He had finished his game of touch-last with my right ear, and was circling slowly in the air while he thought out other ways of entertaining me, when there was a rush of air, a swish of napkin, and no more Harold.

I turned to thank my preserver, whose table adjoined mine. He was a Frenchman, a melancholy-looking man. He had the appearance of one who has searched for the leak in life's gas-pipe with a lighted candle; of one whom the clenched fist of Fate has smitten beneath the temperamental third waistcoat-button.

He waved my thanks aside. 'It was a bagatelle,' he said. We became friendly. He moved to my table, and we fraternized over our coffee.

Suddenly he became agitated. He kicked at something on the floor. His eyes gleamed angrily.

'Ps-s-st!' he hissed. 'Va-t'en!'

I looked round the corner of the table, and perceived the restaurant cat in dignified retreat.

'You do not like cats?' I said.

'I 'ate all animals, monsieur. Cats especially.' He frowned. He seemed to hesitate.

'I will tell you my story,' he said. 'You will sympathize. You have a sympathetic face. It is the story of a man's tragedy. It is the story of a blighted life. It is the story of a woman who would not forgive. It is the story—'

'I've got an appointment at eleven,' I said.

He nodded absently, drew at his cigarette, and began:

* * * * *

I have conceived my 'atred of animals, monsieur, many years ago in Paris. Animals are to me a symbol for the lost dreams of youth, for ambitions foiled, for artistic impulses cruelly stifled. You are astonished. You ask why I say these things. I shall tell you.

I am in Paris, young, ardent, artistic. I wish to paint pictures. I 'ave the genius, the ent'usiasm. I wish to be disciple of the great Bouguereau. But no. I am dependent for support upon an uncle. He is rich. He is proprietor of the great Hotel Jules Priaulx. My name is also Priaulx. He is not sympathetic. I say, 'Uncle, I 'ave the genius, the ent'usiasm. Permit me to paint.' He shakes his head. He say, 'I will give you position in my hotel, and you shall earn your living.' What choice? I weep, but I kill my dreams, and I become cashier at my uncle's hotel at a salary of thirty-five francs a week. I, the artist, become a machine for the changing of money at dam bad salary. What would you? What choice? I am dependent. I go to the hotel, and there I learn to 'ate all animals. Cats especially.

I will tell you the reason. My uncle's hotel is fashionable hotel. Rich Americans, rich Maharajahs, rich people of every nation come to my uncle's hotel. They come, and with them they have brought their pets. Monsieur, it was the existence of a nightmare. Wherever I have looked there are animals. Listen. There is an Indian prince. He has with him two dromedaries. There is also one other Indian prince. With him is a giraffe. The giraffe drink every day one dozen best champagne to keep his coat good. I, the artist, have my bock, and my coat is not good. There is a guest with a young lion. There is a guest with an alligator. But especially there is a cat. He is fat. His name is Alexander. He belongs to an American woman. She is fat. She exhibits him to me. He is wrapped in a silk and fur creation like an opera cloak. Every day she exhibits him. It is 'Alexander this' and 'Alexander that', till I 'ate Alexander very much. I 'ate all the animals, but especially Alexander.

And so, monsieur, it goes on, day by day, in this hotel that is a Zoological Garden. And every day I 'ate the animals the more. But especially Alexander.

We artists, monsieur, we are martyrs to our nerves. It became insupportable, this thing. Each day it became more insupportable. At night I dream of all the animals, one by one—the giraffe, the two dromedaries, the young lion, the alligator, and Alexander. Especially Alexander. You have 'eard of men who cannot endure the society of a cat—how they cry out and jump in the air if a cat is among those present. Hein? Your Lord Roberts? Precisely, monsieur. I have read so much. Listen, then. I am become by degrees almost like 'im. I do not cry out and jump in the air when I see the cat Alexander, but I grind my teeth and I 'ate 'im.

Yes, I am the sleeping volcano, and one morning, monsieur, I have suffered the eruption. It is like this. I shall tell you.

Not only at that time am I the martyr to nerves, but also to toothache. That morning I 'ave 'ad the toothache very bad. I 'ave been in pain the most terrible. I groan as I add up the figures in my book.

As I groan I 'ear a voice.

'Say good morning to M. Priaulx, Alexander.' Conceive my emotions, monsieur, when this fat, beastly cat is placed before me upon my desk!

It put the cover upon it. No, that is not the phrase. The lid. It put the lid upon it. All my smothered 'atred of the animal burst forth. I could no longer conceal my 'atred.

I rose. I was terrible. I seized 'im by the tail. I flung him—I did not know where. I did not care. Not then. Afterwards, yes, but not then.

Your Longfellow has a poem. 'I shot an arrow into the air. It fell to earth, I know not where.' And then he has found it. The arrow in the 'eart of a friend. Am I right? Also was that the tragedy with me. I flung the cat Alexander. My uncle, on whom I am dependent, is passing at the moment. He has received the cat in the middle of his face.

My companion, with the artist's instinct for the 'curtain', paused. He looked round the brightly-lit restaurant. From every side arose the clatter of knife and fork, and the clear, sharp note of those who drank soup. In a distant corner a small waiter with a large voice was calling the cook names through the speaking-tube. It was a cheerful scene, but it brought no cheer to my companion. He sighed heavily and resumed:

* * * * *

I 'urry over that painful scene. There is blooming row. My uncle is 'ot-tempered man. The cat is 'eavy cat. I 'ave thrown 'im very hard, for my nerves and my toothache and my 'atred 'ave given me the giant's strength. Alone is this enough to enrage my 'ot-tempered uncle. I am there in his hotel, you will understand, as cashier, not as cat-thrower. And now, besides all this, I have insulted valuable patron. She 'ave left the hotel that day.

There are no doubts in my mind as to the outcome. With certainty I await my conge. And after painful scene I get it. I am to go. At once. He 'ave assured the angry American woman that I go at once.

He has called me into his private office. 'Jean,' he has said to me, at the end of other things, 'you are a fool, dolt, no-good imbecile. I give you good place in my hotel, and you spend your time flinging cats. I will 'ave no more of you. But even now I cannot forget that you are my dear brother's child. I will now give you one thousand francs and never see you again.'

I have thanked him, for to me it is wealth. Not before have I ever had one thousand francs of my own.

I go out of the hotel. I go to a cafe and order a bock. I smoke a cigarette. It is necessary that I think out plans. Shall I with my one thousand francs rent a studio in the Quarter and commence my life as artist? No. I have still the genius, the ent'usiasm, but I have not the training. To train myself to paint pictures I must study long, and even one thousand francs will not last for ever. Then what shall I do? I do not know. I order one other bock, and smoke more cigarettes, but still I do not know.

And then I say to myself, 'I will go back to my uncle, and plead with him. I will seize favourable opportunity. I will approach him after dinner when he is in good temper. But for that I must be close at hand. I must be—what's your expression?—"Johnny-on-the-spot".'

My mind is made up. I have my plan.

I have gone back to my uncle's hotel, and I have engaged not too expensive bedroom. My uncle does not know. He still is in his private office. I secure my room.

I dine cheaply that night, but I go to theatre and also to supper after the theatre, for have I not my thousand francs? It is late when I reach my bedroom.

I go to bed. I go to sleep.

But I do not sleep long. I am awakened by a voice.

It is a voice that says, 'Move and I shoot! Move and I shoot!' I lie still. I do not move. I am courageous, but I am unarmed.

And the voice says again, 'Move and I shoot!' Is it robbers? Is it some marauder who has made his way to my room to plunder me?

I do not know. Per'aps I think yes.

'Who are you?' I have asked.

There is no answer.

I take my courage in my 'ands. I leap from my bed. I dash for the door. No pistol has been fire. I have reached the passage, and have shouted for assistance.

Hotel officials run up. Doors open. 'What is it?' voices cry.

'There is in my room an armed robber,' I assure them.

And then I have found—no, I am mistaken. My door, you will understand, is open. And as I have said these words, a large green parrot comes 'opping out. My assassin is nothing but a green parrot.

'Move and I shoot!' it has said to those gathered in the corridor. It then has bitten me in the 'and and passed on.

I am chagrined, monsieur. But only for a moment. Then I forget my chagrin. For a voice from a door that 'as opened says with joy, 'It is my Polly, which I 'ave this evening lost I'

I turn. I gasp for admiration. It is a beautiful lady in a pink dressing-gown which 'ave spoken these words.

She has looked at me. I 'ave looked at her. I forget everything but that she is adorable. I forget those who stand by. I forget that the parrot has bitten me in the 'and. I forget even that I am standing there in pyjamas, with on my feet nothing. I can only gaze at her and worship.

I have found words.

'Mademoiselle,' I have said, 'I am rejoiced that I have been the means of restoring to you your bird.'

She has thanked me with her eyes, and then with words also. I am bewitched. She is divine. I care not that my feet are cold. I could wish to stand there talking all night.

She has given a cry of dismay.

'Your 'and! It is wounded!'

I look at my 'and. Yes, it is bleeding, where the bird 'ave bitten it.

'Tchut, mademoiselle,' I have said. 'It is a bagatelle.'

But no. She is distressed. She is what your poet Scott 'ave said, a ministering angel thou. She 'ave torn her 'andkerchief and is binding up my wound. I am enchanted. Such beauty! Such kindness! 'Ardly can I resist to fall on my knees before 'er and declare my passion.

We are twin souls. She has thanked me again. She has scolded the parrot. She has smiled upon me as she retires to her room. It is enough. Nothing is said, but I am a man of sensibility and discernment, and I understand that she will not be offended if I seek to renew our friendship on a more suitable occasion.

The doors shut. The guests have returned to bed, the hotel servants to their duties. And I go back to my room. But not to sleep. It is very late, but I do not sleep. I lie awake and think of 'er.

You will conceive, Monsieur, with what mixed feelings I descend next morning. On the one 'and, I must keep the sharp look-out for my uncle, for 'im I must avoid till he shall have—what do you say in your idiom? Yes, I have it—simmered down and tucked in his shirt. On the other 'and, I must watch for my lady of the parrot. I count the minutes till we shall meet again.

I avoid my uncle with success, and I see 'er about the hour of dejeuner. She is talking to old gentleman. I have bowed. She have smiled and motioned me to approach.

'Father,' she has said, 'this is the gentleman who caught Polly.'

We have shaken hands. He is indulgent papa. He has smiled and thanked me also. We have confided to each other our names. He is English. He owns much land in England. He has been staying in Paris. He is rich. His name is 'Enderson. He addresses his daughter, and call her Marion. In my 'eart I also call her Marion. You will perceive that I am, as you say, pretty far gone.

The hour of dejeuner has arrived. I entreat them to be my guests. I can run to it, you understand, for there are still in my pockets plenty of my uncle's francs. They consent. I am in 'eaven.

All is well. Our friendship has progressed with marvellous speed. The old gentleman and I are swiftly the dear old pals. I 'ave confided to 'im my dreams of artistic fame, and he has told me 'ow much he dislikes your Lloyd George. He has mentioned that he and Miss Marion depart for London that day. I am desolate. My face tumbles. He has observed my despair. He has invited me to visit them in London.

Imagine my chagrin. To visit them in London is the one thing I desire to do. But how? I accept gratefully, but I ask myself how it is to be done? I am poor blighter with no profession and nine 'undred francs. He 'as taken it for granted that I am wealthy.

What shall I do? I spend the afternoon trying to form a plan. And then I am resolved. I will go to my uncle and say: 'Uncle, I have the magnificent chance to marry the daughter of wealthy English landowner. Already I 'ave her gratitude. Soon—for I am young, 'andsome, debonair—I shall 'ave her love. Give me one more chance, uncle. Be decent old buck, and put up the money for this affair.'

These words I have resolved to say to my uncle.

I go back to the hotel. I enter his private office. I reveal no secret when I say that he is not cordial.

'Ten thousand devils!' he has cried. 'What do you here?'

I 'asten to tell him all, and plead with him to be decent old buck. He does not believe.

Who is he? he asks. This English landowner? How did I meet him? And where?

I tell him. He is amazed.

'You 'ad the infernal impudence to take room in my hotel?' he has cried.

I am crafty. I am diplomat.

'Where else, dear uncle?' I say. 'In all Paris there is no such 'ome from 'ome. The cuisine—marvellous! The beds—of rose-leaves! The attendance—superb! If only for one night, I have said to myself, I must stay in this of all hotels.'

I 'ave—what do you say?—touched the spot.

'In what you say,' he has said, more calmly, 'there is certainly something. It is a good hotel, this of mine!'

The only hotel, I have assured him. The Meurice? Chut! I snap my fingers. The Ritz? Bah! Once again I snap my fingers. 'In all Paris there is no hotel like this.'

He 'as simmered down. His shirt is tucked in. 'Tell me again this plan of yours, Jean.'

When I leave 'im we have come to an understanding. It is agreed between us that I am to 'ave one last chance. He will not spoil this promising ship for the 'a'porth of tar. He will give me money for my purpose. But he has said, as we part, if I fail, his 'ands shall be washed of me. He cannot now forget that I am his dear brother's child; but if I fail to accomplish the conquest of the divine Miss Marion, he thinks he will be able to.

It is well. A week later I follow the 'Endersons to London.

For the next few days, monsieur, I am in Paradise. My 'ost has much nice 'ouse in Eaton Square. He is rich, popular. There is much society. And I—I have the succes fou. I am young, 'andsome, debonair. I cannot speak the English very well—not so well as I now speak 'im—but I manage. I get along. I am intelligent, amiable. Everyone loves me.

No, not everyone. Captain Bassett, he does not love me. And why? Because he loves the charming Miss Marion, and observes that already I am succeeding with her like a 'ouse on fire. He is ami de famille. He is captain in your Garde Ecossais, and my 'ost told me 'e has distinguished himself as soldier pretty much. It may be so. As soldier, per'aps. But at conversation he is not so good. He is quite nice fellow, you understand—'andsome, yes; distinguished, yes. But he does not sparkle. He has not my verve, my elan. I—how do you say?—I make the rings round him.

But, Chut! At that moment I would have made the rings round the 'ole British Army. Yes, and also the Corps Diplomatique. For I am inspired. Love 'as inspired me. I am conqueror.

But I will not weary you, monsieur, with the details of my wooing. You are sympathetic, but I must not weary you. Let us say that I 'ave in four days or five made progress the most remarkable, and proceed to the tragic end.

Almost could I tell it in four words. In them one would say that it is set forth. There was in London at that time popular a song, a comic, vulgar song of the 'Alls, 'The Cat Came Back'. You 'ave 'eard it? Yes? I 'eard it myself, and without emotion. It had no sinister warning for me. It did not strike me as omen. Yet, in those four words, monsieur, is my tragedy.

How? I shall tell you. Every word is a sword twisted in my 'eart, but I shall tell you.

One afternoon we are at tea. All is well. I am vivacious, gay; Miss Marion, charming, gracious. There is present also an aunt, Mr 'Enderson's sister; but 'er I do not much notice. It is to Marion I speak—both with my lips and also with my eyes.

As we sit, Captain Bassett is announced.

He has entered. We have greeted each other politely but coldly, for we are rivals. There is in his manner also a something which I do not much like—a species of suppressed triumph, of elation.

I am uneasy—but only yet vaguely, you will understand. I have not the foreboding that he is about to speak my death-sentence.

He addresses Miss Marion. There is joy in his voice. 'Miss 'Enderson,' he has said, 'I have for you the bally good news. You will remember, isn't it, the cat belonging to the American woman in the hotel at Paris, of which you have spoken to me? Last night at dinner I have been seated beside her. At first I am not certain is it she. Then I say that there cannot be two Mrs Balderstone Rockmettlers in Europe, so I mention to her the cat. And, to cut the long story short, I have ventured to purchase for you as a little present the cat Alexander.'

I have uttered a cry of horror, but it is not 'eard because of Miss Marion's cry of joy.

'Oh, Captain Bassett,' she has said, 'how very splendid of you! Ever since I first saw him have I loved Alexander. I cannot tell you how grateful I am. But it amazes me that you should have been able to induce her to part with 'im. In Paris she has refused all my offers.'

He has paused, embarrassed.

'The fact is,' he has said, 'there is between her and Alexander a certain coolness. He 'as deceived 'er, and she loves him no more. Immediately upon arrival in London, he had the misfortune to 'ave six fine kittens. 'Owever, out of evil cometh good, and I have thus been able to secure 'im for you. 'E is downstairs in a basket!'

Miss Marion 'as rung the bell and commanded for him to be brought instantly.

I will not describe the meeting, monsieur. You are sympathetic. You will understand my feelings. Let us 'urry on.

Figure yourself, monsieur, to what extent I was now 'arassed. I am artist. I am a man of nerves. I cannot be gay, brilliant, debonair in the presence of a cat. Yet always the cat is there. It is terrible.

I feel that I am falling behind in the race. 'Er gratitude has made her the more gracious to Captain Bassett. She smiles upon him. And, like Chanticleer at the sight of the sun, he flaps his wings and crows. He is no longer the silent listener. It is I who have become the silent listener.

I have said to myself that something must be done.

Chance has shown me the way. One afternoon I am by fortune alone in the 'all. In his cage the parrot Polly is 'opping. I address him through the bars.

'Move and I shoot I' he has cried.

The tears have filled my eyes. 'Ow it has brought the 'ole scene back to me!

As I weep, I perceive the cat Alexander approaching.

I have formed a plan. I have opened the cage-door and released the parrot. The cat, I think, will attack the parrot of which Miss 'Enderson is so fond. She will love him no more. He will be expelled.

* * * * *

He paused. I suppose my face must have lost some of its alleged sympathy as he set forth this fiendish plot. Even Percy the bluebottle seemed shocked. He had settled on the sugar-bowl, but at these words he rose in a marked manner and left the table.

'You do not approve?' he said.

I shrugged my shoulders.

'It's no business of mine,' I said. 'But don't you think yourself it was playing it a bit low down? Didn't the thought present itself to you in a shadowy way that it was rather rough on the bird?'

'It did, monsieur. But what would you? It is necessary to break eggs in order to make an omelette. All is fair, you say, in love and war, and this was both. Moreover, you must understand, I do not dictate his movements to the parrot. He is free agent. I do but open the cage-door. Should he 'op out and proceed to the floor where is the cat, that is his affair. I shall continue, yes?'

* * * * *

Alors! I open the cage-door and disappear discreetly. It is not politic that I remain to witness what shall transpire. It is for me to establish an alibi. I go to the drawing-room, where I remain.

At dinner that night Mr 'Enderson has laughed.

'In the 'all this afternoon,' he has said, 'I have seen by chance the dickens of a funny occurrence. That parrot of yours, Marion, had escaped once again from its cage and was 'aving an argument with that cat which Captain Bassett has given to you.'

'Oh! I hope that Alexander 'as not hurt poor Polly, of whom I am very fond,' she has said.

'The affair did not come to blows,' has said Mr 'Enderson. 'You may trust that bird to take care of himself, my dear. When I came upon the scene the cat was crouching in a corner, with his fur bristling and his back up, while Polly, standing before 'im, was telling 'im not to move or he would shoot. Nor did he move, till I 'ad seized the parrot and replaced him in the cage, when he shot upstairs like a streak of lightning. By sheer force of character that excellent bird 'ad won the bloodless victory. I drink to 'im!'

You can conceive my emotion as I listen to this tale. I am like the poet's mice and men whose best-kid schemes have gone away. I am baffled. I am discouraged. I do not know what I shall do. I must find another plan, but I do not know what.

How shall I remove the cat? Shall I kill 'im? No, for I might be suspect.

Shall I 'ire someone to steal 'im? No, for my accomplice might betray me.

Shall I myself steal 'im? Ah! that is better. That is a very good plan.

Soon I have it perfected, this plan. Listen, monsieur; it is as follows. It is simple, but it is good. I will await my opportunity. I will remove the cat secretly from the 'ouse. I will take him to an office of the District Messenger Boys. I will order a messenger to carry him at once to the Cats' House, and to request M. le Directeur immediately to destroy him. It is a simple plan, but it is good.

I carry it through without a 'itch. It is not so difficult to secure the cat. 'E is asleep in the drawing-room. There is nobody at hand. I have in my bedroom a 'at-box which I have brought from Paris. I have brought it with me to the drawing-room. I have placed in it the cat. I have escaped from the 'ouse. The cat has uttered a cry, but none has 'eard. I have reached the office of the District Messenger Boys. I have 'anded over the cat in its box. The manager is courteous, sympathetic. A messenger has started in a cab for the Cats' House. I have breathed a sigh of relief. I am saved.

That is what I say to myself as I return. My troubles are over, and once more I can be gay, debonair, vivacious with Miss Marion, for no longer will there be present the cat Alexander to 'arass me.

When I have returned there is commotion in the 'ouse. I pass on the stairs domestics calling 'Puss, puss!' The butler is chirruping loudly and poking beneath the furniture with a umbrella. All is confusion and agitation.

In the drawing-room is Miss Marion. She is distressed.

'Nowhere,' she has said, 'can there be found the cat Alexander of whom I am so fond. Nowhere in the 'ouse is he, Where can he be? He is lost.'

I am gentle, sympathetic. I endeavour to console her. I 'int to her that am I not sufficient substitute for a beastly cat? She is, however, inconsolable. I must be patient. I must wait my time.

Captain Bassett is announced. He is informed of what has 'appened. He is distressed. He has the air as if he, too, would endeavour to be gentle, sympathetic. But I am Johnny-on-the-spot. I stay till he 'as gone.

Next day again it is 'Puss, puss!' Again the butler has explored under the furniture with the umbrella. Again Miss Marion is distressed. Again 'ave I endeavoured to console.

This time I think I am not so unsuccessful. I am, you understand, young, 'andsome, sympathetic. In another two ticks I am about to seize 'er 'and and declare my passion.

But, before I can do so, Captain Bassett is announced.

I gaze at him as at unsuccessful rival. I am confident. I am conqueror. Ah, I little know! It is in the moments of our highest 'ope, monsieur, that we are destroyed.

Captain Bassett, he, too, 'as the air of the conqueror.

He has begun to speak.

'Miss 'Enderson,' he has said, 'I have once more the bally good news. I rather fancy that I 'ave tracked down the missing Alexander, do you not know?'

Miss Marion 'as cried cut with joy. But I am calm, for is not Alexander already yesterday destroyed?

'It is like this,' he has resumed. 'I have thought to myself where is lost cat most likely to be? And I have answered, "In the Cats' House." I go this morning to the Cats' House, and there I see a cat which is either lost Alexander or his living image. Exactly is he the same to all appearances as the lost Alexander. But there is, when I try to purchase 'im, some curious 'itch which they do not explain. They must 'ave time, they say, to consider. They cannot at once decide.'

'Why, what nonsense!' Miss Marion 'ave cried. 'If the cat is my cat, surely then must they return 'im to me! Come,' she has said, 'let us all three at once in a taxi-cab go to the Cats' House. If the all three of us identify the lost Alexander, then must they return 'im.'

Monsieur, I am uneasy. I have foreboding. But I go. What choice? We go in a taxi-cab to the Cats' House.

The directeur is courteous and sympathetic. He has introduced us to the cat, and my 'eart 'as turned to water, for it is Alexander. Why has he not been destroyed?

The directeur is speaking. I 'ear him in a dream.

'If you identify 'im as your cat, miss,' he has said, 'the matter is ended. My 'esitation when you, sir, approached me this morning on the matter was due to the fact that a messenger was sent with instructions that he be destroyed at once.'

'Rather rough, wasn't it, that, on the messenger, yes,' Captain Bassett has said. He is facetious, you understand, for he is conqueror.

I am silent. I am not facetious. For already I feel—how do you say?—my fowl is cooked.

'Not the messenger, sir,' the directeur has said. 'You 'ave misunderstood me. It was the cat which was to be destroyed as per instructions of the anonymous sender.'

'Who could have played such a wicked trick?' Miss Marion has asked, indignant.

The directeur has stooped, and from behind a table he has brought a 'at-box.

'In this,' he has said, 'the above animal was conveyed. But with it was no accompanying letter. The sender was anonymous.'

'Per'aps,' Captain Bassett has said—and still more in a dream I 'ear him—'per'aps on the 'at-box there is some bally name or other, do you not know—what?'

I clutch at the table. The room is spinning round and round. I have no stomach—only emptiness.

'Why, bless me,' the directeur has said, 'you're quite right, sir. So there is. Funny of me not to have before observed it. There is a name, and also an address. It is the name of Jean Priaulx, and the address is the Hotel Jules Priaulx, Paris.'

My companion stopped abruptly. He passed a handkerchief over his forehead. With a quick movement he reached for his glass of liqueur brandy and drained it at a gulp.

'Monsieur,' he said, 'you will not wish me to describe the scene? There is no need for me—hein?—to be Zolaesque. You can imagine?'

'She chucked you?' In moments of emotion it is the simplest language that comes to the lips.

He nodded.

'And married Captain Bassett?'

He nodded again.

'And your uncle?' I said. 'How did he take it?'

He sighed.

'There was once more,' he said, 'blooming row, monsieur.'

'He washed his hands of you?'

'Not altogether. He was angry, but he gave me one more chance. I am still 'is dear brother's child, and he cannot forget it. An acquaintance of his, a man of letters, a M. Paul Sartines, was in need of a secretary. The post was not well paid, but it was permanent. My uncle insist that I take it. What choice? I took it. It is the post which I still 'old.'

He ordered another liqueur brandy and gulped it down.

'The name is familiar to you, monsieur? You 'ave 'eard of M. Sartines?'

'I don't think I have. Who is he?'

'He is a man of letters, a savant. For five years he has been occupied upon a great work. It is with that that I assist him by collecting facts for 'is use. I 'ave spent this afternoon in the British Museum collecting facts. Tomorrow I go again. And the next day. And again after that. The book will occupy yet another ten years before it is completed. It is his great work.'

'It sounds as if it was,' I said. 'What's it about?'

He signalled to the waiter.

'Garcon, one other liqueur brandy. The book, monsieur, is a 'Istory of the Cat in Ancient Egypt.'



RUTH IN EXILE

The clock struck five—briskly, as if time were money. Ruth Warden got up from her desk and, having put on her hat, emerged into the outer office where M. Gandinot received visitors. M. Gandinot, the ugliest man in Roville-sur-Mer, presided over the local mont-de-piete, and Ruth served him, from ten to five, as a sort of secretary-clerk. Her duties, if monotonous, were simple. They consisted of sitting, detached and invisible, behind a ground-glass screen, and entering details of loans in a fat book. She was kept busy as a rule, for Roville possesses two casinos, each offering the attraction of petits chevaux, and just round the corner is Monte Carlo. Very brisk was the business done by M. Gandinot, the pawnbroker, and very frequent were the pitying shakes of the head and clicks of the tongue of M. Gandinot, the man; for in his unofficial capacity Ruth's employer had a gentle soul, and winced at the evidences of tragedy which presented themselves before his official eyes.

He blinked up at Ruth as she appeared, and Ruth, as she looked at him, was conscious, as usual, of a lightening of the depression which, nowadays, seemed to have settled permanently upon her. The peculiar quality of M. Gandinot's extraordinary countenance was that it induced mirth—not mocking laughter, but a kind of smiling happiness. It possessed that indefinable quality which characterizes the Billiken, due, perhaps, to the unquenchable optimism which shone through the irregular features; for M. Gandinot, despite his calling, believed in his fellow-man.

'You are going, mademoiselle?'

As Ruth was wearing her hat and making for the door, and as she always left at this hour, a purist might have considered the question superfluous; but M. Gandinot was a man who seized every opportunity of practising his English.

'You will not wait for the good papa who calls so regularly for you?'

'I think I won't today, M. Gandinot. I want to get out into the air. I have rather a headache. Will you tell my father I have gone to the Promenade?'

M. Gandinot sighed as the door closed behind her. Ruth's depression had not escaped his notice. He was sorry for her. And not without cause, for Fate had not dealt too kindly with Ruth.

It would have amazed Mr Eugene Warden, that genial old gentleman, if, on one of those occasions of manly emotion when he was in the habit of observing that he had been nobody's enemy but his own, somebody had hinted that he had spoiled his daughter's life. Such a thought had never entered his head. He was one of those delightful, irresponsible, erratic persons whose heads thoughts of this kind do not enter, and who are about as deadly to those whose lives are bound up with theirs as a Upas tree.

In the memory of his oldest acquaintance, Ruth's father had never done anything but drift amiably through life. There had been a time when he had done his drifting in London, feeding cheerfully from the hand of a long-suffering brother-in-law. But though blood, as he was wont to remark while negotiating his periodical loans, is thicker than water, a brother-in-law's affection has its limits. A day came when Mr Warden observed with pain that his relative responded less nimbly to the touch. And a little while later the other delivered his ultimatum. Mr Warden was to leave England, and to stay away from England, to behave as if England no longer existed on the map, and a small but sufficient allowance would be made to him. If he declined to do this, not another penny of the speaker's money would he receive. He could choose.

He chose. He left England, Ruth with him. They settled in Roville, that haven of the exile who lives upon remittances.

Ruth's connexion with the mont-de-piete had come about almost automatically. Very soon after their arrival it became evident that, to a man of Mr Warden's nature, resident a stone's-throw distant from two casinos, the small allowance was not likely to go very far. Even if Ruth had not wished to work, circumstances could have compelled her. As it was, she longed for something to occupy her, and, the vacancy at the mont-de-piete occurring, she had snatched at it. There was a certain fitness in her working there. Business transactions with that useful institution had always been conducted by her, it being Mr Warden's theory that Woman can extract in these crises just that extra franc or two which is denied to the mere male. Through constantly going round, running across, stepping over, and popping down to the mont-de-piete she had established almost a legal claim on any post that might be vacant there.

And under M. Gandinot's banner she had served ever since.

* * * * *

Five minutes' walk took her to the Promenade des Anglais, that apparently endless thoroughfare which is Roville's pride. The evening was fine and warm. The sun shone gaily on the white-walled houses, the bright Gardens, and the two gleaming casinos. But Ruth walked listlessly, blind to the glitter of it all.

Visitors who go to Roville for a few weeks in the winter are apt to speak of the place, on their return, in a manner that conveys the impression that it is a Paradise on earth, with gambling facilities thrown in. But, then, they are visitors. Their sojourn comes to an end. Ruth's did not.

A voice spoke her name. She turned, and saw her father, dapper as ever, standing beside her.

'What an evening, my dear!' said Mr Warden. 'What an evening! Smell the sea!'

Mr Warden appeared to be in high spirits. He hummed a tune and twirled his cane. He chirruped frequently to Bill, the companion of his walks abroad, a wiry fox-terrier of a demeanour, like his master's, both jaunty and slightly disreputable. An air of gaiety pervaded his bearing.

'I called in at the mont-de-piete but you had gone. Gandinot told me you had come here. What an ugly fellow that Gandinot is! But a good sort. I like him. I had a chat with him.'

The high spirits were explained. Ruth knew her father. She guessed, correctly, that M. Gandinot, kindest of pawnbrokers, had obliged, in his unofficial capacity, with a trifling loan.

'Gandinot ought to go on the stage,' went on Mr Warden, pursuing his theme. 'With that face he would make his fortune. You can't help laughing when you see it. One of these days—'

He broke off. Stirring things had begun to occur in the neighbourhood of his ankles, where Bill, the fox-terrier, had encountered an acquaintance, and, to the accompaniment of a loud, gargling noise, was endeavouring to bite his head off. The acquaintance, a gentleman of uncertain breed, equally willing, was chewing Bill's paw with the gusto of a gourmet. An Irish terrier, with no personal bias towards either side, was dancing round and attacking each in turn as he came uppermost. And two poodles leaped madly in and out of the melee, barking encouragement.

It takes a better man than Mr Warden to break up a gathering of this kind. The old gentleman was bewildered. He added his voice to the babel, and twice smote Bill grievously with his cane with blows intended for the acquaintance, but beyond that he effected nothing. It seemed probable that the engagement would last till the combatants had consumed each other, after the fashion of the Kilkenny cats, when there suddenly appeared from nowhere a young man in grey.

The world is divided into those who can stop dog-fights and those who cannot. The young man in grey belonged to the former class. Within a minute from his entrance on the scene the poodles and the Irish terrier had vanished; the dog of doubtful breed was moving off up the hill, yelping, with the dispatch of one who remembers an important appointment, and Bill, miraculously calmed, was seated in the centre of the Promenade, licking honourable wounds.

Mr Warden was disposed to effervesce with gratitude. The scene had shaken him, and there had been moments when he had given his ankles up for lost.

'Don't mention it,' said the young man. 'I enjoy arbitrating in these little disputes. Dogs seem to like me and trust my judgement. I consider myself as a sort of honorary dog.'

'Well, I am bound to say, Mr—?'

'Vince—George Vince.'

'My name is Warden. My daughter.'

Ruth inclined her head, and was conscious of a pair of very penetrating brown eyes looking eagerly into hers in a manner which she thoroughly resented. She was not used to the other sex meeting her gaze and holding it as if confident of a friendly welcome. She made up her mind in that instant that this was a young man who required suppression.

'I've seen you several times out here since I arrived, Miss Warden,' said Mr Vince. 'Four in all,' he added, precisely.

'Really?' said Ruth.

She looked away. Her attitude seemed to suggest that she had finished with him, and would be obliged if somebody would come and sweep him up.

As they approached the casino restlessness crept into Mr Warden's manner. At the door he stopped and looked at Ruth.

'I think, my dear—' he said.

'Going to have a dash at the petits chevaux?' inquired Mr Vince. 'I was there just now. I have an infallible system.'

Mr Warden started like a war-horse at the sound of the trumpet.

'Only it's infallible the wrong way,' went on the young man. 'Well, I wish you luck. I'll see Miss Warden home.'

'Please don't trouble,' said Ruth, in the haughty manner which had frequently withered unfortunate fellow-exiles in their tracks.

It had no such effect on Mr Vince.

'I shall like it,' he said.

Ruth set her teeth. She would see whether he would like it.

They left Mr Warden, who shot in at the casino door like a homing rabbit, and walked on in silence, which lasted till Ruth, suddenly becoming aware that her companion's eyes were fixed on her face, turned her head, to meet a gaze of complete, not to say loving, admiration. She flushed. She was accustomed to being looked at admiringly, but about this particular look there was a subtle quality that distinguished it from the ordinary—something proprietorial.

Mr Vince appeared to be a young man who wasted no time on conventional conversation-openings.

'Do you believe in affinities, Miss Warden?' he said,

'No,' said Ruth.

'You will before we've done,' said Mr Vince, confidently. 'Why did you try to snub me just now?'

'Did I?'

'You mustn't again. It hurts me. I'm a sensitive man. Diffident. Shy. Miss Warden, will you marry me?'

Ruth had determined that nothing should shake her from her icy detachment, but this did. She stopped with a gasp, and stared at him.

Mr Vince reassured her.

'I don't expect you to say "Yes". That was just a beginning—the shot fired across the bows by way of warning. In you, Miss Warden, I have found my affinity. Have you ever considered this matter of affinities? Affinities are the—the—Wait a moment.'

He paused, reflecting.

'I—' began Ruth.

''Sh!' said the young man, holding up his hand.

Ruth's eyes flashed. She was not used to having ''Sh!' said to her by young men, and she resented it.

'I've got it,' he declared, with relief. 'I knew I should, but these good things take time. Affinities are the zero on the roulette-board of life. Just as we select a number on which to stake our money, so do we select a type of girl whom we think we should like to marry. And just as zero pops up instead of the number, so does our affinity come along and upset all our preconceived notions of the type of girl we should like to marry.'

'I—' began Ruth again.

'The analogy is in the rough at present. I haven't had time to condense and polish it. But you see the idea. Take my case, for instance. When I saw you a couple of days ago I knew in an instant that you were my affinity. But for years I had been looking for a woman almost your exact opposite. You are dark. Three days ago I couldn't have imagined myself marrying anyone who was not fair. Your eyes are grey. Three days ago my preference for blue eyes was a byword. You have a shocking temper. Three days ago—'

'Mr Vince!'

'There!' said that philosopher, complacently. 'You stamped. The gentle, blue-eyed blonde whom I was looking for three days ago would have drooped timidly. Three days ago my passion for timid droopers amounted to an obsession.'

Ruth did not reply. It was useless to bandy words with one who gave such clear evidence of being something out of the common run of word-bandiers. No verbal attack could crush this extraordinary young man. She walked on, all silence and stony profile, uncomfortably conscious that her companion was in no way abashed by the former and was regarding the latter with that frank admiration which had made itself so obnoxious to her before, until they reached their destination. Mr Vince, meanwhile, chatted cheerfully, and pointed out objects of interest by the wayside.

At the door Ruth permitted herself a word of farewell.

'Good-bye,' she said.

'Till tomorrow evening,' said Mr Vince. 'I shall be coming to dinner.'

Mr Warden ambled home, very happy and contented, two hours later, with half a franc in his pocket, this comparative wealth being due to the fact that the minimum stake permitted by the Roville casino is just double that sum. He was sorry not to have won, but his mind was too full of rosy dreams to permit of remorse. It was the estimable old gentleman's dearest wish that his daughter should marry some rich, open-handed man who would keep him in affluence for the remainder of his days, and to that end he was in the habit of introducing to her notice any such that came his way. There was no question of coercing Ruth. He was too tender-hearted for that. Besides he couldn't. Ruth was not the sort of girl who is readily coerced. He contented himself with giving her the opportunity to inspect his exhibits. Roville is a sociable place, and it was not unusual for him to make friends at the casino and to bring them home, when made, for a cigar. Up to the present, he was bound to admit, his efforts had not been particularly successful. Ruth, he reflected sadly, was a curious girl. She did not show her best side to these visitors. There was no encouragement in her manner. She was apt to frighten the unfortunate exhibits. But of this young man Vince he had brighter hopes. He was rich. That was proved by the very handsome way in which he had behaved in the matter of a small loan when, looking in at the casino after parting from Ruth, he had found Mr Warden in sore straits for want of a little capital to back a brand-new system which he had conceived through closely observing the run of the play. He was also obviously attracted by Ruth. And, as he was remarkably presentable—indeed, quite an unusually good-looking young man—there seemed no reason why Ruth should not be equally attracted by him. The world looked good to Mr Warden as he fell asleep that night.

Ruth did not fall asleep so easily. The episode had disturbed her. A new element had entered her life, and one that gave promise of producing strange by-products.

When, on the following evening, Ruth returned from the stroll on the Promenade which she always took after leaving the mont-de-piete, with a feeling of irritation towards things in general, this feeling was not diminished by the sight of Mr Vince, very much at his ease, standing against the mantelpiece of the tiny parlour.

'How do you do?' he said. 'By an extraordinary coincidence I happened to be hanging about outside this house just now, when your father came along and invited me in to dinner. Have you ever thought much about coincidences, Miss Warden? To my mind, they may be described as the zero on the roulette-board of life.'

He regarded her fondly.

'For a shy man, conscious that the girl he loves is inspecting him closely and making up her mind about him,' he proceeded, 'these unexpected meetings are very trying ordeals. You must not form your judgement of me too hastily. You see me now, nervous, embarrassed, tongue-tied. But I am not always like this. Beneath this crust of diffidence there is sterling stuff, Miss Warden. People who know me have spoken of me as a little ray of sun—But here is your father.'

Mr Warden was more than usually disappointed with Ruth during dinner. It was the same old story. So far from making herself pleasant to this attractive stranger, she seemed positively to dislike him. She was barely civil to him. With a sigh Mr Warden told himself that he did not understand Ruth, and the rosy dreams he had formed began to fade.

Ruth's ideas on the subject of Mr Vince as the days went by were chaotic. Though she told herself that she thoroughly objected to him, he had nevertheless begun to have an undeniable attraction for her. In what this attraction consisted she could not say. When she tried to analyse it, she came to the conclusion that it was due to the fact that he was the only element in her life that made for excitement. Since his advent the days had certainly passed more swiftly for her. The dead level of monotony had been broken. There was a certain fascination in exerting herself to suppress him, which increased daily as each attempt failed.

Mr Vince put this feeling into words for her. He had a maddening habit of discussing the progress of his courtship in the manner of an impartial lecturer.

'I am making headway,' he observed. 'The fact that we cannot meet without your endeavouring to plant a temperamental left jab on my spiritual solar plexus encourages me to think that you are beginning at last to understand that we are affinities. To persons of spirit like ourselves the only happy marriage is that which is based on a firm foundation of almost incessant quarrelling. The most beautiful line in English poetry, to my mind, is, "We fell out, my wife and I." You would be wretched with a husband who didn't like you to quarrel with him. The position of affairs now is that I have become necessary to you. If I went out of your life now I should leave an aching void. You would still have that beautiful punch of yours, and there would be nobody to exercise it on. You would pine away. From now on matters should, I think, move rapidly. During the course of the next week I shall endeavour to propitiate you with gifts. Here is the first of them.'

He took a piece of paper from his pocket and handed it her. It was a pencil-sketch, rough and unfinished, but wonderfully clever. Even Ruth could appreciate that—and she was a prejudiced observer, for the sketch was a caricature of herself. It represented her, drawn up to her full height, with enormous, scornful eyes and curling lips, and the artist had managed to combine an excellent likeness while accentuating everything that was marked in what she knew had come to be her normal expression of scorn and discontent.

'I didn't know you were an artist, Mr Vince,' she said, handing it back.

'A poor amateur. Nothing more. You may keep it.'

'I have not the slightest wish to keep it.'

'You haven't?'

'It is not in the least clever, and it is very impertinent of you to show it to me. The drawing is not funny. It is simply rude.'

'A little more,' said Mr Vince, 'and I shall begin to think you don't like it. Are you fond of chocolates?'

Ruth did not answer.

'I am sending you some tomorrow.'

'I shall return them.'

'Then I shall send some more, and some fruit. Gifts!' soliloquized Mr Vince. 'Gifts! That is the secret. Keep sending gifts. If men would only stick to gifts and quarrelling, there would be fewer bachelors.'

On the morrow, as promised, the chocolates arrived, many pounds of them in a lordly box. The bludgeoning of fate had not wholly scotched in Ruth a human weakness for sweets, and it was with a distinct effort that she wrapped the box up again and returned it to the sender. She went off to her work at the mont-de-piete with a glow of satisfaction which comes to those who exhibit an iron will in trying circumstances.

And at the mont-de-piete there occurred a surprising incident.

Surprising incidents, as Mr Vince would have said, are the zero on the roulette-board of life. They pop up disturbingly when least expected, confusing the mind and altering pre-conceived opinions. And this was a very surprising incident indeed.

Ruth, as has been stated, sat during her hours of work behind a ground-glass screen, unseen and unseeing. To her the patrons of the establishment were mere disembodied voices—wheedling voices, pathetic voices, voices that protested, voices that hectored, voices that whined, moaned, broke, appealed to the saints, and in various other ways endeavoured to instil into M. Gandinot more spacious and princely views on the subject advancing money on property pledged. She was sitting behind her screen this morning, scribbling idly on the blotting-pad, for there had been a lull in the business, when the door opened, and the polite, 'Bonjour, monsieur,' of M. Gandinot announced the arrival of another unfortunate.

And then, shaking her like an electric shock, came a voice that she knew—the pleasant voice of Mr Vince.

The dialogues that took place on the other side of the screen were often protracted and always sordid, but none had seemed to Ruth so interminable, so hideously sordid, as this one.

Round and round its miserable centre—a silver cigarette-case—the dreary argument circled. The young man pleaded; M. Gandinot, adamant in his official role, was immovable.

Ruth could bear it no longer. She pressed her hands over her burning ears, and the voices ceased to trouble her.

And with the silence came thought, and a blaze of understanding that flashed upon her and made all things clear. She understood now why she had closed her ears.

Poverty is an acid which reacts differently on differing natures. It had reduced Mr Eugene Warden's self-respect to a minimum. Ruth's it had reared up to an abnormal growth. Her pride had become a weed that ran riot in her soul, darkening it and choking finer emotions. Perhaps it was her father's naive stratagems for the enmeshing of a wealthy husband that had produced in her at last a morbid antipathy to the idea of playing beggar-maid to any man's King Cophetua. The state of mind is intelligible. The Cophetua legend never has been told from the beggar-maid's point of view, and there must have been moments when, if a woman of spirit, she resented that monarch's somewhat condescending attitude, and felt that, secure in his wealth and magnificence, he had taken her grateful acquiescence very much for granted.

This, she saw now, was what had prejudiced her against George Vince. She had assumed that he was rich. He had conveyed the impression of being rich. And she had been on the defensive against him accordingly. Now, for the first time, she seemed to know him. A barrier had been broken down. The royal robes had proved tinsel, and no longer disguised the man she loved.

A touch on her arm aroused her. M. Gandinot was standing by her side. Terms, apparently had been agreed upon and the interview concluded, for in his hand was a silver cigarette-case.

'Dreaming, mademoiselle? I could not make you hear. The more I call to you, the more you did not answer. It is necessary to enter this loan.'

He recited the details and Ruth entered them in her ledger. This done, M. Gandinot, doffing his official self, sighed.

'It is a place of much sorrow, mademoiselle, this office. How he would not take no for an answer, that young man, recently departed. A fellow-countryman of yours, mademoiselle. You would say, "What does this young man, so well-dressed, in a mont-de-piete?" But I know better, I, Gandinot. You have an expression, you English—I heard it in Paris in a cafe, and inquired its meaning—when you say of a man that he swanks. How many young men have I seen here, admirably dressed—rich, you would say. No, no. The mont-de-piete permits no secrets. To swank, mademoiselle, what is it? To deceive the world, yes. But not the mont-de-piete. Yesterday also, when you had departed, was he here, that young man. Yet here he is once more today. He spends his money quickly, alas! that poor young swanker.'

When Ruth returned home that evening she found her father in the sitting-room, smoking a cigarette. He greeted her with effusion, but with some uneasiness—for the old gentleman had nerved himself to a delicate task. He had made up his mind tonight to speak seriously to Ruth on the subject of her unsatisfactory behaviour to Mr Vince. The more he saw of that young man the more positive was he that this was the human gold-mine for which he had been searching all these weary years. Accordingly, he threw away his cigarette, kissed Ruth on the forehead, and began to speak.

It had long been Mr Warden's opinion that, if his daughter had a fault, it was a tendency towards a quite unnecessary and highly inconvenient frankness. She had not that tact which he would have liked a daughter of his to possess. She would not evade, ignore, agree not to see. She was at times painfully blunt.

This happened now. He was warming to his subject when she interrupted him with a question.

'What makes you think Mr Vince is rich, father?' she asked.

Mr Warden was embarrassed. The subject of Mr Vince's opulence had not entered into his discourse. He had carefully avoided it. The fact that he was thinking of it and that Ruth knew that he was thinking of it, and that he knew that Ruth knew, had nothing to do with the case. The question was not in order, and it embarrassed him.

'I—why—I don't—I never said he was rich, my dear. I have no doubt that he has ample—'

'He is quite poor.'

Mr Warden's jaw fell slightly.

'Poor? But, my dear, that's absurd!' he cried. 'Why, only this evening—'

He broke off abruptly, but it was too late.

'Father, you've been borrowing money from him!'

Mr Warden drew in his breath, preparatory to an indignant denial, but he altered his mind and remained silent. As a borrower of money he had every quality but one. He had come to look on her perspicacity in this matter as a sort of second sight. It had frequently gone far to spoiling for him the triumph of success.

'And he has to pawn things to live!' Her voice trembled. 'He was at the mont-de-piete today. And yesterday too. I heard him. He was arguing with M. Gandinot—haggling—'

Her voice broke. She was sobbing helplessly. The memory of it was too raw and vivid.

Mr Warden stood motionless. Many emotions raced through his mind, but chief among them the thought that this revelation had come at a very fortunate time. An exceedingly lucky escape, he felt. He was aware, also, of a certain measure of indignation against this deceitful young man who had fraudulently imitated a gold-mine with what might have been disastrous results.

The door opened and Jeanne, the maid-of-all-work, announced Mr Vince.

He entered the room briskly.

'Good evening!' he said. 'I have brought you some more chocolates, Miss Warden, and some fruit. Great Scott! What's the matter?'

He stopped, but only for an instant. The next he had darted across the room, and, before the horrified eyes of Mr Warden, was holding Ruth in his arms. She clung to him.

Bill, the fox-terrier, over whom Mr Vince had happened to stumble, was the first to speak. Almost simultaneously Mr Warden joined in, and there was a striking similarity between the two voices, for Mr Warden, searching for words, emitted as a preliminary to them a sort of passionate yelp.

Mr Vince removed the hand that was patting Ruth's shoulder and waved it reassuringly at him.

'It's all right,' he said.

'All right! All right!'

'Affinities,' explained Mr Vince over his shoulder. 'Two hearts that beat as one. We're going to be married. What's the matter, dear? Don't you worry; you're all right.'

'I refuse!' shouted Mr Warden. 'I absolutely refuse.'

Mr Vince lowered Ruth gently into a chair and, holding her hand, inspected the fermenting old gentleman gravely.

'You refuse?' he said. 'Why, I thought you liked me.'

Mr Warden's frenzy had cooled. It had been something foreign to his nature. He regretted it. These things had to be managed with restraint.

'My personal likes and dislikes,' he said, 'have nothing to do with the matter, Mr Vince. They are beside the point. I have my daughter to consider. I cannot allow her to marry a man without a penny.'

'Quite right,' said Mr Vince, approvingly. 'Don't have anything to do with the fellow. If he tries to butt in, send for the police.'

Mr Warden hesitated. He had always been a little ashamed of Ruth's occupation. But necessity compelled.

'Mr Vince, my daughter is employed at the mont-de-piete, and was a witness to all that took place this afternoon.'

Mr Vince was genuinely agitated. He looked at Ruth, his face full of concern.

'You don't mean to say you have been slaving away in that stuffy—Great Scott! I'll have you out of that quick. You mustn't go there again.'

He stooped and kissed her.

'Perhaps you had better let me explain,' he said. 'Explanations, I always think, are the zero on the roulette-board of life. They're always somewhere about, waiting to pop up. Have you ever heard of Vince's Stores, Mr Warden? Perhaps they are since your time. Well, my father is the proprietor. One of our specialities is children's toys, but we haven't picked a real winner for years, and my father when I last saw him seemed so distressed about it that I said I'd see if I couldn't whack out an idea for something. Something on the lines of the Billiken, only better, was what he felt he needed. I'm not used to brain work, and after a spell of it I felt I wanted a rest. I came here to recuperate, and the very first morning I got an inspiration. You may have noticed that the manager of the mont-de-piete here isn't strong on conventional good looks. I saw him at the casino, and the thing flashed on me. He thinks his name's Gandinot, but it isn't. It's Uncle Zip, the Hump-Curer, the Man who Makes You Smile.'

He pressed Ruth's hand affectionately.

'I lost track of him, and it was only the day before yesterday that I discovered who he was and where he was to be found. Well, you can't go up to a man and ask him to pose as a model for Uncle Zip, the Hump-Curer. The only way to get sittings was to approach him in the way of business. So I collected what property I had and waded in. That's the whole story. Do I pass?'

Mr Warden's frosty demeanour had gradually thawed during this recital, and now the sun of his smile shone out warmly. He gripped Mr Vince's hand with every evidence of esteem, and after that he did what was certainly the best thing, by passing gently from the room. On his face, as he went, was a look such as Moses might have worn on the summit of Pisgah.

It was some twenty minutes later that Ruth made a remark.

'I want you to promise me something,' she said. 'Promise that you won't go on with that Uncle Zip drawing. I know it means ever so much money, but it might hurt poor M. Gandinot's feelings, and he has been very kind to me.'

'That settles it,' said Mr Vince. 'It's hard on the children of Great Britain, but say no more. No Uncle Zip for them.'

Ruth looked at him, almost with awe.

'You really won't go on with it? In spite of all the money you would make? Are you always going to do just what I ask you, no matter what it costs you?'

He nodded sadly.

'You have sketched out in a few words the whole policy of my married life. I feel an awful fraud. And I had encouraged you to look forward to years of incessant quarrelling. Do you think you can manage without it? I'm afraid it's going to be shockingly dull for you,' said Mr Vince, regretfully.



ARCHIBALD'S BENEFIT

Archibald Mealing was one of those golfers in whom desire outruns performance. Nobody could have been more willing than Archibald. He tried, and tried hard. Every morning before he took his bath he would stand in front of his mirror and practise swings. Every night before he went to bed he would read the golden words of some master on the subject of putting, driving, or approaching. Yet on the links most of his time was spent in retrieving lost balls or replacing America. Whether it was that Archibald pressed too much or pressed too little, whether it was that his club deviated from the dotted line which joined the two points A and B in the illustrated plate of the man making the brassy shot in the Hints on Golf book, or whether it was that he was pursued by some malignant fate, I do not know. Archibald rather favoured the last theory.

The important point is that, in his thirty-first year, after six seasons of untiring effort, Archibald went in for a championship, and won it.

Archibald, mark you, whose golf was a kind of blend of hockey, Swedish drill, and buck-and-wing dancing.

I know the ordeal I must face when I make such a statement. I see clearly before me the solid phalanx of men from Missouri, some urging me to tell it to the King of Denmark, others insisting that I produce my Eskimos. Nevertheless, I do not shrink. I state once more that in his thirty-first year Archibald Mealing went in for a golf championship, and won it.

* * * * *

Archibald belonged to a select little golf club, the members of which lived and worked in New York, but played in Jersey. Men of substance, financially as well as physically, they had combined their superfluous cash and with it purchased a strip of land close to the sea. This land had been drained—to the huge discomfort of a colony of mosquitoes which had come to look on the place as their private property—and converted into links, which had become a sort of refuge for incompetent golfers. The members of the Cape Pleasant Club were easygoing refugees from other and more exacting clubs, men who pottered rather than raced round the links; men, in short, who had grown tired of having to stop their game and stand aside in order to allow perspiring experts to whiz past them. The Cape Pleasant golfers did not make themselves slaves to the game. Their language, when they foozled, was gently regretful rather than sulphurous. The moment in the day's play which they enjoyed most was when they were saying: 'Well, here's luck!' in the club-house.

It will, therefore, be readily understood that Archibald's inability to do a hole in single figures did not handicap him at Cape Pleasant as it might have done at St. Andrews. His kindly clubmates took him to their bosoms to a man, and looked on him as a brother. Archibald's was one of those admirable natures which prompt their possessor frequently to remark: 'These are on me!' and his fellow golfers were not slow to appreciate the fact. They all loved Archibald.

Archibald was on the floor of his bedroom one afternoon, picking up the fragments of his mirror—a friend had advised him to practise the Walter J. Travis lofting shot—when the telephone bell rang. He took up the receiver, and was hailed by the comfortable voice of McCay, the club secretary.

'Is that Mealing?' asked McCay. 'Say, Archie, I'm putting your name down for our championship competition. That's right, isn't it?'

'Sure,' said Archibald. 'When does it start?'

'Next Saturday.'

'That's me.'

'Good for you. Oh, Archie.'

'Hello?'

'A man I met today told me you were engaged. Is that a fact?'

'Sure,' murmured Archibald, blushfully.

The wire hummed with McCay's congratulations.

'Thanks,' said Archibald. 'Thanks, old man. What? Oh, yes. Milsom's her name. By the way, her family have taken a cottage at Cape Pleasant for the summer. Some distance from the links. Yes, very convenient, isn't it? Good-bye.'

He hung up the receiver and resumed his task of gathering up the fragments. Now McCay happened to be of a romantic and sentimental nature. He was by profession a chartered accountant, and inclined to be stout; and all rather stout chartered accountants are sentimental. McCay was the sort of man who keeps old ball programmes and bundles of letters tied round with lilac ribbon. At country houses, where they lingered in the porch after dinner to watch the moonlight flooding the quiet garden, it was McCay and his colleague who lingered longest. McCay knew Ella Wheeler Wilcox by heart, and could take Browning without anaesthetics. It is not to be wondered at, therefore, that Archibald's remark about his fiancee coming to live at Cape Pleasant should give him food for thought. It appealed to him.

He reflected on it a good deal during the day, and, running across Sigsbee, a fellow Cape Pleasanter, after dinner that night at the Sybarites' Club, he spoke of the matter to him. It so happened that both had dined excellently, and were looking on the world with a sort of cosy benevolence. They were in the mood when men pat small boys on the head and ask them if they mean to be President when they grow up.

'I called up Archie Mealing today,' said McCay. 'Did you know he was engaged?'

'I did hear something about it. Girl of the name of Wilson, or—'

'Milsom. She's going to spend the summer at Cape Pleasant, Archie tells me.'

'Then she'll have a chance of seeing him play in the championship competition.'

McCay sucked his cigar in silence for a while, watching with dreamy eyes the blue smoke as it curled ceiling-ward. When he spoke his voice was singularly soft.

'Do you know, Sigsbee,' he said, sipping his Maraschino with a gentle melancholy—'do you know, there is something wonderfully pathetic to me in this business. I see the whole thing so clearly. There was a kind of quiver in the poor old chap's voice when he said: "She is coming to Cape Pleasant," which told me more than any words could have done. It is a tragedy in its way, Sigsbee. We may smile at it, think it trivial; but it is none the less a tragedy. That warm-hearted, enthusiastic girl, all eagerness to see the man she loves do well—Archie, poor old Archie, all on fire to prove to her that her trust in him is not misplaced, and the end—Disillusionment—Disappointment—Unhappiness.'

'He ought to keep his eye on the ball,' said the more practical Sigsbee.

'Quite possibly,' continued McCay, 'he has told her that he will win this championship.'

'If Archie's mutt enough to have told her that,' said Sigsbee decidedly, 'he deserves all he gets. Waiter, two Scotch highballs.'

McCay was in no mood to subscribe to this stony-hearted view.

'I tell you,' he said, 'I'm sorry for Archie! I'm sorry for the poor old chap. And I'm more than sorry for the girl.'

'Well, I don't see what we can do,' said Sigsbee. 'We can hardly be expected to foozle on purpose, just to let Archie show off before his girl.'

McCay paused in the act of lighting his cigar, as one smitten with a great thought.

'Why not?' he said. 'Why not, Sigsbee? Sigsbee, you've hit it.'

'Eh?'

'You have! I tell you, Sigsbee, you've solved the whole thing. Archie's such a bully good fellow, why not give him a benefit? Why not let him win this championship? You aren't going to tell me that you care whether you win a tin medal or not?'

Sigsbee's benevolence was expanding under the influence of the Scotch highball and his cigar. Little acts of kindness on Archie's part, here a cigar, there a lunch, at another time seats for the theatre, began to rise to the surface of his memory like rainbow-coloured bubbles. He wavered.

'Yes, but what about the rest of the men?' he said. 'There will be a dozen or more in for the medal.'

'We can square them,' said McCay confidently. 'We will broach the matter to them at a series of dinners at which we will be joint hosts. They are white men who will be charmed to do a little thing like that for a sport like Archie.'

'How about Gossett?' said Sigsbee.

McCay's face clouded. Gossett was an unpopular subject with members of the Cape Pleasant Golf Club. He was the serpent in their Eden. Nobody seemed quite to know how he had got in, but there, unfortunately, he was. Gossett had introduced into Cape Pleasant golf a cheerless atmosphere of the rigour of the game. It was to enable them to avoid just such golfers as Gossett that the Cape Pleasanters had founded their club. Genial courtesy rather than strict attention to the rules had been the leading characteristics of their play till his arrival. Up to that time it had been looked on as rather bad form to exact a penalty. A cheery give-and-take system had prevailed. Then Gossett had come, full of strange rules, and created about the same stir in the community which a hawk would create in a gathering of middle-aged doves.

'You can't square Gossett,' said Sigsbee.

McCay looked unhappy.

'I forgot him,' he said. 'Of course, nothing will stop him trying to win. I wish we could think of something. I would almost as soon see him lose as Archie win. But, after all, he does have off days sometimes.'

'You need to have a very off day to be as bad as Archie.'

They sat and smoked in silence.

'I've got it,' said Sigsbee suddenly. 'Gossett is a fine golfer, but nervous. If we upset his nerves enough, he will go right off his stroke. Couldn't we think of some way?'

McCay reached out for his glass.

'Yours is a noble nature, Sigsbee,' he said.

'Oh, no,' said the paragon modestly. 'Have another cigar?'

* * * * *

In order that the render may get the mental half-Nelson on the plot of this narrative which is so essential if a short story is to charm, elevate, and instruct, it is necessary now, for the nonce (but only for the nonce), to inspect Archibald's past life.

Archibald, as he had stated to McCay, was engaged to a Miss Milsom—Miss Margaret Milsom. How few men, dear reader, are engaged to girls with svelte figures, brown hair, and large blue eyes, now sparkling and vivacious, now dreamy and soulful, but always large and blue! How few, I say. You are, dear reader, and so am I, but who else? Archibald was one of the few who happened to be.

He was happy. It is true that Margaret's mother was not, as it were, wrapped up in him. She exhibited none of that effervescent joy at his appearance which we like to see in our mothers-in-law elect. On the contrary, she generally cried bitterly whenever she saw him, and at the end of ten minutes was apt to retire sobbing to her room, where she remained in a state of semi-coma till an advanced hour. She was by way of being a confirmed invalid, and something about Archibald seemed to get right in among her nerve centres, reducing them for the time being to a complicated hash. She did not like Archibald. She said she liked big, manly men. Behind his back she not infrequently referred to him as a 'gaby'; sometimes even as that 'guffin'.

She did not do this to Margaret, for Margaret, besides being blue-eyed, was also a shade quick-tempered. Whenever she discussed Archibald, it was with her son Stuyvesant. Stuyvesant Milsom, who thought Archibald a bit of an ass, was always ready to sit and listen to his mother on the subject, it being, however, an understood thing that at the conclusion of the seance she yielded one or two saffron-coloured bills towards his racing debts. For Stuyvesant, having developed a habit of backing horses which either did not start at all or else sat down and thought in the middle of the race, could always do with ten dollars or so. His prices for these interviews worked out, as a rule, at about three cents a word.

In these circumstances it was perhaps natural that Archibald and Margaret should prefer to meet, when they did meet, at some other spot than the Milsom home. It suited them both better that they should arrange a secret tryst on these occasions. Archibald preferred it because being in the same room as Mrs Milsom always made him feel like a murderer with particularly large feet; and Margaret preferred it because, as she told Archibald, these secret meetings lent a touch of poetry to what might otherwise have been a commonplace engagement.

Archibald thought this charming; but at the same time he could not conceal from himself the fact that Margaret's passion for the poetic cut, so to speak, both ways. He admired and loved the loftiness of her soul, but, on the other hand, it was a tough job having to live up to it. For Archibald was a very ordinary young man. They had tried to inoculate him with a love of poetry at school, but it had not taken. Until he was thirty he had been satisfied to class all poetry (except that of Mr George Cohan) under the general heading of punk. Then he met Margaret, and the trouble began. On the day he first met her, at a picnic, she had looked so soulful, so aloof from this world, that he had felt instinctively that here was a girl who expected more from a man than a mere statement that the weather was great. It so chanced that he knew just one quotation from the classics, to wit, Tennyson's critique of the Island-Valley of Avilion. He knew this because he had had the passage to write out one hundred and fifty times at school, on the occasion of his being caught smoking by one of the faculty who happened to be a passionate admirer of the 'Idylls of the King'.

A remark of Margaret's that it was a splendid day for a picnic and that the country looked nice gave him his opportunity.

'It reminds me,' he said, 'it reminds me strongly of the Island-Valley of Avilion, where falls not hail, or rain, or any snow, nor ever wind blows loudly; but it lies deep-meadow'd, happy, fair, with orchard lawns....'

He broke off here to squash a hornet; but Margaret had heard enough. 'Are you fond of the poets, Mr Mealing?' she said, with a far-off look.

'Me?' said Archibald fervently. 'Me? Why, I eat 'em alive!'

* * * * *

And that was how all the trouble had started. It had meant unremitting toil for Archibald. He felt that he had set himself a standard from which he must not fall. He bought every new volume of poetry which was praised in the press, and learned the reviews by heart. Every evening he read painfully a portion of the classics. He plodded through the poetry sections of Bartlett's Familiar Quotations. Margaret's devotion to the various bards was so enthusiastic, and her reading so wide, that there were times when Archibald wondered if he could endure the strain. But he persevered heroically, and so far had not been found wanting. But the strain was fearful.

* * * * *

The early stages of the Cape Pleasant golf tournament need no detailed description. The rules of match play governed the contests, and Archibald disposed of his first three opponents before the twelfth hole. He had been diffident when he teed off with McCay in the first round, but, finding that he defeated the secretary with ease, he met one Butler in the second round with more confidence. Butler, too, he routed; with the result that, by the time he faced Sigsbee in round three, he was practically the conquering hero. Fortune seemed to be beaming upon him with almost insipid sweetness. When he was trapped in the bunker at the seventh hole, Sigsbee became trapped as well. When he sliced at the sixth tee, Sigsbee pulled. And Archibald, striking a brilliant vein, did the next three holes in eleven, nine, and twelve; and, romping home, qualified for the final.

Gossett, that serpent, meanwhile, had beaten each of his three opponents without much difficulty.

The final was fixed for the following Thursday morning. Gossett, who was a broker, had made some frivolous objection about the difficulty of absenting himself from Wall Street, but had been overruled. When Sigsbee pointed out that he could easily defeat Archibald and get to the city by lunch-time if he wished, and that in any case his partner would be looking after things, he allowed himself to be persuaded, though reluctantly. It was a well-known fact that Gossett was in the midst of some rather sizeable deals at that time.

Thursday morning suited Archibald admirably. It had occurred to him that he could bring off a double event. Margaret had arrived at Cape Pleasant on the previous evening, and he had arranged by telephone to meet her at the end of the board-walk, which was about a mile from the links, at one o'clock, supply her with lunch, and spend the afternoon with her on the water. If he started his match with Gossett at eleven-thirty, he would have plenty of time to have his game and be at the end of the board-walk at the appointed hour. He had no delusions about the respective merits of Gossett and himself as golfers. He knew that Gossett would win the necessary ten holes off the reel. It was saddening, but it was a scientific fact. There was no avoiding it. One simply had to face it.

Having laid these plans, he caught the train on the Thursday morning with the consoling feeling that, however sadly the morning might begin, it was bound to end well.

The day was fine, the sun warm, but tempered with a light breeze. One or two of the club had come to watch the match, among them Sigsbee.

Sigsbee drew Gossett aside.

'You must let me caddie for you, old man,' he said. 'I know your temperament so exactly. I know how little it takes to put you off your stroke. In an ordinary game you might take one of these boys, I know, but on an important occasion like this you must not risk it. A grubby boy, probably with a squint, would almost certainly get on your nerves. He might even make comments on the game, or whistle. But I understand you. You must let me carry your clubs.'

'It's very good of you,' said Gossett.

'Not at all,' said Sigsbee.

* * * * *

Archibald was now preparing to drive off from the first tee. He did this with great care. Everyone who has seen Archibald Mealing play golf knows that his teeing off is one of the most impressive sights ever witnessed on the links. He tilted his cap over his eyes, waggled his club a little, shifted his feet, waggled his club some more, gazed keenly towards the horizon for a moment, waggled his club again, and finally, with the air of a Strong Man lifting a bar of iron, raised it slowly above his head. Then, bringing it down with a sweep, he drove the ball with a lofty slice some fifty yards. It was rarely that he failed either to slice or pull his ball. His progress from hole to hole was generally a majestic zigzag.

Gossett's drive took him well on the way to the green. He holed out in five. Archibald, mournful but not surprised, made his way to the second tee.

The second hole was shorter. Gossett won it in three. The third he took in six, the fourth in four. Archibald began to feel that he might just as well not be there. He was practically a spectator.

At this point he reached in his pocket for his tobacco-pouch, to console himself with smoke. To his dismay he found it was not there. He had had it in the train, but now it had vanished. This added to his gloom, for the pouch had been given to him by Margaret, and he had always thought it one more proof of the way her nature towered over the natures of other girls that she had not woven a monogram on it in forget-me-nots. This record pouch was missing, and Archibald mourned for the loss.

His sorrows were not alleviated by the fact that Gossett won the fifth and sixth holes.

It was now a quarter past twelve, and Archibald reflected with moody satisfaction that the massacre must soon be over, and that he would then be able to forget it in the society of Margaret.

As Gossett was about to drive off from the seventh tee, a telegraph boy approached the little group.

'Mr Gossett,' he said.

Gossett lowered his driver, and wheeled round, but Sigsbee had snatched the envelope from the boy's hand.

'It's all right, old man,' he said. 'Go right ahead. I'll keep it safe for you.'

'Give it to me,' said Gossett anxiously. 'It may be from the office. Something may have happened to the market. I may be needed.'

'No, no,' said Sigsbee, soothingly. 'Don't you worry about it. Better not open it. It might have something in it that would put you off your stroke. Wait till the end of the game.'

'Give it to me. I want to see it.'

Sigsbee was firm.

'No,' he said. 'I'm here to see you win this championship and I won't have you taking any risks. Besides, even if it was important, a few minutes won't make any difference.'

'Well, at any rate, open it and read it.'

'It is probably in cipher,' said Sigsbee. 'I wouldn't understand it. Play on, old man. You've only a few more holes to win.'

Gossett turned and addressed his ball again. Then he swung. The club tipped the ball, and it rolled sluggishly for a couple of feet. Archibald approached the tee. Now there were moments when Archibald could drive quite decently. He always applied a considerable amount of muscular force to his efforts. It was in that direction, as a rule, he erred. On this occasion, whether inspired by his rival's failure or merely favoured by chance, he connected with his ball at precisely the right moment. It flew from the tee, straight, hard, and low, struck the ground near the green, bounded on and finally rocked to within a foot of the hole. No such long ball had been driven on the Cape Pleasant links since their foundation.

That it should have taken him three strokes to hole out from this promising position was unfortunate, but not fatal, for Gossett, who seemed suddenly to have fallen off his game, only reached the green in seven. A moment later a murmur of approval signified the fact that Archibald had won his first hole.

'Mr Gossett,' said a voice.

Those murmuring approval observed that the telegraph boy was once more in their midst. This time he bore two missives. Sigsbee dexterously impounded both.

'No,' he said with decision. 'I absolutely refuse to let you look at them till the game is over. I know your temperament.'

Gossett gesticulated.

'But they must be important. They must come from my office. Where else would I get a stream of telegrams? Something has gone wrong. I am urgently needed.'

Sigsbee nodded gravely.

'That is what I fear,' he said. 'That is why I cannot risk having you upset. Time enough, Gossett, for bad news after the game. Play on, man, and dismiss it from your mind. Besides, you couldn't get back to New York just yet, in any case. There are no trains. Dismiss the whole thing from your mind and just play your usual, and you're sure to win.'

Archibald had driven off during this conversation, but without his previous success. This time he had pulled his ball into some long grass. Gossett's drive was, however, worse; and the subsequent movement of the pair to the hole resembled more than anything else the manoeuvres of two men rolling peanuts with toothpicks as the result of an election bet. Archibald finally took the hole in twelve after Gossett had played his fourteenth.

When Archibald won the next in eleven and the tenth in nine, hope began to flicker feebly in his bosom. But when he won two more holes, bringing the score to like-as-we-lie, it flamed up within him like a beacon.

The ordinary golfer, whose scores per hole seldom exceed those of Colonel Bogey, does not understand the whirl of mixed sensations which the really incompetent performer experiences on the rare occasions when he does strike a winning vein. As stroke follows stroke, and he continues to hold his opponent, a wild exhilaration surges through him, followed by a sort of awe, as if he were doing something wrong, even irreligious. Then all these yeasty emotions subside and are blended into one glorious sensation of grandeur and majesty, as of a giant among pygmies.

By the time that Archibald, putting with the care of one brushing flies off a sleeping Venus, had holed out and won the thirteenth, he was in the full grip of this feeling. And as he walked to the fifteenth tee, after winning the fourteenth, he felt that this was Life, that till now he had been a mere mollusc.

Just at that moment he happened to look at his watch, and the sight was like a douche of cold water. The hands stood at five minutes to one.

* * * * *

Let us pause and ponder on this point for a while. Let us not dismiss it as if it were some mere trivial, everyday difficulty. You, dear reader, play an accurate, scientific game and beat your opponent with ease every time you go the links, and so do I; but Archibald was not like us. This was the first occasion on which he had ever felt that he was playing well enough to give him a chance of defeating a really good man. True, he had beaten McCay, Sigsbee, and Butler in the earlier rounds; but they were ignoble rivals compared with Gossett. To defeat Gossett, however, meant the championship. On the other hand, he was passionately devoted to Margaret Milsom, whom he was due to meet at the end of the board-walk at one sharp. It was now five minutes to one, and the end of the board-walk still a mile away.

The mental struggle was brief but keen. A sharp pang, and his mind was made up. Cost what it might, he must stay on the links. If Margaret broke off the engagement—well, it might be that Time would heal the wound, and that after many years he would find some other girl for whom he might come to care in a wrecked, broken sort of way. But a chance like this could never come again. What is Love compared with holing out before your opponent?

The excitement now had become so intense that a small boy, following with the crowd, swallowed his chewing-gum; for a slight improvement had become noticeable in Gossett's play, and a slight improvement in the play of almost anyone meant that it became vastly superior to Archibald's. At the next hole the improvement was not marked enough to have its full effect, and Archibald contrived to halve. This made him two up and three to play. What the average golfer would consider a commanding lead. But Archibald was no average golfer. A commanding lead for him would have been two up and one to play.

To give the public of his best, your golfer should have his mind cool and intent upon the game. Inasmuch as Gossett was worrying about the telegrams, while Archibald, strive as he might to dismiss it, was haunted by a vision of Margaret standing alone and deserted on the board-walk, play became, as it were, ragged. Fine putting enabled Gossett to do the sixteenth hole in twelve, and when, winning the seventeenth in nine, he brought his score level with Archibald's the match seemed over. But just then—

'Mr Gossett!' said a familiar voice.

Once more was the much-enduring telegraph boy among those present.

'T'ree dis time!' he observed.

Gossett sprang, but again the watchful Sigsbee was too swift.

'Be brave, Gossett—be brave,' he said. 'This is a crisis in the game. Keep your nerve. Play just as if nothing existed outside the links. To look at these telegrams now would be fatal.'

Eye-witnesses of that great encounter will tell the story of the last hole to their dying day. It was one of those Titanic struggles which Time cannot efface from the memory. Archibald was fortunate in getting a good start. He only missed twice before he struck his ball on the tee. Gossett had four strokes ere he achieved the feat. Nor did Archibald's luck desert him in the journey to the green. He was out of the bunker in eleven.

Gossett emerged only after sixteen. Finally, when Archibald's twenty-first stroke sent the ball trickling into the hole, Gossett had played his thirtieth.

The ball had hardly rested on the bottom of the hole before Gossett had begun to tear the telegrams from their envelopes. As he read, his eyes bulged in their sockets.

'Not bad news, I hope,' said a sympathetic bystander.

Sigsbee took the sheaf of telegrams.

The first ran: 'Good luck. Hope you win. McCay.' The second also ran: 'Good luck. Hope you win. McCay.' So, singularly enough, did the third, fourth, fifth, sixth, and seventh.

'Great Scott!' said Sigsbee. 'He seems to have been pretty anxious not to run any risk of missing you, Gossett.'

As he spoke, Archibald, close beside him, was looking at his watch. The hands stood at a quarter to two.

Margaret and her mother were seated in the parlour when Archibald arrived. Mrs Milsom, who had elicited the fact that Archibald had not kept his appointment, had been saying 'I told you so' for some time, and this had not improved Margaret's temper. When, therefore, Archibald, damp and dishevelled, was shown in, the chill in the air nearly gave him frost-bite. Mrs Milsom did her celebrated imitation of the Gorgon, while Margaret, lightly humming an air, picked up a weekly paper and became absorbed in it.

'Margaret, let me explain,' panted Archibald. Mrs Milsom was understood to remark that she dared say. Margaret's attention was riveted by a fashion plate.

'Driving in a taximeter to the ferry this morning,' resumed Archibald, 'I had an accident.'

This was the result of some rather feverish brainwork on the way from the links to the cottage.

The periodical flopped to the floor.

'Oh, Archie, are you hurt?'

'A few scratches, nothing more; but it made me miss my train.'

'What train did you catch?' asked Mrs Milsom sepulchrally.

'The one o'clock. I came straight on here from the station.'

'Why,' said Margaret, 'Stuyvesant was coming home on the one o'clock train. Did you see him?'

Archibald's jaw dropped slightly.

'Er—no,' he said.

'How curious,' said Margaret.

'Very curious,' said Archibald.

'Most curious,' said Mrs Milsom.

They were still reflecting on the singularity of this fact when the door opened, and the son of the house entered in person.

'Thought I should find you here, Mealing,' he said. 'They gave me this at the station to give to you; you dropped it this morning when you got out of the train.'

He handed Archibald the missing pouch.

'Thanks,' said the latter huskily. 'When you say this morning, of course you mean this afternoon, but thanks all the same—thanks—thanks.'

'No, Archibald Mealing, he does not mean this afternoon,' said Mrs Milsom. 'Stuyvesant, speak! From what train did that guf—did Mr Mealing alight when he dropped the tobacco-pouch?'

* * * * *

'The ten o'clock, the fellow told me. Said he would have given it back to him then only he sprinted off in the deuce of a hurry.'

Six eyes focused themselves upon Archibald.

'Margaret,' he said, 'I will not try to deceive you—'

'You may try,' observed Mrs Milsom, 'but you will not succeed.'

'Well, Archibald?'

Archibald fingered his collar.

'There was no taximeter accident.'

'Ah!' said Mrs Milsom.

'The fact is, I have been playing in a golf tournament.'

Margaret uttered an exclamation of surprise.

'Playing golf!'

Archibald bowed his head with manly resignation.

'Why didn't you tell me? Why didn't you arrange for us to meet on the links? I should have loved it.'

Archibald was amazed.

'You take an interest in golf, Margaret? You! I thought you scorned it, considered it an unintellectual game. I thought you considered all games unintellectual.'

'Why, I play golf myself. Not very well.'

'Margaret! Why didn't you tell me?'

'I thought you might not like it. You were so spiritual, so poetic. I feared you would despise me.'

Archibald took a step forward. His voice was tense and trembling.

'Margaret,' he said, 'this is no time for misunderstandings. We must be open with one another. Our happiness is at stake. Tell me honestly, do you like poetry really?'

Margaret hesitated, then answered bravely:

'No, Archibald,' she said, 'it is as you suspect. I am not worthy of you. I do not like poetry. Ah, you shudder! You turn away! Your face grows hard and scornful!'

'I don't!' yelled Archibald. 'It doesn't! It doesn't do anything of the sort! You've made me another man!'

She stared, wild-eyed, astonished.

'What! Do you mean that you, too—'

'I should just say I do. I tell you I hate the beastly stuff. I only pretended to like it because I thought you did. The hours I've spent learning it up! I wonder I've not got brain fever.'

'Archie! Used you to read it up, too? Oh, if I'd only known!'

'And you forgive me—this morning, I mean?'

'Of course. You couldn't leave a golf tournament. By the way, how did you get on?'

Archibald coughed.

'Rather well,' he said modestly. 'Pretty decently. In fact, not badly. As a matter of fact, I won the championship.'

'The championship!' whispered Margaret. 'Of America?'

'Well, not absolutely of America,' said Archibald. 'But all the same, a championship.'

'My hero.'

'You won't be wanting me for a while, I guess?' said Stuyvesant nonchalantly. 'Think I'll smoke a cigarette on the porch.'

And sobs from the stairs told that Mrs Milsom was already on her way to her room.



THE MAN, THE MAID, AND THE MIASMA

Although this story is concerned principally with the Man and the Maid, the Miasma pervades it to such an extent that I feel justified in putting his name on the bills. Webster's Dictionary gives the meaning of the word 'miasma' as 'an infection floating in the air; a deadly exhalation'; and, in the opinion of Mr Robert Ferguson, his late employer, that description, though perhaps a little too flattering, on the whole summed up Master Roland Bean pretty satisfactorily. Until the previous day he had served Mr Ferguson in the capacity of office-boy; but there was that about Master Bean which made it practically impossible for anyone to employ him for long. A syndicate of Galahad, Parsifal, and Marcus Aurelius might have done it, but to an ordinary erring man, conscious of things done which should not have been done, and other things equally numerous left undone, he was too oppressive. One conscience is enough for any man. The employer of Master Bean had to cringe before two. Nobody can last long against an office-boy whose eyes shine with quiet, respectful reproof through gold-rimmed spectacles, whose manner is that of a middle-aged saint, and who obviously knows all the Plod and Punctuality books by heart and orders his life by their precepts. Master Bean was a walking edition of Stepping-Stones to Success, Millionaires who Have Never Smoked, and Young Man, Get up Early. Galahad, Parsifal, and Marcus Aurelius, as I say, might have remained tranquil in his presence, but Robert Ferguson found the contract too large. After one month he had braced himself up and sacked the Punctual Plodder.