CHAPTER V.

"What do you think of the Bourse?" asked Lemercier, as their carriage took the way to the Bois.

"I cannot think of it yet; I am stunned. It seems to me as if I had been at a 'Sabbat,' of which the wizards were 'agents de change,' but not less bent upon raising Satan."

"Pooh! the best way to exorcise Satan is to get rich enough not to be tempted by him. The fiend always loved to haunt empty places; and of all places nowadays he prefers empty purses and empty stomachs."

"But do all people get rich at the Bourse? or is not one man's wealth many men's ruin?"

"That is a question not very easy to answer; but under our present system Paris gets rich, though at the expense of individual Parisians. I will try and explain. The average luxury is enormously increased even in my experience; what were once considered refinements and fopperies are now called necessary comforts. Prices are risen enormously, house-rent doubled within the last five or six years; all articles of luxury are very much dearer; the very gloves I wear cost twenty per cent more than I used to pay for gloves of the same quality. How the people we meet live, and live so well, is an enigma that would defy AEdipus if AEdipus were not a Parisian. But the main explanation is this: speculation and commerce, with the facilities given to all investments, have really opened more numerous and more rapid ways to fortune than were known a few years ago.

"Crowds are thus attracted to Paris, resolved to venture a small capital in the hope of a large one; they live on that capital, not on their income, as gamesters do. There is an idea among us that it is necessary to seem rich in order to become rich. Thus there is a general extravagance and profusion. English milords marvel at our splendour. Those who, while spending their capital as their income, fail in their schemes of fortune, after one, two, three, or four years, vanish. What becomes of them, I know no more than I do what becomes of the old moons. Their place is immediately supplied by new candidates. Paris is thus kept perennially sumptuous and splendid by the gold it engulfs. But then some men succeed,—succeed prodigiously, preternaturally; they make colossal fortunes, which are magnificently expended. They set an example of show and pomp, which is of course the more contagious because so many men say, 'The other day those millionnaires were as poor as we are; they never economized; why should we?' Paris is thus doubly enriched,—by the fortunes it swallows up, and by the fortunes it casts up; the last being always reproductive, and the first never lost except to the individuals."

"I understand: but what struck me forcibly at the scene we have left was the number of young men there; young men whom I should judge by their appearance to be gentlemen, evidently not mere spectators,—eager, anxious, with tablets in their hands. That old or middle-aged men should find a zest in the pursuit of gain I can understand, but youth and avarice seem to me a new combination, which Moliere never divined in his 'Avare.'"

"Young men, especially if young gentlemen, love pleasure; and pleasure in this city is very dear. This explains why so many young men frequent the Bourse. In the old gaining now suppressed, young men were the majority; in the days of your chivalrous forefathers it was the young nobles, not the old, who would stake their very mantles and swords on a cast of the die. And, naturally enough, mon cher; for is not youth the season of hope, and is not hope the goddess of gaming, whether at rouge-et-noir or the Bourse?"

Alain felt himself more and more behind his generation. The acute reasoning of Lemercier humbled his amour propre. At college Lemercier was never considered Alain's equal in ability or book-learning. What a stride beyond his school-fellow had Lemercier now made! How dull and stupid the young provincial felt himself to be as compared with the easy cleverness and half-sportive philosophy of the Parisian's fluent talk!

He sighed with a melancholy and yet with a generous envy. He had too fine a natural perception not to acknowledge that there is a rank of mind as well as of birth, and in the first he felt that Lemercier might well walk before a Rochebriant; but his very humility was a proof that he underrated himself.

Lemercier did not excel him in mind, but in experience. And just as the drilled soldier seems a much finer fellow than the raw recruit, because he knows how to carry himself, but after a year's discipline the raw recruit may excel in martial air the upright hero whom he now despairingly admires, and never dreams he can rival; so set a mind from a village into the drill of a capital, and see it a year after; it may tower a head higher than its recruiting-sergeant.



CHAPTER VI.

"I believe," said Lemercier, as the coupe rolled through the lively alleys of the Bois de Boulogne, "that Paris is built on a loadstone, and that every Frenchman with some iron globules in his blood is irresistibly attracted towards it. The English never seem to feel for London the passionate devotion that we feel for Paris. On the contrary, the London middle class, the commercialists, the shopkeepers, the clerks, even the superior artisans compelled to do their business in the capital, seem always scheming and pining to have their home out of it, though but in a suburb."

"You have been in London, Frederic?"

"Of course; it is the mode to visit that dull and hideous metropolis."

"If it be dull and hideous, no wonder the people who are compelled to do business in it seek the pleasures of home out of it."

"It is very droll that though the middle class entirely govern the melancholy Albion, it is the only country in Europe in which the middle class seem to have no amusements; nay, they legislate against amusement. They have no leisure-day but Sunday; and on that day they close all their theatres, even their museums and picture-galleries. What amusements there may be in England are for the higher classes and the lowest."

"What are the amusements of the lowest class?"

"Getting drunk."

"Nothing else?"

"Yes. I was taken at night under protection of a policeman to some cabarets, where I found crowds of that class which is the stratum below the working class; lads who sweep crossings and hold horses, mendicants, and, I was told, thieves, girls whom a servant-maid would not speak to, very merry, dancing quadrilles and waltzes, and regaling themselves on sausages,—the happiest-looking folks I found in all London; and, I must say, conducting themselves very decently."

"Ah!" Here Lemercier pulled the check-string. "Will you object to a walk in this quiet alley? I see some one whom I have promised the Englishman to—But heed me, Alain, don't fall in love with her."



CHAPTER VII.

The lady in the pearl-coloured dress! Certainly it was a face that might well arrest the eye and linger long on the remembrance.

There are certain "beauty-women" as there are certain "beauty-men," in whose features one detects no fault, who are the show figures of any assembly in which they appear, but who, somehow or other, inspire no sentiment and excite no interest; they lack some expression, whether of mind, or of soul, or of heart, without which the most beautiful face is but a beautiful picture. This lady was not one of those "beauty-women." Her features taken singly were by no means perfect, nor were they set off by any brilliancy of colouring. But the countenance aroused and impressed the imagination with a belief that there was some history attached to it, which you longed to learn. The hair, simply parted over a forehead unusually spacious and high for a woman, was of lustrous darkness; the eyes, of a deep violet blue, were shaded with long lashes.

Their expression was soft and mournful, but unobservant. She did not notice Alain and Lemercier as the two men slowly passed her. She seemed abstracted, gazing into space as one absorbed in thought or revery. Her complexion was clear and pale, and apparently betokened delicate health.

Lemercier seated himself on a bench beside the path, and invited Alain to do the same. "She will return this way soon," said the Parisian, "and we can observe her more attentively and more respectfully thus seated than if we were on foot; meanwhile, what do you think of her? Is she French? is she Italian? can she be English?"

"I should have guessed Italian, judging by the darkness of the hair and the outline of the features; but do Italians have so delicate a fairness of complexion?"

"Very rarely; and I should guess her to be French, judging by the intelligence of her expression, the simple neatness of her dress, and by that nameless refinement of air in which a Parisienne excels all the descendants of Eve,—if it were not for her eyes. I never saw a Frenchwoman with eyes of that peculiar shade of blue; and if a Frenchwoman had such eyes, I flatter myself she would have scarcely allowed us to pass without making some use of them."

"Do you think she is married?" asked Alain.

"I hope so; for a girl of her age, if comme il faut, can scarcely walk alone in the Bois, and would not have acquired that look so intelligent,—more than intelligent,—so poetic."

"But regard that air of unmistakable distinction; regard that expression of face,-so pure, so virginal: comme il faut she must be."

As Alain said these last words, the lady, who had turned back, was approaching them, and in full view of their gaze. She seemed unconscious of their existence as before, and Lemercier noticed that her lips moved as if she were murmuring inaudibly to herself.

She did not return again, but continued her walk straight on till at the end of the alley she entered a carriage in waiting for her, and was driven off.

"Quick, quick!" cried Lemercier, running towards his own coupe; "we must give chase."

Alain followed somewhat less hurriedly, and, agreeably to instructions Lemercier had already given to his coachman, the Parisian's coupe set off at full speed in the track of the strange lady's, which was still in sight.

In less than twenty minutes the carriage in chase stopped at the grille of one of those charming little villas to be found in the pleasant suburb of A——-; a porter emerged from the lodge, opened the gate; the carriage drove in, again stopped at the door of the house, and the two gentlemen could not catch even a glimpse of the lady's robe as she descended from the carriage and disappeared within the house.

"I see a cafe yonder," said Lemercier; "let us learn all we can as to the fair unknown, over a sorbet or a petit verre." Alain silently, but not reluctantly, consented. He felt in the fair stranger an interest new to his existence.

They entered the little cafe, and in a few minutes Lemercier, with the easy savoir vivre of a Parisian, had extracted from the garcon as much as probably any one in the neighbourhood knew of the inhabitants of the villa.

It had been hired and furnished about two months previously in the name of Signora Venosta; but, according to the report of the servants, that lady appeared to be the gouvernante or guardian of a lady much younger, out of whose income the villa was rented and the household maintained.

It was for her the coupe was hired from Paris. The elder lady very rarely stirred out during the day, but always accompanied the younger in any evening visits to the theatre or the houses of friends.

It was only within the last few weeks that such visits had been made.

The younger lady was in delicate health, and under the care of an English physician famous for skill in the treatment of pulmonary complaints. It was by his advice that she took daily walking exercise in the Bois. The establishment consisted of three servants, all Italians, and speaking but imperfect French. The garcon did not know whether either of the ladies was married, but their mode of life was free from all scandal or suspicion; they probably belonged to the literary or musical world, as the garcon had observed as their visitors the eminent author M. Savarin and his wife; and, still more frequently, an old man not less eminent as a musical composer.

"It is clear to me now," said Lemercier, as the two friends reseated themselves in the carriage, "that our pearly ange is some Italian singer of repute enough in her own country to have gained already a competence; and that, perhaps on account of her own health or her friend's, she is living quietly here in the expectation of some professional engagement, or the absence of some foreign lover."

"Lover! do you think that?" exclaimed Alain, in a tone of voice that betrayed pain.

"It is possible enough; and in that case the Englishman may profit little by the information I have promised to give him."

"You have promised the Englishman?"

"Do you not remember last night that he described the lady, and said that her face haunted him: and I—"

"Ah! I remember now. What do you know of this Englishman? He is rich, I suppose."

"Yes, I hear he is very rich now; that an uncle lately left him an enormous sum of money. He was attached to the English Embassy many years ago, which accounts for his good French and his knowledge of Parisian life. He comes to Paris very often, and I have known him some time. Indeed he has intrusted to me a difficult and delicate commission. The English tell me that his father was one of the most eminent members of their Parliament, of ancient birth, very highly connected, but ran out his fortune and died poor; that our friend had for some years to maintain himself, I fancy, by his pen; that he is considered very able; and, now that his uncle has enriched him, likely to enter public life and run a career as distinguished as his father's."

"Happy man! happy are the English," said the Marquis, with a sigh; and as the carriage now entered Paris, he pleaded the excuse of an engagement, bade his friend goodby, and went his way musing through the crowded streets.



CHAPTER VIII.

LETTER FROM ISAURA CICOGNA TO MADAME DE GRANTMESNIL.

VILLA D'——-, A———.

I can never express to you, my beloved Eulalie, the strange charm which a letter from you throws over my poor little lonely world for days after it is received. There is always in it something that comforts, something that sustains, but also a something that troubles and disquiets me. I suppose Goethe is right, "that it is the property of true genius to disturb all settled ideas," in order, no doubt, to lift them into a higher level when they settle down again.

Your sketch of the new work you are meditating amid the orange groves of Provence interests me intensely; yet, do you forgive me when I add that the interest is not without terror? I do not find myself able to comprehend how, amid those lovely scenes of Nature, your mind voluntarily surrounds itself with images of pain and discord. I stand in awe of the calm with which you subject to your analysis the infirmities of reason and the tumults of passion. And all those laws of the social state which seem to me so fixed and immovable you treat with so quiet a scorn, as if they were but the gossamer threads which a touch of your slight woman's hand could brush away. But I cannot venture to discuss such subjects with you. It is only the skilled enchanter who can stand safely in the magic circle, and compel the spirits that he summons, even if they are evil, to minister to ends in which he foresees a good.

We continue to live here very quietly, and I do not as yet feel the worse for the colder climate. Indeed, my wonderful doctor, who was recommended to me as American, but is in reality English, assures me that a single winter spent here under his care will suffice for my complete re-establishment. Yet that career, to the training for which so many years have been devoted, does not seem to me so alluring as it once did.

I have much to say on this subject, which I defer till I can better collect my own thoughts on it; at present they are confused and struggling. The great Maestro has been most gracious.

In what a radiant atmosphere his genius lives and breathes! Even in his cynical moods, his very cynicism has in it the ring of a jocund music,—the laugh of Figaro, not of Mephistopheles.

We went to dine with him last week. He invited to meet us Madame S——-, who has this year conquered all opposition, and reigns alone, the great S——-; Mr. T————, a pianist of admirable promise; your friend M. Savarin, wit, critic, and poet, with his pleasant, sensible wife; and a few others, who, the Maestro confided to me in a whisper, were authorities in the press. After dinner S——- sang to us, magnificently, of course. Then she herself graciously turned to me, said how much she had heard from the Maestro in my praise, and so and so. I was persuaded to sing after her. I need not say to what disadvantage. But I forgot my nervousness; I forgot my audience; I forgot myself, as I always do when once my soul, as it were, finds wing in music, and buoys itself in the air, relieved from the sense of earth. I knew not that I had succeeded till I came to a close, and then my eyes resting on the face of the grand prima donna, I was seized with an indescribable sadness, with a keen pang of remorse. Perfect artiste though she be, and with powers in her own realm of art which admit of no living equal, I saw at once that I had pained her: she had grown almost livid; her lips were quivering, and it was only with a great effort that she muttered out some faint words intended for applause. I comprehended by an instinct how gradually there can grow upon the mind of an artist the most generous that jealousy which makes the fear of a rival annihilate the delight in art. If ever I should achieve S——-'s fame as a singer, should I feel the same jealousy?—I think not now, but I have not been tested. She went away abruptly. I spare you the recital of the compliments paid to me by my other auditors, compliments that gave me no pleasure; for on all lips, except those of the Maestro, they implied, as the height of eulogy, that I had inflicted torture upon S——-. "If so," said he, "she would be as foolish as a rose that was jealous of the whiteness of a lily. You would do yourself great wrong, my child, if you tried to vie with the rose in its own colour."

He patted my bended head as he spoke, with that kind of fatherly king-like fondness with which he honours me; and I took his hand in mine, and kissed it gratefully. "Nevertheless," said Savarin, "when the lily comes out there will be a furious attack on it, made by the clique that devotes itself to the rose: a lily clique will be formed en revanche, and I foresee a fierce paper war. Do not be frightened at its first outburst: every fame worth having must be fought for."

Is it so? have you had to fight for your fame, Eulalie? and do you hate all contests as much as I do?

Our only other gayety since I last wrote was a soiree at M. Louvier's. That republican millionaire was not slow in attending to the kind letter you addressed to him recommending us to his civilities. He called at once, placed his good offices at our disposal, took charge of my modest fortune, which he has invested, no doubt, as safely as it is advantageously in point of interest, hired our carriage for us, and in short has been most amiably useful.

At his house we met many to me most pleasant, for they spoke with such genuine appreciation of your works and yourself. But there were others whom I should never have expected to meet under the roof of a Croesus who has so great a stake in the order of things established. One young man—a noble whom he specially presented to me, as a politician who would be at the head of affairs when the Red Republic was established—asked me whether I did not agree with him that all private property was public spoliation, and that the great enemy to civilization was religion, no matter in what form.

He addressed to me these tremendous questions with an effeminate lisp, and harangued on them with small feeble gesticulations of pale dirty fingers covered with rings.

I asked him if there were many who in France shared his ideas.

"Quite enough to carry them some day," he answered with a lofty smile. "And the day may be nearer than the world thinks, when my confreres will be so numerous that they will have to shoot down each other for the sake of cheese to their bread."

That day nearer than the world thinks! Certainly, so far as one may judge the outward signs of the world at Paris, it does not think of such things at all. With what an air of self-content the beautiful city parades her riches! Who can gaze on her splendid palaces, her gorgeous shops, and believe that she will give ear to doctrines that would annihilate private rights of property; or who can enter her crowded churches, and dream that she can ever again install a republic too civilized for religion?

Adieu. Excuse me for this dull letter. If I have written on much that has little interest even for me, it is that I wish to distract my mind from brooding over the question that interests me most, and on which I most need your counsel. I will try to approach it in my next.

ISAURA. FROM THE SAME TO THE SAME.

Eulalie, Eulalie!—What mocking spirit has been permitted in this modern age of ours to place in the heart of woman the ambition which is the prerogative of men? You indeed, so richly endowed with a man's genius, have a right to man's aspirations. But what can justify such ambition in me? Nothing but this one unintellectual perishable gift of a voice that does but please in uttering the thoughts of others. Doubtless I could make a name familiar for its brief time to the talk of Europe,—a name, what name? a singer's name. Once I thought that name a glory. Shall I ever forget the day when you first shone upon me; when, emerging from childhood as from a dim and solitary bypath, I stood forlorn on the great thoroughfare of life, and all the prospects before me stretched sad in mists and in rain? You beamed on me then as the sun coming out from the cloud and changing the face of earth; you opened to my sight the fairy-land of poetry and art; you took me by the hand and said, "Courage! there is at each step some green gap in the hedgerows, some, soft escape from the stony thoroughfare. Beside the real life expands the ideal life to those who seek it. Droop not, seek it: the ideal life has its sorrows, but it never admits despair; as on the ear of him who follows the winding course of a stream, the stream ever varies the note of its music,—now loud with the rush of the falls; now low and calm as it glides by the level marge of smooth banks; now sighing through the stir of the reeds; now babbling with a fretful joy as some sudden curve on the shore stays its flight among gleaming pebbles,—so to the soul of the artist is the voice of the art ever fleeting beside and before him. Nature gave thee the bird's gift of song: raise the gift into art, and make the art thy companion.

"Art and Hope were twin-born, and they die together." See how faithfully I remember, methinks, your very words. But the magic of the words, which I then but dimly understood, was in your smile and in your eye, and the queen-like wave of your hand as if beckoning to a world which lay before you, visible and familiar as your native land. And how devotedly, with what earnestness of passion, I gave myself up to the task of raising my gift into an art! I thought of nothing else, dreamed of nothing else; and oh, now sweet to me then were words of praise! "Another year yet," at length said the masters, "and you ascend your throne among the queens of song." Then—then—I would have changed for no other throne on earth my hope of that to be achieved in the realms of my art. And then came that long fever: my strength broke down, and the Maestro said, "Rest, or your voice is gone, and your throne is lost forever." How hateful that rest seemed to me! You again came to my aid. You said, "The time you think lost should be but time improved. Penetrate your mind with other songs than the trash of Libretti. The more you habituate yourself to the forms, the more you imbue yourself with the spirit, in which passions have been expressed and character delineated by great writers, the more completely you will accomplish yourself in your own special art of singer and actress." So, then, you allured me to a new study. Ah! in so doing did you dream that you diverted me from the old ambition? My knowledge of French and Italian, and my rearing in childhood, which had made English familiar to me, gave me the keys to the treasure-houses of three languages. Naturally I began with that in which your masterpieces are composed. Till then I had not even read your works. They were the first I chose. How they impressed, how they startled me! what depths in the mind of man, in the heart of woman, they revealed to me! But I owned to you then, and I repeat it now, neither they nor any of the works in romance and poetry which form the boast of recent French literature satisfied yearnings for that calm sense of beauty, that divine joy in a world beyond this world, which you had led me to believe it was the prerogative of ideal art to bestow. And when I told you this with the rude frankness you had bid me exercise in talk with you, a thoughtful, melancholy shade fell over your face, and you said quietly, "You are right, child; we, the French of our time, are the offspring of revolutions that settled nothing, unsettled all: we resemble those troubled States which rush into war abroad in order to re-establish peace at home. Our books suggest problems to men for reconstructing some social system in which the calm that belongs to art may be found at last: but such books should not be in your hands; they are not for the innocence and youth of women as yet unchanged by the systems which exist." And the next day you brought me 'l'asso's great poem, the "Gerusalemme Liberata," and said, smiling, "Art in its calm is here."

You remember that I was then at Sorrento by the order of my physician. Never shall I forget the soft autumn day when I sat amongst the lonely rocklets to the left of the town,—the sea before me, with scarce a ripple; my very heart steeped in the melodies of that poem, so marvellous for a strength disguised in sweetness, and for a symmetry in which each proportion blends into the other with the perfectness of a Grecian statue. The whole place seemed to me filled with the presence of the poet to whom it had given birth. Certainly the reading of that poem formed an era in my existence: to this day I cannot acknowledge the faults or weaknesses which your criticisms pointed out; I believe because they are in unison with my own nature, which yearns for harmony, and, finding that, rests contented. I shrink from violent contrasts, and can discover nothing tame and insipid in a continuance of sweetness and serenity. But it was not till after I had read "La Gerusalemme" again and again, and then sat and brooded over it, that I recognized the main charm of the poem in the religion which clings to it as the perfume clings to a flower,—a religion sometimes melancholy, but never to me sad. Hope always pervades it. Surely if, as you said, "Hope is twin-born with art," it is because art at its highest blends itself unconsciously with religion, and proclaims its affinity with hope by its faith in some future good more perfect than it has realized in the past.

Be this as it may, it was in this poem so pre-eminently Christian that I found the something which I missed and craved for in modern French masterpieces; even yours,—a something spiritual, speaking to my own soul, calling it forth; distinguishing it as an essence apart from mere human reason; soothing, even when it excited; making earth nearer to heaven. And when I ran on in this strain to you after my own wild fashion, you took my head between your hands and kissed me, and said, "Happy are those who believe! long may that happiness be thine!" Why did I not feel in Dante the Christian charm that I felt in Tasso? Dante in your eyes, as in those of most judges, is infinitely the greater genius; but reflected on the dark stream of that genius the stars are so troubled, the heaven so threatening.

Just as my year of holiday was expiring, I turned to English literature; and Shakspeare, of course, was the first English poet put into my hands. It proves how childlike my mind still was, that my earliest sensation in reading him was that of disappointment. It was not only that, despite my familiarity with English (thanks chiefly to the care of him whom I call my second father), there is much in the metaphorical diction of Shakspeare which I failed to comprehend; but he seemed to me so far like the modern French writers who affect to have found inspiration in his muse, that he obtrudes images of pain and suffering without cause or motive sufficiently clear to ordinary understandings, as I had taught myself to think it ought to be in the drama.

He makes Fate so cruel that we lose sight of the mild deity behind her. Compare, in this, Corneille's "Polyeucte," with the "Hamlet." In the first an equal calamity befalls the good, but in their calamity they are blessed. The death of the martyr is the triumph of his creed. But when we have put down the English tragedy,—when Hamlet and Ophelia are confounded in death with Polonius and the fratricidal king, we see not what good end for humanity is achieved. The passages that fasten on our memory do not make us happier and holier: they suggest but terrible problems, to which they give us no solution.

In the "Horaces" of Corneille there are fierce contests, rude passions, tears drawn from some of the bitterest sources of human pity; but then through all stands out, large and visible to the eyes of all spectators, the great ideal of devoted patriotism. How much of all that has been grandest in the life of France, redeeming even its worst crimes of revolution in the love of country, has had its origin in the "Horaces" of Corneille. But I doubt if the fates of Coriolanus and Caesar and Brutus and Antony, in the giant tragedies of Shakspeare, have made Englishmen more willing to die for England. In fine, it was long before—I will not say I understood or rightly appreciated Shakspeare, for no Englishman would admit that I or even you could ever do so, but before I could recognize the justice of the place his country claims for him as the genius without an equal in the literature of Europe. Meanwhile the ardour I had put into study, and the wear and tear of the emotions which the study called forth, made themselves felt in a return of my former illness, with symptoms still more alarming; and when the year was out I was ordained to rest for perhaps another year before I could sing in public, still less appear on the stage. How I rejoiced when I heard that fiat! for I emerged from that year of study with a heart utterly estranged from the profession in which I had centred my hopes before—Yes, Eulalie, you had bid me accomplish myself for the arts of utterance; by the study of arts in which thoughts originate the words they employ; and in doing so I had changed myself into another being. I was forbidden all fatigue of mind: my books were banished, but not the new self which the books had formed. Recovering slowly through the summer, I came hither two months since, ostensibly for the advice of Dr. C———-, but really in the desire to commune with my own heart and be still.

And now I have poured forth that heart to you, would you persuade me still to be a singer? If you do, remember at least how jealous and absorbing the art of the singer and the actress is,—how completely I must surrender myself to it, and live among books or among dreams no more. Can I be anything else but singer? and if not, should I be contented merely to read and to dream?

I must confide to you one ambition which during the lazy Italian summer took possession of me; I must tell you the ambition, and add that I have renounced it as a vain one. I had hoped that I could compose, I mean in music. I was pleased with some things I did: they expressed in music what I could not express in words; and one secret object in coming here was to submit them to the great Maestro. He listened to them patiently: he complimented me on my accuracy in the mechanical laws of composition; he even said that my favourite airs were "touchants et gracieux."

And so he would have left me, but I stopped him timidly, and said, "Tell me frankly, do you think that with time and study I could compose music such as singers equal to myself would sing to?"

"You mean as a professional composer?"

"Well, yes."

"And to the abandonment of your vocation as a singer?"

"Yes."

"My dear child, I should be your worst enemy if I encouraged such a notion: cling to the career in which you call be greatest; gain but health, and I wager my reputation on your glorious success on the stage. What can you be as a composer? You will set pretty music to pretty words, and will be sung in drawing-rooms with the fame a little more or less that generally attends the compositions of female amateurs. Aim at something higher, as I know you would do, and you will not succeed. Is there any instance in modern times, perhaps in any times, of a female composer who attains even to the eminence of a third-rate opera-writer? Composition in letters may be of no sex. In that Madame Dudevant and your friend Madame de Grantmesnil can beat most men; but the genius of musical composition is homme, and accept it as a compliment when I say that you are essentially femme."

He left me, of course, mortified and humbled; but I feel he is right as regards myself, though whether in his depreciation of our whole sex I cannot say. But as this hope has left me, I have become more disquieted, still more restless. Counsel me, Eulalie; counsel, and, if possible, comfort me. ISAURA. FROM THE SAME TO THE SAME.

No letter from you yet, and I have left you in peace for ten days. How do you think I have spent them? The Maestro called on us with M. Savarin, to insist on our accompanying them on a round of the theatres. I had not been to one since my arrival. I divined that the kind-hearted composer had a motive in this invitation. He thought that in witnessing the applauses bestowed on actors, and sharing in the fascination in which theatrical illusion holds an audience, my old passion for the stage, and with it the longing for an artiste's fame, would revive.

In my heart I wished that his expectations might be realized. Well for me if I could once more concentrate all my aspirations on a prize within my reach!

We went first to see a comedy greatly in vogue, and the author thoroughly understands the French stage of our day. The acting was excellent in its way. The next night we went to the Odeon, a romantic melodrama in six acts, and I know not how many tableaux. I found no fault with the acting there. I do not give you the rest of our programme. We visited all the principal theatres, reserving the opera and Madame S——— for the last. Before I speak of the opera, let me say a word or two on the plays.

There is no country in which the theatre has so great a hold on the public as in France; no country in which the successful dramatist has so high a fame; no country perhaps in which the state of the stage so faithfully represents the moral and intellectual condition of the people. I say this not, of course, from my experience of countries which I have not visited, but from all I hear of the stage in Germany and in England.

The impression left on my mind by the performances I witnessed is, that the French people are becoming dwarfed. The comedies that please them are but pleasant caricatures of petty sections in a corrupt society. They contain no large types of human nature; their witticisms convey no luminous flashes of truth; their sentiment is not pure and noble,—it is a sickly and false perversion of the impure and ignoble into travesties of the pure and noble.

Their melodramas cannot be classed as literature: all that really remains of the old French genius is its vaudeville. Great dramatists create great parts. One great part, such as a Rachel would gladly have accepted, I have not seen in the dramas of the young generation.

High art has taken refuge in the opera; but that is not French opera. I do not complain so much that French taste is less refined. I complain that French intellect is lowered. The descent from "Polyeucte" to "Ruy Blas" is great, not so much in the poetry of form as in the elevation of thought; but the descent from "Ruy Blas" to the best drama now produced is out of poetry altogether, and into those flats of prose which give not even the glimpse of a mountain-top.

But now to the opera. S——— in Norma! The house was crowded, and its enthusiasm as loud as it was genuine. You tell me that S——— never rivalled Pasta, but certainly her Norma is a great performance. Her voice has lost less of its freshness than I had been told, and what is lost of it her practised management conceals or carries off.

The Maestro was quite right: I could never vie with her in her own line; but conceited and vain as I may seem even to you in saying so, I feel in my own line that I could command as large an applause,—of course taking into account my brief-lived advantage of youth. Her acting, apart from her voice, does not please me. It seems to me to want intelligence of the subtler feelings, the under-current of emotion which constitutes the chief beauty of the situation and the character. Am I jealous when I say this? Read on and judge.

On our return that night, when I had seen the Venosta to bed, I went into my own room, opened the window, and looked out. A lovely night, mild as in spring at Florence,—the moon at her full, and the stars looking so calm and so high beyond our reach of their tranquillity. The evergreens in the gardens of the villas around me silvered over, and the summer boughs, not yet clothed with leaves, were scarcely visible amid the changeless smile of the laurels. At the distance lay Paris, only to be known by its innumerable lights. And then I said to myself,

"No, I cannot be an actress; I cannot resign my real self for that vamped-up hypocrite before the lamps. Out on those stage-robes and painted cheeks! Out on that simulated utterance of sentiments learned by rote and practised before the looking-glass till every gesture has its drill!"

Then I gazed on those stars which provoke our questionings, and return no answer, till my heart grew full,—so full,—and I bowed my head and wept like a child.

FROM THE SAME TO THE SAME.

And still no letter from you! I see in the journals that you have left Nice. Is it that you are too absorbed in your work to have leisure to write to me? I know you are not ill, for if you were, all Paris would know of it. All Europe has an interest in your health. Positively I will write to you no more till a word from yourself bids me do so.

I fear I must give up my solitary walks in the Bois de Boulogne: they were very dear to me, partly because the quiet path to which I confined myself was that to which you directed me as the one you habitually selected when at Paris, and in which you had brooded over and revolved the loveliest of your romances; and partly because it was there that, catching, alas! not inspiration but enthusiasm from the genius that had hallowed the place, and dreaming I might originate music, I nursed my own aspirations and murmured my own airs. And though so close to that world of Paris to which all artists must appeal for judgment or audience, the spot was so undisturbed, so sequestered. But of late that path has lost its solitude, and therefore its charm.

Six days ago the first person I encountered in my walk was a man whom I did not then heed. He seemed in thought, or rather in revery, like myself; we passed each other twice or thrice, and I did not notice whether he was young or old, tall or short; but he came the next day, and a third day, and then I saw that he was young, and, in so regarding him, his eyes became fixed on mine. The fourth day he did not come, but two other men came, and the look of one was inquisitive and offensive. They sat themselves down on a bench in the walk, and though I did not seem to notice them, I hastened home; and the next day, in talking with our kind Madame Savarin, and alluding to these quiet walks of mine, she hinted, with the delicacy which is her characteristic, that the customs of Paris did not allow demoiselles comme il faut to walk alone even in the most sequestered paths of the Bois.

I begin now to comprehend your disdain of customs which impose chains so idly galling on the liberty of our sex.

We dined with the Savarins last evening: what a joyous nature he has! Not reading Latin, I only know Horace by translations, which I am told are bad; but Savarin seems to me a sort of half Horace,—Horace on his town-bred side, so playfully well-bred, so good-humoured in his philosophy, so affectionate to friends, and so biting to foes. But certainly Savarin could not have lived in a country farm upon endives and mallows. He is town-bred and Parisian, jusqu'au bout des ongles. How he admires you, and how I love him for it! Only in one thing he disappoints me there. It is your style that he chiefly praises: certainly that style is matchless; but style is only the clothing of thought, and to praise your style seems to me almost as invidious as the compliment to some perfect beauty, not on her form and face, but on her taste and dress.

We met at dinner an American and his wife,—a Colonel and Mrs. Morley: she is delicately handsome, as the American women I have seen generally are, and with that frank vivacity of manner which distinguishes them from English women. She seemed to take a fancy to me, and we soon grew very good friends.

She is the first advocate I have met, except yourself, of that doctrine upon the rights of Women, of which one reads more in the journals than one hears discussed in salons. Naturally enough I felt great interest in that subject, more especially since my rambles in the Bois were forbidden; and as long as she declaimed on the hard fate of the women who, feeling within them powers that struggle for air and light beyond the close precinct of household duties, find themselves restricted from fair rivalry with men in such fields of knowledge and toil and glory as men since the world began have appropriated to themselves, I need not say that I went with her cordially: you can guess that by my former letters. But when she entered into the detailed catalogue of our exact wrongs and our exact rights, I felt all the pusillanimity of my sex and shrank back in terror.

Her husband, joining us when she was in full tide of eloquence, smiled at me with a kind of saturnine mirth. "Mademoiselle, don't believe a word she says: it is only tall talk! In America the women are absolute tyrants, and it is I who, in concert with my oppressed countrymen, am going in for a platform agitation to restore the Rights of Men."

Upon this there was a lively battle of words between the spouses, in which, I must own, I thought the lady was decidedly worsted.

No, Eulalie, I see nothing in these schemes for altering our relations towards the other sex which would improve our condition. The inequalities we suffer are not imposed by law,—not even by convention: they are imposed by nature.

Eulalie, you have had an experience unknown to me: you have loved. In that day did you,—you, round whom poets and sages and statesmen gather, listening to your words as to an oracle,—did you feel that your pride of genius had gone out from you, that your ambition lived in whom you loved, that his smile was more to you than the applause of a world?

I feel as if love in a woman must destroy her rights of equality, that it gives to her a sovereign even in one who would be inferior to herself if her love did not glorify and crown him. Ah! if I could but merge this terrible egotism which oppresses me, into the being of some one who is what I would wish to be were I man! I would not ask him to achieve fame. Enough if I felt that he was worthy of it, and happier methinks to console him when he failed than to triumph with him when he won. Tell me, have you felt this? When you loved did you stoop as to a slave, or did you bow down as to a master?

FROM MADAME DE GRANTMESNIL TO ISAURA CICOGNA.

Chere enfant,—All your four letters have reached me the same day. In one of my sudden whims I set off with a few friends on a rapid tour along the Riviera to Genoa, thence to Turin on to Milan. Not knowing where we should rest even for a day, my letters were not forwarded.

I came back to Nice yesterday, consoled for all fatigues in having insured that accuracy in description of localities which my work necessitates.

You are, my poor child, in that revolutionary crisis through which genius passes in youth before it knows its own self, and longs vaguely to do or to be a something other than it has done or has been before. For, not to be unjust to your own powers, genius you have,—that inborn undefinable essence, including talent, and yet distinct from it. Genius you have, but genius unconcentrated, undisciplined. I see, though you are too diffident to say so openly, that you shrink from the fame of singer, because, fevered by your reading, you would fain aspire to the thorny crown of author. I echo the hard saying of the Maestro: I should be your worst enemy did I encourage you to forsake a career in which a dazzling success is so assured, for one in which, if it were your true vocation, you would not ask whether you were fit for it; you would be impelled to it by the terrible star which presides over the birth of poets.

Have you, who are so naturally observant, and of late have become so reflective, never remarked that authors, however absorbed in their own craft, do not wish their children to adopt it? The most successful author is perhaps the last person to whom neophytes should come for encouragement. This I think is not the case with the cultivators of the sister arts.

The painter, the sculptor, the musician, seem disposed to invite disciples and welcome acolytes. As for those engaged in the practical affairs of life, fathers mostly wish their sons to be as they have been.

The politician, the lawyer, the merchant, each says to his children, "Follow my steps." All parents in practical life would at least agree in this,—they would not wish their sons to be poets. There must be some sound cause in the world's philosophy for this general concurrence of digression from a road of which the travellers themselves say to those whom they love best, "Beware!"

Romance in youth is, if rightly understood, the happiest nutriment of wisdom in after-years; but I would never invite any one to look upon the romance of youth as a thing

"To case in periods and embalm in ink."

Enfant, have you need of a publisher to create romance? Is it not in yourself? Do not imagine that genius requires for its enjoyment the scratch of the pen and the types of the printer. Do not suppose that the poet, the romancier, is most poetic, most romantic, when he is striving, struggling, labouring, to check the rush of his ideas, and materialize the images which visit him as souls into such tangible likenesses of flesh and blood that the highest compliment a reader can bestow on them is to say that they are lifelike: No: the poet's real delight is not in the mechanism of composing; the best part of that delight is in the sympathies he has established with innumerable modifications of life and form, and art and Nature, sympathies which are often found equally keen in those who have not the same gift of language. The poet is but the interpreter. What of?—Truths in the hearts of others. He utters what they feel. Is the joy in the utterance? Nay, it is in the feeling itself. So, my dear, dark-bright child of song, when I bade thee open, out of the beaten thoroughfare, paths into the meads and river-banks at either side of the formal hedgerows, rightly dost thou add that I enjoined thee to make thine art thy companion. In the culture of that art for which you are so eminently gifted, you will find the ideal life ever beside the real. Are you not ashamed to tell me that in that art you do but utter the thoughts of others? You utter them in music; through the music you not only give to the thoughts a new character, but you make them reproductive of fresh thoughts in your audience.

You said very truly that you found in composing you could put into music thoughts which you could not put into words. That is the peculiar distinction of music. No genuine musician can explain in words exactly what he means to convey in his music.

How little a libretto interprets an opera; how little we care even to read it! It is the music that speaks to us; and how?—Through the human voice. We do not notice how poor are the words which the voice warbles. It is the voice itself interpreting the soul of the musician which enchants and enthralls us. And you who have that voice pretend to despise the gift. What! despise the power of communicating delight!—the power that we authors envy; and rarely, if ever, can we give delight with so little alloy as the singer.

And when an audience disperses, can you guess what griefs the singer may have comforted? what hard hearts he may have softened? what high thoughts he may have awakened?

You say, "Out on the vamped-up hypocrite! Out on the stage-robes and painted cheeks!"

I say, "Out on the morbid spirit which so cynically regards the mere details by which a whole effect on the minds and hearts and souls of races and nations can be produced!"

There, have I scolded you sufficiently? I should scold you more, if I did not see in the affluence of your youth and your intellect the cause of your restlessness. Riches are always restless. It is only to poverty that the gods give content.

You question me about love; you ask if I have ever bowed to a master, ever merged my life in another's: expect no answer on this from me. Circe herself could give no answer to the simplest maid, who, never having loved, asks, "What is love?"

In the history of the passions each human heart is a world in itself; its experience profits no others. In no two lives does love play the same part or bequeath the same record.

I know not whether I am glad or sorry that the word "love" now falls on my ear with a sound as slight and as faint as the dropping of a leaf in autumn may fall on thine.

I volunteer but this lesson, the wisest I can give, if thou canst understand it: as I bade thee take art into thy life, so learn to look on life itself as an art. Thou couldst discover the charm in Tasso; thou couldst perceive that the requisite of all art, that which pleases, is in the harmony of proportion. We lose sight of beauty if we exaggerate the feature most beautiful.

Love proportioned adorns the homeliest existence; love disproportioned deforms the fairest.

Alas! wilt thou remember this warning when the time comes in which it may be needed?

E——- G———-.



BOOK II.



CHAPTER I.

It is several weeks after the date of the last chapter; the lime-trees in the Tuileries are clothed in green.

In a somewhat spacious apartment on the ground-floor in the quiet locality of the Rue d'Anjou, a man was seated, very still and evidently absorbed in deep thought, before a writing-table placed close to the window.

Seen thus, there was an expression of great power both of intellect and of character in a face which, in ordinary social commune, might rather be noticeable for an aspect of hardy frankness, suiting well with the clear-cut, handsome profile, and the rich dark auburn hair, waving carelessly over one of those broad open foreheads, which, according to an old writer, seem the "frontispiece of a temple dedicated to Honour."

The forehead, indeed, was the man's most remarkable feature. It could not but prepossess the beholder. When, in private theatricals, he had need to alter the character of his countenance, he did it effectually, merely by forcing down his hair till it reached his eyebrows. He no longer then looked like the same man.

The person I describe has been already introduced to the reader as Graham Vane. But perhaps this is the fit occasion to enter into some such details as to his parentage and position as may make the introduction more satisfactory and complete.

His father, the representative of a very ancient family, came into possession, after a long minority, of what may be called a fair squire's estate, and about half a million in moneyed investments, inherited on the female side. Both land and money were absolutely at his disposal, unencumbered by entail or settlement. He was a man of a brilliant, irregular genius, of princely generosity, of splendid taste, of a gorgeous kind of pride closely allied to a masculine kind of vanity. As soon as he was of age he began to build, converting his squire's hall into a ducal palace. He then stood for the county; and in days before the first Reform Bill, when a county election was to the estate of a candidate what a long war is to the debt of a nation. He won the election; he obtained early successes in Parliament. It was said by good authorities in political circles that, if he chose, he might aspire to lead his party, and ultimately to hold the first rank in the government of his country.

That may or may not be true; but certainly he did not choose to take the trouble necessary for such an ambition. He was too fond of pleasure, of luxury, of pomp. He kept a famous stud of racers and hunters. He was a munificent patron of art. His establishments, his entertainments, were on a par with those of the great noble who represented the loftiest (Mr. Vane would not own it to be the eldest) branch of his genealogical tree.

He became indifferent to political contests, indolent in his attendance at the House, speaking seldom, not at great length nor with much preparation, but with power and fire, originality and genius; so that he was not only effective as an orator, but combining with eloquence advantages of birth, person, station, the reputation of patriotic independence, and genial attributes of character, he was an authority of weight in the scales of party.

This gentleman, at the age of forty, married the dowerless daughter of a poor but distinguished naval officer, of noble family, first cousin to the Duke of Alton.

He settled on her a suitable jointure, but declined to tie up any portion of his property for the benefit of children by the marriage. He declared that so much of his fortune was invested either in mines, the produce of which was extremely fluctuating, or in various funds, over rapid transfers in which it was his amusement and his interest to have control, unchecked by reference to trustees, that entails and settlements on children were an inconvenience he declined to incur.

Besides, he held notions of his own as to the wisdom of keeping children dependent on their father. "What numbers of young men," said he, "are ruined in character and in fortune by knowing that when their father dies they are certain of the same provision, no matter how they displease him; and in the meanwhile forestalling that provision by recourse to usurers." These arguments might not have prevailed over the bride's father a year or two later, when, by the death of intervening kinsmen, he became Duke of Alton; but in his then circumstances the marriage itself was so much beyond the expectations which the portionless daughter of a sea-captain has the right to form that Mr. Vane had it all his own way, and he remained absolute master of his whole fortune, save of that part of his landed estate on which his wife's jointure was settled; and even from this incumbrance he was very soon freed. His wife died in the second year of marriage, leaving an only son,—Graham. He grieved for her loss with all the passion of an impressionable, ardent, and powerful nature. Then for a while he sought distraction to his sorrow by throwing himself into public life with a devoted energy he had not previously displayed.

His speeches served to bring his party into power, and he yielded, though reluctantly, to the unanimous demand of that party that he should accept one of the highest offices in the new Cabinet. He acquitted himself well as an administrator, but declared, no doubt honestly, that he felt like Sinbad released from the old man on his back, when, a year or two afterwards, he went out of office with his party. No persuasions could induce him to come in again; nor did he ever again take a very active part in debate. "No," said he, "I was born to the freedom of a private gentleman: intolerable to me is the thraldom of a public servant. But I will bring up my son so that he may acquit the debt which I decline to pay to my country." There he kept his word. Graham had been carefully educated for public life, the ambition for it dinned into his ear from childhood. In his school vacations his father made him learn and declaim chosen specimens of masculine oratory; engaged an eminent actor to give him lessons in elocution; bade him frequent theatres, and study there the effect which words derive from looks and gesture; encouraged him to take part himself in private theatricals. To all this the boy lent his mind with delight. He had the orator's inborn temperament; quick, yet imaginative, and loving the sport of rivalry and contest. Being also, in his boyish years, good-humoured and joyous, he was not more a favourite with the masters in the schoolroom than with the boys in the play-ground. Leaving Eton at seventeen, he then entered at Cambridge, and became, in his first term, the most popular speaker at the Union.

But his father cut short his academical career, and decided, for reasons of his own, to place him at once in diplomacy. He was attached to the Embassy at Paris, and partook of the pleasures and dissipations of that metropolis too keenly to retain much of the sterner ambition to which he had before devoted himself. Becoming one of the spoiled darlings of fashion, there was great danger that his character would relax into the easy grace of the Epicurean, when all such loiterings in the Rose Garden were brought to abrupt close by a rude and terrible change in his fortunes.

His father was killed by a fall from his horse in hunting; and when his affairs were investigated, they were found to be hopelessly involved: apparently the assets would not suffice for the debts. The elder Vane himself was probably not aware of the extent of his liabilities. He had never wanted ready money to the last. He could always obtain that from a money-lender, or from the sale of his funded investments. But it became obvious, on examining his papers, that he knew at least how impaired would be the heritage he should bequeath to a son whom he idolized. For that reason he had given Graham a profession in diplomacy, and for that reason he had privately applied to the Ministry for the Viceroyalty of India, in the event of its speedy vacancy. He was eminent enough not to anticipate refusal, and with economy in that lucrative post much of his pecuniary difficulties might have been redeemed, and at least an independent provision secured for his son.

Graham, like Alain de Rochebriant, allowed no reproach on his father's memory; indeed, with more reason than Alain, for the elder Vane's fortune had at least gone on no mean and frivolous dissipation.

It had lavished itself on encouragement to art, on great objects of public beneficence, on public-spirited aid of political objects; and even in more selfish enjoyments there was a certain grandeur in his princely hospitalities, in his munificent generosity, in a warm-hearted carelessness for money. No indulgence in petty follies or degrading vices aggravated the offence of the magnificent squanderer.

"Let me look on my loss of fortune as a gain to myself," said Graham, manfully. "Had I been a rich man, my experience of Paris tells me that I should most likely have been a very idle one. Now that I have no gold, I must dig in myself for iron."

The man to whom he said this was an uncle-in-law,—if I may use that phrase,—the Right Hon. Richard King, popularly styled "the blameless King."

This gentleman had married the sister of Graham's mother, whose loss in his infancy and boyhood she had tenderly and anxiously sought to supply. It is impossible to conceive a woman more fitted to invite love and reverence than was Lady Janet King, her manners were so sweet and gentle, her whole nature so elevated and pure.

Her father had succeeded to the dukedom when she married Mr. King, and the alliance was not deemed quite suitable. Still it was not one to which the Duke would have been fairly justified in refusing his assent.

Mr. King could not indeed boast of noble ancestry, nor was even a landed proprietor; but he was a not-undistinguished member of Parliament, of irreproachable character, and ample fortune inherited from a distant kinsman, who had enriched himself as a merchant. It was on both sides a marriage of love.

It is popularly said that a man uplifts a wife to his own rank: it as often happens that a woman uplifts her husband to the dignity of her own character. Richard King rose greatly in public estimation after his marriage with Lady Janet.

She united to a sincere piety a very active and a very enlightened benevolence. She guided his ambition aside from mere party politics into subjects of social and religious interest, and in devoting himself to these he achieved a position more popular and more respected than he could ever have won in the strife of party.

When the Government of which the elder Vane became a leading Minister was formed, it was considered a great object to secure a name as high in the religious world, so beloved by the working classes, as that of Richard King; and he accepted one of those places which, though not in the cabinet, confers the rank of Privy Councillor.

When that brief-lived Administration ceased, he felt the same sensation of relief that Vane had felt, and came to the same resolution never again to accept office, but from different reasons, all of which need not now be detailed. Amongst them, however, certainly this: he was exceedingly sensitive to opinion, thin-skinned as to abuse, and very tenacious of the respect due to his peculiar character of sanctity and philanthropy. He writhed under every newspaper article that had made "the blameless King" responsible for the iniquities of the Government to which he belonged. In the loss of office he seemed to recover his former throne.

Mr. King heard Graham's resolution with a grave approving smile, and his interest in the young man became greatly increased. He devoted himself strenuously to the object of saving to Graham some wrecks of his paternal fortunes, and having a clear head and great experience in the transaction of business, he succeeded beyond the most sanguine expectations formed by the family solicitor. A rich manufacturer was found to purchase at a fancy price the bulk of the estate with the palatial mansion, which the estate alone could never have sufficed to maintain with suitable establishments.

So that when all debts were paid, Graham found himself in possession of a clear income of about L500 a year, invested in a mortgage secured on a part of the hereditary lands, on which was seated an old hunting-lodge bought by a brewer.

With this portion of the property Graham parted very reluctantly. It was situated amid the most picturesque scenery on the estate, and the lodge itself was a remnant of the original residence of his ancestors before it had been abandoned for that which, built in the reign of Elizabeth, had been expanded into a Trenthain-like palace by the last owner.

But Mr. King's argument reconciled him to the sacrifice. "I can manage," said the prudent adviser, "if you insist on it, to retain that remnant of the hereditary estate which you are so loath to part with. But how? by mortgaging it to an extent that will scarcely leave you L50. a year net from the rents. This is not all. Your mind will then be distracted from the large object of a career to the small object of retaining a few family acres; you will be constantly hampered by private anxieties and fears; you could do nothing for the benefit of those around you,—could not repair a farmhouse for a better class of tenant, could not rebuild a labourer's dilapidated cottage. Give up an idea that might be very well for a man whose sole ambition was to remain a squire, however beggarly. Launch yourself into the larger world of metropolitan life with energies wholly unshackled, a mind wholly undisturbed, and secure of an income which, however modest, is equal to that of most young men who enter that world as your equals."

Graham was convinced, and yielded, though with a bitter pang. It is hard for a man whose fathers have lived on the soil to give up all trace of their whereabouts. But none saw in him any morbid consciousness of change of fortune, when, a year after his father's death, he reassumed his place in society. If before courted for his expectations, he was still courted for himself; by many of the great who had loved his father, perhaps even courted more.

He resigned the diplomatic career, not merely because the rise in that profession is slow, and in the intermediate steps the chances of distinction are slight and few, but more because he desired to cast his lot in the home country, and regarded the courts of other lands as exile.

It was not true, however, as Lemercier had stated on report, that he lived on his pen. Curbing all his old extravagant tastes, L500 a year amply supplied his wants. But he had by his pen gained distinction, and created great belief in his abilities for a public career. He had written critical articles, read with much praise, in periodicals of authority, and had published one or two essays on political questions which had created yet more sensation. It was only the graver literature, connected more or less with his ultimate object of a public career, in which he had thus evinced his talents of composition. Such writings were not of a nature to bring him much money, but they gave him a definite and solid station. In the old time, before the first Reform Bill, his reputation would have secured him at once a seat in Parliament; but the ancient nurseries of statesmen are gone, and their place is not supplied.

He had been invited, however, to stand for more than one large and populous borough, with very fair prospects of success; and, whatever the expense, Mr. King had offered to defray it. But Graham would not have incurred the latter obligation; and when he learned the pledges which his supporters would have exacted, he would not have stood if success had been certain and the cost nothing. "I cannot," he said to his friends, "go into the consideration of what is best for the country with my thoughts manacled; and I cannot be both representative and slave of the greatest ignorance of the greatest number. I bide my time, and meanwhile I prefer to write as I please, rather than vote as I don't please."

Three years went by, passed chiefly in England, partly in travel; and at the age of thirty, Graham Vane was still one of those of whom admirers say, "He will be a great man some day;" and detractors reply, "Some day seems a long way off."

The same fastidiousness which had operated against that entrance into Parliament, to which his ambition not the less steadily adapted itself, had kept him free from the perils of wedlock. In his heart he yearned for love and domestic life, but he had hitherto met with no one who realized the ideal he had formed. With his person, his accomplishments, his connections, and his repute, he might have made many an advantageous marriage. But somehow or other the charm vanished from a fair face, if the shadow of a money-bag fell on it; on the other hand, his ambition occupied so large a share in his thoughts that he would have fled in time from the temptation of a marriage that would have overweighted him beyond the chance of rising. Added to all, he desired in a wife an intellect that, if not equal to his own, could become so by sympathy,—a union of high culture and noble aspiration, and yet of loving womanly sweetness which a man seldom finds out of books; and when he does find it, perhaps it does not wear the sort of face that he fancies. Be that as it may, Graham was still unmarried and heart-whole.

And now a new change in his life befell him. Lady Janet died of a fever contracted in her habitual rounds of charity among the houses of the poor. She had been to him as the most tender mother, and a lovelier soul than hers never alighted on the earth. His grief was intense; but what was her husband's?—one of those griefs that kill.

To the side of Richard King his Janet had been as the guardian angel. His love for her was almost worship: with her, every object in a life hitherto so active and useful seemed gone. He evinced no noisy passion of sorrow. He shut himself up, and refused to see even Graham. But after some weeks had passed, he admitted the clergyman in whom on spiritual matters he habitually confided, and seemed consoled by the visits; then he sent for his lawyer and made his will; after which he allowed Graham to call on him daily, on the condition that there should be no reference to his loss. He spoke to the young man on other subjects, rather drawing him out about himself, sounding his opinion on various grave matters, watching his face while he questioned, as if seeking to dive into his heart, and sometimes pathetically sinking into silence, broken but by sighs. So it went on for a few more weeks; then he took the advice of his physician to seek change of air and scene. He went away alone, without even a servant, not leaving word where he had gone. After a little while he returned, more ailing, more broken than before. One morning he was found insensible,—stricken by paralysis. He regained consciousness, and even for some days rallied strength. He might have recovered, but he seemed as if he tacitly refused to live. He expired at last, peacefully, in Graham's arms.

At the opening of his will it was found that he had left Graham his sole heir and executor. Deducting government duties, legacies to servants, and donations to public charities, the sum thus bequeathed to his lost wife's nephew was two hundred and twenty thousand pounds.

With such a fortune, opening indeed was made for an ambition so long obstructed. But Graham affected no change in his mode of life; he still retained his modest bachelor's apartments, engaged no servants, bought no horses, in no way exceeded the income he had possessed before. He seemed, indeed, depressed rather than elated by the succession to a wealth which he had never anticipated.

Two children had been born from the marriage of Richard King: they had died young, it is true, but Lady Janet at the time of her own decease was not too advanced in years for the reasonable expectation of other offspring; and even after Richard King became a widower, he had given to Graham no hint of his testamentary dispositions. The young man was no blood-relation to him, and naturally supposed that such relations would become the heirs. But in truth the deceased seemed to have no blood-relations: none had ever been known to visit him; none raised a voice to question the justice of his will.

Lady Janet had been buried at Kensal Green; her husband's remains were placed in the same vault.

For days and days Graham went his way lonelily to the cemetery. He might be seen standing motionless by that tomb, with tears rolling down his cheeks; yet his was not a weak nature,—not one of those that love indulgence of irremediable grief. On the contrary, people who did not know him well said "that he had more head than heart," and the character of his pursuits, as of his writings, was certainly not that of a sentimentalist. He had not thus visited the tomb till Richard King had been placed within it. Yet his love for his aunt was unspeakably greater than that which he could have felt for her husband. Was it, then, the husband that he so much more acutely mourned; or was there something that, since the husband's death, had deepened his reverence for the memory of her whom he had not only loved as a mother, but honoured as a saint?

These visits to the cemetery did not cease till Graham was confined to his bed by a very grave illness,—the only one he had ever known. His physician said it was nervous fever, and occasioned by moral shock or excitement; it was attended with delirium. His recovery was slow, and when it was sufficiently completed he quitted England; and we find him now, with his mind composed, his strength restored, and his spirits braced, in that gay city of Paris; hiding, perhaps, some earnest purpose amid his participation in its holiday enjoyments. He is now, as I have said, seated before his writing-table in deep thought. He takes up a letter which he had already glanced over hastily, and reperuses it with more care.

The letter is from his cousin, the Duke of Alton, who had succeeded a few years since to the family honours,—an able man, with no small degree of information, an ardent politician, but of very rational and temperate opinions; too much occupied by the cares of a princely estate to covet office for himself; too sincere a patriot not to desire office for those to whose hands he thought the country might be most safely entrusted; an intimate friend of Graham's. The contents of the letter are these:—

MY DEAR GRAHAM,—I trust that you will welcome the brilliant opening into public life which these lines are intended to announce to you. Vavasour has just been with me to say that he intends to resign his seat for the county when Parliament meets, and agreeing with me that there is no one so fit to succeed him as yourself, he suggests the keeping his intention secret until you have arranged your committee and are prepared to take the field. You cannot hope to escape a contest; but I have examined the Register, and the party has gained rather than lost since the last election, when Vavasour was so triumphantly returned. The expenses for this county, where there are so many outvoters to bring up, and so many agents to retain, are always large in comparison with some other counties; but that consideration is all in your favour, for it deters Squire Hunston, the only man who could beat you, from starting; and to your resources a thousand pounds more or less are a trifle not worth discussing. You know how difficult it is nowadays to find a seat for a man of moderate opinions like yours and mine. Our county would exactly suit you. The constituency is so evenly divided between the urban and rural populations, that its representative must fairly consult the interests of both. He can be neither an ultra-Tory nor a violent Radical. He is left to the enviable freedom, to which you say you aspire, of considering what is best for the country as a whole.

Do not lose so rare an opportunity. There is but one drawback to your triumphant candidature. It will be said that you have no longer an acre in the county in which the Vanes have been settled so long. That drawback can be removed. It is true that you can never hope to buy back the estates which you were compelled to sell at your father's death: the old manufacturer gripes them too firmly to loosen his hold; and after all, even were your income double what it is, you would be overhoused in the vast pile in which your father buried so large a share of his fortune. But that beautiful old hunting-lodge, the Stamm Schloss of your family, with the adjacent farms, can be now repurchased very reasonably. The brewer who bought them is afflicted with an extravagant son, whom he placed in the—Hussars, and will gladly sell the property for L5,000 more than he gave: well worth the difference, as he has improved the farm- buildings and raised the rental. I think, in addition to the sum you have on mortgage, L3,000 will be accepted, and as a mere investment pay you nearly three per cent. But to you it is worth more than double the money; it once more identifies your ancient name with the county. You would be a greater personage with that moderate holding in the district in which your race took root, and on which your father's genius threw such a lustre, than you would be if you invested all your wealth in a county in which every squire and farmer would call you "the new man." Pray think over this most seriously, and instruct your solicitor to open negotiations with the brewer at once. But rather put yourself into the train, and come back to England straight to me. I will ask Vavasour to meet you. What news from Paris? Is the Emperor as ill as the papers insinuate? And is the revolutionary party gaining ground?

Your affectionate cousin,

ALTON.

As he put down this letter, Graham heaved a short impatient sigh.

"The old Stamm Schloss," he muttered,—"a foot on the old soil once more! and an entrance into the great arena with hands unfettered. Is it possible!—is it?—is it?"

At this moment the door-bell of the apartment rang, and a servant whom Graham had hired at Paris as a laquais de place announced "Ce Monsieur."

Graham hurried the letter into his portfolio, and said, "You mean the person to whom I am always at home?"

"The same, Monsieur."

"Admit him, of course."

There entered a wonderfully thin man, middle-aged, clothed in black, his face cleanly shaven, his hair cut very short, with one of those faces which, to use a French expression, say "nothing." It was absolutely without expression: it had not even, despite its thinness, one salient feature. If you had found yourself anywhere seated next to that man, your eye would have passed him over as too insignificant to notice; if at a cafe, you would have gone on talking to your friend without lowering your voice. What mattered it whether a bete like that overheard or not? Had you been asked to guess his calling and station, you might have said, minutely observing the freshness of his clothes and the undeniable respectability of his tout ensemble, "He must be well off, and with no care for customers on his mind,—a ci-devant chandler who has retired on a legacy."

Graham rose at the entrance of his visitor, motioned him courteously to a seat beside him, and waiting till the laquais had vanished, then asked, "What news?"

"None, I fear, that will satisfy Monsieur. I have certainly hunted out, since I had last the honour to see you, no less than four ladies of the name of Duval, but only one of them took that name from her parents, and was also christened Louise."

"Ah—Louise!"

"Yes, the daughter of a perfumer, aged twenty-eight. She, therefore, is not the Louise you seek. Permit me to refer to your instructions." Here M. Renard took out a note-book, turned over the leaves, and resumed, "Wanted, Louise Duval, daughter of Auguste Duval, a French drawing-master, who lived for many years at Tours, removed to Paris in 1845, lived at No. 12, Rue de S—— at Paris for some years, but afterwards moved to a different guartier of the town, and died 1848, in Rue I——, No. 39. Shortly after his death, his daughter Louise left that lodging, and could not be traced. In 1849 official documents reporting her death were forwarded from Munich to a person (a friend of yours, Monsieur). Death, of course, taken for granted; but nearly five years afterwards, this very person encountered the said Louise Duval at Aix-la-Chapelle, and never heard nor saw more of her. Demande submitted, to find out said Louise Duval or any children of hers born in 1848-9; supposed in 1852-3 to have one child, a girl, between four and five years old. Is that right, Monsieur?"

"Quite right."

"And this is the whole information given to me. Monsieur on giving it asked me if I thought it desirable that he should commence inquiries at Aix-la-Chapelle, where Louise Duval was last seen by the person interested to discover her. I reply, No; pains thrown away. Aix-la-Chapelle is not a place where any Frenchwoman not settled there by marriage would remain. Nor does it seem probable that the said Duval would venture to select for her residence Munich, a city in which she had contrived to obtain certificates of her death. A Frenchwoman who has once known Paris always wants to get back to it; especially, Monsieur, if she has the beauty which you assign to this lady. I therefore suggested that our inquiries should commence in this capital. Monsieur agreed with me, and I did not grudge the time necessary for investigation."

"You were most obliging. Still I am beginning to be impatient if time is to be thrown away."

"Naturally. Permit me to return to my notes. Monsieur informs me that twenty-one years ago, in 1848, the Parisian police were instructed to find out this lady and failed, but gave hopes of discovering her through her relations. He asks me to refer to our archives; I tell him that is no use. However, in order to oblige him, I do so. No trace of such inquiry: it must have been, as Monsieur led me to suppose, a strictly private one, unconnected with crime or with politics; and as I have the honour to tell Monsieur, no record of such investigations is preserved in our office. Great scandal would there be, and injury to the peace of families, if we preserved the results of private inquiries intrusted to us—by absurdly jealous husbands, for instance. Honour,—Monsieur, honour forbids it. Next I suggest to Monsieur that his simplest plan would be an advertisement in the French journals, stating, if I understand him right, that it is for the pecuniary interest of Madame or Mademoiselle Duval, daughter of Auguste Duval, artiste en dessin, to come forward. Monsieur objects to that."

"I object to it extremely; as I have told you, this is a strictly confidential inquiry; and an advertisement which in all likelihood would be practically useless (it proved to be so in a former inquiry) would not be resorted to unless all else failed, and even then with reluctance."

"Quite so. Accordingly, Monsieur delegates to me, who have been recommended to him as the best person he can employ in that department of our police which is not connected with crime or political surveillance, a task the most difficult. I have, through strictly private investigations, to discover the address and prove the identity of a lady bearing a name among the most common in France, and of whom nothing has been heard for fifteen years, and then at so migratory an endroit as Aix-la-Chapelle. You will not or cannot inform me if since that time the lady has changed her name by marriage."

"I have no reason to think that she has; and there are reasons against the supposition that she married after 1849."

"Permit me to observe that the more details of information Monsieur can give me, the easier my task of research will be."

"I have given you all the details I can, and, aware of the difficulty of tracing a person with a name so much the reverse of singular, I adopted your advice in our first interview, of asking some Parisian friend of mine, with a large acquaintance in the miscellaneous societies of your capital, to inform me of any ladies of that name whom he might chance to encounter; and he, like you, has lighted upon one or two, who alas! resemble the right one in name and nothing more."

"You will do wisely to keep him on the watch as well as myself. If it were but a murderess or a political incendiary, then you might trust exclusively to the enlightenment of our corps, but this seems an affair of sentiment, Monsieur. Sentiment is not in our way. Seek the trace of that in the haunts of pleasure."

M. Renard, having thus poetically delivered himself of that philosophical dogma, rose to depart.

Graham slipped into his hand a bank-note of sufficient value to justify the profound bow he received in return.

When M. Renard had gone, Graham heaved another impatient sigh, and said to himself, "No, it is not possible,—at least not yet."

Then, compressing his lips as a man who forces himself to something he dislikes, he dipped his pen into the inkstand, and wrote rapidly thus to his kinsman:

MY DEAR COUSIN,—I lose not a post in replying to your kind and considerate letter. It is not in my power at present to return to England. I need not say how fondly I cherish the hope of representing the dear old county some day. If Vavasour could be induced to defer his resignation of the seat for another session, or at least for six or seven months, why then I might be free to avail myself of the opening; at present I am not. Meanwhile I am sorely tempted to buy back the old Lodge; probably the brewer would allow me to leave on mortgage the sum I myself have on the property, and a few additional thousands. I have reasons for not wishing to transfer at present much of the money now invested in the Funds. I will consider this point, which probably does not press.

I reserve all Paris news till my next; and begging you to forgive so curt and unsatisfactory a reply to a letter so important that it excites me more than I like to own, believe me your affectionate friend and cousin,

GRAHAM.



CHAPTER II.

AT about the same hour on the same day in which the Englishman held the conference with the Parisian detective just related, the Marquis de Rochebriant found himself by appointment in the cabinet d'affaires of his avoue M. Gandrin that gentleman had hitherto not found time to give him a definite opinion as to the case submitted to his judgment. The avoue received Alain with a kind of forced civility, in which the natural intelligence of the Marquis, despite his inexperience of life, discovered embarrassment.

"Monsieur le Marquis," said Gandrin, fidgeting among the papers on his bureau, "this is a very complicated business. I have given not only my best attention to it, but to your general interests. To be plain, your estate, though a fine one, is fearfully encumbered—fearfully— frightfully."

"Sir," said the Marquis, haughtily, "that is a fact which was never disguised from you."

"I do not say that it was, Marquis; but I scarcely realized the amount of the liabilities nor the nature of the property. It will be difficult—nay, I fear, impossible—to find any capitalist to advance a sum that will cover the mortgages at an interest less than you now pay. As for a Company to take the whole trouble off your hands, clear off the mortgages, manage the forests, develop the fisheries, guarantee you an adequate income, and at the end of twenty-one years or so render up to you or your heirs the free enjoyment of an estate thus improved, we must dismiss that prospect as a wild dream of my good friend M. Hebert. People in the provinces do dream; in Paris everybody is wide awake."

"Monsieur," said the Marquis, with that inborn imperturbable loftiness of sang froid which has always in adverse circumstances characterized the French noblesse, "be kind enough to restore my papers. I see that you are not the man for me. Allow me only to thank you, and inquire the amount of my debt for the trouble I have given."

"Perhaps you are quite justified in thinking I am not the man for you, Monsieur le Marquis; and your papers shall, if you decide on dismissing me, be returned to you this evening. But as to my accepting remuneration where I have rendered no service, I request M. le Marquis to put that out of the question. Considering myself, then, no longer your avoue, do not think I take too great a liberty in volunteering my counsel as a friend,—or a friend at least to M. Hebert, if you do not vouchsafe my right so to address yourself."

M. Gandrin spoke with a certain dignity of voice and manner which touched and softened his listener.

"You make me your debtor far more than I pretend to repay," replied Alain. "Heaven knows I want a friend, and I will heed with gratitude and respect all your counsels in that character."

"Plainly and briefly, my advice is this: M. Louvier is the principal mortgagee. He is among the six richest capitalists of Paris. He does not, therefore, want money, but, like most self-made men, he is very accessible to social vanities. He would be proud to think he had rendered a service to a Rochebriant. Approach him, either through me, or, far better, at once introduce yourself, and propose to consolidate all your other liabilities in one mortgage to him, at a rate of interest lower than that which is now paid to some of the small mortgagees. This would add considerably to your income and would carry out M. Hebert's advice."

"But does it not strike you, dear M. Gandrin, that such going cap-in-hand to one who has power over my fate, while I have none over his, would scarcely be consistent with my self-respect, not as Rochebriant only, but as Frenchman?"

"It does not strike me so in the least; at all events, I could make the proposal on your behalf, without compromising yourself, though I should be far more sanguine of success if you addressed M. Louvier in person."

"I should nevertheless prefer leaving it in your hands; but even for that I must take a few days to consider. Of all the mortgagees M. Louvier has been hitherto the severest and most menacing, the one whom Hebert dreads the most; and should he become sole mortgagee, my whole estate would pass to him if, through any succession of bad seasons and failing tenants, the interest was not punctually paid."

"It could so pass to him now."

"No; for there have been years in which the other mortgagees, who are Bretons and would be loath to ruin a Rochebriant, have been lenient and patient."

"If Louvier has not been equally so, it is only because he knew nothing of you, and your father no doubt had often sorely tasked his endurance. Come, suppose we manage to break the ice easily. Do me the honour to dine here to meet him; you will find that he is not an unpleasant man."

The Marquis hesitated, but the thought of the sharp and seemingly hopeless struggle for the retention of his ancestral home to which he would be doomed if he returned from Paris unsuccessful in his errand overmastered his pride. He felt as if that self-conquest was a duty he owed to the very tombs of his fathers. "I ought not to shrink from the face of a creditor," said he, smiling somewhat sadly, "and I accept the proposal you so graciously make."

"You do well, Marquis, and I will write at once to Louvier to ask him to give me his first disengaged day."

The Marquis had no sooner quitted the house than M. Gandrin opened a door at the side of his office, and a large portly man strode into the room,—stride it was rather than step,—firm, self-assured, arrogant, masterful.

"Well, mon ami," said this man, taking his stand at the hearth, as a king might take his stand in the hall of his vassal, "and what says our petit muscadin?"

"He is neither petit nor muscadin, Monsieur Louvier," replied Gandrin, peevishly; "and he will task your powers to get him thoroughly into your net. But I have persuaded him to meet you here. What day can you dine with me? I had better ask no one else."

"To-morrow I dine with my friend O——-, to meet the chiefs of the Opposition," said M. Louvier, with a sort of careless rollicking pomposity. "Thursday with Pereire; Saturday I entertain at home. Say Friday. Your hour?"

"Seven."

"Good! Show me those Rochebriant papers again; there is something I had forgotten to note. Never mind me. Go on with your work as if I were not here."

Louvier took up the papers, seated himself in an armchair by the fireplace, stretched out his legs, and read at his ease, but with a very rapid eye, as a practised lawyer skims through the technical forms of a case to fasten upon the marrow of it.

"Ah! as I thought. The farms could not pay even the interest on my present mortgage; the forests come in for that. If a contractor for the yearly sale of the woods was bankrupt and did not pay, how could I get my interest? Answer me that, Gandrin."

"Certainly you must run the risk of that chance."

"Of course the chance occurs, and then I foreclose, seize,—Rochebriant and its seigneuries are mine."

As he spoke he laughed, not sardonically,—a jovial laugh,—and opened wide, to reshut as in a vice, the strong iron hand which had doubtless closed over many a man's all.

"Thanks. On Friday, seven o'clock." He tossed the papers back on the bureau, nodded a royal nod, and strode forth imperiously as he had strode in.



CHAPTER III.

MEANWHILE the young Marquis pursued his way thoughtfully through the streets, and entered the Champs Elysees. Since we first, nay, since we last saw him, he is strikingly improved in outward appearances. He has unconsciously acquired more of the easy grace of the Parisian in gait and bearing. You would no longer detect the Provincial—perhaps, however, because he is now dressed, though very simply, in habiliments that belong to the style of the day. Rarely among the loungers in the Champs Elysees could be seen a finer form, a comelier face, an air of more unmistakable distinction.

The eyes of many a passing fair one gazed on him, admiringly or coquettishly. But he was still so little the true Parisian that they got no smile, no look in return. He was wrapped in his own thoughts; was he thinking of M. Louvier?

He had nearly gained the entrance of the Bois de Boulogne, when he was accosted by a voice behind, and turning round saw his friend Lemercier arm-in-arm with Graham Vane.

"Bonjour, Alain," said Lemercier, hooking his disengaged arm into Rochebriant's. "I suspect we are going the same way."

Alain felt himself change countenance at this conjecture, and replied coldly, "I think not; I have got to the end of my walk, and shall turn back to Paris;" addressing himself to the Englishman, he said with formal politeness, "I regret not to have found you at home when I called some weeks ago, and no less so to have been out when you had the complaisance to return my visit."

"At all events," replied the Englishman, "let me not lose the opportunity of improving our acquaintance which now offers. It is true that our friend Lemercier, catching sight of me in the Rue de Rivoli, stopped his coupe and carried me off for a promenade in the Bois. The fineness of the day tempted us to get out of his carriage as the Bois came in sight. But if you are going back to Paris I relinquish the Bois and offer myself as your companion."

Frederic (the name is so familiarly English that the reader might think me pedantic did I accentuate it as French) looked from one to the other of his two friends, half amused and half angry.

"And am I to be left alone to achieve a conquest, in which, if I succeed, I shall change into hate and envy the affection of my two best friends? Be it so.

"' Un veritable amant ne connait point d'amis.'"

"I do not comprehend your meaning," said the Marquis, with a compressed lip and a slight frown.

"Bah!" cried Frederic; "come, franc jeu; cards on the table. M. Gram Varn was going into the Bois at my suggestion on the chance of having another look at the pearl-coloured angel; and you, Rochebriant, can't deny that you were going into the Bois for the same object."

"One may pardon an enfant terrible," said the Englishman, laughing, "but an ami terrible should be sent to the galleys. Come, Marquis, let us walk back and submit to our fate. Even were the lady once more visible, we have no chance of being observed by the side of a Lovelace so accomplished and so audacious!"

"Adieu, then, recreants: I go alone. Victory or death." The Parisian beckoned his coachman, entered his carriage, and with a mocking grimace kissed his hand to the companions thus deserting or deserted.

Rochebriant touched the Englishman's arm, and said, "Do you think that Lemercier could be impertinent enough to accost that lady?"

"In the first place," returned the Englishman, "Lemercier himself tells me that the lady has for several weeks relinquished her walks in the Bois, and the probability is, therefore, that he will not have the opportunity to accost her. In the next place, it appears that when she did take her solitary walk, she did not stray far from her carriage, and was in reach of the protection of her laquais and coachman. But to speak honestly, do you, who know Lemercier better than I, take him to be a man who would commit an impertinence to a woman unless there were viveurs of his own sex to see him do it?"

Alain smiled. "No. Frederic's real nature is an admirable one, and if he ever do anything that he ought to be ashamed of, 'twill be from the pride of showing how finely he can do it. Such was his character at college, and such it still seems at Paris. But it is true that the lady has forsaken her former walk; at least I—I have not seen her since the day I first beheld her in company with Frederic. Yet—yet, pardon me, you were going to the Bois on the chance of seeing her. Perhaps she has changed the direction of her walk, and—and—"