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The Nabob
by Alphonse Daudet
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There were present the manager of the theatre financed by the Nabob, Cardailhac, renowned for his wit almost as much as for his insolvencies, a marvellous carver who, while he was engaged in severing the limbs of a partridge, would prepare one of his witticisms and deposit it with a wing upon the plate which was presented to him. He worked up his witticisms instead of improvising them, and the new fashion of serving meats, a la Russe and carved beforehand, had been fatal to him by its removal of all excuse for a preparatory silence. Consequently it was the general remark that his vogue was on the decline. Parisian, moreover, a dandy to the finger tips, and, as he himself was wont to boast, "with not one particle of superstition in his whole body," a characteristic which permitted him to give very piquant details concerning the ladies of his theatre to Brahim Bey—who listened to him as one turns over the pages of a naughty book—and to talk theology to the young priest who was his nearest neighbour, a curate of some little southern village, lean and with a complexion sunburnt till it matched the cloth of his cassock in colour, with fiery patches above the cheek-bones, and the pointed, forward-pushing nose of the ambitious man, who would remark to Cardailhac very loudly, in a tone of protection and sacerdotal authority:

"We are quite pleased with M. Guizot. He is doing very well—very well. It is a conquest for the Church."

Seated next this pontiff, with a black neck-band, old Schwalbach, the famous picture-dealer, displayed his prophet's beard, tawny in places like a dirty fleece, his three overcoats tinged by mildew, all that loose and negligent attire for which he was excused in the name of art, and because, in a time when the mania for picture galleries had already begun to cause millions to change hands, it was the proper thing to entertain the man who was the best placed for the conduct of these absurdly vain transactions. Schwalbach did not speak, contenting himself with gazing around him through his enormous monocle, shaped like a hand magnifying-glass, and with smiling in his beard over the singular neighbours made by this unique assembly. Thus it happened that M. de Monpavon had quite close to him—and it was a sight to watch how the disdainful curve of his nose was accentuated at each glance in that direction—the singer Garrigou, a fellow-countryman of Jansoulet, a distinguished ventriloquist who sang Figaro in the dialect of the south, and had no equal in his imitations of animals. Just beyond, Cabassu, another compatriot, a little short and dumpy man, with the neck of a bull and the biceps of a statue by Michel Angelo, who suggested at once a Marseilles hairdresser and the strong man at a fair, a masseur, pedicure, manicure, and something of a dentist, sat with elbows on the table with the coolness of a charlatan whom one receives in the morning and knows the little infirmities, the intimate distresses of the abode in which he chances to find himself. M. Bompain completed this array of subordinates, all alike in one respect at any rate, Bompain, the secretary, the steward, the confidential agent, through whose hands the entire business of the house passed; and it sufficed to observe that solemnly stupid attitude, that indefinite manner, the Turkish fez placed awkwardly on a head suggestive of a village school-master, in order to understand to what manner of people interests like those of the Nabob had been abandoned.

Finally, to fill the gaps among these figures I have sketched, the Turkish crowd—Tunisians, Moors, Egyptians, Levantines; and, mingled with this exotic element, a whole variegated Parisian Bohemia of ruined nobleman, doubtful traders, penniless journalists, inventors of strange products, people arrived from the south without a farthing, all the lost ships needing revictualling, or flocks of birds wandering aimlessly in the night, which were drawn by this great fortune as by the light of a beacon. The Nabob admitted this miscellaneous collection of individuals to his table out of kindness, out of generosity, out of weakness, by reason of his easy-going manners, joined to an absolute ignorance and a survival of that loneliness of the exile, of that need for expansion which, down yonder in Tunis, in his splendid palace of the Bardo, had caused him to welcome everybody who hailed from France, from the small tradesman exporting Parisian wares to the famous pianist on tour and the consul-general himself.

As one listened to those various accents, those foreign intonations, gruff or faltering, as one gazed upon those widely different physiognomies, some violent, barbarous, vulgar, others hyper-civilized, worn, suggestive only of the Boulevard and as it were flaccid, one noted that the same diversity was evident also among the servants who, some apparently lads just out of an office, insolent in manner, with heads of hair like a dentist's or a bath-attendant's, busied themselves among Ethiopians standing motionless and shining like candelabra of black marble, and it was impossible to say exactly where one was; in any case, you would never have imagined yourself to be in the Place Vendome, right in the beating heart and very centre of the life of our modern Paris. Upon the table there was a like importation of exotic dishes, saffron or anchovy sauces, spices mixed up with Turkish delicacies, chickens with fried almonds, and all this taken together with the banality of the interior, the gilding of the panels, the shrill ringing of the new bells, gave the impression of a table d'hote in some big hotel in Smyrna or Calcutta, or of a luxurious dining-saloon on board a transatlantic liner, the "Pereire" or the "Sinai."

It might seem that this diversity among the guests—I was about to say among the passengers—ought to have caused the meal to be animated and noisy. Far otherwise. They all ate nervously, watching each other out of eye-corners, and even those most accustomed to society, those who appeared the most at their ease, had in their glance the wandering look and the distraction of a fixed idea, a feverish anxiety which caused them to speak without relevance and to listen without understanding a word of what was being said to them.

Suddenly the door of the dining-room opened.

"Ah, here comes Jenkins!" exclaimed the Nabob delightedly. "Welcome, welcome, doctor. How are you, my friend?"

A smile to those around, a hearty shake of his host's hand, and Jenkins sat down opposite him, next to Monpavon, before a place at the table which a servant had just prepared in all haste and without having received any order, exactly as at a table d'hote. Among those preoccupied and feverish faces, this one at any rate stood out in contrast by its good humour, its cheerfulness, and that loquacious and flattering benevolence which makes the Irish in a way the Gascons of England. And what a splendid appetite! With what heartiness, what ease of conscience he used his white teeth as he talked!

"Well, Jansoulet, you have read it?"

"What?"

"How, then! you do not know? You have not read what the Messenger says about you this morning?"

Beneath the dark tan of his cheeks the Nabob blushed like a child, and, his eyes shining with pleasure:

"Is it possible—the Messenger has spoken of me?"

"Through two columns. How is it that Moessard has not shown it to you?"

"Oh," put in Moessard modestly, "it was not worth the trouble."

He was a little journalist, with a fair complexion and smart in his dress, sufficiently good-looking, but with a face which presented that worn appearance noticeable as the special mark of waiters in night-restaurants, actors, and light women, and produced by conventional grimacing and the wan reflection of gaslight. He was reputed to be the paid lover of an exiled and profligate queen. The rumour was whispered around him, and, in his own world, secured him an envied and despicable position.

Jansoulet insisted on reading the article, impatient to know what had been said of him. Unfortunately Jenkins had left his copy at the duke's.

"Let some one go fetch me a Messenger quickly," said the Nabob to the servant behind him.

Moessard intervened.

"It is needless. I must have the thing on me somewhere."

And with the absence of ceremony of the tavern habitue, of the reporter who scribbles his paragraph with his glass beside him, the journalist drew out a pocket-book, crammed full of notes, stamped papers, newspaper cuttings, notes written on glazed paper with crests, which he proceeded to litter over the table, pushing away his plate in order to search for the proof of his article.

"There you are." He passed it over to Jansoulet; but Jenkins besought him:

"No, no; read it aloud."

The company having echoed the request in chorus, Moessard took back his proof and commenced to read in a loud voice, "The Bethlehem Society and Mr. Bernard Jansoulet," a long dithyramb in favour of artificial lactation, written from notes made by Jenkins, which were recognisable through certain fine phrases much affected by the Irishman, such as "the long martyrology of childhood," "the sordid traffic in the breast," "the beneficent nanny-goat as foster-mother," and finishing, after a pompous description of the splendid establishment at Nanterre, with a eulogy of Jenkins and a glorification of Jansoulet: "O Bernard Jansoulet, benefactor of childhood!" It was a sight to see the vexed, scandalized faces of the guests. What an intriguer was this Moessard! What an impudent piece of sycophantry! And the same envious, disdainful smile quivered on every mouth. And the deuce of it was that a man had to applaud, to appear charmed, the master of the house not being weary as yet of incense, and taking everything very seriously, both the article and the applause it provoked. His big face shone during the reading. Often, down yonder, far away, had he dreamed a dream of having his praises sung like this in the newspapers of Paris, of being somebody in that society, the first among all, on which the entire world has its eyes fixed as on the bearer of a torch. Now, that dream was becoming a reality. He gazed upon all these people seated at his board, the sumptuous dessert, this panelled dining-room as high, certainly, as the church of his native village; he listened to the dull murmur of Paris rolling along in its carriages and treading the pavements beneath his windows, with the intimate conviction that he was about to become an important piece in that active and complicated machine. And then, through the atmosphere of physical well-being produced by the meal, between the lines of that triumphant vindication, by an effect of contrast, he beheld unfold itself his own existence, his youth, adventurous as it was sad, the days without bread, the nights without shelter. Then suddenly, the reading having come to an end, his joy overflowing in one of those southern effusions which force thought into speech, he cried, beaming upon his guests with that frank and thick-lipped smile of his:

"Ah, my friends, my dear friends, if you could know how happy I am! What pride I feel!"

Scarce six weeks had passed since he had landed in France. Excepting two or three compatriots, those whom he thus addressed as his friends were but the acquaintances of a day, and that through his having lent them money. This sudden expansion, therefore, appeared sufficiently extraordinary; but Jansoulet, too much under the sway of emotion to notice anything, continued:

"After what I have just heard, when I behold myself here in this great Paris, surrounded by all its wealth of illustrious names, of distinguished intellects, and then call up the remembrance of my father's booth! For I was born in a booth. My father used to sell old nails at the corner of a boundary stone in the Bourg-Saint-Andeol. If we had bread in the house every day and stew every Sunday it was the most we had to expect. Ask Cabassu whether it was not so. He knew me in those days. He can tell you whether I am not speaking the truth. Oh, yes, I have known what poverty is." He threw back his head with an impulse of pride as he savoured the odour of truffles diffused through the suffocating atmosphere. "I have known it, and the real thing too, and for a long time. I have been cold. I have known hunger—genuine hunger, remember—the hunger that intoxicates, that wrings the stomach, sets circles dancing in your head, deprives you of sight as if the inside of your eyes was being gouged out with an oyster-knife. I have passed days in bed for want of an overcoat to go out in; fortunate at that when I had a bed, which was not always. I have sought my bread from every trade, and that bread cost me such bitter toil, it was so black, so tough, that in my mouth I keep still the flavour of its acrid and mouldy taste. And thus until I was thirty. Yes, my friends, at thirty years of age—and I am not yet fifty—I was still a beggar, without a sou, without a future, with the remorseful thought of the poor old mother, become a widow, who was half-dying of hunger away yonder in her booth, and to whom I had nothing to give."

Around this Amphitryon recounting the story of his evil days the faces of his hearers expressed curiosity. Some appeared shocked, Monpavon especially. For him, this exposure of rags was in execrable taste, an absolute breach of good manners. Cardailhac, sceptical and dainty, an enemy to scenes of emotion, with face set as if it were hypnotized, sliced a fruit on the end of his fork into wafers as thin as cigarette papers.

The governor exhibited, on the contrary, a flatly admiring demeanour, uttering exclamations of amazement and compassion; while, not far away, in singular contrast, Brahmin Bey, the thunderbolt of war, upon whom this reading followed by a lecture after a heavy meal had had the effect of inducing a restorative slumber, slept with his mouth open beneath his white moustache, his face congested by his collar, which had slipped up. But the most general expression was one of indifference and boredom. What could it matter to them, I ask you; what had they to do with Jansoulet's childhood in the Bourg-Saint-Andeol, the trials he had endured, the way in which he had trudged his path? They had not come to listen to idle nonsense of that kind. Airs of interest falsely affected, glances that counted the ovals of the ceiling or the bread-crumbs on the table-cloth, mouths compressed to stifle a yawn, betrayed, accordingly, the general impatience provoked by this untimely story. Yet he himself seemed not to weary of it. He found pleasure in the recital of his sufferings past, even as the mariner safe in port, remembering his voyagings over distant seas, and the perils and the great shipwrecks. There followed the story of his good luck, the prodigious chance that had placed him suddenly upon the road to fortune. "I was wandering about the quays of Marseilles with a comrade as poverty-stricken as myself, who is become rich, he also, in the service of the Bey, and, after having been my chum, my partner, is now my most cruel enemy. I may mention his name, pardi! It is sufficiently well known—Hemerlingue. Yes, gentlemen, the head of the great banking house. 'Hemerlingue & Co.' had not in those days even the wherewithal to buy a pennyworth of clauvisses on the quay. Intoxicated by the atmosphere of travel that one breathes down there, the idea came into our minds of starting out, of going to seek our livelihood in some country where the sun shines, since the lands of mist were so inhospitable to us. But where to go? We did what sailors sometimes do in order to decide in what low hole they will squander their pay. You fix a scrap of paper on the brim of your hat. You make the hat spin on a walking-stick; when it stops spinning you follow the pointer. In our case the paper needle pointed towards Tunis. A week later I landed at Tunis with half a louis in my pocket, and I came back to-day with twenty-five millions!"

An electric shock passed round the table; there was a gleam in every eye, even in those of the servants. Cardailhac said, "Phew!" Monpavon's nose descended to common humanity.

"Yes, my boys, twenty-five millions in liquidated cash, without speaking of all that I have left in Tunis, of my two palaces at the Bardo, of my vessels in the harbour of La Goulette, of my diamonds, of my precious stones, which are worth certainly more than the double. And you know," he added, with his kindly smile and in his hoarse, plebeian voice, "when that is done there will still be more."

The whole company rose to its feet, galvanized.

"Bravo! Ah, bravo!"

"Splendid!"

"Deuced clever—deuced clever!"

"Now, that is something worth talking about."

"A man like him ought to be in the Chamber."

"He will be, per Bacco! I answer for it," said the governor in a piercing voice; and in the transport of admiration, not knowing how to express his enthusiasm, he seized the fat, hairy hand of the Nabob and on an unreflective impulse raised it to his lips. They are demonstrative in his country. Everybody was standing up; no one sat down again.

Jansoulet, beaming, had risen in his turn, and, throwing down his serviette: "Let us go and have some coffee," he said.

A glad tumult immediately spread through the salons, vast apartments in which light, decoration, sumptuousness, were represented by gold alone. It seemed to fall from the ceiling in blinding rays, it oozed from the walls in mouldings, sashes, framings of every kind. A little of it remained on your hands if you moved a piece of furniture or opened a window; and the very hangings, dipped in this Pactolus, kept on their straight folds the rigidity, the sparkle of a metal. But nothing bearing the least personal stamp, nothing intimate, nothing thought out. The monotonous luxury of the furnished flat. And there was a re-enforcement of this impression of a moving camp, of a merely provisory home, in the suggestion of travel which hovered like an uncertainty or a menace over this fortune derived from far-off sources.

Coffee having been served, in the Eastern manner, with all its grounds, in little cups filigreed with silver, the guests grouped themselves round, making haste to drink, scalding themselves, keeping watchful eyes on each other and especially on the Nabob as they looked out for the favourable moment to spring upon him, draw him into some corner of those immense rooms, and at length negotiate their loan. For this it was that they had been awaiting for two hours; this was the object of their visit and the fixed idea which gave them during the meal that absent, falsely attentive manner. But here no more constraint, no more pretence. In that peculiar social world of theirs it is of common knowledge that in the Nabob's busy life the hour of coffee remains the only time free for private audiences, and each desiring to profit by it, all having come there in order to snatch a handful of wool from the golden fleece offered them with so much good nature, people no longer talk, they no longer listen, every man is absorbed in his own errand of business.

It is the good Jenkins who begins. Having drawn his friend Jansoulet aside into a recess, he submits to him the estimates for the house at Nanterre. A big purchase, indeed! A cash price of a hundred and fifty thousand francs, then considerable expenses in connection with getting the place into proper order, the personal staff, the bedding, the nanny-goats for milking purposes, the manager's carriage, the omnibuses going to meet the children coming by every train. A great deal of money. But how well off and comfortable they will be there, those dear little things! what a service rendered to Paris, to humanity! The Government cannot fail to reward with a bit of red ribbon so disinterested, so philanthropic a devotion. "The Cross, on the 15th of August." With these magic words Jenkins will obtain everything he desires. In his merry, guttural voice, which seems always as though it were hailing a boat in a fog, the Nabob calls, "Bompain!"

The man in the fez, quickly leaving the liqueur-stand, walks majestically across the room, whispers, moves away, and returns with an inkstand and a counterfoil check-book from which the slips detach themselves and fly away of their own accord. A fine thing, wealth! To sign a check on his knee for two hundred thousand francs troubles Jansoulet no more than to draw a louis from his pocket.

Furious, with noses in their cups, the others watch this little scene from a distance. Then, as Jenkins takes his departure, bright, smiling, with a nod to the various groups, Monpavon seizes the governor: "Now is our chance." And both, springing on the Nabob, drag him off towards a couch, oblige him almost forcibly to sit down, press upon each side of him with a ferocious little laugh that seems to signify, "What shall we do with him now?" Get the money out of him, the largest amount possible. It is needed, to set afloat once more the Territorial Bank, for years lain aground on a sand-bank, buried to the very top of its masts. A superb operation, this re-flotation, if these two gentlemen are to be believed, for the submerged bank is full of ingots, of precious things, of the thousand various forms of wealth of a new country discussed by everybody and known by none.

In founding this unique establishment, Paganetti of Porto-Vecchio had as his aim to monopolize the commercial development of the whole of Corsica: iron mines, sulphur mines, copper mines, marble quarries, coral fisheries, oyster beds, water ferruginous and sulphurous, immense forests of thuya, of cork-oak, and to establish for the facilitation of this development a network of railways over the island, with a service of packet-boats in addition. Such is the gigantic undertaking to which he has devoted himself. He has sunk considerable capital in it, and it is the new-comer, the workman of the last hour, who will gain the whole profit.

While with his Italian accent and violent gestures the Corsican enumerates the "splendours" of the affair, Monpavon, haughty, and with an air calculated to command confidence, nods his head approvingly with conviction, and from time to time, when he judges the moment propitious, throws into the conversation the name of the Duc de Mora, which never fails in its effect on the Nabob.

"Well, in short, how much would be required?"

"Millions," says Monpavon boldly, in the tone of a man who would have no difficulty in addressing himself elsewhere. "Yes, millions; but the enterprise is magnificent. And, as his excellency was saying, it would provide even a political position. Just think! In that district without a metallic currency, you might become counsellor-general, deputy." The Nabob gives a start. And the little Paganetti, who feels the bait quiver on his hook: "Yes, deputy. You will be that whenever I choose. At a sign from me all Corsica is at your disposal." Then he launches out into an astonishing improvisation, counting the votes which he controls, the cantons which will obey his call. "You bring me your capital. I—I give you an entire people." The cause is gained.

"Bompain, Bompain!" calls the Nabob, roused to enthusiasm. He has now but one fear, that is lest the thing escape him; and in order to bind Paganetti, who has not concealed his need of money, he hastens to effect the payment of a first instalment to the Territorial bank. New appearance of the man in red breeches with the check-book which he carries clasped gravely to his chest, like a choir-boy moving the Gospel from one side to the other. New inscription of Jansoulet's signature upon a slip, which the governor pockets with a negligent air and which operates on his person a sudden transformation. The Paganetti who was so humble and spiritless just now, goes away with the assurance of a man worth four hundred thousand francs, while Monpavon, carrying it even higher than usual, follows after him in his steps, and watches over him with a more than paternal solicitude.

"That's a good piece of business done," says the Nabob to himself. "I can drink my coffee now."

But the borrowers are waiting for him to pass. The most prompt, the most adroit, is Cardailhac, the manager, who lays hold of him and bears him off into a side-room.

"Let us have a little talk, old friend. I must explain to you the situation of affairs in connection with our theatre." Very complicated, doubtless, the situation; for here is M. Bompain who advances once more, and there are the slips of blue paper flying away from the check-book. Whose turn now? There is the journalist Moessard coming to draw his pay for the article in the Messenger; the Nabob will find out what it costs to have one's self called "benefactor of childhood" in the morning papers. There is the parish priest from the country who demands funds for the restoration of his church, and takes checks by assault with the brutality of a Peter the Hermit. There is old Schwalbach coming up with nose in his beard and winking mysteriously.

"Sh! He had found a pearl for monsieur's gallery, an Hobbema from the collection of the Duc de Mora. But several people are after it. It will be difficult—"

"I must have it at any price," says the Nabob, hooked by the name of Mora. "You understand, Schwalbach. I must have this Hobbema. Twenty thousand francs for you if you secure it."

"I shall do my utmost, M. Jansoulet."

And the old rascal calculates, as he goes away, that the twenty thousand of the Nabob added to the ten thousand promised him by the duke if he gets rid of his picture for him, will make a nice little profit for himself.

While these fortunate ones follow each other, others look on around, wild with impatience, biting their nails to the quick, for all are come on the same errand. From the good Jenkins, who opened the advance, to the masseur Cabassu, who closes it, all draw the Nabob away to some room apart. But, however far they lead him down this gallery of reception-rooms, there is always some indiscreet mirror to reflect the profile of the host and the gestures of his broad back. That back has eloquence. Now and then it straightens itself up in indignation. "Oh, no; that is too much." Or again it sinks forward with a comical resignation. "Well, since it must be so." And always Bompain's fez in some corner of the view.

When those are finished, others arrive. They are the small fry who follow in the wake of the big eaters in the ferocious hunts of the rivers. There is a continual coming and going through these handsome white-and-gold drawing rooms, a noise of doors, an established current of bare-faced and vulgar exploitation attracted from the four corners of Paris and the suburbs by this gigantic fortune and incredible facility.

For these small sums, these regular distributions, recourse was not had to the check-book. For such purposes the Nabob kept in one of his rooms a mahogany chest of drawers, a horrible little piece of furniture representing the savings of a house porter, the first that Jansoulet had bought when he had been able to give up living in furnished apartments; which he had preserved since, like a gambler's fetish; and the three drawers of which contained always two hundred thousand francs in cash. It was to this constant supply that he had recourse on the days of his large receptions, displaying a certain ostentation in the way in which he would handle the gold and silver, by great handfuls, thrusting it to the bottom of his pockets to draw it out thence with the gesture of a cattle dealer; a certain vulgar way of raising the skirts of his frock-coat and of sending his hand "to the bottom and into the pile." To-day there must be a terrible void in the drawers of the little chest.

After so many mysterious whispered confabulations, demands more or less clearly formulated, chance entries and triumphant departures, the last client having been dismissed, the chest of drawers closed and locked, the flat in the Place Vendome began to empty in the uncertain light of the afternoon towards four o'clock, that close of the November days so exceedingly prolonged afterward by artificial light. The servants were clearing away the coffee and the raki, and bearing off the open and half-emptied cigar-boxes. The Nabob, thinking himself alone, gave a sigh of relief. "Ouf! that's over." But no. Opposite him, some one comes out from a corner that is already dark, and approaches with a letter in his hand.

Another!

And at once, mechanically, the poor man made that eloquent, horse-dealer's gesture of his. Instinctively, also, the visitor showed a movement of recoil so prompt, so hurt, that the Nabob understood that he was making a mistake, and took the trouble to examine the young man who stood before him, simply but correctly dressed, of a dull complexion, without the least sign of a beard, with regular features, perhaps a little too serious and fixed for his age, which, aided by his hair of pale blond colour, curled in little ringlets like a powdered wig, gave him the appearance of a young deputy of the Commons under Louis XVI, the head of a Barnave at twenty! This face, although the Nabob beheld it for the first time, was not absolutely unknown to him.

"What do you desire, monsieur?"

Taking the letter which the young man held out to him, he went to a window in order to see to read it.

"Te! It is from mamma."

He said it with so happy an air; that word "mamma" lit up all his face with so young, so kind a smile, that the visitor, who had been at first repulsed by the vulgar aspect of this parvenu, felt himself filled with sympathy for him.

In an undertone the Nabob read these few lines written in an awkward hand, incorrect and shaky, which contrasted with the large glazed note-paper, with its heading "Chateau de Saint-Romans."

"My dear son, this letter will be delivered to you by the eldest son of M. de Gery, the former justice of the peace for Bourg-Saint-Andeol, who has shown us so much kindness."

The Nabob broke off his reading.

"I ought to have recognised you, M. de Gery. You resemble your father. Sit down, I beg of you."

Then he finished running through the letter. His mother asked him nothing precise, but, in the name of the services which the de Gery family had rendered them in former years, she recommended M. Paul to him. An orphan, burdened with the care of his two young brothers, he had been called to the bar in the south, and was now coming to Paris to seek his fortune. She implored Jansoulet to aid him, "for he needed it badly, poor fellow," and she signed herself, "Thy mother who pines for thee, Francoise."

This letter from his mother, whom he had not seen for six years, those expressions of the south country of which he could hear the intonations that he knew so well, that coarse handwriting which sketched for him an adored face, all wrinkled, scored, and cracked, but smiling beneath its peasant's head-dress, had affected the Nabob. During the six weeks that he had been in France, lost in the whirl of Paris, the business of getting settled in his new habitation, he had not yet given a thought to his dear old lady at home; and now he saw all of her again in these lines. He remained a moment looking at the letter, which trembled in his heavy fingers.

Then, this emotion having passed:

"M. de Gery," said he, "I am glad of the opportunity which is about to permit me to repay to you a little of the kindness which your family has shown to mine. From to-day, if you consent, I take you into my house. You are educated, you seem intelligent, you can be of great service to me. I have a thousand plans, a thousand affairs in hand. I am being drawn into a crowd of large industrial enterprises. I want some one who will aid me; represent me at need. I have indeed a secretary, a steward, that excellent Bompain, but the unfortunate fellow knows nothing of Paris; he has been, as it were, bewildered ever since his arrival. You will tell me that you also come straight from the country, but that does not matter. Well brought up as you are, a southerner, alert and adaptable, you will quickly pick up the routine of the Boulevard. For the rest, I myself undertake your education from that point of view. In a few weeks you will find yourself, I answer for it, as much at home in Paris as I am."

Poor man! It was touching to hear him speak of his Parisian habits, and of his experience; he whose destiny it was to be always a beginner.

"Now, that is understood, is it not? I engage you as secretary. You will have a fixed salary which we will settle directly, and I shall provide you with the opportunity to make your fortune rapidly."

And while de Gery, raised suddenly above all the anxieties of a newcomer, of one who solicits a favour, of a neophyte, did not move for fear of awaking from a dream:

"Now," said the Nabob to him in a gentle voice, "sit down there, next me, and let us talk a little about mamma."



MEMOIRS OF AN OFFICE PORTER A MERE GLANCE AT THE TERRITORIAL BANK

I had just finished my frugal morning repast and, as my habit was, placed the remains of my modest provisions in the board-room safe with a secret lock, which has served me as a store-cupboard during four years, almost, that I have been at the Territorial. Suddenly the governor walks into the offices, with his face all red and eyes inflamed, as though after a night's feasting, draws in his breath noisily, and in rude terms says to me, with his Italian accent:

"But this place stinks, Moussiou Passajon."

The place did not stink, if you like the word. Only—shall I say it?—I had ordered a few onions to garnish a knuckle of veal which Mme. Seraphine had sent down to me, she being the cook on the second floor, whose accounts I write out for her every evening. I tried to explain the matter to the governor, but he had flown into a temper, saying that to his mind there was no sense in poisoning the atmosphere of an office in that way, and that it was not worth while to maintain premises at a rent of twelve thousand francs, with eight windows fronting full on the Boulevard Malesherbes, in order to roast onions in them. I don't know what he did not say to me in his passion. For my own part, naturally I got angry at hearing myself addressed in that insolent manner. It is surely the least a man can do to be polite with people in his service whom he does not pay. What the deuce! So I answered him that it was annoying, in truth, but that if the Territorial Bank paid me what it owed me, namely, four years' arrears of salary, plus seven thousand francs personal advances made by me to the governor for expenses of cabs, newspapers, cigars, and American grogs on board days, I would go and eat decently at the nearest cookshop, and should not be reduced to cooking, in the room where our board was accustomed to sit, a wretched stew, for which I had to thank the public compassion of female cooks. Take that!

In speaking thus I had yielded to an impulse of indignation very excusable in the eyes of any person whatever acquainted with my position here. Even so, I had said nothing improper and had confined myself within the limits of language conformable to my age and education. (I must have mentioned somewhere in the course of these memoirs that of the sixty-five years I have lived I passed more than thirty as beadle to the Faculty of Letters in Dijon. Hence my taste for reports and memoirs, and those ideas of academical style of which traces will be found in many passages of this lucubration.) I had, then, expressed myself in the governor's presence with the most complete reserve, without employing any one of those terms of abuse to which he is treated by everybody here, from our two censors—M. de Monpavon, who, every time he comes, calls him laughingly "Fleur-de-Mazas," and M. de Bois l'Hery, of the Trumpet Club, coarse as a groom, who, for adieu, always greets him with, "To your bedstead, bug!"—to our cashier, whom I have heard repeat a hundred times, tapping on his big book, "That he has in there enough to send him to the galleys when he pleases." Ah, well! All the same, my simple observation produced an extraordinary effect upon him. The circles round his eyes became quite yellow, and, trembling with rage, one of those evil rages of his country, he uttered these words: "Passajon, you are a blackguard. One word more, and I discharge you!" Stupor nailed me to the floor when I heard them. Discharge me—me! and my four years' arrears, and my seven thousand francs of money lent!

As though he could read my thought before it was put into words, the governor replied that all accounts were going to be settled, mine included. "And as to that," he added, "summon these gentlemen to my private room. I have important news to announce to them."

Upon that, he went into his office, banging the doors.

That devil of a man! In vain you may know him to the core—know him a liar, a comedian—he manages always to get the better of you with his stories. My account, mine!—mine! I was so affected by the thought that my legs seemed to give way beneath me as I went to inform the staff.

According to the regulations, there are twelve of us employed at the Territorial Bank, including the governor and the handsome Moessard, manager of Financial Truth; but more than half of that number were wanting. To begin with, since Truth ceased to be issued—it is two years since its last appearance—M. Moessard has not once set foot in the place. It seems he moves amid honours and riches, has a queen for his mistress—a real queen—who gives him all the money he desires. Oh, what a Babylon, this Paris! The others come from time to time to learn whether by chance anything new has happened at the bank; and, as nothing ever has, we remain weeks without seeing them. Four or five faithful ones, all poor old men like myself, persist in putting in an appearance regularly every morning at the same hour, from habit, from want of occupation, not knowing what else to do. Every one, however, busies himself about things quite foreign to the work of the office. A man must live, you know. And then, too, one cannot pass the day dragging one's self from easy chair to easy chair, from window to window, to look out of doors (eight windows fronting on the Boulevard). So one tries to do some work as best one can. I myself, as I have said, keep the accounts of Mme. Seraphine, and of another cook in the building. Also, I write my memoirs, which, again, takes a good deal of my time. Our receipt clerk—one who has not very hard work with us—makes line for a firm that deals in fishing requisites. Of our two copying-clerks, one, who writes a good hand, copies plays for a dramatic agency; the other invents little halfpenny toys which the hawkers sell at street corners about the time of the New Year, and manages by this means to keep himself from dying of hunger during all the rest of the year. Our cashier is the only one who does no outside work. He would believe his honour lost if he did. He is a very proud man, who never utters a complaint, and whose one dread is to have the appearance of being in want of linen. Locked in his office, he is occupied from morning till evening in the manufacture of shirt-fronts, collars, and cuffs of paper. In this, he has attained very great skill, and his ever-dazzling linen would deceive, if it were not that at the least movement, when he walks, when he sits down, the stuff crackles upon him as though he had a cardboard box under his waistcoat. Unfortunately all this paper does not feed him; and he is so thin, has such a mien, that you ask yourself on what he lives. Between ourselves, I suspect him of paying a visit sometimes to my store-cupboard. He can do so with ease; for, as cashier, he has the "word" which opens the safe with the secret lock, and I fancy that when my back is turned he forages a little among my provisions.

These are certainly very extraordinary, very incredible internal arrangements for a banking house. It is, however, the mere truth that I am telling, and Paris is full of financial institutions after the pattern of ours. Oh, if ever I publish my memoirs! But to take up the interrupted thread of my story.

When he saw us all collected in his private room, the manager said to us with solemnity:

"Gentlemen and dear comrades, the time of trials is ended. The Territorial Bank inaugurates a new phase."

Upon this he commenced to speak to us of a superb combinazione—it is his favourite word and he pronounces it in such an insinuating manner—a combinazione into which there was entering this famous Nabob, of whom all the newspapers are talking. The Territorial Bank was therefore about to find itself in a position which would enable it to acquit itself of its obligations to its faithful servants, recognise acts of devotion, rid itself of useless parasites. This for me, I imagine. And in conclusion: "Prepare your statements. All accounts will be settled not later than to-morrow." Unhappily he has so often soothed us with lying words, that the effect of his speech was lost. Formerly these fine promises were always swallowed. At the announcement of a new combinazione, there used to be dancing, weeping for joy in the offices, and men would embrace each other like shipwrecked sailors discovering a sail.

Each one would prepare his account for the morrow, as he had said. But on the morrow, no manager. The day following, still nobody. He had left town on a little journey.

At length, one day when all would be there, exasperated, putting out our tongues, maddened by the water which he had brought to our mouths, the governor would arrive, let himself drop into an easy chair, his head in his hands, and before one could speak to him: "Kill me," he would say, "kill me. I am a wretched impostor. The combinazione has failed. It has failed, Pechero! the combinazione." And he would cry, sob, throw himself on his knees, pluck out his hair by handfuls, roll on the carpet. He would call us by our Christian names, implore us to put an end to his existence, speak of his wife and children whose ruin he had consummated. And none of us would have the courage to protest in face of a despair so formidable. What do I say? One always ended by sympathizing with him. No, since theatres have existed, never has there been a comedian of his ability. But to-day, that is all over, confidence is gone. When he had left, every one shrugged his shoulders. I must admit, however, that for a moment I had been shaken. That assurance about the settling of my account, and then the name of the Nabob, that man so rich——

"You actually believe it, you?" the cashier said to me. "You will be always innocent, then, my poor Passajon. Don't disturb yourself. It will be the same with the Nabob as it was with Moessard's Queen." And he returned to the manufacture of his shirt-fronts.

What he had just said referred to the time when Moessard was making love to his Queen, and had promised the governor that in case of success he would induce her Majesty to put capital into our undertaking. At the office, we were all aware of this new adventure, and very anxious, as you may imagine, that it should succeed quickly, since our money depended upon it. For two months this story held all of us breathless. We felt some disquiet, we kept a watch on Moessard's face, considered that the lady was inclined to insist upon a great deal of ceremony; and our old cashier, with his dignified and serious air, when he was questioned on the matter, would answer gravely, behind his wire screen: "Nothing fresh," or "The thing is in a good way." Whereupon everybody was contented. One would say to another, "It is making progress," as though merely an ordinary enterprise was in question. No, in good truth, there is only one Paris, where one can see such things. Positively it makes your head turn sometimes. In a word, Moessard, one fine morning, ceased coming to the office. He had succeeded, it appears, but the Territorial Bank had not seemed to him a sufficiently advantageous investment for the money of his mistress. Now, I ask you, was that honest?

For that matter, the notion of honesty is lost so easily as hardly to be believed. When I reflect that I, Passajon, with my white hair, my venerable appearance, my so blameless past—thirty years of academical services—am grown accustomed to living like a fish in the water, in the midst of these infamies, this swindling! One might well ask what I am doing here, why I remain, how I am come to this.

How I am come to it? Oh, mon Dieu! very simply. Four years ago, my wife being dead, my children married, I had just retired from my post as hall-porter at the college, when an advertisement in the newspaper chanced to meet my eye: "Wanted, an office-porter, middle-aged, at the Territorial Bank, 56, Boulevard Malesherbes. Good references." Let me confess it at the outset. The modern Babylon had always attracted me. Then, too, I felt myself still a young man. I saw before me ten good years during which I might earn a little money, a great deal, perhaps, by means of investing my savings in the banking-house which I should enter. So I wrote, inclosing my photograph, the one taken at Crespon's, in the Market Place, which represents me with chin closely shaven, a keen eye beneath my thick white eyebrows, my steel chain about my neck, my ribbon as an academy official, "the air of a conscript father upon his curule-chair," as M. Chalmette, our dean used to say. (He insisted also that I much resembled the late King Louis XVIII; less strongly, however.) I supplied, further, the best of references; the most flattering recommendations from the gentlemen of the college. By return of post, the governor replied that my appearance pleased him—I believe it, parbleu! an antechamber in the charge of a person with a striking face like mine is a bait for the shareholder—and that I might come when I liked. I ought, you may say to me, myself also to have made my inquiries. Eh! no doubt. But I had to give so much information about myself that it never occurred to me to ask for any about them. Besides, how could a man be suspicious, seeing this admirable installation, these lofty ceilings, these great safes, as big as cupboards, and these mirrors, in which you can see yourself from head to knee? And then those sonorous prospectuses, those millions that I seemed to hear flying through the air, those colossal enterprises with their fabulous profits. I was dazzled, fascinated. It must be mentioned, too, that at the time the house did not bear quite the aspect which it has to-day. Certainly, business was already going badly—our business always has gone badly—the paper appeared only at irregular intervals. But a little combinazione of the governor's enabled him to save appearances.

He had conceived the idea, just imagine, of opening a patriotic subscription for the purpose of erecting a statue to General Paolo Paoli, or some such name; in any case, to a great countryman of his own. Money flowed accordingly into the Territorial. Unfortunately, that state of things did not last. By the end of a couple of months the statue was eaten up before it had been made, and the series of protests and writs recommenced. Nowadays I am accustomed to them. But in the days when I had just come from the country, the Auvergnats at the door, caused me a painful impression. In the house, nobody paid attention to such things any longer. It was known that at the last moment there would always arrive a Monpavon, a Bois l'Hery, to pacify the bailiffs; for all those gentlemen, being deeply implicated in the concern, have an interest in avoiding a bankruptcy. That is the very circumstance which saves him, our wily governor. The others run after their money—we know the meaning which that expression has in gaming—and they would not like all the stock on their hands to become worthless save to sell for waste paper.

Small and great, that is the case of all of us who are connected with the firm. From the landlord, to whom two years' rent is owing and who, for fear of losing it all, allows us to stay for nothing, to us poor employees, even to me, who am involved to the extent of my seven thousand francs of savings and my four years of arrears, we are running after our money. That is the reason why I remain obstinately here.

Doubtless, in spite of my advanced age, thanks to my good appearance, to my education, to the care which I have always taken of my clothes, I might have obtained some post under other management. There is one person of excellent repute known to me, M. Joyeuse, a bookkeeper in the firm of Hemerlingue & Son, the great bankers of the Rue Saint-Honore, who, every time he meets me, never fails to remark:

"Passajon, my friend, don't stop in that den of brigands. You are wrong to persist in remaining. You will never get a halfpenny out of them. So come to Hemerlingue's. I undertake to find some little corner for you there. You will earn less, but you will be paid much more."

I feel that he is quite right, that worthy fellow. But the thing is stronger than I. I cannot make up my mind to leave. And yet it is by no means gay, the life I lead here in these great, cold rooms, where no one ever comes, where each man stows himself away in a corner without speaking. What will you have? Each knows the other too well. Everything has been said already.

Again, until last year, we used to have sittings of the board of inspection, meetings of shareholders, stormy and noisy assemblies, veritable battles of savages, from which the cries could be heard to the Madeleine. Several times a week also there would call subscribers indignant at no longer ever receiving any news of their money. It was on such occasions that our governor shone. I have seen these people, monsieur, go into his office furious as wolves thirsting for blood, and, after a quarter of an hour, come out milder than sheep, satisfied, reassured, and their pockets relieved of a few bank-notes. For, there lay the acme of his cleverness; in the extraction of money from the unlucky people who came to demand it. Nowadays the shareholders of the Territorial Bank no longer give any sign of existence. I think they are all dead or else resigned to the situation. The board never meets. The sittings only take place on paper; it is I who am charged with the preparation of a so-called report—always the same—which I copy out afresh each quarter. We should never see a living soul, if, at long intervals, there did not rise from the depths of Corsica some subscribers to the statue of Paoli, curious to know how the monument is progressing; or, it may be, some worthy reader of Financial Truth, which died over two years ago, who calls to renew his subscription with a timid air, and begs a little more regularity, if possible, in the forwarding of the paper. There is a faith that nothing shakes. So, when one of these innocents falls among our hungry band, it is something terrible. He is surrounded, hemmed in, an attempt is made to secure his name for one of our lists, and, in case of resistance, if he wishes to subscribe neither to the Paoli monument nor to Corsican railways, these gentlemen deal him what they call—my pen blushes to write it—what they call, I say, "the drayman thrust."

Here is what it is: We always keep at the office a parcel prepared in advance, a well-corded case which arrives nominally from the railway station while the visitor is present. "There are twenty francs carriage to pay," says the one among us who brings the thing in. (Twenty francs, sometimes thirty, according to the appearance of the patient.) Every one then begins to ransack his pockets: "Twenty francs carriage! but I haven't got it." "Nor I either. What a nuisance!" Some one runs to the cash-till. Closed. The cashier is summoned. He is out. And the gruff voice of the drayman, growing impatient in the antechamber: "Come, come, make haste." (It is generally I who play the drayman, because of the strength of my vocal organs.) What is to be done now? Return the parcel? That will vex the governor. "Gentlemen, I beg, will you permit me," ventures the innocent victim, opening his purse. "Ah, monsieur, indeed—" He hands over his twenty francs, he is ushered to the door, and, as soon as his heel is turned, we all divide the fruit of the crime, laughing like highway robbers.

Fie! M. Passajon. At your age, such a trade! Eh! mon Dieu! I well know it. I know that I should do myself more honour in quitting this evil place. But what! You would have me then renounce the hope of getting back anything of all I have put in here. No, it is not possible. There is urgent need on the contrary that I should remain, that I should be on the watch, always at hand, ready to profit by any windfall, if one should come. Oh, for example, I swear it upon my ribbon, upon my thirty years of academical service, if ever an affair like this of the Nabob allow me to recover my disbursements, I shall not wait another single minute. I shall quickly be off to look after my pretty vineyard down yonder, near Monbars, cured forever of my thoughts of speculation. But, alas! that is a very chimerical hope. Exhausted, used up, known as we are upon the Paris market, with our stocks which are no longer quoted on the Bourse, our bonds which are near being waste paper, so many lies, so many debts, and the hole that grows ever deeper and deeper. (We owe at this moment three million five hundred thousand francs. It is not, however, those three millions that worry us. On the contrary, it is they that keep us going; but we have with the concierge a little bill of a hundred and twenty-five francs for postage-stamps, a month's gas bill, and other little things. That is the really terrible part of it.) and we are expected to believe that a man, a great financier like this Nabob, even though he were just arrived from the Congo, or dropped from the moon the same day, would be fool enough to put his money into a concern like this. Come! Is the thing possible? You may tell that story to the marines, my dear governor.



A DEBUT IN SOCIETY

"M. BERNARD JANSOULET!"

The plebeian name, accentuated proudly by the liveried servants, and announced in a resounding voice, sounded in Jenkins's drawing-rooms like the clash of a cymbal, one of those gongs which, in fairy pieces at the theatre, are the prelude to fantastic apparitions. The light of the chandeliers paled, every eye sparkled at the dazzling perspective of the treasures of the Orient, of the showers of the sequins and of pearls evoked by the magic syllables of that name, yesterday unknown.

He, it was he himself, the Nabob, the rich among the rich, the great Parisian curiosity, spiced by that relish of adventure which is so pleasing to the surfeited crowd. All heads turned, all conversations were interrupted; near the door there was a pushing among the guests, a crush as upon the quay of a seaport to witness the entry of a felucca laden with gold.

Jenkins himself, so hospitable, so self-possessed, who was standing in the first drawing-room receiving his guests, abruptly quitted the group of men about him and hurried to place himself at the head of the galleons bearing down upon the guest.

"You are a thousand times, a thousand times kind. Mme. Jenkins will be so glad, so proud.—Come, let me conduct you!"

And in his haste, in his vainglorious delight, he bore Jansoulet off so quickly that the latter had no time to present his companion, Paul de Gery, to whom he was giving his first entry into society. The young man welcomed this forgetfulness. He slipped away among the crowd of black dress-coats constantly pressed back at each new arrival, buried himself in it, seized by that wild terror which is experienced by every young man from the country at his first introduction to a Paris drawing-room, especially when he is intelligent and refined, and beneath his breastplate of linen does not wear like a coat of mail the imperturbable assurance of a boor.

All you, Parisians of Paris, who from the age of sixteen, in your first dress-coat and with opera-hat against your thigh, have been wont to air your adolescence at receptions of all kinds, you know nothing of that anguish, compounded of vanity, of timidity, of recollections of romantic readings, which keeps a young man from opening his mouth and so makes him awkward and for a whole night pins him down to one spot in a doorway, and converts him into a piece of furniture in a recess, a poor, wandering and wretched being, incapable of manifesting his existence save by an occasional change of place, dying of thirst rather than approach the buffet, and going away without having uttered a word, unless perhaps to stammer out one of those incoherent pieces of foolishness which he remembers for months, and which make him, at night, as he thinks of them, heave an "Ah!" of raging shame, with head buried in the pillow.

Paul de Gery was that martyr. Away yonder in his country home he had always lived a very retired existence with an old, pious, and gloomy aunt, up to the time when the law-student, destined in the first instance to the career in which his father had left an excellent reputation, had found himself introduced to a few judges' drawing-rooms, ancient, melancholy dwellings with faded pier-glasses, where he used to go to make a fourth at whist with venerable shadows. Jenkins's evening party was therefore a debut for this provincial, of whom his very ignorance and his southern adaptability made immediately an observer.

From the place where he stood, he watched the curious defile of Jenkins's guests which had not yet come to an end at midnight; all the clients of the fashionable physician; the fine flower of society; a strong political and financial element, bankers, deputies, a few artists, all the jaded people of Parisian "high life," wan-faced, with glittering eyes, saturated with arsenic like greedy mice, but with appetite insatiable for poison and for life. The drawing-room being thrown open, the vast antechamber of which the doors had been removed to be seen, laden with flowers at the sides, the principal staircase of the mansion, over which swept, now shaken out to their full extent, the long trains, whose silky weight seemed to give a backward pull to the undraped busts of the women in the course of that pretty ascending movement which brought them into view, little by little, till the complete flower of their splendour was reached. The couples as they gained the top seemed to be making an entry on the stage of a theatre; and that was twice true, since each person left on the last step the contracted eyebrows, the lines that marked preoccupation, the wearied air, his vexations, his sorrows, to display instead a contented face, a gay smile over the reposeful harmony of the features. The men exchanged honest shakes of the hand, exhibitions of fraternal good-feeling; the women, preoccupied with themselves, as they stood making little caracoling movements, with trembling graces, play of eyes and shoulders, murmured, without meaning anything, a few words of greeting:

"Thank you—oh, thank you! How kind you are!"

Then the couples would separate, for evening parties are no longer the gatherings of charming wits, in which feminine delicacy was wont to compel the character, the lofty knowledge, the genius, even, of men to bow graciously before it; but these overcrowded routs, in which the women, who alone are seated, chattering together like slaves in a harem, have no longer aught save the pleasure of being beautiful or appearing so. De Gery, after having wandered through the doctor's library, the conservatory, the billiard-room, where men were smoking, weary of serious and dry conversation which seemed to him out of place amid surroundings so decorated and in the brief hour of pleasure—some one had asked him carelessly, without looking at him, what the Bourse was doing that day—made his way again towards the door of the large drawing-room, which was barricaded by a wedged crowd of dress-coats, a sea of heads bent sideways and peering past each other, watching.

This salon was a spacious apartment richly furnished with the artistic taste which distinguished the host and hostess. There were a few old pictures on the light background of the hangings. A monumental chimneypiece, adorned by a handsome group in marble—"The Seasons," by Sebastien Ruys—around which long green stems cut in lacework or of a goffered bronze-like rigidity curved back towards the mirror as towards the limpidity of a clear lake. On the low seats, women in close groups, so close as almost to blend the delicate colours of their toilettes, forming an immense basket of living flowers, above which there floated the gleam of bare shoulders, of hair sown with diamonds that looked like drops of water on the dark women, glittering reflections on the fair, and the same heady perfume, the same confused and gentle hum, compact of vibrant warmth and intangible wings, which, in summer, caresses a garden-bed through all its flowering time. Now and then a little laugh, rising into this luminous atmosphere, a quicker inspiration in the air, which would cause aigrettes and curls to tremble, a handsome profile to stand out suddenly. Such was the aspect of the drawing-room.

A few men were present, a very small number, however, and all of them personages of note, laden with years and decorations. They were standing about near couches, leaning over the backs of chairs, with that air of condescension which men assume when speaking to children. But in the peaceful buzz of these conversations, one voice rang out piercing and brazen, that of the Nabob, who was tranquilly performing his evolutions across this social hothouse with the assurance bestowed upon him by his immense wealth, and a certain contempt for women which he had brought back from the East.

At that moment, comfortably installed on a settee, his big hands in yellow gloves crossed carelessly one over the other, he was talking with a very handsome woman, whose original physiognomy—much vitality coupled with severe features—stood out pale among the pretty faces about her, just as her dress, all white, classic in its folds and following closely the lines of her supple figure, contrasted with toilettes that were richer, but among which none had that air of daring simplicity. From his corner, de Gery admired the low and smooth forehead beneath its fringe of downward combed hair, the well-opened eyes, deep blue in colour, an abysmal blue, the mouth which ceased to smile only to relax its pure curve into an expression that was weary and drooping. In sum, the rather haughty mien of an exceptional being.

Somebody near him mentioned her name—Felicia Ruys. At once he understood the rare attraction of this young girl, the continuer of her father's genius, whose budding celebrity had penetrated even to the remote country district where he had lived, with the aureole of reputed beauty. While he stood gazing at her, admiring her least gestures, a little perplexed by the enigma of her handsome countenance, he heard whispers behind him.

"But see how pleasant she is with the Nabob! If the duke were to come in!"

"The Duc de Mora is coming?"

"Certainly. It is for him that the party is given; to bring about a meeting between him and Jansoulet."

"And you think that the duke and Mlle. Ruys——"

"Where have you come from? It is an intrigue known to all Paris. The affair dates from the last exhibition, for which she did a bust of him."

"And the duchess?"

"Bah! it is not her first experience of that sort. Ah! there is Mme. Jenkins going to sing."

There was a movement in the drawing-room, a more violent swaying of the crowd near the door, and conversation ceased for a moment. Paul de Gery breathed. What he had just heard had oppressed his heart. He felt himself reached, soiled, by this mud flung in handfuls over the ideal which in his own mind he had formed of that splendid adolescence, matured by the sun of Art to so penetrating a charm. He moved away a little, changed his place. He feared to hear again some whispered infamy. Mme. Jenkins's voice did him good, a voice that was famous in the drawing-rooms of Paris and that in spite of all its magnificence had nothing theatrical about it, but seemed an emotional utterance vibrating over unstudied sonorities. The singer, a woman of forty or forty-five, had splendid ash-blond hair, delicate, rather nerveless features, a striking expression of kindness. Still good-looking, she was dressed in the costly taste of a woman who has not given up the thought of pleasing. Indeed, she was far from having given it up. Married a dozen years ago, for a second time, to the doctor, they seemed still to be at the first months of their dual happiness. While she sang a popular Russian melody, savage and sweet like the smile of a Slav, Jenkins was ingenuously proud, without seeking to dissimulate the fact, his broad face all beaming; and she, each time that she bent her head as she regained her breath, glanced in his direction a timid, affectionate smile that flew to seek him over the unfolded music. And then, when she had finished amid an admiring and delighted murmur, it was touching to notice how discreetly she gave her husband's hand a secret squeeze, as though to secure to themselves a corner of private bliss in the midst of her great triumph. Young de Gery was feeling cheered by the spectacle of this happy couple, when quite close to him a voice murmured—it was not, however, the same voice that he had heard just before:

"You know what they say—that the Jenkinses are not married."

"How absurd!"

"I assure you. It would seem that there is a veritable Mme. Jenkins somewhere, but not the lady we know. Besides, have you noticed——"

The dialogue continued in an undertone. Mme. Jenkins advanced, bowing, smiling, while the doctor, stopping a tray that was being borne round, brought her a glass of claret with the alacrity of a mother, an impresario, a lover. Calumny, calumny, ineffaceable defilement! To the provincial young man, Jenkins's attentions now seemed exaggerated. He fancied that there was something affected about them, something deliberate, and, too, in the words of thanks which she addressed in a low voice to her husband he thought he could detect a timidity, a submissiveness, not consonant with the dignity of the legitimate spouse, glad and proud in an assured happiness. "But Society is a hideous affair!" said de Gery to himself, dismayed and with cold hands. The smiles around him had upon him the effect of hypocritical grimaces. He felt shame and disgust. Then suddenly revolting: "Come, it is not possible." And, as though in reply to this exclamation, behind him the scandalous tongue resumed in an easy tone: "After all, you know, I cannot vouch for its truth. I am only repeating what I have heard. But look! Baroness Hemerlingue. He gets all Paris, this Jenkins."

The baroness moved forward on the arm of the doctor, who had rushed to meet her, and appeared, despite all his control of his facial muscles, a little ill at ease and discomfited. He had thought, the good Jenkins, to profit by the opportunity afforded by this evening party to bring about a reconciliation between his friend Hemerlingue and his friend Jansoulet, who were his two most wealthy clients and embarrassed him greatly with their intestine feud. The Nabob was perfectly willing. He bore his old chum no grudge. Their quarrel had arisen out of Hemerlingue's marriage with one of the favourites of the last Bey. "A story with a woman at the bottom of it, in short," said Jansoulet, and a story which he would have been glad to see come to an end, since his exuberant nature found every antipathy oppressive. But it seemed that the baron was not anxious for any settlement of their differences; for, notwithstanding his word passed to Jenkins, his wife arrived alone, to the Irishman's great chagrin.

She was a tall, slender, frail person, with eyebrows that suggested a bird's plumes, and a youthful intimidated manner. She was aged about thirty but looked twenty, and wore a head-dress of grasses and ears of corn drooping over very black hair peppered with diamonds. With her long lashes against cheeks white with that transparency of complexion which characterizes women who have long led a cloistered existence, and a little ill at ease in her Parisian clothes, she resembled less one who had formerly been a woman of the harem than a nun who, having renounced her vows, was returning into the world.

An air of piety, of extreme devoutness, in her bearing, a certain ecclesiastical trick of walking with downcast eyes, elbows close to the body, hands crossed, mannerisms which she had acquired in the very religious atmosphere in which she had lived since her conversion and her recent baptism, completed this resemblance. And you can imagine with what ardent curiosity that worldly assembly regarded this quondam odalisk turned fervent Catholic, as she advanced escorted by a man with a livid countenance like that of some spectacled sacristan, Maitre le Merquier, deputy of Lyons, Hemerlingue's man of business, who accompanied the baroness whenever the baron "was somewhat indisposed," as on this evening.

At their entry into the second drawing-room, the Nabob came straight up to her, expecting to see appear in her wake the puffy face of his old comrade to whom it was agreed that he should go and offer his hand. The baroness perceived him and became still whiter. A flash as of steel shot from beneath her long lashes. Her nostrils dilated, quivered, and, as Jansoulet bowed, she quickened her step, carrying her head high and erect, and letting fall from her thin lips an Arab word which no one else could understand but of which the Nabob himself well appreciated the insult; for, as he raised his head again, his tanned face was of the colour of baked earthenware as it leaves the furnace. He stood for an instant without moving, his huge fists clinched, his mouth swollen with anger. Jenkins came up and rejoined him, and de Gery, who had followed the whole scene from a distance, saw them talking together with preoccupied air.

The thing was a failure. The reconciliation, so cunningly planned, would not take place. Hemerlingue did not desire it. If only the duke, now, did not fail to keep his engagement with them. This reflection was prompted by the lateness of the hour. The Wauters who was to sing the music of the Night from the Enchanted Flute, on her way home from her theatre, had just entered, completely muffled in her hoods of lace.

And there was still no sign of the Minister.

It was, however, a clearly understood, definitely promised arrangement. Monpavon was to call for him at the club. From time to time the good Jenkins glanced at his watch, while applauding absently the bouquet of brilliant notes which the Wauters was pouring forth from her fairy lips, a bouquet costing three thousand francs, useless, like the other expenses of the evening, if the duke did not come.

Suddenly the double doors were flung wide open:

"His excellency M. le Duc de Mora!"

A long quiver of excitement welcomed him, a respectful curiosity that ranged itself in two rows instead of the mobbing crowd that flocked on the heels of the Nabob.

None better than he knew how to bear himself in society, to walk across a drawing-room with gravity, to endow futile things with an air of seriousness, and to treat serious things lightly; that was the epitome of his attitude in life, a paradoxical distinction. Still handsome, despite his fifty-six years, with a comeliness compounded of elegance and proportion, wherein the grace of the dandy was fortified by something military about the figure and the haughtiness of the face; he wore with striking effect his black dress-coat, on which, to do honour to Jenkins, he had pinned a few of his decorations, which he was in the habit of never wearing except upon official occasions. The reflection from the linen, from the white cravat, the dull silver of the decorations, the smoothness of the thin hair now turning gray, enhanced the pallor of the features, more bloodless than all the bloodless faces that were to be seen that evening in the Irishman's house.

He had led such a terrible life! Politics, play under all its forms, from the Stock Exchange to the baccarat-table, and that reputation of a man successful with women which had to be maintained at all costs. Oh, this man was a true client of Jenkins; and this princely visit, he owed it in good sooth to the inventor of those mysterious pills which gave that fire to his glance, to his whole being that energy so vibrating and extraordinary.

"My dear duke, permit me to——"

Monpavon, with solemn air and a great sense of his own importance, endeavoured to effect the presentation so long looked forward to; but his excellency, preoccupied, seemed not to hear, continued his progress towards the large drawing-room, borne along by one of those electric currents that break the social monotony. On his passage, and while he greeted the handsome Mme. Jenkins, the ladies bent forward a little with seductive airs, a soft laugh, concerned to please. But he noticed only one among them, Felicia, on her feet in the centre of a group of men, discussing some question as though she were in her studio, and watching the duke come towards her, while tranquilly taking her sherbet. She greeted him with perfect naturalness. Those near had discreetly retired to a little distance. There seemed to exist between them, however, notwithstanding what de Gery had overheard with regard to their presumed relations, nothing more than a quite intellectual intimacy, a playful familiarity.

"I called at your house, mademoiselle, on my way to the Bois."

"I was informed of it. You even went into the studio."

"And I saw the famous group—my group."

"Well?"

"It is very fine. The hound runs as though he were mad. The fox scampers away admirably. Only I did not quite understand. You had told me that it was our own story, yours and mine."

"Ah, there! Try. It is an apologue that I read in—You do not read Rabelais, M. le Duc?"

"My faith, no. He is too coarse."

"Ah, well, his works were the text-book of my first reading lessons. Very badly brought up, you know. Oh, exceedingly badly. My apologue, then, is taken from Rabelais. Here it is: Bacchus created a wonderful fox, impossible to capture. Vulcan, on the other hand, gave a dog of his own creation the power to catch every animal that he should pursue. 'Now,' as my author has it, 'it happened that the two met.' You see what a wild and interminable chase. It seems to me, my dear duke, that destiny has in the same way brought us together, endowed with conflicting attributes; you who have received from the gods the gift of reaching all hearts, I whose heart will never be made prisoner."

She spoke these words, looking him full in the face, almost laughing, but sheathed and erect in the white tunic which seemed to defend her person against the liberties of his thought. He, the conqueror, the irresistible, had never before met one of this audacious and headstrong breed. He brought to bear upon her, therefore, all the magnetic currents of his seductiveness, while around them the rising murmur of the fete, the soft laughter, the rustle of satins and the rattling of pearls formed the accompaniment to this duet of mundane passion and juvenile irony. He resumed after a minute's pause:

"But how did the gods escape from that awkward situation?"

"By turning the two runners into stone."

"Upon my word," said he, "that is a solution which I do not at all accept. I defy the gods ever to petrify my heart."

A fiery gleam shot for a moment from his eyes, extinguished immediately by the thought that people were observing them.

In effect, people were observing them intently, but no one with so much curiosity as Jenkins, who wandered round them a little way off, impatient and fidgety, as though he were annoyed with Felicia for taking private possession of the important personage of the assembly. The young girl laughingly called the duke's attention to it.

"People will say that I am monopolizing you."

She pointed out to him Monpavon waiting, standing near the Nabob who, from afar, was gazing at his excellency with the beseeching, submissive eyes of a big, good-tempered mastiff. The Minister of State then remembered the object which had brought him. He bowed to the young girl and returned to Monpavon, who was able at last to present to him "his honourable friend, M. Bernard Jansoulet." His excellency bowed slightly, the parvenu humbled himself lower than the earth, then they chatted for a moment.

A group curious to observe. Jansoulet, tall, strong, with an air of the people about him, a sunburned skin, his broad back arched as though made round for ever by the low bowings of Oriental courtiery, his big, short hands splitting his light gloves, his excessive gestures, his southern exuberance chopping up his words like a puncher. The other, a high-bred gentleman, a man of the world, elegance itself, easy in his least gestures, though these, however, were extremely rare, carelessly letting fall unfinished sentences, relieving by a half smile the gravity of his face, concealing beneath an imperturbable politeness the deep contempt which he had for man and woman; and it was in that contempt that his strength lay. In an American drawing-room the antithesis would have been less violent. The Nabob's millions would have re-established the balance and even made the scale lean to his side. But Paris does not yet place money above every other force, and to realize this, it was sufficient to observe the great contractor wriggling amiably before the great gentleman and casting under his feet, like the courtier's cloak of ermine, the dense vanity of a newly rich man.

From the corner in which he had ensconced himself, de Gery was watching the scene with interest, knowing what importance his friend attached to this introduction, when the same chance which all through the evening had so cruelly been giving the lie to the native simplicity of his inexperience, caused him to distinguish a short dialogue near him, amid that buzz of many conversations through which each hears just the word that interests him.

"It is indeed the least that Monpavon can do, to enable him to make a few good acquaintances. He has introduced him to so many bad ones. You know that he has just put Paganetti and all his gang on his shoulders."

"Poor fellow! But they will devour him."

"Bah! It is only fair that he should be made to disgorge a little. He has been such a thief himself away yonder among the Turks."

"Really, do you believe that is so?"

"Do I believe it? I am in possession of very precise details on the point which I have from Baron Hemerlingue, the banker, who effected the last Tunisian loan. He knows some stories about the Nabob, he does. Just imagine."

And the infamous gossip commenced. For fifteen years Jansoulet had exploited the former Bey in a scandalous fashion. Names of purveyors were cited and tricks wonderful in their assurance, their effrontery; for instance, the story of a musical frigate, yes, a veritable musical box, like a dining-room picture, which he had bought for two hundred thousand francs and sold again for ten millions; the cost price of a throne sold at three millions for which the account could be seen in the books of an upholsterer of the Faubourg Saint-Honore did not exceed a hundred thousand francs; and the funniest part of it was that, the Bey having changed his mind, the royal seat, fallen into disgrace before it had even been unpacked, remained still nailed in its packing-case at the custom-house in Tripoli.

Next, beyond these wildly extravagant commissions on the provision of the least toy, they laid stress upon accusations more grave but no less certain, since they also sprang from the same source. It seemed there was, adjoining the seraglio, a harem of European women admirably equipped for his Highness by the Nabob, who must have been a good judge in such matters, having practised formerly, in Paris—before his departure for the East—the most singular trades: vendor of theatre-tickets, manager of a low dancing-hall, and of an establishment more ill-famed still. And the whispering ended in a smothered laugh, the coarse laugh of men chatting among themselves.

The first impulse of the young man from the country, as he heard these infamous calumnies, was to turn round and exclaim:

"You lie!"

A few hours earlier he would have done it without hesitating; but, since he had been there, he had learned distrust, scepticism. He contained himself, therefore, and listened to the end, motionless in the same place, having deep down within himself an unavowed desire to become further acquainted with the man whose service he had entered. As for the Nabob, the completely unconscious subject of this hideous recital, tranquilly installed in a small room to which its blue hangings and two shaded lamps gave a reposeful air, he was playing his game of ecarte with the Duc de Mora.

O magic of Fortune's argosy! The son of the dealer in old iron seated alone at a card-table opposite the first personage of the Empire! Jansoulet could scarcely believe the Venetian mirror in which were reflected his own bright countenance and the august head with its parting down the middle. Accordingly, in order to show his appreciation of this great honour, he sought to lose decently as many thousand-franc notes as possible, feeling himself even so the winner of the game, and quite proud to see his money pass into those aristocratic hands, whose least gesture he studied as they dealt, cut, or held the cards.

A circle had formed around them, always keeping a distance, however, the ten paces exacted for the salutation of a prince; it was the public there to witness this triumph in which the Nabob was bearing his part as in a dream, intoxicated by those fairy harmonies rather faint in the distance, whose songs that reached him in snatches as over the resonant obstacle of a pool, the perfume of flowers that seem to become full blown in so singular fashion towards the end of Parisian balls, when the late hour that confuses all notions of time and the weariness of the sleepless nights communicate to brains soothed in a more nervous atmosphere, as it were, a dizzy sense of enjoyment. The robust nature of Jansoulet, civilized savage that he was, was more sensitive than another to these unknown subtleties, and he had need of all his strength to refrain from manifesting by some glad hurrah, by some untimely effusion of gestures and speech, the impulse of physical gaiety which pervaded his whole being, as happens to those great mountain dogs that are thrown into epileptic fits of madness by the inhaling of a drop of some essence.

"The sky is clear, the pavement dry. If you like, my dear boy, we will send the carriage away and return on foot," said Jansoulet to his companion as they left Jenkins's house.

De Gery accepted with eagerness. He felt that he required to walk, to shake off in the open air the infamies and the lies of that comedy of society which had left his heart cold and oppressed, with all his life-blood driven to his temples where he could hear the swollen veins beating. He staggered as he walked, like those unfortunate persons who, having been operated upon for cataract, in the terror of sight regained, do not dare put one foot before the other. But with what a brutal hand the operation had been performed! So that great artist with the glorious name, that pure and untamed beauty the sight alone of whom had troubled him like an apparition, was only a courtesan. Mme. Jenkins, that stately woman, of bearing at once so proud and so gentle, had no real title to the name. That illustrious man of science with the open countenance, and a manner so pleasant in his welcome, had the impudence thus to parade a disgraceful concubinage. And Paris suspected it, but that did not prevent it from running to their parties. And, finally, Jansoulet, so kind, so generous, for whom he felt in his heart so much gratitude, he knew him to be fallen into the hands of a gang of brigands, a brigand himself and well worthy of the conspiracy organized to cause him to disgorge his millions.

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