day, Monday evening, I met Liputin, and he knew every word that had been passed, so that he must have heard it first-hand. Many of the ladies (and some of the leading ones) were very inquisitive about the "mysterious cripple," as they called Marya Timdfyevna. There were some, indeed, who were anxious to see her and make her acquaintance, so the intervention of the persons who had been in such haste to conceal the Lebyadkins was timely. But Lizaveta Nikolaevna's fainting certainly took the foremost place in the story, and "all society" was interested, if only because it directly concerned Yulia Mihailovna, as the kinswoman and patroness of the young lady. And what was there they didn't say! What increased the gossip was the mysterious position of affairs; both houses were obstinately closed; Lizaveta Nikolaevna, so they said, was in bed with brain fever. The same thing was asserted of Nikolay Vsyevolodovitch, with the revolting addition of a tooth knocked out and a swollen face. It was even whispered in corners that there would soon be murder among us, that Stavrogin was not the man to put up with such an insult, and that he would kill Shatov, but with the secrecy of a Corsican vendetta. People liked this idea, but the majority of our young people listened with contempt, and with an air of the most nonchalant indifference, which was, of course, assumed. The old hostility to Nikolay Vsyevolodovitch in the town was in general strikingly manifest. Even sober-minded people were eager to throw blame on him though they could not have said for what. It was whispered that he had ruined Lizaveta Nikolaevna's reputation, and that there had been an intrigue between them in Switzerland. Cautious people, of course, restrained themselves, but all listened with relish. There were other things said, though not in public, but in private, on rare occasions and almost in secret, extremely strange things, to which I only refer to warn my readers of them with a view to the later events of my story. Some people, with knitted brows, said, God knows on what foundation, that Nikolay Vsyevolodovitch had some special business in our province, that he had, through Count K., been brought into touch with exalted circles in Petersburg, that he was even, perhaps, in government service, and might almost be said to have been furnished with some sort of commission from some one. When very sober-minded and sensible people smiled at this rumour, observing very reasonably that a man always, mixed up with scandals, and who was beginning his career among us, with a swollen face did not look like a government official, they were told in a whisper that he was employed not in the official, but, so to say, the confidential service, and that in such cases it was essential to be as little like an official as possible. This remark produced a sensation; we knew that the Zemstvo of our province was the object of marked attention in the capital. I repeat, these were only flitting rumours that disappeared for a time when Nikolay Vsyevolodovitch first came among us. But I may observe that many of the rumours were partly due to a few brief but malicious words, vaguely and disconnectedly dropped at the club by a gentleman who had lately returned from Petersburg. This was a retired captain in the guards, Artemy Pavlovitch Gaganov. He was a Very large landowner in our province and district, a man used to the society of Petersburg, and a son of the late Pavel Pavlovitch Gaganov, the venerable old man with whom Nikolay Vsyevolodovitch had, over four years before, had the extraordinarily coarse and sudden encounter which I have described already in the beginning of my story.