We sat in the pavilion for awhile looking down on the rushing water, and she spoke of Akbar, the greatest of the Moguls, and spoke with a curious personal touch, as I thought.

"I wish you would try to write a story of him—one on more human lines than has been done yet. No one has accounted for the passionate quest of truth that was the real secret of his life. Strange in an Oriental despot if you think of it! It really can only be understood from the Buddhist belief, which curiously seems to have been the only one he neglected, that a mysterious Karma influenced all his thoughts. If I tell you as a key-note for your story, that in a past life he had been a Buddhist priest—one who had fallen away, would that in any way account to you for attempts to recover the lost way? Try to think that out, and to write the story, not as a Western mind sees it, but pure East."

"That would be a great book to write if one could catch the voices of the past. But how to do it?"

"I will give you one day a little book that may help you. The other story I wish you would write is the story of a Dancer of Peshawar. There is a connection between the two—a story of ruin and repentance."

"Will you tell it to me?"

"A part. In this same book you will find much more, but not all. All cannot be told. You must imagine much. But I think your imagination will be true."

"Why do you think so?"

"Because in these few days you have learnt so much. You have seen the Ninefold Flower, and the rain spirits. You will soon hear the Flute of Krishna which none can hear who cannot dream true."

That night I heard it. I waked, suddenly, to music, and standing in the door of my tent, in the dead silence of the night, lit only by a few low stars, I heard the poignant notes of a flute. If it had called my name it could not have summoned me more clearly, and I followed without a thought of delay, forgetting even Vanna in the strange urgency that filled me. The music was elusive, seeming to come first from one side, then from the other, but finally I tracked it as a bee does a flower by the scent, to the gate of the royal garden—the pleasure place of the dead Emperors.

The gate stood ajar—strange! for I had seen the custodian close it that evening. Now it stood wide and I went in, walking noiselessly over the dewy grass. I knew and could not tell how, that I must be noiseless. Passing as if I were guided, down the course of the strong young river, I came to the pavilion that spanned it—the place where we had stood that afternoon—and there to my profound amazement, I saw Vanna, leaning against a slight wooden pillar. As if she had expected me, she laid one finger on her lip, and stretching out her hand, took mine and drew me beside her as a mother might a child. And instantly I saw!

On the further bank a young man in a strange diadem or miter of jewels, bare-breasted and beautiful, stood among the flowering oleanders, one foot lightly crossed over the other as he stood. He was like an image of pale radiant gold, and I could have sworn that the light came from within rather than fell upon him, for the night was very dark. He held the flute to his lips, and as I looked, I became aware that the noise of the rushing water was tapering off into a murmur scarcely louder than that of a summer bee in the heart of a rose. Therefore the music rose like a fountain of crystal drops, cold, clear, and of an entrancing sweetness, and the face above it was such that I had no power to turn my eyes away. How shall I say what it was? All I had ever desired, dreamed, hoped, prayed, looked at me from the remote beauty of the eyes and with the most persuasive gentleness entreated me, rather than commanded to follow fearlessly and win. But these are words, and words shaped in the rough mould of thought cannot convey the deep desire that would have hurled me to his feet if Vanna had not held me with a firm restraining hand. Looking up in adoring love to the dark face was a ring of woodland creatures. I thought I could distinguish the white clouded robe of a snow-leopard, the soft clumsiness of a young bear, and many more, but these shifted and blurred like dream creatures—I could not be sure of them nor define their numbers. The eyes of the Player looked down upon their passionate delight with careless kindness.

Dim images passed through my mind. Orpheus—No, this was no Greek. Pan-yet again, No. Where were the pipes, the goat hoofs? The young Dionysos—No, there were strange jewels instead of his vines. And then Vanna's voice said as if from a great distance;

"Krishna—the Beloved." And I said aloud, "I see!" And even as I said it the whole picture blurred together like a dream, and I was alone in the pavilion and the water was foaming past me. Had I walked in my sleep, I thought, as I made my way hack? As I gained the garden gate, before me, like a snowflake, I saw the Ninefold Flower.

When I told her next day, speaking of it as a dream, she said simply; "They have opened the door to you. You will not need me soon.

"I shall always need you. You have taught me everything. I could see nothing last night until you took my hand."

"I was not there," she said smiling. "It was only the thought of me, and you can have that when I am very far away. I was sleeping in my tent. What you called in me then you can always call, even if I am—dead."

"That is a word which is beginning to have no meaning for me. You have said things to me—no, thought them, that have made me doubt if there is room in the universe for the thing we have called death."

She smiled her sweet wise smile.

"Where we are death is not. Where death is we are not. But you will understand better soon."

Our march curving took us by the Mogul gardens of Achibal, and the glorious ruins of the great Temple at Martund, and so down to Bawan with its crystal waters and that loveliest camping ground beside them. A mighty grove of chenar trees, so huge that I felt as if we were in a great sea cave where the air is dyed with the deep shadowy green of the inmost ocean, and the murmuring of the myriad leaves was like a sea at rest. I looked up into the noble height and my memory of Westminster dwindled, for this led on and up to the infinite blue, and at night the stars hung like fruit upon the branches. The water ran with a great joyous rush of release from the mountain behind, but was first received in a broad basin full of sacred fish and reflecting a little temple of Maheshwara and one of Surya the Sun. Here in this basin the water lay pure and still as an ecstasy, and beside it was musing the young Brahman priest who served the temple. Since I had joined Vanna I had begun with her help to study a little Hindustani, and with an aptitude for language could understand here and there. I caught a word or two as she spoke with him that startled me, when the high-bred ascetic face turned serenely upon her, and he addressed her as "My sister," adding a sentence beyond my learning, but which she willingly translated later.—"May He who sits above the Mysteries, have mercy upon thy rebirth."

She said afterwards;

"How beautiful some of these men are. It seems a different type of beauty from ours, nearer to nature and the old gods. Look at that priest—the tall figure, the clear olive skin, the dark level brows, the long lashes that make a soft gloom about the eyes—eyes that have the fathomless depth of a deer's, the proud arch of the lip. I think there is no country where aristocracy is more clearly marked than in India. The Brahmans are aristocrats of the world. You see it is a religious aristocracy as well. It has everything that can foster pride and exclusiveness. They spring from the Mouth of Deity. They are His word incarnate. Not many kings are of the Brahman caste, and the Brahmans look down upon them from Sovereign heights. I have known men who would not eat with their own rulers who would have drunk the water that washed the Brahmans' feet."

She took me that day, the Brahman with us, to see a cave in the mountain. We climbed up the face of the cliff to where a little tree grew on a ledge, and the black mouth yawned. We went in and often it was so low we had to stoop, leaving the sunlight behind until it was like a dim eye glimmering in the velvet blackness. The air was dank and cold and presently obscene with the smell of bats, and alive with their wings, as they came sweeping about us, gibbering and squeaking. I thought of the rush of the ghosts, blown like dead leaves in the Odyssey. And then a small rock chamber branched off, and in this, lit by a bit of burning wood, we saw the bones of a holy man who lived and died there four hundred years ago. Think of it! He lived there always, with the slow dropping of water from the dead weight of the mountain above his head, drop by drop tolling the minutes away: the little groping feet through the cave that would bring him food and drink, hurrying into the warmth and sunlight again, and his only companion the sacred Lingam which means the Creative Energy that sets the worlds dancing for joy round the sun—that, and the black solitude to sit down beside him. Surely his bones can hardly be dryer and colder now than they were then! There must be strange ecstasies in such a life—wild visions in the dark, or it could never be endured.

And so, in marches of about ten miles a day, we came to Pahlgam on the banks of the dancing Lidar. There was now only three weeks left of the time she had promised. After a few days at Pahlgam the march would turn and bend its way back to Srinagar, and to—what? I could not believe it was to separation—in her lovely kindness she had grown so close to me that, even for the sake of friendship, I believed our paths must run together to the end, and there were moments when I could still half convince myself that I had grown as necessary to her as she was to me. No—not as necessary, for she was life and soul to me, but a part of her daily experience that she valued and would not easily part with. That evening we were sitting outside the tents, near the camp fire, of pine logs and cones, the leaping flames making the night beautiful with gold and leaping sparks, in an attempt to reach the mellow splendours of the moon. The men, in various attitudes of rest, were lying about, and one had been telling a story which had just ended in excitement and loud applause.

"These are Mahomedans," said Vanna, "and it is only a story of love and fighting like the Arabian Nights. If they had been Hindus, it might well have been of Krishna or of Rama and Sita. Their faith comes from an earlier time and they still see visions. The Moslem is a hard practical faith for men—men of the world too. It is not visionary now, though it once had its great mysteries."

"I wish you would tell me what you think of the visions or apparitions of the gods that are seen here. Is it all illusion? Tell me your thought."

"How difficult that is to answer. I suppose if love and faith are strong enough they will always create the vibrations to which the greater vibrations respond, and so make God in their own image at any time or place. But that they call up what is the truest reality I have never doubted. There is no shadow without a substance. The substance is beyond us but under certain conditions the shadow is projected and we see it.

"Have I seen or has it been dream?"

"I cannot tell. It may have been the impress of my mind on yours, for I see such things always. You say I took your hand?"

"Take it now."

She obeyed, and instantly, as I felt the firm cool clasp, I heard the rain of music through the pines—the Flute Player was passing. She dropped it smiling and the sweet sound ceased.

"You see! How can I tell what you have seen? You will know better when I am gone. You will stand alone then."

"You will not go—you cannot. I have seen how you have loved all this wonderful time. I believe it has been as dear to you as to me. And every day I have loved you more. I depend upon you for everything that makes life worth living. You could not—you who are so gentle—you could not commit the senseless cruelty of leaving me when you have taught me to love you with every beat of my heart. I have been patient—I have held myself in, but I must speak now. Marry me, and teach me. I know nothing. You know all I need to know. For pity's sake be my wife."

I had not meant to say it; it broke from me in the firelight moonlight with a power that I could not stay. She looked at me with a disarming gentleness.

"Is this fair? Do you remember how at Peshawar I told you I thought it was a dangerous experiment, and that it would make things harder for you. But you took the risk like a brave man because you felt there were things to be gained—knowledge, insight, beauty. Have you not gained them?"

"Yes. Absolutely."

"Then, is it all loss if I go?"

"Not all. But loss I dare not face."

"I will tell you this. I could not stay if I would. Do you remember the old man on the way to Vernag? He told me that I must very soon take up an entirely new life. I have no choice, though if I had I would still do it."

There was silence and down a long arcade, without any touch of her hand I heard the music, receding with exquisite modulations to a very great distance, and between the pillared stems, I saw a faint light.

"Do you wish to go?"

"Entirely. But I shall not forget you, Stephen. I will tell you something. For me, since I came to India, the gate that shuts us out at birth has opened. How shall I explain? Do you remember Kipling's 'Finest Story in the World'?"

"Yes. Fiction!"

"Not fiction—true, whether he knew it or no. But for me the door has opened wide. First, I remembered piecemeal, with wide gaps, then more connectedly. Then, at the end of the first year, I met one day at Cawnpore, an ascetic, an old man of great beauty and wisdom, and he was able by his own knowledge to enlighten mine. Not wholly—much has come since then. Has come, some of it in ways you could not understand now, but much by direct sight and hearing. Long, long ago I lived in Peshawar, and my story was a sorrowful one. I will tell you a little before I go."

"I hold you to your promise. What is there I cannot believe when you tell me? But does that life put you altogether away from me? Was there no place for me in any of your memories that has drawn us together now? Give me a little hope that in the eternal pilgrimage there is some bond between us and some rebirth where we may met again."

"I will tell you that also before we part. I have grown to believe that you do love me—and therefore love something which is infinitely above me."

"And do you love me at all? Am I nothing, Vanna—Vanna?"

"My friend," she said, and laid her hand on mine.

A silence, and then she spoke, very low.

"You must be prepared for very great change, Stephen, and yet believe that it does not really change things at all. See how even the gods pass and do not change! The early gods of India are gone and Shiva, Vishnu, Krishna have taken their places and are one and the same. The old Buddhist stories say that in heaven "The flowers of the garland the God wore are withered, his robes of majesty are waxed old and faded; he falls from his high estate, and is re-born into a new life." But he lives still in the young God who is born among men. The gods cannot die, nor can we nor anything that has life. Now I must go in."

I sat long in the moonlight thinking. The whole camp was sunk in sleep and the young dawn was waking upon the peaks when I turned in.

The days that were left we spent in wandering up the Lidar River to the hills that are the first ramp of the ascent to the great heights. We found the damp corners where the mushrooms grow like pearls—the mushrooms of which she said—"To me they have always been fairy things. To see them in the silver-grey dew of the early mornings—mysteriously there like the manna in the desert—they are elfin plunder, and as a child I was half afraid of them. No wonder they are the darlings of folklore, especially in Celtic countries where the Little People move in the starlight. Strange to think they are here too among strange gods!"

We climbed to where the wild peonies bloom in glory that few eyes see, and the rosy beds of wild sweet strawberries ripen. Every hour brought with it some new delight, some exquisiteness of sight or of words that I shall remember for ever. She sat one day on a rock, holding the sculptured leaves and massive seed-vessels of some glorious plant that the Kashmiris believe has magic virtues hidden in the seeds of pure rose embedded in the white down.

"If you fast for three days and eat nine of these in the Night of No Moon, you can rise on the air light as thistledown and stand on the peak of Haramoukh. And on Haramoukh, as you know it is believed, the gods dwell. There was a man here who tried this enchantment. He was a changed man for ever after, wandering and muttering to himself and avoiding all human intercourse as far as he could. He was no Kashmiri—A Jat from the Punjab, and they showed him to me when I was here with the Meryons, and told me he would speak to none. But I knew he would speak to me, and he did."

"Did he tell you anything of what he had seen in the high world up yonder?"

"He said he had seen the Dream of the God. I could not get more than that. But there are many people here who believe that the Universe as we know it is but an image in the dream of Ishvara, the Universal Spirit—in whom are all the gods—and that when He ceases to dream we pass again into the Night of Brahm, and all is darkness until the Spirit of God moves again on the face of the waters. There are few temples to Brahm. He is above and beyond all direct worship."

"Do you think he had seen anything?"

"What do I know? Will you eat the seeds? The Night of No Moon will soon be here."

She held out the seed-vessels, laughing. I write that down but how record the lovely light of kindliness in her eyes—the almost submissive gentleness that yet was a defense stronger than steel. I never knew—how should I?—whether she was sitting by my side or heavens away from me in her own strange world. But always she was a sweetness that I could not reach, a cup of nectar that I might not drink, unalterably her own and never mine, and yet—my friend.

She showed me the wild track up into the mountains where the Pilgrims go to pay their devotions at the Great God's shrine in the awful heights, regretting that we were too early for that most wonderful sight. Above where we were sitting the river fell in a tormented white cascade, crashing and feathering into spray-dust of diamonds. An eagle was flying above it with a mighty spread of wings that seemed almost double-jointed in the middle—they curved and flapped so wide and free. The fierce head was outstretched with the rake of a plundering galley as he swept down the wind, seeking his meat from God, and passed majestic from our sight. The valley beneath us was littered with enormous boulders spilt from the ancient hollows of the hills. It must have been a great sight when the giants set them trundling down in work or play!—I said this to Vanna, who was looking down upon it with meditative eyes. She roused herself.

"Yes, this really is Giant-Land up here—everything is so huge. And when they quarrel up in the heights—in Jotunheim—and the black storms come down the valleys it is like colossal laughter or clumsy boisterous anger. And the Frost giants are still at work up there with their great axes of frost and rain. They fling down the side of a mountain or make fresh ways for the rivers. About sixty years ago—far above here—they tore down a mountain side and damned up the mighty Indus, so that for months he was a lake, shut back in the hills. But the river giants are no less strong up here in the heights of the world, and lie lay brooding and hiding his time. And then one awful day he tore the barrier down and roared down the valley carrying death and ruin with him, and swept away a whole Sikh army among other unconsidered trifles. That must have been a soul-shaking sight."

She spoke on, and as she spoke I saw. What are her words as I record them? Stray dead leaves pressed in a book—the life and grace dead. Yet I record, for she taught me what I believe the world should learn, that the Buddhist philosophers are right when they teach that all forms of what we call matter are really but aggregates of spiritual units, and that life itself is a curtain hiding reality as the vast veil of day conceals from our sight the countless orbs of space. So that the purified mind even while prisoned in the body, may enter into union with the Real and, according to attainment, see it as it is.

She was an interpreter because she believed this truth profoundly. She saw the spiritual essence beneath the lovely illusion of matter, and the air about her was radiant with the motion of strange forces for which the dull world has many names aiming indeed at the truth, but falling—O how far short of her calm perception! She was indeed of a Household higher than the Household of Faith. She had received enlightenment. She beheld with open eyes.

Next day our camp was struck and we turned our faces again to Srinagar and to the day of parting. I set down but one strange incident of our journey, of which I did not speak even to her.

We were camping at Bijbehara, awaiting our house boat, and the site was by the Maharaja's lodge above the little town. It was midnight and I was sleepless—the shadow of the near future was upon me. I wandered down to the lovely old wooded bridge across the Jhelum, where the strong young trees grow up from the piles. Beyond it the moon was shining on the ancient Hindu remains close to the new temple, and as I stood on the bridge I could see the figure of a man in deepest meditation by the ruins. He was no European. I saw the straight dignified folds of the robes. But it was not surprising he should be there and I should have thought no more of it, had I not heard at that instant from the further side of the river the music of the Flute. I cannot hope to describe that music to any who have not heard it. Suffice it to say that where it calls he who hears must follow whether in the body or the spirit. Nor can I now tell in which I followed. One day it will call me across the River of Death, and I shall ford it or sink in the immeasurable depths and either will be well.

But immediately I was at the other side of the river, standing by the stone Bull of Shiva where he kneels before the Symbol, and looking steadfastly upon me a few paces away was a man in the dress of a Buddhist monk. He wore the yellow robe that leaves one shoulder bare; his head was bare also and he held in one hand a small bowl like a stemless chalice. I knew I was seeing a very strange inexplicable sight—one that in Kashmir should be incredible, but I put wonder aside for I knew now that I was moving in the sphere where the incredible may well be the actual. His expression was of the most unbroken calm. If I compare it to the passionless gaze of the Sphinx I misrepresent, for the Riddle of the Sphinx still awaits solution, but in this face was a noble acquiescence and a content that had it vibrated must have passed into joy.

Words or their equivalent passed between us. I felt his voice.

"You have heard the music of the Flute?"

"I have heard."

"What has it given?"

"A consuming longing."

"It is the music of the Eternal. The creeds and the faiths are the words that men have set to that melody. Listening, it will lead you to Wisdom. Day by day you will interpret more surely."

"I cannot stand alone."

"You will not need. What has led you will lead you still. Through many births it has led you. How should it fail?"

"What should I do?"

"Go forward."

"What should I shun?"

"Sorrow and fear."

"What should I seek?"

"Joy."

"And the end?"

"Joy. Wisdom. They are the Light and Dark of the Divine." A cold breeze passed and touched my forehead. I was still standing in the middle of the bridge above the water gliding to the Ocean, and there was no figure by the Bull of Shiva. I was alone. I passed back to the tents with the shudder that is not fear but akin to death upon me. I knew I had been profoundly withdrawn from what we call actual life, and the return is dread.

The days passed as we floated down the river to Srinagar. On board the Kedarnath, now lying in our first berth beneath the chenars near and yet far from the city, the last night had come. Next morning I should begin the long ride to Baramula and beyond that barrier of the Happy Valley down to Murree and the Punjab. Where afterwards? I neither knew nor cared. My lesson was before me to be learned. I must try to detach myself from all I had prized—to say to my heart it was but a loan and no gift, and to cling only to the imperishable. And did I as yet certainly know more than the A B C of the hard doctrine by which I must live? "Que vivre est difficile, O mon cocur fatigue!"—an immense weariness possessed me—a passive grief.

Vanna would follow later with the wife of an Indian doctor. I believed she was bound for Lahore but on that point she had not spoken certainly and I felt we should not meet again.

And now my packing was finished, and, as far as my possessions went, the little cabin had the soulless emptiness that comes with departure. I was enduring as best I could. If she had held loyally to her pact, could I do less. Was she to blame for my wild hope that in the end she would relent and step down to the household levels of love?

She sat by the window—the last time I should see the moonlit banks and her clear face against them. I made and won my fight for the courage of words.

"And now I've finished everything—thank goodness! and we can talk. Vanna—you will write to me?"

"Once. I promise that."

"Only once? Why? I counted on your words."

"I want to speak to you of something else now. I want to tell you a memory. But look first at the pale light behind the Takht-i-Suliman."

So I had seen it with her. So I should not see it again. We watched until a line of silver sparkled on the black water, and then she spoke again.

"Stephen, do you remember in the ruined monastery near Peshawar, how I told you of the young Abbot, who came down to Peshawar with a Chinese pilgrim? And he never returned."

"I remember. There was a Dancer."

"There was a Dancer. She was Lilavanti, and she was brought there to trap him but when she saw him she loved him, and that was his ruin and hers. Trickery he would have known and escaped. Love caught him in an unbreakable net, and they fled down the Punjab and no one knew any more. But I know. For two years they lived together and she saw the agony in his heart—the anguish of his broken vows, the face of the Blessed One receding into an infinite distance. She knew that every day added a link to the heavy Karma that was bound about the feet she loved, and her soul said "Set him free," and her heart refused the torture. But her soul was the stronger. She set him free."

"How?"

"She took poison. He became an ascetic in the hills and died in peace but with a long expiation upon him."

"And she?"

"I am she."

"You!" I heard my voice as if it were another man's. Was it possible that I—a man of the twentieth century, believed this impossible thing? Impossible, and yet—what had I learnt if not the unity of Time, the illusion of matter? What is the twentieth century, what the first? Do they not lie before the Supreme as one, and clean from our petty divisions? And I myself had seen what, if I could trust it, asserted the marvels that are no marvels to those who know.

"You loved him?"

"I love him."

"Then there is nothing at all for me."

She resumed as if she had heard nothing.

"I have lost him for many lives. He stepped above me at once, for he was clean gold though he fell, and though I have followed I have not found. But that Buddhist beyond Islamabad—you shall hear now what he said. It was this. 'The shut door opens, and this time he awaits.' I cannot yet say all it means, but there is no Lahore for me. I shall meet him soon."

"Vanna, you would not harm yourself again?"

"Never. I should not meet him. But you will see. Now I can talk no more. I will be there tomorrow when you go, and I will ride with you to the poplar road."

She passed like a shadow into her little dark cabin, and I was left alone. I will not dwell on that black loneliness of the spirit, for it has passed—it was the darkness of hell, a madness of jealousy, and could have no enduring life in any heart that had known her. But it was death while it lasted. I had moments of horrible belief, of horrible disbelief, but however it might be I knew that she was out of reach for ever. Near me—yes! but only as the silver image of the moon floated in the water by the boat, with the moon herself cold myriads of miles away. I will say no more of that last eclipse of what she had wrought in me.

The bright morning came, sunny as if my joys were beginning instead of ending. Vanna mounted her horse and led the way from the boat. I cast one long look at the little Kedarnath, the home of those perfect weeks, of such joy and sorrow as would have seemed impossible to me in the chrysalis of my former existence. Little Kahdra stood crying bitterly on the bank—the kindly folk who had served us were gathered saddened and quiet. I set my teeth and followed her.

How dear she looked, how kind, how gentle her appealing eyes, as I drew up beside her. She knew what I felt. She knew that the sight of little Kahdra crying as he said good—bye was the last pull at my sore heart. Still she rode steadily on, and still I followed. Once she spoke.

"Stephen, there was a man in Peshawar, kind and true, who loved that Lilavanti who had no heart for him. And when she died, it was in his arms, as a sister might cling to a brother, for the man she loved had left her. It seems that will not be in this life, but do not think I have been so blind that I did not know my friend."

I could not answer—it was the realization of the utmost I could hope and it came like healing to my spirit. Better that bond between us, slight as most men might think it, than the dearest and closest with a woman not Vanna. It was the first thrill of a new joy in my heart—the first, I thank the Infinite, of many and steadily growing joys and hopes that cannot be uttered here.

I bent to take the hand she stretched to me, but even as they touched, I saw, passing behind the trees by the road, the young man I had seen in the garden at Vernag—most beautiful, in the strange miter of his jewelled diadem. His flute was at his lips and the music rang out sudden and crystal clear as though a woodland god were passing to awaken all the joys of the dawn.

The horses heard too. In an instant hers had swerved wildly, and she lay on the ground at my feet. The music had ceased.

Days had gone before I could recall what had happened then. I lifted her in my arms and carried her into the rest-house near at hand, and the doctor came and looked grave, and a nurse was sent from the Mission Hospital. No doubt all was done that was possible, but I knew from the first what it meant and how it would be. She lay in a white stillness, and the room was quiet as death. I remembered with unspeakable gratitude later that the nurse had been merciful and had not sent me away.

So Vanna lay all day and through the night, and when the dawn came again she stirred and motioned with her hand, although her eyes were closed. I understood, and kneeling, I put my hand under her head, and rested it against my shoulder. Her faint voice murmured at my ear.

"I dreamed—I was in the pine wood at Pahlgam and it was the Night of No Moon, and I was afraid for it was dark, but suddenly all the trees were covered with little lights like stars, and the greater light was beyond. Nothing to be afraid of."

"Nothing, Beloved."

"And I looked beyond Peshawar, further than eyes could see, and in the ruins of the monastery where we stood, you and I—I saw him, and he lay with his head at the feet of the Blessed One. That is well, is it not?"

"Well, Beloved."

"And it is well I go? Is it not?"

"It is well."

A long silence. The first sun ray touched the floor. Again the whisper.

"Believe what I have told you. For we shall meet again." I repeated—

"We shall meet again."

In my arms she died.

Later, when all was over I asked myself if I believed this and answered with full assurance—Yes.

If the story thus told sounds incredible it was not incredible to me. I had had a profound experience. What is a miracle? It is simply the vision of the Divine behind nature. It will come in different forms according to the eyes that see, but the soul will know that its perception is authentic.

I could not leave Kashmir, nor was there any need. On the contrary I saw that there was work for me here among the people she had loved, and my first aim was to fit myself for that and for the writing I now felt was to be my career in life. After much thought I bought the little Kedarnath and made it my home, very greatly to the satisfaction of little Kahdra and all the friendly people to whom I owed so much.

Vanna's cabin I made my sleeping room, and it is the simple truth that the first night I slept in the place that was a Temple of Peace in my thoughts, I had a dream of wordless bliss, and starting awake for sheer joy I saw her face in the night, human and dear, looking down upon me with that poignant sweetness which would seem to be the utmost revelation of love and pity. And as I stretched my hands, another face dawned solemnly from the shadow beside her with grave brows bent on mine—one I had known and seen in the ruins at Bijbehara. Outside and very near I could hear the silver weaving of the Flute that in India is the symbol of the call of the Divine. A dream—yes, but it taught me to live. At first, in my days of grief and loss, I did but dream—the days were hard to endure. I will not dwell on that illusion of sorrow, now long dead. I lived only for the night.

"When sleep comes to close each difficult day, When night gives pause to the long watch I keep, And all my bonds I needs must loose apart, Must doff my will as raiment laid away— With the first dream that comes with the first sleep, I run—I run! I am gathered to thy heart!"

To the heart of her pity. Thus for awhile I lived. Slowly I became conscious of her abiding presence about me, day or night It grew clearer, closer.

Like the austere Hippolytus to his unseen Goddess, I could say;

"Who am more to thee than other mortals are, Whose is the holy lot, As friend with friend to walk and talk with thee, Hearing thy sweet mouth's music in mine ear, But thee beholding not."

That was much, but later, the sunshine was no bar, the bond strengthened and there have been days in the heights of the hills, in the depths of the woods, when I saw her as in life, passing at a distance, but real and lovely. Life? She had never lived as she did now—a spirit, freed and rejoicing. For me the door she had opened would never shut. The Presences were about me, and I entered upon my heritage of joy, knowing that in Kashmir, the holy land of Beauty, they walk very near, and lift up the folds of the Dark that the initiate may see the light behind.

So I began my solitary life of gladness. I wrote, aided by the little book she had left me, full of strangest stories, stranger by far than my own brain could conceive. Some to be revealed—some to be hidden. And thus the world will one day receive the story of the Dancer of Peshawar in her upward lives, that it may know, if it will, that death is nothing—for Life and Love are all.



THE INCOMPARABLE LADY

A STORY OF CHINA WITH A MORAL

It is recorded that when the Pearl Empress (his mother) asked of the philosophic Yellow Emperor which he considered the most beautiful of the Imperial concubines, he replied instantly: "The Lady A-Kuei": and when the Royal Parent in profound astonishment demanded bow this could be, having regard to the exquisite beauties in question, the Emperor replied;

"I have never seen her. It was dark when I entered the Dragon Chamber and dusk of dawn when I rose and left her."

Then said the Pearl Princess;

"Possibly the harmony of her voice solaced the Son of Heaven?"

But he replied;

"She spoke not."

And the Pearl Empress rejoined:

"Her limbs then are doubtless softer than the kingfisher's plumage?"

But the Yellow Emperor replied;

"Doubtless. Yet I have not touched them. I was that night immersed in speculations on the Yin and the Yang. How then should I touch a woman?"

And the Pearl Empress was silent from very great amazement, not daring to question further but marveling how the thing might be. And seeing this, the Yellow Emperor recited a poem to the following effect:

"It is said that Power rules the world And who shall gainsay it? But Loveliness is the head-jewel upon the brow of Power."

And when the Empress had listened with reverence to the Imperial Poet, she quitted the August Presence.

Immediately, having entered her own palace of the Tranquil Motherly Virtues, she caused the Lady A-Kuei to be summoned to her presence, who came, habited in a purple robe and with pins of jade and coral in her hair. And the Pearl Empress considered her attentively, recalling the perfect features of the White Jade Concubine, the ambrosial smile of the Princess of Feminine Propriety, and the willow-leaf eyebrows of the Lady of Chen, and her astonishment was excessive, because the Lady A-Kuei could not in beauty approach any one of these ladies. Reflecting further she then placed her behind the screen, and summoned the court artist, Lo Cheng, who had been formerly commissioned to paint the heavenly features of the Emperor's Ladies, mirrored in still water, though he had naturally not been permitted to view the beauties themselves. Of him the Empress demanded:

"Who is the most beautiful—which the most priceless jewel of the dwellers in the Dragon Palace?"

And, with humility, Lo Cheng replied:

"What mortal man shall decide between the white Crane and the Swan, or between the paeony flower and the lotus?" And having thus said he remained silent, and in him was no help. Finally and after exhortation the Pearl Empress condescended to threaten him with the loss of a head so useless to himself and to her majesty. Then, in great fear and haste he replied:

"Of all the flowers that adorn the garden of the Sun of Heaven, the Lady A-Kuei is the fittest to be gathered by the Imperial Hand, and this is my deliberate opinion."

Now, hearing this statement, the Pearl Empress was submerged in bewilderment, knowing that the Lady A-Kuei had modestly retired when the artist had depicted the reflection of the assembled loveliness of the Inner Chambers, as not counting herself worthy of portraiture, and her features were therefore unknown to him. Nor could the Empress further question the artist, for when she had done so, he replied only:

"This is the secret of the Son of Heaven," and, having gained permission, he swiftly departed.

Nor could the Lady A-Kuei herself aid her Imperial Majesty, for on being questioned she was overwhelmed with modesty and confusion, and with stammering lips could only repeat:

"This is the secret of his Divine Majesty," imploring with the utmost humility, forgiveness from the Imperial Mother.

The Pearl Empress was unable to eat her supper. In vain were spread before her the delicacies of the Empire. She could but trifle with a shark's fin and a "Silver Ear" fungus and a dish of slugs entrapped upon roses, with the dew-like pearls upon them. Her burning curiosity had wholly deprived her of appetite, nor could the amusing exertions of the Palace mimes, or a lantern fete upon the lake restore her to any composure. "This circumstance will cause my flight on the Dragon (death)," she said to herself, "unless I succeed in unveiling the mystery. What therefore should be my next proceeding?"

And so, deeply reflecting, she caused the Chief of the Eunuchs to summon the Princess of Feminine Propriety, the White Jade Concubine and all the other exalted beauties of the Heavenly Palace.

In due course of time these ladies arrived, paying suitable respect and obeisance to the Mother of his Divine Majesty. They were resplendent in king-fisher ornaments, in jewels of jade, crystal and coral, in robes of silk and gauze, and still more resplendent in charms that not the Celestial Empire itself could equal, setting aside entirely all countries of the foreign barbarians. And in grace and elegance of manners, in skill in the arts of poetry and the lute, what could surpass them?

Like a parterre of flowers they surrounded her Majesty, and awaited her pleasure with perfect decorum, when, having saluted them with affability she thus addressed them—"Lovely ones—ladies distinguished by the particular attention of your sovereign and mine, I have sent for you to resolve a doubt and a difficulty. On questioning our sovereign as to whom he regarded as the loveliest of his garden of beauty he benignantly replied: "The Lady A-Kuei is incomparable," and though this may well be, he further graciously added that he had never seen her. Nor, on pursuing the subject, could I learn the Imperial reason. The artist Lo Cheng follows in his Master's footsteps, he also never having seen the favored lady, and he and she reply to me that this is an Imperial secret. Declare to me therefore if your perspicacity and the feminine interest which every lady property takes in the other can unravel this mystery, for my liver is tormented with anxiety beyond measure."

As soon as the Pearl Empress had spoken she realized that she had committed a great indiscretion. A babel of voices, of cries, questions and contradictions instantly arose. Decorum was abandoned. The Lady of Chen swooned, nor could she be revived for an hour, and the Princess of Feminine Propriety and the White Jade Concubine could be dragged apart only by the united efforts of six of the Palace matrons, so great was their fury the one with the other, each accusing each of encouragement to the Lady A-Kuei's pretensions. So also with the remaining ladies. Shrieks resounded through the Hall of Virtuous Tranquillity, and when the Pearl Empress attempted to pour oil on the troubled waters by speaking soothing and comfortable words, the august Voice was entirely inaudible in the tumult.

All sought at length in united indignation for the Lady A-Kuei, but she had modestly withdrawn to the Pearl Pavilion in the Imperial Garden and, foreseeing anxieties, had there secured herself on hearing the opening of the Royal Speech.

Finally the ladies were led away by their attendants, weeping, lamenting, raging, according to their several dispositions, and the Pearl Empress, left with her own maidens, beheld the floor strewn with jade pins, kingfisher and coral jewels, and even with fragments of silk and gauze. Nor was she any nearer the solution of the desired secret.

That night she tossed upon a bed sleepless though heaped with down, and her mind raged like a fire up and down all possible answers to the riddle, but none would serve. Then, at the dawn, raising herself on one august elbow she called to her venerable nurse and foster mother, the Lady Ma, wise and resourceful in the affairs and difficulties of women, and, repeating the circumstances, demanded her counsel.

The Lady Ma considering the matter long and deeply, slowly replied:

"This is a great riddle and dangerous, for to intermeddle with the divine secrets is the high road to the Yellow Springs (death). But the child of my breasts and my exalted Mistress shall never ask in vain, for a thwarted curiosity is dangerous as a suppressed fever. I will conceal myself nightly in the Dragon Bedchamber and this will certainly unveil the truth. And if I perish I perish."

It is impossible to describe how the Empress heaped Lady Ma with costly jewels and silken brocades and taels of silver beyond measuring—how she placed on her breast the amulet of jade that had guarded herself from all evil influences, how she called the ancestral spirits to witness that she would provide for the Lady Ma's remotest descendants if she lost her life in this sublime devotion to duty.

That night Lady Ma concealed herself behind the Imperial couch in the Dragon Chamber, to await the coming of the Son of Heaven. Slowly dripped the water-clock as the minutes fled away; sorely ached the venerable limbs of the Lady Ma as she crouched in the shadows and saw the rising moon scattering silver through the elegant traceries of carved ebony and ivory; wildly beat her heart as delicately tripping footsteps approached the Dragon Chamber, and the Princess of Feminine Propriety, attended by her maidens, ascended the Imperial Couch and hastily dismissed them. Yet no sweet repose awaited this favored lady. The Lady Ma could hear her smothered sobs, her muttered exclamations—nay could even feel the couch itself tremble as the Princess uttered the hated name of the Lady A-Kuei, the poison of jealousy running in every vein. It was impossible for Lady Ma to decide which was the most virulent, this, or the poison of curiosity in the heart of the Pearl Empress. Though she loved not the Princess she was compelled to pity such suffering. But all thought was banished by the approach of the Yellow Emperor, prepared for repose and unattended, in simple but divine grandeur.

It cannot indeed be supposed that a Celestial Emperor is human, yet there was mortality in the start which his Augustness gave when the Princess of Feminine Propriety flinging herself from the Dragon couch, threw herself at his feet and with tears that flowed like that river known as "The Sorrow of China," demanded to know what she had done that another should be preferred before her; reciting in frantic haste such imperfections of the Lady A-Kuei's appearance as she could recall (or invent) in the haste of that agitating moment.

"That one of her eyes is larger than the other—no human being can doubt" sobbed the lady—"and surely your Divine Majesty cannot be aware that her hair reaches but to her waist, and that there is a brown mole on the nape of her neck? When she sings it resembles the croak of the crow. It is true that most of the Palace ladies are chosen for anything but beauty, yet she is the most ill-favored. And is it this—this bat-faced lady who is preferred to me! Would I had never been born: Yet even your Majesty's own lips have told me I am fair!"

The Yellow Emperor supported the form of the Princess in his arms. There are moments when even a Son of Heaven is but human. "Fair as the rainbow," he murmured, and the Princess faintly smiled; then gathering the resolution of the Philosopher he added manfully—"But the Lady A-Kuei is incomparable. And the reason is—"

The Lady Ma eagerly stretched her head forward with a hand to either ear. But the Princess of Feminine Propriety with one shriek had swooned and in the hurry of summoning attendants and causing her to be conveyed to her own apartments that precious sentence was never completed.

Still the Lady Ma groveled behind the Dragon Couch as the Son of Heaven, left alone, approached the veranda and apostrophizing the moon, murmured—

"O loveliest pale watcher of the destinies of men, illuminate the beauty of the Lady A-Kuei, and grant that I who have never seen that beauty may never see it, but remain its constant admirer!" So saying, he sought his solitary couch and slept, while the Lady Ma, in a torment of bewilderment, glided from the room.

The matter remained in suspense for several days. The White Jade Concubine was the next lady commanded to the Dragon Chamber, and again the Lady Ma was in her post of observation. Much she heard, much she saw that was not to the point, but the scene ended as before by the dismissal of the lady in tears, and the departure of the Lady Ma in ignorance of the secret.

The Emperor's peace was ended.

The singular circumstance was that the Lady A-Kuei was never summoned by the Yellow Emperor. Eagerly as the Empress watched, no token of affection for her was ever visible. Nothing could be detected. It was inexplicable. Finally, devoured by curiosity that gave her no respite, she resolved on a stratagem that should dispel the mystery, though it carried with it a risk on which she trembled to reflect. It was the afternoon of a languid summer day, and the Yellow Emperor, almost unattended, had come to pay a visit of filial respect to the Pearl Empress. She received him with the ceremony due to her sovereign in the porcelain pavilion of the Eastern Gardens, with the lotos fish ponds before them, and a faint breeze occasionally tinkling the crystal wind-bells that decorated the shrubs on the cloud and dragon-wrought slopes of the marble approach. A bird of brilliant plumage uttered a cry of reverence from its gold cage as the Son of Heaven entered. As was his occasional custom, and after suitable inquiries as to his parent's health, the attendants were all dismissed out of earshot and the Emperor leaned on his cushions and gazed reflectively into the sunshine outside. So had the Court Artist represented him as "The Incarnation of Philosophic Calm."

"These gardens are fair," said the Empress after a respectful silence, moving her fan illustrated with the emblem of Immortality—the Ho Bird.

"Fair indeed," returned the Emperor.—"It might be supposed that all sorrow and disturbance would be shut without the Forbidden Precincts. Yet it is not so. And though the figures of my ladies moving among the flowers appear at this distance instinct with joy, yet—"

He was silent.

"They know not," said the Empress with solemnity "that death entered the Forbidden Precincts but last night. A disembodied spirit has returned to its place and doubtless exists in bliss." "Indeed?" returned the Yellow Emperor with indifference—"yet if the spirit is absorbed into the Source whence it came, and the bones have crumbled into nothingness, where does the Ego exist? The dead are venerable, but no longer of interest."

"Not even when they were loved in life?" said the Empress, caressing the bird in the cage with one jewelled finger, but attentively observing her son from the corner of her august eye. "They were; they are not," he remarked sententiously and stifling a yawn; it was a drowsy afternoon. "But who is it that has abandoned us? Surely not the Lady Ma—your Majesty's faithful foster-mother?"

"A younger, a lovelier spirit has sought the Yellow Springs," replied the trembling Empress. "I regret to inform your Majesty that a sudden convulsion last night deprived the Lady A-Kuei of life. I would not permit the news to reach you lest it should break your august night's rest."

There was a silence, then the Emperor turned his eyes serenely upon his Imperial Mother. "That the statement of my august Parent is merely—let us say—allegoric—does not detract from its interest. But had the Lady A-Kuei in truth departed to the Yellow Springs I should none the less have received the news without uneasiness. What though the sun set—is not the memory of his light all surpassing?"

No longer could the Pearl Empress endure the excess of her curiosity. Deeply kowtowing, imploring pardon, with raised hands and tears which no son dare neglect, she besought the Emperor to enlighten her as to this mystery, recounting his praises of the lady and his admission that he had never beheld her, and all the circumstances connected with this remarkable episode. She omitted only, (from considerations of delicacy and others,) the vigils of the Lady Ma in the Dragon Chamber. The Emperor, sighing, looked upon the ground, and for a time was silent. Then he replied as follows:

"Willingly would I have kept silence, but what child dare withstand the plea of a parent? Is it necessary to inform the Heavenly Empress that beauty seen is beauty made familiar and that familiarity is the foe of admiration? How is it possible that I should see the Princess of Feminine Propriety, for instance, by night and day without becoming aware of her imperfections as well as her graces? How awake in the night without hearing the snoring of the White Jade Concubine and considering the mouth from which it issues as the less lovely. How partake of the society of any woman without finding her chattering as the crane, avid of admiration, jealous, destructive of philosophy, fatal to composure, fevered with curiosity; a creature, in short, a little above the gibbon, but infinitely below the notice of the sage, save as a temporary measure of amusement in itself unworthy the philosopher. The faces of all my ladies are known to me. All are fair and all alike. But one night, as I lay in the Dragon Couch, lost in speculation, absorbed in contemplation of the Yin and the Yang, the night passed for the solitary dreamer as a dream. In the darkness of the dawn I rose still dreaming, and departed to the Pearl Pavilion in the garden, and there remained an hour viewing the sunrise and experiencing ineffable opinions on the destiny of man. Returning then to a couch which I believed to have been that of the solitary philosopher I observed a depression where another form had lain, and in it a jade hairpin such as is worn by my junior beauties. Petrified with amazement at the display of such reserve, such continence, such august self-restraint, I perceived that, lost in my thoughts, I had had an unimagined companion and that this gentle reminder was from her gentle hand. But whom? I knew not. I then observed Lo Cheng the Court Artist in attendance and immediately despatched him to make secret enquiry and ascertain the name and circumstances of that beauty who, unknown, had shared my vigil. I learnt on his return that it was the Lady A-Kuei. I had entered the Dragon Chamber in a low moonlight, and guessed not her presence. She spoke no word. Finding her Imperial Master thus absorbed, she invited no attention, nor in any way obtruded her beauties upon my notice. Scarcely did she draw breath. Yet reflect upon what she might have done! The night passed and I remained entirely unconscious of her presence, and out of respect she would not sleep but remained reverently and modestly awake, assisting, if it may so be expressed, at a humble distance, in the speculations which held me prisoner. What a pearl was here! On learning these details by Lo Cheng from her own roseate lips, and remembering the unexampled temptation she had resisted (for well she knew that had she touched the Emperor the Philosopher had vanished) I despatched an august rescript to this favored Lady, conferring on her the degree of Incomparable Beauty of the First Rank. On condition of secrecy."

The Pearl Empress, still in deepest bewilderment, besought his majesty to proceed. He did so, with his usual dignity.

"Though my mind could not wholly restrain its admiration, yet secrecy was necessary, for had the facts been known, every lady, from the Princess of Feminine Propriety to the Junior Beauty of the Bed Chamber would henceforward have observed only silence and a frigid decorum in the Dragon Bed Chamber. And though the Emperor be a philosopher, yet a philosopher is still a man, and there are moments when decorum—"

The Emperor paused discreetly; then resumed.

"The world should not be composed entirely of A-Kueis, yet in my mind I behold the Incomparable Lady fair beyond expression. Like the moon she sails glorious in the heavens to be adored only in vision as the one woman who could respect the absorption of the Emperor, and of whose beauty as she lay beside him the philosopher could remain unconscious and therefore untroubled in body. To see her, to find her earthly, would be an experience for which the Emperor might have courage, but the philosopher never. And attached to all this is a moral:"

The Pearl Empress urgently inquired its nature.

"Let the wisdom of my august parent discern it," said the Emperor sententiously.

"And the future?" she inquired.

"The—let us call it parable—" said the Emperor politely—"with which your Majesty was good enough to entertain me, has suggested a precaution to my mind. I see now a lovely form moving among the flowers. It is possible that it may be the Incomparable Lady, or that at any moment I may come upon her and my ideal be shattered. This must be safeguarded. I might command her retirement to her native province, but who shall insure me against the weakness of my own heart demanding her return? No. Let Your Majesty's words spoken—well—in parable, be fulfilled in truth. I shall give orders to the Chief Eunuch that the Incomparable Lady tonight shall drink the Draught of Crushed Pearls, and be thus restored to the sphere that alone is worthy of her. Thus are all anxieties soothed, and the honours offered to her virtuous spirit shall be a glorious repayment of the ideal that will ever illuminate my soul."

The Empress was speechless. She had borne the Emperor in her womb, but the philosopher outsoared her comprehension. She retired, leaving his Majesty in a reverie, endeavoring herself to grasp the moral of which he had spoken, for the guidance of herself and the ladies concerned. But whether it inculcated reserve or the reverse in the Dragon Chamber, and what the Imperial ladies should follow as an example she was, to the end of her life, totally unable to say. Philosophy indeed walks on the heights. We cannot all expect to follow it.

That night the Incomparable Lady drank the Draught of Crushed Pearls.

The Princess of Feminine Propriety and the White Jade Concubine, learning these circumstances, redoubled their charms, their coquetries and their efforts to occupy what may be described as the inner sanctuary of the Emperor's esteem. Both lived to a green old age, wealthy and honored, alike firm in the conviction that if the Incomparable Lady had not shown herself so superior to temptation the Emperor might have been on the whole better pleased, whatever the sufferings of the philosopher. Both lived to be the tyrants of many generations of beauties at the Celestial Court. Both were assiduous in their devotions before the spirit tablet of the departed lady, and in recommending her example of reserve and humility to every damsel whom it might concern.

It will probably occur to the reader of this unique but veracious story that there is more in it than meets the eye, and more than the one moral alluded to by the Emperor according to the point of view of the different actors.

To the discernment of the reader it must accordingly be left.



THE HATRED OF THE QUEEN

A Story of Burma

Most wonderful is the Irawadi, the mighty river of Burma. In all the world elsewhere is no such river, bearing the melted snows from its mysterious sources in the high places of the mountains. The dawn rises upon its league-wide flood; the moon walks upon it with silver feet. It is the pulsing heart of the land, living still though so many rules and rulers have risen and fallen beside it, their pomps and glories drifting like flotsam dawn the river to the eternal ocean that is the end of all—and the beginning. Dead civilizations strew its banks, dreaming in the torrid sunshine of glories that were—of blood-stained gold, jewels wept from woeful crowns, nightmare dreams of murder and terror; dreaming also of heavenly beauty, for the Lord Buddha looks down in moonlight peace upon the land that leaped to kiss His footprints, that has laid its heart in the hand of the Blessed One, and shares therefore in His bliss and content. The Land of the Lord Buddha, where the myriad pagodas lift their golden flames of worship everywhere, and no idlest wind can pass but it ruffles the bells below the knees until they send forth their silver ripple of music to swell the hymn of praise!

There is a little bay on the bank of the flooding river—a silent, deserted place of sanddunes and small bills. When a ship is in sight, some poor folk come and spread out the red lacquer that helps their scanty subsistence, and the people from the passing ship land and barter and in a few minutes are gone on their busy way and silence settles down once more. They neither know nor care that, near by, a mighty city spread its splendour for miles along the river bank, that the king known as Lord of the Golden Palace, The Golden Foot, Lord of the White Elephant, held his state there with balls of magnificence, obsequious women, fawning courtiers and all the riot and colour of an Eastern tyranny. How should they care? Now there are ruins—ruins, and the cobras slip in and out through the deserted holy places. They breed their writhing young in the sleeping-chambers of queens, the tigers mew in the moonlight, and the giant spider, more terrible than the cobra, strikes with its black poison-claw and, paralyzing the life of the victim, sucks its brain with slow, lascivious pleasure.

Are these foul creatures more dreadful than some of the men, the women, who dwelt in these palaces—the more evil because of the human brain that plotted and foresaw? That is known only to the mysterious Law that in silence watches and decrees.

But this is a story of the dead days of Pagan, by the Irawadi, and it will be shown that, as the Lotus of the Lord Buddha grows up a white splendour from the black mud of the depths, so also may the soul of a woman.

In the days of the Lord of the White Elephant, the King Pagan Men, was a boy named Mindon, son of second Queen and the King. So, at least, it was said in the Golden Palace, but those who knew the secrets of such matters whispered that, when the King had taken her by the hand she came to him no maid, and that the boy was the son of an Indian trader. Furthermore it was said that she herself was woman of the Rajputs, knowledgeable in spells, incantations and elemental spirits such as the Beloos that terribly haunt waste places, and all Powers that move in the dark, and that thus she had won the King. Certainly she had been captured by the King's war-boats off the coast from a trading-ship bound for Ceylon, and it was her story that, because of her beauty, she was sent thither to serve as concubine to the King, Tissa of Ceylon. Being captured, she was brought to the Lord of the Golden Palace. The tongue she spoke was strange to all the fighting men, but it was wondrous to see how swiftly she learnt theirs and spoke it with a sweet ripple such as is in the throat of a bird.

She was beautiful exceedingly, with a colour of pale gold upon her and lengths of silk-spun hair, and eyes like those of a jungle-deer, and water might run beneath the arch of her foot without wetting it, and her breasts were like the cloudy pillows where the sun couches at setting. Now, at Pagan, the name they called her was Dwaymenau, but her true name, known only to herself, was Sundari, and she knew not the Law of the Blessed Buddha but was a heathen accursed. In the strong hollow of her hand she held the heart of the King, so that on the birth of her son she had risen from a mere concubine to be the second Queen and a power to whom all bowed. The First Queen, Maya, languished in her palace, her pale beauty wasting daily, deserted and lonely, for she had been the light of the King's eyes until the coming of the Indian woman, and she loved her lord with a great love and was a noble woman brought up in honour and all things becoming a queen. But sigh as she would, the King came never. All night he lay in the arms of Dwaymenau, all day he sat beside her, whether at the great water pageants or at the festival when the dancing-girls swayed and postured before him in her gilded chambers. Even when he went forth to hunt the tiger, she went with him as far as a woman may go, and then stood back only because he would not risk his jewel, her life. So all that was evil in the man she fostered and all that was good she cherished not at all, fearing lest he should return to the Queen. At her will he had consulted the Hiwot Daw, the Council of the Woon-gyees or Ministers, concerning a divorce of the Queen, but this they told him could not be since she had kept all the laws of Manu, being faithful, noble and beautiful and having borne him a son.

For, before the Indian woman had come to the King, the Queen had borne a son, Ananda, and he was pale and slender and the King despised him because of the wiles of Dwaymenau, saying he was fit only to sit among the women, having the soul of a slave, and he laughed bitterly as the pale child crouched in the corner to see him pass. If his eyes had been clear, he would have known that here was no slave, but a heart as much greater than his own as the spirit is stronger than the body. But this he did not know and he strode past with Dwaymenau's boy on his shoulder, laughing with cruel glee.

And this boy, Mindon, was beautiful and strong as his mother, pale olive of face, with the dark and crafty eyes of the cunning Indian traders, with black hair and a body straight, strong and long in the leg for his years—apt at the beginnings of bow, sword and spear—full of promise, if the promise was only words and looks.

And so matters rested in the palace until Ananda had ten years and Mindon nine.

It was the warm and sunny winter and the days were pleasant, and on a certain day the Queen, Maya, went with her ladies to worship the Blessed One at the Thapinyu Temple, looking down upon the swiftly flowing river. The temple was exceedingly rich and magnificent, so gilded with pure gold-leaf that it appeared of solid gold. And about the upper part were golden bells beneath the jewelled knee, which wafted very sweetly in the wind and gave forth a crystal-clear music. The ladies bore in their hands more gold-leaf, that they might acquire merit by offering this for the service of the Master of the Law, and indeed this temple was the offering of the Queen herself, who, because she bore the name of the Mother of the Lord, excelled in good works and was the Moon of this lower world in charity and piety.

Though wan with grief and anxiety, this Queen was beautiful. Her eyes, like mournful lakes of darkness, were lovely in the pale ivory of her face. Her lips were nobly cut and calm, and by the favour of the Guardian Nats, she was shaped with grace and health, a worthy mother of kings. Also she wore her jewels like a mighty princess, a magnificence to which all the people shikoed as she passed, folding their hands and touching the forehead while they bowed down, kneeling.

Before the colossal image of the Holy One she made her offering and, attended by her women, she sat in meditation, drawing consolation from the Tranquillity above her and the silence of the shrine. This ended, the Queen rose and did obeisance to the Lord and, retiring, paced back beneath the White Canopy and entered the courtyard where the palace stood—a palace of noble teakwood, brown and golden and carved like lace into strange fantasies of spires and pinnacles and branches where Nats and Tree Spirits and Beloos and swaying river maidens mingled and met amid fruits and leaves and flowers in a wild and joyous confusion. The faces, the blowing garments, whirled into points with the swiftness of the dance, were touched with gold, and so glad was the building that it seemed as if a very light wind might whirl it to the sky, and even the sad Queen stopped to rejoice in its beauty as it blossomed in the sunlight.

And even as she paused, her little son Ananda rushed to meet her, pale and panting, and flung himself into her arms with dry sobs like those of an overrun man. She soothed him until he could speak, and then the grief made way in a rain of tears.

"Mindon has killed my deer. He bared his knife, slit his throat and cast him in the ditch and there he lies."

"There will he not lie long!" shouted Mindon, breaking from the palace to the group where all were silent now. "For the worms will eat him and the dogs pick clean his bones, and he will show his horns at his lords no more. If you loved him, White-liver, you should have taught him better manners to his betters."

With a stifled shriek Ananda caught the slender knife from his girdle and flew at Mindon like a cat of the woods. Such things were done daily by young and old, and this was a long sorrow come to a head between the boys.

Suddenly, lifting the hangings of the palace gateway, before them stood the mother of Mindon, the Lady Dwaymenau, pale as wool, having heard the shout of her boy, so that the two Queens faced each other, each holding the shoulders of her son, and the ladies watched, mute as fishes, for it was years since these two had met.

"What have you done to my son?" breathed Maya the Queen, dry in the throat and all but speechless with passion. For indeed his face, for a child, was ghastly.

"Look at his knife! What would he do to my son?" Dwaymenau was stiff with hate and spoke as to a slave.

"He has killed my deer and mocks me because I loved him, He is the devil in this place. Look at the devils in his eyes. Look quick before he smiles, my mother."

And indeed, young as the boy was, an evil thing sat in either eye and glittered upon them. Dwaymenau passed her hand across his brow, and he smiled and they were gone.

"The beast ran at me and would have flung me with his horns," he said, looking up brightly at his mother. "He had the madness upon him. I struck once and he was dead. My father would have done the same.

"That would he not!" said Queen Maya bitterly. "Your father would have crept up, fawning on the deer, and offered him the fruits he loved, stroking him the while. And in trust the beast would have eaten, and the poison in the fruit would have slain him. For the people of your father meet neither man nor beast in fair fight. With a kiss they stab!"

Horror kept the women staring and silent. No one had dreamed that the scandal had reached the Queen. Never had she spoken or looked her knowledge but endured all in patience. Now it sprang out like a sword among them, and they feared for Maya, whom all loved.

Mindon did not understand. It was beyond him, but he saw he was scorned. Dwaymenau, her face rigid as a mask, looked pitilessly at the shaking Queen, and each word dropped from her mouth, hard and cold as the falling of diamonds. She refused the insult.

"If it is thus you speak of our lord and my love, what wonder he forsakes you? Mother of a craven milk runs in your veins and his for blood. Take your slinking brat away and weep together! My son and I go forth to meet the King as he comes from hunting, and to welcome him kingly!" She caught her boy to her with a magnificent gesture; he flung his little arm about her, and laughing loudly they went off together.

The tension relaxed a little when they were out of sight. The women knew that, since Dwaymenau had refused to take the Queen's meaning, she would certainly not carry her complaint to the King. They guessed at her reason for this forbearance, but, be that as it might, it was Certain that no other person would dare to tell him and risk the fate that waits the messenger of evil.

The eldest lady led away the Queen, now almost tottering in the reaction of fear and pain. Oh, that she had controlled her speech! Not for her own sake—for she had lost all and the beggar can lose no more—but for the boy's sake, the unloved child that stood between the stranger and her hopes. For him she had made a terrible enemy. Weeping, the boy followed her.

"Take comfort, little son," she said, drawing him to her tenderly. "The deer can suffer no more. For the tigers, he does not fear them. He runs in green woods now where there is none to hunt. He is up and away. The Blessed One was once a deer as gentle as yours."

But still the child wept, and the Queen broke down utterly. "Oh, if life be a dream, let us wake, let us wake!" she sobbed. "For evil things walk in it that cannot live in the light. Or let us dream deeper and forget. Go, little son, yet stay—for who can tell what waits us when the King comes. Let us meet him here."

For she believed that Dwaymenau would certainly carry the tale of her speech to the King, and, if so, what hope but death together?

That night, after the feasting, when the girls were dancing the dance of the fairies and spirits, in gold dresses, winged on the legs and shoulders, and high, gold-spired and pinnacled caps, the King missed the little Prince, Ananda, and asked why he was absent.

No one answered, the women looking upon each other, until Dwaymenau, sitting beside him, glimmering with rough pearls and rubies, spoke smoothly: "Lord, worshipped and beloved, the two boys quarreled this day, and Ananda's deer attacked our Mindon. He had a madness upon him and thrust with his horns. But, Mindon, your true son, flew in upon him and in a great fight he slit the beast's throat with the knife you gave him. Did he not well?"

"Well," said the King briefly. "But is there no hurt? Have searched? For he is mine."

There was arrogance in the last sentence and her proud soul rebelled, but smoothly as ever she spoke: "I have searched and there is not the littlest scratch. But Ananda is weeping because the deer is dead, and his mother is angry. What should I do?"

"Nothing. Ananda is worthless and worthless let him be! And for that pale shadow that was once a woman, let her be forgotten. And now, drink, my Queen!"

And Dwaymenau drank but the drink was bitter to her, for a ghost had risen upon her that day. She had never dreamed that such a scandal had been spoken, and it stunned her very soul with fear, that the Queen should know her vileness and the cheat she had put upon the King. As pure maid he had received her, and she knew, none better, what the doom would be if his trust were broken and he knew the child not his. She herself had seen this thing done to a concubine who had a little offended. She was thrust living in a sack and this hung between two earthen jars pierced with small holes, and thus she was set afloat on the terrible river. And not till the slow filling and sinking of the jars was the agony over and the cries for mercy stilled. No, the Queen's speech was safe with her, but was it safe with the Queen? For her silence, Dwaymenau must take measures.

Then she put it all aside and laughed and jested with the King and did indeed for a time forget, for she loved him for his black-browed beauty and his courage and royalty and the childlike trust and the man's passion that mingled in him for her. Daily and nightly such prayers as she made to strange gods were that she might bear a son, true son of his.

Next day, in the noonday stillness when all slept, she led her young son by the hand to her secret chamber, and, holding him upon her knees in that rich and golden place, she lifted his face to hers and stared into his eyes. And so unwavering was her gaze, so mighty the hard, unblinking stare that his own was held against it, and he stared back as the earth stares breathless at the moon. Gradually the terror faded out of his eyes; they glazed as if in a trance; his head fell stupidly against her bosom; his spirit stood on the borderland of being and waited.

Seeing this, she took his palm and, molding it like wax, into the cup of it she dropped clear fluid from a small vessel of pottery with the fylfot upon its side and the disks of the god Shiva. And strange it was to see that lore of India in the palace where the Blessed Law reigned in peace. Then, fixing her eyes with power upon Mindon, she bade him, a pure child, see for her in its clearness.

"Only virgin-pure can see!" she muttered, staring into his eyes. "See! See!"

The eyes of Mindon were closing. He half opened them and looked dully at his palm. His face was pinched and yellow.

"A woman—a child, on a long couch. Dead! I see!"

"See her face. Is her head crowned with the Queen's jewels? See!"

"Jewels. I cannot see her face. It is hidden."

"Why is it hidden?"

"A robe across her face. Oh, let me go!"

"And the child? See!"

"Let me go. Stop—my head—my head! I cannot see. The child is hidden. Her arm holds it. A woman stoops above them."

"A woman? Who? Is it like me? Speak! See!"

"A woman. It is like you, mother—it is like you. I fear very greatly. A knife—a knife! Blood! I cannot see—I cannot speak! I—I sleep."

His face was ghastly white now, his body cold and collapsed. Terrified, she caught him to her breast and relaxed the power of her will upon him. For that moment, she was only the passionate mother and quaked to think she might have hurt him. An hour passed and he slept heavily in her arms, and in agony she watched to see the colour steal back into the olive cheek and white lips. In the second hour he waked and stretched himself indolently, yawning like a cat. Her tears dropped like rain upon him as she clasped him violently to her.

He writhed himself free, petulant and spoilt. "Let me be. I hate kisses and women's tricks. I want to go forth and play. I have had a devil's dream.

"What did you see in your dream, prince of my heart?" She caught frantically at the last chance.

"A deer—a tiger. I have forgotten. Let me go." He ran off and she sat alone with her doubts and fears. Yet triumph coloured them too. She saw a dead woman, a dead child, and herself bending above them. She hid the vessel in her bosom and went out among her women.

Weeks passed, and never a word that she dreaded from Maya the Queen. The women of Dwaymenau, questioning the Queen's women, heard that she seemed to have heavy sorrow upon her. Her eyes were like dying lamps and she faded as they. The King never entered her palace. Drowned in Dwaymenau's wiles and beauty, her slave, her thrall, he forgot all else but his fighting, his hunting and his long war-boats, and whether the Queen lived or died, he cared nothing. Better indeed she should die and her place be emptied for the beloved, without offence to her powerful kindred.

And now he was to sail upon a raid against the Shan Tsaubwa, who had denied him tribute of gold and jewels and slaves. Glorious were the boats prepared for war, of brown teak and gilded until they shone like gold. Seventy men rowed them, sword and lance beside each. Warriors crowded them, flags and banners fluttered about them; the shining water reflected the pomp like a mirror and the air rang with song. Dwaymenau stood beside the water with her women, bidding the King farewell, and so he saw her, radiant in the dawn, with her boy beside her, and waved his hand to the last.

The ships were gone and the days languished a little at Pagan. They missed the laughter and royalty of the King, and few men, and those old and weak, were left in the city. The pulse of life beat slower.

And Dwaymenau took rule in the Golden Palace. Queen Maya sat like one in a dream and questioned nothing, and Dwaymenau ruled with wisdom but none loved her. To all she was the interloper, the witch-woman, the out-land upstart. Only the fear of the King guarded her and her boy, but that was strong. The boys played together sometimes, Mindon tyrannizing and cruel, Ananda fearing and complying, broken in spirit.

Maya the Queen walked daily in the long and empty Golden Hall of Audience, where none came now that the King was gone, pacing up and down, gazing wearily at the carved screens and all their woodland beauty of gods that did not hear, of happy spirits that had no pity. Like a spirit herself she passed between the red pillars, appearing and reappearing with steps that made no sound, consumed with hate of the evil woman that had stolen her joy. Like a slow fire it burned in her soul, and the face of the Blessed One was hidden from her, and she had forgotten His peace. In that atmosphere of hate her life dwindled. Her son's dwindled also, and there was talk among the women of some potion that Dwaymenau had been seen to drop into his noontide drink as she went swiftly by. That might he the gossip of malice, but he pined. His eyes were large like a young bird's; his hands like little claws. They thought the departing year would take him with it. What harm? Very certainly the King would shed no tear.

It was a sweet and silent afternoon and she wandered in the great and lonely hall, sickened with the hate in her soul and her fear for her boy. Suddenly she heard flying footsteps—a boy's, running in mad haste in the outer hall, and, following them, bare feet, soft, thudding.

She stopped dead and every pulse cried—Danger! No time to think or breathe when Mindon burst into sight, wild with terror and following close beside him a man—a madman, a short bright dah in his grasp, his jaws grinding foam, his wild eyes starting—one passion to murder. So sometimes from the Nats comes pitiless fury, and men run mad and kill and none knows why.

Maya the Queen stiffened to meet the danger. Joy swept through her soul; her weariness was gone. A fierce smile showed her teeth—a smile of hate, as she stood there and drew her dagger for defense. For defense—the man would rend the boy and turn on her and she would not die. She would live to triumph that the mongrel was dead, and her son, the Prince again and his father's joy—for his heart would turn to the child most surely. Justice was rushing on its victim. She would see it and live content, the long years of agony wiped out in blood, as was fitting. She would not flee; she would see it and rejoice. And as she stood in gladness—these broken thoughts rushing through her like flashes of lightning—Mindon saw her by the pillar and, screaming in anguish for the first time, fled to her for refuge.

She raised her knife to meet the staring eyes, the chalk white face, and drive him back on the murderer. If the man failed, she would not! And even as she did this a strange thing befell. Something stronger than hate swept her away like a leaf on the river; something primeval that lives in the lonely pangs of childbirth, that hides in the womb and breasts of the mother. It was stronger than she. It was not the hated Mindoin—she saw him no more. Suddenly it was the eternal Child, lifting dying, appealing eyes to the Woman, as he clung to her knees. She did not think this—she felt it, and it dominated her utterly. The Woman answered. As if it had been her own flesh and blood, she swept the panting body behind her and faced the man with uplifted dagger and knew her victory assured, whether in life or death. On came the horrible rush, the flaming eyes, and, if it was chance that set the dagger against his throat, it was cool strength that drove it home and never wavered until the blood welling from the throat quenched the flame in the wild eyes, and she stood triumphing like a war-goddess, with the man at her feet. Then, strong and flushed, Maya the Queen gathered the half-dead boy in her arms, and, both drenched with blood, they moved slowly down the hall and outside met the hurrying crowd, with Dwaymenau, whom the scream had brought to find her son.