I was shown to a room. None of the sensations I had had on first crossing the threshold were revived. I remembered them all; I felt none of them. Mrs. Blakesley came. She did not recognise me. I told her who I was. She stared at me for a moment, seemed to see the same face she had known still glimmering through all the changes that had crowded upon it, held out both her hands, and burst into tears.

"Mr. Campbell," she said, "you are changed! But not like her. She's the same to look at; but, oh dear!"

We were both silent for some time. At length she resumed:—

"Come to my room; I have been mistress here for some time now."

I followed her to the room Mrs. Wilson used to occupy. She put wine on the table. I told her my story. My labours, and my wounds, and my illness, slightly touched as I trust they were in the course of the tale, yet moved all her womanly sympathies.

"What can I do for you, Mr. Campbell?" she said.

"Let me see her," I replied.

She hesitated for a moment.

"I dare not, sir. I don't know what it might do to her. It might send her raving; and she is so quiet."

"Has she ever raved?"

"Not often since the first week or two. Now and then occasionally, for an hour or so, she would be wild, wanting to get out. But she gave that over altogether; and she has had her liberty now for a long time. But, Heaven bless her! at the worst she was always a lady."

"And am I to go away without even seeing her?"

"I am very sorry for you, Mr. Campbell."

I felt hurt—foolishly, I confess—and rose. She put her hand on my arm.

"I'll tell you what I'll do, sir. She always falls asleep in the afternoon; you may see her asleep, if you like."

"Thank you; thank you," I answered. "That will be much better. When shall I come?"

"About three o'clock."

I went wandering about the woods, and at three I was again in the housekeeper's room. She came to me presently, looking rather troubled.

"It is very odd," she began, the moment she entered, "but for the first time, I think, for years, she's not for her afternoon sleep."

"Does she sleep at night?" I asked.

"Like a bairn. But she sleeps a great deal; and the doctor says that's what keeps her so quiet. She would go raving again, he says, if the sleep did not soothe her poor brain."

"Could you not let me see her when she is asleep to-night?"

Again she hesitated, but presently replied:—

"I will, sir; but I trust to you never to mention it."

"Of course I will not."

"Come at ten o'clock, then. You will find the outer door on this side open. Go straight to my room."

With renewed thanks I left her and, once again betaking myself to the woods, wandered about till night, notwithstanding signs of an approaching storm. I thus kept within the boundaries of the demesne, and had no occasion to request re-admittance at any of the gates.

As ten struck on the tower-clock, I entered Mrs. Blakesley's room. She was not there. I sat down. In a few minutes she came.

"She is fast asleep," she said. "Come this way."

I followed, trembling. She led me to the same room Lady Alice used to occupy. The door was a little open. She pushed it gently, and I followed her in. The curtains towards the door were drawn. Mrs. Blakesley took me round to the other side.—There lay the lovely head, so phantom-like for years, coming only in my dreams; filling now, with a real presence, the eyes that had longed for it, as if in them dwelt an appetite of sight. It calmed my heart at once, which had been almost choking me with the violence of its palpitation. "That is not the face of insanity," I said to myself. "It is clear as the morning light." As I stood gazing, I made no comparisons between the past and the present, although I was aware of some difference—of some measure of the unknown fronting me; I was filled with the delight of beholding the face I loved—full, as it seemed to me, of mind and womanhood; sleeping—nothing more. I murmured a fervent "Thank God!" and was turning away with a feeling of satisfaction for all the future, and a strange great hope beginning to throb in my heart, when, after a little restless motion of her head on the pillow, her patient lips began to tremble. My soul rushed into my ears.

"Mr. Campbell," she murmured, "I cannot spell; what am I to do to learn?"

The unexpected voice, naming my name, sounded in my ears like a voice from the far-off regions where sighing is over. Then a smile gleamed up from the depths unseen, and broke and melted away all over her face. But her nurse had heard her speak, and now approached in alarm. She laid hold of my arm, and drew me towards the door. I yielded at once, but heard a moan from the bed as I went. I looked back—the curtains hid her from my view. Outside the door, Mrs. Blakesley stood listening for a moment, and then led the way downstairs.

"You made her restless. You see, sir, she never was like other people, poor dear!"

"Her face is not like one insane," I rejoined.

"I often think she looks more like herself when she's asleep," answered she. "And then I have often seen her smile. She never smiles when she's awake. But, gracious me, Mr. Campbell! what shall I do?"

This exclamation was caused by my suddenly falling back in my chair and closing my eyes. I had almost fainted. I had eaten nothing since breakfast; and had been wandering about in a state of excitement all day. I greedily swallowed the glass of wine she brought me, and then first became aware that the storm which I had seen gathering while I was in the woods had now broken loose. "What a night in the old hall!" thought I. The wind was dashing itself like a thousand eagles against the house, and the rain was trampling the roofs and the court like troops of galloping steeds. I rose to go.

But Mrs. Blakesley interfered.

"You don't leave this house to-night, Mr. Campbell," she said. "I won't have your death laid at my door."

I laughed.

"Dear Mrs. Blakesley,—" I said, seeing her determined.

"I won't hear a word," she interrupted. "I wouldn't let a horse out in such a tempest. No, no; you shall just sleep in your old quarters, across the passage there."

I did not care for any storm. It hardly even interested me. That beautiful face filled my whole being. But I yielded to Mrs. Blakesley, and not unwillingly.



CHAPTER XXIII

My Old Room.

Once more I was left alone in that room of dark oak, looking out on the little ivy-mantled court, of which I was now reminded by the howling of the storm within its high walls. Mrs. Blakesley had extemporised a bed for me on the old sofa; and the fire was already blazing away splendidly. I sat down beside it, and the sombre-hued Past rolled back upon me.

After I had floated, as it were, upon the waves of memory for some time, I suddenly glanced behind me and around the room, and a new and strange experience dawned upon me. Time became to my consciousness what some metaphysicians say it is in itself—only a form of human thought. For the Past had returned and had become the Present. I could not be sure that the Past had passed, that I had not been dreaming through the whole series of years and adventures, upon which I was able to look back. For here was the room, all as before; and here was I, the same man, with the same love glowing in my heart. I went on thinking. The storm went on howling. The logs went on cheerily burning. I rose and walked about the room, looking at everything as I had looked at it on the night of my first arrival. I said to myself, "How strange that I should feel as if all this had happened to me before!" And then I said, "Perhaps it has happened to me before." Again I said, "And when it did happen before, I felt as if it had happened before that; and perhaps it has been happening to me at intervals for ages." I opened the door of the closet, and looked at the door behind it, which led into the hall of the old house. It was bolted. But the bolt slipped back at my touch; twelve years were nothing in the history of its rust; or was it only yesterday I had forced the iron free from the adhesion of the rust-welded surfaces? I stood for a moment hesitating whether to open the door, and have one peep into the wide hall, full of intent echoes, listening breathless for one air of sound, that they might catch it up jubilant and dash it into the ears of—Silence—their ancient enemy—their Death. But I drew back, leaving the door unopened; and, sitting down again by my fire, sank into a kind of unconscious weariness. Perhaps I slept—I do not know; but as I became once more aware of myself, I awoke, as it were, in the midst of an old long-buried night. I was sitting in my own room, waiting for Lady Alice. And, as I sat waiting, and wishing she would come, by slow degrees my wishes intensified themselves, till I found myself, with all my gathered might, willing that she should come. The minutes passed, but the will remained.

How shall I tell what followed? The door of the closet opened—slowly, gently—and in walked Lady Alice, pale as death, her eyes closed, her whole person asleep. With a gliding motion as in a dream, where the volition that produces motion is unfelt, she seemed to me to dream herself across the floor to my couch, on which she laid herself down as gracefully, as simply, as in the old beautiful time. Her appearance did not startle me, for my whole condition was in harmony with the phenomenon. I rose noiselessly, covered her lightly from head to foot, and sat down, as of old to watch. How beautiful she was! I thought she had grown taller; but, perhaps, it was only that she had gained in form without losing anything in grace. Her face was, as it had always been, colourless; but neither it nor her figure showed any signs of suffering. The holy sleep had fed her physical as well as shielded her mental nature. But what would the waking be? Not all the power of the revived past could shut out the anticipation of the dreadful difference to be disclosed, the moment she should open those sleeping eyes. To what a frightfully farther distance was that soul now removed, whose return I had been wont to watch, as from the depths of the unknown world! That was strange; this was terrible. Instead of the dawn of rosy intelligence I had now to look for the fading of the loveliness as she woke, till her face withered into the bewildered and indigent expression of the insane.

She was waking. My love with the unknown face was at hand. The reviving flush came, grew, deepened. She opened her eyes. God be praised! They were lovelier than ever. And the smile that broke over her face was the very sunlight of the soul.

"Come again, you see!" she said gently, as she stretched her beautiful arms towards me.

I could not speak. I could only submit to her embrace, and hold myself with all my might, lest I should burst into helpless weeping. But a sob or two broke their prison, and she felt the emotion she had not seen. Relaxing her hold, she pushed me gently from her, and looked at me with concern that grew as she looked.

"You are dreadfully changed, my Duncan! What is the matter? Has Lord Hilton been rude to you? You look so much older, somehow. What can it be?"

I understood at once how it was. The whole of those dreary twelve years was gone. The thread of her consciousness had been cut, those years dropped out, and the ends reunited. She thought this was one of her old visits to me, when, as now, she had walked in her sleep. I answered,

"I will tell you all another time. I don't want to waste the moments with you, my Alice, in speaking about it. Lord Hilton has behaved very badly to me; but never mind."

She half rose in anger; and her eyes looked insane for the first time.

"How dares he?" she said, and then checked herself with a sigh at her own helplessness.

"But it will all come right, Alice," I went on in terror lest I should disturb her present conception of her circumstances. I felt as if the very face I wore, with the changes of those twelve forgotten years, which had passed over her like the breath of a spring wind, were a mask of which I had to be ashamed before her. Her consciousness was my involuntary standard of fact. Hope of my life as she was, there was thus mingled with my delight in her presence a restless fear that made me wish fervently that she would go. I wanted time to quiet my thoughts and resolve how I should behave to her.

"Alice," I said, "it is nearly morning. You were late to-night. Don't you think you had better go—for fear, you know?"

"Ah!" she said, with a smile, in which there was no doubt of fear, "you are tired of me already! But I will go at once to dream about you."

She rose.

"Go, my darling," I said; "and mind you get some right sleep. Shall I go with you?"

Much to my relief, she answered,

"No, no; please not. I can go alone as usual. When a ghost meets me, I just walk through him, and then he's nowhere; and I laugh."

One kiss, one backward lingering look, and the door closed behind her. I heard the echo of the great hall. I was alone. But what a loneliness—a loneliness crowded with presence! I paced up and down the room, threw myself on the couch she had left, started up, and paced again. It was long before I could think. But the conviction grew upon me that she would be mine yet. Mine yet? Mine she was, beyond all the power of madness or demons; and mine I trusted she would be beyond the dispute of the world. About me, at least, she was not insane. But what should I do? The only chance of her recovery lay in seeing me still; but I could resolve on nothing till I knew whether Mrs. Blakesley had discovered her absence from her room; because, if I drew her, and she were watched and prevented from coming, it would kill her, or worse. I must take to-morrow to think.

Yet at the moment, by a sudden impulse, I opened the window gently, stepped into the little grassy court, where the last of the storm was still moaning, and withdrew the bolts of a door which led into an alley of trees running along one side of the kitchen-garden. I felt like a housebreaker; but I said, "It is her right." I pushed the bolts forward again, so as just to touch the sockets and look as if they went in, and then retreated into my own room, where I paced about till the household was astir.



CHAPTER XXIV

Prison-Breaking.

It was with considerable anxiety that I repaired to Mrs. Blakesley's room. There I found the old lady at the breakfast-table, so thoroughly composed, that I was at once reassured as to her ignorance of what had occurred while she slept. But she seemed uneasy till I should take my departure, which I attributed to the fear that I might happen to meet Lady Alice.

Arrived at my inn, I kept my room, my dim-seen plans rendering it desirable that I should attract as little attention in the neighbourhood as might be. I had now to concentrate these plans, and make them definite to myself. It was clear that there was no chance of spending another night at Hilton Hall by invitation: would it be honourable to go there without one, as I, knowing all the outs and ins of the place, could, if I pleased? I went over the whole question of Alice's position in that house, and of the crime committed against her. I saw that, if I could win my wife by restoring to her the exercise of reason, that very success would justify the right I already possessed in her. And could she not demand of me to climb over any walls, or break open whatsoever doors, to free her from her prison—from the darkness of a clouded brain? Let them say what they would of the meanness and wickedness of gaining such access to, and using such power over, the insane—she was mine, and as safe with me as with her mother. There is a love that tears and destroys; and there is a love that enfolds and saves. I hated mesmerism and its vulgar impertinences; but here was a power I possessed, as far as I knew, only over one, and that one allied to me by a reciprocal influence, as well as long-tried affection.—Did not love give me the right to employ this power?

My cognitions concluded in the resolve to use the means in my hands for the rescue of Lady Alice. Midnight found me in the alley of the kitchen-garden. The door of the little court opened easily. Nor had I withdrawn its bolts without knowing that I could manage to open the window of my old room from the outside. I stood in the dark, a stranger and housebreaker, where so often I had sat waiting the visits of my angel. I secured the door of the room, struck a light, lighted a remnant of taper which I found on the table, threw myself on the couch, and said to my Alice—"Come."

And she came. I rose. She laid herself down. I pulled off my coat—it was all I could find—and laid it over her. The night was chilly. She revived with the same sweet smile, but, giving a little shiver, said:

"Why have you no fire, Duncan? I must give orders about it. That's some trick of old Clankshoe."

"Dear Alice, do not breath a word about me to any one. I have quarrelled with Lord Hilton. He has turned me away, and I have no business to be in the house."

"Oh!" she replied, with a kind of faint recollecting hesitation. "That must be why you never come to the haunted chamber now. I go there every night, as soon as the sun is down."

"Yes, that is it, Alice."

"Ah! that must be what makes the day so strange to me too."

She looked very bewildered for a moment, and then resumed:

"Do you know, Duncan, I feel very strange all day—as if I was walking about in a dull dream that would never come to an end? But it is very different at night—is it not, dear?"

She had not yet discovered any distinction between my presence to her dreams and my presence to her waking sight. I hardly knew what reply to make; but she went on:

"They won't let me come to you now, I suppose. I shall forget my Euclid and everything. I feel as if I had forgotten it all already. But you won't be vexed with your poor Alice, will you? She's only a beggar-girl, you know."

I could answer only by a caress.

"I had a strange dream the other night. I thought I was sitting on a stone in the dark. And I heard your voice calling me. And it went all round about me, and came nearer, and went farther off, but I could not move to go to you. I tried to answer you, but I could only make a queer sound, not like my own voice at all."

"I dreamed it too, Alice."

"The same dream?"

"Yes, the very same."

"I am so glad. But I didn't like the dream. Duncan, my head feels so strange sometimes. And I am so sleepy. Duncan, dearest—am I dreaming now? Oh! tell me that I am awake and that I hold you; for to-morrow, when I wake, I shall fancy that I have lost you. They've spoiled my poor brain, somehow. I am all right, I know, but I cannot get at it. The red is withered, somehow."

"You are wide awake, my Alice. I know all about it. I will help you to understand it all, only you must do exactly as I tell you."

"Yes, yes."

"Then go to bed now, and sleep as much as you can; else I will not let you come to me at night."

"That would be too cruel, when it is all I have."

"Then go, dearest, and sleep."

"I will."

She rose and went. I, too, went, making all close behind me. The moon was going down. Her light looked to me strange, and almost malignant. I feared that when she came to the full she would hurt my darling's brain, and I longed to climb the sky, and cut her in pieces. Was I too going mad? I needed rest, that was all.

Next morning, I called again upon Mrs. Blakesley, to inquire after Lady Alice, anxious to know how yesterday had passed.

"Just the same," answered the old lady. "You need not look for any change. Yesterday I did see her smile once, though."

And was that nothing?

In her case there was a reversal of the usual facts of nature—(I say facts, not laws): the dreams of most people are more or less insane; those of Lady Alice were sound; thus, with her, restoring the balance of sane life. That smile was the sign of the dream-life beginning to leaven the waking and false life.

"Have you heard of young Lord Hilton's marriage?" asked Mrs. Blakesley.

"I have only heard some rumours about it," I answered. "Who is the new countess?"

"The daughter of a rich merchant somewhere. They say she isn't the best of tempers. They're coming here in about a month. I am just terrified to think how it may fare with my lamb now. They won't let her go wandering about wherever she pleases, I doubt. And if they shut her up, she will die."

I vowed inwardly that she should be free, if I carried her off, madness and all.



CHAPTER XXV

New Entrenchments.

But this way of breaking into the house every night did not afford me the facility I wished. For I wanted to see Lady Alice during the day, or at least in the evening before she went to sleep; as otherwise I could not thoroughly judge of her condition. So I got Wood to pack up a small stock of provisions for me in his haversack, which I took with me; and when I entered the house that night, I bolted the door of the court behind me, and made all fast.

I waited till the usual time for her appearance had passed; and, always apprehensive now, as was very natural, I had begun to grow uneasy, when I heard her voice, as I had heard it once before, singing. Fearful of disturbing her, I listened for a moment. Whether the song was her own or not, I cannot be certain. When I questioned her afterwards, she knew nothing about it. It was this,—

Days of old, Ye are not dead, though gone from me; Ye are not cold, But like the summer-birds gone o'er the sea. The sun brings back the swallows fast, O'er the sea: When thou comest at the last, The days of old come back to me.

She ceased singing. Still she did not enter. I went into the closet, and found that the door was bolted. When I opened it, she entered, as usual; and, when she came to herself, seemed still better than before.

"Duncan," she said, "I don't know how it is, but I believe I must have forgotten everything I ever knew. I feel as if I had. I don't think I can even read. Will you teach me my letters?"

She had a book in her hand. I hailed this as another sign that her waking and sleeping thoughts bordered on each other; for she must have taken the book during her somnambulic condition. I did as she desired. She seemed to know nothing till I told her. But the moment I told her anything, she knew it perfectly. Before she left me that night she was reading tolerably, with many pauses of laughter that she should ever have forgotten how. The moment she shared the light of my mind, all was plain; where that had not shone, all was dark. The fact was, she was living still in the shadow of that shock which her nervous constitution had received from our discovery and my ejection.

As she was leaving me, I said,

"Shall you be in the haunted room at sunset tomorrow, Alice?"

"Of course I shall," she answered.

"You will find me there then," I rejoined—"that is, if you think there is no danger of being seen."

"Not the least," she answered. "No one follows me there; not even Mrs. Blakesley, good soul! They are all afraid, as usual."

"And you won't be frightened to see me there?"

"Frightened? No. Why? Oh! you think me queer too, do you?"

She looked vexed, but tried to smile.

"I? I would trust you with my life," I said. "That's not much, though—with my soul, whatever that means, Alice."

"Then don't talk nonsense," she rejoined coaxingly, "about my being frightened to see you."

When she had gone, I followed into the old hall, taking my sack with me; for, after having found the door in the closet bolted, I was determined not to spend one night more in my old quarters, and never to allow Lady Alice to go there again, if I could prevent her. And I had good hopes that, if we met in the day, the same consequences would follow as had followed long ago—namely, that she would sleep at night.

It was just such a night as that on which I had first peeped into the hall. The moon shone through one of the high windows, scarcely more dim than before, and showed all the dreariness of the place. I went up the great old staircase, hoping I trod in the very footsteps of Lady Alice, and reached the old gallery in which I had found her on that night when our strangely-knit intimacy began. My object was to choose one of the deserted rooms in which I might establish myself without chance of discovery. I had not turned many corners, or gone through many passages, before I found one exactly to my mind. I will not trouble my reader with a description of its odd position and shape. All I wanted was concealment, and that it provided plentifully. I lay down on the floor, and was soon fast asleep.

Next morning, having breakfasted from the contents of my bag, I proceeded to make myself thoroughly acquainted with the bearings, etc., of this portion of the house. Before evening, I knew it all thoroughly.

But I found it very difficult to wait for the evening. By the windows of one of the rooms looking westward, I sat watching the down-going of the sun. When he set, my moon would rise. As he touched the horizon, I went the old, well-known way to the haunted chamber. What a night had passed for me since I left Alice in that charmed room! I had a vague feeling, however, notwithstanding the misfortune that had befallen us there, that the old phantoms that haunted it were friendly to Alice and me. But I waited her arrival in fear. Would she come? Would she be as in the night? Or should I find her but half awake to life, and perhaps asleep to me?

One moment longer, and a light hand was laid on the door. It opened gently, and Alice, entering, flitted across the room straight to my arms. How beautiful she was! her old-fashioned dress bringing her into harmony with the room and its old consecrated twilight! For this room looked eastward, and there was only twilight here. She brought me some water, at my request; and then we read, and laughed over our reading. Every moment she not only knew something fresh, but knew that she had known it before. The dust of the years had to be swept away; but it was only dust, and flew at a breath. The light soon failed us in that dusky chamber; and we sat and whispered, till only when we kissed could we see each other's eyes. At length Lady Alice said:

"They are looking for me; I had better go. Shall I come at night?"

"No," I answered. "Sleep, and do not move."

"Very well, I will."

She went, and I returned to my den. There I lay and thought. Had she ever been insane at all? I doubted it. A kind of mental sleep or stupor had come upon her—nothing more. True it might be allied to madness; but is there a strong emotion that man or woman experiences that is not allied to madness? Still her mind was not clear enough to reflect the past. But if she never recalled that entirely, not the less were her love and tenderness—all womanliness—entire in her.

Next evening we met again, and the next, and many evenings. Every time I was more convinced than before that she was thoroughly sane in every practical sense, and that she would recall everything as soon as I reminded her. But this I forbore to do, fearing a reaction.

Meantime, after a marvellous fashion, I was living over again the old lovely time that had gone by twelve years ago; living it over again, partly in virtue of the oblivion that had invaded the companion and source of the blessedness of the time. She had never ceased to live it; but had renewed it in dreams, unknown as such, from which she awoke to forgetfulness and quiet, while I awoke from my troubled fancies to tears and battles.

It was strange, indeed, to live the past over again thus.



CHAPTER XXVI

Escape.

It was time, however, to lay some plan, and make some preparations, for our departure. The first thing to be secured was a convenient exit from the house. I searched in all directions, but could discover none better than that by which I had entered. Leaving the house one evening, as soon as Lady Alice had retired, I communicated my situation to Wood, who entered with all his heart into my projects. Most fortunately, through all her so-called madness, Lady Alice had retained and cherished the feeling that there was something sacred about the diamond-ring and the little money which had been intended for our flight before; and she had kept them carefully concealed, where she could find them in a moment. I had sent the ring to a friend in London, to sell it for me; and it produced more than I expected. I had then commissioned Wood to go to the county town and buy a light gig for me; and in this he had been very fortunate. My dear old Constancy had the accomplishment, not at all common to chargers, of going admirably in harness; and I had from the first enjoined upon Wood to get him into as good condition as possible. I now fixed a certain hour at which Wood was to be at a certain spot on one of the roads skirting the park, where I had found a crazy door in the plank-fence—with Constancy in the dogcart, and plenty of wraps for Alice.

"And for Heaven's sake, Wood," I concluded, "look to his shoes."

It may seem strange that I should have been able to go and come thus without detection; but it must be remembered that I had made myself more familiar with the place than any of its inhabitants, and that there were only a very few domestics in the establishment. The gardener and stableman slept in the house, for its protection; but I knew their windows perfectly, and most of their movements. I could watch them all day long, if I liked, from some loophole or other of my quarter; where, indeed, I sometimes found that the only occupation I could think of.

The next evening I said, "Alice, I must leave the house: will you go with me?"

"Of course I will, Duncan. When?"

"The night after to-morrow, as soon as every one is in bed and the house quiet. If you have anything you value very much, take it; but the lighter we go the better."

"I have nothing, Duncan. I will take a little bag—that will do for me."

"But dress as warmly as you can. It will be cold."

"Oh, yes; I won't forget that. Good night."

She took it as quietly as going to church.

I had not seen Mrs. Blakesley since she had told me that the young earl and countess were expected in about a month; else I might have learned one fact which it was very important I should have known, namely, that their arrival had been hastened by eight or ten days. The very morning of our intended departure, I was looking into the court through a little round hole I had cleared for observation in the dust of one of the windows, believing I had observed signs of unusual preparation on the part of the household, when a carriage drove up, followed by two others, and Lord and Lady Hilton descended and entered, with an attendance of some eight or ten.

There was a great bustle in the house all day. Of course I felt uneasy, for if anything should interfere with our flight, the presence of so many would increase whatever difficulty might occur. I was also uneasy about the treatment my Alice might receive from the new-comers. Indeed, it might be put out of her power to meet me at all. It had been arranged between us that she should not come to the haunted chamber at the usual hour, but towards midnight.

I was there waiting for her. The hour arrived; the house seemed quiet; but she did not come. I began to grow very uneasy. I waited half an hour more, and then, unable to endure it longer, crept to her door. I tried to open it, but found it fast. At the same moment I heard a light sob inside. I put my lips to the keyhole, and called "Alice." She answered in a moment:—

"They have locked me in."

The key was gone. There was no time to be lost. Who could tell what they might do to-morrow, if already they were taking precautions against her madness? I would try the key of a neighbouring door, and if that would not fit, I would burst the door open, and take the chance. As it was, the key fitted the lock, and the door opened. We locked it again on the outside, restored the key, and in another moment were in the haunted chamber. Alice was dressed, ready for flight. To me, it was very pathetic to see her in the shapes of years gone by. She looked faded and ancient, notwithstanding that this was the dress in which I had seen her so often of old. Her stream had been standing still, while mine had flowed on. She was a portrait of my own young Alice, a picture of her own former self.

One or two lights glancing about below detained us for a little while. We were standing near the window, feeling now very anxious to be clear of the house; Alice was holding me and leaning on me with the essence of trust; when, all at once, she dropped my arm, covered her face with her hands, and called out: "The horse with the clanking shoe!" At the same moment, the heavy door which communicated with this part of the house flew open with a crash, and footsteps came hurrying along the passage. A light gleamed into the room, and by it I saw that Lady Alice, who was standing close to me still, was gazing, with flashing eyes, at the door. She whispered hurriedly:

"I remember it all now, Duncan. My brain is all right. It is come again. But they shall not part us this time. You follow me for once."

As she spoke, I saw something glitter in her hand. She had caught up an old Malay creese that lay in a corner, and was now making for the door, at which half a dozen domestics were by this time gathered. They, too, saw the glitter, and made way. I followed close, ready to fell the first who offered to lay hands on her. But she walked through them unmenaced, and, once clear, sped like a bird into the recesses of the old house. One fellow started to follow. I tripped him up. I was collared by another. The same instant he lay by his companion, and I followed Alice. She knew the route well enough, and I overtook her in the great hall. We heard pursuing feet rattling down the echoing stair. To enter my room and bolt the door behind us was a moment's work; and a few moments more took us into the alley of the kitchen-garden. With speedy, noiseless steps, we made our way to the park, and across it to the door in the fence, where Wood was waiting for us, old Constancy pawing the ground with impatience for a good run.

He had had enough of it before twelve hours were over.

Was I not well recompensed for my long years of despair? The cold stars were sparkling overhead; a wind blew keen against us—the wind of our own flight; Constancy stepped out with a will; and I urged him on, for he bore my beloved and me into the future life. Close beside me she sat, wrapped warm from the cold, rejoicing in her deliverance, and now and then looking up with tear-bright eyes into my face. Once and again I felt her sob, but I knew it was a sob of joy, and not of grief. The spell was broken at last, and she was mine. I felt that not all the spectres of the universe could tear her from me, though now and then a slight shudder would creep through me, when the clank of Constancy's bit would echo sharply back from the trees we swept past.

We rested no more than was absolutely necessary; and in as short a space as ever horse could perform the journey, we reached the Scotch border, and before many more hours had gone over us, Alice was my wife.



CHAPTER XXVII

Freedom.

Honest Wood joined us in the course of a week or two, and has continued in my service ever since. Nor was it long before Mrs. Blakesley was likewise added to our household, for she had been instantly dismissed from the countess's service on the charge of complicity in Lady Alice's abduction.

We lived for some months in a cottage on a hill-side, overlooking one of the loveliest of the Scotch lakes. Here I was once more tutor to my Alice. And a quick scholar she was, as ever. Nor, I trust, was I slow in my part. Her character became yet clearer to me, every day. I understood her better and better.

She could endure marvellously; but without love and its joy she could not live, in any real sense. In uncongenial society, her whole mental faculty had frozen; when love came, her mental world, like a garden in the spring sunshine, blossomed and budded. When she lost me, the Present vanished, or went by her like an ocean that has no milestones; she caring only for the Past, living only in the Past, and that reflection of it in the dim glass of her hope, which prefigured the Future.

We have never again heard the clanking shoe. Indeed, after we had passed a few months in the absorption of each other's society, we began to find that we doubted a great deal of what seemed to have happened to us. It was as if the gates of the unseen world were closing against us, because we had shut ourselves up in the world of the present. But we let it go gladly. We felt that love was the gate to an unseen world infinitely beyond that region of the psychological in which we had hitherto moved; for this love was teaching us to love all men, and live for all men. In fact, we are now, I am glad to say, very much like other people; and wonder, sometimes, how much of the story of our lives might be accounted for on the supposition that unusual coincidences had fallen in with psychological peculiarities. Dr. Ruthwell, who is sometimes our most welcome guest, has occasionally hinted at the sabre-cut as the key to all the mysteries of the story, seeing nothing of it was at least recorded before I came under his charge. But I have only to remind him of one or two circumstances, to elicit from his honesty and immediate confession of bewilderment, followed by silence; although he evidently still clings to the notion that in that sabre-cut lies the solution of much of the marvel. At all events, he considers me sane enough now, else he would hardly honour me with so much of his confidence as he does. Having examined into Lady Alice's affairs, I claimed the fortune which she had inherited. Lord Hilton, my former pupil, at once acknowledged the justice of the claim, and was considerably astonished to find how much more might have been demanded of him, which had been spent over the allowance made from her income for her maintenance. But we had enough without claiming that.

My wife purchased for me the possession of my forefathers, and there we live in peace and hope. To her I owe the delight which I feel every day of my life in looking upon the haunts of my childhood as still mine. They help me to keep young. And so does my Alice's hair; for although much grey now mingles with mine, hers is as dark as ever. For her heart, I know that cannot grow old; and while the heart is young, man may laugh old Time in the face, and dare him to do his worst.



THE CRUEL PAINTER



Among the young men assembled at the University of Prague, in the year 159—, was one called Karl von Wolkenlicht. A somewhat careless student, he yet held a fair position in the estimation of both professors and men, because he could hardly look at a proposition without understanding it. Where such proposition, however, had to do with anything relating to the deeper insights of the nature, he was quite content that, for him, it should remain a proposition; which, however, he laid up in one of his mental cabinets, and was ready to reproduce at a moment's notice. This mental agility was more than matched by the corresponding corporeal excellence, and both aided in producing results in which his remarkable strength was equally apparent. In all games depending upon the combination of muscle and skill, he had scarce rivalry enough to keep him in practice. His strength, however, was embodied in such a softness of muscular outline, such a rare Greek-like style of beauty, and associated with such a gentleness of manner and behaviour, that, partly from the truth of the resemblance, partly from the absurdity of the contrast, he was known throughout the university by the diminutive of the feminine form of his name, and was always called Lottchen.

"I say, Lottchen," said one of his fellow-students, called Richter, across the table in a wine-cellar they were in the habit of frequenting, "do you know, Heinrich Hoellenrachen here says that he saw this morning, with mortal eyes, whom do you think?—Lilith."

"Adam's first wife?" asked Lottchen, with an attempt at carelessness, while his face flushed like a maiden's.

"None of your chaff!" said Richter. "Your face is honester than your tongue, and confesses what you cannot deny, that you would give your chance of salvation—a small one to be sure, but all you've got—for one peep at Lilith. Wouldn't you now, Lottchen?"

"Go to the devil!" was all Lottchen's answer to his tormentor; but he turned to Heinrich, to whom the students had given the surname above mentioned, because of the enormous width of his jaws, and said with eagerness and envy, disguising them as well as he could, under the appearance of curiosity—

"You don't mean it, Heinrich? You've been taking the beggar in! Confess now."

"Not I. I saw her with my two eyes."

"Notwithstanding the different planes of their orbits," suggested Richter.

"Yes, notwithstanding the fact that I can get a parallax to any of the fixed stars in a moment, with only the breadth of my nose for the base," answered Heinrich, responding at once to the fun, and careless of the personal defect insinuated. "She was near enough for even me to see her perfectly."

"When? Where? How?" asked Lottchen.

"Two hours ago. In the churchyard of St. Stephen's. By a lucky chance. Any more little questions, my child?" answered Hoellenrachen.

"What could have taken her there, who is seen nowhere?" said Richter.

"She was seated on a grave. After she left, I went to the place; but it was a new-made grave. There was no stone up. I asked the sexton about her. He said he supposed she was the daughter of the woman buried there last Thursday week. I knew it was Lilith."

"Her mother dead!" said Lottchen, musingly. Then he thought with himself—"She will be going there again, then!" But he took care that this ghost-thought should wander unembodied. "But how did you know her, Heinrich? You never saw her before."

"How do you come to be over head and ears in love with her, Lottchen, and you haven't seen her at all?" interposed Richter.

"Will you or will you not go to the devil?" rejoined Lottchen, with a comic crescendo; to which the other replied with a laugh.

"No one could miss knowing her," said Heinrich.

"Is she so very like, then?"

"It is always herself, her very self."

A fresh flask of wine, turning out to be not up to the mark, brought the current of conversation against itself; not much to the dissatisfaction of Lottchen, who had already resolved to be in the churchyard of St. Stephen's at sun-down the following day, in the hope that he too might be favoured with a vision of Lilith.

This resolution he carried out. Seated in a porch of the church, not knowing in what direction to look for the apparition he hoped to see, and desirous as well of not seeming to be on the watch for one, he was gazing at the fallen rose-leaves of the sunset, withering away upon the sky; when, glancing aside by an involuntary movement, he saw a woman seated upon a new-made grave, not many yards from where he sat, with her face buried in her hands, and apparently weeping bitterly. Karl was in the shadow of the porch, and could see her perfectly, without much danger of being discovered by her; so he sat and watched her. She raised her head for a moment, and the rose-flush of the west fell over it, shining on the tears with which it was wet, and giving the whole a bloom which did not belong to it, for it was always pale, and now pale as death. It was indeed the face of Lilith, the most celebrated beauty of Prague.

Again she buried her face in her hands; and Karl sat with a strange feeling of helplessness, which grew as he sat; and the longing to help her whom he could not help, drew his heart towards her with a trembling reverence which was quite new to him. She wept on. The western roses withered slowly away, and the clouds blended with the sky, and the stars gathered like drops of glory sinking through the vault of night, and the trees about the churchyard grew black, and Lilith almost vanished in the wide darkness. At length she lifted her head, and seeing the night around her, gave a little broken cry of dismay. The minutes had swept over her head, not through her mind, and she did not know that the dark had come.

Hearing her cry, Karl rose and approached her. She heard his footsteps, and started to her feet. Karl spoke—

"Do not be frightened," he said. "Let me see you home. I will walk behind you."

"Who are you?" she rejoined.

"Karl Wolkenlicht."

"I have heard of you. Thank you. I can go home alone."

Yet, as if in a half-dreamy, half-unconscious mood, she accepted his offered hand to lead her through the graves, and allowed him to walk beside her, till, reaching the corner of a narrow street, she suddenly bade him good-night and vanished. He thought it better not to follow her, so he returned her good-night and went home.

How to see her again was his first thought the next day; as, in fact, how to see her at all had been his first thought for many days. She went nowhere that ever he heard of; she knew nobody that he knew; she was never seen at church, or at market; never seen in the street. Her home had a dreary, desolate aspect. It looked as if no one ever went out or in. It was like a place on which decay had fallen because there was no indwelling spirit. The mud of years was baked upon its door, and no faces looked out of its dusty windows.

How then could she be the most celebrated beauty of Prague? How then was it that Heinrich Hoellenrachen knew her the moment he saw her? Above all, how was it that Karl Wolkenlicht had, in fact, fallen in love with her before ever he saw her? It was thus—

Her father was a painter. Belonging thus to the public, it had taken the liberty of re-naming him. Every one called him Teufelsbuerst, or Devilsbrush. It was a name with which, to judge from the nature of his representations, he could hardly fail to be pleased. For, not as a nightmare dream, which may alternate with the loveliest visions, but as his ordinary everyday work, he delighted to represent human suffering.

Not an aspect of human woe or torture, as expressed in countenance or limb, came before his willing imagination, but he bore it straightway to his easel. In the moments that precede sleep, when the black space before the eyes of the poet teems with lovely faces, or dawns into a spirit-landscape, face after face of suffering, in all varieties of expression, would crowd, as if compelled by the accompanying fiends, to present themselves, in awful levee, before the inner eye of the expectant master. Then he would rise, light his lamp, and, with rapid hand, make notes of his visions; recording, with swift successive sweeps of his pencil, every individual face which had rejoiced his evil fancy. Then he would return to his couch, and, well satisfied, fall asleep to dream yet further embodiments of human ill.

What wrong could man or mankind have done him, to be thus fearfully pursued by the vengeance of the artist's hate?

Another characteristic of the faces and form which he drew was, that they were all beautiful in the original idea. The lines of each face, however distorted by pain, would have been, in rest, absolutely beautiful; and the whole of the execution bore witness to the fact that upon this original beauty the painter had directed the artillery of anguish to bring down the sky-soaring heights of its divinity to the level of a hated existence. To do this, he worked in perfect accordance with artistic law, falsifying no line of the original forms. It was the suffering, rather than his pencil, that wrought the change. The latter was the willing instrument to record what the imagination conceived with a cruelty composed enough to be correct.

To enhance the beauty he had thus distorted, and so to enhance yet further the suffering that produced the distortion, he would often represent attendant demons, whom he made as ugly as his imagination could compass; avoiding, however, all grotesqueness beyond what was sufficient to indicate that they were demons, and not men. Their ugliness rose from hate, envy, and all evil passions; amongst which he especially delighted to represent a gloating exultation over human distress. And often in the midst of his clouds of demon faces, would some one who knew him recognise the painter's own likeness, such as the mirror might have presented it to him when he was busiest over the incarnation of some exquisite torture.

But apparently with the wish to avoid being supposed to choose such representations for their own sakes, he always found a story, often in the histories of the church, whose name he gave to the painting, and which he pretended to have inspired the pictorial conception. No one, however, who looked upon his suffering martyrs, could suppose for a moment that he honoured their martyrdom. They were but the vehicles for his hate of humanity. He was the torturer, and not Diocletian or Nero.

But, stranger yet to tell, there was no picture, whatever its subject, into which he did not introduce one form of placid and harmonious loveliness. In this, however, his fierceness was only more fully displayed. For in no case did this form manifest any relation either to the actors or the endurers in the picture. Hence its very loveliness became almost hateful to those who beheld it. Not a shade crossed the still sky of that brow, not a ripple disturbed the still sea of that cheek. She did not hate, she did not love the sufferers: the painter would not have her hate, for that would be to the injury of her loveliness: would not have her love, for he hated. Sometimes she floated above, as a still, unobservant angel, her gaze turned upward, dreaming along, careless as a white summer cloud, across the blue. If she looked down on the scene below, it was only that the beholder might see that she saw and did not care—that not a feather of her outspread pinions would quiver at the sight. Sometimes she would stand in the crowd, as if she had been copied there from another picture, and had nothing to do with this one, nor any right to be in it at all. Or when the red blood was trickling drop by drop from the crushed limb, she might be seen standing nearest, smiling over a primrose or the bloom on a peach. Some had said that she was the painter's wife; that she had been false to him; that he had killed her; and, finding that that was no sufficing revenge, thus half in love, and half in deepest hate, immortalised his vengeance. But it was now universally understood that it was his daughter, of whose loveliness extravagant reports went abroad; though all said, doubtless reading this from her father's pictures, that she was a beauty without a heart. Strange theories of something else supplying its place were rife among the anatomical students. With the girl in the pictures, the wild imagination of Lottchen, probably in part from her apparently absolute unattainableness and her undisputed heartlessness, had fallen in love, as far as the mere imagination can fall in love.

But again, how was he to see her? He haunted the house night after night. Those blue eyes never met his. No step responsive to his came from that door. It seemed to have been so long unopened that it had grown as fixed and hard as the stones that held its bolts in their passive clasp. He dared not watch in the daytime, and with all his watching at night, he never saw father or daughter or domestic cross the threshold. Little he thought that, from a shot-window near the door, a pair of blue eyes, like Lilith's, but paler and colder, were watching him just as a spider watches the fly that is likely ere long to fall into his toils. And into those toils Karl soon fell. For her form darkened the page; her form stood on the threshold of sleep; and when, overcome with watching, he did enter its precincts, her form entered with him, and walked by his side. He must find her; or the world might go to the bottomless pit for him. But how?

Yes. He would be a painter. Teufelsbuerst would receive him as a humble apprentice. He would grind his colours, and Teufelsbuerst would teach him the mysteries of the science which is the handmaiden of art. Then he might see her, and that was all his ambition.

In the clear morning light of a day in autumn, when the leaves were beginning to fall seared from the hand of that Death which has his dance in the chapels of nature as well as in the cathedral aisles of men—he walked up and knocked at the dingy door. The spider painter opened it himself. He was a little man, meagre and pallid, with those faded blue eyes, a low nose in three distinct divisions, and thin, curveless, cruel lips. He wore no hair on his face; but long grey locks, long as a woman's, were scattered over his shoulders, and hung down on his breast. When Wolkenlicht had explained his errand, he smiled a smile in which hypocrisy could not hide the cunning, and, after many difficulties, consented to receive him as a pupil, on condition that he would become an inmate of his house. Wolkenlicht's heart bounded with delight, which he tried to hide: the second smile of Teufelsbuerst might have shown him that he had ill succeeded. The fact that he was not a native of Prague, but coming from a distant part of the country, was entirely his own master in the city, rendered this condition perfectly easy to fulfil; and that very afternoon he entered the studio of Teufelsbuerst as his scholar and servant.

It was a great room, filled with the appliances and results of art. Many pictures, festooned with cobwebs, were hung carelessly on the dirty walls. Others, half finished, leaned against them, on the floor. Several, in different stages of progress, stood upon easels. But all spoke the cruel bent of the artist's genius. In one corner a lay figure was extended on a couch, covered with a pall of black velvet. Through its folds, the form beneath was easily discernible; and one hand and forearm protruded from beneath it, at right angles to the rest of the frame. Lottchen could not help shuddering when he saw it. Although he overcame the feeling in a moment, he felt a great repugnance to seating himself with his back towards it, as the arrangement of an easel, at which Teufelsbuerst wished him to draw, rendered necessary. He contrived to edge himself round, so that when he lifted his eyes he should see the figure, and be sure that it could not rise without his being aware of it. But his master saw and understood his altered position; and under some pretence about the light, compelled him to resume the position in which he had placed him at first; after which he sat watching, over the top of his picture, the expression of his countenance as he tried to draw; reading in it the horrid fancy that the figure under the pall had risen, and was stealthily approaching to look over his shoulder. But Lottchen resisted the feeling, and, being already no contemptible draughtsman, was soon interested enough to forget it. And then, any moment she might enter.

Now began a system of slow torture, for the chance of which the painter had been long on the watch—especially since he had first seen Karl lingering about the house. His opportunities of seeing physical suffering were nearly enough even for the diseased necessities of his art; but now he had one in his power, on whom, his own will fettering him, he could try any experiments he pleased for the production of a kind of suffering, in the observation of which he did not consider that he had yet sufficient experience. He would hold the very heart of the youth in his hand, and wring it and torture it to his own content. And lest Karl should be strong enough to prevent those expressions of pain for which he lay on the watch, he would make use of further means, known to himself, and known to few besides.

All that day Karl saw nothing of Lilith; but he heard her voice once—and that was enough for one day. The next, she was sitting to her father the greater part of the day, and he could see her as often as he dared glance up from his drawing. She had looked at him when she entered, but had shown no sign of recognition; and all day long she took no further notice of him. He hoped, at first, that this came of the intelligence of love; but he soon began to doubt it. For he saw that, with the holy shadow of sorrow, all that distinguished the expression of her countenance from that which the painter so constantly reproduced, had vanished likewise. It was the very face of the unheeding angel whom, as often as he lifted his eyes higher than hers, he saw on the wall above her, playing on a psaltery in the smoke of the torment ascending for ever from burning Babylon.—The power of the painter had not merely wrought for the representation of the woman of his imagination; it had had scope as well in realising her.

Karl soon began to see that communication, other than of the eyes, was all but hopeless; and to any attempt in that way she seemed altogether indisposed to respond. Nor if she had wished it, would it have been safe; for as often as he glanced towards her, instead of hers, he met the blue eyes of the painter gleaming upon him like winter lightning. His tones, his gestures, his words, seemed kind: his glance and his smile refused to be disguised.

The first day he dined alone in the studio, waited upon by an old woman; the next he was admitted to the family table, with Teufelsbuerst and Lilith. The room offered a strange contrast to the study. As far as handicraft, directed by a sumptuous taste, could construct a house-paradise, this was one. But it seemed rather a paradise of demons; for the walls were covered with Teufelsbuerst's paintings. During the dinner, Lilith's gaze scarcely met that of Wolkenlicht; and once or twice, when their eyes did meet, her glance was so perfectly unconcerned, that Karl wished he might look at her for ever without the fear of her looking at him again. She seemed like one whose love had rushed out glowing with seraphic fire, to be frozen to death in a more than wintry cold: she now walked lonely without her love. In the evenings, he was expected to continue his drawing by lamplight; and at night he was conducted by Teufelsbuerst to his chamber. Not once did he allow him to proceed thither alone, and not once did he leave him there without locking and bolting the door on the outside. But he felt nothing except the coldness of Lilith.

Day after day she sat to her father, in every variety of costume that could best show the variety of her beauty. How much greater that beauty might be, if it ever blossomed into a beauty of soul, Wolkenlicht never imagined; for he soon loved her enough to attribute to her all the possibilities of her face as actual possessions of her being. To account for everything that seemed to contradict this perfection, his brain was prolific in inventions; till he was compelled at last to see that she was in the condition of a rose-bud, which, on the point of blossoming, had been chilled into a changeless bud by the cold of an untimely frost. For one day, after the father and daughter had become a little more accustomed to his silent presence, a conversation began between them, which went on until he saw that Teufelsbuerst believed in nothing except his art. How much of his feeling for that could be dignified by the name of belief, seeing its objects were such as they were, might have been questioned. It seemed to Wolkenlicht to amount only to this: that, amidst a thousand distastes, it was a pleasant thing to reproduce on the canvas the forms he beheld around him, modifying them to express the prevailing feelings of his own mind.

A more desolate communication between souls than that which then passed between father and daughter could hardly be imagined. The father spoke of humanity and all its experiences in a tone of the bitterest scorn. He despised men, and himself amongst them; and rejoiced to think that the generations rose and vanished, brood after brood, as the crops of corn grew and disappeared. Lilith, who listened to it all unmoved, taking only an intellectual interest in the question, remarked that even the corn had more life than that; for, after its death, it rose again in the new crop. Whether she meant that the corn was therefore superior to man, forgetting that the superior can produce being without losing its own, or only advanced an objection to her father's argument, Wolkenlicht could not tell. But Teufelsbuerst laughed like the sound of a saw, and said: "Follow out the analogy, my Lilith, and you will see that man is like the corn that springs again after it is buried; but unfortunately the only result we know of is a vampire."

Wolkenlicht looked up, and saw a shudder pass through the frame, and over the pale thin face of the painter. This he could not account for. But Teufelsbuerst could have explained it, for there were strange whispers abroad, and they had reached his ear; and his philosophy was not quite enough for them. But the laugh with which Lilith met this frightful attempt at wit, grated dreadfully on Wolkenlicht's feeling. With her, too, however, a reaction seemed to follow. For, turning round a moment after, and looking at the picture on which her father was working, the tears rose in her eyes, and she said: "Oh! father, how like my mother you have made me this time!" "Child!" retorted the painter with a cold fierceness, "you have no mother. That which is gone out is gone out. Put no name in my hearing on that which is not. Where no substance is, how can there be a name?"

Lilith rose and left the room. Wolkenlicht now understood that Lilith was a frozen bud, and could not blossom into a rose. But pure love lives by faith. It loves the vaguely beheld and unrealised ideal. It dares believe that the loved is not all that she ever seemed. It is in virtue of this that love loves on. And it was in virtue of this, that Wolkenlicht loved Lilith yet more after he discovered what a grave of misery her unbelief was digging for her within her own soul. For her sake he would bear anything—bear even with calmness the torments of his own love; he would stay on, hoping and hoping.—The text, that we know not what a day may bring forth, is just as true of good things as of evil things; and out of Time's womb the facts must come.

But with the birth of this resolution to endure, his suffering abated; his face grew more calm; his love, no less earnest, was less imperious; and he did not look up so often from his work when Lilith was present. The master could see that his pupil was more at ease, and that he was making rapid progress in his art. This did not suit his designs, and he would betake himself to his further schemes.

For this purpose he proceeded first to simulate a friendship for Wolkenlicht, the manifestations of which he gradually increased, until, after a day or two, he asked him to drink wine with him in the evening. Karl readily agreed. The painter produced some of his best; but took care not to allow Lilith to taste it; for he had cunningly prepared and mingled with it a decoction of certain herbs and other ingredients, exercising specific actions upon the brain, and tending to the inordinate excitement of those portions of it which are principally under the rule of the imagination. By the reaction of the brain during the operation of these stimulants, the imagination is filled with suggestions and images. The nature of these is determined by the prevailing mood of the time. They are such as the imagination would produce of itself, but increased in number and intensity. Teufelsbuerst, without philosophising about it, called his preparation simply a love-philtre, a concoction well known by name, but the composition of which was the secret of only a few. Wolkenlicht had, of course, not the least suspicion of the treatment to which he was subjected.

Teufelsbuerst was, however, doomed to fresh disappointment. Not that his potion failed in the anticipated effect, for now Karl's real sufferings began; but that such was the strength of Karl's will, and his fear of doing anything that might give a pretext for banishing him from the presence of Lilith, that he was able to conceal his feelings far too successfully for the satisfaction of Teufelsbuerst's art. Yet he had to fetter himself with all the restraints that self-exhortation could load him with, to refrain from falling at the feet of Lilith and kissing the hem of her garment. For that, as the lowliest part of all that surrounded her, itself kissing the earth, seemed to come nearest within the reach of his ambition, and therefore to draw him the most.

No doubt the painter had experience and penetration enough to perceive that he was suffering intensely; but he wanted to see the suffering embodied in outward signs, bringing it within the region over which his pencil held sway. He kept on, therefore, trying one thing after another, and rousing the poor youth to agony; till to his other sufferings were added, at length, those of failing health; a fact which notified itself evidently enough even for Teufelsbuerst, though its signs were not of the sort he chiefly desired. But Karl endured all bravely.

Meantime, for various reasons, he scarcely ever left the house.

I must now interrupt the course of my story to introduce another element.

A few years before the period of my tale, a certain shoemaker of the city had died under circumstances more than suggestive of suicide. He was buried, however, with such precautions, that six weeks elapsed before the rumour of the facts broke out; upon which rumour, not before, the most fearful reports began to be circulated, supported by what seemed to the people of Prague incontestable evidence.—A spectrum of the deceased appeared to multitudes of persons, playing horrible pranks, and occasioning indescribable consternation throughout the whole town. This went on till at last, about eight months after his burial, the magistrates caused his body to be dug up; when it was found in just the condition of the bodies of those who in the eastern countries of Europe are called vampires. They buried the corpse under the gallows; but neither the digging up nor the reburying were of avail to banish the spectre. Again the spade and pick-axe were set to work, and the dead man being found considerably improved in condition since his last interment, was, with various horrible indignities, burnt to ashes, "after which the spectrum was never seen more."

And a second epidemic of the same nature had broken out a little before the period to which I have brought my story.

About midnight, after a calm frosty day, for it was now winter, a terrible storm of wind and snow came on. The tempest howled frightfully about the house of the painter, and Wolkenlicht found some solace in listening to the uproar, for his troubled thoughts would not allow him to sleep. It raged on all the next three days, till about noon on the fourth day, when it suddenly fell, and all was calm. The following night, Wolkenlicht, lying awake, heard unaccountable noises in the next house, as of things thrown about, of kicking and fighting horses, and of opening and shutting gates. Flinging wide his lattice and looking out, the noise of howling dogs came to him from every quarter of the town. The moon was bright and the air was still. In a little while he heard the sounds of a horse going at full gallop round the house, so that it shook as if it would fall; and flashes of light shone into his room. How much of this may have been owing to the effect of the drugs on poor Lottchen's brain, I leave my readers to determine. But when the family met at breakfast in the morning, Teufelsbuerst, who had been already out of doors, reported that he had found the marks of strange feet in the snow, all about the house and through the garden at the back; stating, as his belief, that the tracks must be continued over the roofs, for there was no passage otherwise. There was a wicked gleam in his eye as he spoke; and Lilith believed that he was only trying an experiment on Karl's nerves. He persisted that he had never seen any footprints of the sort before. Karl informed him of his experiences during the night; upon which Teufelsbuerst looked a little graver still, and proceeded to tell them that the storm, whose snow was still covering the ground, had arisen the very moment that their next door neighbour died, and had ceased as suddenly the moment he was buried, though it had raved furiously all the time of the funeral, so that "it made men's bodies quake and their teeth chatter in their heads." Karl had heard that the man, whose name was John Kuntz, was dead and buried. He knew that he had been a very wealthy, and therefore most respectable, alderman of the town; that he had been very fond of horses; and that he had died in consequence of a kick received from one of his own, as he was looking at his hoof. But he had not heard that, just before he died, a black cat "opened the casement with her nails, ran to his bed, and violently scratched his face and the bolster, as if she endeavoured by force to remove him out of the place where he lay. But the cat afterwards was suddenly gone, and she was no sooner gone, but he breathed his last."

So said Teufelsbuerst, as the reporter of the town talk. Lilith looked very pale and terrified; and it was perhaps owing to this that the painter brought no more tales home with him. There were plenty to bring, but he heard them all and said nothing. The fact was that the philosopher himself could not resist the infection of the fear that was literally raging in the city; and perhaps the reports that he himself had sold himself to the devil had sufficient response from his own evil conscience to add to the influence of the epidemic upon him. The whole place was infested with the presence of the dead Kuntz, till scarce a man or woman would dare to be alone. He strangled old men; insulted women; squeezed children to death; knocked out the brains of dogs against the ground; pulled up posts; turned milk into blood; nearly killed a worthy clergyman by breathing upon him the intolerable airs of the grave, cold and malignant and noisome; and, in short, filled the city with a perfect madness of fear, so that every report was believed without the smallest doubt or investigation.

Though Teufelsbuerst brought home no more of the town talk, the old servant was a faithful purveyor, and frequented the news-mart assiduously. Indeed she had some nightmare experiences of her own that she was proud to add to the stock of horrors which the city enjoyed with such a hearty community of goods. For those regions were not far removed from the birthplace and home of the vampire. The belief in vampires is the quintessential concentration and embodiment of all the passion of fear in Hungary and the adjacent regions. Nor, of all the other inventions of the human imagination, has there ever been one so perfect in crawling terror as this. Lilith and Karl were quite familiar with the popular ideas on the subject. It did not require to be explained to them, that a vampire was a body retaining a kind of animal life after the soul had departed. If any relation existed between it and the vanished ghost, it was only sufficient to make it restless in its grave. Possessed of vitality enough to keep it uncorrupted and pliant, its only instinct was a blind hunger for the sole food which could keep its awful life persistent—living human blood. Hence it, or, if not it, a sort of semi-material exhalation or essence of it, retaining its form and material relations, crept from its tomb, and went roaming about till it found some one asleep, towards whom it had an attraction, founded on old affection. It sucked the blood of this unhappy being, transferring so much of its life to itself as a vampire could assimilate. Death was the certain consequence. If suspicion conjectured aright, and they opened the proper grave, the body of the vampire would be found perfectly fresh and plump, sometimes indeed of rather florid complexion;—with grown hair, eyes half open, and the stains of recent blood about its greedy, leech-like lips. Nothing remained but to consume the corpse to ashes, upon which the vampire would show itself no more. But what added infinitely to the horror was the certainty that whoever died from the mouth of the vampire, wrinkled grandsire or delicate maiden, must in turn rise from the grave, and go forth a vampire, to suck the blood of the dearest left behind. This was the generation of the vampire brood. Lilith trembled at the very name of the creature. Karl was too much in love to be afraid of anything. Yet the evident fear of the unbelieving painter took a hold of his imagination; and, under the influence of the potions of which he still partook unwittingly, when he was not thinking about Lilith, he was thinking about the vampire.

Meantime, the condition of things in the painter's household continued much the same for Wolkenlicht—work all day; no communication between the young people; the dinner and the wine; silent reading when work was done, with stolen glances many over the top of the book, glances that were never returned; the cold good-night; the locking of the door; the wakeful night and the drowsy morning. But at length a change came, and sooner than any of the party had expected. For, whether it was that the impatience of Teufelsbuerst had urged him to yet more dangerous experiments, or that the continuance of those he had been so long employing had overcome at length the vitality of Wolkenlicht—one afternoon, as he was sitting at his work, he suddenly dropped from his chair, and his master hurrying to him in some alarm, found him rigid and apparently lifeless. Lilith was not in the study when this took place. In justice to Teufelsbuerst, it must be confessed that he employed all the skill he was master of, which for beneficent purposes was not very great, to restore the youth; but without avail. At last, hearing the footsteps of Lilith, he desisted in some consternation; and that she might escape being shocked by the sight of a dead body where she had been accustomed to see a living one, he removed the lay figure from the couch, and laid Karl in its place, covering him with a black velvet pall. He was just in time. She started at seeing no one in Karl's place and said—

"Where is your pupil, father?"

"Gone home," he answered, with a kind of convulsive grin.

She glanced round the room, caught sight of the lay figure where it had not been before, looked at the couch, and saw the pall yet heaved up from beneath, opened her eyes till the entire white sweep around the iris suggested a new expression of consternation to Teufelsbuerst, though from a quarter whence he did not desire or look for it; and then, without a word, sat down to a drawing she had been busy upon the day before. But her father, glancing at her now, as Wolkenlicht had used to do, could not help seeing that she was frightfully pale. She showed no other sign of uneasiness. As soon as he released her, she withdrew, with one more glance, as she passed, at the couch and the figure blocked out in black upon it. She hastened to her chamber, shut and locked the door, sat down on the side of the couch, and fell, not a-weeping, but a-thinking. Was he dead? What did it matter? They would all be dead soon. Her mother was dead already. It was only that the earth could not bear more children, except she devoured those to whom she had already given birth. But what if they had to come back in another form, and live another sad, hopeless, love-less life over again?—And so she went on questioning, and receiving no replies; while through all her thoughts passed and repassed the eyes of Wolkenlicht, which she had often felt to be upon her when she did not see them, wild with repressed longing, the light of their love shining through the veil of diffused tears, ever gathering and never overflowing. Then came the pale face, so worshipping, so distant in its self-withdrawn devotion, slowly dawning out of the vapours of her reverie. When it vanished, she tried to see it again. It would not come when she called it; but when her thoughts left knocking at the door of the lost, and wandered away, out came the pale, troubled, silent face again, gathering itself up from some unknown nook in her world of phantasy, and once more, when she tried to steady it by the fixedness of her own regard, fading back into the mist. So the phantasm of the dead drew near and wooed, as the living had never dared.—What if there were any good in loving? What if men and women did not die all out, but some dim shade of each, like that pale, mind-ghost of Wolkenlicht, floated through the eternal vapours of chaos? And what if they might sometimes cross each other's path, meet, know that they met, love on? Would not that revive the withered memory, fix the fleeting ghost, give a new habitation, a body even, to the poor, unhoused wanderers, frozen by the eternal frosts, no longer thinking beings, but thoughts wandering through the brain of the "Melancholy Mass?" Back with the thought came the face of the dead Karl, and the maiden threw herself on her bed in a flood of bitter tears. She could have loved him if he had only lived: she did love him, for he was dead. But even in the midst of the remorse that followed—for had she not killed him?—life seemed a less hard and hopeless thing than before. For it is love itself and not its responses or results that is the soul of life and its pleasures.

Two hours passed ere she could again show herself to her father, from whom she seemed in some new way divided by the new feeling in which he did not, and could not share. But at last, lest he should seek her, and finding her, should suspect her thoughts, she descended and sought him.—For there is a maidenliness in sorrow, that wraps her garments close around her.—But he was not to be seen; the door of the study was locked. A shudder passed through her as she thought of what her father, who lost no opportunity of furthering his all but perfect acquaintance with the human form and structure, might be about with the figure which she knew lay dead beneath that velvet pall, but which had arisen to haunt the hollow caves and cells of her living brain. She rushed away, and up once more to her silent room, through the darkness which had now settled down in the house; threw herself again on her bed, and lay almost paralysed with horror and distress.

But Teufelsbuerst was not about anything so frightful as she supposed, though something frightful enough. I have already implied that Wolkenlicht was, in form, as fine an embodiment of youthful manhood as any old Greek republic could have provided one of its sculptors with as model for an Apollo. It is true, that to the eye of a Greek artist he would not have been more acceptable in consequence of the regimen he had been going through for the last few weeks; but the emaciation of Wolkenlicht's frame, and the consequent prominence of the muscles, indicating the pain he had gone through, were peculiarly attractive to Teufelsbuerst.—He was busy preparing to take a cast of the body of his dead pupil, that it might aid to the perfection of his future labours.

He was deep in the artistic enjoyment of a form, at the same time so beautiful and strong, yet with the lines of suffering in every limb and feature, when his daughter's hand was laid on the latch. He started, flung the velvet drapery over the body, and went to the door. But Lilith had vanished. He returned to his labours. The operation took a long time, for he performed it very carefully. Towards midnight, he had finished encasing the body in a close-clinging shell of plaster, which, when broken off, and fitted together, would be the matrix to the form of the dead Wolkenlicht. Before leaving it to harden till the morning, he was just proceeding to strengthen it with an additional layer all over, when a flash of lightning, reflected in all its dazzle from the snow without, almost blinded him. A peal of long-drawn thunder followed; the wind rose; and just such a storm came on as had risen some time before at the death of Kuntz, whose spectre was still tormenting the city. The gnomes of terror, deep hidden in the caverns of Teufelsbuerst's nature, broke out jubilant. With trembling hands he tried to cast the pall over the awful white chrysalis,—failed, and fled to his chamber. And there lay the studio naked to the eyes of the lightning, with its tortured forms throbbing out of the dark, and quivering, as with life, in the almost continuous palpitations of the light; while on the couch lay the motionless mass of whiteness, gleaming blue in the lightning, almost more terrible in its crude indications of the human form, than that which it enclosed. It lay there as if dropped from some tree of chaos, haggard with the snows of eternity—a huge mis-shapen nut, with a corpse for its kernel.

But the lightning would soon have revealed a more terrible sight still, had there been any eyes to behold it. At midnight, while a peal of thunder was just dying away in the distance, the crust of death flew asunder, rending in all directions; and, pale as his investiture, staring with ghastly eyes, the form of Karl started up sitting on the couch. Had he not been far beyond ordinary men in strength, he could not thus have rent his sepulchre. Indeed, had Teufelsbuerst been able to finish his task by the additional layer of gypsum which he contemplated, he must have died the moment life revived; although, so long as the trance lasted, neither the exclusion from the air, nor the practical solidification of the walls of his chest, could do him any injury. He had lain unconscious throughout the operations of Teufelsbuerst, but now the catalepsy had passed away, possibly under the influence of the electric condition of the atmosphere. Very likely the strength he now put forth was intensified by a convulsive reaction of all the powers of life, as is not infrequently the case in sudden awakenings from similar interruptions of vital activity. The coming to himself and the bursting of his case were simultaneous. He sat staring about him, with, of all his mental faculties, only his imagination awake, from which the thoughts that occupied it when he fell senseless had not yet faded. These thoughts had been compounded of feelings about Lilith, and speculations about the vampire that haunted the neighbourhood; and the fumes of the last drug of which he had partaken, still hovering in his brain, combined with these thoughts and fancies to generate the delusion that he had just broken from the embrace of his coffin, and risen, the last-born of the vampire race. The sense of unavoidable obligation to fulfil his doom, was yet mingled with a faint flutter of joy, for he knew that he must go to Lilith. With a deep sigh, he rose, gathered up the pall of black velvet, flung it around him, stepped from the couch, and left the study to find her.

Meantime, Teufelsbuerst had sufficiently recovered to remember that he had left the door of the studio unfastened, and that any one entering would discover in what he had been engaged, which, in the case of his getting into any difficulty about the death of Karl, would tell powerfully against him. He was at the farther end of a long passage, leading from the house to the studio, on his way to make all secure, when Karl appeared at the door, and advanced towards him. The painter, seized with invincible terror, turned and fled. He reached his room, and fell senseless on the floor. The phantom held on its way, heedless.

Lilith, on gaining her room the second time, had thrown herself on her bed as before, and had wept herself into a troubled slumber. She lay dreaming—and dreadful dreams. Suddenly she awoke in one of those peals of thunder which tormented the high regions of the air, as a storm billows the surface of the ocean. She lay awake and listened. As it died away, she thought she heard, mingling with its last muffled murmurs, the sound of moaning. She turned her face towards the room in keen terror. But she saw nothing. Another light, long-drawn sigh reached her ear, and at the same moment a flash of lightning illumined the room. In the corner farthest from her bed, she spied a white face, nothing more. She was dumb and motionless with fear. Utter darkness followed, a darkness that seemed to enter into her very brain. Yet she felt that the face was slowly crossing the black gulf of the room, and drawing near to where she lay. The next flash revealed, as it bended over her, the ghastly face of Karl, down which flowed fresh tears. The rest of his form was lost in blackness. Lilith did not faint, but it was the very force of her fear that seemed to keep her alive. It became for the moment the atmosphere of her life. She lay trembling and staring at the spot in the darkness where she supposed the face of Karl still to be. But the next flash showed her the face far off, looking at her through the panes of her lattice-window.

For Lottchen, as soon as he saw Lilith, seemed to himself to go through a second stage of awaking. Her face made him doubt whether he could be a vampire after all; for instead of wanting to bite her arm and suck the blood, he all but fell down at her feet in a passion of speechless love. The next moment he became aware that his presence must be at least very undesirable to her; and in an instant he had reached her window, which he knew looked upon a lower roof that extended between two different parts of the house, and before the next flash came, he had stepped through the lattice and closed it behind him.

Believing his own room to be attainable from this quarter, he proceeded along the roof in the direction he judged best. The cold winter air by degrees restored him entirely to his right mind, and he soon comprehended the whole of the circumstances in which he found himself. Peeping through a window he was passing, to see whether it belonged to his room, he spied Teufelsbuerst, who, at the very moment, was lifting his head from the faint into which he had fallen at the first sight of Lottchen. The moon was shining clear, and in its light the painter saw, to his horror, the pale face staring in at his window. He thought it had been there ever since he had fainted, and dropped again in a deeper swoon than before. Karl saw him fall, and the truth flashed upon him that the wicked artist took him for what he had believed himself to be when first he recovered from his trance—namely, the vampire of the former Karl Wolkenlicht. The moment he comprehended it, he resolved to keep up the delusion if possible. Meantime he was innocently preparing a new ingredient for the popular dish of horrors to be served at the ordinary of the city the next day. For the old servant's were not the only eyes that had seen him besides those of Teufelsbuerst. What could be more like a vampire, dragging his pall after him, than this apparition of poor, half-frozen Lottchen, crawling across the roof? Karl remembered afterwards that he had heard the dogs howling awfully in every direction, as he crept along; but this was hardly necessary to make those who saw him conclude that it was the same phantasm of John Kuntz, which had been infesting the whole city, and especially the house next door to the painter's, which had been the dwelling of the respectable alderman who had degenerated into this most disreputable of moneyless vagabonds. What added to the consternation of all who heard of it, was the sickening conviction that the extreme measures which they had resorted to in order to free the city from the ghoul, beyond which nothing could be done, had been utterly unavailing, successful as they had proved in every other known case of the kind. For, urged as well by various horrid signs about his grave, which not even its close proximity to the altar could render a place of repose, they had opened it, had found in the body every peculiarity belonging to a vampire, had pulled it out with the greatest difficulty on account of a quite supernatural ponderosity; which rendered the horse which had killed him—a strong animal—all but unable to drag it along, and had at last, after cutting it in pieces, and expending on the fire two hundred and sixteen great billets, succeeded in conquering its incombustibleness, and reducing it to ashes. Such, at least, was the story which had reached the painter's household, and was believed by many; and if all this did not compel the perturbed corpse to rest, what more could be done?

When Karl had reached his room, and was dressing himself, the thought struck him that something might be made of the report of the extreme weight of the body of old Kuntz, to favour the continuance of the delusion of Teufelsbuerst, although he hardly knew yet to what use he could turn this delusion. He was convinced that he would have made no progress however long he might have remained in his house; and that he would have more chance of favour with Lilith if he were to meet her in any other circumstances whatever than those in which he invariably saw her—namely, surrounded by her father's influences, and watched by her father's cold blue eyes.

As soon as he was dressed, he crept down to the studio, which was now quiet enough, the storm being over, and the moon filling it with her steady shine. In the corner lay in all directions the fragments of the mould which his own body had formed and filled. The bag of plaster and the bucket of water which the painter had been using stood beside. Lottchen gathered all the pieces together, and then making his way to an outhouse where he had seen various odds and ends of rubbish lying, chose from the heap as many pieces of old iron and other metal as he could find. To these he added a few large stones from the garden. When he had got all into the studio, he locked the door, and proceeded to fit together the parts of the mould, filling up the hollow as he went on with the heaviest things he could get into it, and solidifying the whole by pouring in plaster; till, having at length completed it, and obliterated, as much as possible, the marks of joining, he left it to harden, with the conviction that now it would make a considerable impression on Teufelsbuerst's imagination, as well as on his muscular sense. He then left everything else as nearly undisturbed as he could; and, knowing all the ways of the house, was soon in the street, without leaving any signs of his exit.

Karl soon found himself before the house in which his friend Hoellenrachen resided. Knowing his studious habits, he had hoped to see his light still burning, nor was he disappointed. He contrived to bring him to his window, and a moment after, the door was cautiously opened.

"Why, Lottchen, where do you come from?"

"From the grave, Heinrich, or next door to it."

"Come in, and tell me all about it. We thought the old painter had made a model of you, and tortured you to death."

"Perhaps you were not far wrong. But get me a horn of ale, for even a vampire is thirsty, you know."

"A vampire!" exclaimed Heinrich, retreating a pace, and involuntarily putting himself upon his guard.

Karl laughed.

"My hand was warm, was it not, old fellow?" he said. "Vampires are cold, all but the blood."

"What a fool I am!" rejoined Heinrich. "But you know we have been hearing such horrors lately that a fellow may be excused for shuddering a little when a pale-faced apparition tells him at two o'clock in the morning that he is a vampire, and thirsty, too."

Karl told him the whole story; and the mental process of regarding it for the sake of telling it, revealed to him pretty clearly some of the treatment of which he had been unconscious at the time. Heinrich was quite sure that his suspicions were correct. And now the question was, what was to be done next?

"At all events," said Heinrich, "we must keep you out of the way for some time. I will represent to my landlady that you are in hiding from enemies, and her heart will rule her tongue. She can let you have a garret-room, I know; and I will do as well as I can to bear you company. We shall have time then to invent some plan of operation."

To this proposal Karl agreed with hearty thanks, and soon all was arranged. The only conclusion they could yet arrive at was, that somehow or other the old demon-painter must be tamed.

Meantime, how fared it with Lilith? She too had no doubt that she had seen the body-ghost of poor Karl, and that the vampire had, according to rule, paid her the first visit because he loved her best. This was horrible enough if the vampire were not really the person he represented; but if in any sense it were Karl himself, at least it gave some expectation of a more prolonged existence than her father had taught her to look for; and if love anything like her mother's still lasted, even along with the habits of a vampire, there was something to hope for in the future. And then, though he had visited her, he had not, as far as she was aware, deprived her of a drop of blood. She could not be certain that he had not bitten her, for she had been in such a strange condition of mind that she might not have felt it, but she believed that he had restrained the impulses of his vampire nature, and had left her, lest he should yet yield to them. She fell fast asleep; and, when morning came, there was not, as far as she could judge, one of those triangular leech-like perforations to be found upon her whole body. Will it be believed that the moment she was satisfied of this, she was seized by a terrible jealousy, lest Karl should have gone and bitten some one else? Most people will wonder that she should not have gone out of her senses at once; but there was all the difference between a visit from a real vampire and a visit from a man she had begun to love, even although she took him for a vampire. All the difference does not lie in a name. They were very different causes, and the effects must be very different.