The Marquis stopped short, stammering and confused.

The Englishman scanned his countenance with the rapid glance of a practised observer of men and things, and after a short pause said: "If the lady has selected some other spot for her promenade, I am ignorant of it; nor have I ever volunteered the chance of meeting with her, since I learned—first from Lemercier, and afterwards from others—that her destination is the stage. Let us talk frankly, Marquis. I am accustomed to take much exercise on foot, and the Bois is my favourite resort: one day I there found myself in the allee which the lady we speak of used to select for her promenade, and there saw her. Something in her face impressed me; how shall I describe the impression? Did you ever open a poem, a romance, in some style wholly new to you, and before you were quite certain whether or not its merits justified the interest which the novelty inspired, you were summoned away, or the book was taken out of your hands? If so, did you not feel an intellectual longing to have another glimpse of the book? That illustration describes my impression, and I own that I twice again went to the same allee. The last time I only caught sight of the young lady as she was getting into her carriage. As she was then borne away, I perceived one of the custodians of the Bois; and learned, on questioning him, that the lady was in the habit of walking always alone in the same allee at the same hour on most fine days, but that he did not know her name or address. A motive of curiosity—perhaps an idle one—then made me ask Lemercier, who boasts of knowing his Paris so intimately, if he could inform me who the lady was. He undertook to ascertain."

"But," interposed the Marquis, "he did not ascertain who she was; he only ascertained where she lived, and that she and an elder companion were Italians;—whom he suspected, without sufficient ground, to be professional singers."

"True; but since then I ascertained more detailed particulars from two acquaintances of mine who happen to know her,—M. Savarin, the distinguished writer, and Mrs. Morley, an accomplished and beautiful American lady, who is more than an acquaintance. I may boast the honour of ranking among her friends. As Savarin's villa is at A———, I asked him incidentally if he knew the fair neighbour whose face had so attracted me; and Mrs. Morley being present, and overhearing me, I learned from both what I now repeat to you.

"The young lady is a Signorina Cicogna,—at Paris, exchanging (except among particular friends), as is not unusual, the outlandish designation of Signorina for the more conventional one of Mademoiselle. Her father was a member of the noble Milanese family of the same name, therefore the young lady is well born. Her father has been long dead; his widow married again an English gentleman settled in Italy, a scholar and antiquarian; his name was Selby. This gentleman, also dead, bequeathed the Signorina a small but sufficient competence. She is now an orphan, and residing with a companion, a Signora Venosta, who was once a singer of some repute at the Neapolitan Theatre, in the orchestra of which her husband was principal performer; but she relinquished the stage several years ago on becoming a widow, and gave lessons as a teacher. She has the character of being a scientific musician, and of unblemished private respectability. Subsequently she was induced to give up general teaching, and undertake the musical education and the social charge of the young lady with her. This girl is said to have early given promise of extraordinary excellence as a singer, and excited great interest among a coterie of literary critics and musical cognoscenti. She was to have come out at the Theatre of Milan a year or two ago, but her career has been suspended in consequence of ill-health, for which she is now at Paris under the care of an English physician, who has made remarkable cures in all complaints of the respiratory organs. ———, the great composer, who knows her, says that in expression and feeling she has no living superior, perhaps no equal since Malibran."

"You seem, dear Monsieur, to have taken much pains to acquire this information."

"No great pains were necessary; but had they been I might have taken them, for, as I have owned to you, Mademoiselle Cicogna, while she was yet a mystery to me, strangely interested my thoughts or my fancies. That interest has now ceased. The world of actresses and singers lies apart from mine."

"Yet," said Alain, in a tone of voice that implied doubt, "if I understand Lemercier aright, you were going with him to the Bois on the chance of seeing again the lady in whom your interest has ceased."

"Lemercier's account was not strictly accurate. He stopped his carriage to speak to me on quite another subject, on which I have consulted him, and then proposed to take me on to the Bois. I assented; and it was not till we were in the carriage that he suggested the idea of seeing whether the pearly-robed lady had resumed her walk in the allee. You may judge how indifferent I was to that chance when I preferred turning back with you to going on with him. Between you and me, Marquis, to men of our age, who have the business of life before them, and feel that if there be aught in which noblesse oblige it is a severe devotion to noble objects, there is nothing more fatal to such devotion than allowing the heart to be blown hither and thither at every breeze of mere fancy, and dreaming ourselves into love with some fair creature whom we never could marry consistently with the career we have set before our ambition. I could not marry an actress,—neither, I presume, could the Marquis de Rochebriant; and the thought of a courtship which excluded the idea of marriage to a young orphan of name unblemished, of virtue unsuspected, would certainly not be compatible with 'devotion to noble objects.'"

Alain involuntarily bowed his head in assent to the proposition, and, it may be, in submission to an implied rebuke.

The two men walked in silence for some minutes, and Graham first spoke, changing altogether the subject of conversation. "Lemercier tells me you decline going much into this world of Paris, the capital of capitals, which appears so irresistibly attractive to us foreigners."

"Possibly; but, to borrow your words, I have the business of life before me."

"Business is a good safeguard against the temptations to excess in pleasure, in which Paris abounds. But there is no business which does not admit of some holiday, and all business necessitates commerce with mankind. A propos, I was the other evening at the Duchese de Tarascon's,—a brilliant assembly, filled with ministers, senators, and courtiers. I heard your name mentioned."

"Mine?"

"Yes; Duplessis, the rising financier—who rather to my surprise was not only present among these official and decorated celebrities, but apparently quite at home among them—asked the Duchess if she had not seen you since your arrival at Paris. She replied, 'No; that though you were among her nearest connections, you had not called on her;' and bade Duplessis tell you that you were a monstre for not doing so. Whether or not Duplessis will take that liberty I know not; but you must pardon me if I do. She is a very charming woman, full of talent; and that stream of the world which reflects the stars, with all their mythical influences on fortune, flows through her salons."

"I am not born under those stars. I am a Legitimist."

"I did not forget your political creed; but in England the leaders of opposition attend the salons of the Prime Minister. A man is not supposed to compromise his opinions because he exchanges social courtesies with those to whom his opinions are hostile. Pray excuse me if I am indiscreet, I speak as a traveller who asks for information: but do the Legitimists really believe that they best serve their cause by declining any mode of competing with its opponents? Would there not be a fairer chance of the ultimate victory of their principles if they made their talents and energies individually prominent; if they were known as skilful generals, practical statesmen, eminent diplomatists, brilliant writers? Could they combine,—not to sulk and exclude themselves from the great battle-field of the world, but in their several ways to render themselves of such use to their country that some day or other, in one of those revolutionary crises to which France, alas! must long be subjected, they would find themselves able to turn the scale of undecided councils and conflicting jealousies."

"Monsieur, we hope for the day when the Divine Disposer of events will strike into the hearts of our fickle and erring countrymen the conviction that there will be no settled repose for France save under the sceptre of her rightful kings. But meanwhile we are,—I see it more clearly since I have quitted Bretagne,—we are a hopeless minority."

"Does not history tell us that the great changes of the world have been wrought by minorities,—but on the one condition that the minorities shall not be hopeless? It is almost the other day that the Bonapartists were in a minority that their adversaries called hopeless, and the majority for the Emperor is now so preponderant that I tremble for his safety. When a majority becomes so vast that intellect disappears in the crowd, the date of its destruction commences; for by the law of reaction the minority is installed against it. It is the nature of things that minorities are always more intellectual than multitudes, and intellect is ever at work in sapping numerical force. What your party want is hope; because without hope there is no energy. I remember hearing my father say that when he met the Count de Chambord at Ems, that illustrious personage delivered himself of a belle phrase much admired by his partisans. The Emperor was then President of the Republic, in a very doubtful and dangerous position. France seemed on the verge of another convulsion. A certain distinguished politician recommended the Count de Chambord to hold himself ready to enter at once as a candidate for the throne. And the Count, with a benignant smile on his handsome face, answered, 'All wrecks come to the shore: the shore does not go to the wrecks.'"

"Beautifully said!" exclaimed the Marquis.

"Not if 'Le beau est toujours le vrai.' My father, no inexperienced nor unwise politician, in repeating the royal words, remarked: 'The fallacy of the Count's argument is in its metaphor. A man is not a shore. Do you not think that the seamen on board the wrecks would be more grateful to him who did not complacently compare himself to a shore, but considered himself a human being like themselves, and risked his own life in a boat, even though it were a cockleshell, in the chance of saving theirs?"

Alain de Rochebriant was a brave man, with that intense sentiment of patriotism which characterizes Frenchmen of every rank and persuasion, unless they belong to the Internationalists; and, without pausing to consider, he cried, "Your father was right."

The Englishman resumed: "Need I say, my dear Marquis, that I am not a Legitimist? I am not an Imperialist, neither am I an Orleanist nor a Republican. Between all those political divisions it is for Frenchmen to make their choice, and for Englishmen to accept for France that government which France has established. I view things here as a simple observer. But it strikes me that if I were a Frenchman in your position, I should think myself unworthy my ancestors if I consented to be an insignificant looker-on."

"You are not in my position," said the Marquis, half mournfully, half haughtily, "and you can scarcely judge of it even in imagination."

"I need not much task my imagination; I judge of it by analogy. I was very much in your position when I entered upon what I venture to call my career; and it is the curious similarity between us in circumstances, that made me wish for your friendship when that similarity was made known to me by Lemercier, who is not less garrulous than the true Parisian usually is. Permit me to say that, like you, I was reared in some pride of no inglorious ancestry. I was reared also in the expectation of great wealth. Those expectations were not realized: my father had the fault of noble natures,—generosity pushed to imprudence: he died poor and in debt. You retain the home of your ancestors; I had to resign mine."

The Marquis had felt deeply interested in this narrative, and as Graham now paused, took his hand and pressed it. "One of our most eminent personages said to me about that time, 'Whatever a clever man of your age determines to do or to be, the odds are twenty to one that he has only to live on in order to do or to be it.' Don't you think he spoke truly? I think so."

"I scarcely know what to think," said Rochebriant; "I feel as if you had given me so rough a shake when I was in the midst of a dull dream, that I am not yet quite sure whether I am asleep or awake."

Just as he said this, and towards the Paris end of the Champs Elysees, there was a halt, a sensation among the loungers round them; many of them uncovered in salute.

A man on the younger side of middle age, somewhat inclined to corpulence, with a very striking countenance, was riding slowly by. He returned the salutations he received with the careless dignity of a Personage accustomed to respect, and then reined in his horse by the side of a barouche, and exchanged some words with a portly gentleman who was its sole occupant. The loungers, still halting, seemed to contemplate this parley—between him on horseback and him in the carriage—with very eager interest. Some put their hands behind their ears and pressed forward, as if trying to overhear what was said.

"I wonder," quoth Graham, "whether, with all his cleverness, the Prince has in any way decided what he means to do or to be."

"The Prince!" said Rochebriant, rousing himself from revery; "what Prince?"

"Do you not recognize him by his wonderful likeness to the first Napoleon,—him on horseback talking to Louvier, the great financier."

"Is that stout bourgeois in the carriage Louvier,—my mortgagee, Louvier?"

"Your mortgagee, my dear Marquis? Well, he is rich enough to be a very lenient one upon pay-day."

"Hein!—I doubt his leniency," said Alain. "I have promised my avoue to meet him at dinner. Do you think I did wrong?"

"Wrong! of course not; he is likely to overwhelm you with civilities. Pray don't refuse if he gives you an invitation to his soiree next Saturday; I am going to it. One meets there the notabilities most interesting to study,—artists, authors, politicians, especially those who call themselves Republicans. He and the Prince agree in one thing; namely, the cordial reception they give to the men who would destroy the state of things upon which Prince and financier both thrive. Hillo! here comes Lemercier on return from the Bois."

Lemercier's coupe stopped beside the footpath. "What tidings of the Belle Inconnue?" asked the Englishman. "None; she was not there. But I am rewarded: such an adventure! a dame of the haute volee; I believe she is a duchess. She was walking with a lap-dog, a pure Pomeranian. A strange poodle flew at the Pomeranian, I drove off the poodle, rescued the Pomeranian, received the most gracious thanks, the sweetest smile: femme superbe, middle aged. I prefer women of forty. Au revoir, I am due at the club."

Alain felt a sensation of relief that Lemercier had not seen the lady in the pearl-coloured dress, and quitted the Englishman with a lightened heart.



CHAPTER IV.

"Piccola, piccola! com e cortese! another invitation from M. Louvier for next Saturday,—conversazione." This was said in Italian by an elderly lady bursting noisily into the room,—elderly, yet with a youthful expression of face, owing perhaps to a pair of very vivacious black eyes. She was dressed, after a somewhat slatternly fashion, in a wrapper of crimson merino much the worse for wear, a blue handkerchief twisted turban-like round her head, and her feet encased in list slippers. The person to whom she addressed herself was a young lady with dark hair, which, despite its evident repugnance, was restrained into smooth glossy braids over the forehead, and at the crown of the small graceful head into the simple knot which Horace has described as "Spartan." Her dress contrasted the speaker's by an exquisite neatness.

We have seen her before as the lady in the pearl-coloured robe; but seen now at home she looks much younger. She was one of those whom, encountered in the streets or in society, one might guess to be married,—probably a young bride; for thus seen there was about her an air of dignity and of self-possession which suits well with the ideal of chaste youthful matronage; and in the expression of the face there was a pensive thoughtfulness beyond her years. But as she now sat by the open window arranging flowers in a glass bowl, a book lying open on her lap, you would never have said, "What a handsome woman!" you would have said, "What a charming girl!" All about her was maidenly, innocent, and fresh. The dignity of her bearing was lost in household ease, the pensiveness of her expression in an untroubled serene sweetness.

Perhaps many of my readers may have known friends engaged in some absorbing cause of thought, and who are in the habit when they go out, especially if on solitary walks, to take that cause of thought with them. The friend may be an orator meditating his speech, a poet his verses, a lawyer a difficult case, a physician an intricate malady. If you have such a friend, and you observe him thus away from his home, his face will seem to you older and graver. He is absorbed in the care that weighs on him. When you see him in a holiday moment at his own fireside, the care is thrown aside; perhaps he mastered while abroad the difficulty that had troubled him; he is cheerful, pleasant, sunny. This appears to be very much the case with persons of genius. When in their own houses we usually find them very playful and childlike. Most persons of real genius, whatever they may seem out of doors, are very sweet-tempered at home, and sweet temper is sympathizing and genial in the intercourse of private life. Certainly, observing this girl as she now bends over the flowers, it would be difficult to believe her to be the Isaura Cicogna whose letters to Madame de Grantinesnil exhibit the doubts and struggles of an unquiet, discontented, aspiring mind. Only in one or two passages in those letters would you have guessed at the writer in the girl as we now see her. It is in those passages where she expresses her love of harmony, and her repugnance to contest: those were characteristics you might have read in her face.

Certainly the girl is very lovely: what long dark eyelashes! what soft, tender, dark-blue eyes! now that she looks up and smiles, what a bewitching smile it is! by what sudden play of rippling dimples the smile is enlivened and redoubled! Do you notice one feature? In very showy beauties it is seldom noticed; but I, being in my way a physiognomist, consider that it is always worth heeding as an index of character. It is the ear. Remark how delicately it is formed in her: none of that heaviness of lobe which is a sure sign of sluggish intellect and coarse perception. Hers is the artist's ear. Note next those hands: how beautifully shaped! small, but not doll-like hands,—ready and nimble, firm and nervous hands, that could work for a helpmate. By no means very white, still less red, but somewhat embrowned as by the sun, such as you may see in girls reared in southern climes, and in her perhaps betokening an impulsive character which had not accustomed itself, when at sport in the open air, to the thraldom of gloves,—very impulsive people even in cold climates seldom do.

In conveying to us by a few bold strokes an idea of the sensitive, quick-moved, warm-blooded Henry II., the most impulsive of the Plantagenets, his contemporary chronicler tells us that rather than imprison those active hands of his, even in hawking-gloves, he would suffer his falcon to fix its sharp claws into his wrist. No doubt there is a difference as to what is befitting between a burly bellicose creature like Henry II. and a delicate young lady like Isaura Cicogna; and one would not wish to see those dainty wrists of hers seamed and scarred by a falcon's claws. But a girl may not be less exquisitely feminine for slight heed of artificial prettiness. Isaura had no need of pale bloodless hands to seem one of Nature's highest grade of gentlewomen even to the most fastidious eyes. About her there was a charm apart from her mere beauty, and often disturbed instead of heightened by her mere intellect: it consisted in a combination of exquisite artistic refinement, and of a generosity of character by which refinement was animated into vigour and warmth.

The room, which was devoted exclusively to Isaura, had in it much that spoke of the occupant. That room, when first taken furnished, had a good deal of the comfortless showiness which belongs to ordinary furnished apartments in France, especially in the Parisian suburbs, chiefly let for the summer: thin limp muslin curtains that decline to draw; stiff mahogany chairs covered with yellow Utrecht velvet; a tall secretaire in a dark corner; an oval buhl-table set in tawdry ormolu, islanded in the centre of a poor but gaudy Scotch carpet; and but one other table of dull walnut-wood, standing clothless before a sofa to match the chairs; the eternal ormolu clock flanked by the two eternal ormolu candelabra on the dreary mantelpiece. Some of this garniture had been removed, others softened into cheeriness and comfort. The room somehow or other—thanks partly to a very moderate expenditure in pretty twills with pretty borders, gracefully simple table-covers, with one or two additional small tables and easy-chairs, two simple vases filled with flowers; thanks still more to a nameless skill in re-arrangement, and the disposal of the slight knick-knacks and well-bound volumes, which, even in travelling, women who have cultivated the pleasures of taste carry about them—had been coaxed into that quiet harmony, that tone of consistent subdued colour, which corresponded with the characteristics of the inmate. Most people might have been puzzled where to place the piano, a semi-grand, so as not to take up too much space in the little room; but where it was placed it seemed so at home that you might have supposed the room had been built for it.

There are two kinds of neatness,—one is too evident, and makes everything about it seem trite and cold and stiff; and another kind of neatness disappears from our sight in a satisfied sense of completeness,—like some exquisite, simple, finished style of writing, an Addison's or a St. Pierre's.

This last sort of neatness belonged to Isaura, and brought to mind the well-known line of Catullus when on recrossing his threshold he invokes its welcome,—a line thus not inelegantly translated by Leigh Hunt,

"Smile every dimple on the cheek of Home."

I entreat the reader's pardon for this long descriptive digression; but Isaura is one of those characters which are called many-sided, and therefore not very easy to comprehend. She gives us one side of her character in her correspondence with Madame de Grantmesnil, and another side of it in her own home with her Italian companion,—half nurse, half chaperon.

"Monsieur Louvier is indeed very courteous," said Isaura, looking up from the flowers with the dimpled smile we have noticed. "But I think, Madre, that we should do well to stay at home on Saturday,—not peacefully, for I owe you your revenge at Euchre."

"You can't mean it, Piecola!" exclaimed the Signora, in evident consternation. "Stay at home!—why stay at home? Euchre is very well when there is nothing else to do: but change is pleasant; le bon Dieu likes it,

"'Ne caldo ne gelo Resta mai in cielo.'

"And such beautiful ices one gets at M. Louvier's! Did you taste the pistachio ice? What fine rooms, and so well lit up! I adore light. And the ladies so beautifully dressed: one sees the fashions. Stay at home! play at Euchre indeed! Piccola, you cannot be so cruel to yourself: you are young."

"But, dear Madre, just consider; we are invited because we are considered professional singers: your reputation as such is of course established,—mine is not; but still I shall be asked to sing, as I was asked before; and you know Dr. C. forbids me to do so except to a very small audience; and it is so ungracious always to say 'No;' and besides, did you not yourself say, when we came away last time from M. Louvier's, that it was very dull, that you knew nobody, and that the ladies had such superb toilets that you felt mortified—and—"

"Zitto! zitto! you talk idly, Piccola,—very idly. I was mortified then in my old black Lyons silk; but have I not bought since then my beautiful Greek jacket,—scarlet and gold lace? and why should I buy it if I am not to show it?"

"But, dear Madre, the jacket is certainly very handsome, and will make an effect in a little dinner at the Savarins or Mrs. Morley's; but in a great formal reception like M. Louvier's will it not look—"

"Splendid!" interrupted the Signora.

"But singolare."

"So much the better; did not that great English Lady wear such a jacket, and did not every one admire her, piu tosto invidia the compassione?"

Isaura sighed. Now the jacket of the Signora was a subject of disquietude to her friend. It so happened that a young English lady of the highest rank and the rarest beauty had appeared at M. Louvier's, and indeed generally in the beau monde of Paris, in a Greek jacket that became her very much. The jacket had fascinated, at M. Louvier's, the eyes of the Signora. But of this Isaura was unaware. The Signora, on returning home from M. Louvier's, had certainly lamented much over the mesquin appearance of her old-fashioned Italian habiliments compared with the brilliant toilette of the gay Parisiennes; and Isaura—quite woman enough to sympathize with woman in such womanly vanities—proposed the next day to go with the Signora to one of the principal couturieres of Paris, and adapt the Signora's costume to the fashions of the place. But the Signora having predetermined on a Greek jacket, and knowing by instinct that Isaura would be disposed to thwart that splendid predilection, had artfully suggested that it would be better to go to the couturiere with Madame Savarin, as being a more experienced adviser,—and the coupe only held two.

As Madame Savarin was about the same age as the Signora, and dressed as became her years and in excellent taste, Isaura thought this an admirable suggestion; and pressing into her chaperon's hand a billet de banque sufficient to re-equip her cap-a pie, dismissed the subject from her mind. But the Signora was much too cunning to submit her passion for the Greek jacket to the discouraging comments of Madame Savarin. Monopolizing the coupe, she became absolute mistress of the situation. She went to no fashionable couturiere's. She went to a magasin that she had seen advertised in the Petites Afiches as supplying superb costumes for fancy-balls and amateur performers in private theatricals. She returned home triumphant, with a jacket still more dazzling to the eye than that of the English lady.

When Isaura first beheld it, she drew back in a sort of superstitious terror, as of a comet or other blazing portent.

"Cosa stupenda!" (stupendous thing!) She might well be dismayed when the Signora proposed to appear thus attired in M. Louvier's salon. What might be admired as coquetry of dress in a young beauty of rank so great that even a vulgarity in her would be called distinguee, was certainly an audacious challenge of ridicule in the elderly ci-devant music-teacher.

But how could Isaura, how can any one of common humanity, say to a woman resolved upon wearing a certain dress, "You are not young and handsome enough for that?" Isaura could only murmur, "For many reasons I would rather stay at home, dear Madre."

"Ah! I see you are ashamed of me," said the Signora, in softened tones: "very natural. When the nightingale sings no more, she is only an ugly brown bird;" and therewith the Signora Venosta seated herself submissively, and began to cry.

On this Isaura sprang up, wound her arms round the Signora's neck, soothed her with coaxing, kissed and petted her, and ended by saying, "Of course we will go;" and, "but let me choose you another dress,—a dark-green velvet trimmed with blonde: blonde becomes you so well."

"No, no: I hate green velvet; anybody can wear that. Piccola, I am not clever like thee; I cannot amuse myself like thee with books. I am in a foreign land. I have a poor head, but I have a big heart" (another burst of tears); "and that big heart is set on my beautiful Greek jacket."

"Dearest Madre," said Isaura, half weeping too, "forgive me, you are right. The Greek jacket is splendid; I shall be so pleased to see you wear it: poor Madre! so pleased to think that in the foreign land you are not without something that pleases you!"



CHAPTER V.

CONFORMABLY with his engagement to meet M. Louvier, Alain found himself on the day and at the hour named in M. Gandrin's salon. On this occasion Madame Gandrin did not appear. Her husband was accustomed to give diners d'hommes. The great man had not yet arrived. "I think, Marquis," said M. Gandrin, "that you will not regret having followed my advice: my representations have disposed Louvier to regard you with much favour, and he is certainly flattered by being permitted to make your personal acquaintance."

The avoue had scarcely finished this little speech, when M. Louvier was announced. He entered with a beaming smile, which did not detract from his imposing presence. His flatterers had told him that he had a look of Louis Philippe; therefore he had sought to imitate the dress and the bonhomie of that monarch of the middle class. He wore a wig, elaborately piled up, and shaped his whiskers in royal harmony with the royal wig. Above all, he studied that social frankness of manner with which the able sovereign dispelled awe of his presence or dread of his astuteness. Decidedly he was a man very pleasant to converse and to deal with—so long as there seemed to him something to gain and nothing to lose by being pleasant. He returned Alain's bow by a cordial offer of both expansive hands, into the grasp of which the hands of the aristocrat utterly disappeared. "Charmed to make your acquaintance, Marquis; still more charmed if you will let me be useful during your sejour at Paris. Ma foi, excuse my bluntness, but you are a fort beau garcon. Monsieur your father was a handsome man, but you beat him hollow. Gandrin, my friend, would not you and I give half our fortunes for one year of this fine fellow's youth spent at Paris? Peste! what love-letters we should have, with no need to buy them by billets de banque!" Thus he ran on, much to Alain's confusion, till dinner was announced. Then there was something grandiose in the frank bourgeois style wherewith he expanded his napkin and twisted one end into his waistcoat; it was so manly a renunciation of the fashions which a man so repandu in all circles might be supposed to follow,—as if he were both too great and too much in earnest for such frivolities. He was evidently a sincere bon vivant, and M. Gandrin had no less evidently taken all requisite pains to gratify his taste. The Montrachet served with the oysters was of precious vintage; that vin de madere which accompanied the potage a la bisque would have contented an American. And how radiant became Louvier's face when amongst the entrees he came upon laitances de carpes! "The best thing in the world," he cried, "and one gets it so seldom since the old Rocher de Cancale has lost its renown. At private houses, what does one get now? blanc de poulet, flavourless trash. After all, Gandrin, when we lose the love-letters, it is some consolation that laitances de carpes and sautes de foie gras are still left to fill up the void in our hearts. Marquis, heed my counsel; cultivate betimes the taste for the table,—that and whist are the sole resources of declining years. You never met my old friend Talleyrand—ah, no! he was long before your time. He cultivated both, but he made two mistakes. No man's intellect is perfect on all sides. He confined himself to one meal a day, and he never learned to play well at whist. Avoid his errors, my young friend,—avoid them. Gandrin, I guess this pineapple is English,—it is superb."

"You are right,—a present from the Marquis of H———-."

"Ah! instead of a fee, I wager. The Marquis gives nothing for nothing, dear man! Droll people the English. You have never visited England, I presume, cher Rochebriant?" The affable financier had already made vast progress in familiarity with his silent fellow-guest.

When the dinner was over and the three men had reentered the salon for coffee and liqueurs, Gandrin left Louvier and Alain alone, saying he was going to his cabinet for cigars which he could recommend. Then Louvier, lightly patting the Marquis on the shoulder, said with what the French call effusion, "My dear Rochebriant, your father and I did not quite understand each other. He took a tone of grand seigneur that sometimes wounded me; and I in turn was perhaps too rude in asserting my rights—as creditor, shall I say?—no, as fellow-citizen; and Frenchmen are so vain, so over-susceptible; fire up at a word; take offence when none is meant. We two, my dear boy, should be superior to such national foibles. Bref—I have a mortgage on your lands. Why should that thought mar our friendship? At my age, though I am not yet old, one is flattered if the young like us, pleased if we can oblige them, and remove from their career any little obstacle in its way. Gandrin tells me you wish to consolidate all the charges on your estate into one on a lower rate of interest. Is it so?"

"I am so advised," said the Marquis.

"And very rightly advised; come and talk with me about it some day next week. I hope to have a large sum of money set free in a few days. Of course, mortgages on land don't pay like speculations at the Bourse; but I am rich enough to please myself. We will see, we will see."

Here Gandrin returned with the cigars; but Alain at that time never smoked, and Louvier excused himself, with a laugh and a sly wink, on the plea that he was going to pay his respects—as doubtless that joli garcon was going to do likewise—to a belle dame who did not reckon the smell of tobacco among the perfumes of Houbigant or Arabia.

"Meanwhile," added Louvier, turning to Gandrin, "I have something to say to you on business about the contract for that new street of mine. No hurry,—after our young friend has gone to his 'assignation.'"

Alain could not misinterpret the hint; and in a few moments took leave of his host, more surprised than disappointed that the financier had not invited him, as Graham had assumed he would, to his soiree the following evening.

When Alain was gone, Louvier's jovial manner disappeared also, and became bluffly rude rather than bluntly cordial. "Gandrin, what did you mean by saying that that young man was no muscadin! Muscadin, aristocrate, offensive from top to toe."

"You amaze me; you seemed to take to him so cordially."

"And pray, were you too blind to remark with what cold reserve he responded to my condescensions; how he winced when I called him Rochebriant; how he coloured when I called him 'dear boy'? These aristocrats think we ought to thank them on our knees when they take our money, and" here Louvier's face darkened—"seduce our women." "Monsieur Louvier, in all France I do not know a greater aristocrat than yourself."

I don't know whether M. Gandrin meant that speech as a compliment, but M. Louvier took it as such,—laughed complacently and rubbed his hands. "Ay, ay, millionnaires are the real aristocrats, for they have power, as my beau Marquis will soon find. I must bid you good night. Of course I shall see Madame Gandrin and yourself to-morrow. Prepare for a motley gathering,—lots of democrats and foreigners, with artists and authors, and such creatures."

"Is that the reason why you did not invite the Marquis?"

"To be sure; I would not shock so pure a Legitimist by contact with the sons of the people, and make him still colder to myself. No; when he comes to my house he shall meet lions and viveurs of the haut ton, who will play into my hands by teaching him how to ruin himself in the quickest manner and in the genre Regence. Bon soir, mon vieux."



CHAPTER VI.

The next night Graham in vain looked round for Alain in M. Louvier's salons, and missed his high-bred mien and melancholy countenance. M. Louvier had been for some four years a childless widower, but his receptions were not the less numerously attended, nor his establishment less magnificently monde for the absence of a presiding lady: very much the contrary; it was noticeable how much he had increased his status and prestige as a social personage since the death of his unlamented spouse.

To say truth, she had been rather a heavy drag on his triumphal car. She had been the heiress of a man who had amassed a great deal of money,—not in the higher walks of commerce, but in a retail trade.

Louvier himself was the son of a rich money-lender; he had entered life with an ample fortune and an intense desire to be admitted into those more brilliant circles in which fortune can be dissipated with eclat. He might not have attained this object but for the friendly countenance of a young noble who was then—

"The glass of fashion and the mould of form;"

but this young noble, of whom later we shall hear more, came suddenly to grief, and when the money-lender's son lost that potent protector, the dandies, previously so civil, showed him a very cold shoulder.

Louvier then became an ardent democrat, and recruited the fortune he had impaired by the aforesaid marriage, launched into colossal speculations, and became enormously rich. His aspirations for social rank now revived, but his wife sadly interfered with them. She was thrifty by nature; sympathized little with her husband's genius for accumulation; always said he would end in a hospital; hated Republicans; despised authors and artists, and by the ladies of the beau monde was pronounced common and vulgar.

So long as she lived, it was impossible for Louvier to realize his ambition of having one of the salons which at Paris establish celebrity and position. He could not then command those advantages of wealth which he especially coveted. He was eminently successful in doing this now. As soon as she was safe in Pere la Chaise, he enlarged his hotel by the purchase and annexation of an adjoining house; redecorated and refurnished it, and in this task displayed, it must be said to his credit, or to that of the administrators he selected for the purpose, a nobleness of taste rarely exhibited nowadays. His collection of pictures was not large, and consisted exclusively of the French school, ancient and modern, for in all things Louvier affected the patriot. But each of those pictures was a gem; such Watteaus, such Greuzes, such landscapes by Patel, and, above all, such masterpieces by Ingres, Horace Vernet, and Delaroche were worth all the doubtful originals of Flemish and Italian art which make the ordinary boast of private collectors.

These pictures occupied two rooms of moderate size, built for their reception, and lighted from above. The great salon to which they led contained treasures scarcely less precious; the walls were covered with the richest silks which the looms of Lyons could produce. Every piece of furniture here was a work of art in its way: console-tables of Florentine mosaic, inlaid with pearl and lapis-lazuli; cabinets in which the exquisite designs of the Renaissance were carved in ebony; colossal vases of Russian malachite, but wrought by French artists. The very knick-knacks scattered carelessly about the room might have been admired in the cabinets of the Palazzo Pitti. Beyond this room lay the salle de danse, its ceiling painted by ———, supported by white marble columns, the glazed balcony and the angles of the room filled with tiers of exotics. In the dining-room, on the same floor, on the other side of the landing-place, were stored in glazed buffets not only vessels and salvers of plate, silver and gold, but, more costly still, matchless specimens of Sevres and Limoges, and mediaeval varieties of Venetian glass. On the ground-floor, which opened on the lawn of a large garden, Louvier had his suite of private apartments, furnished, as he said, "simply, according to English notions of comfort;"—Englishmen would have said, "according to French notions of luxury." Enough of these details, which a writer cannot give without feeling himself somewhat vulgarized in doing so, but without a loose general idea of which a reader would not have an accurate conception of something not vulgar,—of something grave, historical, possibly tragical,—the existence of a Parisian millionaire at the date of this narrative.

The evidence of wealth was everywhere manifest at M. Louvier's, but it was everywhere refined by an equal evidence of taste. The apartments devoted to hospitality ministered to the delighted study of artists, to whom free access was given, and of whom two or three might be seen daily in the "show-rooms," copying pictures or taking sketches of rare articles of furniture or effects for palatian interiors.

Among the things which rich English visitors of Paris most coveted to see was M. Louvier's hotel, and few among the richest left it without a sigh of envy and despair. Only in such London houses as belong to a Sutherland or a Holford could our metropolis exhibit a splendour as opulent and a taste as refined.

M. Louvier had his set evenings for popular assemblies. At these were entertained the Liberals of every shade, from tricolor to rouge, with the artists and writers most in vogue, pele-mele with decorated diplomatists, ex-ministers, Orleanists, and Republicans, distinguished foreigners, plutocrats of the Bourse, and lions male and female from the arid nurse of that race, the Chaussee d'Antin. Of his more select reunions something will be said later.

"And how does this poor Paris metamorphosed please Monsieur Vane?" asked a Frenchman with a handsome, intelligent countenance, very carefully dressed though in a somewhat bygone fashion, and carrying off his tenth lustrum with an air too sprightly to evince any sense of the weight. This gentleman, the Vicomte de Breze, was of good birth, and had a legitimate right to his title of Vicomte,—which is more than can be said of many vicomtes one meets at Paris. He had no other property, however, than a principal share in an influential journal, to which he was a lively and sparkling contributor. In his youth, under the reign of Louis Philippe, he had been a chief among literary exquisites; and Balzac was said to have taken him more than once as his model for those brilliant young vauriens who figure in the great novelist's comedy of Human Life. The Vicomte's fashion expired with the Orleanist dynasty.

"Is it possible, my dear Vicomte," answered Graham, "not to be pleased with a capital so marvellously embellished?"

"Embellished it may be to foreign eyes," said the Vicomte, sighing, "but not improved to the taste of a Parisian like me. I miss the dear Paris of old,—the streets associated with my beaux jours are no more. Is there not something drearily monotonous in those interminable perspectives? How frightfully the way lengthens before one's eyes! In the twists and curves of the old Paris one was relieved from the pain of seeing how far one had to go from one spot to another,—each tortuous street had a separate idiosyncrasy; what picturesque diversities, what interesting recollections,—all swept away! Mon Dieu! and what for,—miles of florid facades staring and glaring at one with goggle-eyed pitiless windows; house-rents trebled, and the consciousness that if you venture to grumble underground railways, like concealed volcanoes, can burst forth on you at any moment with an eruption of bayonets and muskets. This maudit empire seeks to keep its hold on France much as a grand seigneur seeks to enchain a nymph of the ballet,—tricks her out in finery and baubles, and insures her infidelity the moment he fails to satisfy her whims."

"Vicomte," answered Graham, "I have had the honour to know you since I was a small boy at a preparatory school home for the holidays, and you were a guest at my father's country-house. You were then fete as one of the most promising writers among the young men of the day, especially favoured by the princes of the reigning family. I shall never forget the impression made on me by your brilliant appearance and your no less brilliant talk."

"Ah! ces beaux jours! ce bon Louis Philippe, ce cher petit Joinville," sighed the Vicomte.

"But at that day you compared le bon Louis Philippe to Robert Macaire. You described all his sons, including, no doubt, ce cher petit Joinville, in terms of resentful contempt, as so many plausible gamins whom Robert Macaire was training to cheat the public in the interest of the family firm. I remember my father saying to you in answer, 'No royal house in Europe has more sought to develop the literature of an epoch and to signalize its representatives by social respect and official honours than that of the Orleans dynasty. You, Monsieur de Breze, do but imitate your elders in seeking to destroy the dynasty under which you flourish; should you succeed, you hommes de plume will be the first sufferers and the loudest complainers.'"

"Cher Monsieur Vane," said the Vicomte, smiling complacently, "your father did me great honour in classing me with Victor Hugo, Alexandre Dumas, Emile de Girardin, and the other stars of the Orleanist galaxy, including our friend here, M. Savarin. A very superior man was your father."

"And," said Savarin, who, being an Orleanist, had listened to Graham's speech with an approving smile,—"and if I remember right, my dear De Breze, no one was more brilliantly severe than yourself on poor De Lamartine and the Republic that succeeded Louis Philippe; no one more emphatically expressed the yearning desire for another Napoleon to restore order at home and renown abroad. Now you have got another Napoleon."

"And I want change for my Napoleon," said De Breze, laughing.

"My dear Vicomte," said Graham, "one thing we may all grant,—that in culture and intellect you are far superior to the mass of your fellow Parisians; that you are therefore a favourable type of their political character."

"Ah, mon cher, vous etes trop aimable."

"And therefore I venture to say this,—if the archangel Gabriel were permitted to descend to Paris and form the best government for France that the wisdom of seraph could devise, it would not be two years—I doubt if it would be six months—before out of this Paris, which you call the Foyer des Idees, would emerge a powerful party, adorned by yourself and other hommes de plume, in favour of a revolution for the benefit of ce bon Satan and ce cher petit Beelzebub."

"What a pretty vein of satire you have, mon cher!" said the Vicomte, good-humouredly; "there is a sting of truth in your witticism. Indeed, I must send you some articles of mine in which I have said much the same thing,—les beaux, esprits se rencontrent. The fault of us French is impatience, desire of change; but then it is that desire which keeps the world going and retains our place at the head of it. However, at this time we are all living too fast for our money to keep up with it, and too slow for our intellect not to flag. We vie with each other on the road to ruin, for in literature all the old paths to fame are shut up."

Here a tall gentleman, with whom the Vicomte had been conversing before he accosted Vane, and who had remained beside De Breze listening in silent attention to this colloquy, interposed, speaking in the slow voice of one accustomed to measure his words, and with a slight but unmistakable German accent. "There is that, Monsieur de Breze, which makes one think gravely of what you say so lightly. Viewing things with the unprejudiced eyes of a foreigner, I recognize much for which France should be grateful to the Emperor. Under his sway her material resources have been marvellously augmented; her commerce has been placed by the treaty with England on sounder foundations, and is daily exhibiting richer life; her agriculture had made a prodigious advance wherever it has allowed room for capitalists, and escaped from the curse of petty allotments and peasant-proprietors, a curse which would have ruined any country less blessed by Nature; turbulent factions have been quelled; internal order maintained; the external prestige of France, up at least to the date of the Mexican war, increased to an extent that might satisfy even a Frenchman's amour propre; and her advance in civilization has been manifested by the rapid creation of a naval power which should put even England on her mettle. But, on the other hand—"

"Ay, on the other hand," said the Vicomte.

"On the other hand there are in the imperial system two causes of decay and of rot silently at work. They may not be the faults of the Emperor, but they are such misfortunes as may cause the fall of the Empire. The first is an absolute divorce between the political system and the intellectual culture of the nation. The throne and the system rest on universal suffrage,—on a suffrage which gives to classes the most ignorant a power that preponderates over all the healthful elements of knowledge. It is the tendency of all ignorant multitudes to personify themselves, as it were, in one individual. They cannot comprehend you when you argue for a principle; they do comprehend you when you talk of a name. The Emperor Napoleon is to them a name, and the prefects and officials who influence their votes are paid for incorporating all principles in the shibboleth of that single name. You have thus sought the well-spring of a political system in the deepest stratum of popular ignorance. To rid popular ignorance of its normal revolutionary bias, the rural peasants are indoctrinated with the conservatism that comes from the fear which appertains to property. They have their roots of land or their shares in a national loan. Thus you estrange the crassitude of an ignorant democracy still more from the intelligence of the educated classes by combining it with the most selfish and abject of all the apprehensions that are ascribed to aristocracy and wealth. What is thus embedded in the depths of your society makes itself shown on the surface. Napoleon III. has been compared to Augustus; and there are many startling similitudes between them in character and in fate. Each succeeds to the heritage of a great name that had contrived to unite autocracy with the popular cause; each subdued all rival competitors, and inaugurated despotic rule in the name of freedom; each mingled enough of sternness with ambitious will to stain with bloodshed the commencement of his power,—but it would be an absurd injustice to fix the same degree of condemnation on the coup d'etat as humanity fixes on the earlier cruelties of Augustus; each, once firm in his seat, became mild and clement,—Augustus perhaps from policy, Napoleon III. from a native kindliness of disposition which no fair critic of character can fail to acknowledge. Enough of similitudes; now for one salient difference. Observe how earnestly Augustus strove, and how completely he succeeded in the task, to rally round him all the leading intellects in every grade and of every party,—the followers of Antony, the friends of Brutus; every great captain, every great statesman, every great writer, every mail who could lend a ray of mind to his own Julian constellation, and make the age of Augustus an era in the annals of human intellect and genius. But this has not been the good fortune of your Emperor. The result of his system has been the suppression of intellect in every department. He has rallied round him not one great statesman; his praises are hymned by not one great poet. The celebrates of a former day stand aloof; or, preferring exile to constrained allegiance, assail him with unremitting missiles from their asylum in foreign shores. His reign is sterile of new celebrites. The few that arise enlist themselves against him. Whenever he shall venture to give full freedom to the press and to the legislature, the intellect thus suppressed or thus hostile will burst forth in collected volume. His partisans have not been trained and disciplined to meet such assailants. They will be as weak as no doubt they will be violent. And the worst is, that the intellect thus rising in mass against him will be warped and distorted, like captives who, being kept in chains, exercise their limbs on escaping in vehement jumps without definite object. The directors of emancipated opinion may thus be terrible enemies to the Imperial Government, but they will be very unsafe councillors to France. Concurrently with this divorce between the Imperial system and the national intellect,—a divorce so complete that even your salons have lost their wit, and even your caricatures their point,—a corruption of manners which the Empire, I own, did not originate, but inherit, has become so common that every one owns and nobody blames it. The gorgeous ostentation of the Court has perverted the habits of the people. The intelligence abstracted from other vents betakes itself to speculating for a fortune; and the greed of gain and the passion for show are sapping the noblest elements of the old French manhood. Public opinion stamps with no opprobrium a minister or favourite who profits by a job; and I fear you will find that jobbing pervades all your administrative departments."

"All very true," said De Breze, with a shrug of the shoulders and in a tone of levity that seemed to ridicule the assertion he volunteered; "Virtue and Honour banished from courts and salons and the cabinet of authors ascend to fairer heights in the attics of ouvriers."

"The ouvriers, ouvriers of Paris!" cried this terrible German.

"Ay, Monsieur le Comte, what can you say against our ouvriers? A German count cannot condescend to learn anything about ces petites gens."

"Monsieur," replied the German, "in the eyes of a statesman there are no petites gens, and in those of a philosopher no petites choses. We in Germany have too many difficult problems affecting our working classes to solve, not to have induced me to glean all the information I can as to the ouvriers of Paris. They have among them men of aspirations as noble as can animate the souls of philosophers and poets, perhaps not the less noble because common-sense and experience cannot follow their flight; but as a body the ouvriers of Paris have not been elevated in political morality by the benevolent aim of the Emperor to find them ample work and good wages independent of the natural laws that regulate the markets of labour. Accustomed thus to consider the State bound to maintain them, the moment the State fails in that impossible task, they will accommodate their honesty to a rush upon property under the name of social reform.

"Have you not noticed how largely increased within the last few years is the number of those who cry out, 'La Propriete, cest le vol'? Have you considered the rapid growth of the International Association? I do not say that for all these evils—the Empire is exclusively responsible. To a certain degree they are found in all rich communities, especially where democracy is more or less in the ascendant. To a certain extent they exist in the large towns of Germany; they are conspicuously increasing in England; they are acknowledged to be dangerous in the United States of America; they are, I am told on good authority, making themselves visible with the spread of civilization in Russia. But under the French Empire they have become glaringly rampant, and I venture to predict that the day is not far off when the rot at work throughout all layers and strata of French society will insure a fall of the fabric at the sound of which the world will ring.

"There is many a fair and stately tree which continues to throw out its leaves and rear its crest till suddenly the wind smites it, and then, and not till then, the trunk which seems so solid is found to be but the rind to a mass of crumbled powder."

"Monsieur le Comte," said the Vicomte, "you are a severe critic and a lugubrious prophet; but a German is so safe from revolution that he takes alarm at the stir of movement which is the normal state of the French esprit."

"French esprit may soon evaporate into Parisian betise. As to Germany being safe from revolution, allow me to repeat a saying of Goethe's-but has Monsieur le Vicomte ever heard of Goethe?"

"Goethe, of course,—tres joli ecrivain."

"Goethe said to some one who was making much the same remark as yourself, 'We Germans are in a state of revolution now, but we do things so slowly that it will be a hundred years before we Germans shall find it out; but when completed, it will be the greatest revolution society has yet seen, and will last like the other revolutions that, beginning, scarce noticed, in Germany, have transformed the world.'"

"Diable, Monsieur le Comte! Germans transformed the world! What revolutions do you speak of?"

"The invention of gunpowder, the invention of printing, and the expansion of a monk's quarrel with his Pope into the Lutheran revolution."

Here the German paused, and asked the Vicomte to introduce him to Vane, which De Breze did by the title of Count von Rudesheim. On hearing Vane's name, the Count inquired if he were related to the orator and statesman, George Graham Vane, whose opinions, uttered in Parliament, were still authoritative among German thinkers. This compliment to his deceased father immensely gratified but at the same time considerably surprised the Englishman. His father, no doubt, had been a man of much influence in the British House of Commons,—a very weighty speaker, and, while in office, a first-rate administrator; but Englishmen know what a House of Commons reputation is,—how fugitive, how little cosmopolitan; and that a German count should ever have heard of his father delighted but amazed him. In stating himself to be the son of George Graham Vane, he intimated not only the delight but the amaze, with the frank savoir vivre which was one of his salient characteristics.

"Sir," replied the German, speaking in very correct English, but still with his national accent, "every German reared to political service studies England as the school for practical thought distinct from impracticable theories. Long may you allow us to do so! Only excuse me one remark,—never let the selfish element of the practical supersede the generous element. Your father never did so in his speeches, and therefore we admired him. At the present day we don't so much care to study English speeches; they may be insular,—they are not European. I honour England; Heaven grant that you may not be making sad mistakes in the belief that you can long remain England if you cease to be European." Herewith the German bowed, not uncivilly,—on the contrary, somewhat ceremoniously,—and disappeared with a Prussian Secretary of Embassy, whose arm he linked in his own, into a room less frequented.

"Vicomte, who and what is your German count?" asked Vane.

"A solemn pedant," answered the lively Vicomte,—"a German count, que voulez-vous de plus?"



CHAPTER VII.

A LITTLE later Graham found himself alone amongst the crowd. Attracted by the sound of music, he had strayed into one of the rooms whence it came, and in which, though his range of acquaintance at Paris was for an Englishman large and somewhat miscellaneous, he recognized no familiar countenance. A lady was playing the pianoforte—playing remarkably well—with accurate science, with that equal lightness and strength of finger which produces brilliancy of execution; but to appreciate her music one should be musical one's self. It wanted the charm that fascinates the uninitiated. The guests in the room were musical connoisseurs,—a class with whom Graham Vane had nothing in common. Even if he had been more capable of enjoying the excellence of the player's performance, the glance he directed towards her would have sufficed to chill him into indifference. She was not young, and with prominent features and puckered skin, was twisting her face into strange sentimental grimaces, as if terribly overcome by the beauty and pathos of her own melodies. To add to Vane's displeasure, she was dressed in a costume wholly antagonistic to his views of the becoming,—in a Greek jacket of gold and scarlet, contrasted by a Turkish turban.

Muttering "What she-mountebank have we here?" he sank into a chair behind the door, and fell into an absorbed revery. From this he was aroused by the cessation of the music and the hum of subdued approbation by which it was followed. Above the hum swelled the imposing voice of M. Louvier as he rose from a seat on the other side of the piano, by which his bulky form had been partially concealed.

"Bravo! perfectly played! excellent! Can we not persuade your charming young countrywoman to gratify us even by a single song?" Then turning aside and addressing some one else invisible to Graham he said, "Does that tyrannical doctor still compel you to silence, Mademoiselle?"

A voice so sweetly modulated that if there were any sarcasm in the words it was lost in the softness of pathos, answered, "Nay, Monsieur Louvier, he rather overtasks the words at my command in thankfulness to those who like yourself, so kindly regard me as something else than a singer."

It was not the she-mountebank who thus spoke. Graham rose and looked round with instinctive curiosity. He met the face that he said had haunted him. She too had risen, standing near the piano, with one hand tenderly resting on the she-mountebank's scarlet and gilded shoulder,—the face that haunted him, and yet with a difference. There was a faint blush on the clear pale cheek, a soft yet playful light in the grave dark-blue eyes, which had not been visible in the countenance of the young lady in the pearl-coloured robe. Graham did not hear Louvier's reply, though no doubt it was loud enough for him to hear. He sank again into revery. Other guests now came into the room, among them Frank Morley, styled Colonel,—eminent military titles in the United States do not always denote eminent military services,—a wealthy American, and his sprightly and beautiful wife. The Colonel was a clever man, rather stiff in his deportment, and grave in speech, but by no means without a vein of dry humour. By the French he was esteemed a high-bred specimen of the kind of grand seigneur which democratic republics engender. He spoke French like a Parisian, had an imposing presence, and spent a great deal of money with the elegance of a man of taste and the generosity of a man of heart. His high breeding was not quite so well understood by the English, because the English are apt to judge breeding by little conventional rules not observed by the American Colonel. He had a slight nasal twang, and introduced "sir" with redundant ceremony in addressing Englishmen, however intimate he might be with them, and had the habit (perhaps with a sly intention to startle or puzzle them) of adorning his style of conversation with quaint Americanisms.

Nevertheless, the genial amiability and the inherent dignity of his character made him acknowledged as a thorough gentleman by every Englishman, however conventional in tastes, who became admitted into his intimate acquaintance.

Mrs. Morley, ten or twelve years younger than her husband, had no nasal twang, and employed no Americanisms in her talk, which was frank, lively, and at times eloquent. She had a great ambition to be esteemed of a masculine understanding; Nature unkindly frustrated that ambition in rendering her a model of feminine grace. Graham was intimately acquainted with Colonel Morley; and with Mrs. Morley had contracted one of those cordial friendships, which, perfectly free alike from polite flirtation and Platonic attachment, do sometimes spring up between persons of opposite sexes without the slightest danger of changing their honest character into morbid sentimentality or unlawful passion. The Morleys stopped to accost Graham, but the lady had scarcely said three words to him, before, catching sight of the haunting face, she darted towards it. Her husband, less emotional, bowed at the distance, and said, "To my taste, sir, the Signorina Cicogna is the loveliest girl in the present bee,* and full of mind, sir."

[*Bee, a common expression in "the West" for a meeting or gathering ]of people.

"Singing mind," said Graham, sarcastically, and in the ill-natured impulse of a man striving to check his inclination to admire.

"I have not heard her sing," replied the American, dryly; "and the words 'singing mind' are doubtless accurately English, since you employ them; but at Boston the collocation would be deemed barbarous. You fly off the handle. The epithet, sir, is not in concord with the substantive."

"Boston would be in the right, my dear Colonel. I stand rebuked; mind has little to do with singing."

"I take leave to deny that, sir. You fire into the wrong flock, and would not hazard the remark if you had conversed as I have with Signorina Cicogna."

Before Graham could answer, Signorina Cicogna stood before him, leaning lightly on Mrs. Morley's arm.

"Frank, you must take us into the refreshment-room," said Mrs. Morley to her husband; and then, turning to Graham, added, "Will you help to make way for us?"

Graham bowed, and offered his arm to the fair speaker. "No," said she, taking her husband's. "Of course you know the Signorina, or, as we usually call her, Mademoiselle Cicogna. No? Allow me to present you. Mr. Graham Vane, Mademoiselle Cicogna. Mademoiselle speaks English like a native."

And thus abruptly Graham was introduced to the owner of the haunting face. He had lived too much in the great world all his life to retain the innate shyness of an Englishman; but he certainly was confused and embarrassed when his eyes met Isaura's, and he felt her hand on his arm. Before quitting the room she paused and looked back. Graham's look followed her own, and saw behind them the lady with the scarlet jacket escorted by some portly and decorated connoisseur. Isaura's face brightened to another kind of brightness,—a pleased and tender light.

"Poor dear Madre," she murmured to herself in Italian. "Madre!" echoed Graham, also in Italian. "I have been misinformed, then; that lady is your mother."

Isaura laughed a pretty, low, silvery laugh, and replied in English, "She is not my mother; but I call her Madre, for I know no name more loving."

Graham was touched, and said gently, "Your own mother was evidently very dear to you."

Isaura's lip quivered, and she made a slight movement as if she would have withdrawn her hand from his arm. He saw that he had offended or wounded her, and with the straightforward frankness natural to him, resumed quickly, "My remark was impertinent in a stranger; forgive it."

"There is nothing to forgive, Monsieur."

The two now threaded their way through the crowd, both silent. At last Isaura, thinking she ought to speak first in order to show that Graham had not offended her, said,

"How lovely Mrs. Morley is!"

"Yes; and I like the spirit and ease of her American manner. Have you known her long, Mademoiselle?"

"No; we met her for the first time some weeks ago at M. Savarin's."

"Was she very eloquent on the rights of women?"

"What! you have heard her on that subject?"

"I have rarely heard her on any other, though she is the best and perhaps the cleverest friend I have at Paris; but that may be my fault, for I like to start it. It is a relief to the languid small-talk of society to listen to any one thoroughly in earnest upon turning the world topsy-turvy."

"Do you suppose poor Mrs. Morley would seek to do that if she had her rights?" asked Isaura, with her musical laugh.

"Not a doubt of it; but perhaps you share her opinions."

"I scarcely know what her opinions are, but—"

"Yes?—but—"

"There is a—what shall I call it?—a persuasion, a sentiment, out of which the opinions probably spring, that I do share."

"Indeed? a persuasion, a sentiment, for instance, that a woman should have votes in the choice of legislators, and, I presume, in the task of legislation?"

"No, that is not what I mean. Still, that is an opinion, right or wrong, which grows out of the sentiment I speak of."

"Pray explain the sentiment."

"It is always so difficult to define a sentiment; but does it not strike you that in proportion as the tendency of modern civilization has been to raise women more and more to an intellectual equality with men, in proportion as they read and study and think, an uneasy sentiment, perhaps querulous, perhaps unreasonable, grows up within their minds that the conventions of the world are against the complete development of the faculties thus aroused and the ambition thus animated; that they cannot but rebel, though it may be silently, against the notions of the former age, when women were not thus educated, notions that the aim of the sex should be to steal through life unremarked; that it is a reproach to be talked of; that women are plants to be kept in a hothouse and forbidden the frank liberty of growth in the natural air and sunshine of heaven? This, at least, is a sentiment which has sprung up within myself; and I imagine that it is the sentiment which has given birth to many of the opinions or doctrines that seem absurd, and very likely are so, to the general public. I don't pretend even to have considered those doctrines; I don't pretend to say what may be the remedies for the restlessness and uneasiness I feel. I doubt if on this earth there be any remedies; all I know is, that I feel restless and uneasy."

Graham gazed on her countenance as she spoke with an astonishment not unmingled with tenderness and compassion, astonishment at the contrast between a vein of reflection so hardy, expressed in a style of language that seemed to him so masculine, and the soft velvet dreamy eyes, the gentle tones, and delicate purity of hues rendered younger still by the blush that deepened their bloom.

At this moment they had entered the refreshment-room; but a dense group being round the table, and both perhaps forgetting the object for which Mrs. Morley had introduced them to each other, they had mechancially seated themselves on an ottoman in a recess while Isaura was yet speaking. It must seem as strange to the reader as it did to Graham that such a speech should have been spoken by so young a girl to an acquaintance so new; but in truth Isaura was very little conscious of Graham's presence. She had got on a subject that perplexed and tormented her solitary thoughts; she was but thinking aloud.

"I believe," said Graham, after a pause, "that I comprehend your sentiment much better than I do Mrs. Morley's opinions; but permit me one observation. You say truly that the course of modern civilization has more or less affected the relative position of woman cultivated beyond that level on which she was formerly contented to stand,—the nearer perhaps to the heart of man because not lifting her head to his height,—and hence a sense of restlessness, uneasiness; but do you suppose that, in this whirl and dance of the atoms which compose the rolling ball of the civilized world, it is only women that are made restless and uneasy? Do you not see amid the masses congregated in the wealthiest cities of the world, writhings and struggles against the received order of things? In this sentiment of discontent there is a certain truthfulness, because it is an element of human nature, and how best to deal with it is a problem yet unsolved; but in the opinions and doctrines to which, among the masses, the sentiment gives birth, the wisdom of the wisest detects only the certainty of a common ruin, offering for reconstruction the same building-materials as the former edifice,—materials not likely to be improved because they may be defaced. Ascend from the working classes to all others in which civilized culture prevails, and you will find that same restless feeling,—the fluttering of untried wings against the bars between wider space and their longings. Could you poll all the educated ambitious young men in England,—perhaps in Europe,—at least half of them, divided between a reverence for the past and a curiosity as to the future, would sigh, 'I am born a century too late or a century too soon!'"

Isaura listened to this answer with a profound and absorbing interest. It was the first time that a clever young man talked thus sympathetically to her, a clever young girl.

Then, rising, he said, "I see your Madre and our American friends are darting angry looks at me. They have made room for us at the table, and are wondering why I should keep you thus from the good things of this little life. One word more ere we join them,—consult your own mind, and consider whether your uneasiness and unrest are caused solely by conventional shackles on your sex. Are they not equally common to the youth of ours,—common to all who seek in art, in letters, nay, in the stormier field of active life, to clasp as a reality some image yet seen but as a dream?"



CHAPTER VIII.

No further conversation in the way of sustained dialogue took place that evening between Graham and Isaura.

The Americans and the Savarins clustered round Isaura when they quitted the refreshment-room. The party was breaking up. Vane would have offered his arm again to Isaura, but M. Savarin had forestalled him. The American was despatched by his wife to see for the carriage; and Mrs. Morley said, with her wonted sprightly tone of command,

"Now, Mr. Vane, you have no option but to take care of me to the shawl-room."

Madame Savarin and Signora Venosta had each found their cavaliers, the Italian still retaining hold of the portly connoisseur, and the Frenchwoman accepting the safeguard of the Vicomte de Breze. As they descended the stairs, Mrs. Morley asked Graham what he thought of the young lady to whom she had presented him.

"I think she is charming," answered Graham.

"Of course; that is the stereotyped answer to all such questions, especially by you Englishmen. In public or in private, England is the mouthpiece of platitudes."

"It is natural for an American to think so. Every child that has just learned to speak uses bolder expressions than its grandmamma; but I am rather at a loss to know by what novelty of phrase an American would have answered your question."

"An American would have discovered that Isaura Cicogna had a soul, and his answer would have confessed it."

"It strikes me that he would then have uttered a platitude more stolid than mine. Every Christian knows that the dullest human being has a soul. But, to speak frankly, I grant that my answer did not do justice to the Signorina, nor to the impression she makes on me; and putting aside the charm of the face, there is a charm in a mind that seems to have gathered stores of reflection which I should scarcely have expected to find in a young lady brought up to be a professional singer."

"You add prejudice to platitude, and are horribly prosaic to-night; but here we are in the shawl-room. I must take another opportunity of attacking you. Pray dine with us tomorrow; you will meet our Minister and a few other pleasant friends."

"I suppose I must not say, 'I shall be charmed,'" answered Vane; "but I shall be."

"Bon Dieu! that horrid fat man has deserted Signora Venosta,—looking for his own cloak, I dare say; selfish monster! Go and hand her to her carriage; quick, it is announced!"

Graham, thus ordered, hastened to offer his arm to the she-mountebank. Somehow she had acquired dignity in his eyes, and he did not feel the least ashamed of being in contact with the scarlet jacket.

The Signora grappled to him with a confiding familiarity. "I am afraid," she said in Italian, as they passed along the spacious hall to the porte cochere,—"I am afraid that I did not make a good effect to-night. I was nervous; did not you perceive it?"

"No, indeed; you enchanted us all;" replied the dissimulator.

"How amiable you are to say so! You must think that I sought for a compliment. So I did; you gave me more than I deserved. Wine is the milk of old men, and praise of old women; but an old man may be killed by too much wine, and an old woman lives all the longer for too much praise. Buona notte."

Here she sprang, lithesomely enough, into the carriage, and Isaura followed, escorted by M. Savarin. As the two men returned towards the shawl-room, the Frenchman said, "Madame Savarin and I complain that you have not let us see so much of you as we ought. No doubt you are greatly sought after; but are you free to take your soup with us the day after to-morrow? You will meet the Count von Rudesheim, and a few others more lively if less wise."

"The day after to-morrow I will mark with a white stone. To dine with M. Savarin is an event to a man who covets distinction."

"Such compliments reconcile an author to his trade. You deserve the best return I can make you. You will meet la belle Isaura. I have just engaged her and her chaperon. She is a girl of true genius; and genius is like those objects of virtu which belong to a former age, and become every day more scarce and more precious."

Here they encountered Colonel Morley and his wife hurrying to their carriage. The American stopped Vane, and whispered, "I am glad, sir, to hear from my wife that you dine with us to-morrow. Sir, you will meet Mademoiselle Cicogna, and I am not without a kinkle [notion] that you will be enthused."

"This seems like a fatality," soliloquized Vane as he walked through the deserted streets towards his lodging. "I strove to banish that haunting face from my mind. I had half forgotten it, and now—" Here his murmur sank into silence. He was deliberating in very conflicted thought whether or not he should write to refuse the two invitations he had accepted.

"Pooh!" he said at last, as he reached the door of his lodging, "is my reason so weak that it should be influenced by a mere superstition? Surely I know myself too well, and have tried myself too long, to fear that I should be untrue to the duty and ends of my life, even if I found my heart in danger of suffering."

Certainly the Fates do seem to mock our resolves to keep our feet from their ambush, and our hearts from their snare! How our lives may be coloured by that which seems to us the most trivial accident, the merest chance! Suppose that Alain de Rochebriant had been invited to that reunion at M. Louvier's, and Graham Vane had accepted some other invitation and passed his evening elsewhere, Alain would probably have been presented to Isaura—what then might have happened? The impression Isaura had already made upon the young Frenchman was not so deep as that made upon Graham; but then, Alain's resolution to efface it was but commenced that day, and by no means yet confirmed. And if he had been the first clever young man to talk earnestly to that clever young girl, who can guess what impression he might have made upon her? His conversation might have had less philosophy and strong sense than Graham's, but more of poetic sentiment and fascinating romance.

However, the history of events that do not come to pass is not in the chronicle of the Fates.



BOOK III.



CHAPTER I.

The next day the guests at the Morleys' had assembled when Vane entered. His apology for unpunctuality was cut short by the lively hostess. "Your pardon is granted without the humiliation of asking for it; we know that the characteristic of the English is always to be a little behindhand."

She then proceeded to introduce him to the American Minister, to a distinguished American poet, with a countenance striking for mingled sweetness and power, and one or two other of her countrymen sojourning at Paris; and this ceremony over, dinner was announced, and she bade Graham offer his arm to Mademoiselle Cicogna.

"Have you ever visited the United States, Mademoiselle?" asked Vane, as they seated themselves at the table.

"No."

"It is a voyage you are sure to make soon."

"Why so?"

"Because report says you will create a great sensation at the very commencement of your career; and the New World is ever eager to welcome each celebrity that is achieved in the Old,—more especially that which belongs to your enchanting art."

"True, sir," said an American senator, solemnly striking into the conversation; "we are an appreciative people; and if that lady be as fine a singer as I am told, she might command any amount of dollars."

Isaura coloured, and turning to Graham, asked him in a low voice if he were fond of music.

"I ought of course to say 'yes,'" answered Graham, in the same tone; "but I doubt if that 'yes' would be an honest one. In some moods, music—if a kind of music I like—affects me very deeply; in other moods, not at all. And I cannot bear much at a time. A concert wearies me shamefully; even an opera always seems to me a great deal too long. But I ought to add that I am no judge of music; that music was never admitted into my education; and, between ourselves, I doubt if there be one Englishman in five hundred who would care for opera or concert if it were not the fashion to say he did. Does my frankness revolt you?"

"On the contrary, I sometimes doubt, especially of late, if I am fond of music myself."

"Signorina,—pardon me,—it is impossible that you should not be. Genius can never be untrue to itself, and must love that in which it excels, that by which it communicates joy, and," he added, with a half-suppressed sigh, "attains to glory."

"Genius is a divine word, and not to be applied to a singer," said Isaura, with a humility in which there was an earnest sadness.

Graham was touched and startled; but before he could answer, the American Minister appealed to him across the table, asking if he had quoted accurately a passage in a speech by Graham's distinguished father, in regard to the share which England ought to take in the political affairs of Europe.

The conversation now became general, very political and very serious. Graham was drawn into it, and grew animated and eloquent.

Isaura listened to him with admiration. She was struck by what seemed to her a nobleness of sentiment which elevated his theme above the level of commonplace polemics. She was pleased to notice, in the attentive silence of his intelligent listeners, that they shared the effect produced on herself. In fact, Graham Vane was a born orator, and his studies had been those of a political thinker. In common talk he was but the accomplished man of the world, easy and frank and genial, with a touch of good-natured sarcasm; but when the subject started drew him upward to those heights in which politics become the science of humanity, he seemed a changed being. His cheek glowed, his eye brightened, his voice mellowed into richer tones, his language be came unconsciously adorned. In such moments there might scarcely be an audience, even differing from him in opinion, which would not have acknowledged his spell.

When the party adjourned to the salon, Isaura said softly to Graham, "I understand why you did not cultivate music; and I think, too, that I can now understand what effects the human voice can produce on human minds without recurring to the art of song."

"Ah," said Graham, with a pleased smile, "do not make me ashamed of my former rudeness by the revenge of compliment; and, above all, do not disparage your own art by supposing that any prose effect of voice in its utterance of mind can interpret that which music alone can express, even to listeners so uncultured as myself. Am I not told truly by musical composers, when I ask them to explain in words what they say in their music, that such explanation is impossible, that music has a language of its own untranslatable by words?"

"Yes," said Isaura, with thoughtful brow but brightening eyes, "you are told truly. It was only the other day that I was pondering over that truth."

"But what recesses of mind, of heart, of soul, this untranslatable language penetrates and brightens up! How incomplete the grand nature of man—though man the grandest—would be, if you struck out of his reason the comprehension of poetry, music, and religion! In each are reached and are sounded deeps in his reason otherwise concealed from himself. History, knowledge, science, stop at the point in which mystery begins. There they meet with the world of shadow. Not an inch of that world can they penetrate without the aid of poetry and religion, two necessities of intellectual man much more nearly allied than the votaries of the practical and the positive suppose. To the aid and elevation of both those necessities comes in music, and there has never existed a religion in the world which has not demanded music as its ally. If, as I said frankly, it is only in certain moods of my mind that I enjoy music, it is only because in certain moods of my mind I am capable of quitting the guidance of prosaic reason for the world of shadow; that I am so susceptible as at every hour, were my nature perfect, I should be to the mysterious influences of poetry and religion. Do you understand what I wish to express?"

"Yes, I do, and clearly."

"Then, Signorina, you are forbidden to undervalue the gift of song. You must feel its power over the heart, when you enter the opera-house; over the soul, when you kneel in a cathedral."

"Oh," cried Isaura, with enthusiasm, a rich glow mantling over her lovely face, "how I thank you! Is it you who say you do not love music? How much better you understand it than I did till this moment!"

Here Mrs. Morley, joined by the American poet, came to the corner in which the Englishman and the singer had niched themselves. The poet began to talk, the other guests gathered round, and every one listened reverentially till the party broke up. Colonel Morley handed Isaura to her carriage; the she-mountebank again fell to the lot of Graham.

"Signor," said she, as he respectfully placed her shawl round her scarlet-and-gilt jacket, "are we so far from Paris that you cannot spare the time to call? My child does not sing in public, but at home you can hear her. It is not every woman's voice that is sweetest at home."

Graham bowed, and said he would call on the morrow. Isaura mused in silent delight over the words which had so extolled the art of the singer. Alas, poor child! she could not guess that in those words, reconciling her to the profession of the stage, the speaker was pleading against his own heart.

There was in Graham's nature, as I think it commonly is in that of most true orators, a wonderful degree of intellectual conscience which impelled him to acknowledge the benignant influences of song, and to set before the young singer the noblest incentives to the profession to which he deemed her assuredly destined; but in so doing he must have felt that he was widening the gulf between her life and his own. Perhaps he wished to widen it in proportion as he dreaded to listen to any voice in his heart which asked if the gulf might not be overleapt.



CHAPTER II.

ON the morrow Graham called at the villa at A———. The two ladies received him in Isaura's chosen sitting-room.

Somehow or other, conversation at first languished. Graham was reserved and distant, Isaura shy and embarrassed. The Venosta had the frais of making talk to herself. Probably at another time Graham would have been amused and interested in the observation of a character new to him, and thoroughly southern,—lovable not more from its naive simplicity of kindliness than from various little foibles and vanities, all of which were harmless, and some of them endearing as those of a child whom it is easy to make happy, and whom it seems so cruel to pain; and with all the Venosta's deviations from the polished and tranquil good taste of the beau monde, she had that indescribable grace which rarely deserts a Florentine, so that you might call her odd but not vulgar; while, though uneducated, except in the way of her old profession, and never having troubled herself to read anything but a libretto and the pious books commended to her by her confessor, the artless babble of her talk every now and then flashed out with a quaint humour, lighting up terse fragments of the old Italian wisdom which had mysteriously embedded themselves in the groundwork of her mind.

But Graham was not at this time disposed to judge the poor Venosta kindly or fairly. Isaura had taken high rank in his thoughts. He felt an impatient resentment mingled with anxiety and compassionate tenderness at a companionship which seemed to him derogatory to the position he would have assigned to a creature so gifted, and unsafe as a guide amidst the perils and trials to which the youth, the beauty, and the destined profession of Isaura were exposed. Like most Englishmen—especially Englishmen wise in the knowledge of life—he held in fastidious regard the proprieties and conventions by which the dignity of woman is fenced round; and of those proprieties and conventions the Venosta naturally appeared to him a very unsatisfactory guardian and representative.

Happily unconscious of these hostile prepossessions, the elder Signora chatted on very gayly to the visitor. She was in excellent spirits; people had been very civil to her both at Colonel Morley's and M. Louvier's. The American Minister had praised the scarlet jacket. She was convinced she had made a sensation two nights running. When the amour propre is pleased, the tongue is freed.

The Venosta ran on in praise of Paris and the Parisians; of Louvier and his soiree and the pistachio ice; of the Americans, and a certain creme de maraschino which she hoped the Signor Inglese had not failed to taste,—the creme de maraschino led her thoughts back to Italy. Then she grew mournful. How she missed the native beau ciel! Paris was pleasant, but how absurd to call it "le Paradis des Femmes,"—as if les Femmes could find Paradise in a brouillard!

"But," she exclaimed, with vivacity of voice and gesticulation, "the Signor does not come to hear the parrot talk; he is engaged to come that he may hear the nightingale sing. A drop of honey attracts the fly more than a bottle of vinegar."

Graham could not help smiling at this adage. "I submit," said he, "to your comparison as regards myself; but certainly anything less like a bottle of vinegar than your amiable conversation I cannot well conceive. However, the metaphor apart, I scarcely know how I dare ask Mademoiselle to sing after the confession I made to her last night."

"What confession?" asked the Venosta.

"That I know nothing of music and doubt if I can honestly say that I am fond of it."

"Not fond of music! Impossible! You slander yourself. He who loves not music would have a dull time of it in heaven. But you are English, and perhaps have only heard the music of your own country. Bad, very bad—a heretic's music! Now listen."

Seating herself at the piano, she began an air from the "Lucia," crying out to Isaura to come and sing to her accompaniment.

"Do you really wish it?" asked Isaura of Graham, fixing on him questioning, timid eyes.

"I cannot say how much I wish to hear you."

Isaura moved to the instrument, and Graham stood behind her. Perhaps he felt that he should judge more impartially of her voice if not subjected to the charm of her face.

But the first note of the voice held him spell-bound. In itself the organ was of the rarest order, mellow and rich, but so soft that its power was lost in its sweetness, and so exquisitely fresh in every note.

But the singer's charm was less in voice than in feeling; she conveyed to the listener so much more than was said by the words, or even implied by the music. Her song in this caught the art of the painter who impresses the mind with the consciousness of a something which the eye cannot detect on the canvas.

She seemed to breathe out from the depths of her heart the intense pathos of the original romance, so far exceeding that of the opera,-the human tenderness, the mystic terror of a tragic love-tale more solemn in its sweetness than that of Verona.

When her voice died away no applause came,—not even a murmur. Isaura bashfully turned round to steal a glance at her silent listener, and beheld moistened eyes and quivering lips. At that moment she was reconciled to her art. Graham rose abruptly and walked to the window.