Far out over the sea there is a peculiar bank of clouds. I was always fond of watching clouds; these do not move much. In my pocket-book I see I have several notes about these peculiar sea-clouds. They form a band not far above the horizon, not very thick but elongated laterally. The upper edge is curled or wavy, not so heavily as what is called mountainous, not in the least threatening; this edge is white. The body of the vapour is a little darker, either because thicker, or because the light is reflected at a different angle. But it is the lower edge which is singular: in direct contrast with the curled or wavy edge above, the under edge is perfectly straight and parallel to the line of the horizon. It looks as if the level of the sea made this under line. This bank moves very slowly—scarcely perceptibly—but in course of hours rises, and as it rises spreads, when the extremities break off in detached pieces, and these gradually vanish. Sometimes when travelling I have pointed out the direction of the sea, feeling sure it was there, and not far off, though invisible, on account of the appearance of the clouds, whose under edge was cut across so straight. When this peculiar bank appears at Brighton it is an almost certain sign of continued fine weather, and I have noticed the same thing elsewhere; once particularly it remained fine after this appearance despite every threat the sky could offer of a storm. All the threats came to nothing for three weeks, not even thunder and lightning could break it up,—"deceitful flashes," as the Arabs say; for, like the sons of the desert, just then the farmers longed for rain on their parched fields. To me, while on the beach among the boats, the value of these clouds lies in their slowness of movement, and consequent effect in soothing the mind. Outside the hurry and drive of life a rest comes through the calm of nature. As the swell of the sea carries up the pebbles, and arranges the largest farthest inland, where they accumulate and stay unmoved, so the drifting of the clouds, and the touch of the wind, the sound of the surge, arrange the molecules of the mind in still layers. It is then that a dream fills it, and a dream is sometimes better than the best reality. Laugh at the idea of dreaming where there is an odour of tar if you like, but you see it is outside intolerable civilisation. It is a hundred miles from the King's Road, though but just under it.

There is a scheme on foot for planking over the ocean, beginning at the bottom of West Street. An immense central pier is proposed, which would occupy the only available site for beaching the smacks. If carried out, the whole fishing industry must leave Brighton,—to the fishermen the injury would be beyond compensation, and the aspect of Brighton itself would be destroyed. Brighton ought to rise in revolt against it.

All Brighton chimney-pots are put on with giant cement, in order to bear the strain of the tremendous winds rushing up from the sea. Heavy as the gales are, they seldom do much mischief to the roofs, such as are recorded inland. On the King's Road a plate-glass window is now and then blown in, so that on hurricane days the shutters are generally half shut. It is said that the wind gets between the iron shutters and the plate glass and shakes the windows loose. The heaviest waves roll in by the West Pier, and at the bottom of East Street. Both sides of the West Pier are washed by larger waves than can be seen all along the coast from the Quarter Deck. Great rollers come in at the concrete groyne at the foot of East Street. Exposed as the coast is, the waves do not convey so intense an idea of wildness, confusion, and power as they do at Dover. To see waves in their full vigour go to the Admiralty Pier and watch the seas broken by the granite wall. Windy Brighton has not an inch of shelter anywhere in a gale, and the salt rain driven by the wind penetrates the thickest coat. The windiest spot is at the corner of Second Avenue, Hove; the wind just there is almost enough to choke those who face it. Double windows—Russian fashion—are common all along the sea-front, and are needed.

After a gale, when the wind changes, as it usually does, it is pleasant to see the ships work in to the verge of the shore. The sea is turbid and yellow with sand beaten up by the recent billows,—this yellowness extends outwards to a certain line, and is there succeeded by the green of clearer water. Beyond this again the surface looks dark, as if still half angry, and clouds hang over it, both to retire from the strife. As bees come out of their hives when the rain ceases and the sun shines, so the vessels which have been lying-to in harbour, or under shelter of promontories, are now eagerly making their way down Channel, and, in order to get as long a tack and as much advantage as possible, they are brought to the edge of the shallow water. Sometimes fifteen or twenty or more stand in; all sizes from the ketch to the three-master. The wind is not strong, but that peculiar drawing breeze which seems to pull a ship along as if with a tow-rope. The brig stands straight for the beach, with all sail set; she heels a little, not much; she scarcely heaves to the swell, and is not checked by meeting waves; she comes almost to the yellow line of turbid water, when round she goes, and you can see the sails shiver as the breeze touches them on both surfaces for a moment. Then again she shows her stern and away she glides, while another approaches: and all day long they pass. There is always something shadowy, not exactly unreal, but shadowy about a ship; it seems to carry a romance, and the imagination fashions a story to the swelling sails.

The bright light of Brighton brings all things into clear relief, giving them an edge and outline; as steel burns with a flame like wood in oxygen, so the minute particles of iron in the atmosphere seem to burn and glow in the sunbeams, and a twofold illumination fills the air. Coming back to the place after a journey this brilliant light is very striking, and most new visitors notice it. Even a room with a northern aspect is full of light, too strong for some eyes, till accustomed to it. I am a great believer in light—sunlight—and of my free will never let it be shut out with curtains. Light is essential to life, like air; life is thought; light is as fresh air to the mind. Brilliant sunshine is reflected from the houses and fills the streets. The walls of the houses are clean and less discoloured by the deposit of carbon than usual in most towns, so that the reflection is stronger from these white surfaces. Shadow there is none in summer, for the shadows are lit up by diffusion. Something in the atmosphere throws light down into shaded places as if from a mirror. Waves beat ceaselessly on the beach, and the undulations of light flow continuously forwards into the remotest corners. Pure air, free from suspended matter, lets the light pass freely, and perhaps this absence of suspended material is the reason that the heat is not so oppressive as would be supposed considering the glare. Certainly it is not so hot as London; on going up to town on a July or August day it seems much hotter there, so much so that one pants for air. Conversely in winter, London appears much colder, the thick dark atmosphere seems to increase the bitterness of the easterly winds, and returning to Brighton is entering a warmer because clearer air. Many complain of the brilliance of the light; they say the glare is overpowering, but the eyes soon become acclimatised. This glare is one of the great recommendations of Brighton; the strong light is evidently one of the causes of its healthfulness to those who need change. There is no such glowing light elsewhere along the south coast; these things are very local.

A demand has been made for trees, to plant the streets and turn them into boulevards for shade, than which nothing could be more foolish. It is the dryness of the place that gives it its character. After a storm, after heavy rain for days, in an hour the pavements are not only dry but clean; no dirt, sticky and greasy, remains. The only dirt in Brighton, for three-fourths of the year, is that made by the water-carts. Too much water is used, and a good clean road covered with mud an inch thick in August; but this is not the fault of Brighton—it is the lack of observation on the part of the Cadi who ought to have noticed the wretched condition of ladies' boots when compelled to cross these miry promenades. Trees are not wanted in Brighton; it is the peculiar glory of Brighton to be treeless. Trees are the cause of damp, they suck down moisture, and fill a circle round them with humidity. Places full of trees are very trying in spring and autumn even to robust people, much more so to convalescents and delicate persons. Have nothing to do with trees, if Brighton is to retain its value. Glowing light, dry, clear, and clean air, general dryness—these are the qualities that rendered Brighton a sanatorium; light and glow without oppressive moist heat; in winter a clear cold. Most terrible of all to bear is cold when the atmosphere is saturated with water. If any reply that trees have no leaves in winter and so do not condense moisture, I at once deny the conclusion; they have no leaves, but they condense moisture nevertheless. This is effected by the minute twigs, thousands of twigs and little branches, on which the mists condense, and distil in drops. Under a large tree, in winter, there is often a perfect shower, enough to require an umbrella, and it lasts for hours. Eastbourne is a pleasant place, but visit Eastbourne, which is proud of its trees, in October, and feel the damp fallen leaves under your feet, and you would prefer no trees.

Let nothing check the descent of those glorious beams of sunlight which fall at Brighton. Watch the pebbles on the beach; the foam runs up and wets them, almost before it can slip back the sunshine has dried them again. So they are alternately wetted and dried. Bitter sea and glowing light, bright clear air, dry as dry,—that describes the place. Spain is the country of sunlight, burning sunlight; Brighton is a Spanish town in England, a Seville. Very bright colours can be worn in summer because of this powerful light; the brightest are scarcely noticed, for they seem to be in concert with the sunshine. Is it difficult to paint in so strong a light? Pictures in summer look dull and out of tune when this Seville sun is shining. Artificial colours of the palette cannot live in it. As a race we do not seem to care much for colour or art—I mean in the common things of daily life—else a great deal of colour might be effectively used in Brighton in decorating houses and woodwork. Much more colour might be put in the windows, brighter flowers and curtains; more, too, inside the rooms; the sober hues of London furniture and carpets are not in accord with Brighton light. Gold and ruby and blue, the blue of transparent glass, or purple, might be introduced, and the romance of colour freely indulged. At high tide of summer Spanish mantillas, Spanish fans, would not be out of place in the open air. No tint is too bright—scarlet, cardinal, anything the imagination fancies; the brightest parasol is a matter of course. Stand, for instance, by the West Pier, on the Esplanade, looking east on a full-lit August day. The sea is blue, streaked with green, and is stilled with heat; the low undulations can scarcely rise and fall for somnolence. The distant cliffs are white; the houses yellowish-white; the sky blue, more blue than fabled Italy. Light pours down, and the bitter salt sea wets the pebbles; to look at them makes the mouth dry, in the unconscious recollection of the saltness and bitterness. The flags droop, the sails of the fishing-boats hang idle; the land and the sea are conquered by the great light of the sun.

Some people become famous by being always in one attitude. Meet them when you will, they have invariably got an arm—the same arm—crossed over the breast, and the hand thrust in between the buttons of the coat to support it. Morning, noon, or evening, in the street, the carriage, sitting, reading the paper, always the same attitude; thus they achieve social distinction; it takes the place of a medal or the red ribbon. What is a general or a famous orator compared to a man always in the same attitude? Simply nobody, nobody knows him, everybody knows the mono-attitude man. Some people make their mark by invariably wearing the same short pilot coat. Doubtless it has been many times renewed, still it is the same coat. In winter it is thick, in summer thin, but identical in cut and colour. Some people sit at the same window of the reading-room at the same hour every day, all the year round. This is the way to become marked and famous; winning a battle is nothing to it. When it was arranged that a military band should play on the Brunswick Lawns, it became the fashion to stop carriages in the road and listen to it. Frequently there were carriages four deep, while the gale blew the music out to sea and no one heard a note. Still they sat content.

There are more handsome women in Brighton than anywhere else in the world. They are so common that gradually the standard of taste in the mind rises, and good-looking women who would be admired in other places pass by without notice. Where all the flowers are roses, you do not see a rose. They are all plump, not to say fat, which would be rude; very plump, and have the glow and bloom of youth upon the cheeks. They do not suffer from "pernicious anaemia," that evil bloodlessness which London physicians are not unfrequently called upon to cure, when the cheeks are white as paper and have to be rosied with minute doses of arsenic. They extract their arsenic from the air. The way they step and the carriage of the form show how full they are of life and spirits. Sarah Bernhardt will not come to Brighton if she can help it, lest she should lose that high art angularity and slipperiness of shape which suits her role. Dresses seem always to fit well, because people somehow expand to them. It is pleasant to see the girls walk, because the limbs do not drag, the feet are lifted gaily and with ease. Horse-exercise adds a deeper glow to the face; they ride up on the Downs first, out of pure cunning, for the air there is certain to impart a freshness to the features like dew on a flower, and then return and walk their horses to and fro the King's Road, certain of admiration. However often these tricks are played, they are always successful. Those philanthropic folk who want to reform women's dress, and call upon the world to observe how the present style contracts the chest, and forces the organs of the body out of place (what a queer expression it seems, "organs"!) have not a chance in Brighton. Girls lace tight and "go in" for the tip of the fashion, yet they bloom and flourish as green bay trees, and do not find their skirts any obstacle in walking or tennis. The horse-riding that goes on is a thing to be chronicled; they are always on horseback, and you may depend upon it that it is better for them than all the gymnastic exercises ever invented. The liability to strain, and even serious internal injury, which is incurred in gymnastic exercises, ought to induce sensible people to be extremely careful how they permit their daughters to sacrifice themselves on this scientific altar. Buy them horses to ride, if you want them to enjoy good health and sound constitutions. Nothing like horses for women. Send the professors to Suakim, and put the girls on horseback. Whether Brighton grows handsome girls, or whether they flock there drawn by instinct, or become lovely by staying there, is an inquiry too difficult to pursue.

There they are, one at least in every group, and you have to walk, as the Spaniards say, with your beard over your shoulder, continually looking back at those who have passed. The only antidote known is to get married before you visit the place, and doubts have been expressed as to its efficacy. In the south-coast Seville there is nothing done but heart-breaking; it is so common it is like hammering flints for road mending; nobody cares if your heart is in pieces. They break hearts on horseback, and while walking, playing tennis, shopping—actually at shopping, not to mention parties of every kind. No one knows where the next danger will be encountered—at the very next corner perhaps. Feminine garments have an irresistible flutter in the sea-breeze; feathers have a beckoning motion. No one can be altogether good in Brighton, and that is the great charm of it. The language of the eyes is cultivated to a marvellous degree; as we say of dogs, they quite talk with their eyes. Even when you do not chance to meet an exceptional beauty, still the plainer women are not plain like the plain women in other places. The average is higher among them, and they are not so irredeemably uninteresting. The flash of an eye, the shape of a shoulder, the colour of the hair—something or other pleases. Women without a single good feature are often good-looking in New Seville because of an indescribable style or manner. They catch the charm of the good-looking by living among them, so that if any young lady desires to acquire the art of attraction she has only to take train and join them. Delighted with our protectorate of Paphos, Venus has lately decided to reside on these shores, Every morning the girls' schools go for their constitutional walks; there seem no end of these schools—the place has a garrison of girls, and the same thing is noticeable in their ranks. Too young to have developed actual loveliness, some in each band distinctly promise future success. After long residence the people become accustomed to good looks, and do not see anything especial around them, but on going away for a few days soon miss these pleasant faces.

In reconstructing Brighton station, one thing was omitted—a balcony from which to view the arrival and departure of the trains in summer and autumn. The scene is as lively and interesting as the stage when a good play is proceeding. So many happy expectant faces, often very beautiful; such a mingling of colours, and succession of different figures; now a brunette, now golden hair: it is a stage, only it is real. The bustle, which is not the careworn anxious haste of business; the rushing to and fro; the greetings of friends; the smiles; the shifting of the groups, some coming, and some going—plump and rosy,—it is really charming. One has a fancy dog, another a bright-bound novel; very many have cavaliers; and look at the piles of luggage! What dresses, what changes and elegance concealed therein!—conjurors' trunks out of which wonders will spring. Can anything look jollier than a cab overgrown with luggage, like huge barnacles, just starting away with its freight? One can imagine such a fund of enjoyment on its way in that cab. This happy throng seems to express something that delights the heart. I often used to walk up to the station just to see it, and left feeling better.



THE PINE WOOD

There was a humming in the tops of the young pines as if a swarm of bees were busy at the green cones. They were not visible through the thick needles, and on listening longer it seemed as if the sound was not exactly the note of the bee—a slightly different pitch, and the hum was different, while bees have a habit of working close together. Where there is one bee there are usually five or six, and the hum is that of a group; here there only appeared one or two insects to a pine. Nor was the buzz like that of the humble-bee, for every now and then one came along low down, flying between the stems, and his note was much deeper. By-and-by, crossing to the edge of the plantation, where the boughs could be examined, being within reach, I found it was wasps. A yellow wasp wandered over the blue-green needles till he found a pair with a drop of liquid like dew between them. There he fastened himself and sucked at it; you could see the drop gradually drying up till it was gone. The largest of these drops were generally between two needles—those of the Scotch fir or pine grow in pairs—but there were smaller drops on the outside of other needles. In searching for this exuding turpentine the wasps filled the whole plantation with the sound of their wings. There must have been many thousands of them. They caused no inconvenience to any one walking in the copse, because they were high overhead.

Watching these wasps I found two cocoons of pale yellow silk on a branch of larch, and by them a green spider. He was quite green—two shades, lightest on the back, but little lighter than the green larch bough. An ant had climbed up a pine and over to the extreme end of a bough; she seemed slow and stupefied in her motions, as if she had drunken of the turpentine and had lost her intelligence. The soft cones of the larch could be easily cut down the centre with a penknife, showing the structure of the cone and the seeds inside each scale. It is for these seeds that birds frequent the fir copses, shearing off the scales with their beaks. One larch cone had still the tuft at the top—a pineapple in miniature. The loudest sound in the wood was the humming in the trees; there was no wind, no sunshine; a summer day, still and shadowy, under large clouds high up. To this low humming the sense of hearing soon became accustomed, and it served but to render the silence deeper. In time, as I sat waiting and listening, there came the faintest far-off song of a bird away in the trees; the merest thin upstroke of sound, slight in structure, the echo of the strong spring singing. This was the summer repetition, dying away. A willow-wren still remembered his love, and whispered about it to the silent fir tops, as in after days we turn over the pages of letters, withered as leaves, and sigh. So gentle, so low, so tender a song the willow-wren sang that it could scarce be known as the voice of a bird, but was like that of some yet more delicate creature with the heart of a woman.

A butterfly with folded wings clung to a stalk of grass; upon the under side of his wing thus exposed there were buff spots, and dark dots and streaks drawn on the finest ground of pearl-grey, through which there came a tint of blue; there was a blue, too, shut up between the wings, visible at the edges. The spots, and dots, and streaks were not exactly the same on each wing; at first sight they appeared similar, but, on comparing one with the other, differences could be traced. The pattern was not mechanical; it was hand-painted by Nature, and the painter's eye and fingers varied in their work.

How fond Nature is of spot-markings!—the wings of butterflies, the feathers of birds, the surface of eggs, the leaves and petals of plants are constantly spotted; so, too, fish—as trout. From the wing of the butterfly I looked involuntarily at the foxglove I had just gathered; inside, the bells were thickly spotted—dots and dustings that might have been transferred to a butterfly's wing. The spotted meadow-orchis; the brown dots on the cowslips; brown, black, greenish, reddish dots and spots and dustings on the eggs of the finches, the whitethroats, and so many others—some of the spots seem as if they had been splashed on and had run into short streaks, some mottled, some gathered together at the end; all spots, dots, dustings of minute specks, mottlings, and irregular markings. The histories, the stories, the library of knowledge contained in those signs! It was thought a wonderful thing when at last the strange inscriptions of Assyria were read, made of nail-headed characters whose sound was lost; it was thought a triumph when the yet older hieroglyphics of Egypt were compelled to give up their messages, and the world hoped that we should know the secrets of life. That hope was disappointed; there was nothing in the records but superstition and useless ritual. But here we go back to the beginning; the antiquity of Egypt is nothing to the age of these signs—they date from unfathomable time. In them the sun has written his commands, and the wind inscribed deep thought. They were before superstition began; they were composed in the old, old world, when the Immortals walked on earth. They have been handed down thousands upon thousands of years to tell us that to-day we are still in the presence of the heavenly visitants, if only we will give up the soul to these pure influences. The language in which they are written has no alphabet, and cannot be reduced to order. It can only be understood by the heart and spirit. Look down into this foxglove bell and you will know that; look long and lovingly at this blue butterfly's underwing, and a feeling will rise to your consciousness.

Some time passed, but the butterfly did not move; a touch presently disturbed him, and flutter, flutter went his blue wings, only for a few seconds, to another grass-stalk, and so on from grass-stalk to grass-stalk as compelled, a yard flight at most. He would not go farther; he settled as if it had been night. There was no sunshine, and under the clouds he had no animation. A swallow went by singing in the air, and as he flew his forked tail was shut, and but one streak of feathers drawn past. Though but young trees, there was a coating of fallen needles under the firs an inch thick, and beneath it the dry earth touched warm. A fern here and there came up through it, the palest of pale green, quite a different colour to the same species growing in the hedges away from the copse. A yellow fungus, streaked with scarlet as if blood had soaked into it, stood at the foot of a tree occasionally. Black fungi, dry, shrivelled, and dead, lay fallen about, detached from the places where they had grown, and crumbling if handled. Still more silent after sunset, the wood was utterly quiet; the swallows no longer passed twittering, the willow-wren was gone, there was no hum or rustle; the wood was as silent as a shadow.

But before the darkness a song and an answer arose in a tree, one bird singing a few notes and another replying side by side. Two goldfinches sat on the cross of a larch-fir and sang, looking towards the west, where the light lingered. High up, the larch-fir boughs with the top shoot form a cross; on this one goldfinch sat, the other was immediately beneath. At even the birds often turn to the west as they sing.

Next morning the August sun shone, and the wood was all a-hum with insects. The wasps were working at the pine boughs high overhead; the bees by dozens were crowding to the bramble flowers; swarming on them, they seemed so delighted; humble-bees went wandering among the ferns in the copse and in the ditches—they sometimes alight on fern—and calling at every purple heath-blossom, at the purple knapweeds, purple thistles, and broad handfuls of yellow-weed flowers. Wasp-like flies barred with yellow suspended themselves in the air between the pine-trunks like hawks hovering, and suddenly shot themselves a yard forward or to one side, as if the rapid vibration of their wings while hovering had accumulated force which drove them as if discharged from a cross-bow. The sun had set all things in motion.

There was a hum under the oak by the hedge, a hum in the pine wood, a humming among the heath and the dry grass which heat had browned. The air was alive and merry with sound, so that the day seemed quite different and twice as pleasant. Three blue butterflies fluttered in one flowery corner, the warmth gave them vigour; two had a silvery edging to their wings, one was brown and blue. The nuts reddening at the tips appeared ripening like apples in the sunshine. This corner is a favourite with wild bees and butterflies; if the sun shines they are sure to be found there at the heath-bloom and tall yellow-weed, and among the dry seeding bennets or grass-stalks. All things, even butterflies, are local in their habits. Far up on the hillside the blue green of the pines beneath shone in the sun—a burnished colour; the high hillside is covered with heath and heather. Where there are open places a small species of gorse, scarcely six inches high, is in bloom, the yellow blossom on the extremity of the stalk.

Some of these gorse plants seemed to have a different flower growing at the side of the stem, instead of at the extremity. These florets were cream-coloured, so that it looked like a new species of gorse. On gathering it to examine the thick-set florets, if was found that a slender runner or creeper had been torn up with it. Like a thread the creeper had wound itself round and round the furze, buried in and hidden by the prickles, and it was this creeper that bore the white or cream-florets. It was tied round as tightly as thread could be, so that the florets seemed to start from the stem, deceiving the eye at first. In some places this parasite plant had grown up the heath and strangled it, so that the tips turned brown and died. The runners extended in every direction across the ground, like those of strawberries. One creeper had climbed up a bennet, or seeding grass-stalk, binding the stalk and a blade of the grass together, and flowering there. On the ground there were patches of grey lichen; many of the pillar-like stems were crowned with a red top. Under a small boulder stone there was an ants' nest. These boulders, or, as they are called locally, "bowlers," were scattered about the heath. Many of the lesser stones were spotted with dark dots of lichen, not unlike a toad.

Thoughtlessly turning over a boulder about nine inches square, lo! there was subject enough for thinking underneath it—a subject that has been thought about many thousand years; for this piece of rock had formed the roof of an ants' nest. The stone had sunk three inches deep into the dry soil of sand and peaty mould, and in the floor of the hole the ants had worked out their excavations, which resembled an outline map. The largest excavation was like England; at the top, or north, they had left a narrow bridge, an eighth of an inch wide, under which to pass into Scotland, and from Scotland again another narrow arch led to the Orkney Islands; these last, however, were dug in the perpendicular side of the hole. In the corners of these excavations tunnels ran deeper into the ground, and the ants immediately began hurrying their treasures, the eggs, down into these cellars. At one angle a tunnel went beneath the heath into further excavations beneath a second boulder stone. Without, a fern grew, and the dead dry stems of heather crossed each other.

This discovery led to the turning over of another boulder stone not far off, and under it there appeared a much more extensive and complete series of galleries, bridges, cellars and tunnels. In these the whole life-history of the ant was exposed at a single glance, as if one had taken off the roofs of a city. One cell contained a dust-like deposit, another a collection resembling the dust, but now elongated and a little greenish; a third treasury, much larger, was piled up with yellowish grains about the size of wheat, each with a black dot on the top, and looking like minute hop-pockets. Besides these, there was a pure white substance in a corridor, which the irritated ants seemed particularly anxious to remove out of sight, and quickly carried away. Among the ants rushing about there were several with wings; one took flight; one was seized by a wingless ant and dragged down into a cellar, as if to prevent its taking wing. A helpless green fly was in the midst, and round the outside galleries there crept a creature like a spider, seeming to try to hide itself. If the nest had been formed under glass, it could not have been more open to view. The stone was carefully replaced.

Below the pine wood on the slope of the hill a plough was already at work, the crop of peas having been harvested. The four horses came up the slope, and at the ridge swept round in a fine curve to go back and open a fresh furrow. As soon as they faced down-hill they paused, well aware of what had to be done, and the ploughman in a manner knocked his plough to pieces, putting it together again the opposite way, that the earth he was about to cut with the share might fall on what he had just turned. With a piece of iron he hammered the edge of the share, to set it, for the hard ground had bent the edge, and it did not cut properly. I said his team looked light; they were not so heavily built as the cart-horses used in many places. No, he said, they did not want heavy horses. "Dese yer thick-boned hosses be more clutter-headed over the clots," as he expressed it, i.e. more clumsy or thick-headed over the clods. He preferred comparatively light cart-horses to step well. In the heat of the sun the furze-pods kept popping and bursting open; they are often as full of insects as seeds, which come creeping out. A green and black lady-bird—exactly like a tortoise—flew on to my hand. Again on the heath, and the grasshoppers rose at every step, sometimes three or four springing in as many directions. They were winged, and as soon as they were up spread their vanes and floated forwards. As the force of the original hop decreased, the wind took their wings and turned them aside from the straight course before they fell. Down the dusty road, inches deep in sand, comes a sulphur butterfly, rushing as quick as if hastening to a butterfly-fair. If only rare, how valued he would be! His colour is so evident and visible; he fills the road, being brighter than all, and for the moment is more than the trees and flowers.

Coming so suddenly over the hedge into the road close to me, he startled me as if I had been awakened from a dream—I had been thinking it was August, and woke to find it February—for the sulphur butterfly is the February pleasure. Between the dark storms and wintry rains there is a warm sunny interval of a week in February. Away one goes for a walk, and presently there appears a bright yellow spot among the furze, dancing along like a flower let loose. It is a sulphur butterfly, who thus comes before the earliest chiffchaff—before the watch begins for the first swallow. I call it the February pleasure, as each month has its delight. So associated as this butterfly is with early spring, to see it again after months of leaf and flower—after June and July—with the wheat in shock and the scent of harvest in the land, is startling. The summer, then, is a dream! It is still winter; but no, here are the trees in leaf, the nuts reddening, the hum of bees, and dry summer dust on the high wiry grass. The sulphur butterfly comes twice; there is a second brood; but there are some facts that are always new and surprising, however well known. I may say again, if only rare, how this butterfly would be prized! Along the hedgerow there are several spiders' webs. In the centre they are drawn inwards, forming a funnel, which goes back a few inches into the hedge, and at the bottom of this the spider waits. If you look down the funnel you see his claws at the bottom, ready to run up and seize a fly.

Sitting in the garden after a walk, it is pleasant to watch the eave-swallows feeding their young on the wing. The young bird follows the old one; then they face each other and stay a moment in the air, while the insect food is transferred from beak to beak; with a loud note they part. There was a constant warfare between the eave-swallows and the sparrows frequenting a house where I was staying during the early part of the summer. The sparrows strove their utmost to get possession of the nests the swallows built, and there was no peace between them It is common enough for one or two swallows' nests to be attacked in this way, but here every nest along the eaves was fought for, and the sparrows succeeded in conquering many of them. The driven-out swallows after a while began to build again, and I noticed that more than a pair seemed to work at the same nest. One nest was worked at by four swallows; often all four came together and twittered at it.



NATURE ON THE ROOF

Increased activity on the housetop marks the approach of spring and summer exactly as in the woods and hedges, for the roof has its migrants, its semi-migrants, and its residents. When the first dandelion is opening on a sheltered bank, and the pale-blue field veronica flowers in the waste corner, the whistle of the starling comes from his favourite ledge. Day by day it is heard more and more, till, when the first green spray appears on the hawthorn, he visits the roof continually. Besides the roof-tree and the chimney-pot, he has his own special place, sometimes under an eave, sometimes between two gables; and as I sit writing, I can see a pair who have a ledge which slightly projects from the wall between the eaves and the highest window. This was made by the builder for an ornament; but my two starlings consider it their own particular possession. They alight with a sort of half-scream half-whistle just over the window, flap their wings, and whistle again, run along the ledge to a spot where there is a gable, and with another note, rise up and enter an aperture between the slates and the wall. There their nest will be in a little time, and busy indeed they will be when the young require to be fed, to and fro the fields and the gable the whole day through; the busiest and the most useful of birds, for they destroy thousands upon thousands of insects, and if farmers were wise they would never have one shot, no matter how the thatch was pulled about.

My pair of starlings were frequently at this ledge last autumn, very late in autumn, and I suspect they had a winter brood there. The starling does rear a brood sometimes in the midst of the winter, contrary as that may seem to our general ideas of natural history. They may be called roof-residents, as they visit it all the year round; they nest in the roof, rearing two and sometimes three broods; and use it as their club and place of meeting. Towards July the young starlings and those that have for the time at least finished nesting, flock together, and pass the day in the fields, returning now and then to their old home. These flocks gradually increase; the starling is so prolific that the flocks become immense, till in the latter part of the autumn in southern fields it is common to see a great elm-tree black with them, from the highest bough downwards, and the noise of their chattering can be heard a long distance. They roost in firs or in osier-beds. But in the blackest days of winter, when frost binds the ground hard as iron, the starlings return to the roof almost every day; they do not whistle much, but have a peculiar chuckling whistle at the instant of alighting. In very hard weather, especially snow, the starlings find it difficult to obtain a living, and at such times will come to the premises at the rear, and at farmhouses where cattle are in the yards, search about among them for insects.

The whole history of the starling is interesting, but I must here only mention it as a roof-bird. They are very handsome in their full plumage, which gleams bronze and green among the darker shades; quick in their motions, and full of spirit; loaded to the muzzle with energy, and never still. I hope none of those who are so good as to read what I have written will ever keep a starling in a cage; the cruelty is extreme. As for shooting pigeons at a trap, it is mercy in comparison.

Even before the starling whistles much, the sparrows begin to chirp: in the dead of winter they are silent; but so soon as the warmer winds blow, if only for a day, they begin to chirp. In January this year I used to listen to the sparrows chirping, the starlings whistling, and the chaffinches' "chink, chink" about eight o'clock, or earlier, in the morning: the first two on the roof; the latter, which is not a roof-bird, in some garden shrubs. As the spring advances, the sparrows sing—it is a short song, it is true, but still it is singing—perched at the edge of a sunny wall. There is not a place about the house where they will not build—under the eaves, on the roof, anywhere where there is a projection or shelter, deep in the thatch, under the tiles, in old eave-swallows' nest. The last place I noticed as a favourite one in towns is on the half-bricks left projecting in perpendicular rows at the sides of unfinished houses, Half a dozen nests may be counted at the side of a house on these bricks; and like the starlings, they rear several broods, and some are nesting late in the autumn. By degrees as the summer advances they leave the houses for the corn, and gather in vast flocks, rivalling those of the starlings. At this time they desert the roofs, except those who still have nesting duties. In winter and in the beginning of the new year, they gradually return; migration thus goes on under the eyes of those who care to notice it. In London, some who fed sparrows on the roof found that rooks also came for the crumbs placed out. I sometimes see a sparrow chasing a rook, as if angry, and trying to drive it away over the roofs where I live, the thief does not retaliate, but, like a thief, flees from the scene of his guilt. This is not only in the breeding season, when the rook steals eggs, but in winter. Town residents are apt to despise the sparrow, seeing him always black; but in the country the sparrows are as clean as a pink; and in themselves they are the most animated, clever little creatures.

They are easily tamed. The Parisians are fond of taming them. At a certain hour in the Tuilleries Gardens, you may see a man perfectly surrounded with a crowd of sparrows—some perching on his shoulder; some fluttering in the air immediately before his face; some on the ground like a tribe of followers; and others on the marble seats. He jerks a crumb of bread into the air—a sparrow dexterously seizes it as he would a flying insect; he puts a crumb between his lips—a sparrow takes it out and feeds from his mouth. Meantime they keep up a constant chirping; those that are satisfied still stay by and adjust their feathers. He walks on, giving a little chirp with his mouth, and they follow him along the path—a cloud about his shoulders, and the rest flying from shrub to shrub, perching, and then following again. They are all perfectly clean—a contrast to the London Sparrow. I came across one of these sparrow-tamers by chance, and was much amused at the scene, which, to any one not acquainted with birds, appears marvellous; but it is really as simple as possible, and you can repeat it for yourself if you have patience, for they are so sharp they soon understand you. They seem to play at nest-making before they really begin; taking up straws in their beaks, and carrying them half-way to the roof, then letting the straws float away; and the same with stray feathers, Neither of these, starlings nor sparrows, seem to like the dark. Under the roof, between it and the first ceiling, there is a large open space; if the slates or tiles are kept in good order, very little light enters, and this space is nearly dark in daylight. Even if chinks admit a beam of light, it is not enough; they seldom enter or fly about there, though quite accessible to them. But if the roof is in bad order, and this space light, they enter freely. Though nesting in holes, yet they like light. The swallows could easily go in and make nests upon the beams, but they will not, unless the place is well lit. They do not like darkness in the daytime.

The swallows bring us the sunbeams on their wings from Africa to fill the fields with flowers. From the time of the arrival of the first swallow the flowers take heart; the few and scanty plants that had braved the earlier cold are succeeded by a constantly enlarging list, till the banks and lanes are full of them. The chimney-swallow is usually the forerunner of the three house-swallows; and perhaps no fact in natural history has been so much studied as the migration of these tender birds. The commonest things are always the most interesting. In summer there is no bird so common everywhere as the swallow, and for that reason many overlook it, though they rush to see a "white elephant." But the deepest thinkers have spent hours and hours in considering the problem of the swallow—its migrations, its flight, its habits; great poets have loved it; great artists and art-writers have curiously studied it. The idea that it is necessary to seek the wilderness or the thickest woods for nature is a total mistake; nature it, at home, on the roof, close to every one. Eave-swallows, or house-martins (easily distinguished by the white bar across the tail), build sometimes in the shelter of the porches of old houses.

As you go in or out, the swallows visiting or leaving their nests fly so closely as almost to brush the face. Swallow means porch-bird, and for centuries and centuries their nests have been placed in the closest proximity to man. They might be called man's birds, so attached are they to the human race. I think the greatest ornament a house can have is the nest of an eave-swallow under the eaves—far superior to the most elaborate carving, colouring, or arrangement the architect can devise. There is no ornament like the swallow's nest; the home of a messenger between man and the blue heavens, between us and the sunlight, and all the promise of the sky. The joy of life, the highest and tenderest feelings, thoughts that soar on the swallow's wings, come to the round nest under the roof. Not only to-day, not only the hopes of future years, but all the past dwells there. Year after year the generations and descent of the swallow have been associated with our homes, and all the events of successive lives have taken place under their guardianship. The swallow is the genius of good to a house. Let its nest, then, stay; to me it seems the extremity of barbarism, or rather stupidity, to knock it down. I wish I could induce them to build under the eaves of this house; I would if I could discover some means of communicating with them.

It is a peculiarity of the swallow that you cannot make it afraid of you; just the reverse of other birds. The swallow does not understand being repulsed, but comes back again. Even knocking the nest down will not drive it away, until the stupid process has been repeated several years. The robin must be coaxed; the sparrow is suspicious, and though easy to tame, quick to notice the least alarming movement. The swallow will not be driven away. He has not the slightest fear of man; he flies to his nest close to the window, under the low eave, or on the beams in the out-houses, no matter if you are looking on or not. Bold as the starlings are, they will seldom do this. But in the swallow the instinct of suspicion is reversed, an instinct of confidence occupies its place. In addition to the eave-swallow, to which I have chiefly alluded, and the chimney-swallow, there is the swift, also a roof-bird, and making its nest in the slates of houses in the midst of towns. These three are migrants in the fullest sense, and come to our houses over thousands of miles of land and sea.

Robins frequently visit the roof for insects, especially when it is thatched; so do wrens; and the latter, after they have peered along, have a habit of perching at the extreme angle of a gable, or the extreme edge of a corner, and uttering their song. Finches occasionally fly up to the roofs of country-houses if shrubberies are near, also in pursuit of insects; but they are not truly roof-birds. Wagtails perch on roofs; they often have their nests in the ivy, or creepers trained against walls; they are quite at borne, and are frequently seen on the ridges of farmhouses. Tits of several species, particularly the great titmouse and the blue tit, come to thatch for insects, both in summer and winter. In some districts where they are common, it is not unusual to see a goatsucker or fern-owl hawk along close to the eaves in the dusk of the evening for moths. The white owl is a roof-bird (though not often of the house), building inside the roof, and sitting there all day in some shaded corner. They do sometimes take up their residence in the roofs of outhouses attached to dwellings, but not often nowadays, though still residing in the roofs of old castles. Jackdaws, again, are roof-birds, building in the roofs of towers. Bats live in roofs, and hang there wrapped up in their membranous wings till the evening calls them forth. They are residents in the full sense, remaining all the year round, though principally seen in the warmer months; but they are there in the colder, hidden away, and if the temperature rises, will venture out and hawk to and fro in the midst of the winter. Tame pigeons and doves hardly come into this paper, but still it is their habit to use roofs as tree-tops. Rats and mice creep through the crevices of roofs, and in old country-houses hold a sort of nightly carnival, racing to and fro under the roof. Weasels sometimes follow them indoors and up to their roof strongholds.

When the first warm days of spring sunshine strike against the southern side of the chimney, sparrows perch there and enjoy it; and again in autumn, when the general warmth of the atmosphere is declining, they still find a little pleasant heat there. They make use of the radiation of heat, as the gardener does who trains his fruit-trees to a wall. Before the autumn has thinned the leaves, the swallows gather on the highest ridge of the roof in a row and twitter to each other; they know the time is approaching when they must depart for another climate. In winter, many birds seek the thatched roofs to roost. Wrens, tits, and even blackbirds roost in the holes left by sparrows or starlings.

Every crevice is the home of insects, or used by them for the deposit of their eggs—under the tiles or slates, where mortar has dropped out between the bricks, in the holes of thatch, and on the straws. The number of insects that frequent a large roof must be very great—all the robins, wrens, bats, and so on, can scarcely affect them; nor the spiders, though these, too, are numerous. Then there are the moths, and those creeping creatures that work out of sight, boring their way through the rafters and beams. Sometimes a sparrow may be seen clinging to the bare wall of the house; tits do the same thing. It is surprising how they manage to hold on. They are taking insects from the apertures of the mortar. Where the slates slope to the south, the sunshine soon heats them, and passing butterflies alight on the warm surface, and spread out their wings, as if hovering over the heat. Flies are attracted in crowds sometimes to heated slates and tiles, and wasps will occasionally pause there. Wasps are addicted to haunting houses, and, in the autumn, feed on the flies. Floating germs carried by the air must necessarily lodge in numbers against roofs; so do dust and invisible particles; and together, these make the rain-water collected in water-butts after a storm turbid and dark; and it soon becomes full of living organisms.

Lichen and moss grow on the mortar wherever it has become slightly disintegrated; and if any mould, however minute, by any means accumulates between the slates, there, too, they spring up, and even on the slates themselves. Tiles are often coloured yellow by such growths. On some old roofs, which have decayed, and upon which detritus has accumulated, wallflowers may be found; and the house-leek takes capricious root where it fancies. The stonecrop is the finest of roof-plants, sometimes forming a broad patch of brilliant yellow. Birds carry up seeds and grains, and these germinate in moist thatch. Groundsel, for instance, and stray stalks of wheat, thin and drooping for lack of soil, are sometimes seen there, besides grasses. Ivy is familiar as a roof-creeper. Some ferns and the pennywort will grow on the wall close to the roof. A correspondent tells me that in Wales he found a cottage perfectly roofed with fern—it grew so thickly as to conceal the roof. Had a painter put this in a picture, many would have exclaimed: "How fanciful! He must have made it up; it could never have grown like that!" Not long after receiving my correspondent's kind letter, I chanced to find a roof near London upon which the same fern was growing in lines along the tiles. It grew plentifully, but was not in so flourishing a condition as that found in Wales. Painters are sometimes accused of calling upon their imagination when they are really depicting fact, for the ways of nature vary very much in different localities, and that which may seem impossible in one place is common enough in another.

Where will not ferns grow? We saw one attached to the under-side of a glass coal-hole cover; its green could be seen through the thick glass on which people stepped daily.

Recently, much attention has been paid to the dust which is found on roofs and ledges at great heights. This meteoric dust, as it is called, consists of minute particles of iron, which are thought to fall from the highest part of the atmosphere, or possibly to be attracted to the earth from space. Lightning usually strikes the roof. The whole subject of lightning-conductors has been re-opened of late years, there being reason to think that mistakes have been made in the manner of their erection. The reason English roofs are high-pitched is not only because of the rain, that it may shoot off quickly, but on account of snow. Once now and then there comes a snow-year, and those who live in houses with flat surfaces anywhere on the roof soon discover how inconvenient they are. The snow is sure to find its way through, damaging ceilings, and doing other mischief. Sometimes, in fine summer weather, people remark how pleasant it would be if the roof were flat, so that it could be used as a terrace, as it is in warmer climates. But the fact is, the English roof, although now merely copied and repeated without a thought of the reason of its shape, grew up from experience of severe winters. Of old, great care and ingenuity—what we should now call artistic skill—were employed in contracting the roof. It was not only pleasant to the eye with its gables, but the woodwork was wonderfully well done. Such roofs may still be seen on ancient mansions, having endured for centuries. They are splendid pieces of workmanship, and seen from afar among foliage, are admired by every one who has the least taste. Draughtsmen and painters value them highly. No matter whether reproduced on a large canvas or in a little woodcut, their proportions please. The roof is much neglected in modern houses; it is either conventional, or it is full indeed of gables, but gables that do not agree, as it were, with each other—that are obviously put there on purpose to look artistic, and fail altogether. Now, the ancient roofs were true works of art, consistent, and yet each varied to its particular circumstances, and each impressed with the individuality of the place and of the designer. The finest old roofs were built of oak or chestnut; the beams are black with age, and, in that condition, oak is scarcely distinguishable from chestnut.

So the roof has its natural history, its science, and art; it has its seasons, its migrants and residents, of whom a housetop calendar might be made. The fine old roofs which have just been mentioned are often associated with historic events and the rise of families; and the roof-tree, like the hearth, has a range of proverbs or sayings and ancient lore to itself. More than one great monarch has been slain by a tile thrown from the housetop, and numerous other incidents have occurred in connection with it. The most interesting is the story of the Grecian mother who, with her infant, was on the roof, when, in a moment of inattention, the child crept to the edge, and was balanced on the very verge. To call to it, to touch it, would have insured its destruction; but the mother, without a second's thought, bared her breast, and the child eagerly turning to it, was saved!



ONE OF THE NEW VOTERS

I

If any one were to get up about half-past five on an August morning and look out of an eastern window in the country, he would see the distant trees almost hidden by a white mist. The tops of the larger groups of elms would appear above it, and by these the line of the hedgerows could be traced. Tier after tier they stretch along, rising by degrees on a gentle slope, the space between filled with haze. Whether there were corn-fields or meadows under this white cloud he could not tell—a cloud that might have come down from the sky, leaving it a clear azure. This morning haze means intense heat in the day. It is hot already, very hot, for the sun is shining with all his strength, and if you wish the house to be cool it is time to set the sunblinds.

Roger, the reaper, had slept all night in the cowhouse, lying on the raised platform of narrow planks put up for cleanliness when the cattle were there. He had set the wooden window wide open and left the door ajar when he came stumbling in overnight, long after the late swallows had settled in their nests in the beams, and the bats had wearied of moth catching. One of the swallows twittered a little, as much as to say to his mate, "my love, it is only a reaper, we need not be afraid," and all was silence and darkness. Roger did not so much as take off his boots, but flung himself on the boards crash, curled himself up hedgehog fashion with some old sacks, and immediately began to breathe heavily. He had no difficulty in sleeping, first because his muscles had been tried to the utmost, and next because his skin was full to the brim, not of jolly "good ale and old" but of the very smallest and poorest of wish-washy beer. In his own words, it "blowed him up till he very nigh bust." Now the great authorities on dyspepsia, so eagerly studied by the wealthy folk whose stomachs are deranged, tell us that a very little flatulence will make the heart beat irregularly and cause the most distressing symptoms.

Roger had swallowed at least a gallon of a liquid chemically designed, one might say, on purpose to utterly upset the internal economy. Harvest beer is probably the vilest drink in the world. The men say it is made by pouring muddy water into empty casks returned sour from use, and then brushing them round and round inside with a besom. This liquid leaves a stickiness on the tongue and a harsh feeling at the back of the mouth which soon turns to thirst, so that having once drunk a pint the drinker must go on drinking. The peculiar dryness caused by this beer is not like any other throat drought—worse than dust, or heat, or thirst from work; there is no satisfying it. With it there go down the germs of fermentation, a sour, yeasty, and, as it were, secondary fermentation; not that kind which is necessary to make beer, but the kind that unmakes and spoils beer. It is beer rotting and decomposing in the stomach. Violent diarrhoea often follows, and then the exhaustion thus caused induces the men to drink more in order to regain the strength necessary to do their work. The great heat of the sun and the heat of hard labour, the strain and perspiration, of course try the body and weaken the digestion. To distend the stomach with half a gallon of this liquor, expressly compounded to ferment, is about the most murderous thing a man could do—murderous because it exposes him to the risk of sunstroke. So vile a drink there is not elsewhere in the world; arrack, and potato-spirit, and all the other killing extracts of the distiller are not equal to it. Upon this abominable mess the golden harvest of English fields is gathered in.

Some people have in consequence endeavoured to induce the harvesters to accept a money payment in place of beer, and to a certain extent successfully. Even then, however, they must drink something. Many manage on weak tea after a fashion, but not so well as the abstainers would have us think. Others have brewed for their men a miserable stuff in buckets, an infusion of oatmeal, and got a few to drink it; but English labourers will never drink oatmeal-water unless they are paid to do it. If they are paid extra beer-money and oatmeal water is made for them gratis, some will, of course, imbibe it, especially if they see that thereby they may obtain little favours from their employer by yielding to his fad. By drinking the crotchet perhaps they may get a present now and then-food for themselves, cast-off clothes for their families, and so on. For it is a remarkable feature of human natural history, the desire to proselytise. The spectacle of John Bull—jovial John Bull—offering his men a bucket of oatmeal liquor is not a pleasant one. Such a John Bull ought to be ashamed of himself.

The truth is the English farmer's man was and is, and will be, a drinker of beer. Neither tea, nor oatmeal, nor vinegar and water (coolly recommended by indoor folk) will do for him. His natural constitution rebels against such "peevish" drink. In winter he wants beer against the cold and the frosty rime and the heavy raw mist that hangs about the hollows; in spring and autumn against the rain, and in summer to support him under the pressure of additional work and prolonged hours. Those who really wish well to the labourer cannot do better than see that he really has beer to drink—real beer, genuine brew of malt and hops, a moderate quantity of which will supply force to his thews and sinews, and will not intoxicate or injure. If by giving him a small money payment in lieu of such large quantities you can induce him to be content with a little, so much the better. If an employer followed that plan, and at the same time once or twice a day sent out a moderate supply of genuine beer as a gift to his men, he would do them all the good in the world, and at the same time obtain for himself their goodwill and hearty assistance, that hearty work which is worth so much.

Roger breathed heavily in his sleep in the cowhouse, because the vile stuff he had taken puffed him up and obstructed nature. The tongue in his open mouth became parched and cracked, swollen and dry; he slept indeed, but he did not rest; he groaned heavily at times and rolled aside. Once he awoke choking—he could not swallow, his tongue was so dry and large; he sat up, swore, and again lay down. The rats in the sties had already discovered that a man slept in the cowhouse, a place they rarely visited, as there was nothing there to eat; how they found it out no one knows. They are clever creatures, the despised rats. They came across in the night and looked under his bed, supposing that he might have eaten his bread-and-cheese for supper there, and that fragments might have dropped between the boards. There were none. They mounted the boards and sniffed round him; they would have stolen the food from his very pocket if it had been there. Nor could they find a bundle in a handkerchief, which they would have gnawn through speedily. Not a scrap of food was there to be smelt at, so they left him. Roger had indeed gone supperless, as usual; his supper he had swilled and not eaten. His own fault; he should have exercised self-control. Well, I don't know; let us consider further before we judge.

In houses the difficulty often is to get the servants up in the morning; one cannot wake, and the rest sleep too sound—much the same thing; yet they have clocks and alarums. The reapers are never behind. Roger got off his planks, shook himself, went outside the shed, and tightened his shoelaces in the bright light. His rough hair he just pushed back from his forehead, and that was his toilet. His dry throat sent him to the pump, but he did not swallow much of the water—he washed his mouth out, and that was enough; and so without breakfast he went to his work. Looking down from the stile on the high ground there seemed to be a white cloud resting on the valley, through which the tops of the high trees penetrated; the hedgerows beneath were concealed, and their course could only be traced by the upper branches of the elms. Under this cloud the wheat-fields were blotted out; there seemed neither corn nor grass, work for man nor food for animal; there could be nothing doing there surely. In the stillness of the August morning, without song of bird, the sun, shining brilliantly high above the mist, seemed to be the only living thing, to possess the whole and reign above absolute peace. It is a curious sight to see the early harvest morn—all hushed under the burning sun, a morn that you know is full of life and meaning, yet quiet as if man's foot had never trodden the land. Only the sun is there, rolling on his endless way.

Roger's head was bound with brass, but had it not been he would not have observed anything in the aspect of the earth. Had a brazen band been drawn firmly round his forehead it could not have felt more stupefied. His eyes blinked in the sunlight; every now and then he stopped to save himself from staggering; he was not in a condition to think. It would have mattered not at all if his head had been clear; earth, sky, and sun were nothing to him; he knew the footpath, and saw that the day would be fine and hot, and that was sufficient for him, because his eyes had never been opened.

The reaper had risen early to his labour, but the birds had preceded him hours. Before the sun was up the swallows had left their beams in the cowshed and twittered out into the air. The rooks and wood-pigeons and doves had gone to the corn, the blackbird to the stream, the finch to the hedgerow, the bees to the heath on the hills, the humble-bees to the clover in the plain. Butterflies rose from the flowers by the footpath, and fluttered before him to and fro and round and back again to the place whence they had been driven. Goldfinches tasting the first thistledown rose from the corner where the thistles grew thickly. A hundred sparrows came rushing up into the hedge, suddenly filling the boughs with brown fruit; they chirped and quarrelled in their talk, and rushed away again back to the corn as he stepped nearer. The boughs were stripped of their winged brown berries as quickly as they had grown. Starlings ran before the cows feeding in the aftermath, so close to their mouths as to seem in danger of being licked up by their broad tongues. All creatures, from the tiniest insect upward, were in reality busy under that curtain of white-heat haze. It looked so still, so quiet, from afar; entering it and passing among the fields, all that lived was found busy at its long day's work. Roger did not interest himself in these things, in the wasps that left the gate as he approached—they were making papier-mache from the wood of the top bar,—in the bright poppies brushing against his drab unpolished boots, in the hue of the wheat or the white convolvulus; they were nothing to him.

Why should they be? His life was work without skill or thought, the work of the horse, of the crane that lifts stones and timber. His food was rough, his drink rougher, his lodging dry planks. His books were—none; his picture-gallery a coloured print at the alehouse—a dog, dead, by a barrel, "Trust is dead! Bad Pay killed him." Of thought he thought nothing; of hope his idea was a shilling a week more wages; of any future for himself of comfort such as even a good cottage can give—of any future whatever—he had no more conception than the horse in the shafts of the waggon. A human animal simply in all this, yet if you reckoned upon him as simply an animal—as has been done these centuries—you would now be mistaken. But why should he note the colour of the butterfly, the bright light of the sun, the hue of the wheat? This loveliness gave him no cheese for breakfast; of beauty in itself, for itself, he had no idea. How should he? To many of us the harvest—the summer—is a time of joy in light and colour; to him it was a time for adding yet another crust of hardness to the thick skin of his hands.

Though the haze looked like a mist it was perfectly dry; the wheat was as dry as noon; not a speck of dew, and pimpernels wide open for a burning day. The reaping-machine began to rattle as he came up, and work was ready for him. At breakfast-time his fellows lent him a quarter of a loaf, some young onions, and a drink from their tea. He ate little, and the tea slipped from his hot tongue like water from the bars of a grate; his tongue was like the heated iron the housemaid tries before using it on the linen. As the reaping-machine went about the gradually decreasing square of corn, narrowing it by a broad band each time, the wheat fell flat on the short stubble. Roger stooped, and, gathering sufficient together, took a few straws, knotted them to another handful as you might tie two pieces of string, and twisted the band round the sheaf. He worked stooping to gather the wheat, bending to tie it in sheaves; stooping, bending—stooping, bending,—and so across the field. Upon his head and back the fiery sun poured down the ceaseless and increasing heat of the August day. His face grew red, his neck black; the drought of the dry ground rose up and entered his mouth and nostrils, a warm air seemed to rise from the earth and fill his chest. His body ached from the ferment of the vile beer, his back ached with stooping, his forehead was bound tight with a brazen band. They brought some beer at last; it was like the spring in the desert to him. The vicious liquor—"a hair of the dog that bit him"—sank down his throat grateful and refreshing to his disordered palate as if he had drunk the very shadow of green boughs. Good ale would have seemed nauseous to him at that moment, his taste and stomach destroyed by so many gallons of this. He was "pulled together," and worked easier; the slow hours went on, and it was luncheon. He could have borrowed more food, but he was content instead with a screw of tobacco for his pipe and his allowance of beer.

They sat in the corner of the field. There were no trees for shade; they had been cut down as injurious to corn, but there were a few maple bushes and thin ash sprays, which seemed better than the open. The bushes cast no shade at all, the sun being so nearly overhead, but they formed a kind of enclosure, an open-air home, for men seldom sit down if they can help it on the bare and level plain; they go to the bushes, to the corner, or even to some hollow. It is not really any advantage; it is habit; or shall we not rather say that it is nature? Brought back as it were in the open field to the primitive conditions of life, they resumed the same instincts that controlled man in the ages past. Ancient man sought the shelter of trees and banks, of caves and hollows, and so the labourers under somewhat the same conditions came to the corner where the bushes grew. There they left their coats and slung up their luncheon-bundles to the branches; there the children played and took charge of the infants; there the women had their hearth and hung their kettle over a fire of sticks.

II

In August the unclouded sun, when there is no wind, shines as fervently in the harvest-field as in Spain. It is doubtful if the Spanish people feel the heat so much as our reapers; they have their siesta; their habits have become attuned to the sun, and it is no special strain upon them. In India our troops are carefully looked after in the hot weather, and everything made as easy for them as possible; without care and special clothing and coverings for the head they could not long endure. The English simoon of heat drops suddenly on the heads of the harvesters and finds them entirely unprepared; they have not so much as a cooling drink ready; they face it, as it were, unarmed. The sun spares not; It is fire from morn till night. Afar in the town the sun-blinds are up, there is a tent on the lawn in the shade, people drink claret-cup and use ice; ice has never been seen in the harvest-field. Indoors they say they are melting lying on a sofa in a darkened room, made dusky to keep out the heat. The fire falls straight from the sky on the heads of the harvesters—men, women, and children—and the white-hot light beats up again from the dry straw and the hard ground.

The tender flowers endure; the wide petal of the poppy, which withers between the fingers, lies afloat on the air as the lilies on water, afloat and open to the weight of the heat. The red pimpernel looks straight up at the sky from the early morning till its hour of closing in the afternoon. Pale blue speedwell does not fade; the pale blue stands the warmth equally with the scarlet. Far in the thick wheat the streaked convolvulus winds up the stalks, and is not smothered for want of air though wrapped and circled with corn. Beautiful though they are, they are bloodless, not sensitive; we have given to them our feelings, they do not share our pain or pleasure. Heat has gone into the hollow stalks of the wheat and down the yellow tubes to the roots, drying them in the earth. Heat has dried the leaves upon the hedge, and they touch rough—dusty rough, as books touch that have been lying unused; the plants on the bank are drying up and turning white. Heat has gone down into the cracks of the ground; the bar of the stile is so dry and powdery in the crevices that if a reaper chanced to drop a match on it there would seem risk of fire. The still atmosphere is laden with heat, and does not move in the corner of the field between the bushes.

Roger the reaper smoked out his tobacco; the children played round and watched for scraps of food; the women complained of the heat; the men said nothing. It is seldom that a labourer grumbles much at the weather, except as interfering with his work. Let the heat increase, so it would only keep fine. The fire in the sky meant money. Work went on again; Roger had now to go to another field to pitch—that is, help to load the waggon; as a young man, that was one of the jobs allotted to him. This was the reverse. Instead of stooping he had now to strain himself upright and lift sheaves over his head. His stomach empty of everything but small ale did not like this any more than his back had liked the other; but those who work for bare food must not question their employment. Heavily the day drove on; there was more beer, and again more beer, because it was desired to clear some fields that evening. Monotonously pitching the sheaves, Roger laboured by the waggon till the last had been loaded—till the moon was shining. His brazen forehead was unbound now; in spite of the beer the work and the perspiration had driven off the aching. He was weary but well. Nor had he been dull during the day; he had talked and joked—cumbrously in labourers' fashion—with his fellows. His aches, his empty stomach, his labour, and the heat had not overcome the vitality of his spirits. There was life enough left for a little rough play as the group gathered together and passed out through the gateway. Life enough left in him to go with the rest to the alehouse; and what else, oh moralist, would you have done in his place? This, remember, is not a fancy sketch of rural poetry; this is the reaper's real existence.

He had been in the harvest-field fourteen hours, exposed to the intense heat, not even shielded by a pith helmet; he had worked the day through with thew and sinew; he had had for food a little dry bread and a few onions, for drink a little weak tea and a great deal of small beer. The moon was now shining in the sky, still bright with sunset colours. Fourteen hours of sun and labour and hard fare! Now tell him what to do. To go straight to his plank-bed in the cowhouse; to eat a little more dry bread, borrow some cheese or greasy bacon, munch it alone, and sit musing till sleep came—he who had nothing to muse about. I think it would need a very clever man indeed to invent something for him to do, some way for him to spend his evening. Read! To recommend a man to read after fourteen hours' burning sun is indeed a mockery; darn his stockings would be better. There really is nothing whatsoever that the cleverest and most benevolent person could suggest. Before any benevolent or well-meaning suggestions could be effective the preceding circumstances must be changed—the hours and conditions of labour, everything; and can that be done? The world has been working these thousands of years, and still it is the same; with our engines, our electric light, our printing press, still the coarse labour of the mine, the quarry, the field has to be carried out by human hands. While that is so, it is useless to recommend the weary reaper to read. For a man is not a horse: the horse's day's work is over; taken to his stable he is content, his mind goes no deeper than the bottom of his manger, and so long as his nose does not feel the wood, so long as it is met by corn and hay, he will endure happily. But Roger the reaper is not a horse.

Just as his body needed food and drink, so did his mind require recreation, and that chiefly consists of conversation. The drinking and the smoking are in truth but the attributes of the labourer's public-house evening. It is conversation that draws him thither, just as it draws men with money in their pockets to the club and the houses of their friends. Any one can drink or smoke alone; it needs several for conversation, for company. You pass a public-house—the reaper's house—in the summer evening. You see a number of men grouped about trestle-tables out of doors, and others sitting at the open window; there is an odour of tobacco, a chink of glasses and mugs. You can smell the tobacco and see the ale; you cannot see the indefinite power which holds men there—the magnetism of company and conversation. Their conversation, not your conversation; not the last book, the last play; not saloon conversation; but theirs—talk in which neither you nor any one of your condition could really join. To us there would seem nothing at all in that conversation, vapid and subjectless; to them it means much. We have not been through the same circumstances: our day has been differently spent, and the same words have therefore a varying value. Certain it is, that it is conversation that takes men to the public-house. Had Roger been a horse he would have hastened to borrow some food, and, having eaten that, would have cast himself at once upon his rude bed. Not being an animal, though his life and work were animal, he went with his friends to talk. Let none unjustly condemn him as a blackguard for that—no, not even though they had seen him at ten o'clock unsteadily walking to his shed, and guiding himself occasionally with his hands to save himself from stumbling. He blundered against the door, and the noise set the swallows on the beams twittering. He reached his bedstead, and sat down and tried to unlace his boots, but could not. He threw himself upon the sacks and fell asleep. Such was one twenty-four hours of harvest-time.

The next and the next, for weeks, were almost exactly similar; now a little less beer, now a little more; now tying up, now pitching, now cutting a small field or corner with a fagging-hook. Once now and then there was a great supper at the farm. Once he fell out with another fellow, and they had a fight; Roger, however, had had so much ale, and his opponent so much whisky, that their blows were soft and helpless. They both fell—that is, they stumbled,—they were picked up, there was some more beer, and it was settled. One afternoon Roger became suddenly giddy, and was so ill that he did no more work that day, and very little on the following. It was something like a sunstroke, but fortunately a slight attack; on the third day he resumed his place. Continued labour in the sun, little food and much drink, stomach derangement, in short, accounted for his illness. Though he resumed his place and worked on, he was not so well afterwards; the work was more of an effort to him, and his face lost its fulness, and became drawn and pointed. Still he laboured, and would not miss an hour, for harvest was coming to an end, and the extra wages would soon cease. For the first week or so of haymaking or reaping the men usually get drunk, delighted with the prospect before them, they then settle down fairly well. Towards the end they struggle hard to recover lost time and the money spent in ale.

As the last week approached, Roger went up into the village and ordered the shoemaker to make him a good pair of boots. He paid partly for them then, and the rest next pay-day. This was a tremendous effort. The labourer usually pays a shilling at a time, but Roger mistrusted himself. Harvest was practically over, and after all the labour and the long hours, the exposure to the sun and the rude lodging, he found he should scarcely have thirty shillings. With the utmost ordinary care he could have saved a good lump of money. He was a single man, and his actual keep cost but little. Many married labourers, who had been forced by hard necessity to economy, contrived to put by enough to buy clothes for their families. The single man, with every advantage, hardly had thirty shillings, and even then it showed extraordinary prudence on his part to go and purchase a pair of boots for the winter. Very few in his place would have been as thoughtful as that; they would have got boots somehow in the end, but not beforehand. This life of animal labour does not grow the spirit of economy. Not only in farming, but in navvy work, in the rougher work of factories and mines, the same fact is evident. The man who labours with thew and sinew at horse labour—crane labour—not for himself, but for others, is not the man who saves. If he worked for his own hand possibly he might, no matter how rough his labour and fare; not while working for another. Roger reached his distant home among the meadows at last, with one golden half-sovereign in his pocket. That and his new pair of boots, not yet finished, represented the golden harvest to him. He lodged with his parents when at home; he was so far fortunate that he had a bed to go to; therefore in the estimation of his class he was not badly off. But if we consider his position as regards his own life we must recognise that he was very badly off indeed, so much precious time and the strength of his youth having been wasted.

Often it is stated that the harvest wages recoup the labourer for the low weekly receipts of the year, and if the money be put down in figures with pen and ink it is so. But in actual fact the pen-and-ink figures do not represent the true case; these extra figures have been paid for, and gold may be bought too dear. Roger had paid heavily for his half-sovereign and his boots; his pinched face did not look as if he had benefited greatly. His cautious old father, rendered frugal by forty years of labour, had done fairly well; the young man not at all. The old man, having a cottage, in a measure worked for his own hand. The young man, with none but himself to think of, scattered his money to the winds. Is money earned with such expenditure of force worth the having? Look at the arm of a woman labouring in the harvest-field—thin, muscular, sinewy, black almost, it tells of continual strain. After much of this she becomes pulled out of shape, the neck loses its roundness and shows the sinews, the chest flattens. In time the women find the strain of it tell severely. I am not trying to make out a case of special hardship, being aware that both men, women, and children work as hard and perhaps suffer more in cities; I am simply describing the realities of rural life behind the scenes. The golden harvest is the first scene: the golden wheat, glorious under the summer sun. Bright poppies flower in its depths, and convolvulus climbs the stalks. Butterflies float slowly over the yellow surface as they might over a lake of colour. To linger by it, to visit it day by day, at even to watch the sunset by it, and see it pale under the changing light, is a delight to the thoughtful mind. There is so much in the wheat, there are books of meditation in it, it is dear to the heart. Behind these beautiful aspects comes the reality of human labour—hours upon hours of heat and strain; there comes the reality of a rude life, and in the end little enough of gain. The wheat is beautiful, but human life is labour.