"Let us go and meet them, Padre," she said quietly. With her father, her mother and the others, the inevitable introduction would be shorn of its danger. What Celeste might think was of no great importance; Celeste had been tried and her loyalty proven. Where had her father met him, and what diabolical stroke of fate had made him bring this man up here?

"Nora!" It was her mother calling.

She put her arm through the padre's, and they went forward leisurely.

"Why, father, I thought you weren't coming," said Nora. Her voice was without a tremor.

The padre hadn't the least idea that a volcano might at any moment open up at his side. He smiled benignly.

"Changed my mind," said Harrigan. "Nora, Molly, I want you to meet Mr. Courtlandt. I don't know that I ever said anything about it, but his father was one of the best friends I ever had. He was on his way up here, so I came along with him." Then Harrigan paused and looked about him embarrassedly. There were half a dozen unfamiliar faces.

The colonel quickly stepped into the breach, and the introduction of Courtlandt became general. Nora bowed, and became at once engaged in an animated conversation with the Barone, who had just finished his set victoriously.

The padre's benign smile slowly faded.



CHAPTER XII

DICK COURTLANDT'S BOY

Presently the servants brought out the tea-service. The silent dark-skinned Sikh, with his fierce curling whiskers, his flashing eyes, the semi-military, semi-oriental garb, topped by an enormous brown turban, claimed Courtlandt's attention; and it may be added that he was glad to have something to look at unembarrassedly. He wanted to catch the Indian's eye, but Rao had no glances to waste; he was concerned with the immediate business of superintending the service.

Courtlandt had never been a man to surrender to impulse. It had been his habit to form a purpose and then to go about the fulfilling of it. During the last four or five months, however, he had swung about like a weather-cock in April, the victim of a thousand and one impulses. That morning he would have laughed had any one prophesied his presence here. He had fought against the inclination strongly enough at first, but as hour after hour went by his resolution weakened. His meeting Harrigan had been a stroke of luck. Still, he would have come anyhow.

"Oh, yes; I am very fond of Como," he found himself replying mechanically to Mrs. Harrigan. He gave up Rao as hopeless so far as coming to his rescue was concerned. He began, despite his repugnance, to watch Nora.

"It is always a little cold in the higher Alps."

"I am very fond of climbing myself." Nora was laughing and jesting with one of the English tennis players. Not for nothing had she been called a great actress, he thought. It was not humanly possible that her heart was under better control than his own; and yet his was pounding against his ribs in a manner extremely disquieting. Never must he be left alone with her; always must it be under circumstances like this, with people about, and the more closely about the better. A game like this was far more exciting than tiger-hunting. It was going to assume the characteristics of a duel in which he, being the more advantageously placed, would succeed eventually in wearing down her guard. Hereafter, wherever she went, there must he also go: St. Petersburg or New York or London. And by and by the reporters would hear of it, and there would be rumors which he would neither deny nor affirm. Sport! He smiled, and the blood seemed to recede from his throat and his heart-beats to grow normal.

And all the while Mrs. Harrigan was talking and he was replying; and she thought him charming, whereas he had not formed any opinion of her at all, nor later could remember a word of the conversation.

"Tea!" bawled the colonel. The verb had its distinct uses, and one generally applied it to the colonel's outbursts without being depressed by the feeling of inelegance.

There is invariably some slight hesitation in the selection of chairs around a tea-table in the open. Nora scored the first point of this singular battle by seizing the padre on one side and her father on the other and pulling them down on the bench. It was adroit in two ways: it put Courtlandt at a safe distance and in nowise offended the younger men, who could find no cause for alarm in the close proximity of her two fathers, the spiritual and the physical. A few moments later Courtlandt saw a smile of malice part her lips, for he found himself between Celeste and the inevitable frump.

"Touched!" he murmured, for he was a thorough sportsman and appreciated a good point even when taken by his opponent.

"I never saw anything like it," whispered Mrs. Harrigan into the colonel's ear.

"Saw what?" he asked.

"Mr. Courtlandt can't keep his eyes off of Nora."

"I say!" The colonel adjusted his eye-glass, not that he expected to see more clearly by doing so, but because habit had long since turned an affectation into a movement wholly mechanical. "Well, who can blame him? Gad! if I were only twenty-five or thereabouts."

Mrs. Harrigan did not encourage this regret. The colonel had never been a rich man. On the other hand, this Edward Courtlandt was very rich; he was young; and he had the entree to the best families in Europe, which was greater in her eyes than either youth or riches. Between sips of tea she builded a fine castle in Spain.

Abbott and the Barone carried their cups and cakes over to the bench and sat down on the grass, Turkish-wise. Both simultaneously offered their cakes, and Nora took a ladyfinger from each. Abbott laughed and the Barone smiled.

"Oh, daddy mine!" sighed Nora drolly.

"Huh?"

"Don't let mother see those shoes."

"What's the matter with 'em? Everybody's wearing the same."

"Yes. But I don't see how you manage to do it. One shoe-string is virgin white and the other is pagan brown."

"I've got nine pairs of shoes, and yet there's always something the matter," ruefully. "I never noticed when I put them on. Besides, I wasn't coming."

"That's no defense. But rest easy. I'll be as secret as the grave."

"Now, I for one would never have noticed if you hadn't called my attention," said the padre, stealing a glance at his own immaculate patent-leathers.

"Ah, Padre, that wife of mine has eyes like a pilot-fish. I'm in for it."

"Borrow one from the colonel before you go home," suggested Abbott.

"That's not half bad," gratefully.

Harrigan began to recount the trials of forgetfulness.

Slyly from the corner of her eye Nora looked at Courtlandt, who was at that moment staring thoughtfully into his tea-cup and stirring the contents industriously. His face was a little thinner, but aside from that he had changed scarcely at all; and then, because these two years had left so little mark upon his face, a tinge of unreasonable anger ran over her. "Men have died and worms have eaten them," she thought cynically. Perhaps the air between them was sufficiently charged with electricity to convey the impression across the intervening space; for his eyes came up quickly, but not quickly enough to catch her. She dropped her glance to Abbott, transferred it to the Barone, and finally let it rest on her father's face. Four handsomer men she had never seen.

"You never told me you knew Courtlandt," said Harrigan, speaking to Abbott.

"Just happened that way. We went to school together. When I was little they used to make me wear curls and wide collars. Many's the time Courtlandt walloped the school bullies for mussing me up. I don't see him much these days. Once in a while he walks in. That's all. Always seems to know where his friends are, but none ever knows where he is."

Abbott proceeded to elaborate some of his friend's exploits. Nora heard, as if from afar. Vaguely she caught a glimmer of what the contest was going to be. She could see only a little way; still, she was optimistically confident of the result. She was ready. Indeed, now that the shock of the meeting was past, she found herself not at all averse to a conflict. It would be something to let go the pent-up wrath of two years. Never would she speak to him directly; never would she permit him to be alone with her; never would she miss a chance to twist his heart, to humiliate him, to snub him. From her point of view, whatever game he chose to play would be a losing one. She was genuinely surprised to learn how eager she was for the game to begin so that she might gage his strength.

"So I have heard," she was dimly conscious of saying.

"Didn't know you knew," said Abbott.

"Knew what?" rousing herself.

"That Courtlandt nearly lost his life in the eighties."

"In the eighties!" dismayed at her slip.

"Latitudes. Polar expedition."

"Heavens! I was miles away."

The padre took her hand in his own and began to pat it softly. It was the nearest he dared approach in the way of suggesting caution. He alone of them all knew.

"Oh, I believe I read something about it in the newspapers."

"Five years ago." Abbott set down his tea-cup. "He's the bravest man I know. He's rather a friendless man, besides. Horror of money. Thinks every one is after him for that. Tries to throw it away; but the income piles up too quickly. See that Indian, passing the cakes? Wouldn't think it, would you, that Courtlandt carried him on his back for five miles! The Indian had fallen afoul a wounded tiger, and the beaters were miles off. I've been watching. They haven't even spoken to each other. Courtlandt's probably forgotten all about the incident, and the Indian would die rather than embarrass his savior before strangers."

"Your friend, then, is quite a hero?"

What was the matter with Nora's voice? Abbott looked at her wonderingly. The tone was hard and unmusical.

"He couldn't be anything else, being Dick Courtlandt's boy," volunteered Harrigan, with enthusiasm. "It runs in the family."

"It seems strange," observed Nora, "that I never heard you mention that you knew a Mr. Courtlandt."

"Why, Nora, there's a lot of things nobody mentions unless chance brings them up. Courtlandt—the one I knew—has been dead these sixteen years. If I knew he had had a son, I'd forgotten all about it. The only graveyard isn't on the hillside; there's one under everybody's thatch."

The padre nodded approvingly.

Nora was not particularly pleased with this phase in the play. Courtlandt would find a valiant champion in her father, who would blunder in when some fine passes were being exchanged. And she could not tell him; she would have cut out her tongue rather. It was true that she held the principal cards in the game, but she could not table them and claim the tricks as in bridge. She must patiently wait for him to lead, and he, as she very well knew, would lead a card at a time, and then only after mature deliberation. From the exhilaration which attended the prospect of battle she passed into a state of depression, which lasted the rest of the afternoon.

"Will you forgive me?" asked Celeste of Courtlandt. Never had she felt more ill at ease. For a full ten minutes he chatted pleasantly, with never the slightest hint regarding the episode in Paris. She could stand it no longer. "Will you forgive me?"

"For what?"

"That night in Paris."

"Do not permit that to bother you in the least. I was never going to recall it."

"Was it so unpleasant?"

"On the contrary, I was much amused."

"I did not tell you the truth."

"So I have found out."

"I do not believe that it was you," impulsively.

"Thanks. I had nothing to do with Miss Harrigan's imprisonment."

"Do you feel that you could make a confidant of me?"

He smiled. "My dear Miss Fournier, I have come to the place where I distrust even myself."

"Forgive my curiosity!"

Courtlandt held out his cup to Rao. "I am glad to see you again."

"Ah, Sahib!"

The little Frenchwoman was torn with curiosity and repression. She wanted to know what causes had produced this unusual drama which was unfolding before her eyes. To be presented with effects which had no apparent causes was maddening. It was not dissimilar to being taken to the second act of a modern problem play and being forced to leave before the curtain rose upon the third act. She had laid all the traps her intelligent mind could invent; and Nora had calmly walked over them or around. Nora's mind was Celtic: French in its adroitness and Irish in its watchfulness and tenacity. And now she had set her arts of persuasion in motion (aided by a piquant beauty) to lift a corner of the veil from this man's heart. Checkmate!

"I should like to help you," she said, truthfully.

"In what way?"

It was useless, but she continued: "She does not know that you went to Flora Desimone's that night."

"And yet she sent you to watch me."

"But so many things happened afterward that she evidently forgot."

"That is possible."

"I was asleep when the pistol went off. Oh, you must believe that it was purely accidental! She was in a terrible state until morning. What if she had killed you, what if she had killed you! She seemed to hark upon that phrase."

Courtlandt turned a sober face toward her. She might be sincere, and then again she might be playing the first game over again, in a different guise. "It would have been embarrassing if the bullet had found its mark." He met her eyes squarely, and she saw that his were totally free from surprise or agitation or interest.

"Do you play chess?" she asked, divertingly.

"Chess? I am very fond of that game."

"So I should judge," dryly. "I suppose you look upon me as a meddler. Perhaps I am; but I have nothing but good will toward you; and Nora would be very angry if she knew that I was discussing her affairs with you. But I love her and want to make her happy."

"That seems to be the ambition of all the young men, at any rate."

Jealousy? But the smile baffled her. "Will you be here long?"

"It depends."

"Upon Nora?" persistently.

"The weather."

"You are hopeless."

"No; on the contrary, I am the most optimistic man in the world."

She looked into this reply very carefully. If he had hopes of winning Nora Harrigan, optimistic he certainly must be. Perhaps it was not optimism. Rather might it not be a purpose made of steel, bendable but not breakable, reinforced by a knowledge of conditions which she would have given worlds to learn?

"Is she not beautiful?"

"I am not a poet."

"Wait a moment," her eyes widening. "I believe you know who did commit that outrage."

For the first time he frowned.

"Very well; I promise not to ask any more questions."

"That would be very agreeable to me." Then, as if he realized the rudeness of his reply, he added: "Before I leave I will tell you all you wish to know, upon one condition."

"Tell it!"

"You will say nothing to any one, you will question neither Miss Harrigan nor myself, nor permit yourself to be questioned."

"I agree."

"And now, will you not take me over to your friends?"

"Over there?" aghast.

"Why, yes. We can sit upon the grass. They seem to be having a good time."

What a man! Take him over, into the enemy's camp? Nothing would be more agreeable to her. Who would be the stronger, Nora or this provoking man?

So they crossed over and joined the group. The padre smiled. It was a situation such as he loved to study: a strong man and a strong woman, at war. But nothing happened; not a ripple anywhere to disclose the agitation beneath. The man laughed and the woman laughed, but they spoke not to each other, nor looked once into each other's eyes.

The sun was dropping toward the western tops. The guests were leaving by twos and threes. The colonel had prevailed upon his dinner-guests not to bother about going back to the village to dress, but to dine in the clothes they wore. Finally, none remained but Harrigan, Abbott, the Barone, the padre and Courtlandt. And they talked noisily and agreeably concerning man-affairs until Rao gravely announced that dinner was served.

It was only then, during the lull which followed, that light was shed upon the puzzle which had been subconsciously stirring Harrigan's mind: Nora had not once spoken to the son of his old friend.



CHAPTER XIII

EVERYTHING BUT THE TRUTH

"I don't see why the colonel didn't invite some of the ladies," Mrs. Harrigan complained.

"It's a man-party. He's giving it to please himself. And I do not blame him. The women about here treat him abominably. They come at all times of the day and night, use his card-room, order his servants about, drink his whisky and smoke his cigarettes, and generally invite themselves to luncheon and tea and dinner. And then, when they are ready to go back to their villas or hotel, take his motor-boat without a thank-you. The colonel has about three thousand pounds outside his half-pay, and they are all crazy to marry him because his sister is a countess. As a bachelor he can live like a prince, but as a married man he would have to dig. He told me that if he had been born Adam, he'd have climbed over Eden's walls long before the Angel of the Flaming Sword paddled him out. Says he's always going to be a bachelor, unless I take pity on him," mischievously.

"Has he...?" in horrified tones.

"About three times a visit," Nora admitted; "but I told him that I'd be a daughter, a cousin, or a niece to him, or even a grandchild. The latter presented too many complications, so we compromised on niece."

"I wish I knew when you were serious and when you were fooling."

"I am often as serious when I am fooling as I am foolish when I am serious...."

"Nora, you will have me shrieking in a minute!" despaired the mother. "Did the colonel really propose to you?"

"Only in fun."

Celeste laughed and threw her arm around the mother's waist, less ample than substantial. "Don't you care! Nora is being pursued by little devils and is venting her spite on us."

"There'll be too much Burgundy and tobacco, to say nothing of the awful stories."

"With the good old padre there? Hardly," said Nora.

Celeste was a French woman. "I confess that I like a good story that isn't vulgar. And none of them look like men who would stoop to vulgarity."

"That's about all you know of men," declared Mrs. Harrigan.

"I am willing to give them the benefit of a doubt."

"Celeste," cried Nora, gaily, "I've an idea. Supposing you and I run back after dinner and hide in the card-room, which is right across from the dining-room? Then we can judge for ourselves."

"Nora Harrigan!"

"Molly Harrigan!" mimicked the incorrigible. "Mother mine, you must learn to recognize a jest."

"Ah, but yours!"

"Fine!" cried Celeste.

As if to put a final period to the discussion, Nora began to hum audibly an aria from Aida.

They engaged a carriage in the village and were driven up to the villa. On the way Mrs. Harrigan discussed the stranger, Edward Courtlandt. What a fine-looking young man he was, and how adventurous, how well-connected, how enormously rich, and what an excellent catch! She and Celeste—the one innocently and the other provocatively—continued the subject to the very doors of the villa. All the while Nora hummed softly.

"What do you think of him, Nora?" the mother inquired.

"Think of whom?"

"This Mr. Courtlandt."

"Oh, I didn't pay much attention to him," carelessly. But once alone with Celeste, she seized her by the arm, a little roughly. "Celeste, I love you better than any outsider I know. But if you ever discuss that man in my presence again, I shall cease to regard you even as an acquaintance. He has come here for the purpose of annoying me, though he promised the prefect in Paris never to annoy me again."

"The prefect!"

"Yes. The morning I left Versailles I met him in the private office of the prefect. He had powerful friends who aided him in establishing an alibi. I was only a woman, so I didn't count."

"Nora, if I have meddled in any way," proudly, "it has been because I love you, and I see you unhappy. You have nearly killed me with your sphinx-like actions. You have never asked me the result of my spying for you that night. Spying is not one of my usual vocations, but I did it gladly for you."

"You gave him my address?" coldly.

"I did not. I convinced him that I had come at the behest of Flora Desimone. He demanded her address, which I gave him. If ever there was a man in a fine rage, it was he as he left me to go there. If he found out where we lived, the Calabrian assisted him, I spoke to him rather plainly at tea. He said that he had had nothing whatever to do with the abduction, and I believe him. I am positive that he is not the kind of man to go that far and not proceed to the end. And now, will you please tell Carlos to bring my dinner to my room?"

The impulsive Irish heart was not to be resisted. Nora wanted to remain firm, but instead she swept Celeste into her arms. "Celeste, don't be angry! I am very, very unhappy."

If the Irish heart was impulsive, the French one was no less so. Celeste wanted to cry out that she was unhappy, too.

"Don't bother to dress! Just give your hair a pat or two. We'll all three dine on the balcony."

Celeste flew to her room. Nora went over to the casement window and stared at the darkening mountains. When she turned toward the dresser she was astonished to find two bouquets. One was an enormous bunch of violets. The other was of simple marguerites. She picked up the violets. There was a card without a name; but the phrase scribbled across the face of it was sufficient. She flung the violets far down into the grape-vines below. The action was without anger, excited rather by a contemptuous indifference. As for the simple marguerites, she took them up gingerly. The arc these described through the air was even greater than that performed by the violets.

"I'm a silly fool, I suppose," she murmured, turning back into the room again.

It was ten o'clock when the colonel bade his guests good night as they tumbled out of his motor-boat. They were in more or less exuberant spirits; for the colonel knew how to do two things particularly well: order a dinner, and avoid the many traps set for him by scheming mamas and eligible widows. Abbott, the Barone and Harrigan, arm in arm, marched on ahead, whistling one tune in three different keys, while Courtlandt set the pace for the padre.

All through the dinner the padre had watched and listened. Faces were generally books to him, and he read in this young man's face many things that pleased him. This was no night rover, a fool over wine and women, a spendthrift. He straightened out the lines and angles in a man's face as a skilled mathematician elucidates an intricate geometrical problem. He had arrived at the basic knowledge that men who live mostly out of doors are not volatile and irresponsible, but are more inclined to reserve, to reticence, to a philosophy which is broad and comprehensive and generous. They are generally men who are accomplishing things, and who let other people tell about it. Thus, the padre liked Courtlandt's voice, his engaging smile, his frank unwavering eyes; and he liked the leanness about the jaws, which was indicative of strength of character. In fact, he experienced a singular jubilation as he walked beside this silent man.

"There has been a grave mistake somewhere," he mused aloud, thoughtfully.

"I beg your pardon," said Courtlandt.

"I beg yours. I was thinking aloud. How long have you known the Harrigans?"

"The father and mother I never saw before to-day."

"Then you have met Miss Harrigan?"

"I have seen her on the stage."

"I have the happiness of being her confessor."

They proceeded quite as far as a hundred yards before Courtlandt volunteered: "That must be interesting."

"She is a good Catholic."

"Ah, yes; I recollect now."

"And you?"

"Oh, I haven't any religion such as requires my presence in churches. Don't misunderstand me! As a boy I was bred in the Episcopal Church; but I have traveled so much that I have drifted out of the circle. I find that when I am out in the open, in the heart of some great waste, such as a desert, a sea, the top of a mountain, I can see the greatness of the Omnipotent far more clearly and humbly than within the walls of a cathedral."

"But God imposes obligations upon mankind. We have ceased to look upon the hermit as a holy man, but rather as one devoid of courage. It is not the stone and the stained windows; it is the text of our daily work, that the physical being of the Church represents."

"I have not avoided any of my obligations." Courtlandt shifted his stick behind his back. "I was speaking of the church and the open field, as they impressed me."

"You believe in the tenets of Christianity?"

"Surely! A man must pin his faith and hope to something more stable than humanity."

"I should like to convert you to my way of thinking," simply.

"Nothing is impossible. Who knows?"

The padre, as they continued onward, offered many openings, but the young man at his side refused to be drawn into any confidence. So the padre gave up, for the futility of his efforts became irksome. His own lips were sealed, so he could not ask point-blank the question that clamored at the tip of his tongue.

"So you are Miss Harrigan's confessor?"

"Does it strike you strangely?"

"Merely the coincidence."

"If I were not her confessor I should take the liberty of asking you some questions."

"It is quite possible that I should decline to answer them."

The padre shrugged. "It is patent to me that you will go about this affair in your own way. I wish you well."

"Thank you. As Miss Harrigan's confessor you doubtless know everything but the truth."

The padre laughed this time. The shops were closed. The open restaurants by the water-front held but few idlers. The padre admired the young man's independence. Most men would have hesitated not a second to pour the tale into his ears in hope of material assistance. The padre's admiration was equally proportioned with respect.

"I leave you here," he said. "You will see me frequently at the villa."

"I certainly shall be there frequently. Good night."

Courtlandt quickened his pace which soon brought him alongside the others. They stopped in front of Abbott's pension, and he tried to persuade them to come up for a nightcap.

"Nothing to it, my boy," said Harrigan. "I need no nightcap on top of cognac forty-eight years old. For me that's a whole suit of pajamas."

"You come, Ted."

"Abbey, I wouldn't climb those stairs for a bottle of Horace's Falernian, served on Seneca's famous citron table."

"Not a friend in the world," Abbott lamented.

Laughingly they hustled him into the hallway and fled. Then Courtlandt went his way alone. He slept with the dubious satisfaction that the first day had not gone badly. The wedge had been entered. It remained to be seen if it could be dislodged.

Harrigan was in a happy temper. He kissed his wife and chucked Nora under the chin. And then Mrs. Harrigan launched the thunderbolt which, having been held on the leash for several hours, had, for all of that, lost none of its ability to blight and scorch.

"James, you are about as hopeless a man as ever was born. You all but disgraced us this afternoon."

"Mother!"

"Me?" cried the bewildered Harrigan.

"Look at those tennis shoes; one white string and one brown one. It's enough to drive a woman mad. What in heaven's name made you come?"

Perhaps it was the after effect of a good dinner, that dwindling away of pleasant emotions; perhaps it was the very triviality of the offense for which he was thus suddenly arraigned; at any rate, he lost his temper, and he was rather formidable when that occurred.

"Damn it, Molly, I wasn't going, but Courtlandt asked me to go with him, and I never thought of my shoes. You are always finding fault with me these days. I don't drink, I don't gamble, I don't run around after other women; I never did. But since you've got this social bug in your bonnet, you keep me on hooks all the while. Nobody noticed the shoe-strings; and they would have looked upon it as a joke if they had. After all, I'm the boss of this ranch. If I want to wear a white string and a black one, I'll do it. Here!" He caught up the book on social usages and threw it out of the window. "Don't ever shove a thing like that under my nose again. If you do, I'll hike back to little old New York and start the gym again."

He rammed one of the colonel's perfectos (which he had been saving for the morrow) between his teeth, and stalked into the garden.

Nora was heartless enough to laugh.

"He hasn't talked like that to me in years!" Mrs. Harrigan did not know what to do,—follow him or weep. She took the middle course, and went to bed.

Nora turned out the lights and sat out on the little balcony. The moonshine was glorious. So dense was the earth-blackness that the few lights twinkling here and there were more like fallen stars. Presently she heard a sound. It was her father, returning as silently as he could. She heard him fumble among the knickknacks on the mantel, and then go away again. By and by she saw a spot of white light move hither and thither among the grape arbors. For five or six minutes she watched it dance. Suddenly all became dark again. She laid her head upon the railing and conned over the day's events. These were not at all satisfactory to her. Then her thoughts traveled many miles away. Six months of happiness, of romance, of play, and then misery and blackness.

"Nora, are you there?"

"Yes. Over here on the balcony. What were you doing down there?"

"Oh, Nora, I'm sorry I lost my temper. But Molly's begun to nag me lately, and I can't stand it. I went after that book. Did you throw some flowers out of the window?"

"Yes."

"A bunch of daisies?"

"Marguerites," she corrected.

"All the same to me. I picked up the bunch, and look at what I found inside."

He extended his palm, flooding it with the light of his pocket-lamp. Nora's heart tightened. What she saw was a beautiful uncut emerald.



CHAPTER XIV

A COMEDY WITH MUSIC

The Harrigans occupied the suite in the east wing of the villa. This consisted of a large drawing-room and two ample bedchambers, with window-balconies and a private veranda in the rear, looking off toward the green of the pines and the metal-like luster of the copper beeches. Always the suite was referred to by the management as having once been tenanted by the empress of Germany. Indeed, tourists were generally and respectively and impressively shown the suite (provided it was not at the moment inhabited), and were permitted to peer eagerly about for some sign of the vanished august presence. But royalty in passing, as with the most humble of us, leaves nothing behind save the memory of a tip, generous or otherwise.

It was raining, a fine, soft, blurring Alpine rain, and a blue-grey monotone prevailed upon the face of the waters and defied all save the keenest scrutiny to discern where the mountain tops ended and the sky began. It was a day for indoors, for dreams, good books, and good fellows.

The old-fashioned photographer would have admired and striven to perpetuate the group in the drawing-room. In the old days it was quite the proper thing to snap the family group while they were engaged in some pleasant pastime, such as spinning, or painting china, or playing the piano, or reading a volume of poems. No one ever seemed to bother about the incongruence of the eyes, which were invariably focused at the camera lens. Here they all were. Mrs. Harrigan was deep in the intricate maze of the Amelia Ars of Bologna, which, as the initiated know, is a wonderful lace. By one of the windows sat Nora, winding interminable yards of lace-hemming from off the willing if aching digits of the Barone, who was speculating as to what his Neapolitan club friends would say could they see, by some trick of crystal-gazing, his present occupation. Celeste was at the piano, playing (pianissimo) snatches from the operas, while Abbott looked on, his elbows propped upon his knees, his chin in his palms, and a quality of ecstatic content in his eyes. He was in his working clothes, picturesque if paint-daubed. The morning had been pleasant enough, but just before luncheon the rain clouds had gathered and settled down with that suddenness known only in high altitudes.

The ex-gladiator sat on one of those slender mockeries, composed of gold-leaf and parabolic curves and faded brocade, such as one sees at the Trianon or upon the stage or in the new home of a new millionaire, and which, if the true facts be known, the ingenious Louis invented for the discomfort of his favorites and the folly of future collectors. It creaked whenever Harrigan sighed, which was often, for he was deeply immersed (and no better word could be selected to fit his mental condition) in the baneful book which he had hurled out of the window the night before, only to retrieve like the good dog that he was. To-day his shoes offered no loophole to criticism; he had very well attended to that. His tie harmonized with his shirt and stockings; his suit was of grey tweed; in fact, he was the glass of fashion and the mold of form, at least for the present.

"Say, Molly, I don't see what difference it makes."

"Difference what makes, James?" Mrs. Harrigan raised her eyes from her work. James had been so well-behaved that morning it was only logical for her to anticipate that he was about to abolish at one fell stroke all his hard-earned merits.

"About eating salads. We never used to put oil on our tomatoes. Sugar and vinegar were good enough."

"Sugar and vinegar are not nourishing; olive-oil is."

"We seemed to hike along all right before we learned that." His guardian angel was alert this time, and he returned to his delving without further comment. By and by he got up. "Pshaw!" He dropped the wearisome volume on the reading-table, took up a paper-covered novel, and turned to the last fight of the blacksmith in Rodney Stone. Here was something that made the invention of type excusable, even commendable.

"Play the fourth ballade," urged Abbott.

Celeste was really a great artist. As an interpreter of Chopin she had no rival among women, and only one man was her equal. She had fire, tenderness, passion, strength; she had beyond all these, soul, which is worth more in true expression than the most marvelous technique. She had chosen Chopin for his brilliance, as some will chose Turner in preference to Corot: riots of color, barbaric and tingling. She was as great a genius in her way as Nora was in hers. There was something of the elfin child in her spirit. Whenever she played to Abbott, there was a quality in the expression that awakened a wonderment in Nora's heart.

As Celeste began the andante, Nora signified to the Barone to drop his work. She let her own hands fall. Harrigan gently closed his book, for in that rough kindly soul of his lay a mighty love of music. He himself was without expression of any sort, and somehow music seemed to stir the dim and not quite understandable longing for utterance. Mrs. Harrigan alone went on with her work; she could work and listen at the same time. After the magnificent finale, nothing in the room stirred but her needle.

"Bravo!" cried the Barone, breaking the spell.

"You never played that better," declared Nora.

Celeste, to escape the keen inquiry of her friend and to cover up her embarrassment, dashed into one of the lighter compositions, a waltz. It was a favorite of Nora's. She rose and went over to the piano and rested a hand upon Celeste's shoulder. And presently her voice took up the melody. Mrs. Harrigan dropped her needle. It was not that she was particularly fond of music, but there was something in Nora's singing that cast a temporary spell of enchantment over her, rendering her speechless and motionless. She was not of an analytical turn of mind; thus, the truth escaped her. She was really lost in admiration of herself: she had produced this marvelous being!

"That's some!" Harrigan beat his hands together thunderously. "Great stuff; eh, Barone?"

The Barone raised his hands as if to express his utter inability to describe his sensations. His elation was that ascribed to those fortunate mortals whom the gods lifted to Olympus. At his feet lay the lace-hemming, hopelessly snarled.

"Father, father!" remonstrated Nora; "you will wake up all the old ladies who are having their siesta."

"Bah! I'll bet a doughnut their ears are glued to their doors. What ho! Somebody's at the portcullis. Probably the padre, come up for tea."

He was at the door instantly. He flung it open heartily. It was characteristic of the man to open everything widely, his heart, his mind, his hate or his affection.

"Come in, come in! Just in time for the matinee concert."

The padre was not alone. Courtlandt followed him in.



"We have been standing in the corridor for ten minutes," affirmed the padre, sending a winning smile around the room. "Mr. Courtlandt was for going down to the bureau and sending up our cards. But I would not hear of such formality. I am a privileged person."

"Sure yes! Molly, ring for tea, and tell 'em to make it hot. How about a little peg, as the colonel says?"

The two men declined.

How easily and nonchalantly the man stood there by the door as Harrigan took his hat! Celeste was aquiver with excitement. She was thoroughly a woman: she wanted something to happen, dramatically, romantically.

But her want was a vain one. The man smiled quizzically at Nora, who acknowledged the salutation by a curtsy which would have frightened away the banshees of her childhood. Nora hated scenes, and Courtlandt had the advantage of her in his knowledge of this. Celeste remained at the piano, but Nora turned as if to move away.

"No, no!" cried the padre, his palms extended in protest. "If you stop the music I shall leave instantly."

"But we are all through, Padre," replied Nora, pinching Celeste's arm, which action the latter readily understood as a command to leave the piano.

Celeste, however, had a perverse streak in her to-day. Instead of rising as Nora expected she would, she wheeled on the stool and began Morning Mood from Peer Gynt, because the padre preferred Grieg or Beethoven to Chopin. Nora frowned at the pretty head below her. She stooped.

"I sha'n't forgive you for this trick," she whispered.

Celeste shrugged, and her fingers did not falter. So Nora moved away this time in earnest.

"No, you must sing. That is what I came up for," insisted the padre. If there was any malice in the churchman, it was of a negative quality. But it was in his Latin blood that drama should appeal to him strongly, and here was an unusual phase in The Great Play. He had urged Courtlandt, much against the latter's will this day, to come up with him, simply that he might set a little scene such as this promised to be and study it from the vantage of the prompter. He knew that the principal theme of all great books, of all great dramas, was antagonism, antagonism between man and woman, though by a thousand other names has it been called. He had often said, in a spirit of raillery, that this antagonism was principally due to the fact that Eve had been constructed (and very well) out of a rib from Adam. Naturally she resented this, that she had not been fashioned independently, and would hold it against man until the true secret of the parable was made clear to her.

"Sing that, Padre?" said Nora. "Why, there are no words to it that I know."

"Words? Peste! Who cares for words no one really ever understands? It is the voice, my child. Go on, or I shall make you do some frightful penance."

Nora saw that further opposition would be useless. After all, it would be better to sing. She would not be compelled to look at this man she so despised. For a moment her tones were not quite clear; but Celeste increased the volume of sound warningly, and as this required more force on Nora's part, the little cross-current was passed without mishap. It was mere pastime for her to follow these wonderful melodies. She had no words to recall so that her voice was free to do with as she elected. There were bars absolutely impossible to follow, note for note, but she got around this difficulty by taking the key and holding it strongly and evenly. In ordinary times Nora never refused to sing for her guests, if she happened to be in voice. There was none of that conceited arrogance behind which most of the vocal celebrities hide themselves. At the beginning she had intended to sing badly; but as the music proceeded, she sang as she had not sung in weeks. To fill this man's soul with a hunger for the sound of her voice, to pour into his heart a fresh knowledge of what he had lost forever and forever!

Courtlandt sat on the divan beside Harrigan who, with that friendly spirit which he observed toward all whom he liked, whether of long or short acquaintance, had thrown his arm across Courtlandt's shoulder. The younger man understood all that lay behind the simple gesture, and he was secretly pleased.

But Mrs. Harrigan was not. She was openly displeased, and in vain she tried to catch the eye of her wayward lord. A man he had known but twenty-four hours, and to greet him with such coarse familiarity!

Celeste was not wholly unmerciful. She did not finish the suite, but turned from the keys after the final chords of Morning Mood.

"Thank you!" said Nora.

"Do not stop," begged Courtlandt.

Nora looked directly into his eyes as she replied: "One's voice can not go on forever, and mine is not at all strong."

And thus, without having originally the least intent to do so, they broke the mutual contract on which they had separately and secretly agreed: never to speak directly to each other. Nora was first to realize what she had done, and she was furiously angry with herself. She left the piano.

As if her mind had opened suddenly like a book, Courtlandt sprang from the divan and reached for the fat ball of lace-hemming. He sat down in Nora's chair and nodded significantly to the Barone, who blushed. To hold the delicate material for Nora's unwinding was a privilege of the gods, but to hold it for this man for whom he held a dim feeling of antagonism was altogether a different matter.

"It is horribly tangled," he admitted, hoping thus to escape.

"No matter. You hold the ball. I'll untangle it. I never saw a fish-line I could not straighten out."

Nora laughed. It was not possible for her to repress the sound. Her sense of humor was too strong in this case to be denied its release in laughter. It was free of the subtler emotions; frank merriment, no more, no less. And possessing the hunter's extraordinarily keen ear, Courtlandt recognized the quality; and the weight of a thousand worlds lightened its pressure upon his heart. And the Barone laughed, too. So there they were, the three of them. But Nora's ineffectual battle for repression had driven her near to hysteria. To escape this dire calamity, she flung open a casement window and stood within it, breathing in the heavy fragrance of the rain-laden air.

This little comedy had the effect of relaxing them all; and the laughter became general. Abbott's smile faded soonest. He stared at his friend in wonder not wholly free from a sense of evil fortune. Never had he known Courtlandt to aspire to be a squire of dames. To see the Barone hold the ball as if it were hot shot was amusing; but the cool imperturbable manner with which Courtlandt proceeded to untangle the snarl was disturbing. Why the deuce wasn't he himself big and strong, silent and purposeful, instead of being a dawdling fool of an artist?

No answer came to his inquiry, but there was a knock at the door. The managing director handed Harrigan a card.

"Herr Rosen," he read aloud. "Send him up. Some friend of yours, Nora; Herr Rosen. I told Mr. Jilli to send him up."

The padre drew his feet under his cassock, a sign of perturbation; Courtlandt continued to unwind; the Barone glanced fiercely at Nora, who smiled enigmatically.



CHAPTER XV

HERR ROSEN'S REGRETS

Herr Rosen! There was no outward reason why the name should have set a chill on them all, turned them into expectant statues. Yet, all semblance of good-fellowship was instantly gone. To Mrs. Harrigan alone did the name convey a sense of responsibility, a flutter of apprehension not unmixed with delight. She put her own work behind the piano lid, swooped down upon the two men and snatched away the lace-hemming, to the infinite relief of the one and the surprise of the other. Courtlandt would have liked nothing better than to hold the lace in his lap, for it was possible that Herr Rosen might wish to shake hands, however disinclined he might be within to perform such greeting. The lace disappeared. Mrs. Harrigan smoothed out the wrinkles in her dress. From the others there had been little movement and no sound to speak of. Harrigan still waited by the door, seriously contemplating the bit of pasteboard in his hand.

Nora did not want to look, but curiosity drew her eyes imperiously toward Courtlandt. He had not risen. Did he know? Did he understand? Was his attitude pretense or innocence? Ah, if she could but look behind that impenetrable mask! How she hated him! The effrontery of it all! And she could do nothing, say nothing: dared not tell them then and there what he truly was, a despicable scoundrel! The son of her father's dearest friend; what mockery! A friend of the family! It was maddening.

Herr Rosen brushed past Harrigan unceremoniously, without pausing, and went straight over to Nora, who was thereupon seized by an uncontrollable spirit of devilment. She hated Herr Rosen, but she was going to be as pleasant and as engaging as she knew how to be. She did not care if he misinterpreted her mood. She welcomed him with a hand. He went on to Mrs. Harrigan, who colored pleasurably. He was then introduced, and he acknowledged each introduction with a careless nod. He was there to see Nora, and he did not propose to put himself to any inconvenience on account of the others.

The temporary restraint which had settled upon the others at the announcement of Herr Rosen's arrival passed away. Courtlandt, who had remained seated during the initial formalities (a fact which bewildered Abbott, who knew how punctilious his friend was in matters of this kind) got up and took a third of the divan.

Harrigan dropped down beside him. It was his habit to watch his daughter's face when any guest arrived. He formed his impression on what he believed to be hers. That she was a consummate actress never entered into his calculations. The welcoming smile dissipated any doubts.

"No matter where we are, they keep coming. She has as many friends as T. R. I never bother to keep track of 'em."

"It would be rather difficult," assented Courtlandt.

"You ought to see the flowers. Loads of 'em. And say, what do you think? Every jewel that comes she turns into money and gives to charity. Can you beat it? Fine joke on the Johnnies. Of course, I mean stones that turn up anonymously. Those that have cards go back by fast-mail. It's a good thing I don't chance across the senders. Now, boy, I want you to feel at home here in this family; I want you to come up when you want to and at any old time of day. I kind of want to pay back to you all the kind things your dad did for me. And I don't want any Oh-pshawing. Get me?"

"Whatever you say. If my dad did you any favors it was because he liked and admired you; not with any idea of having you discharge the debt in the future by way of inconveniencing yourself on my account. Just let me be a friend of the family, like Abbott here. That would be quite enough honor for me."

"You're on! Say, that blacksmith yarn was a corker. He was a game old codger. That was scrapping; no hall full of tobacco-smoke, no palm-fans, lemonade, peanuts and pop-corn; just right out on the turf, and may the best man win. I know. I went through that. No frame-ups, all square and on the level. A fellow had to fight those days, no sparring, no pretty footwork. Sometimes I've a hankering to get back and exchange a wallop or two. Nothing to it, though. My wife won't let me, as the song goes."

Courtlandt chuckled. "I suppose it's the monotony. A man who has been active hates to sit down and twiddle his thumbs. You exercise?"

"Walk a lot."

"Climb any?"

"Don't know that game."

"It's great sport. I'll break you in some day, if you say. You'll like it. The mountains around here are not dangerous. We can go up and down in a day."

"I'll go you. But, say, last night Nora chucked a bunch of daisies out of the window, and as I was nosing around in the vineyard, I came across it. You know how a chap will absently pick a bunch of flowers apart. What do you think I found?"

"A note?"

"This." Harrigan exhibited the emerald. "Who sent it? Where the dickens did it come from?"

Courtlandt took the stone and examined it carefully. "That's not a bad stone. Uncut but polished; oriental."

"Oriental, eh? What would you say it was worth?"

"Oh, somewhere between six and seven hundred."

"Suffering shamrocks! A little green pebble like this?"

"Cut and flawless, at that size, it would be worth pounds instead of dollars."

"Well, what do you think of that? Nora told me to keep it, so I guess I will."

"Why, yes. If a man sends a thing like this anonymously, he can't possibly complain. Have it made into a stick pin." Courtlandt returned the stone which Harrigan pocketed.

"Sometimes I wish Nora'd marry and settle down."

"She is young. You wouldn't have quit the game at her age!"

"I should say not! But that's different. A man's business is to fight for his grub, whether in an office or in the ring. That's a part of the game. But a woman ought to have a home, live in it three-fourths of the year, and bring up good citizens. That's what we are all here for. Molly used to stay at home, but now it's the social bug, gadding from morning until night. Ah, here's Carlos with the tea."

Herr Rosen instantly usurped the chair next to Nora, who began to pour the tea. He had come up from the village prepared for a disagreeable half-hour. Instead of being greeted with icy glances from stormy eyes, he encountered such smiles as this adorable creature had never before bestowed upon him. He was in the clouds. That night at Cadenabbia had apparently knocked the bottom out of his dream. Women were riddles which only they themselves could solve for others. For this one woman he was perfectly ready to throw everything aside. A man lived but once; and he was a fool who would hold to tinsel in preference to such happiness as he thought he saw opening out before him. Nora saw, but she did not care. That in order to reach another she was practising infinite cruelty on this man (whose one fault lay in that he loved her) did not appeal to her pity. But her arrow flew wide of the target; at least, there appeared no result to her archery in malice. Not once had the intended victim looked over to where she sat. And yet she knew that he must be watching; he could not possibly avoid it and be human. And when he finally came forward to take his cup, she leaned toward Herr Rosen.

"You take two lumps?" she asked sweetly. It was only a chance shot, but she hit on the truth.

"And you remember?" excitedly.

"One lump for mine, please," said Courtlandt, smiling.

She picked up a cube of sugar and dropped it into his cup. She had the air of one wishing it were poison. The recipient of this good will, with perfect understanding, returned to the divan, where the padre and Harrigan were gravely toasting each other with Benedictine.

Nora made no mistake with either Abbott's cup or the Barone's; but the two men were filled with but one desire, to throw Herr Rosen out of the window. What had begun as a beautiful day was now becoming black and uncertain.

The Barone could control every feature save his eyes, and these openly admitted deep anger. He recollected Herr Rosen well enough. The encounter over at Cadenabbia was not the first by many. Herr Rosen! His presence in this room under that name was an insult, and he intended to call the interloper to account the very first opportunity he found.

Perhaps Celeste, sitting as quiet as a mouse upon the piano-stool, was the only one who saw these strange currents drifting dangerously about. That her own heart ached miserably did not prevent her from observing things with all her usual keenness. Ah, Nora, Nora, who have everything to give and yet give nothing, why do you play so heartless a game? Why hurt those who can no more help loving you than the earth can help whirling around the calm dispassionate sun? Always they turn to you, while I, who have so much to give, am given nothing! She set down her tea-cup and began the aria from La Boheme.

Nora, without relaxing the false smile, suddenly found emptiness in everything.

"Sing!" said Herr Rosen.

"I am too tired. Some other time."

He did not press her. Instead, he whispered in his own tongue: "You are the most adorable woman in the world!"

And Nora turned upon him a pair of eyes blank with astonishment. It was as though she had been asleep and he had rudely awakened her. His infatuation blinded him to the truth; he saw in the look a feminine desire to throw the others off the track as to the sentiment expressed in his whispered words.

The hour passed tolerably well. Herr Rosen then observed the time, rose and excused himself. He took the steps leading abruptly down the terrace to the carriage road. He had come by the other way, the rambling stone stairs which began at the porter's lodge, back of the villa.

"Padre," whispered Courtlandt, "I am going. Do not follow. I shall explain to you when we meet again."

The padre signified that he understood. Harrigan protested vigorously, but smiling and shaking his head, Courtlandt went away.

Nora ran to the window. She could see Herr Rosen striding along, down the winding road, his head in the air. Presently, from behind a cluster of mulberries, the figure of another man came into view. He was going at a dog-trot, his hat settled at an angle that permitted the rain to beat squarely into his face. The next turn in the road shut them both from sight. But Nora did not stir.

Herr Rosen stopped and turned.

"You called?"

"Yes." Courtlandt had caught up with him just as Herr Rosen was about to open the gates. "Just a moment, Herr Rosen," with a hand upon the bars. "I shall not detain you long."

There was studied insolence in the tones and the gestures which accompanied them.

"Be brief, if you please."

"My name is Edward Courtlandt, as doubtless you have heard."

"In a large room it is difficult to remember all the introductions."

"Precisely. That is why I take the liberty of recalling it to you, so that you will not forget it," urbanely.

A pause. Dark patches of water were spreading across their shoulders. Little rivulets ran down Courtlandt's arm, raised as it was against the bars.

"I do not see how it may concern me," replied Herr Rosen finally with an insolence more marked than Courtlandt's.

"In Paris we met one night, at the stage entrance of the Opera, I pushed you aside, not knowing who you were. You had offered your services; the door of Miss Harrigan's limousine."

"It was you?" scowling.

"I apologize for that. To-morrow morning you will leave Bellaggio for Varenna. Somewhere between nine and ten the fast train leaves for Milan."

"Varenna! Milan!"

"Exactly. You speak English as naturally and fluently as if you were born to the tongue. Thus, you will leave for Milan. What becomes of you after that is of no consequence to me. Am I making myself clear?"

"Verdampt! Do I believe my ears?" furiously. "Are you telling me to leave Bellaggio to-morrow morning?"

"As directly as I can."

Herr Rosen's face became as red as his name. He was a brave young man, but there was danger of an active kind in the blue eyes boring into his own. If it came to a physical contest, he realized that he would get the worst of it. He put his hand to his throat; his very impotence was choking him.

"Your Highness...."

"Highness!" Herr Rosen stepped back.

"Yes. Your Highness will readily see the wisdom of my concern for your hasty departure when I add that I know all about the little house in Versailles, that my knowledge is shared by the chief of the Parisian police and the minister of war. If you annoy Miss Harrigan with your equivocal attentions...."

"Gott! This is too much!"

"Wait! I am stronger than you are. Do not make me force you to hear me to the end. You have gone about this intrigue like a blackguard, and that I know your Highness not to be. The matter is, you are young, you have always had your way, you have not learnt restraint. Your presence here is an insult to Miss Harrigan, and if she was pleasant to you this afternoon it was for my benefit. If you do not go, I shall expose you." Courtlandt opened the gate.

"And if I refuse?"

"Why, in that case, being the American that I am, without any particular reverence for royalty or nobility, as it is known, I promise to thrash you soundly to-morrow morning at ten o'clock, in the dining-room, in the bureau, the drawing-room, wherever I may happen to find you."

Courtlandt turned on his heel and hurried back to the villa. He did not look over his shoulder. If he had, he might have felt pity for the young man who leaned heavily against the gate, his burning face pressed upon his rain-soaked sleeve.

When Courtlandt knocked at the door and was admitted, he apologized. "I came back for my umbrella."

"Umbrella!" exclaimed the padre. "Why, we had no umbrellas. We came up in a carriage which is probably waiting for us this very minute by the porter's lodge."

"Well, I am certainly absent-minded!"

"Absent-minded!" scoffed Abbott. "You never forgot anything in all your life, unless it was to go to bed. You wanted an excuse to come back."

"Any excuse would be a good one in that case. I think we'd better be going, Padre. And by the way, Herr Rosen begged me to present his regrets. He is leaving Bellaggio in the morning."

Nora turned her face once more to the window.



CHAPTER XVI

THE APPLE OF DISCORD

"It is all very petty, my child," said the padre. "Life is made up of bigger things; the little ones should be ignored."

To which Nora replied: "To a woman, the little things are everything; they are the daily routine, the expected, the necessary things. What you call the big things in life are accidents. And, oh! I have pride." She folded her arms across her heaving bosom; for the padre's directness this morning had stirred her deeply.

"Wilfulness is called pride by some; and stubbornness. But you know, as well as I do, that yours is resentment, anger, indignation. Yes, you have pride, but it has not been brought into this affair. Pride is that within which prevents us from doing mean or sordid acts; and you could not do one or the other if you tried. The sentiment in you which should be developed...."

"Is mercy?"

"No; justice, the patience to weigh the right or wrong of a thing."

"Padre, I have eyes, eyes; I saw."

He twirled the middle button of his cassock. "The eyes see and the ears hear, but these are only witnesses, laying the matter before the court of the last resort, which is the mind. It is there we sift the evidence."

"He had the insufferable insolence to order Herr Rosen to leave," going around the barrier of his well-ordered logic.

"Ah! Now, how could he send away Herr Rosen if that gentleman had really preferred to stay?"

Nora looked confused.

"Shall I tell you? I suspected; so I questioned him last night. Had I been in his place, I should have chastised Herr Rosen instead of bidding him be gone. It was he."

Nora, sat down.

"Positively. The men who guarded you were two actors from one of the theaters. He did not come to Versailles because he was being watched. He was found and sent home the night before your release."

"I am sorry. But it was so like him."

The padre spread his hands. "What a way women have of modifying either good or bad impulses! It would have been fine of you to have stopped when you said you were sorry."

"Padre, one would believe that you had taken up his defense!"

"If I had I should have to leave it after to-day. I return to Rome to-morrow and shall not see you again before you go to America. I have bidden good-by to all save you. My child, my last admonition is, be patient; observe; guard against that impulse born in your blood to move hastily, to form opinions without solid foundations. Be happy while you are young, for old age is happy only in that reflected happiness of recollection. Write to me, here. I return in November. Benedicite?" smiling.

Nora bowed her head and he put a hand upon it.

* * * * *

"And listen to this," began Harrigan, turning over a page. "'It is considered bad form to call the butler to your side when you are a guest. Catch his eye. He will understand that something is wanted.' How's that?"

"That's the way to live." Courtlandt grinned, and tilted back his chair until it rested against the oak.

The morning was clear and mild. Fresh snow lay upon the mountain tops; later it would disappear. The fountain tinkled, and swallows darted hither and thither under the sparkling spray. The gardeners below in the vegetable patch were singing. By the door of the villa sat two old ladies, breakfasting in the sunshine. There was a hint of lavender in the lazy drifting air. A dozen yards away sat Abbott, two or three brushes between his teeth and one in his hand. A little behind was Celeste, sewing posies upon one of those squares of linen toward which all women in their idle moments are inclined, and which, on finishing, they immediately stow away in the bottom of some trunk against the day when they have a home of their own, or marry, or find some one ignorant enough to accept it as a gift.

"'And when in doubt,'" continued Harrigan, "'watch how other persons use their forks.' Can you beat it? And say, honest, Molly bought that for me to read and study. And I never piped the subtitle until this morning. 'Advice to young ladies upon going into society.' Huh?" Harrigan slapped his knee with the book and roared out his keen enjoyment. Somehow he seemed to be more at ease with this young fellow than with any other man he had met in years. "But for the love of Mike, don't say anything to Molly," fearfully. "Oh, she means the best in the world," contritely. "I'm always embarrassing her; shoe-strings that don't match, a busted stud in my shirt-front, and there isn't a pair of white-kids made that'll stay whole more than five minutes on these paws. I suppose it's because I don't think. After all, I'm only a retired pug." The old fellow's eyes sparkled suspiciously. "The best two women in all the world, and I don't want them to be ashamed of me."

"Why, Mr. Harrigan," said Courtlandt, letting his chair fall into place so that he could lay a hand affectionately upon the other's knee, "neither of them would be worth their salt if they ever felt ashamed of you. What do you care what strangers think or say? You know. You've seen life. You've stepped off the stage and carried with you the recollection of decent living, of playing square, of doing the best you could. The worst scoundrels I ever met never made any mistake with their forks. Perhaps you don't know it, but my father became rich because he could judge a man's worth almost at sight. And he kept this fortune and added to it because he chose half a dozen friends and refused to enlarge the list. If you became his friend, he had good reason for making you such."

"Well, we did have some good times together," Harrigan admitted, with a glow in his heart. "And I guess after all that I'll go to the ball with Molly. I don't mind teas like we had at the colonel's, but dinners and balls I have drawn the line at. I'll take the plunge to-night. There's always some place for a chap to smoke."

"At the Villa Rosa? I'll be there myself; and any time you are in doubt, don't be afraid to question me."

"You're in class A," heartily. "But there's one thing that worries me,—Nora. She's gone up so high, and she's such a wonderful girl, that all the men in Christendom are hiking after her. And some of 'em.... Well, Molly says it isn't good form to wallop a man over here. Why, she went on her lonesome to India and Japan, with nobody but her maid; and never put us hep until she landed in Bombay. The men out that way aren't the best. East of Suez, you know. And that chap yesterday, Herr Rosen. Did you see the way he hiked by me when I let him in? He took me to be the round number before one. And he didn't speak a dozen words to any but Nora. Not that I mind that; but it was something in the way he did it that scratched me the wrong way. The man who thinks he's going to get Nora by walking over me, has got a guess coming. Of course, it's meat and drink to Molly to have sons of grand dukes and kings trailing around. She says it gives tone."

"Isn't she afraid sometimes?"

"Afraid? I should say not! There's only three things that Molly's afraid of these days: a spool of thread, a needle, and a button."

Courtlandt laughed frankly. "I really don't think you need worry about Herr Rosen. He has gone, and he will not come back."

"Say! I'll bet a dollar it was you who shoo'd him off."

"Yes. But it was undoubtedly an impertinence on my part, and I'd rather you would not disclose my officiousness to Miss Harrigan."

"Piffle! If you knew him you had a perfect right to pass him back his ticket. Who was he?"

Courtlandt poked at the gravel with his cane.

"One of the big guns?"

Courtlandt nodded.

"So big that he couldn't have married my girl even if he loved her?"

"Yes. As big as that."

Harrigan riffled the leaves of his book. "What do you say to going down to the hotel and having a game of bazzica, as they call billiards here?"

"Nothing would please me better," said Courtlandt, relieved that Harrigan did not press him for further revelations.

"Nora is studying a new opera, and Molly-O is ragging the village dressmaker. It's only half after ten, and we can whack 'em around until noon. I warn you, I'm something of a shark."

"I'll lay you the cigars that I beat you."

"You're on!"

Harrigan put the book in his pocket, and the two of them made for the upper path, not, however, without waving a friendly adieu to Celeste, who was watching them with much curiosity.

For a moment Nora became visible in the window. Her expression did not signify that the sight of the men together pleased her. On the contrary, her eyes burned and her brow was ruffled by several wrinkles which threatened to become permanent if the condition of affairs continued to remain as it was. To her the calm placidity of the man was nothing less than monumental impudence. How she hated him; how bitterly, how intensely she hated him! She withdrew from the window without having been seen.

"Did you ever see two finer specimens of man?" Celeste asked of Abbott.

"What? Who?" mumbled Abbott, whose forehead was puckered with impatience. "Oh, those two? They are well set up. But what the deuce is the matter with this foreground?" taking the brushes from his teeth. "I've been hammering away at it for a week, and it does not get there yet."

Celeste rose and laid aside her work. She stood behind him and studied the picture through half-closed critical eyes. "You have painted it over too many times." Then she looked down at the shapely head. Ah, the longing to put her hands upon it, to run her fingers through the tousled hair, to touch it with her lips! But no! "Perhaps you are tired; perhaps you have worked too hard. Why not put aside your brushes for a week?"

"I've a good mind to chuck it into the lake. I simply can't paint any more." He flung down the brushes. "I'm a fool, Celeste, a fool. I'm crying for the moon, that's what the matter is. What's the use of beating about the bush? You know as well as I do that it's Nora."

Her heart contracted, and for a little while she could not see him clearly.

"But what earthly chance have I?" he went on, innocently but ruthlessly. "No one can help loving Nora."

"No," in a small voice.

"It's all rot, this talk about affinities. There's always some poor devil left outside. But who can help loving Nora?" he repeated.

"Who indeed!"

"And there's not the least chance in the world for me."

"You never can tell until you put it to the test."

"Do you think I have a chance? Is it possible that Nora may care a little for me?" He turned his head toward her eagerly.

"Who knows?" She wanted him to have it over with, to learn the truth that to Nora Harrigan he would never be more than an amiable comrade. He would then have none to turn to but her. What mattered it if her own heart ached so she might soothe the hurt in his? She laid a hand upon his shoulder, so lightly that he was only dimly conscious of the contact.

"It's a rummy old world. Here I've gone alone all these years...."

"Twenty-six!" smiling.

"Well, that's a long time. Never bothered my head about a woman. Selfish, perhaps. Had a good time, came and went as I pleased. And then I met Nora."

"Yes."

"If only she'd been stand-offish, like these other singers, why, I'd have been all right to-day. But she's such a brick! She's such a good fellow! She treats us all alike; sings when we ask her to; always ready for a romp. Think of her making us all take the Kneip-cure the other night! And we marched around the fountain singing 'Mary had a little lamb.' Barefooted in the grass! When a man marries he doesn't want a wife half so much as a good comrade; somebody to slap him on the back in the morning to hearten him up for the day's work; and to cuddle him up when he comes home tired, or disappointed, or unsuccessful. No matter what mood he's in. Is my English getting away from you?"

"No; I understand all you say." Her hand rested a trifle heavier upon his shoulder, that was all.

"Nora would be that kind of a wife. 'Honor, anger, valor, fire,' as Stevenson says. Hang the picture; what am I going to do with it?"

"'Honor, anger, valor, fire,'" Celeste repeated slowly. "Yes, that is Nora." A bitter little smile moved her lips as she recalled the happenings of the last two days. But no; he must find out for himself; he must meet the hurt from Nora, not from her. "How long, Abbott, have you known your friend Mr. Courtlandt?"

"Boys together," playing a light tattoo with his mahl-stick.

"How old is he?"

"About thirty-two or three."

"He is very rich?"

"Oceans of money; throws it away, but not fast enough to get rid of it."

"He is what you say in English ... wild?"

"Well," with mock gravity, "I shouldn't like to be the tiger that crossed his path. Wild; that's the word for it."

"You are laughing. Ah, I know! I should say dissipated."

"Courtlandt? Come, now, Celeste; does he look dissipated?"

"No-o."

"He drinks when he chooses, he flirts with a pretty woman when he chooses, he smokes the finest tobacco there is when he chooses; and he gives them all up when he chooses. He is like the seasons; he comes and goes, and nobody can change his habits."

"He has had no affair?"

"Why, Courtlandt hasn't any heart. It's a mechanical device to keep his blood in circulation; that's all. I am the most intimate friend he has, and yet I know no more than you how he lives and where he goes."

She let her hand fall from his shoulder. She was glad that he did not know.

"But look!" she cried in warning.

Abbott looked.

A woman was coming serenely down the path from the wooded promontory, a woman undeniably handsome in a cedar-tinted linen dress, exquisitely fashioned, with a touch of vivid scarlet on her hat and a most tantalizing flash of scarlet ankle. It was Flora Desimone, fresh from her morning bath and a substantial breakfast. The errand that had brought her from Aix-les-Bains was confessedly a merciful one. But she possessed the dramatist's instinct to prolong a situation. Thus, to make her act of mercy seem infinitely larger than it was, she was determined first to cast the Apple of Discord into this charming corner of Eden. The Apple of Discord, as every man knows, is the only thing a woman can throw with any accuracy.

The artist snatched up his brushes, and ruined the painting forthwith, for all time. The foreground was, in his opinion, beyond redemption; so, with a savage humor, he rapidly limned in a score of impossible trees, turned midday into sunset, with a riot of colors which would have made the Chinese New-year in Canton a drab and sober event in comparison. He hated Flora Desimone, as all Nora's adherents most properly did, but with a hatred wholly reflective and adapted to Nora's moods.

"You have spoiled it!" cried Celeste. She had watched the picture grow, and to see it ruthlessly destroyed this way hurt her. "How could you!"

"Worst I ever did." He began to change the whole effect, chuckling audibly as he worked. Sunset divided honors with moonlight. It was no longer incongruous; it was ridiculous. He leaned back and laughed. "I'm going to send it to L'Asino, and call it an afterthought."

"Give it to me."

"What?"

"Yes."

"Nonsense! I'm going to touch a match to it. I'll give you that picture with the lavender in bloom."

"I want this."

"But you can not hang it."

"I want it."

"Well!" The more he learned about women the farther out of mental reach they seemed to go. Why on earth did she want this execrable daub? "You may have it; but all the same, I'm going to call an oculist and have him examine your eyes."

"Why, it is the Signorina Fournier!"

In preparing studiously to ignore Flora Desimone's presence they had forgotten all about her.

"Good morning, Signora," said Celeste in Italian.

"And the Signore Abbott, the painter, also!" The Calabrian raised what she considered her most deadly weapon, her lorgnette.

Celeste had her fancy-work instantly in her two hands; Abbott's were occupied; Flora's hands were likewise engaged; thus, the insipid mockery of hand-shaking was nicely and excusably avoided.

"What is it?" asked Flora, squinting.

"It is a new style of the impressionist which I began this morning," soberly.

"It looks very natural," observed Flora.

"Natural!" Abbott dropped his mahl-stick.

"It is Vesuv', is it not, on a cloudy day?"

This was too much for Abbott's gravity, and he laughed.

"It was not necessary to spoil a good picture ... on my account," said Flora, closing the lorgnette with a snap. Her great dark eyes were dreamy and contemplative like a cat's, and, as every one knows, a cat's eye is the most observing of all eyes. It is quite in the order of things, since a cat's attitude toward the world is by need and experience wholly defensive.

"The Signora is wrong. I did not spoil it on her account. It was past helping yesterday. But I shall, however, rechristen it Vesuvius, since it represents an eruption of temper."

Flora tapped the handle of her parasol with the lorgnette. It was distinctly a sign of approval. These Americans were never slow-witted. She swung the parasol to and fro, slowly, like a pendulum.

"It is too bad," she said, her glance roving over the white walls of the villa.

"It was irrevocably lost," Abbott declared.

"No, no; I do not mean the picture. I am thinking of La Toscana. Her voice was really superb; and to lose it entirely...!" She waved a sympathetic hand.

Abbott was about to rise up in vigorous protest. But fate itself chose to rebuke Flora. From the window came—"Sai cos' ebbe cuore!"—sung as only Nora could sing it.

The ferrule of Flora Desimone's parasol bit deeply into the clover-turf.



CHAPTER XVII

THE BALL AT THE VILLA

"Do you know the Duchessa?" asked Flora Desimone.

"Yes." It was three o'clock the same afternoon. The duke sat with his wife under the vine-clad trattoria on the quay. Between his knees he held his Panama hat, which was filled with ripe hazelnuts. He cracked them vigorously with his strong white teeth and filliped the broken shells into the lake, where a frantic little fish called agoni darted in and about the slowly sinking particles. "Why?" The duke was not any grayer than he had been four or five months previous, but the characteristic expression of his features had undergone a change. He looked less Jovian than Job-like.

"I want you to get an invitation to her ball at the Villa Rosa to-night."

"We haven't been here twenty-four hours!" in mild protest.

"What has that to do with it? It doesn't make any difference."

"I suppose not." He cracked and ate a nut. "Where is he?"

"He has gone to Milan. He left hurriedly. He's a fool," impatiently.

"Not necessarily. Foolishness is one thing and discretion is another. Oh, well; his presence here was not absolutely essential. Presently he will marry and settle down and be a good boy." The next nut was withered, and he tossed it aside. "Is her voice really gone?"

"No." Flora leaned with her arms upon the railing and glared at the wimpling water. She had carried the Apple of Discord up the hill and down again. Nora had been indisposed.

"I am glad of that."

She turned the glare upon him.

"I am very glad of that, considering your part in the affair."

"Michael...!"

"Be careful. Michael is always a prelude to a temper. Have one of these," offering a nut.

She struck it rudely from his hand.

"Sometimes I am tempted to put my two hands around that exquisite neck of yours."

"Try it."

"No, I do not believe it would be wise. But if ever I find out that you have lied to me, that you loved the fellow and married me out of spite...." He completed the sentence by suggestively crunching a nut.

The sullen expression on her face gave place to a smile. "I should like to see you in a rage."

"No, my heart; you would like nothing of the sort. I understand you better than you know; that accounts for my patience. You are Italian. You are caprice and mood. I come from a cold land. If ever I do get angry, run, run as fast as ever you can."

Flora was not, among other things, frivolous or light-headed. There was an earthquake hidden somewhere in this quiet docile man, and the innate deviltry of the woman was always trying to dig down to it. But she never deceived herself. Some day this earthquake would open up and devour her.

"I hate him. He snubbed me. I have told you that a thousand times."

He laughed and rattled the nuts in his hat.

"I want you to get that invitation."

"And if I do not?"

"I shall return immediately to Paris."

"And break your word to me?"

"As easily as you break one of these nuts."

"And if I get the invitation?"

"I shall fulfil my promise to the letter. I will tell her as I promised."

"Out of love for me?"

"Out of love for you, and because the play no longer interests me."

"I wonder what new devilment is at work in your mind?"

"Michael, I do not want to get into a temper. It makes lines in my face. I hate this place. It is dead. I want life, and color, and music. I want the rest of September in Ostend."

"Paris, Capri, Taormina, Ostend; I marvel if ever you will be content to stay in one place long enough for me to get my breath?"

"My dear, I am young. One of these days I shall be content to sit by your great Russian fireplace and hold your hand."

"Hold it now."

She laughed and pressed his hand between her own. "Michael, look me straight in the eyes." He did so willingly enough. "There is no other man. And if you ever look at another woman ... Well!"

"I'll send over for the invitation." He stuffed his pockets with nuts and put on his hat.

Flora then proceeded secretly to polish once more the Apple of Discord which, a deal tarnished for lack of use, she had been compelled to bring down from the promontory.

* * * * *

"Am I all right?" asked Harrigan.

Courtlandt nodded. "You look like a soldier in mufti, and more than that, like the gentleman that you naturally are," quite sincerely.

The ex-gladiator blushed. "This is the reception-room. There's the ballroom right out there. The smoking-room is on the other side. Now, how in the old Harry am I going to get across without killing some one?"

Courtlandt resisted the desire to laugh. "Supposing you let me pilot you over?"

"You're the referee. Ring the gong."

"Come on, then."

"What! while they are dancing?" backing away in dismay.

The other caught him by the arm. "Come on."

And in and out they went, hither and thither, now dodging, now pausing to let the swirl pass, until at length Harrigan found himself safe on shore, in the dim cool smoking-room.

"I don't see how you did it," admiringly.

"I'll drop in every little while to see how you are getting on," volunteered Courtlandt. "You can sit by the door if you care to see them dance. I'm off to see Mrs. Harrigan and tell her where you are. Here's a cigar."

Harrigan turned the cigar over and over in his fingers, all the while gazing at the young man's diminishing back. He sighed. That would make him the happiest man in the world. He examined the carnelian band encircling the six-inches of evanescent happiness. "What do you think of that!" he murmured. "Same brand the old boy used to smoke. And if he pays anything less than sixty apiece for 'em at wholesale, I'll eat this one." Then he directed his attention to the casual inspection of the room. A few elderly men were lounging about. His sympathy was at once mutely extended; it was plain that they too had been dragged out. At the little smoker's tabouret by the door he espied two chairs, one of which was unoccupied; and he at once appropriated it. The other chair was totally obscured by the bulk of the man who sat in it; a man, bearded, blunt-nosed, passive, but whose eyes were bright and twinkling. Hanging from his cravat was a medal of some kind. Harrigan lighted his cigar, and gave himself up to the delights of it.

"They should leave us old fellows at home," he ventured.

"Perhaps, in most cases, the women would much prefer that."

"Foreigner," thought Harrigan. "Well, it does seem that the older we get the greater obstruction we become."

"What is old age?" asked the thick but not unpleasant voice of the stranger.

"It's standing aside. Years don't count at all. A man is as young as he feels."

"And a woman as old as she looks!" laughed the other.

"Now, I don't feel old, and I am fifty-one."

The man with the beard shot an admiring glance across the tabouret. "You are extraordinarily well preserved, sir. You do not seem older than I, and I am but forty."

"The trouble is, over here you play cards all night in stuffy rooms and eat too many sauces." Harrigan had read this somewhere, and he was pleased to think that he could recall it so fittingly.

"Agreed. You Americans are getting out in the open more than any other white people."

"Wonder how he guessed I was from the States?" Aloud, Harrigan said: "You don't look as though you'd grow any older in the next ten years."

"That depends." The bearded man sighed and lighted a fresh cigarette. "There's a beautiful young woman," with an indicative gesture toward the ballroom.

Harrigan expanded. It was Nora, dancing with the Barone.

"She's the most beautiful young woman in the world," enthusiastically.

"Ah, you know her?" interestedly.

"I am her father!"—as Louis XIV might have said, "I am the State."

The bearded man smiled. "Sir, I congratulate you both."

Courtlandt loomed in the doorway. "Comfortable?"

"Perfectly. Good cigar, comfortable chair, fine view."

The duke eyed Courtlandt through the pall of smoke which he had purposefully blown forth. He questioned, rather amusedly, what would have happened had he gone down to the main hall that night in Paris? Among the few things he admired was a well-built handsome man. Courtlandt on his part pretended that he did not see.

"You'll find the claret and champagne punches in the hall," suggested Courtlandt.

"Not for mine! Run away and dance."

"Good-by, then." Courtlandt vanished.

"There's a fine chap. Edward Courtlandt, the American millionaire." It was not possible for Harrigan to omit this awe-compelling elaboration.

"Edward Courtlandt." The stranger stretched his legs. "I have heard of him. Something of a hunter."

"One of the keenest."

"There is no half-way with your rich American: either his money ruins him or he runs away from it."

"There's a stunner," exclaimed Harrigan. "Wonder how she got here?"

"To which lady do you refer?"

"The one in scarlet. She is Flora Desimone. She and my daughter sing together sometimes. Of course you have heard of Eleonora da Toscana; that's my daughter's stage name. The two are not on very good terms, naturally."

"Quite naturally," dryly.

"But you can't get away from the Calabrian's beauty," generously.

"No." The bearded man extinguished his cigarette and rose, laying a carte-de-visite on the tabouret. "More, I should not care to get away from it. Good evening," pleasantly. The music stopped. He passed on into the crowd.

Harrigan reached over and picked up the card. "Suffering shamrocks! if Molly could only see me now," he murmured. "I wonder if I made any breaks? The grand duke, and me hobnobbing with him like a waiter! James, this is all under your hat. We'll keep the card where Molly won't find it."

Young men began to drift in and out. The air became heavy with smoke, the prevailing aroma being that of Turkish tobacco of which Harrigan was not at all fond. But his cigar was so good that he was determined not to stir until the coal began to tickle the end of his nose. Since Molly knew where he was there was no occasion to worry.

Abbott came in, pulled a cigarette case out of his pocket, and impatiently struck a match. His hands shook a little, and the flare of the match revealed a pale and angry countenance.

"Hey, Abbott, here's a seat. Get your second wind."

"Thanks." Abbott dropped into the chair and smoked quickly. "Very stuffy out there. Too many."

"You look it. Having a good time?"

"Oh, fine!" There was a catch in the laugh which followed, but Harrigan's ear was not trained for these subtleties of sound, "How are you making out?"

"I'm getting acclimated. Where's the colonel to-night? He ought to be around here somewhere."

"I left him a few moments ago."

"When you see him again, send him in. He's a live one, and I like to hear him talk."

"I'll go at once," crushing his cigarette in the Jeypore bowl.

"What's your hurry? You look like a man who has just lost his job."

"Been steering a German countess. She was wound up to turn only one way, and I am groggy. I'll send the colonel over. By-by."

"Now, what's stung the boy?"

Nora was enjoying herself famously. The men hummed around her like bees around the sweetest rose. From time to time she saw Courtlandt hovering about the outskirts. She was glad he had come: the lepidopterist is latent or active in most women; to impale the butterfly, the moth falls easily into the daily routine. She was laughing and jesting with the men. Her mother stood by, admiringly. This time Courtlandt gently pushed his way to Nora's side.

"May I have a dance?" he asked.

"You are too late," evenly. She was becoming used to the sight of him, much to her amazement.

"I am sorry."

"Why, Nora, I didn't know that your card was filled!" said Mrs. Harrigan. She had the maternal eye upon Courtlandt.

"Nevertheless," said Nora sweetly, "it is a fact."

"I am disconsolate," replied Courtlandt, who had approached for form's sake only, being fully prepared for a refusal. "I have the unfortunate habit of turning up late," with a significance which only Nora understood.

"So, those who are late must suffer the consequences."

"Supper?"

"The Barone rather than you."

The music began again, and Abbott whirled her away. She was dressed in Burmese taffeta, a rich orange. In the dark of her beautiful black hair there was the green luster of emeralds; an Indian-princess necklace of emeralds and pearls was looped around her dazzling white throat. Unconsciously Courtlandt sighed audibly, and Mrs. Harrigan heard this note of unrest.

"Who is that?" asked Mrs. Harrigan.

"Flora Desimone's husband, the duke. He and Mr. Harrigan were having quite a conversation in the smoke-room."

"What!" in consternation.

"They were getting along finely when I left them."

Mrs. Harrigan felt her heart sink. The duke and James together meant nothing short of a catastrophe; for James would not know whom he was addressing, and would make all manner of confidences. She knew something would happen if she let him out of her sight. He was eternally talking to strangers.

"Would you mind telling Mr. Harrigan that I wish to see him?"

"Not at all."

Nora stopped at the end of the ballroom. "Donald, let us go out into the garden. I want a breath of air. Did you see her?"

"Couldn't help seeing her. It was the duke, I suppose. It appears that he is an old friend of the duchess. We'll go through the conservatory. It's a short-cut."

The night was full of moonshine; it danced upon the water; it fired the filigree tops of the solemn cypress; it laced the lawn with quivering shadows; and heavy hung the cloying perfume of the box-wood hedges.

"O bellissima notta!" she sang. "Is it not glorious?"

"Nora," said Abbott, leaning suddenly toward her.

"Don't say it. Donald; please don't. Don't waste your love on me. You are a good man, and I should not be worthy the name of woman if I did not feel proud and sad. I want you always as a friend; and if you decide that can not be, I shall lose faith in everything. I have never had a brother, and in these two short years I have grown to look on you as one. I am sorry. But if you will look back you will see that I never gave you any encouragement. I was never more than your comrade. I have many faults, but I am not naturally a coquette. I know my heart; I know it well."

"Is there another?" in despair.

"Once upon a time, Donald, there was. There is nothing now but ashes. I am telling you this so that it will not be so hard for you to return to the old friendly footing. You are a brave man. Any man is who takes his heart in his hand and offers it to a woman. You are going to take my hand and promise to be my friend always."

"Ah, Nora!"

"You mustn't, Donald. I can't return to the ballroom with my eyes red. You will never know how a woman on the stage has to fight to earn her bread. And that part is only a skirmish compared to the ceaseless war men wage against her. She has only the fortifications of her wit and her presence of mind. Was I not abducted in the heart of Paris? And but for the cowardice of the man, who knows what might have happened? If I have beauty, God gave it to me to wear, and wear it I will. My father, the padre, you and the Barone; I would not trust any other men living. I am often unhappy, but I do not inflict this unhappiness on others. Be you the same. Be my friend; be brave and fight it out of your heart." Quickly she drew his head toward her and lightly kissed the forehead. "There! Ah, Donald, I very much need a friend."

"All right, Nora," bravely indeed, for the pain in his young heart cried out for the ends of the earth in which to hide. "All right! I'm young; maybe I'll get over it in time. Always count on me. You wouldn't mind going back to the ballroom alone, would you? I've got an idea I'd like to smoke over it. No, I'll take you to the end of the conservatory and come back. I can't face the rest of them just now."

Nora had hoped against hope that it was only infatuation, but in the last few days she could not ignore the truth that he really loved her. She had thrown him and Celeste together in vain. Poor Celeste, poor lovely Celeste, who wore her heart upon her sleeve, patent to all eyes save Donald's! Thus, it was with defined purpose that she had lured him this night into the garden. She wanted to disillusion him.

The Barone, glooming in an obscure corner of the conservatory, saw them come in. Abbott's brave young face deceived him. At the door Abbott smiled and bowed and returned to the garden. The Barone rose to follow him. He had committed a theft of which he was genuinely sorry; and he was man enough to seek his rival and apologize. But fate had chosen for him the worst possible time. He had taken but a step forward, when a tableau formed by the door, causing him to pause irresolutely.

Nora was face to face at last with Flora Desimone.

"I wish to speak to you," said the Italian abruptly.

"Nothing you could possibly say would interest me," declared Nora, haughtily and made as if to pass.

"Do not be too sure," insolently.

Their voices were low, but they reached the ears of the Barone, who wished he was anywhere but here. He moved silently behind the palms toward the exit.

"Let me be frank. I hate you and detest you with all my heart," continued Flora. "I have always hated you, with your supercilious airs, you, whose father...."

"Don't you dare to say an ill word of him!" cried Nora, her Irish blood throwing hauteur to the winds. "He is kind and brave and loyal, and I am proud of him. Say what you will about me; it will not bother me in the least."

The Barone heard no more. By degrees he had reached the exit, and he was mightily relieved to get outside. The Calabrian had chosen her time well, for the conservatory was practically empty. The Barone's eyes searched the shadows and at length discerned Abbott leaning over the parapet.



"Ah!" said Abbott, facing about. "So it is you. You deliberately scratched off my name and substituted your own. It was the act of a contemptible cad. And I tell you here and now. A cad!"

The Barone was Italian. He had sought Abbott with the best intentions; to apologize abjectly, distasteful though it might be to his hot blood. Instead, he struck Abbott across the mouth, and the latter promptly knocked him down.



CHAPTER XVIII

PISTOLS FOR TWO

Courtlandt knocked on the studio door.

"Come in."

He discovered Abbott, stretched out upon the lounge, idly picking at the loose plaster in the wall.

"Hello!" said Abbott carelessly. "Help yourself to a chair."

Instead, Courtlandt walked about the room, aimlessly. He paused at the window; he picked up a sketch and studied it at various angles; he kicked the footstool across the floor, not with any sign of anger but with a seriousness that would have caused Abbott to laugh, had he been looking at his friend. He continued, however, to pluck at the plaster. He had always hated and loved Courtlandt, alternately. He never sought to analyze this peculiar cardiac condition. He only knew that at one time he hated the man, and that at another he would have laid down his life for him. Perhaps it was rather a passive jealousy which he mistook for hatred. Abbott had never envied Courtlandt his riches; but often the sight of Courtlandt's physical superiority, his adaptability, his knowledge of men and affairs, the way he had of anticipating the unspoken wishes of women, his unembarrassed gallantry, these attributes stirred the envy of which he was always manly enough to be ashamed. Courtlandt's unexpected appearance in Bellaggio had also created a suspicion which he could not minutely define. The truth was, when a man loved, every other man became his enemy, not excepting her father: the primordial instinct has survived all the applications of veneer. So, Abbott was not at all pleased to see his friend that morning.