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The Martial Adventures of Henry and Me
by William Allen White
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We have in France a few hundred thousand men and will soon have a million and more who are offering their lives in Service. But the whole French nation is giving thus. And it is without hate. One finds instead of hatred in France a feeling of deep disgust for the German and all his works. The spirit of the French is not vicious. It is beautiful. When the war ceases that may subside, may retire to the under consciousness of the people. But it will not depart. It also will remain eternally a part of the salvage of this war.

By the time the transgression of our car had been sufficiently atoned for, dusk was falling. And Henry broke away from the gothic arches of the trees and made for a tavern. He had learned that one must take food in France where he can find it, and ten minutes later we came upon him in front of the inn, talking in a slow loud voice to what was either the inn-keeper's daughter or his pretty young wife thus: "I said," Henry paused and nodded his head and beat the thing in with his hand; "we want some supper—de jurnay—toot sweet!" She shook her head and shrugged her shoulders very prettily and said she could not "say pa." And Henry laughed and went on, still enunciating each word distinctly. "Ah, don't tell us you can't 'Say pa': say 'wee wee.'" And again he told her "toot sweet." That was the only part of the French language that Henry was entirely sure of—that and "comb be-ah!" But we could not get it through her head. So we loaded ourselves into the car and headed back for St. Dizier, where at least they understood Henry's gestures, and we could get food!

Our next journey took us to the greatest training camp in the allied part of the world. It is not the largest camp, of course. It accommodates less than twenty thousand soldiers. But it is what might be called the post graduate college of all training camps. Here ten thousand men come every week from other training camps all over the earth, and are given intensive training. For six days, eighteen and twenty hours a day, these soldiers, trained by many months' labour on other fields, are given the Ph.D. in battle lore, and are turned out the seventh day after a Saturday night lecture on hate, and shot straight up to the front. In all France there is no more grisly place for the weak-stomached man than this training camp—not even the front line trenches will kick up his gorge more sedulously. Yet at first sight the place looks innocent enough. One sees a great basin hollowed among the hills, and in the ten thousand acre plain one sees horse-men galloping, soldiers running, great trucks and tanks lumbering over the field; men digging, men throwing hand-grenades, men clambering over trench walls, stumbling over crater holes, men doing all the innumerable things that are learned by those who carry on the handicraft of war.

But when one starts with the first class and goes along through the day's work with it, the deadly seriousness of the training gets to him. The first thing the first class does is to gather around a sergeant major, who in a few simple words tells his pupils how to use the bayonet. Then they go out and use the bayonet as he has taught them. Then the pupils gather around another sergeant major, who tells them how to use the hand-grenade or the knife or the butt of a gun, and the simple-hearted lads go out and use the grenade, the knife, or the butt of the gun. At length they are taken to a part of the ground where some trenches are sunken in the earth. Before the trenches are barbed wire entanglements and deep jagged shell craters. The imitation enemy trenches badly bombed by barrage lie twenty rods beyond. The men are taken in hand by the amiable sergeant major and taught to yell and roar, and growl and snarl, to simulate the most murderous passion, and the simulation of a husky youth in his twenties of a murderous passion is realistic enough to make your flesh creep; for the very simulation produces the passion, as every wise man's son doth know. Then the youths are lined up in the trench, and numbered "one-two; one-two; one-two"; clear down the trench. Then the order is given to go over the top. Every gun rattles on the trench-top, and the second lieutenant goes over. In the English papers the list of dead begins "Second lieutenant, unless otherwise designated." And in the war zone the second lieutenants are known as "The suicides' club." Well, the second lieutenants get on top, and, down in the trench, number one hands his leg to number two; clear down the line; number two boosts number one to the top, then number one lends a hand to number two and pulls him out. Meanwhile enemy fire is hot. The line forms in open order. The blood curdling yells begin—and mingle in an animal roar that sounds like the howl of an orang-outang in the circus just before it is fed at the after-show! It is the voice of hell. Then the line walks—not runs, but walks under machine gun and shell fire to the enemy trench; for experience has proven that if the men run into that fire they will be out of breath and probably go down in the hand-to-hand, knee-to-knee, eye-to-eye conflict with knife and bayonet and gun butt that always occurs when they go over the top to charge the enemy trench. As they near the enemy trench the bestial howl rises, and as they jump into the shell-shattered trenches the howl is maniacal. In the trenches are canvas bags made to represent wounded enemies. The first wave over the top leaves these bags for the stretcher bearers. But by the time the next wave comes over, or the third wave comes, the stretcher bearers are supposed to have cleared the trenches of wounded enemies, and after that every soldier is supposed to jab his bayonet in every bag in the trenches, as he is expected to jab every dead body, to prevent an enemy from playing possum and then getting to a presumably disabled enemy machine gun and shooting our soldiers in the back. Every time a student soldier jabs a canvas bag he snarls and growls like a jackal, and if he misses a bag it counts against him in the day's markings. Wave after wave comes over, and prisoners are sent to the rear, if there are guards to take them. If not prisoners are killed, and one does not waste ammunition on them. It may be well to pause here to say that in the gentle art of murdering the business of taking prisoners is not elaborately worked out. They learn that by rote, rather than by note. The Canadians, since two of their men were crucified by the Prussians, take few Prussian prisoners. Here is a snap-back of the film. It is the Rue di Rivoli in Paris. Two lanky youngsters in Canadian uniform are talking to Henry and me.

"What part of the states do you Canadians come from?" we ask. They grin and answer, "San Francisco."

WE: "What's this story about you Canadians not taking any prisoners?"

THEY: "Oh, we take prisoners—all right, I guess!"

WE: "Well, how often?"

THEY: "Oh, sometimes."

WE: "Come on now, boys, as Californians to Kansans, tell us the truth."

The tall one looked at the short one for permission to tell the truth, and got it. Then he said:

"Well, it's like this. We go into a trench after them damn brutes has been playing machine guns on us, knowing as soon as we get in they'll surrender, but trying to kill as many of us as they can before they give up. Then they raise up their hands and begin yelling, 'Kamerade, Kamerade,' and someone says, 'Come on, fellers, let's take this poor beggar,' and we're about to do it when along comes a chap and sees this devil, and up goes a gun by the barrel, and whack it comes down on the Boche's head, and the feller says, 'No, damn him, he killed my pal,' and we polishes him off! polishes him off and cleans out the trench."



WE: "Now, boys, does that always happen? How often do you fellows polish Fritzie off and clean up the trench?"

THEY (after the short one had nodded to the tall one): "Well, mister, I'll tell you. It's got so it's mighty damn risky for any Prussian to surrender to any Canadian!"

When the line out there in the training camp has gone to its objective, which usually is the third or fourth enemy trench, the men begin digging in. Then they go back to the sergeant major for more instructions. The digging in is usually done under a curtain of fire to protect them. It is a great picture.

In another part of the field we saw the engineers learning to make tunnels under the enemy; saw the engineers blowing up enemy trenches—a pleasant and exciting spectacle; saw the engineers making camouflage, and it may interest the gentle reader to know that one of the niftiest bits of camouflage we saw was over a French seventy-five gun. It was set in the field. A rail-road siding ran to it. On a canvas over the gun two rails and the usual number of ties were painted, and the track ran on beyond. Fifty feet in the air one could not tell that the gun was there.

The liveliest part of this martial cloister was the section devoted to the bayonet practice. And as we watched the men trying to rip the vest buttons off a dummy and expose its gastric arrangements with a bayonet, while loping along at full speed, we recalled a Civil War story which may well be revived here. A Down-easter from Vermont and a Southerner were going around and around one day at Shiloh, each trying to get the other with the bayonet, but both were good dodgers. Finally as the Yankee was getting winded he cried between puffs:

"Watch aout—! Mind what yer dewin'! Ye dern smart aleck! Haint yew got no sense! You'll stick the pint of thet thing in my boawels, if you ain't keerful!"

We heard a lot of shivery stories around that training camp. They told us that the French chasseurs, the famous blue devils, were more or less careless about the way they forgot to take prisoners. They are a proud people, from the French Alps, and exceedingly democratic. A German brigadier, caught under their barrage, came up to a troop of chasseurs and when they demanded his surrender asked curtly, "Where's your superior officer?" They pointed down the hill, and he started down. At a safe distance they threw a hand grenade into him and obliterated him, remarking, "Well, the world is that much safer for democracy." It is told of a Canadian who came across a squad of Germans with their hands up that he asked: "How many are you?" Eleven, they said. He reached in his pocket; found his hand grenade, and threw it at them, remarking, "I'm sorry I have but the one; but divide it between you!" There is also the story of the Indian Sikhs, who begged to go out on a night raiding party—crawling on their bellies with their knives as their only weapons. Finally two of them returned with new pairs of boots. Showing them proudly to their amazed Captain, they said humbly, "Yes, sire! But you would be pained to learn how long we had to hunt for a fit!" There is also the story of the festive Tommy who tried to play a practical joke on his German prisoner by slipping a lighted bomb in the German's pocket. The Tommy then started to run; the German thought he must keep up with his captor and Tommy realized that the joke was on him, just as the bomb went off and killed them both.

Such stories are innumerable. They are probably untrue. But they indicate what men at war think is funny; they reflect a certain impoliteness and lack of courtesy that prevails in war. As it wears on it grows more or less unneighbourly. And yet the upheaval of war is just a passing emotional disturbance in the normal life of men. Even in France, even in the war zone, there is no glorifying of war; men in war, at least on our side of the line, hate war more than they hate the Germans. And with the whole heart of the civilized world—if one frankly may call the Turk and the Prussian the savages that they are—set upon maintaining this war to a victory for the allies, civilization may be said to be in the war as a make-shift. Everywhere one hears that it is a war against war. Every one is "longing for the dawn of peace" when it shall come with justice, and in the meantime France is as deeply devoted to healing the wounds of war as it is in promoting the war. Six hundred French societies are devoted to various war works of mercy! Every man and woman in France who is not a soldier or a nurse is working in one of these societies. And yet life goes on with all this maladjustment of its cams and cogs and levers much as in its ordinary routine. There never were more joyous dahlias and phlox and china asters than we saw coming back from that training camp where men were learning the big death game. And when we came to Paris the real business of war seemed remote. Of course, Paris is affected by the war. But Paris is not war-like. One doesn't associate Paris with "grim-visaged war!" For if Paris is not gay, still it remains mighty amiable. At noon the boulevard cafes are filled to the side-walks, and until nine o'clock at night they give a fair imitation of their former happiness. Then they close and the picture shows are crowded, and the theaters are filled. One sees soldiers and their women folk at the opera and at the vaudeville shows more than at the other shows. During the summer and the autumn a strong man put on a show at the Follies with the soldiers that was the talk of the town. His game was a tug of war. He announced that he would give fifty dollars to any soldier who could withstand him. The strong man sat the soldier down on the floor, foot to foot before him. Both grasped a pole, and it was the strong man's "act" to throw the soldier over his head, on to a mattress just back of the strong man. It is a simple act; one that soon would tire Broadway, but when one remembers that soldiers bring their local pride with them to Paris from the ends of the earth, from New Zealand, from India, from Canada, from South Africa, from Morocco, from China, from Australia, and then when one remembers that the men of his country are gathered in the theater to back every local athlete, it is easy to see why the strong man holds week after week, month after month, season after season. Every night some proud nation gathers in the show house to get that fifty dollars with its favourite son. And every night some favourite son almost gets it. And if the strong man didn't fudge a little, pinch the favourite son's hands on the pole and make him let go, almost every night the strong man would be worsted. The struggle sets the house yelling. It is the only real drama in Paris. We noticed that the shows of Paris which appealed to the eyes and ears were far below the American standard. In comedy which appeals to something behind the sense, in the higher grades of acting, the Paris shows were, on the whole, better than Broadway shows. But in the choruses, the dancers lack that finish, that top dressing of mechanical unison required by American taste. Moreover the lighting and colour were poor. The music at the Follies was Victor Herbert of 1911! Old American popular songs seemed to be in vogue. One heard "O Johnny" and "Over There" at every vaudeville house this year. Sometimes they were done in French, sometimes in English. In Genoa, one may say in passing that we heard one of the songs from "Hitchy-Coo" done in Italian. It was eery! American artists are popular in Paris. We saw a girl at three show houses in Paris, under the name of Betty Washington, doing a gipsy dance, playing the fiddle. She was barefoot, and Henry, who has a keen eye, noticed that she had her toes rouged! But she always was good for four encores, and she usually got a good start at the fifth from Henry and me; we had just that much national pride! Great throngs of soldiers filled these gay show houses. The French, the English, and the Australians seemed satisfied with them. But the Canadians and Americans sniffed. To them Paris is a poor show town.

One night we fell into a Boulevard show the like of which we had never seen before. It was a political revue! The whole evening was devoted to skits directed at the ministry, at the food administration, at the scandals in the interior department and the deputies, at the high taxes and the profiteering of the munition makers. The skits were done in dialogue, song and dance, and the various forms of burlesque. A good crowd—but not a soldier crowd—sat through it and applauded appreciatively. Imagine an American audience devoting a whole evening to a theatrical performance exclusively concerned with Hoover, Secretary Daniels, Colonel Roosevelt, former Mayor Mitchel, and LaFollette. In America we get little politics out of the theater. In France, where they distrust the newspapers, they get much politics from the theater. The theater is free in France—and apparently not so closely censored as the newspapers. We learned that night at the revue of a coming cabinet crisis, before the newspapers announced it. And in learning of the crisis we had this curious social experience, which we modestly hoped was quite as Parisian as the Revue. During the first act of the show it was Greek to Henry and me. We could understand a vaudeville show, and by following the synopsis could poke along after the pantomime in a comedy. But here in this revue, where the refinements of sarcasm and satire were at play and that without a cue, we were stumped. Henry was for getting out and going somewhere else. But we had a dollar a seat in the show and it seemed to me that patience would bring results. And it did! A good-looking, middle-aged couple sat down in the seats next to us, and the woman began talking English. She was sitting next to me, so it was my turn, not Henry's to speak. We asked her if it would be too much trouble to interpret the show for two jays from Middle Western America. She replied cordially enough. And she gave us a splendid running interpretation of the show. The man with her seemed friendly. We noticed that he was slyly holding her hand in the dark, and that once he slipped his arm around her when the lights went clear down. But that spelled a newly married middle-aged couple, and we would have bet money that he was a widower and she, late from his office, was at the head of his household. Between acts he and Henry went out to smoke, leaving me with the lady. We exchanged confidences of one sort and another after the manner of strangers in a strange land. When it occurred to me to ask: "What does your husband do for a living?"

"My—what?" she exclaimed.

"Your husband, there?"

"Who—that man? Why, I never saw him in my life until I picked him up in a cafe an hour ago!"

And she got from me a somewhat gaspy "Oh." But we had a good chat just the same and she told me all about the coming fall of the cabinet. Her type in America would not be interested in politics. But the shows of the boulevards discuss politics and the theaters are free! So her type in France had to know politics. It takes all kinds of people and also all kinds of peoples to make a world. And the war really is being fought so that they may work out their lives and their national traditions freely and after the call of their own blood. If we are to have only one kind of people, the kind is easy to find. There is kultur!

Still the love affairs of the French did bother us. Henry did not mind them so much; but to me they seemed as unreasonable and as improbable as the ocean and onion soup seemed to Henry. Every man has his aversion, and the French idea of separating love from marriage, and establishing it beautifully in another relation, is my aversion, and it will have to stand. Henry was patient with me, but we were both genuinely glad when a day or two later we came back to the sprightly little American love affair that we had chaperoned on the Espagne crossing the ocean. That love affair we could understand. It had been following us with a feline tenacity all over France. When we left the Eager Soul with the Gilded Youth in the hospital at—we'll say Landrecourt, because that is not the place—we thought our love affair was gone for ever. The letter she gave us to deliver to the Young Doctor we had to trust to other hands; for he was not at the American hospital where he should have been. He had gone to the British front for a week's experimental work in something with four syllables and a Latin name at that. But the cat came back one day, when we were visiting a hospital four hours out of Paris. The place had that curious French quality of charm about it, which we Americans do not manage to put into our "places and palaces." Down a winding village street—a kind of low-walled stone canyon, narrow and grey, but brightened with uniforms like the streets of most French villages these days—we wormed our machine and stopped at an important looking building—an official looking building. It was not official, we learned—just a chateau. A driveway ran under it. That got us. For when a road leads into a house in America, it means a jail, or a courthouse, or a hotel, or a steel magnate's home or a department store. But when we scooted under the house we came into a wide white courtyard, gravel paved. We left the machine and went from the courtyard into a garden—the loveliest old walled garden imaginable. At the corners of the garden were fine old trees—tall, spike-shaped evergreens of some variety, and in the midst of it was a weeping yew tree and a fountain. Around the walls were shrubs and splashed about the walks and near the fountain were gorgeous dabs of colour, phlox and asters, and dahlias and hollyhocks and flowers of various gay sorts. And back of the garden, down a shaded path, lay the hospital—a new modern barracks of a hospital, in a field sheltered from the street by all that grandeur and all that beauty. The hospital was made of rough, brown stained boards; it was one story high, built architecturally like a tannery, and camouflaged as to the roof to represent "green fields and running brooks." Board floors and board partitions under the roof were covered as well as they could be; and stoves furnished the heat. The beds—acres and acres of iron beds—were assembled in the great wards and stretched far down the long rooms like white ranks of skeletoned ghosts. The place was American—new, excruciatingly clean, and was run like a factory. We were proud of it, and of the business-like young medical students who as orderlies and bookkeepers and helpers went about in their brand new uniforms—young crown princes of democracy, twice as handsome and three times as dignified as they would have been if they had royal blood. Henry called them the heirs apparent "of all the ages" and enjoyed them greatly. They certainly gave the place a tone, converting a sprawling ugly pile of brown boards into a king's palace. When we had finished our errand at the hospital and were returning through the garden, we met our young doctor. He was sitting on an old stone bench, among the asters and dahlias—wounded. It was not a serious wound from an ordinary man's stand-point; but from the Young Doctor's it was grave indeed. For it was a bullet wound through his hand. He thought it would not affect the muscles permanently—but no one could know. Then he sat there in the mediaeval garden among the flowers under the yew trees and told us how it happened; took us out to the first aid post again, and on out to the first line trenches, and over them into No Man's Land, stumbling over the dead, helping the stretcher bearers with the wounded. In time he came to a wounded German—a Prussian officer with a shell-wound in his leg.

He told us what happened, impersonally, as one who is listening to another man's story in his own mouth. "I gave him something like a first aid to stop the bleeding," the young Doctor paused, picked a ravelling from his bandage and went on, still detached from the narrative. "Then I put my arm around him, to help him back to the ambulance." Again he hesitated and said quietly, "That was a half mile back and the shells were still popping—more or less—around us." He looked for appreciation of the situation. He got it, smiled and went on without lifting his voice. "Then he did it"

"Not that fellow?" exclaimed Henry.

"Well, how?" from me.

"Oh, I don't know. He just did it," droned the Young Doctor. "We were talking along; and then he seemed to quit talking. I looked up. The pistol was at my head; I knocked it away as he fired. It got my hand!" He stopped, began poking the gravel with his toe, and smiled again as one who has heard an old story and wants to be polite. To Henry and me, it was unbelievable. We sat down on the hoary, moss-covered curb of the ancient fountain regardless of our spanking new uniforms and cried: "Well, my Heavenly home!" He nodded, drew a deep breath and said, "That's the how of it."



"Well, what do you know about—"

Then Henry checked me with, "You weren't expecting it? Did he make no warning sign?"

"Not a peep—not a chirrup," answered the Doctor, still diffidently. Then he added, as one reflecting over an incident in a rather remote past: "It was odd, wasn't it. You would think that two men who stood where we were together—I, who had put my hands in his live flesh, and had felt his blood flow through my fingers, and he who was clinging to my body for support—you would think we had come together not as foes, but as friends; for the war was over for him!"

The Young Doctor's eyebrows knitted. His mouth set. He went on: "This man should have abandoned his military conscience. But no—," the Doctor shook his head sadly, "he was a Prussian before he was a man! He carefully figured it out, that it takes four years to make a doctor, and three months to make a soldier, so to kill a doctor is as good as killing a dozen men. It's all very scientific, this German warfare—scientific and fanatical; Nietzsche and Mahomet, what a perfect alliance it is between the Kaiser and the Sultan."

Then it came to us again that Germans, on seas, in submarines, in air, in their planes bombing hospitals, and on land, looting and dynamiting villages—in all their martial enterprises, think unlike the rest of civilized men. They are a breed apart—savage, material-minded, diabolic, unrestrained by fear or love of God, man or devil. We talked of these things for a time; but something, the quiet beauty of the garden maybe, took the edge off our hate. And gradually it became apparent to me, at least, that the Young Doctor was marking time until we should have the sense to tell him something of the Eager Soul. What did he care for the war? For the Prussians? For their Babylonian philosophy? For his wounded hand? What were gardens made for in this drab earth, if not for sanctuaries of lovers? One does not go to a garden to hate, to buy, or sell, to fight, to philosophize, but to adore something or someone, somehow or somewhere. And the Young Doctor was in his Holy Temple, and we knew it. So Henry asked: "You received your letter?" And when he thanked us for our trouble, Henry asked again: "Did she tell you that the Gilded Youth was there at her hospital?"

"Only in a pencilled postscript after she had decided to send the letter to me by you," answered the Doctor.

That sounded good to me. Evidently she had written to the Young Doctor before the Gilded Youth had appeared. Also presumably she had not written to the Gilded Youth. If she had written to him after the air raid that had killed the head nurse, it would indicate that she had turned to the Young Doctor, in an emotional crisis, and that he was still a safe bet, as against the Gilded Youth. The only question which occurred to me to develop this fact was this: "Did she tell you that she was made assistant to the new head nurse that came to supply the place of the one who was slain by the Germans?" Henry looked at me as if he thought the question was unfair.

"Yes," laughed the Doctor, "in the very first line."

"What odds are you giving now, Bill?" asked Henry bitterly.

"In the very first line,—" we could all three see the Eager face, the proud blue eyes, the pretty effective hands brushing the straying crinkly strands of red hair from her forehead, as she sat there in the bare little nurses' room, bringing her first promotion in pride to the young Doctor. Perhaps he did not realize all that it meant. For you see he was very young. Certainly he did not understand about the odds and repeated the word in a question. Henry cut in, "Oh, nothing, only that night after they went walking in the hospital yard, Bill made me give him three to five. Now I ought to have two to one. It's all over but the shouting." And Henry laughed at the Young Doctor's bewilderment; but the young Doctor looked at his bandaged hand and shook his head. The walk in the hospital yard was disturbing news to him.

"Ah, don't worry about that," Henry reassured him. "Why, man, you ought to have heard what she said about you!" And Henry, being a good-natured sort, told the Doctor what the Eager Soul had said to the Gilded Youth in the hospital compound, while the buzzing monsters in the air were singing their nightingale songs of death in the moonlight.

We left the Young Doctor after he had squeezed out of us all the news we had of the girl. Long after we had passed through the garden gate, out into the white, gravel-paved court under the proud arch and into the crooked, low, grey-walled canyon of the street, we thought of the Young Doctor sitting there reading blue eyes into china asters, red hair into dahlias, pink cheeks into the phlox, and hearing ineffable things whispered among the leaves of the melancholy yew tree. And all that, in a land of waste and desolation, with war's alarms on every wind.

And we thought that he looked more like a poet than a Doctor even in his uniform; and less like a soldier than either. Such is the alchemy of love in youth!



CHAPTER VI

WHEREIN WE BECOME A TRIO AND JOURNEY TO ITALY

As the autumn deepened we found our Red Cross work ending. This work had taken Henry and me from our quiet country newspaper offices in Kansas and had suddenly plunged us into the turmoil of the big war. For days and days we had been riding in motor cars along the line in France from Rouen to Bacarat and often ambulances had hauled us—always more or less frightened—up near the trenches of the front line. We had tramped through miles of hospitals and had snuggled eagerly into the little dugouts and caves that made the first aid posts. We had learned many new and curious things—most of which were rather useless in publishing the Wichita Beacon or the Emporia Gazette; as, for instance, how to wear a gas mask, how to fire a trench mortar, how to look through a trench periscope, and how to duck when a shell comes in. Also we had stood god-father to a serial love affair that began on the boat coming over and was for ever being "continued in our next." And it was all—riding along the line, huddling in abris, sneaking scared to death along trenches, and ducking from the shells—all vastly diverting. We had grown fat on it; not that we needed just that expression of felicity, having four hundred pounds between us. But it was almost finished and we were sadly turning our faces westward to our normal and reasonably honest lives at home, when Medill McCormick came to Paris and tempted us to go to Italy. It was a great temptation; "beyond the Alps lies Italy," as a copy book sentence has lure in it, and as a possible journey to a new phase of the war, it caught us; and we started.

So we three stood on the platform, at the station at Modane, in Savoy, a few hundred yards from the Italian border, one fair autumn day, and our heavy clothes—two Red Cross uniforms and a pea-green hunting suit, made us sweat copiously and unbecomingly. The two Red Cross uniforms belong to Henry and me; the pea-green hunting outfit belonged to Medill McCormick, congressman at large from Illinois, U. S. A. He was going into Italy to study the situation. As a congressman he felt that he should be really informed about the war as it was the most vital subject upon which he should have to vote. So there we stood, two Kansas editors, and an Illinois congressman, while the uniforms of the continent brushed by us, in uniforms ourselves, after a fashion, but looking conspicuously civilian, and incorrigibly middle western. Medill in his pea-green hunting outfit looked more soldierly than we. For although we wore Sam Browne belts, to indicate that we were commissioned officers—commissioned as Red Cross Colonels—and although we wore Parisian uniforms of correct cut, we knew in our hearts that they humped in the back and flopped in the front, and sagged at the shoulders. A fat man can't wear the modern American army uniform without looking like a sack of meal. Henry fell to calling the tunics our Mother Hubbards. We looked long and enviously at the slim-waisted boys in khaki; but we never could get their god-like effects. For alas, the American uniform is high-waisted, and a fat man never was designed for a Kate Greenaway! So we paced the platform at Modane trying to look unconcerned while the soldiers of France, Italy, Russia, Belgium, England and Rumania walked by us, clearly wondering what form of military freak we were. For the American Red Cross uniform was not so familiar in those latitudes as it was to be a month later, when Major Murphy came swinging through Modane with forty-eight carloads of Red Cross supplies, a young army of Red Cross nurses and workers, and half a million dollars in ready cash to spend upon the stricken cities of Northern Italy choked with refugees fleeing before the German invasion! Today, the American flag floats from a hundred flag-poles in Italian cities, from Venice to Naples. Under that flag the American Red Cross has soup kitchens, food stations, aid bureaus for civilian relief all along the line of the invader in Italy, and the Red Cross uniform which made the soldiers' eyes bug out there at the border in the early autumn, now is familiar and welcome in Italy. But we three unsoldierly looking civilians took that uniform into a strange country.



Our first evening in Italy was spent in Genoa. And coming direct from Paris, where men out of uniform were few, the thing that opened our mouths in wonder was the number of men we saw. There were worlds and worlds of men in Genoa; men in civilian clothes. The streets were black with men. Straw hats, two piece suits, gay neck-ties—things which were as remote from France as from Mars, figures that recalled the ancient days of one's youth, before the war; days in New York, for instance, where men in straw hats and white crash were common. These things we saw with amazement in Genoa! And then our eyes caught the flashy bands on their arms—bands that indicated that these men are in the industrial reserves, not drafted because they are doing industrial war work. But for all of these industrial reservists there was an overplus of men in Genoa. It is a seaport and there were "the market girls and fishermen, the shepherds and the sailors, too," a crowd gathered from the world's ends, and we sat under the deep arches before a gay cafe, listened to New York musical hits from the summer's roof gardens, and watched the show. In that day—only three weeks before the German invasion—the war was a long way from Genoa. At the next table to us an American sea-faring man was telling an English naval officer about the adventures of three sailing ships which had bested two submarines three days before in the Mediterranean; some Moroccan sailors were flirting across two tables with some pretty Piedmontese girls, and inside the cafe, the harp, the flute and the violin were doing what they could to make all our hearts beat young! A picture show across the street sprayed its gay crowd over the sidewalks and a vaudeville house down stairs gathered up rivulets of humanity from the spray. Somewhere near by was a dance, for we heard the rhythmic swish and lisp of young feet and the gay cry of the music. Here and there came a soldier; sometimes we saw a woman in mourning; but uniforms and mourners were uncommon. The war was a tale that is told.

But the next day in Rome the war moved into our vision again. But even if Rome was more visibly martial than Genoa, still it was not Paris. One could see gay colours upon women in Rome; one might see straw hats upon the men, and in the stores and shops the war did not fill every window as it filled the shop windows of Paris. Rome was taking the war seriously, of course, but the war was not the tragedy to Rome before the invasion that it was to France.

Yet there was to me a change in Rome—from the Rome one knew who had been there eight years before—a change stranger and deeper than the change one felt in coming from Rome to Paris. This new Rome was a cleaner Rome, a more prosperous Rome, a happier Rome. Something had been happening to the people. They wore better clothes, they seemed to live in cleaner tenements; they certainly had a different squint at life from the Romans of the first decade of this century. One heard two answers to the question that arose in one's heart. One group said: "It is prosperity. Italy never has seen such prosperity as she has seen during the past ten years. There has been work for everyone, and work at good wages. So you see the working people well-clad, well-housed, clean and contented." Another answered the question thus: "The Socialists have done it. We have had plenty of work in other years; but we have worked for small wages, and have lived in squalor. We still work as we always have worked, but we get better pay, and we get our better pay in many ways; first in relatively higher wages, next in safeguards thrown around labour, and restrictions on the predatory activities of capital. The Socialists in government have forced many reforms in housing, in labour conditions, in the distribution of the profits of labour and capital, and we are living in hope of better things rather than in fear of worse!" One may take his choice of answers; probably the truth lies between the two. Prosperity has done something; socialism in government has done something, and each has promoted the other!

But the war has done one thing to Rome indisputably. It has paralysed the tourist business. Rome was the greatest tourist city in the world. But now her boarding houses and her ruins are deserted. Occasionally in the shops one sees that mother and daughter, wistful, eager, half-starved for every good thing in life, expatriated, living shabbily in the upper regions of some respectable pension, detached from the world about them, uprooted from the world at home, travel-jaded, ruin-sated, picture-wise and unbelievably stupid concerning life's real interests—the mother and daughter who in the old days lived so numerously amid the splendeurs of Europe, flitting from Rome to Florence, from Florence to Lucerne, from Lucerne to Berlin, and thence to Paris and London, following the seasons like the birds. But today war prices have sent that precious pair home, and let us hope to honest work. It is a comfort to see Rome without their bloodless faces! That much the war has done for democracy at any rate!

And the passing of this "relic of old dacincy," the shabby genteel of the earth from Rome—even if the passing is a temporary social phenomenon, has a curious symbolic timeliness, coming when the working class is rising. It leaves Rome almost as middle class as Kansas City and Los Angeles! For in Rome one feels that the upper class, the ruling class of other centuries, is weaker than it is elsewhere in the world. They tell you flippantly that the king is training his son to run for president. The high caste Romans have an Austrian pride, that "goeth before destruction." For politically their power is sadly on the wane. They are miserably moth-eaten compared to our own arrogant princes of Wall Street or even compared to the dazed dukes and earls of England, who are looking out at the wreck of matter and the crash of worlds about them. One feels vaguely that these Italian nobles are passing through a rather mean stage of decay. For a time during the latter part of the last century and during the first decade of this century, the Italian noblemen tried to edge into business. They lent their names to promotion schemes, and the schemes, upon the whole, turned out badly, and the people learned to distrust all financial schemes under noble patronage; so the nobility is going to work. A few strong families remain—the present royal house of Savoy is among the strong ones.

Our business led us to a call on the Duke of Genoa, uncle to the King, who in the King's absence at the front with his soldiers, was a sort of acting king on the job in Rome. The automobile took us into the first court of the Royal Palace. Now the Royal Palace—save for a few executive offices—has been turned into an army hospital and we saw doctors and nurses dodging in and out of the innumerable corridors, and smelled iodoform everywhere. A major domo, in scarlet, who seemed in the modern disinfected smell of the place like the last guard of mediaevalism, greeted us as we alighted from our car; a great, powerful soldier he was, with white and gold on his scarlet broadcloth. He showed us into a passage where the minister waited who was to take us to the Duke. The minister led us down a long stately gallery, out of the twentieth century into the fifteenth, where at the end of the gallery a most remarkably caparisoned servant stood at attention. He wore a scarlet coat of unimaginable vividness, a cut-away coat of glaring scarlet broadcloth. But we could have passed that easily enough. The thing that held us was his blue plush knee breeches. It didn't seem fitting that a man in this age of work and wisdom should wear shimmering blue plush knee breeches for everyday. He was a big fellow and puffy. And the scarlet coat and blue breeches certainly gave the place an olden golden air. But alas! The twentieth century burst in. For he bowed us to an elevator—a modern Chicago elevator inspected by an accident company, guaranteeing the passengers against injuries! From the elevator we were emptied into a nineteenth century corridor, guarded by a twentieth century soldier and then we were turned by him into a waiting room. It was floored with marquetry, ceiled with brown and gold decoration—but modern enough—and walled in old tapestry. The room expressed the ornate impotent gorgeousness of a useless leisure class. Four or five tables, cases and stands, backed standoffishly against the tapestry on the walls, and the legs and bases of this furniture were great—unbelievably great, rococo gilded legs—legs that writhed and twisted themselves in a sheening agony of impossible forms, before they resigned themselves to dropping to the floor in distress.

Henry nudged me as our Kansas eyes bugged out at the Byzantine splendeur and whispered: "Bill, what this place needs is a boss buster movement. How the Kansas legislature would wallop this splendeur in the appropriation bill! How the Sixth District outfit would strip the blue plush off our upholstered friend by the elevator and send him shinning home in a barrel. Topeka," sighed Henry, deeply impressed, "never will equal this!"



In this room we met a soldierly young prince, in a dark blue dress uniform, with a light blue sash across his shoulder. He shook hands with us. And he wore gloves and didn't say, "Excuse my glove," as we do in Kansas! But he was polite enough for the Grand Duke himself; indeed we thought he was the Grand Duke until we saw Medill and the minister stalking through another door, saw the minister formally bowing and then we found that we had been moved into another room—a rather plainly furnished office room, such as one might find in New York or Chicago when one called on the head of a bank or of an industrial corporation. We had left the "days of old when knights were bold," and had come bang! into the latest moment of the twentieth century. We were shaking hands rather cordially with a kindly-eyed, bald-headed little man in a grey VanDyke beard, who wore a black frock coat, rather a low-cut white vest, a black four-in-hand rather wider than the Fifth Avenue mode, striped dark grey trousers, and no jewelry except a light double-breasted gold watch-chain. He was the Duke of Genoa, who to all intents and purposes is the civilian ruler of Italy while the King is with the army. We found four chairs grouped around a sofa, and we sat while the duke, with a diffidence that amounted to shyness, talked with us about most unimportant things. The interview was purely ceremonial. It had no relation to the passports we were asking from his government to visit the Italian front, though this request had made the visit necessary. Several times there were pauses in the conversation—dead stops in the talk, which court etiquette required the Duke to repair. We didn't worry about them, for always he began to repair these gaps in the talk rather bashfully but kindly, and always the subject was impersonal and of indifferent interest. He made no sign that the interview was over, but we knew, as well as though a gong had struck, when to go. So we went, and it seemed to me that the Duke put more real enthusiasm into his good-bye than into his welcome. It was half-past five. He had been at work since eight. And perhaps it was fancy, but there seemed to be rising into his bland Italian eye a determination to knock off and take a half holiday.

We noticed that his desk was clean, as clean as General Pershing's or Major Murphy's in Paris, or President Wilson's in Washington. Then it came to us that the king's job, after all, is a desk job. The king who used to go around ruling with a sceptre has given place to a gentleman in a business suit who probably rings for his stenographer and dictates in part as follows: "Yours of even date received and contents noted; in reply will say!" We carried away an impression that the lot of royalty, like the policeman's lot, "is not a happy one." Talking it all over, we decided that in the modern world there is really any amount more fun running a newspaper than being a king, and for the size of the town, much more chance of getting things done. It did not fall to me because of an illness, but a few days later it fell to Henry and Medill to see a real king at Udine. He was living in a cottage a few miles out of town in a quiet little grove that protected him from airplanes. Now Henry's nearest brush to royalty was two years ago when in the New York suffrage campaign his oratory had brought him the homage of some of the rich and the great. Kings really weren't so much of a treat to Medill, who had taken his fill of them in childhood when his father was minister to England. But nevertheless they lorded it over me when they saw me because the king wasn't on my calling list. But they couldn't keep from me the sad fact that they had started out to make the royal call without gloves—hoping probably to catch the king with their bare hands—and had been turned back by the Italian colonel who had them in charge. Henry once sang in the cantata of "Queen Esther," and Medill insists that all the way up to the royal cottage Henry kept carolling under his breath the song: "Then go thou merrily, then go thou merrily, unto the king!" and also: "Haman, Haman, long live Haman, he is the favoured one in all the king's dominions!" just to show that finical colonel who took them back to Udine for gloves that Wichita was no stranger to the inside politics of the court. However, gloves seemed to be the only ceremonial frill required, and they went to the king's business office as informally as they would go to the private room of a soap-maker in Cincinnati. They found the king a soft-spoken little man. Henry said he looked very much like the mayor of Kansas City, and was equally unassuming and considerate. He asked his guests what had become of the Progressive party, and they pointed to themselves as the "captain and crew of the Nancy brig." Then they talked on for a time about many things—such as would interest the Walrus and the Carpenter. Then the accounts of the visit changed. This is Henry's: "Well, finally after Medill began cracking his knuckles and the king began crossing and recrossing his legs, I saw it was time to go. I knew how the king felt. Every busy man has to meet a lot of bores. I sit hours with bores who flow into the Wichita Beacon office, and I began to appreciate just how the king felt. So I cleared my throat and said: 'Well Medill, don't you think we'd better excuse ourselves to his majesty and go?' The king put up his hand mildly and said: 'O please!' and the colonel in charge of the party gulped at my sympathy for the king; but I was not to be balked, and we all rose and after shaking hands around, the colonel led us out. And I didn't know that I had committed social manslaughter until the colonel exclaimed when we were in the corridor: 'Oh you republicans—you republicans, how you do like to show royalty its place!'" Medill has another version. He declares that Henry stood the king's obvious ennui as long as he could, then he rose and cried: "O King! live for ever, but Medill and I must pull our freight!" This version probably is apochryphal! The Italian colonel declares that Henry expostulated: "Well, how in the dickens was I to know that a king always gives the high sign for company to leave!"

This Italian king is a vital institution. He could be elected president. For he is a mixer, in spite of his diffident ways. When the army in Northern Italy was hammering away at the Austrians, the king was with the soldiers. One gets the impression that he is with the people pretty generally in their struggle with the privileged classes. For he has lived peaceably with a socialist cabinet for some time. He is wise enough to realize that if the aristocracy is crumbling, the institution of royalty will crumble with aristocracy if royalty makes an ally of the nobility. So the king and the Socialists get along splendidly. Now the Socialists in Italy are of several kinds. There are the city Socialists, who are chiefly interested in industrial conditions—wages, old age pensions, employment insurance, and the like; a group much like the Progressive party in the United States of 1912. We saw the works and ways of these Socialists in every Italian town that we visited. Either they or the times have done wonders. And at any rate this is the first time in Italian history when industrial prosperity has so generally reached the workers that they are lifted almost bodily into the middle classes. Then there are the Socialists who emphasize the land question, and they have had smaller success than their industrial brethren. We went one fine day to Frascatti by automobile. Our road took us out south of Rome over the New Appian way, through fertile acres lying in a wide beautiful plain. We passed through half a dozen little agricultural villages, mean but picturesque. None of the splendid prosperity of the cities has penetrated here. The people in these towns are peasants—and look it. They are the peasant people who live in the canvasses of the artists of the Renaissance. Half a thousand years has not changed them. Along the dusty roads we passed huge wine-carts. Two bell-bearing mules tandem gave warning to other passing carts of a cart's approach. The driver of the cart was curled up in his shaded seat asleep. The mules took their way. Carts passed and repassed each other on the road. Autos whizzed by. Still the drivers slept. They were ragged, frowsy, stupid looking. They all wore colour, one a crimson belt, another a blue shirt, a third a red handkerchief about his head. They would make better pictures than citizens, we thought. In Rome and Genoa the people would make better citizens than pictures. All day going to Frascatti and coming home we passed these beggarly looking peasant farmers. At Frascatti, which stands proudly upon a great hill overlooking the Roman plain, we saw the rich acres stretching away for miles toward Rome and beyond it. Villages flashed in the sun, white and iridescent, and the squares of vineyards and the tall Lombardy poplars made a landscape that rested the eye and soothed the soul. We stood looking at it for a long time. With us were some high officials of the Italian government.

"A wonderful landscape," said Henry to our hosts.

"In all the world there is no match for it," said Medill.

"It has lain this way for three thousand years, bearing crops year after year!" explained our host.

"Signor," said a friend of our host, "they tell me that this land yields seven per cent net."

"Yes," replied our host. "I was talking to a man in the agricultural department about it the other day; it really nets seven per cent."

"What's this land worth an acre?" This question came from me, who has the Kansas man's seven devil lust to put a price on land.

"Well—I don't—" Our host looked at his Italian friends. They gazed, puzzled and bewildered, and consulted one another. The discussion developed a curious situation. No one knew the price of that land. With us, out in the Middle West, a boy learns the probable price of the land in his neighborhood, as soon as he learns the points of the compass. Finally our host explained: "The truth of the matter is that this land never has been sold in the memory of living men. Probably most of it has remained in its present ownership for from three hundred to five hundred years. No one sells land in Italy."

And that revealed much; there was the whole program of the agrarian Socialist. The man on the wine-cart asleep, the peasant villages, the rags and the poverty, the hovels that we saw on the rich land and the crumbling aristocracy of Rome, living meanly, striving vainly, bewildered, and bedevilled, trying to make profits out of a dormant tenantry, grinding seven per cent out of the land and yet losing money by it—all these things were the meat of the answer, which recounted the long unbroken line of feudal ownership of the land. Wooden ploughs and oxen, women yoked with beasts of burden, vines and vines planted and replanted through the centuries; no capital to develop the land; insufficient profits to wake up the tenants, master and servant going gradually down in a world where labour and capital, sharing profits equitably, are rising; it was a disheartening problem.

Then in due course we left Rome and went to the Italian army on the front, and there we saw another side of the shield. From Udine in Northern Italy we journeyed into the mountains where the Italian army at that time was holding the mountain tops against the Austrians. Wherever we ascended we saw white ribbons of roads twining up the green soft mountain sides that face Italy. These roads have been made since the war. Nearly four thousand miles of them furnish approaches to the Alpine heights. They are hard-surfaced, low-graded, wide highways gouged into the mountain side. Two automobiles may pass at full speed anywhere on these roads. And all night they were alive with wagon trains bearing supplies to the front. Women help the men mend the roads. We saw few Austrian prisoners at work on the Italian roads; possibly because we were too near the front line trenches to see prisoners who are kept thirty kilos back of the line, and possibly because they have better work for the Austrians—work that old men and women cannot do. Whenever we threaded our way up a mountain side and came to a top, we found its flanks tunnelled with deep wicker-walled, broad-floored, well-drained trenches, and its top honeycombed with runways for ammunition and with great rooms for soldiers and holes for gun barrels. Mountain top after mountain top has been made into a Gibraltar by the Italians. That Gibraltar was 300 miles long, before they lost it to the Germans. But they had few guns in their fortress. They showed us emplacement after emplacement without a stick of artillery in it. They had told the French and the English of their plight, and a few artillery companies had been sent in; but only a fraction of the need. There was no central council of the allies then. Every nation was running its own little war, and Italy was left to fall, and now the four thousand miles of Italian roads, and the 300 miles of Gibraltar are German military strongholds that will have to be conquered with our blood and iron. Probably no battle line in the world today is more interesting than the Italian front was in the autumn of 1917. The south face of the Alps often is green and beautiful, but generally the northern faces of those mountains are bleak and rugged and steep. The battle line ran a zig-zag course through the mountains, now meeting in gulches, now scurrying away up to mesas, again climbing to the top of the barren heights. We stood one sunny day on a quiet sector of the Pasubio. We were with the Liguria brigade, the 157-158th infantry. Through a peep-hole in the trench we looked across a gulch to another mountainside and saw there the Austrian trenches, not 200 yards away. Before them lay the ugly scar of brown rusted barbed wire, and just below the wire, sprawled out on the white limestone of the steep mountainside, lay fifty dead Italian soldiers who had vainly charged into the machine guns up that formidable slope. They had lain there for weeks. It was the grisliest sight we had seen during our adventures.

Medill and Henry went to another lookout, leaving me with the Italian soldiers in the trench. Their luncheon came up, a fine rich soup, with bread cubes in it, some potatoes and vegetables. It looked palatable and was good. There was enough, but not plenty. As we sat in the trench waiting for Henry and Medill, one of the heroes beside me, after thinking it all out carefully, burst forth with this:

"I livea in Pittsburgh."

It was plain to his comrades that he had put his meaning through to me. They clearly were impressed by his prowess. This cheered him up. He went on to further linguistic feats.

"Is, I live-a there five year."

That also got over and his comrades realized that he was a polyglot. Then in a joyous spirit of over-confidence, he waved the oriflamme of speech in our faces.

"Is, my papa he live-a in Brooklyn. He keepa da butcha shop and is maka da roast bif. Is, my papa's brodder he live-a in Brooklyn too. He keepa da saloon and is maka da jag!" Then we shook hands as fellow Americans.

In another hour we had wormed our way through the tunnels to the other side of the peak, and had scrambled down the mountainside to the general headquarters. Never since Hannibal's day were more interesting brigade headquarters established. They were niched into the mountain side about 4,000 feet above a gorge below. The sleeping quarters and offices were half tunnelled into the hillside. The diningroom was mounted on a platform overlooking the gorge below. Across the gorge a quarter of a mile away an aerial tram ran. That morning two airplanes—an Italian plane and an Austrian—met out by the tram wire in a battle. It could be seen as easily from the diningroom platform as if it had been half down the block; yet the airmen were 4,000 feet in the air. We had luncheon at the brigade headquarters, and it was made a gala occasion. Some one had brought in an Austrian cow which was brigade property and we had real cream. Otherwise it was a war dinner. We had hors d'ouvres—thin sliced dried ham, sausages, and sardines—a delectable paste with parmesian cheese on it, roast beef and brown potatoes, salad and broiled chicken, and then the chef d'ouvres, the cream upon a charlotte russe! After that came cheese and coffee. Chianti and a cider champagne were served. The mess was proud of itself, as it should have been. But it seems sad to think how soon that Austrian cow went home. For within three weeks from the time we sat there, the general had surrendered in the gulch below the air-tram wire and the Germans had come with their big guns to fill the vacant emplacements!

We spent one night on our journey along the Italian front at Vicenza, and there, although the place was jammed full of soldiers, we left the war behind to stroll by moonlight over the beautiful mediaeval town. There is a fine square there—not so broad as the square at St. Mark's where the tourists used to feed the doves, but to me it seemed as beautiful. For upon the square was the famous arcade which Palladio erected around the city-hall of the place. It stood beautiful and gloomy before us in the moonlight, one of the world's real bits of architecture. As Americans we had a special interest in the arcade because it was typical of the best of Palladio's work and our own Thomas Jefferson, studying it, had reproduced it and Americanized it in some of the buildings of the University of Virginia, buildings that have had a distinct influence upon American architecture! A number of Palladio's other works we saw that night, softened and glorified by the moonlight. And we saw also an old French house, not twenty-five feet wide, but a gem of French architecture erected before the discovery of America. Finally we went back and stood by the statue of Palladio and listened to the low rumble of the guns on the front and wondered what the Germans would do with such a lovely thing as this Vicenza if by any chance they ever took it. That day we had looked down from a mountain-top upon an Austrian town lying peacefully in the valley below us directly under the Italian guns. The guns of the Austrians and the Italians were smashing away at each other from the mountain-tops over and across the town.

"You could pulverize that town easily enough," Henry said to the Italian who was taking the Americans through the trenches.

"Oh, yes," he answered. "But it's a beautiful little town! Why ruin it?" His theory was that if the Italians took it they would want it whole and would want the loyalty and respect of the people of the town; if they did not take it, why smash a beautiful little town just to be smashing?

The German theory, of course, is exactly opposite to this. They would smash the town, if they were to take it, to put fear into the hearts of the inhabitants and command obedience; and if they knew they could not take it they would smash it to cripple the enemy that much! We of the Allies desire respect and loyalty that come from reason. The Germans demand unreasoning obedience and denied that, they destroy. One philosophy is Christian; the other Babylonian. But the devilish strength of the German philosophy came to us more forcibly in Italy than it came elsewhere because of certain contrasts. They were contrasts in what might be called public wisdom. The Germans take better care of their poor than some of the Allies. The Germans know that poverty is a curse to a nation, and during the past generation they have done much to alleviate it. And in alleviating poverty they have kept their poor docile; and they go into battle feeling that they have something to fight for. In the allied countries too often we have let the devil take the hindermost. As we rode one afternoon from Vicenza to Milan we wondered, looking at the farms and the farmers along the road, why those farmers should be asked to die for a country that kept them in so low an estate. And yet they were better off than the farmers of Southern Italy. But in socializing industry the Italian farmer has been forgotten, and when the press came upon the Italian front, thousands of ignorant peasant soldiers lay down their arms, deluded by a German spy ruse so simple that it should have fooled no intelligent soldier. But they were not intelligent. Their intelligence had been eaten up by their landlords for generations, and in a crisis the German civilization overcame its enemy! You cannot shake the sleeping peasant on the wine-cart from a thousand years' sleep and make him get up and go out and whip a soldier who is even half awake!

As we rode from Vicenza to Milan we had a curious experience. There entered our compartment at twilight one of the carabinieri! We had been looking with admiration at the carabinieri for days. They were well-set-up soldiers, apparently of a picked grade of men, who wore wide cocked hats, like those worn by the British troops in the American revolution. The cocked hats of the Italian carabinieri are as wide as their handsome shoulders and they make striking figures. This one who entered our compartment was drunk—grandly, gorgeously and sociably drunk. He wanted to talk to us. He tried Italian and we shook our heads. Then Medill tackled him in French and he shook his head. Then Henry squared off and gave him the native Kansas English—with appropriate gestures. But the Italian sighed amiably and it was clear he was balked. Then he looked up and down the outer corridor of the car, came in, shut the door and smiled as broadly as his cocked hat.

"Sprecken sie Deutsch?" he asked, and Medill answered, "Seemlich!" When it was apparent that two of us understood German he opened up. He had to talk slowly, but he was willing to make any sacrifice to get conversation going. He rambled along in a maudlin way, and finally picked up an illustrated paper containing an account of the Turin riots, which angered him, and then and there being, that Italian soldier told us in German the story of what he called der grosser rebellion! To talk German in an allied country today is as much as one's life is worth. For a soldier to talk German is a crime; for a soldier to tell three foreigners about a riot in his country, which he, as a soldier behind machine guns had to suppress, killing hundreds, was mighty near to treason. And we gasped. We thought he might be testing us out as potential spies. So we shut up. But he ambled on, and slowly, as the liquor overcame him, he ran down and went sound asleep with the offending paper in his arms. Perhaps he was one of those Germans wearing the Italian uniform who in the German drive three weeks later gave commands to the ignorant peasant regiments to lay down their arms and surrender! At least it was reported in Europe that thousands of them abandoned their works under the command of German spies!

When we arrived at Milan we found there waiting for us a note from the Gilded Youth, whom we had met coming over on the boat from America. And it brought back our everlasting love affair. It is curious how that love affair kept projecting itself into the consciousness of two middle-aged men who reasonably may be supposed to have passed out of the zone of true romance. But the memory of the hazel eyes of the Gilded Youth as he gazed at the pretty face of the young nurse there in the moonlight at Landrecourt, with such exaltation and joy, kept bobbing back into our minds as we saw other lovers in other lands, married and single, crossing our paths. And there was the Young Doctor, diffident and reticent, who had his heart set on the girl, and the contest furnished us with a deathless theme for speculation. And here at Milan came this letter—just a note forwarded from Paris—telling us that the Gilded Youth could "stand and wait" no longer; he was going to hit back. He had quit the Ambulance service for aviation. And he was in a training camp near Paris. We wondered how many times during his training he would slip across the sky to Landrecourt to visit his true love. The one-horse buggy had been the only lover's chariot known to Henry and me, and we remembered how a red-wheeled cart used to lay out the neighbours in the heroic days of the nineties. So in our meditative moments we considered what a paralysing spectacle it would be for the neighbours to see a young man come swooping down upon his lady love's bower in an airplane and Henry, who was betting on the Gilded Youth as against the Doctor, began taking even money again!



Milan we found today is an industrial town, entirely modern, dominated not by the cathedral as of old, but by the spirit of the new Italy. They took us to a luncheon given by the American chamber of commerce. We heard nothing of their antiquities, and little of their ruins. We had to fight to get time to see the cathedral, whose windows are boarded up or filled with white glass; but the Milanese were anxious to have us see their great factories; their automobile works, their Caproni airship plant and the up-to-the-minute organization of industrial efficiency everywhere. Here in Milan we saw thousands of men out of uniform, but wearing the ribbon arm-band of the industrial reservists. We fancied these Milanese were bigger, huskier men than the men in the south of Italy, and that they looked better-kept and better-bred. They certainly are a fierce and indomitable people. The Austrians don't raid the Milanese in airships. They said that once the Austrians came and the next day the Milanese loaded up a fleet of big Capronis with 30,000 pounds of high explosives, sailed over Austria and blew some town to atoms. So Milan has never been bothered since as other border towns of Italy have been bothered by air-raiders. The days we spent in Milan were like days in a modern American industrial city—say Toledo, or St. Paul or Detroit or Kansas City.

Turin is similarly modern and industrial, though not so beautiful as Milan. In Turin we saw the scene of the riot—the "grosser rebellion," which our carabinieri friend told us about. Signor Nitti, now a member of the Italian cabinet, who entertained us in Rome, told the Italian parliament—according to the American newspapers—that the millers caused the riot. The bread ration did not come to Turin one morning, and the working people struck. Nitti says the millers were hoarding flour and caused the delay. The strike grew general over the city. Workers wandering about the town were threatened with the police if they congregated. They congregated, and some troops from a nearby training camp were called. The troops were new; they were also friends of the strikers. They refused to fire. Then the strikers built barricades in the streets and in a day or so the regular troops came down from the mountains with machine guns, fired on the barricades and when hundreds were hit the rebellion was quelled. And Signor Nitti says it was all because some profit hog stopped the ordinary flow of flour from the farmer to the consumer of bread! There is, of course, the other side. They told us in Turin that boys in their teens were found dead back of the barricades with thousand lire notes in their pockets, and that German agents came during the first hours of the strike and spread money lavishly to make the riot a rebellion. Probably this is true. The profiteer made the strike possible. It was an opportunity for rebellion, and Germany took the opportunity. Always she is on hand with spies to buy what she cannot honestly win. Reluctantly we turned our faces from Italy to France. Yet the journey had been well worth while. We came home with a definite and hopeful impression about Italy. The Turin riot, bad as it was, was not an anti-war riot. It was directed at the bad administration of the food controller. Italy then was not an invaded country, as France was, and had no such enthusiasm for the war, as a nation has when its soil is invaded. Italy has that enthusiasm now for the war. We saw that her man-power was hardly tapped. She has millions to pour into the trenches. She needs and will need until the end of the war, iron and coal. She will have to borrow her guns and her fuel. But she has almost enough food. We found sugar scarce; butter scarce, and bread sharply allowanced in hotels and restaurants. We found two meatless days a week besides Friday and found the people, as a rule, observing them. We found the industries of the nation turned solely toward the war. Italy realizes what defeat means. The pro-Austrian party which was strong at the beginning of the war has vanished, and since the invasion, even the Pope has lost his interest in peace!

But all these things are temporary; with the war's passing they will pass. The real thing we found was an awakening people, coming into the new century eager and wise and sure that it held somewhere in its coming years the dawn of a new day. That really is the hope of the war—an industrial hope, not a political hope, not a geographical hope, but a hope for better things for the common man. It is a hope that Christianity may take Christendom, and that the fellowship among the nations of the world so devoutly hoped for, may be possible because of a fellowship among men inside of nations.



CHAPTER VII

WHEREIN WE CONSIDER THE WOMAN PROPOSITION

It is curious how the human heart throws out homeseeking tendrils. As we crossed the Italian frontier and came back into France, keen longing for the Ritz—even the Ritz with its gloomy grandeur came to me, and Henry confessed that he was glad to get back to a country where a man could get a good refreshing bowl of onion soup! After dinner, our first evening at the Ritz, we were looking over the theatrical offerings advertised upon the wall by the elevator at the hotel, when whom should we meet but "Auntie," the patrician relative of the Gilded Youth. She recognized us in our civilian clothes, and it fell to me to make the fool blunder of complicating our formal greetings with gaiety. Auntie's troubled face would have caught Henry's quick sensitive eyes. But Auntie's voice brushed aside the levity of the opening.

"Haven't you heard—haven't you heard?" she asked. And we knew instinctively that something had happened to the Gilded Youth. And when one is in aviation something happening always is serious. It was Henry's kind voice that conveyed our sympathy to her. And she told us of the accident. Two mornings before, while making his first flight alone, from the training camp near Paris, something went wrong with his engine while he was but a thousand feet in the air—and over Neuilly. He had to glide down, and being over a town he could not make a landing. They took him from the wreck of his plane, to the hospital near by—fortunately an American Red Cross Hospital, where the people recognized him and sent for his aunt. All day and all night he had lain unconscious, and at noon had opened his eyes for a minute to find his aunt beside him. "I brought with me," said Auntie, in a tone so significantly casual that it arrested our attention before she added, "that capable young nurse, the first assistant—" As she spoke she caught Henry's eyes and held him from looking at me.

"You mean the one—" said Henry in a tone quite as casual as Auntie's while giving eye for eye.

"Yes, your pretty mid-western girl. She is with him now." Then Auntie lost Henry's eyes as tears brimmed into her own. "It has been twenty-six hours since we arrived at Neuilly. I shall return in an hour, and—"

"I wish," cried Henry, "I wish there was something we could do!"

Auntie caught our embarrassed desire to be of service yet not to assume. Her strong fine face lighted with something kind enough for a smile, as she answered: "Couldn't you go out and see him? I think no one else in Paris would be more welcome than you two!"

That puzzled us. She saw us looking our question at each other, and went on: "Life means more to him now than it ever has meant." She really smiled as she quoted: "'It means intensely and it means good!'" Auntie's tired eyes gathered us in again. "When you left Landrecourt last month he told me much about the voyage over here on the Espagne." The tired eyes left us to follow the crippled elevator boy who went pegging down the corridor as she continued: "about his days in Paris before he went back to his ambulance unit; about his meeting you that night near Douaumont,—at the first aid post and—and I know," she paused a second, pulled herself together and continued gently. "We must face things as they are. The boy's hours in this earth are short. He has other friends here, of course—old friends, but you—" again she stopped. "You will appreciate why when you see him."

So we gave up the poor travesty upon life that we should have seen behind the footlights for a glimpse into one of life's real dramas.

It was nearly midnight before we came to Neuilly and stood awkwardly beside the white cot in the little white room where the Gilded Youth was lying. How the gilding had fallen off! All white and broken he lay, a crushed wreck of a man, with the cluttering contrivances of science swathing him, binding him, encasing him, holding him miserably together while the tide of life ran out. But when he wakened he could smile. There was real gilding in that smile, the gilding of youth, but he only flashed his eyes upon us for a fleeting second in turning his smile to her—to the Eager Soul, to her who had brought some new incandescence into his life. Then we knew why his aunt had said that we should see him. He would have us who had witnessed the planting of the seed, know how it had flowered. His smile told us that also. He could lift no hand to us, and could speak but faintly. Yet his greeting held something princely in it—fine and sweet and brave. Then he did a curious thing. He began whistling very softly under his breath and between his teeth a queer little tune, that reminded one oddly of the theme of Tschaicovski's Symphony Pathetique—the first movement. As he whistled he turned from Henry and me and looked at the Eager Soul, who smiled back intelligently, and when she smiled he stopped. We could not understand their signals. But whatever it was so far as it pretended to a show of courage, we knew that it was a gorgeous bluff. In the fleeting glance that he gave us, he told us the truth; and we knew that he was pretending to the others that he did not know. We made some cheerful nothings in our talk, and would have gone but he held us. The Eager Soul looked at her watch, gave him some medicine, which we took to be a heart stimulant; for he revived under it, and said to me:

"Remember—that night at Douaumont?"

"Where you whistled the 'Meditation from Thais,' in the moonlight?"

"Yes," he murmured, "and we—watched—the trucks—come out of the mist—full of life—and go into the mist,—toward death."

"Wonderful—wasn't it!" sighed one of us.

"Symbolic," he whispered. And our eyes followed his to the vivid face of the Eager Soul, in the halo of her nurse's cap. She was exceedingly glorious, and animate and beautiful. And he was passing into the mist, out toward death. He saw that he had got the figure to me, and smiled. Then suddenly something came into his face from afar, and he seemed to know that his frail craft had mounted the out-going tide. Slowly, very slowly life began to fade from his face. Further and further from shore the tide was bearing him. We seemed to be on the pier. The Eager Soul even leaned forward and put out a pretty hand, and waved at him. He signalled back with a twitch of his lips that was meant for a smile. And then we at the pier lost the last gleam of life and saw only the broken bark, wearily riding the racing tide.

And then we turned from the pier and went our several ways back into the midst of life. We were going home, and getting ready to go home is a joyous proceeding. And there was another significance to our packing to leave Paris. It meant something more than a homeward journey; it meant that for the first time since we left Wichita and Emporia in midsummer we were turning our backs on war. It took a tug to make the turn. From all over the earth the war draws men to it like an insatiable whirlpool. And as we came nearer and nearer to war we had felt it swallow men into its vortex—men, customs, institutions, civilizations, indeed the age and epoch wherein we lived, we had felt moving into chaos—into nothing, to be reborn some day into we know not what, in the cataclysm out there on the front. We had seen it. But seeing it had revealed nothing. For many nights we had heard the distant roar of the hungry guns ever clamouring for more food, for the blood of youth, for the dreams of age, for the hopes of a race, for the creed of an era. And we left them still ravening, mad and unsated. And we were going away as dazed as we were when we came. But as we packed our things in Paris, the thrall of it still gripped us and the consciousness that we were leaving the war was as strong in our hearts as the joy we felt at turning homeward. But we got aboard the train and rode during the long lovely morning down the wide rich valley of the Seine, past Rouen, through Normandy with its steep hills which seem reflected in the sharp peaked roofs of its chateaux, and through musty mediaeval towns, in which it was hard to realize that modern industry was hiving. The hum of industry seemed badly out of key in a town with a cathedral whose architectural roots are a thousand years old, and whose streets have not yet been veined with sewers, and whose walls are gay with the facades of the fifteenth century. The whole face of the landscape, town and country side, seemed to us like the back drop of the first act in a comic opera, and we were forever listening for "The Chimes of Normandy!" Instead we heard the noon whistle. It was tremendously incongruous. How American humour cracks into sardonic ribaldry at the spectacle. The French are the least bit unhappy about this American humour. They don't entirely see it. Once outside of a poor French village near the war zone, that had been bombed from the German lines, bombed from the German airships and ravaged by fire and sword, some American soldiers, looking at the desolation and the ruin of the place, so grotesque in its gaping death, so hopeless in its pitiful finality, painted on a large white board, and nailed on a sign post just at the edge of the town this slogan:

"Watch Commercy Grow! Boost for the Old Town!"

But in that flash of humour the tragedy of Commercy stood revealed clearer than in a flood of tears!

We came at the end of the morning "to a port in France." From there we were to take the boat for England. And it seemed to us that the whole place was bent on the same errand. English soldiers going home on leave jammed the streets. They filled the hotels; they crowded into the shops. And the whole town was made over for them. "French Spoken Here" was the facetious sign someone had stuck on a postcard shop near the grey old church on the main thoroughfare. It is curious how the English put their trade mark upon the places they occupy. These French ports filled with British soldiers look more English than England. The English demand their own cooking, their own merchandise, their own tobacco, their own beer—which is stale, flat and unprofitable enough these days—and they demand their native speech. When he gets in sight of his native land the British Tommy quits saying "Donny mo-i, de tabac! Ma'mselle!" But bellows forth both loud and long, "I say, Lizz, gimme some makin's! and look alive, please!" So when we went to bed in our boat in a French port, and slept through a submarine zone, and waked up in an English port, there was no vast difference in the places. Today Southampton and Dover are much like Calais and Havre; for there the English do most congregate. But back of the French ports it is all France, and back of the English ports is England, and worlds lie between them. England, as one rides through it who lives beyond the seas, and uses the English tongue, always must seem like the unfolding of an old, old dream. England gives her step-children the impression that they have seen it all before! And they have; in Mother Goose, in Dickens, in Shakespeare, in Thackeray, in Trollope, in the songs of British poets, in the landscapes of British artists! At every turn of the road, in every face at the window, in every hedgerow and rural village is the everlasting reminder that we who speak the English tongue are bound with indissoluble links of our foster memories from the books and the arts, to ways of thinking and living and growing in grace that we call English. It is more than a blood or breed, more even than a civilization, is this spiritual inheritance that comes from this English soil; it is the realization in life of a philosophy, the dramatization of a human creed. It may be understood, but not defined, yet it is as palpable and substantial in this earth as any material fact. Germany knows what this English philosophy means; and for half a century Germany has been preparing to combat it. Napoleon knew it, and believed in it, when he declared three-fourths of every fact is its spiritual value. France has it, new Russia is struggling for it. American life has it as an ancient inheritance, and as we Americans rode through the green meadows of England up from the coast to London, for ever reviewing familiar scenes and faces and aspects of life that we had never seen before, we realized how much closer than blood or geography or politics men grow who hold the same creed. So Henry, feeling that restraints no longer were necessary when we were as near home as England, began fussing with an Englishman about something a speaker had said in parliament the day before. We may love the French, like the ladies, God bless 'em! But we quarrel only with the English.

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