'Not of many weeks, madam,' replied the nun, 'but her spirits have been much agitated by the arrival of the gentleman she wished so much to see.'

'Yes,' observed the abbess, 'that has undoubtedly occasioned this paroxysm of frenzy. When she is better, we will leave her to repose.'

Emily very readily consented, but, though she could now give little assistance, she was unwilling to quit the chamber, while any might be necessary.

When Agnes recovered her senses, she again fixed her eyes on Emily, but their wild expression was gone, and a gloomy melancholy had succeeded. It was some moments before she recovered sufficient spirits to speak; she then said feebly—'The likeness is wonderful!—surely it must be something more than fancy. Tell me, I conjure you,' she added, addressing Emily, 'though your name is St. Aubert, are you not the daughter of the Marchioness?'

'What Marchioness?' said Emily, in extreme surprise; for she had imagined, from the calmness of Agnes's manner, that her intellects were restored. The abbess gave her a significant glance, but she repeated the question.

'What Marchioness?' exclaimed Agnes, 'I know but of one—the Marchioness de Villeroi.'

Emily, remembering the emotion of her late father, upon the unexpected mention of this lady, and his request to be laid near to the tomb of the Villerois, now felt greatly interested, and she entreated Agnes to explain the reason of her question. The abbess would now have withdrawn Emily from the room, who being, however, detained by a strong interest, repeated her entreaties.

'Bring me that casket, sister,' said Agnes; 'I will shew her to you; yet you need only look in that mirror, and you will behold her; you surely are her daughter: such striking resemblance is never found but among near relations.'

The nun brought the casket, and Agnes, having directed her how to unlock it, she took thence a miniature, in which Emily perceived the exact resemblance of the picture, which she had found among her late father's papers. Agnes held out her hand to receive it; gazed upon it earnestly for some moments in silence; and then, with a countenance of deep despair, threw up her eyes to Heaven, and prayed inwardly. When she had finished, she returned the miniature to Emily. 'Keep it,' said she, 'I bequeath it to you, for I must believe it is your right. I have frequently observed the resemblance between you; but never, till this day, did it strike upon my conscience so powerfully! Stay, sister, do not remove the casket—there is another picture I would shew.'

Emily trembled with expectation, and the abbess again would have withdrawn her. 'Agnes is still disordered,' said she, 'you observe how she wanders. In these moods she says any thing, and does not scruple, as you have witnessed, to accuse herself of the most horrible crimes.'

Emily, however, thought she perceived something more than madness in the inconsistencies of Agnes, whose mention of the Marchioness, and production of her picture, had interested her so much, that she determined to obtain further information, if possible, respecting the subject of it.

The nun returned with the casket, and, Agnes pointing out to her a secret drawer, she took from it another miniature. 'Here,' said Agnes, as she offered it to Emily, 'learn a lesson for your vanity, at least; look well at this picture, and see if you can discover any resemblance between what I was, and what I am.'

Emily impatiently received the miniature, which her eyes had scarcely glanced upon, before her trembling hands had nearly suffered it to fall—it was the resemblance of the portrait of Signora Laurentini, which she had formerly seen in the castle of Udolpho—the lady, who had disappeared in so mysterious a manner, and whom Montoni had been suspected of having caused to be murdered.

In silent astonishment, Emily continued to gaze alternately upon the picture and the dying nun, endeavouring to trace a resemblance between them, which no longer existed.

'Why do you look so sternly on me?' said Agnes, mistaking the nature of Emily's emotion.

'I have seen this face before,' said Emily, at length; 'was it really your resemblance?'

'You may well ask that question,' replied the nun,—'but it was once esteemed a striking likeness of me. Look at me well, and see what guilt has made me. I then was innocent; the evil passions of my nature slept. Sister!' added she solemnly, and stretching forth her cold, damp hand to Emily, who shuddered at its touch—'Sister! beware of the first indulgence of the passions; beware of the first! Their course, if not checked then, is rapid—their force is uncontroulable—they lead us we know not whither—they lead us perhaps to the commission of crimes, for which whole years of prayer and penitence cannot atone!—Such may be the force of even a single passion, that it overcomes every other, and sears up every other approach to the heart. Possessing us like a fiend, it leads us on to the acts of a fiend, making us insensible to pity and to conscience. And, when its purpose is accomplished, like a fiend, it leaves us to the torture of those feelings, which its power had suspended—not annihilated,—to the tortures of compassion, remorse, and conscience. Then, we awaken as from a dream, and perceive a new world around us—we gaze in astonishment, and horror—but the deed is committed; not all the powers of heaven and earth united can undo it—and the spectres of conscience will not fly! What are riches—grandeur—health itself, to the luxury of a pure conscience, the health of the soul;—and what the sufferings of poverty, disappointment, despair—to the anguish of an afflicted one! O! how long is it since I knew that luxury! I believed, that I had suffered the most agonizing pangs of human nature, in love, jealousy, and despair—but these pangs were ease, compared with the stings of conscience, which I have since endured. I tasted too what was called the sweet of revenge—but it was transient, it expired even with the object, that provoked it. Remember, sister, that the passions are the seeds of vices as well as of virtues, from which either may spring, accordingly as they are nurtured. Unhappy they who have never been taught the art to govern them!'

'Alas! unhappy!' said the abbess, 'and ill-informed of our holy religion!' Emily listened to Agnes, in silent awe, while she still examined the miniature, and became confirmed in her opinion of its strong resemblance to the portrait at Udolpho. 'This face is familiar to me,' said she, wishing to lead the nun to an explanation, yet fearing to discover too abruptly her knowledge of Udolpho.

'You are mistaken,' replied Agnes, 'you certainly never saw that picture before.'

'No,' replied Emily, 'but I have seen one extremely like it.' 'Impossible,' said Agnes, who may now be called the Lady Laurentini.

'It was in the castle of Udolpho,' continued Emily, looking stedfastly at her.

'Of Udolpho!' exclaimed Laurentini, 'of Udolpho in Italy!' 'The same,' replied Emily.

'You know me then,' said Laurentini, 'and you are the daughter of the Marchioness.' Emily was somewhat surprised at this abrupt assertion. 'I am the daughter of the late Mons. St. Aubert,' said she; 'and the lady you name is an utter stranger to me.'

'At least you believe so,' rejoined Laurentini.

Emily asked what reasons there could be to believe otherwise.

'The family likeness, that you bear her,' said the nun. 'The Marchioness, it is known, was attached to a gentleman of Gascony, at the time when she accepted the hand of the Marquis, by the command of her father. Ill-fated, unhappy woman!'

Emily, remembering the extreme emotion which St. Aubert had betrayed on the mention of the Marchioness, would now have suffered something more than surprise, had her confidence in his integrity been less; as it was, she could not, for a moment, believe what the words of Laurentini insinuated; yet she still felt strongly interested, concerning them, and begged, that she would explain them further.

'Do not urge me on that subject,' said the nun, 'it is to me a terrible one! Would that I could blot it from my memory!' She sighed deeply, and, after the pause of a moment, asked Emily, by what means she had discovered her name?

'By your portrait in the castle of Udolpho, to which this miniature bears a striking resemblance,' replied Emily.

'You have been at Udolpho then!' said the nun, with great emotion. 'Alas! what scenes does the mention of it revive in my fancy—scenes of happiness—of suffering—and of horror!'

At this moment, the terrible spectacle, which Emily had witnessed in a chamber of that castle, occurred to her, and she shuddered, while she looked upon the nun—and recollected her late words—that 'years of prayer and penitence could not wash out the foulness of murder.' She was now compelled to attribute these to another cause, than that of delirium. With a degree of horror, that almost deprived her of sense, she now believed she looked upon a murderer; all the recollected behaviour of Laurentini seemed to confirm the supposition, yet Emily was still lost in a labyrinth of perplexities, and, not knowing how to ask the questions, which might lead to truth, she could only hint them in broken sentences.

'Your sudden departure from Udolpho'—said she.

Laurentini groaned.

'The reports that followed it,' continued Emily—'The west chamber—the mournful veil—the object it conceals!—when murders are committed—'

The nun shrieked. 'What! there again!' said she, endeavouring to raise herself, while her starting eyes seemed to follow some object round the room—'Come from the grave! What! Blood—blood too!—There was no blood—thou canst not say it!—Nay, do not smile,—do not smile so piteously!'

Laurentini fell into convulsions, as she uttered the last words; and Emily, unable any longer to endure the horror of the scene, hurried from the room, and sent some nuns to the assistance of the abbess.

The Lady Blanche, and the boarders, who were in the parlour, now assembled round Emily, and, alarmed by her manner and affrighted countenance, asked a hundred questions, which she avoided answering further, than by saying, that she believed sister Agnes was dying. They received this as a sufficient explanation of her terror, and had then leisure to offer restoratives, which, at length, somewhat revived Emily, whose mind was, however, so much shocked with the terrible surmises, and perplexed with doubts by some words from the nun, that she was unable to converse, and would have left the convent immediately, had she not wished to know whether Laurentini would survive the late attack. After waiting some time, she was informed, that, the convulsions having ceased, Laurentini seemed to be reviving, and Emily and Blanche were departing, when the abbess appeared, who, drawing the former aside, said she had something of consequence to say to her, but, as it was late, she would not detain her then, and requested to see her on the following day.

Emily promised to visit her, and, having taken leave, returned with the Lady Blanche towards the chateau, on the way to which the deep gloom of the woods made Blanche lament, that the evening was so far advanced; for the surrounding stillness and obscurity rendered her sensible of fear, though there was a servant to protect her; while Emily was too much engaged by the horrors of the scene she had just witnessed, to be affected by the solemnity of the shades, otherwise than as they served to promote her gloomy reverie, from which, however, she was at length recalled by the Lady Blanche, who pointed out, at some distance, in the dusky path they were winding, two persons slowly advancing. It was impossible to avoid them without striking into a still more secluded part of the wood, whither the strangers might easily follow; but all apprehension vanished, when Emily distinguished the voice of Mons. Du Pont, and perceived, that his companion was the gentleman, whom she had seen at the monastery, and who was now conversing with so much earnestness as not immediately to perceive their approach. When Du Pont joined the ladies, the stranger took leave, and they proceeded to the chateau, where the Count, when he heard of Mons. Bonnac, claimed him for an acquaintance, and, on learning the melancholy occasion of his visit to Languedoc, and that he was lodged at a small inn in the village, begged the favour of Mons. Du Pont to invite him to the chateau.

The latter was happy to do so, and the scruples of reserve, which made M. Bonnac hesitate to accept the invitation, being at length overcome, they went to the chateau, where the kindness of the Count and the sprightliness of his son were exerted to dissipate the gloom, that overhung the spirits of the stranger. M. Bonnac was an officer in the French service, and appeared to be about fifty; his figure was tall and commanding, his manners had received the last polish, and there was something in his countenance uncommonly interesting; for over features, which, in youth, must have been remarkably handsome, was spread a melancholy, that seemed the effect of long misfortune, rather than of constitution, or temper.

The conversation he held, during supper, was evidently an effort of politeness, and there were intervals in which, unable to struggle against the feelings, that depressed him, he relapsed into silence and abstraction, from which, however, the Count, sometimes, withdrew him in a manner so delicate and benevolent, that Emily, while she observed him, almost fancied she beheld her late father.

The party separated, at an early hour, and then, in the solitude of her apartment, the scenes, which Emily had lately witnessed, returned to her fancy, with dreadful energy. That in the dying nun she should have discovered Signora Laurentini, who, instead of having been murdered by Montoni, was, as it now seemed, herself guilty of some dreadful crime, excited both horror and surprise in a high degree; nor did the hints, which she had dropped, respecting the marriage of the Marchioness de Villeroi, and the enquiries she had made concerning Emily's birth, occasion her a less degree of interest, though it was of a different nature.

The history, which sister Frances had formerly related, and had said to be that of Agnes, it now appeared, was erroneous; but for what purpose it had been fabricated, unless the more effectually to conceal the true story, Emily could not even guess. Above all, her interest was excited as to the relation, which the story of the late Marchioness de Villeroi bore to that of her father; for, that some kind of relation existed between them, the grief of St. Aubert, upon hearing her named, his request to be buried near her, and her picture, which had been found among his papers, certainly proved. Sometimes it occurred to Emily, that he might have been the lover, to whom it was said the Marchioness was attached, when she was compelled to marry the Marquis de Villeroi; but that he had afterwards cherished a passion for her, she could not suffer herself to believe, for a moment. The papers, which he had so solemnly enjoined her to destroy, she now fancied had related to this connection, and she wished more earnestly than before to know the reasons, that made him consider the injunction necessary, which, had her faith in his principles been less, would have led to believe, that there was a mystery in her birth dishonourable to her parents, which those manuscripts might have revealed.

Reflections, similar to these, engaged her mind, during the greater part of the night, and when, at length, she fell into a slumber, it was only to behold a vision of the dying nun, and to awaken in horrors, like those she had witnessed.

On the following morning, she was too much indisposed to attend her appointment with the abbess, and, before the day concluded, she heard, that sister Agnes was no more. Mons. Bonnac received this intelligence, with concern; but Emily observed, that he did not appear so much affected now, as on the preceding evening, immediately after quitting the apartment of the nun, whose death was probably less terrible to him, than the confession he had been then called upon to witness. However this might be, he was perhaps consoled, in some degree, by a knowledge of the legacy bequeathed him, since his family was large, and the extravagance of some part of it had lately been the means of involving him in great distress, and even in the horrors of a prison; and it was the grief he had suffered from the wild career of a favourite son, with the pecuniary anxieties and misfortunes consequent upon it, that had given to his countenance the air of dejection, which had so much interested Emily.

To his friend Mons. Du Pont he recited some particulars of his late sufferings, when it appeared, that he had been confined for several months in one of the prisons of Paris, with little hope of release, and without the comfort of seeing his wife, who had been absent in the country, endeavouring, though in vain, to procure assistance from his friends. When, at length, she had obtained an order for admittance, she was so much shocked at the change, which long confinement and sorrow had made in his appearance, that she was seized with fits, which, by their long continuance, threatened her life.

'Our situation affected those, who happened to witness it,' continued Mons. Bonnac, 'and one generous friend, who was in confinement at the same time, afterwards employed the first moments of his liberty in efforts to obtain mine. He succeeded; the heavy debt, that oppressed me, was discharged; and, when I would have expressed my sense of the obligation I had received, my benefactor was fled from my search. I have reason to believe he was the victim of his own generosity, and that he returned to the state of confinement, from which he had released me; but every enquiry after him was unsuccessful. Amiable and unfortunate Valancourt!'

'Valancourt!' exclaimed Mons. Du Pont. 'Of what family?'

'The Valancourts, Counts Duvarney,' replied Mons. Bonnac.

The emotion of Mons. Du Pont, when he discovered the generous benefactor of his friend to be the rival of his love, can only be imagined; but, having overcome his first surprise, he dissipated the apprehensions of Mons. Bonnac by acquainting him, that Valancourt was at liberty, and had lately been in Languedoc; after which his affection for Emily prompted him to make some enquiries, respecting the conduct of his rival, during his stay at Paris, of which M. Bonnac appeared to be well informed. The answers he received were such as convinced him, that Valancourt had been much misrepresented, and, painful as was the sacrifice, he formed the just design of relinquishing his pursuit of Emily to a lover, who, it now appeared, was not unworthy of the regard, with which she honoured him.

The conversation of Mons. Bonnac discovered, that Valancourt, some time after his arrival at Paris, had been drawn into the snares, which determined vice had spread for him, and that his hours had been chiefly divided between the parties of the captivating Marchioness and those gaming assemblies, to which the envy, or the avarice, of his brother officers had spared no art to seduce him. In these parties he had lost large sums, in efforts to recover small ones, and to such losses the Count De Villefort and Mons. Henri had been frequent witnesses. His resources were, at length, exhausted; and the Count, his brother, exasperated by his conduct, refused to continue the supplies necessary to his present mode of life, when Valancourt, in consequence of accumulated debts, was thrown into confinement, where his brother suffered him to remain, in the hope, that punishment might effect a reform of conduct, which had not yet been confirmed by long habit.

In the solitude of his prison, Valancourt had leisure for reflection, and cause for repentance; here, too, the image of Emily, which, amidst the dissipation of the city had been obscured, but never obliterated from his heart, revived with all the charms of innocence and beauty, to reproach him for having sacrificed his happiness and debased his talents by pursuits, which his nobler faculties would formerly have taught him to consider were as tasteless as they were degrading. But, though his passions had been seduced, his heart was not depraved, nor had habit riveted the chains, that hung heavily on his conscience; and, as he retained that energy of will, which was necessary to burst them, he, at length, emancipated himself from the bondage of vice, but not till after much effort and severe suffering.

Being released by his brother from the prison, where he had witnessed the affecting meeting between Mons. Bonnac and his wife, with whom he had been for some time acquainted, the first use of his liberty formed a striking instance of his humanity and his rashness; for with nearly all the money, just received from his brother, he went to a gaming-house, and gave it as a last stake for the chance of restoring his friend to freedom, and to his afflicted family. The event was fortunate, and, while he had awaited the issue of this momentous stake, he made a solemn vow never again to yield to the destructive and fascinating vice of gaming.

Having restored the venerable Mons. Bonnac to his rejoicing family, he hurried from Paris to Estuviere; and, in the delight of having made the wretched happy, forgot, for a while, his own misfortunes. Soon, however, he remembered, that he had thrown away the fortune, without which he could never hope to marry Emily; and life, unless passed with her, now scarcely appeared supportable; for her goodness, refinement, and simplicity of heart, rendered her beauty more enchanting, if possible, to his fancy, than it had ever yet appeared. Experience had taught him to understand the full value of the qualities, which he had before admired, but which the contrasted characters he had seen in the world made him now adore; and these reflections, increasing the pangs of remorse and regret, occasioned the deep dejection, that had accompanied him even into the presence of Emily, of whom he considered himself no longer worthy. To the ignominy of having received pecuniary obligations from the Marchioness Chamfort, or any other lady of intrigue, as the Count De Villefort had been informed, or of having been engaged in the depredating schemes of gamesters, Valancourt had never submitted; and these were some of such scandals as often mingle with truth, against the unfortunate. Count De Villefort had received them from authority which he had no reason to doubt, and which the imprudent conduct he had himself witnessed in Valancourt, had certainly induced him the more readily to believe. Being such as Emily could not name to the Chevalier, he had no opportunity of refuting them; and, when he confessed himself to be unworthy of her esteem, he little suspected, that he was confirming to her the most dreadful calumnies. Thus the mistake had been mutual, and had remained so, when Mons. Bonnac explained the conduct of his generous, but imprudent young friend to Du Pont, who, with severe justice, determined not only to undeceive the Count on this subject, but to resign all hope of Emily. Such a sacrifice as his love rendered this, was deserving of a noble reward, and Mons. Bonnac, if it had been possible for him to forget the benevolent Valancourt, would have wished that Emily might accept the just Du Pont.

When the Count was informed of the error he had committed, he was extremely shocked at the consequence of his credulity, and the account which Mons. Bonnac gave of his friend's situation, while at Paris, convinced him, that Valancourt had been entrapped by the schemes of a set of dissipated young men, with whom his profession had partly obliged him to associate, rather than by an inclination to vice; and, charmed by the humanity, and noble, though rash generosity, which his conduct towards Mons. Bonnac exhibited, he forgave him the transient errors, that had stained his youth, and restored him to the high degree of esteem, with which he had regarded him, during their early acquaintance. But, as the least reparation he could now make Valancourt was to afford him an opportunity of explaining to Emily his former conduct, he immediately wrote, to request his forgiveness of the unintentional injury he had done him, and to invite him to Chateau-le-Blanc. Motives of delicacy with-held the Count from informing Emily of this letter, and of kindness from acquainting her with the discovery respecting Valancourt, till his arrival should save her from the possibility of anxiety, as to its event; and this precaution spared her even severer inquietude, than the Count had foreseen, since he was ignorant of the symptoms of despair, which Valancourt's late conduct had betrayed.



CHAPTER XVII

But in these cases, We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: thus even-handed justice Commends the ingredients of our poison'd chalice To our own lips. MACBETH

Some circumstances of an extraordinary nature now withdrew Emily from her own sorrows, and excited emotions, which partook of both surprise and horror.

A few days followed that, on which Signora Laurentini died, her will was opened at the monastery, in the presence of the superiors and Mons. Bonnac, when it was found, that one third of her personal property was bequeathed to the nearest surviving relative of the late Marchioness de Villeroi, and that Emily was the person.

With the secret of Emily's family the abbess had long been acquainted, and it was in observance of the earnest request of St. Aubert, who was known to the friar, that attended him on his death-bed, that his daughter had remained in ignorance of her relationship to the Marchioness. But some hints, which had fallen from Signora Laurentini, during her last interview with Emily, and a confession of a very extraordinary nature, given in her dying hours, had made the abbess think it necessary to converse with her young friend, on the topic she had not before ventured to introduce; and it was for this purpose, that she had requested to see her on the morning that followed her interview with the nun. Emily's indisposition had then prevented the intended conversation; but now, after the will had been examined, she received a summons, which she immediately obeyed, and became informed of circumstances, that powerfully affected her. As the narrative of the abbess was, however, deficient in many particulars, of which the reader may wish to be informed, and the history of the nun is materially connected with the fate of the Marchioness de Villeroi, we shall omit the conversation, that passed in the parlour of the convent, and mingle with our relation a brief history of

LAURENTINI DI UDOLPHO,

Who was the only child of her parents, and heiress of the ancient house of Udolpho, in the territory of Venice. It was the first misfortune of her life, and that which led to all her succeeding misery, that the friends, who ought to have restrained her strong passions, and mildly instructed her in the art of governing them, nurtured them by early indulgence. But they cherished their own failings in her; for their conduct was not the result of rational kindness, and, when they either indulged, or opposed the passions of their child, they gratified their own. Thus they indulged her with weakness, and reprehended her with violence; her spirit was exasperated by their vehemence, instead of being corrected by their wisdom; and their oppositions became contest for victory, in which the due tenderness of the parents, and the affectionate duties of the child, were equally forgotten; but, as returning fondness disarmed the parents' resentment soonest, Laurentini was suffered to believe that she had conquered, and her passions became stronger by every effort, that had been employed to subdue them.

The death of her father and mother in the same year left her to her own discretion, under the dangerous circumstances attendant on youth and beauty. She was fond of company, delighted with admiration, yet disdainful of the opinion of the world, when it happened to contradict her inclinations; had a gay and brilliant wit, and was mistress of all the arts of fascination. Her conduct was such as might have been expected, from the weakness of her principles and the strength of her passions.

Among her numerous admirers was the late Marquis de Villeroi, who, on his tour through Italy, saw Laurentini at Venice, where she usually resided, and became her passionate adorer. Equally captivated by the figure and accomplishments of the Marquis, who was at that period one of the most distinguished noblemen of the French court, she had the art so effectually to conceal from him the dangerous traits of her character and the blemishes of her late conduct, that he solicited her hand in marriage.

Before the nuptials were concluded, she retired to the castle of Udolpho, whither the Marquis followed, and, where her conduct, relaxing from the propriety, which she had lately assumed, discovered to him the precipice, on which he stood. A minuter enquiry than he had before thought it necessary to make, convinced him, that he had been deceived in her character, and she, whom he had designed for his wife, afterwards became his mistress.

Having passed some weeks at Udolpho, he was called abruptly to France, whither he returned with extreme reluctance, for his heart was still fascinated by the arts of Laurentini, with whom, however, he had on various pretences delayed his marriage; but, to reconcile her to this separation, he now gave repeated promises of returning to conclude the nuptials, as soon as the affair, which thus suddenly called him to France, should permit.

Soothed, in some degree, by these assurances, she suffered him to depart; and, soon after, her relative, Montoni, arriving at Udolpho, renewed the addresses, which she had before refused, and which she now again rejected. Meanwhile, her thoughts were constantly with the Marquis de Villeroi, for whom she suffered all the delirium of Italian love, cherished by the solitude, to which she confined herself; for she had now lost all taste for the pleasures of society and the gaiety of amusement. Her only indulgences were to sigh and weep over a miniature of the Marquis; to visit the scenes, that had witnessed their happiness, to pour forth her heart to him in writing, and to count the weeks, the days, which must intervene before the period that he had mentioned as probable for his return. But this period passed without bringing him; and week after week followed in heavy and almost intolerable expectation. During this interval, Laurentini's fancy, occupied incessantly by one idea, became disordered; and, her whole heart being devoted to one object, life became hateful to her, when she believed that object lost.

Several months passed, during which she heard nothing from the Marquis de Villeroi, and her days were marked, at intervals, with the phrensy of passion and the sullenness of despair. She secluded herself from all visitors, and, sometimes, remained in her apartment, for weeks together, refusing to speak to every person, except her favourite female attendant, writing scraps of letters, reading, again and again, those she had received from the Marquis, weeping over his picture, and speaking to it, for many hours, upbraiding, reproaching and caressing it alternately.

At length, a report reached her, that the Marquis had married in France, and, after suffering all the extremes of love, jealousy and indignation, she formed the desperate resolution of going secretly to that country, and, if the report proved true, of attempting a deep revenge. To her favourite woman only she confided the plan of her journey, and she engaged her to partake of it. Having collected her jewels, which, descending to her from many branches of her family, were of immense value, and all her cash, to a very large amount, they were packed in a trunk, which was privately conveyed to a neighbouring town, whither Laurentini, with this only servant, followed, and thence proceeded secretly to Leghorn, where they embarked for France.

When, on her arrival in Languedoc, she found, that the Marquis de Villeroi had been married, for some months, her despair almost deprived her of reason, and she alternately projected and abandoned the horrible design of murdering the Marquis, his wife and herself. At length she contrived to throw herself in his way, with an intention of reproaching him, for his conduct, and of stabbing herself in his presence; but, when she again saw him, who so long had been the constant object of her thoughts and affections, resentment yielded to love; her resolution failed; she trembled with the conflict of emotions, that assailed her heart, and fainted away.

The Marquis was not proof against her beauty and sensibility; all the energy, with which he had first loved, returned, for his passion had been resisted by prudence, rather than overcome by indifference; and, since the honour of his family would not permit him to marry her, he had endeavoured to subdue his love, and had so far succeeded, as to select the then Marchioness for his wife, whom he loved at first with a tempered and rational affection. But the mild virtues of that amiable lady did not recompense him for her indifference, which appeared, notwithstanding her efforts to conceal it; and he had, for some time, suspected that her affections were engaged by another person, when Laurentini arrived in Languedoc. This artful Italian soon perceived, that she had regained her influence over him, and, soothed by the discovery, she determined to live, and to employ all her enchantments to win his consent to the diabolical deed, which she believed was necessary to the security of her happiness. She conducted her scheme with deep dissimulation and patient perseverance, and, having completely estranged the affections of the Marquis from his wife, whose gentle goodness and unimpassioned manners had ceased to please, when contrasted with the captivations of the Italian, she proceeded to awaken in his mind the jealousy of pride, for it was no longer that of love, and even pointed out to him the person, to whom she affirmed the Marchioness had sacrificed her honour; but Laurentini had first extorted from him a solemn promise to forbear avenging himself upon his rival. This was an important part of her plan, for she knew, that, if his desire of vengeance was restrained towards one party, it would burn more fiercely towards the other, and he might then, perhaps, be prevailed on to assist in the horrible act, which would release him from the only barrier, that with-held him from making her his wife.

The innocent Marchioness, meanwhile, observed, with extreme grief, the alteration in her husband's manners. He became reserved and thoughtful in her presence; his conduct was austere, and sometimes even rude; and he left her, for many hours together, to weep for his unkindness, and to form plans for the recovery of his affection. His conduct afflicted her the more, because, in obedience to the command of her father, she had accepted his hand, though her affections were engaged to another, whose amiable disposition, she had reason to believe, would have ensured her happiness. This circumstance Laurentini had discovered, soon after her arrival in France, and had made ample use of it in assisting her designs upon the Marquis, to whom she adduced such seeming proof of his wife's infidelity, that, in the frantic rage of wounded honour, he consented to destroy his wife. A slow poison was administered, and she fell a victim to the jealousy and subtlety of Laurentini and to the guilty weakness of her husband.

But the moment of Laurentini's triumph, the moment, to which she had looked forward for the completion of all her wishes, proved only the commencement of a suffering, that never left her to her dying hour.

The passion of revenge, which had in part stimulated her to the commission of this atrocious deed, died, even at the moment when it was gratified, and left her to the horrors of unavailing pity and remorse, which would probably have empoisoned all the years she had promised herself with the Marquis de Villeroi, had her expectations of an alliance with him been realized. But he, too, had found the moment of his revenge to be that of remorse, as to himself, and detestation, as to the partner of his crime; the feeling, which he had mistaken for conviction, was no more; and he stood astonished, and aghast, that no proof remained of his wife's infidelity, now that she had suffered the punishment of guilt. Even when he was informed, that she was dying, he had felt suddenly and unaccountably reassured of her innocence, nor was the solemn assurance she made him in her last hour, capable of affording him a stronger conviction of her blameless conduct.

In the first horrors of remorse and despair, he felt inclined to deliver up himself and the woman, who had plunged him into this abyss of guilt, into the hands of justice; but, when the paroxysm of his suffering was over, his intention changed. Laurentini, however, he saw only once afterwards, and that was, to curse her as the instigator of his crime, and to say, that he spared her life only on condition, that she passed the rest of her days in prayer and penance. Overwhelmed with disappointment, on receiving contempt and abhorrence from the man, for whose sake she had not scrupled to stain her conscience with human blood, and, touched with horror of the unavailing crime she had committed, she renounced the world, and retired to the monastery of St. Claire, a dreadful victim to unresisted passion.

The Marquis, immediately after the death of his wife, quitted Chateau-le-Blanc, to which he never returned, and endeavoured to lose the sense of his crime amidst the tumult of war, or the dissipations of a capital; but his efforts were vain; a deep dejection hung over him ever after, for which his most intimate friend could not account, and he, at length, died, with a degree of horror nearly equal to that, which Laurentini had suffered. The physician, who had observed the singular appearance of the unfortunate Marchioness, after death, had been bribed to silence; and, as the surmises of a few of the servants had proceeded no further than a whisper, the affair had never been investigated. Whether this whisper ever reached the father of the Marchioness, and, if it did, whether the difficulty of obtaining proof deterred him from prosecuting the Marquis de Villeroi, is uncertain; but her death was deeply lamented by some part of her family, and particularly by her brother, M. St. Aubert; for that was the degree of relationship, which had existed between Emily's father and the Marchioness; and there is no doubt, that he suspected the manner of her death. Many letters passed between the Marquis and him, soon after the decease of his beloved sister, the subject of which was not known, but there is reason to believe, that they related to the cause of her death; and these were the papers, together with some letters of the Marchioness, who had confided to her brother the occasion of her unhappiness, which St. Aubert had so solemnly enjoined his daughter to destroy: and anxiety for her peace had probably made him forbid her to enquire into the melancholy story, to which they alluded. Such, indeed, had been his affliction, on the premature death of this his favourite sister, whose unhappy marriage had from the first excited his tenderest pity, that he never could hear her named, or mention her himself after her death, except to Madame St. Aubert. From Emily, whose sensibility he feared to awaken, he had so carefully concealed her history and name, that she was ignorant, till now, that she ever had such a relative as the Marchioness de Villeroi; and from this motive he had enjoined silence to his only surviving sister, Madame Cheron, who had scrupulously observed his request.

It was over some of the last pathetic letters of the Marchioness, that St. Aubert was weeping, when he was observed by Emily, on the eve of her departure from La Vallee, and it was her picture, which he had so tenderly caressed. Her disastrous death may account for the emotion he had betrayed, on hearing her named by La Voisin, and for his request to be interred near the monument of the Villerois, where her remains were deposited, but not those of her husband, who was buried, where he died, in the north of France.

The confessor, who attended St. Aubert in his last moments, recollected him to be the brother of the late Marchioness, when St. Aubert, from tenderness to Emily, had conjured him to conceal the circumstance, and to request that the abbess, to whose care he particularly recommended her, would do the same; a request, which had been exactly observed.

Laurentini, on her arrival in France, had carefully concealed her name and family, and, the better to disguise her real history, had, on entering the convent, caused the story to be circulated, which had imposed on sister Frances, and it is probable, that the abbess, who did not preside in the convent, at the time of her noviciation, was also entirely ignorant of the truth. The deep remorse, that seized on the mind of Laurentini, together with the sufferings of disappointed passion, for she still loved the Marquis, again unsettled her intellects, and, after the first paroxysms of despair were passed, a heavy and silent melancholy had settled upon her spirits, which suffered few interruptions from fits of phrensy, till the time of her death. During many years, it had been her only amusement to walk in the woods near the monastery, in the solitary hours of night, and to play upon a favourite instrument, to which she sometimes joined the delightful melody of her voice, in the most solemn and melancholy airs of her native country, modulated by all the energetic feeling, that dwelt in her heart. The physician, who had attended her, recommended it to the superior to indulge her in this whim, as the only means of soothing her distempered fancy; and she was suffered to walk in the lonely hours of night, attended by the servant, who had accompanied her from Italy; but, as the indulgence transgressed against the rules of the convent, it was kept as secret as possible; and thus the mysterious music of Laurentini had combined with other circumstances, to produce a report, that not only the chateau, but its neighbourhood, was haunted.

Soon after her entrance into this holy community, and before she had shewn any symptoms of insanity there, she made a will, in which, after bequeathing a considerable legacy to the convent, she divided the remainder of her personal property, which her jewels made very valuable, between the wife of Mons. Bonnac, who was an Italian lady and her relation, and the nearest surviving relative of the late Marchioness de Villeroi. As Emily St. Aubert was not only the nearest, but the sole relative, this legacy descended to her, and thus explained to her the whole mystery of her father's conduct.

The resemblance between Emily and her unfortunate aunt had frequently been observed by Laurentini, and had occasioned the singular behaviour, which had formerly alarmed her; but it was in the nun's dying hour, when her conscience gave her perpetually the idea of the Marchioness, that she became more sensible, than ever, of this likeness, and, in her phrensy, deemed it no resemblance of the person she had injured, but the original herself. The bold assertion, that had followed, on the recovery of her senses, that Emily was the daughter of the Marchioness de Villeroi, arose from a suspicion that she was so; for, knowing that her rival, when she married the Marquis, was attached to another lover, she had scarcely scrupled to believe, that her honour had been sacrificed, like her own, to an unresisted passion.

Of a crime, however, to which Emily had suspected, from her phrensied confession of murder, that she had been instrumental in the castle of Udolpho, Laurentini was innocent; and she had herself been deceived, concerning the spectacle, that formerly occasioned her so much terror, and had since compelled her, for a while, to attribute the horrors of the nun to a consciousness of a murder, committed in that castle.

It may be remembered, that, in a chamber of Udolpho, hung a black veil, whose singular situation had excited Emily's curiosity, and which afterwards disclosed an object, that had overwhelmed her with horror; for, on lifting it, there appeared, instead of the picture she had expected, within a recess of the wall, a human figure of ghastly paleness, stretched at its length, and dressed in the habiliments of the grave. What added to the horror of the spectacle, was, that the face appeared partly decayed and disfigured by worms, which were visible on the features and hands. On such an object, it will be readily believed, that no person could endure to look twice. Emily, it may be recollected, had, after the first glance, let the veil drop, and her terror had prevented her from ever after provoking a renewal of such suffering, as she had then experienced. Had she dared to look again, her delusion and her fears would have vanished together, and she would have perceived, that the figure before her was not human, but formed of wax. The history of it is somewhat extraordinary, though not without example in the records of that fierce severity, which monkish superstition has sometimes inflicted on mankind. A member of the house of Udolpho, having committed some offence against the prerogative of the church, had been condemned to the penance of contemplating, during certain hours of the day, a waxen image, made to resemble a human body in the state, to which it is reduced after death. This penance, serving as a memento of the condition at which he must himself arrive, had been designed to reprove the pride of the Marquis of Udolpho, which had formerly so much exasperated that of the Romish church; and he had not only superstitiously observed this penance himself, which, he had believed, was to obtain a pardon for all his sins, but had made it a condition in his will, that his descendants should preserve the image, on pain of forfeiting to the church a certain part of his domain, that they also might profit by the humiliating moral it conveyed. The figure, therefore, had been suffered to retain its station in the wall of the chamber, but his descendants excused themselves from observing the penance, to which he had been enjoined.

This image was so horribly natural, that it is not surprising Emily should have mistaken it for the object it resembled, nor, since she had heard such an extraordinary account, concerning the disappearing of the late lady of the castle, and had such experience of the character of Montoni, that she should have believed this to be the murdered body of the lady Laurentini, and that he had been the contriver of her death.

The situation, in which she had discovered it, occasioned her, at first, much surprise and perplexity; but the vigilance, with which the doors of the chamber, where it was deposited, were afterwards secured, had compelled her to believe, that Montoni, not daring to confide the secret of her death to any person, had suffered her remains to decay in this obscure chamber. The ceremony of the veil, however, and the circumstance of the doors having been left open, even for a moment, had occasioned her much wonder and some doubts; but these were not sufficient to overcome her suspicion of Montoni; and it was the dread of his terrible vengeance, that had sealed her lips in silence, concerning what she had seen in the west chamber.

Emily, in discovering the Marchioness de Villeroi to have been the sister of Mons. St. Aubert, was variously affected; but, amidst the sorrow, which she suffered for her untimely death, she was released from an anxious and painful conjecture, occasioned by the rash assertion of Signora Laurentini, concerning her birth and the honour of her parents. Her faith in St. Aubert's principles would scarcely allow her to suspect that he had acted dishonourably; and she felt such reluctance to believe herself the daughter of any other, than her, whom she had always considered and loved as a mother, that she would hardly admit such a circumstance to be possible; yet the likeness, which it had frequently been affirmed she bore to the late Marchioness, the former behaviour of Dorothee the old housekeeper, the assertion of Laurentini, and the mysterious attachment, which St. Aubert had discovered, awakened doubts, as to his connection with the Marchioness, which her reason could neither vanquish, or confirm. From these, however, she was now relieved, and all the circumstances of her father's conduct were fully explained: but her heart was oppressed by the melancholy catastrophe of her amiable relative, and by the awful lesson, which the history of the nun exhibited, the indulgence of whose passions had been the means of leading her gradually to the commission of a crime, from the prophecy of which in her early years she would have recoiled in horror, and exclaimed—that it could not be!—a crime, which whole years of repentance and of the severest penance had not been able to obliterate from her conscience.



CHAPTER XVIII

Then, fresh tears Stood on her cheek, as doth the honey-dew Upon a gather'd lily almost wither'd SHAKESPEARE

After the late discoveries, Emily was distinguished at the chateau by the Count and his family, as a relative of the house of Villeroi, and received, if possible, more friendly attention, than had yet been shewn her.

Count De Villefort's surprise at the delay of an answer to his letter, which had been directed to Valancourt, at Estuviere, was mingled with satisfaction for the prudence, which had saved Emily from a share of the anxiety he now suffered, though, when he saw her still drooping under the effect of his former error, all his resolution was necessary to restrain him from relating the truth, that would afford her a momentary relief. The approaching nuptials of the Lady Blanche now divided his attention with this subject of his anxiety, for the inhabitants of the chateau were already busied in preparations for that event, and the arrival of Mons. St. Foix was daily expected. In the gaiety, which surrounded her, Emily vainly tried to participate, her spirits being depressed by the late discoveries, and by the anxiety concerning the fate of Valancourt, that had been occasioned by the description of his manner, when he had delivered the ring. She seemed to perceive in it the gloomy wildness of despair; and, when she considered to what that despair might have urged him, her heart sunk with terror and grief. The state of suspense, as to his safety, to which she believed herself condemned, till she should return to La Vallee, appeared insupportable, and, in such moments, she could not even struggle to assume the composure, that had left her mind, but would often abruptly quit the company she was with, and endeavour to sooth her spirits in the deep solitudes of the woods, that overbrowed the shore. Here, the faint roar of foaming waves, that beat below, and the sullen murmur of the wind among the branches around, were circumstances in unison with the temper of her mind; and she would sit on a cliff, or on the broken steps of her favourite watch-tower, observing the changing colours of the evening clouds, and the gloom of twilight draw over the sea, till the white tops of billows, riding towards the shore, could scarcely be discerned amidst the darkened waters. The lines, engraved by Valancourt on this tower, she frequently repeated with melancholy enthusiasm, and then would endeavour to check the recollections and the grief they occasioned, and to turn her thoughts to indifferent subjects.

One evening, having wandered with her lute to this her favourite spot, she entered the ruined tower, and ascended a winding staircase, that led to a small chamber, which was less decayed than the rest of the building, and whence she had often gazed, with admiration, on the wide prospect of sea and land, that extended below. The sun was now setting on that tract of the Pyrenees, which divided Languedoc from Rousillon, and, placing herself opposite to a small grated window, which, like the wood-tops beneath, and the waves lower still, gleamed with the red glow of the west, she touched the chords of her lute in solemn symphony, and then accompanied it with her voice, in one of the simple and affecting airs, to which, in happier days, Valancourt had often listened in rapture, and which she now adapted to the following lines.

TO MELANCHOLY

Spirit of love and sorrow—hail! Thy solemn voice from far I hear, Mingling with ev'ning's dying gale: Hail, with this sadly-pleasing tear!

O! at this still, this lonely hour, Thine own sweet hour of closing day, Awake thy lute, whose charmful pow'r Shall call up Fancy to obey:

To paint the wild romantic dream, That meets the poet's musing eye, As, on the bank of shadowy stream, He breathes to her the fervid sigh.

O lonely spirit! let thy song Lead me through all thy sacred haunt; The minister's moon-light aisles along, Where spectres raise the midnight chaunt.

I hear their dirges faintly swell! Then, sink at once in silence drear, While, from the pillar'd cloister's cell, Dimly their gliding forms appear!

Lead where the pine-woods wave on high, Whose pathless sod is darkly seen, As the cold moon, with trembling eye, Darts her long beams the leaves between.

Lead to the mountain's dusky head, Where, far below, in shade profound, Wide forests, plains and hamlets spread, And sad the chimes of vesper sound,

Or guide me, where the dashing oar Just breaks the stillness of the vale, As slow it tracks the winding shore, To meet the ocean's distant sail:

To pebbly banks, that Neptune laves, With measur'd surges, loud and deep, Where the dark cliff bends o'er the waves, And wild the winds of autumn sweep.

There pause at midnight's spectred hour, And list the long-resounding gale; And catch the fleeting moon-light's pow'r, O'er foaming seas and distant sail.

The soft tranquillity of the scene below, where the evening breeze scarcely curled the water, or swelled the passing sail, that caught the last gleam of the sun, and where, now and then, a dipping oar was all that disturbed the trembling radiance, conspired with the tender melody of her lute to lull her mind into a state of gentle sadness, and she sung the mournful songs of past times, till the remembrances they awakened were too powerful for her heart, her tears fell upon the lute, over which she drooped, and her voice trembled, and was unable to proceed.

Though the sun had now sunk behind the mountains, and even his reflected light was fading from their highest points, Emily did not leave the watch-tower, but continued to indulge her melancholy reverie, till a footstep, at a little distance, startled her, and, on looking through the grate, she observed a person walking below, whom, however, soon perceiving to be Mons. Bonnac, she returned to the quiet thoughtfulness his step had interrupted. After some time, she again struck her lute, and sung her favourite air; but again a step disturbed her, and, as she paused to listen, she heard it ascending the stair-case of the tower. The gloom of the hour, perhaps, made her sensible to some degree of fear, which she might not otherwise have felt; for, only a few minutes before, she had seen Mons. Bonnac pass. The steps were quick and bounding, and, in the next moment, the door of the chamber opened, and a person entered, whose features were veiled in the obscurity of twilight; but his voice could not be concealed, for it was the voice of Valancourt! At the sound, never heard by Emily, without emotion, she started, in terror, astonishment and doubtful pleasure, and had scarcely beheld him at her feet, when she sunk into a seat, overcome by the various emotions, that contended at her heart, and almost insensible to that voice, whose earnest and trembling calls seemed as if endeavouring to save her. Valancourt, as he hung over Emily, deplored his own rash impatience, in having thus surprised her: for when he had arrived at the chateau, too anxious to await the return of the Count, who, he understood, was in the grounds, he went himself to seek him, when, as he passed the tower, he was struck by the sound of Emily's voice, and immediately ascended.

It was a considerable time before she revived, but, when her recollection returned, she repulsed his attentions, with an air of reserve, and enquired, with as much displeasure as it was possible she could feel in these first moments of his appearance, the occasion of his visit.

'Ah Emily!' said Valancourt, 'that air, those words—alas! I have, then, little to hope—when you ceased to esteem me, you ceased also to love me!'

'Most true, sir,' replied Emily, endeavouring to command her trembling voice; 'and if you had valued my esteem, you would not have given me this new occasion for uneasiness.'

Valancourt's countenance changed suddenly from the anxieties of doubt to an expression of surprise and dismay: he was silent a moment, and then said, 'I had been taught to hope for a very different reception! Is it, then, true, Emily, that I have lost your regard forever? am I to believe, that, though your esteem for me may return—your affection never can? Can the Count have meditated the cruelty, which now tortures me with a second death?'

The voice, in which he spoke this, alarmed Emily as much as his words surprised her, and, with trembling impatience, she begged that he would explain them.

'Can any explanation be necessary?' said Valancourt, 'do you not know how cruelly my conduct has been misrepresented? that the actions of which you once believed me guilty (and, O Emily! how could you so degrade me in your opinion, even for a moment!) those actions—I hold in as much contempt and abhorrence as yourself? Are you, indeed, ignorant, that Count de Villefort has detected the slanders, that have robbed me of all I hold dear on earth, and has invited me hither to justify to you my former conduct? It is surely impossible you can be uninformed of these circumstances, and I am again torturing myself with a false hope!'

The silence of Emily confirmed this supposition; for the deep twilight would not allow Valancourt to distinguish the astonishment and doubting joy, that fixed her features. For a moment, she continued unable to speak; then a profound sigh seemed to give some relief to her spirits, and she said,

'Valancourt! I was, till this moment, ignorant of all the circumstances you have mentioned; the emotion I now suffer may assure you of the truth of this, and, that, though I had ceased to esteem, I had not taught myself entirely to forget you.'

'This moment,' said Valancourt, in a low voice, and leaning for support against the window—'this moment brings with it a conviction that overpowers me!—I am dear to you then—still dear to you, my Emily!'

'Is it necessary that I should tell you so?' she replied, 'is it necessary, that I should say—these are the first moments of joy I have known, since your departure, and that they repay me for all those of pain I have suffered in the interval?'

Valancourt sighed deeply, and was unable to reply; but, as he pressed her hand to his lips, the tears, that fell over it, spoke a language, which could not be mistaken, and to which words were inadequate.

Emily, somewhat tranquillized, proposed returning to the chateau, and then, for the first time, recollected that the Count had invited Valancourt thither to explain his conduct, and that no explanation had yet been given. But, while she acknowledged this, her heart would not allow her to dwell, for a moment, on the possibility of his unworthiness; his look, his voice, his manner, all spoke the noble sincerity, which had formerly distinguished him; and she again permitted herself to indulge the emotions of a joy, more surprising and powerful, than she had ever before experienced.

Neither Emily, or Valancourt, were conscious how they reached the chateau, whither they might have been transferred by the spell of a fairy, for any thing they could remember; and it was not, till they had reached the great hall, that either of them recollected there were other persons in the world besides themselves. The Count then came forth with surprise, and with the joyfulness of pure benevolence, to welcome Valancourt, and to entreat his forgiveness of the injustice he had done him; soon after which, Mons. Bonnac joined this happy group, in which he and Valancourt were mutually rejoiced to meet.

When the first congratulations were over, and the general joy became somewhat more tranquil, the Count withdrew with Valancourt to the library, where a long conversation passed between them, in which the latter so clearly justified himself of the criminal parts of the conduct, imputed to him, and so candidly confessed and so feelingly lamented the follies, which he had committed, that the Count was confirmed in his belief of all he had hoped; and, while he perceived so many noble virtues in Valancourt, and that experience had taught him to detest the follies, which before he had only not admired, he did not scruple to believe, that he would pass through life with the dignity of a wise and good man, or to entrust to his care the future happiness of Emily St. Aubert, for whom he felt the solicitude of a parent. Of this he soon informed her, in a short conversation, when Valancourt had left him. While Emily listened to a relation of the services, that Valancourt had rendered Mons. Bonnac, her eyes overflowed with tears of pleasure, and the further conversation of Count De Villefort perfectly dissipated every doubt, as to the past and future conduct of him, to whom she now restored, without fear, the esteem and affection, with which she had formerly received him.

When they returned to the supper-room, the Countess and Lady Blanche met Valancourt with sincere congratulations; and Blanche, indeed, was so much rejoiced to see Emily returned to happiness, as to forget, for a while, that Mons. St. Foix was not yet arrived at the chateau, though he had been expected for some hours; but her generous sympathy was, soon after, rewarded by his appearance. He was now perfectly recovered from the wounds, received, during his perilous adventure among the Pyrenees, the mention of which served to heighten to the parties, who had been involved in it, the sense of their present happiness. New congratulations passed between them, and round the supper-table appeared a group of faces, smiling with felicity, but with a felicity, which had in each a different character. The smile of Blanche was frank and gay, that of Emily tender and pensive; Valancourt's was rapturous, tender and gay alternately; Mons. St. Foix's was joyous, and that of the Count, as he looked on the surrounding party, expressed the tempered complacency of benevolence; while the features of the Countess, Henri, and Mons. Bonnac, discovered fainter traces of animation. Poor Mons. Du Pont did not, by his presence, throw a shade of regret over the company; for, when he had discovered, that Valancourt was not unworthy of the esteem of Emily, he determined seriously to endeavour at the conquest of his own hopeless affection, and had immediately withdrawn from Chateau-le-Blanc—a conduct, which Emily now understood, and rewarded with her admiration and pity.

The Count and his guests continued together till a late hour, yielding to the delights of social gaiety, and to the sweets of friendship. When Annette heard of the arrival of Valancourt, Ludovico had some difficulty to prevent her going into the supper-room, to express her joy, for she declared, that she had never been so rejoiced at any ACCIDENT as this, since she had found Ludovico himself.



CHAPTER XIX

Now my task is smoothly done, I can fly, or I can run Quickly to the green earth's end, Where the bow'd welkin low doth bend, And, from thence, can soar as soon To the corners of the moon. MILTON

The marriages of the Lady Blanche and Emily St. Aubert were celebrated, on the same day, and with the ancient baronial magnificence, at Chateau-le-Blanc. The feasts were held in the great hall of the castle, which, on this occasion, was hung with superb new tapestry, representing the exploits of Charlemagne and his twelve peers; here, were seen the Saracens, with their horrible visors, advancing to battle; and there, were displayed the wild solemnities of incantation, and the necromantic feats, exhibited by the magician JARL before the Emperor. The sumptuous banners of the family of Villeroi, which had long slept in dust, were once more unfurled, to wave over the gothic points of painted casements; and music echoed, in many a lingering close, through every winding gallery and colonnade of that vast edifice.

As Annette looked down from the corridor upon the hall, whose arches and windows were illuminated with brilliant festoons of lamps, and gazed on the splendid dresses of the dancers, the costly liveries of the attendants, the canopies of purple velvet and gold, and listened to the gay strains that floated along the vaulted roof, she almost fancied herself in an enchanted palace, and declared, that she had not met with any place, which charmed her so much, since she read the fairy tales; nay, that the fairies themselves, at their nightly revels in this old hall, could display nothing finer; while old Dorothee, as she surveyed the scene, sighed, and said, the castle looked as it was wont to do in the time of her youth.

After gracing the festivities of Chateau-le-Blanc, for some days, Valancourt and Emily took leave of their kind friends, and returned to La Vallee, where the faithful Theresa received them with unfeigned joy, and the pleasant shades welcomed them with a thousand tender and affecting remembrances; and, while they wandered together over the scenes, so long inhabited by the late Mons. and Madame St. Aubert, and Emily pointed out, with pensive affection, their favourite haunts, her present happiness was heightened, by considering, that it would have been worthy of their approbation, could they have witnessed it.

Valancourt led her to the plane-tree on the terrace, where he had first ventured to declare his love, and where now the remembrance of the anxiety he had then suffered, and the retrospect of all the dangers and misfortunes they had each encountered, since last they sat together beneath its broad branches, exalted the sense of their present felicity, which, on this spot, sacred to the memory of St. Aubert, they solemnly vowed to deserve, as far as possible, by endeavouring to imitate his benevolence,—by remembering, that superior attainments of every sort bring with them duties of superior exertion,—and by affording to their fellow-beings, together with that portion of ordinary comforts, which prosperity always owes to misfortune, the example of lives passed in happy thankfulness to GOD, and, therefore, in careful tenderness to his creatures.

Soon after their return to La Vallee, the brother of Valancourt came to congratulate him on his marriage, and to pay his respects to Emily, with whom he was so much pleased, as well as with the prospect of rational happiness, which these nuptials offered to Valancourt, that he immediately resigned to him a part of the rich domain, the whole of which, as he had no family, would of course descend to his brother, on his decease.

The estates, at Tholouse, were disposed of, and Emily purchased of Mons. Quesnel the ancient domain of her late father, where, having given Annette a marriage portion, she settled her as the housekeeper, and Ludovico as the steward; but, since both Valancourt and herself preferred the pleasant and long-loved shades of La Vallee to the magnificence of Epourville, they continued to reside there, passing, however, a few months in the year at the birth-place of St. Aubert, in tender respect to his memory.

The legacy, which had been bequeathed to Emily by Signora Laurentini, she begged Valancourt would allow her to resign to Mons. Bonnac; and Valancourt, when she made the request, felt all the value of the compliment it conveyed. The castle of Udolpho, also, descended to the wife of Mons. Bonnac, who was the nearest surviving relation of the house of that name, and thus affluence restored his long-oppressed spirits to peace, and his family to comfort.

O! how joyful it is to tell of happiness, such as that of Valancourt and Emily; to relate, that, after suffering under the oppression of the vicious and the disdain of the weak, they were, at length, restored to each other—to the beloved landscapes of their native country,—to the securest felicity of this life, that of aspiring to moral and labouring for intellectual improvement—to the pleasures of enlightened society, and to the exercise of the benevolence, which had always animated their hearts; while the bowers of La Vallee became, once more, the retreat of goodness, wisdom and domestic blessedness!

O! useful may it be to have shewn, that, though the vicious can sometimes pour affliction upon the good, their power is transient and their punishment certain; and that innocence, though oppressed by injustice, shall, supported by patience, finally triumph over misfortune!

And, if the weak hand, that has recorded this tale, has, by its scenes, beguiled the mourner of one hour of sorrow, or, by its moral, taught him to sustain it—the effort, however humble, has not been vain, nor is the writer unrewarded.

THE END