"I am very well," replied the other, alarmed by the touch of that feverish hand. "But how about you?"

"Oh, I am hoping to keep myself in health."

"You are engaged in some great work, no doubt?"

"No," Raphael answered. "Exegi monumemtum, pere Porriquet; I have contributed an important page to science, and have now bidden her farewell for ever. I scarcely know where my manuscript is."

"The style is no doubt correct?" queried the schoolmaster. "You, I hope, would never have adopted the barbarous language of the new school, which fancies it has worked such wonders by discovering Ronsard!"

"My work treats of physiology pure and simple."

"Oh, then, there is no more to be said," the schoolmaster answered. "Grammar must yield to the exigencies of discovery. Nevertheless, young man, a lucid and harmonious style—the diction of Massillon, of M. de Buffon, of the great Racine—a classical style, in short, can never spoil anything——But, my friend," the schoolmaster interrupted himself, "I was forgetting the object of my visit, which concerns my own interests."

Too late Raphael recalled to mind the verbose eloquence and elegant circumlocutions which in a long professorial career had grown habitual to his old tutor, and almost regretted that he had admitted him; but just as he was about to wish to see him safely outside, he promptly suppressed his secret desire with a stealthy glance at the Magic Skin. It hung there before him, fastened down upon some white material, surrounded by a red line accurately traced about its prophetic outlines. Since that fatal carouse, Raphael had stifled every least whim, and had lived so as not to cause the slightest movement in the terrible talisman. The Magic Skin was like a tiger with which he must live without exciting its ferocity. He bore patiently, therefore, with the old schoolmaster's prolixity.

Porriquet spent an hour in telling him about the persecutions directed against him ever since the Revolution of July. The worthy man, having a liking for strong governments, had expressed the patriotic wish that grocers should be left to their counters, statesmen to the management of public business, advocates to the Palais de Justice, and peers of France to the Luxembourg; but one of the popularity-seeking ministers of the Citizen King had ousted him from his chair, on an accusation of Carlism, and the old man now found himself without pension or post, and with no bread to eat. As he played the part of guardian angel to a poor nephew, for whose schooling at Saint Sulpice he was paying, he came less on his own account than for his adopted child's sake, to entreat his former pupil's interest with the new minister. He did not ask to be reinstated, but only for a position at the head of some provincial school.

QRaphael had fallen a victim to unconquerable drowsiness by the time that the worthy man's monotonous voice ceased to sound in his ears. Civility had compelled him to look at the pale and unmoving eyes of the deliberate and tedious old narrator, till he himself had reached stupefaction, magnetized in an inexplicable way by the power of inertia.

"Well, my dear pere Porriquet," he said, not very certain what the question was to which he was replying, "but I can do nothing for you, nothing at all. I wish very heartily that you may succeed——"

All at once, without seeing the change wrought on the old man's sallow and wrinkled brow by these conventional phrases, full of indifference and selfishness, Raphael sprang to his feet like a startled roebuck. He saw a thin white line between the black piece of hide and the red tracing about it, and gave a cry so fearful that the poor professor was frightened by it.

"Old fool! Go!" he cried. "You will be appointed as headmaster! Couldn't you have asked me for an annuity of a thousand crowns rather than a murderous wish? Your visit would have cost me nothing. There are a hundred thousand situations to be had in France, but I have only one life. A man's life is worth more than all the situations in the world.—Jonathan!"

Jonathan appeared.

"This is your doing, double-distilled idiot! What made you suggest that I should see M. Porriquet?" and he pointed to the old man, who was petrified with fright. "Did I put myself in your hands for you to tear me in pieces? You have just shortened my life by ten years! Another blunder of this kind, and you will lay me where I have laid my father. Would I not far rather have possessed the beautiful Foedora? And I have obliged that old hulk instead—that rag of humanity! I had money enough for him. And, moreover, if all the Porriquets in the world were dying of hunger, what is that to me?"

Raphael's face was white with anger; a slight froth marked his trembling lips; there was a savage gleam in his eyes. The two elders shook with terror in his presence like two children at the sight of a snake. The young man fell back in his armchair, a kind of reaction took place in him, the tears flowed fast from his angry eyes.

"Oh, my life!" he cried, "that fair life of mine. Never to know a kindly thought again, to love no more; nothing is left to me!"

He turned to the professor and went on in a gentle voice—"The harm is done, my old friend. Your services have been well repaid; and my misfortune has at any rate contributed to the welfare of a good and worthy man."

His tones betrayed so much feeling that the almost unintelligible words drew tears from the two old men, such tears as are shed over some pathetic song in a foreign tongue.

"He is epileptic," muttered Porriquet.

"I understand your kind intentions, my friend," Raphael answered gently. "You would make excuses for me. Ill-health cannot be helped, but ingratitude is a grievous fault. Leave me now," he added. "To-morrow or the next day, or possibly to-night, you will receive your appointment; Resistance has triumphed over Motion. Farewell."

The old schoolmaster went away, full of keen apprehension as to Valentin's sanity. A thrill of horror ran through him; there had been something supernatural, he thought, in the scene he had passed through. He could hardly believe his own impressions, and questioned them like one awakened from a painful dream.

"Now attend to me, Jonathan," said the young man to his old servant. "Try to understand the charge confided to you."

"Yes, my Lord Marquis."

"I am as a man outlawed from humanity."

"Yes, my Lord Marquis."

"All the pleasures of life disport themselves round my bed of death, and dance about me like fair women; but if I beckon to them, I must die. Death always confronts me. You must be the barrier between the world and me."

"Yes, my Lord Marquis," said the old servant, wiping the drops of perspiration from his wrinkled forehead. "But if you don't wish to see pretty women, how will you manage at the Italiens this evening? An English family is returning to London, and I have taken their box for the rest of the season, and it is in a splendid position—superb; in the first row."

Raphael, deep in his own deep musings, paid no attention to him.

"Do you see that splendid equipage, a brougham painted a dark brown color, but with the arms of an ancient and noble family shining from the panels? As it rolls past, all the shop-girls admire it, and look longingly at the yellow satin lining, the rugs from la Savonnerie, the daintiness and freshness of every detail, the silken cushions and tightly-fitting glass windows. Two liveried footmen are mounted behind this aristocratic carriage; and within, a head lies back among the silken cushions, the feverish face and hollow eyes of Raphael, melancholy and sad. Emblem of the doom of wealth! He flies across Paris like a rocket, and reaches the peristyle of the Theatre Favart. The passers-by make way for him; the two footmen help him to alight, an envious crowd looking on the while."

"What has that fellow done to be so rich?" asks a poor law-student, who cannot listen to the magical music of Rossini for lack of a five-franc piece.

Raphael walked slowly along the gangway; he expected no enjoyment from these pleasures he had once coveted so eagerly. In the interval before the second act of Semiramide he walked up and down in the lobby, and along the corridors, leaving his box, which he had not yet entered, to look after itself. The instinct of property was dead within him already. Like all invalids, he thought of nothing but his own sufferings. He was leaning against the chimney-piece in the greenroom. A group had gathered about it of dandies, young and old, of ministers, of peers without peerages, and peerages without peers, for so the Revolution of July had ordered matters. Among a host of adventurers and journalists, in fact, Raphael beheld a strange, unearthly figure a few paces away among the crowd. He went towards this grotesque object to see it better, half-closing his eyes with exceeding superciliousness.

"What a wonderful bit of painting!" he said to himself. The stranger's hair and eyebrows and a Mazarin tuft on the chin had been dyed black, but the result was a spurious, glossy, purple tint that varied its hues according to the light; the hair had been too white, no doubt, to take the preparation. Anxiety and cunning were depicted in the narrow, insignificant face, with its wrinkles incrusted by thick layers of red and white paint. This red enamel, lacking on some portions of his face, strongly brought out his natural feebleness and livid hues. It was impossible not to smile at this visage with the protuberant forehead and pointed chin, a face not unlike those grotesque wooden figures that German herdsmen carve in their spare moments.

An attentive observer looking from Raphael to this elderly Adonis would have remarked a young man's eyes set in a mask of age, in the case of the Marquis, and in the other case the dim eyes of age peering forth from behind a mask of youth. Valentin tried to recollect when and where he had seen this little old man before. He was thin, fastidiously cravatted, booted and spurred like one-and-twenty; he crossed his arms and clinked his spurs as if he possessed all the wanton energy of youth. He seemed to move about without constraint or difficulty. He had carefully buttoned up his fashionable coat, which disguised his powerful, elderly frame, and gave him the appearance of an antiquated coxcomb who still follows the fashions.

For Raphael this animated puppet possessed all the interest of an apparition. He gazed at it as if it had been some smoke-begrimed Rembrandt, recently restored and newly framed. This idea found him a clue to the truth among his confused recollections; he recognized the dealer in antiquities, the man to whom he owed his calamities!

A noiseless laugh broke just then from the fantastical personage, straightening the line of his lips that stretched across a row of artificial teeth. That laugh brought out, for Raphael's heated fancy, a strong resemblance between the man before him and the type of head that painters have assigned to Goethe's Mephistopheles. A crowd of superstitious thoughts entered Raphael's sceptical mind; he was convinced of the powers of the devil and of all the sorcerer's enchantments embodied in mediaeval tradition, and since worked up by poets. Shrinking in horror from the destiny of Faust, he prayed for the protection of Heaven with all the ardent faith of a dying man in God and the Virgin. A clear, bright radiance seemed to give him a glimpse of the heaven of Michael Angelo or of Raphael of Urbino: a venerable white-bearded man, a beautiful woman seated in an aureole above the clouds and winged cherub heads. Now he had grasped and received the meaning of those imaginative, almost human creations; they seemed to explain what had happened to him, to leave him yet one hope.

But when the greenroom of the Italiens returned upon his sight he beheld, not the Virgin, but a very handsome young person. The execrable Euphrasia, in all the splendor of her toilette, with its orient pearls, had come thither, impatient for her ardent, elderly admirer. She was insolently exhibiting herself with her defiant face and glittering eyes to an envious crowd of stockbrokers, a visible testimony to the inexhaustible wealth that the old dealer permitted her to squander.

Raphael recollected the mocking wish with which he had accepted the old man's luckless gift, and tasted all the sweets of revenge when he beheld the spectacle of sublime wisdom fallen to such a depth as this, wisdom for which such humiliation had seemed a thing impossible. The centenarian greeted Euphrasia with a ghastly smile, receiving her honeyed words in reply. He offered her his emaciated arm, and went twice or thrice round the greenroom with her; the envious glances and compliments with which the crowd received his mistress delighted him; he did not see the scornful smiles, nor hear the caustic comments to which he gave rise.

"In what cemetery did this young ghoul unearth that corpse of hers?" asked a dandy of the Romantic faction.

Euphrasia began to smile. The speaker was a slender, fair-haired youth, with bright blue eyes, and a moustache. His short dress coat, hat tilted over one ear, and sharp tongue, all denoted the species.

"How many old men," said Raphael to himself, "bring an upright, virtuous, and hard-working life to a close in folly! His feet are cold already, and he is making love."

"Well, sir," exclaimed Valentin, stopping the merchant's progress, while he stared hard at Euphrasia, "have you quite forgotten the stringent maxims of your philosophy?"

"Ah, I am as happy now as a young man," said the other, in a cracked voice. "I used to look at existence from a wrong standpoint. One hour of love has a whole life in it."

The playgoers heard the bell ring, and left the greenroom to take their places again. Raphael and the old merchant separated. As he entered his box, the Marquis saw Foedora sitting exactly opposite to him on the other side of the theatre. The Countess had probably only just come, for she was just flinging off her scarf to leave her throat uncovered, and was occupied with going through all the indescribable manoeuvres of a coquette arranging herself. All eyes were turned upon her. A young peer of France had come with her; she asked him for the lorgnette she had given him to carry. Raphael knew the despotism to which his successor had resigned himself, in her gestures, and in the way she treated her companion. He was also under the spell no doubt, another dupe beating with all the might of a real affection against the woman's cold calculations, enduring all the tortures from which Valentin had luckily freed himself.

Foedora's face lighted up with indescribable joy. After directing her lorgnette upon every box in turn, to make a rapid survey of all the dresses, she was conscious that by her toilette and her beauty she had eclipsed the loveliest and best-dressed women in Paris. She laughed to show her white teeth; her head with its wreath of flowers was never still, in her quest of admiration. Her glances went from one box to another, as she diverted herself with the awkward way in which a Russian princess wore her bonnet, or over the utter failure of a bonnet with which a banker's daughter had disfigured herself.

All at once she met Raphael's steady gaze and turned pale, aghast at the intolerable contempt in her rejected lover's eyes. Not one of her exiled suitors had failed to own her power over them; Valentin alone was proof against her attractions. A power that can be defied with impunity is drawing to its end. This axiom is as deeply engraved on the heart of woman as in the minds of kings. In Raphael, therefore, Foedora saw the deathblow of her influence and her ability to please. An epigram of his, made at the Opera the day before, was already known in the salons of Paris. The biting edge of that terrible speech had already given the Countess an incurable wound. We know how to cauterize a wound, but we know of no treatment as yet for the stab of a phrase. As every other woman in the house looked by turns at her and at the Marquis, Foedora would have consigned them all to the oubliettes of some Bastille; for in spite of her capacity for dissimulation, her discomfiture was discerned by her rivals. Her unfailing consolation had slipped from her at last. The delicious thought, "I am the most beautiful," the thought that at all times had soothed every mortification, had turned into a lie.

At the opening of the second act a woman took up her position not very far from Raphael, in a box that had been empty hitherto. A murmur of admiration went up from the whole house. In that sea of human faces there was a movement of every living wave; all eyes were turned upon the stranger lady. The applause of young and old was so prolonged, that when the orchestra began, the musicians turned to the audience to request silence, and then they themselves joined in the plaudits and swelled the confusion. Excited talk began in every box, every woman equipped herself with an opera glass, elderly men grew young again, and polished the glasses of their lorgnettes with their gloves. The enthusiasm subsided by degrees, the stage echoed with the voices of the singers, and order reigned as before. The aristocratic section, ashamed of having yielded to a spontaneous feeling, again assumed their wonted politely frigid manner. The well-to-do dislike to be astonished at anything; at the first sight of a beautiful thing it becomes their duty to discover the defect in it which absolves them from admiring it,—the feeling of all ordinary minds. Yet a few still remained motionless and heedless of the music, artlessly absorbed in the delight of watching Raphael's neighbor.

Valentin noticed Taillefer's mean, obnoxious countenance by Aquilina's side in a lower box, and received an approving smirk from him. Then he saw Emile, who seemed to say from where he stood in the orchestra, "Just look at that lovely creature there, close beside you!" Lastly, he saw Rastignac, with Mme. de Nucingen and her daughter, twisting his gloves like a man in despair, because he was tethered to his place, and could not leave it to go any nearer to the unknown fair divinity.

Raphael's life depended upon a covenant that he had made with himself, and had hitherto kept sacred. He would give no special heed to any woman whatever; and the better to guard against temptation, he used a cunningly contrived opera-glass which destroyed the harmony of the fairest features by hideous distortions. He had not recovered from the terror that had seized on him in the morning when, at a mere expression of civility, the Magic Skin had contracted so abruptly. So Raphael was determined not to turn his face in the direction of his neighbor. He sat imperturbable as a duchess with his back against the corner of the box, thereby shutting out half of his neighbor's view of the stage, appearing to disregard her, and even to be unaware that a pretty woman sat there just behind him.

His neighbor copied Valentin's position exactly; she leaned her elbow on the edge of her box and turned her face in three-quarter profile upon the singers on the stage, as if she were sitting to a painter. These two people looked like two estranged lovers still sulking, still turning their backs upon each other, who will go into each other's arms at the first tender word.

Now and again his neighbor's ostrich feathers or her hair came in contact with Raphael's head, giving him a pleasurable thrill, against which he sternly fought. In a little while he felt the touch of the soft frill of lace that went round her dress; he could hear the gracious sounds of the folds of her dress itself, light rustling noises full of enchantment; he could even feel her movements as she breathed; with the gentle stir thus imparted to her form and to her draperies, it seemed to Raphael that all her being was suddenly communicated to him in an electric spark. The lace and tulle that caressed him imparted the delicious warmth of her bare, white shoulders. By a freak in the ordering of things, these two creatures, kept apart by social conventions, with the abysses of death between them, breathed together and perhaps thought of one another. Finally, the subtle perfume of aloes completed the work of Raphael's intoxication. Opposition heated his imagination, and his fancy, become the wilder for the limits imposed upon it, sketched a woman for him in outlines of fire. He turned abruptly, the stranger made a similar movement, startled no doubt at being brought in contact with a stranger; and they remained face to face, each with the same thought.

"Pauline!"

"M. Raphael!"

Each surveyed the other, both of them petrified with astonishment. Raphael noticed Pauline's daintily simple costume. A woman's experienced eyes would have discerned and admired the outlines beneath the modest gauze folds of her bodice and the lily whiteness of her throat. And then her more than mortal clearness of soul, her maidenly modesty, her graceful bearing, all were unchanged. Her sleeve was quivering with agitation, for the beating of her heart was shaking her whole frame.

"Come to the Hotel de Saint-Quentin to-morrow for your papers," she said. "I will be there at noon. Be punctual."

She rose hastily, and disappeared. Raphael thought of following Pauline, feared to compromise her, and stayed. He looked at Foedora; she seemed to him positively ugly. Unable to understand a single phrase of the music, and feeling stifled in the theatre, he went out, and returned home with a full heart.

"Jonathan," he said to the old servant, as soon as he lay in bed, "give me half a drop of laudanum on a piece of sugar, and don't wake me to-morrow till twenty minutes to twelve."

"I want Pauline to love me!" he cried next morning, looking at the talisman the while in unspeakable anguish.

The skin did not move in the least; it seemed to have lost its power to shrink; doubtless it could not fulfil a wish fulfilled already.

"Ah!" exclaimed Raphael, feeling as if a mantle of lead had fallen away, which he had worn ever since the day when the talisman had been given to him; "so you are playing me false, you are not obeying me, the pact is broken! I am free; I shall live. Then was it all a wretched joke?" But he did not dare to believe in his own thought as he uttered it.

He dressed himself as simply as had formerly been his wont, and set out on foot for his old lodging, trying to go back in fancy to the happy days when he abandoned himself without peril to vehement desires, the days when he had not yet condemned all human enjoyment. As he walked he beheld Pauline—not the Pauline of the Hotel Saint-Quentin, but the Pauline of last evening. Here was the accomplished mistress he had so often dreamed of, the intelligent young girl with the loving nature and artistic temperament, who understood poets, who understood poetry, and lived in luxurious surroundings. Here, in short, was Foedora, gifted with a great soul; or Pauline become a countess, and twice a millionaire, as Foedora had been. When he reached the worn threshold, and stood upon the broken step at the door, where in the old days he had had so many desperate thoughts, an old woman came out of the room within and spoke to him.

"You are M. Raphael de Valentin, are you not?"

"Yes, good mother," he replied.

"You know your old room then," she replied; "you are expected up there."

"Does Mme. Gaudin still own the house?" Raphael asked.

"Oh no, sir. Mme. Gaudin is a baroness now. She lives in a fine house of her own on the other side of the river. Her husband has come back. My goodness, he brought back thousands and thousands. They say she could buy up all the Quartier Saint-Jacques if she liked. She gave me her basement room for nothing, and the remainder of her lease. Ah, she's a kind woman all the same; she is no more proud to-day than she was yesterday."

Raphael hurried up the staircase to his garret; as he reached the last few steps he heard the sounds of a piano. Pauline was there, simply dressed in a cotton gown, but the way that it was made, like the gloves, hat, and shawl that she had thrown carelessly upon the bed, revealed a change of fortune.

"Ah, there you are!" cried Pauline, turning her head, and rising with unconcealed delight.

Raphael went to sit beside her, flushed, confused, and happy; he looked at her in silence.

"Why did you leave us then?" she asked, dropping her eyes as the flush deepened on his face. "What became of you?"

"Ah, I have been very miserable, Pauline; I am very miserable still."

"Alas!" she said, filled with pitying tenderness. "I guessed your fate yesterday when I saw you so well dressed, and apparently so wealthy; but in reality? Eh, M. Raphael, is it as it always used to be with you?"

Valentin could not restrain the tears that sprang to his eyes.

"Pauline," he exclaimed, "I——"

He went no further, love sparkled in his eyes, and his emotion overflowed his face.

"Oh, he loves me! he loves me!" cried Pauline.

Raphael felt himself unable to say one word; he bent his head. The young girl took his hand at this; she pressed it as she said, half sobbing and half laughing:—

"Rich, rich, happy and rich! Your Pauline is rich. But I? Oh, I ought to be very poor to-day. I have said, times without number, that I would give all the wealth upon this earth for those words, 'He loves me!' O my Raphael! I have millions. You like luxury, you will be glad; but you must love me and my heart besides, for there is so much love for you in my heart. You don't know? My father has come back. I am a wealthy heiress. Both he and my mother leave me completely free to decide my own fate. I am free—do you understand?"

Seized with a kind of frenzy, Raphael grasped Pauline's hands and kissed them eagerly and vehemently, with an almost convulsive caress. Pauline drew her hands away, laid them on Raphael's shoulders, and drew him towards her. They understood one another—in that close embrace, in the unalloyed and sacred fervor of that one kiss without an afterthought—the first kiss by which two souls take possession of each other.

"Ah, I will not leave you any more," said Pauline, falling back in her chair. "I do not know how I come to be so bold!" she added, blushing.

"Bold, my Pauline? Do not fear it. It is love, love true and deep and everlasting like my own, is it not?"

"Speak!" she cried. "Go on speaking, so long your lips have been dumb for me."

"Then you have loved me all along?"

"Loved you? Mon Dieu! How often I have wept here, setting your room straight, and grieving for your poverty and my own. I would have sold myself to the evil one to spare you one vexation! You are MY Raphael to-day, really my own Raphael, with that handsome head of yours, and your heart is mine too; yes, that above all, your heart—O wealth inexhaustible! Well, where was I?" she went on after a pause. "Oh yes! We have three, four, or five millions, I believe. If I were poor, I should perhaps desire to bear your name, to be acknowledged as your wife; but as it is, I would give up the whole world for you, I would be your servant still, now and always. Why, Raphael, if I give you my fortune, my heart, myself to-day, I do no more than I did that day when I put a certain five-franc piece in the drawer there," and she pointed to the table. "Oh, how your exultation hurt me then!"

"Oh, why are you rich?" Raphael cried; "why is there no vanity in you? I can do nothing for you."

He wrung his hands in despair and happiness and love.

"When you are the Marquise de Valentin, I know that the title and the fortune for thee, heavenly soul, will not be worth——"

"One hair of your head," she cried.

"I have millions too. But what is wealth to either of us now? There is my life—ah, that I can offer, take it."

"Your love, Raphael, your love is all the world to me. Are your thoughts of me? I am the happiest of the happy!"

"Can any one overhear us?" asked Raphael.

"Nobody," she replied, and a mischievous gesture escaped her.

"Come, then!" cried Valentin, holding out his arms.

She sprang upon his knees and clasped her arms about his neck.

"Kiss me!" she cried, "after all the pain you have given me; to blot out the memory of the grief that your joys have caused me; and for the sake of the nights that I spent in painting hand-screens——"

"Those hand-screens of yours?"

"Now that we are rich, my darling, I can tell you all about it. Poor boy! how easy it is to delude a clever man! Could you have had white waistcoats and clean shirts twice a week for three francs every month to the laundress? Why, you used to drink twice as much milk as your money would have paid for. I deceived you all round—over firing, oil, and even money. O Raphael mine, don't have me for your wife, I am far too cunning!" she said laughing.

"But how did you manage?"

"I used to work till two o'clock in the morning; I gave my mother half the money made by my screens, and the other half went to you."

They looked at one another for a moment, both bewildered by love and gladness.

"Some day we shall have to pay for this happiness by some terrible sorrow," cried Raphael.

"Perhaps you are married?" said Pauline. "Oh, I will not give you up to any other woman."

"I am free, my beloved."

"Free!" she repeated. "Free, and mine!"

She slipped down upon her knees, clasped her hands, and looked at Raphael in an enthusiasm of devotion.

"I am afraid I shall go mad. How handsome you are!" she went on, passing her fingers through her lover's fair hair. "How stupid your Countess Foedora is! How pleased I was yesterday with the homage they all paid to me! SHE has never been applauded. Dear, when I felt your arm against my back, I heard a vague voice within me that cried, 'He is there!' and I turned round and saw you. I fled, for I longed so to throw my arms about you before them all."

"How happy you are—you can speak!" Raphael exclaimed. "My heart is overwhelmed; I would weep, but I cannot. Do not draw your hand away. I could stay here looking at you like this for the rest of my life, I think; happy and content."

"O my love, say that once more!"

"Ah, what are words?" answered Valentin, letting a hot tear fall on Pauline's hands. "Some time I will try to tell you of my love; just now I can only feel it."

"You," she said, "with your lofty soul and your great genius, with that heart of yours that I know so well; are you really mine, as I am yours?"

"For ever and ever, my sweet creature," said Raphael in an uncertain voice. "You shall be my wife, my protecting angel. My griefs have always been dispelled by your presence, and my courage revived; that angelic smile now on your lips has purified me, so to speak. A new life seems about to begin for me. The cruel past and my wretched follies are hardly more to me than evil dreams. At your side I breathe an atmosphere of happiness, and I am pure. Be with me always," he added, pressing her solemnly to his beating heart.

"Death may come when it will," said Pauline in ecstasy; "I have lived!"

Happy he who shall divine their joy, for he must have experienced it.

"I wish that no one might enter this dear garret again, my Raphael," said Pauline, after two hours of silence.

"We must have the door walled up, put bars across the window, and buy the house," the Marquis answered.

"Yes, we will," she said. Then a moment later she added: "Our search for your manuscripts has been a little lost sight of," and they both laughed like children.

"Pshaw! I don't care a jot for the whole circle of the sciences," Raphael answered.

"Ah, sir, and how about glory?"

"I glory in you alone."

"You used to be very miserable as you made these little scratches and scrawls," she said, turning the papers over.

"My Pauline——"

"Oh yes, I am your Pauline—and what then?"

"Where are you living now?"

"In the Rue Saint Lazare. And you?"

"In the Rue de Varenne."

"What a long way apart we shall be until——" She stopped, and looked at her lover with a mischievous and coquettish expression.

"But at the most we need only be separated for a fortnight," Raphael answered.

"Really! we are to be married in a fortnight?" and she jumped for joy like a child.

"I am an unnatural daughter!" she went on. "I give no more thought to my father or my mother, or to anything in the world. Poor love, you don't know that my father is very ill? He returned from the Indies in very bad health. He nearly died at Havre, where we went to find him. Good heavens!" she cried, looking at her watch; "it is three o'clock already! I ought to be back again when he wakes at four. I am mistress of the house at home; my mother does everything that I wish, and my father worships me; but I will not abuse their kindness, that would be wrong. My poor father! He would have me go to the Italiens yesterday. You will come to see him to-morrow, will you not?"

"Will Madame la Marquise de Valentin honor me by taking my arm?"

"I am going to take the key of this room away with me," she said. "Isn't our treasure-house a palace?"

"One more kiss, Pauline."

"A thousand, mon Dieu!" she said, looking at Raphael. "Will it always be like this? I feel as if I were dreaming."

They went slowly down the stairs together, step for step, with arms closely linked, trembling both of them beneath their load of joy. Each pressing close to the other's side, like a pair of doves, they reached the Place de la Sorbonne, where Pauline's carriage was waiting.

"I want to go home with you," she said. "I want to see your own room and your study, and to sit at the table where you work. It will be like old times," she said, blushing.

She spoke to the servant. "Joseph, before returning home I am going to the Rue de Varenne. It is a quarter-past three now, and I must be back by four o'clock. George must hurry the horses." And so in a few moments the lovers came to Valentin's abode.

"How glad I am to have seen all this for myself!" Pauline cried, creasing the silken bed-curtains in Raphael's room between her fingers. "As I go to sleep, I shall be here in thought. I shall imagine your dear head on the pillow there. Raphael, tell me, did no one advise you about the furniture of your hotel?"

"No one whatever."

"Really? It was not a woman who——"

"Pauline!"

"Oh, I know I am fearfully jealous. You have good taste. I will have a bed like yours to-morrow."

Quite beside himself with happiness, Raphael caught Pauline in his arms.

"Oh, my father!" she said; "my father——"

"I will take you back to him," cried Valentin, "for I want to be away from you as little as possible."

"How loving you are! I did not venture to suggest it——"

"Are you not my life?"

It would be tedious to set down accurately the charming prattle of the lovers, for tones and looks and gestures that cannot be rendered alone gave it significance. Valentin went back with Pauline to her own door, and returned with as much happiness in his heart as mortal man can know.

When he was seated in his armchair beside the fire, thinking over the sudden and complete way in which his wishes had been fulfilled, a cold shiver went through him, as if the blade of a dagger had been plunged into his breast—he thought of the Magic Skin, and saw that it had shrunk a little. He uttered the most tremendous of French oaths, without any of the Jesuitical reservations made by the Abbess of Andouillettes, leant his head against the back of the chair, and sat motionless, fixing his unseeing eyes upon the bracket of the curtain pole.

"Good God!" he cried; "every wish! Every desire of mine! Poor Pauline!——"

He took a pair of compasses and measured the extent of existence that the morning had cost him.

"I have scarcely enough for two months!" he said.

A cold sweat broke out over him; moved by an ungovernable spasm of rage, he seized the Magic Skin, exclaiming:

"I am a perfect fool!"

He rushed out of the house and across the garden, and flung the talisman down a well.

"Vogue la galere," cried he. "The devil take all this nonsense."

So Raphael gave himself up to the happiness of being beloved, and led with Pauline the life of heart and heart. Difficulties which it would be somewhat tedious to describe had delayed their marriage, which was to take place early in March. Each was sure of the other; their affection had been tried, and happiness had taught them how strong it was. Never has love made two souls, two natures, so absolutely one. The more they came to know of each other, the more they loved. On either side there was the same hesitating delicacy, the same transports of joy such as angels know; there were no clouds in their heaven; the will of either was the other's law.

Wealthy as they both were, they had not a caprice which they could not gratify, and for that reason had no caprices. A refined taste, a feeling for beauty and poetry, was instinct in the soul of the bride; her lover's smile was more to her than all the pearls of Ormuz. She disdained feminine finery; a muslin dress and flowers formed her most elaborate toilette.

Pauline and Raphael shunned every one else, for solitude was abundantly beautiful to them. The idlers at the Opera, or at the Italiens, saw this charming and unconventional pair evening after evening. Some gossip went the round of the salons at first, but the harmless lovers were soon forgotten in the course of events which took place in Paris; their marriage was announced at length to excuse them in the eyes of the prudish; and as it happened, their servants did not babble; so their bliss did not draw down upon them any very severe punishment.

One morning towards the end of February, at the time when the brightening days bring a belief in the nearness of the joys of spring, Pauline and Raphael were breakfasting together in a small conservatory, a kind of drawing-room filled with flowers, on a level with the garden. The mild rays of the pale winter sunlight, breaking through the thicket of exotic plants, warmed the air somewhat. The vivid contrast made by the varieties of foliage, the colors of the masses of flowering shrubs, the freaks of light and shadow, gladdened the eyes. While all the rest of Paris still sought warmth from its melancholy hearth, these two were laughing in a bower of camellias, lilacs, and blossoming heath. Their happy faces rose above lilies of the valley, narcissus blooms, and Bengal roses. A mat of plaited African grass, variegated like a carpet, lay beneath their feet in this luxurious conservatory. The walls, covered with a green linen material, bore no traces of damp. The surfaces of the rustic wooden furniture shone with cleanliness. A kitten, attracted by the odor of milk, had established itself upon the table; it allowed Pauline to bedabble it in coffee; she was playing merrily with it, taking away the cream that she had just allowed the kitten to sniff at, so as to exercise its patience, and keep up the contest. She burst out laughing at every antic, and by the comical remarks she constantly made, she hindered Raphael from perusing the paper; he had dropped it a dozen times already. This morning picture seemed to overflow with inexpressible gladness, like everything that is natural and genuine.

Raphael, still pretending to read his paper, furtively watched Pauline with the cat—his Pauline, in the dressing-gown that hung carelessly about her; his Pauline, with her hair loose on her shoulders, with a tiny, white, blue-veined foot peeping out of a velvet slipper. It was pleasant to see her in this negligent dress; she was delightful as some fanciful picture by Westall; half-girl, half-woman, as she seemed to be, or perhaps more of a girl than a woman, there was no alloy in the happiness she enjoyed, and of love she knew as yet only its first ecstasy. When Raphael, absorbed in happy musing, had forgotten the existence of the newspaper, Pauline flew upon it, crumpled it up into a ball, and threw it out into the garden; the kitten sprang after the rotating object, which spun round and round, as politics are wont to do. This childish scene recalled Raphael to himself. He would have gone on reading, and felt for the sheet he no longer possessed. Joyous laughter rang out like the song of a bird, one peal leading to another.

"I am quite jealous of the paper," she said, as she wiped away the tears that her childlike merriment had brought into her eyes. "Now, is it not a heinous offence," she went on, as she became a woman all at once, "to read Russian proclamations in my presence, and to attend to the prosings of the Emperor Nicholas rather than to looks and words of love!"

"I was not reading, my dear angel; I was looking at you."

Just then the gravel walk outside the conservatory rang with the sound of the gardener's heavily nailed boots.

"I beg your pardon, my Lord Marquis—and yours, too, madame—if I am intruding, but I have brought you a curiosity the like of which I never set eyes on. Drawing a bucket of water just now, with due respect, I got out this strange salt-water plant. Here it is. It must be thoroughly used to water, anyhow, for it isn't saturated or even damp at all. It is as dry as a piece of wood, and has not swelled a bit. As my Lord Marquis certainly knows a great deal more about things than I do, I thought I ought to bring it, and that it would interest him."

Therewith the gardener showed Raphael the inexorable piece of skin; there were barely six square inches of it left.

"Thanks, Vaniere," Raphael said. "The thing is very curious."

"What is the matter with you, my angel; you are growing quite white!" Pauline cried.

"You can go, Vaniere."

"Your voice frightens me," the girl went on; "it is so strangely altered. What is it? How are you feeling? Where is the pain? You are in pain!—Jonathan! here! call a doctor!" she cried.

"Hush, my Pauline," Raphael answered, as he regained composure. "Let us get up and go. Some flower here has a scent that is too much for me. It is that verbena, perhaps."

Pauline flew upon the innocent plant, seized it by the stalk, and flung it out into the garden; then, with all the might of the love between them, she clasped Raphael in a close embrace, and with languishing coquetry raised her red lips to his for a kiss.

"Dear angel," she cried, "when I saw you turn so white, I understood that I could not live on without you; your life is my life too. Lay your hand on my back, Raphael mine; I feel a chill like death. The feeling of cold is there yet. Your lips are burning. How is your hand?—Cold as ice," she added.

"Mad girl!" exclaimed Raphael.

"Why that tear? Let me drink it."

"O Pauline, Pauline, you love me far too much!"

"There is something very extraordinary going on in your mind, Raphael! Do not dissimulate. I shall very soon find out your secret. Give that to me," she went on, taking the Magic Skin.

"You are my executioner!" the young man exclaimed, glancing in horror at the talisman.

"How changed your voice is!" cried Pauline, as she dropped the fatal symbol of destiny.

"Do you love me?" he asked.

"Do I love you? Is there any doubt?"

"Then, leave me, go away!"

The poor child went.

"So!" cried Raphael, when he was alone. "In an enlightened age, when we have found out that diamonds are a crystallized form of charcoal, at a time when everything is made clear, when the police would hale a new Messiah before the magistrates, and submit his miracles to the Academie des Sciences—in an epoch when we no longer believe in anything but a notary's signature—that I, forsooth, should believe in a sort of Mene, Tekel, Upharsin! No, by Heaven, I will not believe that the Supreme Being would take pleasure in torturing a harmless creature.—Let us see the learned about it."

Between the Halle des Vins, with its extensive assembly of barrels, and the Salpetriere, that extensive seminary of drunkenness, lies a small pond, which Raphael soon reached. All sorts of ducks of rare varieties were there disporting themselves; their colored markings shone in the sun like the glass in cathedral windows. Every kind of duck in the world was represented, quacking, dabbling, and moving about—a kind of parliament of ducks assembled against its will, but luckily without either charter or political principles, living in complete immunity from sportsmen, under the eyes of any naturalist that chanced to see them.

"That is M. Lavrille," said one of the keepers to Raphael, who had asked for that high priest of zoology.

The Marquis saw a short man buried in profound reflections, caused by the appearance of a pair of ducks. The man of science was middle-aged; he had a pleasant face, made pleasanter still by a kindly expression, but an absorption in scientific ideas engrossed his whole person. His peruke was strangely turned up, by being constantly raised to scratch his head; so that a line of white hair was left plainly visible, a witness to an enthusiasm for investigation, which, like every other strong passion, so withdraws us from mundane considerations, that we lose all consciousness of the "I" within us. Raphael, the student and man of science, looked respectfully at the naturalist, who devoted his nights to enlarging the limits of human knowledge, and whose very errors reflected glory upon France; but a she-coxcomb would have laughed, no doubt, at the break of continuity between the breeches and striped waistcoat worn by the man of learning; the interval, moreover, was modestly filled by a shirt which had been considerably creased, for he stooped and raised himself by turns, as his zoological observations required.

After the first interchange of civilities, Raphael thought it necessary to pay M. Lavrille a banal compliment upon his ducks.

"Oh, we are well off for ducks," the naturalist replied. "The genus, moreover, as you doubtless know, is the most prolific in the order of palmipeds. It begins with the swan and ends with the zin-zin duck, comprising in all one hundred and thirty-seven very distinct varieties, each having its own name, habits, country, and character, and every one no more like another than a white man is like a negro. Really, sir, when we dine off a duck, we have no notion for the most part of the vast extent——"

He interrupted himself as he saw a small pretty duck come up to the surface of the pond.

"There you see the cravatted swan, a poor native of Canada; he has come a very long way to show us his brown and gray plumage and his little black cravat! Look, he is preening himself. That one is the famous eider duck that provides the down, the eider-down under which our fine ladies sleep; isn't it pretty? Who would not admire the little pinkish white breast and the green beak? I have just been a witness, sir," he went on, "to a marriage that I had long despaired of bringing about; they have paired rather auspiciously, and I shall await the results very eagerly. This will be a hundred and thirty-eighth species, I flatter myself, to which, perhaps, my name will be given. That is the newly matched pair," he said, pointing out two of the ducks; "one of them is a laughing goose (anas albifrons), and the other the great whistling duck, Buffon's anas ruffina. I have hesitated a long while between the whistling duck, the duck with white eyebrows, and the shoveler duck (anas clypeata). Stay, that is the shoveler—that fat, brownish black rascal, with the greenish neck and that coquettish iridescence on it. But the whistling duck was a crested one, sir, and you will understand that I deliberated no longer. We only lack the variegated black-capped duck now. These gentlemen here, unanimously claim that that variety of duck is only a repetition of the curve-beaked teal, but for my own part,"—and the gesture he made was worth seeing. It expressed at once the modesty and pride of a man of science; the pride full of obstinacy, and the modesty well tempered with assurance.

"I don't think it is," he added. "You see, my dear sir, that we are not amusing ourselves here. I am engaged at this moment upon a monograph on the genus duck. But I am at your disposal."

While they went towards a rather pleasant house in the Rue du Buffon, Raphael submitted the skin to M. Lavrille's inspection.

"I know the product," said the man of science, when he had turned his magnifying glass upon the talisman. "It used to be used for covering boxes. The shagreen is very old. They prefer to use skate's skin nowadays for making sheaths. This, as you are doubtless aware, is the hide of the raja sephen, a Red Sea fish."

"But this, sir, since you are so exceedingly good——"

"This," the man of science interrupted, as he resumed, "this is quite another thing; between these two shagreens, sir, there is a difference just as wide as between sea and land, or fish and flesh. The fish's skin is harder, however, than the skin of the land animal. This," he said, as he indicated the talisman, "is, as you doubtless know, one of the most curious of zoological products."

"But to proceed——" said Raphael.

"This," replied the man of science, as he flung himself down into his armchair, "is an ass' skin, sir."

"Yes, I know," said the young man.

"A very rare variety of ass found in Persia," the naturalist continued, "the onager of the ancients, equus asinus, the koulan of the Tartars; Pallas went out there to observe it, and has made it known to science, for as a matter of fact the animal for a long time was believed to be mythical. It is mentioned, as you know, in Holy Scripture; Moses forbade that it should be coupled with its own species, and the onager is yet more famous for the prostitutions of which it was the object, and which are often mentioned by the prophets of the Bible. Pallas, as you know doubtless, states in his Act. Petrop. tome II., that these bizarre excesses are still devoutly believed in among the Persians and the Nogais as a sovereign remedy for lumbago and sciatic gout. We poor Parisians scarcely believe that. The Museum has no example of the onager.

"What a magnificent animal!" he continued. "It is full of mystery; its eyes are provided with a sort of burnished covering, to which the Orientals attribute the powers of fascination; it has a glossier and finer coat than our handsomest horses possess, striped with more or less tawny bands, very much like the zebra's hide. There is something pliant and silky about its hair, which is sleek to the touch. Its powers of sight vie in precision and accuracy with those of man; it is rather larger than our largest domestic donkeys, and is possessed of extraordinary courage. If it is surprised by any chance, it defends itself against the most dangerous wild beasts with remarkable success; the rapidity of its movements can only be compared with the flight of birds; an onager, sir, would run the best Arab or Persian horses to death. According to the father of the conscientious Doctor Niebuhr, whose recent loss we are deploring, as you doubtless know, the ordinary average pace of one of these wonderful creatures would be seven thousand geometric feet per hour. Our own degenerate race of donkeys can give no idea of the ass in his pride and independence. He is active and spirited in his demeanor; he is cunning and sagacious; there is grace about the outlines of his head; every movement is full of attractive charm. In the East he is the king of beasts. Turkish and Persian superstition even credits him with a mysterious origin; and when stories of the prowess attributed to him are told in Thibet or in Tartary, the speakers mingle Solomon's name with that of this noble animal. A tame onager, in short, is worth an enormous amount; it is well-nigh impossible to catch them among the mountains, where they leap like roebucks, and seem as if they could fly like birds. Our myth of the winged horse, our Pegasus, had its origin doubtless in these countries, where the shepherds could see the onager springing from one rock to another. In Persia they breed asses for the saddle, a cross between a tamed onager and a she-ass, and they paint them red, following immemorial tradition. Perhaps it was this custom that gave rise to our own proverb, 'Surely as a red donkey.' At some period when natural history was much neglected in France, I think a traveler must have brought over one of these strange beasts that endures servitude with such impatience. Hence the adage. The skin that you have laid before me is the skin of an onager. Opinions differ as to the origin of the name. Some claim that Chagri is a Turkish word; others insist that Chagri must be the name of the place where this animal product underwent the chemical process of preparation so clearly described by Pallas, to which the peculiar graining that we admire is due; Martellens has written to me saying that Chaagri is a river——"

"I thank you, sir, for the information that you have given me; it would furnish an admirable footnote for some Dom Calmet or other, if such erudite hermits yet exist; but I have had the honor of pointing out to you that this scrap was in the first instance quite as large as that map," said Raphael, indicating an open atlas to Lavrille; "but it has shrunk visibly in three months' time——"

"Quite so," said the man of science. "I understand. The remains of any substance primarily organic are naturally subject to a process of decay. It is quite easy to understand, and its progress depends upon atmospherical conditions. Even metals contract and expand appreciably, for engineers have remarked somewhat considerable interstices between great blocks of stone originally clamped together with iron bars. The field of science is boundless, but human life is very short, so that we do not claim to be acquainted with all the phenomena of nature."

"Pardon the question that I am about to ask you, sir," Raphael began, half embarrassed, "but are you quite sure that this piece of skin is subject to the ordinary laws of zoology, and that it can be stretched?"

"Certainly——oh, bother!——" muttered M. Lavrille, trying to stretch the talisman. "But if you, sir, will go to see Planchette," he added, "the celebrated professor of mechanics, he will certainly discover some method of acting upon this skin, of softening and expanding it."

"Ah, sir, you are the preserver of my life," and Raphael took leave of the learned naturalist and hurried off to Planchette, leaving the worthy Lavrille in his study, all among the bottles and dried plants that filled it up.

Quite unconsciously Raphael brought away with him from this visit, all of science that man can grasp, a terminology to wit. Lavrille, the worthy man, was very much like Sancho Panza giving to Don Quixote the history of the goats; he was entertaining himself by making out a list of animals and ticking them off. Even now that his life was nearing its end, he was scarcely acquainted with a mere fraction of the countless numbers of the great tribes that God has scattered, for some unknown end, throughout the ocean of worlds.

Raphael was well pleased. "I shall keep my ass well in hand," cried he. Sterne had said before his day, "Let us take care of our ass, if we wish to live to old age." But it is such a fantastic brute!

Planchette was a tall, thin man, a poet of a surety, lost in one continual thought, and always employed in gazing into the bottomless abyss of Motion. Commonplace minds accuse these lofty intellects of madness; they form a misinterpreted race apart that lives in a wonderful carelessness of luxuries or other people's notions. They will spend whole days at a stretch, smoking a cigar that has gone out, and enter a drawing-room with the buttons on their garments not in every case formally wedded to the button-holes. Some day or other, after a long time spent in measuring space, or in accumulating Xs under Aa-Gg, they succeed in analyzing some natural law, and resolve it into its elemental principles, and all on a sudden the crowd gapes at a new machine; or it is a handcart perhaps that overwhelms us with astonishment by the apt simplicity of its construction. The modest man of science smiles at his admirers, and remarks, "What is that invention of mine? Nothing whatever. Man cannot create a force; he can but direct it; and science consists in learning from nature."

The mechanician was standing bolt upright, planted on both feet, like some victim dropped straight from the gibbet, when Raphael broke in upon him. He was intently watching an agate ball that rolled over a sun-dial, and awaited its final settlement. The worthy man had received neither pension nor decoration; he had not known how to make the right use of his ability for calculation. He was happy in his life spent on the watch for a discovery; he had no thought either of reputation, of the outer world, nor even of himself, and led the life of science for the sake of science.

"It is inexplicable," he exclaimed. "Ah, your servant, sir," he went on, becoming aware of Raphael's existence. "How is your mother? You must go and see my wife."

"And I also could have lived thus," thought Raphael, as he recalled the learned man from his meditations by asking of him how to produce any effect on the talisman, which he placed before him.

"Although my credulity must amuse you, sir," so the Marquis ended, "I will conceal nothing from you. That skin seems to me to be endowed with an insuperable power of resistance."

"People of fashion, sir, always treat science rather superciliously," said Planchette. "They all talk to us pretty much as the incroyable did when he brought some ladies to see Lalande just after an eclipse, and remarked, 'Be so good as to begin it over again!' What effect do you want to produce? The object of the science of mechanics is either the application or the neutralization of the laws of motion. As for motion pure and simple, I tell you humbly, that we cannot possibly define it. That disposed of, unvarying phenomena have been observed which accompany the actions of solids and fluids. If we set up the conditions by which these phenomena are brought to pass, we can transport bodies or communicate locomotive power to them at a predetermined rate of speed. We can project them, divide them up in a few or an infinite number of pieces, accordingly as we break them or grind them to powder; we can twist bodies or make them rotate, modify, compress, expand, or extend them. The whole science, sir, rests upon a single fact.

"You see this ball," he went on; "here it lies upon this slab. Now, it is over there. What name shall we give to what has taken place, so natural from a physical point of view, so amazing from a moral? Movement, locomotion, changing of place? What prodigious vanity lurks underneath the words. Does a name solve the difficulty? Yet it is the whole of our science for all that. Our machines either make direct use of this agency, this fact, or they convert it. This trifling phenomenon, applied to large masses, would send Paris flying. We can increase speed by an expenditure of force, and augment the force by an increase of speed. But what are speed and force? Our science is as powerless to tell us that as to create motion. Any movement whatever is an immense power, and man does not create power of any kind. Everything is movement, thought itself is a movement, upon movement nature is based. Death is a movement whose limitations are little known. If God is eternal, be sure that He moves perpetually; perhaps God is movement. That is why movement, like God is inexplicable, unfathomable, unlimited, incomprehensible, intangible. Who has ever touched, comprehended, or measured movement? We feel its effects without seeing it; we can even deny them as we can deny the existence of a God. Where is it? Where is it not? Whence comes it? What is its source? What is its end? It surrounds us, it intrudes upon us, and yet escapes us. It is evident as a fact, obscure as an abstraction; it is at once effect and cause. It requires space, even as we, and what is space? Movement alone recalls it to us; without movement, space is but an empty meaningless word. Like space, like creation, like the infinite, movement is an insoluble problem which confounds human reason; man will never conceive it, whatever else he may be permitted to conceive.

"Between each point in space occupied in succession by that ball," continued the man of science, "there is an abyss confronting human reason, an abyss into which Pascal fell. In order to produce any effect upon an unknown substance, we ought first of all to study that substance; to know whether, in accordance with its nature, it will be broken by the force of a blow, or whether it will withstand it; if it breaks in pieces, and you have no wish to split it up, we shall not achieve the end proposed. If you want to compress it, a uniform impulse must be communicated to all the particles of the substance, so as to diminish the interval that separates them in an equal degree. If you wish to expand it, we should try to bring a uniform eccentric force to bear on every molecule; for unless we conform accurately to this law, we shall have breaches in continuity. The modes of motion, sir, are infinite, and no limit exists to combinations of movement. Upon what effect have you determined?"

"I want any kind of pressure that is strong enough to expand the skin indefinitely," began Raphael, quite of out patience.

"Substance is finite," the mathematician put in, "and therefore will not admit of indefinite expansion, but pressure will necessarily increase the extent of surface at the expense of the thickness, which will be diminished until the point is reached when the material gives out——"

"Bring about that result, sir," Raphael cried, "and you will have earned millions."

"Then I should rob you of your money," replied the other, phlegmatic as a Dutchman. "I am going to show you, in a word or two, that a machine can be made that is fit to crush Providence itself in pieces like a fly. It would reduce a man to the conditions of a piece of waste paper; a man—boots and spurs, hat and cravat, trinkets and gold, and all——"

"What a fearful machine!"

"Instead of flinging their brats into the water, the Chinese ought to make them useful in this way," the man of science went on, without reflecting on the regard man has for his progeny.

Quite absorbed by his idea, Planchette took an empty flower-pot, with a hole in the bottom, and put it on the surface of the dial, then he went to look for a little clay in a corner of the garden. Raphael stood spellbound, like a child to whom his nurse is telling some wonderful story. Planchette put the clay down upon the slab, drew a pruning-knife from his pocket, cut two branches from an elder tree, and began to clean them of pith by blowing through them, as if Raphael had not been present.

"There are the rudiments of the apparatus," he said. Then he connected one of the wooden pipes with the bottom of the flower-pot by way of a clay joint, in such a way that the mouth of the elder stem was just under the hole of the flower-pot; you might have compared it to a big tobacco-pipe. He spread a bed of clay over the surface of the slab, in a shovel-shaped mass, set down the flower-pot at the wider end of it, and laid the pipe of the elder stem along the portion which represented the handle of the shovel. Next he put a lump of clay at the end of the elder stem and therein planted the other pipe, in an upright position, forming a second elbow which connected it with the first horizontal pipe in such a manner that the air, or any given fluid in circulation, could flow through this improvised piece of mechanism from the mouth of the vertical tube, along the intermediate passages, and so into the large empty flower-pot.

"This apparatus, sir," he said to Raphael, with all the gravity of an academician pronouncing his initiatory discourse, "is one of the great Pascal's grandest claims upon our admiration."

"I don't understand."

The man of science smiled. He went up to a fruit-tree and took down a little phial in which the druggist had sent him some liquid for catching ants; he broke off the bottom and made a funnel of the top, carefully fitting it to the mouth of the vertical hollowed stem that he had set in the clay, and at the opposite end to the great reservoir, represented by the flower-pot. Next, by means of a watering-pot, he poured in sufficient water to rise to the same level in the large vessel and in the tiny circular funnel at the end of the elder stem.

Raphael was thinking of his piece of skin.

"Water is considered to-day, sir, to be an incompressible body," said the mechanician; "never lose sight of that fundamental principle; still it can be compressed, though only so very slightly that we should regard its faculty for contracting as a zero. You see the amount of surface presented by the water at the brim of the flower-pot?"

"Yes, sir."

"Very good; now suppose that that surface is a thousand times larger than the orifice of the elder stem through which I poured the liquid. Here, I am taking the funnel away——"

"Granted."

"Well, then, if by any method whatever I increase the volume of that quantity of water by pouring in yet more through the mouth of the little tube; the water thus compelled to flow downwards would rise in the reservoir, represented by the flower-pot, until it reached the same level at either end."

"That is quite clear," cried Raphael.

"But there is this difference," the other went on. "Suppose that the thin column of water poured into the little vertical tube there exerts a force equal, say, to a pound weight, for instance, its action will be punctually communicated to the great body of the liquid, and will be transmitted to every part of the surface represented by the water in the flower-pot so that at the surface there will be a thousand columns of water, every one pressing upwards as if they were impelled by a force equal to that which compels the liquid to descend in the vertical tube; and of necessity they reproduce here," said Planchette, indicating to Raphael the top of the flower-pot, "the force introduced over there, a thousand-fold," and the man of science pointed out to the marquis the upright wooden pipe set in the clay.

"That is quite simple," said Raphael.

Planchette smiled again.

"In other words," he went on, with the mathematician's natural stubborn propensity for logic, "in order to resist the force of the incoming water, it would be necessary to exert, upon every part of the large surface, a force equal to that brought into action in the vertical column, but with this difference—if the column of liquid is a foot in height, the thousand little columns of the wide surface will only have a very slight elevating power.

"Now," said Planchette, as he gave a fillip to his bits of stick, "let us replace this funny little apparatus by steel tubes of suitable strength and dimensions; and if you cover the liquid surface of the reservoir with a strong sliding plate of metal, and if to this metal plate you oppose another, solid enough and strong enough to resist any test; if, furthermore, you give me the power of continually adding water to the volume of liquid contents by means of the little vertical tube, the object fixed between the two solid metal plates must of necessity yield to the tremendous crushing force which indefinitely compresses it. The method of continually pouring in water through a little tube, like the manner of communicating force through the volume of the liquid to a small metal plate, is an absurdly primitive mechanical device. A brace of pistons and a few valves would do it all. Do you perceive, my dear sir," he said taking Valentin by the arm, "there is scarcely a substance in existence that would not be compelled to dilate when fixed in between these two indefinitely resisting surfaces?"

"What! the author of the Lettres provinciales invented it?" Raphael exclaimed.

"He and no other, sir. The science of mechanics knows no simpler nor more beautiful contrivance. The opposite principle, the capacity of expansion possessed by water, has brought the steam-engine into being. But water will only expand up to a certain point, while its incompressibility, being a force in a manner negative, is, of necessity, infinite."

"If this skin is expanded," said Raphael, "I promise you to erect a colossal statue to Blaise Pascal; to found a prize of a hundred thousand francs to be offered every ten years for the solution of the grandest problem of mechanical science effected during the interval; to find dowries for all your cousins and second cousins, and finally to build an asylum on purpose for impoverished or insane mathematicians."

"That would be exceedingly useful," Planchette replied. "We will go to Spieghalter to-morrow, sir," he continued, with the serenity of a man living on a plane wholly intellectual. "That distinguished mechanic has just completed, after my own designs, an improved mechanical arrangement by which a child could get a thousand trusses of hay inside his cap."

"Then good-bye till to-morrow."

"Till to-morrow, sir."

"Talk of mechanics!" cried Raphael; "isn't it the greatest of the sciences? The other fellow with his onagers, classifications, ducks, and species, and his phials full of bottled monstrosities, is at best only fit for a billiard-marker in a saloon."

The next morning Raphael went off in great spirits to find Planchette, and together they set out for the Rue de la Sante—auspicious appellation! Arrived at Spieghalter's, the young man found himself in a vast foundry; his eyes lighted upon a multitude of glowing and roaring furnaces. There was a storm of sparks, a deluge of nails, an ocean of pistons, vices, levers, valves, girders, files, and nuts; a sea of melted metal, baulks of timber and bar-steel. Iron filings filled your throat. There was iron in the atmosphere; the men were covered with it; everything reeked of iron. The iron seemed to be a living organism; it became a fluid, moved, and seemed to shape itself intelligently after every fashion, to obey the worker's every caprice. Through the uproar made by the bellows, the crescendo of the falling hammers, and the shrill sounds of the lathes that drew groans from the steel, Raphael passed into a large, clean, and airy place where he was able to inspect at his leisure the great press that Planchette had told him about. He admired the cast-iron beams, as one might call them, and the twin bars of steel coupled together with indestructible bolts.

"If you were to give seven rapid turns to that crank," said Spieghalter, pointing out a beam of polished steel, "you would make a steel bar spurt out in thousands of jets, that would get into your legs like needles."

"The deuce!" exclaimed Raphael.

Planchette himself slipped the piece of skin between the metal plates of the all-powerful press; and, brimful of the certainty of a scientific conviction, he worked the crank energetically.

"Lie flat, all of you; we are dead men!" thundered Spieghalter, as he himself fell prone on the floor.

A hideous shrieking sound rang through the workshops. The water in the machine had broken the chamber, and now spouted out in a jet of incalculable force; luckily it went in the direction of an old furnace, which was overthrown, enveloped and carried away by a waterspout.

"Ha!" remarked Planchette serenely, "the piece of skin is as safe and sound as my eye. There was a flaw in your reservoir somewhere, or a crevice in the large tube——"

"No, no; I know my reservoir. The devil is in your contrivance, sir; you can take it away," and the German pounced upon a smith's hammer, flung the skin down on an anvil, and, with all the strength that rage gives, dealt the talisman the most formidable blow that had ever resounded through his workshops.

"There is not so much as a mark on it!" said Planchette, stroking the perverse bit of skin.

The workmen hurried in. The foreman took the skin and buried it in the glowing coal of a forge, while, in a semi-circle round the fire, they all awaited the action of a huge pair of bellows. Raphael, Spieghalter, and Professor Planchette stood in the midst of the grimy expectant crowd. Raphael, looking round on faces dusted over with iron filings, white eyes, greasy blackened clothing, and hairy chests, could have fancied himself transported into the wild nocturnal world of German ballad poetry. After the skin had been in the fire for ten minutes, the foreman pulled it out with a pair of pincers.

"Hand it over to me," said Raphael.

The foreman held it out by way of a joke. The Marquis readily handled it; it was cool and flexible between his fingers. An exclamation of alarm went up; the workmen fled in terror. Valentin was left alone with Planchette in the empty workshop.

"There is certainly something infernal in the thing!" cried Raphael, in desperation. "Is no human power able to give me one more day of existence?"

"I made a mistake, sir," said the mathematician, with a penitent expression; "we ought to have subjected that peculiar skin to the action of a rolling machine. Where could my eyes have been when I suggested compression!"

"It was I that asked for it," Raphael answered.

The mathematician heaved a sigh of relief, like a culprit acquitted by a dozen jurors. Still, the strange problem afforded by the skin interested him; he meditated a moment, and then remarked:

"This unknown material ought to be treated chemically by re-agents. Let us call on Japhet—perhaps the chemist may have better luck than the mechanic."

Valentin urged his horse into a rapid trot, hoping to find the chemist, the celebrated Japhet, in his laboratory.

"Well, old friend," Planchette began, seeing Japhet in his armchair, examining a precipitate; "how goes chemistry?"

"Gone to sleep. Nothing new at all. The Academie, however, has recognized the existence of salicine, but salicine, asparagine, vauqueline, and digitaline are not really discoveries——"

"Since you cannot invent substances," said Raphael, "you are obliged to fall back on inventing names."

"Most emphatically true, young man."

"Here," said Planchette, addressing the chemist, "try to analyze this composition; if you can extract any element whatever from it, I christen it diaboline beforehand, for we have just smashed a hydraulic press in trying to compress it."

"Let's see! let's have a look at it!" cried the delighted chemist; "it may, perhaps, be a fresh element."

"It is simply a piece of the skin of an ass, sir," said Raphael.

"Sir!" said the illustrious chemist sternly.

"I am not joking," the Marquis answered, laying the piece of skin before him.

Baron Japhet applied the nervous fibres of his tongue to the skin; he had skill in thus detecting salts, acids, alkalis, and gases. After several experiments, he remarked:

"No taste whatever! Come, we will give it a little fluoric acid to drink."

Subjected to the influence of this ready solvent of animal tissue, the skin underwent no change whatsoever.

"It is not shagreen at all!" the chemist cried. "We will treat this unknown mystery as a mineral, and try its mettle by dropping it in a crucible where I have at this moment some red potash."

Japhet went out, and returned almost immediately.

"Allow me to cut away a bit of this strange substance, sir," he said to Raphael; "it is so extraordinary——"

"A bit!" exclaimed Raphael; "not so much as a hair's-breadth. You may try, though," he added, half banteringly, half sadly.

The chemist broke a razor in his desire to cut the skin; he tried to break it by a powerful electric shock; next he submitted it to the influence of a galvanic battery; but all the thunderbolts his science wotted of fell harmless on the dreadful talisman.

It was seven o'clock in the evening. Planchette, Japhet, and Raphael, unaware of the flight of time, were awaiting the outcome of a final experiment. The Magic Skin emerged triumphant from a formidable encounter in which it had been engaged with a considerable quantity of chloride of nitrogen.

"It is all over with me," Raphael wailed. "It is the finger of God! I shall die!——" and he left the two amazed scientific men.

"We must be very careful not to talk about this affair at the Academie; our colleagues there would laugh at us," Planchette remarked to the chemist, after a long pause, in which they looked at each other without daring to communicate their thoughts. The learned pair looked like two Christians who had issued from their tombs to find no God in the heavens. Science had been powerless; acids, so much clear water; red potash had been discredited; the galvanic battery and electric shock had been a couple of playthings.

"A hydraulic press broken like a biscuit!" commented Planchette.

"I believe in the devil," said the Baron Japhet, after a moment's silence.

"And I in God," replied Planchette.

Each spoke in character. The universe for a mechanician is a machine that requires an operator; for chemistry—that fiendish employment of decomposing all things—the world is a gas endowed with the power of movement.

"We cannot deny the fact," the chemist replied.

"Pshaw! those gentlemen the doctrinaires have invented a nebulous aphorism for our consolation—Stupid as a fact."

"Your aphorism," said the chemist, "seems to me as a fact very stupid."

They began to laugh, and went off to dine like folk for whom a miracle is nothing more than a phenomenon.

Valentin reached his own house shivering with rage and consumed with anger. He had no more faith in anything. Conflicting thoughts shifted and surged to and fro in his brain, as is the case with every man brought face to face with an inconceivable fact. He had readily believed in some hidden flaw in Spieghalter's apparatus; he had not been surprised by the incompetence and failure of science and of fire; but the flexibility of the skin as he handled it, taken with its stubbornness when all means of destruction that man possesses had been brought to bear upon it in vain—these things terrified him. The incontrovertible fact made him dizzy.

"I am mad," he muttered. "I have had no food since the morning, and yet I am neither hungry nor thirsty, and there is a fire in my breast that burns me."

He put back the skin in the frame where it had been enclosed but lately, drew a line in red ink about the actual configuration of the talisman, and seated himself in his armchair.

"Eight o'clock already!" he exclaimed. "To-day has gone like a dream."

He leaned his elbow on the arm of the chair, propped his head with his left hand, and so remained, lost in secret dark reflections and consuming thoughts that men condemned to die bear away with them.

"O Pauline!" he cried. "Poor child! there are gulfs that love can never traverse, despite the strength of his wings."

Just then he very distinctly heard a smothered sigh, and knew by one of the most tender privileges of passionate love that it was Pauline's breathing.

"That is my death warrant," he said to himself. "If she were there, I should wish to die in her arms."

A burst of gleeful and hearty laughter made him turn his face towards the bed; he saw Pauline's face through the transparent curtains, smiling like a child for gladness over a successful piece of mischief. Her pretty hair fell over her shoulders in countless curls; she looked like a Bengal rose upon a pile of white roses.

"I cajoled Jonathan," said she. "Doesn't the bed belong to me, to me who am your wife? Don't scold me, darling; I only wanted to surprise you, to sleep beside you. Forgive me for my freak."

She sprang out of bed like a kitten, showed herself gleaming in her lawn raiment, and sat down on Raphael's knee.

"Love, what gulf were you talking about?" she said, with an anxious expression apparent upon her face.

"Death."

"You hurt me," she answered. "There are some thoughts upon which we, poor women that we are, cannot dwell; they are death to us. Is it strength of love in us, or lack of courage? I cannot tell. Death does not frighten me," she began again, laughingly. "To die with you, both together, to-morrow morning, in one last embrace, would be joy. It seems to me that even then I should have lived more than a hundred years. What does the number of days matter if we have spent a whole lifetime of peace and love in one night, in one hour?"

"You are right; Heaven is speaking through that pretty mouth of yours. Grant that I may kiss you, and let us die," said Raphael.

"Then let us die," she said, laughing.

Towards nine o'clock in the morning the daylight streamed through the chinks of the window shutters. Obscured somewhat by the muslin curtains, it yet sufficed to show clearly the rich colors of the carpet, the silks and furniture of the room, where the two lovers were lying asleep. The gilding sparkled here and there. A ray of sunshine fell and faded upon the soft down quilt that the freaks of live had thrown to the ground. The outlines of Pauline's dress, hanging from a cheval glass, appeared like a shadowy ghost. Her dainty shoes had been left at a distance from the bed. A nightingale came to perch upon the sill; its trills repeated over again, and the sounds of its wings suddenly shaken out for flight, awoke Raphael.

"For me to die," he said, following out a thought begun in his dream, "my organization, the mechanism of flesh and bone, that is quickened by the will in me, and makes of me an individual MAN, must display some perceptible disease. Doctors ought to understand the symptoms of any attack on vitality, and could tell me whether I am sick or sound."

He gazed at his sleeping wife. She had stretched her head out to him, expressing in this way even while she slept the anxious tenderness of love. Pauline seemed to look at him as she lay with her face turned towards him in an attitude as full of grace as a young child's, with her pretty, half-opened mouth held out towards him, as she drew her light, even breath. Her little pearly teeth seemed to heighten the redness of the fresh lips with the smile hovering over them. The red glow in her complexion was brighter, and its whiteness was, so to speak, whiter still just then than in the most impassioned moments of the waking day. In her unconstrained grace, as she lay, so full of believing trust, the adorable attractions of childhood were added to the enchantments of love.

Even the most unaffected women still obey certain social conventions, which restrain the free expansion of the soul within them during their waking hours; but slumber seems to give them back the spontaneity of life which makes infancy lovely. Pauline blushed for nothing; she was like one of those beloved and heavenly beings, in whom reason has not yet put motives into their actions and mystery into their glances. Her profile stood out in sharp relief against the fine cambric of the pillows; there was a certain sprightliness about her loose hair in confusion, mingled with the deep lace ruffles; but she was sleeping in happiness, her long lashes were tightly pressed against her cheeks, as if to secure her eyes from too strong a light, or to aid an effort of her soul to recollect and to hold fast a bliss that had been perfect but fleeting. Her tiny pink and white ear, framed by a lock of her hair and outlined by a wrapping of Mechlin lace, would have made an artist, a painter, an old man, wildly in love, and would perhaps have restored a madman to his senses.

Is it not an ineffable bliss to behold the woman that you love, sleeping, smiling in a peaceful dream beneath your protection, loving you even in dreams, even at the point where the individual seems to cease to exist, offering to you yet the mute lips that speak to you in slumber of the latest kiss? Is it not indescribable happiness to see a trusting woman, half-clad, but wrapped round in her love as by a cloak—modesty in the midst of dishevelment—to see admiringly her scattered clothing, the silken stocking hastily put off to please you last evening, the unclasped girdle that implies a boundless faith in you. A whole romance lies there in that girdle; the woman that it used to protect exists no longer; she is yours, she has become you; henceforward any betrayal of her is a blow dealt at yourself.

In this softened mood Raphael's eyes wandered over the room, now filled with memories and love, and where the very daylight seemed to take delightful hues. Then he turned his gaze at last upon the outlines of the woman's form, upon youth and purity, and love that even now had no thought that was not for him alone, above all things, and longed to live for ever. As his eyes fell upon Pauline, her own opened at once as if a ray of sunlight had lighted on them.

"Good-morning," she said, smiling. "How handsome you are, bad man!"

The grace of love and youth, of silence and dawn, shone in their faces, making a divine picture, with the fleeting spell over it all that belongs only to the earliest days of passion, just as simplicity and artlessness are the peculiar possession of childhood. Alas! love's springtide joys, like our own youthful laughter, must even take flight, and live for us no longer save in memory; either for our despair, or to shed some soothing fragrance over us, according to the bent of our inmost thoughts.

"What made me wake you?" said Raphael. "It was so great a pleasure to watch you sleeping that it brought tears to my eyes."

"And to mine, too," she answered. "I cried in the night while I watched you sleeping, but not with happiness. Raphael, dear, pray listen to me. Your breathing is labored while you sleep, and something rattles in your chest that frightens me. You have a little dry cough when you are asleep, exactly like my father's, who is dying of phthisis. In those sounds from your lungs I recognized some of the peculiar symptoms of that complaint. Then you are feverish; I know you are; your hand was moist and burning——Darling, you are young," she added with a shudder, "and you could still get over it if unfortunately——But, no," she cried cheerfully, "there is no 'unfortunately,' the disease is contagious, so the doctors say."

She flung both arms about Raphael, drawing in his breath through one of those kisses in which the soul reaches its end.

"I do not wish to live to old age," she said. "Let us both die young, and go to heaven while flowers fill our hands."

"We always make such designs as those when we are well and strong," Raphael replied, burying his hands in Pauline's hair. But even then a horrible fit of coughing came on, one of those deep ominous coughs that seem to come from the depths of the tomb, a cough that leaves the sufferer ghastly pale, trembling, and perspiring; with aching sides and quivering nerves, with a feeling of weariness pervading the very marrow of the spine, and unspeakable languor in every vein. Raphael slowly laid himself down, pale, exhausted, and overcome, like a man who has spent all the strength in him over one final effort. Pauline's eyes, grown large with terror, were fixed upon him; she lay quite motionless, pale, and silent.

"Let us commit no more follies, my angel," she said, trying not to let Raphael see the dreadful forebodings that disturbed her. She covered her face with her hands, for she saw Death before her—the hideous skeleton. Raphael's face had grown as pale and livid as any skull unearthed from a churchyard to assist the studies of some scientific man. Pauline remembered the exclamation that had escaped from Valentin the previous evening, and to herself she said:

"Yes, there are gulfs that love can never cross, and therein love must bury itself."

On a March morning, some days after this wretched scene, Raphael found himself seated in an armchair, placed in the window in the full light of day. Four doctors stood round him, each in turn trying his pulse, feeling him over, and questioning him with apparent interest. The invalid sought to guess their thoughts, putting a construction on every movement they made, and on the slightest contractions of their brows. His last hope lay in this consultation. This court of appeal was about to pronounce its decision—life or death.

Valentin had summoned the oracles of modern medicine, so that he might have the last word of science. Thanks to his wealth and title, there stood before him three embodied theories; human knowledge fluctuated round the three points. Three of the doctors brought among them the complete circle of medical philosophy; they represented the points of conflict round which the battle raged, between Spiritualism, Analysis, and goodness knows what in the way of mocking eclecticism.

The fourth doctor was Horace Bianchon, a man of science with a future before him, the most distinguished man of the new school in medicine, a discreet and unassuming representative of a studious generation that is preparing to receive the inheritance of fifty years of experience treasured up by the Ecole de Paris, a generation that perhaps will erect the monument for the building of which the centuries behind us have collected the different materials. As a personal friend of the Marquis and of Rastignac, he had been in attendance on the former for some days past, and was helping him to answer the inquiries of the three professors, occasionally insisting somewhat upon those symptoms which, in his opinion, pointed to pulmonary disease.

"You have been living at a great pace, leading a dissipated life, no doubt, and you have devoted yourself largely to intellectual work?" queried one of the three celebrated authorities, addressing Raphael. He was a square-headed man, with a large frame and energetic organization, which seemed to mark him out as superior to his two rivals.

"I made up my mind to kill myself with debauchery, after spending three years over an extensive work, with which perhaps you may some day occupy yourselves," Raphael replied.

The great doctor shook his head, and so displayed his satisfaction. "I was sure of it," he seemed to say to himself. He was the illustrious Brisset, the successor of Cabanis and Bichat, head of the Organic School, a doctor popular with believers in material and positive science, who see in man a complete individual, subject solely to the laws of his own particular organization; and who consider that his normal condition and abnormal states of disease can both be traced to obvious causes.

After this reply, Brisset looked, without speaking, at a middle-sized person, whose darkly flushed countenance and glowing eyes seemed to belong to some antique satyr; and who, leaning his back against the corner of the embrasure, was studying Raphael, without saying a word. Doctor Cameristus, a man of creeds and enthusiasms, the head of the "Vitalists," a romantic champion of the esoteric doctrines of Van Helmont, discerned a lofty informing principle in human life, a mysterious and inexplicable phenomenon which mocks at the scalpel, deceives the surgeon, eludes the drugs of the pharmacopoeia, the formulae of algebra, the demonstrations of anatomy, and derides all our efforts; a sort of invisible, intangible flame, which, obeying some divinely appointed law, will often linger on in a body in our opinion devoted to death, while it takes flight from an organization well fitted for prolonged existence.