"A fortune!" Madame Merle softly repeated.

"Isabel steps into something like seventy thousand pounds." Madame Merle's hands were clasped in her lap; at this she raised them, still clasped, and held them a moment against her bosom while her eyes, a little dilated, fixed themselves on those of her friend. "Ah," she cried, "the clever creature!"

Mrs. Touchett gave her a quick look. "What do you mean by that?"

For an instant Madame Merle's colour rose and she dropped her eyes. "It certainly is clever to achieve such results—without an effort!"

"There assuredly was no effort. Don't call it an achievement."

Madame Merle was seldom guilty of the awkwardness of retracting what she had said; her wisdom was shown rather in maintaining it and placing it in a favourable light. "My dear friend, Isabel would certainly not have had seventy thousand pounds left her if she had not been the most charming girl in the world. Her charm includes great cleverness."

"She never dreamed, I'm sure, of my husband's doing anything for her; and I never dreamed of it either, for he never spoke to me of his intention," Mrs. Touchett said. "She had no claim upon him whatever; it was no great recommendation to him that she was my niece. Whatever she achieved she achieved unconsciously."

"Ah," rejoined Madame Merle, "those are the greatest strokes!" Mrs. Touchett reserved her opinion. "The girl's fortunate; I don't deny that. But for the present she's simply stupefied."

"Do you mean that she doesn't know what to do with the money?"

"That, I think, she has hardly considered. She doesn't know what to think about the matter at all. It has been as if a big gun were suddenly fired off behind her; she's feeling herself to see if she be hurt. It's but three days since she received a visit from the principal executor, who came in person, very gallantly, to notify her. He told me afterwards that when he had made his little speech she suddenly burst into tears. The money's to remain in the affairs of the bank, and she's to draw the interest."

Madame Merle shook her head with a wise and now quite benignant smile. "How very delicious! After she has done that two or three times she'll get used to it." Then after a silence, "What does your son think of it?" she abruptly asked.

"He left England before the will was read—used up by his fatigue and anxiety and hurrying off to the south. He's on his way to the Riviera and I've not yet heard from him. But it's not likely he'll ever object to anything done by his father."

"Didn't you say his own share had been cut down?"

"Only at his wish. I know that he urged his father to do something for the people in America. He's not in the least addicted to looking after number one."

"It depends upon whom he regards as number one!" said Madame Merle. And she remained thoughtful a moment, her eyes bent on the floor.

"Am I not to see your happy niece?" she asked at last as she raised them.

"You may see her; but you'll not be struck with her being happy. She has looked as solemn, these three days, as a Cimabue Madonna!" And Mrs. Touchett rang for a servant.

Isabel came in shortly after the footman had been sent to call her; and Madame Merle thought, as she appeared, that Mrs. Touchett's comparison had its force. The girl was pale and grave—an effect not mitigated by her deeper mourning; but the smile of her brightest moments came into her face as she saw Madame Merle, who went forward, laid her hand on our heroine's shoulder and, after looking at her a moment, kissed her as if she were returning the kiss she had received from her at Gardencourt. This was the only allusion the visitor, in her great good taste, made for the present to her young friend's inheritance.

Mrs. Touchett had no purpose of awaiting in London the sale of her house. After selecting from among its furniture the objects she wished to transport to her other abode, she left the rest of its contents to be disposed of by the auctioneer and took her departure for the Continent. She was of course accompanied on this journey by her niece, who now had plenty of leisure to measure and weigh and otherwise handle the windfall on which Madame Merle had covertly congratulated her. Isabel thought very often of the fact of her accession of means, looking at it in a dozen different lights; but we shall not now attempt to follow her train of thought or to explain exactly why her new consciousness was at first oppressive. This failure to rise to immediate joy was indeed but brief; the girl presently made up her mind that to be rich was a virtue because it was to be able to do, and that to do could only be sweet. It was the graceful contrary of the stupid side of weakness—especially the feminine variety. To be weak was, for a delicate young person, rather graceful, but, after all, as Isabel said to herself, there was a larger grace than that. Just now, it is true, there was not much to do—once she had sent off a cheque to Lily and another to poor Edith; but she was thankful for the quiet months which her mourning robes and her aunt's fresh widowhood compelled them to spend together. The acquisition of power made her serious; she scrutinised her power with a kind of tender ferocity, but was not eager to exercise it. She began to do so during a stay of some weeks which she eventually made with her aunt in Paris, though in ways that will inevitably present themselves as trivial. They were the ways most naturally imposed in a city in which the shops are the admiration of the world, and that were prescribed unreservedly by the guidance of Mrs. Touchett, who took a rigidly practical view of the transformation of her niece from a poor girl to a rich one. "Now that you're a young woman of fortune you must know how to play the part—I mean to play it well," she said to Isabel once for all; and she added that the girl's first duty was to have everything handsome. "You don't know how to take care of your things, but you must learn," she went on; this was Isabel's second duty. Isabel submitted, but for the present her imagination was not kindled; she longed for opportunities, but these were not the opportunities she meant.

Mrs. Touchett rarely changed her plans, and, having intended before her husband's death to spend a part of the winter in Paris, saw no reason to deprive herself—still less to deprive her companion—of this advantage. Though they would live in great retirement she might still present her niece, informally, to the little circle of her fellow countrymen dwelling upon the skirts of the Champs Elysees. With many of these amiable colonists Mrs. Touchett was intimate; she shared their expatriation, their convictions, their pastimes, their ennui. Isabel saw them arrive with a good deal of assiduity at her aunt's hotel, and pronounced on them with a trenchancy doubtless to be accounted for by the temporary exaltation of her sense of human duty. She made up her mind that their lives were, though luxurious, inane, and incurred some disfavour by expressing this view on bright Sunday afternoons, when the American absentees were engaged in calling on each other. Though her listeners passed for people kept exemplarily genial by their cooks and dressmakers, two or three of them thought her cleverness, which was generally admitted, inferior to that of the new theatrical pieces. "You all live here this way, but what does it lead to?" she was pleased to ask. "It doesn't seem to lead to anything, and I should think you'd get very tired of it."

Mrs. Touchett thought the question worthy of Henrietta Stackpole. The two ladies had found Henrietta in Paris, and Isabel constantly saw her; so that Mrs. Touchett had some reason for saying to herself that if her niece were not clever enough to originate almost anything, she might be suspected of having borrowed that style of remark from her journalistic friend. The first occasion on which Isabel had spoken was that of a visit paid by the two ladies to Mrs. Luce, an old friend of Mrs. Touchett's and the only person in Paris she now went to see. Mrs. Luce had been living in Paris since the days of Louis Philippe; she used to say jocosely that she was one of the generation of 1830—a joke of which the point was not always taken. When it failed Mrs. Luce used to explain—"Oh yes, I'm one of the romantics;" her French had never become quite perfect. She was always at home on Sunday afternoons and surrounded by sympathetic compatriots, usually the same. In fact she was at home at all times, and reproduced with wondrous truth in her well-cushioned little corner of the brilliant city, the domestic tone of her native Baltimore. This reduced Mr. Luce, her worthy husband, a tall, lean, grizzled, well-brushed gentleman who wore a gold eye-glass and carried his hat a little too much on the back of his head, to mere platonic praise of the "distractions" of Paris—they were his great word—since you would never have guessed from what cares he escaped to them. One of them was that he went every day to the American banker's, where he found a post-office that was almost as sociable and colloquial an institution as in an American country town. He passed an hour (in fine weather) in a chair in the Champs Elysees, and he dined uncommonly well at his own table, seated above a waxed floor which it was Mrs. Luce's happiness to believe had a finer polish than any other in the French capital. Occasionally he dined with a friend or two at the Cafe Anglais, where his talent for ordering a dinner was a source of felicity to his companions and an object of admiration even to the headwaiter of the establishment. These were his only known pastimes, but they had beguiled his hours for upwards of half a century, and they doubtless justified his frequent declaration that there was no place like Paris. In no other place, on these terms, could Mr. Luce flatter himself that he was enjoying life. There was nothing like Paris, but it must be confessed that Mr. Luce thought less highly of this scene of his dissipations than in earlier days. In the list of his resources his political reflections should not be omitted, for they were doubtless the animating principle of many hours that superficially seemed vacant. Like many of his fellow colonists Mr. Luce was a high—or rather a deep—conservative, and gave no countenance to the government lately established in France. He had no faith in its duration and would assure you from year to year that its end was close at hand. "They want to be kept down, sir, to be kept down; nothing but the strong hand—the iron heel—will do for them," he would frequently say of the French people; and his ideal of a fine showy clever rule was that of the superseded Empire. "Paris is much less attractive than in the days of the Emperor; HE knew how to make a city pleasant," Mr. Luce had often remarked to Mrs. Touchett, who was quite of his own way of thinking and wished to know what one had crossed that odious Atlantic for but to get away from republics.

"Why, madam, sitting in the Champs Elysees, opposite to the Palace of Industry, I've seen the court-carriages from the Tuileries pass up and down as many as seven times a day. I remember one occasion when they went as high as nine. What do you see now? It's no use talking, the style's all gone. Napoleon knew what the French people want, and there'll be a dark cloud over Paris, our Paris, till they get the Empire back again."

Among Mrs. Luce's visitors on Sunday afternoons was a young man with whom Isabel had had a good deal of conversation and whom she found full of valuable knowledge. Mr. Edward Rosier—Ned Rosier as he was called—was native to New York and had been brought up in Paris, living there under the eye of his father who, as it happened, had been an early and intimate friend of the late Mr. Archer. Edward Rosier remembered Isabel as a little girl; it had been his father who came to the rescue of the small Archers at the inn at Neufchatel (he was travelling that way with the boy and had stopped at the hotel by chance), after their bonne had gone off with the Russian prince and when Mr. Archer's whereabouts remained for some days a mystery. Isabel remembered perfectly the neat little male child whose hair smelt of a delicious cosmetic and who had a bonne all his own, warranted to lose sight of him under no provocation. Isabel took a walk with the pair beside the lake and thought little Edward as pretty as an angel—a comparison by no means conventional in her mind, for she had a very definite conception of a type of features which she supposed to be angelic and which her new friend perfectly illustrated. A small pink face surmounted by a blue velvet bonnet and set off by a stiff embroidered collar had become the countenance of her childish dreams; and she had firmly believed for some time afterwards that the heavenly hosts conversed among themselves in a queer little dialect of French-English, expressing the properest sentiments, as when Edward told her that he was "defended" by his bonne to go near the edge of the lake, and that one must always obey to one's bonne. Ned Rosier's English had improved; at least it exhibited in a less degree the French variation. His father was dead and his bonne dismissed, but the young man still conformed to the spirit of their teaching—he never went to the edge of the lake. There was still something agreeable to the nostrils about him and something not offensive to nobler organs. He was a very gentle and gracious youth, with what are called cultivated tastes—an acquaintance with old china, with good wine, with the bindings of books, with the Almanach de Gotha, with the best shops, the best hotels, the hours of railway-trains. He could order a dinner almost as well as Mr. Luce, and it was probable that as his experience accumulated he would be a worthy successor to that gentleman, whose rather grim politics he also advocated in a soft and innocent voice. He had some charming rooms in Paris, decorated with old Spanish altar-lace, the envy of his female friends, who declared that his chimney-piece was better draped than the high shoulders of many a duchess. He usually, however, spent a part of every winter at Pau, and had once passed a couple of months in the United States.

He took a great interest in Isabel and remembered perfectly the walk at Neufchatel, when she would persist in going so near the edge. He seemed to recognise this same tendency in the subversive enquiry that I quoted a moment ago, and set himself to answer our heroine's question with greater urbanity than it perhaps deserved. "What does it lead to, Miss Archer? Why Paris leads everywhere. You can't go anywhere unless you come here first. Every one that comes to Europe has got to pass through. You don't mean it in that sense so much? You mean what good it does you? Well, how can you penetrate futurity? How can you tell what lies ahead? If it's a pleasant road I don't care where it leads. I like the road, Miss Archer; I like the dear old asphalte. You can't get tired of it—you can't if you try. You think you would, but you wouldn't; there's always something new and fresh. Take the Hotel Drouot, now; they sometimes have three and four sales a week. Where can you get such things as you can here? In spite of all they say I maintain they're cheaper too, if you know the right places. I know plenty of places, but I keep them to myself. I'll tell you, if you like, as a particular favour; only you mustn't tell any one else. Don't you go anywhere without asking me first; I want you to promise me that. As a general thing avoid the Boulevards; there's very little to be done on the Boulevards. Speaking conscientiously—sans blague—I don't believe any one knows Paris better than I. You and Mrs. Touchett must come and breakfast with me some day, and I'll show you my things; je ne vous dis que ca! There has been a great deal of talk about London of late; it's the fashion to cry up London. But there's nothing in it—you can't do anything in London. No Louis Quinze—nothing of the First Empire; nothing but their eternal Queen Anne. It's good for one's bed-room, Queen Anne—for one's washing-room; but it isn't proper for a salon. Do I spend my life at the auctioneer's?" Mr. Rosier pursued in answer to another question of Isabel's. "Oh no; I haven't the means. I wish I had. You think I'm a mere trifler; I can tell by the expression of your face—you've got a wonderfully expressive face. I hope you don't mind my saying that; I mean it as a kind of warning. You think I ought to do something, and so do I, so long as you leave it vague. But when you come to the point you see you have to stop. I can't go home and be a shopkeeper. You think I'm very well fitted? Ah, Miss Archer, you overrate me. I can buy very well, but I can't sell; you should see when I sometimes try to get rid of my things. It takes much more ability to make other people buy than to buy yourself. When I think how clever they must be, the people who make ME buy! Ah no; I couldn't be a shopkeeper. I can't be a doctor; it's a repulsive business. I can't be a clergyman; I haven't got convictions. And then I can't pronounce the names right in the Bible. They're very difficult, in the Old Testament particularly. I can't be a lawyer; I don't understand—how do you call it?—the American procedure. Is there anything else? There's nothing for a gentleman in America. I should like to be a diplomatist; but American diplomacy—that's not for gentlemen either. I'm sure if you had seen the last min—"

Henrietta Stackpole, who was often with her friend when Mr. Rosier, coming to pay his compliments late in the afternoon, expressed himself after the fashion I have sketched, usually interrupted the young man at this point and read him a lecture on the duties of the American citizen. She thought him most unnatural; he was worse than poor Ralph Touchett. Henrietta, however, was at this time more than ever addicted to fine criticism, for her conscience had been freshly alarmed as regards Isabel. She had not congratulated this young lady on her augmentations and begged to be excused from doing so.

"If Mr. Touchett had consulted me about leaving you the money," she frankly asserted, "I'd have said to him 'Never!"

"I see," Isabel had answered. "You think it will prove a curse in disguise. Perhaps it will."

"Leave it to some one you care less for—that's what I should have said."

"To yourself for instance?" Isabel suggested jocosely. And then, "Do you really believe it will ruin me?" she asked in quite another tone.

"I hope it won't ruin you; but it will certainly confirm your dangerous tendencies."

"Do you mean the love of luxury—of extravagance?"

"No, no," said Henrietta; "I mean your exposure on the moral side. I approve of luxury; I think we ought to be as elegant as possible. Look at the luxury of our western cities; I've seen nothing over here to compare with it. I hope you'll never become grossly sensual; but I'm not afraid of that. The peril for you is that you live too much in the world of your own dreams. You're not enough in contact with reality—with the toiling, striving, suffering, I may even say sinning, world that surrounds you. You're too fastidious; you've too many graceful illusions. Your newly-acquired thousands will shut you up more and more to the society of a few selfish and heartless people who will be interested in keeping them up."

Isabel's eyes expanded as she gazed at this lurid scene. "What are my illusions?" she asked. "I try so hard not to have any."

"Well," said Henrietta, "you think you can lead a romantic life, that you can live by pleasing yourself and pleasing others. You'll find you're mistaken. Whatever life you lead you must put your soul in it—to make any sort of success of it; and from the moment you do that it ceases to be romance, I assure you: it becomes grim reality! And you can't always please yourself; you must sometimes please other people. That, I admit, you're very ready to do; but there's another thing that's still more important—you must often displease others. You must always be ready for that—you must never shrink from it. That doesn't suit you at all—you're too fond of admiration, you like to be thought well of. You think we can escape disagreeable duties by taking romantic views—that's your great illusion, my dear. But we can't. You must be prepared on many occasions in life to please no one at all—not even yourself."

Isabel shook her head sadly; she looked troubled and frightened. "This, for you, Henrietta," she said, "must be one of those occasions!"

It was certainly true that Miss Stackpole, during her visit to Paris, which had been professionally more remunerative than her English sojourn, had not been living in the world of dreams. Mr. Bantling, who had now returned to England, was her companion for the first four weeks of her stay; and about Mr. Bantling there was nothing dreamy. Isabel learned from her friend that the two had led a life of great personal intimacy and that this had been a peculiar advantage to Henrietta, owing to the gentleman's remarkable knowledge of Paris. He had explained everything, shown her everything, been her constant guide and interpreter. They had breakfasted together, dined together, gone to the theatre together, supped together, really in a manner quite lived together. He was a true friend, Henrietta more than once assured our heroine; and she had never supposed that she could like any Englishman so well. Isabel could not have told you why, but she found something that ministered to mirth in the alliance the correspondent of the Interviewer had struck with Lady Pensil's brother; her amusement moreover subsisted in face of the fact that she thought it a credit to each of them. Isabel couldn't rid herself of a suspicion that they were playing somehow at cross-purposes—that the simplicity of each had been entrapped. But this simplicity was on either side none the less honourable. It was as graceful on Henrietta's part to believe that Mr. Bantling took an interest in the diffusion of lively journalism and in consolidating the position of lady-correspondents as it was on the part of his companion to suppose that the cause of the Interviewer—a periodical of which he never formed a very definite conception—was, if subtly analysed (a task to which Mr. Bantling felt himself quite equal), but the cause of Miss Stackpole's need of demonstrative affection. Each of these groping celibates supplied at any rate a want of which the other was impatiently conscious. Mr. Bantling, who was of rather a slow and a discursive habit, relished a prompt, keen, positive woman, who charmed him by the influence of a shining, challenging eye and a kind of bandbox freshness, and who kindled a perception of raciness in a mind to which the usual fare of life seemed unsalted. Henrietta, on the other hand, enjoyed the society of a gentleman who appeared somehow, in his way, made, by expensive, roundabout, almost "quaint" processes, for her use, and whose leisured state, though generally indefensible, was a decided boon to a breathless mate, and who was furnished with an easy, traditional, though by no means exhaustive, answer to almost any social or practical question that could come up. She often found Mr. Bantling's answers very convenient, and in the press of catching the American post would largely and showily address them to publicity. It was to be feared that she was indeed drifting toward those abysses of sophistication as to which Isabel, wishing for a good-humoured retort, had warned her. There might be danger in store for Isabel; but it was scarcely to be hoped that Miss Stackpole, on her side, would find permanent rest in any adoption of the views of a class pledged to all the old abuses. Isabel continued to warn her good-humouredly; Lady Pensil's obliging brother was sometimes, on our heroine's lips, an object of irreverent and facetious allusion. Nothing, however, could exceed Henrietta's amiability on this point; she used to abound in the sense of Isabel's irony and to enumerate with elation the hours she had spent with this perfect man of the world—a term that had ceased to make with her, as previously, for opprobrium. Then, a few moments later, she would forget that they had been talking jocosely and would mention with impulsive earnestness some expedition she had enjoyed in his company. She would say: "Oh, I know all about Versailles; I went there with Mr. Bantling. I was bound to see it thoroughly—I warned him when we went out there that I was thorough: so we spent three days at the hotel and wandered all over the place. It was lovely weather—a kind of Indian summer, only not so good. We just lived in that park. Oh yes; you can't tell me anything about Versailles." Henrietta appeared to have made arrangements to meet her gallant friend during the spring in Italy.



CHAPTER XXI

Mrs. Touchett, before arriving in Paris, had fixed the day for her departure and by the middle of February had begun to travel southward. She interrupted her journey to pay a visit to her son, who at San Remo, on the Italian shore of the Mediterranean, had been spending a dull, bright winter beneath a slow-moving white umbrella. Isabel went with her aunt as a matter of course, though Mrs. Touchett, with homely, customary logic, had laid before her a pair of alternatives.

"Now, of course, you're completely your own mistress and are as free as the bird on the bough. I don't mean you were not so before, but you're at present on a different footing—property erects a kind of barrier. You can do a great many things if you're rich which would be severely criticised if you were poor. You can go and come, you can travel alone, you can have your own establishment: I mean of course if you'll take a companion—some decayed gentlewoman, with a darned cashmere and dyed hair, who paints on velvet. You don't think you'd like that? Of course you can do as you please; I only want you to understand how much you're at liberty. You might take Miss Stackpole as your dame de compagnie; she'd keep people off very well. I think, however, that it's a great deal better you should remain with me, in spite of there being no obligation. It's better for several reasons, quite apart from your liking it. I shouldn't think you'd like it, but I recommend you to make the sacrifice. Of course whatever novelty there may have been at first in my society has quite passed away, and you see me as I am—a dull, obstinate, narrow-minded old woman."

"I don't think you're at all dull," Isabel had replied to this.

"But you do think I'm obstinate and narrow-minded? I told you so!" said Mrs. Touchett with much elation at being justified.

Isabel remained for the present with her aunt, because, in spite of eccentric impulses, she had a great regard for what was usually deemed decent, and a young gentlewoman without visible relations had always struck her as a flower without foliage. It was true that Mrs. Touchett's conversation had never again appeared so brilliant as that first afternoon in Albany, when she sat in her damp waterproof and sketched the opportunities that Europe would offer to a young person of taste. This, however, was in a great measure the girl's own fault; she had got a glimpse of her aunt's experience, and her imagination constantly anticipated the judgements and emotions of a woman who had very little of the same faculty. Apart from this, Mrs. Touchett had a great merit; she was as honest as a pair of compasses. There was a comfort in her stiffness and firmness; you knew exactly where to find her and were never liable to chance encounters and concussions. On her own ground she was perfectly present, but was never over-inquisitive as regards the territory of her neighbour. Isabel came at last to have a kind of undemonstrable pity for her; there seemed something so dreary in the condition of a person whose nature had, as it were, so little surface—offered so limited a face to the accretions of human contact. Nothing tender, nothing sympathetic, had ever had a chance to fasten upon it—no wind-sown blossom, no familiar softening moss. Her offered, her passive extent, in other words, was about that of a knife-edge. Isabel had reason to believe none the less that as she advanced in life she made more of those concessions to the sense of something obscurely distinct from convenience—more of them than she independently exacted. She was learning to sacrifice consistency to considerations of that inferior order for which the excuse must be found in the particular case. It was not to the credit of her absolute rectitude that she should have gone the longest way round to Florence in order to spend a few weeks with her invalid son; since in former years it had been one of her most definite convictions that when Ralph wished to see her he was at liberty to remember that Palazzo Crescentini contained a large apartment known as the quarter of the signorino.

"I want to ask you something," Isabel said to this young man the day after her arrival at San Remo—"something I've thought more than once of asking you by letter, but that I've hesitated on the whole to write about. Face to face, nevertheless, my question seems easy enough. Did you know your father intended to leave me so much money?"

Ralph stretched his legs a little further than usual and gazed a little more fixedly at the Mediterranean.

"What does it matter, my dear Isabel, whether I knew? My father was very obstinate."

"So," said the girl, "you did know."

"Yes; he told me. We even talked it over a little." "What did he do it for?" asked Isabel abruptly. "Why, as a kind of compliment."

"A compliment on what?"

"On your so beautifully existing."

"He liked me too much," she presently declared.

"That's a way we all have."

"If I believed that I should be very unhappy. Fortunately I don't believe it. I want to be treated with justice; I want nothing but that."

"Very good. But you must remember that justice to a lovely being is after all a florid sort of sentiment."

"I'm not a lovely being. How can you say that, at the very moment when I'm asking such odious questions? I must seem to you delicate!"

"You seem to me troubled," said Ralph.

"I am troubled."

"About what?"

For a moment she answered nothing; then she broke out: "Do you think it good for me suddenly to be made so rich? Henrietta doesn't."

"Oh, hang Henrietta!" said Ralph coarsely, "If you ask me I'm delighted at it."

"Is that why your father did it—for your amusement?"

"I differ with Miss Stackpole," Ralph went on more gravely. "I think it very good for you to have means."

Isabel looked at him with serious eyes. "I wonder whether you know what's good for me—or whether you care."

"If I know depend upon it I care. Shall I tell you what it is? Not to torment yourself."

"Not to torment you, I suppose you mean."

"You can't do that; I'm proof. Take things more easily. Don't ask yourself so much whether this or that is good for you. Don't question your conscience so much—it will get out of tune like a strummed piano. Keep it for great occasions. Don't try so much to form your character—it's like trying to pull open a tight, tender young rose. Live as you like best, and your character will take care of itself. Most things are good for you; the exceptions are very rare, and a comfortable income's not one of them." Ralph paused, smiling; Isabel had listened quickly. "You've too much power of thought—above all too much conscience," Ralph added. "It's out of all reason, the number of things you think wrong. Put back your watch. Diet your fever. Spread your wings; rise above the ground. It's never wrong to do that."

She had listened eagerly, as I say; and it was her nature to understand quickly. "I wonder if you appreciate what you say. If you do, you take a great responsibility."

"You frighten me a little, but I think I'm right," said Ralph, persisting in cheer.

"All the same what you say is very true," Isabel pursued. "You could say nothing more true. I'm absorbed in myself—I look at life too much as a doctor's prescription. Why indeed should we perpetually be thinking whether things are good for us, as if we were patients lying in a hospital? Why should I be so afraid of not doing right? As if it mattered to the world whether I do right or wrong!"

"You're a capital person to advise," said Ralph; "you take the wind out of my sails!"

She looked at him as if she had not heard him—though she was following out the train of reflexion which he himself had kindled. "I try to care more about the world than about myself—but I always come back to myself. It's because I'm afraid." She stopped; her voice had trembled a little. "Yes, I'm afraid; I can't tell you. A large fortune means freedom, and I'm afraid of that. It's such a fine thing, and one should make such a good use of it. If one shouldn't one would be ashamed. And one must keep thinking; it's a constant effort. I'm not sure it's not a greater happiness to be powerless."

"For weak people I've no doubt it's a greater happiness. For weak people the effort not to be contemptible must be great."

"And how do you know I'm not weak?" Isabel asked.

"Ah," Ralph answered with a flush that the girl noticed, "if you are I'm awfully sold!"

The charm of the Mediterranean coast only deepened for our heroine on acquaintance, for it was the threshold of Italy, the gate of admirations. Italy, as yet imperfectly seen and felt, stretched before her as a land of promise, a land in which a love of the beautiful might be comforted by endless knowledge. Whenever she strolled upon the shore with her cousin—and she was the companion of his daily walk—she looked across the sea, with longing eyes, to where she knew that Genoa lay. She was glad to pause, however, on the edge of this larger adventure; there was such a thrill even in the preliminary hovering. It affected her moreover as a peaceful interlude, as a hush of the drum and fife in a career which she had little warrant as yet for regarding as agitated, but which nevertheless she was constantly picturing to herself by the light of her hopes, her fears, her fancies, her ambitions, her predilections, and which reflected these subjective accidents in a manner sufficiently dramatic. Madame Merle had predicted to Mrs. Touchett that after their young friend had put her hand into her pocket half a dozen times she would be reconciled to the idea that it had been filled by a munificent uncle; and the event justified, as it had so often justified before, that lady's perspicacity. Ralph Touchett had praised his cousin for being morally inflammable, that is for being quick to take a hint that was meant as good advice. His advice had perhaps helped the matter; she had at any rate before leaving San Remo grown used to feeling rich. The consciousness in question found a proper place in rather a dense little group of ideas that she had about herself, and often it was by no means the least agreeable. It took perpetually for granted a thousand good intentions. She lost herself in a maze of visions; the fine things to be done by a rich, independent, generous girl who took a large human view of occasions and obligations were sublime in the mass. Her fortune therefore became to her mind a part of her better self; it gave her importance, gave her even, to her own imagination, a certain ideal beauty. What it did for her in the imagination of others is another affair, and on this point we must also touch in time. The visions I have just spoken of were mixed with other debates. Isabel liked better to think of the future than of the past; but at times, as she listened to the murmur of the Mediterranean waves, her glance took a backward flight. It rested upon two figures which, in spite of increasing distance, were still sufficiently salient; they were recognisable without difficulty as those of Caspar Goodwood and Lord Warburton. It was strange how quickly these images of energy had fallen into the background of our young lady's life. It was in her disposition at all times to lose faith in the reality of absent things; she could summon back her faith, in case of need, with an effort, but the effort was often painful even when the reality had been pleasant. The past was apt to look dead and its revival rather to show the livid light of a judgement-day. The girl moreover was not prone to take for granted that she herself lived in the mind of others—she had not the fatuity to believe she left indelible traces. She was capable of being wounded by the discovery that she had been forgotten; but of all liberties the one she herself found sweetest was the liberty to forget. She had not given her last shilling, sentimentally speaking, either to Caspar Goodwood or to Lord Warburton, and yet couldn't but feel them appreciably in debt to her. She had of course reminded herself that she was to hear from Mr. Goodwood again; but this was not to be for another year and a half, and in that time a great many things might happen. She had indeed failed to say to herself that her American suitor might find some other girl more comfortable to woo; because, though it was certain many other girls would prove so, she had not the smallest belief that this merit would attract him. But she reflected that she herself might know the humiliation of change, might really, for that matter, come to the end of the things that were not Caspar (even though there appeared so many of them), and find rest in those very elements of his presence which struck her now as impediments to the finer respiration. It was conceivable that these impediments should some day prove a sort of blessing in disguise—a clear and quiet harbour enclosed by a brave granite breakwater. But that day could only come in its order, and she couldn't wait for it with folded hands. That Lord Warburton should continue to cherish her image seemed to her more than a noble humility or an enlightened pride ought to wish to reckon with. She had so definitely undertaken to preserve no record of what had passed between them that a corresponding effort on his own part would be eminently just. This was not, as it may seem, merely a theory tinged with sarcasm. Isabel candidly believed that his lordship would, in the usual phrase, get over his disappointment. He had been deeply affected—this she believed, and she was still capable of deriving pleasure from the belief; but it was absurd that a man both so intelligent and so honourably dealt with should cultivate a scar out of proportion to any wound. Englishmen liked moreover to be comfortable, said Isabel, and there could be little comfort for Lord Warburton, in the long run, in brooding over a self-sufficient American girl who had been but a casual acquaintance. She flattered herself that, should she hear from one day to another that he had married some young woman of his own country who had done more to deserve him, she should receive the news without a pang even of surprise. It would have proved that he believed she was firm—which was what she wished to seem to him. That alone was grateful to her pride.



CHAPTER XXII

On one of the first days of May, some six months after old Mr. Touchett's death, a small group that might have been described by a painter as composing well was gathered in one of the many rooms of an ancient villa crowning an olive-muffled hill outside of the Roman gate of Florence. The villa was a long, rather blank-looking structure, with the far-projecting roof which Tuscany loves and which, on the hills that encircle Florence, when considered from a distance, makes so harmonious a rectangle with the straight, dark, definite cypresses that usually rise in groups of three or four beside it. The house had a front upon a little grassy, empty, rural piazza which occupied a part of the hill-top; and this front, pierced with a few windows in irregular relations and furnished with a stone bench lengthily adjusted to the base of the structure and useful as a lounging-place to one or two persons wearing more or less of that air of undervalued merit which in Italy, for some reason or other, always gracefully invests any one who confidently assumes a perfectly passive attitude—this antique, solid, weather-worn, yet imposing front had a somewhat incommunicative character. It was the mask, not the face of the house. It had heavy lids, but no eyes; the house in reality looked another way—looked off behind, into splendid openness and the range of the afternoon light. In that quarter the villa overhung the slope of its hill and the long valley of the Arno, hazy with Italian colour. It had a narrow garden, in the manner of a terrace, productive chiefly of tangles of wild roses and other old stone benches, mossy and sun-warmed. The parapet of the terrace was just the height to lean upon, and beneath it the ground declined into the vagueness of olive-crops and vineyards. It is not, however, with the outside of the place that we are concerned; on this bright morning of ripened spring its tenants had reason to prefer the shady side of the wall. The windows of the ground-floor, as you saw them from the piazza, were, in their noble proportions, extremely architectural; but their function seemed less to offer communication with the world than to defy the world to look in. They were massively cross-barred, and placed at such a height that curiosity, even on tiptoe, expired before it reached them. In an apartment lighted by a row of three of these jealous apertures—one of the several distinct apartments into which the villa was divided and which were mainly occupied by foreigners of random race long resident in Florence—a gentleman was seated in company with a young girl and two good sisters from a religious house. The room was, however, less sombre than our indications may have represented, for it had a wide, high door, which now stood open into the tangled garden behind; and the tall iron lattices admitted on occasion more than enough of the Italian sunshine. It was moreover a seat of ease, indeed of luxury, telling of arrangements subtly studied and refinements frankly proclaimed, and containing a variety of those faded hangings of damask and tapestry, those chests and cabinets of carved and time-polished oak, those angular specimens of pictorial art in frames as pedantically primitive, those perverse-looking relics of medieval brass and pottery, of which Italy has long been the not quite exhausted storehouse. These things kept terms with articles of modern furniture in which large allowance had been made for a lounging generation; it was to be noticed that all the chairs were deep and well padded and that much space was occupied by a writing-table of which the ingenious perfection bore the stamp of London and the nineteenth century. There were books in profusion and magazines and newspapers, and a few small, odd, elaborate pictures, chiefly in water-colour. One of these productions stood on a drawing-room easel before which, at the moment we begin to be concerned with her, the young girl I have mentioned had placed herself. She was looking at the picture in silence.

Silence—absolute silence—had not fallen upon her companions; but their talk had an appearance of embarrassed continuity. The two good sisters had not settled themselves in their respective chairs; their attitude expressed a final reserve and their faces showed the glaze of prudence. They were plain, ample, mild-featured women, with a kind of business-like modesty to which the impersonal aspect of their stiffened linen and of the serge that draped them as if nailed on frames gave an advantage. One of them, a person of a certain age, in spectacles, with a fresh complexion and a full cheek, had a more discriminating manner than her colleague, as well as the responsibility of their errand, which apparently related to the young girl. This object of interest wore her hat—an ornament of extreme simplicity and not at variance with her plain muslin gown, too short for her years, though it must already have been "let out." The gentleman who might have been supposed to be entertaining the two nuns was perhaps conscious of the difficulties of his function, it being in its way as arduous to converse with the very meek as with the very mighty. At the same time he was clearly much occupied with their quiet charge, and while she turned her back to him his eyes rested gravely on her slim, small figure. He was a man of forty, with a high but well-shaped head, on which the hair, still dense, but prematurely grizzled, had been cropped close. He had a fine, narrow, extremely modelled and composed face, of which the only fault was just this effect of its running a trifle too much to points; an appearance to which the shape of the beard contributed not a little. This beard, cut in the manner of the portraits of the sixteenth century and surmounted by a fair moustache, of which the ends had a romantic upward flourish, gave its wearer a foreign, traditionary look and suggested that he was a gentleman who studied style. His conscious, curious eyes, however, eyes at once vague and penetrating, intelligent and hard, expressive of the observer as well as of the dreamer, would have assured you that he studied it only within well-chosen limits, and that in so far as he sought it he found it. You would have been much at a loss to determine his original clime and country; he had none of the superficial signs that usually render the answer to this question an insipidly easy one. If he had English blood in his veins it had probably received some French or Italian commixture; but he suggested, fine gold coin as he was, no stamp nor emblem of the common mintage that provides for general circulation; he was the elegant complicated medal struck off for a special occasion. He had a light, lean, rather languid-looking figure, and was apparently neither tall nor short. He was dressed as a man dresses who takes little other trouble about it than to have no vulgar things.

"Well, my dear, what do you think of it?" he asked of the young girl. He used the Italian tongue, and used it with perfect ease; but this would not have convinced you he was Italian.

The child turned her head earnestly to one side and the other. "It's very pretty, papa. Did you make it yourself?"

"Certainly I made it. Don't you think I'm clever?"

"Yes, papa, very clever; I also have learned to make pictures." And she turned round and showed a small, fair face painted with a fixed and intensely sweet smile.

"You should have brought me a specimen of your powers."

"I've brought a great many; they're in my trunk."

"She draws very—very carefully," the elder of the nuns remarked, speaking in French.

"I'm glad to hear it. Is it you who have instructed her?"

"Happily no," said the good sister, blushing a little. "Ce n'est pas ma partie. I teach nothing; I leave that to those who are wiser. We've an excellent drawing-master, Mr.—Mr.—what is his name?" she asked of her companion.

Her companion looked about at the carpet. "It's a German name," she said in Italian, as if it needed to be translated.

"Yes," the other went on, "he's a German, and we've had him many years."

The young girl, who was not heeding the conversation, had wandered away to the open door of the large room and stood looking into the garden. "And you, my sister, are French," said the gentleman.

"Yes, sir," the visitor gently replied. "I speak to the pupils in my own tongue. I know no other. But we have sisters of other countries—English, German, Irish. They all speak their proper language."

The gentleman gave a smile. "Has my daughter been under the care of one of the Irish ladies?" And then, as he saw that his visitors suspected a joke, though failing to understand it, "You're very complete," he instantly added.

"Oh, yes, we're complete. We've everything, and everything's of the best."

"We have gymnastics," the Italian sister ventured to remark. "But not dangerous."

"I hope not. Is that YOUR branch?" A question which provoked much candid hilarity on the part of the two ladies; on the subsidence of which their entertainer, glancing at his daughter, remarked that she had grown.

"Yes, but I think she has finished. She'll remain—not big," said the French sister.

"I'm not sorry. I prefer women like books—very good and not too long. But I know," the gentleman said, "no particular reason why my child should be short."

The nun gave a temperate shrug, as if to intimate that such things might be beyond our knowledge. "She's in very good health; that's the best thing."

"Yes, she looks sound." And the young girl's father watched her a moment. "What do you see in the garden?" he asked in French.

"I see many flowers," she replied in a sweet, small voice and with an accent as good as his own.

"Yes, but not many good ones. However, such as they are, go out and gather some for ces dames."

The child turned to him with her smile heightened by pleasure. "May I, truly?"

"Ah, when I tell you," said her father.

The girl glanced at the elder of the nuns. "May I, truly, ma mere?"

"Obey monsieur your father, my child," said the sister, blushing again.

The child, satisfied with this authorisation, descended from the threshold and was presently lost to sight. "You don't spoil them," said her father gaily.

"For everything they must ask leave. That's our system. Leave is freely granted, but they must ask it."

"Oh, I don't quarrel with your system; I've no doubt it's excellent. I sent you my daughter to see what you'd make of her. I had faith."

"One must have faith," the sister blandly rejoined, gazing through her spectacles.

"Well, has my faith been rewarded What have you made of her?"

The sister dropped her eyes a moment. "A good Christian, monsieur."

Her host dropped his eyes as well; but it was probable that the movement had in each case a different spring. "Yes, and what else?"

He watched the lady from the convent, probably thinking she would say that a good Christian was everything; but for all her simplicity she was not so crude as that. "A charming young lady—a real little woman—a daughter in whom you will have nothing but contentment."

"She seems to me very gentille," said the father. "She's really pretty."

"She's perfect. She has no faults."

"She never had any as a child, and I'm glad you have given her none."

"We love her too much," said the spectacled sister with dignity.

"And as for faults, how can we give what we have not? Le couvent n'est pas comme le monde, monsieur. She's our daughter, as you may say. We've had her since she was so small."

"Of all those we shall lose this year she's the one we shall miss most," the younger woman murmured deferentially.

"Ah, yes, we shall talk long of her," said the other. "We shall hold her up to the new ones." And at this the good sister appeared to find her spectacles dim; while her companion, after fumbling a moment, presently drew forth a pocket-handkerchief of durable texture.

"It's not certain you'll lose her; nothing's settled yet," their host rejoined quickly; not as if to anticipate their tears, but in the tone of a man saying what was most agreeable to himself. "We should be very happy to believe that. Fifteen is very young to leave us."

"Oh," exclaimed the gentleman with more vivacity than he had yet used, "it is not I who wish to take her away. I wish you could keep her always!"

"Ah, monsieur," said the elder sister, smiling and getting up, "good as she is, she's made for the world. Le monde y gagnera."

"If all the good people were hidden away in convents how would the world get on?" her companion softly enquired, rising also.

This was a question of a wider bearing than the good woman apparently supposed; and the lady in spectacles took a harmonising view by saying comfortably: "Fortunately there are good people everywhere."

"If you're going there will be two less here," her host remarked gallantly.

For this extravagant sally his simple visitors had no answer, and they simply looked at each other in decent deprecation; but their confusion was speedily covered by the return of the young girl with two large bunches of roses—one of them all white, the other red.

"I give you your choice, mamman Catherine," said the child. "It's only the colour that's different, mamman Justine; there are just as many roses in one bunch as in the other."

The two sisters turned to each other, smiling and hesitating, with "Which will you take?" and "No, it's for you to choose."

"I'll take the red, thank you," said Catherine in the spectacles. "I'm so red myself. They'll comfort us on our way back to Rome."

"Ah, they won't last," cried the young girl. "I wish I could give you something that would last!"

"You've given us a good memory of yourself, my daughter. That will last!"

"I wish nuns could wear pretty things. I would give you my blue beads," the child went on.

"And do you go back to Rome to-night?" her father enquired.

"Yes, we take the train again. We've so much to do la-bas."

"Are you not tired?"

"We are never tired."

"Ah, my sister, sometimes," murmured the junior votaress.

"Not to-day, at any rate. We have rested too well here. Que Dieu vows garde, ma fine."

Their host, while they exchanged kisses with his daughter, went forward to open the door through which they were to pass; but as he did so he gave a slight exclamation, and stood looking beyond. The door opened into a vaulted ante-chamber, as high as a chapel and paved with red tiles; and into this antechamber a lady had just been admitted by a servant, a lad in shabby livery, who was now ushering her toward the apartment in which our friends were grouped. The gentleman at the door, after dropping his exclamation, remained silent; in silence too the lady advanced. He gave her no further audible greeting and offered her no hand, but stood aside to let her pass into the saloon. At the threshold she hesitated. "Is there any one?" she asked.

"Some one you may see."

She went in and found herself confronted with the two nuns and their pupil, who was coming forward, between them, with a hand in the arm of each. At the sight of the new visitor they all paused, and the lady, who had also stopped, stood looking at them. The young girl gave a little soft cry: "Ah, Madame Merle!"

The visitor had been slightly startled, but her manner the next instant was none the less gracious. "Yes, it's Madame Merle, come to welcome you home." And she held out two hands to the girl, who immediately came up to her, presenting her forehead to be kissed. Madame Merle saluted this portion of her charming little person and then stood smiling at the two nuns. They acknowledged her smile with a decent obeisance, but permitted themselves no direct scrutiny of this imposing, brilliant woman, who seemed to bring in with her something of the radiance of the outer world. "These ladies have brought my daughter home, and now they return to the convent," the gentleman explained.

"Ah, you go back to Rome? I've lately come from there. It's very lovely now," said Madame Merle.

The good sisters, standing with their hands folded into their sleeves, accepted this statement uncritically; and the master of the house asked his new visitor how long it was since she had left Rome. "She came to see me at the convent," said the young girl before the lady addressed had time to reply.

"I've been more than once, Pansy," Madame Merle declared. "Am I not your great friend in Rome?"

"I remember the last time best," said Pansy, "because you told me I should come away."

"Did you tell her that?" the child's father asked.

"I hardly remember. I told her what I thought would please her. I've been in Florence a week. I hoped you would come to see me."

"I should have done so if I had known you were there. One doesn't know such things by inspiration—though I suppose one ought. You had better sit down."

These two speeches were made in a particular tone of voice—a tone half-lowered and carefully quiet, but as from habit rather than from any definite need. Madame Merle looked about her, choosing her seat. "You're going to the door with these women? Let me of course not interrupt the ceremony. Je vous salue, mesdames," she added, in French, to the nuns, as if to dismiss them.

"This lady's a great friend of ours; you will have seen her at the convent," said their entertainer. "We've much faith in her judgement, and she'll help me to decide whether my daughter shall return to you at the end of the holidays."

"I hope you'll decide in our favour, madame," the sister in spectacles ventured to remark.

"That's Mr. Osmond's pleasantry; I decide nothing," said Madame Merle, but also as in pleasantry. "I believe you've a very good school, but Miss Osmond's friends must remember that she's very naturally meant for the world."

"That's what I've told monsieur," sister Catherine answered. "It's precisely to fit her for the world," she murmured, glancing at Pansy, who stood, at a little distance, attentive to Madame Merle's elegant apparel.

"Do you hear that, Pansy? You're very naturally meant for the world," said Pansy's father.

The child fixed him an instant with her pure young eyes. "Am I not meant for you, papa?"

Papa gave a quick, light laugh. "That doesn't prevent it! I'm of the world, Pansy."

"Kindly permit us to retire," said sister Catherine. "Be good and wise and happy in any case, my daughter."

"I shall certainly come back and see you," Pansy returned, recommencing her embraces, which were presently interrupted by Madame Merle.

"Stay with me, dear child," she said, "while your father takes the good ladies to the door."

Pansy stared, disappointed, yet not protesting. She was evidently impregnated with the idea of submission, which was due to any one who took the tone of authority; and she was a passive spectator of the operation of her fate. "May I not see mamman Catherine get into the carriage?" she nevertheless asked very gently.

"It would please me better if you'd remain with me," said Madame Merle, while Mr. Osmond and his companions, who had bowed low again to the other visitor, passed into the ante-chamber.

"Oh yes, I'll stay," Pansy answered; and she stood near Madame Merle, surrendering her little hand, which this lady took. She stared out of the window; her eyes had filled with tears.

"I'm glad they've taught you to obey," said Madame Merle. "That's what good little girls should do."

"Oh yes, I obey very well," cried Pansy with soft eagerness, almost with boastfulness, as if she had been speaking of her piano-playing. And then she gave a faint, just audible sigh.

Madame Merle, holding her hand, drew it across her own fine palm and looked at it. The gaze was critical, but it found nothing to deprecate; the child's small hand was delicate and fair. "I hope they always see that you wear gloves," she said in a moment. "Little girls usually dislike them."

"I used to dislike them, but I like them now," the child made answer.

"Very good, I'll make you a present of a dozen."

"I thank you very much. What colours will they be?" Pansy demanded with interest.

Madame Merle meditated. "Useful colours."

"But very pretty?"

"Are you very fond of pretty things?"

"Yes; but—but not too fond," said Pansy with a trace of asceticism.

"Well, they won't be too pretty," Madame Merle returned with a laugh. She took the child's other hand and drew her nearer; after which, looking at her a moment, "Shall you miss mother Catherine?" she went on.

"Yes—when I think of her."

"Try then not to think of her. Perhaps some day," added Madame Merle, "you'll have another mother."

"I don't think that's necessary," Pansy said, repeating her little soft conciliatory sigh. "I had more than thirty mothers at the convent."

Her father's step sounded again in the antechamber, and Madame Merle got up, releasing the child. Mr. Osmond came in and closed the door; then, without looking at Madame Merle, he pushed one or two chairs back into their places. His visitor waited a moment for him to speak, watching him as he moved about. Then at last she said: "I hoped you'd have come to Rome. I thought it possible you'd have wished yourself to fetch Pansy away."

"That was a natural supposition; but I'm afraid it's not the first time I've acted in defiance of your calculations."

"Yes," said Madame Merle, "I think you very perverse."

Mr. Osmond busied himself for a moment in the room—there was plenty of space in it to move about—in the fashion of a man mechanically seeking pretexts for not giving an attention which may be embarrassing. Presently, however, he had exhausted his pretexts; there was nothing left for him—unless he took up a book—but to stand with his hands behind him looking at Pansy. "Why didn't you come and see the last of mamman Catherine?" he asked of her abruptly in French.

Pansy hesitated a moment, glancing at Madame Merle. "I asked her to stay with me," said this lady, who had seated herself again in another place.

"Ah, that was better," Osmond conceded. With which he dropped into a chair and sat looking at Madame Merle; bent forward a little, his elbows on the edge of the arms and his hands interlocked.

"She's going to give me some gloves," said Pansy.

"You needn't tell that to every one, my dear," Madame Merle observed.

"You're very kind to her," said Osmond. "She's supposed to have everything she needs."

"I should think she had had enough of the nuns."

"If we're going to discuss that matter she had better go out of the room."

"Let her stay," said Madame Merle. "We'll talk of something else."

"If you like I won't listen," Pansy suggested with an appearance of candour which imposed conviction.

"You may listen, charming child, because you won't understand," her father replied. The child sat down, deferentially, near the open door, within sight of the garden, into which she directed her innocent, wistful eyes; and Mr. Osmond went on irrelevantly, addressing himself to his other companion. "You're looking particularly well."

"I think I always look the same," said Madame Merle.

"You always ARE the same. You don't vary. You're a wonderful woman."

"Yes, I think I am."

"You sometimes change your mind, however. You told me on your return from England that you wouldn't leave Rome again for the present."

"I'm pleased that you remember so well what I say. That was my intention. But I've come to Florence to meet some friends who have lately arrived and as to whose movements I was at that time uncertain."

"That reason's characteristic. You're always doing something for your friends."

Madame Merle smiled straight at her host. "It's less characteristic than your comment upon it which is perfectly insincere. I don't, however, make a crime of that," she added, "because if you don't believe what you say there's no reason why you should. I don't ruin myself for my friends; I don't deserve your praise. I care greatly for myself."

"Exactly; but yourself includes so many other selves—so much of every one else and of everything. I never knew a person whose life touched so many other lives."

"What do you call one's life?" asked Madame Merle. "One's appearance, one's movements, one's engagements, one's society?"

"I call YOUR life your ambitions," said Osmond.

Madame Merle looked a moment at Pansy. "I wonder if she understands that," she murmured.

"You see she can't stay with us!" And Pansy's father gave rather a joyless smile. "Go into the garden, mignonne, and pluck a flower or two for Madame Merle," he went on in French.

"That's just what I wanted to do," Pansy exclaimed, rising with promptness and noiselessly departing. Her father followed her to the open door, stood a moment watching her, and then came back, but remained standing, or rather strolling to and fro, as if to cultivate a sense of freedom which in another attitude might be wanting.

"My ambitions are principally for you," said Madame Merle, looking up at him with a certain courage.

"That comes back to what I say. I'm part of your life—I and a thousand others. You're not selfish—I can't admit that. If you were selfish, what should I be? What epithet would properly describe me?"

"You're indolent. For me that's your worst fault."

"I'm afraid it's really my best."

"You don't care," said Madame Merle gravely.

"No; I don't think I care much. What sort of a fault do you call that? My indolence, at any rate, was one of the reasons I didn't go to Rome. But it was only one of them."

"It's not of importance—to me at least—that you didn't go; though I should have been glad to see you. I'm glad you're not in Rome now—which you might be, would probably be, if you had gone there a month ago. There's something I should like you to do at present in Florence."

"Please remember my indolence," said Osmond.

"I do remember it; but I beg you to forget it. In that way you'll have both the virtue and the reward. This is not a great labour, and it may prove a real interest. How long is it since you made a new acquaintance?"

"I don't think I've made any since I made yours."

"It's time then you should make another. There's a friend of mine I want you to know."

Mr. Osmond, in his walk, had gone back to the open door again and was looking at his daughter as she moved about in the intense sunshine. "What good will it do me?" he asked with a sort of genial crudity.

Madame Merle waited. "It will amuse you." There was nothing crude in this rejoinder; it had been thoroughly well considered.

"If you say that, you know, I believe it," said Osmond, coming toward her. "There are some points in which my confidence in you is complete. I'm perfectly aware, for instance, that you know good society from bad."

"Society is all bad."

"Pardon me. That isn't—the knowledge I impute to you—a common sort of wisdom. You've gained it in the right way—experimentally; you've compared an immense number of more or less impossible people with each other."

"Well, I invite you to profit by my knowledge."

"To profit? Are you very sure that I shall?"

"It's what I hope. It will depend on yourself. If I could only induce you to make an effort!"

"Ah, there you are! I knew something tiresome was coming. What in the world—that's likely to turn up here—is worth an effort?"

Madame Merle flushed as with a wounded intention. "Don't be foolish, Osmond. No one knows better than you what IS worth an effort. Haven't I seen you in old days?"

"I recognise some things. But they're none of them probable in this poor life."

"It's the effort that makes them probable," said Madame Merle.

"There's something in that. Who then is your friend?"

"The person I came to Florence to see. She's a niece of Mrs. Touchett, whom you'll not have forgotten."

"A niece? The word niece suggests youth and ignorance. I see what you're coming to."

"Yes, she's young—twenty-three years old. She's a great friend of mine. I met her for the first time in England, several months ago, and we struck up a grand alliance. I like her immensely, and I do what I don't do every day—I admire her. You'll do the same."

"Not if I can help it."

"Precisely. But you won't be able to help it."

"Is she beautiful, clever, rich, splendid, universally intelligent and unprecedentedly virtuous? It's only on those conditions that I care to make her acquaintance. You know I asked you some time ago never to speak to me of a creature who shouldn't correspond to that description. I know plenty of dingy people; I don't want to know any more."

"Miss Archer isn't dingy; she's as bright as the morning. She corresponds to your description; it's for that I wish you to know her. She fills all your requirements."

"More or less, of course."

"No; quite literally. She's beautiful, accomplished, generous and, for an American, well-born. She's also very clever and very amiable, and she has a handsome fortune."

Mr. Osmond listened to this in silence, appearing to turn it over in his mind with his eyes on his informant. "What do you want to do with her?" he asked at last.

"What you see. Put her in your way."

"Isn't she meant for something better than that?"

"I don't pretend to know what people are meant for," said Madame Merle. "I only know what I can do with them."

"I'm sorry for Miss Archer!" Osmond declared.

Madame Merle got up. "If that's a beginning of interest in her I take note of it."

The two stood there face to face; she settled her mantilla, looking down at it as she did so. "You're looking very well," Osmond repeated still less relevantly than before. "You have some idea. You're never so well as when you've got an idea; they're always becoming to you."

In the manner and tone of these two persons, on first meeting at any juncture, and especially when they met in the presence of others, was something indirect and circumspect, as if they had approached each other obliquely and addressed each other by implication. The effect of each appeared to be to intensify to an appreciable degree the self-consciousness of the other. Madame Merle of course carried off any embarrassment better than her friend; but even Madame Merle had not on this occasion the form she would have liked to have—the perfect self-possession she would have wished to wear for her host. The point to be made is, however, that at a certain moment the element between them, whatever it was, always levelled itself and left them more closely face to face than either ever was with any one else. This was what had happened now. They stood there knowing each other well and each on the whole willing to accept the satisfaction of knowing as a compensation for the inconvenience—whatever it might be—of being known. "I wish very much you were not so heartless," Madame Merle quietly said. "It has always been against you, and it will be against you now."

"I'm not so heartless as you think. Every now and then something touches me—as for instance your saying just now that your ambitions are for me. I don't understand it; I don't see how or why they should be. But it touches me, all the same."

"You'll probably understand it even less as time goes on. There are some things you'll never understand. There's no particular need you should."

"You, after all, are the most remarkable of women," said Osmond. "You have more in you than almost any one. I don't see why you think Mrs. Touchett's niece should matter very much to me, when—when—" But he paused a moment.

"When I myself have mattered so little?"

"That of course is not what I meant to say. When I've known and appreciated such a woman as you."

"Isabel Archer's better than I," said Madame Merle.

Her companion gave a laugh. "How little you must think of her to say that!"

"Do you suppose I'm capable of jealousy? Please answer me that."

"With regard to me? No; on the whole I don't."

"Come and see me then, two days hence. I'm staying at Mrs. Touchett's—Palazzo Crescentini—and the girl will be there."

"Why didn't you ask me that at first simply, without speaking of the girl?" said Osmond. "You could have had her there at any rate."

Madame Merle looked at him in the manner of a woman whom no question he could ever put would find unprepared. "Do you wish to know why? Because I've spoken of you to her."

Osmond frowned and turned away. "I'd rather not know that." Then in a moment he pointed out the easel supporting the little water-colour drawing. "Have you seen what's there—my last?"

Madame Merle drew near and considered. "Is it the Venetian Alps—one of your last year's sketches?"

"Yes—but how you guess everything!"

She looked a moment longer, then turned away. "You know I don't care for your drawings."

"I know it, yet I'm always surprised at it. They're really so much better than most people's."

"That may very well be. But as the only thing you do—well, it's so little. I should have liked you to do so many other things: those were my ambitions."

"Yes; you've told me many times—things that were impossible."

"Things that were impossible," said Madame Merle. And then in quite a different tone: "In itself your little picture's very good." She looked about the room—at the old cabinets, pictures, tapestries, surfaces of faded silk. "Your rooms at least are perfect. I'm struck with that afresh whenever I come back; I know none better anywhere. You understand this sort of thing as nobody anywhere does. You've such adorable taste."

"I'm sick of my adorable taste," said Gilbert Osmond.

"You must nevertheless let Miss Archer come and see it. I've told her about it."

"I don't object to showing my things—when people are not idiots."

"You do it delightfully. As cicerone of your museum you appear to particular advantage."

Mr. Osmond, in return for this compliment, simply looked at once colder and more attentive. "Did you say she was rich?"

"She has seventy thousand pounds."

"En ecus bien comptes?"

"There's no doubt whatever about her fortune. I've seen it, as I may say."

"Satisfactory woman!—I mean you. And if I go to see her shall I see the mother?"

"The mother? She has none—nor father either."

"The aunt then—whom did you say?—Mrs. Touchett. I can easily keep her out of the way."

"I don't object to her," said Osmond; "I rather like Mrs. Touchett. She has a sort of old-fashioned character that's passing away—a vivid identity. But that long jackanapes the son—is he about the place?"

"He's there, but he won't trouble you."

"He's a good deal of a donkey."

"I think you're mistaken. He's a very clever man. But he's not fond of being about when I'm there, because he doesn't like me."

"What could he be more asinine than that? Did you say she has looks?" Osmond went on.

"Yes; but I won't say it again, lest you should be disappointed in them. Come and make a beginning; that's all I ask of you."

"A beginning of what?"

Madame Merle was silent a little. "I want you of course to marry her."

"The beginning of the end? Well, I'll see for myself. Have you told her that?"

"For what do you take me? She's not so coarse a piece of machinery—nor am I."

"Really," said Osmond after some meditation, "I don't understand your ambitions."

"I think you'll understand this one after you've seen Miss Archer. Suspend your judgement." Madame Merle, as she spoke, had drawn near the open door of the garden, where she stood a moment looking out. "Pansy has really grown pretty," she presently added.

"So it seemed to me."

"But she has had enough of the convent."

"I don't know," said Osmond. "I like what they've made of her. It's very charming."

"That's not the convent. It's the child's nature."

"It's the combination, I think. She's as pure as a pearl."

"Why doesn't she come back with my flowers then?" Madame Merle asked. "She's not in a hurry."

"We'll go and get them."

"She doesn't like me," the visitor murmured as she raised her parasol and they passed into the garden.



CHAPTER XXIII

Madame Merle, who had come to Florence on Mrs. Touchett's arrival at the invitation of this lady—Mrs. Touchett offering her for a month the hospitality of Palazzo Crescentini—the judicious Madame Merle spoke to Isabel afresh about Gilbert Osmond and expressed the hope she might know him; making, however, no such point of the matter as we have seen her do in recommending the girl herself to Mr. Osmond's attention. The reason of this was perhaps that Isabel offered no resistance whatever to Madame Merle's proposal. In Italy, as in England, the lady had a multitude of friends, both among the natives of the country and its heterogeneous visitors. She had mentioned to Isabel most of the people the girl would find it well to "meet"—of course, she said, Isabel could know whomever in the wide world she would—and had placed Mr. Osmond near the top of the list. He was an old friend of her own; she had known him these dozen years; he was one of the cleverest and most agreeable men—well, in Europe simply. He was altogether above the respectable average; quite another affair. He wasn't a professional charmer—far from it, and the effect he produced depended a good deal on the state of his nerves and his spirits. When not in the right mood he could fall as low as any one, saved only by his looking at such hours rather like a demoralised prince in exile. But if he cared or was interested or rightly challenged—just exactly rightly it had to be—then one felt his cleverness and his distinction. Those qualities didn't depend, in him, as in so many people, on his not committing or exposing himself. He had his perversities—which indeed Isabel would find to be the case with all the men really worth knowing—and didn't cause his light to shine equally for all persons. Madame Merle, however, thought she could undertake that for Isabel he would be brilliant. He was easily bored, too easily, and dull people always put him out; but a quick and cultivated girl like Isabel would give him a stimulus which was too absent from his life. At any rate he was a person not to miss. One shouldn't attempt to live in Italy without making a friend of Gilbert Osmond, who knew more about the country than any one except two or three German professors. And if they had more knowledge than he it was he who had most perception and taste—being artistic through and through. Isabel remembered that her friend had spoken of him during their plunge, at Gardencourt, into the deeps of talk, and wondered a little what was the nature of the tie binding these superior spirits. She felt that Madame Merle's ties always somehow had histories, and such an impression was part of the interest created by this inordinate woman. As regards her relations with Mr. Osmond, however, she hinted at nothing but a long-established calm friendship. Isabel said she should be happy to know a person who had enjoyed so high a confidence for so many years. "You ought to see a great many men," Madame Merle remarked; "you ought to see as many as possible, so as to get used to them."

"Used to them?" Isabel repeated with that solemn stare which sometimes seemed to proclaim her deficient in the sense of comedy. "Why, I'm not afraid of them—I'm as used to them as the cook to the butcher-boys."

"Used to them, I mean, so as to despise them. That's what one comes to with most of them. You'll pick out, for your society, the few whom you don't despise."

This was a note of cynicism that Madame Merle didn't often allow herself to sound; but Isabel was not alarmed, for she had never supposed that as one saw more of the world the sentiment of respect became the most active of one's emotions. It was excited, none the less, by the beautiful city of Florence, which pleased her not less than Madame Merle had promised; and if her unassisted perception had not been able to gauge its charms she had clever companions as priests to the mystery. She was—in no want indeed of esthetic illumination, for Ralph found it a joy that renewed his own early passion to act as cicerone to his eager young kinswoman. Madame Merle remained at home; she had seen the treasures of Florence again and again and had always something else to do. But she talked of all things with remarkable vividness of memory—she recalled the right-hand corner of the large Perugino and the position of the hands of the Saint Elizabeth in the picture next to it. She had her opinions as to the character of many famous works of art, differing often from Ralph with great sharpness and defending her interpretations with as much ingenuity as good-humour. Isabel listened to the discussions taking place between the two with a sense that she might derive much benefit from them and that they were among the advantages she couldn't have enjoyed for instance in Albany. In the clear May mornings before the formal breakfast—this repast at Mrs. Touchett's was served at twelve o'clock—she wandered with her cousin through the narrow and sombre Florentine streets, resting a while in the thicker dusk of some historic church or the vaulted chambers of some dispeopled convent. She went to the galleries and palaces; she looked at the pictures and statues that had hitherto been great names to her, and exchanged for a knowledge which was sometimes a limitation a presentiment which proved usually to have been a blank. She performed all those acts of mental prostration in which, on a first visit to Italy, youth and enthusiasm so freely indulge; she felt her heart beat in the presence of immortal genius and knew the sweetness of rising tears in eyes to which faded fresco and darkened marble grew dim. But the return, every day, was even pleasanter than the going forth; the return into the wide, monumental court of the great house in which Mrs. Touchett, many years before, had established herself, and into the high, cool rooms where the carven rafters and pompous frescoes of the sixteenth century looked down on the familiar commodities of the age of advertisement. Mrs. Touchett inhabited an historic building in a narrow street whose very name recalled the strife of medieval factions; and found compensation for the darkness of her frontage in the modicity of her rent and the brightness of a garden where nature itself looked as archaic as the rugged architecture of the palace and which cleared and scented the rooms in regular use. To live in such a place was, for Isabel, to hold to her ear all day a shell of the sea of the past. This vague eternal rumour kept her imagination awake.

Gilbert Osmond came to see Madame Merle, who presented him to the young lady lurking at the other side of the room. Isabel took on this occasion little part in the talk; she scarcely even smiled when the others turned to her invitingly; she sat there as if she had been at the play and had paid even a large sum for her place. Mrs. Touchett was not present, and these two had it, for the effect of brilliancy, all their own way. They talked of the Florentine, the Roman, the cosmopolite world, and might have been distinguished performers figuring for a charity. It all had the rich readiness that would have come from rehearsal. Madame Merle appealed to her as if she had been on the stage, but she could ignore any learnt cue without spoiling the scene—though of course she thus put dreadfully in the wrong the friend who had told Mr. Osmond she could be depended on. This was no matter for once; even if more had been involved she could have made no attempt to shine. There was something in the visitor that checked her and held her in suspense—made it more important she should get an impression of him than that she should produce one herself. Besides, she had little skill in producing an impression which she knew to be expected: nothing could be happier, in general, than to seem dazzling, but she had a perverse unwillingness to glitter by arrangement. Mr. Osmond, to do him justice, had a well-bred air of expecting nothing, a quiet ease that covered everything, even the first show of his own wit. This was the more grateful as his face, his head, was sensitive; he was not handsome, but he was fine, as fine as one of the drawings in the long gallery above the bridge of the Uffizi. And his very voice was fine—the more strangely that, with its clearness, it yet somehow wasn't sweet. This had had really to do with making her abstain from interference. His utterance was the vibration of glass, and if she had put out her finger she might have changed the pitch and spoiled the concert. Yet before he went she had to speak.

"Madame Merle," he said, "consents to come up to my hill-top some day next week and drink tea in my garden. It would give me much pleasure if you would come with her. It's thought rather pretty—there's what they call a general view. My daughter too would be so glad—or rather, for she's too young to have strong emotions, I should be so glad—so very glad." And Mr. Osmond paused with a slight air of embarrassment, leaving his sentence unfinished. "I should be so happy if you could know my daughter," he went on a moment afterwards.

Isabel replied that she should be delighted to see Miss Osmond and that if Madame Merle would show her the way to the hill-top she should be very grateful. Upon this assurance the visitor took his leave; after which Isabel fully expected her friend would scold her for having been so stupid. But to her surprise that lady, who indeed never fell into the mere matter-of-course, said to her in a few moments,

"You were charming, my dear; you were just as one would have wished you. You're never disappointing."

A rebuke might possibly have been irritating, though it is much more probable that Isabel would have taken it in good part; but, strange to say, the words that Madame Merle actually used caused her the first feeling of displeasure she had known this ally to excite. "That's more than I intended," she answered coldly. "I'm under no obligation that I know of to charm Mr. Osmond."

Madame Merle perceptibly flushed, but we know it was not her habit to retract. "My dear child, I didn't speak for him, poor man; I spoke for yourself. It's not of course a question as to his liking you; it matters little whether he likes you or not! But I thought you liked HIM."

"I did," said Isabel honestly. "But I don't see what that matters either."

"Everything that concerns you matters to me," Madame Merle returned with her weary nobleness; "especially when at the same time another old friend's concerned."

Whatever Isabel's obligations may have been to Mr. Osmond, it must be admitted that she found them sufficient to lead her to put to Ralph sundry questions about him. She thought Ralph's judgements distorted by his trials, but she flattered herself she had learned to make allowance for that.

"Do I know him?" said her cousin. "Oh, yes, I 'know' him; not well, but on the whole enough. I've never cultivated his society, and he apparently has never found mine indispensable to his happiness. Who is he, what is he? He's a vague, unexplained American who has been living these thirty years, or less, in Italy. Why do I call him unexplained? Only as a cover for my ignorance; I don't know his antecedents, his family, his origin. For all I do know he may be a prince in disguise; he rather looks like one, by the way—like a prince who has abdicated in a fit of fastidiousness and has been in a state of disgust ever since. He used to live in Rome; but of late years he has taken up his abode here; I remember hearing him say that Rome has grown vulgar. He has a great dread of vulgarity; that's his special line; he hasn't any other that I know of. He lives on his income, which I suspect of not being vulgarly large. He's a poor but honest gentleman that's what he calls himself. He married young and lost his wife, and I believe he has a daughter. He also has a sister, who's married to some small Count or other, of these parts; I remember meeting her of old. She's nicer than he, I should think, but rather impossible. I remember there used to be some stories about her. I don't think I recommend you to know her. But why don't you ask Madame Merle about these people? She knows them all much better than I."

"I ask you because I want your opinion as well as hers," said Isabel.

"A fig for my opinion! If you fall in love with Mr. Osmond what will you care for that?"

"Not much, probably. But meanwhile it has a certain importance. The more information one has about one's dangers the better."

"I don't agree to that—it may make them dangers. We know too much about people in these days; we hear too much. Our ears, our minds, our mouths, are stuffed with personalities. Don't mind anything any one tells you about any one else. Judge everyone and everything for yourself."

"That's what I try to do," said Isabel "but when you do that people call you conceited."

"You're not to mind them—that's precisely my argument; not to mind what they say about yourself any more than what they say about your friend or your enemy."

Isabel considered. "I think you're right; but there are some things I can't help minding: for instance when my friend's attacked or when I myself am praised."

"Of course you're always at liberty to judge the critic. Judge people as critics, however," Ralph added, "and you'll condemn them all!"

"I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay him a visit."

"To pay him a visit?"

"To go and see his view, his pictures, his daughter—I don't know exactly what. Madame Merle's to take me; she tells me a great many ladies call on him."

"Ah, with Madame Merle you may go anywhere, de confiance," said Ralph. "She knows none but the best people."

Isabel said no more about Mr. Osmond, but she presently remarked to her cousin that she was not satisfied with his tone about Madame Merle. "It seems to me you insinuate things about her. I don't know what you mean, but if you've any grounds for disliking her I think you should either mention them frankly or else say nothing at all."

Ralph, however, resented this charge with more apparent earnestness than he commonly used. "I speak of Madame Merle exactly as I speak to her: with an even exaggerated respect."

"Exaggerated, precisely. That's what I complain of."

"I do so because Madame Merle's merits are exaggerated."

"By whom, pray? By me? If so I do her a poor service."

"No, no; by herself."

"Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who made small claims—!"

"You put your finger on it," Ralph interrupted. "Her modesty's exaggerated. She has no business with small claims—she has a perfect right to make large ones."

"Her merits are large then. You contradict yourself."

"Her merits are immense," said Ralph. "She's indescribably blameless; a pathless desert of virtue; the only woman I know who never gives one a chance."

"A chance for what?"

"Well, say to call her a fool! She's the only woman I know who has but that one little fault."

Isabel turned away with impatience. "I don't understand you; you're too paradoxical for my plain mind."

"Let me explain. When I say she exaggerates I don't mean it in the vulgar sense—that she boasts, overstates, gives too fine an account of herself. I mean literally that she pushes the search for perfection too far—that her merits are in themselves overstrained. She's too good, too kind, too clever, too learned, too accomplished, too everything. She's too complete, in a word. I confess to you that she acts on my nerves and that I feel about her a good deal as that intensely human Athenian felt about Aristides the Just."

Isabel looked hard at her cousin; but the mocking spirit, if it lurked in his words, failed on this occasion to peep from his face. "Do you wish Madame Merle to be banished?"

"By no means. She's much too good company. I delight in Madame Merle," said Ralph Touchett simply.

"You're very odious, sir!" Isabel exclaimed. And then she asked him if he knew anything that was not to the honour of her brilliant friend.

"Nothing whatever. Don't you see that's just what I mean? On the character of every one else you may find some little black speck; if I were to take half an hour to it, some day, I've no doubt I should be able to find one on yours. For my own, of course, I'm spotted like a leopard. But on Madame Merle's nothing, nothing, nothing!"

"That's just what I think!" said Isabel with a toss of her head. "That is why I like her so much."

"She's a capital person for you to know. Since you wish to see the world you couldn't have a better guide."

"I suppose you mean by that that she's worldly?"

"Worldly? No," said Ralph, "she's the great round world itself!"

It had certainly not, as Isabel for the moment took it into her head to believe, been a refinement of malice in him to say that he delighted in Madame Merle. Ralph Touchett took his refreshment wherever he could find it, and he would not have forgiven himself if he had been left wholly unbeguiled by such a mistress of the social art. There are deep-lying sympathies and antipathies, and it may have been that, in spite of the administered justice she enjoyed at his hands, her absence from his mother's house would not have made life barren to him. But Ralph Touchett had learned more or less inscrutably to attend, and there could have been nothing so "sustained" to attend to as the general performance of Madame Merle. He tasted her in sips, he let her stand, with an opportuneness she herself could not have surpassed. There were moments when he felt almost sorry for her; and these, oddly enough, were the moments when his kindness was least demonstrative. He was sure she had been yearningly ambitious and that what she had visibly accomplished was far below her secret measure. She had got herself into perfect training, but had won none of the prizes. She was always plain Madame Merle, the widow of a Swiss negociant, with a small income and a large acquaintance, who stayed with people a great deal and was almost as universally "liked" as some new volume of smooth twaddle. The contrast between this position and any one of some half-dozen others that he supposed to have at various moments engaged her hope had an element of the tragical. His mother thought he got on beautifully with their genial guest; to Mrs. Touchett's sense two persons who dealt so largely in too-ingenious theories of conduct—that is of their own—would have much in common. He had given due consideration to Isabel's intimacy with her eminent friend, having long since made up his mind that he could not, without opposition, keep his cousin to himself; and he made the best of it, as he had done of worse things. He believed it would take care of itself; it wouldn't last forever. Neither of these two superior persons knew the other as well as she supposed, and when each had made an important discovery or two there would be, if not a rupture, at least a relaxation. Meanwhile he was quite willing to admit that the conversation of the elder lady was an advantage to the younger, who had a great deal to learn and would doubtless learn it better from Madame Merle than from some other instructors of the young. It was not probable that Isabel would be injured.