"I will walk down to the House with you, if you are going on foot."

"No," said the Duchess; "you must resign yourself to me for at least half an hour. I was looking over your aunt's letters to-day, and I found one which I wish to show you; it is all about yourself, and written within the last few months of her life." Here she put her arm into Graham's, and led him into her own private drawing-room, which, though others might call it a boudoir, she dignified by the name of her study. The Duke remained for some minutes thoughtfully leaning his arm on the mantelpiece. It was no unimportant debate in the Lords that night, and on a subject in which he took great interest, and the details of which he had thoroughly mastered. He had been requested to speak, if only a few words, for his high character and his reputation for good sense gave weight to the mere utterance of his opinion. But though no one had more moral courage in action, the Duke had a terror at the very thought of addressing an audience, which made him despise himself.

"Ah!" he muttered, "if Graham Vane were but in Parliament, I could trust him to say exactly what I would rather be swallowed up by an earthquake than stand up and say for myself. But now he has got money he seems to think of nothing but saving it."



CHAPTER V.

The letter from Lady Janet, which the Duchess took from the desk and placed in Graham's hand, was in strange coincidence with the subject that for the last twenty-four hours had absorbed his thoughts and tortured his heart. Speaking of him in terms of affectionate eulogy, the writer proceeded to confide her earnest wish that he should not longer delay that change in life which, concentrating so much that is vague in the desires and aspirations of man, leaves his heart and his mind, made serene by the contentment of home, free for the steadfast consolidation of their warmth and their light upon the ennobling duties that unite the individual to his race.

"There is no one," wrote Lady Janet, "whose character and career a felicitous choice in marriage can have greater influence over than this dear adopted son of mine. I do not fear that in any case he will be liable to the errors of his brilliant father. His early reverse of fortune here seems to me one of those blessings which Heaven conceals in the form of affliction. For in youth, the genial freshness of his gay animal spirits, a native generosity mingled with desire of display and thirst for applause, made me somewhat alarmed for his future. But, though he still retains these attributes of character, they are no longer predominant; they are modified and chastened. He has learned prudence. But what I now fear most for him is that which he does not show in the world, which neither Leopold nor you seem to detect,—it is an exceeding sensitiveness of pride. I know not how else to describe it. It is so interwoven with the highest qualities, that I sometimes dread injury to them could it be torn away from the faultier ones which it supports.

"It is interwoven with that lofty independence of spirit which has made him refuse openings the most alluring to his ambition; it communicates a touching grandeur to his self-denying thrift; it makes him so tenacious of his word once given, so cautious before he gives it. Public life to him is essential; without it he would be incomplete; and yet I sigh to think that whatever success he may achieve in it will be attended with proportionate pain. Calumny goes side by side with fame, and courting fame as a man, he is as thin-skinned to calumny as a woman.

"The wife for Graham should have qualities, not taken individually, uncommon in English wives, but in combination somewhat rare.

"She must have mind enough to appreciate his—not to clash with it. She must be fitted with sympathies to be his dearest companion, his confidante in the hopes and fears which the slightest want of sympathy would make him keep ever afterwards pent within his breast. In herself worthy of distinction, she must merge all distinction in his. You have met in the world men who, marrying professed beauties, or professed literary geniuses, are spoken of as the husband of the beautiful Mrs. A———, or of the clever Mrs. B———-: can you fancy Graham Vane in the reflected light of one of those husbands? I trembled last year when I thought he was attracted by a face which the artists raved about, and again by a tongue which dropped bons mots that went the round of the club. I was relieved, when, sounding him, he said, laughingly, 'No, dear aunt, I should be one sore from head to foot if I married a wife that was talked about for anything but goodness.'

"No,—Graham Vane will have pains sharp enough if he live to be talked about himself. But that tenderest half of himself, the bearer of the name he would make, and for the dignity of which he alone would be responsible,—if that were the town talk, he would curse the hour he gave any one the right to take on herself his man's burden of calumny and fame. I know not which I should pity the most, Graham Vane or his wife.

"Do you understand me, dearest Eleanor? No doubt you do so far, that you comprehend that the women whom men most admire are not the women we, as women ourselves, would wish our sons or brothers to marry. But perhaps you do not comprehend my cause of fear, which is this—for in such matters men do not see as we women do—Graham abhors, in the girls of our time, frivolity and insipidity. Very rightly, you will say. True, but then he is too likely to be allured by contrasts. I have seen him attracted by the very girls we recoil from more than we do from those we allow to be frivolous and insipid. I accused him of admiration for a certain young lady whom you call 'odious,' and whom the slang that has come into vogue calls 'fast;' and I was not satisfied with his answer, 'Certainly I admire her; she is not a doll—she has ideas.' I would rather of the two see Graham married to what men call a doll, than to a girl with ideas which are distasteful to women."

Lady Janet then went on to question the Duchess about a Miss Asterisk, with whom this tale will have nothing to do, but who, from the little which Lady Janet had seen of her, might possess all the requisites that fastidious correspondent would exact for the wife of her adopted son.

This Miss Asterisk had been introduced into the London world by the Duchess. The Duchess had replied to Lady Janet, that if earth could be ransacked, a more suitable wife for Graham Vane than Miss Asterisk could not be found; she was well born—an heiress; the estates she inherited were in the county of—(viz., the county in which the ancestors of D'Altons and Vanes had for centuries established their whereabout). Miss Asterisk was pretty enough to please any man's eye, but not with the beauty of which artists rave; well informed enough to be companion to a well-informed man, but certainly not witty enough to supply bons mots to the clubs. Miss Asterisk was one of those women of whom a husband might be proud, yet with whom a husband would feel safe from being talked about.

And in submitting the letter we have read to Graham's eye, the Duchess had the cause of Miss Asterisk pointedly in view. Miss Asterisk had confided to her friend, that, of all men she had seen, Mr. Graham Vane was the one she would feel the least inclined to refuse.

So when Graham Vane returned the letter to the Duchess, simply saying, "How well my dear aunt divined what is weakest in me!" the Duchess replied quickly, "Miss Asterisk dines here to-morrow; pray come; you would like her if you knew more of her."

"To-morrow I am engaged—an American friend of mine dines with me; but 'tis no matter, for I shall never feel more for Miss Asterisk than I feel for Mont Blanc."



CHAPTER VI.

On leaving his cousin's house Graham walked on, he scarce knew or cared whither, the image of the beloved dead so forcibly recalled the solemnity of the mission with which he had been intrusted, and which hitherto he had failed to fulfil. What if the only mode by which he could, without causing questions and suspicions that might result in dragging to day the terrible nature of the trust he held, enrich the daughter of Richard King, repair all wrong hitherto done to her, and guard the sanctity of Lady Janet's home,—should be in that union which Richard King had commended to him while his heart was yet free? In such a case, would not gratitude to the dead, duty to the living, make that union imperative at whatever sacrifice of happiness to himself? The two years to which Richard King had limited the suspense of research were not yet expired. Then, too, that letter of Lady Janet's,—so tenderly anxious for his future, so clear-sighted as to the elements of his own character in its strength or its infirmities—combined with graver causes to withhold his heart from its yearning impulse, and—no, not steel it against Isaura, but forbid it to realise, in the fair creature and creator of romance, his ideal of the woman to whom an earnest, sagacious, aspiring man commits all the destinies involved in the serene dignity of his hearth. He could not but own that this gifted author—this eager seeker after fame—this brilliant and bold competitor with men on their own stormy battle-ground-was the very person from whom Lady Janet would have warned away his choice. She (Isaura) merge her own distinctions in a husband's;—she leave exclusively to him the burden of fame and calumny!—she shun "to be talked about!" she who could feel her life to be a success or a failure, according to the extent and the loudness of the talk which it courted!

While these thoughts racked his mind, a kindly hand was laid on his arm, and a cheery voice accosted him. "Well met, my dear Vane! I see we are bound to the same place; there will be a good gathering to-night."

"What do you mean, Bevil? I am going nowhere, except to my own quiet rooms."

"Pooh! Come in here at least for a few minutes,"—and Bevil drew him up to the door-step of a house close by, where, on certain evenings, a well-known club drew together men who seldom meet so familiarly elsewhere—men of all callings; a club especially favoured by wits, authors, and the flaneurs of polite society.

Graham shook his head, about to refuse, when Bevil added, "I have just come from Paris, and can give you the last news, literary, political, and social. By the way, I saw Savarin the other night at the Cicogna's—he introduced me there." Graham winced; he was spelled by the music of a name, and followed his acquaintance into the crowded room, and, after returning many greetings and nods, withdrew into a remote corner, and motioned Bevil to a seat beside him.

"So you met Savarin? Where, did you say?"

"At the house of the new lady-author—I hate the word authoress—Mademoiselle Cicogna! Of course you have read her book?"

"Yes."

"Full of fine things, is it not?—though somewhat highflown and sentimental: however, nothing succeeds like success. No book has been more talked about at Paris: the only thing more talked about is the lady-author herself."

"Indeed, and how?"

"She doesn't look twenty, a mere girl—of that kind of beauty which so arrests the eye that you pass by other faces to gaze on it, and the dullest stranger would ask, 'Who, and what is she?' A girl, I say, like that—who lives as independently as if she were a middle-aged widow, receives every week (she has her Thursdays), with no other chaperon than an old ci-devant Italian singing woman, dressed like a guy—must set Parisian tongues into play even if she had not written the crack book of the season."

"Mademoiselle Cicogna receives on Thursdays,—no harm in that; and if she have no other chaperon than the Italian lady you mention, it is because Mademoiselle Cicogna is an orphan, and having a fortune, such as it is, of her own, I do not see why she should not live as independently as many an unmarried woman in London placed under similar circumstances. I suppose she receives chiefly persons in the literary or artistic world, and if they are all as respectable as the Savarins, I do not think ill-nature itself could find fault with her social circle."

"Ah! you know the Cicogna, I presume. I am sure I did not wish to say anything that could offend her best friends, only I do think it is a pity she is not married, poor girl!"

"Mademoiselle Cicogna, accomplished, beautiful, of good birth (the Cicogna's rank among the oldest of Lombard families), is not likely to want offers."

"Offers of marriage,—h'm—well, I dare say, from authors and artists. You know Paris better even than I do, but I don't suppose authors and artists there make the most desirable husbands; and I scarcely know a marriage in France between a man-author and lady-author which does not end in the deadliest of all animosities—that of wounded amour propre. Perhaps the man admires his own genius too much to do proper homage to his wife's."

"But the choice of Mademoiselle Cicogna need not be restricted to the pale of authorship—doubtless she has many admirers beyond that quarrelsome borderland."

"Certainly-countless adorers. Enguerrand de Vandemar—you know that diamond of dandies?"

"Perfectly—is he an admirer?"

"Cela va sans dire—he told me that though she was not the handsomest woman in Paris, all other women looked less handsome since he had seen her. But, of course, French lady-killers like Enguerrand, when it comes to marriage, leave it to their parents to choose their wives and arrange the terms of the contract. Talking of lady-killers, I beheld amid the throng at Mademoiselle Cicogna's the ci-devant Lovelace whom I remember some twenty-three years ago as the darling of wives and the terror of husbands-Victor de Mauleon."

"Victor de Mauleon at Mademoiselle Cicogna's!—what, is that man restored to society?"

"Ah! you are thinking of the ugly old story about the jewels—oh, yes, he has got over that; all his grand relations, the Vandemars, Beauvilliers, Rochebriant, and others, took him by the hand when he reappeared at Paris last year; and though I believe he is still avoided by many, he is courted by still more—and avoided, I fancy, rather from political than social causes. The Imperialist set, of course, execrate and prescribe him. You know he is the writer of those biting articles signed Pierre Firmin in the Sens Commun; and I am told he is the proprietor of that very clever journal, which has become a power."

"So, so—that is the journal in which Mademoiselle Cicogna's roman first appeared. So, so—Victor de Mauleon one of her associates, her counsellor and friend—ah!"

"No, I didn't say that; on the contrary, he was presented to her the first time the evening I was at the house. I saw that young silk-haired coxcomb, Gustave Rameau, introduce him to her. You don't perhaps know Rameau, editor of the Sens Commun—writes poems and criticisms. They say he is a Red Republican, but De Mauleon keeps truculent French politics subdued if not suppressed in his cynical journal. Somebody told me that the Cicogna is very much in love with Rameau; certainly he has a handsome face of his own, and that is the reason why she was so rude to the Russian Prince X——-."

"How rude! Did the Prince propose to her?"

"Propose! you forget—he is married. Don't you know the Princess? Still there are other kinds of proposals than those of marriage which a rich Russian prince may venture to make to a pretty novelist brought up for the stage."

"Bevil!" cried Graham, grasping the man's arm fiercely, "how dare you?"

"My dear boy," said Bevil, very much astonished, "I really did not know that your interest in the young lady was so great. If I have wounded you in relating a mere on dit picked up at the Jockey Club, I beg you a thousand pardons. I dare say there was not a word of truth in it."

"Not a word of truth, you may be sure, if the on dit was injurious to Mademoiselle Cicogna. It is true, I have a strong interest in her; any man—any gentleman—would have such interest in a girl so brilliant and seemingly so friendless. It shames one of human nature to think that the reward which the world makes to those who elevate its platitudes, brighten its dulness, delight its leisure, is Slander! I have had the honour to make the acquaintance of this lady before she became a 'celebrity,' and I have never met in my paths through life a purer heart or a nobler nature. What is the wretched on dit you condescend to circulate? Permit me to add:

"'He who repeats a slander shares the crime.'"

"Upon my honour, my dear Vane," said Bevil seriously (he did not want for spirit), "I hardly know you this evening. It is not because duelling is out of fashion that a man should allow himself to speak in a tone that gives offence to another who intended none; and if duelling is out of fashion in England, it is still possible in France.—Entre nous, I would rather cross the Channel with you than submit to language that conveys unmerited insult."

Graham's cheek, before ashen pale, flushed into dark red. "I understand you," he said quietly, "and will be at Boulogne to-morrow."

"Graham Vane," replied Bevil, with much dignity, "you and I have known each other a great many years, and neither of us has cause to question the courage of the other; but I am much older than yourself—permit me to take the melancholy advantage of seniority. A duel between us in consequence of careless words said about a lady in no way connected with either, would be a cruel injury to her; a duel on grounds so slight would little injure me—a man about town, who would not sit an hour in the House of Commons if you paid him a thousand pounds a minute. But you, Graham Vane—you whose destiny it is to canvass electors and make laws—would it not be an injury to you to be questioned at the hustings why you broke the law, and why you sought another man's life? Come, come! shake hands and consider all that seconds, if we chose them, would exact, is said, every affront on either side retracted, every apology on either side made."

"Bevil, you disarm and conquer me. I spoke like a hotheaded fool; forget it—forgive. But—but—I can listen calmly now—what is that on dit?"

"One that thoroughly bears out your own very manly upholding of the poor young orphan, whose name I shall never again mention without such respect as would satisfy her most sensitive champion. It was said that the Prince X——— boasted that before a week was out Mademoiselle Cicogna should appear in his carriage at the Bois de Boulogne, and wear at the opera diamonds he had sent to her; that this boast was enforced by a wager, and the terms of the wager compelled the Prince to confess the means he had taken to succeed, and produce the evidence that he had lost or won. According to this on dit, the Prince had written to Mademoiselle Cicogna, and the letter had been accompanied by a parure that cost him half a million of francs; that the diamonds had been sent back with a few words of such scorn as a queen might address to an upstart lackey. But, my dear Vane, it is a mournful position for the girl to receive such offers; and you must agree with me in wishing she were safely married, even to Monsieur Rameau, coxcomb though he be. Let us hope that they will be an exception to French authors, male and female, in general, and live like turtle-doves."



CHAPTER VII.

A few days after the date of the last chapter, Colonel Morley returned to Paris. He had dined with Graham at Greenwich, had met him afterwards in society, and paid him a farewell visit on the day before the Colonel's departure; but the name of Isaura Cicogna had not again been uttered by either. Morley was surprised that his wife did not question him minutely as to the mode in which he had executed her delicate commission, and the manner as well as words with which Graham had replied to his "ventilations." But his Lizzy cut him short when he began his recital:

"I don't want to hear anything more about the man. He has thrown away a prize richer than his ambition will ever gain, even if it gained him a throne."

"That it can't gain him in the old country. The people are loyal to the present dynasty, whatever you may be told to the contrary."

"Don't be so horribly literal, Frank; that subject is done with. How was the Duchess of ——— dressed?"

But when the Colonel had retired to what the French call the cabinet de traivail—and which he more accurately termed his "smoke den"—and there indulged in the cigar which, despite his American citizenship, was forbidden in the drawing-room of the tyrant who ruled his life, Mrs. Morley took from her desk a letter received three days before, and brooded over it intently, studying every word. When she had thus reperused it, her tears fell upon the page. "Poor Isaura!" she muttered—"poor Isaura! I know she loves him—and how deeply a nature like hers can love! But I must break it to her. If I did not, she would remain nursing a vain dream, and refuse every chance of real happiness for the sake of nursing it." Then she mechanically folded up the letter—I need not say it was from Graham Vane—restored it to the desk, and remained musing till the Colonel looked in at the door and said peremptorily, "Very late—come to bed."

The next day Madame Savarin called on Isaura.

"Chere enfant," said she, "I have bad news for you. Poor Gustave is very ill—an attack of the lungs and fever; you know how delicate he is."

"I am sincerely grieved," said Isaura, in earnest tender tones; "it must be a very sudden attack: he was here last Thursday."

"The malady only declared itself yesterday morning, but surely you must have observed how ill he has been looking for several days past? It pained me to see him."

"I did not notice any change in him," said Isaura, somewhat conscience-stricken. Wrapt in her own happy thoughts, she would not have noticed change in faces yet more familiar to her than that of her young admirer.

"Isaura," said Madame Savarin, "I suspect there are moral causes for our friend's failing health. Why should I disguise my meaning? You know well how madly he is in love with you, and have you denied him hope?"

"I like M. Rameau as a friend; I admire him—at times I pity him."

"Pity is akin to love."

"I doubt the truth of that saying, at all events as you apply it now. I could not love M. Rameau; I never gave him cause to think I could."

"I wish for both your sakes that you could make me a different answer; for his sake, because, knowing his faults and failings, I am persuaded that they would vanish in a companionship so pure, so elevating as yours: you could make him not only so much happier but so much better a man. Hush! let me go on, let me come to yourself,—I say for your sake I wish it. Your pursuits, your ambition, are akin to his; you should not marry one who could not sympathise with you in these. If you did, he might either restrict the exercise of your genius or be chafed at its display. The only authoress I ever knew whose married lot was serenely happy to the last, was the greatest of English poetesses married to a great English poet. You cannot, you ought not, to devote yourself to the splendid career to which your genius irresistibly impels you, without that counsel, that support, that protection, which a husband alone can give. My dear child, as the wife myself of a man of letters, and familiarised to all the gossip, all the scandal, to which they who give their names to the public are exposed, I declare that if I had a daughter who inherited Savarin's talents, and was ambitious of attaining to his renown, I would rather shut her up in a convent than let her publish a book that was in every one's hands until she had sheltered her name under that of a husband; and if I say this of my child, with a father so wise in the world's ways, and so popularly respected as my bon homme, what must I feel to be essential to your safety, poor stranger in our land! poor solitary orphan! with no other advice or guardian than the singing mistress whom you touchingly call 'Madre!' I see how I distress and pain you—I cannot help it. Listen! The other evening Savarin came back from his favourite cafe in a state of excitement that made me think he came to announce a revolution. It was about you; he stormed, he wept—actually wept—my philosophical laughing Savarin. He had just heard of that atrocious wager made by a Russian barbarian. Every one praised you for the contempt with which you had treated the savage's insolence. But that you should have been submitted to such an insult without one male friend who had the right to resent and chastise it,—you cannot think how Savarin was chafed and galled. You know how he admires, but you cannot guess how he reveres you; and since then he says to me every day: 'That girl must not remain single. Better marry any man who has a heart to defend a wife's honour and the nerve to fire a pistol: every Frenchman has those qualifications!'"

Here Isaura could no longer restrain her emotions; she burst into sobs so vehement, so convulsive, that Madame Savarin became alarmed; but when she attempted to embrace and soothe her, Isaura recoiled with a visible shudder, and gasping out, "Cruel, cruel!" turned to the door, and rushed to her own room.

A few minutes afterwards a maid entered the salon with a message to Madame Savarin that Mademoiselle was so unwell that she must beg Madame to excuse her return to the salon.

Later in the day Mrs. Morley called, but Isaura would not see her.

Meanwhile poor Rameau was stretched on his sick-bed, and in sharp struggle between life and death. It is difficult to disentangle, one by one, all the threads in a nature so complex as Rameau's; but if we may hazard a conjecture, the grief of disappointed love was not the immediate cause of his illness, and yet it had much to do with it. The goad of Isaura's refusal had driven him into seeking distraction in excesses which a stronger frame could not have courted with impunity. The man was thoroughly Parisian in many things, but especially in impatience of any trouble. Did love trouble him—love could be drowned in absinthe; and too much absinthe may be a more immediate cause of congested lungs than the love which the absinthe had lulled to sleep.

His bedside was not watched by hirelings. When first taken thus ill—too ill to attend to his editorial duties—information was conveyed to the publisher of the Sens Commun, and in consequence of that information, Victor de Mauleon came to see the sick man. By his bed he found Savarin, who had called, as it were by chance, and seen the doctor, who had said, "It is grave. He must be well nursed." Savarin whispered to De Mauleon, "Shall we call in a professional nurse, or a soeur de charite?"

De Mauleon replied, also in a whisper, "Somebody told me that the man had a mother."

It was true—Savarin had forgotten it. Rameau never mentioned his parents—he was not proud of them.

They belonged to a lower class of the bourgeoisie, retired shopkeepers, and a Red Republican is sworn to hate of the bourgeoisie, high or low; while a beautiful young author pushing his way into the Chaussee d'Antin does not proclaim to the world that his parents had sold hosiery in the Rue St. Denis.

Nevertheless Savarin knew that Rameau had such parents still living, and took the hint. Two hours afterwards Rameau was leaning his burning forehead on his mother's breast.

The next morning the doctor said to the mother, "You are worth ten of me. If you can stay here we shall pull him through."

"Stay here!—my own boy!" cried indignantly the poor mother.



CHAPTER VIII.

The day which had inflicted on Isaura so keen an anguish was marked by a great trial in the life of Alain de Rochebriant.

In the morning he received the notice "of un commandement tendant a saisie immobiliere," on the part of his creditor, M. Louvier; in plain English, an announcement that his property at Rochebriant would be put up to public sale on a certain day, in case all debts due to the mortgagee were not paid before. An hour afterwards came a note from Duplessis stating that "he had returned from Bretagne on the previous evening, and would be very happy to see the Marquis de Rochebriant before two o'clock, if not inconvenient to call."

Alain put the "commandement" into his pocket, and repaired to the Hotel Duplessis.

The financier received him with very cordial civility. Then he began: "I am happy to say I left your excellent aunt in very good health. She honoured the letter of introduction to her which I owe to your politeness with the most amiable hospitalities; she insisted on my removing from the auberge at which I first put up and becoming a guest under your venerable roof-tree—a most agreeable lady, and a most interesting chateau."

"I fear your accommodation was in striking contrast to your comforts at Paris; my chateau is only interesting to an antiquarian enamoured of ruins."

"Pardon me, 'ruins' is an exaggerated expression. I do not say that the chateau does not want some repairs, but they would not be costly; the outer walls are strong enough to defy time for centuries to come, and a few internal decorations and some modern additions of furniture would make the old manoir a home fit for a prince. I have been over the whole estate, too, with the worthy M. Hebert,—a superb property."

"Which M. Louvier appears to appreciate," said Alain, with a somewhat melancholy smile, extending to Duplessis the menacing notice.

Duplessis glanced at it, and said drily: "M. Louvier knows what he is about. But I think we had better put an immediate stop to formalities which must be painful to a creditor so benevolent. I do not presume to offer to pay the interest due on the security you can give for the repayment. If you refused that offer from so old a friend as Lemercier, of course you could not accept it from me. I make another proposal, to which you can scarcely object. I do not like to give my scheming rival on the Bourse the triumph of so profoundly planned a speculation. Aid me to defeat him. Let me take the mortgage on myself, and become sole mortgagee—hush!—on this condition,—that there should be an entire union of interests between us two; that I should be at liberty to make the improvements I desire, and when the improvements be made, there should be a fair arrangement as to the proportion of profits due to me as mortgagee and improver, to you as original owner. Attend, my dear Marquis,—I am speaking as a mere man of business. I see my way to adding more than a third, I might even say a half—to the present revenues of Rochbriant. The woods have been sadly neglected, drainage alone would add greatly to their produce. Your orchards might be rendered magnificent supplies to Paris with better cultivation. Lastly, I would devote to building purposes or to market gardens all the lands round the two towns of ——— and ————-. I think I can lay my hands on suitable speculators for these last experiments. In a word, though the market value of Rochebriant, as it now stands, would not be equivalent to the debt on it, in five or six years it could be made worth—well, I will not say how much—but we shall be both well satisfied with the result. Meanwhile, if you allow me to find purchasers for your timber, and if you will not suffer the Chevalier de Finisterre to regulate your expenses, you need have no fear that the interest due to me will not be regularly paid, even though I shall be compelled, for the first year or two at least, to ask a higher rate of interest than Louvier exacted—say a quarter per cent. more; and in suggesting that, you will comprehend that this is now a matter of business between us, and not of friendship."

Alain turned his head aside to conceal his emotion, and then, with the quick affectionate impulse of the genuine French nature, threw himself on the financier's breast and kissed him on both cheeks.

"You save me! you save the home and the tombs of my ancestors! Thank you I cannot; but I believe in God—I pray—I will pray for you as for a father; and if ever," he hurried on in broken words, "I am mean enough to squander on idle luxuries one franc that I should save for the debt due to you, chide me as a father would chide a graceless son."

Moved as Alain was, Duplessis was moved yet more deeply. "What father would not be proud of such a son? Ah, if I had such a one!" he said softly. Then, quickly recovering his wonted composure, he added, with the sardonic smile which often chilled his friends and alarmed his foes, "Monsieur Louvier is about to pass that which I ventured to promise him, a 'mauvais quart-d'heure.' Lend me that commandement tendant a saisie. I must be off to my avoue with instructions. If you have no better engagement, pray dine with me to-day and accompany Valerie and myself to the opera."

I need not say that Alain accepted the invitation. How happy Valerie was that evening!



CHAPTER IX.

The next day Duplessis was surprised by a visit from M. Louvier—that magnate of millionaires had never before set foot in the house of his younger and less famous rival.

The burly man entered the room with a face much flushed, and with more than his usual mixture of jovial brusquerie and opulent swagger.

"Startled to see me, I dare say," began Louvier, as soon as the door was closed. "I have this morning received a communication from your agent containing a cheque for the interest due to me from M. Rochebriant, and a formal notice of your intention to pay off the principal on behalf of that popinjay prodigal. Though we two have not hitherto been the best friends in the world, I thought it fair to a man in your station to come to you direct and say, 'Cher confrere, what swindler has bubbled you? You don't know the real condition of this Breton property, or you would never so throw away your millions. The property is not worth the mortgage I have on it by 30,000 louis."

"Then, M. Louvier, you will be 30,000 louis the richer if I take the mortgage off your hands."

"I can afford the loss—no offence—better than you can; and I may have fancies which I don't mind paying for, but which cannot influence another. See, I have brought with me the exact schedule of all details respecting this property. You need not question their accuracy; they have been arranged by the Marquis's own agents, M. Gandrin and M. Hebert. They contain, you will perceive, every possible item of revenue, down to an apple-tree. Now, look at that, and tell me if you are justified in lending such a sum on such a property."

"Thank you very much for an interest in my affairs that I scarcely ventured to expect M. Louvier to entertain; but I see that I have a duplicate of this paper, furnished to me very honestly by M. Hebert himself. Besides, I, too, have fancies which I don't mind paying for, and among them may be a fancy for the lands of Rochebriant."

"Look you, Duplessis, when a man like me asks a favour, you may be sure that he has the power to repay it. Let me have my whim here, and ask anything you like from me in return!"

"Desole not to oblige you, but this has become not only a whim of mine, but a matter of honour; and honour you know, my dear M. Louvier, is the first principle of sound finance. I have myself, after careful inspection of the Rochebriant property, volunteered to its owner to advance the money to pay off your hypotheque; and what would be said on the Bourse if Lucien Duplessis failed in an obligation?"

"I think I can guess what will one day be said of Lucien Duplessis if he make an irrevocable enemy of Paul Louvier. Corbleu! mon cher, a man of thrice your capital, who watched every speculation of yours with a hostile eye, might some beau jour make even you a bankrupt!"

"Forewarned, forearmed!" replied Duplessis, imperturbably, "Fas est ab hoste doceri,—I mean, 'It is right to be taught by an enemy;' and I never remember the day when you were otherwise, and yet I am not a bankrupt, though I receive you in a house which, thanks to you, is so modest in point of size!"

"Bah! that was a mistake of mine,—and, ha! ha! you had your revenge there—that forest!"

"Well, as a peace offering, I will give you up the forest, and content my ambition as a landed proprietor with this bad speculation of Rochebriant!"

"Confound the forest, I don't care for it now! I can sell my place for more than it has cost me to one of your imperial favourites. Build a palace in your forest. Let me have Rochebriant, and name your terms."

"A thousand pardons! but I have already had the honour to inform you, that I have contracted an obligation which does not allow me to listen to terms."

As a serpent, that, after all crawlings and windings, rears itself on end, Louvier rose, crest erect:

"So then it is finished. I came here disposed to offer peace—you refuse, and declare war."

"Not at all, I do not declare war; I accept it if forced on me."

"Is that your last word, M. Duplessis?"

"Monsieur Louvier, it is."

"Bon jour!"

And Louvier strode to the door; here he paused: "Take a day to consider."

"Not a moment."

"Your servant, Monsieur,—your very humble servant." Louvier vanished.

Duplessis leaned his large thoughtful forehead on his thin nervous hand. "This loan will pinch me," he muttered. "I must be very wary now with such a foe. Well, why should I care to be rich? Valerie's dot, Valerie's happiness, are secured."



CHAPTER X.

Madame Savarin wrote a very kind and very apologetic letter to Isaura, but no answer was returned to it. Madame Savarin did not venture to communicate to her husband the substance of a conversation which had ended so painfully. He had, in theory, a delicacy of tact, which, if he did not always exhibit it in practice, made him a very severe critic of its deficiency in others. Therefore, unconscious of the offence given, he made a point of calling at Isaura's apartments, and leaving word with her servant that "he was sure she would be pleased to hear M. Rameau was somewhat better, though still in danger."

It was not till the third day after her interview with Madame Savarin that Isaura left her own room,—she did so to receive Mrs. Morley.

The fair American was shocked to see the change in Isaura's countenance. She was very pale, and with that indescribable appearance of exhaustion which betrays continued want of sleep; her soft eyes were dim, the play of her lips was gone, her light step weary and languid.

"My poor darling!" cried Mrs. Morley, embracing her, "you have indeed been ill! What is the matter?—who attends you?"

"I need no physician, it was but a passing cold—the air of Paris is very trying. Never mind me, dear—what is the last news?"

Therewith Mrs. Morley ran glibly through the principal topics of the hour: the breach threatened between M. Ollivier and his former liberal partisans; the tone unexpectedly taken by M. de Girardin; the speculations as to the result of the trial of the alleged conspirators against the Emperor's life, which was fixed to take place towards the end of that month of June,—all matters of no slight importance to the interests of an empire. Sunk deep into the recesses of her fauteuil, Isaura seemed to listen quietly, till, when a pause came, she said in cold clear tones:

"And Mr. Graham Vane—he has refused your invitation?"

"I am sorry to say he has—he is so engaged in London."

"I knew he had refused," said Isaura, with a low bitter laugh.

"How? who told you?"

"My own good sense told me. One may have good sense, though one is a poor scribbler."

"Don't talk in that way; it is beneath you to angle for compliments."

"Compliments, ah! And so Mr. Vane has refused to come to Paris; never mind, he will come next year. I shall not be in Paris then. Did Colonel Morley see Mr. Vane?"

"Oh, yes; two or three times."

"He is well?"

"Quite well, I believe—at least Frank did not say to the contrary; but, from what I hear, he is not the person I took him for. Many people told Frank that he is much changed since he came into his fortune—is grown very stingy, quite miserly indeed; declines even a seat in Parliament because of the expense. It is astonishing how money does spoil a man."

"He had come into his fortune when he was here. Money had not spoiled him then."

Isaura paused, pressing her hands tightly together; then she suddenly rose to her feet, the colour on her cheek mantling and receding rapidly, and fixing on her startled visitor eyes no longer dim, but with something half fierce, half imploring in the passion of their gaze, said: "Your husband spoke of me to Mr. Vane: I know he did. What did Mr. Vane answer? Do not evade my question. The truth! the truth! I only ask the truth!"

"Give me your hand; sit here beside me, dearest child."

"Child!—no, I am a woman!—weak as a woman, but strong as a woman too!—The truth!"

Mrs. Morley had come prepared to carry out the resolution she had formed and "break" to Isaura "the truth," that which the girl now demanded. But then she had meant to break the truth in her own gentle, gradual way. Thus suddenly called upon, her courage failed her. She burst into tears. Isaura gazed at her dry-eyed.

"Your tears answer me. Mr. Vane has heard that I have been insulted. A man like him does not stoop to love for a woman who has known an insult. I do not blame him; I honour him the more—he is right."

"No-no-no!—you insulted! Who dared to insult you? (Mrs. Morley had never heard the story about the Russian Prince.) Mr. Vane spoke to Frank, and writes of you to me as of one whom it is impossible not to admire, to respect; but—I cannot say it—you will have the truth,—there, read and judge for yourself." And Mrs. Morley drew forth and thrust into Isaura's hands the letter she had concealed from her husband. The letter was not very long; it began with expressions of warm gratitude to Mrs. Morley, not for her invitation only, but for the interest she had conceived in his happiness. It went on thus "I join with my whole heart in all that you say, with such eloquent justice, of the mental and personal gifts so bounteously lavished by nature on the young lady whom you name.

"No one can feel more sensible than I of the charm of so exquisite a loveliness; no one can more sincerely join in the belief that the praise which greets the commencement of her career is but the whisper of the praise that will cheer its progress with louder and louder plaudits.

"He only would be worthy of her hand, who, if not equal to herself in genius, would feel raised into partnership with it by sympathy with its objects and joy in its triumphs. For myself, the same pain with which I should have learned she had adopted the profession which she originally contemplated, saddened and stung me when, choosing a career that confers a renown yet more lasting than the stage, she no less left behind her the peaceful immunities of private life. Were I even free to consult only my own heart in the choice of the one sole partner of my destinies (which I cannot at present honestly say that I am, though I had expected to be so ere this, when I last saw you at Paris); could I even hope—which I have no right to do—that I could chain to myself any private portion of thoughts which now flow into the large channels by which poets enrich the blood of the world,—still (I say it in self-reproach, it may be the fault of my English rearing, it may rather be the fault of an egotism peculiar to myself)—still I doubt if I could render happy any woman whose world could not be narrowed to the Home that she adorned and blessed.

"And yet not even the jealous tyranny of man's love could dare to say to natures like hers of whom we speak, 'Limit to the household glory of one the light which genius has placed in its firmament for the use and enjoyment of all.'"

"I thank you so much," said Isaura, calmly; "suspense makes a woman so weak—certainty so strong." Mechanically she smoothed and refolded the letter—mechanically, with slow, lingering hands—then she extended it to her friend, smiling.

"Nay, will you not keep it yourself?" said Mrs. Morley. "The more you examine the narrow-minded prejudices, the English arrogant man's jealous dread of superiority—nay, of equality—in the woman he 'can only value as he does his house or his horse, because she is his exclusive property, the more you will be rejoiced to find yourself free for a more worthy choice. Keep the letter; read it till you feel for the writer forgiveness and disdain."

Isaura took back the letter, and leaned her cheek on her hand, looking dreamily into space. It was some moments before she replied, and her words then had no reference to Mrs. Morley's consolatory exhortation.

"He was so pleased when he learned that I renounced the career on which I had set my ambition. I thought he would have been so pleased when I sought in another career to raise myself nearer to his level—I see now how sadly I was mistaken. All that perplexed me before in him is explained. I did not guess how foolishly I had deceived myself till three days ago,—then I did guess it; and it was that guess which tortured me so terribly that I could not keep my heart to myself when I saw you to-day; in spite of all womanly pride it would force its way—to the truth.

"Hush! I must tell you what was said to me by another friend of mine—a good friend, a wise and kind one. Yet I was so angry when she said it that I thought I could never see her more."

"My sweet darling! who was this friend, and what did she say to you?"

"The friend was Madame Savarin."

"No woman loves you more except myself—and she said?"

"That she would have suffered no daughter of hers to commit her name to the talk of the world as I have done—be exposed to the risk of insult as I have been—until she had the shelter and protection denied to me. And I have thus overleaped the bound that a prudent mother would prescribe to her child, have become one whose hand men do not seek, unless they themselves take the same roads to notoriety. Do you not think she was right?"

"Not as you so morbidly put it, silly girl,—certainly not right. But I do wish that you had the shelter and protection which Madame Savarin meant to express; I do wish that you were happily married to one very different from Mr. Vane—one who would be more proud of your genius than of your beauty—one who would say, 'My name, safer far in its enduring nobility than those that depend on titles and lands—which are held on the tenure of the popular breath—must be honoured by posterity, for She has deigned to make it hers. No democratic revolution can disennoble me."

"Ay, ay, you believe that men will be found to think with complacency that they owe to a wife a name they could not achieve for themselves. Possibly there are such men. Where?—among those that are already united by sympathies in the same callings, the same labours, the same hopes and fears with the women who have left behind them the privacies of home. Madame de Grantmesnil was wrong. Artists should wed with artists. True—true!"

Here she passed her hand over her forehead—it was a pretty way of hers when seeking to concentrate thought—and was silent a moment or so.

"Did you ever feel," she then asked dreamily, "that there are moments in life when a dark curtain seems to fall over one's past that a day before was so clear, so blended with the present? One cannot any longer look behind; the gaze is attracted onward, and a track of fire flashes upon the future,—the future which yesterday was invisible. There is a line by some English poet—Mr. Vane once quoted it, not to me, but to M. Savarin, and in illustration of his argument, that the most complicated recesses of thought are best reached by the simplest forms of expression. I said to myself, 'I will study that truth if ever I take to literature as I have taken to song;' and—yes—it was that evening that the ambition fatal to woman fixed on me its relentless fangs—at Enghien—we were on the lake—the sun was setting."

"But you do not tell me the line that so impressed you," said Mrs. Morley, with a woman's kindly tact.

"The line—which line? Oh, I remember; the line was this:

"'I see as from a tower the end of all."

"And now—kiss me, dearest—never a word again to me about this conversation: never a word about Mr. Vane—the dark curtain has fallen on the past."



CHAPTER XI.

Men and women are much more like each other in certain large elements of character than is generally supposed, but it is that very resemblance which makes their differences the more incomprehensible to each other; just as in politics, theology, or that most disputatious of all things disputable, metaphysics, the nearer the reasoners approach each other in points that to an uncritical bystander seem the most important, the more sure they are to start off in opposite directions upon reaching the speck of a pin-prick.

Now there are certain grand meeting-places between man and woman—the grandest of all is on the ground of love, and yet here also is the great field of quarrel. And here the teller of a tale such as mine ought, if he is sufficiently wise to be humble, to know that it is almost profanation if, as man, he presumes to enter the penetralia of a woman's innermost heart, and repeat, as a man would repeat, all the vibrations of sound which the heart of a woman sends forth undistinguishable even to her own ear.

I know Isaura as intimately as if I had rocked her in her cradle, played with her in her childhood, educated and trained her in her youth; and yet I can no more tell you faithfully what passed in her mind during the forty-eight hours that intervened between her conversation with that American lady and her reappearance in some commonplace drawing-room, than I can tell you what the Man in the Moon might feel if the sun that his world reflected were blotted out of creation.

I can only say that when she reappeared in that commonplace drawing-room world, there was a change in her face not very perceptible to the ordinary observer. If anything, to his eye she was handsomer—the eye was brighter—the complexion (always lustrous, though somewhat pale, the limpid paleness that suits so well with dark hair) was yet more lustrous,—it was flushed into delicate rose hues—hues that still better suit with dark hair. What, then, was the change, and change not for the better? The lips, once so pensively sweet, had grown hard; on the brow that had seemed to laugh when the lips did, there was no longer sympathy between brow and lip; there was scarcely seen a fine threadlike line that in a few years would be a furrow on the space between the eyes; the voice was not so tenderly soft; the step was haughtier. What all such change denoted it is for a woman to decide-I can only guess. In the mean while, Mademoiselle Cicogna had sent her servant daily to inquire after M. Rameau. That, I think, she would have done under any circumstances. Meanwhile, too, she had called on Madame Savarin—made it up with her—sealed the reconciliation by a cold kiss. That, too, under any circumstances, I think she would have done—under some circumstances the kiss might have been less cold.

There was one thing unwonted in her habits. I mention it, though it is only a woman who can say if it means anything worth noticing.

For six days she had left a letter from Madame de Grantmesnil unanswered. With Madame de Grantmesnil was connected the whole of her innermost life—from the day when the lonely desolate child had seen, beyond the dusty thoroughfares of life, gleams of the faery land in poetry and art-onward through her restless, dreamy, aspiring youth-onward—onward—till now, through all that constitutes the glorious reality that we call romance.

Never before had she left for two days unanswered letters which were to her as Sibylline leaves to some unquiet neophyte yearning for solutions to enigmas suggested whether by the world without or by the soul within. For six days Madame de Grantmesnil's letter remained unanswered, unread, neglected, thrust out of sight; just as when some imperious necessity compels us to grapple with a world that is, we cast aside the romance which, in our holiday hours, had beguiled us to a world with which we have interests and sympathies no more.



CHAPTER XII.

Gustave recovered, but slowly. The physician pronounced him out of all immediate danger, but said frankly to him, and somewhat more guardedly to his parents, "There is ample cause to beware." "Look you, my young friend," he added to Rameau, "mere brain-work seldom kills a man once accustomed to it like you; but heart-work, and stomach-work, and nerve-work, added to brain-work, may soon consign to the coffin a frame ten times more robust than yours. Write as much as you will—that is your vocation; but it is not your vocation to drink absinthe—to preside at orgies in the Maison Doree. Regulate yourself, and not after the fashion of the fabulous Don Juan. Marry—live soberly and quietly—and you may survive the grandchildren of viveurs. Go on as you have done, and before the year is out you are in Pere la Chaise."

Rameau listened languidly, but with a profound conviction that the physician thoroughly understood his case.

Lying helpless on his bed, he had no desire for orgies at the Maison Doree; with parched lips thirsty for innocent tisane of lime-blossoms, the thought of absinthe was as odious to him as the liquid fire of Phlegethon. If ever sinner became suddenly convinced that there was a good deal to be said in favour of a moral life, that sinner at the moment I speak of was Gustave Rameau: Certainly a moral life—'Domus et placens uxor',—was essential to the poet who, aspiring to immortal glory, was condemned to the ailments of a very perishable frame.

"Ah," he murmured plaintively to himself, "that girl Isaura can have no true sympathy with genius! It is no ordinary man that she will kill in me!"

And so murmuring he fell asleep. When he woke and found his head pillowed on his mother's breast, it was much as a sensitive, delicate man may wake after having drunk too much the night before. Repentant, mournful, maudlin, he began to weep, and in the course of his weeping he confided to his mother the secret of his heart.

Isaura had refused him—that refusal had made him desperate.

"Ah! with Isaura how changed would be his habits! how pure! how healthful!" His mother listened fondly, and did her best to comfort him and cheer his drooping spirits.

She told him of Isaura's messages of inquiry duly twice a day. Rameau, who knew more about women in general, and Isaura in particular, than his mother conjectured, shook his head mournfully. "She could not do less," he said. "Has no one offered to do more?"—he thought of Julie when he asked that—Madame Rameau hesitated.

The poor Parisians! it is the mode to preach against them; and before my book closes, I shall have to preach—no, not to preach, but to imply—plenty of faults to consider and amend. Meanwhile I try my best to take them, as the philosophy of life tells us to take other people, for what they are.

I do not think the domestic relations of the Parisian bourgeoisie are as bad as they are said to be in French novels. Madame Rameau is not an uncommon type of her class. She had been when she first married singularly handsome. It was from her that Gustave inherited his beauty; and her husband was a very ordinary type of the French shopkeeper—very plain, by no means intellectual, but gay, good-humoured, devotedly attached to his wife, and with implicit trust in her conjugal virtue. Never was trust better placed. There was not a happier nor a more faithful couple in the quartier in which they resided. Madame Rameau hesitated when her boy, thinking of Julie, asked if no one had done more than send to inquire after him as Isaura had done.

After that hesitating pause she said, "Yes—a young lady calling herself Mademoiselle Julie Caumartin wished to instal herself here as your nurse. When I said, 'But I am his mother—he needs no other nurses,' she would have retreated, and looked ashamed—poor thing! I don't blame her if she loved my son. But, my son, I say this,—if you love her, don't talk to me about that Mademoiselle Cicogna; and if you love Mademoiselle Cicogna, why, then your father will take care that the poor girl who loved you not knowing that you loved another is not left to the temptation of penury."

Rameau's pale lips withered into a phantom-like sneer! Julie! the resplendent Julie!—true, only a ballet-dancer, but whose equipage in the Bois had once been the envy of duchesses—Julie! who had sacrificed fortune for his sake—who, freed from him, could have millionaires again at her feet!—Julie! to be saved from penury, as a shopkeeper would save an erring nursemaid—Julie! the irrepressible Julie! who had written to him, the day before his illness, in a pen dipped, not in ink, but in blood from a vein she had opened in her arm:

"Traitor!—I have not seen thee for three days. Dost thou dare to love another? If so, I care not how thou attempt to conceal it—woe to her! Ingrat! woe to thee! Love is not love, unless, when betrayed by Love, it appeals to death. Answer me quick—quick. JULIE."

Poor Gustave thought of that letter and groaned. Certainly his mother was right—he ought to get rid of Julie; but he did not clearly see how Julie was to be got rid of. He replied to Madame Rameau peevishly, "Don't trouble your head about Mademoiselle Caumartin; she is in no want of money. Of course, if I could hope for Isaura—but, alas! I dare not hope. Give me my tisane."

When the doctor called next day, he looked grave, and, drawing Madame Rameau into the next room, he said, "We are not getting on so well as I had hoped; the fever is gone, but there is much to apprehend from the debility left behind. His spirits are sadly depressed." Then added the doctor, pleasantly, and with that wonderful insight into our complex humanity in which physicians excel poets, and in which Parisian physicians are not excelled by any physicians in the world: "Can't you think of any bit of good news—that 'M. Thiers raves about your son's last poem! that 'it is a question among the Academicians between him and Jules Janin'—or that 'the beautiful Duchesse de ———- has been placed in a lunatic asylum because she has gone mad for love of a certain young Red Republican whose name begins with R.'—can't you think of any bit of similar good news? If you can, it will be a tonic to the relaxed state of your dear boy's amour propre, compared to which all the drugs in the Pharmacopoeia are moonshine and water; and meanwhile be sure to remove him to your own house, and out of the reach of his giddy young friends, as soon as you possibly can."

When that great authority thus left his patient's case in the hands of the mother, she said, "The boy shall be saved."



CHAPTER XIII.

Isaura was seated beside the Venosta,—to whom, of late, she seemed to cling with greater fondness than ever,—working at some piece of embroidery—a labour from which she had been estranged for years; but now she had taken writing, reading, music, into passionate disgust. Isaura was thus seated, silently intent upon her work, and the Venosta in full talk, when the servant announced Madame Rameau.

The name startled both; the Venosta had never heard that the poet had a mother living, and immediately jumped to the conclusion that Madame Rameau must be a wife he had hitherto kept unrevealed. And when a woman, still very handsome, with a countenance grave and sad, entered the salon, the Venosta murmured, "The husband's perfidy reveals itself on a wife's face," and took out her handkerchief in preparation for sympathising tears.

"Mademoiselle," said the visitor, halting, with eyes fixed on Isaura. "Pardon my intrusion-my son has the honour to be known to you. Every one who knows him must share in my sorrow—so young—so promising, and in such danger—my poor boy!" Madame Rameau stopped abruptly. Her tears forced their way—she turned aside to conceal them.

In her twofold condition of being—womanhood and genius—Isaura was too largely endowed with that quickness of sympathy which distinguishes woman from man, and genius from talent, not to be wondrously susceptible to pity.

Already she had wound her arm round the grieving mother—already drawn her to the seat from which she herself had risen—and bending over her had said some words—true, conventional enough in themselves,—but cooed forth in a voice the softest I ever expect to hear, save in dreams, on this side of the grave.

Madame Rameau swept her hand over her eyes, glanced round the room, and noticing the Venosta in dressing-robe and slippers, staring with those Italian eyes, in seeming so quietly innocent, in reality so searchingly shrewd, she whispered pleadingly, "May I speak to you a few minutes alone?" This was not a request that Isaura could refuse, though she was embarrassed and troubled by the surmise of Madame Rameau's object in asking it; accordingly she led her visitor into the adjoining room, and making an apologetic sign to the Venosta, closed the door.



CHAPTER XIV.

When they were alone, Madame Rameau took Isaura's hand in both her own, and, gazing wistfully into her face, said, "No wonder you are so loved—yours is the beauty that sinks into the hearts and rests there. I prize my boy more, now that I have seen you. But, oh, Mademoiselle! pardon me—do not withdraw your hand—pardon the mother who comes from the sick-bed of her only son and asks if you will assist to save him! A word from you is life or death to him!"

"Nay, nay, do not speak thus, Madame; your son knows how much I value, how sincerely I return, his friendship; but—but," she paused a moment, and continued sadly and with tearful eyes—"I have no heart to give to him-to any one."

"I do not—I would not if I dared—ask what it would be violence to yourself to promise. I do not ask you to bid me return to my son and say, 'Hope and recover,' but let me take some healing message from your lips. If I understand your words rightly, I at least may say that you do not give to another the hopes you, deny to him?"

"So far you understand me rightly, Madame. It has been said, that romance-writers give away so much of their hearts to heroes or heroines of their own creation, that they leave nothing worth the giving to human beings like themselves. Perhaps it is so; yet, Madame," added Isaura, with a smile of exquisite sweetness in its melancholy, "I have heart enough left to feel for you."

Madame Rameau was touched. "Ah, Mademoiselle, I do not believe in the saying you have quoted. But I must not abuse your goodness by pressing further upon you subjects from which you shrink. Only one word more: you know that my husband and I are but quiet tradesfolks, not in the society, nor aspiring to it, to which my son's talents have raised himself; yet dare I ask that you will not close here the acquaintance that I have obtruded on you?—dare I ask, that I may, now and then, call on you—that now and then I may see you at my own home? Believe that I would not here ask anything which your own mother would disapprove if she overlooked disparities of station. Humble as our home is, slander never passed its threshold."

"Ah, Madame, I and the Signora Venosta, whom in our Italian tongue I call mother, can but feel honoured and grateful whenever it pleases you to receive visits from us."

"It would be a base return for such gracious compliance with my request if I concealed from you the reason why I pray Heaven to bless you for that answer. The physician says that it may be long before my son is sufficiently convalescent to dispense with a mother's care, and resume his former life and occupation in the great world. It is everything for us if we can coax him into coming under our own roof-tree. This is difficult to do. It is natural for a young man launched into the world to like his own chez lui. Then what will happen to Gustave? He, lonely and heart-stricken, will ask friends, young as himself, but far stronger, to come and cheer him; or he will seek to distract his thoughts by the overwork of his brain; in either case he is doomed. But I have stronger motives yet to fix him a while at our hearth. This is just the moment, once lost never to be regained, when soothing companionship, gentle reproachless advice, can fix him lastingly in the habits and modes of life which will banish all fears of his future from the hearts of his parents. You at least honour him with friendship, with kindly interest—you at least would desire to wean him from all that a friend may disapprove or lament—a creature whom Providence meant to be good, and perhaps great. If I say to him, 'It will be long before you can go out and see your friends, but at my house your friends shall come and see you—among them Signora Venosta and Mademoiselle Cicogna will now and then drop in'—my victory is gained, and my son is saved."

"Madame," said Isaura, half sobbing, "what a blessing to have a mother like you! Love so noble ennobles those who hear its voice. Tell your son how ardently I wish him to be well, and to fulfil more than the promise of his genius; tell him also this—how I envy him his mother."



CHAPTER XV.

It needs no length of words to inform thee, my intelligent reader, be thou man or woman—but more especially woman—of the consequences following each other, as wave follows wave in a tide, that resulted from the interview with which my last chapter closed. Gustave is removed to his parents' house; he remains for weeks confined within doors, or, on sunny days, takes an hour or so in his own carriage, drawn by the horse bought from Rochebriant, into by-roads remote from the fashionable world; Isaura visits his mother, liking, respecting, influenced by her more and more; in those visits she sits beside the sofa on which Rameau reclines. Gradually, gently—more and more by his mother's lips—is impressed on her the belief that it is in her power to save a human life, and to animate its career towards those goals which are never based wholly upon earth in the earnest eyes of genius, or perhaps in the yet more upward vision of pure-souled believing woman.

And Gustave himself, as he passes through the slow stages of convalescence, seems so gratefully to ascribe to her every step in his progress—seems so gently softened in character—seems so refined from the old affectations, so ennobled above the old cynicism—and, above all, so needing her presence, so sunless without it, that—well, need I finish the sentence?—the reader will complete what I leave unsaid.

Enough, that one day Isaura returned home from a visit at Madame Rameau's with the knowledge that her hand was pledged—her future life disposed of; and that, escaping from the Venosta, whom she so fondly, and in her hunger for a mother's love, called Madre, the girl shut herself up in her own room with locked doors.

Ah, poor child! ah, sweet-voiced Isaura! whose delicate image I feel myself too rude and too hard to transfer to this page in the purity of its outlines, and the blended softnesses of its hues—thou who, when saying things serious in the words men use, saidst them with a seriousness so charming, and with looks so feminine—thou, of whom no man I ever knew was quite worthy—ah, poor, simple, miserable girl, as I see thee now in the solitude of that white-curtained virginal room; hast thou, then, merged at last thy peculiar star into the cluster of all these commonplace girls whose lips have said "Ay," when their hearts said "No"?—thou, O brilliant Isaura! thou, O motherless child!

She had sunk into her chair—her own favourite chair, the covering of it had been embroidered by Madame de Grantmesnil, and bestowed on her as a birthday present last year—the year in which she had first learned what it is to love—the year in which she had first learned what it is to strive for fame. And somehow uniting, as many young people do, love and fame in dreams of the future, that silken seat had been to her as the Tripod of Delphi was to the Pythian: she had taken to it, as it were intuitively, in all those hours, whether of joy or sorrow, when youth seeks to prophesy, and does but dream.

There she sat now, in a sort of stupor—a sort of dreary bewilderment—the illusion of the Pythian gone—desire of dream and of prophecy alike extinct—pressing her hands together, and muttering to herself, "What has happened?—what have I done?"

Three hours later you would not have recognised the same face that you see now. For then the bravery, the honour, the loyalty of the girl's nature had asserted their command. Her promise had been given to one man—it could not be recalled. Thought itself of any other man must be banished. On her hearth lay ashes and tinder—the last remains of every treasured note from Graham Vane; of the hoarded newspaper extracts that contained his name; of the dry treatise he had published, and which had made the lovely romance-writer first desire "to know something about politics." Ay, if the treatise had been upon fox-hunting, she would have desired "to know something about" that! Above all, yet distinguishable from the rest—as the sparks still upon stem and leaf here and there faintly glowed and twinkled—the withered flowers which recorded that happy hour in the arbour, and the walks of the forsaken garden—the hour in which she had so blissfully pledged herself to renounce that career in art wherein fame would have been secured, but which would not have united Fame with Love—in dreams evermore over now.



BOOK X.



CHAPTER I.

Graham Vane had heard nothing for months from M. Renard, when one morning he received the letter I translate:

"MONSIEUR,—I am happy to inform you that I have at last obtained one piece of information which may lead to a more important discovery. When we parted after our fruitless research in Vienna, we had both concurred in the persuasion that, for some reason known only to the two ladies themselves, Madame Marigny and Madame Duval had exchanged names—that it was Madame Marigny who had deceased in the name of Madame Duval, and Madame Duval who had survived in that of Marigny.

"It was clear to me that the beau Monsieur who had visited the false Duval must have been cognisant of this exchange of name, and that, if his name and whereabouts could be ascertained, he, in all probability, would know what had become of the lady who is the object of our research; and after the lapse of so many years he would probably have very slight motive to preserve the concealment of facts which might, no doubt, have been convenient at the time. The lover of the soi-disant Mademoiselle Duval was by such accounts as we could gain a man of some rank—very possibly a married man; and the liaison, in short, was one of those which, while they last, necessitate precautions and secrecy.

"Therefore, dismissing all attempts at further trace of the missing lady, I resolved to return to Vienna as soon as the business that recalled me to Paris was concluded, and devote myself exclusively to the search after the amorous and mysterious Monsieur.

"I did not state this determination to you, because, possibly, I might be in error—or, if not in error, at least too sanguine in my expectations—and it is best to avoid disappointing an honourable client.

"One thing was clear, that, at the time of the soi-disant Duval's decease, the beau Monsieur was at Vienna.

"It appeared also tolerably clear that when the lady friend of the deceased quitted Munich so privately, it was to Vienna she repaired, and from Vienna comes the letter demanding the certificates of Madame Duval's death. Pardon me, if I remind you of all these circumstances no doubt fresh in your recollection. I repeat them in order to justify the conclusions to which they led me.

"I could not, however, get permission to absent myself from Paris for the time I might require till the end of last April. I had meanwhile sought all private means of ascertaining what Frenchmen of rank and station were in that capital in the autumn of 1849. Among the list of the very few such Messieurs I fixed upon one as the most likely to be the mysterious Achille—Achille was, indeed, his nom de bapteme.

"A man of intrigue—a bonnes fortunes—of lavish expenditure withal; very tenacious of his dignity, and avoiding any petty scandals by which it might be lowered; just the man who, in some passing affair of gallantry with a lady of doubtful repute, would never have signed his titular designation to a letter, and would have kept himself as much incognito as he could. But this man was dead—had been dead some years. He had not died at Vienna—never visited that capital for some years before his death. He was then, and had long been, the ami de la maison of one of those grandes dames of whose intimacy grands seigneurs are not ashamed. They parade there the bonnes fortunes they conceal elsewhere. Monsieur and the grande dame were at Baden when the former died. Now, Monsieur, a Don Juan of that stamp is pretty sure always to have a confidential Leporello. If I could find Leporello alive I might learn the secrets not to be extracted from a Don Juan defunct. I ascertained, in truth, both at Vienna, to which I first repaired in order to verify the renseignements I had obtained at Paris, and at Baden, to which I then bent my way, that this brilliant noble had a favourite valet who had lived with him from his youth—an Italian, who had contrived in the course of his service to lay by savings enough to set up a hotel somewhere in Italy, supposed to be Pisa. To Pisa I repaired, but the man had left some years; his hotel had not prospered—he had left in debt. No one could say what had become of him. At last, after a long and tedious research, I found him installed as manager of a small hotel at Genoa—a pleasant fellow enough; and after friendly intercourse with him (of course I lodged at his hotel), I easily led him to talk of his earlier life and adventures, and especially of his former master, of whose splendid career in the army of 'La Belle Deesse' he was not a little proud. It was not very easy to get him to the particular subject in question. In fact, the affair with the poor false Duval had been so brief and undistinguished an episode in his master's life, that it was not without a strain of memory that he reached it.

"By little and little, however, in the course of two or three evenings, and by the aid of many flasks of Orviette or bottles of Lacrima (wines, Monsieur, that I do not commend to any one who desires to keep his stomach sound and his secrets safe), I gathered these particulars.

"Our Don Juan, since the loss of a wife in the first year of marriage, had rarely visited Paris where he had a domicile—his ancestral hotel there he had sold.

"But happening to visit that capital of Europe a few months before we come to our dates at Aix-la-Chapelle, he made acquaintance with Madame Marigny, a natural daughter of high-placed parents, by whom, of course, she had never been acknowledged, but who had contrived that she should receive a good education at a convent; and on leaving it also contrived that an old soldier of fortune—which means an officer without fortune—who had served in Algiers with some distinction, should offer her his hand, and add the modest dot they assigned her to his yet more modest income. They contrived also that she should understand the offer must be accepted. Thus Mademoiselle 'Quelque Chose' became Madame Marigny, and she, on her part, contrived that a year or so later she should be left a widow. After a marriage, of course the parents washed their hands of her—they had done their duty. At the time Don Juan made this lady's acquaintance nothing could be said against her character; but the milliners and butchers had begun to imply that they would rather have her money than trust to her character. Don Juan fell in love with her, satisfied the immediate claims of milliner and butcher, and when they quitted Paris it was agreed that they should meet later at Aix-la-Chapelle. But when he resorted to that sultry and, to my mind, unalluring spa, he was surprised by a line from her saying that she had changed her name of Marigny for that of Duval.

"'I recollect,' said Leporello, 'that two days afterwards my master said to me, 'Caution and secrecy. Don't mention my name at the house to which I may send you with any note for Madame Duval. I don't announce my name when I call. La petite Marigny has exchanged her name for that of Louise Duval; and I find that there is a Louise Duval here, her friend, who is niece to a relation of my own, and a terrible relation to quarrel with—a dead shot and unrivalled swordsman—Victor de Mauleon. My master was brave enough, but he enjoyed life, and he did not think la petite Marigny worth being killed for.'

"Leporello remembered very little of what followed. All he did remember is that Don Juan, when at Vienna, said to him one morning, looking less gay than usual, 'It is finished with ca petite Marigny-she is no more.' Then he ordered his bath, wrote a note, and said with tears in his eyes, 'Take this to Mademoiselle Celeste; not to be compared to la petite Marigny; but la petite Celeste is still alive.' Ah, Monsieur! if only any man in France could be as proud of his ruler as that Italian was of my countrymen! Alas! we Frenchmen are all made to command—or at least we think ourselves so—and we are insulted by one who says to us, 'Serve and obey.' Nowadays, in France, we find all Don Juans and no Leporellos.

"After strenuous exertions upon my part to recall to Leporello's mind the important question whether he had ever seen the true Duval, passing under the name of Marigny—whether she had not presented herself to his master at Vienna or elsewhere—he rubbed his forehead, and drew from it these reminiscences.

"'On the day that his Excellency,'—Leporello generally so styled his master—'Excellency,' as you are aware, is the title an Italian would give to Satan if taking his wages,'told me that la petite Marigny was no more, he had received previously a lady veiled and mantled, whom I did not recognise as any one I had seen before, but I noticed her way of carrying herself—haughtily—her head thrown back; and I thought to myself, that lady is one of his grandes dames. She did call again two or three times, never announcing her name; then she did not reappear. She might be Madame Duval—I can't say.'

"'But did you never hear his Excellency speak of the real Duval after that time?'

"'No—non mi ricordo—I don't remember.'

"'Nor of some living Madame Marigny, though the real one was dead?'

"'Stop, I do recollect; not that he ever named such a person to me, but that I have posted letters for him to a Madame Marigny—oh, yes! even years after the said petite Marigny was dead; and once I did venture to say, 'Pardon me, Eccellenza, but may I ask if that poor lady is really dead, since I have to prepay this letter to her?'"

"'Oh,' said he, 'Madame Marigny! Of course the one you know is dead, but there are others of the same name; this lady is of my family. Indeed, her house, though noble in itself, recognises the representative of mine as its head, and I am too bon prince not to acknowledge and serve any one who branches out of my own tree.'"

"A day after this last conversation on the subject, Leporello said to me: 'My friend, you certainly have some interest in ascertaining what became of the lady who took the name of Marigny (I state this frankly, Monsieur, to show how difficult even for one so prudent as I am to beat about a bush long but what you let people know the sort of bird you are in search of).

"'Well,' said I, 'she does interest me. I knew something of that Victor de Mauleon, whom his Excellency did not wish to quarrel with; and it would be a kindly act to her relation if one could learn what became of Louise Duval.'

"'I can put you on the way of learning all that his Excellency was likely to have known of her through correspondence. I have often heard him quote, with praise, a saying so clever that it might have been Italian, "Never write, never burn;" that is, never commit yourself by a letter—keep all letters that could put others in your power. All the letters he received were carefully kept and labelled. I sent them to his son in four large trunks. His son, no doubt, has them still.'

"Now, however, I have exhausted my budget. I arrived at Paris last night. I strongly advise you to come hither at once, if you still desire to prosecute your search.

"You, Monsieur, can do what I could not venture to do; you can ask the son of Don Juan if, amid the correspondence of his father, which he may have preserved, there be any signed Marigny or Duval—any, in short, which can throw light on this very obscure complication of circumstances. A grand seigneur would naturally be more complaisant to a man of your station than he would be to an agent of police. Don Juan's son, inheriting his father's title, is Monsieur le Marquis de Rochebriant; and permit me to add, that at this moment, as the journals doubtless inform you, all Paris resounds with the rumour of the coming war; and Monsieur de Rochebriant—who is, as I have ascertained, now in Paris—it may be difficult to find anywhere on earth a month or two hence.—I have the honour, with profound consideration, &c., &c., RENARD."

The day after the receipt of this letter Graham Vane was in Paris.



CHAPTER II.

Among things indescribable is that which is called "Agitation" in Paris—"Agitation" without riot or violence—showing itself by no disorderly act, no turbulent outburst. Perhaps the cafes are more crowded; passengers in the streets stop each other more often, and converse in small knots and groups; yet, on the whole, there is little externally to show how loudly the heart of Paris is beating. A traveller may be passing through quiet landscapes, unconscious that a great battle is going on some miles off, but if he will stop and put his ear to the ground he will recognise by a certain indescribable vibration, the voice of the cannon.

But at Paris an acute observer need not stop and put his ear to the ground; he feels within himself a vibration—a mysterious inward sympathy which communicates to the individual a conscious thrill—when the passions of the multitude are stirred, no matter how silently.

Tortoni's cafe was thronged when Duplessis and Frederic Lemercier entered it: it was in vain to order breakfast; no table was vacant either within the rooms or under the awnings without.

But they could not retreat so quickly as they had entered. On catching sight of the financier several men rose and gathered round him, eagerly questioning:

"What do you think, Duplessis? Will any insult to France put a drop of warm blood into the frigid veins of that miserable Ollivier?"

"It is not yet clear that France has been insulted, Messieurs," replied Duplessis, phlegmatically.

"Bah! Not insulted! The very nomination of a Hohenzollern to the crown of Spain was an insult—what would you have more?"

"I tell you what it is, Duplessis," said the Vicomte de Breze, whose habitual light good temper seemed exchanged for insolent swagger—"I tell you what it is, your friend the Emperor has no more courage than a chicken. He is grown old, and infirm, and lazy; he knows that he can't even mount on horseback. But if, before this day week, he has not declared war on the Prussians, he will be lucky if he can get off as quietly as poor Louis Philippe did under shelter of his umbrella, and ticketed 'Schmidt.' Or could you not, M. Duplessis, send him back to London in a bill of exchange?"

"For a man of your literary repute, M. le Vicomte," said Duplessis, "you indulge in a strange confusion of metaphors. But, pardon me, I came here to breakfast, and I cannot remain to quarrel. Come, Lemercier, let us take our chance of a cutlet at the Trois Freres."

"Fox, Fox," cried Lemercier, whistling to a poodle that had followed him into the cafe, and, frightened by the sudden movement and loud voices of the habitues, had taken refuge under the table.

"Your dog is poltron," said De Breze; "call him Nap." At this stroke of humour there was a general laugh, in the midst of which Duplessis escaped, and Frederic, having discovered and caught his dog, followed with that animal tenderly clasped in his arms.

"I would not lose Fox for a great deal," said Lemercier with effusion; "a pledge of love and fidelity from an English lady the most distinguished: the lady left me—the dog remains."

Duplessis smiled grimly: "What a thoroughbred Parisian you are, my dear Frederic! I believe if the tramp of the last angel were sounding, the Parisians would be divided into two sets: one would be singing the Marseillaise, and parading the red flag; the other would be shrugging their shoulders and saying, 'Bah! as if le Bon Dieu would have the bad taste to injure Paris—the Seat of the Graces, the School of the Arts, the Fountain of Reason, the Eye of the World;' and so be found by the destroying angel caressing poodles and making bons mots about les femmes."

"And quite right, too," said Lemercier, complacently; "what other people in the world could retain lightness of heart under circumstances so unpleasant? But why do you take things so solemnly? Of course there will be war idle now to talk of explanations and excuses. When a Frenchman says, 'I am insulted,' he is not going to be told that he is not insulted. He means fighting, and not apologising. But what if there be war? Our brave soldiers beat the Prussians—take the Rhine—return to Paris covered with laurels; a new Boulevard de Berlin eclipses the Boulevard Sebastopol. By the way, Duplessis, a Boulevard de Berlin will be a good speculation—better than the Rue de Louvier. Ah! is not that my English friend, Grarm Varn?" here, quitting the arm of Duplessis, Lemercier stopped a gentleman who was about to pass him unnoticing. "Bon jour, mon ami! how long have you been at Paris?"