THE MAN

WHOM THE TREES LOVED

ALGERNON BLACKWOOD

1912



I

He painted trees as by some special divining instinct of their essential qualities. He understood them. He knew why in an oak forest, for instance, each individual was utterly distinct from its fellows, and why no two beeches in the whole world were alike. People asked him down to paint a favorite lime or silver birch, for he caught the individuality of a tree as some catch the individuality of a horse. How he managed it was something of a puzzle, for he never had painting lessons, his drawing was often wildly inaccurate, and, while his perception of a Tree Personality was true and vivid, his rendering of it might almost approach the ludicrous. Yet the character and personality of that particular tree stood there alive beneath his brush—shining, frowning, dreaming, as the case might be, friendly or hostile, good or evil. It emerged.

There was nothing else in the wide world that he could paint; flowers and landscapes he only muddled away into a smudge; with people he was helpless and hopeless; also with animals. Skies he could sometimes manage, or effects of wind in foliage, but as a rule he left these all severely alone. He kept to trees, wisely following an instinct that was guided by love. It was quite arresting, this way he had of making a tree look almost like a being—alive. It approached the uncanny.

"Yes, Sanderson knows what he's doing when he paints a tree!" thought old David Bittacy, C.B., late of the Woods and Forests. "Why, you can almost hear it rustle. You can smell the thing. You can hear the rain drip through its leaves. You can almost see the branches move. It grows." For in this way somewhat he expressed his satisfaction, half to persuade himself that the twenty guineas were well spent (since his wife thought otherwise), and half to explain this uncanny reality of life that lay in the fine old cedar framed above his study table.

Yet in the general view the mind of Mr. Bittacy was held to be austere, not to say morose. Few divined in him the secretly tenacious love of nature that had been fostered by years spent in the forests and jungles of the eastern world. It was odd for an Englishman, due possibly to that Eurasian ancestor. Surreptitiously, as though half ashamed of it, he had kept alive a sense of beauty that hardly belonged to his type, and was unusual for its vitality. Trees, in particular, nourished it. He, also, understood trees, felt a subtle sense of communion with them, born perhaps of those years he had lived in caring for them, guarding, protecting, nursing, years of solitude among their great shadowy presences. He kept it largely to himself, of course, because he knew the world he lived in. HE also kept it from his wife—to some extent. He knew it came between them, knew that she feared it, was opposed. But what he did not know, or realize at any rate, was the extent to which she grasped the power which they wielded over his life. Her fear, he judged, was simply due to those years in India, when for weeks at a time his calling took him away from her into the jungle forests, while she remained at home dreading all manner of evils that might befall him. This, of course, explained her instinctive opposition to the passion for woods that still influenced and clung to him. It was a natural survival of those anxious days of waiting in solitude for his safe return.

For Mrs. Bittacy, daughter of an evangelical clergy-man, was a self-sacrificing woman, who in most things found a happy duty in sharing her husband's joys and sorrows to the point of self-obliteration. Only in this matter of the trees she was less successful than in others. It remained a problem difficult of compromise.

He knew, for instance, that what she objected to in this portrait of the cedar on their lawn was really not the price he had given for it, but the unpleasant way in which the transaction emphasized this breach between their common interests—the only one they had, but deep.

Sanderson, the artist, earned little enough money by his strange talent; such checks were few and far between. The owners of fine or interesting trees who cared to have them painted singly were rare indeed, and the "studies" that he made for his own delight he also kept for his own delight. Even were there buyers, he would not sell them. Only a few, and these peculiarly intimate friends, might even see them, for he disliked to hear the undiscerning criticisms of those who did not understand. Not that he minded laughter at his craftsmanship—he admitted it with scorn—but that remarks about the personality of the tree itself could easily wound or anger him. He resented slighting observations concerning them, as though insults offered to personal friends who could not answer for themselves. He was instantly up in arms.

"It really is extraordinary," said a Woman who Understood, "that you can make that cypress seem an individual, when in reality all cypresses are so exactly alike."

And though the bit of calculated flattery had come so near to saying the right, true, thing, Sanderson flushed as though she had slighted a friend beneath his very nose. Abruptly he passed in front of her and turned the picture to the wall.

"Almost as queer," he answered rudely, copying her silly emphasis, "as that you should have imagined individuality in your husband, Madame, when in reality all men are so exactly alike!"

Since the only thing that differentiated her husband from the mob was the money for which she had married him, Sanderson's relations with that particular family terminated on the spot, chance of prospective orders with it. His sensitiveness, perhaps, was morbid. At any rate the way to reach his heart lay through his trees. He might be said to love trees. He certainly drew a splendid inspiration from them, and the source of a man's inspiration, be it music, religion, or a woman, is never a safe thing to criticize.

"I do think, perhaps, it was just a little extravagant, dear," said Mrs. Bittacy, referring to the cedar check, "when we want a lawnmower so badly too. But, as it gives you such pleasure—"

"It reminds me of a certain day, Sophia," replied the old gentleman, looking first proudly at herself, then fondly at the picture, "now long gone by. It reminds me of another tree—that Kentish lawn in the spring, birds singing in the lilacs, and some one in a muslin frock waiting patiently beneath a certain cedar—not the one in the picture, I know, but—"

"I was not waiting," she said indignantly, "I was picking fir-cones for the schoolroom fire—"

"Fir-cones, my dear, do not grow on cedars, and schoolroom fires were not made in June in my young days."

"And anyhow it isn't the same cedar."

"It has made me fond of all cedars for its sake," he answered, "and it reminds me that you are the same young girl still—"

She crossed the room to his side, and together they looked out of the window where, upon the lawn of their Hampshire cottage, a ragged Lebanon stood in a solitary state.

"You're as full of dreams as ever," she said gently, "and I don't regret the check a bit—really. Only it would have been more real if it had been the original tree, wouldn't it?"

"That was blown down years ago. I passed the place last year, and there's not a sign of it left," he replied tenderly. And presently, when he released her from his side, she went up to the wall and carefully dusted the picture Sanderson had made of the cedar on their present lawn. She went all round the frame with her tiny handkerchief, standing on tiptoe to reach the top rim.

"What I like about it," said the old fellow to himself when his wife had left the room, "is the way he has made it live. All trees have it, of course, but a cedar taught it to me first—the 'something' trees possess that make them know I'm there when I stand close and watch. I suppose I felt it then because I was in love, and love reveals life everywhere." He glanced a moment at the Lebanon looming gaunt and somber through the gathering dusk. A curious wistful expression danced a moment through his eyes. "Yes, Sanderson has seen it as it is," he murmured, "solemnly dreaming there its dim hidden life against the Forest edge, and as different from that other tree in Kent as I am from—from the vicar, say. It's quite a stranger, too. I don't know anything about it really. That other cedar I loved; this old fellow I respect. Friendly though—yes, on the whole quite friendly. He's painted the friendliness right enough. He saw that. I'd like to know that man better," he added. "I'd like to ask him how he saw so clearly that it stands there between this cottage and the Forest—yet somehow more in sympathy with us than with the mass of woods behind—a sort of go-between. That I never noticed before. I see it now—through his eyes. It stands there like a sentinel—protective rather."

He turned away abruptly to look through the window. He saw the great encircling mass of gloom that was the Forest, fringing their little lawn. It pressed up closer in the darkness. The prim garden with its formal beds of flowers seemed an impertinence almost—some little colored insect that sought to settle on a sleeping monster—some gaudy fly that danced impudently down the edge of a great river that could engulf it with a toss of its smallest wave. That Forest with its thousand years of growth and its deep spreading being was some such slumbering monster, yes. Their cottage and garden stood too near its running lip. When the winds were strong and lifted its shadowy skirts of black and purple.... He loved this feeling of the Forest Personality; he had always loved it.

"Queer," he reflected, "awfully queer, that trees should bring me such a sense of dim, vast living! I used to feel it particularly, I remember, in India; in Canadian woods as well; but never in little English woods till here. And Sanderson's the only man I ever knew who felt it too. He's never said so, but there's the proof," and he turned again to the picture that he loved. A thrill of unaccustomed life ran through him as he looked. "I wonder; by Jove, I wonder," his thoughts ran on, "whether a tree—er—in any lawful meaning of the term can be—alive. I remember some writing fellow telling me long ago that trees had once been moving things, animal organisms of some sort, that had stood so long feeding, sleeping, dreaming, or something, in the same place, that they had lost the power to get away...!"

Fancies flew pell-mell about his mind, and, lighting a cheroot, he dropped into an armchair beside the open window and let them play. Outside the blackbirds whistled in the shrubberies across the lawn. He smelt the earth and trees and flowers, the perfume of mown grass, and the bits of open heath-land far away in the heart of the woods. The summer wind stirred very faintly through the leaves. But the great New Forest hardly raised her sweeping skirts of black and purple shadow.

Mr. Bittacy, however, knew intimately every detail of that wilderness of trees within. He knew all the purple coombs splashed with yellow waves of gorse; sweet with juniper and myrtle, and gleaming with clear and dark-eyed pools that watched the sky. There hawks hovered, circling hour by hour, and the flicker of the peewit's flight with its melancholy, petulant cry, deepened the sense of stillness. He knew the solitary pines, dwarfed, tufted, vigorous, that sang to every lost wind, travelers like the gypsies who pitched their bush-like tents beneath them; he knew the shaggy ponies, with foals like baby centaurs; the chattering jays, the milky call of the cuckoos in the spring, and the boom of the bittern from the lonely marshes. The undergrowth of watching hollies, he knew too, strange and mysterious, with their dark, suggestive beauty, and the yellow shimmer of their pale dropped leaves.

Here all the Forest lived and breathed in safety, secure from mutilation. No terror of the axe could haunt the peace of its vast subconscious life, no terror of devastating Man afflict it with the dread of premature death. It knew itself supreme; it spread and preened itself without concealment. It set no spires to carry warnings, for no wind brought messages of alarm as it bulged outwards to the sun and stars.

But, once its leafy portals left behind, the trees of the countryside were otherwise. The houses threatened them; they knew themselves in danger. The roads were no longer glades of silent turf, but noisy, cruel ways by which men came to attack them. They were civilized, cared for—but cared for in order that some day they might be put to death. Even in the villages, where the solemn and immemorial repose of giant chestnuts aped security, the tossing of a silver birch against their mass, impatient in the littlest wind, brought warning. Dust clogged their leaves. The inner humming of their quiet life became inaudible beneath the scream and shriek of clattering traffic. They longed and prayed to enter the great Peace of the Forest yonder, but they could not move. They knew, moreover, that the Forest with its august, deep splendor despised and pitied them. They were a thing of artificial gardens, and belonged to beds of flowers all forced to grow one way....

"I'd like to know that artist fellow better," was the thought upon which he returned at length to the things of practical life. "I wonder if Sophia would mind him for a bit—?" He rose with the sound of the gong, brushing the ashes from his speckled waistcoat. He pulled the waistcoat down. He was slim and spare in figure, active in his movements. In the dim light, but for that silvery moustache, he might easily have passed for a man of forty. "I'll suggest it to her anyhow," he decided on his way upstairs to dress. His thought really was that Sanderson could probably explain his world of things he had always felt about—trees. A man who could paint the soul of a cedar in that way must know it all.

"Why not?" she gave her verdict later over the bread-and-butter pudding; "unless you think he'd find it dull without companions."

"He would paint all day in the Forest, dear. I'd like to pick his brains a bit, too, if I could manage it."

"You can manage anything, David," was what she answered, for this elderly childless couple used an affectionate politeness long since deemed old-fashioned. The remark, however, displeased her, making her feel uneasy, and she did not notice his rejoinder, smiling his pleasure and content—"Except yourself and our bank account, my dear." This passion of his for trees was of old a bone of contention, though very mild contention. It frightened her. That was the truth. The Bible, her Baedeker for earth and heaven, did not mention it. Her husband, while humoring her, could never alter that instinctive dread she had. He soothed, but never changed her. She liked the woods, perhaps as spots for shade and picnics, but she could not, as he did, love them.

And after dinner, with a lamp beside the open window, he read aloud from The Times the evening post had brought, such fragments as he thought might interest her. The custom was invariable, except on Sundays, when, to please his wife, he dozed over Tennyson or Farrar as their mood might be. She knitted while he read, asked gentle questions, told him his voice was a "lovely reading voice," and enjoyed the little discussions that occasions prompted because he always let her with them with "Ah, Sophia, I had never thought of it quite in that way before; but now you mention it I must say I think there's something in it...."

For David Bittacy was wise. It was long after marriage, during his months of loneliness spent with trees and forests in India, his wife waiting at home in the Bungalow, that his other, deeper side had developed the strange passion that she could not understand. And after one or two serious attempts to let her share it with him, he had given up and learned to hide it from her. He learned, that is, to speak of it only casually, for since she knew it was there, to keep silence altogether would only increase her pain. So from time to time he skimmed the surface just to let her show him where he was wrong and think she won the day. It remained a debatable land of compromise. He listened with patience to her criticisms, her excursions and alarms, knowing that while it gave her satisfaction, it could not change himself. The thing lay in him too deep and true for change. But, for peace' sake, some meeting-place was desirable, and he found it thus.

It was her one fault in his eyes, this religious mania carried over from her upbringing, and it did no serious harm. Great emotion could shake it sometimes out of her. She clung to it because her father taught it her and not because she had thought it out for herself. Indeed, like many women, she never really thought at all, but merely reflected the images of others' thinking which she had learned to see. So, wise in his knowledge of human nature, old David Bittacy accepted the pain of being obliged to keep a portion of his inner life shut off from the woman he deeply loved. He regarded her little biblical phrases as oddities that still clung to a rather fine, big soul—like horns and little useless things some animals have not yet lost in the course of evolution while they have outgrown their use.

"My dear, what is it? You frightened me!" She asked it suddenly, sitting up so abruptly that her cap dropped sideways almost to her ear. For David Bittacy behind his crackling paper had uttered a sharp exclamation of surprise. He had lowered the sheet and was staring at her over the tops of his gold glasses.

"Listen to this, if you please," he said, a note of eagerness in his voice, "listen to this, my dear Sophia. It's from an address by Francis Darwin before the Royal Society. He is president, you know, and son of the great Darwin. Listen carefully, I beg you. It is most significant."

"I am listening, David," she said with some astonishment, looking up. She stopped her knitting. For a second she glanced behind her. Something had suddenly changed in the room, and it made her feel wide awake, though before she had been almost dozing. Her husband's voice and manner had introduced this new thing. Her instincts rose in warning. "Do read it, dear." He took a deep breath, looking first again over the rims of his glasses to make quite sure of her attention. He had evidently come across something of genuine interest, although herself she often found the passages from these "Addresses" somewhat heavy.

In a deep, emphatic voice he read aloud:

'"It is impossible to know whether or not plants are conscious; but it is consistent with the doctrine of continuity that in all living things there is something psychic, and if we accept this point of view—'"

"If," she interrupted, scenting danger.

He ignored the interruption as a thing of slight value he was accustomed to.

'"If we accept this point of view,'" he continued, '"we must believe that in plants there exists a faint copy of what we know as consciousness in ourselves .'"

He laid the paper down and steadily stared at her. Their eyes met. He had italicized the last phrase.

For a minute or two his wife made no reply or comment. They stared at one another in silence. He waited for the meaning of the words to reach her understanding with full import. Then he turned and read them again in part, while she, released from that curious driving look in his eyes, instinctively again glanced over her shoulder round the room. It was almost as if she felt some one had come in to them unnoticed.

"We must believe that in plants there exists a faint copy of what we know as consciousness in ourselves."

"If," she repeated lamely, feeling before the stare of those questioning eyes she must say something, but not yet having gathered her wits together quite.

"Consciousness," he rejoined. And then he added gravely: "That, my dear, is the statement of a scientific man of the Twentieth Century."

Mrs. Bittacy sat forward in her chair so that her silk flounces crackled louder than the newspaper. She made a characteristic little sound between sniffling and snorting. She put her shoes closely together, with her hands upon her knees.

"David," she said quietly, "I think these scientific men are simply losing their heads. There is nothing in the Bible that I can remember about any such thing whatsoever."

"Nothing, Sophia, that I can remember either," he answered patiently. Then, after a pause, he added, half to himself perhaps more than to her: "And, now that I come to think about it, it seems that Sanderson once said something to me that was similar.

"Then Mr. Sanderson is a wise and thoughtful man, and a safe man," she quickly took up, "if he said that."

For she thought her husband referred to her remark about the Bible, and not to her judgment of the scientific men. And he did not correct her mistake.

"And plants, you see, dear, are not the same as trees," she drove her advantage home, "not quite, that is."

"I agree," said David quietly; "but both belong to the great vegetable kingdom."

There was a moment's pause before she answered.

"Pah! the vegetable kingdom, indeed!" She tossed her pretty old head. And into the words she put a degree of contempt that, could the vegetable kingdom have heard it, might have made it feel ashamed for covering a third of the world with its wonderful tangled network of roots and branches, delicate shaking leaves, and its millions of spires that caught the sun and wind and rain. Its very right to existence seemed in question.



II

Sanderson accordingly came down, and on the whole his short visit was a success. Why he came at all was a mystery to those who heard of it, for he never paid visits and was certainly not the kind of man to court a customer. There must have been something in Bittacy he liked.

Mrs. Bittacy was glad when he left. He brought no dress-suit for one thing, not even a dinner-jacket, and he wore very low collars with big balloon ties like a Frenchman, and let his hair grow longer than was nice, she felt. Not that these things were important, but that she considered them symptoms of something a little disordered. The ties were unnecessarily flowing.

For all that he was an interesting man, and, in spite of his eccentricities of dress and so forth, a gentleman. "Perhaps," she reflected in her genuinely charitable heart, "he had other uses for the twenty guineas, an invalid sister or an old mother to support!" She had no notion of the cost of brushes, frames, paints, and canvases. Also she forgave him much for the sake of his beautiful eyes and his eager enthusiasm of manner. So many men of thirty were already blase.

Still, when the visit was over, she felt relieved. She said nothing about his coming a second time, and her husband, she was glad to notice, had likewise made no suggestion. For, truth to tell, the way the younger man engrossed the older, keeping him out for hours in the Forest, talking on the lawn in the blazing sun, and in the evenings when the damp of dusk came creeping out from the surrounding woods, all regardless of his age and usual habits, was not quite to her taste. Of course, Mr. Sanderson did not know how easily those attacks of Indian fever came back, but David surely might have told him.

They talked trees from morning to night. It stirred in her the old subconscious trail of dread, a trail that led ever into the darkness of big woods; and such feelings, as her early evangelical training taught her, were temptings. To regard them in any other way was to play with danger.

Her mind, as she watched these two, was charged with curious thoughts of dread she could not understand, yet feared the more on that account. The way they studied that old mangy cedar was a trifle unnecessary, unwise, she felt. It was disregarding the sense of proportion which deity had set upon the world for men's safe guidance.

Even after dinner they smoked their cigars upon the low branches that swept down and touched the lawn, until at length she insisted on their coming in. Cedars, she had somewhere heard, were not safe after sundown; it was not wholesome to be too near them; to sleep beneath them was even dangerous, though what the precise danger was she had forgotten. The upas was the tree she really meant.

At any rate she summoned David in, and Sanderson came presently after him.

For a long time, before deciding on this peremptory step, she had watched them surreptitiously from the drawing-room window—her husband and her guest. The dusk enveloped them with its damp veil of gauze. She saw the glowing tips of their cigars, and heard the drone of voices. Bats flitted overhead, and big, silent moths whirred softly over the rhododendron blossoms. And it came suddenly to her, while she watched, that her husband had somehow altered these last few days—since Mr. Sanderson's arrival in fact. A change had come over him, though what it was she could not say. She hesitated, indeed, to search. That was the instinctive dread operating in her. Provided it passed she would rather not know. Small things, of course, she noticed; small outward signs. He had neglected The Times for one thing, left off his speckled waistcoats for another. He was absent-minded sometimes; showed vagueness in practical details where hitherto he showed decision. And—he had begun to talk in his sleep again.

These and a dozen other small peculiarities came suddenly upon her with the rush of a combined attack. They brought with them a faint distress that made her shiver. Momentarily her mind was startled, then confused, as her eyes picked out the shadowy figures in the dusk, the cedar covering them, the Forest close at their backs. And then, before she could think, or seek internal guidance as her habit was, this whisper, muffled and very hurried, ran across her brain: "It's Mr. Sanderson. Call David in at once!"

And she had done so. Her shrill voice crossed the lawn and died away into the Forest, quickly smothered. No echo followed it. The sound fell dead against the rampart of a thousand listening trees.

"The damp is so very penetrating, even in summer," she murmured when they came obediently. She was half surprised at her open audacity, half repentant. They came so meekly at her call. "And my husband is sensitive to fever from the East. No, please do not throw away your cigars. We can sit by the open window and enjoy the evening while you smoke."

She was very talkative for a moment; subconscious excitement was the cause.

"It is so still—so wonderfully still," she went on, as no one spoke; "so peaceful, and the air so very sweet ... and God is always near to those who need His aid." The words slipped out before she realized quite what she was saying, yet fortunately, in time to lower her voice, for no one heard them. They were, perhaps, an instinctive expression of relief. It flustered her that she could have said the thing at all.

Sanderson brought her shawl and helped to arrange the chairs; she thanked him in her old-fashioned, gentle way, declining the lamps which he had offered to light. "They attract the moths and insects so, I think!"

The three of them sat there in the gloaming. Mr. Bittacy's white moustache and his wife's yellow shawl gleaming at either end of the little horseshoe, Sanderson with his wild black hair and shining eyes midway between them. The painter went on talking softly, continuing evidently the conversation begun with his host beneath the cedar. Mrs. Bittacy, on her guard, listened—uneasily.

"For trees, you see, rather conceal themselves in daylight. They reveal themselves fully only after sunset. I never know a tree," he bowed here slightly towards the lady as though to apologize for something he felt she would not quite understand or like, "until I've seen it in the night. Your cedar, for instance," looking towards her husband again so that Mrs. Bittacy caught the gleaming of his turned eyes, "I failed with badly at first, because I did it in the morning. You shall see to-morrow what I mean—that first sketch is upstairs in my portfolio; it's quite another tree to the one you bought. That view"—he leaned forward, lowering his voice—"I caught one morning about two o'clock in very faint moonlight and the stars. I saw the naked being of the thing—"

"You mean that you went out, Mr. Sanderson, at that hour?" the old lady asked with astonishment and mild rebuke. She did not care particularly for his choice of adjectives either.

"I fear it was rather a liberty to take in another's house, perhaps," he answered courteously. "But, having chanced to wake, I saw the tree from my window, and made my way downstairs."

"It's a wonder Boxer didn't bit you; he sleeps loose in the hall," she said.

"On the contrary. The dog came out with me. I hope," he added, "the noise didn't disturb you, though it's rather late to say so. I feel quite guilty." His white teeth showed in the dusk as he smiled. A smell of earth and flowers stole in through the window on a breath of wandering air.

Mrs. Bittacy said nothing at the moment. "We both sleep like tops," put in her husband, laughing. "You're a courageous man, though, Sanderson, and, by Jove, the picture justifies you. Few artist would have taken so much trouble, though I read once that Holman Hunt, Rossetti, or some one of that lot, painted all night in his orchard to get an effect of moonlight that he wanted."

He chattered on. His wife was glad to hear his voice; it made her feel more easy in her mind. But presently the other held the floor again, and her thoughts grew darkened and afraid. Instinctively she feared the influence on her husband. The mystery and wonder that lie in woods, in forests, in great gatherings of trees everywhere, seemed so real and present while he talked.

"The Night transfigures all things in a way," he was saying; "but nothing so searchingly as trees. From behind a veil that sunlight hangs before them in the day they emerge and show themselves. Even buildings do that—in a measure—but trees particularly. In the daytime they sleep; at night they wake, they manifest, turn active—live. You remember," turning politely again in the direction of his hostess, "how clearly Henley understood that?"

"That socialist person, you mean?" asked the lady. Her tone and accent made the substantive sound criminal. It almost hissed, the way she uttered it.

"The poet, yes," replied the artist tactfully, "the friend of Stevenson, you remember, Stevenson who wrote those charming children's verses."

He quoted in a low voice the lines he meant. It was, for once, the time, the place, and the setting all together. The words floated out across the lawn towards the wall of blue darkness where the big Forest swept the little garden with its league-long curve that was like the shore-line of a sea. A wave of distant sound that was like surf accompanied his voice, as though the wind was fain to listen too:

Not to the staring Day, For all the importunate questionings he pursues In his big, violent voice, Shall those mild things of bulk and multitude, The trees—God's sentinels ... Yield of their huge, unutterable selves But at the word Of the ancient, sacerdotal Night, Night of many secrets, whose effect— Transfiguring, hierophantic, dread— Themselves alone may fully apprehend, They tremble and are changed: In each the uncouth, individual soul Looms forth and glooms Essential, and, their bodily presences Touched with inordinate significance, Wearing the darkness like a livery Of some mysterious and tremendous guild, They brood—they menace—they appall.

The voice of Mrs. Bittacy presently broke the silence that followed.

"I like that part about God's sentinels," she murmured. There was no sharpness in her tone; it was hushed and quiet. The truth, so musically uttered, muted her shrill objections though it had not lessened her alarm. Her husband made no comment; his cigar, she noticed, had gone out.

"And old trees in particular," continued the artist, as though to himself, "have very definite personalities. You can offend, wound, please them; the moment you stand within their shade you feel whether they come out to you, or whether they withdraw." He turned abruptly towards his host. "You know that singular essay of Prentice Mulford's, no doubt 'God in the Trees'—extravagant perhaps, but yet with a fine true beauty in it? You've never read it, no?" he asked.

But it was Mrs. Bittacy who answered; her husband keeping his curious deep silence.

"I never did!" It fell like a drip of cold water from the face muffled in the yellow shawl; even a child could have supplied the remainder of the unspoken thought.

"Ah," said Sanderson gently, "but there is 'God' in the trees. God in a very subtle aspect and sometimes—I have known the trees express it too—that which is not God—dark and terrible. Have you ever noticed, too, how clearly trees show what they want—choose their companions, at least? How beeches, for instance, allow no life too near them—birds or squirrels in their boughs, nor any growth beneath? The silence in the beech wood is quite terrifying often! And how pines like bilberry bushes at their feet and sometimes little oaks—all trees making a clear, deliberate choice, and holding firmly to it? Some trees obviously—it's very strange and marked—seem to prefer the human."

The old lady sat up crackling, for this was more than she could permit. Her stiff silk dress emitted little sharp reports.

"We know," she answered, "that He was said to have walked in the garden in the cool of the evening"—the gulp betrayed the effort that it cost her—"but we are nowhere told that He hid in the trees, or anything like that. Trees, after all, we must remember, are only large vegetables."

"True," was the soft answer, "but in everything that grows, has life, that is, there's mystery past all finding out. The wonder that lies hidden in our own souls lies also hidden, I venture to assert, in the stupidity and silence of a mere potato."

The observation was not meant to be amusing. It was not amusing. No one laughed. On the contrary, the words conveyed in too literal a sense the feeling that haunted all that conversation. Each one in his own way realized—with beauty, with wonder, with alarm—that the talk had somehow brought the whole vegetable kingdom nearer to that of man. Some link had been established between the two. It was not wise, with that great Forest listening at their very doors, to speak so plainly. The forest edged up closer while they did so.

And Mrs. Bittacy, anxious to interrupt the horrid spell, broke suddenly in upon it with a matter-of-fact suggestion. She did not like her husband's prolonged silence, stillness. He seemed so negative—so changed.

"David," she said, raising her voice, "I think you're feeling the dampness. It's grown chilly. The fever comes so suddenly, you know, and it might be wide to take the tincture. I'll go and get it, dear, at once. It's better." And before he could object she had left the room to bring the homeopathic dose that she believed in, and that, to please her, he swallowed by the tumbler-full from week to week.

And the moment the door closed behind her, Sanderson began again, though now in quite a different tone. Mr. Bittacy sat up in his chair. The two men obviously resumed the conversation—the real conversation interrupted beneath the cedar—and left aside the sham one which was so much dust merely thrown in the old lady's eyes.

"Trees love you, that's the fact," he said earnestly. "Your service to them all these years abroad has made them know you."

"Know me?"

"Made them, yes,"—he paused a moment, then added,—"made them aware of your presence; aware of a force outside themselves that deliberately seeks their welfare, don't you see?"

"By Jove, Sanderson—!" This put into plain language actual sensations he had felt, yet had never dared to phrase in words before. "They get into touch with me, as it were?" he ventured, laughing at his own sentence, yet laughing only with his lips.

"Exactly," was the quick, emphatic reply. "They seek to blend with something they feel instinctively to be good for them, helpful to their essential beings, encouraging to their best expression—their life."

"Good Lord, Sir!" Bittacy heard himself saying, "but you're putting my own thoughts into words. D'you know, I've felt something like that for years. As though—" he looked round to make sure his wife was not there, then finished the sentence—"as though the trees were after me!"

"'Amalgamate' seems the best word, perhaps," said Sanderson slowly. "They would draw you to themselves. Good forces, you see, always seek to merge; evil to separate; that's why Good in the end must always win the day—everywhere. The accumulation in the long run becomes overwhelming. Evil tends to separation, dissolution, death. The comradeship of trees, their instinct to run together, is a vital symbol. Trees in a mass are good; alone, you may take it generally, are—well, dangerous. Look at a monkey-puzzler, or better still, a holly. Look at it, watch it, understand it. Did you ever see more plainly an evil thought made visible? They're wicked. Beautiful too, oh yes! There's a strange, miscalculated beauty often in evil—"

"That cedar, then—?"

"Not evil, no; but alien, rather. Cedars grow in forests all together. The poor thing has drifted, that is all."

They were getting rather deep. Sanderson, talking against time, spoke so fast. It was too condensed. Bittacy hardly followed that last bit. His mind floundered among his own less definite, less sorted thoughts, till presently another sentence from the artist startled him into attention again.

"That cedar will protect you here, though, because you both have humanized it by your thinking so lovingly of its presence. The others can't get past it, as it were."

"Protect me!" he exclaimed. "Protect me from their love?"

Sanderson laughed. "We're getting rather mixed," he said; "we're talking of one thing in the terms of another really. But what I mean is—you see—that their love for you, their 'awareness' of your personality and presence involves the idea of winning you—across the border—into themselves—into their world of living. It means, in a way, taking you over."

The ideas the artist started in his mind ran furious wild races to and fro. It was like a maze sprung suddenly into movement. The whirling of the intricate lines bewildered him. They went so fast, leaving but half an explanation of their goal. He followed first one, then another, but a new one always dashed across to intercept before he could get anywhere.

"But India," he said, presently in a lower voice, "India is so far away—from this little English forest. The trees, too, are utterly different for one thing?"

The rustle of skirts warned of Mrs. Bittacy's approach. This was a sentence he could turn round another way in case she came up and pressed for explanation.

"There is communion among trees all the world over," was the strange quick reply. "They always know."

"They always know! You think then—?"

"The winds, you see—the great, swift carriers! They have their ancient rights of way about the world. An easterly wind, for instance, carrying on stage by stage as it were—linking dropped messages and meanings from land to land like the birds—an easterly wind—"

Mrs. Bittacy swept in upon them with the tumbler—

"There, David," she said, "that will ward off any beginnings of attack. Just a spoonful, dear. Oh, oh! not all !" for he had swallowed half the contents at a single gulp as usual; "another dose before you go to bed, and the balance in the morning, first thing when you wake."

She turned to her guest, who put the tumbler down for her upon a table at his elbow. She had heard them speak of the east wind. She emphasized the warning she had misinterpreted. The private part of the conversation came to an abrupt end.

"It is the one thing that upsets him more than any other—an east wind," she said, "and I am glad, Mr. Sanderson, to hear you think so too."



III

A deep hush followed, in the middle of which an owl was heard calling its muffled note in the forest. A big moth whirred with a soft collision against one of the windows. Mrs. Bittacy started slightly, but no one spoke. Above the trees the stars were faintly visible. From the distance came the barking of a dog.

Bittacy, relighting his cigar, broke the little spell of silence that had caught all three.

"It's rather a comforting thought," he said, throwing the match out of the window, "that life is about us everywhere, and that there is really no dividing line between what we call organic and inorganic."

"The universe, yes," said Sanderson, "is all one, really. We're puzzled by the gaps we cannot see across, but as a fact, I suppose, there are no gaps at all."

Mrs. Bittacy rustled ominously, holding her peace meanwhile. She feared long words she did not understand. Beelzebub lay hid among too many syllables.

"In trees and plants especially, there dreams an exquisite life that no one yet has proved unconscious."

"Or conscious either, Mr. Sanderson," she neatly interjected. "It's only man that was made after His image, not shrubberies and things...."

Her husband interposed without delay.

"It is not necessary," he explained suavely, "to say that they're alive in the sense that we are alive. At the same time," with an eye to his wife, "I see no harm in holding, dear, that all created things contain some measure of His life Who made them. It's only beautiful to hold that He created nothing dead. We are not pantheists for all that!" he added soothingly.

"Oh, no! Not that, I hope!" The word alarmed her. It was worse than pope. Through her puzzled mind stole a stealthy, dangerous thing ... like a panther.

"I like to think that even in decay there's life," the painter murmured. "The falling apart of rotten wood breeds sentiency, there's force and motion in the falling of a dying leaf, in the breaking up and crumbling of everything indeed. And take an inert stone: it's crammed with heat and weight and potencies of all sorts. What holds its particles together indeed? We understand it as little as gravity or why a needle always turns to the 'North.' Both things may be a mode of life...."

"You think a compass has a soul, Mr. Sanderson?" exclaimed the lady with a crackling of her silk flounces that conveyed a sense of outrage even more plainly than her tone. The artist smiled to himself in the darkness, but it was Bittacy who hastened to reply.

"Our friend merely suggests that these mysterious agencies," he said quietly, "may be due to some kind of life we cannot understand. Why should water only run downhill? Why should trees grow at right angles to the surface of the ground and towards the sun? Why should the worlds spin for ever on their axes? Why should fire change the form of everything it touches without really destroying them? To say these things follow the law of their being explains nothing. Mr. Sanderson merely suggests—poetically, my dear, of course—that these may be manifestations of life, though life at a different stage to ours."

"The ' breath of life,' we read, 'He breathed into them. These things do not breathe." She said it with triumph.

Then Sanderson put in a word. But he spoke rather to himself or to his host than by way of serious rejoinder to the ruffled lady.

"But plants do breathe too, you know," he said. "They breathe, they eat, they digest, they move about, and they adapt themselves to their environment as men and animals do. They have a nervous system too... at least a complex system of nuclei which have some of the qualities of nerve cells. They may have memory too. Certainly, they know definite action in response to stimulus. And though this may be physiological, no one has proved that it is only that, and not—psychological."

He did not notice, apparently, the little gasp that was audible behind the yellow shawl. Bittacy cleared his throat, threw his extinguished cigar upon the lawn, crossed and recrossed his legs.

"And in trees," continued the other, "behind a great forest, for instance," pointing towards the woods, "may stand a rather splendid Entity that manifests through all the thousand individual trees—some huge collective life, quite as minutely and delicately organized as our own. It might merge and blend with ours under certain conditions, so that we could understand it by being it, for a time at least. It might even engulf human vitality into the immense whirlpool of its own vast dreaming life. The pull of a big forest on a man can be tremendous and utterly overwhelming."

The mouth of Mrs. Bittacy was heard to close with a snap. Her shawl, and particularly her crackling dress, exhaled the protest that burned within her like a pain. She was too distressed to be overawed, but at the same time too confused 'mid the litter of words and meanings half understood, to find immediate phrases she could use. Whatever the actual meaning of his language might be, however, and whatever subtle dangers lay concealed behind them meanwhile, they certainly wove a kind of gentle spell with the glimmering darkness that held all three delicately enmeshed there by that open window. The odors of dewy lawn, flowers, trees, and earth formed part of it.

"The moods," he continued, "that people waken in us are due to their hidden life affecting our own. Deep calls to sleep. A person, for instance, joins you in an empty room: you both instantly change. The new arrival, though in silence, has caused a change of mood. May not the moods of Nature touch and stir us in virtue of a similar prerogative? The sea, the hills, the desert, wake passion, joy, terror, as the case may be; for a few, perhaps," he glanced significantly at his host so that Mrs. Bittacy again caught the turning of his eyes, "emotions of a curious, flaming splendor that are quite nameless. Well ... whence come these powers? Surely from nothing that is ... dead! Does not the influence of a forest, its sway and strange ascendancy over certain minds, betray a direct manifestation of life? It lies otherwise beyond all explanation, this mysterious emanation of big woods. Some natures, of course, deliberately invite it. The authority of a host of trees,"—his voice grew almost solemn as he said the words—"is something not to be denied. One feels it here, I think, particularly."

There was considerable tension in the air as he ceased speaking. Mr. Bittacy had not intended that the talk should go so far. They had drifted. He did not wish to see his wife unhappy or afraid, and he was aware—acutely so—that her feelings were stirred to a point he did not care about. Something in her, as he put it, was "working up" towards explosion.

He sought to generalize the conversation, diluting this accumulated emotion by spreading it.

"The sea is His and He made it," he suggested vaguely, hoping Sanderson would take the hint, "and with the trees it is the same...."

"The whole gigantic vegetable kingdom, yes," the artist took him up, "all at the service of man, for food, for shelter and for a thousand purposes of his daily life. Is it not striking what a lot of the globe they cover ... exquisitely organized life, yet stationary, always ready to our had when we want them, never running away? But the taking them, for all that, not so easy. One man shrinks from picking flowers, another from cutting down trees. And, it's curious that most of the forest tales and legends are dark, mysterious, and somewhat ill-omened. The forest-beings are rarely gay and harmless. The forest life was felt as terrible. Tree-worship still survives to-day. Wood-cutters... those who take the life of trees... you see a race of haunted men...."

He stopped abruptly, a singular catch in his voice. Bittacy felt something even before the sentences were over. His wife, he knew, felt it still more strongly. For it was in the middle of the heavy silence following upon these last remarks, that Mrs. Bittacy, rising with a violent abruptness from her chair, drew the attention of the others to something moving towards them across the lawn. It came silently. In outline it was large and curiously spread. It rose high, too, for the sky above the shrubberies, still pale gold from the sunset, was dimmed by its passage. She declared afterwards that it move in "looping circles," but what she perhaps meant to convey was "spirals."

She screamed faintly. "It's come at last! And it's you that brought it!"

She turned excitedly, half afraid, half angry, to Sanderson. With a breathless sort of gasp she said it, politeness all forgotten. "I knew it ... if you went on. I knew it. Oh! Oh!" And she cried again, "Your talking has brought it out!" The terror that shook her voice was rather dreadful.

But the confusion of her vehement words passed unnoticed in the first surprise they caused. For a moment nothing happened.

"What is it you think you see, my dear?" asked her husband, startled. Sanderson said nothing. All three leaned forward, the men still sitting, but Mrs. Bittacy had rushed hurriedly to the window, placing herself of a purpose, as it seemed, between her husband and the lawn. She pointed. Her little hand made a silhouette against the sky, the yellow shawl hanging from the arm like a cloud.

"Beyond the cedar—between it and the lilacs." The voice had lost its shrillness; it was thin and hushed. "There ... now you see it going round upon itself again—going back, thank God!... going back to the Forest." It sank to a whisper, shaking. She repeated, with a great dropping sigh of relief—"Thank God! I thought ... at first ... it was coming here ... to us!... David ... to you !"

She stepped back from the window, her movements confused, feeling in the darkness for the support of a chair, and finding her husband's outstretched hand instead. "Hold me, dear, hold me, please ... tight. Do not let me go." She was in what he called afterwards "a regular state." He drew her firmly down upon her chair again.

"Smoke, Sophie, my dear," he said quickly, trying to make his voice calm and natural. "I see it, yes. It's smoke blowing over from the gardener's cottage...."

"But, David,"—and there was a new horror in her whisper now—"it made a noise. It makes it still. I hear it swishing." Some such word she used—swishing, sishing, rushing, or something of the kind. "David, I'm very frightened. It's something awful! That man has called it out...!"

"Hush, hush," whispered her husband. He stroked her trembling hand beside him.

"It is in the wind," said Sanderson, speaking for the first time, very quietly. The expression on his face was not visible in the gloom, but his voice was soft and unafraid. At the sound of it, Mrs. Bittacy started violently again. Bittacy drew his chair a little forward to obstruct her view of him. He felt bewildered himself, a little, hardly knowing quite what to say or do. It was all so very curious and sudden.

But Mrs. Bittacy was badly frightened. It seemed to her that what she saw came from the enveloping forest just beyond their little garden. It emerged in a sort of secret way, moving towards them as with a purpose, stealthily, difficultly. Then something stopped it. It could not advance beyond the cedar. The cedar—this impression remained with her afterwards too—prevented, kept it back. Like a rising sea the Forest had surged a moment in their direction through the covering darkness, and this visible movement was its first wave. Thus to her mind it seemed... like that mysterious turn of the tide that used to frighten and mystify her in childhood on the sands. The outward surge of some enormous Power was what she felt... something to which every instinct in her being rose in opposition because it threatened her and hers. In that moment she realized the Personality of the Forest... menacing.

In the stumbling movement that she made away from the window and towards the bell she barely caught the sentence Sanderson—or was it her husband?—murmured to himself: "It came because we talked of it; our thinking made it aware of us and brought it out. But the cedar stops it. It cannot cross the lawn, you see...."

All three were standing now, and her husband's voice broke in with authority while his wife's fingers touched the bell.

"My dear, I should not say anything to Thompson." The anxiety he felt was manifest in his voice, but his outward composure had returned. "The gardener can go...."

Then Sanderson cut him short. "Allow me," he said quickly. "I'll see if anything's wrong." And before either of them could answer or object, he was gone, leaping out by the open window. They saw his figure vanish with a run across the lawn into the darkness.

A moment later the maid entered, in answer to the bell, and with her came the loud barking of the terrier from the hall.

"The lamps," said her master shortly, and as she softly closed the door behind her, they heard the wind pass with a mournful sound of singing round the outer walls. A rustle of foliage from the distance passed within it.

"You see, the wind is rising. It was the wind!" He put a comforting arm about her, distressed to feel that she was trembling. But he knew that he was trembling too, though with a kind of odd elation rather than alarm. "And it was smoke that you saw coming from Stride's cottage, or from the rubbish heaps he's been burning in the kitchen garden. The noise we heard was the branches rustling in the wind. Why should you be so nervous?"

A thin whispering voice answered him:

"I was afraid for you, dear. Something frightened me for you. That man makes me feel so uneasy and uncomfortable for his influence upon you. It's very foolish, I know. I think... I'm tired; I feel so overwrought and restless." The words poured out in a hurried jumble and she kept turning to the window while she spoke.

"The strain of having a visitor," he said soothingly, "has taxed you. We're so unused to having people in the house. He goes to-morrow." He warmed her cold hands between his own, stroking them tenderly. More, for the life of him, he could not say or do. The joy of a strange, internal excitement made his heart beat faster. He knew not what it was. He knew only, perhaps, whence it came.

She peered close into his face through the gloom, and said a curious thing. "I thought, David, for a moment... you seemed... different. My nerves are all on edge to-night." She made no further reference to her husband's visitor.

A sound of footsteps from the lawn warned of Sanderson's return, as he answered quickly in a lowered tone—"There's no need to be afraid on my account, dear girl. There's nothing wrong with me. I assure you; I never felt so well and happy in my life."

Thompson came in with the lamps and brightness, and scarcely had she gone again when Sanderson in turn was seen climbing through the window.

"There's nothing," he said lightly, as he closed it behind him. "Somebody's been burning leaves, and the smoke is drifting a little through the trees. The wind," he added, glancing at his host a moment significantly, but in so discreet a way that Mrs. Bittacy did not observe it, "the wind, too, has begun to roar... in the Forest... further out."

But Mrs. Bittacy noticed about him two things which increased her uneasiness. She noticed the shining of his eyes, because a similar light had suddenly come into her husband's; and she noticed, too, the apparent depth of meaning he put into those simple words that "the wind had begun to roar in the Forest ...further out." Her mind retained the disagreeable impression that he meant more than he said. In his tone lay quite another implication. It was not actually "wind" he spoke of, and it would not remain "further out"...rather, it was coming in. Another impression she got too—still more unwelcome—was that her husband understood his hidden meaning.



IV

"David, dear," she observed gently as soon as they were alone upstairs, "I have a horrible uneasy feeling about that man. I cannot get rid of it." The tremor in per voice caught all his tenderness.

He turned to look at her. "Of what kind, my dear? You're so imaginative sometimes, aren't you?"

"I think," she hesitated, stammering a little, confused, still frightened, "I mean—isn't he a hypnotist, or full of those theosophical ideas, or something of the sort? You know what I mean—"

He was too accustomed to her little confused alarms to explain them away seriously as a rule, or to correct her verbal inaccuracies, but to-night he felt she needed careful, tender treatment. He soothed her as best he could.

"But there's no harm in that, even if he is," he answered quietly. "Those are only new names for very old ideas, you know, dear." There was no trace of impatience in his voice.

"That's what I mean," she replied, the texts he dreaded rising in an unuttered crowd behind the words. "He's one of those things that we are warned would come—one of those Latter-Day things." For her mind still bristled with the bogeys of the Antichrist and Prophecy, and she had only escaped the Number of the Beast, as it were, by the skin of her teeth. The Pope drew most of her fire usually, because she could understand him; the target was plain and she could shoot. But this tree-and-forest business was so vague and horrible. It terrified her. "He makes me think," she went on, "of Principalities and Powers in high places, and of things that walk in the darkness. I did not like the way he spoke of trees getting alive in the night, and all that; it made me think of wolves in sheep's clothing. And when I saw that awful thing in the sky above the lawn—"

But he interrupted her at once, for that was something he had decided it was best to leave unmentioned. Certainly it was better not discussed.

"He only meant, I think, Sophie," he put in gravely, yet with a little smile, "that trees may have a measure of conscious life—rather a nice idea on the whole, surely,—something like that bit we read in the Times the other night, you remember—and that a big forest may possess a sort of Collective Personality. Remember, he's an artist, and poetical."

"It's dangerous," she said emphatically. "I feel it's playing with fire, unwise, unsafe—"

"Yet all to the glory of God," he urged gently. "We must not shut our ears and eyes to knowledge—of any kind, must we?"

"With you, David, the wish is always farther than the thought," she rejoined. For, like the child who thought that "suffered under Pontius Pilate" was "suffered under a bunch of violets," she heard her proverbs phonetically and reproduced them thus. She hoped to convey her warning in the quotation. "And we must always try the spirits whether they be of God," she added tentatively.

"Certainly, dear, we can always do that," he assented, getting into bed.

But, after a little pause, during which she blew the light out, David Bittacy settling down to sleep with an excitement in his blood that was new and bewilderingly delightful, realized that perhaps he had not said quite enough to comfort her. She was lying awake by his side, still frightened. He put his head up in the darkness.

"Sophie," he said softly, "you must remember, too, that in any case between us and—and all that sort of thing—there is a great gulf fixed, a gulf that cannot be crossed—er—while we are still in the body."

And hearing no reply, he satisfied himself that she was already asleep and happy. But Mrs. Bittacy was not asleep. She heard the sentence, only she said nothing because she felt her thought was better unexpressed. She was afraid to hear the words in the darkness. The Forest outside was listening and might hear them too—the Forest that was "roaring further out."

And the thought was this: That gulf, of course, existed, but Sanderson had somehow bridged it.

It was much later than night when she awoke out of troubled, uneasy dreams and heard a sound that twisted her very nerves with fear. It passed immediately with full waking, for, listen as she might, there was nothing audible but the inarticulate murmur of the night. It was in her dreams she heard it, and the dreams had vanished with it. But the sound was recognizable, for it was that rushing noise that had come across the lawn; only this time closer. Just above her face while she slept had passed this murmur as of rustling branches in the very room, a sound of foliage whispering. "A going in the tops of the mulberry trees," ran through her mind. She had dreamed that she lay beneath a spreading tree somewhere, a tree that whispered with ten thousand soft lips of green; and the dream continued for a moment even after waking.

She sat up in bed and stared about her. The window was open at the top; she saw the stars; the door, she remembered, was locked as usual; the room, of course, was empty. The deep hush of the summer night lay over all, broken only by another sound that now issued from the shadows close beside the bed, a human sound, yet unnatural, a sound that seized the fear with which she had waked and instantly increased it. And, although it was one she recognized as familiar, at first she could not name it. Some seconds certainly passed—and, they were very long ones—before she understood that it was her husband talking in his sleep.

The direction of the voice confused and puzzled her, moreover, for it was not, as she first supposed, beside her. There was distance in it. The next minute, by the light of the sinking candle flame, she saw his white figure standing out in the middle of the room, half-way towards the window. The candle-light slowly grew. She saw him move then nearer to the window, with arms outstretched. His speech was low and mumbled, the words running together too much to be distinguishable.

And she shivered. To her, sleep-talking was uncanny to the point of horror; it was like the talking of the dead, mere parody of a living voice, unnatural.

"David!" she whispered, dreading the sound of her own voice, and half afraid to interrupt him and see his face. She could not bear the sight of the wide-opened eyes. "David, you're walking in your sleep. Do—come back to bed, dear, please!"

Her whisper seemed so dreadfully loud in the still darkness. At the sound of her voice he paused, then turned slowly round to face her. His widely-opened eyes stared into her own without recognition; they looked through her into something beyond; it was as though he knew the direction of the sound, yet cold not see her. They were shining, she noticed, as the eyes of Sanderson had shone several hours ago; and his face was flushed, distraught. Anxiety was written upon every feature. And, instantly, recognizing that the fever was upon him, she forgot her terror temporarily in practical considerations. He came back to bed without waking. She closed his eyelids. Presently he composed himself quietly to sleep, or rather to deeper sleep. She contrived to make him swallow something from the tumbler beside the bed.

Then she rose very quietly to close the window, feeling the night air blow in too fresh and keen. She put the candle where it could not reach him. The sight of the big Baxter Bible beside it comforted her a little, but all through her under-being ran the warnings of a curious alarm. And it was while in the act of fastening the catch with one hand and pulling the string of the blind with the other, that her husband sat up again in bed and spoke in words this time that were distinctly audible. The eyes had opened wide again. He pointed. She stood stock still and listened, her shadow distorted on the blind. He did not come out towards her as at first she feared.

The whispering voice was very clear, horrible, too, beyond all she had ever known.

"They are roaring in the Forest further out... and I... must go and see." He stared beyond her as he said it, to the woods. "They are needing me. They sent for me...." Then his eyes wandering back again to things within the room, he lay down, his purpose suddenly changed. And that change was horrible as well, more horrible, perhaps, because of its revelation of another detailed world he moved in far away from her.

The singular phrase chilled her blood, for a moment she was utterly terrified. That tone of the somnambulist, differing so slightly yet so distressingly from normal, waking speech, seemed to her somehow wicked. Evil and danger lay waiting thick behind it. She leaned against the window-sill, shaking in every limb. She had an awful feeling for a moment that something was coming in to fetch him.

"Not yet, then," she heard in a much lower voice from the bed, "but later. It will be better so... I shall go later...."

The words expressed some fringe of these alarms that had haunted her so long, and that the arrival and presence of Sanderson seemed to have brought to the very edge of a climax she could not even dare to think about. They gave it form; they brought it closer; they sent her thoughts to her Deity in a wild, deep prayer for help and guidance. For here was a direct, unconscious betrayal of a world of inner purposes and claims her husband recognized while he kept them almost wholly to himself.

By the time she reached his side and knew the comfort of his touch, the eyes had closed again, this time of their own accord, and the head lay calmly back upon the pillows. She gently straightened the bed clothes. She watched him for some minutes, shading the candle carefully with one hand. There was a smile of strangest peace upon the face.

Then, blowing out the candle, she knelt down and prayed before getting back into bed. But no sleep came to her. She lay awake all night thinking, wondering, praying, until at length with the chorus of the birds and the glimmer of the dawn upon the green blind, she fell into a slumber of complete exhaustion.

But while she slept the wind continued roaring in the Forest further out. The sound came closer—sometimes very close indeed.



V

With the departure of Sanderson the significance of the curious incidents waned, because the moods that had produced them passed away. Mrs. Bittacy soon afterwards came to regard them as some growth of disproportion that had been very largely, perhaps, in her own mind. It did not strike her that this change was sudden for it came about quite naturally. For one thing her husband never spoke of the matter, and for another she remembered how many things in life that had seemed inexplicable and singular at the time turned out later to have been quite commonplace.

Most of it, certainly, she put down to the presence of the artist and to his wild, suggestive talk. With his welcome removal, the world turned ordinary again and safe. The fever, though it lasted as usual a short time only, had not allowed of her husband's getting up to say good-bye, and she had conveyed his regrets and adieux. In the morning Mr. Sanderson had seemed ordinary enough. In his town hat and gloves, as she saw him go, he seemed tame and unalarming.

"After all," she thought as she watched the pony-cart bear him off, "he's only an artist!" What she had thought he might be otherwise her slim imagination did not venture to disclose. Her change of feeling was wholesome and refreshing. She felt a little ashamed of her behavior. She gave him a smile—genuine because the relief she felt was genuine—as he bent over her hand and kissed it, but she did not suggest a second visit, and her husband, she noted with satisfaction and relief, had said nothing either.

The little household fell again into the normal and sleepy routine to which it was accustomed. The name of Arthur Sanderson was rarely if ever mentioned. Nor, for her part, did she mention to her husband the incident of his walking in his sleep and the wild words he used. But to forget it was equally impossible. Thus it lay buried deep within her like a center of some unknown disease of which it was a mysterious symptom, waiting to spread at the first favorable opportunity. She prayed against it every night and morning: prayed that she might forget it—that God would keep her husband safe from harm.

For in spite of much surface foolishness that many might have read as weakness. Mrs. Bittacy had balance, sanity, and a fine deep faith. She was greater than she knew. Her love for her husband and her God were somehow one, an achievement only possible to a single-hearted nobility of soul.

There followed a summer of great violence and beauty; of beauty, because the refreshing rains at night prolonged the glory of the spring and spread it all across July, keeping the foliage young and sweet; of violence, because the winds that tore about the south of England brushed the whole country into dancing movement. They swept the woods magnificently, and kept them roaring with a perpetual grand voice. Their deepest notes seemed never to leave the sky. They sang and shouted, and torn leaves raced and fluttered through the air long before their usually appointed time. Many a tree, after days of roaring and dancing, fell exhausted to the ground. The cedar on the lawn gave up two limbs that fell upon successive days, at the same hour too—just before dusk. The wind often makes its most boisterous effort at that time, before it drops with the sun, and these two huge branches lay in dark ruin covering half the lawn. They spread across it and towards the house. They left an ugly gaping space upon the tree, so that the Lebanon looked unfinished, half destroyed, a monster shorn of its old-time comeliness and splendor. Far more of the Forest was now visible than before; it peered through the breach of the broken defenses. They could see from the windows of the house now—especially from the drawing-room and bedroom windows—straight out into the glades and depths beyond.

Mrs. Bittacy's niece and nephew, who were staying on a visit at the time, enjoyed themselves immensely helping the gardeners carry off the fragments. It took two days to do this, for Mr. Bittacy insisted on the branches being moved entire. He would not allow them to be chopped; also, he would not consent to their use as firewood. Under his superintendence the unwieldy masses were dragged to the edge of the garden and arranged upon the frontier line between the Forest and the lawn. The children were delighted with the scheme. They entered into it with enthusiasm. At all costs this defense against the inroads of the Forest must be made secure. They caught their uncle's earnestness, felt even something of a hidden motive that he had; and the visit, usually rather dreaded, became the visit of their lives instead. It was Aunt Sophia this time who seemed discouraging and dull.

"She's got so old and funny," opined Stephen.

But Alice, who felt in the silent displeasure of her aunt some secret thing that alarmed her, said:

"I think she's afraid of the woods. She never comes into them with us, you see."

"All the more reason then for making this wall impreg—all fat and thick and solid," he concluded, unable to manage the longer word. "Then nothing—simply nothing—can get through. Can't it, Uncle David?"

And Mr. Bittacy, jacket discarded and working in his speckled waistcoat, went puffing to their aid, arranging the massive limb of the cedar like a hedge.

"Come on," he said, "whatever happens, you know, we must finish before it's dark. Already the wind is roaring in the Forest further out." And Alice caught the phrase and instantly echoed it. "Stevie," she cried below her breath, "look sharp, you lazy lump. Didn't you hear what Uncle David said? It'll come in and catch us before we've done!"

They worked like Trojans, and, sitting beneath the wisteria tree that climbed the southern wall of the cottage, Mrs. Bittacy with her knitting watched them, calling from time to time insignificant messages of counsel and advice. The messages passed, of course, unheeded. Mostly, indeed, they were unheard, for the workers were too absorbed. She warned her husband not to get too hot, Alice not to tear her dress, Stephen not to strain his back with pulling. Her mind hovered between the homeopathic medicine-chest upstairs and her anxiety to see the business finished.

For this breaking up of the cedar had stirred again her slumbering alarms. It revived memories of the visit of Mr. Sanderson that had been sinking into oblivion; she recalled his queer and odious way of talking, and many things she hoped forgotten drew their heads up from that subconscious region to which all forgetting is impossible. They looked at her and nodded. They were full of life; they had no intention of being pushed aside and buried permanently. "Now look!" they whispered, "didn't we tell you so?" They had been merely waiting the right moment to assert their presence. And all her former vague distress crept over her. Anxiety, uneasiness returned. That dreadful sinking of the heart came too.

This incident of the cedar's breaking up was actually so unimportant, and yet her husband's attitude towards it made it so significant. There was nothing that he said in particular, or did, or left undone that frightened, her, but his general air of earnestness seemed so unwarranted. She felt that he deemed the thing important. He was so exercised about it. This evidence of sudden concern and interest, buried all the summer from her sight and knowledge, she realized now had been buried purposely, he had kept it intentionally concealed. Deeply submerged in him there ran this tide of other thoughts, desires, hopes. What were they? Whither did they lead? The accident to the tree betrayed it most unpleasantly, and, doubtless, more than he was aware.

She watched his grave and serious face as he worked there with the children, and as she watched she felt afraid. It vexed her that the children worked so eagerly. They unconsciously supported him. The thing she feared she would not even name. But it was waiting.

Moreover, as far as her puzzled mind could deal with a dread so vague and incoherent, the collapse of the cedar somehow brought it nearer. The fact that, all so ill-explained and formless, the thing yet lay in her consciousness, out of reach but moving and alive, filled her with a kind of puzzled, dreadful wonder. Its presence was so very real, its power so gripping, its partial concealment so abominable. Then, out of the dim confusion, she grasped one thought and saw it stand quite clear before her eyes. She found difficulty in clothing it in words, but its meaning perhaps was this: That cedar stood in their life for something friendly; its downfall meant disaster; a sense of some protective influence about the cottage, and about her husband in particular, was thereby weakened.

"Why do you fear the big winds so?" he had asked her several days before, after a particularly boisterous day; and the answer she gave surprised her while she gave it. One of those heads poked up unconsciously, and let slip the truth.

"Because, David, I feel they—bring the Forest with them," she faltered. "They blow something from the trees—into the mind—into the house."

He looked at her keenly for a moment.

"That must be why I love them then," he answered. "They blow the souls of the trees about the sky like clouds."

The conversation dropped. She had never heard him talk in quite that way before.

And another time, when he had coaxed her to go with him down one of the nearer glades, she asked why he took the small hand-axe with him, and what he wanted it for.

"To cut the ivy that clings to the trunks and takes their life away," he said.

"But can't the verdurers do that?" she asked. "That's what they're paid for, isn't it?"

Whereupon he explained that ivy was a parasite the trees knew not how to fight alone, and that the verdurers were careless and did not do it thoroughly. They gave a chop here and there, leaving the tree to do the rest for itself if it could.

"Besides, I like to do it for them. I love to help them and protect," he added, the foliage rustling all about his quiet words as they went.

And these stray remarks, as his attitude towards the broken cedar, betrayed this curious, subtle change that was going forward to his personality. Slowly and surely all the summer it had increased.

It was growing—the thought startled her horribly—just as a tree grows, the outer evidence from day to day so slight as to be unnoticeable, yet the rising tide so deep and irresistible. The alteration spread all through and over him, was in both mind and actions, sometimes almost in his face as well. Occasionally, thus, it stood up straight outside himself and frightened her. His life was somehow becoming linked so intimately with trees, and with all that trees signified. His interests became more and more their interests, his activity combined with theirs, his thoughts and feelings theirs, his purpose, hope, desire, his fate—

His fate! The darkness of some vague, enormous terror dropped its shadow on her when she thought of it. Some instinct in her heart she dreaded infinitely more than death—for death meant sweet translation for his soul—came gradually to associate the thought of him with the thought of trees, in particular with these Forest trees. Sometimes, before she could face the thing, argue it away, or pray it into silence, she found the thought of him running swiftly through her mind like a thought of the Forest itself, the two most intimately linked and joined together, each a part and complement of the other, one being.

The idea was too dim for her to see it face to face. Its mere possibility dissolved the instant she focused it to get the truth behind it. It was too utterly elusive, made, protaean. Under the attack of even a minute's concentration the very meaning of it vanished, melted away. The idea lay really behind any words that she could ever find, beyond the touch of definite thought.

Her mind was unable to grapple with it. But, while it vanished, the trail of its approach and disappearance flickered a moment before her shaking vision. The horror certainly remained.

Reduced to the simple human statement that her temperament sought instinctively, it stood perhaps at this: Her husband loved her, and he loved the trees as well; but the trees came first, claimed parts of him she did not know. She loved her God and him. He loved the trees and her.

Thus, in guise of some faint, distressing compromise, the matter shaped itself for her perplexed mind in the terms of conflict. A silent, hidden battle raged, but as yet raged far away. The breaking of the cedar was a visible outward fragment of a distant and mysterious encounter that was coming daily closer to them both. The wind, instead of roaring in the Forest further out, now cam nearer, booming in fitful gusts about its edge and frontiers.

Meanwhile the summer dimmed. The autumn winds went sighing through the woods, leaves turned to golden red, and the evenings were drawing in with cozy shadows before the first sign of anything seriously untoward made its appearance. It came then with a flat, decided kind of violence that indicated mature preparation beforehand. It was not impulsive nor ill-considered. In a fashion it seemed expected, and indeed inevitable. For within a fortnight of their annual change to the little village of Seillans above St. Raphael—a change so regular for the past ten years that it was not even discussed between them—David Bittacy abruptly refused to go.

Thompson had laid the tea-table, prepared the spirit lamp beneath the urn, pulled down the blinds in that swift and silent way she had, and left the room. The lamps were still unlit. The fire-light shone on the chintz armchairs, and Boxer lay asleep on the black horse-hair rug. Upon the walls the gilt picture frames gleamed faintly, the pictures themselves indistinguishable. Mrs. Bittacy had warmed the teapot and was in the act of pouring the water in to heat the cups when her husband, looking up from his chair across the hearth, made the abrupt announcement:

"My dear," he said, as though following a train of thought of which she only heard this final phrase, "it's really quite impossible for me to go."

And so abrupt, inconsequent, it sounded that she at first misunderstood. She thought he meant to go out into the garden or the woods. But her heart leaped all the same. The tone of his voice was ominous.

"Of course not," she answered, "it would be most unwise. Why should you—?" She referred to the mist that always spread on autumn nights upon the lawn, but before she finished the sentence she knew that he referred to something else. And her heart then gave its second horrible leap.

"David! You mean abroad?" she gasped.

"I mean abroad, dear, yes."

It reminded her of the tone he used when saying good-bye years ago, before one of those jungle expeditions she dreaded. His voice then was so serious, so final. It was serious and final now. For several moments she could think of nothing to say. She busied herself with the teapot. She had filled one cup with hot water till it overflowed, and she emptied it slowly into the slop-basin, trying with all her might not to let him see the trembling of her hand. The firelight and the dimness of the room both helped her. But in any case he would hardly have noticed it. His thoughts were far away....



VI

Mrs. Bittacy had never liked their present home. She preferred a flat, more open country that left approaches clear. She liked to see things coming. This cottage on the very edge of the old hunting grounds of William the Conqueror had never satisfied her ideal of a safe and pleasant place to settle down in. The sea-coast, with treeless downs behind and a clear horizon in front, as at Eastbourne, say, was her ideal of a proper home.

It was curious, this instinctive aversion she felt to being shut in—by trees especially; a kind of claustrophobia almost; probably due, as has been said, to the days in India when the trees took her husband off and surrounded him with dangers. In those weeks of solitude the feeling had matured. She had fought it in her fashion, but never conquered it. Apparently routed, it had a way of creeping back in other forms. In this particular case, yielding to his strong desire, she thought the battle won, but the terror of the trees came back before the first month had passed. They laughed in her face.

She never lost knowledge of the fact that the leagues of forest lay about their cottage like a mighty wall, a crowding, watching, listening presence that shut them in from freedom and escape. Far from morbid naturally, she did her best to deny the thought, and so simple and unartificial was her type of mind that for weeks together she would wholly lose it. Then, suddenly it would return upon her with a rush of bleak reality. It was not only in her mind; it existed apart from any mere mood; a separate fear that walked alone; it came and went, yet when it went—went only to watch her from another point of view. It was in abeyance—hidden round the corner.

The Forest never let her go completely. It was ever ready to encroach. All the branches, she sometimes fancied, stretched one way—towards their tiny cottage and garden, as though it sought to draw them in and merge them in itself. Its great, deep-breathing soul resented the mockery, the insolence, the irritation of the prim garden at its very gates. It would absorb and smother them if it could. And every wind that blew its thundering message over the huge sounding-board of the million, shaking trees conveyed the purpose that it had. They had angered its great soul. At its heart was this deep, incessant roaring.

All this she never framed in words, the subtleties of language lay far beyond her reach. But instinctively she felt it; and more besides. It troubled her profoundly. Chiefly, moreover, for her husband. Merely for herself, the nightmare might have left her cold. It was David's peculiar interest in the trees that gave the special invitation. Jealousy, then, in its most subtle aspect came to strengthen this aversion and dislike, for it came in a form that no reasonable wife could possibly object to. Her husband's passion, she reflected, was natural and inborn. It had decided his vocation, fed his ambition, nourished his dreams, desires, hopes. All his best years of active life had been spent in the care and guardianship of trees. He knew them, understood their secret life and nature, "managed" them intuitively as other men "managed" dogs and horses. He could not live for long away from them without a strange, acute nostalgia that stole his peace of mind and consequently his strength of body. A forest made him happy and at peace; it nursed and fed and soothed his deepest moods. Trees influenced the sources of his life, lowered or raised the very heart-beat in him. Cut off from them he languished as a lover of the sea can droop inland, or a mountaineer may pine in the flat monotony of the plains.