"Our journey I pass over; but as I approach your city, that sepulcher of honor and happiness to my poor family, my heart beats with frantic emotions. Never do I see that venerable dome of your minster from the forest, but I curse its form, which reminds me of what we then surveyed for many a mile as we traversed the forest. For leagues before we approached the city, this object lay before us in relief upon the frosty blue sky; and still it seemed never to increase. Such was the complaint of my little sister Mariamne. Most innocent child! would that it never had increased for thy eyes, but remained forever at a distance! That same hour began the series of monstrous indignities which terminated the career of my ill-fated family. As we drew up to the city gates, the officer who inspected the passports, finding my mother and sisters described as Jewesses, which in my mother's ears (reared in a region where Jews are not dishonored) always sounded a title of distinction, summoned a subordinate agent, who in coarse terms demanded his toll. We presumed this to be a road tax for the carriage and horses, but we were quickly undeceived; a small sum was demanded for each of my sisters and my mother, as for so many head of cattle. I, fancying some mistake, spoke to the man temperately, and, to do him justice, he did not seem desirous of insulting us; but he produced a printed board, on which, along with the vilest animals, Jews and Jewesses were rated at so much a head. While we were debating the point, the officers of the gate wore a sneering smile upon their faces— the postilions were laughing together; and this, too, in the presence of three creatures whose exquisite beauty, in different styles, agreeably to their different ages, would have caused noblemen to have fallen down and worshiped. My mother, who had never yet met with any flagrant insult on account of her national distinctions, was too much shocked to be capable of speaking. I whispered to her a few words, recalling her to her native dignity of mind, paid the money, and we drove to the prison. But the hour was past at which we could be admitted, and, as Jewesses, my mother and sisters could not be allowed to stay in the city; they were to go into the Jewish quarter, a part of the suburb set apart for Jews, in which it was scarcely possible to obtain a lodging tolerably clean. My father, on the next day, we found, to our horror, at the point of death. To my mother he did not tell the worst of what he had endured. To me he told that, driven to madness by the insults offered to him, he had upbraided the court- martial with their corrupt propensities, and had even mentioned that overtures had been made to him for quashing the proceedings in return for a sum of two millions of francs; and that his sole reason for not entertaining the proposal was his distrust of those who made it. 'They would have taken my money,' said he, 'and then found a pretext for putting me to death, that I might tell no secrets.' This was too near the truth to be tolerated; in concert with the local authorities, the military enemies of my father conspired against him—witnesses were suborned; and, finally, under some antiquated law of the place, he was subjected, in secret, to a mode of torture which still lingers in the east of Europe.

"He sank under the torture and the degradation. I, too, thoughtlessly, but by a natural movement of filial indignation, suffered the truth to escape me in conversing with my mother. And she—;but I will preserve the regular succession of things. My father died; but he had taken such measures, in concert with me, that his enemies should never benefit by his property. Meantime my mother and sisters had closed my father's eyes; had attended his remains to the grave; and in every act connected with this last sad rite had met with insults and degradations too mighty for human patience. My mother, now become incapable of self-command, in the fury of her righteous grief, publicly and in court denounced the conduct of the magistracy—taxed some of them with the vilest proposals to herself—taxed them as a body with having used instruments of torture upon my father; and, finally, accused them of collusion with the French military oppressors of the district. This last was a charge under which they quailed; for by that time the French had made themselves odious to all who retained a spark of patriotic feeling. My heart sank within me when I looked up at the bench, this tribunal of tyrants, all purple or livid with rage; when I looked at them alternately and at my noble mother with her weeping daughters—these so powerless, those so basely vindictive, and locally so omnipotent. Willingly I would have sacrificed all my wealth for a simple permission to quit this infernal city with my poor female relations safe and undishonored. But far other were the intentions of that incensed magistracy. My mother was arrested, charged with some offense equal to petty treason, or scandalum magnatum, or the sowing of sedition; and, though what she said was true, where, alas! was she to look for evidence? Here was seen the want of gentlemen. Gentlemen, had they been even equally tyrannical, would have recoiled with shame from taking vengeance on a woman. And what a vengeance! O heavenly powers! that I should live to mention such a thing! Man that is born of woman, to inflict upon woman personal scourging on the bare back, and through the streets at noonday! Even for Christian women the punishment was severe which the laws assigned to the offense in question. But for Jewesses, by one of the ancient laws against that persecuted people, far heavier and more degrading punishments were annexed to almost every offense. What else could be looked for in a city which welcomed its Jewish guests by valuing them at its gates as brute beasts? Sentence was passed, and the punishment was to be inflicted on two separate days, with an interval between each— doubtless to prolong the tortures of mind, but under a vile pretense of alleviating the physical torture. Three days after would come the first day of punishment. My mother spent the time in reading her native Scriptures; she spent it in prayer and in musing; while her daughters clung and wept around her day and night—groveling on the ground at the feet of any people in authority that entered their mother's cell. That same interval— how was it passed by me? Now mark, my friend. Every man in office, or that could be presumed to bear the slightest influence, every wife, mother, sister, daughter of such men, I besieged morning, noon, and night. I wearied them with my supplications. I humbled myself to the dust; I, the haughtiest of God's creatures, knelt and prayed to them for the sake of my mother. I besought them that I might undergo the punishment ten times over in her stead. And once or twice I DID obtain the encouragement of a few natural tears—given more, however, as I was told, to my piety than to my mother's deserts. But rarely was I heard out with patience; and from some houses repelled with personal indignities. The day came: I saw my mother half undressed by the base officials; I heard the prison gates expand; I heard the trumpets of the magistracy sound. She had warned me what to do; I had warned myself. Would I sacrifice a retribution sacred and comprehensive, for the momentary triumph over an individual? If not, let me forbear to look out of doors; for I felt that in the selfsame moment in which I saw the dog of an executioner raise his accursed hand against my mother, swifter than the lightning would my dagger search his heart. When I heard the roar of the cruel mob, I paused—endured—forbore. I stole out by by-lanes of the city from my poor exhausted sisters, whom I left sleeping in each other's innocent arms, into the forest. There I listened to the shouting populace; there even I fancied that I could trace my poor mother's route by the course of the triumphant cries. There, even then, even then, I made—O silent forest! thou heardst me when I made—a vow that I have kept too faithfully. Mother, thou art avenged: sleep, daughter of Jerusalem! for at length the oppressor sleeps with thee. And thy poor son has paid, in discharge of his vow, the forfeit of his own happiness, of a paradise opening upon earth, of a heart as innocent as thine, and a face as fair.

"I returned, and found my mother returned. She slept by starts, but she was feverish and agitated; and when she awoke and first saw me, she blushed, as if I could think that real degradation had settled upon her. Then it was that I told her of my vow. Her eyes were lambent with fierce light for a moment; but, when I went on more eagerly to speak of my hopes and projects, she called me to her—kissed me, and whispered: 'Oh, not so, my son! think not of me—think not of vengeance—think only of poor Berenice and Mariamne.' Aye, that thought WAS startling. Yet this magnanimous and forbearing mother, as I knew by the report of our one faithful female servant, had, in the morning, during her bitter trial, behaved as might have become a daughter of Judas Maccabaeus: she had looked serenely upon the vile mob, and awed even them by her serenity; she had disdained to utter a shriek when the cruel lash fell upon her fair skin. There is a point that makes the triumph over natural feelings of pain easy or not easy—the degree in which we count upon the sympathy of the bystanders. My mother had it not in the beginning; but, long before the end, her celestial beauty, the divinity of injured innocence, the pleading of common womanhood in the minds of the lowest class, and the reaction of manly feeling in the men, had worked a great change in the mob. Some began now to threaten those who had been active in insulting her. The silence of awe and respect succeeded to noise and uproar; and feelings which they scarcely understood, mastered the rude rabble as they witnessed more and more the patient fortitude of the sufferer. Menaces began to rise toward the executioner. Things wore such an aspect that the magistrates put a sudden end to the scene.

"That day we received permission to go home to our poor house in the Jewish quarter. I know not whether you are learned enough in Jewish usages to be aware that in every Jewish house, where old traditions are kept up, there is one room consecrated to confusion; a room always locked up and sequestered from vulgar use, except on occasions of memorable affliction, where everything is purposely in disorder—broken—shattered—mutilated: to typify, by symbols appalling to the eye, that desolation which has so long trampled on Jerusalem, and the ravages of the boar within the vineyards of Judea. My mother, as a Hebrew princess, maintained all traditional customs. Even in this wretched suburb she had her 'chamber of desolation.' There it was that I and my sisters heard her last words. The rest of her sentence was to be carried into effect within a week. She, meantime, had disdained to utter any word of fear; but that energy of self-control had made the suffering but the more bitter. Fever and dreadful agitation had succeeded. Her dreams showed sufficiently to us, who watched her couch, that terror for the future mingled with the sense of degradation for the past. Nature asserted her rights. But the more she shrank from the suffering, the more did she proclaim how severe it had been, and consequently how noble the self-conquest. Yet, as her weakness increased, so did her terror; until I besought her to take comfort, assuring her that, in case any attempt should be made to force her out again to public exposure, I would kill the man who came to execute the order—that we would all die together—and there would be a common end to her injuries and her fears. She was reassured by what I told her of my belief that no future attempt would be made upon her. She slept more tranquilly—but her fever increased; and slowly she slept away into the everlasting sleep which knows of no to-morrow.

"Here came a crisis in my fate. Should I stay and attempt to protect my sisters? But, alas! what power had I to do so among our enemies? Rachael and I consulted; and many a scheme we planned. Even while we consulted, and the very night after my mother had been committed to the Jewish burying ground, came an officer, bearing an order for me to repair to Vienna. Some officer in the French army, having watched the transaction respecting my parents, was filled with shame and grief. He wrote a statement of the whole to an Austrian officer of rank, my father's friend, who obtained from the emperor an order, claiming me as a page of his own, and an officer in the household service. O heavens! what a neglect that it did not include my sisters! However, the next best thing was that I should use my influence at the imperial court to get them passed to Vienna. This I did, to the utmost of my power. But seven months elapsed before I saw the emperor. If my applications ever met his eye he might readily suppose that your city, my friend, was as safe a place as another for my sisters. Nor did I myself know all its dangers. At length, with the emperor's leave of absence, I returned. And what did I find? Eight months had passed, and the faithful Rachael had died. The poor sisters, clinging together, but now utterly bereft of friends, knew not which way to turn. In this abandonment they fell into the insidious hands of the ruffian jailer. My eldest sister, Berenice, the stateliest and noblest of beauties, had attracted this ruffian's admiration while she was in the prison with her mother. And when I returned to your city, armed with the imperial passports for all, I found that Berenice had died in the villain's custody; nor could I obtain anything beyond a legal certificate of her death. And, finally, the blooming, laughing Mariamne, she also had died—and of affliction for the loss of her sister. You, my friend, had been absent upon your travels during the calamitous history I have recited. You had seen neither my father nor my mother. But you came in time to take under your protection, from the abhorred wretch the jailer, my little broken-hearted Mariamne. And when sometimes you fancied that you had seen me under other circumstances, in her it was, my dear friend, and in her features that you saw mine.

"Now was the world a desert to me. I cared little, in the way of love, which way I turned. But in the way of hatred I cared everything. I transferred myself to the Russian service, with the view of gaining some appointment on the Polish frontier, which might put it in my power to execute my vow of destroying all the magistrates of your city. War, however, raged, and carried me into far other regions. It ceased, and there was little prospect that another generation would see it relighted; for the disturber of peace was a prisoner forever, and all nations were exhausted. Now, then, it became necessary that I should adopt some new mode for executing my vengeance; and the more so, because annually some were dying of those whom it was my mission to punish. A voice ascended to me, day and night, from the graves of my father and mother, calling for vengeance before it should be too late.

I took my measures thus: Many Jews were present at Waterloo. From among these, all irritated against Napoleon for the expectations he had raised, only to disappoint, by his great assembly of Jews at Paris, I selected eight, whom I knew familiarly as men hardened by military experience against the movements of pity. With these as my beagles, I hunted for some time in your forest before opening my regular campaign; and I am surprised that you did not hear of the death which met the executioner—him I mean who dared to lift his hand against my mother. This man I met by accident in the forest; and I slew him. I talked with the wretch, as a stranger at first, upon the memorable case of the Jewish lady. Had he relented, had he expressed compunction, I might have relented. But far otherwise: the dog, not dreaming to whom he spoke, exulted; he— But why repeat the villain's words? I cut him to pieces. Next I did this: My agents I caused to matriculate separately at the college. They assumed the college dress. And now mark the solution of that mystery which caused such perplexity. Simply as students we all had an unsuspected admission at any house. Just then there was a common practice, as you will remember, among the younger students, of going out a masking—that is, of entering houses in the academic dress, and with the face masked. This practice subsisted even during the most intense alarm from the murderers; for the dress of the students was supposed to bring protection along with it. But, even after suspicion had connected itself with this dress, it was sufficient that I should appear unmasked at the head of the maskers, to insure them a friendly reception. Hence the facility with which death was inflicted, and that unaccountable absence of any motion toward an alarm. I took hold of my victim, and he looked at me with smiling security. Our weapons were hid under our academic robes; and even when we drew them out, and at the moment of applying them to the threat, they still supposed our gestures to be part of the pantomime we were performing. Did I relish this abuse of personal confidence in myself? No—I loathed it, and I grieved for its necessity; but my mother, a phantom not seen with bodily eyes, but ever present to my mind, continually ascended before me; and still I shouted aloud to my astounded victim, 'This comes from the Jewess! Hound of hounds! Do you remember the Jewess whom you dishonored, and the oaths which you broke in order that you might dishonor her, and the righteous law which you violated, and the cry of anguish from her son which you scoffed at?' Who I was, what I avenged, and whom, I made every man aware, and every woman, before I punished them. The details of the cases I need not repeat. One or two I was obliged, at the beginning, to commit to my Jews. The suspicion was thus, from the first, turned aside by the notoriety of my presence elsewhere; but I took care that none suffered who had not either been upon the guilty list of magistrates who condemned the mother, or of those who turned away with mockery from the supplication of the son.

"It pleased God, however, to place a mighty temptation in my path, which might have persuaded me to forego all thoughts of vengeance, to forget my vow, to forget the voices which invoked me from the grave. This was Margaret Liebenheim. Ah! how terrific appeared my duty of bloody retribution, after her angel's face and angel's voice had calmed me. With respect to her grandfather, strange it is to mention, that never did my innocent wife appear so lovely as precisely in the relation of granddaughter. So beautiful was her goodness to the old man, and so divine was the childlike innocence on her part, contrasted with the guilty recollections associated with him—for he was among the guiltiest toward my mother—still I delayed HIS punishment to the last; and, for his child's sake, I would have pardoned him—nay, I had resolved to do so, when a fierce Jew, who had a deep malignity toward this man, swore that he would accomplish HIS vengeance at all events, and perhaps might be obliged to include Margaret in the ruin, unless I adhered to the original scheme. Then I yielded; for circumstances armed this man with momentary power. But the night fixed on was one in which I had reason to know that my wife would be absent; for so I had myself arranged with her, and the unhappy counter-arrangement I do not yet understand. Let me add, that the sole purpose of my clandestine marriage was to sting her grandfather's mind with the belief that HIS family had been dishonored, even as he had dishonored mine. He learned, as I took care that he should, that his granddaughter carried about with her the promises of a mother, and did not know that she had the sanction of a wife. This discovery made him, in one day, become eager for the marriage he had previously opposed; and this discovery also embittered the misery of his death. At that moment I attempted to think only of my mother's wrongs; but, in spite of all I could do, this old man appeared to me in the light of Margaret's grandfather—and, had I been left to myself, he would have been saved. As it was, never was horror equal to mine when I met her flying to his succor. I had relied upon her absence; and the misery of that moment, when her eye fell upon me in the very act of seizing her grandfather, far transcended all else that I have suffered in these terrific scenes. She fainted in my arms, and I and another carried her upstairs and procured water. Meantime her grandfather had been murdered, even while Margaret fainted. I had, however, under the fear of discovery, though never anticipating a reencounter with herself, forestalled the explanation requisite in such a case to make my conduct intelligible. I had told her, under feigned names, the story of my mother and my sisters. She knew their wrongs: she had heard me contend for the right of vengeance. Consequently, in our parting interview, one word only was required to place myself in a new position to her thoughts. I needed only to say I was that son; that unhappy mother, so miserably degraded and outraged, was mine.

"As to the jailer, he was met by a party of us. Not suspecting that any of us could be connected with the family, he was led to talk of the most hideous details with regard to my poor Berenice. The child had not, as had been insinuated, aided her own degradation, but had nobly sustained the dignity of her sex and her family. Such advantages as the monster pretended to have gained over her—sick, desolate, and latterly delirious—were, by his own confession, not obtained without violence. This was too much. Forty thousand lives, had he possessed them, could not have gratified my thirst for revenge. Yet, had he but showed courage, he should have died the death of a soldier. But the wretch showed cowardice the most abject, and—,but you know his fate.

"Now, then, all is finished, and human nature is avenged. Yet, if you complain of the bloodshed and the terror, think of the wrongs which created my rights; think of the sacrifice by which I gave a tenfold strength to those rights; think of the necessity for a dreadful concussion and shock to society, in order to carry my lesson into the councils of princes.

"This will now have been effected. And ye, victims of dishonor, will be glorified in your deaths; ye will not have suffered in vain, nor died without a monument. Sleep, therefore, sister Berenice—sleep, gentle Mariamne, in peace. And thou, noble mother, let the outrages sown in thy dishonor, rise again and blossom in wide harvests of honor for the women of thy afflicted race. Sleep, daughters of Jerusalem, in the sanctity of your sufferings. And thou, if it be possible, even more beloved daughter of a Christian fold, whose company was too soon denied to him in life, open thy grave to receive HIM, who, in the hour of death, wishes to remember no title which he wore on earth but that of thy chosen and adoring lover,

"MAXIMILIAN."



Introduction to Melmoth the Wanderer

Balzac likens the hero of one of his short stories to "Moliere's Don Juan, Goethe's Faust, Byron's Manfred, Maturin's Melmoth—great allegorical figures drawn by the greatest men of genius in Europe."

"But what is 'Melmoth'? Why is HE classed as 'a great allegorical figure'?" exclaimed many a surprised reader. Few had perused—few know at this day—the terrible story of Melmoth the Wanderer, half man, half devil, who has bartered away his soul for the glory of power and knowledge, and, repenting of his bargain, tries again and again to persuade some desperate human to change places with him— penetrates to the refuge of misery, the death chamber, even the madhouse, seeking one in such utter agony as to accept his help, and take his curse—but ever fails.

Why this extraordinary tale, told with wild and compelling sweep, has remained so deep in oblivion, appears immediately on a glance at the original. The author, Charles Robert Maturin, a needy, eccentric Irish clergyman of 1780-1824, could cause intense suspense and horror—could read keenly into human motives—could teach an awful moral lesson in the guise of fascinating fiction, but he could not stick to a long story with simplicity. His dozens of shifting scenes, his fantastic coils of "tales within tales" sadly perplex the reader of "Melmoth" in the first version. It is hoped, however, that the present selection, by its directness and the clearness of the story thread, may please the modern reader better than the involved original, and bring before a wider public some of the most gripping descriptions ever penned in English.

In Volume IV of these stories comes a tale, "Melmoth Reconciled," which Balzac himself wrote, while under the spell of Maturin's "great allegorical figure." Here the unhappy being succeeds in his purpose. The story takes place in mocking, careless Paris, "that branch establishment of hell"; a cashier, on the eve of embezzlement and detection, cynically accedes to Melmoth's terms, and accepts his help—with what unlooked-for results, the reader may see.



Charles Robert Maturin

Melmoth the Wanderer

John Melmoth, student at Trinity College, Dublin, having journeyed to County Wicklow for attendance at the deathbed of his miserly uncle, finds the old man, even in his last moments, tortured by avarice, and by suspicion of all around him. He whispers to John:

"I want a glass of wine, it would keep me alive for some hours, but there is not one I can trust to get it for me,—they'd steal a bottle, and ruin me." John was greatly shocked. "Sir, for God's sake, let ME get a glass of wine for you." "Do you know where?" said the old man, with an expression in his face John could not understand. "No, Sir; you know I have been rather a stranger here, Sir." "Take this key," said old Melmoth, after a violent spasm; "take this key, there is wine in that closet,—Madeira. I always told them there was nothing there, but they did not believe me, or I should not have been robbed as I have been. At one time I said it was whisky, and then I fared worse than ever, for they drank twice as much of it."

John took the key from his uncle's hand; the dying man pressed it as he did so, and John, interpreting this as a mark of kindness, returned the pressure. He was undeceived by the whisper that followed,—"John, my lad, don't drink any of that wine while you are there." "Good God!" said John, indignantly throwing the key on the bed; then, recollecting that the miserable being before him was no object of resentment, he gave the promise required, and entered the closet, which no foot but that of old Melmoth had entered for nearly sixty years. He had some difficulty in finding out the wine, and indeed stayed long enough to justify his uncle's suspicions,—but his mind was agitated, and his hand unsteady. He could not but remark his uncle's extraordinary look, that had the ghastliness of fear superadded to that of death, as he gave him permission to enter his closet. He could not but see the looks of horror which the women exchanged as he approached it. And, finally, when he was in it, his memory was malicious enough to suggest some faint traces of a story, too horrible for imagination, connected with it. He remembered in one moment most distinctly, that no one but his uncle had ever been known to enter it for many years.

Before he quitted it, he held up the dim light, and looked around him with a mixture of terror and curiosity. There was a great deal of decayed and useless lumber, such as might be supposed to be heaped up to rot in a miser's closet; but John's eyes were in a moment, and as if by magic, riveted on a portrait that hung on the wall, and appeared, even to his untaught eye, far superior to the tribe of family pictures that are left to molder on the walls of a family mansion. It represented a man of middle age. There was nothing remarkable in the costume, or in the countenance, but THE EYES, John felt, were such as one feels they wish they had never seen, and feels they can never forget. Had he been acquainted with the poetry of Southey, he might have often exclaimed in his after- life,

"Only the eyes had life, They gleamed with demon light."—THALABA.

From an impulse equally resistless and painful, he approached the portrait, held the candle toward it, and could distinguish the words on the border of the painting,—Jno. Melmoth, anno 1646. John was neither timid by nature, nor nervous by constitution, nor superstitious from habit, yet he continued to gaze in stupid horror on this singular picture, till, aroused by his uncle's cough, he hurried into his room. The old man swallowed the wine. He appeared a little revived; it was long since he had tasted such a cordial,—his heart appeared to expand to a momentary confidence. "John, what did you see in that room?" "Nothing, Sir." "That's a lie; everyone wants to cheat or to rob me." "Sir, I don't want to do either." "Well, what did you see that you—you took notice of?" "Only a picture, Sir." "A picture, Sir!—the original is still alive." John, though under the impression of his recent feelings, could not but look incredulous. "John," whispered his uncle;— "John, they say I am dying of this and that; and one says it is for want of nourishment, and one says it is for want of medicine,—but, John," and his face looked hideously ghastly, "I am dying of a fright. That man," and he extended his meager arm toward the closet, as if he was pointing to a living being; "that man, I have good reason to know, is alive still." "How is that possible, Sir?" said John involuntarily, "the date on the picture is 1646." "You have seen it,—you have noticed it," said his uncle. "Well,"—he rocked and nodded on his bolster for a moment, then, grasping John's hand with an unutterable look, he exclaimed, "You will see him again, he is alive." Then, sinking back on his bolster, he fell into a kind of sleep or stupor, his eyes still open, and fixed on John.

The house was now perfectly silent, and John had time and space for reflection. More thoughts came crowding on him than he wished to welcome, but they would not be repulsed. He thought of his uncle's habits and character, turned the matter over and over again in his mind, and he said to himself, "The last man on earth to be superstitious. He never thought of anything but the price of stocks, and the rate of exchange, and my college expenses, that hung heavier at his heart than all; and such a man to die of a fright,—a ridiculous fright, that a man living 150 years ago is alive still, and yet—he is dying." John paused, for facts will confute the most stubborn logician. "With all his hardness of mind, and of heart, he is dying of a fright. I heard it in the kitchen, I have heard it from himself,—he could not be deceived. If I had ever heard he was nervous, or fanciful, or superstitious, but a character so contrary to all these impressions;—a man that, as poor Butler says, in his 'Remains of the Antiquarian,' would have 'sold Christ over again for the numerical piece of silver which Judas got for him,'—such a man to die of fear! Yet he IS dying," said John, glancing his fearful eye on the contracted nostril, the glazed eye, the drooping jaw, the whole horrible apparatus of the facies Hippocraticae displayed, and soon to cease its display.

Old Melmoth at this moment seemed to be in a deep stupor; his eyes lost that little expression they had before, and his hands, that had convulsively been catching at the blankets, let go their short and quivering grasp, and lay extended on the bed like the claws of some bird that had died of hunger,—so meager, so yellow, so spread. John, unaccustomed to the sight of death, believed this to be only a sign that he was going to sleep; and, urged by an impulse for which he did not attempt to account to himself, caught up the miserable light, and once more ventured into the forbidden room,— the BLUE CHAMBER of the dwelling. The motion roused the dying man;—he sat bolt upright in his bed. This John could not see, for he was now in the closet; but he heard the groan, or rather the choked and gurgling rattle of the throat, that announces the horrible conflict between muscular and mental convulsion. He started, turned away; but, as he turned away, he thought he saw the eyes of the portrait, on which his own was fixed, MOVE, and hurried back to his uncle's bedside.

Old Melmoth died in the course of that night, and died as he had lived, in a kind of avaricious delirium. John could not have imagined a scene so horrible as his last hours presented. He cursed and blasphemed about three halfpence, missing, as he said, some weeks before, in an account of change with his groom, about hay to a starved horse that he kept. Then he grasped John's hand, and asked him to give him the sacrament. "If I send to the clergyman, he will charge me something for it, which I cannot pay,— I cannot. They say I am rich,—look at this blanket;—but I would not mind that, if I could save my soul." And, raving, he added, "Indeed, Doctor, I am a very poor man. I never troubled a clergyman before, and all I want is, that you will grant me two trifling requests, very little matters in your way,—save my soul, and (whispering) make interest to get me a parish coffin,—I have not enough left to bury me. I always told everyone I was poor, but the more I told them so, the less they believed me."

John, greatly shocked, retired from the bedside, and sat down in a distant corner of the room. The women were again in the room, which was very dark. Melmoth was silent from exhaustion, and there was a deathlike pause for some time. At this moment John saw the door open, and a figure appear at it, who looked round the room, and then quietly and deliberately retired, but not before John had discovered in his face the living original of the portrait. His first impulse was to utter an exclamation of terror, but his breath felt stopped. He was then rising to pursue the figure, but a moment's reflection checked him. What could be more absurd, than to be alarmed or amazed at a resemblance between a living man and the portrait of a dead one! The likeness was doubtless strong enough to strike him even in that darkened room, but it was doubtless only a likeness; and though it might be imposing enough to terrify an old man of gloomy and retired habits, and with a broken constitution, John resolved it should not produce the same effect on him.

But while he was applauding himself for this resolution, the door opened, and the figure appeared at it, beckoning and nodding to him, with a familiarity somewhat terrifying. John now started up, determined to pursue it; but the pursuit was stopped by the weak but shrill cries of his uncle, who was struggling at once with the agonies of death and his housekeeper. The poor woman, anxious for her master's reputation and her own, was trying to put on him a clean shirt and nightcap, and Melmoth, who had just sensation enough to perceive they were taking something from him, continued exclaiming feebly, "They are robbing me,—robbing me in my last moments,—robbing a dying man. John, won't you assist me,—I shall die a beggar; they are taking my last shirt,—I shall die a beggar."—And the miser died.

. . . . .

A few days after the funeral, the will was opened before proper witnesses, and John was found to be left sole heir to his uncle's property, which, though originally moderate, had, by his grasping habits, and parsimonious life, become very considerable.

As the attorney who read the will concluded, he added, "There are some words here, at the corner of the parchment, which do not appear to be part of the will, as they are neither in the form of a codicil, nor is the signature of the testator affixed to them; but, to the best of my belief, they are in the handwriting of the deceased." As he spoke he showed the lines to Melmoth, who immediately recognized his uncle's hand (that perpendicular and penurious hand, that seems determined to make the most of the very paper, thriftily abridging every word, and leaving scarce an atom of margin), and read, not without some emotion, the following words: "I enjoin my nephew and heir, John Melmoth, to remove, destroy, or cause to be destroyed, the portrait inscribed J. Melmoth, 1646, hanging in my closet. I also enjoin him to search for a manuscript, which I think he will find in the third and lowest left-hand drawer of the mahogany chest standing under that portrait,—it is among some papers of no value, such as manuscript sermons, and pamphlets on the improvement of Ireland, and such stuff; he will distinguish it by its being tied round with a black tape, and the paper being very moldy and discolored. He may read it if he will;—I think he had better not. At all events, I adjure him, if there be any power in the adjuration of a dying man, to burn it."

After reading this singular memorandum, the business of the meeting was again resumed; and as old Melmoth's will was very clear and legally worded, all was soon settled, the party dispersed, and John Melmoth was left alone.

. . . . .

He resolutely entered the closet, shut the door, and proceeded to search for the manuscript. It was soon found, for the directions of old Melmoth were forcibly written, and strongly remembered. The manuscript, old, tattered, and discolored, was taken from the very drawer in which it was mentioned to be laid. Melmoth's hands felt as cold as those of his dead uncle, when he drew the blotted pages from their nook. He sat down to read,—there was a dead silence through the house. Melmoth looked wistfully at the candles, snuffed them, and still thought they looked dim, (perchance he thought they burned blue, but such thought he kept to himself). Certain it is, he often changed his posture, and would have changed his chair, had there been more than one in the apartment.

He sank for a few moments into a fit of gloomy abstraction, till the sound of the clock striking twelve made him start,—it was the only sound he had heard for some hours, and the sounds produced by inanimate things, while all living beings around are as dead, have at such an hour an effect indescribably awful. John looked at his manuscript with some reluctance, opened it, paused over the first lines, and as the wind sighed round the desolate apartment, and the rain pattered with a mournful sound against the dismantled window, wished—what did he wish for?—he wished the sound of the wind less dismal, and the dash of the rain less monotonous.—He may be forgiven, it was past midnight, and there was not a human being awake but himself within ten miles when he began to read.

. . . . .

The manuscript was discolored, obliterated, and mutilated beyond any that had ever before exercised the patience of a reader. Michaelis himself, scrutinizing into the pretended autograph of St. Mark at Venice, never had a harder time of it.—Melmoth could make out only a sentence here and there. The writer, it appeared, was an Englishman of the name of Stanton, who had traveled abroad shortly after the Restoration. Traveling was not then attended with the facilities which modern improvement has introduced, and scholars and literati, the intelligent, the idle, and the curious, wandered over the Continent for years, like Tom Corvat, though they had the modesty, on their return, to entitle the result of their multiplied observations and labors only "crudities."

Stanton, about the year 1676, was in Spain; he was, like most of the travelers of that age, a man of literature, intelligence, and curiosity, but ignorant of the language of the country, and fighting his way at times from convent to convent, in quest of what was called "Hospitality," that is, obtaining board and lodging on the condition of holding a debate in Latin, on some point theological or metaphysical, with any monk who would become the champion of the strife. Now, as the theology was Catholic, and the metaphysics Aristotelian, Stanton sometimes wished himself at the miserable Posada from whose filth and famine he had been fighting his escape; but though his reverend antagonists always denounced his creed, and comforted themselves, even in defeat, with the assurance that he must be damned, on the double score of his being a heretic and an Englishman, they were obliged to confess that his Latin was good, and his logic unanswerable; and he was allowed, in most cases, to sup and sleep in peace. This was not doomed to be his fate on the night of the 17th August 1677, when he found himself in the plains of Valencia, deserted by a cowardly guide, who had been terrified by the sight of a cross erected as a memorial of a murder, had slipped off his mule unperceived, crossing himself every step he took on his retreat from the heretic, and left Stanton amid the terrors of an approaching storm, and the dangers of an unknown country. The sublime and yet softened beauty of the scenery around, had filled the soul of Stanton with delight, and he enjoyed that delight as Englishmen generally do, silently.

The magnificent remains of two dynasties that had passed away, the ruins of Roman palaces, and of Moorish fortresses, were around and above him;—the dark and heavy thunder clouds that advanced slowly, seemed like the shrouds of these specters of departed greatness; they approached, but did not yet overwhelm or conceal them, as if Nature herself was for once awed by the power of man; and far below, the lovely valley of Valencia blushed and burned in all the glory of sunset, like a bride receiving the last glowing kiss of the bridegroom before the approach of night. Stanton gazed around. The difference between the architecture of the Roman and Moorish ruins struck him. Among the former are the remains of a theater, and something like a public place; the latter present only the remains of fortresses, embattled, castellated, and fortified from top to bottom,—not a loophole for pleasure to get in by,—the loopholes were only for arrows; all denoted military power and despotic subjugation a l'outrance. The contrast might have pleased a philosopher, and he might have indulged in the reflection, that though the ancient Greeks and Romans were savages (as Dr. Johnson says all people who want a press must be, and he says truly), yet they were wonderful savages for their time, for they alone have left traces of their taste for pleasure in the countries they conquered, in their superb theaters, temples (which were also dedicated to pleasure one way or another), and baths, while other conquering bands of savages never left anything behind them but traces of their rage for power. So thought Stanton, as he still saw strongly defined, though darkened by the darkening clouds, the huge skeleton of a Roman amphitheater, its arched and gigantic colonnades now admitting a gleam of light, and now commingling with the purple thunder cloud; and now the solid and heavy mass of a Moorish fortress, no light playing between its impermeable walls,— the image of power, dark, isolated, impenetrable. Stanton forgot his cowardly guide, his loneliness, his danger amid an approaching storm and an inhospitable country, where his name and country would shut every door against him, and every peal of thunder would be supposed justified by the daring intrusion of a heretic in the dwelling of an old Christian, as the Spanish Catholics absurdly term themselves, to mark the distinction between them and the baptized Moors.

All this was forgot in contemplating the glorious and awful scenery before him,—light struggling with darkness,—and darkness menacing a light still more terrible, and announcing its menace in the blue and livid mass of cloud that hovered like a destroying angel in the air, its arrows aimed, but their direction awfully indefinite. But he ceased to forget these local and petty dangers, as the sublimity of romance would term them, when he saw the first flash of the lightning, broad and red as the banners of an insulting army whose motto is Vae victis, shatter to atoms the remains of a Roman tower;—the rifted stones rolled down the hill, and fell at the feet of Stanton. He stood appalled, and, awaiting his summons from the Power in whose eye pyramids, palaces, and the worms whose toil has formed them, and the worms who toil out their existence under their shadow or their pressure, are perhaps all alike contemptible, he stood collected, and for a moment felt that defiance of danger which danger itself excites, and we love to encounter it as a physical enemy, to bid it "do its worst," and feel that its worst will perhaps be ultimately its best for us. He stood and saw another flash dart its bright, brief, and malignant glance over the ruins of ancient power, and the luxuriance of recent fertility. Singular contrast! The relics of art forever decaying,—the productions of nature forever renewed.—(Alas! for what purpose are they renewed, better than to mock at the perishable monuments which men try in vain to rival them by.) The pyramids themselves must perish, but the grass that grows between their disjointed stones will be renewed from year to year.

Stanton was thinking thus, when all power of thought was suspended, by seeing two persons bearing between them the body of a young, and apparently very lovely girl, who had been struck dead by the lightning. Stanton approached, and heard the voices of the bearers repeating, "There is none who will mourn for her!" "There is none who will mourn for her!" said other voices, as two more bore in their arms the blasted and blackened figure of what had once been a man, comely and graceful;—"there is not ONE to mourn for her now!" They were lovers, and he had been consumed by the flash that had destroyed her, while in the act of endeavoring to defend her. As they were about to remove the bodies, a person approached with a calmness of step and demeanor, as if he were alone unconscious of danger, and incapable of fear; and after looking on them for some time, burst into a laugh so loud, wild, and protracted, that the peasants, starting with as much horror at the sound as at that of the storm, hurried away, bearing the corpses with them. Even Stanton's fears were subdued by his astonishment, and, turning to the stranger, who remained standing on the same spot, he asked the reason of such an outrage on humanity. The stranger, slowly turning round, and disclosing a countenance which—(Here the manuscript was illegible for a few lines), said in English—(A long hiatus followed here, and the next passage that was legible, though it proved to be a continuation of the narrative, was but a fragment.)

. . . . .

The terrors of the night rendered Stanton a sturdy and unappeasable applicant; and the shrill voice of the old woman, repeating, "no heretic—no English—Mother of God protect us—avaunt Satan!"— combined with the clatter of the wooden casement (peculiar to the houses in Valencia) which she opened to discharge her volley of anathematization, and shut again as the lightning glanced through the aperture, were unable to repel his importunate request for admittance, in a night whose terrors ought to soften all the miserable petty local passions into one awful feeling of fear for the Power who caused it, and compassion for those who were exposed to it.—But Stanton felt there was something more than national bigotry in the exclamations of the old woman; there was a peculiar and personal horror of the English.—And he was right; but this did not diminish the eagerness of his. . . .

. . . . .

The house was handsome and spacious, but the melancholy appearance of desertion . . . .

. . . . .

—The benches were by the wall, but there were none to sit there; the tables were spread in what had been the hall, but it seemed as if none had gathered round them for many years;—the clock struck audibly, there was no voice of mirth or of occupation to drown its sound; time told his awful lesson to silence alone;—the hearths were black with fuel long since consumed;—the family portraits looked as if they were the only tenants of the mansion; they seemed to say, from their moldering frames, "there are none to gaze on us;" and the echo of the steps of Stanton and his feeble guide, was the only sound audible between the peals of thunder that rolled still awfully, but more distantly,—every peal like the exhausted murmurs of a spent heart. As they passed on, a shriek was heard. Stanton paused, and fearful images of the dangers to which travelers on the Continent are exposed in deserted and remote habitations, came into his mind. "Don't heed it," said the old woman, lighting him on with a miserable lamp;—"it is only he. . . .

. . . . .

The old woman having now satisfied herself, by ocular demonstration, that her English guest, even if he was the devil, had neither horn, hoof, nor tail, that he could bear the sign of the cross without changing his form, and that, when he spoke, not a puff of sulphur came out of his mouth, began to take courage, and at length commenced her story, which, weary and comfortless as Stanton was, . . . .

. . . . .

Every obstacle was now removed; parents and relations at last gave up all opposition, and the young pair were united. Never was there a lovelier,—they seemed like angels who had only anticipated by a few years their celestial and eternal union. The marriage was solemnized with much pomp, and a few days after there was a feast in that very wainscoted chamber which you paused to remark was so gloomy. It was that night hung with rich tapestry, representing the exploits of the Cid, particularly that of his burning a few Moors who refused to renounce their accursed religion. They were represented beautifully tortured, writhing and howling, and "Mahomet! Mahomet!" issuing out of their mouths, as they called on him in their burning agonies;—you could almost hear them scream. At the upper end of the room, under a splendid estrade, over which was an image of the blessed Virgin, sat Donna Isabella de Cardoza, mother to the bride, and near her Donna Ines, the bride, on rich almohadas; the bridegroom sat opposite to her, and though they never spoke to each other, their eyes, slowly raised, but suddenly withdrawn (those eyes that blushed), told to each other the delicious secret of their happiness. Don Pedro de Cardoza had assembled a large party in honor of his daughter's nuptials; among them was an Englishman of the name of MELMOTH, a traveler; no one knew who had brought him there. He sat silent like the rest, while the iced waters and the sugared wafers were presented to the company. The night was intensely hot, and the moon glowed like a sun over the ruins of Saguntum; the embroidered blinds flapped heavily, as if the wind made an effort to raise them in vain, and then desisted.

(Another defect in the manuscript occurred here, but it was soon supplied.)

. . . . .

The company were dispersed through various alleys of the garden; the bridegroom and bride wandered through one where the delicious perfume of the orange trees mingled itself with that of the myrtles in blow. On their return to the ball, both of them asked, Had the company heard the exquisite sounds that floated through the garden just before they quitted it? No one had heard them. They expressed their surprise. The Englishman had never quitted the hall; it was said he smiled with a most particular and extraordinary expression as the remark was made. His silence had been noticed before, but it was ascribed to his ignorance of the Spanish language, an ignorance that Spaniards are not anxious either to expose or remove by speaking to a stranger. The subject of the music was not again reverted to till the guests were seated at supper, when Donna Ines and her young husband, exchanging a smile of delighted surprise, exclaimed they heard the same delicious sounds floating round them. The guests listened, but no one else could hear it;—everyone felt there was something extraordinary in this. Hush! was uttered by every voice almost at the same moment. A dead silence followed,—you would think, from their intent looks, that they listened with their very eyes. This deep silence, contrasted with the splendor of the feast, and the light effused from torches held by the domestics, produced a singular effect,—it seemed for some moments like an assembly of the dead. The silence was interrupted, though the cause of wonder had not ceased, by the entrance of Father Olavida, the Confessor of Donna Isabella, who had been called away previous to the feast, to administer extreme unction to a dying man in the neighborhood. He was a priest of uncommon sanctity, beloved in the family, and respected in the neighborhood, where he had displayed uncommon taste and talents for exorcism;—in fact, this was the good Father's forte, and he piqued himself on it accordingly. The devil never fell into worse hands than Father Olavida's, for when he was so contumacious as to resist Latin, and even the first verses of the Gospel of St. John in Greek, which the good Father never had recourse to but in cases of extreme stubbornness and difficulty,— (here Stanton recollected the English story of the Boy of Bilson, and blushed even in Spain for his countrymen),—then he always applied to the Inquisition; and if the devils were ever so obstinate before, they were always seen to fly out of the possessed, just as, in the midst of their cries (no doubt of blasphemy), they were tied to the stake. Some held out even till the flames surrounded them; but even the most stubborn must have been dislodged when the operation was over, for the devil himself could no longer tenant a crisp and glutinous lump of cinders. Thus Father Olavida's fame spread far and wide, and the Cardoza family had made uncommon interest to procure him for a Confessor, and happily succeeded. The ceremony he had just been performing had cast a shade over the good Father's countenance, but it dispersed as he mingled among the guests, and was introduced to them. Room was soon made for him, and he happened accidentally to be seated opposite the Englishman. As the wine was presented to him, Father Olavida (who, as I observed, was a man of singular sanctity) prepared to utter a short internal prayer. He hesitated,— trembled,—desisted; and, putting down the wine, wiped the drops from his forehead with the sleeve of his habit. Donna Isabella gave a sign to a domestic, and other wine of a higher quality was offered to him. His lips moved, as if in the effort to pronounce a benediction on it and the company, but the effort again failed; and the change in his countenance was so extraordinary, that it was perceived by all the guests. He felt the sensation that his extraordinary appearance excited, and attempted to remove it by again endeavoring to lift the cup to his lips. So strong was the anxiety with which the company watched him, that the only sound heard in that spacious and crowded hall was the rustling of his habit as he attempted to lift the cup to his lips once more—in vain. The guests sat in astonished silence. Father Olavida alone remained standing; but at that moment the Englishman rose, and appeared determined to fix Olavida's regards by a gaze like that of fascination. Olavida rocked, reeled, grasped the arm of a page, and at last, closing his eyes for a moment, as if to escape the horrible fascination of that unearthly glare (the Englishman's eyes were observed by all the guests, from the moment of his entrance, to effuse a most fearful and preternatural luster), exclaimed, "Who is among us?—Who?—I cannot utter a blessing while he is here. I cannot feel one. Where he treads, the earth is parched!—Where he breathes, the air is fire!—Where he feeds, the food is poison!— Where he turns his glance is lightning!—WHO IS AMONG US?—WHO?" repeated the priest in the agony of adjuration, while his cowl fallen back, his few thin hairs around the scalp instinct and alive with terrible emotion, his outspread arms protruded from the sleeves of his habit, and extended toward the awful stranger, suggested the idea of an inspired being in the dreadful rapture of prophetic denunciation. He stood—still stood, and the Englishman stood calmly opposite to him. There was an agitated irregularity in the attitudes of those around them, which contrasted strongly the fixed and stern postures of those two, who remained gazing silently at each other. "Who knows him?" exclaimed Olavida, starting apparently from a trance; "who knows him? who brought him here?"

The guests severally disclaimed all knowledge of the Englishman, and each asked the other in whispers, "who HAD brought him there?" Father Olavida then pointed his arm to each of the company, and asked each individually, "Do you know him?" No! no! no!" was uttered with vehement emphasis by every individual. "But I know him," said Olavida, "by these cold drops!" and he wiped them off;— "by these convulsed joints!" and he attempted to sign the cross, but could not. He raised his voice, and evidently speaking with increased difficulty,—"By this bread and wine, which the faithful receive as the body and blood of Christ, but which HIS presence converts into matter as viperous as the suicide foam of the dying Judas,—by all these—I know him, and command him to be gone!—He is—he is—" and he bent forward as he spoke, and gazed on the Englishman with an expression which the mixture of rage, hatred, and fear rendered terrible. All the guests rose at these words,— the whole company now presented two singular groups, that of the amazed guests all collected together, and repeating, "Who, what is he?" and that of the Englishman, who stood unmoved, and Olavida, who dropped dead in the attitude of pointing to him.

. . . . .

The body was removed into another room, and the departure of the Englishman was not noticed till the company returned to the hall. They sat late together, conversing on this extraordinary circumstance, and finally agreed to remain in the house, lest the evil spirit (for they believed the Englishman no better) should take certain liberties with the corse by no means agreeable to a Catholic, particularly as he had manifestly died without the benefit of the last sacraments. Just as this laudable resolution was formed, they were roused by cries of horror and agony from the bridal chamber, where the young pair had retired.

They hurried to the door, but the father was first. They burst it open, and found the bride a corse in the arms of her husband.

. . . . .

He never recovered his reason; the family deserted the mansion rendered terrible by so many misfortunes. One apartment is still tenanted by the unhappy maniac; his were the cries you heard as you traversed the deserted rooms. He is for the most part silent during the day, but at midnight he always exclaims, in a voice frightfully piercing, and hardly human, "They are coming! they are coming!" and relapses into profound silence.

The funeral of Father Olavida was attended by an extraordinary circumstance. He was interred in a neighboring convent; and the reputation of his sanctity, joined to the interest caused by his extraordinary death, collected vast numbers at the ceremony. His funeral sermon was preached by a monk of distinguished eloquence, appointed for the purpose. To render the effect of his discourse more powerful, the corse, extended on a bier, with its face uncovered, was placed in the aisle. The monk took his text from one of the prophets,—"Death is gone up into our palaces." He expatiated on mortality, whose approach, whether abrupt or lingering, is alike awful to man.—He spoke of the vicisstudes of empires with much eloquence and learning, but his audience were not observed to be much affected.—He cited various passages from the lives of the saints, descriptive of the glories of martyrdom, and the heroism of those who had bled and blazed for Christ and his blessed mother, but they appeared still waiting for something to touch them more deeply. When he inveighed against the tyrants under whose bloody persecution those holy men suffered, his hearers were roused for a moment, for it is always easier to excite a passion than a moral feeling. But when he spoke of the dead, and pointed with emphatic gesture to the corse, as it lay before them cold and motionless, every eye was fixed, and every ear became attentive. Even the lovers, who, under pretense of dipping their fingers into the holy water, were contriving to exchange amorous billets, forbore for one moment this interesting intercourse, to listen to the preacher. He dwelt with much energy on the virtues of the deceased, whom he declared to be a particular favorite of the Virgin; and enumerating the various losses that would be caused by his departure to the community to which he belonged, to society, and to religion at large; he at last worked up himself to a vehement expostulation with the Deity on the occasion. "Why hast thou," he exclaimed, "why hast thou, Oh God! thus dealt with us? Why hast thou snatched from our sight this glorious saint, whose merits, if properly applied, doubtless would have been sufficient to atone for the apostasy of St. Peter, the opposition of St. Paul (previous to his conversion), and even the treachery of Judas himself? Why hast thou, Oh God! snatched him from us?"—and a deep and hollow voice from among the congregation answered,—"Because he deserved his fate." The murmurs of approbation with which the congregation honored this apostrophe half drowned this extraordinary interruption; and though there was some little commotion in the immediate vicinity of the speaker, the rest of the audience continued to listen intently. "What," proceeded the preacher, pointing to the corse, "what hath laid thee there, servant of God?"—"Pride, ignorance, and fear," answered the same voice, in accents still more thrilling. The disturbance now became universal. The preacher paused, and a circle opening, disclosed the figure of a monk belonging to the convent, who stood among them.

. . . . .

After all the usual modes of admonition, exhortation, and discipline had been employed, and the bishop of the diocese, who, under the report of these extraordinary circumstances, had visited the convent in person to obtain some explanation from the contumacious monk in vain, it was agreed, in a chapter extraordinary, to surrender him to the power of the Inquisition. He testified great horror when this determination was made known to him,—and offered to tell over and over again all that he COULD relate of the cause of Father Olavida's death. His humiliation, and repeated offers of confession, came too late. He was conveyed to the Inquisition. The proceedings of that tribunal are rarely disclosed, but there is a secret report (I cannot answer for its truth) of what he said and suffered there. On his first examination, he said he would relate all he COULD. He was told that was not enough, he must relate all he knew.

. . . . .

"Why did you testify such horror at the funeral of Father Olavida?"—"Everyone testified horror and grief at the death of that venerable ecclesiastic, who died in the odor of sanctity. Had I done otherwise, it might have been reckoned a proof of my guilt." "Why did you interrupt the preacher with such extraordinary exclamations?"—To this no answer. "Why do you refuse to explain the meaning of those exclamations?"—No answer. "Why do you persist in this obstinate and dangerous silence? Look, I beseech you, brother, at the cross that is suspended against this wall," and the Inquisitor pointed to the large black crucifix at the back of the chair where he sat; "one drop of the blood shed there can purify you from all the sin you have ever committed; but all that blood, combined with the intercession of the Queen of Heaven, and the merits of all its martyrs, nay, even the absolution of the Pope, cannot deliver you from the curse of dying in unrepented sin."—"What sin, then, have I committed?"—"The greatest of all possible sins; you refuse answering the questions put to you at the tribunal of the most holy and merciful Inquisition;—you will not tell us what you know concerning the death of Father Olavida."—"I have told you that I believe he perished in consequence of his ignorance and presumption." "What proof can you produce of that?"— "He sought the knowledge of a secret withheld from man." "What was that?"—"The secret of discovering the presence or agency of the evil power." "Do you possess that secret?"—After much agitation on the part of the prisoner, he said distinctly, but very faintly, "My master forbids me to disclose it." "If your master were Jesus Christ, he would not forbid you to obey the commands, or answer the questions of the Inquisition."—"I am not sure of that." There was a general outcry of horror at these words. The examination then went on. "If you believed Olavida to be guilty of any pursuits or studies condemned by our mother the church, why did you not denounce him to the Inquisition?"—"Because I believed him not likely to be injured by such pursuits; his mind was too weak,— he died in the struggle," said the prisoner with great emphasis. "You believe, then, it requires strength of mind to keep those abominable secrets, when examined as to their nature and tendency?"—"No, I rather imagine strength of body." "We shall try that presently," said an Inquisitor, giving a signal for the torture.

. . . . .

The prisoner underwent the first and second applications with unshrinking courage, but on the infliction of the water-torture, which is indeed insupportable to humanity, either to suffer or relate, he exclaimed in the gasping interval, he would disclose everything. He was released, refreshed, restored, and the following day uttered the following remarkable confession. . . .

. . . . .

The old Spanish woman further confessed to Stanton, that. . . .

. . . . .

and that the Englishman certainly had been seen in the neighborhood since;—seen, as she had heard, that very night. "Great G—d!" exclaimed Stanton, as he recollected the stranger whose demoniac laugh had so appalled him, while gazing on the lifeless bodies of the lovers, whom the lightning had struck and blasted.

As the manuscript, after a few blotted and illegible pages, became more distinct, Melmoth read on, perplexed and unsatisfied, not knowing what connection this Spanish story could have with his ancestor, whom, however, he recognized under the title of the Englishman; and wondering how Stanton could have thought it worth his while to follow him to Ireland, write a long manuscript about an event that occurred in Spain, and leave it in the hands of his family, to "verify untrue things," in the language of Dogberry,— his wonder was diminished, though his curiosity was still more inflamed, by the perusal of the next lines, which he made out with some difficulty. It seems Stanton was now in England.

. . . . .

About the year 1677, Stanton was in London, his mind still full of his mysterious countryman. This constant subject of his contemplations had produced a visible change in his exterior,—his walk was what Sallust tells us of Catiline's,—his were, too, the "faedi oculi." He said to himself every moment, "If I could but trace that being, I will not call him man,"—and the next moment he said, "and what if I could?" In this state of mind, it is singular enough that he mixed constantly in public amusements, but it is true. When one fierce passion is devouring the soul, we feel more than ever the necessity of external excitement; and our dependence on the world for temporary relief increases in direct proportion to our contempt of the world and all its works. He went frequently to the theaters, THEN fashionable, when

"The fair sat panting at a courtier's play, And not a mask went unimproved away."

. . . . .

It was that memorable night, when, according to the history of the veteran Betterton,* Mrs. Barry, who personated Roxana, had a green- room squabble with Mrs. Bowtell, the representative of Statira, about a veil, which the partiality of the property man adjudged to the latter. Roxana suppressed her rage till the fifth act, when, stabbing Statira, she aimed the blow with such force as to pierce through her stays, and inflict a severe though not dangerous wound. Mrs. Bowtell fainted, the performance was suspended, and, in the commotion which this incident caused in the house, many of the audience rose, and Stanton among them. It was at this moment that, in a seat opposite to him, he discovered the object of his search for four years,—the Englishman whom he had met in the plains of Valencia, and whom he believed the same with the subject of the extraordinary narrative he had heard there.

* Vide Betterton's History of the Stage.

He was standing up. There was nothing particular or remarkable in his appearance, but the expression of his eyes could never be mistaken or forgotten. The heart of Stanton palpitated with violence,—a mist overspread his eye,—a nameless and deadly sickness, accompanied with a creeping sensation in every pore, from which cold drops were gushing, announced the. . . .

. . . . .

Before he had well recovered, a strain of music, soft, solemn, and delicious, breathed round him, audibly ascending from the ground, and increasing in sweetness and power till it seemed to fill the whole building. Under the sudden impulse of amazement and pleasure, he inquired of some around him from whence those exquisite sounds arose. But, by the manner in which he was answered, it was plain that those he addressed considered him insane; and, indeed, the remarkable change in his expression might well justify the suspicion. He then remembered that night in Spain, when the same sweet and mysterious sounds were heard only by the young bridegroom and bride, of whom the latter perished on that very night. "And am I then to be the next victim?" thought Stanton; "and are those celestial sounds, that seem to prepare us for heaven, only intended to announce the presence of an incarnate fiend, who mocks the devoted with 'airs from heaven,' while he prepares to surround them with 'blasts from hell'?" It is very singular that at this moment, when his imagination had reached its highest pitch of elevation,—when the object he had pursued so long and fruitlessly, had in one moment become as it were tangible to the grasp both of mind and body,—when this spirit, with whom he had wrestled in darkness, was at last about to declare its name, that Stanton began to feel a kind of disappointment at the futility of his pursuits, like Bruce at discovering the source of the Nile, or Gibbon on concluding his History. The feeling which he had dwelt on so long, that he had actually converted it into a duty, was after all mere curiosity; but what passion is more insatiable, or more capable of giving a kind of romantic grandeur to all its wanderings and eccentricities? Curiosity is in one respect like love, it always compromises between the object and the feeling; and provided the latter possesses sufficient energy, no matter how contemptible the former may be. A child might have smiled at the agitation of Stanton, caused as it was by the accidental appearance of a stranger; but no man, in the full energy of his passions, was there, but must have trembled at the horrible agony of emotion with which he felt approaching, with sudden and irresistible velocity, the crisis of his destiny.

When the play was over, he stood for some moments in the deserted streets. It was a beautiful moonlight night, and he saw near him a figure, whose shadow, projected half across the street (there were no flagged ways then, chains and posts were the only defense of the foot passenger), appeared to him of gigantic magnitude. He had been so long accustomed to contend with these phantoms of the imagination, that he took a kind of stubborn delight in subduing them. He walked up to the object, and observing the shadow only was magnified, and the figure was the ordinary height of man, he approached it, and discovered the very object of his search,—the man whom he had seen for a moment in Valencia, and, after a search of four years, recognized at the theater.

. . . . .

"You were in quest of me?"—"I was." "Have you anything to inquire of me?"—"Much." "Speak, then."—"This is no place." "No place! poor wretch, I am independent of time and place. Speak, if you have anything to ask or to learn."—"I have many things to ask, but nothing to learn, I hope, from you." "You deceive yourself, but you will be undeceived when next we meet."—"And when shall that be?" said Stanton, grasping his arm; "name your hour and your place." "The hour shall be midday," answered the stranger, with a horrid and unintelligible smile; "and the place shall be the bare walls of a madhouse, where you shall rise rattling in your chains, and rustling from your straw, to greet me,—yet still you shall have THE CURSE OF SANITY, and of memory. My voice shall ring in your ears till then, and the glance of these eyes shall be reflected from every object, animate or inanimate, till you behold them again."—"Is it under circumstances so horrible we are to meet again?" said Stanton, shrinking under the full-lighted blaze of those demon eyes. "I never," said the stranger, in an emphatic tone,—"I never desert my friends in misfortune. When they are plunged in the lowest abyss of human calamity, they are sure to be visited by me."

. . . . .

The narrative, when Melmoth was again able to trace its continuation, described Stanton, some years after, plunged in a state the most deplorable.

He had been always reckoned of a singular turn of mind, and the belief of this, aggravated by his constant talk of Melmoth, his wild pursuit of him, his strange behavior at the theater, and his dwelling on the various particulars of their extraordinary meetings, with all the intensity of the deepest conviction (while he never could impress them on any one's conviction but his own), suggested to some prudent people the idea that he was deranged. Their malignity probably took part with their prudence. The selfish Frenchman* says, we feel a pleasure even in the misfortunes of our friends,—a plus forte in those of our enemies; and as everyone is an enemy to a man of genius of course, the report of Stanton's malady was propagated with infernal and successful industry. Stanton's next relative, a needy unprincipled man, watched the report in its circulation, and saw the snares closing round his victim. He waited on him one morning, accompanied by a person of a grave, though somewhat repulsive appearance. Stanton was as usual abstracted and restless, and, after a few moments' conversation, he proposed a drive a few miles out of London, which he said would revive and refresh him. Stanton objected, on account of the difficulty of getting a hackney coach (for it is singular that at this period the number of private equipages, though infinitely fewer than they are now, exceeded the number of hired ones), and proposed going by water. This, however, did not suit the kinsman's views; and, after pretending to send for a carriage (which was in waiting at the end of the street), Stanton and his companions entered it, and drove about two miles out of London.

* Rochefoucauld.

The carriage then stopped. Come, Cousin," said the younger Stanton,—"come and view a purchase I have made." Stanton absently alighted, and followed him across a small paved court; the other person followed. "In troth, Cousin," said Stanton, "your choice appears not to have been discreetly made; your house has somewhat of a gloomy aspect."—"Hold you content, Cousin," replied the other; "I shall take order that you like it better, when you have been some time a dweller therein." Some attendants of a mean appearance, and with most suspicious visages, awaited them on their entrance, and they ascended a narrow staircase, which led to a room meanly furnished. "Wait here," said the kinsman, to the man who accompanied them, "till I go for company to divertise my cousin in his loneliness." They were left alone. Stanton took no notice of his companion, but as usual seized the first book near him, and began to read. It was a volume in manuscript,—they were then much more common than now.

The first lines struck him as indicating insanity in the writer. It was a wild proposal (written apparently after the great fire of London) to rebuild it with stone, and attempting to prove, on a calculation wild, false, and yet sometimes plausible, that this could be done out of the colossal fragments of Stonehenge, which the writer proposed to remove for that purpose. Subjoined were several grotesque drawings of engines designed to remove those massive blocks, and in a corner of the page was a note,—"I would have drawn these more accurately, but was not allowed a KNIFE to mend my pen."

The next was entitled, "A modest proposal for the spreading of Christianity in foreign parts, whereby it is hoped its entertainment will become general all over the world."—This modest proposal was, to convert the Turkish ambassadors (who had been in London a few years before), by offering them their choice of being strangled on the spot, or becoming Christians. Of course the writer reckoned on their embracing the easier alternative, but even this was to be clogged with a heavy condition,—namely, that they must be bound before a magistrate to convert twenty Mussulmans a day, on their return to Turkey. The rest of the pamphlet was reasoned very much in the conclusive style of Captain Bobadil,— these twenty will convert twenty more apiece, and these two hundred converts, converting their due number in the same time, all Turkey would be converted before the Grand Signior knew where he was. Then comes the coup d'eclat,—one fine morning, every minaret in Constantinople was to ring out with bells, instead of the cry of the Muezzins; and the Imaum, coming out to see what was the matter, was to be encountered by the Archbishop of Canterbury, in pontificalibus, performing Cathedral service in the church of St. Sophia, which was to finish the business. Here an objection appeared to arise, which the ingenuity of the writer had anticipated.—"It may be redargued," saith he, "by those who have more spleen than brain, that forasmuch as the Archbishop preacheth in English, he will not thereby much edify the Turkish folk, who do altogether hold in a vain gabble of their own." But this (to use his own language) he "evites," by judiciously observing, that where service was performed in an unknown tongue, the devotion of the people was always observed to be much increased thereby; as, for instance, in the church of Rome,—that St. Augustine, with his monks, advanced to meet King Ethelbert singing litanies (in a language his majesty could not possibly have understood), and converted him and his whole court on the spot;—that the sybilline books. . . .

. . . . .

Cum multis aliis.

Between the pages were cut most exquisitely in paper the likenesses of some of these Turkish ambassadors; the hair of the beards, in particular, was feathered with a delicacy of touch that seemed the work of fairy fingers,—but the pages ended with a complaint of the operator, that his scissors had been taken from him. However, he consoled himself and the reader with the assurance, that he would that night catch a moonbeam as it entered through the grating, and, when he had whetted it on the iron knobs of his door, would do wonders with it. In the next page was found a melancholy proof of powerful but prostrated intellect. It contained some insane lines, ascribed to Lee the dramatic poet, commencing,

"O that my lungs could bleat like buttered pease," &c.

There is no proof whatever that these miserable lines were really written by Lee, except that the measure is the fashionable quatrain of the period. It is singular that Stanton read on without suspicion of his own danger, quite absorbed in the album of a madhouse, without ever reflecting on the place where he was, and which such compositions too manifestly designated.

It was after a long interval that he looked round, and perceived that his companion was gone. Bells were unusual then. He proceeded to the door,—it was fastened. He called aloud,—his voice was echoed in a moment by many others, but in tones so wild and discordant, that he desisted in involuntary terror. As the day advanced, and no one approached, he tried the window, and then perceived for the first time it was grated. It looked out on the narrow flagged yard, in which no human being was; and if there had, from such a being no human feeling could have been extracted.

Sickening with unspeakable horror, he sunk rather than sat down beside the miserable window, and "wished for day."

. . . . .

At midnight he started from a doze, half a swoon, half a sleep, which probably the hardness of his seat, and of the deal table on which he leaned, had not contributed to prolong.

He was in complete darkness; the horror of his situation struck him at once, and for a moment he was indeed almost qualified for an inmate of that dreadful mansion. He felt his way to the door, shook it with desperate strength, and uttered the most frightful cries, mixed with expostulations and commands. His cries were in a moment echoed by a hundred voices. In maniacs there is a peculiar malignity, accompanied by an extraordinary acuteness of some of the senses, particularly in distinguishing the voice of a stranger. The cries that he heard on every side seemed like a wild and infernal yell of joy, that their mansion of misery had obtained another tenant.

He paused, exhausted,—a quick and thundering step was heard in the passage. The door was opened, and a man of savage appearance stood at the entrance,—two more were seen indistinctly in the passage. "Release me, villain!"—"Stop, my fine fellow, what's all this noise for?" "Where am I?" "Where you ought to be." "Will you dare to detain me?"—"Yes, and a little more than that," answered the ruffian, applying a loaded horsewhip to his back and shoulders, till the patient soon fell to the ground convulsed with rage and pain. "Now you see you are where you ought to be," repeated the ruffian, brandishing the horsewhip over him, "and now take the advice of a friend, and make no more noise. The lads are ready for you with the darbies, and they'll clink them on in the crack of this whip, unless you prefer another touch of it first." They then were advancing into the room as he spoke, with fetters in their hands (strait waistcoats being then little known or used), and showed, by their frightful countenances and gestures, no unwillingness to apply them. Their harsh rattle on the stone pavement made Stanton's blood run cold; the effect, however, was useful. He had the presence of mind to acknowledge his (supposed) miserable condition, to supplicate the forbearance of the ruthless keeper, and promise complete submission to his orders. This pacified the ruffian, and he retired.

Stanton collected all his resolution to encounter the horrible night; he saw all that was before him, and summoned himself to meet it. After much agitated deliberation, he conceived it best to continue the same appearance of submission and tranquillity, hoping that thus he might in time either propitiate the wretches in whose hands he was, or, by his apparent inoffensiveness, procure such opportunities of indulgence, as might perhaps ultimately facilitate his escape. He therefore determined to conduct himself with the utmost tranquillity, and never to let his voice be heard in the house; and he laid down several other resolutions with a degree of prudence which he already shuddered to think might be the cunning of incipient madness, or the beginning result of the horrid habits of the place.

These resolutions were put to desperate trial that very night. Just next to Stanton's apartment were lodged two most uncongenial neighbors. One of them was a puritanical weaver, who had been driven mad by a single sermon from the celebrated Hugh Peters, and was sent to the madhouse as full of election and reprobation as he could hold,—and fuller. He regularly repeated over the five points while daylight lasted, and imagined himself preaching in a conventicle with distinguished success; toward twilight his visions were more gloomy, and at midnight his blasphemies became horrible. In the opposite cell was lodged a loyalist tailor, who had been ruined by giving credit to the cavaliers and their ladies,—(for at this time, and much later, down to the reign of Anne, tailors were employed by females even to make and fit on their stays),—who had run mad with drink and loyalty on the burning of the Rump, and ever since had made the cells of the madhouse echo with fragments of the ill-fated Colonel Lovelace's song, scraps from Cowley's "Cutter of Coleman street," and some curious specimens from Mrs. Aphra Behn's plays, where the cavaliers are denominated the heroicks, and Lady Lambert and Lady Desborough represented as going to meeting, their large Bibles carried before them by their pages, and falling in love with two banished cavaliers by the way. The voice in which he shrieked out such words was powerfully horrible, but it was like the moan of an infant compared to the voice which took up and reechoed the cry, in a tone that made the building shake. It was the voice of a maniac, who had lost her husband, children, subsistence, and finally her reason, in the dreadful fire of London. The cry of fire never failed to operate with terrible punctuality on her associations. She had been in a disturbed sleep, and now started from it as suddenly as on that dreadful night. It was Saturday night too, and she was always observed to be particularly violent on that night,—it was the terrible weekly festival of insanity with her. She was awake, and busy in a moment escaping from the flames; and she dramatized the whole scene with such hideous fidelity, that Stanton's resolution was far more in danger from her than from the battle between his neighbors Testimony and Hothead. She began exclaiming she was suffocated by the smoke; then she sprung from her bed, calling for a light, and appeared to be struck by the sudden glare that burst through her casement.—"The last day," she shrieked, "The last day! The very heavens are on fire!"—"That will not come till the Man of Sin be first destroyed," cried the weaver; "thou ravest of light and fire, and yet thou art in utter darkness.—I pity thee, poor mad soul, I pity thee!" The maniac never heeded him; she appeared to be scrambling up a staircase to her children's room. She exclaimed she was scorched, singed, suffocated; her courage appeared to fail, and she retreated. "But my children are there!" she cried in a voice of unspeakable agony, as she seemed to make another effort; "here I am—here I am come to save you.—Oh God! They are all blazing!—Take this arm—no, not that, it is scorched and disabled— well, any arm—take hold of my clothes—no, they are blazing too!— Well, take me all on fire as I am!—And their hair, how it hisses!—Water, one drop of water for my youngest—he is but an infant—for my youngest, and let me burn!" She paused in horrid silence, to watch the fall of a blazing rafter that was about to shatter the staircase on which she stood.—"The roof has fallen on my head!" she exclaimed. "The earth is weak, and all the inhabitants thereof," chanted the weaver; "I bear up the pillars of it."