Felix Rolleston awoke, and found himself famous in a small way. Out of good-natured sympathy, and a spice of contrariness, he had declared his belief in Brian's innocence, and now, to his astonishment, he found that his view of the matter was likely to prove correct. He received so much praise on all sides for his presumed perspicuity, that he soon began to think that he had believed in Fitzgerald's innocence by a calm course of reasoning, and not because of a desire to differ from every one else in their opinion of the case. After all, Felix Rolleston is not the only mall who has been astonished to find greatness thrust upon him, and come to believe himself worthy of it. He was a wise man, however, and while in the full tide of prosperity he seized the flying moment, and proposed to Miss Featherweight, who, after some hesitation, agreed to endow him with herself and her thousands. She decided that her future husband was a man of no common intellect, seeing that he had long ago arrived at a conclusion which the rest of Melbourne were only beginning to discover now, so she determined that, as soon as she assumed marital authority, Felix, like Strephon in "Iolanthe," should go into Parliament, and with her money and his brains she might some day be the wife of a premier. Mr. Rolleston had no idea of the political honours which his future spouse intended for him, and was seated in his old place in the court, talking about the case.

"Knew he was innocent, don't you know," he said, with a complacent smile "Fitzgerald's too jolly good-looking a fellow, and all that sort of thing, to commit murder."

Whereupon a clergyman, happening to overhear the lively Felix make this flippant remark, disagreed with it entirely, and preached a sermon to prove that good looks and crime were closely connected, and that both Judas Iscariot and Nero were beauty-men.

"Ah," said Calton, when he heard the sermon, "if this unique theory is a true one, what a truly pious man that clergyman must be!" This allusion to the looks of the reverend gentleman was rather unkind, for he was by no means bad-looking. But then Calton was one of those witty men who would rather lose a friend than suppress an epigram.

When the prisoner was brought in, a murmur of sympathy ran through the crowded Court, so ill and worn-out he looked; but Calton was puzzled to account for the expression of his face, so different from that of a man whose life had been saved, or, rather, was about to be saved, for in truth it was a foregone conclusion.

"You know who stole those papers," he thought, as he looked at Fitzgerald, keenly, "and the man who did so is the murderer of Whyte."

The judge having entered, and the Court being opened, Calton rose to make his speech, and stated in a few words the line of defence he intended to take.

He would first call Albert Dendy, a watchmaker, to prove that on Thursday night, at eight o'clock in the evening, he had called at the prisoner's, lodgings while the landlady was out, and while there had put the kitchen clock right, and had regulated the same. He would also call Felix Rolleston, a friend of the prisoners, to prove that the prisoner was not in the habit of wearing rings, and frequently expressed his detestation of such a custom. Sebastian Brown, a waiter at the Melbourne Club, would be called to prove that on Thursday night a letter was delivered to the prisoner at the Club by one Sarah Rawlins, and that the prisoner left the Club shortly before one o'clock on Friday morning. He would also call Sarah Rawlins, to prove that she had delivered a note to Sebastian Brown for the prisoner, at the Melbourne Club, at a quarter to twelve on Thursday Night, and that at a few minutes past one o'clock on Friday morning she had conducted the prisoner to a slum off Little Bourke Street, and that he was there between one and two on Friday morning, the hour at which the murder was alleged to have taken place. This being his defence to the charge brought against the prisoner, he would call Albert Dendy.

Albert Dendy, duly sworn, stated—

I am a watchmaker, and carry on business in Fitzroy. I remember Thursday, the 26th of July last. On the evening of that day I called at Powlett Street East Melbourne, to see my aunt, who is the landlady of the prisoner. She was out at the time I called, and I waited in the kitchen till her return. I looked at the kitchen clock to see if it was too late to wait, and then at my watch I found that the clock was ten minutes fast, upon which I put it right, and regulated it properly.

CALTON: At what time did you put it right?

WITNESS: About eight o'clock.

CALTON: Between that time and two in the morning, was it possible for the clock to gain ten minutes?

WITNESS: No, it was not possible.

CALTON: Would it gain at all?

WITNESS: Not between eight and two o'clock—the time was not long enough.

CALTON: Did you see your aunt that night?

WITNESS: Yes, I waited till she came in.

CALTON: And did you tell her you had put the clock right?

WITNESS: No, I did not; I forgot all about it.

CALTON: Then she was still under the impression that it was ten minutes fast?

WITNESS: Yes, I suppose so

After Dendy had been cross-examined, Felix Rolleston was called, and deposed as follows:—

I am an intimate friend of the prisoner. I have known him for five or six years, and I never saw him wearing a ring during that time. He has frequently told me he did not care for rings, and would never wear them.

In cross-examination:—

CROWN PROSECUTOR: You have never seen the prisoner wearing a diamond ring?

WITNESS: No, never.

CROWN PROSECUTOR: Have you ever seen any such ring in his possession?

WITNESS: No, I have seen him buying rings for ladies, but I never saw him with any ring such as a gentleman would wear.

CROWN PROSECUTOR: Not even a seal ring.

WITNESS: No, not even a seal ring.

Sarah Rawlins was then placed in the witness-box, and, after having been sworn, deposed—

I know the prisoner. I delivered a letter, addressed to him at the Melbourne Club, at a quarter to twelve o'clock on Thursday, 26th July. I did not know what his name was. He met me shortly after one, at the corner of Russell and Bourke Streets, where I had been told to wait for him. I took him to my grandmother's place, in a lane off Little Bourke Street. There was a dying woman there, who had sent for him. He went in and saw her for about twenty minutes, and then I took him back to the corner of Bourke and Russell Streets. I heard the three-quarters strike shortly after I left him.

CROWN PROSECUTOR: You are quite certain that the prisoner was the man you met on that night?

WITNESS: Quite certin', s'elp me G—.

CROWN PROSECUTOR: And he met you a few minutes past one o'clock?

WITNESS: Yes, 'bout five minutes—I 'eard the clock a-strikin' one just afore he came down the street, and when I leaves 'im agin, it were about twenty-five to two, 'cause it took me ten minits to git 'ome, and I 'eard the clock go three-quarters, jest as I gits to the door.

CROWN PROSECUTOR: How do you know it was exactly twenty-five to two when you left him?

WITNESS: 'Cause I sawr the clocks—I left 'im at the corner of Russell Street, and comes down Bourke Street, so I could see the Post Orffice clock as plain as day, an' when I gets into Swanston Street, I looks at the Town 'All premiscus like, and sees the same time there.

CROWN PROSECUTOR: And you never lost sight of the prisoner the whole time?

WITNESS: No, there was only one door by the room, an' I was a-sittin' outside it, an' when he comes out he falls over me.

CROWN PROSECUTOR: Were you asleep?

WITNESS: Not a blessed wink.

Calton then directed Sebastian Brown to be called. He deposed—

I know the prisoner. He is a member of the Melbourne Club, at which I am a waiter. I remember Thursday, 26th July. On that night the last witness came with a letter to the prisoner. It was about a quarter to twelve. She just gave it to me, and went away. I delivered it to Mr. Fitzgerald. He left the Club at about ten minutes to one.

This closed the evidence for the defence, and after the Crown Prosecutor had made his speech, in which he pointed out the strong evidence against the prisoner, Calton arose to address the jury. He was a fine speaker, and made a splendid defence. Not a single point escaped him, and that brilliant piece of oratory is still remembered and spoken of admiringly in the purlieus of Temple Court and Chancery Lane.

He began by giving a vivid description of the circumstances, of the murder—of the meeting of the murderer and his victim in Collins Street East—the cab driving down to St. Kilda—the getting out of the cab of the murderer after committing the crime—and the way in which he had secured himself against pursuit.

Having thus enchained the attention of the jury by the graphic manner in which he described the crime, he pointed out that the evidence brought forward by the prosecution was purely circumstantial, and that they had utterly failed to identify the prisoner in the dock with the man who entered the cab. The supposition that the prisoner and the man in the light coat were one and the same person, rested solely upon the evidence of the cabman, Royston, who, although not intoxicated, was—judging from his own statements, not in a fit state to distinguish between the man who hailed the cab, and the man who got in. The crime was committed by means of chloroform; therefore, if the prisoner was guilty, he must have purchased the chloroform in some shop, or obtained it from some friends. At all events, the prosecution had not brought forward a single piece of evidence to show how, and where the chloroform had been obtained. With regard to the glove belonging to the murdered man found in the prisoner's pocket, he picked it up off the ground at the time when he first met Whyte, when the deceased was lying drunk near the Scotch Church. Certainly there was no evidence to show that the prisoner had picked it up before the deceased entered the cab; but, on the other hand, there was no evidence to show that it had been picked up in the cab. It was far more likely that the glove, and especially a white glove, would be picked up under the light of the lamp near the Scotch Church, where it was easily noticeable, than in the darkness of a cab, where there was very little room, and where it would be quite dark, as the blinds were drawn down. The cabman, Royston, swore positively that the man who got out of his cab on the St. Kilda Road wore a diamond ring on the forefinger of his right hand, and the cabman, Rankin, swore to the same thing about the man who got out at Powlett Street. Against this could be placed the evidence of one of the prisoner's most intimate friends—one who had seen him almost daily for the last five years, and he had sworn positively that the prisoner was not in the habit of wearing rings.

The cabman Rankin had also sworn that the man who entered his cab on the St. Kilda Road alighted at Powlett Street, East Melbourne, at two o'clock on Friday morning, as he heard that hour strike from the Post Office clock, whereas the evidence of the prisoner's landlady showed plainly that he entered the house five minutes previously, and her evidence was further supported by that of the watchmaker, Dendy. Mrs. Sampson saw the hand of her kitchen clock point to five minutes to two, and, thinking it was ten minutes slow, told the detective that the prisoner did not enter the house till five minutes past two, which would just give the man who alighted from the cab (presuming him to have been the prisoner) sufficient time to walk up to his lodgings. The evidence of the watchmaker, Dendy, however, showed clearly that he had put the clock right at the hour of eight on Thursday night; that it was impossible for it to gain ten minutes before two on Friday morning, and therefore, the time, five minutes to two, seen by the landlady was the correct one, and the prisoner was in the house five minutes before the other man alighted from the cab in Powlett Street.

These points in themselves were sufficient to show that the prisoner was innocent, but the evidence of the woman Pawlins must prove conclusively to the jury that the prisoner was not the man who committed the crime. The witness Brown had proved that the woman Rawlins had delivered a letter to him, which he gave to the prisoner and that the prisoner left the Club, to keep the appointment spoken of in the letter, which letter, or, rather, the remains of it had been put in evidence. The woman Rawlins swore that the prisoner met her at the corner of Russell and Bourke Streets, and had gone with her to one of the back slums, there to see the writer of the letter. She also proved that at the time of the committal of the crime the prisoner was still in the back slum, by the bed of the dying woman, and, there being only one door to the room, he could not possibly have left without the witness seeing him. The woman Rawlins further proved that she left the prisoner at the corner of Bourke and Russell Streets at twenty-five minutes to two o'clock, which was five minutes before Royston drove his cab up to the St. Kilda Police Station, with the dead body inside. Finally, the woman Rawlins proved her words by stating that she saw both the Post Office and Town Hall clocks; and supposing the prisoner started from the corner of Bourke and Russell Streets, as she says he did, he would reach East Melbourne in twenty minutes, which made it five minutes to two on Friday morning, the time at which, according to the landlady's statement, he entered the house.

All the evidence given by the different witnesses agreed completely, and formed a chain which showed the whole of the prisoner's movements at the time of the committal of the murder. Therefore, it was absolutely impossible that the murder could have been committed by the man in the dock. The strongest piece of evidence brought forward by the prosecution was that of the witness Hableton, who swore that the prisoner used threats against the life of the deceased. But the language used was merely the outcome of a passionate Irish nature, and was not sufficient to prove the crime to have been committed by the prisoner. The defence which the prisoner set up was that of an ALIBI, and the evidence of the witnesses for the defence proved conclusively that the prisoner could not, and did not, commit the murder. Finally, Calton wound up his, elaborate and exhaustive speech, which lasted for over two hours, by a brilliant peroration, calling upon the jury to base their verdict upon the plain facts of the case, and if they did so they could hardly fail in bringing in a verdict of "Not Guilty."

When Calton sat down a subdued murmur of applause was heard, which was instantly suppressed, and the judge began to sum up, strongly in favour of Fitzgerald. The jury then retired, and immediately there was a dead silence in the crowded Court—an unnatural silence, such as must have fallen on the blood-loving Roman populace when they saw the Christian martyrs kneeling on the hot yellow sands of the arena, and watched the long, lithe forms of lion and panther creeping steadily towards their prey. The hour being late the gas had been lighted, and there was a sickly glare through the wide hall.

Fitzgerald had been taken out of court on the retiring of the jury, but the spectators stared steadily at the empty dock, which seemed to enchain them by some indescribable fascination. They conversed among themselves only in whispers, until even the whispering ceased, and nothing could be heard but the steady ticking of the clock, and now and then the quick-drawn breath of some timid on-looker. Suddenly, a woman, whose nerves were over-strung, shrieked, and the cry rang weirdly through the crowded hall. She was taken out, and again there was silence, every eye being now fixed on the door through which the jury would re-issue with their verdict of life or death. The hands of the clock moved slowly round—a quarter—a half—three quarters—and then the hour sounded with a silvery ring which startled everyone. Madge, sitting with her hands tightly clasped together, began to fear that her highly-strung nerves would give way.

"My God," she muttered softly to herself; "will this suspense never end?"

Just then the door opened, and the jury re-entered. The prisoner was again placed in the dock, and the judge resumed his seat, this time with the black cap in his pocket, as everyone guessed.

The usual formalities were gone through, and when the foreman of the jury stood up every neck was craned forward, and every ear was on the alert to catch the words that fell from his lips. The prisoner flushed a little and then grew pale as death, giving a quick, nervous glance at the quiet figure in black, of which he could just catch a glimpse. Then came the verdict, sharp and decisive, "NOT GUILTY."

On hearing this a cheer went up from everyone in the court, so strong was the sympathy with Brian.

In vain the crier of the Court yelled, "Order!" until he was red in the face. In vain the judge threatened to commit all present for contempt of court—his voice being inaudible, it did not matter much—the enthusiasm could not be restrained, and it was five minutes before order was obtained. The judge, having recovered his composure, delivered his judgment, and discharged the prisoner, in accordance with the verdict.

Calton had won many cases, but it is questionable if he had ever heard a verdict which gave him so much satisfaction as that which proclaimed Fitzgerald innocent.

And Brian, stepping down from the dock a free man, passed through a crowd of congratulating friends to a small room off the Court, where a woman was waiting for him—a woman who clung round his neck, and sobbed out—

"My darling! My darling! I knew that God would save you."



CHAPTER XX.

THE "ARGUS" GIVES ITS OPINION.

The morning after the trial was concluded the following article in reference to the matter appeared in the ARGUS:—

"During the past three months we have frequently in our columns commented on the extraordinary case which is now so widely known as 'The Hansom Cab Tragedy.' We can safely say that it is the most remarkable case which has ever come under the notice of our Criminal Court, and the verdict given by the jury yesterday has enveloped the matter in a still deeper mystery. By a train of strange coincidences, Mr. Brian Fitzgerald, a young squatter, was suspected of having murdered Whyte, and had it not been for the timely appearance of the woman Rawlins who turned up at the eleventh hour, we feel sure that a verdict of guilty would have been given, and an innocent man would have suffered punishment for the crime of another. Fortunately for the prisoner, and for the interests of justice, his counsel, Mr. Calton, by unwearied diligence, was able to discover the last witness, and prove an ALIBI, Had it not been for this, in spite of the remarks made by the learned counsel in his brilliant speech yesterday, which resulted in the acquittal of the prisoner, we question very much if the rest of the evidence in favour of the accused would have been sufficient to persuade the jury that he was an innocent man. The only points in favour of Mr. Fitzgerald were the inability of the cabman Royston to swear to him as the man who had got into the cab with Whyte, the wearing of a diamond ring on the forefinger of the right hand (whereas Mr. Fitzgerald wears no rings), and the difference in time sworn to by the cabman Rankin and the landlady. Against these points, however, the prosecution placed a mass of evidence, which seemed conclusively to prove the guilt of the prisoner; but the appearance of Sal Rawlins in the witness-box put an end to all doubt. In language which could not be mistaken for anything else than the truth, she positively swore that Mr. Fitzgerald was in one of the slums off Bourke Street, between the hours of one and two on Friday morning, at which time the murder was committed. Under these circumstances, the jury unanimously agreed, and returned a verdict of 'Not guilty,' and the prisoner was forthwith acquitted. We have to congratulate his counsel, Mr. Calton, for the able speech he made for the defence, and also Mr. Fitzgerald, for his providential escape from a dishonourable and undeserved punishment. He leaves the court without a stain on his character, and with the respect and sympathy of all Australians, for the courage and dignity with which he comported himself throughout, while resting under the shadow of such a serious charge.

"But now that it has been conclusively proved that he is innocent, the question arises in every one's mind, 'Who is the murderer of Oliver Whyte?' The man who committed this dastardly crime is still at large, and, for all we know, may be in our midst. Emboldened by the impunity with which he has escaped the hands of justice, he may be walking securely down our streets, and talking of the very crime of which he is the perpetrator. Secure in the thought that all traces of him have been lost for ever, from the time he alighted from Rankin's cab, at Powlett Street, he has ventured probably to remain in Melbourne, and, for all that anyone knows, he may have been in the court during the late trial. Nay, this very article, may meet his eye, and he may rejoice at the futile efforts which have been made to find him. But let him beware, Justice is not blind, but blind-folded, and when he least expects it, she will tear the bandage from her keen eyes, and drag him forth to the light of day to receive the reward of his deed. Owing to the strong evidence against Fitzgerald, that is the only direction in which the detectives have hitherto looked, but baffled on one side, they will look on the other, and this time may be successful.

"That such a man as the murderer of Oliver Whyte should be at large is a matter of danger, not only to individual citizens, but to the community at large; for it is a well-known fact that a tiger who once tastes human blood never overcomes his craving for it; and, without doubt the man who so daringly and coolly murdered a drunken, and therefore defenceless man, will not hesitate to commit a second crime. The present feeling of all classes in Melbourne must be one of terror, that such a man should be at large, and must, in a great measure, resemble the fear which filled everyone's heart in London when the Marr murders were committed, and it was known that the murderer had escaped. Anyone who has read De Quincy's graphic description of the crime perpetrated by Williams must tremble to think that such another devil incarnate is in our midst. It is an imperative necessity that such a feeling should be done away with. But how is this to be managed? It is one thing to speak, and another to act. There seems to be no possible clue discoverable at present which can lead to the discovery of the real murderer. The man in the light coat who got out of Rankin's cab at Powlett Street, East Melbourne (designedly, as it now appears, in order to throw suspicion on Fitzgerald), has vanished as completely as the witches in Macbeth, and left no trace behind. It was two o'clock in the morning when he left the cab, and, in a quiet suburb like East Melbourne, no one would be about, so that he could easily escape unseen. There seems to be only one chance of ever tracing him, and that is to be found in the papers which were stolen from the pocket of the dead man. What they were, only two persons knew, and one knows now. The first, two were Whyte and the woman who was called 'The Queen,' and both of them are now dead. The other who knows now is the man who committed the crime. There can be no doubt that these papers were the motive for the crime, as no money was taken from the pockets of the deceased. The fact, also, that the papers were carried in a pocket made inside the waistcoat of the deceased shows that they were of value.

"Now, the reason we think that the dead woman knew of the existence of these papers is simply this. It appears that she came out from England with Whyte as his mistress, and after staying some time in Sydney came on to Melbourne. How she came into such a foul and squalid den as that she died in, we are unable to say, unless, seeing that she was given to drink, she was picked up drunk by some Samaritan of the slums, and carried to Mrs. Rawlins' humble abode. Whyte visited her there frequently, but appears to have made no attempt to remove her to a better place, alleging as his reason that the doctor said she would die if taken into the air. Our reporter learned from one of the detectives that the dead woman was in the habit of talking to Whyte about certain papers, and on one occasion was overheard to say to him, 'They'll make your fortune if you play your cards well.' This was told to the detective by the woman Rawlins, to whose providential appearance Mr. Fitzgerald owes his escape. From this it can be gathered that the papers—whatever they might be—were of value, and sufficient to tempt another to commit a murder in order to obtain them. Whyte, therefore, being dead, and his murderer having escaped, the only way of discovering the secret which lies at the root of this tree of crime, is to find out the history of the woman who died in the slum. Traced back for some years, circumstances may be discovered which will reveal what these papers contained, and once that is found, we can confidently say that the murderer will soon be discovered. This is the only chance of finding out the cause, and the author of this mysterious murder; and if it fails, we fear the hansom cab tragedy will have to be relegated to the list of undiscovered crimes, and the assassin of Whyte will have no other punishment than that of the remorse of his own conscience."



CHAPTER XXI.

THREE MONTHS AFTERWARDS.

A hot December day, with a cloudless blue sky, and a sun blazing down on the earth, clothed in all the beauty of summer garments. Such a description of snowy December sounds perchance a trifle strange to English ears. It may strike them as being somewhat fantastic, as was the play in "A Midsummer Night's Dream," to Demetrius when he remarked, "This is hot ice and wondrous cold fire."

But here in Australia we are in the realm of contrariety, and many things other than dreams go by contrary. Here black swans are an established fact, and the proverb concerning them, made when they were considered as mythical a bird as the Phoenix, has been rendered null and void by the discoveries of Captain Cook. Here ironwood sinks and pumice stone floats, which must strike the curious spectator as a queer freak on the part of Dame Nature. At home the Edinburgh mail bears the hardy traveller to a cold climate, with snowy mountains and wintry blasts; but here the further north one goes the hotter it gets, till one arrives in Queensland, where the heat is so great that a profane traveller of an epigrammatic turn of mind once fittingly called it, "An amateur hell."

But however contrary, as Mrs. Gamp would say, Nature may be in her dealings, the English race out in this great continent are much the same as in the old country—John Bull, Paddy, and Sandy, all being of a conservative turn of mind, and with strong opinions as to the keeping up of old customs. Therefore, on a hot Christmas day, with the sun one hundred odd in the shade, Australian revellers sit down to the roast beef and plum-pudding of Old England, which they eat contentedly as the orthodox thing, and on New Year's Eve the festive Celt repairs to the doors of his "freends" with a bottle of whisky and a cheering verse of Auld Lang Syne.

Still it is these peculiar customs that give an individuality to a nation, and John Bull abroad loses none of his insular obstinacy; but keeps his Christmas in the old fashion, and wears his clothes in the new fashion, without regard to heat or cold. A nation that never surrenders to the fire of an enemy cannot be expected to give in to the fire of the sun, but if some ingenious mortal would only invent some light and airy costume, after the fashion of the Greek dress, and Australians would consent to adopt the same, life in Melbourne and her sister cities would be much cooler than it is at present.

Madge was thinking somewhat after this fashion as she sat on the wide verandah, in a state of exhaustion from the heat, and stared out at the wide plains lying parched and arid under the blazing sun. There was a dim kind of haze rising from the excessive heat, hanging midway between heaven and earth, and through its tremulous veil the distant hills looked aerial and unreal.

Stretched out before her was the garden with its intensely vivid flowers. To look at them merely was to increase one's caloric condition. Great bushes of oleanders, with their bright pink blossoms, luxurious rose trees, with their yellow, red, and white blooms, and all along the border a rainbow of many-coloured flowers, with such brilliant tints that the eye ached to see them in the hot sunshine, and turned restfully to the cool green of the trees which encircled the lawn. In the centre was a round pool, surrounded by a ring of white marble, and containing a still sheet of water, which flashed like a mirror in the blinding light.

The homestead of Yabba Yallook station was a long low house, with no upper-storey, and with a wide verandah running nearly round it. Cool green blinds were hung between the pillars to keep out the sun, and all along were scattered lounging chairs of basket-work, with rugs, novels, empty soda-water bottles, and all the other evidences that Mr. Frettlby's guests had been wise, and stayed inside during the noonday heat.

Madge was seated in one of these comfortable chairs, and she divided her attention between the glowing beauty of the world outside, which she could see through a narrow slit in the blinds. But she did not seem greatly interested in her book, and it was not long before she let it fall unheeded to the ground and took refuge in her own thoughts. The trial through which she had so recently passed had been a great one, and it had not been without its outward result. It had left its impress on her beautiful face, and there was a troubled look in her eyes. After Brian's acquittal of the murder of Oliver Whyte, she had been taken by her father up to the station, in the hope that it would restore her to health. The mental strain which had been on her during the trial had nearly brought on an attack of brain fever; but here, far from the excitement of town life, in the quiet seclusion of the country, she had recovered her health, but not her spirits. Women are more impressionable than men, and it is, perhaps, for this reason that they age quicker. A trouble which would pass lightly over a man, leaves an indelible mark on a woman, both physically and mentally, and the terrible episode of Whyte's murder had changed Madge from a bright and merry girl into a grave and beautiful woman. Sorrow is a potent enchantress. Once she touches the heart, life can never be quite the same again. We never more surrender ourselves entirely to pleasure; and often we find so many of the things we have longed for are after all but dead sea fruit. Sorrow is the veiled Isis of the world, and once we penetrate her mystery and see her deeply-furrowed face and mournful eyes, the magic light of romance dies all away, and we realise the hard bitter fact of life in all its nakedness.

Madge felt something of all this. She saw the world now, not as the fantastic fairyland of her girlish dreams, but as the sorrowful vale of tears through which we must all walk till we reach the "Promised Land."

And Brian, he also had undergone a change, for there were a few white hairs now amid his curly, chestnut locks, and his character, from being gay and bright, had become moody and irritable. After the trial he had left town immediately, in order to avoid meeting with his friends, and had gone up to his station, which was next to that of the Frettlbys'. There he worked hard all day, and smoked hard all night, thinking ever the secret which the dead woman had told him, and which threatened to overshadow his life. Every now and then he rode over and saw Madge. But this was generally when he knew her father to be away from Melbourne, for of late he had disliked the millionaire. Madge could not but condemn his attitude, remembering how her father had stood beside him in his recent trouble. Yet there was another reason why Brian kept aloof from Yabba Yallook station. He did not wish to meet any of the gay society which was there, knowing that since his trial he was an object of curiosity and sympathy to everyone—a position galling enough to his proud nature.

At Christmas time Mr. Frettlby had asked several people up from Melbourne, and though Madge would rather have been left alone, yet she could not refuse her father, and had to play hostess with a smiling brow and aching heart.

Felix Rolleston, who a month since had joined the noble army of benedicts, was there with Mrs. Rolleston, NEE Miss Featherweight, who ruled him with a rod of iron. Having bought Felix with her money, she had determined to make good use of him, and, being ambitious to shine in Melbourne society, had insisted upon Felix studying politics, so that when the next general election came round he could enter Parliament. Felix had rebelled at first, but ultimately gave way, as he found that when he had a good novel concealed among his parliamentary papers time passed quite pleasantly, and he got the reputation of a hard worker at little cost. They had brought up Julia with them, and this young person had made up her mind to become the second Mrs. Frettlby. She had not received much encouragement, but, like the English at Waterloo, did not know when she was beaten, and carried on the siege of Mr. Frettlby's heart in an undaunted manner.

Dr. Chinston had come up for a little relaxation, and gave never a thought to his anxious patients or the many sick-rooms he was in the habit of visiting. A young English fellow, called Peterson, who amused himself by travelling; an old colonist, full of reminiscences of the old days, when, "by gad, sir, we hadn't a gas lamp in the whole of Melbourne," and several other people, completed the party. They had all gone off to the billiard-room, and left Madge in her comfortable chair, half-asleep.

Suddenly she started, as she heard a step behind her, and turning, saw Sal Rawlins, in the neatest of black gowns, with a coquettish white cap and apron, and an open book. Madge had been so delighted with Sal for saving Brian's life that she had taken her into her service as maid. Mr. Frettlby had offered strong opposition at first that a fallen woman like Sal should be near his daughter; but Madge was determined to rescue the unhappy girl from the life of sin she was leading, and so at last he reluctantly consented. Brian, too, had objected, but ultimately yielded, as he saw that Madge had set her heart on it. Mother Guttersnipe objected at first, characterising the whole affair as "cussed 'umbug," but she, likewise, gave in, and Sal became maid to Miss Frettlby, who immediately set to work to remedy Sal's defective education by teaching her to read. The book she held in her hand was a spelling-book, and this she handed to Madge.

"I think I knows it now, miss," she said, respectfully, as Madge looked up with a smile.

"Do you, indeed?" said Madge, gaily. "You will be able to read in no time, Sal."

"Read this?" said Sal, touching "Tristan: A Romance, by Zoe."

"Hardly!" said Madge, picking it up, with a look of contempt.

"I want you to learn English, and not a confusion of tongues like this thing. But it's too hot for lessons, Sal," she went on, leaning back in her seat, "so get a chair and talk to me."

Sal complied, and Madge looked out at the brilliant flower-beds, and at the black shadow of the tall witch elm which grew on one side of the lawn. She wanted to ask a certain question of Sal, and did not know how to do it. The moodiness and irritability of Brian had troubled her very much of late, and, with the quick instinct of her sex, she ascribed it indirectly to the woman who had died in the back slum. Anxious to share his troubles and lighten his burden, she determined to ask Sal about this mysterious woman, and find out, if possible, what secret had been told to Brian which affected him so deeply.

"Sal," she said, after a short pause, turning her clear grey eyes on the woman, "I want to ask you something."

The other shivered and turned pale.

"About—about that?"

Madge nodded.

Sal hesitated for a moment, and then flung herself at the feet of her mistress.

"I will tell you," she cried. "You have been kind to me, an' have a right to know. I will tell you all I know."

"Then," asked Madge, firmly, as she clasped her hands tightly together, "who was this woman whom Mr. Fitzgerald went to see, and where did she come from?"

"Gran' an' me found her one evenin' in Little Bourke Street," answered Sal, "just near the theatre. She was quite drunk, an' we took her home with us."

"How kind of you," said Madge.

"Oh, it wasn't that," replied the other, dryly. "Gran' wanted her clothes; she was awful swell dressed."

"And she took the clothes—how wicked!"

"Anyone would have done it down our way," answered Sal, indifferently; "but Gran' changed her mind when she got her home. I went out to get some gin for Gran', and when I came back she was huggin' and kissin' the woman."

"She recognised her."

"Yes, I s'pose so," replied Sal, "an' next mornin', when the lady got square, she made a grab at Gran', an' hollered out, 'I was comin' to see you.'"

"And then?"

"Gran' chucked me out of the room, an' they had a long jaw; and then, when I come back, Gran' tells me the lady is a-goin' to stay with us 'cause she was ill, and sent me for Mr. Whyte."

"And he came?"

"Oh, yes—often," said Sal. "He kicked up a row when he first turned up, but when he found she was ill, he sent a doctor; but it warn't no good. She was two weeks with us, and then died the mornin' she saw Mr. Fitzgerald."

"I suppose Mr. Whyte was in the habit of talking to this woman?"

"Lots," returned Sal; "but he always turned Gran' an' me out of the room afore he started."

"And"—hesitating—"did you ever overhear one of these conversations?"

"Yes—one," answered the other, with a nod. "I got riled at the way he cleared us out of our own room; and once, when he shut the door and Gran' went off to get some gin, I sat down at the door and listened. He wanted her to give up some papers, an' she wouldn't. She said she'd die first; but at last he got 'em, and took 'em away with him."

"Did you see them?" asked Madge, as the assertion of Gorby that Whyte had been murdered for certain papers flashed across her mind.

"Rather," said Sal, "I was looking through a hole in the door, an' she takes 'em from under her piller, an' 'e takes 'em to the table, where the candle was, an' looks at 'em—they were in a large blue envelop, with writing on it in red ink—then he put 'em in his pocket, and she sings out: 'You'll lose 'em,' an' 'e says: 'No, I'll always 'ave 'em with me, an' if 'e wants 'em 'e'll have to kill me fust afore 'e gits 'em.'"

"And you did not know who the man was to whom the papers were of such importance?"

"No, I didn't; they never said no names."

"And when was it Whyte got the papers?"

"About a week before he was murdered," said Sal, after a moment's thought. "An' after that he never turned up again. She kept watchin' for him night an' day, an' 'cause he didn't come, got mad at him. I hear her sayin', 'You think you've done with me, my gentleman, an' leaves me here to die, but I'll spoil your little game,' an' then she wrote that letter to Mr. Fitzgerald, an' I brought him to her, as you know."

"Yes, yes," said Madge, rather impatiently. "I heard all that at the trial, but what conversation passed between Mr. Fitzgerald and this woman? Did you hear it?"

"Bits of it," replied the other. "I didn't split in Court, 'cause I thought the lawyer would be down on me for listening. The first thing I heard Mr. Fitzgerald sayin' was, 'You're mad—it ain't true,' an' she ses, 'S'elp me it is, Whyte's got the proof,' an' then he sings out, 'My poor girl,' and she ses, 'Will you marry her now?' and ses he, 'I will, I love her more than ever;' and then she makes a grab at him, and says, 'Spile his game if you can,' and says he, 'What's yer name?' and she says—"

"What?" asked Madge, breathlessly.

"Rosanna Moore!"

There was a sharp exclamation as Sal said the name, and, turning round quickly, Madge found Brian standing beside her, pale as death, with his eyes fixed on the woman, who had risen to her feet.

"Go on!" he said sharply.

"That's all I know," she replied, in a sullen tone. Brian gave a sigh of relief.

"You can go," he said slowly; "I wish to speak with Miss Frettlby alone."

Sal looked at him for a moment, and then glanced at her mistress, who nodded to her as a sign that she might withdraw. She picked up her book, and with another sharp enquiring look at Brian, turned and walked slowly into the house.



CHAPTER XXII.

A DAUGHTER OF EVE.

After Sal had gone, Brian sank into a chair beside Madge with a weary sigh. He was in riding dress, which became his stalwart figure well, and he looked remarkably handsome but ill and worried.

"What on earth were you questioning that girl about?" he said abruptly, taking his hat off, and tossing it and his gloves on to the floor.

Madge flushed crimson for a moment, and then taking Brian's two strong hands in her own, looked steadily into his frowning face.

"Why don't you trust me?" she asked, in a quiet tone.

"It is not necessary that I should," he answered moodily. "The secret that Rosanna Moore told me on her death-bed is nothing that would benefit you to know."

"Is it about me?" she persisted.

"It is, and it is not," he answered, epigrammatically.

"I suppose that means that it is about a third person, and concerns me," she said calmly, releasing his hands.

"Well, yes," impatiently striking his boot with his riding whip. "But it is nothing that can harm you so long as you do not know it; but God help you should anyone tell it to you, for it would embitter your life."

"My life being so very sweet now," answered Madge, with a slight sneer. "You are trying to put out a fire by pouring oil on it, and what you say only makes me more determined to learn what it is."

"Madge, I implore you not to persist in this foolish curiosity," he said, almost fiercely, "it will bring you only misery."

"If it concerns me I have a right to know it," she answered curtly. "When I marry you how can we be happy together, with the shadow of a secret between us?"

Brian rose, and leaned against the verandah post with a dark frown on his face.

"Do you remember that verse of Browning's," he said, coolly—

'Where the apple reddens Never pry, Lest we lose our Edens, Eve and I.'

"Singularly applicable to our present conversation, I think."

"Ah," she said, her pale face flushing with anger, "you want me to live in a fool's paradise, which may end at any moment."

"That depends upon yourself," he answered coldly. "I never roused your curiosity by telling you that there was a secret, but betrayed it inadvertently to Calton's cross-questioning. I tell you candidly that I did learn something from Rosanna Moore, and it concerns you, though only indirectly through a third person. But it would do no good to reveal it, and would ruin both our lives."

She did not answer, but looked straight before her into the glowing sunshine.

Brian fell on his knees beside her, and stretched out his hands with an entreating gesture.

"Oh, my darling," he cried sadly, "cannot you trust me? The love which has stood such a test as yours cannot fail like this. Let me bear the misery of knowing it alone, without blighting your young life with the knowledge of it. I would tell you if I could, but, God help me, I cannot—I cannot," and he buried his face in his hands.

Madge closed her mouth firmly, and touched his comely head with her cool, white fingers. There was a struggle going on in her breast between her feminine curiosity and her love for the man at her feet—the latter conquered, and she bowed her head over his.

"Brian," she whispered softly, "let it be as you wish. I will never again try to learn this secret, since you do not desire it."

He arose to his feet, and caught her in his strong arms, with a glad smile.

"My dearest," he said, kissing her passionately, and then for a few moments neither of them spoke. "We will begin a new life," he said, at length. "We will put the sad past away from us, and think of it only as a dream."

"But this secret will still fret you," she murmured.

"It will wear away with time and with change of scene," he answered sadly.

"Change of scene!" she repeated in a startled tone. "Are you going away?"

"Yes; I have sold my station, and intend leaving Australia for ever during the next three months."

"And where are you going?" asked the girl, rather bewildered.

"Anywhere," he said a little bitterly. "I am going to follow the example of Cain, and be a wanderer on the face of the earth!"

"Alone!"

"That is what I have come to see you about," said Brian, looking steadily at her. "I have come to ask you if you will marry me at once, and we will leave Australia together."

She hesitated.

"I know it is asking a great deal," he said, hurriedly, "to leave your friends, your position, and"—with hesitation—"your father; but think of my life without you—think how lonely I shall be, wandering round the world by myself; but you will not desert me now I have so much need of you—you will come with me and be my good angel in the future as you have been in the past?"

She put her hand on his arm, and looking at him with her clear, grey eyes, said—"Yes!"

"Thank God for that," said Brian, reverently, and there was again a silence.

Then they sat down and talked about their plans, and built castles in the air, after the fashion of lovers.

"I wonder what papa will say?" observed Madge, idly twisting her engagement ring round and round.

Brian frowned, and a dark look passed over his face.

"I suppose I must speak to him about it?" he said at length, reluctantly.

"Yes, of course!" she replied, lightly. "It is merely a formality; still, one that must be observed."

"And where is Mr. Frettlby?" asked Fitzgerald, rising.

"In the billiard-room," she answered, as she followed his example. "No!" she continued, as she saw her father step on to the verandah. "Here he is."

Brian had not seen Mark Frettlby for some time, and was astonished at the change which had taken place in his appearance. Formerly, he had been as straight as an arrow, with a stern, fresh-coloured face; but now he had a slight stoop, and his face looked old and withered. His thick, black hair was streaked here and there with white. His eyes alone were unchanged. They were as keen and bright as ever. Brian knew full well how he himself had altered. He knew, too, that Madge was not the same, and now he could not but wonder whether the great change that was apparent in her father was attributable to the same source—to the murder of Oliver Whyte.

Sad and thoughtful as Mr. Frettlby looked, as he came along, a smile broke over his face as he caught sight of his, daughter.

"My dear Fitzgerald," he said, holding out his hand, "this is indeed a surprise! When did you come over?"

"About half-an-hour ago," replied Brian, reluctantly, taking the extended hand of the millionaire. "I came to see Madge, and have a talk with you."

"Ah! that's right," said the other, putting his arm round his daughter's waist. "So that's what has brought the roses to your face, young lady?" he went on, pinching her cheek playfully. "You will stay to dinner, of course, Fitzgerald?"

"Thank you, no!" answered Brian, hastily, "my dress—"

"Nonsense," interrupted Frettlby, hospitably; "we are not in Melbourne, and I am sure Madge will excuse your dress. You must stay."

"Yes, do," said Madge, in a beseeching tone, touching his hand lightly. "I don't see so much of you that I can let you off with half-an-hour's conversation."

Brian seemed to be making a violent effort.

"Very well," he said in a low voice; "I shall stay."

"And now," said Frettlby, in a brisk tone, as he sat down; "the important question of dinner being settled, what is it you want to see me about?—Your station?"

"No," answered Brian, leaning against the verandah post, while Madge slipped her hand through his arm. "I have sold it."

"Sold it!" echoed Frettlby, aghast. "What for?"

"I felt restless, and wanted a change."

"Ah! a rolling stone," said the millionaire, shaking his head, "gathers no moss, you know."

"Stones don't roll of their own accord," replied Brian, in a gloomy tone. "They are impelled by a force over which they have no control."

"Oh, indeed!" said the millionaire, in a joking tone. "And may I ask what is your propelling force?"

Brian looked at the man's face with such a steady gaze that the latter's eyes dropped after an uneasy attempt to return it.

"Well," he said impatiently, looking at the two tall young people standing before him, "what do you want to see me about?"

"Madge has agreed to marry me at once, and I want your consent."

"Impossible!" said Frettlby, curtly.

"There is no such a word as impossible," retorted Brian, coolly, thinking of the famous remark in RICHELIEU, "Why should you refuse? I am rich now."

"Pshaw!" said Frettlby, rising impatiently. "It's not money I'm thinking about—I've got enough for both of you; but I cannot live without Madge."

"Then come with us," said his daughter, kissing him.

Her lover, however, did not second the invitation, but stood moodily twisting his tawny moustache, and staring out into the garden in an absent sort of manner.

"What do you say, Fitzgerald?" said Frettlby, who was eyeing him keenly.

"Oh, delighted, of course," answered Brian, confusedly.

"In that case," returned the other, coolly, "I will tell you what we will do. I have bought a steam yacht, and she will be ready for sea about the end of January. You will marry my daughter at once, and go round New Zealand for your honeymoon. When you return, if I feel inclined, and you two turtle-doves don't object, I will join you, and we will make a tour of the world."

"Oh, how delightful," cried Madge, clasping her hands. "I am so fond of the ocean with a companion, of course," she added, with a saucy glance at her lover.

Brian's face had brightened considerably, for he was a born sailor, and a pleasant yachting voyage in the blue waters of the Pacific, with Madge as his companion, was, to his mind, as near Paradise as any mortal could get.

"And what is, the name of the yacht?" he asked, with deep interest.

"Her name?" repeated Mr. Frettlby, hastily. "Oh, a very ugly name, and one which I intend to change. At present she is called the 'Rosanna.'"

"Rosanna!"

Brian and his betrothed both started at this, and the former stared curiously at the old man, wondering at the coincidence between the name of the yacht and that of the woman who died in the Melbourne slum.

Mr Frettlby flushed a little when he saw Brian's eye fixed on him with such an enquiring gaze, and rose with an embarrassed laugh.

"You are a pair of moon-struck lovers," he said, gaily, taking an arm of each, and leading them into the house "but you forget dinner will soon be ready."



CHAPTER XXIII.

ACROSS THE WALNUTS AND THE WINE.

Moore, sweetest of bards, sings—

"Oh, there's nothing half so sweet in life As love's young dream."

But he made this assertion in his callow days, before he had learned the value of a good digestion. To a young and fervid youth, love's young dream is, no doubt, very charming, lovers, as a rule, having a small appetite; but to a man who has seen the world, and drunk deeply of the wine of life, there is nothing half so sweet in the whole of his existence as a good dinner. "A hard heart and a good digestion will make any man happy." So said Talleyrand, a cynic if you like, but a man who knew the temper of his day and generation. Ovid wrote about the art of love—Brillat Savarin, of the art of dining; yet, I warrant you, the gastronomical treatise of the brilliant Frenchman is more widely read than the passionate songs of the Roman poet. Who does not value as the sweetest in the whole twenty-four the hour when, seated at an artistically-laid table, with delicately-cooked viands, good wines, and pleasant company, all the cares and worries of the day give place to a delightful sense of absolute enjoyment? Dinner with the English people is generally a very dreary affair, and there is a heaviness about the whole thing which communicates itself to the guests, who eat and drink with a solemn persistence, as though they were occupied in fulfilling some sacred rite. But there are men—alas! few and far between—who possess the rare art of giving good dinners—good in the sense of sociality as well as in that of cookery.

Mark Frettlby was one of these rare individuals—he had an innate genius for getting pleasant people together—people, who, so to speak, dovetailed into one another. He had an excellent cook, and his wines were irreproachable, so that Brian, in spite of his worries, was glad that he had accepted the invitation. The bright gleam of the silver, the glitter of glass, and the perfume of flowers, all collected under the subdued crimson glow of a pink-shaded lamp, which hung from the ceiling, could not but give him a pleasurable sensation.

On one side of the dining-room were the French windows opening on to the verandah, and beyond appeared the vivid green of the trees, and the dazzling colours of the flowers, somewhat tempered by the soft hazy glow of the twilight.

Brian had made himself as respectable as possible under the odd circumstances of dining in his riding-dress, and sat next to Madge, contentedly sipping his wine, and listening to the pleasant chatter which was going on around him.

Felix Rolleston was in great spirits, the more so as Mrs Rolleston was at the further end of the table, hidden from his view.

Julia Featherweight sat near Mr. Frettlby, and chatted to him so persistently that he wished she would become possessed of a dumb devil.

Dr. Chinston and Peterson were seated on the other side of the table, and the old colonist, whose name was Valpy, had the post of honour, on Mr. Frettlby's right hand.

The conversation had turned on to the subject, ever green and fascinating, of politics, and Mr. Rolleston thought it a good opportunity to air his views as to the Government of the Colony, and to show his wife that he really meant to obey her wish, and become a power in the political world.

"By Jove, you know," he said, with a wave of his hand, as though he were addressing the House; "the country is going to the dogs, and all that sort of thing. What we want is a man like Beaconsfield."

"Ah! but you can't pick up a man like that every day," said Frettlby, who was listening with an amused smile to Rolleston's disquisitions.

"Rather a good thing, too," observed Dr. Chinston, dryly.

"Genius would become too common."

"Well, when I am elected," said Felix, who had his own views, which modesty forbade him to publish, on the subject of the coming colonial Disraeli, "I probably shall form a party."

"To advocate what?" asked Peterson, curiously.

"Oh, well, you see," hesitated Felix, "I haven't drawn up a programme yet, so can't say at present."

"Yes, you can hardly give a performance without a programme," said the doctor, taking a sip of wine, and then everybody laughed.

"And on what are your political opinions founded?" asked Mr. Frettlby, absently, without looking at Felix.

"Oh, you see, I've read the Parliamentary reports and Constitutional history, and—and Vivian Grey," said Felix, who began to feel himself somewhat at sea.

"The last of which is what the author called it, a LUSUS NATURAE," observed Chinston. "Don't erect your political schemes on such bubble foundations as are in that novel, for you won't find a Marquis Carabas out here."

"Unfortunately, no!" observed Felix, mournfully; "but we may find a Vivian Grey."

Every one smothered a smile, the allusion was so patent.

"Well, he didn't succeed in the end," cried Peterson.

"Of course he didn't," retorted Felix, disdainfully; "he made an enemy of a woman, and a man who is such a fool as to do that deserves to fall."

"You have an excellent opinion of our sex, Mr. Rolleston," said Madge, with a wicked glance at the wife of that gentleman, who was listening complacently to her husband's aimless chatter.

"No better than they deserve," replied Rolleston, gallantly.

"But you have never gone in for politics, Mr. Frettlby?"

"Who?—I—no," said the host, rousing himself out of the brown study into which he had fallen. "I'm afraid I'm not sufficiently patriotic, and my business did not permit me."

"And now?"

"Now," echoed Mr. Frettlby, glancing at his daughter, "I intend to travel."

"The jolliest thing out," said Peterson, eagerly. "One never gets tired of seeing the queer things that are in the world."

"I've seen queer enough things in Melbourne in the early days," said the old colonist, with a wicked twinkle in his eyes.

"Oh!" cried Julia, putting her hands up to her ears, "don't tell me them, for I'm sure they're naughty."

"We weren't saints then," said old Valpy, with a senile chuckle.

"Ah, then, we haven't changed much in that respect," retorted Frettlby, drily.

"You talk of your theatres now," went on Valpy, with the garrulousness of old age; "why, you haven't got a dancer like Rosanna."

Brian started on hearing this name again, and he felt Madge's cold hand touch his.

"And who was Rosanna?" asked Felix, curiously, looking up.

"A dancer and burlesque actress," replied Valpy, vivaciously, nodding his old head. "Such a beauty; we were all mad about her—such hair and eyes. You remember her, Frettlby?"

"Yes," answered the host, in a curiously dry voice.

But before Mr. Valpy had the opportunity to wax more eloquent, Madge rose from the table, and the other ladies followed. The ever polite Felix held the door open for them, and received a bright smile from his wife for, what she considered, his brilliant talk at the dinner table.

Brian sat still, and wondered why Frettlby changed colour on hearing the name—he supposed that the millionaire had been mixed up with the actress, and did not care about being reminded of his early indiscretions—and, after all, who does?

"She was as light as a fairy," continued Valpy, with wicked chuckle.

"What became of her?" asked Brian, abruptly.

Mark Frettlby looked up suddenly, as Fitzgerald asked this question.

"She went to England in 1858," said the aged one. "I'm not quite sure if it was July or August, but it was in 1858."

"You will excuse me, Valpy, but I hardly think that these reminiscences of a ballet-dancer are amusing," said Frettlby, curtly, pouring himself out a glass of wine. "Let us change the subject."

Notwithstanding the plainly-expressed wish of his host Brian felt strongly inclined to pursue the conversation. Politeness, however, forbade such a thing, and he consoled himself with the reflection that, after dinner, he would ask old Valpy about the ballet-dancer whose name caused Mark Frettlby to exhibit such strong emotion. But, to his annoyance, when the gentlemen went into the drawing-room, Frettlby took the old colonist off to his study, where he sat with him the whole evening talking over old times.

Fitzgerald found Madge seated at the piano in the drawing-room playing one of Mendelssohn's Songs without Words.

"What a dismal thing that is you are playing, Madge," he said lightly, as he sank into a seat beside her. "It is more like a funeral march than anything else."

"Gad, so it is," said Felix, who came up at this moment. "I don't care myself about 'Op. 84' and all that classical humbug. Give me something light—'Belle Helene,' with Emelie Melville, and all that sort of thing."

"Felix!" said his wife, in a stern tone.

"My dear," he answered recklessly, rendered bold by the champagne he had taken, "you observed—"

"Nothing particular," answered Mrs. Rolleston, glancing at him with a stony eye, "except that I consider Offenbach low."

"I don't," said Felix, sitting down to the piano, from which Madge had just risen, "and to prove he ain't, here goes."

He ran his fingers lightly over the keys, and dashed into a brilliant Offenbach galop, which had the effect of waking up the people in the drawing-room, who felt sleepy after dinner, and sent the blood tingling through their veins. When they were thoroughly roused, Felix, now that he had an appreciative audience, for he was by no means an individual who believed in wasting his sweetness on the desert air, prepared to amuse them.

"You haven't heard the last new song by Frosti, have you?" he asked, after he had brought his galop to a conclusion.

"Is that the composer of 'Inasmuch' and 'How so?'" asked Julia, clasping her hands. "I do love his music, and the words are so sweetly pretty."

"Infernally stupid, she means," whispered Peterson to Brian. "They've no more meaning in them than the titles."

"Sing us the new song, Felix," commanded his wife, and her obedient husband obeyed her.

It was entitled, "Somewhere," words by Vashti, music by Paola Frosti, and was one of those extraordinary compositions which may mean anything—that is, if the meaning can be discovered. Felix had a pleasant voice, though it was not very strong, and the music was pretty, while the words were mystical. The first verse was as follows:—

"A flying cloud, a breaking wave, A faint light in a moonless sky: A voice that from the silent grave Sounds sad in one long bitter cry. I know not, sweet, where you may stand, With shining eyes and golden hair, Yet I know, I will touch your hand And kiss your lips somewhere— Somewhere! Somewhere!— When the summer sun is fair, Waiting me, on land or sea, Somewhere, love, somewhere!"

The second verse was very similar to the first, and when Felix finished a murmur of applause broke from every one of the ladies.

"How sweetly pretty," sighed Julia. "Such a lot in it."

"But what is its meaning?" asked Brian, rather bewildered.

"It hasn't got one," replied Felix, complacently. "Surely you don't want every song to have a moral, like a book of Aesop's Fables?"

Brian shrugged his shoulders, and turned away with Madge.

"I must say I agree with Fitzgerald," said the doctor, quickly. "I like as song with some meaning in it. The poetry of the one you sang is as mystical as Browning, without any of his genius to redeem it."

"Philistine," murmured Felix, under his breath, and then vacated his seat at the piano in favour of Julia, who was about to sing a ballad called, "Going Down the Hill," which had been the rage in Melbourne musical circles during the last two months.

Meanwhile Madge and Brian were walking up and down in the moonlight. It was an exquisite night, with a cloudless blue sky glittering with the stars, and a great yellow moon in the west. Madge seated herself on the side of the marble ledge which girdled the still pool of water in front of the house, and dipped her hand into the cool water. Brian leaned against the trunk of a great magnolia tree, whose glossy green leaves and great creamy blossoms looked fantastic in the moonlight. In front of them was the house, with the ruddy lamplight streaming through the wide windows, and they could see the guests within, excited by the music, waltzing to Rolleston's playing, and their dark figures kept passing and re-passing the windows while the charming music of the waltz mingled with their merry laughter.

"Looks like a haunted house," said Brian, thinking of Poe's weird poem; "but such a thing is impossible out here."

"I don't know so much about that," said Madge, gravely, lifting up some water in the palm of her hand, and letting it stream back like diamonds in the moonlight. "I knew a house in St. Kilda which was haunted."

"By what?" asked Brian, sceptically.

"Noises!" she answered, solemnly.

Brian burst out laughing and startled a bat, which fleur round and round in the silver moonlight, and whirred away into the shelter of a witch elm.

"Rats and mice are more common here than ghosts," he said, lightly. "I'm afraid the inhabitants of your haunted house were fanciful."

"So you don't believe in ghosts?"

"There's a Banshee in our family," said Brian, with a gay smile, "who is supposed to cheer our death beds with her howlings; but as I've never seen the lady myself, I'm afraid she's a Mrs. Harris."

"It's aristocratic to have a ghost in a family, I believe," said Madge; "that is the reason we colonials have none."

"Ah, but you will have," he answered with a careless laugh. "There are, no doubt, democratic as well as aristocratic ghosts; but, pshaw!" he went on, impatiently, "what nonsense I talk. There are no ghosts, except of a man's own raising. The ghosts of a dead youth—the ghosts of past follies—the ghosts of what might have been—these are the spectres which are more to be feared than those of the churchyard."

Madge looked at him in silence, for she understood the meaning of that passionate outburst—the secret which the dead woman had told him, and which hung like a shadow over his life. She arose quietly and took his arm. The light touch roused him, and a faint wind sent an eerie rustle through the still leaves of the magnolia, as they walked back in silence to the house.



CHAPTER XXIV.

BRIAN RECEIVES A LETTER.

Notwithstanding the hospitable invitation of Mr. Frettlby, Brian refused to stay at Yabba Yallook that night, but after saying good-bye to Madge, mounted his horse and rode slowly away in the moonlight. He felt very happy, and letting the reins lie on his horse's neck, he gave himself up unreservedly to his thoughts. ATRA CURA certainly did not sit behind the horseman on this night; and Brian, to his surprise, found himself singing "Kitty of Coleraine," as he rode along in the silver moonlight. And was he not right to sing when the future seemed so bright and pleasant? Oh, yes! they would live on the ocean, and she would find how much pleasanter it was on the restless waters, with their solemn sense of mystery, than on the crowded land.

"Was not the sea Made for the free— Land for courts and slaves alone?"

Moore was perfectly right. She would learn that when with a fair wind, and all sail set, they were flying over the blue Pacific waters.

And then they would go home to Ireland to the ancestral home of the Fitzgeralds, where he would lead her in under the arch, with "CEAD MILLE FAILTHE" on it, and everyone would bless the fair young bride. Why should he trouble himself about the crime of another? No! He had made a resolve, and intended to keep it; he would put this secret with which he had been entrusted behind his back, and would wander about the world with Madge and—her father. He felt a sudden chill come over him as he murmured the last words to himself "her father."

"I'm a fool," he said, impatiently, as he gathered up the reins, and spurred his horse into a canter. "It can make no difference to me so long as Madge remains ignorant; but to sit beside him, to eat with him, to have him always present like a skeleton at a feast—God help me!"

He urged his horse into a gallop, and as he rushed over the turf, with the fresh, cool night wind blowing keenly against his face, he felt a sense of relief, as though he were leaving some dark spectre behind. On he galloped, with the blood throbbing in his young veins, over miles of plain, with the dark-blue, star-studded sky above, and the pale moon shining down on him—past a silent shepherd's hut, which stood near a wide creek; splashing through the cool water, which wound through the dark plain like a thread of silver in the moonlight—then, again, the wide, grassy plain, dotted here and there with tall clumps of shadowy trees, and on either side he could see the sheep skurrying away like fantastic spectres—on—on—ever on, until his own homestead appears, and he sees the star-like light shining brightly in the distance—a long avenue of tall trees, over whose wavering shadows his horse thundered, and then the wide grassy space in front of the house, with the clamorous barking of dogs. A groom, roused by the clatter of hoofs up the avenue, comes round the side of the house, and Brian leaps off his horse, and flinging the reins to the man, walks into his own room. There he finds a lighted lamp, brandy and soda on the table, and a packet of letters and newspapers. He flung his hat on the sofa, and opened the window and door, so as to let in the cool breeze; then mixing for himself a glass of brandy and soda, he turned up the lamp, and prepared to read his letters. The first he took up was from a lady. "Always a she correspondent for me," says Isaac Disraeli, "provided she does not cross." Brian's correspondence did not cross, but notwithstanding this, after reading half a page of small talk and scandal, he flung the letter on the table with an impatient ejaculation. The other letters were principally business ones, but the last one proved to be from Calton, and Fitzgerald opened it with a sensation of pleasure. Calton was a capital letter-writer, and his epistles had done much to cheer Fitzgerald in the dismal period which succeeded his acquittal of Whyte's murder, when he was in danger of getting into a morbid state of mind. Brian, therefore, sipped his brandy and soda, and, lying back in his chair, prepared to enjoy himself.

"My dear Fitzgerald," wrote Calton his peculiarly clear handwriting, which was such an exception to the usual crabbed hieroglyphics of his brethren of the bar, "while you are enjoying the cool breezes and delightful freshness of the country, here am I, with numerous other poor devils, cooped up in this hot and dusty city. How I wish I were with you in the land of Goschen, by the rolling waters of the Murray, where everything is bright and green, and unsophisticated—the two latter terms are almost identical—instead of which my view is bounded by bricks and mortar, and the muddy waters of the Yarra have to do duty for your noble river. Ah! I too have lived in Arcadia, but I don't now: and even if some power gave me the choice to go back again, I am not sure that I would accept. Arcadia, after all, is a lotus-eating Paradise of blissful ignorance, and I love the world with its pomps, vanities, and wickedness. While you, therefore, oh Corydon—don't be afraid, I'm not going to quote Virgil—are studying Nature's book, I am deep in the musty leaves of Themis' volume, but I dare say that the great mother teaches you much better things than her artificial daughter does me. However, you remember that pithy proverb, 'When one is in Rome, one must not speak ill of the Pope,' so being in the legal profession, I must respect its muse. I suppose when you saw that this letter came from a law office, you wondered what the deuce a lawyer was writing to you for, and my handwriting, no doubt suggested a writ—pshaw! I am wrong there, you are past the age of writs—not that I hint that you are old; by no means—you are just at that appreciative age when a man enjoys life most, when the fire of youth is tempered by the experience of age, and one knows how to enjoy to the utmost the good things of this world, videlicet—love, wine, and friendship. I am afraid I am growing poetical, which is a bad thing for a lawyer, for the flower of poetry cannot flourish in the arid wastes of the law. On reading what I have written, I find I have been as discursive as Praed's Vicar, and as this letter is supposed to be a business one, I must deny myself the luxury of following out a train of idle ideas, and write sense. I suppose you still hold the secret which Rosanna Moore entrusted you with—ah! you see I know her name, and why?—simply because, with the natural curiosity of the human race, I have been trying to find out who murdered Oliver Whyte, and as the ARGUS very cleverly pointed out Rosanna Moore as likely to be at the bottom of the whole affair, I have been learning her past history. The secret of Whyte's murder, and the reason for it, is known to you, but you refuse, even in the interests of justice, to reveal it—why, I don't know; but we all have our little faults, and from an amiable though mistaken sense of—shall I say—duty?—you refuse to deliver up the man whose cowardly crime so nearly cost you your life. After your departure from Melbourne every one said, 'The hansom cab tragedy is at an end, and the murderer will never be discovered.' I ventured to disagree with the wiseacres who made such a remark, and asked myself, 'Who was this woman who died at Mother Guttersnipe's?' Receiving no satisfactory answer from myself, I determined to find out, and took steps accordingly. In the first place, I learned from Roger Moreland, who, if you remember, was a witness against you at the trial, that Whyte and Rosanna Moore had come out to Sydney in the JOHN ELDER about a year ago as Mr. and Mrs. Whyte. I need hardly say that they did not think it needful to go through the formality of marriage, as such a tie might have been found inconvenient on some future occasion. Moreland knew nothing about Rosanna Moore, and advised me to give up the search, as, coming from a city like London, it would be difficult to find anyone that knew her there. Notwithstanding this, I telegraphed home to a friend of mine, who is a bit of an amateur detective, 'Find out the name and all about the woman who left England in the JOHN ELDER on the 21st day of August, 18—, as wife of Oliver Whyte.' MIRABILE DICTU, he found out all about her, and knowing, as you do, what a maelstrom of humanity London is, you must admit my friend was clever. It appears, however, that the task I set him was easier than he expected, for the so-called Mrs. Whyte was rather a notorious individual in her own way. She was a burlesque actress at the Frivolity Theatre in London, and, being a very handsome woman, had been photographed innumerable times. Consequently, when she very foolishly went with Whyte to choose a berth on board the boat, she was recognised by the clerks in the office as Rosanna Moore, better known as Musette of the Frivolity. Why she ran away with Whyte I cannot tell you. With reference to men understanding women, I refer you to Balzac's remark anent the same. Perhaps Musette got weary of St. John's Wood and champagne suppers, and longed for the purer air of her native land. Ah! you open your eyes at this latter statement—you are surprised—no, on second thoughts you are not, because she told you herself that she was a native of Sydney, and had gone home in 1858, after a triumphant career of acting in Melbourne. And why did she leave the applauding Melbourne public and the flesh-pots of Egypt? You know this also. She ran away with a rich young squatter, with more money than morals, who happened to be in Melbourne at the time. She seems to have had a weakness for running away. But why she chose Whyte to go with this time puzzles me. He was not rich, not particularly good-looking, had no position, and a bad temper. How do I know all these traits of Mr. Whyte's character, morally and socially? Easily enough; my omniscient friend found them all out. Mr. Oliver Whyte was the son of a London tailor, and his father being well off, retired into a private life, and ultimately went the way of all flesh. His son, finding himself with a capital income, and a pretty taste for amusement, cut the shop of his late lamented parent, found out that his family had come over with the Conqueror—Glanville de Whyte helped to sew the Bayeux tapestry, I suppose—and graduated at the Frivolity Theatre as a masher. In common with the other gilded youth of the day, he worshipped at the gas-lit shrine of Musette, and the goddess, pleased with his incense, left her other admirers in the lurch, and ran off with fortunate Mr. Whyte. So far as this goes there is nothing to show why the murder was committed. Men do not perpetrate crimes for the sake of light o' loves like Musette, unless, indeed, some wretched youth embezzles money to buy jewellery for his divinity. The career of Musette, in London, was simply that of a clever member of the DEMI-MONDE, and, as far as I can learn, no one was so much in love with her as to commit a crime for her sake. So far so good; the motive of the crime must be found in Australia. Whyte had spent nearly all his money in England, and, consequently, Musette and her lover arrived in Sydney with comparatively very little cash. However, with an Epicurean-like philosophy, they enjoyed themselves on what little they had, and then came to Melbourne, where they stayed at a second-rate hotel. Musette, I may tell you, had one special vice, a common one—drink. She loved champagne, and drank a good deal of it. Consequently, on arriving at Melbourne, and finding that a new generation had arisen, which knew not Joseph—I mean Musette—she drowned her sorrows in the flowing bowl, and went out after a quarrel with Mr. Whyte, to view Melbourne by night—a familiar scene to her, no doubt. What took her to Little Bourke Street I don't know. Perhaps she got lost—perhaps it had been a favourite walk of hers in the old days; at all events she was found dead drunk in that unsavoury locality, by Sal Rawlins. I know this is so, because Sal told me so herself. Sal acted the part of the good Samaritan—took her to the squalid den she called home, and there Rosanna Moore fell dangerously ill. Whyte, who had missed her, found out where she was, and that she was too ill to be removed. I presume he was rather glad to get rid of such an encumbrance, so he went back to his lodgings at St. Kilda, which, judging from the landlady's story, he must have occupied for some time, while Rosanna Moore was drinking herself to death in a quiet hotel Still he does not break off his connection with the dying woman; but one night is murdered in a hansom cab, and that same night Rosanna Moore dies. So, from all appearance, everything is ended; not so, for before dying Rosanna sends for Brian Fitzgerald at his club, and reveals to him a secret which he locks up in his own heart. The writer of this letter has a theory—a fanciful one, if you will—that the secret told to Brian Fitzgerald contains the mystery of Oliver Whyte's death. Now then, have I not found out a good deal without you, and do you still decline to reveal the rest? I do not say you know who killed Whyte, but I do say you know sufficient to lead to the detection of the murderer. If you tell me, so much the better, both for your own sense of justice and for your peace of mind; if you do not—well, I shall find out without you. I have taken, and still take, a great interest in this strange case, and I have sworn to bring the murderer to justice; so I make this last appeal to you to tell me what you know. If you refuse, I will set to work to find out all about Rosanna Moore prior to her departure from Australia in 1858, and I am certain sooner or later to discover the secret which led to Whyte's murder. If there is any strong reason why it should be kept silent, I perhaps, will come round to your view, and let the matter drop; but if I have to find it out myself, the murderer of Oliver Whyte need expect no mercy at my hands So think over what I have said; if I do not hear from you within the next week, I shall regard your decision as final, and pursue the search myself. I am sure, my dear Fitzgerald, you will find this letter too long, in spite of the interesting story it contains, so I will have pity on you, and draw to a close. Remember me to Miss Frettlby and to her father. With kind regards to yourself, I remain, yours very truly,

"DUNCAN CALTON."

When Fitzgerald had finished the last of the closely-written sheets, he let the letter fall from his hands, and, leaning back in his chair, stared blankly into the dawning light outside. He arose after a few moments, and, pouring himself out a glass of brandy, drank it quickly. Then mechanically lighting a cigar, he stepped out of the door into the fresh beauty of the dawn. There was a soft crimson glow in the east, which announced the approach of the sun, and he could hear the chirping of the awakening birds in the trees. But Brian did not see the marvellous breaking of the dawn. He stood staring at the red light flaring in the east, and thinking of Calton's letter.

"I can do no more," he said bitterly, leaning his head against the wall of the house. "There is only one way of stopping Calton, and that is by telling him all. My poor Madge! My poor Madge!"

A soft wind arose, and rustled among the trees, and there appeared great shafts of crimson light in the east; then, with a sudden blaze, the sun peered over the brim of the wide plain. The warm yellow rays touched lightly the comely head of the weary man, and, turning round, he held up his arms to the great luminary, as though he were a fire-worshipper.

"I accept the omen of the dawn," he cried, "for her life and for mine."



CHAPTER XXV.

WHAT DR. CHINSTON SAID.

His resolution taken, Brian did not let the grass grow under his feet, but rode over in the afternoon to tell Madge of his intended departure.

The servant told him she was in the garden, so he went there, and, guided by the sound of merry voices, and the laughter of pretty women, soon found his way to the lawn—tennis ground. Madge and her guests were there, seated under the shade of a great witch elm, and watching, with great interest, a single-handed match being played between Rolleston and Peterson, both of whom were capital players. Mr. Frettlby was not present. He was inside writing letters, and talking with old Mr. Valpy, and Brian gave a sigh of relief as he noted his absence. Madge caught sight of him as he came down the garden path, and flew quickly towards him with outstretched hands, as he took his hat off.

"How good of you to come," she said, in a delighted tone, as she took his arm, "and on such a hot day."

"Yes, it's something fearful in the shade," said pretty Mrs. Rolleston, with a laugh, putting up her sunshade.

"Pardon me if I think the contrary," replied Fitzgerald, bowing, with an expressive look at the charming group of ladies under the great tree.

Mrs. Rolleston blushed and shook her head.

"Ah! it's easy seen you come from Ireland, Mr. Fitzgerald," she observed, as she resumed her seat. "You are making Madge jealous."

"So he is," answered Madge, with a gay laugh. "I shall certainly inform Mr. Rolleston about you, Brian, if you make these gallant remarks."

"Here he comes, then," said her lover, as Rolleston and Peterson, having finished their game, walked off the tennis ground, and joined the group under the tree. Though in tennis flannels, they both looked remarkably warm, and, throwing aside his racket, Mr. Rolleston sat down with a sigh of relief.

"Thank goodness it's over, and that I have won," he said, wiping his heated brow; "galley slaves couldn't have worked harder than we have done, while all you idle folks sat SUB TEGMINE FAGI."

"Which means?" asked his wife, lazily.

"That onlookers see most of the game," answered her husband, impudently.

"I suppose that's what you call a free and easy translation," said Peterson, laughing. "Mrs. Rolleston ought to give you something for your new and original adaptation of Virgil."

"Let it be iced then," retorted Rolleston, lying full length on the ground, and staring up at the blue of the sky as seen through the network of leaves. "I always like my 'something' iced."

"It's a way you've got," said Madge, with a laugh, as she gave him a glass filled with some sparkling, golden-coloured liquor, with a lump of ice clinking musically against the side of it.

"He's not the only one who's got that way," said Peterson, gaily, when he had been similarly supplied.

"It's a way we've got in the army, It's a way we've got in the navy, It's a way we've got in the 'Varsity."

"And so say all of us," finished Rolleston, and holding out his glass to be replenished; "I'll have another, please. Whew, it is hot."

"What, the drink?" asked Julia, with a giggle.

"No—the day," answered Felix, making a face at her. "It's the kind of day one feels inclined to adopt Sydney Smith's advice, by getting out of one's skin, and letting the wind whistle through one's bones."

"With such a hot wind blowing," said Peterson, gravely, "I'm afraid they'd soon be broiled bones."

"Go, giddy one," retorted Felix, throwing his hat at him, "or I'll drag you into the blazing sun, and make you play another game."

"Not I," replied Peterson, coolly. "Not being a salamander, I'm hardly used to your climate yet, and there is a limit even to lawn tennis;" and turning his back on Rolleston, he began to talk to Julia Featherweight.

Meanwhile, Madge and her lover, leaving all this frivolous chatter behind them, were walking slowly towards the house, and Brian was telling her of his approaching departure, though not of his reasons for it.

"I received a letter last night," he said, turning his face away from her; "and, as it's about some important business, I must start at once."

"I don't think it will be long before we follow," answered Madge, thoughtfully. "Papa leaves here at the end of the week."

"Why?"

"I'm sure I don't know," said Madge, petulantly; "he is so restless, and never seems to settle down to anything. He says for the rest of his life he is going to do nothing; but wander all over the world."

There suddenly flashed across Fitzgerald's mind a line from Genesis, which seemed singularly applicable to Mr. Frettlby—"A fugitive and a vagabond thou shalt be in the earth."

"Everyone gets these restless fits sooner or later," he said, idly. "In fact," with an uneasy laugh, "I believe I'm in one myself."

"That puts me in mind of what I heard Dr. Chinston say yesterday," she said. "This is the age of unrest, as electricity and steam have turned us all into Bohemians."

"Ah! Bohemia is a pleasant place," said Brian, absently, unconsciously quoting Thackeray, "but we all lose our way to it late in life."

"At that rate we won't lose our way to it for some time," she said laughing, as they stepped into the drawing-room, so cool and shady, after the heat and glare outside.

As they entered Mr. Frettlby rose from a chair near the window. He appeared to have been reading, for he held a book in his hand.

"What! Fitzgerald," he exclaimed, in a hearty tone, as he held out his hand; "I am glad to see you."

"I let you know I am living, don't I?" replied Brian, his face flushing as he reluctantly took the proffered hand. "But the fact is I have come to say good-bye for a few days."

"Ah! going back to town, I suppose," said Mr. Frettlby, lying back in his chair, and playing with his watch chain. "I don't know that you are wise, exchanging the clear air of the country for the dusty atmosphere of Melbourne."

"Yet Madge tells me you are going back," said Brian, idly toying with a vase of flowers on the table.

"Depends upon circumstances," replied the other carelessly. "I may and I may not. You go on business, I presume?"

"Well, the fact is Calton—" Here Brian stopped suddenly, and bit his lip with vexation, for he had not intended to mention the lawyer's name.

"Yes?" said Mr. Frettlby, interrogatively, sitting up quickly, and looking keenly at Brian.

"Wants to see me on business," he finished, awkwardly.

"Connected with the sale of your station, I suppose," said Frettlby, still keeping his eyes on the young man's face.

"Can't have a better man. Calton's an excellent man of business."

"A little too excellent," replied Fitzgerald, ruefully, "he's a man who can't leave well alone."

"A PROPOS of what?"

"Oh, nothing," answered Fitzgerald, hastily, and just then his eyes met those of Frettlby. The two men looked at one another steadily for a moment, but in that short space of time a single name flashed through their brains—the name of Rosanna Moore. Mr. Frettlby was the first to lower his eyes, and break the spell.

"Ah, well," he said, lightly, as he rose from his chair and held out his hand, "if you are two weeks in town, call at St. Kilda, and it's more than likely you will find us there."

Brian shook hands in silence, and watched him pick up his hat, and move on to the verandah, and then out into the hot sunshine.

"He knows," he muttered involuntarily.

"Knows what, sir?" said Madge, who came silently behind him, and slipped her arm through his. "That you are hungry, and want something to eat before you leave us?"

"I don't feel hungry," said Brian, as they walked towards the door.

"Nonsense," answered Madge, merrily, who, like Eve, was on hospitable thoughts intent. "I'm not going to have you appear in Melbourne a pale, fond lover, as though I were treating you badly. Come, sir—no," she continued, putting up her hand as he tried to kiss her, "business first, pleasure afterwards," and they went into the dining-room laughing.

Mark Frettlby wandered down to the lawn-tennis ground, thinking of the look he had seen in Brian's eyes. He shivered for a moment in the hot sunshine, as though it had grown suddenly chill.

"Someone stepping across my grave," he murmured to himself, with a cynical smile. "Bah! how superstitious I am, and yet—he knows, he knows!"

"Come on, sir," cried Felix, who had just caught sight of him, "a racket awaits you."

Frettlby awoke with a start, and found himself near the lawn-tennis ground, and Felix at his elbow, smoking a cigarette.

He roused himself with a great effort, and tapped the young man lightly on the shoulder.

"What?" he said with a forced laugh, "do you really expect me to play lawn tennis on such a day? You are mad."

"I am hot, you mean," retorted the imperturbable Rolleston, blowing a wreath of smoke.

"That's a foregone conclusion," said Dr. Chinston, who came up at that moment.

"Such a charming novel," cried Julia, who had just caught the last remark.

"What is?" asked Peterson, rather puzzled.

"Howell's book, 'A Foregone Conclusion,'" said Julia, also looking puzzled. "Weren't you talking about it?"

"I'm afraid this talk is getting slightly incoherent," said Felix, with a sigh. "We all seem madder than usual to-day."