Every month there came to my mother a little magazine called, if I remember rightly, the HOME CHURCHMAN, with the combined authority of print and clerical commendation. It was the most evil thing that ever came into the house, a very devil, a thin little pamphlet with one woodcut illustration on the front page of each number; now the uninviting visage of some exponent of the real and only doctrine and attitudes, now some coral strand in act of welcoming the missionaries of God's mysterious preferences, now a new church in the Victorian Gothic. The vile rag it was! A score of vices that shun the policeman have nothing of its subtle wickedness. It was an outrage upon the natural kindliness of men. The contents were all admirably adjusted to keep a spirit in prison. Their force of sustained suggestion was tremendous. There would be dreadful intimations of the swift retribution that fell upon individuals for Sabbath-breaking, and upon nations for weakening towards Ritualism, or treating Roman Catholics as tolerable human beings; there would be great rejoicings over the conversion of alleged Jews, and terrible descriptions of the death-beds of prominent infidels with boldly invented last words,—the most unscrupulous lying; there would be the appallingly edifying careers of "early piety" lusciously described, or stories of condemned criminals who traced their final ruin unerringly to early laxities of the kind that leads people to give up subscribing to the HOME CHURCHMAN.

Every month that evil spirit brought about a slump in our mutual love. My mother used to read the thing and become depressed and anxious for my spiritual welfare, used to be stirred to unintelligent pestering....

2

A few years ago I met the editor of this same HOME CHURCHMAN. It was at one of the weekly dinners of that Fleet Street dining club, the Blackfriars.

I heard the paper's name with a queer little shock and surveyed the man with interest. No doubt he was only a successor of the purveyor of discords who darkened my boyhood. It was amazing to find an influence so terrible embodied in a creature so palpably petty. He was seated some way down a table at right angles to the one at which I sat, a man of mean appearance with a greyish complexion, thin, with a square nose, a heavy wiry moustache and a big Adam's apple sticking out between the wings of his collar. He ate with considerable appetite and unconcealed relish, and as his jaw was underhung, he chummed and made the moustache wave like reeds in the swell of a steamer. It gave him a conscientious look. After dinner he a little forced himself upon me. At that time, though the shadow of my scandal was already upon me, I still seemed to be shaping for great successes, and he was glad to be in conversation with me and anxious to intimate political sympathy and support. I tried to make him talk of the HOME CHURCHMAN and the kindred publications he ran, but he was manifestly ashamed of his job so far as I was concerned.

"One wants," he said, pitching himself as he supposed in my key, "to put constructive ideas into our readers, but they are narrow, you know, very narrow. Very." He made his moustache and lips express judicious regret. "One has to consider them carefully, one has to respect their attitudes. One dare not go too far with them. One has to feel one's way."

He chummed and the moustache bristled.

A hireling, beyond question, catering for a demand. I gathered there was a home in Tufnell Park, and three boys to be fed and clothed and educated....

I had the curiosity to buy a copy of his magazine afterwards, and it seemed much the same sort of thing that had worried my mother in my boyhood. There was the usual Christian hero, this time with mutton-chop whiskers and a long bare upper lip. The Jesuits, it seemed, were still hard at it, and Heaven frightfully upset about the Sunday opening of museums and the falling birth-rate, and as touchy and vindictive as ever. There were two vigorous paragraphs upon the utter damnableness of the Rev. R. J. Campbell, a contagious damnableness I gathered, one wasn't safe within a mile of Holborn Viaduct, and a foul-mouthed attack on poor little Wilkins the novelist—who was being baited by the moralists at that time for making one of his big women characters, not being in holy wedlock, desire a baby and say so....

The broadening of human thought is a slow and complex process. We do go on, we do get on. But when one thinks that people are living and dying now, quarrelling and sulking, misled and misunderstanding, vaguely fearful, condemning and thwarting one another in the close darknesses of these narrow cults—Oh, God! one wants a gale out of Heaven, one wants a great wind from the sea!

3

While I lived at Penge two little things happened to me, trivial in themselves and yet in their quality profoundly significant. They had this in common, that they pierced the texture of the life I was quietly taking for granted and let me see through it into realities—realities I had indeed known about before but never realised. Each of these experiences left me with a sense of shock, with all the values in my life perplexingly altered, attempting readjustment. One of these disturbing and illuminating events was that I was robbed of a new pocket-knife and the other that I fell in love. It was altogether surprising to me to be robbed. You see, as an only child I had always been fairly well looked after and protected, and the result was an amazing confidence in the practical goodness of the people one met in the world. I knew there were robbers in the world, just as I knew there were tigers; that I was ever likely to meet robber or tiger face to face seemed equally impossible.

The knife as I remember it was a particularly jolly one with all sorts of instruments in it, tweezers and a thing for getting a stone out of the hoof of a horse, and a corkscrew; it had cost me a carefully accumulated half-crown, and amounted indeed to a new experience in knives. I had had it for two or three days, and then one afternoon I dropped it through a hole in my pocket on a footpath crossing a field between Penge and Anerley. I heard it fall in the way one does without at the time appreciating what had happened, then, later, before I got home, when my hand wandered into my pocket to embrace the still dear new possession I found it gone, and instantly that memory of something hitting the ground sprang up into consciousness. I went back and commenced a search. Almost immediately I was accosted by the leader of a little gang of four or five extremely dirty and ragged boys of assorted sizes and slouching carriage who were coming from the Anerley direction.

"Lost anythink, Matey?" said he.

I explained.

"'E's dropped 'is knife," said my interlocutor, and joined in the search.

"What sort of 'andle was it, Matey?" said a small white-faced sniffing boy in a big bowler hat.

I supplied the information. His sharp little face scrutinised the ground about us.

"GOT it," he said, and pounced.

"Give it 'ere," said the big boy hoarsely, and secured it.

I walked towards him serenely confident that he would hand it over to me, and that all was for the best in the best of all possible worlds.

"No bloomin' fear!" he said, regarding me obliquely. "Oo said it was your knife?"

Remarkable doubts assailed me. "Of course it's my knife," I said. The other boys gathered round me.

"This ain't your knife," said the big boy, and spat casually.

"I dropped it just now."

"Findin's keepin's, I believe," said the big boy.

"Nonsense," I said. "Give me my knife."

"'Ow many blades it got?"

"Three."

"And what sort of 'andle?"

"Bone."

"Got a corkscrew like?"

"Yes."

"Ah! This ain't your knife no'ow. See?"

He made no offer to show it to me. My breath went.

"Look here!" I said. "I saw that kid pick it up. It IS my knife."

"Rot!" said the big boy, and slowly, deliberately put my knife into his trouser pocket.

I braced my soul for battle. All civilisation was behind me, but I doubt if it kept the colour in my face. I buttoned my jacket and clenched my fists and advanced on my antagonist—he had, I suppose, the advantage of two years of age and three inches of height. "Hand over that knife," I said.

Then one of the smallest of the band assailed me with extraordinary vigour and swiftness from behind, had an arm round my neck and a knee in my back before I had the slightest intimation of attack, and so got me down. "I got 'im, Bill," squeaked this amazing little ruffian. My nose was flattened by a dirty hand, and as I struck out and hit something like sacking, some one kicked my elbow. Two or three seemed to be at me at the same time. Then I rolled over and sat up to discover them all making off, a ragged flight, footballing my cap, my City Merchants' cap, amongst them. I leapt to my feet in a passion of indignation and pursued them.

But I did not overtake them. We are beings of mixed composition, and I doubt if mine was a single-minded pursuit. I knew that honour required me to pursue, and I had a vivid impression of having just been down in the dust with a very wiry and active and dirty little antagonist of disagreeable odour and incredible and incalculable unscrupulousness, kneeling on me and gripping my arm and neck. I wanted of course to be even with him, but also I doubted if catching him would necessarily involve that. They kicked my cap into the ditch at the end of the field, and made off compactly along a cinder lane while I turned aside to recover my dishonoured headdress. As I knocked the dust out of that and out of my jacket, and brushed my knees and readjusted my very crumpled collar, I tried to focus this startling occurrence in my mind.

I had vague ideas of going to a policeman or of complaining at a police station, but some boyish instinct against informing prevented that. No doubt I entertained ideas of vindictive pursuit and murderous reprisals. And I was acutely enraged whenever I thought of my knife. The thing indeed rankled in my mind for weeks and weeks, and altered all the flavour of my world for me. It was the first time I glimpsed the simple brute violence that lurks and peeps beneath our civilisation. A certain kindly complacency of attitude towards the palpably lower classes was qualified for ever.

4

But the other experience was still more cardinal. It was the first clear intimation of a new motif in life, the sex motif, that was to rise and increase and accumulate power and enrichment and interweave with and at last dominate all my life.

It was when I was nearly fifteen this happened. It is inseparably connected in my mind with the dusk of warm September evenings. I never met the girl I loved by daylight, and I have forgotten her name. It was some insignificant name.

Yet the peculiar quality of the adventure keeps it shining darkly like some deep coloured gem in the common setting of my memories. It came as something new and strange, something that did not join on to anything else in my life or connect with any of my thoughts or beliefs or habits; it was a wonder, a mystery, a discovery about myself, a discovery about the whole world. Only in after years did sexual feeling lose that isolation and spread itself out to illuminate and pervade and at last possess the whole broad vision of life.

It was in that phase of an urban youth's development, the phase of the cheap cigarette, that this thing happened. One evening I came by chance on a number of young people promenading by the light of a row of shops towards Beckington, and, with all the glory of a glowing cigarette between my lips, I joined their strolling number. These twilight parades of young people, youngsters chiefly of the lower middle-class, are one of the odd social developments of the great suburban growths—unkindly critics, blind to the inner meanings of things, call them, I believe, Monkeys' Parades—the shop apprentices, the young work girls, the boy clerks and so forth, stirred by mysterious intimations, spend their first-earned money upon collars and ties, chiffon hats, smart lace collars, walking-sticks, sunshades or cigarettes, and come valiantly into the vague transfiguring mingling of gaslight and evening, to walk up and down, to eye meaningly, even to accost and make friends. It is a queer instinctive revolt from the narrow limited friendless homes in which so many find themselves, a going out towards something, romance if you will, beauty, that has suddenly become a need—a need that hitherto has lain dormant and unsuspected. They promenade.

Vulgar!—it is as vulgar as the spirit that calls the moth abroad in the evening and lights the body of the glow-worm in the night. I made my way through the throng, a little contemptuously as became a public schoolboy, my hands in my pockets—none of your cheap canes for me!—and very careful of the lie of my cigarette upon my lips. And two girls passed me, one a little taller than the other, with dim warm-tinted faces under clouds of dark hair and with dark eyes like pools reflecting stars.

I half turned, and the shorter one glanced back at me over her shoulder—I could draw you now the pose of her cheek and neck and shoulder—and instantly I was as passionately in love with the girl as I have ever been before or since, as any man ever was with any woman. I turned about and followed them, I flung away my cigarette ostentatiously and lifted my school cap and spoke to them.

The girl answered shyly with her dark eyes on my face. What I said and what she said I cannot remember, but I have little doubt it was something absolutely vapid. It really did not matter; the thing was we had met. I felt as I think a new-hatched moth must feel when suddenly its urgent headlong searching brings it in tremulous amazement upon its mate.

We met, covered from each other, with all the nets of civilisation keeping us apart. We walked side by side.

It led to scarcely more than that. I think we met four or five times altogether, and always with her nearly silent elder sister on the other side of her. We walked on the last two occasions arm in arm, furtively caressing each other's hands, we went away from the glare of the shops into the quiet roads of villadom, and there we whispered instead of talking and looked closely into one another's warm and shaded face. "Dear," I whispered very daringly, and she answered, "Dear!" We had a vague sense that we wanted more of that quality of intimacy and more. We wanted each other as one wants beautiful music again or to breathe again the scent of flowers.

And that is all there was between us. The events are nothing, the thing that matters is the way in which this experience stabbed through the common stuff of life and left it pierced, with a light, with a huge new interest shining through the rent.

When I think of it I can recall even now the warm mystery of her face, her lips a little apart, lips that I never kissed, her soft shadowed throat, and I feel again the sensuous stir of her proximity....

Those two girls never told me their surname nor let me approach their house. They made me leave them at the corner of a road of small houses near Penge Station. And quite abruptly, without any intimation, they vanished and came to the meeting place no more, they vanished as a moth goes out of a window into the night, and left me possessed of an intolerable want....

The affair pervaded my existence for many weeks. I could not do my work and I could not rest at home. Night after night I promenaded up and down that Monkeys' Parade full of an unappeasable desire, with a thwarted sense of something just begun that ought to have gone on. I went backwards and forwards on the way to the vanishing place, and at last explored the forbidden road that had swallowed them up. But I never saw her again, except that later she came to me, my symbol of womanhood, in dreams. How my blood was stirred! I lay awake of nights whispering in the darkness for her. I prayed for her.

Indeed that girl, who probably forgot the last vestiges of me when her first real kiss came to her, ruled and haunted me, gave a Queen to my imagination and a texture to all my desires until I became a man.

I generalised her at last. I suddenly discovered that poetry was about her and that she was the key to all that had hitherto seemed nonsense about love. I took to reading novels, and if the heroine could not possibly be like her, dusky and warm and starlike, I put the book aside....

I hesitate and add here one other confession. I want to tell this thing because it seems to me we are altogether too restrained and secretive about such matters. The cardinal thing in life sneaks in to us darkly and shamefully like a thief in the night.

One day during my Cambridge days—it must have been in my first year before I knew Hatherleigh—I saw in a print-shop window near the Strand an engraving of a girl that reminded me sharply of Penge and its dusky encounter. It was just a half length of a bare-shouldered, bare-breasted Oriental with arms akimbo, smiling faintly. I looked at it, went my way, then turned back and bought it. I felt I must have it. The odd thing is that I was more than a little shamefaced about it. I did not have it framed and hung in my room open to the criticism of my friends, but I kept it in the drawer of my writing-table. And I kept that drawer locked for a year. It speedily merged with and became identified with the dark girl of Penge. That engraving became in a way my mistress. Often when I had sported my oak and was supposed to be reading, I was sitting with it before me.

Obeying some instinct I kept the thing very secret indeed. For a time nobody suspected what was locked in my drawer nor what was locked in me. I seemed as sexless as my world required.

5

These things stabbed through my life, intimations of things above and below and before me. They had an air of being no more than incidents, interruptions.

The broad substance of my existence at this time was the City Merchants School. Home was a place where I slept and read, and the mooning explorations of the south-eastern postal district which occupied the restless evenings and spare days of my vacations mere interstices, giving glimpses of enigmatical lights and distant spaces between the woven threads of a school-boy's career. School life began for me every morning at Herne Hill, for there I was joined by three or four other boys and the rest of the way we went together. Most of the streets and roads we traversed in our morning's walk from Victoria are still intact, the storms of rebuilding that have submerged so much of my boyhood's London have passed and left them, and I have revived the impression of them again and again in recent years as I have clattered dinnerward in a hansom or hummed along in a motor cab to some engagement. The main gate still looks out with the same expression of ancient well-proportioned kindliness upon St. Margaret's Close. There are imposing new science laboratories in Chambers Street indeed, but the old playing fields are unaltered except for the big electric trams that go droning and spitting blue flashes along the western boundary. I know Ratten, the new Head, very well, but I have not been inside the school to see if it has changed at all since I went up to Cambridge.

I took all they put before us very readily as a boy, for I had a mind of vigorous appetite, but since I have grown mentally to man's estate and developed a more and more comprehensive view of our national process and our national needs, I am more and more struck by the oddity of the educational methods pursued, their aimless disconnectedness from the constructive forces in the community. I suppose if we are to view the public school as anything more than an institution that has just chanced to happen, we must treat it as having a definite function towards the general scheme of the nation, as being in a sense designed to take the crude young male of the more or less responsible class, to correct his harsh egotisms, broaden his outlook, give him a grasp of the contemporary developments he will presently be called upon to influence and control, and send him on to the university to be made a leading and ruling social man. It is easy enough to carp at schoolmasters and set up for an Educational Reformer, I know, but still it is impossible not to feel how infinitely more effectually—given certain impossibilities perhaps—the job might be done.

My memory of school has indeed no hint whatever of that quality of elucidation it seems reasonable to demand from it. Here all about me was London, a vast inexplicable being, a vortex of gigantic forces, that filled and overwhelmed me with impressions, that stirred my imagination to a perpetual vague enquiry; and my school not only offered no key to it, but had practically no comment to make upon it at all. We were within three miles of Westminster and Charing Cross, the government offices of a fifth of mankind were all within an hour's stroll, great economic changes were going on under our eyes, now the hoardings flamed with election placards, now the Salvation Army and now the unemployed came trailing in procession through the winter-grey streets, now the newspaper placards outside news-shops told of battles in strange places, now of amazing discoveries, now of sinister crimes, abject squalor and poverty, imperial splendour and luxury, Buckingham Palace, Rotten Row, Mayfair, the slums of Pimlico, garbage-littered streets of bawling costermongers, the inky silver of the barge-laden Thames—such was the background of our days. We went across St. Margaret's Close and through the school gate into a quiet puerile world apart from all these things. We joined in the earnest acquirement of all that was necessary for Greek epigrams and Latin verse, and for the rest played games. We dipped down into something clear and elegantly proportioned and time-worn and for all its high resolve of stalwart virility a little feeble, like our blackened and decayed portals by Inigo Jones.

Within, we were taught as the chief subjects of instruction, Latin and Greek. We were taught very badly because the men who taught us did not habitually use either of these languages, nobody uses them any more now except perhaps for the Latin of a few Levantine monasteries. At the utmost our men read them. We were taught these languages because long ago Latin had been the language of civilisation; the one way of escape from the narrow and localised life had lain in those days through Latin, and afterwards Greek had come in as the vehicle of a flood of new and amazing ideas. Once these two languages had been the sole means of initiation to the detached criticism and partial comprehension of the world. I can imagine the fierce zeal of our first Heads, Gardener and Roper, teaching Greek like passionate missionaries, as a progressive Chinaman might teach English to the boys of Pekin, clumsily, impatiently, with rod and harsh urgency, but sincerely, patriotically, because they felt that behind it lay revelations, the irresistible stimulus to a new phase of history. That was long ago. A new great world, a vaster Imperialism had arisen about the school, had assimilated all these amazing and incredible ideas, had gone on to new and yet more amazing developments of its own. But the City Merchants School still made the substance of its teaching Latin and Greek, still, with no thought of rotating crops, sowed in a dream amidst the harvesting.

There is no fierceness left in the teaching now. Just after I went up to Trinity, Gates, our Head, wrote a review article in defence of our curriculum. In this, among other indiscretions, he asserted that it was impossible to write good English without an illuminating knowledge of the classic tongues, and he split an infinitive and failed to button up a sentence in saying so. His main argument conceded every objection a reasonable person could make to the City Merchants' curriculum. He admitted that translation had now placed all the wisdom of the past at a common man's disposal, that scarcely a field of endeavour remained in which modern work had not long since passed beyond the ancient achievement. He disclaimed any utility. But there was, he said, a peculiar magic in these grammatical exercises no other subjects of instruction possessed. Nothing else provided the same strengthening and orderly discipline for the mind.

He said that, knowing the Senior Classics he did, himself a Senior Classic!

Yet in a dim confused way I think he was making out a case. In schools as we knew them, and with the sort of assistant available, the sort of assistant who has been trained entirely on the old lines, he could see no other teaching so effectual in developing attention, restraint, sustained constructive effort and various yet systematic adjustment. And that was as far as his imagination could go.

It is infinitely easier to begin organised human affairs than end them; the curriculum and the social organisation of the English public school are the crowning instances of that. They go on because they have begun. Schools are not only immortal institutions but reproductive ones. Our founder, Jabez Arvon, knew nothing, I am sure, of Gates' pedagogic values and would, I feel certain, have dealt with them disrespectfully. But public schools and university colleges sprang into existence correlated, the scholars went on to the universities and came back to teach the schools, to teach as they themselves had been taught, before they had ever made any real use of the teaching; the crowd of boys herded together, a crowd perpetually renewed and unbrokenly the same, adjusted itself by means of spontaneously developed institutions. In a century, by its very success, this revolutionary innovation of Renascence public schools had become an immense tradition woven closely into the fabric of the national life. Intelligent and powerful people ceased to talk Latin or read Greek, they had got what was wanted, but that only left the schoolmaster the freer to elaborate his point. Since most men of any importance or influence in the country had been through the mill, it was naturally a little difficult to persuade them that it was not quite the best and most ennobling mill the wit of man could devise. And, moreover, they did not want their children made strange to them. There was all the machinery and all the men needed to teach the old subjects, and none to teach whatever new the critic might propose. Such science instruction as my father gave seemed indeed the uninviting alternative to the classical grind. It was certainly an altogether inferior instrument at that time.

So it was I occupied my mind with the exact study of dead languages for seven long years. It was the strangest of detachments. We would sit under the desk of such a master as Topham like creatures who had fallen into an enchanted pit, and he would do his considerable best to work us up to enthusiasm for, let us say, a Greek play. If we flagged he would lash himself to revive us. He would walk about the class-room mouthing great lines in a rich roar, and asking us with a flushed face and shining eyes if it was not "GLORIOUS." The very sight of Greek letters brings back to me the dingy, faded, ink-splashed quality of our class-room, the banging of books, Topham's disordered hair, the sheen of his alpaca gown, his deep unmusical intonations and the wide striding of his creaking boots. Glorious! And being plastic human beings we would consent that it was glorious, and some of us even achieved an answering reverberation and a sympathetic flush. I at times responded freely. We all accepted from him unquestioningly that these melodies, these strange sounds, exceeded any possibility of beauty that lay in the Gothic intricacy, the splash and glitter, the jar and recovery, the stabbing lights, the heights and broad distances of our English tongue. That indeed was the chief sin of him. It was not that he was for Greek and Latin, but that he was fiercely against every beauty that was neither classic nor deferred to classical canons.

And what exactly did we make of it, we seniors who understood it best? We visualised dimly through that dust and the grammatical difficulties, the spectacle of the chorus chanting grotesquely, helping out protagonist and antagonist, masked and buskined, with the telling of incomprehensible parricides, of inexplicable incest, of gods faded beyond symbolism, of that Relentless Law we did not believe in for a moment, that no modern western European can believe in. We thought of the characters in the unconvincing wigs and costumes of our school performance. No Gilbert Murray had come as yet to touch these things to life again. It was like the ghost of an antiquarian's toy theatre, a ghost that crumbled and condensed into a gritty dust of construing as one looked at it.

Marks, shindies, prayers and punishments, all flavoured with the leathery stuffiness of time-worn Big Hall....

And then out one would come through our grey old gate into the evening light and the spectacle of London hurrying like a cataract, London in black and brown and blue and gleaming silver, roaring like the very loom of Time. We came out into the new world no teacher has yet had the power and courage to grasp and expound. Life and death sang all about one, joys and fears on such a scale, in such an intricacy as never Greek nor Roman knew. The interminable procession of horse omnibuses went lumbering past, bearing countless people we knew not whence, we knew not whither. Hansoms clattered, foot passengers jostled one, a thousand appeals of shop and boarding caught the eye. The multi-coloured lights of window and street mingled with the warm glow of the declining day under the softly flushing London skies; the ever-changing placards, the shouting news-vendors, told of a kaleidoscopic drama all about the globe. One did not realise what had happened to us, but the voice of Topham was suddenly drowned and lost, he and his minute, remote gesticulations....

That submerged and isolated curriculum did not even join on to living interests where it might have done so. We were left absolutely to the hints of the newspapers, to casual political speeches, to the cartoons of the comic papers or a chance reading of some Socialist pamphlet for any general ideas whatever about the huge swirling world process in which we found ourselves. I always look back with particular exasperation to the cessation of our modern history at the year 1815. There it pulled up abruptly, as though it had come upon something indelicate....

But, after all, what would Topham or Flack have made of the huge adjustments of the nineteenth century? Flack was the chief cricketer on the staff; he belonged to that great cult which pretends that the place of this or that county in the struggle for the championship is a matter of supreme importance to boys. He obliged us to affect a passionate interest in the progress of county matches, to work up unnatural enthusiasms. What a fuss there would be when some well-trained boy, panting as if from Marathon, appeared with an evening paper! "I say, you chaps, Middlesex all out for a hundred and five!"

Under Flack's pressure I became, I confess, a cricket humbug of the first class. I applied myself industriously year by year to mastering scores and averages; I pretended that Lords or the Oval were the places nearest Paradise for me. (I never went to either.) Through a slight mistake about the county boundary I adopted Surrey for my loyalty, though as a matter of fact we were by some five hundred yards or so in Kent. It did quite as well for my purposes. I bowled rather straight and fast, and spent endless hours acquiring the skill to bowl Flack out. He was a bat in the Corinthian style, rich and voluminous, and succumbed very easily to a low shooter or an unexpected Yorker, but usually he was caught early by long leg. The difficulty was to bowl him before he got caught. He loved to lift a ball to leg. After one had clean bowled him at the practice nets one deliberately gave him a ball to leg just to make him feel nice again.

Flack went about a world of marvels dreaming of leg hits. He has been observed, going across the Park on his way to his highly respectable club in Piccadilly, to break from profound musings into a strange brief dance that ended with an imaginary swipe with his umbrella, a roofer, over the trees towards Buckingham Palace. The hit accomplished, Flack resumed his way.

Inadequately instructed foreigners would pass him in terror, needlessly alert.

6

These schoolmasters move through my memory as always a little distant and more than a little incomprehensible. Except when they wore flannels, I saw them almost always in old college caps and gowns, a uniform which greatly increased their detachment from the world of actual men. Gates, the head, was a lean loose-limbed man, rather stupid I discovered when I reached the Sixth and came into contact with him, but honest, simple and very eager to be liberal-minded. He was bald, with an almost conical baldness, with a grizzled pointed beard, small featured and, under the stresses of a Zeitgeist that demanded liberality, with an expression of puzzled but resolute resistance to his own unalterable opinions. He made a tall dignified figure in his gown. In my junior days he spoke to me only three or four times, and then he annoyed me by giving me a wrong surname; it was a sore point because I was an outsider and not one of the old school families, the Shoesmiths, the Naylors, the Marklows, the Tophams, the Pevises and suchlike, who came generation after generation. I recall him most vividly against the background of faded brown book-backs in the old library in which we less destructive seniors were trusted to work, with the light from the stained-glass window falling in coloured patches on his face. It gave him the appearance of having no colour of his own. He had a habit of scratching the beard on his cheek as he talked, and he used to come and consult us about things and invariably do as we said. That, in his phraseology, was "maintaining the traditions of the school."

He had indeed an effect not of a man directing a school, but of a man captured and directed by a school. Dead and gone Elizabethans had begotten a monster that could carry him about in its mouth.

Yet being a man, as I say, with his hair a little stirred by a Zeitgeist that made for change, Gates did at times display a disposition towards developments. City Merchants had no modern side, and utilitarian spirits were carping in the PALL MALL GAZETTE and elsewhere at the omissions from our curriculum, and particularly at our want of German. Moreover, four classes still worked together with much clashing and uproar in the old Big Hall that had once held in a common tumult the entire school. Gates used to come and talk to us older fellows about these things.

"I don't wish to innovate unduly," he used to say. "But we ought to get in some German, you know,—for those who like it. The army men will be wanting it some of these days."

He referred to the organisation of regular evening preparation for the lower boys in Big Hall as a "revolutionary change," but he achieved it, and he declared he began the replacement of the hacked wooden tables, at which the boys had worked since Tudor days, by sloping desks with safety inkpots and scientifically adjustable seats, "with grave misgivings." And though he never birched a boy in his life, and was, I am convinced, morally incapable of such a scuffle, he retained the block and birch in the school through all his term of office, and spoke at the Headmasters' Conference in temperate approval of corporal chastisement, comparing it, dear soul! to the power of the sword....

I wish I could, in some measure and without tediousness, convey the effect of his discourses to General Assembly in Big Hall. But that is like trying to draw the obverse and reverse of a sixpence worn to complete illegibility. His tall fine figure stood high on the days, his thoughtful tenor filled the air as he steered his hazardous way through sentences that dragged inconclusive tails and dropped redundant prepositions. And he pleaded ever so urgently, ever so finely, that what we all knew for Sin was sinful, and on the whole best avoided altogether, and so went on with deepening notes and even with short arresting gestures of the right arm and hand, to stir and exhort us towards goodness, towards that modern, unsectarian goodness, goodness in general and nothing in particular, which the Zeitgeist seemed to indicate in those transitional years.

7

The school never quite got hold of me. Partly I think that was because I was a day-boy and so freer than most of the boys, partly because of a temperamental disposition to see things in my own way and have my private dreams, partly because I was a little antagonised by the family traditions that ran through the school. I was made to feel at first that I was a rank outsider, and I never quite forgot it. I suffered very little bullying, and I never had a fight—in all my time there were only three fights—but I followed my own curiosities. I was already a very keen theologian and politician before I was fifteen. I was also intensely interested in modern warfare. I read the morning papers in the Reading Room during the midday recess, never missed the illustrated weeklies, and often when I could afford it I bought a PALL MALL GAZETTE on my way home.

I do not think that I was very exceptional in that; most intelligent boys, I believe, want naturally to be men, and are keenly interested in men's affairs. There is not the universal passion for a magnified puerility among them it is customary to assume. I was indeed a voracious reader of everything but boys' books—which I detested—and fiction. I read histories, travel, popular science and controversy with particular zest, and I loved maps. School work and school games were quite subordinate affairs for me. I worked well and made a passable figure at games, and I do not think I was abnormally insensitive to the fine quality of our school, to the charm of its mediaeval nucleus, its Gothic cloisters, its scraps of Palladian and its dignified Georgian extensions; the contrast of the old quiet, that in spite of our presence pervaded it everywhere, with the rushing and impending London all about it, was indeed a continual pleasure to me. But these things were certainly not the living and central interests of my life.

I had to conceal my wider outlook to a certain extent—from the masters even more than from the boys. Indeed I only let myself go freely with one boy, Britten, my especial chum, the son of the Agent-General for East Australia. We two discovered in a chance conversation A PROPOS of a map in the library that we were both of us curious why there were Malays in Madagascar, and how the Mecca pilgrims came from the East Indies before steamships were available. Neither of us had suspected that there was any one at all in the school who knew or cared a rap about the Indian Ocean, except as water on the way to India. But Britten had come up through the Suez Canal, and his ship had spoken a pilgrim ship on the way. It gave him a startling quality of living knowledge. From these pilgrims we got to a comparative treatment of religions, and from that, by a sudden plunge, to entirely sceptical and disrespectful confessions concerning Gates' last outbreak of simple piety in School Assembly. We became congenial intimates from that hour.

The discovery of Britten happened to me when we were both in the Lower Fifth. Previously there had been a watertight compartment between the books I read and the thoughts they begot on the one hand and human intercourse on the other. Now I really began my higher education, and aired and examined and developed in conversation the doubts, the ideas, the interpretations that had been forming in my mind. As we were both day-boys with a good deal of control over our time we organised walks and expeditions together, and my habit of solitary and rather vague prowling gave way to much more definite joint enterprises. I went several times to his house, he was the youngest of several brothers, one of whom was a medical student and let us assist at the dissection of a cat, and once or twice in vacation time he came to Penge, and we went with parcels of provisions to do a thorough day in the grounds and galleries of the Crystal Palace, ending with the fireworks at close quarters. We went in a river steamboat down to Greenwich, and fired by that made an excursion to Margate and back; we explored London docks and Bethnal Green Museum, Petticoat Lane and all sorts of out-of-the-way places together.

We confessed shyly to one another a common secret vice, "Phantom warfare." When we walked alone, especially in the country, we had both developed the same practice of fighting an imaginary battle about us as we walked. As we went along we were generals, and our attacks pushed along on either side, crouching and gathering behind hedges, cresting ridges, occupying copses, rushing open spaces, fighting from house to house. The hillsides about Penge were honeycombed in my imagination with the pits and trenches I had created to check a victorious invader coming out of Surrey. For him West Kensington was chiefly important as the scene of a desperate and successful last stand of insurrectionary troops (who had seized the Navy, the Bank and other advantages) against a royalist army—reinforced by Germans—advancing for reasons best known to themselves by way of Harrow and Ealing. It is a secret and solitary game, as we found when we tried to play it together. We made a success of that only once. All the way down to Margate we schemed defences and assailed and fought them as we came back against the sunset. Afterwards we recapitulated all that conflict by means of a large scale map of the Thames and little paper ironclads in plan cut out of paper.

A subsequent revival of these imaginings was brought about by Britten's luck in getting, through a friend of his father's, admission for us both to the spectacle of volunteer officers fighting the war game in Caxton Hall. We developed a war game of our own at Britten's home with nearly a couple of hundred lead soldiers, some excellent spring cannons that shot hard and true at six yards, hills of books and a constantly elaborated set of rules. For some months that occupied an immense proportion of our leisure. Some of our battles lasted several days. We kept the game a profound secret from the other fellows. They would not have understood.

And we also began, it was certainly before we were sixteen, to write, for the sake of writing. We liked writing. We had discovered Lamb and the best of the middle articles in such weeklies as the SATURDAY GAZETTE, and we imitated them. Our minds were full of dim uncertain things we wanted to drag out into the light of expression. Britten had got hold of IN MEMORIAM, and I had disinterred Pope's ESSAY ON MAN and RABBI BEN EZRA, and these things had set our theological and cosmic solicitudes talking. I was somewhere between sixteen and eighteen, I know, when he and I walked along the Thames Embankment confessing shamefully to one another that we had never read Lucretius. We thought every one who mattered had read Lucretius.

When I was nearly sixteen my mother was taken ill very suddenly, and died of some perplexing complaint that involved a post-mortem examination; it was, I think, the trouble that has since those days been recognised as appendicitis. This led to a considerable change in my circumstances; the house at Penge was given up, and my Staffordshire uncle arranged for me to lodge during school terms with a needy solicitor and his wife in Vicars Street, S. W., about a mile and a half from the school. So it was I came right into London; I had almost two years of London before I went to Cambridge.

Those were our great days together. Afterwards we were torn apart; Britten went to Oxford, and our circumstances never afterwards threw us continuously together until the days of the BLUE WEEKLY.

As boys, we walked together, read and discussed the same books, pursued the same enquiries. We got a reputation as inseparables and the nickname of the Rose and the Lily, for Britten was short and thick-set with dark close curling hair and a ruddy Irish type of face; I was lean and fair-haired and some inches taller than he. Our talk ranged widely and yet had certain very definite limitations. We were amazingly free with politics and religion, we went to that little meeting-house of William Morris's at Hammersmith and worked out the principles of Socialism pretty thoroughly, and we got up the Darwinian theory with the help of Britten's medical-student brother and the galleries of the Natural History Museum in Cromwell Road. Those wonderful cases on the ground floor illustrating mimicry, dimorphism and so forth, were new in our times, and we went through them with earnest industry and tried over our Darwinism in the light of that. Such topics we did exhaustively. But on the other hand I do not remember any discussion whatever of human sex or sexual relationships. There, in spite of intense secret curiosities, our lips were sealed by a peculiar shyness. And I do not believe we ever had occasion either of us to use the word "love." It was not only that we were instinctively shy of the subject, but that we were mightily ashamed of the extent of our ignorance and uncertainty in these matters. We evaded them elaborately with an assumption of exhaustive knowledge.

We certainly had no shyness about theology. We marked the emancipation of our spirits from the frightful teachings that had oppressed our boyhood, by much indulgence in blasphemous wit. We had a secret literature of irreverent rhymes, and a secret art of theological caricature. Britten's father had delighted his family by reading aloud from Dr. Richard Garnett's TWILIGHT OF THE GODS, and Britten conveyed the precious volume to me. That and the BAB BALLADS were the inspiration of some of our earliest lucubrations.

For an imaginative boy the first experience of writing is like a tiger's first taste of blood, and our literary flowerings led very directly to the revival of the school magazine, which had been comatose for some years. But there we came upon a disappointment.

8

In that revival we associated certain other of the Sixth Form boys, and notably one for whom our enterprise was to lay the foundations of a career that has ended in the House of Lords, Arthur Cossington, now Lord Paddockhurst. Cossington was at that time a rather heavy, rather good-looking boy who was chiefly eminent in cricket, an outsider even as we were and preoccupied no doubt, had we been sufficiently detached to observe him, with private imaginings very much of the same quality and spirit as our own. He was, we were inclined to think, rather a sentimentalist, rather a poseur, he affected a concise emphatic style, played chess very well, betrayed a belief in will-power, and earned Britten's secret hostility, Britten being a sloven, by the invariable neatness of his collars and ties. He came into our magazine with a vigour that we found extremely surprising and unwelcome.

Britten and I had wanted to write. We had indeed figured our project modestly as a manuscript magazine of satirical, liberal and brilliant literature by which in some rather inexplicable way the vague tumult of ideas that teemed within us was to find form and expression; Cossington, it was manifest from the outset, wanted neither to write nor writing, but a magazine. I remember the inaugural meeting in Shoesmith major's study—we had had great trouble in getting it together—and how effectually Cossington bolted with the proposal.

"I think we fellows ought to run a magazine," said Cossington. "The school used to have one. A school like this ought to have a magazine."

"The last one died in '84," said Shoesmith from the hearthrug. "Called the OBSERVER. Rot rather."

"Bad title," said Cossington.

"There was a TATLER before that," said Britten, sitting on the writing table at the window that was closed to deaden the cries of the Lower School at play, and clashing his boots together.

"We want something suggestive of City Merchants."

"CITY MERCHANDIZE," said Britten.

"Too fanciful. What of ARVONIAN? Richard Arvon was our founder, and it seems almost a duty—"

"They call them all -usians or -onians," said Britten.

"I like CITY MERCHANDIZE," I said. "We could probably find a quotation to suggest—oh! mixed good things."

Cossington regarded me abstractedly.

"Don't want to put the accent on the City, do we?" said Shoesmith, who had a feeling for county families, and Naylor supported him by a murmur of approval.

"We ought to call it the ARVONIAN," decided Cossington, "and we might very well have underneath, 'With which is incorporated the OBSERVER.' That picks up the old traditions, makes an appeal to old boys and all that, and it gives us something to print under the title."

I still held out for CITY MERCHANDIZE, which had taken my fancy. "Some of the chaps' people won't like it," said Naylor, "certain not to. And it sounds Rum."

"Sounds Weird," said a boy who had not hitherto spoken.

"We aren't going to do anything Queer," said Shoesmith, pointedly not looking at Britten.

The question of the title had manifestly gone against us. "Oh! HAVE it ARVONIAN," I said.

"And next, what size shall we have?" said Cossington.

"Something like MACMILLAN'S MAGAZINE—or LONGMANS'; LONGMANS' is better because it has a whole page, not columns. It makes no end of difference to one's effects."

"What effects?" asked Shoesmith abruptly.

"Oh! a pause or a white line or anything. You've got to write closer for a double column. It's nuggetty. You can't get a swing on your prose." I had discussed this thoroughly with Britten.

"If the fellows are going to write—" began Britten.

"We ought to keep off fine writing," said Shoesmith. "It's cheek. I vote we don't have any."

"We sha'n't get any," said Cossington, and then as an olive branch to me, "unless Remington does a bit. Or Britten. But it's no good making too much space for it."

"We ought to be very careful about the writing," said Shoesmith. "We don't want to give ourselves away."

"I vote we ask old Topham to see us through," said Naylor.

Britten groaned aloud and every one regarded him. "Greek epigrams on the fellows' names," he said. "Small beer in ancient bottles. Let's get a stuffed broody hen to SIT on the magazine."

"We might do worse than a Greek epigram," said Cossington. "One in each number. It—it impresses parents and keeps up our classical tradition. And the masters CAN help. We don't want to antagonise them. Of course—we've got to departmentalise. Writing is only one section of the thing. The ARVONIAN has to stand for the school. There's questions of space and questions of expense. We can't turn out a great chunk of printed prose like—like wet cold toast and call it a magazine."

Britten writhed, appreciating the image.

"There's to be a section of sports. YOU must do that."

"I'm not going to do any fine writing," said Shoesmith.

"What you've got to do is just to list all the chaps and put a note to their play:—'Naylor minor must pass more. Football isn't the place for extreme individualism.' 'Ammersham shapes well as half-back.' Things like that."

"I could do that all right," said Shoesmith, brightening and manifestly becoming pregnant with judgments.

"One great thing about a magazine of this sort," said Cossington, "is to mention just as many names as you can in each number. It keeps the interest alive. Chaps will turn it over looking for their own little bit. Then it all lights up for them."

"Do you want any reports of matches?" Shoesmith broke from his meditation.

"Rather. With comments."

"Naylor surpassed himself and negotiated the lemon safely home," said Shoesmith.

"Shut it," said Naylor modestly.

"Exactly," said Cossington. "That gives us three features," touching them off on his fingers, "Epigram, Literary Section, Sports. Then we want a section to shove anything into, a joke, a notice of anything that's going on. So on. Our Note Book."

"Oh, Hell!" said Britten, and clashed his boots, to the silent disapproval of every one.

"Then we want an editorial."

"A WHAT?" cried Britten, with a note of real terror in his voice.

"Well, don't we? Unless we have our Note Book to begin on the front page. It gives a scrappy effect to do that. We want something manly and straightforward and a bit thoughtful, about Patriotism, say, or ESPRIT DE CORPS, or After-Life."

I looked at Britten. Hitherto we had not considered Cossington mattered very much in the world.

He went over us as a motor-car goes over a dog. There was a sort of energy about him, a new sort of energy to us; we had never realised that anything of the sort existed in the world. We were hopelessly at a disadvantage. Almost instantly we had developed a clear and detailed vision of a magazine made up of everything that was most acceptable in the magazines that flourished in the adult world about us, and had determined to make it a success. He had by a kind of instinct, as it were, synthetically plagiarised every successful magazine and breathed into this dusty mixture the breath of life. He was elected at his own suggestion managing director, with the earnest support of Shoesmith and Naylor, and conducted the magazine so successfully and brilliantly that he even got a whole back page of advertisements from the big sports shop in Holborn, and made the printers pay at the same rate for a notice of certain books of their own which they said they had inserted by inadvertency to fill up space. The only literary contribution in the first number was a column by Topham in faultless stereotyped English in depreciation of some fancied evil called Utilitarian Studies and ending with that noble old quotation:—

"To the glory that was Greece and the grandeur that was Rome."

And Flack crowded us out of number two with a bright little paper on the "Humours of Cricket," and the Head himself was profusely thoughtful all over the editorial under the heading of "The School Chapel; and How it Seems to an Old Boy."

Britten and I found it difficult to express to each other with any grace or precision what we felt about that magazine.



CHAPTER THE FOURTH ~~ ADOLESCENCE

1

I find it very difficult to trace how form was added to form and interpretation followed interpretation in my ever-spreading, ever-deepening, ever-multiplying and enriching vision of this world into which I had been born. Every day added its impressions, its hints, its subtle explications to the growing understanding. Day after day the living interlacing threads of a mind weave together. Every morning now for three weeks and more (for to-day is Thursday and I started on a Tuesday) I have been trying to convey some idea of the factors and early influences by which my particular scrap of subjective tapestry was shaped, to show the child playing on the nursery floor, the son perplexed by his mother, gazing aghast at his dead father, exploring interminable suburbs, touched by first intimations of the sexual mystery, coming in with a sort of confused avidity towards the centres of the life of London. It is only by such an effort to write it down that one realises how marvellously crowded, how marvellously analytical and synthetic those ears must be. One begins with the little child to whom the sky is a roof of blue, the world a screen of opaque and disconnected facts, the home a thing eternal, and "being good" just simple obedience to unquestioned authority; and one comes at last to the vast world of one's adult perception, pierced deep by flaring searchlights of partial understanding, here masked by mists, here refracted and distorted through half translucent veils, here showing broad prospects and limitless vistas and here impenetrably dark.

I recall phases of deep speculation, doubts and even prayers by night, and strange occasions when by a sort of hypnotic contemplation of nothingness I sought to pierce the web of appearances about me. It is hard to measure these things in receding perspective, and now I cannot trace, so closely has mood succeeded and overlaid and obliterated mood, the phases by which an utter horror of death was replaced by the growing realisation of its necessity and dignity. Difficulty of the imagination with infinite space, infinite time, entangled my mind; and moral distress for the pain and suffering of bygone ages that made all thought of reformation in the future seem but the grimmest irony upon now irreparable wrongs. Many an intricate perplexity of these broadening years did not so much get settled as cease to matter. Life crowded me away from it.

I have confessed myself a temerarious theologian, and in that passage from boyhood to manhood I ranged widely in my search for some permanently satisfying Truth. That, too, ceased after a time to be urgently interesting. I came at last into a phase that endures to this day, of absolute tranquillity, of absolute confidence in whatever that Incomprehensible Comprehensive which must needs be the substratum of all things, may be. Feeling OF IT, feeling BY IT, I cannot feel afraid of it. I think I had got quite clearly and finally to that adjustment long before my Cambridge days were done. I am sure that the evil in life is transitory and finite like an accident or distress in the nursery; that God is my Father and that I may trust Him, even though life hurts so that one must needs cry out at it, even though it shows no consequence but failure, no promise but pain....

But while I was fearless of theology I must confess it was comparatively late before I faced and dared to probe the secrecies of sex. I was afraid of sex. I had an instinctive perception that it would be a large and difficult thing in my life, but my early training was all in the direction of regarding it as an irrelevant thing, as something disconnected from all the broad significances of life, as hostile and disgraceful in its quality. The world was never so emasculated in thought, I suppose, as it was in the Victorian time....

I was afraid to think either of sex or (what I have always found inseparable from a kind of sexual emotion) beauty. Even as a boy I knew the thing as a haunting and alluring mystery that I tried to keep away from. Its dim presence obsessed me none the less for all the extravagant decency, the stimulating silences of my upbringing....

The plaster Venuses and Apollos that used to adorn the vast aisle and huge grey terraces of the Crystal Palace were the first intimations of the beauty of the body that ever came into my life. As I write of it I feel again the shameful attraction of those gracious forms. I used to look at them not simply, but curiously and askance. Once at least in my later days at Penge, I spent a shilling in admission chiefly for the sake of them....

The strangest thing of all my odd and solitary upbringing seems to me now that swathing up of all the splendours of the flesh, that strange combination of fanatical terrorism and shyness that fenced me about with prohibitions. It caused me to grow up, I will not say blankly ignorant, but with an ignorance blurred and dishonoured by shame, by enigmatical warnings, by cultivated aversions, an ignorance in which a fascinated curiosity and desire struggled like a thing in a net. I knew so little and I felt so much. There was indeed no Aphrodite at all in my youthful Pantheon, but instead there was a mysterious and minatory gap. I have told how at last a new Venus was born in my imagination out of gas lamps and the twilight, a Venus with a cockney accent and dark eyes shining out of the dusk, a Venus who was a warm, passion-stirring atmosphere rather than incarnate in a body. And I have told, too, how I bought a picture.

All this was a thing apart from the rest of my life, a locked avoided chamber....

It was not until my last year at Trinity that I really broke down the barriers of this unwholesome silence and brought my secret broodings to the light of day. Then a little set of us plunged suddenly into what we called at first sociological discussion. I can still recall even the physical feeling of those first tentative talks. I remember them mostly as occurring in the rooms of Ted Hatherleigh, who kept at the corner by the Trinity great gate, but we also used to talk a good deal at a man's in King's, a man named, if I remember rightly, Redmayne. The atmosphere of Hatherleigh's rooms was a haze of tobacco smoke against a background brown and deep. He professed himself a socialist with anarchistic leanings—he had suffered the martyrdom of ducking for it—and a huge French May-day poster displaying a splendid proletarian in red and black on a barricade against a flaring orange sky, dominated his decorations. Hatherleigh affected a fine untidiness, and all the place, even the floor, was littered with books, for the most part open and face downward; deeper darknesses were supplied by a discarded gown and our caps, all conscientiously battered, Hatherleigh's flopped like an elephant's ear and inserted quill pens supported the corners of mine; the highlights of the picture came chiefly as reflections from his chequered blue mugs full of audit ale. We sat on oak chairs, except the four or five who crowded on a capacious settle, we drank a lot of beer and were often fuddled, and occasionally quite drunk, and we all smoked reckless-looking pipes,—there was a transient fashion among us for corn cobs for which Mark Twain, I think, was responsible. Our little excesses with liquor were due far more to conscience than appetite, indicated chiefly a resolve to break away from restraints that we suspected were keeping us off the instructive knife-edges of life. Hatherleigh was a good Englishman of the premature type with a red face, a lot of hair, a deep voice and an explosive plunging manner, and it was he who said one evening—Heaven knows how we got to it—"Look here, you know, it's all Rot, this Shutting Up about Women. We OUGHT to talk about them. What are we going to do about them? It's got to come. We're all festering inside about it. Let's out with it. There's too much Decency altogether about this Infernal University!"

We rose to his challenge a little awkwardly and our first talk was clumsy, there were flushed faces and red ears, and I remember Hatherleigh broke out into a monologue on decency. "Modesty and Decency," said Hatherleigh, "are Oriental vices. The Jews brought them to Europe. They're Semitic, just like our monasticism here and the seclusion of women and mutilating the dead on a battlefield. And all that sort of thing."

Hatherleigh's mind progressed by huge leaps, leaps that were usually wildly inaccurate, and for a time we engaged hotly upon the topic of those alleged mutilations and the Semitic responsibility for decency. Hatherleigh tried hard to saddle the Semitic race with the less elegant war customs of the Soudan and the northwest frontier of India, and quoted Doughty, at that time a little-known author, and Cunninghame Graham to show that the Arab was worse than a county-town spinster in his regard for respectability. But his case was too preposterous, and Esmeer, with his shrill penetrating voice and his way of pointing with all four long fingers flat together, carried the point against him. He quoted Cato and Roman law and the monasteries of Thibet.

"Well, anyway," said Hatherleigh, escaping from our hands like an intellectual frog, "Semitic or not, I've got no use for decency."

We argued points and Hatherleigh professed an unusually balanced and tolerating attitude. "I don't mind a certain refinement and dignity," he admitted generously. "What I object to is this spreading out of decency until it darkens the whole sky, until it makes a man's father afraid to speak of the most important things, until it makes a man afraid to look a frank book in the face or think—even think! until it leads to our coming to—to the business at last with nothing but a few prohibitions, a few hints, a lot of dirty jokes and, and "—he waved a hand and seemed to seek and catch his image in the air—"oh, a confounded buttered slide of sentiment, to guide us. I tell you I'm going to think about it and talk about it until I see a little more daylight than I do at present. I'm twenty-two. Things might happen to me anywhen. You men can go out into the world if you like, to sin like fools and marry like fools, not knowing what you are doing and ashamed to ask. You'll take the consequences, too, I expect, pretty meekly, sniggering a bit, sentimentalising a bit, like—like Cambridge humorists.... I mean to know what I'm doing."

He paused to drink, and I think I cut in with ideas of my own. But one is apt to forget one's own share in a talk, I find, more than one does the clear-cut objectivity of other people's, and I do not know how far I contributed to this discussion that followed. I am, however, pretty certain that it was then that ideal that we were pleased to call aristocracy and which soon became the common property of our set was developed. It was Esmeer, I know, who laid down and maintained the proposition that so far as minds went there were really only two sorts of man in the world, the aristocrat and the man who subdues his mind to other people's.

"'I couldn't THINK of it, Sir,'" said Esmeer in his elucidatory tones; "that's what a servant says. His mind even is broken in to run between fences, and he admits it. WE'VE got to be able to think of anything. And 'such things aren't for the Likes of Us!' That's another servant's saying. Well, everything IS for the Likes of Us. If we see fit, that is."

A small fresh-coloured man in grey objected.

"Well," exploded Hatherleigh, "if that isn't so what the deuce are we up here for? Instead of working in mines? If some things aren't to be thought about ever! We've got the privilege of all these extra years for getting things straight in our heads, and then we won't use 'em. Good God! what do you think a university's for?"...

Esmeer's idea came with an effect of real emancipation to several of us. We were not going to be afraid of ideas any longer, we were going to throw down every barrier of prohibition and take them in and see what came of it. We became for a time even intemperately experimental, and one of us, at the bare suggestion of an eminent psychic investigator, took hashish and very nearly died of it within a fortnight of our great elucidation.

The chief matter of our interchanges was of course the discussion of sex. Once the theme had been opened it became a sore place in our intercourse; none of us seemed able to keep away from it. Our imaginations got astir with it. We made up for lost time and went round it and through it and over it exhaustively. I recall prolonged discussion of polygamy on the way to Royston, muddy November tramps to Madingley, when amidst much profanity from Hatherleigh at the serious treatment of so obsolete a matter, we weighed the reasons, if any, for the institution of marriage. The fine dim night-time spaces of the Great Court are bound up with the inconclusive finales of mighty hot-eared wrangles; the narrows of Trinity Street and Petty Cury and Market Hill have their particular associations for me with that spate of confession and free speech, that almost painful goal delivery of long pent and crappled and sometimes crippled ideas.

And we went on a reading party that Easter to a place called Pulborough in Sussex, where there is a fishing inn and a river that goes under a bridge. It was a late Easter and a blazing one, and we boated and bathed and talked of being Hellenic and the beauty of the body until at moments it seemed to us that we were destined to restore the Golden Age, by the simple abolition of tailors and outfitters.

Those undergraduate talks! how rich and glorious they seemed, how splendidly new the ideas that grew and multiplied in our seething minds! We made long afternoon and evening raids over the Downs towards Arundel, and would come tramping back through the still keen moonlight singing and shouting. We formed romantic friendships with one another, and grieved more or less convincingly that there were no splendid women fit to be our companions in the world. But Hatherleigh, it seemed, had once known a girl whose hair was gloriously red. "My God!" said Hatherleigh to convey the quality of her; just simply and with projectile violence: "My God!"

Benton had heard of a woman who lived with a man refusing to be married to him—we thought that splendid beyond measure,—I cannot now imagine why. She was "like a tender goddess," Benton said. A sort of shame came upon us in the dark in spite of our liberal intentions when Benton committed himself to that. And after such talk we would fall upon great pauses of emotional dreaming, and if by chance we passed a girl in a governess cart, or some farmer's daughter walking to the station, we became alertly silent or obstreperously indifferent to her. For might she not be just that one exception to the banal decency, the sickly pointless conventionality, the sham modesty of the times in which we lived?

We felt we stood for a new movement, not realising how perennially this same emancipation returns to those ancient courts beside the Cam. We were the anti-decency party, we discovered a catch phrase that we flourished about in the Union and made our watchword, namely, "stark fact." We hung nude pictures in our rooms much as if they had been flags, to the earnest concern of our bedders, and I disinterred my long-kept engraving and had it framed in fumed oak, and found for it a completer and less restrained companion, a companion I never cared for in the slightest degree....

This efflorescence did not prevent, I think indeed it rather helped, our more formal university work, for most of us took firsts, and three of us got Fellowships in one year or another. There was Benton who had a Research Fellowship and went to Tubingen, there was Esmeer and myself who both became Residential Fellows. I had taken the Mental and Moral Science Tripos (as it was then), and three years later I got a lectureship in political science. In those days it was disguised in the cloak of Political Economy.



2

It was our affectation to be a little detached from the main stream of undergraduate life. We worked pretty hard, but by virtue of our beer, our socialism and suchlike heterodoxy, held ourselves to be differentiated from the swatting reading man. None of us, except Baxter, who was a rowing blue, a rather abnormal blue with an appetite for ideas, took games seriously enough to train, and on the other hand we intimated contempt for the rather mediocre, deliberately humorous, consciously gentlemanly and consciously wild undergraduate men who made up the mass of Cambridge life. After the manner of youth we were altogether too hard on our contemporaries. We battered our caps and tore our gowns lest they should seem new, and we despised these others extremely for doing exactly the same things; we had an idea of ourselves and resented beyond measure a similar weakness in these our brothers.

There was a type, or at least there seemed to us to be a type—I'm a little doubtful at times now whether after all we didn't create it—for which Hatherleigh invented the nickname the "Pinky Dinkys," intending thereby both contempt and abhorrence in almost equal measure. The Pinky Dinky summarised all that we particularly did not want to be, and also, I now perceive, much of what we were and all that we secretly dreaded becoming.

But it is hard to convey the Pinky Dinky idea, for all that it meant so much to us. We spent one evening at least during that reading party upon the Pinky Dinky; we sat about our one fire after a walk in the rain—it was our only wet day—smoked our excessively virile pipes, and elaborated the natural history of the Pinky Dinky. We improvised a sort of Pinky Dinky litany, and Hatherleigh supplied deep notes for the responses.

"The Pinky Dinky extracts a good deal of amusement from life," said some one.

"Damned prig!" said Hatherleigh.

"The Pinky Dinky arises in the Union and treats the question with a light gay touch. He makes the weird ones mad. But sometimes he cannot go on because of the amusement he extracts."

"I want to shy books at the giggling swine," said Hatherleigh.

"The Pinky Dinky says suddenly while he is making the tea, 'We're all being frightfully funny. It's time for you to say something now.'"

"The Pinky Dinky shakes his head and says: 'I'm afraid I shall never be a responsible being.' And he really IS frivolous."

"Frivolous but not vulgar," said Esmeer.

"Pinky Dinkys are chaps who've had their buds nipped," said Hatherleigh. "They're Plebs and they know it. They haven't the Guts to get hold of things. And so they worry up all those silly little jokes of theirs to carry it off."...

We tried bad ones for a time, viciously flavoured.

Pinky Dinkys are due to over-production of the type that ought to keep outfitters' shops. Pinky Dinkys would like to keep outfitters' shops with whimsy 'scriptions on the boxes and make your bill out funny, and not be snobs to customers, no!—not even if they had titles."

"Every Pinky Dinky's people are rather good people, and better than most Pinky Dinky's people. But he does not put on side."

"Pinky Dinkys become playful at the sight of women."

"'Croquet's my game,' said the Pinky Dinky, and felt a man condescended."

"But what the devil do they think they're up to, anyhow?" roared old Hatherleigh suddenly, dropping plump into bottomless despair.

We felt we had still failed to get at the core of the mystery of the Pinky Dinky.

We tried over things about his religion. "The Pinky Dinky goes to King's Chapel, and sits and feels in the dusk. Solemn things! Oh HUSH! He wouldn't tell you—"

"He COULDN'T tell you."

"Religion is so sacred to him he never talks about it, never reads about it, never thinks about it. Just feels!"

"But in his heart of hearts, oh! ever so deep, the Pinky Dinky has a doubt—"

Some one protested.

"Not a vulgar doubt," Esmeer went on, "but a kind of hesitation whether the Ancient of Days is really exactly what one would call good form.... There's a lot of horrid coarseness got into the world somehow. SOMEBODY put it there.... And anyhow there's no particular reason why a man should be seen about with Him. He's jolly Awful of course and all that—"

"The Pinky Dinky for all his fun and levity has a clean mind."

"A thoroughly clean mind. Not like Esmeer's—the Pig!"

"If once he began to think about sex, how could he be comfortable at croquet?"

"It's their Damned Modesty," said Hatherleigh suddenly, "that's what's the matter with the Pinky Dinky. It's Mental Cowardice dressed up as a virtue and taking the poor dears in. Cambridge is soaked with it; it's some confounded local bacillus. Like the thing that gives a flavour to Havana cigars. He comes up here to be made into a man and a ruler of the people, and he thinks it shows a nice disposition not to take on the job! How the Devil is a great Empire to be run with men like him?"

"All his little jokes and things," said Esmeer regarding his feet on the fender, "it's just a nervous sniggering—because he's afraid.... Oxford's no better."

"What's he afraid of?" said I.

"God knows!" exploded Hatherleigh and stared at the fire.

"LIFE!" said Esmeer. "And so in a way are we," he added, and made a thoughtful silence for a time.

"I say," began Carter, who was doing the Natural Science Tripos, "what is the adult form of the Pinky Dinky?"

But there we were checked by our ignorance of the world.

"What is the adult form of any of us?" asked Benton, voicing the thought that had arrested our flow.



3

I do not remember that we ever lifted our criticism to the dons and the organisation of the University. I think we took them for granted. When I look back at my youth I am always astonished by the multitude of things that we took for granted. It seemed to us that Cambridge was in the order of things, for all the world like having eyebrows or a vermiform appendix. Now with the larger scepticism of middle age I can entertain very fundamental doubts about these old universities. Indeed I had a scheme—

I do not see what harm I can do now by laying bare the purpose of the political combinations I was trying to effect.

My educational scheme was indeed the starting-point of all the big project of conscious public reconstruction at which I aimed. I wanted to build up a new educational machine altogether for the governing class out of a consolidated system of special public service schools. I meant to get to work upon this whatever office I was given in the new government. I could have begun my plan from the Admiralty or the War Office quite as easily as from the Education Office. I am firmly convinced it is hopeless to think of reforming the old public schools and universities to meet the needs of a modern state, they send their roots too deep and far, the cost would exceed any good that could possibly be effected, and so I have sought a way round this invincible obstacle. I do think it would be quite practicable to side-track, as the Americans say, the whole system by creating hardworking, hard-living, modern and scientific boys' schools, first for the Royal Navy and then for the public service generally, and as they grew, opening them to the public without any absolute obligation to subsequent service. Simultaneously with this it would not be impossible to develop a new college system with strong faculties in modern philosophy, modern history, European literature and criticism, physical and biological science, education and sociology.

We could in fact create a new liberal education in this way, and cut the umbilicus of the classical languages for good and all. I should have set this going, and trusted it to correct or kill the old public schools and the Oxford and Cambridge tradition altogether. I had men in my mind to begin the work, and I should have found others. I should have aimed at making a hard-trained, capable, intellectually active, proud type of man. Everything else would have been made subservient to that. I should have kept my grip on the men through their vacation, and somehow or other I would have contrived a young woman to match them. I think I could have seen to it effectually enough that they didn't get at croquet and tennis with the vicarage daughters and discover sex in the Peeping Tom fashion I did, and that they realised quite early in life that it isn't really virile to reek of tobacco. I should have had military manoeuvres, training ships, aeroplane work, mountaineering and so forth, in the place of the solemn trivialities of games, and I should have fed and housed my men clean and very hard—where there wasn't any audit ale, no credit tradesmen, and plenty of high pressure douches....

I have revisited Cambridge and Oxford time after time since I came down, and so far as the Empire goes, I want to get clear of those two places....

Always I renew my old feelings, a physical oppression, a sense of lowness and dampness almost exactly like the feeling of an underground room where paper moulders and leaves the wall, a feeling of ineradicable contagion in the Gothic buildings, in the narrow ditch-like rivers, in those roads and roads of stuffy little villas. Those little villas have destroyed all the good of the old monastic system and none of its evil....

Some of the most charming people in the world live in them, but their collective effect is below the quality of any individual among them. Cambridge is a world of subdued tones, of excessively subtle humours, of prim conduct and free thinking; it fears the Parent, but it has no fear of God; it offers amidst surroundings that vary between disguises and antiquarian charm the inflammation of literature's purple draught; one hears there a peculiar thin scandal like no other scandal in the world—a covetous scandal—so that I am always reminded of Ibsen in Cambridge. In Cambridge and the plays of Ibsen alone does it seem appropriate for the heroine before the great crisis of life to "enter, take off her overshoes, and put her wet umbrella upon the writing desk."...

We have to make a new Academic mind for modern needs, and the last thing to make it out of, I am convinced, is the old Academic mind. One might as soon try to fake the old VICTORY at Portsmouth into a line of battleship again. Besides which the old Academic mind, like those old bathless, damp Gothic colleges, is much too delightful in its peculiar and distinctive way to damage by futile patching.

My heart warms to a sense of affectionate absurdity as I recall dear old Codger, surely the most "unleaderly" of men. No more than from the old Schoolmen, his kindred, could one get from him a School for Princes. Yet apart from his teaching he was as curious and adorable as a good Netsuke. Until quite recently he was a power in Cambridge, he could make and bar and destroy, and in a way he has become the quintessence of Cambridge in my thoughts.

I see him on his way to the morning's lecture, with his plump childish face, his round innocent eyes, his absurdly non-prehensile fat hand carrying his cap, his grey trousers braced up much too high, his feet a trifle inturned, and going across the great court with a queer tripping pace that seemed cultivated even to my naive undergraduate eye. Or I see him lecturing. He lectured walking up and down between the desks, talking in a fluting rapid voice, and with the utmost lucidity. If he could not walk up and down he could not lecture. His mind and voice had precisely the fluid quality of some clear subtle liquid; one felt it could flow round anything and overcome nothing. And its nimble eddies were wonderful! Or again I recall him drinking port with little muscular movements in his neck and cheek and chin and his brows knit—very judicial, very concentrated, preparing to say the apt just thing; it was the last thing he would have told a lie about.

When I think of Codger I am reminded of an inscription I saw on some occasion in Regent's Park above two eyes scarcely more limpidly innocent than his—"Born in the Menagerie." Never once since Codger began to display the early promise of scholarship at the age of eight or more, had he been outside the bars. His utmost travel had been to lecture here and lecture there. His student phase had culminated in papers of quite exceptional brilliance, and he had gone on to lecture with a cheerful combination of wit and mannerism that had made him a success from the beginning. He has lectured ever since. He lectures still. Year by year he has become plumper, more rubicund and more and more of an item for the intelligent visitor to see. Even in my time he was pointed out to people as part of our innumerable enrichments, and obviously he knew it. He has become now almost the leading Character in a little donnish world of much too intensely appreciated Characters.

He boasted he took no exercise, and also of his knowledge of port wine. Of other wines he confessed quite frankly he had no "special knowledge." Beyond these things he had little pride except that he claimed to have read every novel by a woman writer that had ever entered the Union Library. This, however, he held to be remarkable rather than ennobling, and such boasts as he made of it were tinged with playfulness. Certainly he had a scholar's knowledge of the works of Miss Marie Corelli, Miss Braddon, Miss Elizabeth Glyn and Madame Sarah Grand that would have astonished and flattered those ladies enormously, and he loved nothing so much in his hours of relaxation as to propound and answer difficult questions upon their books. Tusher of King's was his ineffectual rival in this field, their bouts were memorable and rarely other than glorious for Codger; but then Tusher spread himself too much, he also undertook to rehearse whole pages out of Bradshaw, and tell you with all the changes how to get from any station to any station in Great Britain by the nearest and cheapest routes....

Codger lodged with a little deaf innocent old lady, Mrs. Araminta Mergle, who was understood to be herself a very redoubtable Character in the Gyp-Bedder class; about her he related quietly absurd anecdotes. He displayed a marvellous invention in ascribing to her plausible expressions of opinion entirely identical in import with those of the Oxford and Harvard Pragmatists, against whom he waged a fierce obscure war....

It was Codger's function to teach me philosophy, philosophy! the intimate wisdom of things. He dealt in a variety of Hegelian stuff like nothing else in the world, but marvellously consistent with itself. It was a wonderful web he spun out of that queer big active childish brain that had never lusted nor hated nor grieved nor feared nor passionately loved,—a web of iridescent threads. He had luminous final theories about Love and Death and Immortality, odd matters they seemed for him to think about! and all his woven thoughts lay across my perception of the realities of things, as flimsy and irrelevant and clever and beautiful, oh!—as a dew-wet spider's web slung in the morning sunshine across the black mouth of a gun....



4

All through those years of development I perceive now there must have been growing in me, slowly, irregularly, assimilating to itself all the phrases and forms of patriotism, diverting my religious impulses, utilising my esthetic tendencies, my dominating idea, the statesman's idea, that idea of social service which is the protagonist of my story, that real though complex passion for Making, making widely and greatly, cities, national order, civilisation, whose interplay with all those other factors in life I have set out to present. It was growing in me—as one's bones grow, no man intending it.

I have tried to show how, quite early in my life, the fact of disorderliness, the conception of social life as being a multitudinous confusion out of hand, came to me. One always of course simplifies these things in the telling, but I do not think I ever saw the world at large in any other terms. I never at any stage entertained the idea which sustained my mother, and which sustains so many people in the world,—the idea that the universe, whatever superficial discords it may present, is as a matter of fact "all right," is being steered to definite ends by a serene and unquestionable God. My mother thought that Order prevailed, and that disorder was just incidental and foredoomed rebellion; I feel and have always felt that order rebels against and struggles against disorder, that order has an up-hill job, in gardens, experiments, suburbs, everything alike; from the very beginnings of my experience I discovered hostility to order, a constant escaping from control.