Clare's success with the annuals, now as formerly, was of a most unsatisfactory nature. Acting upon Mr. Taylor's advice, he continued sending verses to the wonderful periodicals, bound in silk, and got up regardless of expense, but seldom received any money in return. Some took his verses, and some did not; and nearly all forgot the fact of other acknowledgment being due besides complimentary letters. Even Mr. Alaric Watts, who had made Clare's personal acquaintance the year previous, forgot his promise to insert one of his poems in the 'Literary Souvenir,' preferring jingling rhyme manufactured to suit the 'embellishments.' Almost the only one who took Clare's verses, as well as paid for them, was brave Allan Cunningham, who stood fast to his friend amidst all the deluge of silk-bound volumes. During the present summer, as in former years, Clare continued his contributions, consisting, in this instance, of several pastorals and sonnets, among them some verses dedicated to Mrs. Emmerson. But, owing to Clare's rather illegible handwriting, Mr. Cunningham misread the address of these lines, which so much affected the poet that he wrote a long and curious note of explanation to Mrs. Emmerson, 'My dear Eliza,' the note ran: 'I got a letter from friend Cunningham yesterday, who tells me that my trifles suit him. Among them are the verses to E. L. E. of which he makes a strange mistake by fancying they are written to Miss Landon, and flatters me much by praising them, and also by thinking them "worthy of the poetess." So I wish that the first opportunity you have you would correct the mistake, and if you feel the matter too delicate to write upon, you can tell the Miss Frickers when they next call upon you. For he will most likely change the E. L. E. to L. E. L. which I shall not be able to rectify if he does not send me a proof sheet, and I would much rather that they should stand as written. Proud as I am of brother Allan's commendation, and proud as I should be of Miss Landon's commendation also, I feel much prouder to know that they were deemed worthy the acceptance of yourself, to whom they were dedicated. I will give you the quotation from Allan's letter relating to the verses:—"I have placed your contributions in the approved box, marked with my hearty approbation. Your verses to Miss Landon are the very best you ever composed. After all, a flesh and blood muse is best, and Miss Landon I must say is a very beautiful substitute for these aerial mistresses. I shall show it to her." How Allan should mistake E. L. E. for L. E. L., I cannot say; but in his hurry he must have overlooked it, and I hope you will rectify the error. I did not tell him to whom the verses were written, because I thought is was not necessary, but I wish I had now power to prevent the mistake that may get into the proofsheet, and remain there if not corrected—.' To judge by the earnestness with which he dwells upon the subject, these little troubles of authorship had nearly as deep an effect upon Clare's sensitive mind as some of his real life-sorrows.

When Clare came to make up the account of his income derived from the annuals, he found that his labours in this direction were less remunerative than stone-breaking on the road would have been. He thereupon determined to break his connexion with the silk-bound periodicals, with the exception of two or three of the class, Allan Cunningham's 'Anniversary' among the number. But with Allan, too, he had occasion to find fault; not indeed for paying him too little, but too highly. 'I do not,' he wrote to him, in 1829, 'expect pay by the foot or page, but I like to give good measure and throw in an extra gratis. You gave me too much for my last, and I hope you will keep that in mind next year and not do so; for I never feel the loss of independence worse than when I cannot serve a friend without knowing that I receive a recompense in return far more than the labour is entitled to.' Allan Cunningham responded nobly to this disinterested communication. He told his friend that, though his poetry was of the highest excellence, he was a writer altogether unfit for the annuals, and the great world of printers and publishers. In half-playful and half-serious mood, he advised him to try his hand again at farming, offering some assistance for the purpose. Clare hesitated for a while; but having carefully considered the matter, accepted the kindly help tendered by his friend. His chief hope was in the expectation that he should be able to profit by past experience, and, avoiding former errors, convert failure into success. So he took again a small plot of land, for farming purposes, in the autumn of 1829.

There did not seem at first much prospect of good fortune in the new speculation; nevertheless it turned out remarkably well in the end. Clare had no sooner returned to his old labours in the field than his health improved visibly; his mind became more cheerful, and everything around him seemed to assume a bright and sunny look. His pecuniary circumstances, too, improved considerably; small sums sufficient to pay the most pressing of his debts, came in payment for his books; and even the proprietor of a London annual had the extreme generosity to pay for contributions sent to him three years previously. Best of all, he got some regular employment on a farm belonging to Earl Fitzwilliam, which, together with the cultivation of his own little plot of land, served to fill up his whole time, leaving him no leisure for writing, but adding a fair sum to his income. This enforced rest from his poetical labours proved of the greatest benefit to Clare. The immense mass of verses which he had produced within the last few years threatened to be highly detrimental to his genius, in exhausting his mind, and destroying the very sap of his poetical imagination. He required mental rest, more than anything else; and this being not only given, but enforced in his new occupation as both cottage-farmer and agricultural labourer, he found himself almost suddenly a better, wiser, and more prosperous man. Clare never spent a happier Christmas than that of 1829. With his little baby-boy, now eighteen months old, on his knees, his Patty and four eldest children around the table, and his aged parents seated comfortably at the place of honour near the fireside, he thought himself truly blessed, and on the very zenith of earthly joys. There was scarcely a wish of his heart left for fulfilment, save, perhaps, the old dream to possess a little strip of the surface of mother earth, and be a king on his own land, instead of a serf labouring for others. It was the one lasting dream of his life—a dream unfortunately never destined to be realized.

The next twelve months of Clare's life were uneventful. He worked hard and wrote little; and, with increasing bodily and mental health, got more and more at ease in his worldly circumstances. Even his little attempt at farming was not altogether unsuccessful, for though it did not bring much direct gain, it secured to him the esteem of his neighbours, and a feeling of self-dependence which he had never before known. When Patty presented him with another baby—sixth in the list; baptized Sophia, on the 3d of October, 1830—he felt by no means despondent as on a former occasion, but joyful in the extreme. The dread vision of poverty, so long before his eyes, had suddenly vanished, giving way to fancies of roseate hue. He almost wondered why he had ever despaired—happiness, after all, seemed so cheap and within such easy reach. There was wealth and health sufficient springing from his daily labour, and abundant joy in the constant sight of green fields, rippling brooks, and the smiling faces of his little ones at home. And there was joy scarce ever known when sitting down, at rare intervals, to the inspiration of the muse. Here was the supreme bliss of existence. Clare knew that the poetry, offspring of these happy hours, was far superior to anything that had ever flown from his pen. He almost felt as if now, and now only, he was becoming a true poet.

In truth, Clare never was a writer of perfect melodious verse till this time. A poet he had always been—had been from the day when, a tottering child, with senses scarce awakened, he thought to discover at the faint outline of the distant horizon, the touch of heaven and earth. But hitherto, and up to this period, the tumultuous inspiration of his soul had never found vent in soft and even flow of language: the poet had never been completely able to clothe noble thoughts into noble form. Want of early training, with grief and care, and unceasing mental agitation, had hemmed in on all sides the fair stream of his imagination, and the bright flash of genius was hidden under more or less rugged form. It was only now, that, having nursed his mind at the source of the great masters of poetry, and enjoying harmonious peace and rest from cares in the calm life of labour, that the outward form came to be mastered by the inward spirit, as clay in the hands of the sculptor. The poet himself was surprised at this momentous change, which came upon him with a suddenness almost startling in its intensity. He had left off writing verses for many months, devoting every moment of leisure to calm study, and happy wanderings through, woods and fields, when one evening, with the setting sun before his eyes, he felt a powerful longing to make one more attempt in poetical composition. Full of this, feeling, he sat down at the borders of Helpston Heath, lost in heavenly visions, and as he sat there the verses came flowing from his pen:—

'Muse of the fields! Oft have I said farewell To thee, my boon companion, loved so long, And hung thy sweet harp in the bushy dell For abler hands to wake an abler song—

* * * * *

Aye, I have heard thee in the summer wind, As if commanding what I sung to thee; Aye, I have seen thee on a cloud reclined, Kindling my fancies into poesy;

I saw thee smile, and took the praise to me. In beauties, past all beauty, thou wert drest: I thought the very clouds around thee knelt, I saw the sun did linger in the West Paying thee worship; and as eve did melt In dews, they seemed thy tears for sorrows I had felt.

Sweeter than flowers on beauty's bosom hung, Sweeter than dreams of happiness above, Sweeter than themes by lips of beauty, sung, Are the young fancies of a poet's love.'

* * * * *

When Clare had written his song 'To the Rural Muse,' he went home and kissed his children, and, it being full moon, kept working in his garden for another couple of hours. And the next day, and for days after, he kept on digging and planting, hoeing and ploughing, without ever touching a pen. It was thus a great and noble poet grew out of the 'Northamptonshire Peasant.'



FRIENDS IN NEED.

The short summer was followed by a long winter. Again Clare fell ill; and with suffering and disease there came a train of misfortune completely overwhelming the frail life of the poet. The year 1831 proved very unfavourable to his farming operations, and, having no capital whatever to fall back upon, he at once relapsed into his former state of indigence. It was in vain that he attempted to make up for his losses by increased exertions as a labourer. Working fifteen and sixteen hours a day during harvest time, and not unfrequently standing up to his knees in mud in the undrained fields, his health gave way before long, and then there was an end of all work. He was confined to his bed for longer than a month, and gaunt poverty now again made its appearance at the little hut. There were ten persons to be clothed and fed, and no money incoming save the small quarterly stipend settled upon the poet, which was scarce sufficient to pay off the debts incurred by the unsuccessful farming of the year. When Clare saw that his children were wanting bread, his heart trembled in agony of despair. He rushed forth once more to labour in the fields, but had to be carried home by his fellow workmen; a mere look at his feverish ague-stricken frame being sufficient to show them that he was utterly unfit to be out of doors. So he had to lay his head again on his couch, happily unconscious for a time of what was passing around him. There was deep sorrow and lamentation in the little hut of the poet.

When everything was at the worst, kind friends came to the rescue. The Rev. Mr. Mossop, vicar of Helpston, and his kind-hearted sister, who had often before assisted Clare and his family, gave once more active aid and succour; and from Milton Park, too, there came valuable presents of food and medicine. Thus when the poet was able again to leave his bed, he found a much brighter outlook around him. Nevertheless, though there was no more absolute want of the necessaries of life, grim poverty was still standing at the threshold. The baker threatened to stop the supply of bread if his debt should long remain unpaid, and even the owner of the little ruinous dwelling, fourth part of a hut, in which Clare lived, hinted that the inmates would be driven out, unless the arrears of rent were discharged. This last menace almost drove the poet wild with excitement. Narrow and dark as it was, he dearly loved the little hut in which he was born, and the thought of leaving it, with, perhaps, the ultimate prospect of going to the workhouse for shelter, was to him blank despair. Agitated beyond measure, he ran to his friends at Milton Park, imploring aid and advice. Mr. Edward Artis was, as usual, away on his antiquarian rambles, intending to leave the service of Earl Fitzwilliam altogether, and devote himself to authorship on Durobrivae and Roman pottery. But Henderson was at home, and to him Clare poured out his tale of woe. While talking in the garden, the earl happened to come near, and kindly addressed Clare. The latter, in his excitement, found courage to speak of all his troubles, and his fear of having to quit his little home, with no place in the world where to lay his head. His lordship was struck with the intensity of feeling exhibited by the poet. He told him that he would attend to his wants, and provide a little cottage for him somewhere in the neighbourhood. Clare was astonished; the offer seemed to him so excessively generous that he scarce knew how to express his thanks. Seeing his confusion, the earl turned to other subjects, asking Clare whether he intended to bring out a new volume of poems, and being answered in the negative, earnestly advised him to do so. The counsel of the noble lord, no doubt, was well meant, but nevertheless very injudicious. The grant of a few acres of land, in a healthy district and at a moderate rent, would have been more beneficial to him than all the fame he could ever hope to gain from book-making.

Clare returned to his cottage with a joyful heart, brimful of pleasant visions of the future. The next day he was visited by Dr. Smith, a physician of Peterborough, who came in consequence of orders received from the noble owner of Milton Park. Earl Fitzwilliam, in his interview with Clare, perceived, or fancied he perceived, a certain wildness of looks about him, and not knowing what to think of it, was anxious to get the opinion of a medical man, well known for his successful treatment of mental diseases. The poet was not at all pleased with the visit of Dr. Smith; however, in gratitude to his benefactor, he willingly submitted to a lengthened examination. It had for result a report by the Peterborough physician to Earl Fitzwilliam, stating that there was no mental derangement whatever visible in Clare; but that his brain, developed to an unusual degree, was liable to great and sudden fits of excitement, from which it ought to be guarded by constant employment and a fair share of physical labour. Here was useful advice; but which, unfortunately, was misunderstood by his lordship. The earl quite agreed with the counsel of giving employment; but fancied the most natural work for a poet was that of writing poetry, at almost any time, and to any extent. In consequence, he sent for Clare, and, repeating his promise of giving him a neat little cottage with garden for occupation, urged him strongly not to neglect writing poetry, and to publish his new volume as soon as possible. Clare was but too willing to follow the advice of the noble lord.

The visits of Dr. Smith to Helpston did not cease with the first. Having been very favourably impressed with the character of the poet, the Peterborough physician took a great liking to him, and lost no occasion for friendly intercourse. Clare being devoted anew to writing poetry, some of the verses fell under the notice of the doctor, who expressed his approbation of them in rapturous terms. This naturally won the heart of the author, and, being urgently pressed, he consented to pay a visit to his medical friend at Peterborough, and stay a few days at his house. The visit took place in the spring of 1832, and led to some not unimportant results. Having communicated to his friend his former unfavourable attempts of book-publishing, and how the four volumes which had been issued had brought him nothing more substantial than fame, Dr. Smith felt moved by compassion, and began earnestly to reflect upon the great problem of converting poetry into cash. The result of these meditations came out in the shape of strong advice to Clare to fall back upon the old plan he had once entertained of publishing his verses by subscription. This was coupled with the promise that he would do his best to procure subscribers, and otherwise assist in the matter. Clare joyfully entered into the scheme, and, before leaving Peterborough, made arrangements with a Mr. Nell, a bookseller, to be his local agent for getting subscriptions, as well as to make arrangements with a London publisher to bring out the new volume of poems as soon as sufficient subscribers had ensured the success of the work. Mr. Nell promised his most energetic support, and being on the point of undertaking a visit to the metropolis, Clare furnished him with the following note to his friend Allan Cunningham:—

'Angel Inn, Peterborough.

My Dear Allan,

Here is a friend of mine, a Mr. Nell, a very hearty fellow, and one who is very desirous of seeing you—a poet, and, as I have convinced him, as hearty a fellow as himself. Therefore I have taken the liberty of introducing a stranger without any apology, feeling that such an introduction was not needed. He will be particularly gratified in seeing what you can show him of the immortal specimens of Chantrey's genius, and any other matters that can interest a literary man; for his profession, that of a bookseller, is not his only recommendation, he being a man of no common taste, and also a great admirer of painting and sculpture, and a lover of the muses.

Here ends my introduction of my friend Mr. Nell. And now, my dear Allan, how are you? How is Mrs. Cunningham and your family, and our old friend George Darley? As for myself, I am as dull as a fog in November, and as far removed from all news of literary matters as the man in the moon; therefore I hope you will excuse this dull scrawl, and believe me, as I really am,

Yours heartily and affectionately,

John Clare.

Has Hogg visited London yet? When he does tell me, and I'll see if I don't muster up every atom of my strength to have a sight of him.

Having left your address at Helpston, I am obliged to trust this letter and my friend to Providence to find you, which I trust he will readily. Your J. C.

Allan Cuningham, Esq. London.

Favoured by my friend, Mr. Nell.'

Although 'as dull as a fog in November,' Clare was in a hopeful mood at this time. Sanguine as ever, and more than ever imbued with the consciousness of his poetical power, he dreamt that his new publication would be a success, and that his verses at last would gain a sufficient circle of admirers to encourage him in writing more, and thus securing independence for the rest of his days. This hopefulness was somewhat disturbed after a while by news from his friends at Peterborough, who told him that subscribers were coming in but very slowly. These unfavourable tidings he communicated to Mr. Artis, in a note dated May, 1832, in which he said: 'I want to get out a new volume; but the way in which I have started is not very practicable, for I Want to make it a source of benefit.' The words bear a striking melancholy sound. Evidently the poor poet, deeply impressed with his sad experience of the past, scarcely dared to expect the golden millennium when his verses should actually prove 'a source of profit' to him as well as to the booksellers. There probably never lived, a poet—a printing and publishing poet—full of more sublime meekness and resignation.



NORTHBOROUGH.

Earl Fitzwilliam punctually kept his promise to assign a new dwelling to Clare. The latter received notice at the beginning of May that he might remove in the course of the month to a pretty and substantial cottage which his lordship had erected for him at the hamlet of Northborough, three miles from Helpston, nearer to the Peterborough Great Fen. The news did not bring joy to the poet, but bitter sorrow. His heart was full of anguish at the thought of quitting the little hut where he was born, the village which he so dearly loved, and all the familiar scenes and objects amidst which the quiet course of his existence had rolled on for nearly forty years. He went over to Northborough, and saw the neat dwelling which the kindness of Earl Fitzwilliam had prepared for him; and though he liked the place, he could no more than before reconcile his mind to the thought of leaving his dear old home and all its cherished associations. The noble earl had fixed upon Northborough as the residence of the poet on account of the thoroughly sylvan scenery all around, the little hamlet lying hidden in a very sea of flowers, trees, and evergreens. The spot indeed was beautiful enough; yet to Clare it did not appear half so beautiful as the bare and bleak environs of his native village. Here he knew every shrub and every inch, of ground, and, through many years' converse with nature, had come to look upon the most minute objects with intense feelings of love. Though strangers might see nothing but a barren landscape all around, to him it was a Garden of Eden, animated with living thought, and full of soul-inspiring beauty. The mere thought of quitting this Eden filled his mind with terror.

The terror increased when the time came near that he was actually to leave. More than once he was on the point of requesting an audience at Milton Park, for the purpose of imploring the noble earl to take back his kind gift and leave him in his little hut. But his friends at Milton Park, Artis and Henderson, would not hear of this resolution, and got quite angry at the mere mentioning of the subject. They represented to Clare that it would be black ingratitude on his part not to accept the generous benefaction of his lordship, who had taken all along the greatest interest in his welfare, and in this very choice of a residence in the evergreen vale of Northborough had shown the most delicate taste and appreciation of his poetical genius. Clare could not deny the force of these arguments, and, after another inward struggle, decided to go to Northborough, at any sacrifice to his feelings. Yet even after this firm determination of his mind, he could scarcely bring himself to the execution of the task. Patty, radiant with joy to get away from the miserable little hut into a beautiful roomy cottage, a palace in comparison with the old dwelling, had all things ready for moving at the beginning of June, yet could not persuade her husband to give his consent to the final start. Day after day he postponed it, offering no excuse save that he could not bear to part from his old home. Day after day he kept walking through fields and woods among his old haunts, with wild haggard look, muttering incoherent language. The people of the village began to whisper that he was going mad. At Milton Park they heard of it, and Artis and Henderson hurried to Helpston to look after their friend. They found him sitting on a moss-grown stone, at the end of the village nearest the heath. Gently they took him by the arm, and, leading him back to the hut, told Mrs. Clare that it would be best to start at once to Northborough, the earl being dissatisfied that the removal had not taken place. Patty's little caravan was soon ready, and the poet, guided by his friends, followed in the rear, walking mechanically, with eyes half shut, as if in a dream.

His look brightened for a moment when entering his new dwelling place, a truly beautiful cottage, with thatched roof, casemented windows, wild roses over the porch, and flowery hedges all around. Yet, before many hours were over, he fell back into deep melancholy, from which he was relieved only by a new burst of song. His feelings found vent in the verses:—

'I've left my own old Home of Homes, Green fields, and every pleasant place; The summer like a stranger comes, I pause—and hardly know her face.

* * * * *

I miss the heath, its yellow furze, Mole-hills and rabbit-tracks, that lead Through besom-ling and teasel burrs That spread a wilderness indeed: The Woodland oaks, and all below That their white powder'd branches shield, The mossy paths—the very crow Croaks music in my native field.

I sit me in my corner chair, That seems to feel itself alone; I hear fond music—here and there From hawthorn-hedge and orchard come. I hear—but all is strange and new: I sat on my old bench last June, The sailing puddock's shrill "pee-lew," O'er Royce Wood seemed a sweeter tune.

I walk adown the narrow close, The nightingale is singing now; But like to me she seems at loss For Royce Wood and its shielding bough. I lean upon the window sill, The trees and summer happy seem,— Green, sunny green they shine—but still My heart goes far away to dream Of happiness—and thoughts arise With home-bred pictures many a one— Green lanes that shut out burning skies, And old crook'd stiles to rest upon.

* * * * *

I dwell on trifles like a child— I feel as ill becomes a man; And yet my thoughts like weedlings wild Grow up and blossom where they can.'—

'Northborough, June 20, 1832,' these lines were written. They formed the beginning of a new era in the life of the sorrowing poet.

Happiness never came to Clare in his rose-enshrined cottage at Northborough. His poetical powers culminated at this period; but his mind gradually gave way under a burthen of sorrows and cares. Perhaps some of them were fanciful, and such 'as ill become a man;' but the bulk had their roots in bitter reality. Clare now had a pretty cottage to live in; yet, for all that, remained as poor as ever. In truth, he was, if anything, poorer; for having left his old neighbourhood, and come to dwell among strangers, he had lost his chances of finding work as a farm-labourer. His little garden, it was true, yielded a few fruits and vegetables for his family; yet there was not a tithe enough for their support, and dire want was standing at the door with as grim aspect as ever. Then there came new expenses for keeping the larger cottage in repair, and for fitting it with appropriate furniture, and a mountain of fresh debt was added to the old liabilities which so sorely pressed upon the poor poet. It was a pressure nigh overwhelming to a tenderly susceptible mind.

Clare's removal to Northborough had the immediate effect, not desirable by any means, of drawing upon him the attention of a number of persons more or less acquainted with his works, but by whom he had been forgotten. As usual, public rumour magnified to an enormous extent the nature of the bounty conferred by Earl Fitzwilliam; and while the most moderate statement was that the poet had an annual allowance of two hundred pounds a year from his lordship, besides a fine house to live in, others went so far as to raise the two hundred to a thousand, and the house to a mansion. Local newspapers busily printed these attractive items of public intelligence, and the consequence was that the cottage at Northborough was for some months quite besieged with visitors, all come to congratulate. Clare felt in no mood to give or receive compliments, and positively refused to entertain the stream of kind friends of whose friendships he had never before been aware. With a few of the visitors, however, with whom he had been previously acquainted, he entered into conversation, speaking frankly of his actual circumstances, and of the entire untruth of the rumours which asserted his sudden wealth. Among the friends who gained his confidence to this extent was a Mr. Clark, editor of a literary magazine, who, with the view of making a little article out of his visit, questioned and cross-questioned Clare in the most minute way as to his financial circumstances, and the number of his patrons. John Clare, as to all men, so here to this supposed friend, spoke in a frank and confiding manner, not hiding the fact that his poetry had never been remunerative, nor that, though having many patrons left, he was on the very brink of starvation. This was interesting news to Mr. Clark; and the matter being eminently fit for raising the old discussion about poets and their patrons, he spun it into a flaming article, duly painted and coloured, which was printed in the literary magazine.

The poet was immensely astonished when, at the beginning of October, he received a paper containing an account of himself and his troubles. It was stated that his publishers had robbed him of the profits of his works; that some noble patrons, alluded to in no complimentary terms, kept feeding him with compliments, but left him to starve; and much more to the same effect. The whole account deeply hurt his feelings, and he at once sent a letter to a friend at Stamford, contributor to Mr. Clark's magazine. The letter ran: 'My dear friend,—I am obliged to write to you to contradict the misrepresentations in your paper of October the 5th, which I received on Saturday. As long as my own affairs are misrepresented, I care nothing about it; but such falsehoods as are bandied about in this article not only hurt my feelings but injure me. Mr. Clark in making these statements must have known that he was giving circulation to lies; and had I been aware of his intentions to meddle in my affairs, I should most assuredly have treated him as a foe in disguise. For enemies I care nothing; from friends I have much to fear, it seems. There never was a more scandalous insult to my feelings than this officious misstatement.... I am no beggar; for my income is L36, and though I have had no final settlement with Taylor, I expect to have one directly.' The letter, after going into the details of his commercial transactions both with Mr. Drury and Mr. Taylor, not altogether complimentary to the former, ended with a positive demand that the statements made in the magazine should be retracted.

But no attention was paid to this demand. The result was that Clare got more gloomy and melancholy than ever, hiding himself for whole days in the neighbouring woods, and refusing to see even the most intimate of his friends. The publication of the unfortunate magazine article and 'officious misstatement,' of which there appeared no public contradiction, was likewise not without effect upon the demeanour of Clare's patrons. Earl Fitzwilliam, after providing him with a suitable dwelling in an unexpectedly generous manner, subsequently left him to his fate. Thus the poet sank deeper and deeper into poverty and wretchedness, until he could sink no further.



ALONE.

The publication of the new volume of verses made little progress for a long time to come. Notwithstanding the strenuous exertions of Dr. Smith and other friends, the desired subscribers were very slow in presenting themselves, poetry being evidently at a discount at the border of the fen regions. In the spring of 1833, Clare informed his kind friend, the Vicar of Helpston, who continued to assist him in his needs, that he had secured 'subscribers for forty-nine copies' of his intended new volume; adding, however, the dismal fact of eighteen among them being 'rather doubtful.' Thus a poet, whose fame the leading organ of criticism, the 'Quarterly Review,' had proclaimed a dozen years before, and who was now at the very zenith of his power, was actually unable to find more than thirty persons in his own neighbourhood, where he was best known, who would support him to the extent of a few pence. Nor was Clare more fortunate in his endeavours to find patronage among the great publishers of the metropolis. Although he sent specimens of some exquisite songs and ballads to many of the best-known dealers in poetical ware, they declined publishing them without having the previous signatures of a certain number of purchasers. One of the specimen poems thus sent to London was the following song, entitled 'Woman's Love:'—

'O the voice of woman's love! What a bosom stirring word! Was a sweeter ever uttered, Was a dearer ever heard, Than woman's love?

How it melts upon the ear! How it nourishes the heart! Cold, cold must his appear Who has never shared a part Of woman's love.

'Tis pleasure to the mourner, 'Tis freedom to the thrall; The pilgrimage of many, And the resting place of all, Is woman's love.

'Tis the gem of beauty's birth, It competes with joys above; What were angels upon earth If without woman's love? A woman's love.'

It did not seem to strike the publishers, to whom this poem, with many similar ones, was submitted, that there was anything beautiful in it; and after having travelled up and down Paternoster Row, the verses were returned to the author, 'with thanks.' One bookseller, indeed, offered to bring out the volume, but on condition that Clare was to advance one hundred pounds, to be spent in steel engravings and other 'embellishments.' Without embellishments, he told his correspondent, the verses would never attract public attention, the taste of the day being all for high art, as exhibited in the annuals. Clare wrote an angry note in return, deeming it an insult that a man should ask him to spend a hundred pounds upon steel engravings, when he was in want of bread.

The winter of 1832-3 proved the greatest trial the unhappy poet had yet undergone. With scarcely food for his children; with not money enough to satisfy even a fraction of the claims of his most importunate creditors; and with no expectations of earning anything, either by work in the fields or by the publication of his new volume of verses, he saw nothing but the dreariest prospect of misery staring him in the face. He wept bitterly when, on the 4th of January, 1833, his wife brought him another boy, his seventh child. Passionately fond of his little ones, and devoted to them heart and soul, he could not bear the thought of the coming day when he might have no bread to give them. The mere idea made him feel faint and giddy, and he rushed forth into the fields to cool his throbbing head. Not returning in time for the evening meal, his eldest daughter went in search through all the neighbourhood. After long inquiries and searching, she found her father lying on an embankment, close to a footpath leading from Northborough to the village of Etton. He looked deadly pale, and being quite insensible, had to be carried home on the shoulders of some labourers, who were called for assistance. Consciousness did not return till some hours after, and for nearly a month he was unable to leave his bed. The parish doctor, when called in, shook his head, talked something of ague and fever, and ended by sending some bottles full of yellowish stuff, which Clare refused to take. He knew, better than the doctor, that something else than medicine was required to restore his health—health of the mind, as well as of the body.

When the spring came, Clare had gathered sufficient strength to be able to leave the house. But he now, to the infinite surprise of his family, refused to leave it. He seemed to have lost, all at once, his old love for flowers, sunshine, and green trees, and kept sitting in his little study, silently writing verses, or poring over his books. In vain his children begged him to go with them into the smiling fields, spread out temptingly on all sides around their pretty cottage. He went, now and then, as far as the garden; but quickly returned, sitting down again to his books and papers. Some theological works in his collection, which had been presented to him years ago, but at which he had scarcely ever looked before, now chiefly engrossed his attention. He sat reading them all day long, and often till late at night, neglecting food and rest over the perusal of these works. Sometimes he ceased reading for a few hours, and took to writing religious verses, attempting paraphrases of the Psalms, the Proverbs, and the Book of Job. Visitors he now altogether refused to see, and even to his wife and children he spoke but little. Thus the news of his illness did not spread beyond the village, and remained unknown even to his friends at Milton Park. It was quite accidentally that Dr. Smith looked in upon his friend one day, and was admitted after some difficulty. The doctor was startled on seeing the pale and haggard face of Clare, and the fixed stare of his eyes. But a short examination of his friend went far to reassure the physician, for he found that Clare talked not only quite rationally, but with more than usual good sense and apparent firmness of purpose. He informed his visitor that, as his former productions had not been as favourably received as he hoped they would be, he had bethought himself of writing a volume of religious poetry; not controversial, but simple expositions of the truth proclaimed in the Bible. To show the work he was doing, Clare read two of his renderings of the Psalms, which pleased the doctor so much that he broke out into rapturous applause. He promised at the same time that he would leave no stone unturned to get subscribers both for the book of ballads and sonnets previously planned, and for the new volume of religious verse. The poet, usually so sensitive to words of kindness, received both the praise and the promise with great coldness. This again surprised the Peterborough physician.

Dr. Smith kept word in regard to the beating-up of subscribers. After indefatigable exertions, and by almost forcing his poor patients, lay and clerical, to take a poetical prospectus together with their pills, he succeeded in getting a couple of hundred names to the subscription list. He carried the paper in triumph to Northborough; but was again received in a cold and apathetic manner. Clare expressed no pleasure whatever on hearing that there was now a good prospect of bringing out his new volume. He scarcely listened to what the doctor said, and kept on interrupting him every minute with remarks of his own on biblical subjects. 'Is not this Book of Job a wonderful poem—one of the most wonderful elegies ever written?' he asked again and again. Dr. Smith was somewhat surprised; the man of science had never been thinking much about the Book of Job, and, perhaps, knew it only by repute. He looked Clare steadfastly in the face; but the latter averted the glance, bonding over the papers before him. 'Shall I read to you some of my verses?' he inquired, after a pause. The doctor willingly consented, and Clare began declaiming his paraphrase of the 38th chapter of Job:—

'Then God, half angered, answered Job aright, Out of the whirlwind and the darkening storm—'

When he had finished reading, with tremulous voice, the last lines, scarcely altered from the text:—

'And who provides The raven with his food—His young ones cry To God, and wander forth for lack of meat'—

Clare burst out crying, hiding his face in his hands. The medical man got alarmed, and went out to see Mrs. Clare. He asked her whether she had observed anything unusual about her husband of late; in fact, words or doings betoking mental disorder. She replied that she had not noticed anything, except his being unusually silent and reserved, and utterly disinclined to leave the house. Thereupon both went into Clare's room, and found that he had overcome his sudden burst of grief, and was looking out of the window. He now entered freely into conversation with the doctor, betraying not the slightest sign of incoherent thought or reflection. Thanking his friend for all his kindness in getting subscribers for the intended volume of poems, he told him that he was going to write immediately to London, and make arrangements for the publication of the book. The doctor then left, promising to call again.

He often called, and invariably met Clare in the same mood. Though somewhat reserved in manner, he was cheerful, and his talk completely rational; so that Dr. Smith almost reproached himself for having harboured suspicions about the mental condition of his friend. What dispelled the last remnant of these suspicions, was the character of some of the poems which Clare was writing in his presence, and afterwards reading aloud. The doctor was a fair judge of verses, and he confessed to himself that those which his friend was now composing were more exquisite in form than any which had ever before come from his pen. When visiting Clare early one morning, he found him in a happier mood than usual, and learned that he had just written some lines in praise of an old sweetheart, whom he had seen the day before from his window, when she was walking along the road. The poet, being asked to do so, willingly read the verses to his friend. But his voice quivered with emotion, when commencing:—

'First love will with the heart remain When all its hopes are bye, As frail rose-blossoms still retain Their fragrance when they die; And joy's first dreams will haunt the mind With shades from whence they sprung, As summer leaves the stems behind On which spring's blossoms hung.

Mary! I dare not call thee dear, I've lost that right so long; Yet once again I vex thine ear With memory's idle song. Had time and change not blotted out The love of former days, Thou wert the last that I should doubt Of pleasing with my praise.'

The doctor highly praised these and the following verses addressed to 'Mary;' and, on proffering the wish, was promised a copy of them. The poem seemed to him a convincing proof that, whatever Clare's sufferings had been, they had left no effect upon his mind. Had the man of science been aware of all the facts, he would have known that these very verses were indications of a partial disturbance of reason. Sweet 'Mary,' to whom Clare's verses were addressed, and whom he fancied to have seen in the road the day before, had long been lying in her grave.



THE LAST STRUGGLE.

Being under the impression that his friend was perfectly well, Dr. Smith soon discontinued his visits, and, not being called upon, never saw him again. But just at this time the poet's condition got rapidly worse, and the first tokens of insanity began to show themselves. Morbidly occupied with one set of thoughts, he had now lost the consciousness of his own identity, and addressed his wife and children as strangers. When the former first heard her husband speaking of 'John Clare' as a third person, she became terribly frightened; but thinking he might recover from his mental aberration by being carefully nursed and kept as quiet as possible, she resolved to do her own duty independent of the world. She was successful, to some extent; for after a while the clouds began, to disappear, and the poet again spoke in a rational manner. He seemed to feel as if awakening from a heavy, oppressive dream; his thoughts perfectly clear, yet with a conscious remembrance that his reason had been disturbed, and an infinite dread that the same calamity might happen again. Full of this apprehension, and in terrible anxiety to shield himself against the coming danger, he resolved to consult his friend, Mr. John Taylor, from whom he had not heard for a long time. He wrote a first note at the beginning of July, 1834; but, not getting an immediate reply, despatched a second letter. It ran:—

'Northborough, July 10, 1834.

My Dear Taylor,—I am in such a state that I cannot help feeling some alarm that I may be as I have been. You must excuse my writing; but I feel if I do not write now I shall not be able. What I wish is to get under Dr. Darling's advice, or to have his advice to go somewhere; for I have not been from home this twelvemonth, and cannot get anywhere. Yet I know if I could reach London I should be better, or else get to salt water. Whatever Dr. Darling advises I will do if I can.

Mrs. Emmerson, I think, has forsaken me. I do not feel neglect now as I have done: I feel only very anxious to get better. I cannot describe my feelings; perhaps in a day or two I shall not be able to do anything, or get anywhere. Write, dear Taylor, and believe me.

Yours sincerely, John Clare.'

The reply to this note was an invitation to come to London at once, and consult Dr. Darling, who would be glad to see his old friend and patient. But the advice was easier than its execution. There was such dire poverty within the pretty cottage at Northborough, that many a day its inmates had to go without a dinner; and to raise the money for paying the journey to London and back seemed sheer impossibility. Clare had made arrangements, some time previous, for the printing of his new volume of poems; but this, too, had not yet proved a remunerative affair. The publishers who had undertaken the task, Messrs. Whittaker and Co. of Ave Maria Lane, informed him that, before sending any remuneration for the book, they must see how it would sell; clearly hinting that, if not successful, there would be no payment. Thus the poor poet was again baffled in his endeavours to extricate himself from his dire misery by the want of a few pounds. Probably, could he but have raised at this moment sufficient money to pay for his journey to London and consult Dr. Darling, his life, and what was more than his life, might yet have been saved. But, again and again, there was not a hand stretched forth from among the host of high friends and patrons to save a glorious soul from perdition.

A last appeal for help and assistance issued forth from the cottage at Northborough at the beginning of August. Clare once more informed his friend Taylor that he felt terribly anxious to consult Dr. Darling, but could not undertake the journey for want of means. 'If I could but go to London,' he wrote, 'I think I should get better. How would you advise me to come? I dare not come up by myself. Do you think one of my children might go with me? Write to me as soon as you can. God bless you! Excuse the short letter, for I am not able to say more. Thank God, my wife and children are all well.' There was no answer to this note, nor to a final still more piercing cry for help. After that, all was quiet at the pretty cottage at Northborough. The last struggle was over.

Months and months passed, and no change took place in the mental condition of the poet. He kept reading and writing all day long; spoke but little, and seemed averse to the society of even his wife and children. At times, and for long consecutive periods, his remarks to his family, and some few neighbours or visitors who were admitted to the house, were quite rational; but again at other times his language betrayed the sad aberration of a noble intellect. At such moments he always spoke of himself as a stranger, in the third person, alternately praising and condemning the sayings and doings of the man John Clare. He was fond, too, of appealing to some invisible 'Mary,' as his wife, quite ignoring the faithful spouse at his side, and treating her with utter indifference. Throughout, however, he was calm and quiet; never complaining of anything, nor possessing, to all appearance, any other desire than that of being left alone in his little room, among his books and papers. Thus the winter passed, and the spring made its appearance—the spring of 1835. At the approach of it the dark clouds seemed to vanish once more for a short time. Throughout March and April, he did not show the least sign of mental derangement, and on there coming a letter from his publishers, asking him to write a preface to his little book of poems, just on the point of being issued, he did so without hesitation. This preface, dated 'Northborough, May 9, 1835'—containing nothing remarkable, except a melancholy allusion to 'old friends' long vanished from the scene, and to 'ill health,' which had left the writer 'incapable of doing anything,'—was duly issued with the new book in the month of June.

The book was entitled 'The Rural Muse,' and, by desire of the publishers, was dedicated to Earl Fitzwilliam. It was but a small volume of 175 pages, comprising some forty-four ballads and songs, together with eighty-six sonnets. Messrs. Whittaker and Co. fearful of risking money in printing too large a quantity of rural verse, so much out of fashion for the time, had picked these short pieces from about five times as many poems, furnished to them by the author. The pieces, however, were well chosen; and were likewise tastefully printed, besides being illustrated with the inevitable steel engravings—pictures of Clare's cottage and of the, church at Northborough. Short as most of the poems were, it was on the whole a splendid collection of exquisite verse, such, as had not been published for many a day. The 'Rural Muse,' compared to Clare's first book, the 'Poems of Rural Life,' was as much higher in thought as the works of the master are to those of the apprentice, and as much more beautiful in outward form as the butterfly is to the chrysalis. Nevertheless, the new volume, so far from passing, like the first, through four editions, and being praised by 'Quarterly Reviews' and other high organs of criticism, proved thoroughly unsuccessful. The reviewers refused to notice, and the public to buy, the 'Rural Muse.' There was no critic in all England to say one word in its recommendation; nor one of all the old friends and patrons who sent a cheering note of praise to the author. Of the ill success of his book Clare, however, heard soon enough. The publishers let him know that he could expect no remuneration, the entire receipts being insufficient to pay the expenses, including the cost of the much-admired steel engravings. Clare received the information very calmly. His soul, once more, was beyond the strife of hopes and fears.

Though there was no literary review in England to say a word in favour of the forgotten poet at Northborough, there was one in Scotland. Professor Wilson, of Edinburgh, had no sooner seen the new book when he broke forth in eloquent praise of it in 'Blackwood's Magazine.' In the number for August, 1835, he gave an article of sixteen pages, headed 'Clare's Rural Muse,' containing not a few strong honest words about the poet and the unjust neglect under which he was suffering. After comparing Clare with Burns, and setting him, at the same time, far above Bloomfield, Professor Wilson broke forth in indignant strain:—

'Our well-beloved brethren, the English—who, genteel as they are, have a vulgar habit of calling us the Scotch—never lose an opportunity of declaiming on the national disgrace incurred by our treatment of Burns. We confess that the people of that day were not blameless—nor was the bard whom now all the nations honour. There was some reason for sorrow, and perhaps for shame; and there was avowed repentance. Scotland stands where it did in the world's esteem. The widow outlived her husband nearly forty years; she wanted nothing, and was happy. The sons are prosperous, or with a competence; all along with that family all has been right. England never had a Burns. We cannot know how she would have treated him had he "walked in glory and in joy" upon her mountain-side. But we do know how she treated her Bloomfield. She let him starve. Humanly speaking, we may say that but for his imprisonment—his exclusion from light and air—he would, now have been alive. As it was, the patronage he received served but to prolong a feeble, a desponding, a melancholy existence; cheered at times but by short visits from the Muse, who was scared from that dim abode, and fain would have wafted him with her to the fresh fields and the breezy downs. But his lot forbad—and generous England. There was some talk of a subscription, and Southey, with hand "open as day to melting charity," was foremost among the poets. But somehow or, other it fell through, and was never more heard of—and meanwhile Bloomfield died. Hush then about Burns.'

When brave Christopher North wrote these lines in 'Blackwood,' he probably knew nothing about the actual position of Clare, except the general rumour that he was not very well off, though not absolutely poor. He therefore thought to do enough in inviting all the admirers of genuine poetry to purchase the 'Rural Muse,' in order that 'the poet's family be provided with additional comforts.' That some 'comforts' were theirs already, Professor Wilson judged from the elaborate steel engraving of Clare's dwelling, prefixed to the new volume. 'The creeping plants,' he said, 'look pretty in front of the poet's cottage, but they bear no fruit. There is, however, a little garden attached, and in it may he dig without anxiety, nor need to grudge among the esculents the gadding flowers.... Clare is contented, and his Patty has her handful for the beggar at the door, her heartful for a sick neighbour.'

Alas! had but Professor Wilson known the bitter actual truth, the frightful condition of another Burns, it might have been time yet to rouse with thunder voice the heart of England—of England and of Scotland—to prevent another 'national disgrace.'



BURST OF INSANITY.

The article in 'Blackwood's Magazine' occasioned some talk in the literary world of London; but on the whole made little impression, and probably did not contribute much to the sale of the 'Rural Muse.' The old patrons of Clare were glad to learn, on the authority of a great writer, that he was tolerably comfortable and,'contented,' with something to spare for 'the beggar at the door,' and for the rest people did not trouble themselves much about 'national disgrace,' engendered by the treatment of rural poets. Three months after the publication of his 'Rural Muse,' Clare was as much forgotten as ever; his name never mentioned in polite society; and the copies of his book lying unsold on the shelves of Messrs. Whittaker and Co. in Ave Maria Lane. The poet himself was not affected by it, for he had ceased to suffer from the neglect of the world and the rude buffetings of poverty and misery. Like Hamlet—

'He, repulsed, Fell into sadness, then into a fast, Thence to a watch, thence into a weakness, Thence to a lightness; and, by this declension, Into the madness wherein now he raves.'

In the winter of 1835-6 the poet's mental state became alarming. His ordinarily quiet behaviour gave way at times to fits of excitement, during which he would talk in a violent manner to those around him. However, his wife and children were as yet almost the only people who knew of his mental derangement, the world being still entirely ignorant that the 'Northamptonshire Peasant,' who had just issued a new book of poetry, was a madman. Even Clare's own neighbours knew little of his state; to them he always was an inexplicable, erratic being, with words and actions not to be measured by the ordinary standard, and they, therefore, took little notice of occasional strange scenes which they witnessed. This was fortunate, in so far as it contributed to put poor Mrs. Clare more at her ease. She rightly judged that if she could but induce her husband to leave his narrow room and his books, and enjoy again as of old the sight of flowers, trees, and green fields, his health would be greatly improved. With this constant aim in view, she succeeded at last in drawing her unhappy partner from his gloomy retirement. The spring of 1836 was unusually fine, and when nature had put on her first smiling green, and the whole little village was wrapped in a belt of fragrant blossoms and flowers, Patty instructed her two eldest daughters to lead their father for a short walk through the neighbourhood. The poet, this time, made no resistance whatever, but allowed himself to be guided by his children. He returned much pleased with his excursion, expressing a wish to go again the next day. From the second walk he came back still more delighted, and the daily rambles continuing for more than a month, Clare at last seemed almost recovered from his malady. Except at rare intervals, when his speech would become somewhat wild and incoherent, his behaviour showed not the least signs of eccentricity, and though more quiet and subdued than formerly, the conversation he carried on seemed perfectly judicious and rational. Once more, Patty fervently hoped Heaven would restore her husband.

It was not long before Clare's old love of nature came back with such renewed ardour that he could not be made to stop a single day at home. Whenever the weather was moderately fine, he sallied forth, mostly unaccompanied by any one, and seldom returned before the sun had set. He extended his excursions as far as Helpston Heath on the one side, and Peterborough on the other, seemingly as much as ever acquainted with every nook and piece of ground for miles around the neighbourhood of his ancient haunts. One day, when rambling about on the confines of the cathedral city, he met and was recognised by Mrs. Marsh. The good old lady was delighted to see her poet again, and insisted that he should make up for his former neglect by accompanying her at once, and staying a few days at the episcopal mansion. Clare said he was expected home by his wife, and could not go the same day; but promised to pay a visit to Peterborough in the course of a week. He kept his word, and on the appointed time presented himself before Mrs. Marsh. She was exceedingly pleased, and to prevent her poet from running away again, kept him constantly in her company. Conversing with him on all subjects, Mrs. Marsh at times thought his remarks rather singular; while his sudden swerving from one topic to another often astonished her not a little. But all this the good lady held to be perfectly natural in a poet and a man of genius. To her a poet was nothing if not eccentric.

Clare remained for several days a guest at the residence of the bishop, and on the last evening of his visit was taken by Mrs. Marsh to the theatre. A select band of roving tragedians had taken possession of the Peterborough stage—converted, by a more prosaic living generation, into a corn-exchange—and were delighting the inhabitants of the episcopal city with Shakespeare, and the latest French melodramas. On the evening when Clare went to the theatre in company with Mrs. Marsh, the 'Merchant of Venice' was performed. Clare sat and listened quietly while the first three acts were being played, not even replying to the questions as to how he liked the piece, addressed to him by Mrs. Marsh. But at the commencement of the fourth act, he got restless and evidently excited, and in the scene where Portia delivered judgment, he suddenly sprang up on his seat, and began addressing the actor who performed the part of Shylock. Great was the astonishment of all the good citizens of Peterborough, when a shrill voice, coming from the box reserved to the wife of the Lord Bishop, exclaimed, 'You villain, you murderous villain!' Such an utter breach of decorum was never heard of within the walls of the episcopal city. It was in vain that those nearest to Clare tried to keep him on his seat and induce him to be quiet; he kept shouting, louder than ever, and ended by making attempts to get upon the stage. At last, the performance had to be suspended, and Mrs. Marsh, after some difficulty, got away with her guest. The old lady, in her innocence, even now did not apprehend the real cause of the exciting scene which she had witnessed, but, as before, attributed the behaviour of her unfortunate visitor to poetic eccentricity. But she began thinking that he was almost too eccentric.

The next morning, Clare went back to Northborough, having received an intimation from Mrs. Marsh that it would be best he should go home at once. He wandered forth from the city in a dreamy mood, and lost his way before he had gone far. Some acquaintances found him sitting in a meadow, near the hamlet of Gunthorpe, and seeing his wild haggard looks and strange manners, they took him by the arm, and led him back to Peterborough, delivering him over to the porter at the episcopal mansion. Mrs. Marsh, on hearing that her poet had again made his appearance, was somewhat alarmed; her guest had ceased to be ornamental to her establishment, and her chief object now was to get rid of him as soon as possible. She therefore ordered a servant to take charge of Clare and deliver him up to his wife, with instructions not to let him go, under any pretence, to Peterborough. The order was duly obeyed, and the poet soon found himself in his little cottage. Patty was frightened to see what a sad change the few days' absence had wrought in her husband. He no longer talked sensibly as before, but addressed her and the children in an abrupt manner, asking for his 'Mary,' and complaining that all his friend's had left him. The poor wife soothed him as best she could, and after some efforts succeeded in calming his mind. At the end of a few days, Clare seemed again sufficiently well to leave the house, and renewed his daily walks in company with one or the other of his children. The inhabitants of the village, together with most of his acquaintances in the neighbourhood, were still ignorant that the poet whom they saw daily roving through the fields was at madman.

The ignorance was so general as to be shared by most, of Clare's friends and patrons. One of the latter, the Rev. Mr. Mossop, Vicar of Helpston, had frequent occasions of seeing him, but never detected the slightest sign of mental derangement. Thus one morning, soon after the poet's return from Peterborough, he invited him to his house, to meet a friend who wished to make the acquaintance of the author of the 'Rural Muse.' Mrs. Clare was rather unwilling to let her husband depart; but had not the courage to detain him, remembering the exceeding kindness, always shown to her family by the vicar and his sister. The poet accordingly made his appearance at Mr. Mossop's house; but had not been long there before he showed unmistakeable signs of a wandering intellect. In the midst of an animated conversation, he suddenly broke off, and pointing to the ceiling, cried that he saw figures moving up and down. Surprised as the host and hostess were at this exclamation, they at once perceived the real condition of their unhappy visitor. The reverend gentleman, without loss of time, hurried off to get medical assistance, while his sister, Miss Jane Mossop, did her best to quiet the poet by conversing with him on his favourite topics, and drawing his attention to the plants and flowers in the garden. It was not long before a surgeon arrived, in the person of a Mr. Skrimshaw, resident at Market Deeping. He pronounced at once—what, indeed, was obvious to all the persons in the house—that the poor poet was a lunatic. The kind-hearted vicar thereupon had Clare carefully conveyed back to his own home, making further arrangements for his comfort and safety.

Through Mr. Mossop, the Earl Fitzwilliam and other patrons of Clare were made acquainted with the mental state of the poet, of which they had been so long ignorant. The earl at once proposed to send the poet to the county lunatic asylum, at Northampton, where he would be kept under safe restraint; but this scheme met with some opposition on the part of Mrs. Clare, who thought that her husband might yet recover by being left quietly at home. For a short time, indeed, it seemed as if this was the case. During the next four or five months, and up to the spring of 1837, the cottage at Northborough bore as quiet an aspect as if disease and misery had never entered it. Clare kept working in his garden, and reading in his little study, week after week, speaking to his family in the most rational manner, and occasionally writing verses as sweet and beautiful as any that had ever come from his pen. But with the warm days of summer, his mind seemed again to get distracted, and the report reaching Milton Park, imprisonment at the Northampton asylum was once more advised, or ordered. By desire of the noble earl, negotiations were entered into with the authorities at the county establishment to receive Clare, against payment of a small weekly sum, at a somewhat better footing than the ordinary paupers; but while these were pending, there came letters from London offering to do a little more for the unhappy poet. Mr. John Taylor and other old friends and patrons, having now become fully acquainted with the condition of Clare, proposed to place him in a private lunatic asylum, near the metropolis, discharging all the expenses of his maintenance there. The earl, being a clear gainer by this new arrangement, had no objection whatever to make against it, and signified his desire of having his pensioner at Northborough at once removed to the new place of safety. This was done without loss of time. Early on the morning of the 16th of July, 1837, Clare was led away from his wife and children, by two stern-looking men, who placed him in a small carriage and drove rapidly away southward. Late the same day, the poet found himself an inmate of Dr. Allen's private lunatic asylum, at Fair Mead House, High Beech, in the centre of Epping Forest.



GLIMMERS OF COUNTY PATRONAGE.

The news that Clare had been taken to a lunatic asylum did not become generally known till many months after the event had taken place. In the meanwhile, however, the few persons who still took an interest in the 'Northamptonshire Peasant' heard vague rumours that he was living at home in a state of extreme destitution, productive at times of mental derangement, and on the initiative of the most energetic of these old friends another appeal was made to the public for pecuniary aid. Allan Cunningham was the first to call upon the admirers of Clare to help him in his distress, and the editors of various more or less fashionable annuals, published in the autumn of 1837, followed the example. Though it did not lead to the desired result, the movement thus set on foot was curious, as showing the estimation in which the poet was held by some of those who wished to figure as his patrons. Among them was the Marquis of Northampton, a nobleman who, though never having in the least assisted Clare, fancied himself a sort of protector of the poet, for the sole reason that he was living in the county. This sort of county-property feeling, common to not a few of Clare's noble patrons, was expressed to a notable degree in a letter which the marquis wrote in reply to one of the appeals in favour of the 'Northamptonshire Peasant.'

The appeal in question appeared in the 'Book of Gems,' an annual edited by Mr. S. C. Hall. The writer, after stating that Clare had 'for many years existed in a state of poverty, as utter and hopeless as that in which he passed his youth;' that he had 'a wife and a very large family;' and that 'at times his mind is giving way under the sickness of hope deferred,' finished with an eloquent address to some nobleminded patron of poetry to come forward and help Clare. 'It is not yet too late,' the writer exclaimed, 'for a hand to reach him: a very envied celebrity may be obtained by some wealthy and good Samaritan. Strawberry Hill might be gladly sacrificed for the fame of having saved Chatterton.' The Marquis of Northampton replied to this address. His lordship evidently was hankering after the 'envied celebrity,' but wished to get it as cheap as possible. So he wrote a long letter to the editor of the 'Book of Gems,' making his bid for fame, and expressing at the same time his opinion about one whom he considered a 'county poet.' His lordship's letter—in which, it will be noticed, the county predominates over all heavenly and earthly things—ran as follows:—

'Castle Ashby, Northampton, Oct. 17th, 1837.

Sir,—Though an utter stranger, I think you will excuse my troubling you with this present letter: but I will not waste your time with a lengthened apology. I was this morning reading the collection of poetry which you have lately published—"The Book of Gems, 1838,"—and I was at the same time struck and shocked by what you say on the subject of our county poet, Clare. I must confess that I am not of his exceeding admirers, and should by no means be disposed to place him in the same rank with Hogg, or even with Bloomfield and Crockford. Still he is undoubtedly a great credit to our county, and it would, I think, be a great disgrace to it if Clare was left in the state in which you mention him to be. Now it appears to me that the most feasible means of relieving him would be for him to publish a collection of all his poems in a volume by subscription. Probably there would be found a good many persons in this county who would subscribe for five or ten copies each. Northamptonshire is not a large county, nor is it either wealthy from manufactures or from a dense population. It has, however, some considerable source of wealth. Many of its resident nobility and gentry have considerable properties elsewhere, as for instance the Dukes of Buccleuch and Grafton, and Lords Spencer, Fitzwilliam, Winchelsea; and you will see that the resources of the county are really in that sense larger than they appear. However, I must confess that I do not think that we are very literary, and probably such a speculation would hardly succeed unless in addition to the copies taken here there were hopes of a sale elsewhere. On this subject you are far better able to judge than I can be. You know also more exactly how Clare is situated, at least you could find out. If Her Majesty would allow the book to be dedicated to her that would probably be a considerable advantage, and through Lord Lilford, who, I think, is a Lord of the Bedchamber, permission might be obtained. But in this I speak at random. If such a plan was taken up, I should myself be willing to subscribe for ten or twenty copies, and I have no doubt that I could obtain subscriptions from others. But I could not myself do more for this scheme. In fact I should not be able to do quite so much now in this way in consequence of a late publication of mine, as I could not in general apply to the same subscribers. Still I could apply to many on the ground of it being a county question. But still, as I said before, the question is whether the public in general would be likely to join the effort. Pray let me know what you think of the matter. If a direct subscription for Clare should be proposed in lieu of the publication I should be happy to contribute towards it, but I should doubt its being as productive as the book. It would be probably well if there were some new poems in the book in addition to the old ones. Perhaps there may be a difficulty to get the copyright if he has sold it to a bookseller.

I am, Sir, your humble servant

Northampton.'

The philanthropic scheme of the Marquis of Northampton in favour of 'our county poet' was destined not to be realized. Whether the failure was owing to the mysterious 'Lord of the Bedchamber,' or to differences of opinion in respect to Clare being 'a great credit to our county,' and his relief 'a county question,' so much is certain, the not 'very literary' county subscribers declined to come forward, although a number of prospectuses were printed and issued to them. Thus there remained the 'great disgrace.' To Professor Wilson it simply was a 'national disgrace' but the most honourable the Marquis of Northampton undoubtedly felt it deeper by declaring it to be a 'disgrace to our county.'



DR. ALLEN'S ASYLUM.

Dr. Matthew Allen, of Fair Mead House, into whose asylum Clare had been taken, was among the first reformers who adopted the mild system of treatment for the insane, both on medical and philanthropic grounds. He argued, in the teeth of a whole legion of irate professional brethren, that kindness would be more powerful than cruelty in curing human beings deranged in intellect, and that, even if incurable, the poor creatures whom God had afflicted did not deserve being laid in fetters and treated like savage animals. The doctor necessarily made a great many enemies by preaching this new doctrine; but he likewise was fortunate enough to gain a few friends, who advocated his cause and rendered active aid in carrying it into practice. It was with the help of these friends that Dr. Allen was enabled to set up a large private asylum in the centre of Epping Forest, the establishment consisting of half-a-dozen houses, connected together, and surrounded by large gardens. Here the unhappy sufferers from mental derangement were kept under no more restraint than was absolutely necessary for their own safety and that of others; and, while under the best medical care and attention, were allowed an abundant amount of indoor recreation as well as out-door exercise. When Clare arrived, there were about fifty inmates at Fair Mead House, all of them belonging to the middle and upper classes. Feeling deep sympathy with the unfortunate position of the poet, Dr. Allen admitted him at a mere nominal rate of payment, treating him nevertheless exactly on the same footing as the most favoured of his patients.

The poet's existence at Fair Mead House for several years flowed on monotonous enough; even more so than that of the other inmates of the asylum. He longed to see his family, to meet familiar faces, and to read and write poetry; but neither wife, nor children, nor any friends ever came to visit him, and the supply of books was necessarily scant and not altogether to his taste. Dr. Allen's treatment of his patients was based on the principle of giving them as much physical labour and exercise as possible, so as to destroy all tendency to a morbid concentration of thought; and thus Clare was kept away from books and paper, and made to go into the garden, to plant, and dig, and water the flowers. He seemed to fret at first on being deprived of the solace of his poetry, and eagerly seized every occasion to scribble verses upon odd slips of paper, or with, chalk against the wall. But as the months passed on, his new forced habits grew upon him, and he left off writing to a great extent, and was foremost among the workers in the fields and garden. His mental state, however, did not improve, although his physical strength appeared to gain by this change. He got stout and robust, and able to go through a greater amount of physical labour than in former days. What seemed to contribute to sooth and quiet—or, perhaps, deaden—his mental energies, was the habit of smoking, which he acquired from his companions. He would smoke for whole days and weeks, either working in the garden, or sitting on the stump of a tree in Epping Forest, without uttering a word.

Yet notwithstanding the visible and increasing derangement of his mental faculties, Clare's poetical powers seemed to be nearly as great and as brilliant as ever. Rare as were the opportunities when he was allowed to indulge in the luxury of writing verses, whenever they offered, the stream of poetry came flowing on swiftly and sweetly. Some accidental visitors to Fair Mead House one day offered him a pencil and sheet of paper, when he sat down on a bench in the garden, and without further musing wrote the following lines:—

'By a cottage near the wood Where lark and thrushes sing, In dreaming hours I stood, Through summer and through spring: There dwells a lovely maiden Whose name I sought in vain— Some call her pretty Lucy, And others honest Jane.

By that cottage near a wood I often stood alone In sad or happy mood, And wished she was my own. The birds kept sweetly singing, But nature pleased in vain; For the dark and lovely maiden I never saw again.

By the cottage near the wood I wished in peace to be: The blossoms where she stood Were more than gems to me. More fair or sweeter blossoms My rambles sought in vain; But the dark and lovely maiden I never found again.

By that cottage near a wood The children held her gown, And on the turf before her Ran laughing up and down. They played around her beauty, While I sought joys in vain; She fled—the lovely maiden I could not find again.

By that cottage near the wood, Where children used to play, Spring often burst the bud, And as often passed away. And with them passed my visions Of her whom I adore; For the dark and lovely maiden, I love her evermore.'

When Clare had been above a year at the asylum, and it was found that he was perfectly harmless and inoffensive, he was allowed to roam at his will all over the neighbourhood and through the whole of the forest. This freedom he greatly enjoyed, and not a day passed without his taking long excursions in all directions. In these wanderings he was mostly accompanied by T. Campbell, the only son of the author of 'The Pleasures of Hope,' with whom he had come to form an intimate acquaintance. Clare wrote a sketch of his forest promenades in a sonnet which he handed to Dr. Allen. It ran:—

'I love the forest and its airy hounds, Where friendly Campbell takes his daily rounds; I love the break-neck hills, that headlong go, And leave me high, and half the world below.

I love to see the Beech Hill mounting high, The brook without a bridge, and nearly dry. There's Bucket's Hill, a place of furze and clouds, Which evening in a golden blaze enshrouds:

I hear the cows go home with tinkling bell, And see the woodman in the forest dwell, Whose dog runs eager where the rabbit's gone; He eats the grass, then kicks and hurries on; Then scrapes for hoarded bone, and tries to play, And barks at larger dogs and runs away.

His acquaintance with young Thomas Campbell brought to Clare occasional presents, and now and then, the pleasant face of a visitor. Among them was Mr. Cyrus Bedding, who left a record of his visit in the 'English Journal.' Describing Dr. Allen's asylum, he says:—'The situation is lofty; and the patients inhabit several houses at some distance from each other. These houses stand in the midst of gardens, where the invalids may be seen walking about, or cultivating the flowers, just as they feel inclined.'

The visitor, who was accompanied by a friend who had known Clare previously, found him working in a field, 'apart from his companions, busily engaged with a hoe, and smoking. On being called, he came at once, and very readily entered into conversation. Our friend was surprised to see how much the poet was changed in personal appearance, having gained flesh, and being no longer, as he was formerly, attenuated and pale of complexion. We found a little man, of muscular frame and firmly set, his complexion fresh and forehead high, a nose somewhat aquiline, and long full chin. The expression of his countenance was more pleasing but somewhat less intellectual than that in the engraved portrait prefixed to his works in the edition of "The Village Minstrel," published in 1821. He was communicative, and answered every question put to him in a manner perfectly unembarrassed. He spoke of the quality of the ground which he was amusing himself by hoeing, and the probability of its giving an increased crop the present year, a continued smile playing upon his lips. He made some remarks illustrative of the difference between the aspect of the country at High Beech and that in the fens from whence he had come—alluded to Northborough and Peterborough—and spoke of his loneliness away from his wife, expressing a great desire to go home, and to have the society of women. He said his solace was his pipe—he had no other: he wanted books. On being asked what books, he said Byron; and we promised to send that poet's works to him.

'The principal token of his mental eccentricity was the introduction of prize-fighting, in which he seemed to imagine he was to engage; but the allusion to it was made in the way of interpolation in the middle of the subject on which he was discoursing, brought in abruptly, and abandoned with equal suddenness, and an utter want of connexion with any association of ideas which it could be thought might lead to the subject at the time; as if the machinery of thought were dislocated, so that one part of it got off its pivot, and protruded into the regular workings; or as if a note had got into a piece of music which had no business there. This was the only symptom of aberration of mind we observed about Clare; though, being strangers to him, there might be something else in his manner which those who knew him well could have pointed out. To our seeming, his affection was slight; and it is not at all improbable that a relief from mental anxiety might completely restore him. The finer organization of such a humanity, if more easily put out of order than that of a more obtuse character, is in all probability more likely to re-tune itself, the evil cause being removed.'

Mr. Cyrus Bedding was mistaken in the anticipation that Clare's 'machinery of thought' would ever get again 'into the regular workings.' At the very time when the visit described here took place, the poet's mental state was worse than before, and there seemed less chance than ever of restoring 'the finer organization of such a humanity.' Clare was haunted now, wherever he went, by the vision of his first ideal love, his ever-sought 'Mary.' He fancied that she was his wife, torn from him by evil spirits, and that he was bound to seek her all over the earth. In his wild hallucinations, he confounded his real with his ideal spouse, addressing the latter in language wonderfully sweet, though exhibiting strange flights of imagination. On one occasion, the poet handed to Dr. Allen the following piece of poetry, which he called 'A Sonnet,' with the remark that it should be sent to his wife:—

'Maid of Walkherd, meet again, By the wilding in the glen; By the oak against the door, Where we often met before. By thy bosom's heaving snow, By thy fondness none shall know; Maid of Walkherd, meet again, By the wilding in the glen.

By thy hand of slender make, By thy love I'll ne'er forsake, By thy heart I'll ne'er betray, Let me kiss thy fears away! I will live and love thee ever, Leave thee and forsake thee never! Though far in other lands to be, Yet never far from love and thee.'

Dr. Allen told his patient that he thought his verses very beautiful, at which Clare seemed pleased, and expressed his intention to take them home to his wife, his 'Mary.' The doctor paid little heed to this remark, which, however, was seriously meant. To see his beloved Mary again, now became the one all-absorbing thought of the poet's mind. He appeared to have a vague notion that she was far away; but determined, nevertheless, to seek her, even at the risk of his life. In the spring of 1841—having been nearly four years at Fair Mead House—he made several attempts to escape, but was frustrated each time, being brought back by people who met him wandering at a distance. Dr. Allen, notwithstanding these warnings, continued to allow full liberty to his patient, ascribing his occasional flights to a mere propensity for roaming about. Clare, as before, took his daily excursions, sometimes in company with his friend Campbell, but oftener alone. One day, in the middle of July, 1841, he stayed away unusually long. When the sun had set without his returning home, attendants were despatched in all directions; but after a long and minute search over the whole neighbourhood, they came back, late at night, reporting that they had been unsuccessful in tracing the lost patient. Some persons who knew him by sight had seen him passing through Enfield in a northerly direction; but beyond this fact nothing could be ascertained. Dr. Allen felt very uneasy at this mysterious disappearance, and the next day despatched two horsemen in search of Clare. But even they could discover no trace of him beyond Enfield. John Clare was never seen again at Fair Mead House, Epping Forest.



ESCAPE FROM THE ASYLUM.

Clare's flight from Dr. Allen's custody was accomplished by dint of extraordinary perseverance, involving an amount of physical suffering almost unexampled, and approaching starvation and the most horrible of deaths. The poet started early on the morning of the 20th of July, with not a penny in his pocket, and no other knowledge of the road than that given to him by a gipsy whom he had met a few days before. This gipsy at first promised more active assistance in his flight; but did not keep his word, owing, probably, to the inability of the poor lunatic to procure any tangible reward. However, urged onward by his intense desire to see his 'Mary' again, Clare did not hesitate to start alone on his unknown journey, and, groping his way along, like one wrapt in blindness, he at once succeeded so far as to get into the right track homewards. The first day he walked above twenty miles, to Stevenage, in Hertfordshire, where he arrived late at night, footsore and faint, having been without any refreshment the whole day. He rested for the night in an old barn, on some trusses of clover, taking the singular precaution, before lying down, of placing his head towards the north, so as to know in which direction to start the next morning. This day, the 21st of July, he rose early, pursuing his way northward, and crawling more than walking along the road. A man threw him a penny which he used to get a glass of ale; but beyond this he had again no refreshment. After a second night, spent in the open air, he rose once more to crawl onward, slowly but steadily. To stifle the torments of hunger, he now took to the frightful expedient of eating grass with the beasts in the field. The grass served to appease the dreadful pains of his stomach, yet left him in the same drowsy condition in which he was before. His feet were bleeding, the dry gravel of the road having penetrated his old worn-out shoes; but he heeded it not, and stedfastly pursued his way northward. Alternately sleeping and walking, sometimes wandering about in a circle, lying down in ditches at the roadside, and continuing to eat grass, together with a few bits of tobacco which he found in his pocket, he at length reached the neighbourhood of Peterborough and scenes familiar to his eye. But he was now fast breaking down under hunger and fatigue, having had no food for more than ninety hours. Hearing the well-known place, he could get no further, but sank down on the road, more dead than alive. A great many people passed—people rich and poor, on foot and in carriages, in clerical habit and in broadcloth; but not one gave alms, or even noticed, or had a kind word for the dying man at the roadside. There was not one good Samaritan among all the wayfarers from the rich episcopal city.

At last there passed a cart, containing some persons from Helpston. They recognised their old neighbour, although he was terribly altered, with the livid signs of starvation impressed upon his face. The wanderer, in a faint voice, told those friends his tale of woe; but even they were not Christians enough to lift him into their vehicle and take him home. All that they did was to give him a few pence; not even placing the money in his hand, with, perhaps, a kindly greeting, but throwing it at him from their cart. The wretched poet crept along the road to gather the coppers, and then crawled a little farther on to a public-house, where he procured some refreshment. The food—the first he had taken for nigh four days—enabled him to pursue his journey slowly, and he hobbled on through Peterborough, the blood still trickling from his wounded feet. At every stone-heap at the roadside he rested himself, until he came to the hamlet of Werrington, where a cart ran up against him, out of which sprang a woman who took him in her arms. It was Patty, who had heard from the charitable Helpston people that her husband was lying on the road, and had come in search of him. But Clare did not know her. He refused even to take a seat at her side, until he was told that she was his 'second wife.' Then he allowed himself to be taken to Northborough, where he arrived in the evening of the 23d of July, utterly exhausted, and in a state bordering upon delirium.

But already the next day he felt considerably better, and at once asked for writing materials. Having obtained pen and ink, together with an old blank ledger, in which he formerly entered his poems, he sat down to write an account of his 'Journey from Essex.' Such another account, probably, was never written before. Here it stands, unaltered from the original, save in slight attempts at punctuation. The paper commences:—

'July 24th 1841.—Returned home out of Essex, and found no Mary. Her and her family are nothing to me now, though she herself was once the dearest of all. And how can I forget!'

After this entry begins what is headed the 'Journal':—

'July 18, 1841, Sunday.—Felt very melancholy. Went for a walk in the forest in the afternoon. Fell in with some gypsies, one of whom offered to assist in my escape from the madhouse by hiding me in his camp, to which I almost agreed. But I told him I had no money to start with; but if he would do so, I would promise him fifty pounds, and he agreed to do so before Saturday. On Friday I went again, but he did not seem so willing, so I said little about it. On Sunday I went and they were all gone. An old wide-awake hat and an old straw bonnet, of the plum-pudding sort, was left behind, and I put the hat in my pocket, thinking it might be useful for another opportunity. As good lack would have it, it turned out to be so.

July 19, Monday.—Did nothing.

July 20, Tuesday.—Reconnoitred the road the gypsey had taken, and found it a legible (!) one to make a movement; and having only honest courage and myself in my army, I led the way and my troops soon followed. But being careless in mapping down the road as the gypsey told me, I missed the lane to Enfield Town, and was going down Enfield Highway, till I passed the "Labour-in-vain" public-house, where a person who came out of the door told me the way. I walked down the lane gently, and was soon in Enfield Town, and by and by on the great York Road, where it was all plain sailing. Steering ahead, meeting no enemy and fearing none, I reached Stevenage, where, being night, I got over a gate, and crossed the corner of a green paddock. Seeing a pond or hollow in the corner, I was forced to stay off a respectable distance to keep from falling into it. My legs were nearly knocked up and began to stagger. I scaled over some old rotten palings into the yard, and then had higher palings to clamber over, to get into the shed or hovel; which I did with difficulty, being rather weak. To my good luck, I found some trusses of clover piled up, about six or more feet square, which I gladly mounted and slept on. There were some drags in the hovel, on which I could have reposed had I not found a better bed. I slept soundly, but had a very uneasy dream. I thought my first wife lay on my left arm, and somebody took her away from my side, which made me wake up rather unhappy. I thought as I awoke somebody said "Mary;" but nobody was near. I lay down with my head towards the north, to show myself the steering point in the morning.

July 21.—Daylight was looking in on every side, and fearing my garrison might be taken by storm, and myself be made prisoner, I left my lodging by the way I got in, and thanked God for His kindness in procuring it. For anything in a famine is better than nothing, and any place that giveth the weary rest is a blessing. I gained the North Road again, and steered due north. On the left hand side, the road under the bank was like a cave; I saw a man and boy coiled up asleep, whom I hailed, and they awoke to tell me the name of the next village. Somewhere on the London side, near the "Plough" public-house, a man passed me on horseback, in a slop frock, and said, "Here's another of the broken-down haymakers," and threw me a penny to get a half pint of beer, which I picked up, and thanked him for, and when I got to the "Plough," I called for a half pint and drank it. I got a rest, and escaped a very heavy shower in the bargain, by having a shelter till it was over. Afterwards I would have begged a penny of two drovers, but they were very saucy; so I begged no more of anybody.

Having passed a lodge on the left hand, within a mile and a half, or less, of a town—I think it might be St. Ives, or it was St. Neot's, but I forget the name—I sat down to rest on a flint heap, for half an hour or more. While sitting here, I saw a tall gypsey come out of the lodge gate, and make down the road to where I was. When she got up to me, I saw she was a young woman, with a honest-looking countenance, and rather handsome. I spoke to her, and asked her a few questions, which she answered readily and with evident good humour. So I got up, and went on to the next town with her. She cautioned me on the way to put something in my hat to keep the crown up, and said in a lower tone, "You'll be noticed." But not knowing at what she hinted, I took no notice and made no reply. At length she pointed to a small church tower, which she called Shefford Church, and advised me to go on a footway, which would take me direct to it, and would shorten my journey fifteen (!) miles by doing so. I would gladly have taken the young woman's advice, feeling that it was honest, and a nigh guess towards the truth; but fearing I might lose my way, and not be able to find the North Road again, I thanked her, and told her I should keep to the road. She then bid me "good day," and went into a house or shop on the left hand side of the road.

Next I passed three or four good built houses on a hill, and a public-house on the roadside in the hollow below them. I seemed to pass the milestones very quick in the morning, but towards night they seemed to be stretched further asunder. I now got to a village of which I forget the name. The road on the left hand was quite overshadowed by trees, and quite dry. So I sat down half an hour, and made a good many wishes for breakfast. But wishes were no meal; so I got up as hungry as I sat down. I forget here the names of the villages I passed through, but recollect at late evening going through Potton, in Bedfordshire, where I called in a house to light my pipe. There was a civil old woman, and a country wench making lace on a cushion as round as a globe, and a young fellow; all civil people. I asked them a few questions as to the way, and where the clergyman and overseer lived; but they scarcely heard me, and gave no answer. I then went through Potton, and happened to meet with a kind-talking countryman, who told me the parson lived a good way from where I was. So I went on hopping with a crippled foot; for the gravel had got into my old shoes, one of which had now nearly lost the sole. Had I found the overseer's house at hand, or the parson's, I should have given my name, and begged for a shilling to carry me home; but I was forced to brush on penniless, and be thankful I had a leg to move on. I then asked him whether he could tell me of a farmyard anywhere on the road, where I could find a shed and some dry straw, and he said, "Yes, if you will go with me, I will show you the place; it is a public-house on the left hand side of the road, at the sign of the Ram." But seeing a stone heap, I longed to rest, as one of my feet was very painful. So I thanked him for his kindness, and bid him go on. But the good-natured fellow lingered awhile, as if wishing to conduct me; but suddenly recollecting that he had a hamper on his shoulder, and a lock-up bag in his hand, to meet the coach, he started hastily, and was soon out of sight.