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The Life of Sir Richard Burton
by Thomas Wright
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12. The Persian Beauty.

During one of his rambles he formed the acquaintance of a beautiful olive, oval-faced Persian girl of high descent. We are told that her "eyes were narcissi, her cheeks sweet basil," her personal charms together with her siren voice and sweet disposition caused him to fall in love with her; but he had scarcely learnt that his passion was reciprocated before she died. We are told also that for many years he could never think of her without pain; and that when, some time after, he narrated the story to his sister he revealed considerable emotion. Miss Stisted thought she could see references to this episode in Burton's poem The Kasidah, portions of which were written some three years later: "Mine eyes, my brain, my heart are sad—sad is the very core of me." This may be so, but the birth of a litter of pups, presented to him by his beloved bull terrier, seems to have taken the edge off his grief; and his tribute to one of these pups, which received the name of Bachhun, is really affecting.

The "Acting Commissioner" of the time was General Jacob of the Sind Horse, who wore a helmet of silver and a sabre-tache studded with diamonds. This, however, was not from pride or love of display, but because he held it policy in those who have to deal with Hindus not to neglect show and splendour. "In the eyes of Orientals," he used to remark, and Burton endorsed the saying, "no man is great unless he is also superbly dressed." As Jacob stuttered, one of his correspondents thought his name was J. J. J. J. J. Jacob, and terribly offended the testy General by writing it so. A brave and self-confident, but rancorous old man, Jacob by his senseless regulations brought the Indian army to the verge of ruin. This peccadillo was passed over, but a more serious offence, his inability to play whist, was remembered against him by his brother officers right to the day of his death. [73]



13. A Simian Dictionary.

When the Sikh war broke out Burton resigned his post under Scott in order to take part in the campaign in the Punjab, but peace being proclaimed a few weeks later, after the battle of Sobraon, Burton had no opportunities of distinguishing himself. So he returned to his studies, and now became ambitious to understand not only the people but also the monkeys of India. Consequently he collected some forty of them, made them live and eat after the manner of humans; and studies them as they mowed and gibbered. He would then talk to them and pronounce the sounds they made, until at last they could conduct quite a conversation together. Burton never divulged this talk, which, of course, may have been of a confidential nature, but he compiled a Simian Dictionary, and thus to some extent anticipated the work of Mr. R. L. Garner. Unfortunately the dictionary was some years later destroyed by fire.



14. Duality.

We shall often notice in Burton's life what Burton himself called his dual nature. In the tale of Janshah in The Arabian Nights we read of a race of split men who separated longitudinally, each half hopping about contentedly on its own account, and reuniting with its fellow at pleasure. If Burton in a pre-existent state—and he half believed in the Pre-existence of Souls—belonged to this race, and one of his halves became accidentally united to one of the halves of somebody else, the condition of affairs would be explicable. In any circumstances, he was always insisting on his duality. For example—a kind-hearted man, who detested cruelty to animals, nevertheless he delighted, as we have seen, in the sport of cocking; an ambitious man, who wore himself out with his studies yet he neutralised all his efforts to rise by giving way to an ungovernable temper. He would say just what he thought, and no man could have exhibited less tact. Thus he managed to give offence, and quite unnecessarily, to his superior officer, Colonel Henry Corsellis, and they were henceforth at handgrips.

Among his favourite books was Jami's Beharistan. The only pity is that he did not take the advice proffered in the Third Garden:

"If Alexander's realm you want, to work adroitly go, Make friends more friendly still, and make a friend of every foe."

Other instances of opposing qualities will be noticed as this work proceeds. Late in life, when he took to glasses, Burton used to say "My duality is proved by my eyes alone. My right eye requires a No. 50 convex lens, my left a No. 14." His assiduous application to his studies now brought about an illness, and, having returned to Bombay, he obtained two years' leave of absence to the salubrious Neilgherries.



Chapter IV. 20th February 1847-1849. Under the Spell of Camoens

Bibliography:

1. Grammar of the Jataki Dialect, 1849. 2. Remarks on Dr. Dorn's Chrestomathy of the Afghan Tongue, 1849. 3. Reports on Sind addressed to the Bombay Government. 4. Grammar of the Mooltanee Language.



15. Goa and Camoens.

He left Goa on 20th February 1847, taking as usual a pattymar, his mind vibrant with thoughts of his great hero, the "Portingall" Camoens, with whose noble epic all Western India, from Narsinga and Diu to Calicut is intimately associated. Passages from Camoens were frequently in his mouth, and in bitterest moments, in the times of profoundest defection, he could always find relief in the pages of him whom he reverently calls "my master." Later in life he could see a parallel between the thorny and chequered career of Camoens and his own. Each spent his early manhood on the West Coast of India [74], each did his country an incalculable service: Camoens by enriching Portugal with The Lusiads, Burton by his travels and by presenting to England vast stores of Oriental lore. Each received insult and ill-treatment, Camoens by imprisonment at Goa, Burton by the recall from Damascus. There was also a temperamental likeness between the two men. The passion for travel, the love of poetry and adventure, the daring, the patriotism of Camoens all find their counterpart in his most painstaking English translator. Arrived at Panjim, Burton obtained lodgings and then set out by moonlight in a canoe for old Goa. The ruins of churches and monasteries fascinated him, but he grieved to find the once populous and opulent capital of Portuguese India absolutely a city of the dead. The historicity of the tale of Julnar the Sea Born and her son King Badr [75] seemed established, Queen Lab and her forbidding escort might have appeared at any moment. On all sides were bowing walls and tenantless houses. Poisonous plants covered the site of the Viceregal Palace, and monster bats hung by their heels at the corners of tombs. Thoughts of Camoens continued to impinge on his mind, and in imagination he saw his hero dungeoned and laid in iron writing his Lusiads. A visit to the tomb of St. Francis Xavier also deeply moved him. To pathos succeeded comedy. There was in Panjim an institution called the Caza da Misericordia, where young ladies, for the most part orphans, remained until they received suitable offers of marriage The description of this place piqued Burton's curiosity, and hearing that it was not unusual for persons to propose themselves as suitors with a view to inspecting the curiosities of the establishment, he and some companions repaired to the Caza. Having seen the chapel and the other sights he mentioned that he wanted a wife. A very inquisitive duenna cross-examined him, and then he was allowed to interview one of the young ladies through a grating, while several persons, who refused to understand that they were not wanted, stood listening. Burton at once perceived that it would be an exhausting ordeal to make love in such circumstances, but he resolved to try, and a dialogue commenced as follows:

"Should you like to be married, senorita?"

"Yes, very much, senor."

"And why, if you would satisfy my curiosity?"

"I don't know."

The rest of the conversation proved equally wooden and unsatisfactory, and quotations from poets were also wasted.

"The maid, unused to flowers of eloquence, Smiled at the words, but could not guess their sense."

Burton then informed the duenna that he thought he could get on better if he were allowed to go on the other side of the grating, and be left alone with the demure senorita. But at that the old lady suddenly became majestic. She informed him that before he could be admitted to so marked a privilege he would have to address an official letter to the mesa or board explaining his intentions, and requesting the desired permission. So Burton politely tendered his thanks, "scraped the ground thrice," departed with gravity, and in ten minutes forgot all about the belle behind the grille. It was while at Panhim, that, dissatisfied with the versions of Camoens by Strangford [76], Mickle and others, Burton commenced a translation of his own, but it did not reach the press for thirty-three years. [77]

We next find him at Panany, whence he proceeded to Ootacamund, the sanitarium on the Neilgherries, where he devoted himself to the acquisition of Telugu, Toda, Persian and Arabic, though often interrupted by attacks of ophthalmia. While he was thus engaged, Sir Charles Napier returned to England (1847) [78] and Sind was placed under the Bombay Government "at that time the very sink of iniquity." [79]

In September Burton visited Calicut—the city above all others associated with Camoens, and here he had the pleasure of studying on the spot the scenes connected with the momentous landing of Da Gama as described in the seventh and most famous book of the Lusiads. In imagination, like Da Gama and his brave "Portingalls," he greeted the Moor Monzaida, interviewed the Zamorim, and circumvented the sinister designs of the sordid Catual; while his followers trafficked for strange webs and odoriferous gums. On his return to Bombay, reached on October 15th, Burton offered himself for examination in Persian, and gaining the first place, was presented by the Court of Directors with a thousand rupees. In the meantime his brother Edward, now more Greek-looking than ever, had risen to be Surgeon-Major, and had proceeded to Ceylon, where he was quartered with his regiment, the 37th.



16. "Would you a Sufi be?"

Upon his return to Sind, Burton at first applied himself sedulously to Sindi, and then, having conceived the idea of visiting Mecca, studied Moslem divinity, learnt much of the Koran by heart and made himself a "proficient at prayer." It would be unjust to regard this as mere acting. Truth to say, he was gradually becoming disillusioned. He was finding out in youth, or rather in early manhood, what it took Koheleth a lifetime to discover, namely, that "all is vanity." This being the state of his mind it is not surprising that he drifted into Sufism. He fasted, complied with the rules and performed all the exercises conscientiously. The idea of the height which he strove to attain, and the steps by which he mounted towards it, may be fathered from the Sufic poet Jami. Health, says Jami, is the best relish. A worshipper will never realise the pure love of the Lord unless he despises the whole world. Dalliance with women is a kind of mental derangement. Days are like pages in the book of life. You must record upon them only the best acts and memories.

"Would you a Sufi be, you must Subdue your passions; banish lust And anger; be of none afraid, A hundred wounds take undismayed." [80]

In time, by dint of plain living, high thinking, and stifling generally the impulses of his nature, Burton became a Master Sufi, and all his life he sympathised with, and to some extent practised Sufism. Being prevented by the weakness of his eyes from continuing his survey work, he made a number of reports of the country and its people, which eventually drifted into print. Then came the stirring news that another campaign was imminent in Mooltan, his heart leaped with joy, and he begged to be allowed to accompany the force as interpreter. As he had passed examinations in six native languages and had studied others nobody was better qualified for the post or seemed to be more likely to get it.



17. Letter to Sarah Burton, 14th Nov. 1848.

It was while his fate thus hung in the balance that he wrote to his cousin Sarah [81] daughter of Dr. Francis Burton, who had just lost her mother. [82] His letter, which is headed Karachi, 14th November 1848, runs as follows:—"My dear cousin, I lose no time in replying to your note which conveyed to me the mournful tidings of our mutual loss. The letter took me quite by surprise. I was aware of my poor aunt's health having suffered, but never imagined that it was her last illness. You may be certain that I join with you in lamenting the event. Your mother had always been one of my best relations and kindest friends; indeed she was the only one with whom I kept up a constant correspondence during the last six years. I have every reason to regret her loss; and you, of course, much more. Your kind letter contained much matter of a consolatory nature; it was a melancholy satisfaction to hear that my excellent aunt's death-bed was such a peaceful one—a fit conclusion to so good and useful a life as hers was. You, too, must derive no small happiness from the reflection that both you and your sister [83] have always been dutiful daughters, and as such have contributed so much towards your departed mother's felicity in this life. In my father's last letter from Italy he alludes to the sad event, but wishes me not to mention it to my mother, adding that he has fears for her mind if it be abruptly alluded to.

"At the distance of some 1,500 [84] miles all we can do is resign ourselves to calamities, and I confess to you that judging from the number of losses that our family has sustained during the last six years I fear that when able to return home I shall find no place capable of bearing that name. I hope, however, dear cousin, that you or your sister will occasionally send me a line, informing me of your plans and movements, as I shall never leave to take the greatest interest in your proceedings. You may be certain that I shall never neglect to answer your letters and shall always look forward to them with the greatest pleasure. Stisted [85] is not yet out: his regiment is at Belgaum [86], but I shall do my best to see him as soon as possible. Edward [87] is still in Ceylon and the war [88] has ceased there. I keep this letter open for ten or twelve days longer, as that time will decide my fate. A furious affair has broken out in Mooltan and the Punjaub and I have applied to the General commanding to go up with him on his personal staff. A few days more will decide the business—and I am not a little anxious about it, for though still suffering a little from my old complaint—ophthalmia—yet these opportunities are too far between to be lost."

Unfortunately for Burton, his official respecting his investigations at Karachi in 1845 was produced against him [89], and he was passed over [90] in favour of a man who knew but one language besides English. His theory that the most strenuous exertions lead to the most conspicuous successes now thoroughly broke down, and the scarlet and gold of his life, which had already become dulled, gave place to the "blackness of darkness." It was in the midst of this gloom and dejection that he wrote the postscript which he had promised to his cousin Sarah. The date is 25th November, 1848. He says, "I am not going up to the siege of Mooltan, as the General with whom I had expected to be sent is recalled. Pray be kind enough to send on the enclosed to my father. I was afraid to direct it to him in Italy as it contains papers of some importance. You are welcome to the perusal, if you think it worth the trouble. I have also put in a short note for Aunt Georgiana. Kindly give my best love to your sister, and believe me, my dear cousin, your most affectionate R. Burton."

Chagrin and anger, combined with his old trouble, ophthalmia, had by this time sapped Burton's strength, a serious illness followed, and the world lost all interest for him.



18. Allahdad.

He returned to Bombay a complete wreck, with shrunken, tottering frame, sunken eyes, and a voice that had lost its sonority. "It is written," said his friends, "that your days are numbered, take our advice and go home to die." They carried him to his ship, "The Elisa," and as there seemed little hope of his reaching England, he at once wrote a farewell letter to his mother. With him as servant, however, he had brought away a morose but attentive and good-hearted native named Allahdad, and thanks in part to Allahdad's good nursing, and in part to the bland and health-giving breezes of the ocean, he gradually regained his former health, strength, and vitality. At the time he regarded these seven years spent in Sind as simply seven years wasted, and certainly his rewards were incommensurate with his exertions. Still, it was in Sind that the future became written on his forehead; in Sind that he began to collect that mass of amazing material which made possible his edition of The Arabian Nights.



Chapter V. 1849 to 3rd April, 1853, Chiefly Boulogne



Bibliography:

5. Goa and the Blue Mountains, 1851. 6. Scinde; or the Unhappy Valley, 2 vols., 1851. 7. Sindh, and the Races that Inhabit the Valley of the Indus, 1851. 8. Falconry in the Valley of the Indus, 1852. 9. Commencement with Dr. Steinhauser of The Arabian Nights, 1852. 10. A complete System of Bayonet Exercise, 1853.



19. A Motto from Ariosto.

When "The Elisa" approached Plymouth, with its "turfy hills, wooded parks and pretty seats," Allahdad opened his eyes in wonderment. "What manner of men must you English be," he said, "to leave such a paradise and travel to such a pandemonium as ours without compulsion?" On arriving in London, Burton called on his Aunt Georgiana, [91] flirted with his pretty cousins Sarah and Elisa, attended to business of various kinds, and then, in company with Allahdad, set out for Italy to see his father and mother, who were still wandering aimlessly about Europe, and inhaling now the breath of vineyard and garden and now the odours of the laboratory. He found them, his sister, and her two little daughters, Georgiana and Maria (Minnie) at Pisa, and the meeting was a very happy one. Burton's deep affection for his parents, his sister and his brother, is forced upon our notice at every turn; and later he came to regard his nieces just as tenderly. Quoting Coleridge, he used to say:

"To be beloved is all I need, And whom I love I love indeed." [92]

If Burton was thus drawn to those nearest of kin to him, so also his warm heart welled with affection for his friends, and for those who did him kindnesses. "If you value a man or his work," he said, "don't conceal your feelings." The warmth of his affection for his friends Drake, Arbuthnot, and others, will be noticed as this book proceeds. On one occasion, after a spontaneous outburst of appreciation, he said in palliation of his enthusiasm, "Pardon me, but this is an asthenic age—and true-hearted men are rare." Presently we find him revisiting some of his old haunts. In his youth he had explored Italy almost from end to end; but the literary associations of the various towns were their principal charm. To him, Verona stood for Catullus, Brindisi for Virgil, Sorrento for Tasso, Florence for "the all Etruscan three," [93] Dante, Petrarch, and Boccaccio, Reggio and Ferrara for Ariosto. It was from Ariosto, perhaps through Camoens, who adopted it, that he took his life motto, "Honour, not honours"—

"'Tis honour, lovely lady, that calls me to the field, And not a painted eagle upon a painted shield." [94]

All the Burton servants obtained some knowledge of Italian, even Allahdad being soon able to swear fluently in it, and his aptitude, joined to a quarrelsome temper and an illogical prejudice against all Italians, caused innumerable broils.

By and by the family returned to England and Miss Stisted thus describes the progress: "One of the earliest pictures in my memory is of a travelling carriage crossing snow-covered Alps. A carriage containing my mother and uncle, sister and self, and English maid, and a romantic but surly Asiatic named Allahdad. Richard Burton, handsome, tall and broad-shouldered, was oftener outside the carriage than in it, as the noise made by his two small nieces rendered pedestrian exercise, even in the snow, an agreeable and almost necessary variety." Now and then he gave them bits of snow to taste, which they hoped might be sugar. [95] On reaching England he sent Allahdad back to Bombay.

Much of the year 1850 was spent at Leamington and Dover, and in 1851, Burton, accompanied by his brother Edward, crossed to Boulogne, where he prepared for publication his books, Goa, Scinde, Falconry in the Valley of the Indus, and Bayonet Exercise. Love of a sort mingled with literature, for he continued various flirtations, but without any thought of marriage; for he was still only a lieutenant in the service of John Company, and his prospects were not rosy. We said "love of a sort," and advisedly, for we cannot bring ourselves to believe that Burton was ever frenziedly in love with any woman. He was, to use his own expression, no "hot amortist." Of his views on polygamy, to which he had distinct leanings, we shall speak later. He said he required two, and only two qualities in a woman, namely beauty and affection. It was the Eastern idea. The Hindu Angelina might be vacuous, vain, papilionaceous, silly, or even a mere doll, but if her hair hung down "like the tail of a Tartary cow," [96] if her eyes were "like the stones of unripe mangoes," and her nose resembled the beak of a parrot, the Hindu Edwin was more than satisfied. Dr. Johnson's "unidead girl" would have done as well as the blue-stocking Tawaddud. [97]



20. Isabel Arundell & "My Dear Louisa." 1851.

It was during Burton's stay at Boulogne that he saw the handsome girl who ten years later became his wife—Isabel, daughter of Mr. Henry Raymond Arundell. She was the eldest of a very large family. Just twenty, fair, "with yards of golden hair," dark blue eyes and a queenly manner, Isabel Arundell everywhere attracted attention. No portrait, it was said, ever did justice to her virginal beauty. "When she was in any company you could look at no one else," the charm of her manner exceeded even the graces of her person, but her education was defective, and she was amusingly superstitious. She could be heard saying at every turn: "This is a good omen; that a bad one; oh, shocking! the spoons are crossed;

By the pricking of my thumbs Something wicked this way comes."

Though not themselves wealthy, the Arundells were of noble lineage, and had rich and influential relations who prided themselves on being "old English Catholics." Among Miss Arundell's ancestors was Henry, 6th Lord Arundell of Wardour; her grandfather and the 9th Lord were brothers; and her mother was sister to Lord Gerard.

Isabel Arundell and Burton could have conducted their first conversation just as well had they been deaf and dumb. Strolling on the ramparts he noticed a bevy of handsome girls, one of whom, owing to her exceptional looks, particularly fired him, and having managed to attract her attention, he chalked on a wall, "May I speak to you," and left the piece of chalk at the end of the sentence. She took it up and wrote under it, "No, mother will be angry."

She had, however, long pictured to herself an ideal husband, and on seeing Burton, she exclaimed under her breath: "That is the man!" She describes him as "five feet eleven inches in height, very broad, thin and muscular, with very dark hair, black, clearly defined, sagacious eyebrows, a brown, weather-beaten complexion, straight Arab features, a determined-looking mouth and chin, nearly covered by an enormous moustache; two large, black, flashing eyes, with long lashes," and a "fierce, proud, melancholy expression." [98] In the words of one of his friends, he had the eye of an angel, the jaw of a devil. Also staying at Boulogne was a young lady for whom Burton entertained a sincere affection, and whom he would probably have married but for the poorness of his outlook. "My dear Louisa," [99] as he called her, was a relative of Miss Arundell, and hearing what had occurred, she did Burton and Miss Arundell the kindness of formally introducing them to each other, Miss Arundell never tried to attract Burton's attention—we have her word for that—but wherever he went she went too; and she never lost an opportunity of accidentally crossing his path. She considered sacred a sash which she wore when dancing with him, and she remembered him specially in her prayers. Henceforward, one devouring desire occupied her mind. She wished—and praiseworthily—to be Burton's wife. To him, on the other hand, she was but an ephemeral fancy—one of the hundred and fifty women—his fair cousins in England and the softer and darker beauties of France and Italy—to whom he had said tender nothings. Later, when Miss Arundell saw him flirting with another girl, a certain "Louise" [100] (not to be confused with "my dear Louisa"), she bridled up, coloured to her brow-locks, called "Louise" "fast" and Louise's mother "vulgar." Naturally they would be. [101] With "myosotis eyes," peachy cheeks and auburn hair, rolling over ivory shoulders [102], "Louise" was progressing admirably, when, unfortunately for her, there came in view a fleshy, vinous matron of elephantine proportions, whom she addressed as "mother." The sight of this caricature of the "Thing Divine," to use Burton's expression, and the thought that to this the "Thing Divine" would some day come, instantly quenched his fires, and when the mother tried to bring him to a decision, by inquiring his intentions regarding her daughter, he horrified her by replying: "Strictly dishonourable, madam." "Englishmen," he reflected, "who are restricted to one wife, cannot be too careful." Miss Arundell was also jealous of "My dear Louisa," though unwarrantably, for that lady presently became Mrs. Segrave; but she and Burton long preserved for each other a reminiscitory attachment, and we shall get several more glimpses of her as this book proceeds. [103]

Isabel Arundell was herself somewhat cheered by the prophecy of a gipsy of her acquaintance—one Hagar Burton—who with couched eyes and solemn voice not only prognosticated darkly her whole career, but persistently declared that the romance would end in marriage; still, she fretted a good deal, and at last, as persons in love sometimes do, became seriously indisposed. Without loss of time her parents called in a skilful physician, who, with his experienced eye, saw at once that it was indigestion, and prescribed accordingly. Residing at Boulogne in 1851, was a French painter named Francois Jacquand, who had obtained distinction by his pictures of monks, and "a large historical tableau representing the death chamber of the Duc d'Orleans." In an oil painting which he made of Burton and his sister, and which is here reproduced for the first time, Burton appears as a pallid young military man, heavily moustached, with large brown eyes [104]; and his worn and somewhat melancholy face is a striking contrast to the bright and cheerful looks of his comely sister. Our portraits of the Misses Stisted are also from paintings by Jacquand. Burton's habit of concealing his ailments which we noticed as a feature of his boyhood was as conspicuous in later life. "On one occasion," says Miss Stisted, "when seized with inflammation of the bladder, a fact he tried to keep to himself, he continued to joke and laugh as much as usual, and went on with his reading and writing as if little were the matter. At last the agony became too atrocious, and he remarked in a fit of absence 'If I don't get better before night, I shall be an angel.' Questions followed, consternation reigned around, and the doctor was instantly summoned."



21. Forster FitzGerald Arbuthnot 1853.

When Burton first became acquainted with Forster FitzGerald Arbuthnot is uncertain; but by 1853, they were on terms of intimacy. Burton was then 32, Arbuthnot 20. Of this enormously important fact in Burton's life—his friendship with Arbuthnot—no previous writer has said a single word, except Lady Burton, and she dismisses the matter with a few careless sentences, though admitting that Arbuthnot was her husband's most intimate friend. Of the strength of the bond that united the two men, and the admiration felt by Arbuthnot for Burton, she had little idea. F. F. Arbuthnot, born in 1833, was second son of Sir Robert Keith Arbuthnot and Anne, daughter of Field-Marshal Sir John Forster FitzGerald, G.C.B. Educated at Haileybury, he entered in 1852 the Bombay Civil Service, and rose subsequently to the important position of "collector." A man of a quiet and amiable disposition, Arbuthnot never said an unkind word either to or about anyone. The sweetness and serenity of his manner were commented upon by all his friends; but like so many of your quiet men, he had a determination—a steady heroism, which made everything give way. Oppose Burton, and you would instantly receive a blow aimed straight from the shoulder, oppose Arbuthnot and you would be pushed quietly and amiably aside—but pushed aside nevertheless. A great idea had early possessed him. He wanted to see as much attention paid to the literatures of India, Persia and Arabia as to those of ancient Greece and Rome. All the famous books of the East, he said, should be translated into English—even the erotic, and he insisted that if proper precautions were taken so that none but scholars could obtain them, no possible harm could ensue. [105]

"England," he wrote long after (1887), "has greater interests in the East than any other country in Europe, and ought to lead the way in keeping the world informed on all subjects connected with Oriental literature. Surely the time has not arrived for her to take a back seat on that coach, and to let other nations do a work which she ought to do herself." [106] The expression "on that coach," by the by, was eminently characteristic of a man who plumed himself on being a Jehu of Jehus. Hundreds of invaluable manuscripts written by poets and sages, he said, require to be translated into English, and the need of the day is an Oriental Translation Fund. A man of means, Arbuthnot was sometime later to apply his money to the cause he had at heart; and year in, year out, we shall find him and Burton striking at the self-same anvil. Though there was a considerable difference in their ages, and though thousands of miles often separated them, their minds were ever united, and they went down the stream of life together like two brothers.



Chapter VI. 3rd April 1853 to 29th October 1854, Pilgrimage to Mecca



Bibliography:

11. The Kasidah (commenced). 12. El Islam (commenced).



22. The Man Wants to Wander.

Much of his time at Boulogne Burton devoted to fencing; and to his instructor, M. Constantin, he paid glowing tributes. He thoroughly mastered the art, defeated all antagonists, whether English or French, earned his "brevet de pointe for the excellence of his swordsmanship, and became a Maitre d' Armes." As horseman, swordsman, and marksman, no soldier of his day surpassed him, and very few equalled him. But of fencing, flirting and book-writing, he soon got heartily tired. Like his putative ancestors, the gipsies, he could never be happy long in one place. He says, "The thoroughbred wanderer's idiosyncrasy, I presume to be a composition of what phrenologists call inhabitiveness and locality equally and largely developed. After a long and toilsome march, weary of the way, he drops into the nearest place of rest to become the most domestic of men. For a while he smokes the pipe of permanence with an infinite zest, he delights in various siestas during the day, relishing withal a long sleep at night; he enjoys dining at a fixed dinner hour, and wonders at the demoralisation of the mind which cannot find means of excitement in chit-chat or small talk, in a novel or a newspaper. But soon the passive fit has passed away; again a paroxysm on ennui coming on by slow degrees, viator loses appetite, he walks bout his room all night, he yawns at conversations, and a book acts upon his as a narcotic. The man wants to wander, and he must do so, or he shall die." [107]



23. Haji Wali, 1853.

As we have seen, Burton, even before he had left Sind, had burned to visit Mecca. Four years had since elapsed, and his eyes still turned towards "Allah's holy house." Having obtained another twelve months' furlough, in order that he "might pursue his Arabic studies in lands where the language is best learned," he formed the bold plan of crossing Arabia from Mecca to the Persian Gulf. Ultimately, however, he decided, in emulation of Burckhardt, the great traveler, to visit Medina and Mecca in the disguise of a pilgrim, a feat that only the most temerarious of men would have dared even to dream of. He made every conceivable preparation, learning among other usefulnesses how to forge horse shoes and to shoe a horse. To his parents and Lady Stisted and her daughters, who were then residing at Bath, he paid several visits, but when he last parted from them with his usual "Adieu, sans adieu," it did not occur to them that he was about to leave for good; for he could not—he never could—muster up sufficient courage to say a final "Good-bye." Shortly after his departure his mother found a letter addressed to her and in his handwriting. It contained, besides an outline of his dangerous plans, the instruction that, in case he should be killed, his "small stock of valuables" was to be divided between her and his sister.

Once more Burton had the keen pleasure of putting on disguise. Richard F. Burton ceased to be, and a muscular and powerful Mirza Abdullah, of Bushire, took his place. "I have always wished to see," he explained to a friend, "what others have been content to hear of." He wore long hair and Oriental costume, and his face and limbs were stained with henna. Accompanied by Captain Henry Grindlay of the Bengal Cavalry, he left London for Southampton, 3rd April 1853, and thence took steamer for Egypt, without ever a thought of Isabel Arundell's blue eye or Rapunzel hair, and utterly unconscious of the sighs he had evoked. At Alexandria he was the guest of Mr. John Thurburn and his son-in-law, Mr. John Larking [108], at their residence "The Sycamores," but he slept in an outhouse in order the better to delude the servants. He read the Koran sedulously, howled his prayers with a local shaykh who imparted to him the niceties of the faith, purified himself, made an ostentatious display of piety, and gave out that he was a hakim or doctor preparing to be a dervish. As he had some knowledge of medicine, this role was an easy one, and his keen sense of humour made the experience enjoyable enough. On the steamer that carried him to Cairo, he fraternized with two of his fellow-passengers, a Hindu named Khudabakhsh and an Alexandrian merchant named Haji Wali. Haji Wali, whose connection with Burton lasted some thirty years [109], was a middle-aged man with a large round head closely shaven, a bull neck, a thin red beard, handsome features which beamed with benevolence, and a reputation for wiliness and cupidity. Upon their arrival at Boulak, the port of Cairo. Khudabakhsh, who lived there, invited Burton to stay with him. Hindu-like, Khudabakhsh wanted his guest to sit, talk, smoke, and sip sherbet all day. But this Burton could not endure. Nothing, as he says, suits the English less than perpetual society, "an utter want of solitude, when one cannot retire into one self an instant without being asked some puerile questions by a companion, or look into a book without a servant peering over one's shoulder." At last, losing all patience, he left his host and went to a khan, where he once more met Haji Wali. They smoked together the forbidden weed hashish, and grew confidential. Following Haji Wali's advice, Burton, having changed his dress, now posed as an Afghan doctor, and by giving his patients plenty for their money and by prescribing rough measures which acted beneficially upon their imaginations, he gained a coveted reputation. He always commenced his prescriptions piously with: "In the name of Allah, the compassionate, the merciful, and blessings and peace be upon our Lord the Apostle"; and Haji Wali vaunted him as "the very phoenix of physicians." According to his wont, he never lost an opportunity of learning the ways and customs of the various people among whom he was thrown, or of foisting himself on any company in which he thought he could increase his knowledge. His whole life indeed was a preparation for "The Arabian Nights." Thus at Cairo he had the good fortune to cure some Abyssinian slave-girls of various complaints, including the "price-lowering habit of snoring," and in return he made the slave dealer take him about the town and unfold the mysteries of his craft. He also visited the resting-place of his hero, Burckhardt; [110] indeed, in whatever town he sojourned, he sought out the places associated with the illustrious dead. It was now the Ramazan, and he observed it by fasting, reading the Koran, and saying countless prayers with his face turned devoutly to the Kiblah. [111] He heartily rejoiced, however, with the multitude when the dreary month was over, and he describes [112] amusingly the scenes on the first day following it: "Most people," he says, "were in fresh suits of finery; and so strong is personal vanity in the breast of Orientals... that from Cairo to Calcutta it would be difficult to find a sad heart under a handsome coat. The men swaggered, the women minced their steps, rolled their eyes, and were eternally arranging, and coquetting with their head-veils." In the house of a friend he saw an Armenian wedding. For servant he now took a cowardly and thievish lad named Nur, and, subsequently, he made the acquaintance of a Meccan youth, Mohammed, who was to become his companion throughout the pilgrimage. Mohammed was 18, chocolate brown, short, obese, hypocritical, cowardly, astute, selfish and affectionate. Burton not only purchased the ordinary pilgrim garb, but he also took the precaution to attach to his person "a star sapphire," the sight of which inspired his companions with "an almost reverential awe," and even led them to ascribe to him thaumaturgic power. [113] His further preparations for the sacred pilgrimage reads rather like a page out of Charles Lever, for the rollicking Irishman was as much in evidence as the holy devotee. They culminated in a drinking bout with an Albanian captain, whom he left, so to speak, under the table; and this having got noised abroad, Burton, with his reputation for sanctity forfeited, found it expedient to set off at once for Mecca. He sent the boy Nur on to Suez with his baggage and followed him soon after on a camel through a "haggard land infested with wild beasts and wilder men." At Suez he made the acquaintance of some Medina and Mecca folk, who were to be his fellow-travellers; including "Sa'ad the Demon," a negro who had two boxes of handsome apparel for his three Medina wives and was resolved to "travel free;" and Shaykh Hamid, a "lank Arab foul with sweat," who never said his prayers because of the trouble of taking clean clothes out of his box. "All these persons," says Burton, "lost no time in opening the question of a loan. It was a lesson in Oriental metaphysics to see their condition. They had a twelve days' voyage and a four days' journey before them; boxes to carry, custom houses to face, and stomachs to fill; yet the whole party could scarcely, I believe, muster two dollars of ready money. Their boxes were full of valuables, arms, clothes, pipes, slippers, sweetmeats, and other 'notions,' but nothing short of starvation would have induced them to pledge the smallest article." [114] Foreseeing the advantage of their company, Burton sagaciously lent each of them a little money at high interest, not for the sake of profit, but with a view to becoming a Hatim Tai, [115] by a "never mind" on settling day. This piece of policy made "the Father of Moustaches," as they called him, a person of importance among them. During the delay before starting, he employed himself first in doctoring, and then in flirting with a party of Egyptian women the most seductive of whom was one Fattumah, [116] a plump lady of thirty "fond of flattery and possessing, like all her people, a voluble tongue." The refrain of every conversation was "Marry me, O Fattumah! O daughter! O female pilgrim." To which the lady would reply coquettishly, "with a toss of the head and a flirting manipulation of her head veil," "I am mated, O young man." Sometimes he imitated her Egyptian accent and deprecated her country women, causing her to get angry and bid him begone. Then, instead of "marry me, O Fattumah," he would say, "O old woman and decrepit, fit only to carry wood to market." This would bring a torrent of angry words, but when they met again all was forgotten and the flirtations of the day before were repeated.



24. The Pilgrim Ship, 6th July 1853.

Burton and his party now embarked on the sambuk which was to take them to Yambu, the port of Medina. As ninety-seven pilgrims were crowded on a vessel constructed to carry only sixty, most extraordinary scenes occurred. Thanks to the exertions of Sa'ad the Demon, Burton and his friends secured places on the poop, the most eligible part of the vessel. They would not be very comfortable anywhere, Sa'ad explained, but "Allah makes all things easy." Sa'ad himself, who was blessed with a doggedness that always succeeds, managed to get his passage free by declaring himself an able seaman. Disturbances soon commenced. The chief offenders were some Maghrabis, "fine looking animals from the deserts about Tripoli," the leader of whom, one Maula Ali, "a burly savage," struck Burton as ridiculously like his old Richmond schoolmaster, the Rev. Charles Delafosse. These gentry tried to force their way on to the poop, but Sa'ad distributed among his party a number of ash staves six feet long, and thick as a man's wrist. "He shouted to us," says Burton, "'Defend yourself if you don't wish to be the meat of the Maghrabis!' and to the enemy 'Dogs and sons of dogs! now shall you see what the children of the Arab are.' 'I am Omar of Daghistan!' 'I am Abdullah the son of Joseph!' 'I am Sa'ad the Demon! [117]' we exclaimed." And, Burton, with his turbulent blood well stirred, found himself in the seventh heaven. "To do our enemies justice," he continues, "they showed no sign of flinching; they swarmed towards the poop like angry hornets, and encouraged each other with cries of 'Allaho Akbar!' But we had a vantage ground about four feet above them, and their short daggers could do nothing against our terrible quarter staves. Presently a thought struck me. A large earthen jar full of drinking water, in its heavy frame of wood stood upon the edge of the poop. Seeing an opportunity, I crept up to the jar and rolled it down upon the swarm of assailants. Its fall caused a shriller shriek to rise above the ordinary din, for heads, limbs and bodies were sorely bruised by the weight, scratched by the broken potsherds, and wetted by the sudden discharge. [118] The Maghrabis then slunk off towards the end of the vessel, and presently solicited peace."

The beauties of the sunrise baffled description. The vessel sailed over a violet sea, and under a sky dappled with agate-coloured clouds. At noon the heat was terrible and all colour melted away, "with the canescence from above." The passengers were sympathetic with one another, notwithstanding their recent factiousness, and were especially kind to a poor little brown baby, which they handed round and nursed by turns, but the heat, the filth, and the stench of the ship defied description. At Mahar, one of the places where they landed, Burton injured his foot with a poisonous thorn, which made him lame for the rest of the pilgrimage. Presently the welcome profile of Radhwa came in view, the mountain of which the unfortunate Antar [119] sang so plaintively:

"Did Radhwa strive to support my woes, Radhwa itself would be crushed by the weight,"

and on July 17th, after twelve days of purgatory, Burton sprang on shore at Yambu.



25. Medina.

He now dressed himself as an Arab, that is to say, he covered his head with a red kerchief bordered with yellow, his body with a cotton shirt and a camel's hair cloak, while a red sash, a spear and a dagger completed the outfit. Then, having hired some camels, he joined a caravan, consisting of several hundred men and beasts, which was bound for Medina; but his injured foot still incommoded him. Determined, however, to allow nobody to exceed him in piety, he thrice a day or oftener pounded the sand with his forehead like a true Mussulman.

While passing through one of the mountain gorges the pilgrims were attacked by a number of predatory Bedouin, led by a ferocious chief named Saad, who fired upon them from the rocks with deadly effect, but, at last, after a journey of 130 miles, they reached Medina, with the great sun-scorched Mount Ohod towering behind it—the holy city where, according to repute, the coffin of Mohammed swung between heaven and earth. [120] Medina consisted of three parts, a walled town, a large suburb, with ruinous defences, and a fort. Minarets shot up above the numerous flat roofs, and above all flashed the pride of the city, the green dome that covered the tomb of Mohammed. Burton became the guest of the dilatory and dirty Shaykh Hamid. The children of the household, he says, ran about in a half nude state, but he never once set eyes upon the face of woman, "unless the African slave girls be allowed the title. Even these at first attempted to draw their ragged veils over their sable charms." Having dressed themselves in white, Burton and Hamid sallied out for the Prophet's Tomb, Burton riding on a donkey because of his lameness. He found the approach to the Mosque choked up by ignoble buildings, and declares that as a whole it had neither beauty nor dignity. Upon entering, he was also disillusioned, for its interior was both mean and tawdry. After various prayers they visited first the "Hujrah," where they saw the tombs of Mohammed, Abu Bakr, Omar and Fatimah; and afterwards El Rauzah, the Garden situated between the Hujrah and the Prophet's Pulpit, both very celebrated spots. Of the latter, Mohammed said: "Between my house and my pulpit is a garden of the gardens of paradise." [121] After more prayers they wandered round to the other sights, including the fine Gate of Salvation, the five minarets, and the three celebrated pillars, called respectively, Al-Mukhallak, the Pillar of Ayishah, and the Pillar of Repentance. They then made their way to the Mosque of Kuba, some two miles out of the town, and witnessed the entry into Medina of the great caravan from Damascus, numbering 7,000 souls—grandees in gorgeous litters of green and gold, huge white Syrian dromedaries, richly caparisoned horses and mules, devout Hajis, sherbet sellers, water carriers, and a multitude of camels, sheep and goats. [122] Lastly Burton and his friends pilgrimaged to the holy Mount Ohod with its graves of "the martyrs;" and to the celebrated Al-Bakia, or Saints' Cemetery, where lie ten thousand of the Prophet's companions. On entering the latter they repeated the usual salutation: "Peace be upon ye, O People of Al-Bakia," and then sought out the principal tombs—namely those of the Caliph Othman, [123] "Our Lady Halimah," [124] the Infant Ibrahim, [125] and about fourteen of Mohammed's wives. [126] The cemetery swarmed with clamorous beggars, who squatted with dirty cotton napkins spread on the ground before them for the reception of coins. Some of the women promised to recite Fatihahs for the donors, and the most audacious seized the visitors by their skirts. Burton laid out three dollars in this way, but though the recipients promised loudly to supplicate Allah in behalf of his lame foot, it did not perceptibly benefit. Burton's companions hinted that he might do worse than settle in Medina. "Why not," said one, "open a shop somewhere near the Prophet's Mosque? There thou wilt eat bread by thy skill, and thy soul will have the blessing of being on holy ground." Burton, however, wanted to be going forward.



26. Mecca.

On 31st August, after praying "a two-bow prayer," he bade adieu to Shaykh Hamid, and with Nur and the boy Mohammed, joined the caravan bound for Mecca, the route taken being the celebrated road through the arid Nejd made by Zubaydah, wife of Harun al Rashid. The events of the journey were not remarkable, though Mohammed very nearly killed himself by feeding too liberally on clarified butter and dates mashed with flour. Sometimes Burton cheered the way and delighted his companions by singing the song of Maysunah, the Arab girl who longed to get back from the Caliph's palace to the black tents of her tribe. Everybody got into good humour when he began:

"Oh take these purple robes away, Give back my cloak of camel's hair,"

and they laughed till they fell on their backs when he came to the line where the desert beauty calls her Royal husband a "fatted ass." In truth, they needed something to cheer them, for the sky was burnished brass, and their goats died like flies. Simoon and sand-pillar threw down the camels, and loathsome vultures ready for either beast or man hovered above or squabbled around them. To crown their discomforts they were again attached by the Bedouin, whom they dispersed only after a stubborn fight and with the loss of several dromedaries. After passing the classic Wady Laymun, sung by the Arab poet Labid [127] in lines suggestive of Goldsmith's Deserted Village, they very piously shaved their heads and donned the conventional attire, namely two new cotton cloths with narrow red stripes and fringes; and when the Holy City came in view, the whole caravan raised the cry, "Mecca! Mecca! the Sanctuary! O the Sanctuary! Labbayk! Labbayk!" [128] the voices being not infrequently broken by sobs.

On entering the gates, Burton and Nur crossed the famous hill Safa and took up their abode with the lad Mohammed. Early next morning they rose, bathed, and made their way with the crowd to the Prophet's Mosque in order to worship at the huge bier-like erection called the Kaaba, and the adjacent semi-circular Hatim's wall. The famous Kaaba, which is in the middle of the great court-yard, looked at a distance like an enormous cube, covered with a black curtain, but its plan is really trapeziform. "There at last it lay," cries Burton, "the bourn of my long and weary pilgrimage, realising the plans and hopes of many and many a year,"—the Kaaba, the place of answered prayer, above which in the heaven of heavens Allah himself sits and draws his pen through people's sins. "The mirage of fancy invested the huge catafalque and its gloomy pall with peculiar charms." Of all the worshippers who clung weeping to the curtain, [129] or who pressed their beating hearts to the sacred black stone built into the Kaaba, none, thought Burton, felt for the moment a deeper emotion than he. But he had to confess the humbling truth that while theirs was the high feeling of religious enthusiasm, his was but the ecstasy of gratified pride. Bare-headed and footed and in company with Mohammed, he first proceeded to the holy well, Zem-Zem, said to be the same that was shown by God to Hagar. [130] They found the water extremely unpleasant to the taste, and Burton noticed that nobody drank it without making a wry face. It was impossible at first to get near the Black Stone owing to the crush of pilgrims. However, they occupied the time in various prayers, blessed the Prophet, and kissed the finger tips of the right hand. They then made the seven Ashwat or circuits, and from time to time raised their hands to their ears, and exclaimed, "In the name of Allah and Allah is omnipotent!" The circuits finished, and it was deemed advisable to kiss the Black Stone. For some minutes Burton stood looking in despair at the swarming crowd of Bedouin and other pilgrims that besieged it. But Mohammed was equal to the occasion. Noticing that most of those near the Stone were Persians, against whom the Arabs have an antipathy, he interpolated his prayers with insults directed against them—one of the mildest being "O hog and brother of a hoggess." This having small effect he collected half-a-dozen stalwart Meccans, "with whose assistance," says Burton, "by sheer strength, we wedged our way into the thin and light-legged crowd. ...After reaching the stone, despite popular indignation testified by impatient shouts, we monopolised the use of it for at least ten minutes. While kissing it and rubbing hands and forehead upon it, I narrowly observed it, and came away persuaded that it was an aerolite." Burton and his friends next shouldered and fought their way to the part of the Kaaba called Al Multazem, at which they asked for themselves all that their souls most desired. Arrived again at the well Zem-Zem, Burton had to take another nauseous draught and was deluged with two skinfuls of the water dashed over his head. This causes sins to fall from the spirit like dust. He also said the customary prayers at the Makam Ibrahim or Praying Place of Abraham [131] and other shrines. At last, thoroughly worn out, with scorched feet and a burning head, he worked his way out of the Mosque, but he was supremely happy for he had now seen:

"Safa, Zem-Zem, Hatim's wall, And holy Kaaba's night-black pall." [132]

The next day he journeyed to the sacred Mount of Arafat, familiar to readers of The Arabian Nights from the touching story of Abu Hasan and Abu Ja'afar the Leper and [133] he estimated that he was but one of 50,000 pilgrims. The mountain was alive with people, and the huge camp at its foot had booths, huts and bazaars stocked with all manner of Eastern delicacies, and crowded with purchasers. Instead, however, of listening to the sermons, Burton got flirting with a Meccan girl with citrine skin and liquescent eyes.

On the third day, mounted on an ass, he made for Muna and took part in the ceremony called Stoning the Devil. He was, however, but one of a multitude, and, in order to get to the stoned pillar a good deal of shouldering and fighting was necessary. Both Burton and the boy Mohammed, however, gained their end, and like the rest of the people, vigorously pelted the devil, saying as they did so, "In the name of Allah—Allah is Almighty." To get out of the crowd was as difficult as it had been to get in. Mohammed received a blow in the face which brought the blood from his nose, and Burton was knocked down; but by "the judicious use of the knife" he gradually worked his way into the open again, and piously went once more to have his head shaved and his nails cut, repeating prayers incessantly. Soon after his return to Mecca, Mohammed ran up to him in intense excitement. "Rise, Effendi," he cried, "dress and follow me; the Kaaba is open." The pair then made their way thither with alacrity, and, replies to the officials in charge being satisfactory, Mohammed was authoritatively ordered to conduct Burton round the building. They entered. It was a perilous moment; and when Burton looked at the windowless walls and at the officials at the door, and thought of the serried mass of excited fanatics outside, he felt like a trapped rat. However safe a Christian might have been at Mecca, nothing could have preserved him from the ready knives of the faithful if detected in the Kaaba. The very idea was pollution to a Moslem. "Nothing," says Burton, "is more simple than the interior of this sacred building. The pavement is composed of slabs of fine and various coloured marbles. The upper part of the walls, together with the ceiling, are covered with handsome red damask, flowered over with gold. The flat roof is upheld by three cross beams, supported in the centre by three columns. Between the columns ran bars of metal supporting many lamps said to be of gold." The total expense was eight dollars, and when they got away, the boy Mohammed said, "Wallah, Effendi! thou has escaped well! some men have left their skins behind."

The fifty-five other wonders of the city having been visited, Burton sent on Nur with his heavy boxed to Jeddah, the port of Mecca, and he himself followed soon after with Mohammed. At Jeddah he saw its one sight, the tomb of Eve, and then bade adieu to Mohammed, who returned to Mecca. Having boarded the "Dwarka," an English ship, he descended to his cabin and after a while emerged with all his colouring washed off and in the dress of an English gentleman. Mirza Abdullah of Bushire, "Father of Moustaches," was once more Richard Francis Burton. This extraordinary exploit made Burton's name a household word throughout the world, and turned it into a synonym for daring; while his book, the Pigrimage to Al-Madinah and Meccah, which appeared the following year, was read everywhere with wonder and delight. Had he been worldly-wise he would have proceeded straight to England, where, the lion of the hour, he might have obtained a reward more substantial than mere praise. But he did not show himself until the commotion caused by his exploit had been half-forgotten, and we shall find him making a similar mistake some years later, after his return from Tanganyika. [134]

It seems that Burton was known in the army as "Ruffian Dick"—not by way of disparagement, but because of this demonic ferocity as a fighter, and because he had "fought in single combat more enemies than perhaps any other man of his time." One evening soon after his return from Mecca, a party of officers, including a friend of Burton's named Hawkins, were lounging outside Shepherd's Hotel at Cairo. As they sat talking and smoking, there passed repeatedly in front of them, an Arab, in his loose flowing robes, with head proudly erect, and the peculiar swinging stride of those sons of the desert. As he strode backwards and forwards he drew nearer and nearer to the little knot of officers, till at last, as he swept by, the flying folds of his burnous brushed against one of the officers. "D—— that nigger's impudence!" said the officer; "if he does that again, I'll kick him." To his surprise the dignified Arab suddenly halted, wheeled round, and exclaimed, "Well, d—— it, Hawkins, that's a fine way to welcome a fellow after two year's absence." "It's Ruffian Dick!" cried the astonished officer. [135]

Perhaps to this period must be assigned the bastinado incident. Burton used to tell the tale [136] as follows: "Once, in Egypt, another man and I were out duck shooting, and we got separated. When I next came in sight of the other man some Turkish soldiers had tied him up and were preparing to administer the bastinado. As I hurried to his assistance he said something to the Turks which I could not catch, and pointed to me. Instantly they untied him and pouncing upon me, tried to put me in his place, while my companion took to his heels. As they were six to one, they succeeded, and I had the very unpleasant experience of being bastinadoed. The first dozen or two strokes I didn't mind much, but at about the ninetieth the pain was too excruciating for description. When they had finished with me I naturally enquired what it was all for. It seems that my companion when firing at a duck had accidentally shot an Egyptian woman, the wife of one of the soldiers. Upon my appearance he had called out in Turkish to the soldiers: 'It was not I who fired the shot, it was that other fellow,' pointing to me. The blackguard has taken good care to keep out of my way ever since."



27. Burton's Delight in Shocking.

The story of Burton's adventures having spread abroad, people now took the trouble to invent many incidents that were untrue. They circulated, for example, a grisly tale of a murder which he was understood to have committed on a man who had penetrated his disguise, [137] and, the tale continuing to roll, the murder became eventually two murders. Unfortunately, Burton was cursed with a very foolish habit, and one that later did him considerable harm. Like Lord Byron, he delighted to shock. His sister had often reproved him for it after his return from India, but without effecting a change. Kindly listeners hardly knew how to take him, while the malicious made mischief. One day, in England, when, in the presence of his sister and a lady friend, he had thought fit to enlarge on a number of purely fictitious misdeeds, he was put to some shame. His sister having in vain tried by signs to stop him, the friend at last cut him short with: "Am I to admire you, Mr. Burton?" And he accepted the reproof. Still, he never broke himself of this dangerous habit; indeed, when the murder report spread abroad he seems to have been rather gratified than not; and he certainly took no trouble to refute the calumny.

On another occasion he boasted of his supposed descent from Louis XIV. "I should have thought," exclaimed a listener, "that you who have such good Irish blood in your veins would be glad to forget your descent from a dishonourable union."

"Oh, no," replied Burton vehemently, "I would rather be the bastard of a king than the son of an honest man."

Though this was at the time simply intended to shock, nevertheless it illustrated in a sense his real views. He used to insist that the offspring of illicit or unholy unions were in no way to be pitied if they inherited, as if often the case, the culture or splendid physique of the father and the comeliness of the mother; and instanced King Solomon, Falconbridge, in whose "large composition," could be read tokens of King Richard, [138] and the list of notables from Homer to "Pedro's son," as catalogued by Camoens [139] who said:

"The meed of valour Bastards aye have claimed By arts or arms, or haply both conjoined."

The real persons to be pitied, he said, were the mentally or physically weak, whatever their parentage.



28. El Islam.

Burton now commenced to write a work to be called El Islam, or the History of Mohammedanism; which, however, he never finished. It opens with an account of the rise of Christianity, his attitude to which resembled that of Renan. [140] Of Christ he says: "He had given an impetus to the progress of mankind by systematizing a religion of the highest moral loveliness, showing what an imperfect race can and may become." He then dilates on St. Paul, who with a daring hand "rent asunder the ties connecting Christianity with Judaism." "He offered to the great family of man a Church with a Diety at its head and a religion peculiarly of principles. He left the moral code of Christianity untouched in its loveliness. After the death of St. Paul," continues Burton, "Christianity sank into a species of idolatry. The acme of stupidity was attained by the Stylites, who conceived that mankind had no nobler end than to live and die upon the capital of a column. When things were at their worst Mohammed first appeared upon the stage of life." The work was published in its unfinished state after Burton's death.

With The Kasidah we shall deal in a later chapter, for though Burton wrote a few couplets at this time, the poem did not take its present shape till after the appearance of FitzGerald's adaptation of The Rubaiyat Oman Khayyam.

Having spent a few weeks in Egypt, Burton returned to Bombay, travelling in his Arab dress. Among those on board was an English gentleman, Mr. James Grant Lumsden, senior member of the Council, Bombay, who being struck by Burton's appearance, said to a friend, "What a clever, intellectual face that Arab has!" Burton, overhearing the remark, made some humorous comment in English, and thus commenced a pleasant friendship.



Chapter VII. 29th October 1854—9th February, 1855 To Harar



Bibliography: 13. Pilgrimage to Al-Madimah and Meccah. 3 vols. 1855-1856.



29. At Aden. The Arabian Nights. Oct. 1854.

It was while staying at Bombay as Mr. Lumsden's guest that Burton, already cloyed with civilization, conceived the idea of journeying, via Zeila in Somaliland, to the forbidden and therefore almost unknown city of Harar, and thence to Zanzibar. His application to the Bombay Government for permission and assistance having been received favourably, he at once set out for Aden, where he stayed with his "old and dear friend," Dr. John Steinhauser, who had been appointed civil surgeon there. Steinhauser, a stolid man, whose face might have been carved out of wood, was, like Burton, an enthusiastic student of The Arabian Nights, and their conversation naturally drifted into this subject. Both came to the conclusion that while the name of this wondrous repertory of Moslem folk-lore was familiar to almost every English child, no general reader could form any idea of its treasures. Moreover, that the door would not open to any but Arabists. But even at the present day, and notwithstanding the editions of Payne and Burton, there are still persons who imagine that The Arabian Nights is simply a book for the nursery. Familiar only with some inferior rendering, they are absolutely ignorant of the wealth of wisdom, humour, pathos and poetry to be found in its pages. [141] Writing in 1856, Burton says: "The most familiar book in England, next to the Bible, it is one of the least known, the reason being that about one-fifth is utterly unfit for translation, and the most sanguine Orientalist would not dare to render more than three-quarters of the remainder, [142] consequently the reader loses the contrast—the very essence of the book—between its brilliancy and dulness, its moral putrefaction and such pearls as:

'Cast the seed of good works on the least fit soil; Good is never wasted, however it may be laid out.'

And in a page or two after such divine sentiment, the ladies of Baghdad sit in the porter's lay, and indulge in a facetiousness which would have killed Pietro Aretino before his time." [143] When the work entitled A Thousand Nights and a Night was commenced, no man knows. There were Eastern collections with that title four centuries ago, laboured by the bronzed fingers of Arab scribes; but the framework and some of the tales must have existed prior even to the Moslem conquest. It has been noticed that there are resemblances between the story of Shahryar and that of Ahasuerus as recorded in Esther. In both narratives the King is offended with his Queen and chooses a new wife daily. Shahryar has recourse to the scimitar, Ahasuerus consigns wife after wife to the seclusion of his harem. Shahryar finds a model consort in Shahrazad, Ahasuerus in Esther. Each queen saves a multitude from death, each king lies awake half the night listening to stories. [144] While many of the stories in The Arabian Nights are ancient, some, as internal evidence proves, are comparatively recent. Thus those of Kamar-al-Zaman II. and Ma'aruf the Cobbler belong to the 16th century; and no manuscript appears to be older than 1548. The most important editions are the Calcutta, the Boulac [145] and the Breslau, all of which differ both in text and the order of the stories. The Nights were first introduced into Europe by Antoine Galland, whose French translation appeared between 1704 and 1717. Of the Nights proper, Galland presented the public with about a quarter, and he added ten tales [146] from other Eastern manuscripts. An anonymous English edition appeared within a few years. The edition published in 1811 by Jonathan Scott is Galland with omissions and additions, the new tales being from the Wortley Montague MS. now in the Bodleian. In 1838, Henry Torrens began a translation direct from the Arabic, of which, however, he completed only one volume, and in 1838-40 appeared the translation direct from the Arabic, of which, however, he completed only one volume, and in 1838-40 appeared the translation of Edward William Lane, [147] made direct from the Boulac edition. This work, which contains about one third of the entire Arabian Nights, was a great step forward, but unfortunately, Lane, who afterwards became an excellent Arabic scholar, was but a poor writer, and having no gift of verse, he rendered the poetical portions, that is to say, some ten thousand lines "in the baldest and most prosaic of English." [148]

So Burton and Steinhauser said to themselves, As the public have never had more than one-third of the Nights, and that translated indifferently, we will see what we can do. "We agreed," says Burton, "to collaborate and produce a full, complete, unvarnished, uncastrated, copy of the great original, my friend taking the prose and I the metrical part; and we corresponded upon the subject for years." [149] They told each other that, having completed their task, they would look out for a retreat as a preparation for senility, some country cottage, perhaps, in the South of France, where, remote from books, papers, pens, ink and telegrams, they could spend their nights in bed and their days in hammocks. Beyond planning the translation, however, nothing was done. Steinhauser died fourteen years later (1866), and whatever notes he made were dispersed, while Burton, even as late as 1883, had done nothing beyond making a syllabus of the Boulac edition. [150] Still, the scheme was never for very long absent from his thoughts, and during his wanderings in Somaliland, the Tanganyika country and elsewhere, he often delighted the natives by reciting or reading some of the tales. The history of Burton's translation of The Arabian Nights is, as we shall subsequently show, curiously analogous to that of The Kasidah.



30. From Zeila to Harar, 27th November 1854 to 2nd January 1855.

Burton now found that, as regards the projected expedition, his plans would have to be modified, and he finally decided to confine his explorations to "the great parched horn" of Somaliland. His plan was now to visit Harar via Zeila, and then make for Berbera, in order to join Lieutenant Speke, Herne and Stroyan, who had been authorised to assist him and had arranged to await him there. The presence at Berbera of Speke and his companions, would, it was supposed, "produce a friendly feeling on the part of Somali," and facilitate Burton's egress from Harar, should he ever, as was by no means certain, enter alive that dangerous and avoided city. Sir James Outram, then Political Resident at Aden, called the expedition a tempting of Providence, and tried hard to stop it, but in vain. Burton left Aden for Zeila on October 29th, taking with him a managing man called "The Hammal," a long, lean Aden policeman, nicknamed "Long Gulad" and a suave but rascally Moslem priest dubbed "The End of Time." [151] They landed on October 31st, and found Zeila a town of white-washed houses and minaretted mosques, surrounded by a low brown wall with round towers. Burton, who called himself a Moslem merchant, spent three weeks buying camels and mules and interviewing guides, while he kept up his reputation for piety with the customary devotions. According to his wont, he carefully studied the customs of the people. "One of the peculiar charms," he says, of the Somali girls, is "a soft, low and plaintive voice," and he notices that "in muscular strength and endurance the women of the Somal are far superior to their lords." The country teems with poets, who praise the persons of the belles very much in the style of Canticles, declaring prettily, for example, that their legs are as straight as the "Libi Tree," and that their hips swell out "like boiled rice." The marriage ceremonies, he tells us, are conducted with feasting, music and flogging. On first entering the nuptial hut the bridegroom draws forth his horsewhip and inflicts chastisement upon his bride, with the view of taming any lurking propensity to shrewishness. As it is no uncommon event to take four wives at once, this horsewhipping is naturally rather exhausting for the husband. Burton considered polygamy to be indispensable in countries like Somaliland, "where children are the principal wealth;" but he saw less necessity for it "among highly civilised races where the sexes are nearly equal, and where reproduction becomes a minor duty." However, he would have been glad to see polygamy allowed even in England, "if only to get rid of all the old maids," a class that he regarded with unbounded pity. He longed "to see these poor, cankered, angular ladies transformed into cheerful, amiable wives with something really to live for." "Man," it was a favourite saying with him, "is by nature polygamic, whereas woman, as a rule, is monogamic, and polyandrous only when tired of her lover. The man loves the woman, but the love of the woman is for the love of the man." He also agreed with the 18th century Rev. Martin Madan, author of Thelyphthora, a treatise on female ruin, who insisted that polygamy would go far to remove one of the great reproaches of the streets of London and other large cities. "Except in books," says Burton, "seduction in Mohammedan countries is almost unknown, adultery difficult." That polygamy, however, is no panacea, the following remarks will show. "Both sexes," he says, speaking of the Somali, "are temperate from necessity." Drunkenness is unknown. Still, the place is not Arcady. "After much wandering," he continues, "we are almost tempted to believe that morality is a matter of geography; [152] that nations and races have, like individuals, a pet vice; and that by restraining one, you only exasperate another. As a general rule Somali women prefer flirtations with strangers, following the well-known Arabian proverb, 'The new comer filleth the eye.'" Burton was thoroughly at home in Zeila "with the melodious chant of the muezzin" and the loudly intoned "Amin" and "Allaho Akbar" daily ringing in his ear. He often went into the Mosque, and with a sword and a rosary before him, read the "cow chapter" [153] in a loud twanging voice. Indeed, he had played the role of devout Mohammedan so long, that he had almost become one. The people of Zeila tried to persuade him to abandon his project. "If," said they, "you escape the desert hordes it will only be to fall by the hands of the truculent Amir of Harar." Nothing, however, could dash Burton's confidence in his star, and like Dante, he applied to Fear no epithets but "vile" and "base."

One Raghi, a petty Eesa chief, having been procured as protector of the party, and other arrangements having been made, Burton on November 27th (1854) set out for his destination by a circuitous route. Raghi rode in front. Next, leading camels, walked two enormously fat Somali women; while by the side of the camels rode Burton's three attendants, the Hammal, Long Gulad, and "The End of Time," "their frizzled wigs radiant with grease," and their robes splendidly white with borders dazzlingly red. Burton brought up the rear on a fine white mule with a gold fringed Arab pad and wrapper-cloth, a double-barrelled gun across his lap, and in this manner the little caravan pursued its sinuous course over the desert. At halting places he told his company tales from The Arabian Nights; they laughed immoderately at the adventures of the little Hunchback; tears filled their eyes as they listened to the sad fate of Azizah; [154] and the two fat Somali women were promptly dubbed Shahrazad and Dunyazad. Dunyazad had been as far as Aden and was coquettish. Her little black eyes never met Burton's, and frequently with affected confusion she turned her sable cheek the clean contrary way. Attendant on the women was a Zeila lad, who, being one-eyed, was pitilessly called "The Kalandar." At their first halting place, Burton astonished the natives by shooting a vulture on the wing. "Lo!" cried the women, "he bringeth down the birds from heaven." On their way through an ochreish Goban, or maritime plain, they passed huge hills made by white ants, Gallas graves planted with aloe, [155] and saw in the distance troops of gazelles. They were now in the Isa country, "Traitorous as an Isa" being a Zeila proverb. Though the people were robbers and murderers, Burton, by tact, got on excellently with them, and they good-naturedly offered him wives. At every settlement the whole population flocked to see him, the female portion loudly expressing their admiration for him. "Come girls," they cried one to another, "come and look at this white stranger." According to Raghi, the fair face of a French lady who had recently landed at Berbera, "made every man hate his wife, and every wife hate herself." Once they were attacked by Bedouin, who, however, on hearing the report of Burton's revolver, declared that they were only in fun. Others who tried to stop them were shown the star sapphire, and threatened with "sorcery, death, wild beasts," and other unpleasantnesses. At a place called Aububah, Raghi relinquished the charge of the caravan to some men of the Gudabirsi tribe, who led the way to the village of Wilensi, where they were the guests of the household of a powerful chief called Jirad Adan. Here Burton left Shahrazad, Dunyazad and the Kalandar, and proceeded to Sagharrah, where he met and formed a friendship with Jirad Adan. For several days he was prostrated by fever, and some Harar men who looked in tried to obtain him as a prisoner. The Jirad acted honourably, but he declined to escort Burton to Harar. "No one," he said, "is safe in the Amir's clutches, and I would as soon walk into a crocodile's mouth as set foot in the city." "Nothing then remained," says Burton, "but payer d'audace, [156] and, throwing all forethought to the dogs, to rely upon what has made many a small man great, the good star. I addressed my companions in a set speech, advising a mount without delay." [157] The End of Time, having shown the white feather, was left behind, but the rest courageously consented to accompany their leader. "At 10 a.m. on the 2nd January," says Burton, "all the villagers assembled, and recited the Fatihah, consoling us with the information that we were dead men." The little company, carrying their lives in their hands, then set forward, and presently came in sight of Harar, "a dark speck upon a tawny sheet of stubble." Arrived at the gate of the town, they accosted the warder, sent their salaams to the Amir, and requested the honour of audience.



31. At Harar.

They were conducted to the palace, a long, single-storied, windowless barn of rough stone and reddish clay. Says Burton: "I walked into a vast hall between two long rows of Galla spearmen, between whose lines I had to pass. They were large, half-naked savages, standing like statues with fierce, movable eyes, each one holding, with its butt end on the ground, a huge spear, with a head the size of a shovel. I purposely sauntered down them coolly with a swagger, with my eyes fixed upon their dangerous-looking faces. I had a six-shooter concealed in my waist-belt, and determined, at the first show of excitement, to run up to the Amir, and put it to his head, if it were necessary, to save my own life." The Amir was an etiolated young man of twenty-four or twenty-five, plain and thin-bearded, with a yellow complexion, wrinkled brows and protruding eyes. He wore a flowing robe of crimson cloth, edged with snowy fur, and a narrow white turban tightly twisted round a tall, conical cap of red velvet. On being asked his errand, Burton replied politely in Arabic that he had come from Aden in order to bear the compliments of the governor, and to see the light of his highness's countenance. On the whole, the Amir was gracious, but for some days Burton and his party were in jeopardy, and when he reflected that he was under the roof of a bigoted and sanguinary prince, whose filthy dungeons resounded with the moans of heavily ironed, half-starved prisoners; among a people who detested foreigners; he, the only European who had ever passed over their inhospitable threshold, naturally felt uncomfortable. The Amir, it seems, had four principal wives, and an army of 200 men armed chiefly with daggers. Burton describes the streets of Harar as dirty narrow lanes heaped with garbage, and the houses as situated at the bottom of courtyards, closed by gates of holcus stalks. The town was proud of its learning and sanctity, and venerated the memory of several very holy and verminous saints. Neither sex possessed personal attractions, and the head-dresses of the women seen from behind resembled a pawnbroker's sign, except that they were blue instead of gilt. The people lived chiefly on holcus, and a narcotic called "jat," made by pounding the tender twigs of a tree of the same name. "It produced in them," says Burton, "a manner of dreamy enjoyment, which exaggerated by time and distance, may have given rise to that splendid myth the Lotos and the Lotophagi. [158] Their chief commodity was coffee, their favourite drink an aphrodisiac made of honey dissolved in hot water, and strained and fermented with the bark of a tree called kudidah." Although unmolested, Burton had no wish to remain long at Harar, and when on 13th January he and his party took their departure it was with a distinct feeling of relief.



32. From Harar to Berbera. 13th Jan. 1855-5th Feb. 1855.

At Sagharrah they found again the pusillanimous "End of Time," and at Wilensi they were rejoined by Shahrazad, Dunyazad and the one-eyed Kalandar. Persons who met Burton and his friends enquired Irish-like if they were the party who had been put to death by the Amir of Harar. Everyone, indeed, was amazed to see them not only alive, but uninjured, and the Frank's temerity became the talk of the desert. Burton now put the two women, the Kalandar, the camels, and the baggage, under the care of a guide, and sent them to Zeila, while he himself and the men made straight for Berbera. The journey, which led them past Moga's tooth [159] and Gogaysa, was a terrible one, for the party suffered tortures from thirst, and at one time it seemed as though all must perish. By good fortune, however, they ultimately came upon some pools. Any fear that might have haunted them, lest the water should be poisonous, was soon dispelled, for it contained a vast number of tadpoles and insects, and was therefore considered quite harmless and suitable for drinking. For many hours they again plodded on beneath a brazen sky. Again thirst assailed them; and, like Ishmael in the desert of Zin, they were ready to cast themselves down and die. This time they were saved by a bird, a katta or sand grouse, which they saw making for some hills; and having followed it, they found, as they had anticipated, a spring of water, at which they frenziedly slaked their thirst. Many other difficulties and troubles confronted them in their subsequent march, but at last they heard (delightful sound!) the murmur of the distant sea. Every man was worn out, with the exception of the Hammal, who, to Burton's delight, not only talked, but sang and shouted. Finally they reached Berbera, where they found Speke, Herne and Stroyan, and on 5th February, Burton in company with the Hammal, Long Gulad, and The End of Time, set sail for Aden, calling on their way at Siyaro and Anterad, east of Berbera.

The first news Burton had on arriving there was of the death of his mother, which had occurred 18th December 1854, at the time he lay ill at Sagharrah. Always immersed in him, she used to say, when he left her, "It seems as if the sun itself has disappeared." He, on his part, often bore witness to the unselfishness and blamelessness of her life, generally adding, "It is very pleasant to be able to feel proud of one's parents."

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