"Do you know where Vanamee is to-day?" he asked the latter. Phelps put his chin in the air.

"Ask me something easy," he responded. "He might be at Guadalajara, or he might be up at Osterman's, or he might be a hundred miles away from either place. I know where he ought to be, Mr. Presley, but that ain't saying where the crazy gesabe is. He OUGHT to be range-riding over east of Four, at the head waters of Mission Creek."

"I'll try for him there, at all events," answered Presley. "If you see Harran when he comes in, tell him I may not be back in time for supper."

Presley found the pony in the corral, cinched the saddle upon him, and went off over the Lower Road, going eastward at a brisk canter.

At Hooven's he called a "How do you do" to Minna, whom he saw lying in a slat hammock under the mammoth live oak, her foot in bandages; and then galloped on over the bridge across the irrigating ditch, wondering vaguely what would become of such a pretty girl as Minna, and if in the end she would marry the Portuguese foreman in charge of the ditching-gang. He told himself that he hoped she would, and that speedily. There was no lack of comment as to Minna Hooven about the ranches. Certainly she was a good girl, but she was seen at all hours here and there about Bonneville and Guadalajara, skylarking with the Portuguese farm hands of Quien Sabe and Los Muertos. She was very pretty; the men made fools of themselves over her. Presley hoped they would not end by making a fool of her.

Just beyond the irrigating ditch, Presley left the Lower Road, and following a trail that branched off southeasterly from this point, held on across the Fourth Division of the ranch, keeping the Mission Creek on his left. A few miles farther on, he went through a gate in a barbed wire fence, and at once engaged himself in a system of little arroyos and low rolling hills, that steadily lifted and increased in size as he proceeded. This higher ground was the advance guard of the Sierra foothills, and served as the stock range for Los Muertos. The hills were huge rolling hummocks of bare ground, covered only by wild oats. At long intervals, were isolated live oaks. In the canyons and arroyos, the chaparral and manzanita grew in dark olive-green thickets. The ground was honey-combed with gopher-holes, and the gophers themselves were everywhere. Occasionally a jack rabbit bounded across the open, from one growth of chaparral to another, taking long leaps, his ears erect. High overhead, a hawk or two swung at anchor, and once, with a startling rush of wings, a covey of quail flushed from the brush at the side of the trail.

On the hillsides, in thinly scattered groups were the cattle, grazing deliberately, working slowly toward the water-holes for their evening drink, the horses keeping to themselves, the colts nuzzling at their mothers' bellies, whisking their tails, stamping their unshod feet. But once in a remoter field, solitary, magnificent, enormous, the short hair curling tight upon his forehead, his small red eyes twinkling, his vast neck heavy with muscles, Presley came upon the monarch, the king, the great Durham bull, maintaining his lonely state, unapproachable, austere.

Presley found the one-time shepherd by a water-hole, in a far distant corner of the range. He had made his simple camp for the night. His blue-grey army blanket lay spread under a live oak, his horse grazed near at hand. He himself sat on his heels before a little fire of dead manzanita roots, cooking his coffee and bacon. Never had Presley conceived so keen an impression of loneliness as his crouching figure presented. The bald, bare landscape widened about him to infinity. Vanamee was a spot in it all, a tiny dot, a single atom of human organisation, floating endlessly on the ocean of an illimitable nature.

The two friends ate together, and Vanamee, having snared a brace of quails, dressed and then roasted them on a sharpened stick. After eating, they drank great refreshing draughts from the water-hole. Then, at length, Presley having lit his cigarette, and Vanamee his pipe, the former said:

"Vanamee, I have been writing again."

Vanamee turned his lean ascetic face toward him, his black eyes fixed attentively.

"I know," he said, "your journal."

"No, this is a poem. You remember, I told you about it once. 'The Toilers,' I called it."

"Oh, verse! Well, I am glad you have gone back to it. It is your natural vehicle."

"You remember the poem?" asked Presley. "It was unfinished."

"Yes, I remember it. There was better promise in it than anything you ever wrote. Now, I suppose, you have finished it."

Without reply, Presley brought it from out the breast pocket of his shooting coat. The moment seemed propitious. The stillness of the vast, bare hills was profound. The sun was setting in a cloudless brazier of red light; a golden dust pervaded all the landscape. Presley read his poem aloud. When he had finished, his friend looked at him.

"What have you been doing lately?" he demanded. Presley, wondering, told of his various comings and goings.

"I don't mean that," returned the other. "Something has happened to you, something has aroused you. I am right, am I not? Yes, I thought so. In this poem of yours, you have not been trying to make a sounding piece of literature. You wrote it under tremendous stress. Its very imperfections show that. It is better than a mere rhyme. It is an Utterance—a Message. It is Truth. You have come back to the primal heart of things, and you have seen clearly. Yes, it is a great poem."

"Thank you," exclaimed Presley fervidly. "I had begun to mistrust myself."

"Now," observed Vanamee, "I presume you will rush it into print. To have formulated a great thought, simply to have accomplished, is not enough."

"I think I am sincere," objected Presley. "If it is good it will do good to others. You said yourself it was a Message. If it has any value, I do not think it would be right to keep it back from even a very small and most indifferent public."

"Don't publish it in the magazines at all events," Vanamee answered. "Your inspiration has come FROM the People. Then let it go straight TO the People—not the literary readers of the monthly periodicals, the rich, who would only be indirectly interested. If you must publish it, let it be in the daily press. Don't interrupt. I know what you will say. It will be that the daily press is common, is vulgar, is undignified; and I tell you that such a poem as this of yours, called as it is, 'The Toilers,' must be read BY the Toilers. It MUST BE common; it must be vulgarised. You must not stand upon your dignity with the People, if you are to reach them."

"That is true, I suppose," Presley admitted, "but I can't get rid of the idea that it would be throwing my poem away. The great magazine gives me such—a—background; gives me such weight."

"Gives YOU such weight, gives you such background. Is it YOURSELF you think of? You helper of the helpless. Is that your sincerity? You must sink yourself; must forget yourself and your own desire of fame, of admitted success. It is your POEM, your MESSAGE, that must prevail,—not YOU, who wrote it. You preach a doctrine of abnegation, of self-obliteration, and you sign your name to your words as high on the tablets as you can reach, so that all the world may see, not the poem, but the poet. Presley, there are many like you. The social reformer writes a book on the iniquity of the possession of land, and out of the proceeds, buys a corner lot. The economist who laments the hardships of the poor, allows himself to grow rich upon the sale of his book."

But Presley would hear no further.

"No," he cried, "I know I am sincere, and to prove it to you, I will publish my poem, as you say, in the daily press, and I will accept no money for it."

They talked on for about an hour, while the evening wore away. Presley very soon noticed that Vanamee was again preoccupied. More than ever of late, his silence, his brooding had increased. By and by he rose abruptly, turning his head to the north, in the direction of the Mission church of San Juan. "I think," he said to Presley, "that I must be going."

"Going? Where to at this time of night?"

"Off there." Vanamee made an uncertain gesture toward the north. "Good-bye," and without another word he disappeared in the grey of the twilight. Presley was left alone wondering. He found his horse, and, tightening the girths, mounted and rode home under the sheen of the stars, thoughtful, his head bowed. Before he went to bed that night he sent "The Toilers" to the Sunday Editor of a daily newspaper in San Francisco.

Upon leaving Presley, Vanamee, his thumbs hooked into his empty cartridge belt, strode swiftly down from the hills of the Los Muertos stock-range and on through the silent town of Guadalajara. His lean, swarthy face, with its hollow cheeks, fine, black, pointed beard, and sad eyes, was set to the northward. As was his custom, he was bareheaded, and the rapidity of his stride made a breeze in his long, black hair. He knew where he was going. He knew what he must live through that night.

Again, the deathless grief that never slept leaped out of the shadows, and fastened upon his shoulders. It was scourging him back to that scene of a vanished happiness, a dead romance, a perished idyl,—the Mission garden in the shade of the venerable pear trees.

But, besides this, other influences tugged at his heart. There was a mystery in the garden. In that spot the night was not always empty, the darkness not always silent. Something far off stirred and listened to his cry, at times drawing nearer to him. At first this presence had been a matter for terror; but of late, as he felt it gradually drawing nearer, the terror had at long intervals given place to a feeling of an almost ineffable sweetness. But distrusting his own senses, unwilling to submit himself to such torturing, uncertain happiness, averse to the terrible confusion of spirit that followed upon a night spent in the garden, Vanamee had tried to keep away from the place. However, when the sorrow of his life reassailed him, and the thoughts and recollections of Angele brought the ache into his heart, and the tears to his eyes, the temptation to return to the garden invariably gripped him close. There were times when he could not resist. Of themselves, his footsteps turned in that direction. It was almost as if he himself had been called.

Guadalajara was silent, dark. Not even in Solotari's was there a light. The town was asleep. Only the inevitable guitar hummed from an unseen 'dobe. Vanamee pushed on. The smell of the fields and open country, and a distant scent of flowers that he knew well, came to his nostrils, as he emerged from the town by way of the road that led on towards the Mission through Quien Sabe. On either side of him lay the brown earth, silently nurturing the implanted seed. Two days before it had rained copiously, and the soil, still moist, disengaged a pungent aroma of fecundity.

Vanamee, following the road, passed through the collection of buildings of Annixter's home ranch. Everything slept. At intervals, the aer-motor on the artesian well creaked audibly, as it turned in a languid breeze from the northeast. A cat, hunting field-mice, crept from the shadow of the gigantic barn and paused uncertainly in the open, the tip of her tail twitching. From within the barn itself came the sound of the friction of a heavy body and a stir of hoofs, as one of the dozing cows lay down with a long breath.

Vanamee left the ranch house behind him and proceeded on his way. Beyond him, to the right of the road, he could make out the higher ground in the Mission enclosure, and the watching tower of the Mission itself. The minutes passed. He went steadily forward. Then abruptly he paused, his head in the air, eye and ear alert. To that strange sixth sense of his, responsive as the leaves of the sensitive plant, had suddenly come the impression of a human being near at hand. He had neither seen nor heard, but for all that he stopped an instant in his tracks; then, the sensation confirmed, went on again with slow steps, advancing warily.

At last, his swiftly roving eyes lighted upon an object, just darker than the grey-brown of the night-ridden land. It was at some distance from the roadside. Vanamee approached it cautiously, leaving the road, treading carefully upon the moist clods of earth underfoot. Twenty paces distant, he halted.

Annixter was there, seated upon a round, white rock, his back towards him. He was leaning forward, his elbows on his knees, his chin in his hands. He did not move. Silent, motionless, he gazed out upon the flat, sombre land.

It was the night wherein the master of Quien Sabe wrought out his salvation, struggling with Self from dusk to dawn. At the moment when Vanamee came upon him, the turmoil within him had only begun. The heart of the man had not yet wakened. The night was young, the dawn far distant, and all around him the fields of upturned clods lay bare and brown, empty of all life, unbroken by a single green shoot.

For a moment, the life-circles of these two men, of so widely differing characters, touched each other, there in the silence of the night under the stars. Then silently Vanamee withdrew, going on his way, wondering at the trouble that, like himself, drove this hardheaded man of affairs, untroubled by dreams, out into the night to brood over an empty land.

Then speedily he forgot all else. The material world drew off from him. Reality dwindled to a point and vanished like the vanishing of a star at moonrise. Earthly things dissolved and disappeared, as a strange, unnamed essence flowed in upon him. A new atmosphere for him pervaded his surroundings. He entered the world of the Vision, of the Legend, of the Miracle, where all things were possible. He stood at the gate of the Mission garden.

Above him rose the ancient tower of the Mission church. Through the arches at its summit, where swung the Spanish queen's bells, he saw the slow-burning stars. The silent bats, with flickering wings, threw their dancing shadows on the pallid surface of the venerable facade.

Not the faintest chirring of a cricket broke the silence. The bees were asleep. In the grasses, in the trees, deep in the calix of punka flower and magnolia bloom, the gnats, the caterpillars, the beetles, all the microscopic, multitudinous life of the daytime drowsed and dozed. Not even the minute scuffling of a lizard over the warm, worn pavement of the colonnade disturbed the infinite repose, the profound stillness. Only within the garden, the intermittent trickling of the fountain made itself heard, flowing steadily, marking off the lapse of seconds, the progress of hours, the cycle of years, the inevitable march of centuries. At one time, the doorway before which Vanamee now stood had been hermetically closed. But he, himself, had long since changed that. He stood before it for a moment, steeping himself in the mystery and romance of the place, then raising he latch, pushed open the gate, entered, and closed it softly behind him. He was in the cloister garden.

The stars were out, strewn thick and close in the deep blue of the sky, the milky way glowing like a silver veil. Ursa Major wheeled gigantic in the north. The great nebula in Orion was a whorl of shimmering star dust. Venus flamed a lambent disk of pale saffron, low over the horizon. From edge to edge of the world marched the constellations, like the progress of emperors, and from the innumerable glory of their courses a mysterious sheen of diaphanous light disengaged itself, expanding over all the earth, serene, infinite, majestic.

The little garden revealed itself but dimly beneath the brooding light, only half emerging from the shadow. The polished surfaces of the leaves of the pear trees winked faintly back the reflected light as the trees just stirred in the uncertain breeze. A blurred shield of silver marked the ripples of the fountain. Under the flood of dull blue lustre, the gravelled walks lay vague amid the grasses, like webs of white satin on the bed of a lake. Against the eastern wall the headstones of the graves, an indistinct procession of grey cowls ranged themselves.

Vanamee crossed the garden, pausing to kiss the turf upon Angele's grave. Then he approached the line of pear trees, and laid himself down in their shadow, his chin propped upon his hands, his eyes wandering over the expanse of the little valley that stretched away from the foot of the hill upon which the Mission was built.

Once again he summoned the Vision. Once again he conjured up the Illusion. Once again, tortured with doubt, racked with a deathless grief, he craved an Answer of the night. Once again, mystic that he was, he sent his mind out from him across the enchanted sea of the Supernatural. Hope, of what he did not know, roused up within him. Surely, on such a night as this, the hallucination must define itself. Surely, the Manifestation must be vouchsafed.

His eyes closed, his will girding itself to a supreme effort, his senses exalted to a state of pleasing numbness, he called upon Angele to come to him, his voiceless cry penetrating far out into that sea of faint, ephemeral light that floated tideless over the little valley beneath him. Then motionless, prone upon the ground, he waited.

Months had passed since that first night when, at length, an Answer had come to Vanamee. At first, startled out of all composure, troubled and stirred to his lowest depths, because of the very thing for which he sought, he resolved never again to put his strange powers to the test. But for all that, he had come a second night to the garden, and a third, and a fourth. At last, his visits were habitual. Night after night he was there, surrendering himself to the influences of the place, gradually convinced that something did actually answer when he called. His faith increased as the winter grew into spring. As the spring advanced and the nights became shorter, it crystallised into certainty. Would he have her again, his love, long dead? Would she come to him once more out of the grave, out of the night? He could not tell; he could only hope. All that he knew was that his cry found an answer, that his outstretched hands, groping in the darkness, met the touch of other fingers. Patiently he waited. The nights became warmer as the spring drew on. The stars shone clearer. The nights seemed brighter. For nearly a month after the occasion of his first answer nothing new occurred. Some nights it failed him entirely; upon others it was faint, illusive.

Then, at last, the most subtle, the barest of perceptible changes began. His groping mind far-off there, wandering like a lost bird over the valley, touched upon some thing again, touched and held it and this time drew it a single step closer to him. His heart beating, the blood surging in his temples, he watched with the eyes of his imagination, this gradual approach. What was coming to him? Who was coming to him? Shrouded in the obscurity of the night, whose was the face now turned towards his? Whose the footsteps that with such infinite slowness drew nearer to where he waited? He did not dare to say.

His mind went back many years to that time before the tragedy of Angele's death, before the mystery of the Other. He waited then as he waited now. But then he had not waited in vain. Then, as now, he had seemed to feel her approach, seemed to feel her drawing nearer and nearer to their rendezvous. Now, what would happen? He did not know. He waited. He waited, hoping all things. He waited, believing all things. He waited, enduring all things. He trusted in the Vision.

Meanwhile, as spring advanced, the flowers in the Seed ranch began to come to life. Over the five hundred acres whereon the flowers were planted, the widening growth of vines and bushes spread like the waves of a green sea. Then, timidly, colours of the faintest tints began to appear. Under the moonlight, Vanamee saw them expanding, delicate pink, faint blue, tenderest variations of lavender and yellow, white shimmering with reflections of gold, all subdued and pallid in the moonlight.

By degrees, the night became impregnated with the perfume of the flowers. Illusive at first, evanescent as filaments of gossamer; then as the buds opened, emphasising itself, breathing deeper, stronger. An exquisite mingling of many odours passed continually over the Mission, from the garden of the Seed ranch, meeting and blending with the aroma of its magnolia buds and punka blossoms.

As the colours of the flowers of the Seed ranch deepened, and as their odours penetrated deeper and more distinctly, as the starlight of each succeeding night grew brighter and the air became warmer, the illusion defined itself. By imperceptible degrees, as Vanamee waited under the shadows of the pear trees, the Answer grew nearer and nearer. He saw nothing but the distant glimmer of the flowers. He heard nothing but the drip of the fountain. Nothing moved about him but the invisible, slow-passing breaths of perfume; yet he felt the approach of the Vision.

It came first to about the middle of the Seed ranch itself, some half a mile away, where the violets grew; shrinking, timid flowers, hiding close to the ground. Then it passed forward beyond the violets, and drew nearer and stood amid the mignonette, hardier blooms that dared look heavenward from out the leaves. A few nights later it left the mignonette behind, and advanced into the beds of white iris that pushed more boldly forth from the earth, their waxen petals claiming the attention. It advanced then a long step into the proud, challenging beauty of the carnations and roses; and at last, after many nights, Vanamee felt that it paused, as if trembling at its hardihood, full in the superb glory of the royal lilies themselves, that grew on the extreme border of the Seed ranch nearest to him. After this, there was a certain long wait. Then, upon a dark midnight, it advanced again. Vanamee could scarcely repress a cry. Now, the illusion emerged from the flowers. It stood, not distant, but unseen, almost at the base of the hill upon whose crest he waited, in a depression of the ground where the shadows lay thickest. It was nearly within earshot.

The nights passed. The spring grew warmer. In the daytime intermittent rains freshened all the earth. The flowers of the Seed ranch grew rapidly. Bud after bud burst forth, while those already opened expanded to full maturity. The colour of the Seed ranch deepened.

One night, after hours of waiting, Vanamee felt upon his cheek the touch of a prolonged puff of warm wind, breathing across the little valley from out the east. It reached the Mission garden and stirred the branches of the pear trees. It seemed veritably to be compounded of the very essence of the flowers. Never had the aroma been so sweet, so pervasive. It passed and faded, leaving in its wake an absolute silence. Then, at length, the silence of the night, that silence to which Vanamee had so long appealed, was broken by a tiny sound. Alert, half-risen from the ground, he listened; for now, at length, he heard something. The sound repeated itself. It came from near at hand, from the thick shadow at the foot of the hill. What it was, he could not tell, but it did not belong to a single one of the infinite similar noises of the place with which he was so familiar. It was neither the rustle of a leaf, the snap of a parted twig, the drone of an insect, the dropping of a magnolia blossom. It was a vibration merely, faint, elusive, impossible of definition; a minute notch in the fine, keen edge of stillness.

Again the nights passed. The summer stars became brighter. The warmth increased. The flowers of the Seed ranch grew still more. The five hundred acres of the ranch were carpeted with them.

At length, upon a certain midnight, a new light began to spread in the sky. The thin scimitar of the moon rose, veiled and dim behind the earth-mists. The light increased. Distant objects, until now hidden, came into view, and as the radiance brightened, Vanamee, looking down upon the little valley, saw a spectacle of incomparable beauty. All the buds of the Seed ranch had opened. The faint tints of the flowers had deepened, had asserted themselves. They challenged the eye. Pink became a royal red. Blue rose into purple. Yellow flamed into orange. Orange glowed golden and brilliant. The earth disappeared under great bands and fields of resplendent colour. Then, at length, the moon abruptly soared zenithward from out the veiling mist, passing from one filmy haze to another. For a moment there was a gleam of a golden light, and Vanamee, his eyes searching the shade at the foot of the hill, felt his heart suddenly leap, and then hang poised, refusing to beat. In that instant of passing light, something had caught his eye. Something that moved, down there, half in and half out of the shadow, at the hill's foot. It had come and gone in an instant. The haze once more screened the moonlight. The shade again engulfed the vision. What was it he had seen? He did not know. So brief had been that movement, the drowsy brain had not been quick enough to interpret the cipher message of the eye. Now it was gone. But something had been there. He had seen it. Was it the lifting of a strand of hair, the wave of a white hand, the flutter of a garment's edge? He could not tell, but it did not belong to any of those sights which he had seen so often in that place. It was neither the glancing of a moth's wing, the nodding of a wind-touched blossom, nor the noiseless flitting of a bat. It was a gleam merely, faint, elusive, impossible of definition, an intangible agitation, in the vast, dim blur of the darkness.

And that was all. Until now no single real thing had occurred, nothing that Vanamee could reduce to terms of actuality, nothing he could put into words. The manifestation, when not recognisable to that strange sixth sense of his, appealed only to the most refined, the most delicate perception of eye and ear. It was all ephemeral, filmy, dreamy, the mystic forming of the Vision—the invisible developing a concrete nucleus, the starlight coagulating, the radiance of the flowers thickening to something actual; perfume, the most delicious fragrance, becoming a tangible presence.

But into that garden the serpent intruded. Though cradled in the slow rhythm of the dream, lulled by this beauty of a summer's night, heavy with the scent of flowers, the silence broken only by a rippling fountain, the darkness illuminated by a world of radiant blossoms, Vanamee could not forget the tragedy of the Other; that terror of many years ago,—that prowler of the night, that strange, fearful figure with the unseen face, swooping in there from out the darkness, gone in an instant, yet leaving behind the trail and trace of death and of pollution.

Never had Vanamee seen this more clearly than when leaving Presley on the stock range of Los Muertos, he had come across to the Mission garden by way of the Quien Sabe ranch.

It was the same night in which Annixter out-watched the stars, coming, at last, to himself.

As the hours passed, the two men, far apart, ignoring each other, waited for the Manifestation,—Annixter on the ranch, Vanamee in the garden.

Prone upon his face, under the pear trees, his forehead buried in the hollow of his arm, Vanamee lay motionless. For the last time, raising his head, he sent his voiceless cry out into the night across the multi-coloured levels of the little valley, calling upon the miracle, summoning the darkness to give Angele back to him, resigning himself to the hallucination. He bowed his head upon his arm again and waited. The minutes passed. The fountain dripped steadily. Over the hills a haze of saffron light foretold the rising of the full moon. Nothing stirred. The silence was profound.

Then, abruptly, Vanamee's right hand shut tight upon his wrist. There—there it was. It began again, his invocation was answered. Far off there, the ripple formed again upon the still, black pool of the night. No sound, no sight; vibration merely, appreciable by some sublimated faculty of the mind as yet unnamed. Rigid, his nerves taut, motionless, prone on the ground, he waited.

It advanced with infinite slowness. Now it passed through the beds of violets, now through the mignonette. A moment later, and he knew it stood among the white iris. Then it left those behind. It was in the splendour of the red roses and carnations. It passed like a moving star into the superb abundance, the imperial opulence of the royal lilies. It was advancing slowly, but there was no pause. He held his breath, not daring to raise his head. It passed beyond the limits of the Seed ranch, and entered the shade at the foot of the hill below him. Would it come farther than this? Here it had always stopped hitherto, stopped for a moment, and then, in spite of his efforts, had slipped from his grasp and faded back into the night. But now he wondered if he had been willing to put forth his utmost strength, after all. Had there not always been an element of dread in the thought of beholding the mystery face to face? Had he not even allowed the Vision to dissolve, the Answer to recede into the obscurity whence it came?

But never a night had been so beautiful as this. It was the full period of the spring. The air was a veritable caress. The infinite repose of the little garden, sleeping under the night, was delicious beyond expression. It was a tiny corner of the world, shut off, discreet, distilling romance, a garden of dreams, of enchantments.

Below, in the little valley, the resplendent colourations of the million flowers, roses, lilies, hyacinths, carnations, violets, glowed like incandescence in the golden light of the rising moon. The air was thick with the perfume, heavy with it, clogged with it. The sweetness filled the very mouth. The throat choked with it. Overhead wheeled the illimitable procession of the constellations. Underfoot, the earth was asleep. The very flowers were dreaming. A cathedral hush overlay all the land, and a sense of benediction brooded low,—a divine kindliness manifesting itself in beauty, in peace, in absolute repose.

It was a time for visions. It was the hour when dreams come true, and lying deep in the grasses beneath the pear trees, Vanamee, dizzied with mysticism, reaching up and out toward the supernatural, felt, as it were, his mind begin to rise upward from out his body. He passed into a state of being the like of which he had not known before. He felt that his imagination was reshaping itself, preparing to receive an impression never experienced until now. His body felt light to him, then it dwindled, vanished. He saw with new eyes, heard with new ears, felt with a new heart.

"Come to me," he murmured.

Then slowly he felt the advance of the Vision. It was approaching. Every instant it drew gradually nearer. At last, he was to see. It had left the shadow at the base of the hill; it was on the hill itself. Slowly, steadily, it ascended the slope; just below him there, he heard a faint stirring. The grasses rustled under the touch of a foot. The leaves of the bushes murmured, as a hand brushed against them; a slender twig creaked. The sounds of approach were more distinct. They came nearer. They reached the top of the hill. They were within whispering distance.

Vanamee, trembling, kept his head buried in his arm. The sounds, at length, paused definitely. The Vision could come no nearer. He raised his head and looked. The moon had risen. Its great shield of gold stood over the eastern horizon. Within six feet of Vanamee, clear and distinct, against the disk of the moon, stood the figure of a young girl. She was dressed in a gown of scarlet silk, with flowing sleeves, such as Japanese wear, embroidered with flowers and figures of birds worked in gold threads. On either side of her face, making three-cornered her round, white forehead, hung the soft masses of her hair of gold. Her hands hung limply at her sides. But from between her parted lips—lips of almost an Egyptian fulness—her breath came slow and regular, and her eyes, heavy lidded, slanting upwards toward the temples, perplexing, oriental, were closed. She was asleep.

From out this life of flowers, this world of colour, this atmosphere oppressive with perfume, this darkness clogged and cloyed, and thickened with sweet odours, she came to him. She came to him from out of the flowers, the smell of the roses in her hair of gold, the aroma and the imperial red of the carnations in her lips, the whiteness of the lilies, the perfume of the lilies, and the lilies' slender, balancing grace in her neck. Her hands disengaged the scent of the heliotrope. The folds of her scarlet gown gave off the enervating smell of poppies. Her feet were redolent of hyacinth. She stood before him, a Vision realised—a dream come true. She emerged from out the invisible. He beheld her, a figure of gold and pale vermilion, redolent of perfume, poised motionless in the faint saffron sheen of the new-risen moon. She, a creation of sleep, was herself asleep. She, a dream, was herself dreaming.

Called forth from out the darkness, from the grip of the earth, the embrace of the grave, from out the memory of corruption, she rose into light and life, divinely pure. Across that white forehead was no smudge, no trace of an earthly pollution—no mark of a terrestrial dishonour. He saw in her the same beauty of untainted innocence he had known in his youth. Years had made no difference with her. She was still young. It was the old purity that returned, the deathless beauty, the ever-renascent life, the eternal consecrated and immortal youth. For a few seconds, she stood there before him, and he, upon the ground at her feet, looked up at her, spellbound. Then, slowly she withdrew. Still asleep, her eyelids closed, she turned from him, descending the slope. She was gone.

Vanamee started up, coming, as it were, to himself, looking wildly about him. Sarria was there.

"I saw her," said the priest. "It was Angele, the little girl, your Angele's daughter. She is like her mother."

But Vanamee scarcely heard. He walked as if in a trance, pushing by Sarria, going forth from the garden. Angele or Angele's daughter, it was all one with him. It was She. Death was overcome. The grave vanquished. Life, ever-renewed, alone existed. Time was naught; change was naught; all things were immortal but evil; all things eternal but grief.

Suddenly, the dawn came; the east burned roseate toward the zenith. Vanamee walked on, he knew not where. The dawn grew brighter. At length, he paused upon the crest of a hill overlooking the ranchos, and cast his eye below him to the southward. Then, suddenly flinging up his arms, he uttered a great cry.

There it was. The Wheat! The Wheat! In the night it had come up. It was there, everywhere, from margin to margin of the horizon. The earth, long empty, teemed with green life. Once more the pendulum of the seasons swung in its mighty arc, from death back to life. Life out of death, eternity rising from out dissolution. There was the lesson. Angele was not the symbol, but the PROOF of immortality. The seed dying, rotting and corrupting in the earth; rising again in life unconquerable, and in immaculate purity,—Angele dying as she gave birth to her little daughter, life springing from her death,—the pure, unconquerable, coming forth from the defiled. Why had he not had the knowledge of God? Thou fool, that which thou sowest is not quickened except it die. So the seed had died. So died Angele. And that which thou sowest, thou sowest not that body that shall be, but bare grain. It may chance of wheat, or of some other grain. The wheat called forth from out the darkness, from out the grip of the earth, of the grave, from out corruption, rose triumphant into light and life. So Angele, so life, so also the resurrection of the dead. It is sown in corruption. It is raised in incorruption. It is sown in dishonour. It is raised in glory. It is sown in weakness. It is raised in power. Death was swallowed up in Victory.

The sun rose. The night was over. The glory of the terrestrial was one, and the glory of the celestial was another. Then, as the glory of sun banished the lesser glory of moon and stars, Vanamee, from his mountain top, beholding the eternal green life of the growing Wheat, bursting its bonds, and in his heart exulting in his triumph over the grave, flung out his arms with a mighty shout:

"Oh, Death, where is thy sting? Oh, Grave, where is thy victory?"



CHAPTER IV

Presley's Socialistic poem, "The Toilers," had an enormous success. The editor of the Sunday supplement of the San Francisco paper to which it was sent, printed it in Gothic type, with a scare-head title so decorative as to be almost illegible, and furthermore caused the poem to be illustrated by one of the paper's staff artists in a most impressive fashion. The whole affair occupied an entire page. Thus advertised, the poem attracted attention. It was promptly copied in New York, Boston, and Chicago papers. It was discussed, attacked, defended, eulogised, ridiculed. It was praised with the most fulsome adulation; assailed with the most violent condemnation. Editorials were written upon it. Special articles, in literary pamphlets, dissected its rhetoric and prosody. The phrases were quoted,—were used as texts for revolutionary sermons, reactionary speeches. It was parodied; it was distorted so as to read as an advertisement for patented cereals and infants' foods. Finally, the editor of an enterprising monthly magazine reprinted the poem, supplementing it by a photograph and biography of Presley himself.

Presley was stunned, bewildered. He began to wonder at himself. Was he actually the "greatest American poet since Bryant"? He had had no thought of fame while composing "The Toilers." He had only been moved to his heart's foundations,—thoroughly in earnest, seeing clearly,—and had addressed himself to the poem's composition in a happy moment when words came easily to him, and the elaboration of fine sentences was not difficult. Was it thus fame was achieved? For a while he was tempted to cross the continent and go to New York and there come unto his own, enjoying the triumph that awaited him. But soon he denied himself this cheap reward. Now he was too much in earnest. He wanted to help his People, the community in which he lived—the little world of the San Joaquin, at grapples with the Railroad. The struggle had found its poet. He told himself that his place was here. Only the words of the manager of a lecture bureau troubled him for a moment. To range the entire nation, telling all his countrymen of the drama that was working itself out on this fringe of the continent, this ignored and distant Pacific Coast, rousing their interest and stirring them up to action—appealed to him. It might do great good. To devote himself to "the Cause," accepting no penny of remuneration; to give his life to loosing the grip of the iron-hearted monster of steel and steam would be beyond question heroic. Other States than California had their grievances. All over the country the family of cyclops was growing. He would declare himself the champion of the People in their opposition to the Trust. He would be an apostle, a prophet, a martyr of Freedom.

But Presley was essentially a dreamer, not a man of affairs. He hesitated to act at this precise psychological moment, striking while the iron was yet hot, and while he hesitated, other affairs near at hand began to absorb his attention.

One night, about an hour after he had gone to bed, he was awakened by the sound of voices on the porch of the ranch house, and, descending, found Mrs. Dyke there with Sidney. The ex-engineer's mother was talking to Magnus and Harran, and crying as she talked. It seemed that Dyke was missing. He had gone into town early that afternoon with the wagon and team, and was to have been home for supper. By now it was ten o'clock and there was no news of him. Mrs. Dyke told how she first had gone to Quien Sabe, intending to telephone from there to Bonneville, but Annixter was in San Francisco, and in his absence the house was locked up, and the over-seer, who had a duplicate key, was himself in Bonneville. She had telegraphed three times from Guadalajara to Bonneville for news of her son, but without result. Then, at last, tortured with anxiety, she had gone to Hooven's, taking Sidney with her, and had prevailed upon "Bismarck" to hitch up and drive her across Los Muertos to the Governor's, to beg him to telephone into Bonneville, to know what had become of Dyke.

While Harran rang up Central in town, Mrs. Dyke told Presley and Magnus of the lamentable change in Dyke.

"They have broken my son's spirit, Mr. Derrick," she said. "If you were only there to see. Hour after hour, he sits on the porch with his hands lying open in his lap, looking at them without a word. He won't look me in the face any more, and he don't sleep. Night after night, he has walked the floor until morning. And he will go on that way for days together, very silent, without a word, and sitting still in his chair, and then, all of a sudden, he will break out—oh, Mr. Derrick, it is terrible—into an awful rage, cursing, swearing, grinding his teeth, his hands clenched over his head, stamping so that the house shakes, and saying that if S. Behrman don't give him back his money, he will kill him with his two hands. But that isn't the worst, Mr. Derrick. He goes to Mr. Caraher's saloon now, and stays there for hours, and listens to Mr. Caraher. There is something on my son's mind; I know there is—something that he and Mr. Caraher have talked over together, and I can't find out what it is. Mr. Caraher is a bad man, and my son has fallen under his influence." The tears filled her eyes. Bravely, she turned to hide them, turning away to take Sidney in her arms, putting her head upon the little girl's shoulder.

"I—I haven't broken down before, Mr. Derrick," she said, "but after we have been so happy in our little house, just us three—and the future seemed so bright—oh, God will punish the gentlemen who own the railroad for being so hard and cruel."

Harran came out on the porch, from the telephone, and she interrupted herself, fixing her eyes eagerly upon him.

"I think it is all right, Mrs. Dyke," he said, reassuringly. "We know where he is, I believe. You and the little tad stay here, and Hooven and I will go after him."

About two hours later, Harran brought Dyke back to Los Muertos in Hooven's wagon. He had found him at Caraher's saloon, very drunk.

There was nothing maudlin about Dyke's drunkenness. In him the alcohol merely roused the spirit of evil, vengeful, reckless.

As the wagon passed out from under the eucalyptus trees about the ranch house, taking Mrs. Dyke, Sidney, and the one-time engineer back to the hop ranch, Presley leaning from his window heard the latter remark:

"Caraher is right. There is only one thing they listen to, and that's dynamite."

The following day Presley drove Magnus over to Guadalajara to take the train for San Francisco. But after he had said good-bye to the Governor, he was moved to go on to the hop ranch to see the condition of affairs in that quarter. He returned to Los Muertos overwhelmed with sadness and trembling with anger. The hop ranch that he had last seen in the full tide of prosperity was almost a ruin. Work had evidently been abandoned long since. Weeds were already choking the vines. Everywhere the poles sagged and drooped. Many had even fallen, dragging the vines with them, spreading them over the ground in an inextricable tangle of dead leaves, decaying tendrils, and snarled string. The fence was broken; the unfinished storehouse, which never was to see completion, was a lamentable spectacle of gaping doors and windows—a melancholy skeleton. Last of all, Presley had caught a glimpse of Dyke himself, seated in his rocking chair on the porch, his beard and hair unkempt, motionless, looking with vague eyes upon his hands that lay palm upwards and idle in his lap.

Magnus on his way to San Francisco was joined at Bonneville by Osterman. Upon seating himself in front of the master of Los Muertos in the smoking-car of the train, this latter, pushing back his hat and smoothing his bald head, observed:

"Governor, you look all frazeled out. Anything wrong these days?"

The other answered in the negative, but, for all that, Osterman was right. The Governor had aged suddenly. His former erectness was gone, the broad shoulders stooped a little, the strong lines of his thin-lipped mouth were relaxed, and his hand, as it clasped over the yellowed ivory knob of his cane, had an unwonted tremulousness not hitherto noticeable. But the change in Magnus was more than physical. At last, in the full tide of power, President of the League, known and talked of in every county of the State, leader in a great struggle, consulted, deferred to as the "Prominent Man," at length attaining that position, so long and vainly sought for, he yet found no pleasure in his triumph, and little but bitterness in life. His success had come by devious methods, had been reached by obscure means.

He was a briber. He could never forget that. To further his ends, disinterested, public-spirited, even philanthropic as those were, he had connived with knavery, he, the politician of the old school, of such rigorous integrity, who had abandoned a "career" rather than compromise with honesty. At this eleventh hour, involved and entrapped in the fine-spun web of a new order of things, bewildered by Osterman's dexterity, by his volubility and glibness, goaded and harassed beyond the point of reason by the aggression of the Trust he fought, he had at last failed. He had fallen he had given a bribe. He had thought that, after all, this would make but little difference with him. The affair was known only to Osterman, Broderson, and Annixter; they would not judge him, being themselves involved. He could still preserve a bold front; could still hold his head high. As time went on the affair would lose its point.

But this was not so. Some subtle element of his character had forsaken him. He felt it. He knew it. Some certain stiffness that had given him all his rigidity, that had lent force to his authority, weight to his dominance, temper to his fine, inflexible hardness, was diminishing day by day. In the decisions which he, as President of the League, was called upon to make so often, he now hesitated. He could no longer be arrogant, masterful, acting upon his own judgment, independent of opinion. He began to consult his lieutenants, asking their advice, distrusting his own opinions. He made mistakes, blunders, and when those were brought to his notice, took refuge in bluster. He knew it to be bluster—knew that sooner or later his subordinates would recognise it as such. How long could he maintain his position? So only he could keep his grip upon the lever of control till the battle was over, all would be well. If not, he would fall, and, once fallen, he knew that now, briber that he was, he would never rise again.

He was on his way at this moment to the city to consult with Lyman as to a certain issue of the contest between the Railroad and the ranchers, which, of late, had been brought to his notice.

When appeal had been taken to the Supreme Court by the League's Executive Committee, certain test cases had been chosen, which should represent all the lands in question. Neither Magnus nor Annixter had so appealed, believing, of course, that their cases were covered by the test cases on trial at Washington. Magnus had here blundered again, and the League's agents in San Francisco had written to warn him that the Railroad might be able to take advantage of a technicality, and by pretending that neither Quien Sabe nor Los Muertos were included in the appeal, attempt to put its dummy buyers in possession of the two ranches before the Supreme Court handed down its decision. The ninety days allowed for taking this appeal were nearly at an end and after then the Railroad could act. Osterman and Magnus at once decided to go up to the city, there joining Annixter (who had been absent from Quien Sabe for the last ten days), and talk the matter over with Lyman. Lyman, because of his position as Commissioner, might be cognisant of the Railroad's plans, and, at the same time, could give sound legal advice as to what was to be done should the new rumour prove true.

"Say," remarked Osterman, as the train pulled out of the Bonneville station, and the two men settled themselves for the long journey, "say Governor, what's all up with Buck Annixter these days? He's got a bean about something, sure."

"I had not noticed," answered Magnus. "Mr. Annixter has been away some time lately. I cannot imagine what should keep him so long in San Francisco."

"That's it," said Osterman, winking. "Have three guesses. Guess right and you get a cigar. I guess g-i-r-l spells Hilma Tree. And a little while ago she quit Quien Sabe and hiked out to 'Frisco. So did Buck. Do I draw the cigar? It's up to you." "I have noticed her," observed Magnus. "A fine figure of a woman. She would make some man a good wife."

"Hoh! Wife! Buck Annixter marry! Not much. He's gone a-girling at last, old Buck! It's as funny as twins. Have to josh him about it when I see him, sure."

But when Osterman and Magnus at last fell in with Annixter in the vestibule of the Lick House, on Montgomery Street, nothing could be got out of him. He was in an execrable humour. When Magnus had broached the subject of business, he had declared that all business could go to pot, and when Osterman, his tongue in his cheek, had permitted himself a most distant allusion to a feemale girl, Annixter had cursed him for a "busy-face" so vociferously and tersely, that even Osterman was cowed.

"Well," insinuated Osterman, "what are you dallying 'round 'Frisco so much for?"

"Cat fur, to make kitten-breeches," retorted Annixter with oracular vagueness.

Two weeks before this time, Annixter had come up to the city and had gone at once to a certain hotel on Bush Street, behind the First National Bank, that he knew was kept by a family connection of the Trees. In his conjecture that Hilma and her parents would stop here, he was right. Their names were on the register. Ignoring custom, Annixter marched straight up to their rooms, and before he was well aware of it, was "eating crow" before old man Tree.

Hilma and her mother were out at the time. Later on, Mrs. Tree returned alone, leaving Hilma to spend the day with one of her cousins who lived far out on Stanyan Street in a little house facing the park.

Between Annixter and Hilma's parents, a reconciliation had been effected, Annixter convincing them both of his sincerity in wishing to make Hilma his wife. Hilma, however, refused to see him. As soon as she knew he had followed her to San Francisco she had been unwilling to return to the hotel and had arranged with her cousin to spend an indefinite time at her house.

She was wretchedly unhappy during all this time; would not set foot out of doors, and cried herself to sleep night after night. She detested the city. Already she was miserably homesick for the ranch. She remembered the days she had spent in the little dairy-house, happy in her work, making butter and cheese; skimming the great pans of milk, scouring the copper vessels and vats, plunging her arms, elbow deep, into the white curds; coming and going in that atmosphere of freshness, cleanliness, and sunlight, gay, singing, supremely happy just because the sun shone. She remembered her long walks toward the Mission late in the afternoons, her excursions for cresses underneath the Long Trestle, the crowing of the cocks, the distant whistle of the passing trains, the faint sounding of the Angelus. She recalled with infinite longing the solitary expanse of the ranches, the level reaches between the horizons, full of light and silence; the heat at noon, the cloudless iridescence of the sunrise and sunset. She had been so happy in that life! Now, all those days were passed. This crude, raw city, with its crowding houses all of wood and tin, its blotting fogs, its uproarious trade winds, disturbed and saddened her. There was no outlook for the future.

At length, one day, about a week after Annixter's arrival in the city, she was prevailed upon to go for a walk in the park. She went alone, putting on for the first time the little hat of black straw with its puff of white silk her mother had bought for her, a pink shirtwaist, her belt of imitation alligator skin, her new skirt of brown cloth, and her low shoes, set off with their little steel buckles.

She found a tiny summer house, built in Japanese fashion, around a diminutive pond, and sat there for a while, her hands folded in her lap, amused with watching the goldfish, wishing—she knew not what.

Without any warning, Annixter sat down beside her. She was too frightened to move. She looked at him with wide eyes that began to fill with tears.

"Oh," she said, at last, "oh—I didn't know."

"Well," exclaimed Annixter, "here you are at last. I've been watching that blamed house till I was afraid the policeman would move me on. By the Lord," he suddenly cried, "you're pale. You—you, Hilma, do you feel well?"

"Yes—I am well," she faltered.

"No, you're not," he declared. "I know better. You are coming back to Quien Sabe with me. This place don't agree with you. Hilma, what's all the matter? Why haven't you let me see you all this time? Do you know—how things are with me? Your mother told you, didn't she? Do you know how sorry I am? Do you know that I see now that I made the mistake of my life there, that time, under the Long Trestle? I found it out the night after you went away. I sat all night on a stone out on the ranch somewhere and I don't know exactly what happened, but I've been a different man since then. I see things all different now. Why, I've only begun to live since then. I know what love means now, and instead of being ashamed of it, I'm proud of it. If I never was to see you again I would be glad I'd lived through that night, just the same. I just woke up that night. I'd been absolutely and completely selfish up to the moment I realised I really loved you, and now, whether you'll let me marry you or not, I mean to live—I don't know, in a different way. I've GOT to live different. I—well—oh, I can't make you understand, but just loving you has changed my life all around. It's made it easier to do the straight, clean thing. I want to do it, it's fun doing it. Remember, once I said I was proud of being a hard man, a driver, of being glad that people hated me and were afraid of me? Well, since I've loved you I'm ashamed of it all. I don't want to be hard any more, and nobody is going to hate me if I can help it. I'm happy and I want other people so. I love you," he suddenly exclaimed; "I love you, and if you will forgive me, and if you will come down to such a beast as I am, I want to be to you the best a man can be to a woman, Hilma. Do you understand, little girl? I want to be your husband."

Hilma looked at the goldfishes through her tears.

"Have you got anything to say to me, Hilma?" he asked, after a while.

"I don't know what you want me to say," she murmured.

"Yes, you do," he insisted. "I've followed you 'way up here to hear it. I've waited around in these beastly, draughty picnic grounds for over a week to hear it. You know what I want to hear, Hilma."

"Well—I forgive you," she hazarded.

"That will do for a starter," he answered. "But that's not IT."

"Then, I don't know what."

"Shall I say it for you?"

She hesitated a long minute, then:

"You mightn't say it right," she replied.

"Trust me for that. Shall I say it for you, Hilma?"

"I don't know what you'll say."

"I'll say what you are thinking of. Shall I say it?"

There was a very long pause. A goldfish rose to the surface of the little pond, with a sharp, rippling sound. The fog drifted overhead. There was nobody about.

"No," said Hilma, at length. "I—I—I can say it for myself. I—" All at once she turned to him and put her arms around his neck. "Oh, DO you love me?" she cried. "Is it really true? Do you mean every word of it? And you are sorry and you WILL be good to me if I will be your wife? You will be my dear, dear husband?"

The tears sprang to Annixter's eyes. He took her in his arms and held her there for a moment. Never in his life had he felt so unworthy, so undeserving of this clean, pure girl who forgave him and trusted his spoken word and believed him to be the good man he could only wish to be. She was so far above him, so exalted, so noble that he should have bowed his forehead to her feet, and instead, she took him in her arms, believing him to be good, to be her equal. He could think of no words to say. The tears overflowed his eyes and ran down upon his cheeks. She drew away from him and held him a second at arm's length, looking at him, and he saw that she, too, had been crying.

"I think," he said, "we are a couple of softies."

"No, no," she insisted. "I want to cry and want you to cry, too. Oh, dear, I haven't a handkerchief."

"Here, take mine."

They wiped each other's eyes like two children and for a long time sat in the deserted little Japanese pleasure house, their arms about each other, talking, talking, talking.

On the following Saturday they were married in an uptown Presbyterian church, and spent the week of their honeymoon at a small, family hotel on Sutter Street. As a matter of course, they saw the sights of the city together. They made the inevitable bridal trip to the Cliff House and spent an afternoon in the grewsome and made-to-order beauties of Sutro's Gardens; they went through Chinatown, the Palace Hotel, the park museum—where Hilma resolutely refused to believe in the Egyptian mummy—and they drove out in a hired hack to the Presidio and the Golden Gate.

On the sixth day of their excursions, Hilma abruptly declared they had had enough of "playing out," and must be serious and get to work.

This work was nothing less than the buying of the furniture and appointments for the rejuvenated ranch house at Quien Sabe, where they were to live. Annixter had telegraphed to his overseer to have the building repainted, replastered, and reshingled and to empty the rooms of everything but the telephone and safe. He also sent instructions to have the dimensions of each room noted down and the result forwarded to him. It was the arrival of these memoranda that had roused Hilma to action.

Then ensued a most delicious week. Armed with formidable lists, written by Annixter on hotel envelopes, they two descended upon the department stores of the city, the carpet stores, the furniture stores. Right and left they bought and bargained, sending each consignment as soon as purchased to Quien Sabe. Nearly an entire car load of carpets, curtains, kitchen furniture, pictures, fixtures, lamps, straw matting, chairs, and the like were sent down to the ranch, Annixter making a point that their new home should be entirely equipped by San Francisco dealers.

The furnishings of the bedroom and sitting-room were left to the very last. For the former, Hilma bought a "set" of pure white enamel, three chairs, a washstand and bureau, a marvellous bargain of thirty dollars, discovered by wonderful accident at a "Friday Sale." The bed was a piece by itself, bought elsewhere, but none the less a wonder. It was of brass, very brave and gay, and actually boasted a canopy! They bought it complete, just as it stood in the window of the department store and Hilma was in an ecstasy over its crisp, clean, muslin curtains, spread, and shams. Never was there such a bed, the luxury of a princess, such a bed as she had dreamed about her whole life.

Next the appointments of the sitting-room occupied her—since Annixter, himself, bewildered by this astonishing display, unable to offer a single suggestion himself, merely approved of all she bought. In the sitting-room was to be a beautiful blue and white paper, cool straw matting, set off with white wool rugs, a stand of flowers in the window, a globe of goldfish, rocking chairs, a sewing machine, and a great, round centre table of yellow oak whereon should stand a lamp covered with a deep shade of crinkly red tissue paper. On the walls were to hang several pictures—lovely affairs, photographs from life, all properly tinted—of choir boys in robes, with beautiful eyes; pensive young girls in pink gowns, with flowing yellow hair, drooping over golden harps; a coloured reproduction of "Rouget de Lisle, Singing the Marseillaise," and two "pieces" of wood carving, representing a quail and a wild duck, hung by one leg in the midst of game bags and powder horns,—quite masterpieces, both.

At last everything had been bought, all arrangements made, Hilma's trunks packed with her new dresses, and the tickets to Bonneville bought.

"We'll go by the Overland, by Jingo," declared Annixter across the table to his wife, at their last meal in the hotel where they had been stopping; "no way trains or locals for us, hey?"

"But we reach Bonneville at SUCH an hour," protested Hilma. "Five in the morning!"

"Never mind," he declared, "we'll go home in PULLMAN'S, Hilma. I'm not going to have any of those slobs in Bonneville say I didn't know how to do the thing in style, and we'll have Vacca meet us with the team. No, sir, it is Pullman's or nothing. When it comes to buying furniture, I don't shine, perhaps, but I know what's due my wife."

He was obdurate, and late one afternoon the couple boarded the Transcontinental (the crack Overland Flyer of the Pacific and Southwestern) at the Oakland mole. Only Hilma's parents were there to say good-bye. Annixter knew that Magnus and Osterman were in the city, but he had laid his plans to elude them. Magnus, he could trust to be dignified, but that goat Osterman, one could never tell what he would do next. He did not propose to start his journey home in a shower of rice. Annixter marched down the line of cars, his hands encumbered with wicker telescope baskets, satchels, and valises, his tickets in his mouth, his hat on wrong side foremost, Hilma and her parents hurrying on behind him, trying to keep up. Annixter was in a turmoil of nerves lest something should go wrong; catching a train was always for him a little crisis. He rushed ahead so furiously that when he had found his Pullman he had lost his party. He set down his valises to mark the place and charged back along the platform, waving his arms.

"Come on," he cried, when, at length, he espied the others. "We've no more time."

He shouldered and urged them forward to where he had set his valises, only to find one of them gone. Instantly he raised an outcry. Aha, a fine way to treat passengers! There was P. and S. W. management for you. He would, by the Lord, he would—but the porter appeared in the vestibule of the car to placate him. He had already taken his valises inside.

Annixter would not permit Hilma's parents to board the car, declaring that the train might pull out any moment. So he and his wife, following the porter down the narrow passage by the stateroom, took their places and, raising the window, leaned out to say good-bye to Mr. and Mrs. Tree. These latter would not return to Quien Sabe. Old man Tree had found a business chance awaiting him in the matter of supplying his relative's hotel with dairy products. But Bonneville was not too far from San Francisco; the separation was by no means final.

The porters began taking up the steps that stood by the vestibule of each sleeping-car.

"Well, have a good time, daughter," observed her father; "and come up to see us whenever you can."

From beyond the enclosure of the depot's reverberating roof came the measured clang of a bell.

"I guess we're off," cried Annixter. "Good-bye, Mrs. Tree."

"Remember your promise, Hilma," her mother hastened to exclaim, "to write every Sunday afternoon."

There came a prolonged creaking and groan of straining wood and iron work, all along the length of the train. They all began to cry their good-byes at once. The train stirred, moved forward, and gathering slow headway, rolled slowly out into the sunlight. Hilma leaned out of the window and as long as she could keep her mother in sight waved her handkerchief. Then at length she sat back in her seat and looked at her husband.

"Well," she said.

"Well," echoed Annixter, "happy?" for the tears rose in her eyes.

She nodded energetically, smiling at him bravely.

"You look a little pale," he declared, frowning uneasily; "feel well?"

"Pretty well."

Promptly he was seized with uneasiness. "But not ALL well, hey? Is that it?"

It was true that Hilma had felt a faint tremour of seasickness on the ferry-boat coming from the city to the Oakland mole. No doubt a little nausea yet remained with her. But Annixter refused to accept this explanation. He was distressed beyond expression.

"Now you're going to be sick," he cried anxiously.

"No, no," she protested, "not a bit."

"But you said you didn't feel very well. Where is it you feel sick?"

"I don't know. I'm not sick. Oh, dear me, why will you bother?"

"Headache?"

"Not the least."

"You feel tired, then. That's it. No wonder, the way rushed you 'round to-day."

"Dear, I'm NOT tired, and I'm NOT sick, and I'm all RIGHT."

"No, no; I can tell. I think we'd best have the berth made up and you lie down."

"That would be perfectly ridiculous."

"Well, where is it you feel sick? Show me; put your hand on the place. Want to eat something?"

With elaborate minuteness, he cross-questioned her, refusing to let the subject drop, protesting that she had dark circles under her eyes; that she had grown thinner.

"Wonder if there's a doctor on board," he murmured, looking uncertainly about the car. "Let me see your tongue. I know—a little whiskey is what you want, that and some pru——"

"No, no, NO," she exclaimed. "I'm as well as I ever was in all my life. Look at me. Now, tell me, do l look likee a sick lady?"

He scrutinised her face distressfully.

"Now, don't I look the picture of health?" she challenged.

"In a way you do," he began, "and then again——"

Hilma beat a tattoo with her heels upon the floor, shutting her fists, the thumbs tucked inside. She closed her eyes, shaking her head energetically.

"I won't listen, I won't listen, I won't listen," she cried.

"But, just the same——"

"Gibble—gibble—gibble," she mocked. "I won't Listen, I won't listen." She put a hand over his mouth. "Look, here's the dining-car waiter, and the first call for supper, and your wife is hungry."

They went forward and had supper in the diner, while the long train, now out upon the main line, settled itself to its pace, the prolonged, even gallop that it would hold for the better part of the week, spinning out the miles as a cotton spinner spins thread.

It was already dark when Antioch was left behind. Abruptly the sunset appeared to wheel in the sky and readjusted itself to the right of the track behind Mount Diablo, here visible almost to its base. The train had turned southward. Neroly was passed, then Brentwood, then Byron. In the gathering dusk, mountains began to build themselves up on either hand, far off, blocking the horizon. The train shot forward, roaring. Between the mountains the land lay level, cut up into farms, ranches. These continually grew larger; growing wheat began to appear, billowing in the wind of the train's passage. The mountains grew higher, the land richer, and by the time the moon rose, the train was well into the northernmost limits of the valley of the San Joaquin.

Annixter had engaged an entire section, and after he and his wife went to bed had the porter close the upper berth. Hilma sat up in bed to say her prayers, both hands over her face, and then kissing Annixter good-night, went to sleep with the directness of a little child, holding his hand in both her own.

Annixter, who never could sleep on the train, dozed and tossed and fretted for hours, consulting his watch and time-table whenever there was a stop; twice he rose to get a drink of ice water, and between whiles was forever sitting up in the narrow berth, stretching himself and yawning, murmuring with uncertain relevance:

"Oh, Lord! Oh-h-h LORD!"

There were some dozen other passengers in the car—a lady with three children, a group of school-teachers, a couple of drummers, a stout gentleman with whiskers, and a well-dressed young man in a plaid travelling cap, whom Annixter had observed before supper time reading Daudet's "Tartarin" in the French.

But by nine o'clock, all these people were in their berths. Occasionally, above the rhythmic rumble of the wheels, Annixter could hear one of the lady's children fidgeting and complaining. The stout gentleman snored monotonously in two notes, one a rasping bass, the other a prolonged treble. At intervals, a brakeman or the passenger conductor pushed down the aisle, between the curtains, his red and white lamp over his arm. Looking out into the car Annixter saw in an end section where the berths had not been made up, the porter, in his white duck coat, dozing, his mouth wide open, his head on his shoulder.

The hours passed. Midnight came and went. Annixter, checking off the stations, noted their passage of Modesto, Merced, and Madeira. Then, after another broken nap, he lost count. He wondered where they were. Had they reached Fresno yet? Raising the window curtain, he made a shade with both hands on either side of his face and looked out. The night was thick, dark, clouded over. A fine rain was falling, leaving horizontal streaks on the glass of the outside window. Only the faintest grey blur indicated the sky. Everything else was impenetrable blackness.

"I think sure we must have passed Fresno," he muttered. He looked at his watch. It was about half-past three. "If we have passed Fresno," he said to himself, "I'd better wake the little girl pretty soon. She'll need about an hour to dress. Better find out for sure."

He drew on his trousers and shoes, got into his coat, and stepped out into the aisle. In the seat that had been occupied by the porter, the Pullman conductor, his cash box and car-schedules before him, was checking up his berths, a blue pencil behind his ear.

"What's the next stop, Captain?" inquired Annixter, coming up. "Have we reached Fresno yet?"

"Just passed it," the other responded, looking at Annixter over his spectacles.

"What's the next stop?"

"Goshen. We will be there in about forty-five minutes."

"Fair black night, isn't it?"

"Black as a pocket. Let's see, you're the party in upper and lower 9."

Annixter caught at the back of the nearest seat, just in time to prevent a fall, and the conductor's cash box was shunted off the surface of the plush seat and came clanking to the floor. The Pintsch lights overhead vibrated with blinding rapidity in the long, sliding jar that ran through the train from end to end, and the momentum of its speed suddenly decreasing, all but pitched the conductor from his seat. A hideous ear-splitting rasp made itself heard from the clamped-down Westinghouse gear underneath, and Annixter knew that the wheels had ceased to revolve and that the train was sliding forward upon the motionless flanges.

"Hello, hello," he exclaimed, "what's all up now?"

"Emergency brakes," declared the conductor, catching up his cash box and thrusting his papers and tickets into it. "Nothing much; probably a cow on the track."

He disappeared, carrying his lantern with him.

But the other passengers, all but the stout gentleman, were awake; heads were thrust from out the curtains, and Annixter, hurrying back to Hilma, was assailed by all manner of questions.

"What was that?"

"Anything wrong?"

"What's up, anyways?"

Hilma was just waking as Annixter pushed the curtain aside.

"Oh, I was so frightened. What's the matter, dear?" she exclaimed.

"I don't know," he answered. "Only the emergency brakes. Just a cow on the track, I guess. Don't get scared. It isn't anything."

But with a final shriek of the Westinghouse appliance, the train came to a definite halt.

At once the silence was absolute. The ears, still numb with the long-continued roar of wheels and clashing iron, at first refused to register correctly the smaller noises of the surroundings. Voices came from the other end of the car, strange and unfamiliar, as though heard at a great distance across the water. The stillness of the night outside was so profound that the rain, dripping from the car roof upon the road-bed underneath, was as distinct as the ticking of a clock.

"Well, we've sure stopped," observed one of the drummers.

"What is it?" asked Hilma again. "Are you sure there's nothing wrong?"

"Sure," said Annixter. Outside, underneath their window, they heard the sound of hurried footsteps crushing into the clinkers by the side of the ties. They passed on, and Annixter heard some one in the distance shout:

"Yes, on the other side."

Then the door at the end of their car opened and a brakeman with a red beard ran down the aisle and out upon the platform in front. The forward door closed. Everything was quiet again. In the stillness the fat gentleman's snores made themselves heard once more.

The minutes passed; nothing stirred. There was no sound but the dripping rain. The line of cars lay immobilised and inert under the night. One of the drummers, having stepped outside on the platform for a look around, returned, saying:

"There sure isn't any station anywheres about and no siding. Bet you they have had an accident of some kind."

"Ask the porter."

"I did. He don't know."

"Maybe they stopped to take on wood or water, or something."

"Well, they wouldn't use the emergency brakes for that, would they? Why, this train stopped almost in her own length. Pretty near slung me out the berth. Those were the emergency brakes. I heard some one say so."

From far out towards the front of the train, near the locomotive, came the sharp, incisive report of a revolver; then two more almost simultaneously; then, after a long interval, a fourth.

"Say, that's SHOOTING. By God, boys, they're shooting. Say, this is a hold-up."

Instantly a white-hot excitement flared from end to end of the car. Incredibly sinister, heard thus in the night, and in the rain, mysterious, fearful, those four pistol shots started confusion from out the sense of security like a frightened rabbit hunted from her burrow. Wide-eyed, the passengers of the car looked into each other's faces. It had come to them at last, this, they had so often read about. Now they were to see the real thing, now they were to face actuality, face this danger of the night, leaping in from out the blackness of the roadside, masked, armed, ready to kill. They were facing it now. They were held up.

Hilma said nothing, only catching Annixter's hand, looking squarely into his eyes.

"Steady, little girl," he said. "They can't hurt you. I won't leave you. By the Lord," he suddenly exclaimed, his excitement getting the better of him for a moment. "By the Lord, it's a hold-up."

The school-teachers were in the aisle of the car, in night gown, wrapper, and dressing sack, huddled together like sheep, holding on to each other, looking to the men, silently appealing for protection. Two of them were weeping, white to the lips.

"Oh, oh, oh, it's terrible. Oh, if they only won't hurt me."

But the lady with the children looked out from her berth, smiled reassuringly, and said:

"I'm not a bit frightened. They won't do anything to us if we keep quiet. I've my watch and jewelry all ready for them in my little black bag, see?"

She exhibited it to the passengers. Her children were all awake. They were quiet, looking about them with eager faces, interested and amused at this surprise. In his berth, the fat gentleman with whiskers snored profoundly.

"Say, I'm going out there," suddenly declared one of the drummers, flourishing a pocket revolver.

His friend caught his arm.

"Don't make a fool of yourself, Max," he said.

"They won't come near us," observed the well-dressed young man; "they are after the Wells-Fargo box and the registered mail. You won't do any good out there."

But the other loudly protested. No; he was going out. He didn't propose to be buncoed without a fight. He wasn't any coward.

"Well, you don't go, that's all," said his friend, angrily. "There's women and children in this car. You ain't going to draw the fire here."

"Well, that's to be thought of," said the other, allowing himself to be pacified, but still holding his pistol.

"Don't let him open that window," cried Annixter sharply from his place by Hilma's side, for the drummer had made as if to open the sash in one of the sections that had not been made up.

"Sure, that's right," said the others. "Don't open any windows. Keep your head in. You'll get us all shot if you aren't careful."

However, the drummer had got the window up and had leaned out before the others could interfere and draw him away.

"Say, by jove," he shouted, as he turned back to the car, "our engine's gone. We're standing on a curve and you can see the end of the train. She's gone, I tell you. Well, look for yourself."

In spite of their precautions, one after another, his friends looked out. Sure enough, the train was without a locomotive.

"They've done it so we can't get away," vociferated the drummer with the pistol. "Now, by jiminy-Christmas, they'll come through the cars and stand us up. They'll be in here in a minute. LORD! WHAT WAS THAT?"

From far away up the track, apparently some half-mile ahead of the train, came the sound of a heavy explosion. The windows of the car vibrated with it.

"Shooting again."

"That isn't shooting," exclaimed Annixter. "They've pulled the express and mail car on ahead with the engine and now they are dynamiting her open."

"That must be it. Yes, sure, that's just what they are doing."

The forward door of the car opened and closed and the school-teachers shrieked and cowered. The drummer with the revolver faced about, his eyes bulging. However, it was only the train conductor, hatless, his lantern in his hand. He was soaked with rain. He appeared in the aisle.

"Is there a doctor in this car?" he asked.

Promptly the passengers surrounded him, voluble with questions. But he was in a bad temper.

"I don't know anything more than you," he shouted angrily. "It was a hold-up. I guess you know that, don't you? Well, what more do you want to know? I ain't got time to fool around. They cut off our express car and have cracked it open, and they shot one of our train crew, that's all, and I want a doctor."

"Did they shoot him—kill him, do you mean?"

"Is he hurt bad?"

"Did the men get away?"

"Oh, shut up, will you all?" exclaimed the conductor.

"What do I know? Is there a DOCTOR in this car, that's what I want to know?"

The well-dressed young man stepped forward.

"I'm a doctor," he said. "Well, come along then," returned the conductor, in a surly voice, "and the passengers in this car," he added, turning back at the door and nodding his head menacingly, "will go back to bed and STAY there. It's all over and there's nothing to see."

He went out, followed by the young doctor.

Then ensued an interminable period of silence. The entire train seemed deserted. Helpless, bereft of its engine, a huge, decapitated monster it lay, half-way around a curve, rained upon, abandoned.

There was more fear in this last condition of affairs, more terror in the idea of this prolonged line of sleepers, with their nickelled fittings, their plate glass, their upholstery, vestibules, and the like, loaded down with people, lost and forgotten in the night and the rain, than there had been when the actual danger threatened.

What was to become of them now? Who was there to help them? Their engine was gone; they were helpless. What next was to happen?

Nobody came near the car. Even the porter had disappeared. The wait seemed endless, and the persistent snoring of the whiskered gentleman rasped the nerves like the scrape of a file.

"Well, how long are we going to stick here now?" began one of the drummers. "Wonder if they hurt the engine with their dynamite?"

"Oh, I know they will come through the car and rob us," wailed the school-teachers.

The lady with the little children went back to bed, and Annixter, assured that the trouble was over, did likewise. But nobody slept. From berth to berth came the sound of suppressed voices talking it all over, formulating conjectures. Certain points seemed to be settled upon, no one knew how, as indisputable. The highwaymen had been four in number and had stopped the train by pulling the bell cord. A brakeman had attempted to interfere and had been shot. The robbers had been on the train all the way from San Francisco. The drummer named Max remembered to have seen four "suspicious-looking characters" in the smoking-car at Lathrop, and had intended to speak to the conductor about them. This drummer had been in a hold-up before, and told the story of it over and over again.

At last, after what seemed to have been an hour's delay, and when the dawn had already begun to show in the east, the locomotive backed on to the train again with a reverberating jar that ran from car to car. At the jolting, the school-teachers screamed in chorus, and the whiskered gentleman stopped snoring and thrust his head from his curtains, blinking at the Pintsch lights. It appeared that he was an Englishman.

"I say," he asked of the drummer named Max, "I say, my friend, what place is this?"

The others roared with derision.

"We were HELD UP, sir, that's what we were. We were held up and you slept through it all. You missed the show of your life."

The gentleman fixed the group with a prolonged gaze. He said never a word, but little by little he was convinced that the drummers told the truth. All at once he grew wrathful, his face purpling. He withdrew his head angrily, buttoning his curtains together in a fury. The cause of his rage was inexplicable, but they could hear him resettling himself upon his pillows with exasperated movements of his head and shoulders. In a few moments the deep bass and shrill treble of his snoring once more sounded through the car.

At last the train got under way again, with useless warning blasts of the engine's whistle. In a few moments it was tearing away through the dawn at a wonderful speed, rocking around curves, roaring across culverts, making up time.

And all the rest of that strange night the passengers, sitting up in their unmade beds, in the swaying car, lighted by a strange mingling of pallid dawn and trembling Pintsch lights, rushing at break-neck speed through the misty rain, were oppressed by a vision of figures of terror, far behind them in the night they had left, masked, armed, galloping toward the mountains pistol in hand, the booty bound to the saddle bow, galloping, galloping on, sending a thrill of fear through all the country side.

The young doctor returned. He sat down in the smoking-room, lighting a cigarette, and Annixter and the drummers pressed around him to know the story of the whole affair.

"The man is dead," he declared, "the brakeman. He was shot through the lungs twice. They think the fellow got away with about five thousand in gold coin."

"The fellow? Wasn't there four of them?"

"No; only one. And say, let me tell you, he had his nerve with him. It seems he was on the roof of the express car all the time, and going as fast as we were, he jumped from the roof of the car down on to the coal on the engine's tender, and crawled over that and held up the men in the cab with his gun, took their guns from 'em and made 'em stop the train. Even ordered 'em to use the emergency gear, seems he knew all about it. Then he went back and uncoupled the express car himself.

"While he was doing this, a brakeman—you remember that brakeman that came through here once or twice—had a red mustache."

"THAT chap?" "Sure. Well, as soon as the train stopped, this brakeman guessed something was wrong and ran up, saw the fellow cutting off the express car and took a couple of shots at him, and the fireman says the fellow didn't even take his hand off the coupling-pin; just turned around as cool as how-do-you-do and NAILED the brakeman right there. They weren't five feet apart when they began shooting. The brakeman had come on him unexpected, had no idea he was so close."

"And the express messenger, all this time?"

"Well, he did his best. Jumped out with his repeating shot-gun, but the fellow had him covered before he could turn round. Held him up and took his gun away from him. Say, you know I call that nerve, just the same. One man standing up a whole train-load, like that. Then, as soon as he'd cut the express car off, he made the engineer run her up the track about half a mile to a road crossing, WHERE HE HAD A HORSE TIED. What do you think of that? Didn't he have it all figured out close? And when he got there, he dynamited the safe and got the Wells-Fargo box. He took five thousand in gold coin; the messenger says it was railroad money that the company were sending down to Bakersfield to pay off with. It was in a bag. He never touched the registered mail, nor a whole wad of greenbacks that were in the safe, but just took the coin, got on his horse, and lit out. The engineer says he went to the east'ard."

"He got away, did he?"

"Yes, but they think they'll get him. He wore a kind of mask, but the brakeman recognised him positively. We got his ante-mortem statement. The brakeman said the fellow had a grudge against the road. He was a discharged employee, and lives near Bonneville."

"Dyke, by the Lord!" exclaimed Annixter.

"That's the name," said the young doctor.

When the train arrived at Bonneville, forty minutes behind time, it landed Annixter and Hilma in the midst of the very thing they most wished to avoid—an enormous crowd. The news that the Overland had been held up thirty miles south of Fresno, a brakeman killed and the safe looted, and that Dyke alone was responsible for the night's work, had been wired on ahead from Fowler, the train conductor throwing the despatch to the station agent from the flying train.

Before the train had come to a standstill under the arched roof of the Bonneville depot, it was all but taken by assault. Annixter, with Hilma on his arm, had almost to fight his way out of the car. The depot was black with people. S. Behrman was there, Delaney, Cyrus Ruggles, the town marshal, the mayor. Genslinger, his hat on the back of his head, ranged the train from cab to rear-lights, note-book in hand, interviewing, questioning, collecting facts for his extra. As Annixter descended finally to the platform, the editor, alert as a black-and-tan terrier, his thin, osseous hands quivering with eagerness, his brown, dry face working with excitement, caught his elbow.

"Can I have your version of the affair, Mr. Annixter?"

Annixter turned on him abruptly.

"Yes!" he exclaimed fiercely. "You and your gang drove Dyke from his job because he wouldn't work for starvation wages. Then you raised freight rates on him and robbed him of all he had. You ruined him and drove him to fill himself up with Caraher's whiskey. He's only taken back what you plundered him of, and now you're going to hound him over the State, hunt him down like a wild animal, and bring him to the gallows at San Quentin. That's my version of the affair, Mister Genslinger, but it's worth your subsidy from the P. and S. W. to print it."

There was a murmur of approval from the crowd that stood around, and Genslinger, with an angry shrug of one shoulder, took himself away.

At length, Annixter brought Hilma through the crowd to where young Vacca was waiting with the team. However, they could not at once start for the ranch, Annixter wishing to ask some questions at the freight office about a final consignment of chairs. It was nearly eleven o'clock before they could start home. But to gain the Upper Road to Quien Sabe, it was necessary to traverse all of Main Street, running through the heart of Bonneville.

The entire town seemed to be upon the sidewalks. By now the rain was over and the sun shining. The story of the hold-up—the work of a man whom every one knew and liked—was in every mouth. How had Dyke come to do it? Who would have believed it of him? Think of his poor mother and the little tad. Well, after all, he was not so much to blame; the railroad people had brought it on themselves. But he had shot a man to death. Ah, that was a serious business. Good-natured, big, broad-shouldered, jovial Dyke, the man they knew, with whom they had shaken hands only yesterday, yes, and drank with him. He had shot a man, killed him, had stood there in the dark and in the rain while they were asleep in their beds, and had killed a man. Now where was he? Instinctively eyes were turned eastward, over the tops of the houses, or down vistas of side streets to where the foot-hills of the mountains rose dim and vast over the edge of the valley. He was in amongst them; somewhere, in all that pile of blue crests and purple canyons he was hidden away. Now for weeks of searching, false alarms, clews, trailings, watchings, all the thrill and heart-bursting excitement of a man-hunt. Would he get away? Hardly a man on the sidewalks of the town that day who did not hope for it.

As Annixter's team trotted through the central portion of the town, young Vacca pointed to a denser and larger crowd around the rear entrance of the City Hall. Fully twenty saddle horses were tied to the iron rail underneath the scant, half-grown trees near by, and as Annixter and Hilma drove by, the crowd parted and a dozen men with revolvers on their hips pushed their way to the curbstone, and, mounting their horses, rode away at a gallop.

"It's the posse," said young Vacca.

Outside the town limits the ground was level. There was nothing to obstruct the view, and to the north, in the direction of Osterman's ranch, Vacca made out another party of horsemen, galloping eastward, and beyond these still another.

"There're the other posses," he announced. "That further one is Archie Moore's. He's the sheriff. He came down from Visalia on a special engine this morning."

When the team turned into the driveway to the ranch house, Hilma uttered a little cry, clasping her hands joyfully. The house was one glitter of new white paint, the driveway had been freshly gravelled, the flower-beds replenished. Mrs. Vacca and her daughter, who had been busy putting on the finishing touches, came to the door to welcome them.

"What's this case here?" asked Annixter, when, after helping his wife from the carry-all, his eye fell upon a wooden box of some three by five feet that stood on the porch and bore the red Wells-Fargo label.

"It came here last night, addressed to you, sir," exclaimed Mrs. Vacca. "We were sure it wasn't any of your furniture, so we didn't open it."

"Oh, maybe it's a wedding present," exclaimed Hilma, her eyes sparkling.

"Well, maybe it is," returned her husband. "Here, m' son, help me in with this."

Annixter and young Vacca bore the case into the sitting-room of the house, and Annixter, hammer in hand, attacked it vigorously. Vacca discreetly withdrew on signal from his mother, closing the door after him. Annixter and his wife were left alone.

"Oh, hurry, hurry," cried Hilma, dancing around him.

"I want to see what it is. Who do you suppose could have sent it to us? And so heavy, too. What do you think it can be?"

Annixter put the claw of the hammer underneath the edge of the board top and wrenched with all his might. The boards had been clamped together by a transverse bar and the whole top of the box came away in one piece. A layer of excelsior was disclosed, and on it a letter addressed by typewriter to Annixter. It bore the trade-mark of a business firm of Los Angeles. Annixter glanced at this and promptly caught it up before Hilma could see, with an exclamation of intelligence.

"Oh, I know what this is," he observed, carelessly trying to restrain her busy hands. "It isn't anything. Just some machinery. Let it go." But already she had pulled away the excelsior. Underneath, in temporary racks, were two dozen Winchester repeating rifles.

"Why—what—what—" murmured Hilma blankly.

"Well, I told you not to mind," said Annixter. "It isn't anything. Let's look through the rooms."

"But you said you knew what it was," she protested, bewildered. "You wanted to make believe it was machinery. Are you keeping anything from me? Tell me what it all means. Oh, why are you getting—these?"

She caught his arm, looking with intense eagerness into his face. She half understood already. Annixter saw that.

"Well," he said, lamely, "YOU know—it may not come to anything at all, but you know—well, this League of ours—suppose the Railroad tries to jump Quien Sabe or Los Muertos or any of the other ranches—we made up our minds—the Leaguers have—that we wouldn't let it. That's all."

"And I thought," cried Hilma, drawing back fearfully from the case of rifles, "and I thought it was a wedding present."

And that was their home-coming, the end of their bridal trip. Through the terror of the night, echoing with pistol shots, through that scene of robbery and murder, into this atmosphere of alarms, a man-hunt organising, armed horsemen silhouetted against the horizons, cases of rifles where wedding presents should have been, Annixter brought his young wife to be mistress of a home he might at any moment be called upon to defend with his life.

The days passed. Soon a week had gone by. Magnus Derrick and Osterman returned from the city without any definite idea as to the Corporation's plans. Lyman had been reticent. He knew nothing as to the progress of the land cases in Washington. There was no news. The Executive Committee of the League held a perfunctory meeting at Los Muertos at which nothing but routine business was transacted. A scheme put forward by Osterman for a conference with the railroad managers fell through because of the refusal of the company to treat with the ranchers upon any other basis than that of the new grading. It was impossible to learn whether or not the company considered Los Muertos, Quien Sabe, and the ranches around Bonneville covered by the test cases then on appeal.

Meanwhile there was no decrease in the excitement that Dyke's hold-up had set loose over all the county. Day after day it was the one topic of conversation, at street corners, at cross-roads, over dinner tables, in office, bank, and store. S. Behrman placarded the town with a notice of $500.00 reward for the ex-engineer's capture, dead or alive, and the express company supplemented this by another offer of an equal amount. The country was thick with parties of horsemen, armed with rifles and revolvers, recruited from Visalia, Goshen, and the few railroad sympathisers around Bonneville and Guadlajara. One after another of these returned, empty-handed, covered with dust and mud, their horses exhausted, to be met and passed by fresh posses starting out to continue the pursuit. The sheriff of Santa Clara County sent down his bloodhounds from San Jose—small, harmless-looking dogs, with a terrific bay—to help in the chase. Reporters from the San Francisco papers appeared, interviewing every one, sometimes even accompanying the searching bands. Horse hoofs clattered over the roads at night; bells were rung, the "Mercury" issued extra after extra; the bloodhounds bayed, gun butts clashed on the asphalt pavements of Bonneville; accidental discharges of revolvers brought the whole town into the street; farm hands called to each other across the fences of ranch-divisions—in a word, the country-side was in an uproar.