In my brother's room was a medieval reproduction in mellow alabaster of a classic group of a dolphin encircling a Cupid. It was, I think, the fairest work of art I ever saw, but it jarred upon my sense of propriety that close by it should hang an ivory crucifix. I would rather, I think, have seen all things material and pagan entirely, with every view of the future life shut out, than have found a medley of things sacred and profane, where the emblems of our highest hopes and aspirations were placed in insulting indifference side by side with the embodied forms of sensuality. Here, in this scene of magical beauty, it seemed to me for a moment that the years had rolled back, that Christianity had still to fight with a living Paganism, and that the battle was not yet won. It was the same all through the house; and there were many other matters which filled me with regret, mingled with vague and apprehensive surmises which I shall not here repeat.

At one end of the house was a small library, but it contained few works except Latin and Greek classics. I had gone thither one day to look for a book that John had asked for, when in turning out some drawers I found a number of letters written from Worth by my lost Constance to her husband. The shock of being brought suddenly face to face with a handwriting that evoked memories at once so dear and sad was in itself a sharp one; but its bitterness was immeasurably increased by the discovery that not one of these envelopes had ever been opened. While that dear heart, now at rest, was pouring forth her love and sorrow to the ears that should have been above all others ready to receive them, her letters, as they arrived, were flung uncared for, unread, even unopened, into any haphazard receptacle.

The days passed one by one at the Villa de Angelis with but little incident, nor did my brother's health either visibly improve or decline. Though the weather was still more than usually warm, a grateful breeze came morning and evening from the sea and tempered the heat so much as to render it always supportable. John would sometimes in the evening sit propped up with cushions on the trellised balcony looking towards Baia, and watch the fishermen setting their nets. We could hear the melody of their deep-voiced songs carried up on the night air. "It was here, Sophy," my brother said, as we sat one evening looking on a scene like this,—"It was here that the great epicure Pollio built himself a famous house, and called it by two Greek words meaning a 'truce to care,' from which our name of Posilipo is derived. It was his sans-souci, and here he cast aside his vexations; but they were lighter than mine. Posilipo has brought no cessation of care to me. I do not think I shall find any truce this side the grave; and beyond, who knows?"

This was the first time John had spoken in this strain, and he seemed stirred to an unusual activity, as though his own words had suddenly reminded him how frail was his state. He called Raffaelle to him and despatched him on an errand to Naples. The next morning he sent for me earlier than usual, and begged that a carriage might be ready by six in the evening, as he desired to drive into the city. I tried at first to dissuade him from his project, urging him to consider his weak state of health. He replied that he felt somewhat stronger, and had something that he particularly wished me to see in Naples. This done, it would be better to return at once to England: he could, he thought, bear the journey if we travelled by very short stages.



CHAPTER XIV

Shortly after six o'clock in the evening we left the Villa de Angelis. The day had been as usual cloudlessly serene; but a gentle sea-breeze, of which I have spoken, rose in the afternoon and brought with it a refreshing coolness. We had arranged a sort of couch in the landau with many cushions for my brother, and he mounted into the carriage with more ease than I had expected. I sat beside him, with Raffaelle facing me on the opposite seat. We drove down the hill of Posilipo through the ilex-trees and tamarisk-bushes that then skirted the sea, and so into the town. John spoke little except to remark that the carriage was an easy one. As we were passing through one of the principal streets he bent over to me and said, "You must not be alarmed if I show you to-day a strange sight. Some women might perhaps be frightened at what We are going to see; but my poor sister has known already so much of trouble that a light thing like this will not affect her." In spite of his encomiums upon my supposed courage, I felt alarmed and agitated by his words. There was a vagueness in them which frightened me, and bred that indefinite apprehension which is often infinitely more terrifying than the actual object which inspires it. To my inquiries he would give no further response than to say that he had whilst at Posilipo made some investigations in Naples leading to a strange discovery, which he was anxious to communicate to me. After traversing a considerable distance, we had penetrated apparently into the heart of the town. The streets grew narrower and more densely thronged; the houses were more dirty and tumbledown, and the appearance of the people themselves suggested that we had reached some of the lower quarters of the city. Here we passed through a further network of small streets of the name of which I took no note, and found ourselves at last in a very dark and narrow lane called the Via del Giardino. Although my brother had, so far as I had observed, given no orders to the coachman, the latter seemed to have no difficulty in finding his Way, driving rapidly in the Neapolitan fashion, and proceeding direct as to a place with which he was already familiar.

In the Via del Giardino the houses were of great height, and overhung the street so as nearly to touch one another. It seemed that this quarter had been formerly inhabited, if not by the aristocracy, at least by a class very much superior to that which now lived there; and many of the houses were large and dignified, though long since parcelled out into smaller tenements. It was before such a house that we at last brought up. Here must have been at one time a house or palace of some person of distinction, having a long and fine facade adorned with delicate pilasters, and much florid ornamentation of the Renaissance period. The ground-floor was divided into a series of small shops, and its upper storeys were evidently peopled by sordid families of the lowest class. Before one of these little shops, now closed and having its windows carefully blocked with boards, our carriage stopped. Raffaelle alighted, and taking a key from his pocket unlocked the door, and assisted John to leave the carriage. I followed, and directly we had crossed the threshold, the boy locked the door behind us, and I heard the carriage drive away.

We found ourselves in a narrow and dark passage, and as soon as my eyes grew accustomed to the gloom I perceived there was at the end of it a low staircase leading to some upper room, and on the right a door which opened into the closed shop. My brother moved slowly along the passage, and began to ascend the stairs. He leant with one hand on Raffaelle's arm, taking hold of the balusters with the other. But I could see that to mount the stairs cost him considerable effort, and he paused frequently to cough and get his breath again. So we reached a landing at the top, and found ourselves in a small chamber or magazine directly over the shop. It was quite empty except for a few broken chairs, and appeared to be a small loft formed by dividing what had once been a high room into two storeys, of which the shop formed the lower. A long window, which had no doubt once formed one of several in the walls of this large room, was now divided across its width by the flooring, and with its upper part served to light the loft, while its lower panes opened into the shop. The ceiling was, in consequence of these alterations, comparatively low, but though much mutilated, retained evident traces of having been at one time richly decorated, with the raised mouldings and pendants common in the sixteenth century. At one end of the loft was a species of coved and elaborately carved dado, of which the former use was not obvious; but the large original room had without doubt been divided in length as Well as in height, as the lath-and-plaster walls at either end of the loft had evidently been no part of the ancient structure.

My brother sat down in one of the old chairs, and seemed to be collecting his strength before speaking. My anxiety was momentarily increasing, and it was a great relief when he began, talking in a low voice as one that had much to say and wished to husband his strength.

"I do not know whether you will recollect my having told you of something Mr. Gaskell once said about the music of Graziani's 'Areopagita' suite. It had always, he used to say, a curious effect upon his imagination, and the melody of the Gagliarda especially called up to his thoughts in some strange way a picture of a certain hall where people were dancing. He even went so far as to describe the general appearance of the room itself, and of the persons who were dancing there."

"Yes," I answered, "I remember your telling me of this;" and indeed my memory had in times past so often rehearsed Mr. Gaskell's description that, although I had not recently thought of it, its chief features immediately returned to my mind.

"He described it," my brother continued, "as a long hall with an arcade of arches running down one side, of the fantastic Gothic of the Renaissance. At the end was a gallery or balcony for the musicians, which on its front carried a coat of arms."

I remembered this perfectly and told John so, adding that the shield bore a cherub's head fanning three lilies on a golden field.

"It is strange," John went on, "that the description of a scene which our friend thought a mere effort of his own imagination has impressed itself so deeply on both our minds. But the picture which he drew was more than a fancy, for we are at this minute in the very hall of his dream."

I could not gather what my brother meant, and thought his reason was failing him; but he continued, "This miserable floor on which we stand has of course been afterwards built in; but you see above you the old ceiling, and here at the end was the musicians' gallery with the shield upon its front."

He pointed to the carved and whitewashed dado which had hitherto so puzzled me. I stepped up to it, and although the lath-and-plaster partition wall was now built around it, it was clear that its curved outline might very easily, as John said, have formed part of the front of a coved gallery. I looked closet at the relief-work which had adorned it. Though the edges were all rubbed off, and the mouldings in some cases entirely removed, I could trace without difficulty a shield in the midst; and a more narrow inspection revealed underneath the whitewash, which had partly peeled away, enough remnants of colour to show that it had certainly been once painted gold and borne a cherub's head with three lilies.

"That is the shield of the old Neapolitan house of Doma-Cavalli," my brother continued; "they bore a cherub's head fanning three lilies on a shield or. It was in the balcony behind this shield, long since blocked up as you see, that the musicians sat on that ball night of which Gaskell dreamt. From it they looked down on the hall below where dancing was going forward, and I will now take you downstairs that you may see if the description tallies."

So saying, he raised himself, and descending the stairs with much less difficulty than he had shown in mounting them, flung open the door which I had seen in the passage and ushered us into the shop on the ground-floor. The evening light had now faded so much that we could scarcely see even in the passage, and the shop having its windows barricaded with shutters, was in complete darkness. Raffaelle, however, struck a match and lit three half-burnt candles in a tarnished sconce upon the wall.

The shop had evidently been lately in the occupation of a wine-seller, and there were still several empty wooden wine-butts, and some broken flasks on shelves. In one corner I noticed that the earth which formed the floor had been turned up with spades. There was a small heap of mould, and a large flat stone was thus exposed below the surface. This stone had an iron ring attached to it, and seemed to cover the aperture of a well, or perhaps a vault. At the back of the shop, and furthest from the street, were two lofty arches separated by a column in the middle, from which the outside casing had been stripped.

To these arches John pointed and said, "That is a part of the arcade which once ran down the whole length of the hall. Only these two arches are now left, and the fine marbles which doubtless coated the outside of this dividing pillar have been stripped off. On a summer's night about one hundred years ago dancing was going on in this hall. There were a dozen couples dancing a wild step such as is never seen now. The tune that the musicians were playing in the gallery above was taken from the 'Areopagita' suite of Graziani. Gaskell has often told me that when he played it the music brought with it to his mind a sense of some impending catastrophe, which culminated at the end of the first movement of the Gagliarda. It was just at that moment, Sophy, that an Englishman who was dancing here was stabbed in the back and foully murdered."

I had scarcely heard all that John had said, and had certainly not been able to take in its import; but without waiting to hear if I should say anything, he moved across to the uncovered stone with the ring in it. Exerting a strength which I should have believed entirely impossible in his weak condition, he applied to the stone a lever which lay ready at hand. Raffaelle at the same time seized the ring, and so they were able between them to move the covering to one side sufficiently to allow access to a small staircase which thus appeared to view. The stair was a winding one, and once led no doubt to some vaults below the ground-floor. Raffaelle descended first, taking in his hand the sconce of three candles, which he held above his head so as to fling a light down the steps. John went next, and then I followed, trying to support my brother if possible with my hand. The stairs were very dry, and on the walls there was none of the damp or mould which fancy usually associates with a subterraneous vault. I do not know what it was I expected to see, but I had an uneasy feeling that I was on the brink of some evil and distressing discovery. After we had descended about twenty steps we could see the entry to some vault or underground room, and it was just at the foot of the stairs that I saw something lying, as the light from the candles fell on it from above. At first I thought it was a heap of dust or refuse, but on looking closer it seemed rather a bundle of rags. As my eyes penetrated the gloom, I saw there was about it some tattered cloth of a faded green tint, and almost at the same minute I seemed to trace under the clothes the lines or dimensions of a human figure. For a moment I imagined it was some poor man lying face downwards and bent up against the wall. The idea of a man or of a dead body being there shocked me violently, and I cried to my brother, "Tell me, what is it?" At that instant the light from. Raffaelle's candles fell in a somewhat different direction. It lighted up the white bowl of a human skull, and I saw that what I had taken for a man's form was instead that of a clothed skeleton. I turned faint and sick for an instant, and should have fallen had it not been for John, who put his arm about me and sustained me with an unexpected strength.

"God help us!" I exclaimed, "let us go. I cannot bear this; there are foul vapours here; let us get back to the outer air."

He took me by the arm, and pointing at the huddled heap, said, "Do you know whose bones those are? That is Adrian Temple. After it was all over, they flung his body down the steps, dressed in the clothes he wore."

At that name, uttered in so ill-omened a place, I felt a fresh access of terror. It seemed as though the soul of that wicked man must be still hovering over his unburied remains, and boding evil to us all. A chill crept over me, the light, the walls, my brother, and Raffaelle all swam round, and I sank swooning on the stairs.

When I returned fully to my senses we were in the landau again making our way back to the Villa de Angelis.



CHAPTER XV

The next morning my health and strength were entirely restored to me, but my brother, on the contrary, seemed weak and exhausted from his efforts of the previous night. Our return journey to the Villa de Angelis had passed in complete silence. I had been too much perturbed to question him on the many points relating to the strange events as to which I was still completely in the dark, and he on his side had shown no desire to afford me any further information. When I saw him the next morning he exhibited signs of great weakness, and in response to an effort on my part to obtain some explanation of the discovery of Adrian Temple's body, avoided an immediate reply, promising to tell me all he knew after our return to Worth Maltravers.

I pondered over the last terrifying episode very frequently in my own mind, and as I thought more deeply of it all, it seemed to me that the outlines of some evil history were piece by piece developing themselves, that I had almost within my grasp the clue that would make all plain, and that had eluded me so long. In that dim story Adrian Temple, the music of the Gagliarda, my brother's fatal passion for the violin, all seemed to have some mysterious connection, and to have conspired in working John's mental and physical ruin. Even the Stradivarius violin bore a part in the tragedy, becoming, as it were, an actively malignant spirit, though I could not explain how, and was yet entirely unaware of the manner in which it had come into my brother's possession.

I found that John was still resolved on an immediate return to England. His weakness, it is true, led me to entertain doubts as to how he would support so long a journey; but at the same time I did not feel justified in using any strong efforts to dissuade him from his purpose. I reflected that the more wholesome air and associations of England would certainly re-invigorate both body and mind, and that any extra strain brought about by the journey would soon be repaired by the comforts and watchful care with which we could surround him at Worth Maltravers.

So the first week in October saw us once more with our faces set towards England. A very comfortable swinging-bed or hammock had been arranged for John in the travelling carriage, and we determined to avoid fatigue as much as possible by dividing our journey into very short stages. My brother seemed to have no intention of giving up the Villa de Angelis. It was left complete with its luxurious furniture, and with all his servants, under the care of an Italian maggior-duomo. I felt that as John's state of health forbade his entertaining any hope of an immediate return thither, it would have been much better to close entirely his Italian house. But his great weakness made it impossible for him to undertake the effort such a course would involve, and even if my own ignorance of the Italian tongue had not stood in the way, I was far too eager to get my invalid back to Worth to feel inclined to import any further delay, while I should myself adjust matters which were after all comparatively trifling. As Parnham was now ready to discharge his usual duties of valet, and as my brother seemed quite content that he should do so, Raffaelle was of course to be left behind. The boy had quite won my heart by his sweet manners, combined with his evident affection to his master, and in making him understand that he was now to leave us, I offered him a present of a few pounds as a token of my esteem. He refused, however, to touch this money, and shed tears when he learnt that he was to be left in Italy, and begged with many protestations of devotion that he might be allowed to accompany us to England. My heart was not proof against his entreaties, supported by so many signs of attachment, and it was agreed, therefore, that he should at least attend us as far as Worth Maltravers. John showed no surprise at the boy being with us; indeed I never thought it necessary to explain that I had originally purposed to leave him behind.

Our journey, though necessarily prolonged by the shortness of its stages, was safely accomplished. John bore it as well as I could have hoped, and though his body showed no signs of increased vigour, his mind, I think, improved in tone, at any rate for a time. From the evening on which he had shown me the terrible discovery in the Via del Giardino he seemed to have laid aside something of his care and depression. He now exhibited little trace of the moroseness and selfishness which had of late so marred his character; and though he naturally felt severely at times the fatigue of travel, yet we had no longer to dread any relapse into that state of lethargy or stupor which had so often baffled every effort to counteract it at Posilipo. Some feeling of superstitious aversion had prompted me to give orders that the Stradivarius violin should be left behind at Posilipo. But before parting my brother asked for it, and insisted that it should be brought with him, though I had never heard him play a note on it for many weeks. He took an interest in all the petty episodes of travel, and certainly appeared to derive more entertainment from the journey than was to have been anticipated in his feeble state of health.

To the incidents of the evening spent in the Via del Giardino he made no allusion of any kind, nor did I for my part wish to renew memories of so unpleasant a nature. His only reference occurred one Sunday evening as we were passing a small graveyard near Genoa. The scene apparently turned his thoughts to that subject, and he told me that he had taken measures before leaving Naples to ensure that the remains of Adrian Temple should be decently interred in the cemetery of Santa Bibiana. His words set me thinking again, and unsatisfied curiosity prompted me strongly to inquire of him how he had convinced himself that the skeleton at the foot of the stairs was indeed that of Adrian Temple. But I restrained myself, partly from a reliance on his promise that he would one day explain the whole story to me, and partly being very reluctant to mar the enjoyment of the peaceful scenes through which we were passing, by the introduction of any subjects so jarring and painful as those to which I have alluded.

We reached London at last, and here we stopped a few days to make some necessary arrangements before going down to Worth Maltravers. I had urged upon John during the journey that immediately on his arrival in London he should obtain the best English medical advice as to his own health. Though he at first demurred, saying that nothing more was to be done, and that he was perfectly satisfied with the medicine given him by Dr. Baravelli, which he continued to take, yet by constant entreaty I prevailed upon him to accede to so reasonable a request. Dr. Frobisher, considered at that time the first living authority on diseases of the brain and nerves, saw him on the morning after our arrival. He was good enough to speak with me at some length after seeing my brother, and to give me many hints and recipes whereby I might be better enabled to nurse the invalid.

Sir John's condition, he said, was such as to excite serious anxiety. There was, indeed, no brain mischief of any kind to be discovered, but his lungs were in a state of advanced disease, and there were signs of grave heart affection. Yet he did not bid me to despair, but said that with careful nursing life might certainly be prolonged, and even some measure of health in time restored. He asked me more than once if I knew of any trouble or worry that preyed upon Sir John's mind. Were there financial difficulties; had he been subjected to any mental shock; had he received any severe fright? To all this I could only reply in the negative. At the same time I told Dr. Frobisher as much of John's history as I considered pertinent to the question. He shook his head gravely, and recommended that Sir John should remain for the present in London, under his own constant supervision. To this course my brother would by no means consent. He was eager to proceed at once to his own house, saying that if necessary we could return again to London for Christmas. It was therefore agreed that we should go down to Worth Maltravers at the end of the week.

Parnham had already left us for Worth in order that he might have everything ready against his master's return, and when we arrived we found all in perfect order for our reception. A small morning-room next to the library, with a pleasant south aspect and opening on to the terrace, had been prepared for my brother's use, so that he might avoid the fatigue of mounting stairs, which Dr. Frobisher considered very prejudicial in his present condition. We had also purchased in London a chair fitted with wheels, which enabled him to be moved, or, if he were feeling equal to the exertion, to move himself, without difficulty, from room to room.

His health, I think, improved; very gradually, it is true, but still sufficiently to inspire me with hope that he might yet be spared to us. Of the state of his mind or thoughts I knew little, but I could see that he was at times a prey to nervous anxiety. This showed itself in the harassed look which his pale face often wore, and in his marked dislike to being left alone. He derived, I think, a certain pleasure from the quietude and monotony of his life at Worth, and perhaps also from the consciousness that he had about him loving and devoted hearts. I say hearts, for every servant at Worth was attached to him, remembering the great consideration and courtesy of his earlier years, and grieving to see his youthful and once vigorous frame reduced to so sad a strait. Books he never read himself, and even the charm of Raffaelle's reading seemed to have lost its power; though he never tired of hearing the boy sing, and liked to have him sit by his chair even when his eyes were shut and he was apparently asleep. His general health seemed to me to change but little either for better or worse. Dr. Frobisher had led me to expect some such a sequel. I had not concealed from him that I had at times entertained suspicions as to my brother's sanity; but he had assured me that they were totally unfounded, that Sir John's brain was as clear as his own. At the same time he confessed that he could not account for the exhausted vitality of his patient,—a condition which he would under ordinary circumstances have attributed to excessive study or severe trouble. He had urged upon me the pressing necessity for complete rest, and for much sleep. My brother never even incidentally referred to his wife, his child, or to Mrs. Temple, who constantly wrote to me from Royston, sending kind messages to John, and asking how he did. These messages I never dared to give him, fearing to agitate him, or retard his recovery by diverting his thoughts into channels which must necessarily be of a painful character. That he should never even mention her name, or that of Lady Maltravers, led me to wonder sometimes if one of those curious freaks of memory which occasionally accompany a severe illness had not entirely blotted out from his mind the recollection of his marriage and of his wife's death. He was unable to consider any affairs of business, and the management of the estate remained as it had done for the last two years in the hands of our excellent agent, Mr. Baker.

But one evening in the early part of December he sent Raffaelle about nine o'clock, saying he wished to speak to me. I went to his room, and without any warning he began at once, "You never show me my boy now, Sophy; he must be grown a big child, and I should like to see him." Much startled by so unexpected a remark, I replied that the child was at Royston under the care of Mrs. Temple, but that I knew that if it pleased him to see Edward she would be glad to bring him down to Worth. He seemed gratified with this idea, and begged me to ask her to do so, desiring that his respects should be at the same time conveyed to her. I almost ventured at that moment to recall his lost wife to his thoughts, by saying that his child resembled her strongly; for your likeness at that time, and even now, my dear Edward, to your poor mother was very marked. But my courage failed me, and his talk soon reverted to an earlier period, comparing the mildness of the month to that of the first winter which he spent at Eton. His thoughts, however, must, I fancy, have returned for a moment to the days when he first met your mother, for he suddenly asked, "Where is Gaskell? Why does he never come to see me?" This brought quite a new idea to my mind. I fancied it might do my brother much good to have by him so sensible and true a friend as I knew Mr. Gaskell to be. The latter's address had fortunately not slipped from my memory, and I put all scruples aside and wrote by the next mail to him, setting forth my brother's sad condition, saying that I had heard John mention his name, and begging him on my own account to be so good as to help us if possible and come to us in this hour of trial. Though he was so far off as Westmorland, Mr. Gaskell's generosity brought him at once to our aid, and within a week he was installed at Worth Maltravers, sleeping, in the library, where we had arranged a bed at his own desire, so that he might be near his sick friend.

His presence was of the utmost assistance to us all. He treated John at once with the tenderness of a woman and the firmness of a clever and strong man. They sat constantly together in the mornings, and Mr. Gaskell told me John had not shown with him the same reluctance to talk freely of his married life as he had discovered with me. The tenor of his communications I cannot guess, nor did I ever ask; but I knew that Mr. Gaskell was much affected by them.

John even amused himself now at times by having Mr. Baker into his rooms of a morning, that the management of the estate might be discussed with his friend; and he also expressed his wish to see the family solicitor, as he desired to draw his will. Thinking that any diversion of this nature could not but be beneficial to him, we sent to Dorchester for our solicitor, Mr. Jeffreys, who together with his clerk spent three nights at Worth, and drew up a testament for my brother.

So time went on, and the year was drawing to a close.

It was Christmas Eve, and I had gone to bed shortly after twelve o'clock, having an hour earlier bid good night to John and Mr. Gaskell. The long habit of watching with, or being in charge of an invalid at night, had made my ears extraordinarily quick to apprehend even the slightest murmur. It must have been, I think, near three in the morning when I found myself awake and conscious of some unusual sound. It was low and far off, but I knew instantly what it was, and felt a choking sensation of fear and horror, as if an icy hand had gripped my throat, on recognising the air of the Gagliarda. It was being played on the violin, and a long way off, but I knew that tune too well to permit of my having any doubt on the subject.

Any trouble or fear becomes, as you will some day learn, my dear nephew, immensely intensified and exaggerated at night. It is so, I suppose, because our nerves are in an excited condition, and our brain not sufficiently awake to give a due account of our foolish imaginations. I have myself many times lain awake wrestling in thought with difficulties which in the hours of darkness seemed insurmountable, but with the dawn resolved themselves into merely trivial inconveniences. So on this night, as I sat up in bed looking into the dark, with the sound of that melody in my ears, it seemed as if something too terrible for words had happened; as though the evil spirit, which we had hoped was exorcised, had returned with others sevenfold more wicked than himself, and taken up his abode again with my lost brother. The memory of another night rushed to my mind when Constance had called me from my bed at Royston, and we had stolen together down the moonlit passages with the lilt of that wicked music vibrating on the still summer air. Poor Constance! She was in her grave now; yet her troubles at least were over, but here, as by some bitter irony, instead of carol or sweet symphony, it was the Gagliarda that woke me from my sleep on Christmas morning.

I flung my dressing-gown about me, and hurried through the corridor and down the stairs which led to the lower storey and my brother's room. As I opened my bedroom door the violin ceased suddenly in the middle of a bar. Its last sound was not a musical note, but rather a horrible scream, such as I pray I may never hear again. It was a sound such as a wounded beast might utter. There is a picture I have seen of Blake's, showing the soul of a strong wicked man leaving his body at death. The spirit is flying out through the window with awful staring eyes, aghast at the desolation into which it is going. If in the agony of dissolution such a lost soul could utter a cry, it would, I think, sound like the wail which I heard from the violin that night.

Instantly all was in absolute stillness. The passages were silent and ghostly in the faint light of my candle; but as I reached the bottom of the stairs I heard the sound of other footsteps, and Mr. Gaskell met me. He was fully dressed, and had evidently not been to bed. He took me kindly by the hand and said, "I feared you might be alarmed by the sound of music. John has been walking in his sleep; he had taken out his violin and was playing on it in a trance. Just as I reached him something in it gave way, and the discord caused by the slackened strings roused him at once. He is awake now and has returned to bed. Control your alarm for his sake and your own. It is better that he should not know you have been awakened."

He pressed my hand and spoke a few more reassuring words, and I went back to my room still much agitated, and yet feeling half ashamed for having shown so much anxiety with so little reason.

That Christmas morning was one of the most beautiful that I ever remember. It seemed as though summer was so loath to leave our sunny Dorset coast that she came back on this day to bid us adieu before her final departure. I had risen early and had partaken of the Sacrament at our little church. Dr. Butler had recently introduced this early service, and though any alteration of time-honoured customs in such matters might not otherwise have met with my approval, I was glad to avail myself of the privilege on this occasion, as I wished in any case to spend the later morning with my brother. The singular beauty of the early hours, and the tranquillising effect of the solemn service brought back serenity to my mind, and effectually banished from it all memories of the preceding night. Mr. Gaskell met me in the hall on my return, and after greeting me kindly with the established compliments of the day, inquired after my health, and hoped that the disturbance of my slumber on the previous night had not affected me injuriously. He had good news for me: John seemed decidedly better, was already dressed, and desired, as it was Christmas morning, that we would take our breakfast with him in his room.

To this, as you may imagine, I readily assented. Our breakfast party passed off with much content, and even with some quiet humour, John sitting in his easy-chair at the head of the table and wishing us the compliments of the season. I found laid in my place a letter from Mrs. Temple greeting us all (for she knew Mr. Gaskell was at Worth), and saying that she hoped to bring little Edward to us at the New Year. My brother seemed much pleased at the prospect of seeing his son, and though perhaps it was only imagination, I fancied he was particularly gratified that Mrs. Temple herself was to pay us a visit. She had not been to Worth since the death of Lady Maltravers.

Before we had finished breakfast the sun beat on the panes with an unusual strength and brightness. His rays cheered us all, and it was so warm that John first opened the windows, and then wheeled his chair on to the walk outside. Mr. Gaskell brought him a hat and mufflers, and we sat with him on the terrace basking in the sun. The sea was still and glassy as a mirror, and the Channel lay stretched before us like a floor of moving gold. A rose or two still hung against the house, and the sun's rays reflected from the red sandstone gave us a December morning more mild and genial than many June days that I have known in the north. We sat for some minutes without speaking, immersed in our own reflections and in the exquisite beauty of the scene.

The stillness was broken by the bells of the parish church ringing for the morning service. There were two of them, and their sound, familiar to us from childhood, seemed like the voices of old friends. John looked at me and said with a sigh, "I should like to go to church. It is long since I was there. You and I have always been on Christmas mornings, Sophy, and Constance would have wished it had she been with us."

His words, so unexpected and tender, filled my eyes with tears; not tears of grief, but of deep thankfulness to see my loved one turning once more to the old ways. It was the first time I had heard him speak of Constance, and that sweet name, with the infinite pathos of her death, and of the spectacle of my brother's weakness, so overcame me that I could not speak. I only pressed his hand and nodded. Mr. Gaskell, who had turned away for a minute, said he thought John would take no harm in attending the morning service provided the church were warm. On this point I could reassure him, having found it properly heated even in the early morning.

Mr. Gaskell was to push John's chair, and I ran off to put on my cloak, with my heart full of profound thankfulness for the signs of returning grace so mercifully vouchsafed to our dear sufferer on this happy day. I was ready dressed and had just entered the library when Mr. Gaskell stepped hurriedly through the window from the terrace. "John has fainted!" he said. "Run for some smelling salts and call Parnham!"

There was a scene of hurried alarm, giving place ere long to terrified despair. Parnham mounted a horse and set off at a wild gallop to Swanage to fetch Dr. Bruton; but an hour before he returned we knew the worst. My brother was beyond the aid of the physician: his wrecked life had reached a sudden term!

* * * * *

I have now, dear Edward, completed the brief narrative of some of the facts attending the latter years of your father's life. The motive which has induced me to commit them to writing has been a double one. I am anxious to give effect as far as may be to the desire expressed most strongly to Mr. Gaskell by your father, that you should be put in possession of these facts on your coming of age. And for my. own part I think it better that you should thus hear the plain truth from me, lest you should be at the mercy of haphazard reports, which might at any time reach you from ignorant or interested sources. Some of the circumstances were so remarkable that it is scarcely possible to suppose that they were not known, and most probably frequently discussed, in so large an establishment as that of Worth Maltravers. I even have reason to believe that exaggerated and absurd stories were current at the time of Sir John's death, and I should be grieved to think that such foolish tales might by any chance reach your ear without your having any sure means of discovering where the truth lay. God knows how grievous it has been to me to set down on paper some of the facts that I have here narrated. You as a dutiful son will reverence the name even of a father whom you never knew; but you must remember that his sister did more; she loved him with a single-hearted devotion, and it still grieves her to the quick to write anything which may seem to detract from his memory. Only, above all things, let us speak the truth. Much of what I have told you needs, I feel, further explanation, but this I cannot give, for I do not understand the circumstances. Mr. Gaskell, your guardian, will, I believe, add to this account a few notes of his own, which may tend to elucidate some points, as he is in possession of certain facts of which I am still ignorant.



MR. GASKELL'S NOTE

I have read what Miss Maltravers has written, and have but little to add to it. I can give no explanation that will tally with all the facts or meet all the difficulties involved in her narrative. The most obvious solution of some points would be, of course, to suppose that Sir John Maltravers was insane. But to anyone who knew him as intimately as I did, such an hypothesis is untenable; nor, if admitted, would it explain some of the strangest incidents. Moreover, it was strongly negatived by Dr. Frobisher, from whose verdict in such matters there was at the time no appeal, by Dr. Dobie, and by Dr. Bruton, who had known Sir John from his infancy. It is possible that towards the close of his life he suffered occasionally from hallucination, though I could not positively affirm even so much; but this was only when his health had been completely undermined by causes which are very difficult to analyse.

When I first knew him at Oxford he was a strong man physically as well as mentally; open-hearted, and of a merry and genial temperament. At the same time he was, like most cultured persons—and especially musicians,—highly strung and excitable. But at a certain point in his career his very nature seemed to change; he became reserved, secretive, and saturnine. On this moral metamorphosis followed an equally startling physical change. His robust health began to fail him, and although there was no definite malady which doctors could combat, he went gradually from bad to worse until the end came.

The commencement of this extraordinary change coincided, I believe, almost exactly with his discovery of the Stradivarius violin; and whether this was, after all, a mere coincidence or something more it is not easy to say. Until a very short time before his death neither Miss Maltravers nor I had any idea how that instrument had come into his possession, or I think something might perhaps have been done to save him.

Though towards the end of his life he spoke freely to his sister of the finding of the violin, he only told her half the story, for he concealed from her entirely that there was anything else in the hidden cupboard at Oxford. But as a matter of fact, he had found there also two manuscript books containing an elaborate diary of some years of a man's life. That man was Adrian Temple, and I believe that in the perusal of this diary must be sought the origin of John Maltravers's ruin. The manuscript was beautifully written in a clear but cramped eighteenth century hand, and gave the idea of a man writing with deliberation, and wishing to transcribe his impressions with accuracy for further reference. The style was excellent, and the minute details given were often of high antiquarian interest; but the record throughout was marred by gross licence. Adrian Temple's life had undoubtedly so definite an influence on Sir John's that a brief outline of it, as gathered from his diaries, is necessary for the understanding of what followed.

Temple went up to Oxford in 1737. He was seventeen years old, without parents, brothers, or sisters; and he possessed the Royston estates in Derbyshire, which were then, as now, a most valuable property. With the year 1738 his diaries begin, and though then little more than a boy, he had tasted every illicit pleasure that Oxford had to offer. His temptations were no doubt great; for besides being wealthy he was handsome, and had probably never known any proper control, as both his parents had died when he was still very young. But in spite of other failings, he was a brilliant scholar, and on taking his degree, was made at once a fellow of St. John's. He took up his abode in that College in a fine set of rooms looking on to the gardens, and from this period seems to have used Royston but little, living always either at Oxford or on the Continent. He formed at this time the acquaintance of one Jocelyn, whom he engaged as companion and amanuensis. Jocelyn was a man of talent, but of irregular life, and was no doubt an accomplice in many of Temple's excesses. In 1743 they both undertook the so-called "grand tour," and though it was not his first visit, it was then probably that Temple first felt the fascination of pagan Italy,—a fascination which increased with every year of his after-life.

On his return from foreign travel he found himself among the stirring events of 1745. He was an ardent supporter of the Pretender, and made no attempt to conceal his views. Jacobite tendencies were indeed generally prevalent in the College at the time, and had this been the sum of his offending, it is probable that little notice would have been taken by the College authorities. But his notoriously wild life told against the young man, and certain dark suspicions were not easily passed over. After the fiasco of the Rebellion Dr. Holmes, then President of the College, seems to have made a scapegoat of Temple. He was deprived of his fellowship, and though not formally expelled, such pressure was put upon him as resulted in his leaving St. John's and removing to Magdalen Hall. There his great wealth evidently secured him consideration, and he was given the best rooms in the Hall, that very set looking on to New College Lane which Sir John Maltravers afterwards occupied.

In the first half of the eighteenth century the romance of the middle ages, though dying, was not dead, and the occult sciences still found followers among the Oxford towers. From his early years Temple's mind seems to have been set strongly towards mysticism of all kinds, and he and Jocelyn were versed in the jargon of the alchemist and astrologer, and practised according to the ancient rules. It was his reputation as a necromancer, and the stories current of illicit rites performed in the garden-rooms at St. John's, that contributed largely to his being dismissed from that College. He had also become acquainted with Francis Dashwood, the notorious Lord le Despencer, and many a winter's night saw him riding through the misty Thames meadows to the door of the sham Franciscan abbey. In his diaries were more notices than one of the "Franciscans" and the nameless orgies of Medmenham.

He was devoted to music. It was a rare enough accomplishment then, and a rarer thing still to find a wealthy landowner performing on the violin. Yet so he did, though he kept his passion very much to himself, as fiddling was thought lightly of in those days. His musical skill was altogether exceptional, and he was the first possessor of the Stradivarius violin which afterwards fell so unfortunately into Sir John's hands. This violin Temple bought in the autumn of 1738, on the occasion of a first visit to Italy. In that year died the nonagenarian Antonius Stradivarius, the greatest violin-maker the world has ever seen. After Stradivarius's death the stock of fiddles in his shop was sold by auction. Temple happened to be travelling in Cremona at the time with a tutor, and at the auction he bought that very instrument which we afterwards had cause to know so well. A note in his diary gave its cost at four louis, and said that a curious history attached to it. Though it was of his golden period, and probably the finest instrument he ever made, Stradivarius would never sell it, and it had hung for more than thirty years in his shop. It was said that from some whim as he lay dying he had given orders that it should be burnt; but if that were so, the instructions were neglected, and after his death it came under the hammer. Adrian Temple from the first recognised the great value of the instrument. His notes show that he only used it on certain special occasions, and it was no doubt for its better protection that he devised the; hidden cupboard where Sir John eventually found it.

The later years of Temple's life were spent for the most part in Italy. On the Scoglio di Venere, near Naples, he built the Villa de Angelis, and there henceforth passed all except the hottest months of the year. Shortly after the completion of the villa Jocelyn left him suddenly, and became a Carthusian monk. A caustic note in his diary hinted that even this foul parasite was shocked into the austerest form of religion by something he had seen going forward. At Naples Temple's dark life became still darker. He dallied, it is true, with Neo-Platonism, and boasts that he, like Plotinus, had twice passed the circle of the nous and enjoyed the fruition of the deity; but the ideals of even that easy doctrine grew in his evil life still more miserably debased. More than once in the manuscript he made mention by name of the Gagliarda of Graziani as having been played at pagan mysteries which these enthusiasts revived at Naples, and the air had evidently impressed itself deeply on his memory. The last entry in his diary is made on the 16th of December, 1752. He was then in Oxford for a few days, but shortly afterwards returned to Naples. The accident of his having just completed a second volume, induced him, no doubt, to leave it behind him in the secret cupboard. It is probable that he commenced a third, but if so it was never found.

In reading the manuscript I was struck with the author's clear and easy style, and found the interest of the narrative increase rather than diminish. At the same time its study was inexpressibly painful to me. Nothing could have supported me in my determination to thoroughly master it but the conviction that if I was to be of any real assistance to my poor friend Maltravers, I must know as far as possible every circumstance connected with his malady. As it was, I felt myself breathing an atmosphere of moral contagion during the perusal of the manuscript, and certain passages have since returned at times to haunt me in spite of all efforts to dislodge them from my memory. When I came to Worth at Miss Maltravers's urgent invitation, I found my friend Sir John terribly altered. It was not only that he was ill and physically weak, but he had entirely lost the manner of youth, which, though indefinable, is yet so appreciable, and draws so sharp a distinction between the first period of life and middle age. But the most striking feature of his illness was the extraordinary pallor of his complexion, which made his face resemble a subtle counterfeit of white wax rather than that of a living man. He welcomed me undemonstratively, but with evident sincerity; and there was an entire absence of the constraint which often accompanies the meeting again of friends whose cordial relations have suffered interruption. From the time of my arrival at Worth until his death we were constantly together; indeed I was much struck by the almost childish dislike which he showed to be left alone even for a few moments. As night approached this feeling became intensified. Parnham slept always in his master's room; but if anything called the servant away even for a minute, he would send for Carotenuto or myself to be with him until his return. His nerves were weak; he started violently at any unexpected noise, and above all, he dreaded being in the dark. When night fell he had additional lamps brought into his room, and even when he composed himself to sleep, insisted on a strong light being kept by his bedside.

I had often read in books of people wearing a "hunted" expression, and had laughed at the phrase as conventional and unmeaning. But when I came to Worth I knew its truth; for if any face ever wore a hunted—I had almost written a haunted—look, it was the white face of Sir John Maltravers. His air seemed that of a man who was constantly expecting the arrival of some evil tidings, and at times reminded me painfully of the guilty expectation of a felon who knows that a warrant is issued for his arrest.

During my visit he spoke to me frequently about his past life, and instead of showing any reluctance to discuss the subject, seemed glad of the opportunity of disburdening his mind. I gathered from him that the reading of Adrian Temple's memoirs had made a deep impression on his mind, which was no doubt intensified by the vision which he thought he saw in his rooms at Oxford, and by the discovery of the portrait at Royston. Of those singular phenomena I have no explanation to offer.

The romantic element in his disposition rendered him peculiarly susceptible to the fascination of that mysticism which breathed through Temple's narrative. He told me that almost from the first time he read it he was filled with a longing to visit the places and to revive the strange life of which it spoke. This inclination he kept at first in check, but by degrees it gathered strength enough to master him.

There is no doubt in my mind that the music of the Gagliarda of Graziani helped materially in this process of mental degradation. It is curious that Michael Praetorius in the "Syntagma musicum" should speak of the Galliard generally as an "invention of the devil, full of shameful and licentious gestures and immodest movements," and the singular melody of the Gagliarda in the "Areopagita" suite certainly exercised from the first a strange influence over me. I shall not do more than touch on the question here, because I see Miss Maltravers has spoken of it at length, and will only say, that though since the day of Sir John's death I have never heard a note of it, the air is still fresh in my mind, and has at times presented itself to me unexpectedly, and always with an unwholesome effect. This I have found happen generally in times of physical depression, and the same air no doubt exerted a similar influence on Sir John, which his impressionable nature rendered from the first more deleterious to him.

I say this advisedly, because I am sure that if some music is good for man and elevates him, other melodies are equally bad and enervating. An experience far wider than any we yet possess is necessary to enable us to say how far this influence is capable of extension. How far, that is, the mind may be directed on the one hand to ascetic abnegation by the systematic use of certain music, or on the other to illicit and dangerous pleasures by melodies of an opposite tendency. But this much is, I think, certain, that after a comparatively advanced standard of culture has once been attained, music is the readiest if not the only key which admits to the yet narrower circle of the highest imaginative thought.

On the occasion for travel afforded him by his honeymoon, an impulse which he could not at the time explain, but which after-events have convinced me was the haunting suggestion of the Gagliarda, drove him to visit the scenes mentioned so often in Temple's diary. He had always been an excellent scholar, and a classic of more than ordinary ability. Rome and Southern Italy filled him with a strange delight. His education enabled him to appreciate to the full what he saw; he peopled the stage with the figures of the original actors, and tried to assimilate his thought to theirs. He began reading classical literature widely, no longer from the scholarly but the literary standpoint. In Rome he spent much time in the librarians' shops, and there met with copies of the numerous authors of the later empire and of those Alexandrine philosophers which are rarely seen in England. In these he found a new delight and fresh food for his mysticism.

Such study, if carried to any extent, is probably dangerous to the English character, and certainly was to a man of Maltravers's romantic sympathies. This reading produced in time so real an effect upon his mind that if he did not definitely abandon Christianity, as I fear he did, he at least adulterated it with other doctrines till it became to him Neo-Platonism. That most seductive of philosophies, which has enthralled so many minds from Proclus and Julian to Augustine and the Renaissancists, found an easy convert in John Maltravers. Its passionate longing for the vague and undefined good, its tolerance of aesthetic impressions, the pleasant superstitions of its dynamic pantheism, all touched responsive chords in his nature. His mind, he told me, became filled with a measureless yearning for the old culture of pagan philosophy, and as the past became clearer and more real, so the present grew dimmer, and his thoughts were gradually weaned entirely from all the natural objects of affection and interest which should otherwise have occupied them. To what a terrible extent this process went on, Miss Maltravers's narrative shows. Soon after reaching Naples he visited the Villa de Angelis, which Temple had built on the ruins of a sea-house of Pomponius. The later building had in its turn become dismantled and ruinous, and Sir John found no difficulty in buying the site outright. He afterwards rebuilt it on an elaborate scale, endeavouring to reproduce in its equipment the luxury of the later empire. I had occasion to visit the house more than once in my capacity of executor, and found it full of priceless works of art, which, though neither so difficult to procure at that time nor so costly as they would be now, were yet sufficiently valuable to have necessitated an unjustifiable outlay.

The situation of the building fostered his infatuation for the past. It lay between the Bay of Naples and the Bay of Baia, and from its windows commanded the same exquisite view which had charmed Cicero and Lucullus, Severus and the Antonines. Hard by stood Baia, the princely seaside resort of the empire. That most luxurious and wanton of all cities of antiquity survived the cataclysms of ages, and only lost its civic continuity and became the ruined village of to-day in the sack of the fifteenth century. But a continuity of wickedness is not so easily broken, and those who know the spot best say that it is still instinct with memories of a shameful past.

For miles along that haunted coast the foot cannot be put down except on the ruins of some splendid villa, and over all there broods a spirit of corruption and debasement actually sensible and oppressive. Of the dawns and sunsets, of the noonday sun tempered by the sea-breeze and the shade of scented groves, those who have been there know the charm, and to those who have not no words can describe it. But there are malefic vapours rising from the corpse of a past not altogether buried, and most cultivated Englishmen who tarry there long feel their influence as did John Maltravers. Like so many decepti deceptores of the Neo-Platonic school, he did not practise the abnegation enjoined by the very cult he professed to follow. Though his nature was far too refined, I believe, ever to sink into the sensualism revealed in Temple's diaries, yet it was through the gratification of corporeal tastes that he endeavoured to achieve the divine extasis; and there were constantly lavish and sumptuous entertainments at the villa, at which strange guests were present.

In such a nightmare of a life it was not to be expected that any mind would find repose, and Maltravers certainly found none. All those cares which usually occupy men's minds, all thoughts of wife, child, and home were, it is true, abandoned; but a wild unrest had hold of him, and never suffered him to be at ease. Though he never told me as much, yet I believe he was under the impression that the form which he had seen at Oxford and Royston had reappeared to him on more than one subsequent occasion. It must have been, I fancy, with a vague hope of "laying" this spectre that he now set himself with eagerness to discover where or how Temple had died. He remembered that Royston tradition said he had succumbed at Naples in the plague of 1752, but an idea seized him that this was not the case; indeed I half suspect his fancy unconsciously pictured that evil man as still alive. The methods by which he eventually discovered the skeleton, or learnt the episodes which preceded Temple's death, I do not know. He promised to tell me some day at length, but a sudden death prevented his ever doing so. The facts as he narrated them, and as I have little doubt they actually occurred, were these: Adrian Temple, after Jocelyn's departure, had made a confidant of one Palamede Domacavalli, a scion of a splendid Parthenopean family of that name. Palamede had a palace in the heart of Naples, and was Temple's equal in age and also in his great wealth. The two men became boon companions, associated in all kinds of wickedness and excess. At length Palamede married a beautiful girl named Olimpia Aldobrandini, who was also of the noblest lineage; but the intimacy between him and Temple was not interrupted. About a year subsequent to this marriage dancing was going on after a splendid banquet in the great hall of the Palazzo Domacavalli. Adrian, who was a favoured guest, called to the musicians in the gallery to play the "Areopagita" suite, and danced it with Olimpia, the wife of his host. The Gagliarda was reached but never finished, for near the end of the second movement Palamede from behind drove a stiletto into his friend's heart. He had found out that day that Adrian had not spared even Olimpia's honour.

I have endeavoured to condense into a connected story the facts learnt piecemeal from Sir John in conversation. To a certain extent they supplied, if not an explanation, at least an account of the change that had come over my friend. But only to a certain extent; there the explanation broke down and I was left baffled. I could imagine that a life of unwholesome surroundings and disordered studies might in time produce such a loss of mental tone as would lead in turn to moral acolasia, sensual excess, and physical ruin. But in Sir John's case the cause was not adequate; he had, so far as I know, never wholly given the reins to sensuality, and the change was too abrupt and the breakdown of body and mind too complete to be accounted for by such events as those of which he had spoken.

I had, too, an uneasy feeling, which grew upon me the more I saw of him, that while he spoke freely enough on certain topics, and obviously meant to give a complete history of his past life, there was in reality something in the background which he always kept from my view. He was, it seemed, like a young man asked by an indulgent father to disclose his debts in order that they may be discharged, who, although he knows his parent's leniency, and that any debt not now disclosed will be afterwards but a weight upon his own neck, yet hesitates for very shame to tell the full amount, and keeps some items back. So poor Sir John kept something back from me his friend, whose only aim was to afford him consolation and relief, and whose compassion would have made me listen without rebuke to the narration of the blackest crimes. I cannot say how much this conviction grieved me. I would most willingly have given my all, my very life, to save my friend and Miss Maltravers's brother; but my efforts were paralysed by the feeling that I did not know what I had to combat, that some evil influence was at work on him which continually evaded my grasp. Once or twice it seemed as though he were within an ace of telling me all; once or twice, I believe, he had definitely made up his mind to do so; but then the mood changed, or more probably his courage failed him.

It was on one of these occasions that he asked me, somewhat suddenly, whether I thought that a man could by any conscious act committed in the flesh take away from himself all possibility of repentance and ultimate salvation. Though, I trust, a sincere Christian, I am nothing of a theologian, and the question touching on a topic which had not occurred to my mind since childhood, and which seemed to savour rather of medieval romance than of practical religion, took me for a moment aback. I hesitated for an instant, and then replied that the means of salvation offered man were undoubtedly so sufficient as to remove from one truly penitent the guilt of any crime however dark. My hesitation had been but momentary; but Sir John seemed to have noticed it, and sealed his lips to any confession, if he had indeed intended to make any, by changing the subject abruptly. This question naturally gave me food for serious reflection and anxiety. It was the first occasion on which he appeared to me to be undoubtedly suffering from definite hallucination, and I was aware that any illusions connected with religion are generally most difficult to remove. At the same time, anything of this sort was the more remarkable in Sir John's case, as he had, so far as I knew, for a considerable time entirely abandoned the Christian belief.

Unable to elicit any further information from him, and being thus thrown entirely upon my own resources, I determined that I would read through again the whole of Temple's diaries. The task was a very distasteful one, as I have already explained, but I hoped that a second reading might perhaps throw some light on the dark misgiving that was troubling Sir John. I read the manuscript again with the closest attention. Nothing, however, of any importance seemed to have escaped me on the former occasions, and I had reached nearly the end of the second volume when a comparatively slight matter arrested my attention. I have said that the pages were all carefully numbered, and the events of each day recorded separately; even where Temple had found nothing of moment to notice on a given day, he had still inserted the date with the word nil written against it. But as I sat one evening in the library at Worth after Sir John had gone to bed, and was finally glancing through the days of the months in Temple's diary to make sure that all were complete, I found one day was missing. It was towards the end of the second volume, and the day was the 23d of October in the year 1752. A glance at the numbering of the pages revealed the fact that three leaves had been entirely removed, and that the pages numbered 349 to 354 were not to be found. Again I ran through the diaries to see whether there were any leaves removed in other places, but found no other single page missing. All was complete except at this one place, the manuscript beautifully written, with scarcely an error or erasure throughout. A closer examination showed that these leaves had been cut out close to the back, and the cut edges of the paper appeared too fresh to admit of this being done a century ago. A very short reflection convinced me, in fact, that the excision was not likely to have been Temple's, and that it must have been made by Sir John.

My first intention was to ask him at once what the lost pages had contained, and why they had been cut out. The matter might be a mere triviality which he could explain in a moment. But on softly opening his bedroom door I found him sleeping, and Parnham (whom the strong light always burnt in the room rendered more wakeful) informed me that his master had been in a deep sleep for more than an hour. I knew how sorely his wasted energies needed such repose, and stepped back to the library without awaking him. A few minutes before, I had been feeling sleepy at the conclusion of my task, but now all wish for sleep was suddenly banished and a painful wakefulness took its place. I was under a species of mental excitement which reminded me of my feelings some years before at Oxford on the first occasion of our ever playing the Gagliarda together, and an idea struck me with the force of intuition that in these three lost leaves lay the secret of my friend's ruin.

I turned to the context to see whether there was anything in the entries preceding or following the lacuna that would afford a clue to the missing passage. The record of the few days immediately preceding the 23d of October was short and contained nothing of any moment whatever. Adrian and Jocelyn were alone together at the Villa de Angelis. The entry on the 22d was very unimportant and apparently quite complete, ending at the bottom of page 348. Of the 23d there was, as I have said, no record at all, and the entry for the 24th began at the top of page 355. This last memorandum was also brief, and written when the author was annoyed by Jocelyn leaving him.

The defection of his companion had been apparently entirely unexpected. There was at least no previous hint of any such intention. Temple wrote that Jocelyn had left the Villa de Angelis that day and taken up his abode with the Carthusians of San Martino. No reason for such an extraordinary change was given; but there was a hint that Jocelyn had professed himself shocked at something that had happened. The entry concluded with a few bitter remarks: "So farewell to my holy anchoret; and if I cannot speed him with a leprosie as one Elisha did his servant, yet at least he went out from my presence with a face as white as snow."

I had read this sentence more than once before without its attracting other than a passing attention. The curious expression, that Jocelyn had gone out from his presence with a face as white as snow, had hitherto seemed to me to mean nothing more than that the two men had parted in violent anger, and that Temple had abused or bullied his companion. But as I sat alone that night in the library the words seemed to assume an entirely new force, and a strange suspicion began to creep over me.

I have said that one of the most remarkable features of Sir John's illness was his deadly pallor. Though I had now spent some time at Worth, and had been daily struck by this lack of colour, I had never before remembered in this connection that a strange paleness had also been an attribute of Adrian Temple, and was indeed very clearly marked in the picture painted of him by Battoni. In Sir John's account, moreover, of the vision which he thought he had seen in his rooms at Oxford, he had always spoken of the white and waxen face of his spectral visitant. The family tradition of Royston said that Temple had lost his colour in some deadly magical experiment, and a conviction now flashed upon me that Jocelyn's face "as white as snow" could refer only to this same unnatural pallor, and that he too had been smitten with it as with the mark of the beast.

In a drawer of my despatch-box, I kept by me all the letters which the late Lady Maltravers had written home during her ill-fated honeymoon. Miss Maltravers had placed them in my hands in order that I might be acquainted with every fact that could at all elucidate the progress of Sir John's malady. I remembered that in one of these letters mention was made of a sharp attack of fever in Naples, and of her noticing in him for the first time this singular pallor. I found the letter again without difficulty and read it with a new light. Every line breathed of surprise and alarm. Lady Maltravers feared that her husband was very seriously ill. On the Wednesday, two days before she wrote, he had suffered all day from a strange restlessness, which had increased after they had retired in the evening. He could not sleep and had dressed again, saying he would walk a little in the night air to compose himself. He had not returned till near six in the morning, and then seemed so exhausted that he had since been confined to his bed. He was terribly pale, and the doctors feared he had been attacked by some strange fever.

The date of the letter was the 25th of October, fixing the night of the 23d as the time of Sir John's first attack. The coincidence of the date with that of the day missing in Temple's diary was significant, but it was not needed now to convince me that Sir John's ruin was due to something that occurred on that fatal night at Naples.

The question that Dr. Frobisher had asked Miss Maltravers when he was first called to see her brother in London returned to my memory with an overwhelming force. "Had Sir John been subjected to any mental shock; had he received any severe fright?" I knew now that the question should have been answered in the affirmative, for I felt as certain as if Sir John had told me himself that he had received a violent shock, probably some terrible fright, on the night of the 23d of October. What the nature of that shock could have been my imagination was powerless to conceive, only I knew that whatever Sir John had done or seen, Adrian Temple and Jocelyn had done or seen also a century before and at the same place. That horror which had blanched the face of all three men for life had fallen perhaps with a less overwhelming force on Temple's seasoned wickedness, but had driven the worthless Jocelyn to the cloister, and was driving Sir John to the grave.

These thoughts as they passed through my mind filled me with a vague alarm. The lateness of the hour, the stillness and the subdued light, made the library in which I sat seem so vast and lonely that I began to feel the same dread of being alone that I had observed so often in my friend. Though only a door separated me from his bedroom, and I could hear his deep and regular breathing, I felt as though I must go in and waken him or Parnham to keep me company and save me from my own reflections. By a strong effort I restrained myself, and sat down to think the matter over and endeavour to frame some hypothesis that might explain the mystery. But it was all to no purpose. I merely wearied myself without being able to arrive at even a plausible conjecture, except that it seemed as though the strange coincidence of date might point to some ghastly charm or incantation which could only be carried out on one certain night of the year.

It must have been near morning when, quite exhausted, I fell into an uneasy slumber in the arm-chair where I sat. My sleep, however brief, was peopled with a succession of fantastic visions, in which I continually saw Sir John, not ill and wasted as now, but vigorous and handsome as I had known him at Oxford, standing beside a glowing brazier and reciting words I could not understand, while another man with a sneering white face sat in a corner playing the air of the Gagliarda on a violin. Parnham woke me in my chair at seven o'clock; his master, he said, was still sleeping easily.

I had made up my mind that as soon as he awoke I would inquire of Sir John as to the pages missing from the diary; but though my expectation and excitement were at a high pitch, I was forced to restrain my curiosity, for Sir John's slumber continued late into the day. Dr. Bruton called in the morning, and said that this sleep was what the patient's condition most required, and was a distinctly favourable symptom; he was on no account to be disturbed. Sir John did not leave his bed, but continued dozing all day till the evening. When at last he shook off his drowsiness, the hour was already so late that, in spite of my anxiety, I hesitated to talk with him about the diaries, lest I should unduly excite him before the night.

As the evening advanced he became very uneasy, and rose more than once from his bed. This restlessness, following on the repose of the day, ought perhaps to have made me anxious, for I have since observed that when death is very near an apprehensive unrest often sets in both with men and animals. It seems as if they dreaded to resign themselves to sleep, lest as they slumber the last enemy should seize them unawares. They try to fling off the bedclothes, they sometimes must leave their beds and walk. So it was with poor John Maltravers on his last Christmas Eve. I had sat with him grieving for his disquiet until he seemed to grow more tranquil, and at length fell asleep. I was sleeping that night in his room instead of Parnham, and tired with sitting up through the previous night, I flung myself, dressed as I was, upon the bed. I had scarcely dozed off, I think, before the sound of his violin awoke me. I found he had risen from his bed, had taken his favourite instrument, and was playing in his sleep. The air was the Gagliarda of the "Areopagita" suite, which I had not heard since we had played it last together at Oxford, and it brought back with it a crowd of far-off memories and infinite regrets. I cursed the sleepiness which had overcome me at my watchman's post, and allowed Sir John to play once more that melody which had always been fraught with such evil for him; and I was about to wake him gently when he was startled from sleep by a strange accident. As I walked towards him the violin seemed entirely to collapse in his hands, and, as a matter of fact, the belly then gave way and broke under the strain of the strings. As the strings slackened, the last note became an unearthly discord. If I were superstitious I should say that some evil spirit then went out of the violin, and broke in his parting throes the wooden tabernacle which had so long sheltered him. It was the last time the instrument was ever used, and that hideous chord was the last that Maltravers ever played.

I had feared that the shock of waking thus suddenly from sleep would have a very prejudicial effect upon the sleep-walker, but this seemed not to be the case. I persuaded him to go back at once to bed, and in a few minutes he fell asleep again. In the morning he seemed for the first time distinctly better; there was indeed something of his old self in his manner. It seemed as though the breaking of the violin had been an actual relief to him; and I believe that on that Christmas morning his better instincts woke, and that his old religious training and the associations of his boyhood then made their last appeal. I was pleased at such a change, however temporary it might prove. He wished to go to church, and I determined that again I would subdue my curiosity and defer the questions I was burning to put till after our return from the morning service. Miss Maltravers had gone indoors to make some preparation, Sir John was in his wheel-chair on the terrace, and I was sitting by him in the sun. For a few moments he appeared immersed in silent thought, and then bent over towards me till his head was close to mine, and said, "Dear William, there is something I must tell you. I feel I cannot even go to church till I have told you all." His manner shocked me beyond expression. I knew that he was going to tell me the secret of the lost pages, but instead of wishing any longer to have my curiosity satisfied, I felt a horrible dread of what he might say next. He took my hand in his and held it tightly, as a man who was about to undergo severe physical pain and sought the consolation of a friend's support. Then he went on—"You will be shocked at what I am going to tell you; but listen, and do not give me up: You must stand by me and comfort me and help me to turn again." He paused for a moment and continued—"It was one night in October, when Constance and I were at Naples. I took that violin and went by myself to the ruined villa on the Scoglio di Venere." He had been speaking with difficulty. His hand clutched mine convulsively, but still I felt it trembling, and I could see the moisture standing thick on his forehead. At this point the effort seemed too much for him and he broke off. "I cannot go on, I cannot tell you, but you can read it for yourself. In that diary which I gave you there are some pages missing." The suspense was becoming intolerable to me, and I broke in, "Yes, yes, I know; you cut them out. Tell me where they are," He went on—"Yes, I cut them out lest they should possibly fall into anyone's hands unaware. But before you read them you must swear, as you hope for salvation, that you will never try to do what is written in them. Swear this to me now, or I never can let you see them." My eagerness was too great to stop now to discuss trifles, and to humour him I swore as desired. He had been speaking with a continual increasing effort; he cast a hurried and fearful glance round as though he expected to see someone listening, and it was almost in a whisper that he went on, "You will find them in—" His agitation had become most painful to watch, and as he spoke the last words a convulsion passed over his face, and speech failing him, he sank back on his pillow. A strange fear took hold of me. For a moment I thought there were others on the terrace beside myself, and turned round expecting to see Miss Maltravers returned; but we were still alone. I even fancied that just as Sir John spoke his last words I felt something brush swiftly by me. He put up his hands, beating the air with a most painful gesture, as though he were trying to keep off an antagonist who had gripped him by the throat, and made a final struggle to speak. But the spasm was too strong for him; a dreadful stillness followed, and he was gone.

There is little more to add; for Sir John's guilty secret, perished with him. Though I was sure from his manner that the missing leaves were concealed somewhere at Worth, and though as executor I caused the most diligent search to be made, no trace of them was afterwards found; nor did any circumstance ever transpire to fling further light upon the matter. I must confess that I should have felt the discovery of these pages as a relief; for though I dreaded what I might have had to read, yet I was more anxious lest, being found at a later period and falling into other hands, they should cause a recrudescence of that plague which had blighted Sir John's life.

Of the nature of the events which took place on that night at Naples I can form no conjecture. But as certain physical sights have ere now proved so revolting as to unhinge the intellect, so I can imagine that the mind may in a state of extreme tension conjure up to itself some form of moral evil so hideous as metaphysically to sear it: and this, I believe, happened in the case both of Adrian Temple and of Sir John Maltravers.

It is difficult to imagine the accessories used to produce the mental excitation in which alone such a presentment of evil could become imaginable. Fancy and legend, which have combined to represent as possible appearances of the supernatural, agree also in considering them as more likely to occur at certain times and places than at others; and it is possible that the missing pages of the diary contained an account of the time, place, and other conditions chosen by Temple for some deadly experiment. Sir John most probably re-enacted the scene under precisely similar conditions, and the effect on his overwrought imagination was so vivid as to upset the balance of his mind. The time chosen was no doubt the night of the 23d of October, and I cannot help thinking that the place was one of those evil-looking and ruinous sea-rooms which had so terrifying an effect on Miss Maltravers. Temple may have used on that night one of the medieval incantations, or possibly the more ancient invocation of the Isiac rite with which a man of his knowledge and proclivities would certainly be familiar. The accessories of either are sufficiently hideous to weaken the mind by terror, and so prepare it for a belief in some frightful apparition. But whatever was done, I feel sure that the music of the Gagliarda formed part of the ceremonial.

Medieval philosophers and theologians held that evil is in its essence so horrible that the human mind, if it could realise it, must perish at its contemplation. Such realisation was by mercy ordinarily withheld, but its possibility was hinted in the legend of the Visio malefica. The Visio Beatifica was, as is well known, that vision of the Deity or realisation of the perfect Good which was to form the happiness of heaven, and the reward of the sanctified in the next world. Tradition says that this vision was accorded also to some specially elect spirits even in this life, as to Enoch, Elijah, Stephen, and Jerome. But there was a converse to the Beatific Vision in the Visio malefica, or presentation of absolute Evil, which was to be the chief torture of the damned, and which, like the Beatific Vision, had been made visible in life to certain desperate men. It visited Esau, as was said, when he found no place for repentance, and Judas, whom it drove to suicide. Cain saw it when he murdered his brother, and legend relates that in his case, and in that of others, it left a physical brand to be borne by the body to the grave. It was supposed that the Malefic Vision, besides being thus spontaneously presented to typically abandoned men, had actually been purposely called up by some few great adepts, and used by them to blast their enemies. But to do so was considered equivalent to a conscious surrender to the powers of evil, as the vision once seen took away all hope of final salvation.

Adrian Temple would undoubtedly be cognisant of this legend, and the lost experiment may have been an attempt to call up the Malefic Vision. It is but a vague conjecture at the best, for the tree of the knowledge of Evil bears many sorts of poisonous fruit, and no one can give full account of the extravagances of a wayward fancy.

Conjointly with Miss Sophia, Sir John appointed me his executor and guardian of his only son. Two months later we had lit a great fire in the library at Worth. In it, after the servants were gone to bed, we burnt the book containing the "Areopagita" of Graziani, and the Stradivarius fiddle. The diaries of Temple I had already destroyed, and wish that I could as easily blot out their foul and debasing memories from my mind. I shall probably be blamed by those who would exalt art at the expense of everything else, for burning a unique violin. This reproach I am content to bear. Though I am not unreasonably superstitious, and have no sympathy for that potential pantheism to which Sir John Maltravers surrendered his intellect, yet I felt so great an aversion to this violin that I would neither suffer it to remain at Worth, nor pass into other hands. Miss Sophia was entirely at one with me on this point. It was the same feeling which restrains any except fools or braggarts from wishing to sleep in "haunted" rooms, or to live in houses polluted with the memory of a revolting crime. No sane mind believes in foolish apparitions, but fancy may at times bewitch the best of us. So the Stradivarius was burnt. It was, after all, perhaps not so serious a matter, for, as I have said, the bass-bar had given way. There had always been a question whether it was strong enough to resist the strain of modern stringing. Experience showed at last that it was not. With the failure of the bass-bar the belly collapsed, and the wood broke across the grain in so extraordinary a manner as to put the fiddle beyond repair, except as a curiosity. Its loss, therefore, is not to be so much regretted. Sir Edward has been brought up to think more of a cricket-bat than of a violin-bow; but if he wishes at any time to buy a Stradivarius, the fortunes of Worth and Royston, nursed through two long minorities, will certainly justify his doing so.

Miss Sophia and I stood by and watched the holocaust. My heart misgave me for a moment when I saw the mellow red varnish blistering off the back, but I put my regret resolutely aside. As the bright flames jumped up and lapped it round, they flung a red glow on the scroll. It was wonderfully wrought, and differed, as I think Miss Maltravers has already said, from any known example of Stradivarius. As we watched it, the scroll took form, and we saw what we had never seen before, that it was cut so that the deep lines in a certain light showed as the profile of a man. It was a wizened little paganish face, with sharp-cut features and a bald head. As I looked at it I knew at once (and a cameo has since confirmed the fact) that it was a head of Porphyry. Thus the second label found in the violin was explained and Sir John's view confirmed, that Stradivarius had made the instrument for some Neo-Platonist enthusiast who had dedicated it to his master Porphyrius.

THE END