The year of 1820 broke dull and gloomy upon Clare. He had expected his poems to be published in the month of November, or the beginning of December previous; but was without any information whatever, either from Stamford or London, and did not know when the long-expected book would appear, or whether it would appear at all. The little money he had received from Mr. Drury at various periods—some twenty pounds altogether—had been spent by this time, and, being out of work, he was once more face to face with grim poverty. Day after day passed, yet no news, till, in the last week of January, the smiling face of a friend suddenly lighted up the gloom. It was a rainy day, and Clare was unable to take his usual ramble through the fields, when the clattering of hoofs was heard outside the little cottage. A man on horseback alighted at the door, and shaking off the dripping wet, rushed into the room, where Clare and his father and mother were sitting round the little fire. It was the Rev. Mr. Holland. 'Am I not a good prophet?' he cried, running towards John, and shaking him warmly by the hand. John looked up in astonishment; he had not the slightest notion of what his friend meant or alluded to. But Mr. Holland kept on laughing and dancing, shaking himself like a wet poodle. 'Am I not a good prophet?' he repeated, again and again. The long face of his melancholy young friend at last brought him to a sense of the actual state of affairs. 'You have had no letter from your publishers?' he inquired. 'None whatever,' was the reply. 'Then let me be the first herald of good news,' cried Mr. Holland; 'I can assure you that your utmost expectations have been realized. I have had a letter from a friend in London, this morning, telling me that your poems are talked of by everybody; in fact, are a great success.' How the words cheered the heart of John Clare! He fancied he had a slight touch of the ague in the morning; but it seemed to fall like scales off his body, and he thought he had never been so well all his life. Mr. Holland was about getting into his wet saddle again. 'Oh, do stop a little longer,' said John, imploringly; 'have something to eat and drink.' And he looked at his father and mother; and father and mother looked at him. Alas! they all knew too well that there was nothing in the house to eat; and no money wherewith to purchase food. Good Mr. Holland, at a glance, perceived the actual state of affairs. 'Well,' he exclaimed, 'I intended having some dinner at the inn round the corner; but if you will allow me, I will have it sent here, and take it in your company.' And in a twinkling of the eye, he was out of doors, leading his horse, which had been tied to a post, towards the 'Blue Bell.' He was back in ten minutes; and in another ten minutes there appeared the potboy from the 'Blue Bell' carrying a huge tray, smoking hot. Thrice the messenger from the 'Blue Bell' came and returned, each time carrying something heavy in his fat, red hands, and going away with empty trays. When he had turned his back for the third and last time, they all sat down around the little ricketty table, the Rev. Mr. Holland, John, his father and mother. 'Every good gift, and every perfect gift is from above, and cometh down from the Father of lights,' said the minister. 'Amen!' fervently exclaimed John.

The good news of which the Rev. Mr. Holland had been the bearer was soon confirmed on all sides. Early the next morning there came a messenger from Stamford, asking Clare to visit Mr. Drury as well as Mr. Gilchrist. He called first at the house of the latter, and was very graciously received, being informed that his poems were published, and that Mr. William Gifford, editor of the 'Quarterly Review' had taken a great interest in him and his book. John Clare, who had never heard either of Mr. Gifford, or the 'Quarterly,' listened to the news with much indifference, to the evident surprise of his friend. Leaving Mr. Gilchrist, he went next door, to Mr. Drury, and, entering the shop, fell back with astonishment on hearing a tall aristocratic-looking elderly gentleman inquire for 'John Clare's Poems.' It sounded like sweet music to his ear, the cracked voice of the old gentleman. Mr. Drury, not noticing the entrance of Clare, took a small octavo volume from the top of a parcel of similar books lying on his counter, and handed it to the gentleman, informing his customer at the same time that the poems were 'universally applauded both by the critics of London and the public.' John kept firm in his corner near the door; he thought his friend Drury the most eloquent speaker he had ever heard. 'And, pray, who is this John Clare?' asked the tall aristocratic-looking gentleman. 'He is ...' began Mr. Drury, but suddenly stopped short, seeing a whole row of his books tumble to the ground. John Clare, in his terrible excitement, had pressed too close towards an overhanging shelf of heavily-bound folios and quartos, which came down with a tremendous crash. It seemed as if an earthquake was overturning the 'New Public Library;' and the astonishment of the owner did not subside when he saw his poetical friend creeping out from under the ruins of five-score dictionaries, gazetteers, and account-books. Having somewhat recovered his composure, Mr. Drury, with a grave mien, turned towards the tall gentleman, exclaiming, 'I beg to introduce to you Mr. Clare, the poet.' The gentleman burst out laughing at the intensely ludicrous scene before him; yet checked himself instantly, seeing the colour mount into Clare's face. 'I beg you a thousand pardons, Mr. Clare,' he exclaimed; 'I hope you have not been hurt.' And as if to compensate for his rude hilarity, the tall gentleman entered into a conversation with Clare, ending by an invitation to visit him at his residence on the following day: 'Mr. Drury will give you my address; good morning.' John Clare made no reply, and only bowed; he did not feel much liking for his new acquaintance. However, when Mr. Drury told him that the stranger was General Birch Reynardson, a gentleman of large property, residing near Stamford, on an estate called Holywell Park, and that his acquaintance might be of the greatest benefit for the success of his book, if not for himself, Clare consented to pay the desired visit. The allusion to his published poems by Mr. Drury was pleasant to his ears, and Clare eagerly sat down to examine his book. It was not by any means a handsome volume in outward appearance, being bound in thick blue cardboard, with a small piece of coarse linen on the back. But the coarseness of the material was relieved by the inscription, 'Clare's Poems,' printed on the back in large letters; and the plain appearance of the book was forgotten over the title-page, 'Poems descriptive of rural life and scenery, by John Clare, a Northamptonshire peasant.' He eagerly ran his eye over the poems, and was more than ever pleased with them in their new dress, with slightly altered spelling, and all the signs of punctuation added. There was only one part of the book with which he was not pleased, which was the part headed 'introduction.' It gave an untrue account of his life, and, what was still more galling to the pride of the poet, spoke of his poverty as the main point deserving public attention. All this deeply hurt his feelings; nevertheless the predominating sentiment of joy and satisfaction prevented him saying anything on the subject to Mr. Drury. He stayed some hours at the shop, and it was arranged that early on the next morning he should call again to get ready for the important visit to General Reynardson. When on the point of leaving, Mr. Drury put a letter in Clare's hands. 'I had almost forgotten it,' he said; 'it has been lying at the shop for several days. I suppose it is from your sweetheart.'

The letter was from the 'sweetheart;' but a very melancholy letter it was nevertheless. Poor Martha Turner told her lover, what he knew long ago, that she was about becoming a mother before being a wife; that her situation was known to her parents; that her father and mother refused to forgive her frailty; and that she was cruelly treated and on the point of being expelled from under their roof. John Clare read the letter on the roadside, between Stamford and Helpston; he read it over again and again, and his burning tears fell upon the little sheet of paper. A fierce conflict of passions and desires arose within his soul. He fancied that he did not love Martha Turner half so well as the pretty little lass of Southorp; he fancied that since his first overwhelming affection for 'Mary,' he had never been devoted, heart and soul, so much to any one as to Betty Sell. Yet to Martha Turner, once his sweet 'Patty of the Vale,' he knew he was bound by even stronger ties than those of affection and love—he trembled thinking thus, yet held firm to the nobler element in his breast. The secret struggle, short and intense, ended with a firm resolve that duty should conquer passion.

Early on the day following, John Clare made his appearance at Mr. Drury's shop. The busy tradesman had already provided an outfit for his friend, whom he meant to patronize more than ever, now that his poems promised to be successful. In the course of half an hour, John found himself clothed in garments such as he had never before worn. He had a black coat, waistcoat, and trousers, a silk necktie, and a noble, though very uncomfortable, high hat; while his heavy shoes seemed changed by a covering of brilliant polish. Surveying his figure, thus altered, in a looking-glass, John was greatly satisfied with himself, and with a proud step marched off towards Holywell Park. General Birch Reynardson received him with great affability; at once took him by the hand, and led him into the library. It was the finest collection of books Clare had ever seen, and he warmly expressed his admiration of it. After a while, the General took a small quarto, bound in red morocco, from the shelves, and showing it to his guest, asked him what he thought of the contents. They were poems written by the general's father; and Clare, seeing the fact stated on the title-page, was polite enough to declare them to be very beautiful. Another red-morocco volume thereupon came down from the shelves, full of manuscript poetry of the General's own composition. John Clare began to see that genius was hereditary in the family, and expressing as much to his host, earned a grateful smile, and a warm pressure of the hand. He was asked next to promenade in the gardens till dinner was ready.

The gardens of Holywell Park were laid out with great taste, and John Clare soon lost himself in admiration of the many beautiful views opened before him. While wandering along the banks of an artificial lake, fed by a cascade at the upper end, he was joined by a young lady of extraordinary beauty. He believed it was the wife of the General; yet, though showing the deepest respect to the lady who addressed him while walking at his side, he could not help looking up into her face now and then, in mute admiration of her exquisite loveliness. The General, after a while, joined the promenaders, when John, somewhat to his surprise, learnt that his fair companion was not the hostess of the establishment, but the governess. Notwithstanding the presence of the master of the house, the young lady continued speaking to Clare in the freest and most unrestrained manner, bewitching him alike by the tones of her voice and the soft words of flattering praise she poured into his ear. She told him that she had read twice through the volume of poetry which the General had brought home the preceding evening, having sat up for this purpose the greater part of the night. Clare's face got scarlet when he heard these bewitching words; never before had praise sounded so sweet to his ear; never before had it come to him from such honeyed lips. He was beside himself for joy, when, as a proof of her good memory, she began reciting one of his poems: 'My love, thou art a nosegay sweet.' And when she came to the last line, 'And everlasting love thee,' Clare's eyes and those of the beautiful girl met, and he felt her glances burning into his very soul. The general did not seem to take much notice of his companions, being busy picking up stones in the footpath, and examining the state of the grass on the borders of his flower beds. On returning towards the house, he informed Clare that the servants were about sitting down to their dinner, and told him to join them in the hall. The young governess appeared intensely surprised at the words; she looked up, first at the General and then at Clare. Probably it seemed to her a gross insult that a poet should be sent to take his meal with the footmen and scullery-maids. But Clare's face looked bright and serene; to him, as much as to the master of the house, it appeared perfectly natural to be returned to his proper social sphere, after a momentary dream-like rise into higher social regions.

He walked into the hall, and humbly sat down at the lower end of the servants' table. The big lackeys whispered among themselves, looking with a haughty air upon the base intruder. John Clare heeded it not; his soul was far away in a world of bliss. Before him, in his imagination still hovered that sweet beautiful face which he had seen in the gardens; in his ear still sounded the soft tones of her voice: 'And everlasting love thee.' Thus he sat at the table, among the footmen and kitchen wenches, tasting neither food nor drink—an object of utter contempt to his neighbours. Before long, however, there came a message from the housekeeper's room, inviting Clare to proceed to the select apartments of this potent lady. He followed the servant mechanically, careless where he was going; but was joyfully surprised on entering the room to see his dream changed into reality. There, opposite the table, sat his beautiful garden-companion, smiling more sweetly, and looking more exquisitely enchanting than ever. She stretched out her little white hand, and Clare sat down near her, utterly unmindful of the presence of the mistress of the apartment, the lady housekeeper. The latter felt somewhat offended in her dignity, yet overlooked it for the moment, being desirous to proffer a request. Having succeeded in rousing Clare's attention, she informed her visitor, with becoming condescension, that she was very fond of poetry; also that she had a son who was very fond of poetry. But it so happened that, though very fond of reading verses, neither she nor her son was able to produce any. Now hearing, from her friend the governess, that there was a poet in the house, she had taken the liberty to send for him, to do some trifling work. What she wanted was an address of filial love, as touching and affectionate as possible; this she would send to her son, and her dear son would return it to her, signed by his own name. She hoped it could be done at once, while she was getting the tea ready. Could it be done at once? Clare started on hearing himself addressed a second time by the high-toned lady—he did not remember a word of all that had been said to him. But he bowed in silence, and the dignified elderly person left the room to make the tea, firmly persuaded that her poetry would be got ready in the meantime. When she was gone, Clare looked up, and found a pair of burning eyes fixed upon him. He tried to speak, but could not; the words, rising from his heart, seemed to perish on his tongue. After a long pause, the young governess, flushed with emotion, found courage to address her neighbour: 'I hope to see you again, Mr. Clare; I hope you will write to me sometimes.' He had no time to reply before the bell rang and a servant entered the room, reporting that General Birch Reynardson wished to see John Clare before leaving. The intimation was understood. John went up to the library, bowed before his stately host, muttered a few words of thanks, he knew not exactly for what, and left the house. When the gate closed after him, he felt as if expelled from the garden of Eden.

Slowly he walked up the road, when suddenly a white figure started up on his path. The young governess again stood before Clare. 'I could not hear of your going,' cried the beautiful girl, her bright face suffused with blushes, and her long auburn hair fluttering in the wind; 'I could not hear of your going, without saying good-bye.' Clare again tried to speak, and again the words died upon his lips. But she continued addressing him; 'Oh, do not forget to write to me,' she said earnestly, with a tinge of melancholy in her soft voice. It thrilled through his soul, and opened his lips at last. 'I will write,' he answered, 'and I will send you some new poems.' Thus saying, he bent forward and took both her hands, and their eyes met, full of unspeakable passion. But a sudden noise from the distance startled Clare and his fair companion. There was a man on horseback coming up with full speed, riding in the direction of Holywell Park. The young governess softly loosened her hands, turned a last fond look upon the poet, and fled away like a frightened hind into a neighbouring wood.

John Clare hurried forward, his face flushed, his head trembling; forgetful of all the things around him. At last, feeling exhausted, he sat down on a stone, at the turning of two roads. The one of the roads was leading to Stamford; the other to Bridge Casterton and Walkherd Lodge. Clare felt like one entranced. Joy unutterable was struggling in his bosom together with infinite sadness, and the wild pulsation of his heart seemed to drive his blood, like living fire, to his very soul. And he held his burning head in his hands, sitting at the corner of the two roads. The image of the beautiful girl he had just left, an image more perfect, more sweet and angelic than ever conceived by his imagination, appeared standing in one of the roads, and the picture of a sad, suffering woman, surrounded by angry parents, in the other. Lower sank the sun on the horizon; it was beginning to get dark; but Clare still kept sitting at the corner of the two roads, his throbbing head bent to his knees. The clouds in the west glowed with a fierce purple, when he started up at last. He started up and walked, swiftly and with firm step, towards Walkherd Lodge. The clouds in the west seemed to glow with an unearthly light.



'OPINIONS OF THE PRESS' AND CONSEQUENCES.

The London book-season of 1820 was a dull one. The number of books published was very small, and there were but few extraordinary good or extraordinary bad ones amongst them. All the 'reviewers' were at their wits' end; for wit, sharp as a razor, must get dull over books undeserving of praise, yet incapable of being 'cut up' with due brilliancy of style. Into this mournful critical desert, there fell like manna the 'Poems descriptive of rural life and scenery.' Mr. John Taylor and his literary coadjutors had taken great pains to spread the news far and wide that a new Burns had been discovered on the margin of the Lincolnshire fens, and was to be publicly exhibited before a most discerning public. There were low rumours, besides, that William Gifford intended to place the new Burns on the pedestal of the 'Quarterly,' spreading the fame of the humble poet into the most distant regions. Accordingly, when the first volume of Clare's poems was published, on the 16th of January, 1820, there was an immediate rush to the shop of Messrs. Taylor and Hessey, in Fleet Street. Before many days were over, a first edition was exhausted; and before many weeks were gone, all the critical reviews began singing the praises of the book. The 'Gentleman's Magazine,' leading the van, got, eloquent over 'the unmixed and unadulterated impression of the loveliness of nature,' contrasting it with 'the riches, rules, and prejudices of literature;' the latter being in allusion to a quarrel which the learned editor had just had with some learned fellow-editors. Next followed the 'New Monthly Magazine,' the reviewer of which informed a discerning public that 'Clare is strictly a descriptive poet, and his daily occupation in the fields has given him manifest advantages.' This profound remark made great impression, and was quoted by Messrs. Taylor and Hessey in all their prospectuses; not even the deepest thinkers disputing the thesis that if Clare had been born and lived all his life in a cellar in the Seven Dials, his rural poetry might be less truthful. The 'London Magazine,' belonging to the publishers of Clare's poems, came modestly behind in critical praise, contenting itself, in a review of five pages, with giving plentiful extracts from the book, putting forward, at the same time, a somewhat undignified appeal to public charity. The demand for the pence and shillings of the charitable was, as stated in the review, 'made by one who has counselled and superintended this interesting publication,' and the same authority piteously invoked the aid of the nobility and gentry for 'this poor young man.' When Clare came to see this article, some months after its publication, he burst into a fit of indignation, and wrote an angry letter to Mr. Drury; but with the sole result of hearing, on his next visit to the Stamford Public Library, that he was not only a very poor, but a very ungrateful young man.

The 'Eclectic Review,' reviewed Clare in a very flattering article; and the 'Antijacobin Review,' 'Baldwin's London Magazine,' and a host of other periodicals, followed suit, all dwelling upon the luminous aspect of the poems, with pauperism as dark background. Last in the list, but greatest, came the 'Quarterly,' with William Gifford at the helm. The 'Quarterly Review' of May, 1820, actually devoted nine pages to a description and praise of Clare's poems, speaking of them as the most interesting literary production of the day. The review was supposed to be written by Mr. Gilchrist; but it was generally understood that the editor of the 'Quarterly' himself corrected and altered the article, strengthening its praise, and putting in some hearty, honest words about Clare as a man, as well as a poet. Perhaps of all living authors, William Gifford best understood John Clare, and felt thorough, and entire sympathy with the attempt of this noble soul to struggle into light, through all the haze of printers, publishers, and reviewers. Very likely he might have loved Clare as a brother—had the poet not been an author. William Gifford, as Southey truly remarks, 'had a heart full of kindness for all living creatures, except authors; them he regarded as a fishmonger regards eels, or as Izaak Walton did slugs, worms, and frogs.' Nevertheless, the 'Quarterly Review' praised Clare in a way which quite astonished the book-makers of the day. After comparing him with Burns and Bloomfield, and dwelling upon the fact that his social position was far lower than that of either these two poets, the writer in the 'Quarterly'—here Mr. Gifford himself—gave some sound advice to Clare. 'We entreat him,' the article ran, 'to continue something of his present occupations; to attach himself to a few in the sincerity of whose friendship he can confide, and to suffer no temptations of the idle and the dissolute to seduce him from the quiet scenes of his youth to the hollow and heartless society of cities; to the haunts of men who would court and flatter him while his name was new, and who, when they had contributed to distract his attention and impair his health, would cast him off unceremoniously to seek some other novelty.' These words of true advice proved almost prophetic in the life of the poet.

The article in the 'Quarterly Review' had the immediate effect of making John Clare the lion of the day. Rossini set one of his songs to music; Madame Vestris recited others before crowded audiences at Covent Garden, and the chief talk of London for the season was about the verses of the 'Northamptonshire peasant.' His fame descended to Northamptonshire itself, and far into the misty realm of the fen-bound regions. The Right Honourable Charles William, Viscount Milton, was somewhat startled on the waves of this fame reaching Milton Park. The idea that for one five-pound note he might have secured part of this high renown to himself, figuring in the 'Quarterly Review' as a noble patron of literature, and protector of heaven-horn genius slumbering in obscurity, made him feel intensely vexed with himself. Reflecting upon the subject, it struck his lordship that it would be best to take Clare still under his protection, in view of new editions open to dedication. Full of this idea, a messenger was despatched at once to Helpston, with a gracious order that the poet should present himself on the following morning before the noble Viscount. John Clare, remembering but too keenly the past, was unwilling to obey his lordship's command; but the tears of his father and mother made him change his resolution. Consequently, on the morning appointed, a Sunday, he went to Milton Park, and having had the honour of lunching with the footmen in the kitchen, was ushered into the presence of his lordship. Viscount Milton was exceedingly affable, took Clare by the hand, sat him down on a stool, and at once explained to him why his letter respecting the dedication of the poems had not been answered. His lordship had been excessively busy at the time, making preparations for a journey, and in the hurry of these labours had unfortunately forgotten to send a reply. Now her ladyship entered the room, in turn addressing the poet. After questioning him on all points, birth, parentage, weekly income, religion, moral feelings, and state of health, Clare was finally asked whether he had found already a patron. His vacant look expressed that he did not know even the meaning of the word patron. To the plainer question, whether some nobleman or gentleman of the neighbourhood had promised him anything, Clare truthfully replied in the negative. There was nobody who had made offers of assistance, except Mr. Edward Drury, bookseller, of Stamford; and his promises, John was sorry to say, were rather vague. Thereupon the noble viscount warned Clare to be on his guard against all publishers and booksellers; not explaining, however, how to protect himself, or how to do without them. Meanwhile the Earl Fitzwilliam had entered the room, and added his voice to that of his son in a warning against booksellers. After a little more conversation, Lord Milton put his hand in his pocket, and withdrawing a quantity of gold, threw it into Clare's lap. John was humbled and confused beyond measure. His first impulse was to return the money instantaneously; but a moment's thought convinced him that this would be excessively rude, and he contented himself, therefore, with a feeble protest against his lordship's kindness. He now left, making an awkward bow, his pockets heavy under the weight of gold, and his brain heavier under a feeling of deep humiliation, akin to shame. However, this feeling was dispelled in the fresh outer air. He thought of his poor father and mother at home, and the comfort all his gold would bring them; and getting almost joyful at the thought, sat down at the roadside to count his golden sovereigns. There were seventeen pieces, all bright and new, fresh from the Mint. Clare had not had so much money in his possession in all his life, and he got frightened almost in looking at the glittering treasure before him. To secure it well, he took off his neck-tie, wrapped the sovereigns in it, and ran home as fast as his legs would carry him. There were happy faces that night in the little cottage at Helpston.

John Clare's invitation to Milton Park created much astonishment in the village; but the wonder increased when, a few days after, another liveried messenger inquired his way to Clare's dwelling. The new envoy was of far more gorgeous aspect than the former one, being the representative of the greatest lord in the county, the most noble the Marquis of Exeter. His lordship had seen the 'Quarterly Review,' as well as Viscount Milton; and his lordship had learnt, moreover, that Clare had been called to Milton Park, for purposes easily imagined. The chief of the elder line of the Cecils thereupon determined not to be outdone by his petty Whig rivals, the Fitzwilliams, with which object in view he summoned the poet in his turn. The gorgeous scarlet messenger who arrived at Helpston, to the wonderment of the whole village, brought a letter from the Hon. Mr. Pierrepont, brother-in-law of the marquis, desiring Clare to make his appearance on the following morning, precisely at eleven o'clock, at Burghley Hall. To this summons there was no opposition on the part of Clare, for to resist the will of the Marquis of Exeter, within twenty miles of Stamford, was deemed nothing less than treason by any inhabitant of the district. John was ready to go to Burghley Hall the next morning; but it rained heavily, and the cobbler had not returned the shoes entrusted to him for mending. Could John present himself without shoes on a rainy morning, before the most noble the Marquis of Exeter? That was the question gravely debated between Parker Clare, his wife, and his son. It was decided that John could not go without shoes; and the village cobbler refusing to return his trust, because engaged in threshing, the important visit to Burghley Hall had to be postponed till the day after. John went quite early, trembling inwardly to show himself before the great lord, whose very valet was looked upon in the country as a man of high estate. His fears increased a thousandfold when arrived at the gate of the palatial residence, and being told, on giving his name to the porter, that he ought to have come the day before. On Clare making his excuse on account of the state of the weather, the high functionary got very angry. 'The weather?' he exclaimed, excitedly; 'you mean to say that you have not obeyed his lordship's commands simply because it was a wet day! I tell you, you ought to have come if it rained knives and forks.' This frightened Clare beyond measure; he turned round upon his heels and was about running away, when he was stopped by a footman. The arrival of Clare had just been announced to the marquis, and there was an order to admit him instantaneously to the presence of his lordship. So the tall footman, without further ceremony, took Clare by the arm, and hurried him up a marble staircase, through innumerable passages, and a maze of halls and corridors which quite bewildered the poor poet. The sound of his heavy hob-nailed shoes on the polished floor made him tremble, no less than the sight of his mud-bespattered garments among all the splendid upholstery, through which the gorgeous lackey was guiding his steps. At last, after a transit through painted halls which seemed endless, Clare stood before the noble marquis. His lordship received the humble visitor in a quiet, unaffected manner; and the mind of the poet was relieved of an immense burthen when he found the great lord to be a decidedly amiable and cheerful young man of his own age, with manners pleasantly contrasting with those of the aristocratic porter at the gate, and the splendid footman who had shown him the way. The marquis, with great tact, questioned Clare as to his antecedents; asked to see some of his manuscript verses—which the Hon. Mr. Pierrepont, in his summons, had ordered him to bring—and, having inspected these, informed the astonished poet that he would grant him an annuity of fifteen guineas for life. John Clare scarcely believed his own ears; the announcement of this liberality came so unexpected, and appeared to him so extraordinary, that he did not know what to say, or how to express his thanks. Quitting his lordship in utter confusion, he felt almost giddy on finding himself in the hall outside. There were immense passages stretching away to right and left, leading into unknown realms of magnificence, into which the poor poet was trembling to venture. The marquis, who, with great politeness, had accompanied his visitor to the door, on seeing his embarrassment undertook the part of guide, leading Clare to the outskirts of the palatial labyrinth, and here handing him over to a valet, with instructions to let his guest partake of the common dinner in the servants' hall. It was the third dinner in the hall of noble patrons to which Clare was ushered—clearly showing that, however much differing on other subjects, the admirers of high literature in Northamptonshire held that the true place of a rural poet was among the footmen and kitchen-maids.



NEW SIGHTS AND NEW FRIENDS.

The great liberality of the Marquis of Exeter enabled Clare to carry out, without further delay, the wish of his heart, and to make 'Patty' his wife. Her parents, under the circumstances, had given up all their old opposition, and were not only willing, but most anxious, that Clare should cement his unhappy connexion with their daughter by the sacred ties of marriage. The due preparations were made accordingly, and on the 16th of March, 1820, John Clare and Martha Turner became man and wife. The event stands registered as follows in the records of Great Casterton Church:—

'John Clare of the Parish of Helpston Bachelor and Martha Turner of this Parish Spinster were married in this Church by banns this 16th day of March in the year one thousand eight hundred and twenty by me Richard Lucas.'

And underneath:—

'This marriage was solemnized between us,

JOHN CLARE

her

MARTHA+TURNER

mark.'

Little more than a month after the wedding, a child was born to Clare; a little girl, baptized Anna Maria. Mrs. Clare for a while remained at her father's house; but as soon as she was able to move, went to live with her husband, at the humble dwelling of his parents at Helpston, which, though scarcely large enough to contain the aged couple, had now to accommodate two families. Yet Clare felt happy in this narrow cottage, for, humble as it was, it presented to him a thousand cherished associations, and now became dearer than ever to his heart, as sheltering not only his beloved parents, but his dear wife and child. All his life long the Helpston cottage was to Clare his 'home of homes.'

Before removing with his young wife to his native village, the poet had to go through some exciting adventures in a journey to London. When one day at the house of Mr. Gilchrist, at Stamford, there arrived a letter from Mr. John Taylor, speaking in high terms of the success of the 'Poems of Rural Life,' which brought about the question, addressed to Clare: 'Should you like to go with me on a short visit to London?' John Clare was delighted at the idea, and eagerly expressed his wish to go; whereupon it was arranged that he and Mr. Gilchrist should set out on the journey at the end of a week. Patty cried when the news was brought to her; and old Parker Clare and his wife cried still more. In a few hours, the report spread like wildfire through Helpston that John Clare was going to London. There was but one man in the village who had ever been to the big town far away, and his account of it had filled the hearts of all the Helpston people with terror. This man, an old farm-labourer called James Burridge, as soon as he heard of Clare's intention to undertake the dreaded journey, hurried up to entreat him to abandon the plan. To enforce his advice, he gave a vivid description of the horrors awaiting the unwary traveller in the great metropolis, and the fearful dangers that beset his path on every side. One half the houses of London, he said, were inhabited by swindlers, thieves, and murderers, and a good part of the other half by their helpers and confederates, all on the look-out for the good people from the country. To catch their victims with the greater certainty, there were trap-doors in the pavement of the most frequented streets, which, when touched, let the wayfarer down into a deep cellar, and into a kettle of boiling water, surrounded by cut-throats who made all escape from the kettle impossible. The assassins, having killed the unhappy victim, and taken all his property, to the very shirt on his back, finally—culmination of horrors!—sold the body to the doctors. Such was the account which James Burridge gave of London, with the effect of striking terror into the hearts of his hearers. Parker Clare and his wife, with bitter tears, entreated their son not to leave them; and John himself, though slightly incredulous about some of the items in the tales of his friend Burridge, began to be seriously alarmed. But he was ashamed to confess his fears to Mr. Gilchrist; the more so, as a mere casual mentioning of the street-traps and the kettles of boiling water produced immoderate laughter. He therefore made his mind up to start on his dangerous journey like a hero. After bidding solemn farewell to wife and parents, and dressing, by the advice of James Burridge, in his worst clothes, to be the less a mark for thieves and cut-throats, John Clare very early one morning in April, 1820, started for Stamford, and having met Mr. Gilchrist took his seat precisely at seven o'clock in the 'Regent,' a famous four-horse coach, warranted to take passengers in thirteen hours to London. There was little talk on the road; John Clare had enough to do to look out of the window, marvelling at all the new sights open to his eyes. Thus the travellers passed through Stilton, Huntingdon, St. Neot's, Temsford, and Biggleswade, until at last, soon after dusk, the fiery glow of the horizon announced the neighbourhood of the big city. On being told that they were about to enter London, Clare became much excited; but there was time for the excitement to cool, for more than two hours elapsed before the heavy coach rumbled from the soft high road up to the hard-paved streets. At last, at nine o'clock in the evening, the 'Regent' stopped in front of the 'George and Blue Boar,' in Holborn, and John Clare alighted, utterly bewildered with all that he had seen during the day in the greatest journey he had ever made in his life.

Mr. Gilchrist took his friend to the house of his brother-in-law, a German named Burkhardt, proprietor of a jeweller's and watchmaker's shop in the Strand. Herr Burkhardt, a well-to-do tradesman, with a rubicund face and an inexhaustible stock of good humour, was excessively fond of showing strangers the sights of London; and his guests had no sooner arrived, than he wanted to take them to Covent Garden theatre. John Clare was very anxious to go, on hearing that Madam Vestris was reciting one of his poems at this place of entertainment; but finding that Octavius Gilchrist was disinclined to rise from his comfortable armchair, and with secret apprehension of the trap-doors and vessels of boiling water, he declared himself likewise in favour of the arm-chair, with hot whiskey and water. Worthy Herr Burkhardt had his full share of satisfaction the next day, when he had the pleasure of taking his brother-in-law and friend to Westminster Abbey, the Tower, Smithfield market, Newgate, and Vauxhall Gardens. John Clare was not so much astonished as disappointed with all that his eyes beheld in the great metropolis. Standing upon Westminster Bridge, he compared the River Thames with Whittlesea Mere, and found it wanting; the sight of the Tower, of Newgate, and of Smithfield, engendered not the least admiration; and as for the Poet's Corner in the Abbey, he loudly declared that he could see no poetry whatever about it. But what hurt the feelings of Herr Burkhardt most of all, was the utter contempt Clare showed for the delights of Vauxhall. The tinsel and the oil-lamps, the wooden bowers and paper flowers, struck Clare as perfectly absurd, and he expressed his astonishment that people should go and stare at such childish things, with a world of wonder and of beauty lying all around it in the green fields. The worthy jeweller of the Strand was amazed, and privately confided to his brother-in-law that he thought his companion, 'a very stupid man from the country.'

John Clare stayed a week in London, and during the whole of this time felt painfully uncomfortable in his threadbare suit of labourer's clothes, patched top and bottom, with leather baffles and gaiters to match. He fancied, when walking along the streets, that everybody was staring and laughing at his smock frock; and the sound of his heavy hob-nailed shoes startled him whenever he entered a house. What made things worse was, that Mr. Gilchrist wanted to draw him into many fine places and among high and wealthy people, for whose company Clare felt an instinctive dislike. He knew that they could not look upon him otherwise than in the light of a rustic curiosity, and being unwilling to play the part of a newly-discovered monkey or hippopotamus, he absolutely refused to go to parties and meetings to which he had been invited. However, a few of the visits were indispensable, such as presentation to Messrs. Taylor and Hessey, and their friends. Mr. John Taylor, on meeting Clare, perceived at once that one reason of his excessive reluctance to show himself was his scant stock of clothing, and mentioning the matter with great frankness, he offered him a suitable dress. But Clare refused to take anything, except an ancient overcoat somewhat too large for him, but useful as hiding his whole figure from the top of the head down to the heels. In this brigand-like mantle he henceforth made all his visits, unwilling to take it off even at dinner, and in rooms hot to suffocation.

It made a deep impression upon Clare that, with all his awkwardness, homely speech, and ragged clothes, he was, for the first time in his life, treated as an equal by Mr. Taylor's friends, and other gentlemen whom he visited at London. The example of his patrons in the country, who, after praising his talents in the drawing-room, sent him down to the kitchen for his dinner, had already pauperized him to such an extent that he was quite startled when Mr. Taylor, on his second visit to the shop in Fleet Street, asked him to meet several men of rank and talent, among them Lord Radstock, at dinner the same evening. He would gladly have declined, but was not allowed to do so, being told that it would be a thorough breach of good manners to refuse to see his friends, the admirers of his poems. Clare went, with much fear and trembling; but came to be at ease before long. He sat next to Lord Radstock, and this gentleman, with an extreme tact and knowledge of character, at once succeeded in gaining his whole confidence. It proved the beginning of a friendship which lasted for years, and spread its influence over Clare's whole life. William Waldegrave, Baron Radstock, Admiral of the Red, was a gentleman much known at this period in the literary and artistic circles of London. A younger son of the third Earl of Waldegrave, born in 1758, he was bred to the naval profession, became a captain at the age of eighteen, and commander of a fine frigate soon after, so that the way to fame and distinction was marked out for him clearly and forcibly. But not content to be lifted in the world solely by reason of birth, he, from an early age, devoted himself to independent pursuits, and became a scholar and a poet even before he was a captain in the Royal Navy. The scientific and literary tastes of the young nobleman were greatly fostered by his marriage, in 1785, with the second daughter of David Van Lennep, chief of the Dutch factory at Smyrna, a lady of most genial disposition and an education very superior to her age. William Waldegrave was appointed admiral in 1794; distinguishing himself at the naval fight off Cape Lagos, in 1797; and having been advanced, three years after, to the dignity of Baron Radstock, of Castletown, Queen's County, quietly settled with his family in London, to give himself entirely up to his favourite studies and pursuits. On the appearance of Clare's poems, he at once felt greatly interested in the author, and being acquainted with Mr. John Taylor, heard of his arrival in London, and arranged to meet him at dinner. So it came that John Clare, in his smock frock, leather gaiters, and brigand mantle, found himself sitting at the right hand of the Right Honourable Lord Radstock, son of an earl, and admiral in the Royal Navy.

Lord Radstock's simple, sailor-like speech, distant alike from condescension and studious politeness, had the effect of at once opening the pent-up affections of John Clare. For the first time since his arrival in London, he found somebody to whom he could speak in full confidence, and he did so to his heart's desire, prattling like a child about trees and flowers, fields and meadows, birds and sunshine, and not at all disguising his dislike to the big town in which he now found himself. As the dinner went on, Clare became still more communicative, tenderly encouraged by the sympathising friend at his side. He spoke of his struggles, his aims, and aspirations; his burning desire to soar upward on the wings of poetry, and his constant battling for the barest necessities of life, the mere daily bread. Lord Radstock was deeply touched; he had seen many authors, writers of prose and of verse, in the course of his life, but never such a poet as this. Clare did not in the least complain of his existence; he merely described it, in simple, graphic utterance, the truth of which was stamped on every word and look. The admiral, before meeting John Clare, had admired him as a poet; he now began to feel far deeper admiration for him as a man. He told him in a few kind and affectionate words, speaking as a father would to his son, that he intended to be his friend, and Clare warmly shook the hand offered to him. It was late at night when the party broke up at Mr. Taylor's, and Lord Radstock and John Clare were the last to leave the house together.

During the few days that Clare remained in London, he was almost constantly in Lord Radstock's company. The latter, anxious to introduce his young friend to persons who he thought might be useful to him in life, led him to a great number of places, one more uncomfortable than the other. Clare suffered much, but had not the courage to confess it to his noble patron, whose good intentions he fully understood. So he kept on trotting from one drawing-room to the other, with his heavy mud-bespattered shoes, his immense coat, a world too large for his thin, short body, and his long unkempt hair, hanging down in wild confusion over the shoulders. His friends soon got accustomed to the sight, and thought no more of it, and strangers willingly excused the garb as born of the 'eccentricity of genius;' but Clare himself, with his extreme sensibility, felt daily mortification on contrasting his own appearance with that of the people he met, and suffered tortures in thinking himself an object of general ridicule. The feeling was aggravated by the fact that he met but few persons he liked, and in whose conversation he took an interest. Among these few was Mrs. Emmerson, an authoress of some talent, and contributor to the 'London Magazine,' to whom he was introduced by Lord Radstock. John Clare at the first interview was not at all favourably impressed by this lady; for she assumed what he fancied to be a theatrical air; burst out in bitter laments about what she termed the 'desolate appearance' of her visitor, and wept that 'so much genius and so much poverty' should go together. All this was very unpleasant to Clare; particularly the 'desolate appearance,' which he took to be an unmerited allusion to his great coat. In return, the poet, stung to the quick, replied in a few cold and sarcastic words, which irritated Lord Radstock so much that, on leaving the place, he reproached his companion for his apparent want of feeling. Subsequent interviews greatly modified Clare's first impression, for he found Mrs. Emmerson not only a most amiable, kind-hearted lady, but a true and faithful friend, whose advice and assistance often proved of the greatest service to him.

Having stayed a week in London, in a continual round of visits to dinner parties, soirees, and theatrical entertainments—which latter did not impress him very much—John Clare again went, in the company of Mr. Gilchrist, to the 'George and Blue Boar,' Holborn, and took seat for the return journey to Stamford. He was heartily glad to get away from the big town, yearning for his old haunts, the quiet woods, streams, and meadows, and the little cottage among the fields with his wife and darling baby. It seemed to him an immense time since he had left these everyday scenes of his existence; it was as if his whole life had changed in the interval. He felt like one in a dream when the coach went rolling northward along the high road, through fields in which labourers were busy with plough and spade. It was not so very long ago that he had been just such a labourer: how strange that he should now loll upon soft cushions, in a coach drawn by four horses, while others like him kept on digging and ploughing in the sweat of their brow. And would he be ever content to dig and plough again, after having tasted the sweets of a more genial existence, treading upon carpeted floors and dining with lords? Such were the thoughts and questions that arose tumultuously in his mind, in the long ride from London to Stamford. He had not the courage to face them and think them out, feeling his brain begin to ache, and his heart to throb in wild excitement. Then there flickered before his eye the vision of wife and babe in the little cottage at home, and the tumult of his soul changed into bliss. He determined to be happy, as of yore, in the green fields among his former friends, and to dismiss all thoughts of changing his old course of life. It was late at night when the coach rattled into Stamford; but John Clare would not hear of stopping at his friend's house, even for a few minutes. The clouds were dark overhead, and no lights visible anywhere; yet through night and darkness he groped his way home, and bursting into his little hut, clasped wife and babe in his arms.



FIRST TROUBLES OF FAME.

The news that a poet had arisen on the borders of the Fens soon spread far and wide, even into Northamptonshire. The 'Quarterly Review' and 'Gentleman's Magazine' carried the report into mansions, villas, and vicarages, and the 'Stamford Mercury' and other local papers spread it among the inmates of farmhouses and humbler dwellings. Much incredulity was manifested at first; but the news being confirmed on all hands, there arose a great and universal desire to behold the new poet. The reign of fame commenced soon after Clare's return from London, when, true to his resolution, he had taken to his old labours in the fields. About the second or third morning after resuming work, there came a message from his father, requesting him to return home in all haste, in order to see some gentlemen waiting for him. Clare ran as fast as he could, and found two elderly men in spectacles, who said they were schoolmasters, had come from Peterborough, and wished to make his acquaintance. After questioning him closely for two hours, upon all matters, and at the end subjecting him to a rigid cross-examination, they went away, promising to call again. Clare had lost part of a day's work; however, he did not mind it much, for he was somewhat flattered by the visit. The day passed, and the next morning; but on the following afternoon, he was again called away from his labours. This time, there were three aged ladies from Market Deeping, who said that they had bought a copy of his poems between them, and could not rest till they had seen him face to face. One of the ladies was somewhat deaf, and Clare had to answer all questions twice; first by speaking to two of his visitors in the ordinary key, and then shouting it into the ear of the third old dame. After detaining him for an hour, the elderly individuals said they did not know their way back, and nothing remained but to show them the road for a couple of miles. It was getting late, and Clare, therefore, instead of going to his work again; went into the public-house. Fame threatened to be dangerous.

The tide set in with full force before another week was over. Not a day passed without Clare being called away from his work in the fields, to speak to people he had never seen in his life; people of all ranks and conditions, farmers, clergymen, horsedealers, dissenting ministers, butchers, schoolmasters, commercial travellers, and half-pay officers. One morning, the inmates of a whole boarding-school, located at Stamford, visited the unhappy poet, and, a shower coming on, the fluttering damsels with their grave monitors crowded every room in the little hut, preventing the baby from sleeping, and Mrs. Clare from doing her weekly washing. Most of the visitors were polite; some, however, were sarcastic, and a few rude. After having inspected Clare, his person, house, wife and child, father and mother, they wanted further information concerning his daily habits, mode of eating and drinking, quantity of food consumed, and other particulars, and not getting the wished-for replies to all their questions, they told him to his face that he was an ill-bred clown. But there was another class of visitors still more dangerous to the peace of Clare and his little household. Young and middle-aged men came over from Stamford, from Peterborough, and sometimes as far as from London, inviting the poet to conversation and 'a glass' at the tavern, and keeping him at their carousals for hours and whole days. Already too much inclined by nature and early bad example to habits of intemperance, the good resolutions of Clare fairly gave way under this new temptation. The persons who invited him to the alehouse were among the most intelligent of his visitors; they talked freely and pleasantly about subjects interesting to the poet, and often made their conversation still more attractive by music and song. To resist the incitement of flying the dull labours of the fields in favour of such company, required more moral strength than Clare possessed, or was able to command. Early training he had none; and even now there was not a soul near to teach and warn him of the danger. So the unhappy poet kept gliding down the fatal abyss.

Clare's visits to Stamford were not quite so frequent after his return from London as before, although he made it a point to call upon Mr. Gilchrist and Mr. Drury at least once a week. On one of these occasions he made the acquaintance of a very eccentric elderly gentleman, who, cold at first and almost offensive in speech, subsequently proved himself a warm friend. This was Dr. Bell, a retired army surgeon, who had long resided near Stamford, and was on good terms with many of the gentlemen of the neighbourhood. While serving in His Majesty's forces abroad, Dr. Bell became the intimate friend of a versatile colleague, Dr. Wolcot, subsequently known as Peter Pindar, who inspired him with a taste for literature, to which he devoted himself with a real passion after his retirement from the army. Though not a writer himself, he brought out several books, among them a very droll one, made up of quotations of the most curious kind, and entitled, 'The Canister of the Blue Devils, by Democritus, junior.' Dr. Bell possessed a very large library, and spent a good part of his time in extracting, both from his books and the newspapers and periodicals of the day, all available paragraphs containing quaint sayings and doings, which he stuck upon large pieces of pasteboard, for the inspection of his friends, and subsequent publication in some 'canister' shape. John Clare met Peter Pindar's friend at the house of Mr. Gilchrist; they did not seem to like each other at first sight, but got on better terms at the second meeting, and after a while became attached friends. Dr. Bell had an instinctive dislike to poets, whom he held to be 'moonstruck.' He was not long, however, in discovering that John Clare was a great deal more than a mere maker of verses and apostrophiser of love-sick boys and girls. The high and manly spirit of the poor labourer of Helpston; his yearning after truth, and his constant endeavour to discover, beneath all the forms and symbols of outward appearances, the godlike soul of the universe, struck him with something like wonderment. He first began to look upon Clare as a sort of phenomenon; but found that the more he studied him, the more incomprehensible, yet also the more admirable, appeared this great and lofty spirit, wrapped in the coarse garb of a ploughman and lime-burner. The odd, tender-hearted doctor soon conceived a passionate affection for Clare, and set him up as a hero at the shrine of his devotion. He thought of nothing else but advancing his young friend's welfare, and worked with great zeal to this effect; to such an extent that his endeavours frequently overstepped the bounds of prudence. The first thing he did was to write letters to all the wealthy inhabitants of the neighbouring district, begging, nay, entreating them to set their name to a subscription list for a fund, destined to make the poet independent for the rest of his days. However, the appeal was but faintly responded to, and most of the persons addressed either declined, or contented themselves by forwarding small sums. But Dr. Bell was by no means discouraged at this result. With consummate worldly experience, he resolved upon attacking his 'patients' from the weakest side, and extract from their vanity what he could not get from their munificence. He put himself in communication with Mr. John Taylor, and, by dint of extreme pressure, succeeded in enlisting him in his project. It was to make an appeal in favour of John Clare on the part of the conductors of the 'London Magazine;' with delicate hint that any act of liberality would not be condemned to blush unseen. But this scheme, too, did not realize the expectations of Dr. Bell, chiefly because Mr. John Taylor, out of feelings easily comprehended, did not join him in his endeavours with the heartiness he expected. To make the appeal appear as much in favour of poetry as of a single poet, Mr. Taylor, in his letters, asked assistance for Keats as well as for Clare, wording his request in terms more dignified than persuasive. There was only one response to this petition, which came from Earl Fitzwilliam, who forwarded L100 to Clare and L50 to Keats. The liberality of the kind nobleman was scarcely appreciated as it deserved. One of the friends of Keats, in a loud article in the 'London Magazine,' of December, 1820, disclaimed his intention to be beholden to any lord. 'We really do not see,' ran the article, 'what noblemen have to do with the support of poets, more than other people, while the poor rates are in existence. In the present state of society, poetry, as well as agricultural produce, should be left to find its own level.' All this was very fine; though it looked somewhat inconsequential that the conductors of the very periodical in which this was printed, should go a-begging for poets, and that the poets themselves—Keats not excepted—made no scruple in taking the money. As for poor Clare, he got the news of Earl Fitzwilliam's noble gift together with the 'London Magazine' of December, 1820, and felt utterly ashamed to accept the money with the accompanying reminder of the poor rates being in existence.

John Clare for some time was unaware of all the exertions made by his friends to secure him an independence, and when he heard the whole of it, so far from being pleased, reproached them for what they had done. He told them they were wrong in bringing him forward in the character of a beggar without his consent, and with some energy declined to live upon alms as long as he was able to subsist by the work of his hands. Mr. Taylor was somewhat offended when he got this protest, which seemed to him like ingratitude; but Dr. Bell remained undisturbed, and secretly made up his mind to continue his efforts with more energy than ever for his friend. 'A noble soul, yet altogether unfit for this ignoble world,' he said to Mr. Gilchrist, issuing his circulars for another philanthropic campaign. When Clare learnt that new appeals to assist him had been put forward, he determined to interfere in the matter. Accordingly, he wrote long letters—very pathetic, though ill-spelt—to Earl Fitzwilliam, Earl Spencer, General Birch Reynardson, and other gentlemen, telling them that he had nothing to do with these appeals in his favour, and that he required no assistance whatever. Clare's innate nobility of character was strikingly shown in these epistles; nevertheless, they were very injudicious, and had an effect decidedly contrary to that imagined by the author. The gentlemen to whom the letters were addressed naturally came to the conclusion that Clare, scarcely risen from obscurity, was already quarrelling with those who had helped him to rise, and showed himself ungrateful as well as ill-bred. Besides, the wording of the letters was of a kind not to inspire any admiration of the poet. Though verse flowed as naturally from his pen as music from the throat of the nightingale, Clare, all his life long, was unable to express his thoughts in prose composition. There was not wanting in his letters a certain ruggedness and picturesqueness of style, but it was marred nearly always by ill-expressed and frequently incoherent eruptions, and disquisitions on extraneous matters, marking the absence of a regular chain of thought. It was here that Clare's want of education was most strongly visible. High-soaring like the lark in his poetical flights, yet unable to trot along, step by step, on the grammatical turnpike road of life, Clare's mode of expressing his thoughts, orally or in writing, was not of the ordinary kind, and required some sort of study to be duly appreciated. But it could scarcely be expected that gentlemen like Earl Spencer, and the other exalted personages to whom the poet addressed his pathetic notes, should enter upon such a study. They saw before them nothing but large sheets of paper, of coarse texture, full of ill-spelt and ill-connected sentences, made more obscure by an utter absence of punctuation; and the not unnatural judgment thereupon was that the man who wrote such letters was a thoroughly vulgar and uneducated person. There came doubts into the minds of many, who read these prose compositions, as to whether the author was really the genius exalted by the periodicals of the day. Was it not possible that the 'Quarterly Review' which unduly depreciated poor Keats, had, equally unjustly, raised John Clare upon an unmerited pedestal of fame? This was the question asked by some of the former patrons of Clare, notably Earl Spencer and General Birch Reynardson. The latter spoke to Dr. Bell about it; but was astonished at the burst of indignation which broke from the lips of Peter Pindar's friend. 'What! Clare not a poet?' exclaimed the irate doctor; 'well, if he is not a poet, there never was one in the world.' General Reynardson, having a great respect, somewhat mingled with fear, for the author of the 'Canister,' humbly acquiesced in the decision, promising to put his name down on the Stamford subscription list. But Dr. Bell was ill at ease nevertheless, and rode over the same day to Helpston. 'If you ever again write letters to our friends without showing them to me first, I shall be very angry with you—I shall put you among the Blue Devils.' So spoke the doctor; and John Clare, having heard the whole story of the effect of his epistles, promised obedience. He knew but too well, by this time, that the speech which God had given him was poetry, not prose.

The stream of visitors which set in at Helpston during the spring of 1820, did not cease till late in the summer of the same year. After the flood of schoolmasters, of farmers' wives, and of boarding-school misses, there came a rush of rarer birds of travel, authors and authoresses, writers of unpublished books, and unappreciated geniuses in general. The first of the tribe was an individual of the name of Preston, a native of Cambridge, and author of an immense quantity of poetic, artistic, and scientific works—none of them printed, owing to ignorance of public and publishers. He sent Clare formal notice that he would come on a certain day, and, previous to coming, forwarded a large box full of manuscripts. There was a full description of his life, with sketch of his rare talents and accomplishments; also the greater part of his poetical writings, comprising five epics, three hundred ballads, and countless acrostics, madrigals, and sonnets. John Clare felt greatly flattered when he got the large box, and the same evening, after coming home from his work in the fields, sat down to inspect the manuscripts sent for his perusal. However, he did not get far, but fell asleep over the first dozen pages of the first epic. He honestly tried again the second evening, but with the same result as before; and on the third day relinquished the attempt in despair, accusing himself for his want of intelligence. Soon after, Mr. Preston made his appearance. He was a tall, thin man, with red whiskers and a red nose; dressed in a threadbare black coat, buttoned up to the chin. Introducing himself with some dignity, he at once fell into a familiar strain: 'How do you do, John?' and 'Hope you are glad to see a brother poet.' John was glad, of course; very glad. The tall, thin man then gave a glance at his large box, and John trembled. To allay the coming storm, Clare confessed at once that he had not had time to read through the manuscripts, having been hard at work in the fields. The great man frowned; yet after a while relaxed his features, telling Clare that he would give him two days more to read through his poems. At the end of this term, he intended to ask for a kind of certificate containing the brother poet's appreciation of his works, together with letters of introduction to his patrons and publishers. It seemed cruel to refuse the request of such a dear and determined brother. John Clare, weighing in his mind how poor and friendless he had been himself but a short while ago, felt stirred by compassion, and though he knew he could not read the epics, indited a warm letter of praise and admiration for Mr. Preston. The latter thereupon took his farewell, and went away, accompanied by his large box. Some days after, Dr. Bell came down to Helpston, in greater excitement than ever. 'What do you mean by sending me such a d—— fellow?' he broke forth in a burst of indignation. Poor Clare! he meant nothing, thought of nothing, and knew nothing; and all that he could do was in a few simple words to explain the whole story. The doctor quietly listened to the account of Mr. Preston and his box, and when Clare had finished, delivered another lecture upon practical wisdom, threatening his friend, as penalty for disobedience, with the 'Canister of the Blue Devils.'



PATRONAGE UNDER VARIOUS ASPECTS.

Honours and good news came in fast upon Clare in the autumn of 1820. The poet, at his humble home, was visited, first by Lady Fane, eldest daughter of the Earl of Westmoreland; secondly, by Viscount Milton, coming high on horseback, in the midst of red-coated huntsmen; and, finally, greatest of honours, by the Marquis of Exeter. The villagers were awe-struck when the mighty lord, in his emblazoned coach, with a crowd of glittering lackeys around, came up to the cottage of Parker Clare, the pauper. Mrs. Clare was utterly terrified, for she was standing at the washing-tub, and the baby was crying. Her greatest pride consisted in keeping the little cottage neat and tidy; but, as ill-luck would have it, she was always washing whenever visitors dropped in. The marquis, with aristocratic tact, saved poor Patty from a fresh humiliation. Hearing the loud voice of the baby from afar, his lordship despatched one of his footmen to inquire whether Clare was at home. The man in plush carefully advanced to the cottage door, and holding a silk handkerchief before his fine Roman nose, summoned John before him. Old Parker Clare thereupon hobbled forward, trembling all over, and, in a faint voice, told the great man that his son was mowing corn, in a field close to Helpston Heath. Thither the glittering cavalcade proceeded, and John was soon discovered, in the midst of the other labourers, busy with his sickle. Though somewhat startled on being addressed by his lordship, he was secretly pleased that the interview was taking place in the field instead of in his narrow little hut. It seemed to him that here, among the sheaves of corn, he himself was somewhat taller and the noble marquis somewhat smaller than within the four walls of any cottage or palace; and this feeling encouraged him to speak with less embarrassment to his illustrious visitor. His lordship said he had heard rumours that a new volume of poetry was forthcoming, and wanted to know whether it was true. Clare replied that he was busy writing verses in his spare hours, and that he intended writing still more after the harvest, and during the next winter, which would, probably, result in another book with his name on the title-page. The marquis expressed his satisfaction in hearing this news, and, after a few kind words, and a hint that he would be glad to see some specimens, in manuscript, of the new publication, took his farewell. John Clare was not courtier enough to understand the hint about the manuscripts in all its bearings. For a moment, the thought flashed through his mind of asking his lordship to allow the new volume to be dedicated to him; but the idea was as instantaneously crushed by a remembrance of the fatal article in the 'London Magazine,' in which it was said, 'We really do not see what noblemen have to do with the support of poets more than other people.' The remark had left a deep impression upon his mind, and he felt its truth more than ever while standing face to face with a great lord, sickle in hand, among the yellow corn. He therefore said nothing about the dedication, and the visit of his lordship remained without result—which was not his lordship's fault.

A few days after this interview with the Marquis of Exeter, Clare went to Stamford to see Mr. Drury and Mr. Gilchrist. The latter had important news. He told his friend that he had just received a letter from Mr. John Taylor, stating that the fund collected for his benefit through the exertions of Lord Radstock, Dr. Bell, and others, had now reached the sum of L420 12s. and that this capital had been invested, for his benefit, under trustees, in the 'Navy five per cents.' Mr. Gilchrist, on communicating this information, expected an outburst of gratitude; but was surprised to see that Clare received it with a coldness which he could not understand. Being pressed for an explanation, Clare frankly stated that he was not pleased with the whole affair, both as being personally unwilling to receive alms, and, still more, unwilling to receive them in the aggravated form of helplessness, from 'under trustees.' Clare's remark quite startled Mr. Gilchrist. He had hitherto looked upon the poet as a man who, gifted with considerable talent, was yet little removed from the ordinary hind of the fields; willing not only, but anxious to live upon charity, and kneeling, in all humility of heart, before rank and wealth. The high manliness of Clare now struck him for the first time, and he deeply admired it, though giving no words to his feelings. He even remonstrated about his friend's coldness in receiving gifts offered by real lovers and admirers of his genius. The chord thus struck reverberated freely, and Clare, after warmly shaking Mr. Gilchrist by the hand, returned home to his wife and parents, joyfully communicating the great news that he was now the owner of not less than four hundred and twenty pounds. They fancied it an inexhaustible store of wealth, and great, accordingly, was the joy within the little cottage.

The four hundred and twenty pounds invested for the benefit of Clare, were the gift of twenty donors. Nearly one-half the sum was contributed by two benefactors, namely, the Earl Fitzwilliam, who gave L100, and Clare's publishers, who bestowed the like amount upon him. The remaining two hundred and twenty pounds—accurately, L220 12s.—were made up of sums of five, ten, and twenty pounds, the principal contributors being the Dukes of Bedford and of Devonshire, who gave twenty pounds each; Prince Leopold of Saxe-Coburg—subsequently King Leopold of Belgium—the Duke of Northumberland, the Earl of Cardigan, Lord John Russell, Sir Thomas Baring, and six other noblemen, who subscribed ten pounds; and a few others who gave five pounds each. The sum thus collected was certainly insignificant, taking into account the extraordinary efforts made by Lord Radstock and other friends of Clare to procure him a provision for life. After all the high praise bestowed upon the new poet by the 'Quarterly Review,' and other critical journals, and the loud appeals for aid and assistance, it was found that there were only two patrons of literature in all England who thought him worth a hundred pounds, and of these two, one was a bookselling firm in Fleet Street. It really seemed as if the world at large engrossed the dictum of the 'London Magazine,' of the wealthy having no business to assist poets while the poor rates are in existence. The two hundred and twenty pounds collected for Clare from eighteen patrons of literature, together with the two hundred from Earl Fitzwilliam and Messrs. Taylor and Hessey, served, in the aggregate, to relieve the poet from absolute starvation. Invested in the funds, the capital gave him nearly twenty pounds a year, and, with the annuity already granted by the Marquis of Exeter, about thirty-five. Dr. Bell, by dint of restless exertions, managed to add another ten pounds to this yearly income. He wrote to Earl Spencer, temporarily residing at Naples, and obtained the promise of his lordship to grant Clare ten pounds per annum for life. So that altogether the poet now was endowed with a regular income of forty-five pounds a year, or rather more than seventeen shillings a week. It was far above the average of what he had ever earned before as a labourer, and, properly regulated, might have been sufficient to make his future career comparatively free from the cares and anxieties of daily subsistence. Unfortunately, this was not the case, and the very aid intended to smoothen his road through life led, almost directly, to his ruin.

The autumn of 1820, together with many gratifying gifts, brought Clare some little mortification. A few of his friends were somewhat too zealous: among them, Captain Sherwell, to whom the poet had been introduced by Lord Radstock, and who lost no opportunity to aid and assist him. Shortly after his meeting with Clare, Captain Sherwell went on a visit to Abbotsford, where he indulged in high praises of the 'Poems of Rural Life and Scenery,' trying hard to gain the sympathies of his distinguished host in favour of the author. But Sir Walter Scott showed little inclination to fraternize with the poet of Northamptonshire, and sternly declined the pressing demand of Captain Sherwell to write a note of approbation to Clare, or even to put his name to the subscription fund. The warm-heated captain was the more grieved at this refusal as he had already, in a letter to Lord Radstock, held out hopes that the 'Great Unknown' would enter into correspondence with their humble friend; and seeing the probability of this report reaching Clare, he deeply felt the disappointment which it would cause. He, therefore, when on the point of leaving Abbotsford, tried once more to get some token of friendship for Clare; but all he was able to obtain was a copy of the 'Lady of the Lake,' together with a present of two guineas. Even the slight favour of writing his names inside the book, Sir Walter Scott absolutely refused. Captain Sherwell, greatly humiliated in finding all his endeavours fruitless, forwarded the two guineas and the 'Lady of the Lake' to Messrs. Taylor and Hessey, placing a paper in the volume, with the inscription: 'Walter Scott presents John Clare with the "Lady of the Lake," with the modest hope that he will read it with attention.' John Clare, in receiving the book, naturally supposed that this paper was written by Sir Walter Scott himself. He therefore pasted it on the fly-leaf, and having to proceed, a few days after, to Burghley Park, to receive his quarterly stipend from the Marquis of Exeter, he took the book with him, and showed it to his lordship's secretary. The latter, deeming it an interesting curiosity, sent the copy to the marquis for inspection; but was astonished on getting it returned on the instant, with the message that the autograph was not that of Sir Walter Scott, and that the matter seemed to be an imposture. John Clare, of course, felt terribly mortified on hearing this message delivered. He forthwith applied to Captain Sherwell for an explanation; but, before he could expect an answer, received a note from this gentleman, written, evidently, before obtaining the request. The captain's note, notable in many respects, ran as follows:—

'My dear Clare,—I have forwarded to Mr. Taylor the long-expected "Lady of the Lake," with an earnest request that it may be sent to you speedily. If you have not read it already I shall be better pleased. It contains a sweetness of style, guided by a correctness of language, which no one of his works surpasses. All my endeavours, all my efforts of persuasion proved fruitless in obtaining the fulfilment of the anxious wish I had expressed to him that he would address a few lines to you on the blank-leaf. Sir Walter Scott seemed bound hand and head. It was not from any disapprobation of your talent, or taste; but occasioned by the high path in which he strides in the literary field of the present day. The paper in the "Lady of the Lake" is placed by me merely as a memorandum.'

This curious letter certainly furnished a confirmation of the fact discovered by the Marquis of Exeter, that the paper in the 'Lady of the Lake' was not in Sir Walter Scott's handwriting; but it all the more increased the deep humiliation felt by John Clare. To ease his over-burthened heart, he ran to Stamford, and laid both Captain Sherwell's letter and the book before Mr. Gilchrist. The latter had no sooner looked through the note, when he burst out laughing. 'Well,' he exclaimed, 'this is the funniest thing I ever read.' And seeing Clare's melancholy face, he continued, 'Oh, don't be disheartened, my dear fellow; all this is stuff and nonsense. I know the time when this great Scotch baronet did not stride in the high path into which he has now scrambled, and I will show you something to the effect.' Which saying, he went to his bookcase, and brought forth an elegantly-bound volume, together with a silk-tied note. 'This letter,' Mr. Gilchrist exclaimed, 'and this book, called the "Lay of the Last Minstrel," the author of the "Lady of the Lake" sent me more than ten years ago. He was then simple Mr. Walter Scott: a very humble man as you will see from his letter, in which he gives profuse thanks for a little review of his work which I wrote in a magazine. Therefore, I say again, don't be disheartened, my dear fellow. Keep up your head, and let us have some more of your verses; some better ones, if possible. Then, if the world applauds you, and applauds you again and again, I give you my word, the great baronet in his high path will be the first to shake hands.' Thus spoke Octavius Gilchrist, grocer of Stamford, and contributor to the 'Quarterly Review.' And his speech set John Clare musing for some time to come.

As soon as the harvest was over, Clare ceased working in the fields, and during the next six months devoted himself to literature. He had arranged with Messrs. Taylor and Hessey to bring out another volume of poetry in the spring of 1821, and the preparation of this work, together with much reading, filled up the whole of his time. Clare now was in possession of a rather considerable collection of books, chiefly poems; most of them gifts of friends and admirers, and the rest added by his own purchases. Small presents of money from strangers he invariably invested in books; and the two guineas of Sir Walter Scott went directly to buy the works of Burns, Chatterton's poems, and Southey's 'Life of Nelson.' The assiduous study of these works necessarily tended to elevate Clare's taste and to improve his style. All his earlier productions bore more or less the stamp of crudeness, by no means effaced by the corrections of the editor in orthography and punctuation; but he now gradually acquired the skill of handling verse, and shaping it into the desired smoothness of expression. He began to compose, too, with far greater rapidity than before. Many a day he completed two, and even three poems, elaborating the plan, as well as revising them finally. His mode of composition, likewise, became almost entirely changed at this period. While formerly his poetical conceptions were usually scribbled on little bits of paper, and furtively revised at intervals of labour, the correction, amounting to entire rewriting, often extending over weeks and months, he now got into the regular habit of finishing all his poems in two sittings, casting them first, and polishing them the second time. Almost invariably the first process took place out of doors. Inspiration seldom came to him in-doors, within the walls of any dwelling; but descended upon his soul in abundant showers whenever he was roaming through the fields and meadows, the woods and heathery plains around Helpston. It mattered not to him whether the earth was basking in sunshine, or deluged with rain; whether the air was warm and mild, or ice and snow lying on the ground. At the accustomed hour every morning, he would wander forth, now in one direction, now in another; only caring to get away from the haunts of men, into the cherished solitude of nature. Then, when full of rapture about the wonderful, ever-beautiful world—wonderful and beautiful to him in all aspects and at all seasons—he would settle down in some quiet nook or corner, and rapidly shape his imagination into words. There were some favourite places where he delighted to sit, and where the hallowed vein of poetry seemed to him to flow more freely than at any others. The chief of these spots was the hollow of an old oak, on the borders of Helpston Heath, called Lea Close Oak—now ruthlessly cut down by 'enclosure' progress—where he had formed himself a seat with something like a table in front. Few human beings ever came near this place, except now and then some wandering gypsies, the sight of whom was not unpleasing to the poet. Inside this old oak Clare used to sit in silent meditation, for many hours together, forgetting everything about him, and unmindful even of the waning day and the mantle of darkness falling over the earth. Having prepared his verses in rough outline, within the oak, or in some other lonely place, he would hurry home without delay. Patty, carefullest of housewives, although little comprehending the erratic ways of her lord, had got into the habit of always keeping a slight meal ready for the hungry poet. He took his broth, or his cup of tea, in silence, and then crept up to the narrow bedroom in the upper part of the hut. Here the day's poetical productions were passed in review. Whatever was not approved, met with immediate destruction; the rest was carefully corrected and polished, and afterwards copied out into a big book, a sort of ledger, bought at Stamford fair. Clare had laid down the rule for himself to make no further corrections or examination whatever. The poems thus composed were sent to the printer; and though Mr. Taylor, the editor and publisher of the new work, was anxious to alter and revise some of them, Clare would not allow any change, save orthographical and grammatical corrections. There was at this time an impression on Clare's mind that his verses were the product of intuition; and that the songs came floating from his lips and pen as music from the throat of birds. So he held his own orthodoxy more orthodox than that of the schools. In which view poor John Clare was decidedly wrong, seeing that his music was not offered gratis like that of the skylark and nightingale, but was looking out for the pounds, shillings, and pence of a most discerning public.



PUBLICATION OF THE 'VILLAGE MINSTREL.'

The publication of Clare's new volume, arranged for the spring of 1821, gave rise to some difficulties as the time grew near. It was the intention of his publishers to bring out the work with some artistic embellishments, including a portrait of the author and a sketch of his home; to both which Clare had certain objections, as far as the execution of the task was concerned. On the other hand, Messrs. Taylor and Hessey wished to exclude some of Clare's poems, which they did not think quite as good as the rest, under the pretence that they had already more than sufficient in hand to make a strong volume; but this again was opposed by the author, who sent in his ultimatum to print all his verses or none. The difficulty might have been easily arranged by Mr. Gilchrist, with his great influence both over Clare and his publishers, but he, unfortunately, was over head and ears in trouble, and had no time to attend to the perplexities of others. Mr. Gilchrist, in the summer of 1820, had the misfortune of being dragged into the great quarrel of the Rev. William Lisle Bowles, the editor of Pope, with Byron, Campbell, and the 'Quarterly Review;' a battle of the windmills which occupied the literary world of England for several years. Having despatched the chief of his big foes, the Rev. Mr. Bowles thought fit to turn round upon Mr. Gilchrist, whom he held to be the author of a severe article in the 'Quarterly.' This was not the case; nevertheless, Mr. Gilchrist took up the cudgels, striking out with all the impetus so much in vogue among the pen-wielding celebrities of the time. From the 'Quarterly'—too Jupiter-like to be long detained by street rows—the quarrel was transferred to the pages of the 'London Magazine,' where abundant space was allowed to both Mr. Gilchrist and the Rev. Mr. Bowles to fight out their battles. The great question was whether Mr. Bowles had done justice to the character of Pope, or drawn the figure of his hero in too hard outlines; and as there was much to be said on either side, the articles grew longer every month, and the spirit of the combatants became more and more embittered. The conflagration got general through a flaring pamphlet, 'by one of the family of the Bowles's,' and for a year or two the air was filled with squibs, flysheets, articles, and reviews, for and against Bowles. What with his grocery business at Stamford, and his multifarious literary engagements, poor Mr. Gilchrist fairly lost his head in the midst of this thunderstorm, and was unable to think of anything else but Bowles and Pope, and Pope and Bowles. Clare happening to visit him one day, when musing on this all-absorbing subject, he tried to inspire him with a sense of the wrongs he had suffered at the hands of the Rev. William Lisle Bowles; but meeting with utter apathy, Mr. Gilchrist turned in disgust from his poetic friend, shocked at his callousness. As a sort of revenge, on being appealed to for his aid in settling the difficulty between his friend and Messrs. Taylor and Hessey, he declared that he had no time to attend to the matter. This was certainly true, for the din of the great Bowles battles kept raging in the air and the pages of the 'London Magazine' for nigh another year.

After some lengthened correspondence between Clare and his publishers, it was arranged that the new work should be brought out in two volumes in the summer of 1821. This made it possible to give the whole of the poems, and to finish the engravings with the care desired by the author. In the meanwhile, to keep Clare before the public, specimens of the forthcoming volume were published at intervals in Mr. Taylor's periodical, and, finally, the September number of the 'London Magazine' contained at the head of the list of 'works preparing for publication,' the announcement that 'The Village Minstrel, and other Poems, by John Clare, the Northamptonshire Peasant, with a fine portrait, will be published in a few days.' The work was published accordingly, in the middle of September. In outward appearance, the two new volumes offered a great contrast to Clare's former book. The 'Poems descriptive of Rural Life and Scenery,' were dressed in more than rustic simplicity; stitched in rough cardboard and printed on coarse paper, with no artistic adornments whatever. On the other hand, the 'Village Minstrel' presented itself in beautiful type, with two fine steel engravings, the first a portrait of Clare, from the painting by William Hilton, R.A. and the latter a sketch of his cottage. Notwithstanding all these attractions, the new work met with but a cold reception. It was accounted for by the publishers in the fact that its price, 12s., was too high compared with the former volume, which was sold at 5s. 6d.; but the real cause undoubtedly was that the time of publication was very unfavourable. It was a period when the English book-mart was overstocked with poetry and fiction, and when the world seemed less than ever inclined to devote itself to poetry and fiction. The year 1821, in fact, formed a notable epoch in the annals of literature for the number of productions from celebrated authors. Sir Walter Scott published 'Kenilworth Castle;' Lord Byron issued his tragedy of 'Marino Faliero;' Southey, his 'Vision of Judgment;' Shelley, his 'Prometheus,' and Wordsworth a new edition of his poems. Besides these giants in the field of literature, numerous stars of the second and third magnitude sent forth their light. Charles Lamb, Hazlitt, Barry Cornwall, Tom Moore, Allan Cunningham, Leigh Hunt, and others, were busy writing and publishing, and John Keats sent his swan-song from the tombs of the Eternal City. In the midst of this galaxy of genius and fame, John Clare stood, in a sense, neglected and forlorn. The very reputation of his first book was against him, for most of his friends were unreasoning and uncritical enough to assert that the 'Poems on Rural Life and Scenery,' were less remarkable as poetic works, than as productions of a very poor and illiterate man. This statement was echoed far and wide, with the necessary result of getting 'the Northamptonshire Peasant' looked upon as but a nine-days' wonder. Quite as fatal to Clare's fame as a poet were the loud appeals made on his behalf for pecuniary assistance. There was, and, indeed, is at all times, an instinctive feeling, in the main a just one, among the public, that genius and talent are self-supporting, and that he who cannot live by the exercise of his own hand or brain, does not altogether deserve success. The feeling was even stronger than usual about this period, because of the repeated announcements of fabulous sums earned by book-makers, including the notoriously helpless poets. It was well known that Sir Walter Scott had made a large fortune by his verses and novels; that Moore got L3,000 for his 'Lalla Rookh,' and Crabbe L2,000 for his 'Tales of the Hall;' that Southey had no reason to be dissatisfied with the pecuniary result of his epics and articles, nor Mr. Millman cause to weep over the 'Fall of Jerusalem.' There were rumours even, embodied in sly newspaper paragraphs, that Mr. Murray was paying Lord Byron at the rate of a guinea a word; though this was disputed by others, who asserted that the remuneration was only five shillings a syllable. However, all these reports had led the public to the not unjust conclusion, that booksellers, on the whole, are no bad patrons of literature, and that the reward of genius might be safely left to them. As a consequence, from the moment that the begging-box was sent round for Clare—sent round, too, with a zeal far surpassing discretion—there arose a latent feeling among readers of books, that 'the Northamptonshire peasant' was not so much a poet as a talented pauper, able to string a few rhymes together. The feeling, for a time, was not outspoken; but nevertheless unmistakeable in its results.

The sale of the 'Village Minstrel and other Poems,' was not large at the commencement, and the book was scarcely noticed by the literary periodicals of the day. Though containing verses far surpassing in beauty anything previously published by Clare, the work passed over the heads of critics and public alike as unworthy of consideration. It drew passing notes of praise from a few genuine admirers of poetry; but which resulted in nothing but a couple of letters to the author, and the present of some cheap books. From one of these letters, it appears that the ballad commencing 'I love thee, sweet Mary,' printed in the first volume of the 'Village Minstrel,' was read one evening at the house of a nobleman at the West End of London, before the assembled guests. All were in raptures about the sweetness of the softly-flowing stream of verse, and all inquired eagerly after the author. But there was but one person in the room who knew anything about him; and his whole knowledge consisted in the fact, told somewhere by somebody, that Clare was a young 'peasant,' formerly very poor, but now in a state of affluence through a most liberal subscription fund, amounting to some twenty thousand pounds, which had been collected for him and invested in the Funds. The news gave universal satisfaction to the distinguished company; and though none had contributed a penny to the wonderful subscription list, every guest felt an inward pride of living in a land offering the bountiful reward of 'the Funds' to poetic genius, born in obscurity. After the applause had subsided, the portrait of Clare, prefixed to the 'Village Minstrel,' passed round the circle of noble West End visitors. All pronounced the face to be highly distingue, and one young lady enthusiastically declared that John Clare looked 'like a nobleman in disguise.' In which saying there was a certain amount of truth.

Notwithstanding many unfavourable circumstances, and the ill-considered zeal of his patrons, who continued to importune the public with demands for charitable contributions, the coldness with which Clare's new work was received at its appearance, was really very extraordinary. The greatest share of it, in all probability, was due to the period of publication, which could not well have been more ill-timed. Besides the natural anxiety of a civilized community to read, in preference to cheap rural poetry, verses paid for at the rate of 'a guinea a word,' or at the least 'five shillings a syllable,' there were many notable matters directing public attention away from village minstrelsy to other things. The book was brought out in the same month that the 'injured Queen of England' died; that the populace fought for the honour of participating in the funeral; and that royal lifeguardsmen killed the loyal people like rabbits in the streets of London. Political passions soared high, and public indignation was running still higher in newspapers and pamphlets. It was not to be expected that, at such a moment of universal excitement, there should be many people willing to withdraw to rural poetry. Thus Clare, 'piping low, in shade of lowly grove,' was condemned to pipe unheard, or very nearly so.

A copy of his 'Village Minstrel' Clare sent to Robert Bloomfield, for whose poetic genius he felt the most sincere admiration. In acknowledgment he received, about seven months afterwards, the following characteristic letter:—

'Shefford, Beds, May 3d, 1822.

Neighbour John,—If we were still nearer neighbours I would see you, and thank you personally for the two volumes of your poems sent me so long ago. I write with such labour and difficulty that I cannot venture to praise, or discriminate, like a critic, but must only say that you have given us great pleasure.

I beg your acceptance of my just published little volume; and, sick and ill as I continually feel, I can join you heartily in your exclamation—"What is Life?"

With best regards and wishes,

I am yours sincerely,

Robert Bloomfield.'

The above letter, as will be seen from the date, was written little more than a year before Bloomfield's death, he living at the time in great retirement, broken in mind and body. The author of the 'Farmer's Boy,' like Clare, felt a noble contempt for punctuation and spelling, and in the original note the word 'vollumn,' twice repeated, stands for volume—representing, no doubt, the way in which he used to pronounce the word.