Each of the other girls had been escorted by a youth of the place, and, one by one, joining these escorts in the hall outside the door, they descended the stairs, until only Ariel was left. She came down alone after the first dance had begun, and greeted her young hostess's mother timidly. Mrs. Pike—a small, frightened-looking woman with a ruby necklace—answered her absently, and hurried away to see that the [v]imported waiters did not steal anything.

Ariel sat in one of the chairs against the wall and watched the dancers with a smile of eager and benevolent interest. In Canaan no parents, no guardians or aunts were haled forth o' nights to [v]duenna the junketings of youth; Mrs. Pike did not reappear, and Ariel sat conspicuously alone; there was nothing else for her to do, but it was not an easy matter.

When the first dance reached an end, Mamie Pike came to her for a moment with a cheery welcome, and was immediately surrounded by a circle of young men and women, flushed with dancing, shouting as was their wont, laughing [v]inexplicably over words and phrases and unintelligible [v]monosyllables, as if they all belonged to a secret society and these cries were symbols of things exquisitely humorous, which only they understood. Ariel laughed with them more heartily than any other, so that she might seem to be of them and as merry as they were; but almost immediately she found herself outside of the circle, and presently they all whirled away into another dance, and she was left alone again.

So she sat, no one coming near her, through several dances, trying to maintain the smile of delighted interest upon her face, though she felt the muscles of her face beginning to ache with their fixedness, her eyes growing hot and glazed. All the other girls were provided with partners for every dance, with several young men left over, these latter lounging [v]hilariously together in the doorways. Ariel was careful not to glance toward them, but she could not help hating them. Once or twice between the dances she saw Miss Pike speak appealingly to one of the [v]superfluous, glancing, at the same time, in her own direction, and Ariel could see, too, that the appeal proved unsuccessful, until at last Mamie approached her, leading Norbert Flitcroft, partly by the hand, partly by will power. Norbert was an excessively fat boy, and at the present moment looked as patient as the blind. But he asked Ariel if she was "engaged for the next dance," and, Mamie, having flitted away, stood [v]disconsolately beside her, waiting for the music to begin. Ariel was grateful for him.

"I think you must be very good-natured, Mr. Flitcroft," she said, with an air of [v]raillery.

"No, I'm not," he replied, [v]plaintively. "Everybody thinks I am, because I'm fat, and they expect me to do things they never dream of asking anybody else to do. I'd like to see 'em even ask 'Gene Bantry to go and do some of the things they get me to do! A person isn't good-natured just because he's fat," he concluded, morbidly, "but he might as well be!"

"Oh, I meant good-natured," she returned, with a sprightly laugh, "because you're willing to waltz with me."

"Oh, well," he returned, sighing, "that's all right."

The orchestra flourished into "La Paloma"; he put his arm mournfully about her, and taking her right hand with his left, carried her arm out to a rigid right angle, beginning to pump and balance for time. They made three false starts and then got away. Ariel danced badly; she hopped and lost the step, but they persevered, bumping against other couples continually. Circling breathlessly into the next room, they passed close to a long mirror, in which Ariel saw herself, although in a flash, more bitterly contrasted to the others than in the cheval-glass of the dressing-room. The clump of roses was flopping about her neck, her crimped hair looked frowzy, and there was something terribly wrong about her dress. Suddenly she felt her train to be [v]grotesque, as a thing following her in a nightmare.

A moment later she caught her partner making a [v]burlesque face of suffering over her shoulder, and, turning her head quickly, saw for whose benefit he had constructed it. Eugene Bantry, flying expertly by with Mamie, was bestowing upon Mr. Flitcroft a commiserative wink. The next instant she tripped in her train and fell to the floor at Eugene's feet, carrying her partner with her.

There was a shout of laughter. The young hostess stopped Eugene, who would have gone on, and he had no choice but to stoop to Ariel's assistance.

"It seems to be a habit of mine," she said, laughing loudly.

She did not appear to see the hand he offered, but got on her feet without help and walked quickly away with Norbert, who proceeded to live up to the character he had given himself.

"Perhaps we had better not try it again," she laughed.

"Well, I should think not," he returned with the frankest gloom. With the air of conducting her home, he took her to the chair against the wall whence he had brought her. There his responsibility for her seemed to cease. "Will you excuse me?" he asked, and there was no doubt he felt that he had been given more than his share that evening, even though he was fat.

"Yes, indeed." Her laughter was continuous. "I should think you would be glad to get rid of me after that. Ha, ha, ha! Poor Mr. Flitcroft, you know you are!"

It was the deadly truth, and the fat one, saying, "Well, if you'll excuse me now," hurried away with a step which grew lighter as the distance from her increased. Arrived at the haven of a far doorway, he mopped his brow and shook his head grimly in response to frequent rallyings.

Ariel sat through more dances, interminable dances and intermissions, in that same chair, in which it began to seem she was to live out the rest of her life. Now and then, if she thought people were looking at her as they passed, she broke into a laugh and nodded slightly, as if still amused over her mishap.

After a long time she rose, and laughing cheerfully to Mr. Flitcroft, who was standing in the doorway and replied with a wan smile, stepped out quickly into the hall, where she almost ran into her great-uncle, Jonas Tabor. He was going toward the big front doors with Judge Pike, having just come out of the latter's library, down the hall.

Jonas was breathing heavily and was shockingly pale, though his eyes were very bright. He turned his back upon his grandniece sharply and went out of the door. Ariel reentered the room whence she had come. She laughed again to her fat friend as she passed him, went to the window and looked out. The porch seemed deserted and was faintly illuminated by a few Japanese lanterns. She sprang out, dropped upon the divan, and burying her face in her hands, cried heart-brokenly.

Presently she felt something alive touch her foot, and, her breath catching with alarm, she started to rise. A thin hand, issuing from a shabby sleeve, had stolen out between two of the green tubs and was pressing upon one of her shoes.

"Sh!" warned a voice. "Don't make a noise!"

The warning was not needed; she had recognized the hand and sleeve instantly. It was her playmate and lifelong friend, Joe Louden.

"What were you going on about?" he asked angrily.

"Nothing," she answered. "I wasn't. You must go away; you know the Judge doesn't like you."

"What were you crying about?" interrupted the uninvited guest.

"Nothing, I tell you!" she repeated, the tears not ceasing to gather in her eyes. "I wasn't."

"I want to know what it was," he insisted. "Didn't the fools ask you to dance! Ah! You needn't tell me. That's it. I've been here, watching, for the last three dances and you weren't in sight till you came to the window. Well, what do you care about that for!"

"I don't," she answered. "I don't!" Then suddenly, without being able to prevent it, she sobbed.

"No," he said, gently, "I see you don't. And you let yourself be a fool because there are a lot of fools in there."

She gave way, all at once, to a gust of sorrow and bitterness; she bent far over and caught his hand and laid it against her wet cheek. "Oh, Joe," she whispered, brokenly, "I think we have such hard lives, you and I! It doesn't seem right—while we're so young! Why can't we be like the others? Why can't we have some of the fun?"

He withdrew his hand, with the embarrassment and shame he would have felt had she been a boy.

"Get out!" he said, feebly.

She did not seem to notice, but, still stooping, rested her elbows on her knees and her face in her hands. "I try so hard to have some fun, to be like the rest—and it's always a mistake, always, always, always!" She rocked herself slightly from side to side. "I'm a fool, it's the truth, or I wouldn't have come to-night. I want to be attractive—I want to be in things. I want to laugh as they do—"

"To laugh, just to laugh, and not because there's something funny?"

"Yes, I do, I do! And to know how to dress and to wear my hair—there must be some place where you can learn those things. I've never had any one to show me! It's only lately I've cared, but I'm seventeen, Joe—" She faltered, came to a stop, and her whole body was shaken with sobs. "I hate myself so for crying—for everything!"

Just then a colored waiter, smiling graciously, came out upon the porch, bearing a tray of salad, hot oysters, and coffee. At his approach, Joe had fallen prone on the floor in the shadow. Ariel shook her head to the proffer of refreshments.

"I don't want any," she murmured.

The waiter turned away in pity and was reentering the window when a passionate whisper fell upon his ear as well as upon Ariel's.

"Take it!"

"Ma'am?" said the waiter.

"I've changed my mind," she replied quickly. The waiter, his elation restored, gave of his viands with the [v]superfluous bounty loved by his race when distributing the product of the wealthy.

When he had gone, "Give me everything that's hot," said Joe. "You can keep the salad."

"I couldn't eat it or anything else," she answered, thrusting the plate between the palms.

For a time there was silence. From within the house came the continuous babble of voices and laughter, the clink of [v]cutlery on china. The young people spent a long time over their supper. By and by the waiter returned to the veranda, deposited a plate of colored ices upon Ariel's knees with a noble gesture, and departed.

"No ice for me," said Joe.

"Won't you please go now?" she entreated.

"It wouldn't be good manners," he joked. "They might think I only came for the supper."

"Give me the dish and coffee-cup," she whispered, impatiently. "Suppose the waiter came and had to look for them? Quick!"

A bottle-shaped figure appeared in the window, and she had no time to take the plate and cup which were being pushed through the palm-leaves. She whispered a word of warning, and the dishes were hurriedly withdrawn as Norbert Flitcroft, wearing a solemn expression of injury, came out upon the veranda.

"They want you. Some one's come for you."

"Oh, is grandfather waiting?" She rose.

"It isn't your grandfather that has come for you," answered the fat one, slowly. "It is Eskew Arp. Something's happened."

She looked at him for a moment, beginning to tremble violently, her eyes growing wide with fright.

"Is my grandfather—is he sick?"

"You'd better go and see. Old Eskew's waiting in the hall. He'll tell you."

She was by him and through the window instantly. Mr. Arp was waiting in the hall, talking in a low voice to Mrs. Pike.

"Your grandfather's all right," he told the frightened girl quickly. "He sent me for you. Just hurry and get your things."

She was with him again in a moment, and seizing the old man's arm, hurried him down the steps and toward the street almost at a run.

"You're not telling me the truth," she said. "You're not telling me the truth!"

"Nothing has happened to Roger Tabor," panted Mr. Arp. "We're going this way, not that." They had come to the gate, and as she turned to the right he pulled her sharply to the left.

"Where are we going?" she demanded.

"To your Uncle Jonas's."

"Why?" she cried, in supreme astonishment. "What do you want to take me there for? Don't you know that he doesn't like me—that he has stopped speaking to me?"

"Yes," said the old man, grimly; "he has stopped speaking to everybody."

These startling words told Ariel that her uncle was dead. They did not tell her what she was soon to learn—that he had died rich, and that, failing other heirs, she and her grandfather had inherited his fortune.

II

It was Sunday in Canaan—Sunday some years later. Joe Louden was sitting in the shade of Main Street bridge, smoking a cigar. He was alone; he was always alone, for he had been away a long time, and had made few friends since his return.

A breeze wandered up the river and touched the leaves and grass to life. The young corn, deep green in the bottom-land, moved with a [v]staccato flurry; the stirring air brought a smell of blossoms; the distance took on faint lavender hazes which blended the outlines of the fields, lying like square coverlets on the long slope of rising ground beyond the bottom-land, and empurpled the blue woodland shadows of the groves.

For the first time it struck Joe that it was a beautiful day. He opened his eyes and looked about him whimsically. Then he shook his head again. A lady had just emerged from the bridge and was coming toward him.

It would be hard to get at Joe's first impressions of her. We can find conveyance for only the broadest and heaviest. At first sight of her, there was preeminently the shock of seeing anything so exquisite in his accustomed world. For she was exquisite; she was that, and much more, from the ivory [v]ferrule of the parasol she carried, to the light and slender foot-print she left in the dust of the road. Joe knew at once that nothing like her had ever before been seen in Canaan.

He had little knowledge of the millinery arts, and he needed none to see the harmony of the things she wore. Her dress and hat and gloves and parasol showed a pale lavender overtint like that which he had seen overspreading the western slope. Under the summer hat her very dark hair swept back over the temples with something near trimness in the extent to which it was withheld from being fluffy. It may be that this approach to trimness, after all, was the true key to the mystery of the lady who appeared to Joe.

She was to pass him—so he thought—and as she drew nearer, his breath came faster. And then he realized that something wonderful was happening to him.

She had stopped directly in front of him; stopped and stood looking at him with her clear eyes. He did not lift his own to her; a great and unaccountable shyness beset him. He had risen and removed his hat, trying not to clear his throat—his everyday sense urging upon him that she was a stranger in Canaan who had lost her way.

"Can I—can I—" he stammered, blushing, meaning to finish with "direct you," or "show you the way."

Then he looked at her again and saw what seemed to him the strangest sight of life. The lady's eyes had filled with tears—filled and overfilled.

"I'll sit here on the log with you," she said. "You don't need to dust it!" she went on, tremulously. And even then he did not know who she was.

There was a silence, for if the dazzled young man could have spoken at all, he could have found nothing to say; and, perhaps, the lady would not trust her own voice just then. His eyes had fallen again; he was too dazed, and, in truth, too panic-stricken now, to look at her. She was seated beside him and had handed him her parasol in a little way which seemed to imply that, of course, he had reached for it, so that it was to be seen how used she was to have all such things done for her. He saw that he was expected to furl the dainty thing; he pressed the catch and let down the top timidly, as if fearing to break or tear it; and, as it closed, held near his face, he caught a very faint, sweet, spicy [v]emanation from it like wild roses and cinnamon.

"Do you know me?" asked the lady at last.

For answer he could only stare at her, dumfounded; he lifted an unsteady hand toward her appealingly. Her manner underwent an April change. She drew back lightly; he was favored with the most delicious low laugh he had ever heard.

"I'm glad you're the same, Joe!" she said. "I'm glad you're the same, and I'm glad I've changed, though that isn't why you have forgotten me."

He arose uncertainly and took three or four backward steps from her. She sat before him, radiant with laughter, the loveliest creature he had ever seen; but between him and this charming vision there swept, through the warm, scented June air, the dim picture of a veranda all in darkness and the faint music of violins.

"Ariel Tabor!"

"Isn't it about time you were recognizing me?" she said.

* * * * *

Sensations were rare in staid, dull, commonplace Canaan, but this fine Sunday morning the town was treated to one of the most memorable sensations in its history. The town, all except Joe Louden, had known for weeks that Ariel Tabor was coming home from abroad, but it had not seen her. And when she walked along the street with Joe, past the Sunday church-returning crowds, it is not quite truth to say that all except the children came to a dead halt, but it is not very far from it. The air was thick with subdued exclamations and whisperings.

Joe had not known her. The women recognized her, [v]infallibly, at first sight; even those who had quite forgotten her. And the women told their men. Hence the un-Sunday-like demeanor of the procession, for few towns held it more unseemly to stand and stare at passers-by, especially on the Sabbath. But Ariel Tabor had returned.

A low but increasing murmur followed the two as they proceeded. It ran up the street ahead of them; people turned to look back and paused, so that Ariel and Joe had to walk round one or two groups. They had, also, to walk round Norbert Flitcroft, which was very like walking round a group. Mr. Flitcroft was one of the few (he was waddling home alone) who did not identify Miss Tabor, and her effect upon him was extraordinary. His mouth opened and he gazed [v]stodgily, his widening eyes like sun-dogs coming out of a fog. Mr. Flitcroft experienced a few moments of trance; came out of it stricken through and through; felt nervously of his tie; resolutely fell in behind, and followed, at a distance of some forty paces, determined to learn what household this heavenly visitor honored, and thrilling with the intention to please that same household with his own presence as soon and as often as possible.

Ariel flushed a little when she perceived the extent of their conspicuousness; but it was not the blush that Joe remembered had reddened the tanned skin of old; for her brownness had gone long ago, though it had not left her merely pink and white. There was a delicate rosiness rising from her cheeks to her temples, as the earliest dawn rises.

Joe kept trying to realize that this lady of wonder was Ariel Tabor, but he could not; he could not connect the shabby Ariel, whom he had treated as one boy treats another, with this young woman of the world. Although he had only a dim perception of the staring and whispering which greeted and followed them, Ariel, of course, was thoroughly aware of it, though the only sign she gave was the slight blush, which very soon disappeared.

Ariel paused before the impressive front of Judge Pike's large mansion. Joe's face expressed surprise.

"Don't you know?" she said. "I'm staying here. Judge Pike has charge of all my property. Come to see me this afternoon."

With a last charming smile, Ariel turned and left the dazed young man on the sidewalk.

That walk was but the beginning of her triumph. Judge Pike's of a summer afternoon was the swirling social center of Canaan, but on that particular Sunday afternoon every unattached male in the town who possessed the privilege of calling at the big house appeared. They filled the chairs in the wide old-fashioned hall where Ariel received them, and overpoured on the broad steps of the old-fashioned spiral staircase, where Mr. Flitcroft, on account of his size, occupied two steps and a portion of a third. And Ariel was the center of it all! BOOTH TARKINGTON.

HELPS TO STUDY

I. Describe Ariel's pitiful attempts at beautifying herself when dressing for the dance. When did she realize her failure? How were her anticipations of the dance realized? What kind of girl was Mamie Pike? Give reasons for your answer. At what point were you most sorry for Ariel? With what startling news did the evening end?

II. Give an account of the meeting between the old playmates. Describe the scenes as they walked along the street. What do you think was the greatest part of Ariel's "triumph?" Was she spoiled by her wealth? How do you know?

SUPPLEMENTARY READING

Little Women—Louisa M. Alcott. Pride and Prejudice—Jane Austen.

FOOTNOTE:

[141-*] Copyright by Harper & Brothers.



THE CLOUD

I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun. I wield the flail of the lashing hail, And whiten the green plains under; And then again I dissolve it in rain; And laugh as I pass in thunder.

I sift the snow on the mountains below, And their great pines groan aghast; And all the night 'tis my pillow white, While I sleep in the arms of the blast. Sublime on the towers of my skyey bowers Lightning, my pilot, sits; In a cavern under is fettered the thunder; It struggles and howls at fits. Over earth and ocean, with gentle motion, This pilot is guiding me, Lured by the love of the [v]genii that move In the depths of the purple sea; Over the rills and the crags and the hills, Over the lakes and the plains, Wherever he dream, under mountain or stream. The spirit he loves remains; And I all the while bask in heaven's blue smile, Whilst he is dissolving in rains.

I am the daughter of the earth and water, And the nursling of the sky; I pass through the pores of the ocean and shores; I change, but I cannot die. For after the rain, when, with never a stain, The pavilion of heaven is bare, And the winds and sunbeams, with their convex gleams, Build up the blue dome of air,— I silently laugh at my own cenotaph, And out of the caverns of rain, I rise and unbuild it again.

PERCY BYSSHE SHELLEY.

HELPS TO STUDY

Make a list of the things the cloud does. Read aloud the lines in which the poet tells of each of these. Why is lightning spoken of as the pilot of the cloud? Where does it sit? Where is the thunder? How is the cloud "the daughter of the earth and water"? How "a nursling of the sky"? Explain "I change, but I cannot die." A cenotaph is a memorial built to one who is buried elsewhere. Why should the clear sky be the cloud's cenotaph? How does the reappearing of the cloud unbuild it?



NEW ENGLAND WEATHER

There is a [v]sumptuous variety about the New England weather that compels the stranger's admiration—and regret. The weather is always doing something there; always attending strictly to business; always getting up new designs and trying them on the people to see how they will go. But it gets through more business in spring than in any other season. In the spring I have counted one hundred and thirty-six different kinds of weather within four and twenty hours. It was I who made the fame and fortune of the man who had that marvelous collection of weather on exhibition at the Centennial, which so astounded the foreigners. He was going to travel around the world and get specimens from all climes. I said, "Don't do it; just come to New England on a favorable spring day." I told him what we could do in the way of style, variety, and quantity. Well, he came, and he made his collection in four days. As to variety, he confessed that he got hundreds of kinds of weather that he had never heard of before. And as to quantity, after he had picked out and discarded all that was blemished in any way, he not only had weather enough, but weather to spare, weather to hire out, weather to sell, weather to deposit, weather to invest, and weather to give to the poor.

Old Probabilities has a mighty reputation for accurate prophecy and thoroughly deserves it. You take up the paper and observe how crisply and confidently he checks off what to-day's weather is going to be on the Pacific, down South, in the Middle States, in the Wisconsin region. See him sail along in the joy and pride of his power till he gets to New England, and then see his tail drop. He doesn't know what the weather is going to be in New England. Well, he mulls over it, and by and by he gets out something like this: "Probable northeast to southwest winds, varying to the southward and westward and eastward and points between; high and low barometer, swapping around from place to place; probable areas of rain, snow, hail, and drought, succeeded or preceded by earthquakes with thunder and lightning." Then he jots down this postscript from his wandering mind, to cover accidents: "But it is possible that the program may be wholly changed in the meantime." Yes, one of the brightest gems in the New England weather is the dazzling uncertainty of it. There is certain to be plenty of weather, but you never can tell which end of the procession is going to move first.

But, after all, there are at least two or three things about that weather (or, if you please, the effects produced by it) which we residents would not like to part with. If we hadn't our bewitching autumn foliage, we should still have to credit the weather with one feature which compensates for all its bullying vagaries—the ice storm. Every bough and twig is strung with ice beads, frozen dewdrops, and the whole tree sparkles cold and white like the [v]Shah of Persia's diamond plume. Then the wind waves the branches, and the sun comes out and turns all those myriads of beads and drops to prisms that glow and burn and flash with all manner of colored fires; which change and change again, with inconceivable rapidity, from blue to red, from red to green, and green to gold. The tree becomes a spraying fountain, a very explosion of dazzling jewels, and it stands there the [v]acme, the climax, the supremest possibility in art or nature, of bewildering, intoxicating, intolerable magnificence. One cannot make the words too strong. Month after month I lay up hate and grudge against the New England weather; but when the ice storm comes at last I say: "There, I forgive you now; you are the most enchanting weather in the world."

MARK TWAIN.



HELPS TO STUDY

Mark Twain's humor was noted for exaggeration. Find examples of exaggeration in this selection. Old Probabilities was the name signed by a weather prophet of the period. How was he affected by New England weather? At what point did Twain drop his fun and begin a beautiful tribute to a New England landscape? How does the tribute close?

SUPPLEMENTARY READING

Three Men in a Boat—Jerome K. Jerome. The House Boat on the Styx—John Kendrick Bangs.



THE FIRST SNOWFALL

The snow had begun in the gloaming, And busily all the night Had been heaping fields and highway With a silence deep and white.

Every pine and fir and hemlock Wore ermine too dear for an earl, And the poorest twig on the elm tree Was ridged inch deep with pearl.

From sheds new roofed with Carrara Came chanticleer's muffled crow, The stiff rails were softened to swan's-down And still fluttered down the snow.

I stood and watched by the window That noiseless work of the sky, And the sudden flurries of snowbirds, Like brown leaves whirling by.

I thought of a mound in sweet Auburn Where a little headstone stood; How the flakes were folding it gently, As did robins the babes in the wood.

Up spoke our own little Mabel, Saying, "Father, who makes it snow?" And I told of the good All-Father Who cares for us here below.

Again I looked at the snowfall, And thought of the leaden sky That arched o'er our first great sorrow, When that mound was heaped so high.

I remembered the gradual patience That fell from that cloud like snow, Flake by flake, healing and hiding The scar on our deep-plunged woe.

And again to the child I whispered, "The snow that husheth all, Darling, the merciful Father Alone can make it fall."

Then, with eyes that saw not, I kissed her; And she, kissing back, could not know That my kiss was given to her sister, Folded close under deepening snow.

JAMES RUSSELL LOWELL.

HELPS TO STUDY

When did the snow begin? How do you know? What time is it now? Is snow still falling? Read the lines that show this. Of what sorrow does the snow remind the poet? Read the lines which show that peace had come to the parents. Make a list of the comparisons (or similes) used by the poet. Read the lines which show that the storm was a quiet one. Which lines do you like best?



OLD EPHRAIM

For some days after our arrival on the Bighorn range we did not come across any grizzly. There were plenty of black-tail deer in the woods, and we encountered a number of bands of cow and calf elk, or of young bulls; but after several days' hunting, we were still without any game worth taking home, and we had seen no sign of grizzly, which was the game we were especially anxious to kill, for neither Merrifield nor I had ever seen a bear alive.

Sometimes we hunted in company; sometimes each of us went out alone. One day we had separated; I reached camp early in the afternoon, and waited a couple of hours before Merrifield put in an appearance.

At last I heard a shout, and he came in sight galloping at speed down an open glade, and waving his hat, evidently having had good luck; and when he reined in his small, wiry cow-pony, we saw that he had packed behind his saddle the fine, glossy pelt of a black bear. Better still, he announced that he had been off about ten miles to a perfect tangle of ravines and valleys where bear sign was very thick; and not of black bear either, but of grizzly. The black bear (the only one we got on the mountains) he had run across by accident.

Merrifield's tale made me decide to shift camp at once, and go over to the spot where the bear-tracks were plentiful. Next morning we were off, and by noon pitched camp by a clear brook, in a valley with steep, wooded sides.

That afternoon we again went out, and I shot a fine bull elk. I came home alone toward nightfall, walking through a reach of burnt forest, where there was nothing but charred tree-trunks and black mold. When nearly through it I came across the huge, half-human footprints of a great grizzly, which must have passed by within a few minutes. It gave me rather an eery feeling in the silent, lonely woods, to see for the first time the unmistakable proofs that I was in the home of the mighty lord of the wilderness.

That evening we almost had a visit from one of the animals we were after. Several times we had heard at night the musical calling of the bull elk—a sound to which no writer has as yet done justice. This particular night, when we were in bed and the fire was smoldering, we were roused by a ruder noise—a kind of grunting or roaring whine, answered by the frightened snorts of the ponies. It was a bear which had evidently not seen the fire, as it came from behind the bank, and had probably been attracted by the smell of the horses. After it made out what we were, it stayed round a short while, again uttered its peculiar roaring grunt, and went off; we had seized our rifles and had run out into the woods, but in the darkness could see nothing; indeed it was rather lucky we did not stumble across the bear, as he could have made short work of us when we were at such a disadvantage.

Next day we went off on a long tramp through the woods and along the sides of the canyons. There were plenty of berry bushes growing in clusters; and all around these there were fresh tracks of bear. But the grizzly is also a flesh-eater, and has a great liking for [v]carrion. On visiting the place where Merrifield had killed the black bear, we found that the grizzlies had been there before us, and had utterly devoured the carcass, with cannibal relish. Hardly a scrap was left, and we turned our steps toward where lay the bull elk I had killed. It was quite late in the afternoon when we reached the place.

A grizzly had evidently been at the carcass during the preceding night, for his great footprints were in the ground all around it, and the carcass itself was gnawed and torn, and partially covered with earth and leaves—the grizzly has a curious habit of burying all of his prey that he does not at the moment need.

The forest was composed mainly of what are called ridge-pole pines, which grow close together, and do not branch out until the stems are thirty or forty feet from the ground. Beneath these trees we walked over a carpet of pine needles, upon which our moccasined feet made no sound. The woods seemed vast and lonely, and their silence was broken now and then by the strange noises always to be heard in the great pine forests.

We climbed up along the trunk of a dead tree that had toppled over until its upper branches struck in the limb crotch of another, which thus supported it at an angle half-way in its fall. When above the ground far enough to prevent the bear's smelling us, we sat still to wait for his approach; until, in the gathering gloom, we could no longer see the sights of our rifles. It was useless to wait longer; and we clambered down and stole out to the edge of the woods. The forest here covered one side of a steep, almost canyon-like ravine, whose other side was bare except for rock and sage-brush. Once out from under the trees there was still plenty of light, although the sun had set, and we crossed over some fifty yards to the opposite hillside, and crouched down under a bush to see if perchance some animal might not also leave the cover.

Again we waited quietly in the growing dusk until the pine trees in our front blended into one dark, frowning mass. At last, as we were rising to leave, we heard the sound of the breaking of a dead stick, from the spot where we knew the carcass lay. "Old Ephraim" had come back to the carcass. A minute afterward, listening with strained ears, we heard him brush by some dry twigs. It was entirely too dark to go in after him; but we made up our minds that on the morrow he should be ours.

Early next morning we were over at the elk carcass, and, as we expected, found that the bear had eaten his fill of it during the night. His tracks showed him to be an immense fellow, and were so fresh that we doubted if he had left long before we arrived; and we made up our minds to follow him up and try to find his lair. The bears that lived on these mountains had evidently been little disturbed; indeed, the Indians and most of the white hunters are rather chary of meddling with "Old Ephraim," as the mountain men style the grizzly. The bears thus seemed to have very little fear of harm, and we thought it likely that the bed of the one who had fed on the elk would not be far away.

My companion was a skillful tracker, and we took up the trail at once. For some distance it led over the soft, yielding carpet of moss and pine needles, and the footprints were quite easily made out, although we could follow them but slowly; for we had, of course, to keep a sharp look-out ahead and around us as we walked noiselessly on in the somber half-light always prevailing under the great pine trees.

After going a few hundred yards the tracks turned off on a well-beaten path made by the elk; the woods were in many places cut up by these game trails, which had often become as distinct as ordinary footpaths. The beast's footprints were perfectly plain in the dust, and he had lumbered along up the path until near the middle of the hillside, where the ground broke away and there were hollows and boulders. Here there had been a windfall, and the dead trees lay among the living, piled across one another in all directions; while between and around them sprouted up a thick growth of young spruces and other evergreens. The trail turned off into the tangled thicket, within which it was almost certain we should find our quarry. We could still follow the tracks, by the slight scrapes of the claws on the bark, or by the bent and broken twigs; and we advanced with noiseless caution.

When in the middle of the thicket we crossed what was almost a breastwork of fallen logs, and Merrifield, who was leading, passed by the upright stem of a great pine. As soon as he was by it, he sank suddenly on one knee, turning half round, his face fairly aflame with excitement; and as I strode past him, with my rifle at the ready, there, not ten steps off, was the great bear, slowly rising from his bed among the young spruces. He had heard us, but apparently hardly knew exactly where or what we were, for he reared up on his haunches sideways to us.

Then he saw us and dropped down again on all-fours, the shaggy hair on his neck and shoulders seeming to bristle as he turned toward us. As he sank down on his fore feet, I had raised the rifle; his head was bent slightly down, and when I saw the top of the white bead fairly between his small, glittering, evil eyes, I pulled trigger. Half-rising up, the huge beast fell over on his side in the death throes, the ball having gone into his brain, striking as fairly between the eyes as if the distance had been measured.

The whole thing was over in twenty seconds from the time I caught sight of the game; indeed, it was over so quickly that the grizzly did not have time to show fight. He was a monstrous fellow, much larger than any I have seen since. As near as we could estimate, he must have weighed above twelve hundred pounds.

THEODORE ROOSEVELT.

HELPS TO STUDY

Theodore Roosevelt, President of the United States from 1901 to 1909, was one of the greatest hunters of the present generation. As he was in weak health as a young man, he went West and lived for some time the life of a ranchman and hunter, killing much wild game. In later years he went on a great hunting trip to Africa, and finally explored the wilds of the Amazon river, in South America, in search of game and adventure. "Old Ephraim" narrates one of his earlier hunting experiences, and is taken from the book, The Hunting Trips of a Ranchman.

Give an account of the capture of the grizzly bear. Why did not Merrifield fire? Compare the weight of the bear with that of the average cow or horse. Tell of any bear hunt of which you know.

SUPPLEMENTARY READING

Watchers of the Trail—Charles C. D. Roberts. Monarch, the Bear—Ernest Thompson Seton. Wild Animals I Have Known—Ernest Thompson Seton. African Game Trails—Theodore Roosevelt.



MIDWINTER

The speckled sky is dim with snow, The light flakes falter and fall slow; Athwart the hill-top, rapt and pale, Silently drops a silvery veil; And all the valley is shut in By flickering curtains gray and thin.

But cheerily the chickadee Singeth to me on fence and tree; The snow sails round him as he sings, White as the down of angels' wings.

I watch the slow flakes as they fall On bank and briar and broken wall; Over the orchard, waste and brown, All noiselessly they settle down, Tipping the apple-boughs, and each Light quivering twig of plum and peach.

On turf and curb and bower-roof The snow-storm spreads its ivory woof; It paves with pearl the garden-walk; And lovingly round tattered stalk And shivering stem its magic weaves A mantle fair as lily-leaves.

All day it snows: the sheeted post Gleams in the dimness like a ghost; All day the blasted oak has stood A muffled wizard of the wood; Garland and airy cap adorn The sumach and the wayside thorn, And clustering spangles lodge and shine In the dark tresses of the pine.

The ragged bramble, dwarfed and old, Shrinks like a beggar in the cold; In [v]surplice white the cedar stands, And blesses him with priestly hands.

Still cheerily the chickadee Singeth to me on fence and tree: But in my inmost ear is heard The music of a holier bird; And heavenly thoughts as soft and white As snow-flakes on my soul alight, Clothing with love my lonely heart, Healing with peace each bruised part, Till all my being seems to be Transfigured by their purity.

JOHN TOWNSEND TROWBRIDGE.

HELPS TO STUDY

When did this storm begin? Read lines which show this. Give reasons for your answer. What comparisons are used by the poet in describing the snowfall? Which comparison do you like best? What healing thought does the storm bring to the poet? Compare it with the same thought in The First Snowfall.



A GEORGIA FOX HUNT[177-*]

I

In the season of 1863, the Rockville Hunting Club, which had been newly organized, was at the height of its success. It was composed of men too old to go in the army, and of young men who were not old enough, or who, from one cause and another, were exempted from military service. Ostensibly, its object was to encourage the noble sport of fox-hunting and to bind by closer ties the congenial souls whose love for horse and hound and horn bordered on enthusiasm. This, I say, was its [v]ostensible object, for it seems to me, looking back upon that terrible time, that the main purpose of the association was to devise new methods of forgetting the sickening [v]portents of disaster that were even then thick in the air. Any suggestion or plan calculated to relieve the mind from the weight of the horror of those desperate days was eagerly seized upon and utilized. With the old men and the fledgling boys in the neighborhood of Rockville, the desire to escape momentarily the realities of the present took the shape of fox-hunting and other congenial amusements. With the women—ah well! Heaven only knows how they sat dumb and silent over their great anguish and grief, cheering the helpless and comforting and succoring the sick and wounded. It was a mystery to me then, and it is a mystery to me now.

About the first of November the writer hereof received a long-expected letter from Tom Tunison, the secretary of the club, who was on a visit to Monticello. It was brief and breezy.

"Young man," he wrote, "they are coming. They are going to give us a [v]ruffle. Their dogs are good, but they lack form and finish as well as discipline—plenty of bottom but no confidence. I haven't hesitated to put up our horn as the prize. Get the boys together and tell them about it, and see that our own eleven are in fighting trim. You won't believe it, but Sue, Herndon, Kate, and Walthall are coming with the party; and the fair de Compton, who set all the Monticello boys wild last year when she got back from Macon, vows and declares she is coming, too. Remember the 15th. Be prepared."

I took in the situation at a glance. Tom, in his reckless style, had bantered a party of Jasper county men as to the superiority of their dogs, and had even offered to give them an opportunity to gain the silver-mounted horn won by the Rockville club in Hancock county the year before. The Jasper county men, who were really breeding some excellent dogs, accepted the challenge, and Tom had invited them to share the hospitality of the plantation home called "Bachelors' Hall."

If the truth must be confessed, I was not at all grieved at the announcement in Tom's letter, apart from the agreeable change in the social atmosphere that would result from the presence of ladies in "Bachelors' Hall." I was eagerly anxious to test the mettle of a favorite hound—Flora—whose care and training had cost me a great deal of time and trouble. Although it was her first season in the field, she had already become the pet and pride of the Rockville club, the members of which were not slow to sound her praises. Flora was an experiment. She was the result of a cross between the Henry hound (called in Georgia the "Birdsong dog," in honor of the most successful breeder) and a Maryland hound. She was a grand-daughter of the famous Hodo and in everything except her color (she was white with yellow ears) was the exact reproduction of that magnificent fox-hound. I was anxious to see her put to the test.

It was with no small degree of satisfaction, therefore, that I informed Aunt Patience, the cook, of Tom's programme. Aunt Patience was a privileged character, whose comments upon people and things were free and frequent; when she heard that a party of hunters, accompanied by ladies, proposed to make the hall their temporary headquarters, her remarks were ludicrously indignant.

"Well, ef dat Marse Tom ain't de beatinest white man dat I ever sot eyes on—'way off yander givin' way his vittles fo' he buy um at de sto'! How I know what Marse Tom want, an' tel I know, whar I gwineter git um? He better be home yer lookin' atter deze lazy niggers, stidder high-flyin' wid dem Jasper county folks. Ef dez enny vittles on dis plan'ash'n, hits more'n I knows un. En he'll go runnin' roun' wid dem harum-skarum gals twell I boun' he don't fetch dat pipe an' dat 'backer what he said he would. Can't fool me 'bout de gals what grows up deze days. Dey duz like dey wanter stan' up an' cuss dersef' case dey wuzent borned men."

"Why, Aunt Patience, your Marse Tom says Miss de Compton is as pretty as a pink and as fine as a fiddle."

"Law, chile! you needn't talk 'bout de gals to dis ole 'omen. I done know um fo' you wuz borned. W'en you see Miss Compton you see all de balance un um. Deze is new times. Marse Tom's mammy useter spin her fifteen cents o' wool a day—w'en you see Miss Compton wid a hank er yarn in 'er han', you jes' sen' me word."

Whereupon, Aunt Patience gave her head handkerchief a vigorous wrench, and went her way—the good old soul—even then considering how she should best set about preparing a genuine surprise for her young master in the shape of daily feasts for a dozen guests. I will not stop here to detail the character of this preparation or to dwell upon its success. It is enough to say that Tom Tunison praised Aunt Patience to the skies; and, as if this were not sufficient to make her happy, he produced a big clay pipe, three plugs of real "manufac terbacker," which was hard to get in those times, a red shawl, and twelve yards of calico.

The fortnight that followed the arrival of Tom's guests was one long to be remembered, not only in the [v]annals of the Rockville Hunting Club but in the annals of Rockville itself. The fair de Compton literally turned the heads of old men and young boys, and even succeeded in conquering the critics of her own sex. She was marvelously beautiful, and her beauty was of a kind to haunt one in one's dreams. It was easy to perceive that she had made a conquest of Tom, and I know that every suggestion he made and every project he planned had for its sole end and aim the enjoyment of Miss Carrie de Compton.

It was several days before the minor details of the contest, which was at once the excuse for and the object of the visit of Tom's guests, could be arranged, but finally everything was "[v]amicably adjusted," and the day appointed. The night before the hunt, the club and the Jasper county visitors assembled in Tom Tunison's parlor for a final discussion of the event.

"In order," said Tom, "to give our friends and guests an opportunity fully to test the speed and bottom of their kennels, it has been decided to pay our respects to 'Old Sandy'."

"And pray, Mr. Tunison, who is 'Old Sandy'?" queried Miss de Compton.

"He is a fox, Miss de Compton, and a tough one. He is a trained fox. He has been hunted so often by the inferior packs in his neighborhood that he is well-nigh [v]invincible. He is so well known that he has not been hunted, except by accident, for two seasons. He is not as suspicious as he was two years ago, but we must be careful if we want to get within hearing distance of him to-morrow morning."

"Do any of the ladies go with us?" asked Jack Herndon.

"I go, for one," responded Miss de Compton, and in a few minutes all the ladies had decided to go along, even if they found it inconvenient to participate actively in the hunt.

"Then," said Tom, rising, "we must say good night. Uncle Plato will sound 'Boots and Saddle' at four o'clock to-morrow morning."

"Four o'clock!" exclaimed the ladies in dismay.

"At four precisely," answered Tom, and the ladies with pretty little gestures of mock despair swept upstairs while Tom brought out cigars for the boys.

My friend little knew how delighted I was that "Old Sandy" was to be put through his paces. He little knew how carefully I had studied the peculiarities of this famous fox—how often when training Flora I had taken her out and followed "Old Sandy" through all his ranges, how I had "felt of" both his speed and bottom and knew all his weak points.

II

Morning came, and with it Uncle Plato's bugle call. Aunt Patience was ready with a smoking hot breakfast, and everybody was in fine spirits. As the eager, happy crowd filed down the broad avenue that led to the hall, the fair de Compton, who had been delayed in mounting, rode by my side.

"You choose your escort well," I ventured to say.

"I have a weakness for children," she replied; "particularly for children who know what they are about. Plato has told me that if I desired to see all of the hunt without much trouble, to follow you. I am selfish, you perceive."

We rode over the red hills and under the russet trees until we came to "Old Sandy's" favorite haunt. Here a council of war was held, and it was decided that Tom and a portion of the hunters should skirt the fields, while another portion led by Miss de Compton and myself should enter and bid the fox good morning. Uncle Plato, who had been given the cue, followed me with the dogs, and in a few moments we were very near the particular spot where I hoped to find the venerable deceiver of dogs and men. The hounds were already sallying hither and thither, anxious and evidently expectant.

Five minutes went by without a whimper from the pack. There was not a sound save the eager rustling of the dogs through the sedge and undergrowth. The ground was familiar to Flora, and I watched her with pride as with powerful strides she circled around. Suddenly she paused and flung her head in the air, making a beautiful picture where she stood poised, as if listening. My heart gave a great thump. It was a trick of hers, and I knew that "Old Sandy" had been around within the past twenty-four hours! With a rush, a bound, and an eager cry, my favorite came toward us, and the next moment "Old Sandy," who had been lying almost at our horses' feet, was up and away with Flora right at his heels. A wild hope seized me that my favorite would run into the shy veteran before he could get out of the field. But no! One of the Jasper county hunters, rendered momentarily insane by excitement, endeavored to ride the fox down with his horse, and in another moment Sir Reynard was over the fence and into the woodland beyond, followed by the hounds. They made a splendid but [v]ineffectual burst of speed, for when "Old Sandy" found himself upon the blackjack hills he was foot-loose. The morning, however, was fine—just damp enough to leave the scent of the fox hanging breast high in the air, whether he shaped his course over lowlands or highlands.



In the midst of all the confusion that had ensued, Miss de Compton remained cool, serene, and apparently indifferent, but I observed a glow upon her face and a sparkle in her eyes, as Tom Tunison, riding his gallant gray and heading the hunters, easily and gracefully took a couple of fences when the hounds veered to the left.

"Our Jasper county friend has saved 'Old Sandy,' Miss de Compton," I said, "but he has given us an opportunity of witnessing some very fine sport. The fox is so badly frightened that he may endeavor in the beginning to outfoot the dogs, but in the end he will return to his range, and then I hope to show you what a cunning old customer he is. If Flora doesn't fail us at the critical moment, you will have the honor of wearing his brush on your saddle."

"Youth is always confident," replied Miss de Compton.

"In this instance, however, I have the advantage of knowing both hound and fox. Flora has a few weaknesses, but I think she understands what is expected of her to-day."

Thus bantering and chaffing each other, we turned our horses' heads in a direction [v]oblique to that taken by the other hunters, who, with the exception of Tom Tunison and Jack Herndon, now well up with the dogs, were struggling along as best they could. For a half mile or more we cantered down a lane, then turned into a stubble field, and made for a hill crowned and skirted by a growth of blackjack, through which an occasional pine had broken, as it seemed, in a vain but noble effort to touch the sky. Once upon the summit of the hills, we had a majestic view upon all sides. The fresh morning breezes blew crisp and cool and bracing, but were not uncomfortable after the exercise we had taken; and as the clouds that had muffled up the east dispersed themselves or were dissolved, the generous sun spread layer upon layer of golden light upon hill and valley and forest and stream.

Away to the left we could hear the hounds, and the music of their voices, toyed with by the playful wind, rolled itself into melodious little echoes that broke pleasantly upon the ear, now loud, now faint, now far and now near. The first burst of speed, which had been terrific, had settled down into a steady run, but I knew by the sound that the pace was still tremendous, and I imagined I could hear the silvery tongue of Flora as she led the eager pack. The cries of the hounds, however, grew fainter and fainter, until presently they were lost in the distance.

"He is making a straight shoot for the Turner [v]old fields, two miles away," I remarked, by way of explanation.

"And pray, why are we here?" Miss de Compton asked.

"To be in at the death. (The fair de Compton smiled [v]sarcastically.) In the Turner old fields the fox will make his grand double, gain upon the dogs, head for yonder hill, and come down the ravine upon our right. At the fence here, within plain view, he will attempt a trick that has heretofore always been successful, and which has given him a reputation as a trained fox. I depend upon the intelligence of Flora to see through 'Old Sandy's' [v]strategy, but if she hesitates a moment, we must set her right."

I spoke with the confidence of one having experience, and Miss de Compton smiled and was content. We had little time for further conversation, for in a few minutes I observed a dark shadow emerge from the undergrowth on the opposite hill and slip quickly across the open space of fallow land. It crossed the ravine that intersected the valley, stole quietly through the stubble to the fence, and there paused a moment, as if hesitating. In a low voice I called Miss de Compton's attention to the figure, but she refused to believe that it was the same fox we had aroused thirty minutes before. Howbeit, it was the [v]veritable "Old Sandy" himself. I should have known him among a thousand foxes. He was not in as fine feather as when, at the start, he had swung his brush across Flora's nose—the pace had told on him—but he still moved with an air of confidence.

Then and there Miss de Compton beheld a display of fox tactics shrewd enough to excite the admiration of the most indifferent—a display of cunning that seemed to be something higher than instinct.

"Old Sandy" paused only a moment. With a bound he gained the top of the fence, stopped to pull something from one of his fore feet—probably a cockle bur—and then carefully balancing himself, proceeded to walk the fence. By this time, the music of the dogs was again heard in the distance, but "Old Sandy" took his time. One—two—three—seven—ten—twenty panels of the fence were cleared. Pausing, he again subjected his fore feet to examination, and licked them carefully. Then he proceeded on his journey along the fence until he was at least one hundred yards from where he left the ground. Here he paused for the first time, gathered himself together, leaped through the air, and rushed away. As he did so, the full note of the pack burst upon our ears as the hounds reached the brow of the hill from the lowlands on the other side.

"Upon my word!" exclaimed Miss de Compton; "that fox ought to go free. I shall beg Mr. Tunison—"

But before she finished her sentence the dogs came into view, and I could hardly restrain a shout of triumph as I saw Flora running easily and unerringly far to the front. Behind her, led by Captain—and so close together that, as Uncle Plato afterward remarked, "You mout kivver de whole caboodle wid a hoss-blanket"—were the remainder of the Tunison kennel, while the Jasper county hounds were strung out behind in wild but heroic confusion. I felt strongly tempted to give the view-halloo, and push "Old Sandy" to the wall at once, but I knew that the fair de Compton would regard the exploit with severe [v]reprobation forever after. Across the ravine and to the fence the dogs came, their voices, as they got nearer, crashing through the silence like a chorus of demons.

Now was the critical moment. If Flora should fail me—!

Several of the older dogs topped the rails, and scattered through the undergrowth. Flora came over with them, made a small circle, with her sensitive nose to the damp earth, and then went rushing down the fence. Past the point where "Old Sandy" took his flying leap she ran, turned suddenly to the left, and came swooping back in a wide circle. I had barely time to warn Miss de Compton that she must prepare to do a little rapid riding, when my favorite, with a fierce cry of delight that thrilled me through and through, picked up the blazing [v]drag, and away we went with a scream and a shout. I felt in my very bones that "Old Sandy" was doomed. I had never seen Flora so prompt and eager; I had never observed the scent to be better. Everything was auspicious.

We went like the wind. Miss de Compton rode well, and the long stretches of stubble land through which the chase led were unbroken by ditch or fence. The pace of the hounds was simply terrific, and I knew that no fox on earth could long stand up before the white demon that led the hunt with such splendor.

Five—ten—fifteen minutes we rushed at the heels of the rearmost dogs, until, suddenly, we found ourselves in the midst of the pack. The scent was lost! Flora ran about in wide circles, followed by the greater portion of the dogs. To the left, to the right they went. At that moment, chancing to look back, I caught a glimpse of "Old Sandy," broken down and bedraggled, making his way toward a clump of briars. He had played his last [v]trump and lost. Pushed by the dogs, he had dropped in his tracks and literally allowed them to run over him. I rode at him with a shout; there was a short, sharp race, and in a few moments [v]La Mort was sounded over the famous fox on the horn that the Jasper county boys did not win.

JOEL CHANDLER HARRIS.

HELPS TO STUDY

This gives a good picture of a fox hunt in the South in the long ago. Tell what you like best about it. Who is telling the story? Was he young or old? How do you know? What opinion do you form of the "fair de Compton"? See if you can get an old man, perhaps a negro, to tell you of a fox hunt he has seen.

SUPPLEMENTARY READING

In Ole Virginia—Thomas Nelson Page. Old Creole Days—George W. Cable. Swallow Barn—John P. Kennedy. The Prophet of the Great Smoky Mountains—Charles Egbert Craddock.

FOOTNOTE:

[177-*] From the Atlanta Constitution.



RAIN AND WIND

I hear the hoofs of horses Galloping over the hill, Galloping on and galloping on, When all the night is shrill With wind and rain that beats the pane— And my soul with awe is still.

For every dripping window Their headlong rush makes bound, Galloping up and galloping by, Then back again and around, Till the gusty roofs ring with their hoofs, And the draughty cellars sound.

And then I hear black horsemen Hallooing in the night; Hallooing and hallooing, They ride o'er vale and height, And the branches snap and the shutters clap With the fury of their flight.

All night I hear their gallop, And their wild halloo's alarm; The tree-tops sound and vanes go round In forest and on farm; But never a hair of a thing is there— Only the wind and the storm.

MADISON JULIUS CAWEIN.



THE SOUTHERN SKY

Presently the stars begin to peep out, timidly at first, as if to see whether the elements here below had ceased their strife, and if the scene on earth be such as they, from bright spheres aloft, may shed their sweet influences upon. Sirius, or that blazing world Argus, may be the first watcher to send down a feeble ray; then follow another and another, all smiling meekly; but presently, in the short twilight of the latitude, the bright leaders of the starry host blaze forth in all their glory, and the sky is decked and spangled with superb brilliants.

In the twinkling of an eye, and faster than the admiring gazer can tell, the stars seem to leap out from their hiding-places. By invisible hands, and in quick succession, the constellations are hung out; first of all, and with dazzling glory, in the azure depths of space appears the great Southern Cross. That shining symbol lends a holy grandeur to the scene, making it still more impressive.

Alone in the night-watch, after the sea-breeze has sunk to rest, I have stood on deck under those beautiful skies, gazing, admiring, rapt. I have seen there, above the horizon at once and shining with a splendor unknown to other latitudes, every star of the [v]first magnitude—save only six—that is contained in the catalogue of the one hundred principal fixed stars.

There lies the city on the seashore, wrapped in sleep. The sky looks solid, like a vault of steel set with diamonds. The stillness below is in harmony with the silence above, and one almost fears to speak, lest the harsh sound of the human voice, reverberating through those vaulted "chambers of the south," should wake up echo and drown the music that fills the soul.

Orion is there, just about to march down into the sea; but Canopus and Sirius, with Castor and his twin brother, and [v]Procyon, Argus, and Regulus—these are high up in their course; they look down with great splendor, smiling peacefully as they precede the Southern Cross on its western way. And yonder, farther still, away to the south, float the Magellanic clouds, and the "Coal Sacks"—those mysterious, dark spots in the sky, which seem as though it had been rent, and these were holes in the "azure robe of night," looking out into the starless, empty, black abyss beyond. One who has never watched the southern sky in the stillness of the night, after the sea-breeze with its turmoil is done, can have no idea of its grandeur, beauty, and loveliness.

MATTHEW FONTAINE MAURY.

HELPS TO STUDY

Do you know any of the stars or the constellations mentioned? Some of them are seen in our latitude, but the southern sky Maury describes is south of the equator. The "Southern Cross" is seen only below the equator. The "Magellan Clouds" are not far from the South Pole.



DAFFODILS

I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host of golden daffodils,— Beside the lake, beneath the trees, Fluttering and dancing in the breeze.

Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of the bay. Ten thousand saw I at a glance, Tossing their heads in sprightly dance.

The waves beside them danced, but they Outdid the sparkling waves in glee,— A poet could not but be gay In such a [v]jocund company. I gazed, and gazed, but little thought What wealth the show to me had brought.

For oft, when on my couch I lie, In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.

WILLIAM WORDSWORTH.



DAWN

I had occasion, a few weeks since, to take the early train from Providence to Boston; and for this purpose I rose at two o'clock in the morning. Everything around was wrapped in darkness and hushed in silence. It was a mild, serene, midsummer night,—the sky was without a cloud,—the winds were [v]whist. The moon, then in the last quarter, had just risen, and the stars shone with a luster but little affected by her presence.

Jupiter, two hours high, was the herald of the day; the [v]Pleiades, just above the horizon, shed their sweet influence in the east; Lyra sparkled near the [v]zenith; Andromeda veiled her newly discovered glories from the naked eye in the south; the steady Pointers, far beneath the pole, looked meekly up from the depths of the north to their sovereign.

Such was the glorious spectacle as I entered the train. As we proceeded, the timid approach of twilight became more perceptible; the intense blue of the sky began to soften; the smaller stars, like little children, went first to rest; the sister-beams of the Pleiades soon melted together; but the bright constellations of the west and north remained unchanged. Steadily the wondrous transfiguration went on. Hands of angels, hidden from mortal eyes, shifted the scenery of the heavens; the glories of night dissolved into the glories of the dawn.

The blue sky now turned more softly gray; the great watch-stars shut up their holy eyes; the east began to kindle. Faint streaks of purple soon blushed along the sky; the whole celestial concave was filled with the inflowing tides of the morning light, which came pouring down from above in one great ocean of radiance; till at length, as we reached the Blue Hills, a flash of purple fire blazed out from above the horizon, and turned the dewy teardrops of flower and leaf into rubies and diamonds. In a few seconds, the everlasting gates of the morning were thrown wide open, and the lord of day, arrayed in glories too severe for the gaze of man, began his state.

I do not wonder at the superstition of the ancient [v]Magians, who, in the morning of the world, went up to the hilltops of Central Asia, and, ignorant of the true God, adored the most glorious work of His hand. But I am filled with amazement, when I am told that, in this enlightened age and in the heart of the Christian world, there are persons who can witness this daily manifestation of the power and wisdom of the Creator, and yet say in their hearts, "There is no God."

EDWARD EVERETT.

HELPS TO STUDY

What experience did Everett describe? What impresses the mood of the early morning? In what latitude did Everett live? What stars and constellations did he mention? Trace the steps by which he pictured the sunrise. Why did he not wonder at the belief of the "ancient Magians"? What thought does cause amazement?



SPRING

Spring, with that nameless [v]pathos in the air Which dwells with all things fair— Spring, with her golden suns and silver rain, Is with us once again.

Out in the lonely woods, the jasmine burns Its fragrant lamps, and turns Into a royal court, with green festoons, The banks of dark [v]lagoons.

In the deep heart of every forest tree, The blood is all aglee; And there's a look about the leafless bowers, As if they dreamed of flowers.

Yet still, on every side we trace the hand Of Winter in the land, Save where the maple reddens on the lawn, Flushed by the season's dawn;

Or where, like those strange [v]semblances we find That age to childhood bind, The elm puts on, as if in Nature's scorn, The brown of Autumn corn.



As yet the turf is dark, although you know That, not a span below, A thousand germs are groping through the gloom, And soon will burst their tomb.

In gardens, you may note, amid the dearth, The crocus breaking earth; And near the snowdrop's tender white and green, The violet in its screen.

But many gleams and showers need must pass Along the budding grass, And weeks go by, before the enamored South Shall kiss the rose's mouth.

Still there's a sense of blossoms yet unborn, In the sweet airs of morn; One almost looks to see the very street Grow purple at his feet.

At times, a fragrant breeze comes floating by, And brings, you know not why, A feeling as when eager crowds await Before a palace gate

Some wondrous pageant; and you scarce would start, If from a beech's heart, A blue-eyed [v]Dryad, stepping forth, should say, "Behold me! I am May!"

HENRY TIMROD.



AMONG THE CLIFFS

It was a critical moment. There was a stir other than that of the wind among the pine needles and dry leaves that carpeted the ground.

The wary wild turkeys lifted their long necks with that peculiar cry of half-doubting surprise so familiar to a sportsman, then all was still for an instant. The world was steeped in the noontide sunlight, the mountain air tasted of the fresh [v]sylvan fragrance that pervaded the forest, the foliage blamed with the red and gold of autumn, the distant [v]Chilhowee heights were delicately blue.

That instant's doubt sealed the doom of one of the flock. As the turkeys stood in momentary suspense, the sunlight gilding their bronze feathers to a brighter sheen, there was a movement in the dense undergrowth. The flock took suddenly to wing,—a flash from among the leaves, the sharp crack of a rifle, and one of the birds fell heavily over the bluff and down toward the valley.

The young mountaineer's exclamation of triumph died in his throat. He came running to the verge of the crag, and looked down ruefully into the depths where his game had disappeared.

"Waal, sir," he broke forth pathetically, "this beats my time! If my luck ain't enough ter make a horse laugh!"

He did not laugh, however; perhaps his luck was calculated to stir only [v]equine risibility. The cliff was almost perpendicular; at the depth of twenty feet a narrow ledge projected, but thence there was a sheer descent, down, down, down, to the tops of the tall trees in the valley far below.

As Ethan Tynes looked wistfully over the precipice, he started with a sudden surprise. There on the narrow ledge lay the dead turkey.

The sight sharpened Ethan's regrets. He had made a good shot, and he hated to relinquish his game. While he gazed in dismayed meditation, an idea began to kindle in his brain. Why could he not let himself down to the ledge by those long, strong vines that hung over the edge of the cliff?

It was risky, Ethan knew, terribly risky. But then,—if only the vines were strong!

He tried them again and again with all his might, selected several of the largest, grasped them hard and fast, and then slipped lightly off the crag.

He waited motionless for a moment. His movements had dislodged clods of earth and fragments of rock from the verge of the cliff, and until these had ceased to rattle about his head and shoulders he did not begin his downward journey.

Now and then as he went he heard the snapping of twigs, and again a branch would break, but the vines which supported him were tough and strong to the last. Almost before he knew it, he stood upon the ledge, and with a great sigh of relief he let the vines swing loose.

"Waal, that warn't sech a mighty job at last. But law, if it hed been Peter Birt 'stid of me, that thar wild tur-r-key would hev laid on this hyar ledge plumb till the Jedgmint Day!"

He walked deftly along the ledge, picked up the bird, and tied it to one of the vines with a string which he took from his pocket, intending to draw it up when he should be once more on the top of the crag. These preparations complete, he began to think of going back.

He caught the vines on which he had made the descent, but before he had fairly left the ledge, he felt that they were giving way.

He paused, let himself slip back to a secure foothold, and tried their strength by pulling with all his force.

Presently down came the whole mass in his hands. The friction against the sharp edges of the rock over which they had been stretched with a strong tension had worn them through. His first emotion was one of intense thankfulness that they had fallen while he was on the ledge instead of midway in his [v]precarious ascent.

"Ef they hed kem down whilst I war a-goin' up, I'd hev been flung down ter the bottom o' the valley, 'kase this ledge air too narrer ter hev cotched me."

He glanced down at the somber depths beneath. "Thar wouldn't hev been enough left of me ter pick up on a shovel!" he exclaimed, with a tardy realization of his foolish recklessness.

The next moment a mortal terror seized him. What was to be his fate? To regain the top of the cliff by his own exertions was an impossibility.

He cast his despairing eyes up the ascent, as sheer and as smooth as a wall, without a crevice which might afford a foothold, or a shrub to which he might cling. His strong head was whirling as he again glanced downward to the unmeasured [v]abyss beneath. He softly let himself sink into a sitting posture, his heels dangling over the frightful depths, and addressed himself resolutely to the consideration of the terrible danger in which he was placed.

Taken at its best, how long was it to last? Could he look to any human being for deliverance? He reflected with growing dismay that the place was far from any dwelling, and from the road that wound along the ridge. There was no errand that could bring a man to this most unfrequented portion of the deep woods, unless an accident should hither direct some hunter's step. It was quite possible, nay, probable, that years might elapse before the forest solitude would again be broken by human presence.

His brothers would search for him when he should be missed from home,—but such boundless stretches of forest! They might search for weeks and never come near this spot. He would die here, he would starve,—no, he would grow drowsy when exhausted and fall—fall—fall!

He was beginning to feel that morbid fascination that sometimes seizes upon those who stand on great heights,—an overwhelming impulse to plunge downward. His only salvation was to look up. He would look up to the sky.

And what were these words he was beginning to remember faintly? Had not the [v]circuit-rider said in his last sermon that not even a sparrow falls to the ground unmarked of God? There was a definite strength in this suggestion. He felt less lonely as he stared resolutely at the big blue sky. There came into his heart a sense of encouragement, of hope. He would keep up as long and as bravely as he could, and if the worst should come,—was he indeed so solitary? He would hold in remembrance the sparrow's fall of Scripture.

He had so nerved himself to meet his fate that he thought it was a fancy when he heard a distant step. But it did not die away, it grew more and more distinct,—a shambling step that curiously stopped at intervals and kicked the fallen leaves.

He sought to call out, but he seemed to have lost his voice. Not a sound issued from his thickened tongue and his dry throat. The step came nearer. It would presently pass. With a mighty effort Ethan sent forth a wild, hoarse cry.

The rocks [v]reverberated it, the wind carried it far, and certainly there was an echo of its despair and terror in a shrill scream set up on the verge of the crag. Then Ethan heard the shambling step scampering off very fast indeed.

The truth flashed upon him. It was some child, passing on an unimaginable errand through the deep woods, frightened by his sudden cry.

"Stop, bubby!" he shouted; "stop a minute! It's Ethan Tynes that's callin' of ye. Stop a minute, bubby!"

The step paused at a safe distance, and the shrill pipe of a little boy demanded, "Whar is ye, Ethan Tynes?"

"I'm down hyar on the ledge o' the bluff. Who air ye ennyhow?"

"George Birt," promptly replied the little boy. "What air ye doin' down thar? I thought it was Satan a-callin' of me. I never seen nobody."

"I kem down hyar on vines arter a tur-r-key I shot. The vines bruk, an' I hev got no way ter git up agin. I want ye ter go ter yer mother's house, an' tell yer brother Pete ter bring a rope hyar fur me ter climb up by."

Ethan expected to hear the shambling step going away with a [v]celerity in keeping with the importance of the errand. On the contrary, the step was approaching the crag.

A moment of suspense, and there appeared among the jagged ends of the broken vines a small red head, a deeply freckled face, and a pair of sharp, eager blue eyes. George Birt had carefully laid himself down on his stomach, only protruding his head beyond the verge of the crag, that he might not fling away his life in his curiosity.

"Did ye git it?" he asked, with bated breath.

"Git what?" demanded poor Ethan, surprised and impatient.

"The tur-r-key—what ye hev done been talkin' 'bout," said George Birt.

Ethan had lost all interest in the turkey.

"Yes, yes; but run along, bub. I mought fall off'n this hyar place,—I'm gittin' stiff sittin' still so long,—or the wind mought blow me off. The wind is blowing toler'ble brisk."

"Gobbler or hen?" asked George Birt eagerly.

"It air a hen," said Ethan. "But look-a-hyar, George, I'm a-waitin' on ye an' if I'd fall off'n this hyar place, I'd be ez dead ez a door-nail in a minute."

"Waal, I'm goin' now," said George Birt, with gratifying alacrity. He raised himself from his [v]recumbent position, and Ethan heard him shambling off, kicking every now and then at the fallen leaves as he went.

Presently, however, he turned and walked back nearly to the brink of the cliff. Then he prostrated himself once more at full length,—for the mountain children are very careful of precipices,—snaked along dexterously to the verge of the crag, and protruding his red head cautiously, began to [v]parley once more, trading on Ethan's necessities.

"Ef I go on this errand fur ye," he said, looking very sharp indeed, "will ye gimme one o' the whings of that thar wild tur-r-key?"

He coveted the wing-feathers, not the joint of the fowl. The "whing" of the domestic turkey is used by the mountain women as a fan, and is considered an elegance as well as a comfort. George Birt [v]aped the customs of his elders, regardless of sex,—a characteristic of very small boys.

"Oh, go 'long, bubby!" exclaimed poor Ethan, in dismay at the [v]dilatoriness and indifference of his [v]unique deliverer. "I'll give ye both o' the whings." He would have offered the turkey willingly, if "bubby" had seemed to crave it.

"Waal, I'm goin' now." George Birt rose from the ground and started off briskly, [v]exhilarated by the promise of both the "whings."

Ethan was angry indeed when he heard the boy once more shambling back. Of course one should regard a deliverer with gratitude, especially a deliverer from mortal peril; but it may be doubted if Ethan's gratitude would have been great enough to insure that small red head against a vigorous rap, if it had been within rapping distance, when it was once more cautiously protruded over the verge of the cliff.

"I kem back hyar ter tell ye," the [v]doughty deliverer began, with an air of great importance, and magnifying his office with an extreme relish, "that I can't go an' tell Pete 'bout'n the rope till I hev done kem back from the mill. I hev got old Sorrel hitched out hyar a piece, with a bag o' corn on his back, what I hev ter git ground at the mill. My mother air a-settin' at home now a-waitin' fur that thar corn-meal ter bake dodgers with. An' I hev got a dime ter pay at the mill; it war lent ter my dad las' week. An' I'm afeard ter walk about much with this hyar dime; I mought lose it, ye know. An' I can't go home 'thout the meal; I'll ketch it ef I do. But I'll tell Pete arter I git back from the mill."

"The mill!" echoed Ethan, aghast. "What air ye doin' on this side o' the mounting, ef ye air a-goin' ter the mill? This ain't the way ter the mill."

"I kem over hyar," said the little boy, still with much importance of manner, notwithstanding a slight suggestion of embarrassment on his freckled face, "ter see 'bout'n a trap that I hev sot fur squir'ls. I'll see 'bout my trap, an' then I hev ter go ter the mill, 'kase my mother air a-settin' in our house now a-waitin' fur meal ter bake corn-dodgers. Then I'll tell Pete whar ye air, an' what ye said 'bout'n the rope. Ye must jes' wait fur me hyar."

Poor Ethan could do nothing else.

As the echo of the boy's shambling step died in the distance, a redoubled sense of loneliness fell upon Ethan Tynes. But he endeavored to [v]solace himself with the reflection that the important mission to the squirrel-trap and the errand to the mill could not last forever, and before a great while Peter Birt and his rope would be upon the crag.

This idea [v]buoyed him up as the hours crept slowly by. Now and then he lifted his head and listened with painful intentness. He felt stiff in every muscle, and yet he had a dread of making an effort to change his [v]constrained position. He might lose control of his rigid limbs, and fall into those dread depths beneath.

His patience at last began to give way; his heart was sinking. The messenger had been even more [v]dilatory than he was prepared to expect. Why did not Pete come? Was it possible that George had forgotten to tell of his danger. The sun was going down, leaving a great glory of gold and crimson clouds and an [v]opaline haze upon the purple mountains. The last rays fell on the bronze feathers of the turkey still lying tied to the broken vines on the ledge.

And now there were only frowning masses of dark clouds in the west; and there were frowning masses of clouds overhead. The shadow of the coming night had fallen on the autumnal foliage in the deep valley; in the place of the opaline haze was only a gray mist.

And presently there came, sweeping along between the parallel mountain ranges, a somber raincloud. The lad could hear the heavy drops splashing on the tree-tops in the valley, long, long before he felt them on his head.

The roll of thunder sounded among the crags. Then the rain came down tumultuously, not in columns but in livid sheets. The lightnings rent the sky, showing, as it seemed to him, glimpses of the glorious brightness within,—too bright for human eyes.