Such, however, was the impression, left on her mind by the music, and the complaining she had formerly heard, as well as by the figure, which she fancied she had seen, that she determined to repeat the watch, on the following night.

Montoni, on the next day, took no notice of Emily's appointed visit, but she, more anxious than before to see him, sent Annette to enquire, at what hour he would admit her. He mentioned eleven o'clock, and Emily was punctual to the moment; at which she called up all her fortitude to support the shock of his presence and the dreadful recollections it enforced. He was with several of his officers, in the cedar room; on observing whom she paused; and her agitation increased, while he continued to converse with them, apparently not observing her, till some of his officers, turning round, saw Emily, and uttered an exclamation. She was hastily retiring, when Montoni's voice arrested her, and, in a faultering accent, she said,—'I would speak with you, Signor Montoni, if you are at leisure.'

'These are my friends,' he replied, 'whatever you would say, they may hear.'

Emily, without replying, turned from the rude gaze of the chevaliers, and Montoni then followed her to the hall, whence he led her to a small room, of which he shut the door with violence. As she looked on his dark countenance, she again thought she saw the murderer of her aunt; and her mind was so convulsed with horror, that she had not power to recall thought enough to explain the purport of her visit; and to trust herself with the mention of Madame Montoni was more than she dared.

Montoni at length impatiently enquired what she had to say? 'I have no time for trifling,' he added, 'my moments are important.'

Emily then told him, that she wished to return to France, and came to beg, that he would permit her to do so.—But when he looked surprised, and enquired for the motive of the request, she hesitated, became paler than before, trembled, and had nearly sunk at his feet. He observed her emotion, with apparent indifference, and interrupted the silence by telling her, he must be gone. Emily, however, recalled her spirits sufficiently to enable her to repeat her request. And, when Montoni absolutely refused it, her slumbering mind was roused.

'I can no longer remain here with propriety, sir,' said she, 'and I may be allowed to ask, by what right you detain me.'

'It is my will that you remain here,' said Montoni, laying his hand on the door to go; 'let that suffice you.'

Emily, considering that she had no appeal from this will, forbore to dispute his right, and made a feeble effort to persuade him to be just. 'While my aunt lived, sir,' said she, in a tremulous voice, 'my residence here was not improper; but now, that she is no more, I may surely be permitted to depart. My stay cannot benefit you, sir, and will only distress me.'

'Who told you, that Madame Montoni was dead?' said Montoni, with an inquisitive eye. Emily hesitated, for nobody had told her so, and she did not dare to avow the having seen that spectacle in the portal-chamber, which had compelled her to the belief.

'Who told you so?' he repeated, more sternly.

'Alas! I know it too well,' replied Emily: 'spare me on this terrible subject!'

She sat down on a bench to support herself.

'If you wish to see her,' said Montoni, 'you may; she lies in the east turret.'

He now left the room, without awaiting her reply, and returned to the cedar chamber, where such of the chevaliers as had not before seen Emily, began to rally him, on the discovery they had made; but Montoni did not appear disposed to bear this mirth, and they changed the subject.

Having talked with the subtle Orsino, on the plan of an excursion, which he meditated for a future day, his friend advised, that they should lie in wait for the enemy, which Verezzi impetuously opposed, reproached Orsino with want of spirit, and swore, that, if Montoni would let him lead on fifty men, he would conquer all that should oppose him.

Orsino smiled contemptuously; Montoni smiled too, but he also listened. Verezzi then proceeded with vehement declamation and assertion, till he was stopped by an argument of Orsino, which he knew not how to answer better than by invective. His fierce spirit detested the cunning caution of Orsino, whom he constantly opposed, and whose inveterate, though silent, hatred he had long ago incurred. And Montoni was a calm observer of both, whose different qualifications he knew, and how to bend their opposite character to the perfection of his own designs. But Verezzi, in the heat of opposition, now did not scruple to accuse Orsino of cowardice, at which the countenance of the latter, while he made no reply, was overspread with a livid paleness; and Montoni, who watched his lurking eye, saw him put his hand hastily into his bosom. But Verezzi, whose face, glowing with crimson, formed a striking contrast to the complexion of Orsino, remarked not the action, and continued boldly declaiming against cowards to Cavigni, who was slily laughing at his vehemence, and at the silent mortification of Orsino, when the latter, retiring a few steps behind, drew forth a stilletto to stab his adversary in the back. Montoni arrested his half-extended arm, and, with a significant look, made him return the poinard into his bosom, unseen by all except himself; for most of the party were disputing at a distant window, on the situation of a dell where they meant to form an ambuscade.

When Verezzi had turned round, the deadly hatred, expressed on the features of his opponent, raising, for the first time, a suspicion of his intention, he laid his hand on his sword, and then, seeming to recollect himself, strode up to Montoni.

'Signor,' said he, with a significant look at Orsino, 'we are not a band of assassins; if you have business for brave men employ me on this expedition: you shall have the last drop of my blood; if you have only work for cowards—keep him,' pointing to Orsino, 'and let me quit Udolpho.'

Orsino, still more incensed, again drew forth his stilletto, and rushed towards Verezzi, who, at the same instant, advanced with his sword, when Montoni and the rest of the party interfered and separated them.

'This is the conduct of a boy,' said Montoni to Verezzi, 'not of a man: be more moderate in your speech.'

'Moderation is the virtue of cowards,' retorted Verezzi; 'they are moderate in every thing—but in fear.'

'I accept your words,' said Montoni, turning upon him with a fierce and haughty look, and drawing his sword out of the scabbard.

'With all my heart,' cried Verezzi, 'though I did not mean them for you.'

He directed a pass at Montoni; and, while they fought, the villain Orsino made another attempt to stab Verezzi, and was again prevented.

The combatants were, at length, separated; and, after a very long and violent dispute, reconciled. Montoni then left the room with Orsino, whom he detained in private consultation for a considerable time.

Emily, meanwhile, stunned by the last words of Montoni, forgot, for the moment, his declaration, that she should continue in the castle, while she thought of her unfortunate aunt, who, he had said, was laid in the east turret. In suffering the remains of his wife to lie thus long unburied, there appeared a degree of brutality more shocking than she had suspected even Montoni could practise.

After a long struggle, she determined to accept his permission to visit the turret, and to take a last look of her ill-fated aunt: with which design she returned to her chamber, and, while she waited for Annette to accompany her, endeavoured to acquire fortitude sufficient to support her through the approaching scene; for, though she trembled to encounter it, she knew that to remember the performance of this last act of duty would hereafter afford her consoling satisfaction.

Annette came, and Emily mentioned her purpose, from which the former endeavoured to dissuade her, though without effect, and Annette was, with much difficulty, prevailed upon to accompany her to the turret; but no consideration could make her promise to enter the chamber of death.

They now left the corridor, and, having reached the foot of the stair-case, which Emily had formerly ascended, Annette declared she would go no further, and Emily proceeded alone. When she saw the track of blood, which she had before observed, her spirits fainted, and, being compelled to rest on the stairs, she almost determined to proceed no further. The pause of a few moments restored her resolution, and she went on.

As she drew near the landing-place, upon which the upper chamber opened, she remembered, that the door was formerly fastened, and apprehended, that it might still be so. In this expectation, however, she was mistaken; for the door opened at once, into a dusky and silent chamber, round which she fearfully looked, and then slowly advanced, when a hollow voice spoke. Emily, who was unable to speak, or to move from the spot, uttered no sound of terror. The voice spoke again; and, then, thinking that it resembled that of Madame Montoni, Emily's spirits were instantly roused; she rushed towards a bed, that stood in a remote part of the room, and drew aside the curtains. Within, appeared a pale and emaciated face. She started back, then again advanced, shuddered as she took up the skeleton hand, that lay stretched upon the quilt; then let it drop, and then viewed the face with a long, unsettled gaze. It was that of Madame Montoni, though so changed by illness, that the resemblance of what it had been, could scarcely be traced in what it now appeared. She was still alive, and, raising her heavy eyes, she turned them on her niece.

'Where have you been so long?' said she, in the same tone, 'I thought you had forsaken me.'

'Do you indeed live,' said Emily, at length, 'or is this but a terrible apparition?' she received no answer, and again she snatched up the hand. 'This is substance,' she exclaimed, 'but it is cold—cold as marble!' She let it fall. 'O, if you really live, speak!' said Emily, in a voice of desperation, 'that I may not lose my senses—say you know me!'

'I do live,' replied Madame Montoni, 'but—I feel that I am about to die.'

Emily clasped the hand she held, more eagerly, and groaned. They were both silent for some moments. Then Emily endeavoured to soothe her, and enquired what had reduced her to this present deplorable state.

Montoni, when he removed her to the turret under the improbable suspicion of having attempted his life, had ordered the men employed on the occasion, to observe a strict secrecy concerning her. To this he was influenced by a double motive. He meant to debar her from the comfort of Emily's visits, and to secure an opportunity of privately dispatching her, should any new circumstances occur to confirm the present suggestions of his suspecting mind. His consciousness of the hatred he deserved it was natural enough should at first led him to attribute to her the attempt that had been made upon his life; and, though there was no other reason to believe that she was concerned in that atrocious design, his suspicions remained; he continued to confine her in the turret, under a strict guard; and, without pity or remorse, had suffered her to lie, forlorn and neglected, under a raging fever, till it had reduced her to the present state.

The track of blood, which Emily had seen on the stairs, had flowed from the unbound wound of one of the men employed to carry Madame Montoni, and which he had received in the late affray. At night these men, having contented themselves with securing the door of their prisoner's room, had retired from guard; and then it was, that Emily, at the time of her first enquiry, had found the turret so silent and deserted.

When she had attempted to open the door of the chamber, her aunt was sleeping, and this occasioned the silence, which had contributed to delude her into a belief, that she was no more; yet had her terror permitted her to persevere longer in the call, she would probably have awakened Madame Montoni, and have been spared much suffering. The spectacle in the portal-chamber, which afterwards confirmed Emily's horrible suspicion, was the corpse of a man, who had fallen in the affray, and the same which had been borne into the servants' hall, where she took refuge from the tumult. This man had lingered under his wounds for some days; and, soon after his death, his body had been removed on the couch, on which he died, for interment in the vault beneath the chapel, through which Emily and Barnardine had passed to the chamber.

Emily, after asking Madame Montoni a thousand questions concerning herself, left her, and sought Montoni; for the more solemn interest she felt for her aunt, made her now regardless of the resentment her remonstrances might draw upon herself, and of the improbability of his granting what she meant to entreat.

'Madame Montoni is now dying, sir,' said Emily, as soon as she saw him—'Your resentment, surely will not pursue her to the last moment! Suffer her to be removed from that forlorn room to her own apartment, and to have necessary comforts administered.'

'Of what service will that be, if she is dying?' said Montoni, with apparent indifference.

'The service, at leave, of saving you, sir, from a few of those pangs of conscience you must suffer, when you shall be in the same situation,' said Emily, with imprudent indignation, of which Montoni soon made her sensible, by commanding her to quit his presence. Then, forgetting her resentment, and impressed only by compassion for the piteous state of her aunt, dying without succour, she submitted to humble herself to Montoni, and to adopt every persuasive means, that might induce him to relent towards his wife.

For a considerable time he was proof against all she said, and all she looked; but at length the divinity of pity, beaming in Emily's eyes, seemed to touch his heart. He turned away, ashamed of his better feelings, half sullen and half relenting; but finally consented, that his wife should be removed to her own apartment, and that Emily should attend her. Dreading equally, that this relief might arrive too late, and that Montoni might retract his concession, Emily scarcely staid to thank him for it, but, assisted by Annette, she quickly prepared Madame Montoni's bed, and they carried her a cordial, that might enable her feeble frame to sustain the fatigue of a removal.

Madame was scarcely arrived in her own apartment, when an order was given by her husband, that she should remain in the turret; but Emily, thankful that she had made such dispatch, hastened to inform him of it, as well as that a second removal would instantly prove fatal, and he suffered his wife to continue where she was.

During this day, Emily never left Madame Montoni, except to prepare such little nourishing things as she judged necessary to sustain her, and which Madame Montoni received with quiet acquiescence, though she seemed sensible that they could not save her from approaching dissolution, and scarcely appeared to wish for life. Emily meanwhile watched over her with the most tender solicitude, no longer seeing her imperious aunt in the poor object before her, but the sister of her late beloved father, in a situation that called for all her compassion and kindness. When night came, she determined to sit up with her aunt, but this the latter positively forbade, commanding her to retire to rest, and Annette alone to remain in her chamber. Rest was, indeed, necessary to Emily, whose spirits and frame were equally wearied by the occurrences and exertions of the day; but she would not leave Madame Montoni, till after the turn of midnight, a period then thought so critical by the physicians.

Soon after twelve, having enjoined Annette to be wakeful, and to call her, should any change appear for the worse, Emily sorrowfully bade Madame Montoni good night, and withdrew to her chamber. Her spirits were more than usually depressed by the piteous condition of her aunt, whose recovery she scarcely dared to expect. To her own misfortunes she saw no period, inclosed as she was, in a remote castle, beyond the reach of any friends, had she possessed such, and beyond the pity even of strangers; while she knew herself to be in the power of a man capable of any action, which his interest, or his ambition, might suggest.

Occupied by melancholy reflections and by anticipations as sad, she did not retire immediately to rest, but leaned thoughtfully on her open casement. The scene before her of woods and mountains, reposing in the moon-light, formed a regretted contrast with the state of her mind; but the lonely murmur of these woods, and the view of this sleeping landscape, gradually soothed her emotions and softened her to tears.

She continued to weep, for some time, lost to every thing, but to a gentle sense of her misfortunes. When she, at length, took the handkerchief from her eyes, she perceived, before her, on the terrace below, the figure she had formerly observed, which stood fixed and silent, immediately opposite to her casement. On perceiving it, she started back, and terror for some time overcame curiosity;—at length, she returned to the casement, and still the figure was before it, which she now compelled herself to observe, but was utterly unable to speak, as she had formerly intended. The moon shone with a clear light, and it was, perhaps, the agitation of her mind, that prevented her distinguishing, with any degree of accuracy, the form before her. It was still stationary, and she began to doubt, whether it was really animated.

Her scattered thoughts were now so far returned as to remind her, that her light exposed her to dangerous observation, and she was stepping back to remove it, when she perceived the figure move, and then wave what seemed to be its arm, as if to beckon her; and, while she gazed, fixed in fear, it repeated the action. She now attempted to speak, but the words died on her lips, and she went from the casement to remove her light; as she was doing which, she heard, from without, a faint groan. Listening, but not daring to return, she presently heard it repeated.

'Good God!—what can this mean!' said she.

Again she listened, but the sound came no more; and, after a long interval of silence, she recovered courage enough to go to the casement, when she again saw the same appearance! It beckoned again, and again uttered a low sound.

'That groan was surely human!' said she. 'I WILL speak.' 'Who is it,' cried Emily in a faint voice, 'that wanders at this late hour?'

The figure raised its head but suddenly started away, and glided down the terrace. She watched it, for a long while, passing swiftly in the moon-light, but heard no footstep, till a sentinel from the other extremity of the rampart walked slowly along. The man stopped under her window, and, looking up, called her by name. She was retiring precipitately, but, a second summons inducing her to reply, the soldier then respectfully asked if she had seen any thing pass. On her answering, that she had; he said no more, but walked away down the terrace, Emily following him with her eyes, till he was lost in the distance. But, as he was on guard, she knew he could not go beyond the rampart, and, therefore, resolved to await his return.

Soon after, his voice was heard, at a distance, calling loudly; and then a voice still more distant answered, and, in the next moment, the watch-word was given, and passed along the terrace. As the soldiers moved hastily under the casement, she called to enquire what had happened, but they passed without regarding her.

Emily's thoughts returning to the figure she had seen, 'It cannot be a person, who has designs upon the castle,' said she; 'such an one would conduct himself very differently. He would not venture where sentinels were on watch, nor fix himself opposite to a window, where he perceived he must be observed; much less would he beckon, or utter a sound of complaint. Yet it cannot be a prisoner, for how could he obtain the opportunity to wander thus?'

If she had been subject to vanity, she might have supposed this figure to be some inhabitant of the castle, who wandered under her casement in the hope of seeing her, and of being allowed to declare his admiration; but this opinion never occurred to Emily, and, if it had, she would have dismissed it as improbable, on considering, that, when the opportunity of speaking had occurred, it had been suffered to pass in silence; and that, even at the moment in which she had spoken, the form had abruptly quitted the place.

While she mused, two sentinels walked up the rampart in earnest conversation, of which she caught a few words, and learned from these, that one of their comrades had fallen down senseless. Soon after, three other soldiers appeared slowly advancing from the bottom of the terrace, but she heard only a low voice, that came at intervals. As they drew near, she perceived this to be the voice of him, who walked in the middle, apparently supported by his comrades; and she again called to them, enquiring what had happened. At the sound of her voice, they stopped, and looked up, while she repeated her question, and was told, that Roberto, their fellow of the watch, had been seized with a fit, and that his cry, as he fell, had caused a false alarm.

'Is he subject to fits?' said Emily.

'Yes, Signora,' replied Roberto; 'but if I had not, what I saw was enough to have frightened the Pope himself.'

'What was it?' enquired Emily, trembling.

'I cannot tell what it was, lady, or what I saw, or how it vanished,' replied the soldier, who seemed to shudder at the recollection.

'Was it the person, whom you followed down the rampart, that has occasioned you this alarm?' said Emily, endeavouring to conceal her own.

'Person!' exclaimed the man,—'it was the devil, and this is not the first time I have seen him!'

'Nor will it be the last,' observed one of his comrades, laughing.

'No, no, I warrant not,' said another.

'Well,' rejoined Roberto, 'you may be as merry now, as you please; you was none so jocose the other night, Sebastian, when you was on watch with Launcelot.'

'Launcelot need not talk of that,' replied Sebastian, 'let him remember how he stood trembling, and unable to give the WORD, till the man was gone, If the man had not come so silently upon us, I would have seized him, and soon made him tell who he was.'

'What man?' enquired Emily.

'It was no man, lady,' said Launcelot, who stood by, 'but the devil himself, as my comrade says. What man, who does not live in the castle, could get within the walls at midnight? Why, I might just as well pretend to march to Venice, and get among all the Senators, when they are counselling; and I warrant I should have more chance of getting out again alive, than any fellow, that we should catch within the gates after dark. So I think I have proved plainly enough, that this can be nobody that lives out of the castle; and now I will prove, that it can be nobody that lives in the castle—for, if he did—why should he be afraid to be seen? So after this, I hope nobody will pretend to tell me it was anybody. No, I say again, by holy Pope! it was the devil, and Sebastian, there, knows this is not the first time we have seen him.'

'When did you see the figure, then, before?' said Emily half smiling, who, though she thought the conversation somewhat too much, felt an interest, which would not permit her to conclude it.

'About a week ago, lady,' said Sebastian, taking up the story.

'And where?'

'On the rampart, lady, higher up.'

'Did you pursue it, that it fled?'

'No, Signora. Launcelot and I were on watch together, and every thing was so still, you might have heard a mouse stir, when, suddenly, Launcelot says—Sebastian! do you see nothing? I turned my head a little to the left, as it might be—thus. No, says I. Hush! said Launcelot,—look yonder—just by the last cannon on the rampart! I looked, and then thought I did see something move; but there being no light, but what the stars gave, I could not be certain. We stood quite silent, to watch it, and presently saw something pass along the castle wall just opposite to us!'

'Why did you not seize it, then?' cried a soldier, who had scarcely spoken till now.

'Aye, why did you not seize it?' said Roberto.

'You should have been there to have done that,' replied Sebastian. 'You would have been bold enough to have taken it by the throat, though it had been the devil himself; we could not take such a liberty, perhaps, because we are not so well acquainted with him, as you are. But, as I was saying, it stole by us so quickly, that we had not time to get rid of our surprise, before it was gone. Then, we knew it was in vain to follow. We kept constant watch all that night, but we saw it no more. Next morning, we told some of our comrades, who were on duty on other parts of the ramparts, what we had seen; but they had seen nothing, and laughed at us, and it was not till to-night, that the same figure walked again.'

'Where did you lose it, friend?' said Emily to Roberto.

'When I left you, lady,' replied the man, 'you might see me go down the rampart, but it was not till I reached the east terrace, that I saw any thing. Then, the moon shining bright, I saw something like a shadow flitting before me, as it were, at some distance. I stopped, when I turned the corner of the east tower, where I had seen this figure not a moment before,—but it was gone! As I stood, looking through the old arch, which leads to the east rampart, and where I am sure it had passed, I heard, all of a sudden, such a sound!—it was not like a groan, or a cry, or a shout, or any thing I ever heard in my life. I heard it only once, and that was enough for me; for I know nothing that happened after, till I found my comrades, here, about me.'

'Come,' said Sebastian, 'let us go to our posts—the moon is setting. Good night, lady!'

'Aye, let us go,' rejoined Roberto. 'Good night, lady.'

'Good night; the holy mother guard you!' said Emily, as she closed her casement and retired to reflect upon the strange circumstance that had just occurred, connecting which with what had happened on former nights, she endeavoured to derive from the whole something more positive, than conjecture. But her imagination was inflamed, while her judgment was not enlightened, and the terrors of superstition again pervaded her mind.



CHAPTER IV

There is one within, Besides the things, that we have heard and seen, Recounts most horrid sights, seen by the watch. JULIUS CAESAR

In the morning, Emily found Madame Montoni nearly in the same condition, as on the preceding night; she had slept little, and that little had not refreshed her; she smiled on her niece, and seemed cheered by her presence, but spoke only a few words, and never named Montoni, who, however, soon after, entered the room. His wife, when she understood that he was there, appeared much agitated, but was entirely silent, till Emily rose from a chair at the bed-side, when she begged, in a feeble voice, that she would not leave her.

The visit of Montoni was not to sooth his wife, whom he knew to be dying, or to console, or to ask her forgiveness, but to make a last effort to procure that signature, which would transfer her estates in Languedoc, after her death, to him rather than to Emily. This was a scene, that exhibited, on his part, his usual inhumanity, and, on that of Madame Montoni, a persevering spirit, contending with a feeble frame; while Emily repeatedly declared to him her willingness to resign all claim to those estates, rather than that the last hours of her aunt should be disturbed by contention. Montoni, however, did not leave the room, till his wife, exhausted by the obstinate dispute, had fainted, and she lay so long insensible, that Emily began to fear that the spark of life was extinguished. At length, she revived, and, looking feebly up at her niece, whose tears were falling over her, made an effort to speak, but her words were unintelligible, and Emily again apprehended she was dying. Afterwards, however, she recovered her speech, and, being somewhat restored by a cordial, conversed for a considerable time, on the subject of her estates in France, with clearness and precision. She directed her niece where to find some papers relative to them, which she had hitherto concealed from the search of Montoni, and earnestly charged her never to suffer these papers to escape her.

Soon after this conversation, Madame Montoni sunk into a dose, and continued slumbering, till evening, when she seemed better than she had been since her removal from the turret. Emily never left her, for a moment, till long after midnight, and even then would not have quitted the room, had not her aunt entreated, that she would retire to rest. She then obeyed, the more willingly, because her patient appeared somewhat recruited by sleep; and, giving Annette the same injunction, as on the preceding night, she withdrew to her own apartment. But her spirits were wakeful and agitated, and, finding it impossible to sleep, she determined to watch, once more, for the mysterious appearance, that had so much interested and alarmed her.

It was now the second watch of the night, and about the time when the figure had before appeared. Emily heard the passing steps of the sentinels, on the rampart, as they changed guard; and, when all was again silent, she took her station at the casement, leaving her lamp in a remote part of the chamber, that she might escape notice from without. The moon gave a faint and uncertain light, for heavy vapours surrounded it, and, often rolling over the disk, left the scene below in total darkness. It was in one of these moments of obscurity, that she observed a small and lambent flame, moving at some distance on the terrace. While she gazed, it disappeared, and, the moon again emerging from the lurid and heavy thunder clouds, she turned her attention to the heavens, where the vivid lightnings darted from cloud to cloud, and flashed silently on the woods below. She loved to catch, in the momentary gleam, the gloomy landscape. Sometimes, a cloud opened its light upon a distant mountain, and, while the sudden splendour illumined all its recesses of rock and wood, the rest of the scene remained in deep shadow; at others, partial features of the castle were revealed by the glimpse—the antient arch leading to the east rampart, the turret above, or the fortifications beyond; and then, perhaps, the whole edifice with all its towers, its dark massy walls and pointed casements would appear, and vanish in an instant.

Emily, looking again upon the rampart, perceived the flame she had seen before; it moved onward; and, soon after, she thought she heard a footstep. The light appeared and disappeared frequently, while, as she watched, it glided under her casements, and, at the same instant, she was certain, that a footstep passed, but the darkness did not permit her to distinguish any object except the flame. It moved away, and then, by a gleam of lightning, she perceived some person on the terrace. All the anxieties of the preceding night returned. This person advanced, and the playing flame alternately appeared and vanished. Emily wished to speak, to end her doubts, whether this figure were human or supernatural; but her courage failed as often as she attempted utterance, till the light moved again under the casement, and she faintly demanded, who passed.

'A friend,' replied a voice.

'What friend?' said Emily, somewhat encouraged 'who are you, and what is that light you carry?'

'I am Anthonio, one of the Signor's soldiers,' replied the voice.

'And what is that tapering light you bear?' said Emily, 'see how it darts upwards,—and now it vanishes!'

'This light, lady,' said the soldier, 'has appeared to-night as you see it, on the point of my lance, ever since I have been on watch; but what it means I cannot tell.'

'This is very strange!' said Emily.

'My fellow-guard,' continued the man, 'has the same flame on his arms; he says he has sometimes seen it before. I never did; I am but lately come to the castle, for I have not been long a soldier.'

'How does your comrade account for it?' said Emily.

'He says it is an omen, lady, and bodes no good.'

'And what harm can it bode?' rejoined Emily.

'He knows not so much as that, lady.'

Whether Emily was alarmed by this omen, or not, she certainly was relieved from much terror by discovering this man to be only a soldier on duty, and it immediately occurred to her, that it might be he, who had occasioned so much alarm on the preceding night. There were, however, some circumstances, that still required explanation. As far as she could judge by the faint moon-light, that had assisted her observation, the figure she had seen did not resemble this man either in shape or size; besides, she was certain it had carried no arms. The silence of its steps, if steps it had, the moaning sounds, too, which it had uttered, and its strange disappearance, were circumstances of mysterious import, that did not apply, with probability, to a soldier engaged in the duty of his guard.

She now enquired of the sentinel, whether he had seen any person besides his fellow watch, walking on the terrace, about midnight; and then briefly related what she had herself observed.

'I was not on guard that night, lady,' replied the man, 'but I heard of what happened. There are amongst us, who believe strange things. Strange stories, too, have long been told of this castle, but it is no business of mine to repeat them; and, for my part, I have no reason to complain; our Chief does nobly by us.'

'I commend your prudence,' said Emily. 'Good night, and accept this from me,' she added, throwing him a small piece of coin, and then closing the casement to put an end to the discourse.

When he was gone, she opened it again, listened with a gloomy pleasure to the distant thunder, that began to murmur among the mountains, and watched the arrowy lightnings, which broke over the remoter scene. The pealing thunder rolled onward, and then, reverbed by the mountains, other thunder seemed to answer from the opposite horizon; while the accumulating clouds, entirely concealing the moon, assumed a red sulphureous tinge, that foretold a violent storm.

Emily remained at her casement, till the vivid lightning, that now, every instant, revealed the wide horizon and the landscape below, made it no longer safe to do so, and she went to her couch; but, unable to compose her mind to sleep, still listened in silent awe to the tremendous sounds, that seemed to shake the castle to its foundation.

She had continued thus for a considerable time, when, amidst the uproar of the storm, she thought she heard a voice, and, raising herself to listen, saw the chamber door open, and Annette enter with a countenance of wild affright.

'She is dying, ma'amselle, my lady is dying!' said she.

Emily started up, and ran to Madame Montoni's room. When she entered, her aunt appeared to have fainted, for she was quite still, and insensible; and Emily with a strength of mind, that refused to yield to grief, while any duty required her activity, applied every means that seemed likely to restore her. But the last struggle was over—she was gone for ever.

When Emily perceived, that all her efforts were ineffectual, she interrogated the terrified Annette, and learned, that Madame Montoni had fallen into a doze soon after Emily's departure, in which she had continued, until a few minutes before her death.

'I wondered, ma'amselle,' said Annette, 'what was the reason my lady did not seem frightened at the thunder, when I was so terrified, and I went often to the bed to speak to her, but she appeared to be asleep; till presently I heard a strange noise, and, on going to her, saw she was dying.'

Emily, at this recital, shed tears. She had no doubt but that the violent change in the air, which the tempest produced, had effected this fatal one, on the exhausted frame of Madame Montoni.

After some deliberation, she determined that Montoni should not be informed of this event till the morning, for she considered, that he might, perhaps, utter some inhuman expressions, such as in the present temper of her spirits she could not bear. With Annette alone, therefore, whom she encouraged by her own example, she performed some of the last solemn offices for the dead, and compelled herself to watch during the night, by the body of her deceased aunt. During this solemn period, rendered more awful by the tremendous storm that shook the air, she frequently addressed herself to Heaven for support and protection, and her pious prayers, we may believe, were accepted of the God, that giveth comfort.



CHAPTER V

The midnight clock has toll'd; and hark, the bell Of Death beats slow! heard ye the note profound? It pauses now; and now, with rising knell, Flings to the hollow gale its sullen sound. MASON

When Montoni was informed of the death of his wife, and considered that she had died without giving him the signature so necessary to the accomplishment of his wishes, no sense of decency restrained the expression of his resentment. Emily anxiously avoided his presence, and watched, during two days and two nights, with little intermission, by the corpse of her late aunt. Her mind deeply impressed with the unhappy fate of this object, she forgot all her faults, her unjust and imperious conduct to herself; and, remembering only her sufferings, thought of her only with tender compassion. Sometimes, however, she could not avoid musing upon the strange infatuation that had proved so fatal to her aunt, and had involved herself in a labyrinth of misfortune, from which she saw no means of escaping,—the marriage with Montoni. But, when she considered this circumstance, it was 'more in sorrow than in anger,'—more for the purpose of indulging lamentation, than reproach.

In her pious cares she was not disturbed by Montoni, who not only avoided the chamber, where the remains of his wife were laid, but that part of the castle adjoining to it, as if he had apprehended a contagion in death. He seemed to have given no orders respecting the funeral, and Emily began to fear he meant to offer a new insult to the memory of Madame Montoni; but from this apprehension she was relieved, when, on the evening of the second day, Annette informed her, that the interment was to take place that night. She knew, that Montoni would not attend; and it was so very grievous to her to think that the remains of her unfortunate aunt would pass to the grave without one relative, or friend to pay them the last decent rites, that she determined to be deterred by no considerations for herself, from observing this duty. She would otherwise have shrunk from the circumstance of following them to the cold vault, to which they were to be carried by men, whose air and countenances seemed to stamp them for murderers, at the midnight hour of silence and privacy, which Montoni had chosen for committing, if possible, to oblivion the reliques of a woman, whom his harsh conduct had, at least, contributed to destroy.

Emily, shuddering with emotions of horror and grief, assisted by Annette, prepared the corpse for interment; and, having wrapt it in cerements, and covered it with a winding-sheet, they watched beside it, till past midnight, when they heard the approaching footsteps of the men, who were to lay it in its earthy bed. It was with difficulty, that Emily overcame her emotion, when, the door of the chamber being thrown open, their gloomy countenances were seen by the glare of the torch they carried, and two of them, without speaking, lifted the body on their shoulders, while the third preceding them with the light, descended through the castle towards the grave, which was in the lower vault of the chapel within the castle walls.

They had to cross two courts, towards the east wing of the castle, which, adjoining the chapel, was, like it, in ruins: but the silence and gloom of these courts had now little power over Emily's mind, occupied as it was, with more mournful ideas; and she scarcely heard the low and dismal hooting of the night-birds, that roosted among the ivyed battlements of the ruin, or perceived the still flittings of the bat, which frequently crossed her way. But, when, having entered the chapel, and passed between the mouldering pillars of the aisles, the bearers stopped at a flight of steps, that led down to a low arched door, and, their comrade having descended to unlock it, she saw imperfectly the gloomy abyss beyond;—saw the corpse of her aunt carried down these steps, and the ruffian-like figure, that stood with a torch at the bottom to receive it—all her fortitude was lost in emotions of inexpressible grief and terror. She turned to lean upon Annette, who was cold and trembling like herself, and she lingered so long on the summit of the flight, that the gleam of the torch began to die away on the pillars of the chapel, and the men were almost beyond her view. Then, the gloom around her awakening other fears, and a sense of what she considered to be her duty overcoming her reluctance, she descended to the vaults, following the echo of footsteps and the faint ray, that pierced the darkness, till the harsh grating of a distant door, that was opened to receive the corpse, again appalled her.

After the pause of a moment, she went on, and, as she entered the vaults, saw between the arches, at some distance, the men lay down the body near the edge of an open grave, where stood another of Montoni's men and a priest, whom she did not observe, till he began the burial service; then, lifting her eyes from the ground, she saw the venerable figure of the friar, and heard him in a low voice, equally solemn and affecting, perform the service for the dead. At the moment, in which they let down the body into the earth, the scene was such as only the dark pencil of a Domenichino, perhaps, could have done justice to. The fierce features and wild dress of the condottieri, bending with their torches over the grave, into which the corpse was descending, were contrasted by the venerable figure of the monk, wrapt in long black garments, his cowl thrown back from his pale face, on which the light gleaming strongly shewed the lines of affliction softened by piety, and the few grey locks, which time had spared on his temples: while, beside him, stood the softer form of Emily, who leaned for support upon Annette; her face half averted, and shaded by a thin veil, that fell over her figure; and her mild and beautiful countenance fixed in grief so solemn as admitted not of tears, while she thus saw committed untimely to the earth her last relative and friend. The gleams, thrown between the arches of the vaults, where, here and there, the broken ground marked the spots in which other bodies had been recently interred, and the general obscurity beyond were circumstances, that alone would have led on the imagination of a spectator to scenes more horrible, than even that, which was pictured at the grave of the misguided and unfortunate Madame Montoni.

When the service was over, the friar regarded Emily with attention and surprise, and looked as if he wished to speak to her, but was restrained by the presence of the condottieri, who, as they now led the way to the courts, amused themselves with jokes upon his holy order, which he endured in silence, demanding only to be conducted safely to his convent, and to which Emily listened with concern and even horror. When they reached the court, the monk gave her his blessing, and, after a lingering look of pity, turned away to the portal, whither one of the men carried a torch; while Annette, lighting another, preceded Emily to her apartment. The appearance of the friar and the expression of tender compassion, with which he had regarded her, had interested Emily, who, though it was at her earnest supplication, that Montoni had consented to allow a priest to perform the last rites for his deceased wife, knew nothing concerning this person, till Annette now informed her, that he belonged to a monastery, situated among the mountains at a few miles distance. The Superior, who regarded Montoni and his associates, not only with aversion, but with terror, had probably feared to offend him by refusing his request, and had, therefore, ordered a monk to officiate at the funeral, who, with the meek spirit of a christian, had overcome his reluctance to enter the walls of such a castle, by the wish of performing what he considered to be his duty, and, as the chapel was built on consecrated ground, had not objected to commit to it the remains of the late unhappy Madame Montoni.

Several days passed with Emily in total seclusion, and in a state of mind partaking both of terror for herself, and grief for the departed. She, at length, determined to make other efforts to persuade Montoni to permit her return to France. Why he should wish to detain her, she could scarcely dare to conjecture; but it was too certain that he did so, and the absolute refusal he had formerly given to her departure allowed her little hope, that he would now consent to it. But the horror, which his presence inspired, made her defer, from day to day, the mention of this subject; and at last she was awakened from her inactivity only by a message from him, desiring her attendance at a certain hour. She began to hope he meant to resign, now that her aunt was no more, the authority he had usurped over her; till she recollected, that the estates, which had occasioned so much contention, were now hers, and she then feared Montoni was about to employ some stratagem for obtaining them, and that he would detain her his prisoner, till he succeeded. This thought, instead of overcoming her with despondency, roused all the latent powers of her fortitude into action; and the property, which she would willingly have resigned to secure the peace of her aunt, she resolved, that no common sufferings of her own should ever compel her to give to Montoni. For Valancourt's sake also she determined to preserve these estates, since they would afford that competency, by which she hoped to secure the comfort of their future lives. As she thought of this, she indulged the tenderness of tears, and anticipated the delight of that moment, when, with affectionate generosity, she might tell him they were his own. She saw the smile, that lighted up his features—the affectionate regard, which spoke at once his joy and thanks; and, at this instant, she believed she could brave any suffering, which the evil spirit of Montoni might be preparing for her. Remembering then, for the first time since her aunt's death, the papers relative to the estates in question, she determined to search for them, as soon as her interview with Montoni was over.

With these resolutions she met him at the appointed time, and waited to hear his intention before she renewed her request. With him were Orsino and another officer, and both were standing near a table, covered with papers, which he appeared to be examining.

'I sent for you, Emily,' said Montoni, raising his head, 'that you might be a witness in some business, which I am transacting with my friend Orsino. All that is required of you will be to sign your name to this paper:' he then took one up, hurried unintelligibly over some lines, and, laying it before her on the table, offered her a pen. She took it, and was going to write—when the design of Montoni came upon her mind like a flash of lightning; she trembled, let the pen fall, and refused to sign what she had not read. Montoni affected to laugh at her scruples, and, taking up the paper, again pretended to read; but Emily, who still trembled on perceiving her danger, and was astonished, that her own credulity had so nearly betrayed her, positively refused to sign any paper whatever. Montoni, for some time, persevered in affecting to ridicule this refusal; but, when he perceived by her steady perseverance, that she understood his design, he changed his manner, and bade her follow him to another room. There he told her, that he had been willing to spare himself and her the trouble of useless contest, in an affair, where his will was justice, and where she should find it law; and had, therefore, endeavoured to persuade, rather than to compel, her to the practice of her duty.

'I, as the husband of the late Signora Montoni,' he added, 'am the heir of all she possessed; the estates, therefore, which she refused to me in her life-time, can no longer be withheld, and, for your own sake, I would undeceive you, respecting a foolish assertion she once made to you in my hearing—that these estates would be yours, if she died without resigning them to me. She knew at that moment, she had no power to withhold them from me, after her decease; and I think you have more sense, than to provoke my resentment by advancing an unjust claim. I am not in the habit of flattering, and you will, therefore, receive, as sincere, the praise I bestow, when I say, that you possess an understanding superior to that of your sex; and that you have none of those contemptible foibles, that frequently mark the female character—such as avarice and the love of power, which latter makes women delight to contradict and to tease, when they cannot conquer. If I understand your disposition and your mind, you hold in sovereign contempt these common failings of your sex.'

Montoni paused; and Emily remained silent and expecting; for she knew him too well, to believe he would condescend to such flattery, unless he thought it would promote his own interest; and, though he had forborne to name vanity among the foibles of women, it was evident, that he considered it to be a predominant one, since he designed to sacrifice to hers the character and understanding of her whole sex.

'Judging as I do,' resumed Montoni, 'I cannot believe you will oppose, where you know you cannot conquer, or, indeed, that you would wish to conquer, or be avaricious of any property, when you have not justice on your side. I think it proper, however, to acquaint you with the alternative. If you have a just opinion of the subject in question, you shall be allowed a safe conveyance to France, within a short period; but, if you are so unhappy as to be misled by the late assertion of the Signora, you shall remain my prisoner, till you are convinced of your error.'

Emily calmly said,

'I am not so ignorant, Signor, of the laws on this subject, as to be misled by the assertion of any person. The law, in the present instance, gives me the estates in question, and my own hand shall never betray my right.'

'I have been mistaken in my opinion of you, it appears,' rejoined Montoni, sternly. 'You speak boldly, and presumptuously, upon a subject, which you do not understand. For once, I am willing to pardon the conceit of ignorance; the weakness of your sex, too, from which, it seems, you are not exempt, claims some allowance; but, if you persist in this strain—you have every thing to fear from my justice.'

'From your justice, Signor,' rejoined Emily, 'I have nothing to fear—I have only to hope.'

Montoni looked at her with vexation, and seemed considering what to say. 'I find that you are weak enough,' he resumed, 'to credit the idle assertion I alluded to! For your own sake I lament this; as to me, it is of little consequence. Your credulity can punish only yourself; and I must pity the weakness of mind, which leads you to so much suffering as you are compelling me to prepare for you.'

'You may find, perhaps, Signor,' said Emily, with mild dignity, 'that the strength of my mind is equal to the justice of my cause; and that I can endure with fortitude, when it is in resistance of oppression.'

'You speak like a heroine,' said Montoni, contemptuously; 'we shall see whether you can suffer like one.'

Emily was silent, and he left the room.

Recollecting, that it was for Valancourt's sake she had thus resisted, she now smiled complacently upon the threatened sufferings, and retired to the spot, which her aunt had pointed out as the repository of the papers, relative to the estates, where she found them as described; and, since she knew of no better place of concealment, than this, returned them, without examining their contents, being fearful of discovery, while she should attempt a perusal.

To her own solitary chamber she once more returned, and there thought again of the late conversation with Montoni, and of the evil she might expect from opposition to his will. But his power did not appear so terrible to her imagination, as it was wont to do: a sacred pride was in her heart, that taught it to swell against the pressure of injustice, and almost to glory in the quiet sufferance of ills, in a cause, which had also the interest of Valancourt for its object. For the first time, she felt the full extent of her own superiority to Montoni, and despised the authority, which, till now, she had only feared.

As she sat musing, a peal of laughter rose from the terrace, and, on going to the casement, she saw, with inexpressible surprise, three ladies, dressed in the gala habit of Venice, walking with several gentlemen below. She gazed in an astonishment that made her remain at the window, regardless of being observed, till the group passed under it; and, one of the strangers looking up, she perceived the features of Signora Livona, with whose manners she had been so much charmed, the day after her arrival at Venice, and who had been there introduced at the table of Montoni. This discovery occasioned her an emotion of doubtful joy; for it was matter of joy and comfort to know, that a person, of a mind so gentle, as that of Signora Livona seemed to be, was near her; yet there was something so extraordinary in her being at this castle, circumstanced as it now was, and evidently, by the gaiety of her air, with her own consent, that a very painful surmise arose, concerning her character. But the thought was so shocking to Emily, whose affection the fascinating manners of the Signora had won, and appeared so improbable, when she remembered these manners, that she dismissed it almost instantly.

On Annette's appearance, however, she enquired, concerning these strangers; and the former was as eager to tell, as Emily was to learn.

'They are just come, ma'amselle,' said Annette, 'with two Signors from Venice, and I was glad to see such Christian faces once again.—But what can they mean by coming here? They must surely be stark mad to come freely to such a place as this! Yet they do come freely, for they seem merry enough, I am sure.'

'They were taken prisoners, perhaps?' said Emily.

'Taken prisoners!' exclaimed Annette; 'no, indeed, ma'amselle, not they. I remember one of them very well at Venice: she came two or three times, to the Signor's you know, ma'amselle, and it was said, but I did not believe a word of it—it was said, that the Signor liked her better than he should do. Then why, says I, bring her to my lady? Very true, said Ludovico; but he looked as if he knew more, too.'

Emily desired Annette would endeavour to learn who these ladies were, as well as all she could concerning them; and she then changed the subject, and spoke of distant France.

'Ah, ma'amselle! we shall never see it more!' said Annette, almost weeping.—'I must come on my travels, forsooth!'

Emily tried to sooth and to cheer her, with a hope, in which she scarcely herself indulged.

'How—how, ma'amselle, could you leave France, and leave Mons. Valancourt, too?' said Annette, sobbing. 'I—I—am sure, if Ludovico had been in France, I would never have left it.'

'Why do you lament quitting France, then?' said Emily, trying to smile, 'since, if you had remained there, you would not have found Ludovico.'

'Ah, ma'amselle! I only wish I was out of this frightful castle, serving you in France, and I would care about nothing else!'

'Thank you, my good Annette, for your affectionate regard; the time will come, I hope, when you may remember the expression of that wish with pleasure.'

Annette departed on her business, and Emily sought to lose the sense of her own cares, in the visionary scenes of the poet; but she had again to lament the irresistible force of circumstances over the taste and powers of the mind; and that it requires a spirit at ease to be sensible even to the abstract pleasures of pure intellect. The enthusiasm of genius, with all its pictured scenes, now appeared cold, and dim. As she mused upon the book before her, she involuntarily exclaimed, 'Are these, indeed, the passages, that have so often given me exquisite delight? Where did the charm exist?—Was it in my mind, or in the imagination of the poet? It lived in each,' said she, pausing. 'But the fire of the poet is vain, if the mind of his reader is not tempered like his own, however it may be inferior to his in power.'

Emily would have pursued this train of thinking, because it relieved her from more painful reflection, but she found again, that thought cannot always be controlled by will; and hers returned to the consideration of her own situation.

In the evening, not choosing to venture down to the ramparts, where she would be exposed to the rude gaze of Montoni's associates, she walked for air in the gallery, adjoining her chamber; on reaching the further end of which she heard distant sounds of merriment and laughter. It was the wild uproar of riot, not the cheering gaiety of tempered mirth; and seemed to come from that part of the castle, where Montoni usually was. Such sounds, at this time, when her aunt had been so few days dead, particularly shocked her, consistent as they were with the late conduct of Montoni.

As she listened, she thought she distinguished female voices mingling with the laughter, and this confirmed her worst surmise, concerning the character of Signora Livona and her companions. It was evident, that they had not been brought hither by compulsion; and she beheld herself in the remote wilds of the Apennine, surrounded by men, whom she considered to be little less than ruffians, and their worst associates, amid scenes of vice, from which her soul recoiled in horror. It was at this moment, when the scenes of the present and the future opened to her imagination, that the image of Valancourt failed in its influence, and her resolution shook with dread. She thought she understood all the horrors, which Montoni was preparing for her, and shrunk from an encounter with such remorseless vengeance, as he could inflict. The disputed estates she now almost determined to yield at once, whenever he should again call upon her, that she might regain safety and freedom; but then, the remembrance of Valancourt would steal to her heart, and plunge her into the distractions of doubt.

She continued walking in the gallery, till evening threw its melancholy twilight through the painted casements, and deepened the gloom of the oak wainscoting around her; while the distant perspective of the corridor was so much obscured, as to be discernible only by the glimmering window, that terminated it.

Along the vaulted halls and passages below, peals of laughter echoed faintly, at intervals, to this remote part of the castle, and seemed to render the succeeding stillness more dreary. Emily, however, unwilling to return to her more forlorn chamber, whither Annette was not yet come, still paced the gallery. As she passed the door of the apartment, where she had once dared to lift the veil, which discovered to her a spectacle so horrible, that she had never after remembered it, but with emotions of indescribable awe, this remembrance suddenly recurred. It now brought with it reflections more terrible, than it had yet done, which the late conduct of Montoni occasioned; and, hastening to quit the gallery, while she had power to do so, she heard a sudden step behind her.—It might be that of Annette; but, turning fearfully to look, she saw, through the gloom, a tall figure following her, and all the horrors of that chamber rushed upon her mind. In the next moment, she found herself clasped in the arms of some person, and heard a deep voice murmur in her ear.

When she had power to speak, or to distinguish articulated sounds, she demanded who detained her.

'It is I,' replied the voice—'Why are you thus alarmed?'

She looked on the face of the person who spoke, but the feeble light, that gleamed through the high casement at the end of the gallery, did not permit her to distinguish the features.

'Whoever you are,' said Emily, in a trembling voice, 'for heaven's sake let me go!'

'My charming Emily,' said the man, 'why will you shut yourself up in this obscure place, when there is so much gaiety below? Return with me to the cedar parlour, where you will be the fairest ornament of the party;—you shall not repent the exchange.'

Emily disdained to reply, and still endeavoured to liberate herself.

'Promise, that you will come,' he continued, 'and I will release you immediately; but first give me a reward for so doing.'

'Who are you?' demanded Emily, in a tone of mingled terror and indignation, while she still struggled for liberty—'who are you, that have the cruelty thus to insult me?'

'Why call me cruel?' said the man, 'I would remove you from this dreary solitude to a merry party below. Do you not know me?'

Emily now faintly remembered, that he was one of the officers who were with Montoni when she attended him in the morning. 'I thank you for the kindness of your intention,' she replied, without appearing to understand him, 'but I wish for nothing so much as that you would leave me.'

'Charming Emily!' said he, 'give up this foolish whim for solitude, and come with me to the company, and eclipse the beauties who make part of it; you, only, are worthy of my love.' He attempted to kiss her hand, but the strong impulse of her indignation gave her power to liberate herself, and she fled towards the chamber. She closed the door, before he reached it, having secured which, she sunk in a chair, overcome by terror and by the exertion she had made, while she heard his voice, and his attempts to open the door, without having the power to raise herself. At length, she perceived him depart, and had remained, listening, for a considerable time, and was somewhat revived by not hearing any sound, when suddenly she remembered the door of the private stair-case, and that he might enter that way, since it was fastened only on the other side. She then employed herself in endeavouring to secure it, in the manner she had formerly done. It appeared to her, that Montoni had already commenced his scheme of vengeance, by withdrawing from her his protection, and she repented of the rashness, that had made her brave the power of such a man. To retain the estates seemed to be now utterly impossible, and to preserve her life, perhaps her honour, she resolved, if she should escape the horrors of this night, to give up all claims to the estates, on the morrow, provided Montoni would suffer her to depart from Udolpho.

When she had come to this decision, her mind became more composed, though she still anxiously listened, and often started at ideal sounds, that appeared to issue from the stair-case.

Having sat in darkness for some hours, during all which time Annette did not appear, she began to have serious apprehensions for her; but, not daring to venture down into the castle, was compelled to remain in uncertainty, as to the cause of this unusual absence.

Emily often stole to the stair-case door, to listen if any step approached, but still no sound alarmed her: determining, however, to watch, during the night, she once more rested on her dark and desolate couch, and bathed the pillow with innocent tears. She thought of her deceased parents and then of the absent Valancourt, and frequently called upon their names; for the profound stillness, that now reigned, was propitious to the musing sorrow of her mind.

While she thus remained, her ear suddenly caught the notes of distant music, to which she listened attentively, and, soon perceiving this to be the instrument she had formerly heard at midnight, she rose, and stepped softly to the casement, to which the sounds appeared to come from a lower room.

In a few moments, their soft melody was accompanied by a voice so full of pathos, that it evidently sang not of imaginary sorrows. Its sweet and peculiar tones she thought she had somewhere heard before; yet, if this was not fancy, it was, at most, a very faint recollection. It stole over her mind, amidst the anguish of her present suffering, like a celestial strain, soothing, and re-assuring her;—'Pleasant as the gale of spring, that sighs on the hunter's ear, when he awakens from dreams of joy, and has heard the music of the spirits of the hill.'*

(*Ossian. [A. R.])

But her emotion can scarcely be imagined, when she heard sung, with the taste and simplicity of true feeling, one of the popular airs of her native province, to which she had so often listened with delight, when a child, and which she had so often heard her father repeat! To this well-known song, never, till now, heard but in her native country, her heart melted, while the memory of past times returned. The pleasant, peaceful scenes of Gascony, the tenderness and goodness of her parents, the taste and simplicity of her former life—all rose to her fancy, and formed a picture, so sweet and glowing, so strikingly contrasted with the scenes, the characters and the dangers, which now surrounded her—that her mind could not bear to pause upon the retrospect, and shrunk at the acuteness of its own sufferings.

Her sighs were deep and convulsed; she could no longer listen to the strain, that had so often charmed her to tranquillity, and she withdrew from the casement to a remote part of the chamber. But she was not yet beyond the reach of the music; she heard the measure change, and the succeeding air called her again to the window, for she immediately recollected it to be the same she had formerly heard in the fishing-house in Gascony. Assisted, perhaps, by the mystery, which had then accompanied this strain, it had made so deep an impression on her memory, that she had never since entirely forgotten it; and the manner, in which it was now sung, convinced her, however unaccountable the circumstances appeared, that this was the same voice she had then heard. Surprise soon yielded to other emotions; a thought darted, like lightning, upon her mind, which discovered a train of hopes, that revived all her spirits. Yet these hopes were so new, so unexpected, so astonishing, that she did not dare to trust, though she could not resolve to discourage them. She sat down by the casement, breathless, and overcome with the alternate emotions of hope and fear; then rose again, leaned from the window, that she might catch a nearer sound, listened, now doubting and then believing, softly exclaimed the name of Valancourt, and then sunk again into the chair. Yes, it was possible, that Valancourt was near her, and she recollected circumstances, which induced her to believe it was his voice she had just heard. She remembered he had more than once said that the fishing-house, where she had formerly listened to this voice and air, and where she had seen pencilled sonnets, addressed to herself, had been his favourite haunt, before he had been made known to her; there, too, she had herself unexpectedly met him. It appeared, from these circumstances, more than probable, that he was the musician, who had formerly charmed her attention, and the author of the lines, which had expressed such tender admiration;—who else, indeed, could it be? She was unable, at that time, to form a conjecture, as to the writer, but, since her acquaintance with Valancourt, whenever he had mentioned the fishing-house to have been known to him, she had not scrupled to believe that he was the author of the sonnets.

As these considerations passed over her mind, joy, fear and tenderness contended at her heart; she leaned again from the casement to catch the sounds, which might confirm, or destroy her hope, though she did not recollect to have ever heard him sing; but the voice, and the instrument, now ceased.

She considered for a moment whether she should venture to speak: then, not choosing, lest it should be he, to mention his name, and yet too much interested to neglect the opportunity of enquiring, she called from the casement, 'Is that song from Gascony?' Her anxious attention was not cheered by any reply; every thing remained silent. Her impatience increasing with her fears, she repeated the question; but still no sound was heard, except the sighings of the wind among the battlements above; and she endeavoured to console herself with a belief, that the stranger, whoever he was, had retired, before she had spoken, beyond the reach of her voice, which, it appeared certain, had Valancourt heard and recognized, he would instantly have replied to. Presently, however, she considered, that a motive of prudence, and not an accidental removal, might occasion his silence; but the surmise, that led to this reflection, suddenly changed her hope and joy to terror and grief; for, if Valancourt were in the castle, it was too probable, that he was here a prisoner, taken with some of his countrymen, many of whom were at that time engaged in the wars of Italy, or intercepted in some attempt to reach her. Had he even recollected Emily's voice, he would have feared, in these circumstances, to reply to it, in the presence of the men, who guarded his prison.

What so lately she had eagerly hoped she now believed she dreaded;—dreaded to know, that Valancourt was near her; and, while she was anxious to be relieved from her apprehension for his safety, she still was unconscious, that a hope of soon seeing him, struggled with the fear.

She remained listening at the casement, till the air began to freshen, and one high mountain in the east to glimmer with the morning; when, wearied with anxiety, she retired to her couch, where she found it utterly impossible to sleep, for joy, tenderness, doubt and apprehension, distracted her during the whole night. Now she rose from the couch, and opened the casement to listen; then she would pace the room with impatient steps, and, at length, return with despondence to her pillow. Never did hours appear to move so heavily, as those of this anxious night; after which she hoped that Annette might appear, and conclude her present state of torturing suspense.



CHAPTER VI

might we but hear The folded flocks penn'd in their watled cotes, Or sound of pastoral reed with oaten stops, Or whistle from the lodge, or village cock Count the night watches to his feathery dames, 'Twould be some solace yet, some little cheering In this close dungeon of innumerous boughs. MILTON

In the morning, Emily was relieved from her fears for Annette, who came at an early hour.

'Here were fine doings in the castle, last night, ma'amselle,' said she, as soon as she entered the room,—'fine doings, indeed! Was you not frightened, ma'amselle, at not seeing me?'

'I was alarmed both on your account and on my own,' replied Emily—'What detained you?'

'Aye, I said so, I told him so; but it would not do. It was not my fault, indeed, ma'amselle, for I could not get out. That rogue Ludovico locked me up again.'

'Locked you up!' said Emily, with displeasure, 'Why do you permit Ludovico to lock you up?'

'Holy Saints!' exclaimed Annette, 'how can I help it! If he will lock the door, ma'amselle, and take away the key, how am I to get out, unless I jump through the window? But that I should not mind so much, if the casements here were not all so high; one can hardly scramble up to them on the inside, and one should break one's neck, I suppose, going down on the outside. But you know, I dare say, ma'am, what a hurly-burly the castle was in, last night; you must have heard some of the uproar.'

'What, were they disputing, then?' said Emily.

'No, ma'amselle, nor fighting, but almost as good, for I believe there was not one of the Signors sober; and what is more, not one of those fine ladies sober, either. I thought, when I saw them first, that all those fine silks and fine veils,—why, ma'amselle, their veils were worked with silver! and fine trimmings—boded no good—I guessed what they were!'

'Good God!' exclaimed Emily, 'what will become of me!'

'Aye, ma'am, Ludovico said much the same thing of me. Good God! said he, Annette, what is to become of you, if you are to go running about the castle among all these drunken Signors?'

'O! says I, for that matter, I only want to go to my young lady's chamber, and I have only to go, you know, along the vaulted passage and across the great hall and up the marble stair-case and along the north gallery and through the west wing of the castle and I am in the corridor in a minute.' 'Are you so? says he, and what is to become of you, if you meet any of those noble cavaliers in the way?' 'Well, says I, if you think there is danger, then, go with me, and guard me; I am never afraid when you are by.' 'What! says he, when I am scarcely recovered of one wound, shall I put myself in the way of getting another? for if any of the cavaliers meet you, they will fall a-fighting with me directly. No, no, says he, I will cut the way shorter, than through the vaulted passage and up the marble stair-case, and along the north gallery and through the west wing of the castle, for you shall stay here, Annette; you shall not go out of this room, to-night.' 'So, with that I says'—

'Well, well,' said Emily, impatiently, and anxious to enquire on another subject,—'so he locked you up?'

'Yes, he did indeed, ma'amselle, notwithstanding all I could say to the contrary; and Caterina and I and he staid there all night. And in a few minutes after I was not so vexed, for there came Signor Verezzi roaring along the passage, like a mad bull, and he mistook Ludovico's hall, for old Carlo's; so he tried to burst open the door, and called out for more wine, for that he had drunk all the flasks dry, and was dying of thirst. So we were all as still as night, that he might suppose there was nobody in the room; but the Signor was as cunning as the best of us, and kept calling out at the door, "Come forth, my antient hero!" said he, "here is no enemy at the gate, that you need hide yourself: come forth, my valorous Signor Steward!" Just then old Carlo opened his door, and he came with a flask in his hand; for, as soon as the Signor saw him, he was as tame as could be, and followed him away as naturally as a dog does a butcher with a piece of meat in his basket. All this I saw through the key-hole. Well, Annette, said Ludovico, jeeringly, shall I let you out now? O no, says I, I would not'—

'I have some questions to ask you on another subject,' interrupted Emily, quite wearied by this story. 'Do you know whether there are any prisoners in the castle, and whether they are confined at this end of the edifice?'

'I was not in the way, ma'amselle,' replied Annette, 'when the first party came in from the mountains, and the last party is not come back yet, so I don't know, whether there are any prisoners; but it is expected back to-night, or to-morrow, and I shall know then, perhaps.'

Emily enquired if she had ever heard the servants talk of prisoners.

'Ah ma'amselle!' said Annette archly, 'now I dare say you are thinking of Monsieur Valancourt, and that he may have come among the armies, which, they say, are come from our country, to fight against this state, and that he has met with some of OUR people, and is taken captive. O Lord! how glad I should be, if it was so!'

'Would you, indeed, be glad?' said Emily, in a tone of mournful reproach.

'To be sure I should, ma'am,' replied Annette, 'and would not you be glad too, to see Signor Valancourt? I don't know any chevalier I like better, I have a very great regard for the Signor, truly.'

'Your regard for him cannot be doubted,' said Emily, 'since you wish to see him a prisoner.'

'Why no, ma'amselle, not a prisoner either; but one must be glad to see him, you know. And it was only the other night I dreamt—I dreamt I saw him drive into the castle-yard all in a coach and six, and dressed out, with a laced coat and a sword, like a lord as he is.'

Emily could not forbear smiling at Annette's ideas of Valancourt, and repeated her enquiry, whether she had heard the servants talk of prisoners.

'No, ma'amselle,' replied she, 'never; and lately they have done nothing but talk of the apparition, that has been walking about of a night on the ramparts, and that frightened the sentinels into fits. It came among them like a flash of fire, they say, and they all fell down in a row, till they came to themselves again; and then it was gone, and nothing to be seen but the old castle walls; so they helped one another up again as fast as they could. You would not believe, ma'amselle, though I shewed you the very cannon, where it used to appear.'

'And are you, indeed, so simple, Annette,' said Emily, smiling at this curious exaggeration of the circumstances she had witnessed, 'as to credit these stories?'

'Credit them, ma'amselle! why all the world could not persuade me out of them. Roberto and Sebastian and half a dozen more of them went into fits! To be sure, there was no occasion for that; I said, myself, there was no need of that, for, says I, when the enemy comes, what a pretty figure they will cut, if they are to fall down in fits, all of a row! The enemy won't be so civil, perhaps, as to walk off, like the ghost, and leave them to help one another up, but will fall to, cutting and slashing, till he makes them all rise up dead men. No, no, says I, there is reason in all things: though I might have fallen down in a fit that was no rule for them, being, because it is no business of mine to look gruff, and fight battles.'

Emily endeavoured to correct the superstitious weakness of Annette, though she could not entirely subdue her own; to which the latter only replied, 'Nay, ma'amselle, you will believe nothing; you are almost as bad as the Signor himself, who was in a great passion when they told of what had happened, and swore that the first man, who repeated such nonsense, should be thrown into the dungeon under the east turret. This was a hard punishment too, for only talking nonsense, as he called it, but I dare say he had other reasons for calling it so, than you have, ma'am.'

Emily looked displeased, and made no reply. As she mused upon the recollected appearance, which had lately so much alarmed her, and considered the circumstances of the figure having stationed itself opposite to her casement, she was for a moment inclined to believe it was Valancourt, whom she had seen. Yet, if it was he, why did he not speak to her, when he had the opportunity of doing so—and, if he was a prisoner in the castle, and he could be here in no other character, how could he obtain the means of walking abroad on the rampart? Thus she was utterly unable to decide, whether the musician and the form she had observed, were the same, or, if they were, whether this was Valancourt. She, however, desired that Annette would endeavour to learn whether any prisoners were in the castle, and also their names.

'O dear, ma'amselle!' said Annette, 'I forget to tell you what you bade me ask about, the ladies, as they call themselves, who are lately come to Udolpho. Why that Signora Livona, that the Signor brought to see my late lady at Venice, is his mistress now, and was little better then, I dare say. And Ludovico says (but pray be secret, ma'am) that his excellenza introduced her only to impose upon the world, that had begun to make free with her character. So when people saw my lady notice her, they thought what they had heard must be scandal. The other two are the mistresses of Signor Verezzi and Signor Bertolini; and Signor Montoni invited them all to the castle; and so, yesterday, he gave a great entertainment; and there they were, all drinking Tuscany wine and all sorts, and laughing and singing, till they made the castle ring again. But I thought they were dismal sounds, so soon after my poor lady's death too; and they brought to my mind what she would have thought, if she had heard them—but she cannot hear them now, poor soul! said I.'

Emily turned away to conceal her emotion, and then desired Annette to go, and make enquiry, concerning the prisoners, that might be in the castle, but conjured her to do it with caution, and on no account to mention her name, or that of Monsieur Valancourt.

'Now I think of it, ma'amselle,' said Annette, 'I do believe there are prisoners, for I overheard one of the Signor's men, yesterday, in the servants hall, talking something about ransoms, and saying what a fine thing it was for his excellenza to catch up men, and they were as good booty as any other, because of the ransoms. And the other man was grumbling, and saying it was fine enough for the Signor, but none so fine for his soldiers, because, said he, we don't go shares there.'

This information heightened Emily's impatience to know more, and Annette immediately departed on her enquiry.

The late resolution of Emily to resign her estates to Montoni, now gave way to new considerations; the possibility, that Valancourt was near her, revived her fortitude, and she determined to brave the threatened vengeance, at least, till she could be assured whether he was really in the castle. She was in this temper of mind, when she received a message from Montoni, requiring her attendance in the cedar parlour, which she obeyed with trembling, and, on her way thither, endeavoured to animate her fortitude with the idea of Valancourt.

Montoni was alone. 'I sent for you,' said he, 'to give you another opportunity of retracting your late mistaken assertions concerning the Languedoc estates. I will condescend to advise, where I may command.—If you are really deluded by an opinion, that you have any right to these estates, at least, do not persist in the error—an error, which you may perceive, too late, has been fatal to you. Dare my resentment no further, but sign the papers.'

'If I have no right in these estates, sir,' said Emily, 'of what service can it be to you, that I should sign any papers, concerning them? If the lands are yours by law, you certainly may possess them, without my interference, or my consent.'

'I will have no more argument,' said Montoni, with a look that made her tremble. 'What had I but trouble to expect, when I condescended to reason with a baby! But I will be trifled with no longer: let the recollection of your aunt's sufferings, in consequence of her folly and obstinacy, teach you a lesson.—Sign the papers.'

Emily's resolution was for a moment awed:—she shrunk at the recollections he revived, and from the vengeance he threatened; but then, the image of Valancourt, who so long had loved her, and who was now, perhaps, so near her, came to her heart, and, together with the strong feelings of indignation, with which she had always, from her infancy, regarded an act of injustice, inspired her with a noble, though imprudent, courage.

'Sign the papers,' said Montoni, more impatiently than before.

'Never, sir,' replied Emily; 'that request would have proved to me the injustice of your claim, had I even been ignorant of my right.'

Montoni turned pale with anger, while his quivering lip and lurking eye made her almost repent the boldness of her speech.

'Then all my vengeance falls upon you,' he exclaimed, with an horrible oath. 'And think not it shall be delayed. Neither the estates in Languedoc, or Gascony, shall be yours; you have dared to question my right,—now dare to question my power. I have a punishment which you think not of; it is terrible! This night—this very night'—

'This night!' repeated another voice.

Montoni paused, and turned half round, but, seeming to recollect himself, he proceeded in a lower tone.

'You have lately seen one terrible example of obstinacy and folly; yet this, it appears, has not been sufficient to deter you.—I could tell you of others—I could make you tremble at the bare recital.'

He was interrupted by a groan, which seemed to rise from underneath the chamber they were in; and, as he threw a glance round it, impatience and rage flashed from his eyes, yet something like a shade of fear passed over his countenance. Emily sat down in a chair, near the door, for the various emotions she had suffered, now almost overcame her; but Montoni paused scarcely an instant, and, commanding his features, resumed his discourse in a lower, yet sterner voice.

'I say, I could give you other instances of my power and of my character, which it seems you do not understand, or you would not defy me.—I could tell you, that, when once my resolution is taken—but I am talking to a baby. Let me, however, repeat, that terrible as are the examples I could recite, the recital could not now benefit you; for, though your repentance would put an immediate end to opposition, it would not now appease my indignation.—I will have vengeance as well as justice.'

Another groan filled the pause which Montoni made.

'Leave the room instantly!' said he, seeming not to notice this strange occurrence. Without power to implore his pity, she rose to go, but found that she could not support herself; awe and terror overcame her, and she sunk again into the chair.

'Quit my presence!' cried Montoni. 'This affectation of fear ill becomes the heroine who has just dared to brave my indignation.'

'Did you hear nothing, Signor?' said Emily, trembling, and still unable to leave the room.

'I heard my own voice,' rejoined Montoni, sternly.

'And nothing else?' said Emily, speaking with difficulty.—'There again! Do you hear nothing now?'

'Obey my order,' repeated Montoni. 'And for these fool's tricks—I will soon discover by whom they are practised.'

Emily again rose, and exerted herself to the utmost to leave the room, while Montoni followed her; but, instead of calling aloud to his servants to search the chamber, as he had formerly done on a similar occurrence, passed to the ramparts.

As, in her way to the corridor, she rested for a moment at an open casement, Emily saw a party of Montoni's troops winding down a distant mountain, whom she noticed no further, than as they brought to her mind the wretched prisoners they were, perhaps, bringing to the castle. At length, having reached her apartment, she threw herself upon the couch, overcome with the new horrors of her situation. Her thoughts lost in tumult and perplexity, she could neither repent of, or approve, her late conduct; she could only remember, that she was in the power of a man, who had no principle of action—but his will; and the astonishment and terrors of superstition, which had, for a moment, so strongly assailed her, now yielded to those of reason.

She was, at length, roused from the reverie, which engaged her, by a confusion of distant voices, and a clattering of hoofs, that seemed to come, on the wind, from the courts. A sudden hope, that some good was approaching, seized her mind, till she remembered the troops she had observed from the casement, and concluded this to be the party, which Annette had said were expected at Udolpho.

Soon after, she heard voices faintly from the halls, and the noise of horses' feet sunk away in the wind; silence ensued. Emily listened anxiously for Annette's step in the corridor, but a pause of total stillness continued, till again the castle seemed to be all tumult and confusion. She heard the echoes of many footsteps, passing to and fro in the halls and avenues below, and then busy tongues were loud on the rampart. Having hurried to her casement, she perceived Montoni, with some of his officers, leaning on the walls, and pointing from them; while several soldiers were employed at the further end of the rampart about some cannon; and she continued to observe them, careless of the passing time.

Annette at length appeared, but brought no intelligence of Valancourt, 'For, ma'amselle,' said she, 'all the people pretend to know nothing about any prisoners. But here is a fine piece of business! The rest of the party are just arrived, ma'am; they came scampering in, as if they would have broken their necks; one scarcely knew whether the man, or his horse would get within the gates first. And they have brought word—and such news! they have brought word, that a party of the enemy, as they call them, are coming towards the castle; so we shall have all the officers of justice, I suppose, besieging it! all those terrible-looking fellows one used to see at Venice.'

'Thank God!' exclaimed Emily, fervently, 'there is yet a hope left for me, then!'

'What mean you, ma'amselle? Do you wish to fall into the hands of those sad-looking men! Why I used to shudder as I passed them, and should have guessed what they were, if Ludovico had not told me.'

'We cannot be in worse hands than at present,' replied Emily, unguardedly; 'but what reason have you to suppose these are officers of justice?'

'Why OUR people, ma'am, are all in such a fright, and a fuss; and I don't know any thing but the fear of justice, that could make them so. I used to think nothing on earth could fluster them, unless, indeed, it was a ghost, or so; but now, some of them are for hiding down in the vaults under the castle; but you must not tell the Signor this, ma'amselle, and I overheard two of them talking—Holy Mother! what makes you look so sad, ma'amselle? You don't hear what I say!'

'Yes, I do, Annette; pray proceed.'

'Well, ma'amselle, all the castle is in such hurly-burly. Some of the men are loading the cannon, and some are examining the great gates, and the walls all round, and are hammering and patching up, just as if all those repairs had never been made, that were so long about. But what is to become of me and you, ma'amselle, and Ludovico? O! when I hear the sound of the cannon, I shall die with fright. If I could but catch the great gate open for one minute, I would be even with it for shutting me within these walls so long!—it should never see me again.'

Emily caught the latter words of Annette. 'O! if you could find it open, but for one moment!' she exclaimed, 'my peace might yet be saved!' The heavy groan she uttered, and the wildness of her look, terrified Annette, still more than her words; who entreated Emily to explain the meaning of them, to whom it suddenly occurred, that Ludovico might be of some service, if there should be a possibility of escape, and who repeated the substance of what had passed between Montoni and herself, but conjured her to mention this to no person except to Ludovico. 'It may, perhaps, be in his power,' she added, 'to effect our escape. Go to him, Annette, tell him what I have to apprehend, and what I have already suffered; but entreat him to be secret, and to lose no time in attempting to release us. If he is willing to undertake this he shall be amply rewarded. I cannot speak with him myself, for we might be observed, and then effectual care would be taken to prevent our flight. But be quick, Annette, and, above all, be discreet—I will await your return in this apartment.'

The girl, whose honest heart had been much affected by the recital, was now as eager to obey, as Emily was to employ her, and she immediately quitted the room.

Emily's surprise increased, as she reflected upon Annette's intelligence. 'Alas!' said she, 'what can the officers of justice do against an armed castle? these cannot be such.' Upon further consideration, however, she concluded, that, Montoni's bands having plundered the country round, the inhabitants had taken arms, and were coming with the officers of police and a party of soldiers, to force their way into the castle. 'But they know not,' thought she, 'its strength, or the armed numbers within it. Alas! except from flight, I have nothing to hope!'

Montoni, though not precisely what Emily apprehended him to be—a captain of banditti—had employed his troops in enterprises not less daring, or less atrocious, than such a character would have undertaken. They had not only pillaged, whenever opportunity offered, the helpless traveller, but had attacked, and plundered the villas of several persons, which, being situated among the solitary recesses of the mountains, were totally unprepared for resistance. In these expeditions the commanders of the party did not appear, and the men, partly disguised, had sometimes been mistaken for common robbers, and, at others, for bands of the foreign enemy, who, at that period, invaded the country. But, though they had already pillaged several mansions, and brought home considerable treasures, they had ventured to approach only one castle, in the attack of which they were assisted by other troops of their own order; from this, however, they were vigorously repulsed, and pursued by some of the foreign enemy, who were in league with the besieged. Montoni's troops fled precipitately towards Udolpho, but were so closely tracked over the mountains, that, when they reached one of the heights in the neighbourhood of the castle, and looked back upon the road, they perceived the enemy winding among the cliffs below, and at not more than a league distant. Upon this discovery, they hastened forward with increased speed, to prepare Montoni for the enemy; and it was their arrival, which had thrown the castle into such confusion and tumult.