'Well did the excellent Grandmother deserve such refreshment of heart; for all-too soon there came again upon her troublous and dark days. Schiller had found her stronger and cheerfuler than on her prior visit to Jena; and had quitted his Home-land with the soothing hope that his good Mother would reach a long and happy age. Nor could he have the least presentiment of the events which, three years later, burst-in, desolating and destroying, upon his family, and brought the health and life of his dear Mother again into peril. It is above stated, in our sketch of the Husband, in what extraordinary form the universal public misery, under which, in 1796, all South Germany was groaning, struck the Schiller Family at Solituede. Already on the 21st March of this year, Schiller had written to his Father, "How grieved I am for our good dear Mother, on whom all manner of sorrows have stormed-down in this manner! But what a mercy of God it is, too, that she still has strength left not to sink under these circumstances, but to be able still to afford you so much help! Who would have thought, six or seven years ago, that she, who was so infirm and exhausted, would now be serving you all as support and nurse? In such traits I recognise a good Providence which watches over us; and my heart is touched by it to the core."

'Meanwhile the poor Mother's situation grew ever frightfuler from day to day; and it needed her extraordinary strength of religious faith to keep her from altogether sinking under the pains, sorrows and toils, which she had for so many weeks to bear all alone, with the help only of a hired maid. The news of such misery threw Schiller into the deepest grief. He saw only one way of sending comfort and help to his poor Mother, and immediately adopted it; writing to his eldest Sister in Meiningen, as follows:

"Thou too wilt have heard, dearest Sister, that Luise has fallen seriously ill; and that our poor dear Mother is thereby robbed of all consolation. If Luise's case were to grow worse, or our Father's even, our poor Mother would be left entirely forsaken. Such misery would be unspeakable. Canst thou make it possible, think'st thou, that thy strength could accomplish such a thing? If so, at once make the journey thither. What it costs I will pay with joy. Reinwald might accompany thee; or, if he did not like that, come over to me here, where I would brother-like take care of him.

"Consider, my dear Sister, that Parents, in such extremity of need, have the justest claim upon their children for help. O God, why am not I myself in such health as in my journey thither three years ago! Nothing should have hindered me from hastening to them; but that I have scarcely gone over the threshold for a year past makes me so weak that I either could not stand the journey, or should fall down into sickness myself in that afflicted house. Alas, I can do nothing for them but help with money; and, God knows, I do that with joy. Consider that our dear Mother, who has held up hitherto with an admirable courage, must at last break down under so many sorrows. I know thy childlike loving heart, I know the perfect fairness and equitable probity of my Brother-in-law. Both these facts will teach you better than I under the circumstances. Salute him cordially.—Thy faithful Brother,

"SCHILLER."

Christophine failed not to go, as we saw above. 'From the time of her arrival there, no week passed without Schiller's writing home; and his Letters much contributed to strengthen and support the heavy-laden Mother. The assurance of being tenderly loved by such a Son was infinitely grateful to her; she considered him as a tried faithful friend, to whom one, without reluctance, yields his part in one's own sorrows. Schiller thus expressed himself on this matter in a Letter to Christophine of 9th May. "The last Letter of my dear good Mother has deeply affected me. Ah, how much has this good Mother already undergone; and with what patience and courage has she borne it! How touching is it that she opened her heart to me; and what woe was mine that I cannot immediately comfort and soothe her! Hadst thou not gone, I could not have stayed here. The situation of our dear ones was horrible; so solitary, without help from loving friends, and as if forsaken by their two children, living far away! I dare not think of it. What did not our good Mother do for her Parents; and how greatly has she deserved the like from us! Thou wilt comfort her, dear Sister; and me thou wilt find heartily ready for all that thou canst propose to me. Salute our dear Parents in the tenderest way, and tell them that their Son feels their sorrows."

'The excellent Christophine did her utmost in these days of sorrow. She comforted her Mother, and faithfully nursed her Father to his last breath; nay she saved him and the house, with great presence of mind, on a sudden inburst of French soldiers. Nor did she return to Meiningen till all tumult of affairs was past, and the Mother was again a little composed. And composure the Mother truly needed; for in a short space she had seen a hopeful Daughter and a faithful Husband laid in their graves; and by the death of her Husband a union severed which, originating in mutual affection, had for forty-seven years been blessed with the same mutual feeling. To all which in her position was now added the doubly-pressing care about her future days. Here, however, the Son so dear to her interposed with loving readiness, and the tender manner natural to him:

"You, dear Mother," he writes, "must now choose wholly for yourself what your way of life is to be; and let there be, I charge you, no care about me or others in your choice. Ask yourself where you would like best to live,—here with me, or with Christophine, or in our native country with Luise. Whithersoever your choice falls, there will we provide the means. For the present, of course, in the circumstances given, you would remain in Wuertemberg a little while; and in that time all would be arranged. I think you might pass the winter months most easily at Leonberg" (pleasant Village nearest to Solituede); "and then with the Spring you would come with Luise to Meiningen; where, however, I would expressly advise that you had a household of your own. But of all this, more next time. I would insist upon your coming here to me, if I did not fear things would be too foreign and too unquiet for you. But were you once in Meiningen, we will find means enough to see each other, and to bring your dear Grandchildren to you. It were a great comfort, dearest Mother, at least to know you, for the first three or four weeks after Christophine's departure, among people of your acquaintance; as the sole company of our Luise would too much remind you of times that are gone. But should there be no Pension granted by the Duke, and the Sale of Furniture, &c. did not detain you too long, you might perhaps travel with both the Sisters to Meiningen; and there compose yourself in the new world so much the sooner. All that you need for a convenient life must and shall be yours, dear Mother. It shall be henceforth my care that no anxiety on that head be left you. After so many sorrows, the evening of your life must be rendered cheerful, or at least peaceful; and I hope you will still, in the bosom of your Children and Grandchildren, enjoy many a good day." In conclusion, he bids her send him everything of Letters and MSS. which his dear Father left; hereby to fulfil his last wish; which also shall have its uses to his dear Mother.

'The Widow had a Pension granted by the Duke, of 200 gulden' (near 20l.); 'and therein a comfortable proof that official people recognised the worth of her late Husband, and held him in honour. She remained in her native country; and lived the next three years, according to her Son's counsel, with Luise in the little village of Leonberg, near to Solituede, where an arrangement had been made for her. Here a certain Herr Roos, a native of Wuertemberg, had made some acquaintance with her, in the winter 1797-8; to whom we owe the following sketch of portraiture. "She was a still-agreeable old person of sixty-five or six, whose lean wrinkly face still bespoke cheerfulness and kindliness. Her thin hair was all gray; she was of short" (middle) "stature, and her attitude slightly stooping; she had a pleasant tone of voice; and her speech flowed light and cheerful. Her bearing generally showed native grace, and practical acquaintance with social life."

'Towards the end of 1799, there opened to the Mother a new friendly outlook in the marriage of her Luise to the young Parson, M. Frankh, in Clever-Sulzbach, a little town near Heilbronn. The rather as the worthy Son-in-law would on no account have the Daughter separated from the Mother.' Error on Saupe's part. The Mother Schiller continued to occupy her own house at Leonberg till near the end of her life; she naturally made frequent little visits to Clever-Sulzbach; and her death took place there.[60] 'Shortly before the marriage, Schiller wrote, heartily wishing Mother and Sister happiness in this event. It would be no small satisfaction to his Sister, he said, that she could lodge and wait upon her good dear Mother in a well-appointed house of her own; to his Mother also it must be a great comfort to see her children all settled, and to live up again in a new generation.

[Footnote 60: Beziehungen, p. 197, n.]

'Almost contemporary with the removal of the Son from Jena to Weimar was the Mother's with her Daughter to Clever-Sulzbach. The peaceful silence which now environed them in their rural abode had the most salutary influence both on her temper of mind and on her health; all the more as Daughter and Son-in-law vied with each other in respectful attention to her. The considerable distance from her Son, when at times it fell heavy on her, she forgot in reading his Letters; which were ever the unaltered expression of the purest and truest child-love. She forgot it too, as often, over the immortal works out of which his powerful spirit spoke to her. She lived to hear the name of Friedrich Schiller celebrated over all Germany with reverent enthusiasm; and ennobled by the German People sooner and more gloriously than an Imperial Patent could do it. Truly a Mother that has had such joys in her Son is a happy one; and can and may say, "Lord, now let me depart in peace; I have lived enough!"

'In the beginning of the year 1802, Schiller's Mother again fell ill. Her Daughter Luise hastened at once to Stuttgart, where she then chanced to be, and carried her home to Clever-Sulzbach, to be under her own nursing. So soon as Schiller heard of this, he wrote, in well-meant consideration of his Sister's frugal economies, to Dr. Hoven, a friend of his youth at Ludwigsburg; and empowered him to take his Mother over thither, under his own medical care: he, Schiller, would with pleasure pay all that was necessary for lodging and attendance. But the Mother stayed with her Daughter; wrote, however, in her last Letter to Schiller: "Thy unwearied love and care for me God reward with thousandfold love and blessings! Ah me! another such Son there is not in the world!" Schiller, in his continual anxiety about the dear Patient, had his chief solace in knowing her to be in such tender hands; and he wrote at once, withal, to his Sister: "Thou wilt permit me also that on my side I try to do something to lighten these burdens for thee. I therefore make this agreement with my Bookseller Cotta that he shall furnish my dear Mother with the necessary money to make good, in a convenient way, the extra outlays which her illness requires."

'Schiller's hope, supported by earlier experiences, that kind Nature would again help his Mother, did not find fulfilment. On the contrary, her case grew worse; she suffered for months the most violent pains; and was visibly travelling towards Death. Two days before her departure, she had the Medallion of her Son handed down to her from the wall; and pressed it to her heart; and, with tears, thanked God, who had given her such good children. On the 29th April 1802, she passed away, in the 69th year of her age. Schiller, from the tenor of the last news received, had given up all hope; and wrote, in presentiment of the bitter loss, to his Sister Frankh at Clever-Sulzbach:

"Thy last letter, dearest Sister, leaves me without hope of our dear Mother. For a fortnight past I have looked with terror for the tidings of her departure; and the fact that thou hast not written in that time, is a ground of fear, not of comfort. Alas! under her late circumstances, life was no good to her more; a speedy and soft departure was the one thing that could be wished and prayed for. But write me, dear Sister, when thou hast recovered thyself a little from these mournful days. Write me minutely of her condition and her utterances in the last hours of her life. It comforts and composes me to busy myself with her, and to keep the dear image of my Mother living before me.

"And so they are both gone from us, our dear Parents; and we Three alone remain. Let us be all the nearer to each other, dear Sister; and believe always that thy Brother, though so far away from thee and thy Sister, carries you both warmly in his heart; and in all the accidents of this life will eagerly meet you with his brotherly love.

"But I can write no more today. Write me a few words soon. I embrace thee and thy dear Husband with my whole heart; and thank him again for all the love he has shown our departed Mother.

"Your true Brother,

"SCHILLER."

'Soon after this Letter, he received from Frankh, his Brother-in-law, the confirmation of his sad anticipations. From his answer to Frankh we extract the following passage: "May Heaven repay with rich interest the dear Departed One all that she has suffered in life, and done for her children! Of a truth she deserved to have loving children; for she was a good Daughter to her suffering necessitous Parents; and the childlike solicitude she always had for them well deserved the like from us. You, my dear Brother-in-law, have shared the assiduous care of my Sister for Her that is gone; and acquired thereby the justest claim upon my brotherly love. Alas, you had already given your spiritual support and filial service to my late Father, and taken on yourself the duties of his absent Son. How cordially I thank you! Never shall I think of my departed Mother without, at the same time, blessing the memory of him who alleviated so kindly the last days of her life." He then signifies the wish to have, from the effects of his dear Mother, something that, without other worth, will remain a continual memorial of her. And was in effect heartily obliged to his Brother, who sent him a ring which had been hers. "It is the most precious thing that he could have chosen for me," writes he to Luise; "and I will keep it as a sacred inheritance." Painfully had it touched him, withal, that the day of his entering his new house at Weimar had been the death-day of his Mother. He noticed this singular coincidence, as if in mournful presentiment of his own early decease, as a singular concatenation of events by the hand of Destiny.

'A Tree and a plain stone Cross, with the greatly-comprehensive short inscription, "Here rests Schiller's Mother," now mark her grave in Clever-Sulzbach Churchyard.'

III. THE SISTERS.

Saupe has a separate Chapter on each of the three Sisters of Schiller; but most of what concerns them, especially in relation to their Brother, has been introduced incidentally above. Besides which, Saupe's flowing pages are too long for our space; so that instead of translating, henceforth, we shall have mainly to compile from Saupe and others, and faithfully abridge.

Christophine (born 4 Sept. 1757; married 'June 1786;' died 31 August 1847).[61]

[Footnote 61: Here, from Schiller Senior himself (Autobiography, called "Curriculum Vitae," in Beziehungen, pp. 15-18), is a List of his six Children;—the two that died so young we have marked in italics:

1. 'ELISABETH CHRISTOPHINE FRIEDERICKE, born 4 September 1757, at Marbach.

2. 'JOHANN CHRISTOPH FRIEDRICH, born 10 November 1759, at Marbach.

3. 'LUISE DOROTHEA KATHARINA, born 24 January 1766, at Lorch.

4. 'Maria Charlotte, born 20 November 1768, at Ludwigsburg: died 29 March 1774; age 5 gone.

5. 'Beata Friedericke, born 4 May 1773, at Ludwigsburg: died 22 December, same year.

6. 'CAROLINE CHRISTIANE, born 8 September 1777, at Solituede;'—(this is she they call, in fond diminutive, Nane or Nanette.)]

Till Schiller's flight, in which what endless interest and industries Christophine had we have already seen, the young girls,—Christophine 25, Luise 16, Nanette a rosy little creature of 5,—had known no misfortune; nor, except Christophine's feelings on the death of the two little Sisters, years ago, no heavy sorrow. At Solituede, but for the general cloud of anxiety and grief about their loved and gifted Brother and his exile, their lives were of the peaceablest description: diligence in household business, sewing, spinning, contented punctuality in all things; in leisure hours eager reading (or at times, on Christophine's part, drawing and painting, in which she attained considerable excellence), and, as choicest recreation, walks amid the flourishing Nurseries, Tree-avenues, and fine solid industries and forest achievements of Papa. Mention is made of a Cavalry Regiment stationed at Solituede; the young officers of which, without society in that dull place, and with no employment except parade, were considerably awake to the comely Jungfers Schiller and their promenadings in those pleasant woods: one Lieutenant of them (afterwards a Colonel, 'Obrist von Miller of Stuttgart') is said to have manifested honourable aspirations and intentions towards Christophine,—which, however, and all connection with whom or his comrades, the rigorously prudent Father strictly forbade; his piously obedient Daughters, Christophine it is rather thought with some regret, immediately conforming. A Portrait of this Von Miller, painted by Christophine, still exists, it would appear, among the papers of the Schillers.[62]

[Footnote 62: Beziehungen, p. 217 n.]

The great transaction of her life, her marriage with Reinwald, Court Librarian of Meiningen, had its origin in 1783; the fruit of that forced retreat of Schiller's to Bauerbach, and of the eight months he spent there, under covert, anonymously and in secret, as 'Dr. Ritter,' with Reinwald for his one friend and adviser. Reinwald, who commanded the resources of an excellent Library, and of a sound understanding, long seriously and painfully cultivated, was of essential use to Schiller; and is reckoned to be the first real guide or useful counsellor he ever had in regard to Literature. One of Christophine's Letters to her Brother, written at her Father's order, fell by accident on Reinwald's floor, and was read by him,—awakening in his over-clouded, heavy-laden mind a gleam of hope and aspiration. "This wise, prudent, loving-hearted and judicious young woman, of such clear and salutary principles of wisdom as to economics too, what a blessing she might be to me as Wife in this dark, lonely home of mine!" Upon which hint he spake; and Schiller, as we saw above, who loved him well, but knew him to be within a year or two of fifty, always ailing in health, taciturn, surly, melancholy, and miserably poor, was rebuked by Papa for thinking it questionable. We said, it came about all the same. Schiller had not yet left Mannheim for the second and last time, when, in 1784, Christophine paid him a visit, escorted thither by Reinwald; who had begged to have that honour allowed him; having been at Solituede, and, either there or on his road to Mannheim, concluded his affair. Streicher, an eyewitness of this visit, says, "The healthy, cheerful and blooming Maiden had determined to share her future lot with a man whose small income and uncertain health seemed to promise little joy. Nevertheless her reasons were of so noble a sort, that she never repented, in times following, this sacrifice of her fancy to her understanding, and to a Husband of real worth."[63] They were married "June 1786;" and for the next thirty, or indeed, in all, sixty years, Christophine lived in her dark new home at Meiningen; and never, except in that melancholy time of sickness, mortality and war, appears to have seen Native Land and Parents again.

[Footnote 63: Schwab, p. 173, citing Streicher's words.]

What could have induced, in the calm and well-discerning Christophine, such a resolution, is by no means clear; Saupe, with hesitation, seems to assign a religious motive, "the desire of doing good." Had that abrupt and peremptory dismissal of Lieutenant Miller perhaps something to do with it? Probably her Father's humour on the matter, at all times so anxious and zealous to see his Daughters settled, had a chief effect. It is certain, Christophine consulted her Parish Clergyman on the affair; and got from him, as Saupe shows us, an affirmatory or at least permissive response. Certain also that she summoned her own best insight of all kinds to the subject, and settled it calmly and irrevocably with whatever faculty was in her.

To the candid observer Reinwald's gloomy ways were not without their excuse. Scarcely above once before this, in his now longish life, had any gleam of joy or success shone on him, to cheer the strenuous and never-abated struggle. His father had been Tutor to the Prince of Meiningen, who became Duke afterwards, and always continued to hold him in honour. Father's death had taken place in 1751, young Reinwald then in his fourteenth year. After passing with distinction his three-years curriculum at Jena, Reinwald returned to Meiningen, expecting employment and preferment;—the rather perhaps as his Mother's bit of property got much ruined in the Seven-Years War then raging. Employment Reinwald got, but of the meanest Kanzlist (Clerkship) kind; and year after year, in spite of his merits, patient faithfulness and undeniable talent, no preferment whatever. At length, however, in 1762, the Duke, perhaps enlightened by experience as to Reinwald, or by personal need of such a talent, did send him as Geheimer Kanzlist (kind of Private Secretary) to Vienna, with a view to have from him reports "about politics and literary objects" there. This was an extremely enjoyable position for the young man; but it lasted only till the Duke's death, which followed within two years. Reinwald was then immediately recalled by the new Duke (who, I think, had rather been in controversy with his Predecessor), and thrown back to nearly his old position; where, without any regard had to his real talents and merits, he continued thirteen years, under the title of Consistorial Kanzlist; and, with the miserablest fraction of yearly pay, 'carried on the slavish, spirit-killing labours required of him.' In 1776,—uncertain whether as promotion or as mere abridgment of labour,—he was placed in the Library as now; that is to say, had become Sub-Librarian, at a salary of about 15l., with all the Library duties to do; an older and more favoured gentleman, perhaps in lieu of pension, enjoying the Upper Office, and doing none of the work.

Under these continual pressures and discouragements poor Reinwald's heart had got hardened into mutinous indignation, and his health had broken down: so that, by this time, he was noted in his little world as a solitary, taciturn, morose and gloomy man; but greatly respected by the few who knew him better, as a clear-headed, true and faithful person, much distinguished by intellectual clearness and veracity, by solid scholarly acquirements and sterling worth of character. To bring a little help or cheerful alleviation to such a down-pressed man, if a wise and gentle Christophine could accomplish it, would surely be a bit of well-doing; but it was an extremely difficult one!

The marriage was childless; not, in the first, or in any times of it, to be called unhappy; but, as the weight of years was added, Christophine's problem grew ever more difficult. She was of a compassionate nature, and had a loving, patient and noble heart; prudent she was; the skilfulest and thriftiest of financiers; could well keep silence, too, and with a gentle stoicism endure much small unreason. Saupe says withal, 'Nobody liked a laugh better, or could laugh more heartily than she, even in her extreme old age.'—Christophine herself makes no complaint, on looking back upon her poor Reinwald, thirty years after all was over. Her final record of it is: "for twenty-nine years we lived contentedly together." But her rugged hypochondriac of a Husband, morbidly sensitive to the least interruption of his whims and habitudes, never absent from their one dim sitting-room, except on the days in which he had to attend at the Library, was in practice infinitely difficult to deal with; and seems to have kept her matchless qualities in continual exercise. He belonged to the class called in Germany Stubengelehrten (Closet Literary-men), who publish little or nothing that brings them profit, but are continually poring and studying. Study was the one consolation he had in life; and formed his continual employment to the end of his days. He was deep in various departments, Antiquarian, Philological, Historical; deep especially in Gothic philology, in which last he did what is reckoned a real feat,—he, Reinwald, though again it was another who got the reward. He had procured somewhere, 'a Transcript of the famous Anglo-Saxon Poem Heliand (Saviour) from the Cotton Library in England,' this he, with unwearied labour and to great perfection, had at last got ready for the press; Translation, Glossary, Original all in readiness;—but could find no Publisher, nobody that would print without a premium. Not to earn less than nothing by his labour, he sent the Work to the Muenchen Library; where, in after years, one Schmeller found it, and used it for an editio princeps of his own. Sic vos non vobis; heavy-laden Reinwald![64]—

[Footnote 64: Schiller's Beziehungen (where many of Christophine's Letters, beautiful all of them, are given).]

To Reinwald himself Christophine's presence and presidency in his dim household were an infinite benefit,—though not much recognised by him, but accepted rather as a natural tribute due to unfortunate down-pressed worth, till towards the very end, when the singular merit of it began to dawn upon him, like the brightness of the Sun when it is setting. Poor man, he anxiously spent the last two weeks of his life in purchasing and settling about a neat little cottage for Christophine; where accordingly she passed her long widowhood, on stiller terms, though not on less beneficent and humbly beautiful, than her marriage had offered.

Christophine, by pious prudence, faith in Heaven, and in the good fruits of real goodness even on Earth, had greatly comforted the gloomy, disappointed, pain-stricken man; enlightened his darkness, and made his poverty noble. Simplex munditiis might have been her motto in all things. Her beautiful Letters to her Brother are full of cheerful, though also, it is true, sad enough, allusions to her difficulties with Reinwald, and partial successes. Poor soul, her hopes, too, are gently turned sometimes on a blessed future, which might still lie ahead: of her at last coming, as a Widow, to live with her Brother, in serene affection, like that of their childhood together; in a calm blessedness such as the world held no other for her! But gloomy Reinwald survived bright Schiller for above ten years; and she had thirty more of lone widowhood, under limited conditions, to spend after him, still in a noble, humbly-admirable, and even happy and contented manner. She was the flower of the Schiller Sisterhood, though all three are beautiful to us; and in poor Nane, there is even something of poetic, and tragically pathetic. For one blessing, Christophine 'lived almost always in good health.' Through life it may be said of her, she was helpful to all about her, never hindersome to any; and merited, and had, the universal esteem, from high and low, of those she had lived among. At Meiningen, 31st August 1847, within a few days of her ninety-first year, without almost one day's sickness, a gentle stroke of apoplexy took her suddenly away, and so ended what may be called a Secular Saintlike existence, mournfully beautiful, wise and noble to all that had beheld it.

Nanette (born 8th September 1777, died 23d March 1796; age not yet 19).

Of Nanette we were told how, in 1792, she charmed her Brother and his Jena circle, by her recitations and her amiable enthusiastic nature; and how, next year, on Schiller's Swabian visit, his love of her grew to something of admiration, and practical hope of helping such a rich talent and noble heart into some clear development,—when, two years afterwards, death put, to the dear Nanette and his hopes about her, a cruel end. We are now to give the first budding-out of those fine talents and tendencies of poor Nanette, and that is all the history the dear little Being has. Saupe proceeds:

'Some two years after Schiller's flight, Nanette as a child of six or seven had, with her elder Sister Luise, witnessed the first representation of Schiller's Kabale und Liebe in the Stuttgart theatre. With great excitement, and breath held-in, she had watched the rolling-up of the curtain; and during the whole play no word escaped her lips; but the excited glance of her eyes, and her heightened colour, from act to act, testified her intense emotion. The stormy applause with which her Brother's Play was received by the audience made an indelible impression on her.

'The Players, in particular, had shone before her as in a magic light; the splendour of which, in the course of years, rather increased than diminished. The child's bright fancy loved to linger on those never-to-be-forgotten people, by whom her Brother's Poem had been led into her sight and understanding. The dawning thought, how glorious it might be to work such wonders herself, gradually settled, the more she read and heard of her dear Brother's poetic achievements, into the ardent but secret wish of being herself able to represent his Tragedies upon the stage. On her visit to Jena, and during her Brother's abode in Swabia, she was never more attentive than when Schiller spoke occasionally of the acting of his Pieces, or unfolded his opinion of the Player's Art.

'The wish of Nanette, secretly nourished in this manner, to be able, on the stage, which represents the world, to contribute to the glory of her Brother, seized her now after his return with such force and constancy, that Schiller's Sister-in-law, Caroline von Wolzogen, urged him to yield to the same; to try his Sister's talent; and if it was really distinguished, to let her enter this longed-for career. Schiller had no love for the Player Profession; but as, in his then influential connections in Weimar, he might steer clear of many a danger, he promised to think the thing over. And thus this kind and amiable protectress had the satisfaction of cheering Nanette's last months with the friendly prospect that her wishes might be fulfilled.—Schiller's hope, after a dialogue with Goethe on the subject, had risen to certainty, when with the liveliest sorrow he learnt that Nanette was ill of that contagious Hospital Fever, and, in a few days more, that she was gone forever.'[65]

[Footnote 65: Saupe, pp. 150-5.]

Beautiful Nanette; with such a softly-glowing soul, and such a brief tragically-beautiful little life! Like a Daughter of the rosy-fingered Morn; her existence all a sun-gilt soft auroral cloud, and no sultry Day, with its dusts and disfigurements, permitted to follow. Father Schiller seems, in his rugged way, to have loved Nanette best of them all; in an embarrassed manner, we find him more than once recommending her to Schiller's help, and intimating what a glorious thing for her, were it a possible one, education might be. He followed her in few months to her long home; and, by his own direction, 'was buried in the Churchyard at Gerlingen by her side.'

Luise (born 24th January 1766; married 20th October 1799; died 14th September 1836).

Of Luise's life too, except what was shown above, there need little be said. In the dismal pestilential days at Solituede, while her Father lay dying, and poor Nanette caught the infection, Luise, with all her tender assiduities and household talent, was there; but, soon after Nanette's death, the fever seized her too; and she long lay dangerously ill in that forlorn household; still weak, but slowly recovering, when Christophine arrived.

The Father, a short while before his death, summoned to him that excellent young Clergyman, Frankh, who had been so unweariedly kind to them in this time of sickness when all neighbours feared to look in, To ask him what his intentions towards Luise were. It was in presence of the good old man that they made solemn promise to each other; and at Leonberg, where thenceforth the now-widowed Mother's dwelling was, they were formally betrothed; and some two years after that were married.

Her Mother's death, so tenderly watched over, took place at their Parsonage at Clever-Sulzbach, as we saw above. Frankh, about two years after, was promoted to a better living, Moeckmuehl by name; and lived there, a well-doing and respected Parson, till his death, in 1834; which Luise's followed in September of the second year afterwards. Their marriage lasted thirty-five years. Luise had brought him three children; and seems to have been, in all respects, an excellent Wife. She was ingenious in intellectuals as well as economics; had a taste for poetry; a boundless enthusiasm for her Brother; seems to have been an anxious Mother, often ailing herself but strenuously doing her best at all times.

A touching memorial of Luise is Schiller's last Letter to her, Letter of affectionate apology for long silence,—apology, and hope of doing better,—written only a few weeks before his own death. It is as follows:

"Weimar, 27th March 1805.

"Yes, it is a long time indeed, good dear Luise, since I have written to thee; but it was not for amusements that I forgot thee; it was because in this time I have had so many hard illnesses to suffer, which put me altogether out of my regular way; for many months I had lost all courage and cheerfulness, and given up all hope of my recovery. In such a humour one does not like to speak; and since then, on feeling myself again better, there was, after the long silence, a kind of embarrassment; and so it was still put off. But now, when I have been anew encouraged by thy sisterly love, I gladly join the thread again; and it shall, if God will, not again be broken.

"Thy dear Husband's promotion to Moeckmuehl, which I learned eight days ago from our Sister" (Christophine), "has given us great joy, not only because it so much improves your position, but also because it is so honourable a testimony for my dear Brother-in-law's deserts. May you feel yourselves right happy in these new relations, and right long enjoy them! We too are got thereby a few miles nearer you; and on a future journey to Franconia, which we are every year projecting, we may the more easily get over to you.

"How sorry am I, dear Sister, that thy health has suffered so much; and that thou wert again so unfortunate with thy confinement! Perhaps your new situation might permit you, this summer, to visit some tonic watering-place, which might do thee a great deal of good."—

"Of our Family here, my Wife will write thee more at large. Our Children, this winter, have all had chicken-pox; and poor little Emilie" (a babe of four months) "had much to suffer in the affair. Thank God, things are all come round with us again, and my own health too begins to confirm itself.

"A thousand times I embrace thee, dear Sister, and my dear Brother-in-law as well, whom I always wish from the heart to have more acquaintance with. Kiss thy Children in my name; may all go right happily with you, and much joy be in store! How would our dear Parents have rejoiced in your good fortune; and especially our dear Mother, had she been spared to see it! Adieu, dear Luise. With my whole soul,

"Thy faithful Brother,

"SCHILLER."

Schiller's tone and behaviour to his Sisters is always beautifully human and brotherlike, as here. Full of affection, sincerity and the warmest truest desire to help and cheer. The noble loving Schiller; so mindful always of the lowly, from his own wildly-dangerous and lofty path! He was never rich, poor rather always; but of a spirit royally munificent in these respects; never forgets the poor "birthdays" of his Sisters, whom one finds afterwards gratefully recognising their "beautiful dress" or the like!—

* * * * *

Of date some six weeks after this Letter to Luise, let us take from Eyewitnesses one glimpse of Schiller's own deathbed. It is the eighth day of his illness; his last day but one in this world:

'Morning of 8th May 1805.— —Schiller, on awakening from sleep, asked to see his youngest Child. The Baby' Emilie, spoken of above, 'was brought. He turned his head round; took the little hand in his, and, with an inexpressible look of love and sorrow, gazed into the little face; then burst into bitter weeping, hid his face among the pillows; and made a sign to take the child away.'—This little Emilie is now the Baroness von Gleichen, Co-editress with her Cousin Wolzogen of the clear and useful Book, Beziehungen, often quoted above. It was to that same Cousin Wolzogen's Mother (Caroline von Wolzogen, Authoress of the Biography), and in the course of this same day, that Schiller made the memorable response, "Calmer, and calmer."—'Towards evening he asked to see the Sun once more. The curtain was opened; with bright eyes and face he gazed into the beautiful sunset. It was his last farewell to Nature.

'Thursday 9th May. All the morning, his mind was wandering; he spoke incoherent words, mostly in Latin. About three in the afternoon, complete weakness came on; his breathing began to be interrupted. About four, he asked for naphtha, but the last syllable died on his tongue. He tried to write, but produced only three letters; in which, however, the character of his hand was still visible. Till towards six, no change. His Wife was kneeling at the bedside; he still pressed her offered hand. His Sister-in-law stood, with the Doctor, at the foot of the bed, and laid warm pillows on his feet, which were growing cold. There now darted, as it were, an electrical spasm over all his countenance; the head sank back; the profoundest repose transfigured his face. His features were as those of one softly sleeping,'—wrapt in hard-won Victory and Peace forevermore![66]—

[Footnote 66: Schwab, p. 627, citing Voss, an eyewitness; and Caroline von Wolzogen herself.]



APPENDIX I.



NO. 1. PAGE 31.

DANIEL SCHUBART.

The enthusiastic discontent so manifest in the Robbers has by some been in part attributed to Schiller's intercourse with Schubart. This seems as wise as the hypothesis of Gray's Alderman, who, after half a century of turtle-soup, imputed the ruin of his health to eating two unripe grapes: 'he felt them cold upon his stomach, the moment they were over; he never got the better of them.' Schiller, it appears, saw Schubart only once, and their conversation was not of a confidential kind. For any influence this interview could have produced upon the former, the latter could have merited no mention here: it is on other grounds that we refer to him. Schubart's history, not devoid of interest in itself, unfolds in a striking light the circumstances under which Schiller stood at present; and may serve to justify the violence of his alarms, which to the happy natives of our Island might otherwise appear pusillanimous and excessive. For these reasons we subjoin a sketch of it.

Schubart's character is not a new one in literature; nor is it strange that his life should have been unfortunate. A warm genial spirit; a glowing fancy, and a friendly heart; every faculty but diligence, and every virtue but 'the understrapping virtue of discretion:' such is frequently the constitution of the poet; the natural result of it also has frequently been pointed out, and sufficiently bewailed. This man was one of the many who navigate the ocean of life with 'more sail than ballast;' his voyage contradicted every rule of seamanship, and necessarily ended in a wreck.

Christian Friedrich Daniel Schubart was born at Obersontheim in Swabia, on the 26th of April 1739. His father, a well-meaning soul, officiated there in the multiple capacity of schoolmaster, precentor, and curate; dignities which, with various mutations and improvements, he subsequently held in several successive villages of the same district. Daniel, from the first, was a thing of inconsistencies; his life proceeded as if by fits and starts. At school, for a while, he lay dormant: at the age of seven he could not read, and had acquired the reputation of a perfect dunce. But 'all at once,' says his biographer, 'the rind which enclosed his spirit started asunder;' and Daniel became the prodigy of the school! His good father determined to make a learned man of him: he sent him at the age of fourteen to the Nordlingen Lyceum, and two years afterwards to a similar establishment at Nuernberg. Here Schubart began to flourish with all his natural luxuriance; read classical and domestic poets; spouted, speculated; wrote flowing songs; discovered 'a decided turn for music,' and even composed tunes for the harpsichord! In short, he became an acknowledged genius: and his parents consented that he should go to Jena, and perform his cursus of Theology.

Schubart's purposes were not at all like the decrees of Fate: he set out towards Jena; and on arriving at Erlangen, resolved to proceed no farther, but perform his cursus where he was. For a time he studied well; but afterwards 'tumultuously,' that is, in violent fits, alternating with fits as violent of idleness and debauchery. He became a Bursche of the first water; drank and declaimed, rioted and ran in debt; till his parents, unable any longer to support such expenses, were glad to seize the first opening in his cursus, and recall him. He returned to them with a mind fevered by intemperance, and a constitution permanently injured; his heart burning with regret, and vanity, and love of pleasure; his head without habits of activity or principles of judgment, a whirlpool where fantasies and hallucinations and 'fragments of science' were chaotically jumbled to and fro. But he could babble college-latin; and talk with a trenchant tone about the 'revolutions of Philosophy.' Such accomplishments procured him pardon from his parents: the precentorial spirit of his father was more than reconciled on discovering that Daniel could also preach and play upon the organ. The good old people still loved their prodigal, and would not cease to hope in him.

As a preacher Schubart was at first very popular; he imitated Cramer; but at the same time manifested first-rate pulpit talents of his own. These, however, he entirely neglected to improve: presuming on his gifts and their acceptance, he began to 'play such fantastic tricks before high Heaven,' as made his audience sink to yawning, or explode in downright laughter. He often preached extempore; once he preached in verse! His love of company and ease diverted him from study: his musical propensities diverted him still farther. He had special gifts as an organist; but to handle the concordance and to make 'the heaving bellows learn to blow' were inconsistent things.

Yet withal it was impossible to hate poor Schubart, or even seriously to dislike him. A joyful, piping, guileless mortal, good nature, innocence of heart, and love of frolic beamed from every feature of his countenance; he wished no ill to any son of Adam. He was musical and poetical, a maker and a singer of sweet songs; humorous also, speculative, discursive; his speech, though aimless and redundant, glittered with the hues of fancy, and here and there with the keenest rays of intellect. He was vain, but had no touch of pride; and the excellencies which he loved in himself, he acknowledged and as warmly loved in others. He was a man of few or no principles, but his nervous system was very good. Amid his chosen comrades, a jug of indifferent beer and a pipe of tobacco could change the earth into elysium for him, and make his brethren demigods. To look at his laughing eyes, and his effulgent honest face, you were tempted to forget that he was a perjured priest, that the world had duties for him which he was neglecting. Had life been all a may-game, Schubart was the best of men, and the wisest of philosophers.

Unluckily it was not: the voice of Duty had addressed him in vain; but that of Want was more impressive. He left his father's house, and engaged himself as tutor in a family at Koenigsbronn. To teach the young idea how to shoot had few delights for Schubart: he soon gave up this place in favour of a younger brother; and endeavoured to subsist, for some time, by affording miscellaneous assistance to the clergy of the neighbouring villages. Ere long, preferring even pedagogy to starvation, he again became a teacher. The bitter morsel was sweetened with a seasoning of music; he was appointed not only schoolmaster but also organist of Geisslingen. A fit of diligence now seized him: his late difficulties had impressed him; and the parson of the place, who subsequently married Schubart's sister, was friendly and skilful enough to turn the impression to account. Had poor Schubart always been in such hands, the epithet 'poor' could never have belonged to him. In this little village-school he introduced some important reforms and improvements, and in consequence attracted several valuable scholars. Also for his own behoof, he studied honestly. His conduct here, if not irreprehensible, was at least very much amended. His marriage, in his twenty-fifth year, might have improved it still farther; for his wife was a good, soft-hearted, amiable creature, who loved him with her whole heart, and would have died to serve him.

But new preferments awaited Schubart, and with them new temptations. His fame as a musician was deservedly extending: in time it reached Ludwigsburg, and the Grand Duke of Wuertemberg himself heard Schubart spoken of! The schoolmaster of Geisslingen was, in 1768, promoted to be organist and band-director in this gay and pompous court. With a bounding heart, he tossed away his ferula, and hastened to the scene, where joys for evermore seemed calling on him. He plunged into the heart of business and amusement. Besides the music which he taught and played, publicly and privately, with great applause, he gave the military officers instruction in various branches of science; he talked and feasted; he indited songs and rhapsodies; he lectured on History and the Belles Lettres. All this was more than Schubart's head could stand. In a little time he fell in debt; took up with virtuosi; began to read Voltaire, and talk against religion in his drink. From the rank of genius, he was fast degenerating into that of profligate: his affairs grew more and more embarrassed; and he had no gift of putting any order in them. Prudence was not one of Schubart's virtues; the nearest approximation he could make to it was now and then a little touch of cunning. His wife still loved him; loved him with that perverseness of affection, which increases in the inverse ratio of its requital: she had long patiently endured his follies and neglect, happy if she could obtain a transient hour of kindness from him. But his endless course of riot, and the straits to which it had reduced their hapless family, at length overcame her spirits: she grew melancholy, almost broken-hearted; and her father took her home to him, with her children, from the spendthrift who had been her ruin. Schubart's course in Ludwigsburg was verging to its close; his extravagance increased, and debts pressed heavier and heavier on him: for some scandal with a young woman of the place, he was cast into prison; and let out of it, with an injunction forthwith to quit the dominions of the Grand Duke.

Forlorn and homeless, here then was Schubart footing the hard highway, with a staff in his hand, and one solitary thaler in his purse, not knowing whither he should go. At Heilbronn, the Buergermeister Wachs permitted him to teach his Buergermeisterinn the harpsichord; and Schubart did not die of hunger. For a space of time he wandered to and fro, with numerous impracticable plans; now talking for his victuals; now lecturing or teaching music; kind people now attracted to him by his genius and misfortunes, and anon repelled from him by the faults which had abased him. Once a gleam of court-preferment revisited his path: the Elector Palatine was made acquainted with his gifts, and sent for him to Schwetzingen to play before him. His playing gratified the Electoral ear; he would have been provided for, had he not in conversation with his Highness happened to express a rather free opinion of the Mannheim Academy, which at that time was his Highness's hobby. On the instant of this luckless oversight, the door of patronage was slammed in Schubart's face, and he stood solitary on the pavement as before.

One Count Schmettau took pity on him; offered him his purse and home; both of which the way-worn wanderer was happy to accept. At Schmettau's he fell in with Baron Leiden, the Bavarian envoy, who advised him to turn Catholic, and accompany the returning embassy to Munich. Schubart hesitated to become a renegade; but departed with his new patron, upon trial. In the way, he played before the Bishop of Wuerzburg; was rewarded by his Princely Reverence with gold as well as praise; and arrived under happy omens at Munich. Here for a while fortune seemed to smile on him again. The houses of the great were thrown open to him; he talked and played, and fared sumptuously every day. He took serious counsel with himself about the great Popish question; now inclining this way, now that: he was puzzling which to choose, when Chance entirely relieved him of the trouble. 'A person of respectability' in Munich wrote to Wuertemberg to make inquiries who or what this general favourite was; and received for answer, that the general favourite was a villain, and had been banished from Ludwigsburg for denying that there was a Holy Ghost!—Schubart was happy to evacuate Munich without tap of drum.

Once more upon the road without an aim, the wanderer turned to Augsburg, simply as the nearest city, and—set up a Newspaper! The Deutsche Chronik flourished in his hands; in a little while it had acquired a decided character for sprightliness and talent; in time it became the most widely circulated journal of the country. Schubart was again a prosperous man: his writings, stamped with the vigorous impress of his own genius, travelled over Europe; artists and men of letters gathered round him; he had money, he had fame; the rich and noble threw their parlours open to him, and listened with delight to his overflowing, many-coloured conversation. He wrote paragraphs and poetry; he taught music and gave concerts; he set up a spouting establishment, recited newly-published poems, read Klopstock's Messias to crowded and enraptured audiences. Schubart's evil genius seemed asleep, but Schubart himself awoke it. He had borne a grudge against the clergy, ever since his banishment from Ludwigsburg; and he now employed the facilities of his journal for giving vent to it. He criticised the priesthood of Augsburg; speculated on their selfishness and cant, and took every opportunity of turning them and their proceedings into ridicule. The Jesuits especially, whom he regarded as a fallen body, he treated with extreme freedom; exposing their deceptions, and holding up to public contumely certain quacks whom they patronised. The Jesuitic Beast was prostrate, but not dead: it had still strength enough to lend a dangerous kick to any one who came too near it. One evening an official person waited upon Schubart, and mentioned an arrest by virtue of a warrant from the Catholic Buergermeister! Schubart was obliged to go to prison. The heads of the Protestant party made an effort in his favour: they procured his liberty, but not without a stipulation that he should immediately depart from Augsburg. Schubart asked to know his crime; but the Council answered him: "We have our reasons; let that satisfy you:" and with this very moderate satisfaction he was forced to leave their city.

But Schubart was now grown an adept in banishment; so trifling an event could not unhinge his equanimity. Driven out of Augsburg, the philosophic editor sought refuge in Ulm, where the publication of his journal had, for other reasons, already been appointed to take place. The Deutsche Chronik was as brilliant here as ever: it extended more and more through Germany; 'copies of it even came to London, Paris, Amsterdam, and Petersburg.' Nor had its author's fortune altered much; he had still the same employments, and remunerations, and extravagances; the same sort of friends, the same sort of enemies. The latter were a little busier than formerly: they propagated scandals; engraved caricatures, indited lampoons against him; but this he thought a very small matter. A man that has been three or four times banished, and as often put in prison, and for many years on the point of starving, will not trouble himself much about a gross or two of pasquinades. Schubart had his wife and family again beside him, he had money also to support them; so he sang and fiddled, talked and wrote, and 'built the lofty rhyme,' and cared no fig for any one.

But enemies, more fell than these, were lurking for the thoughtless Man of Paragraphs. The Jesuits had still their feline eyes upon him, and longed to have their talons in his flesh. They found a certain General Ried, who joined them on a quarrel of his own. This General Ried, the Austrian Agent at Ulm, had vowed inexpiable hatred against Schubart, it would seem, for a very slight cause indeed: once Schubart had engaged to play before him, and then finding that the harpsichord was out of order, had refused, flatly refused! The General's elevated spirit called for vengeance on this impudent plebeian; the Jesuits encouraged him; and thus all lay in eager watch. An opportunity ere long occurred. One week in 1778, there appeared in Schubart's newspaper an Extract of a Letter from Vienna, stating that 'the Empress Maria Theresa had been struck by apoplexy.' On reading which, the General made instant application to his Ducal Highness, requesting that the publisher of this 'atrocious libel' should be given up to him and 'sent to expiate his crime in Hungary,' by imprisonment—for life. The Duke desired his gallant friend to be at ease, for that he had long had his own eye on this man, and would himself take charge of him. Accordingly, a few days afterwards, Herr von Scholl, Comptroller of the Convent of Blaubeuren, came to Schubart with a multitude of compliments, inviting him to dinner, "as there was a stranger wishing to be introduced to him." Schubart sprang into the Schlitten with this wolf in sheep's clothing, and away they drove to Blaubeuren. Arrived here, the honourable Herr von Scholl left him in a private room, and soon returned with a posse of official Majors and Amtmen, the chief of whom advanced to Schubart, and declared him—an arrested man! The hapless Schubart thought it was a jest; but alas here was no jesting! Schubart then said with a composure scarcely to be looked for, that "he hoped the Duke would not condemn him unheard." In this too he was deceived; the men of office made him mount a carriage with them, and set off without delay for Hohenasperg. The Duke himself was there with his Duchess, when these bloodhounds and their prey arrived: the princely couple gazed from a window as the group went past them, and a fellow-creature took his farewell look of sun and sky!

If hitherto the follies of this man have cast an air of farce upon his sufferings, even when in part unmerited, such sentiments must now give place to that of indignation at his cruel and cold-blooded persecutors. Schubart, who never had the heart to hurt a fly, and with all his indiscretions, had been no man's enemy but his own, was conducted to a narrow subterraneous dungeon, and left, without book or pen, or any sort of occupation or society, to chew the cud of bitter thought, and count the leaden months as they passed over him, and brought no mitigation of his misery. His Serene Transparency of Wuertemberg, nay the heroic General himself, might have been satisfied, could they have seen him: physical squalor, combined with moral agony, were at work on Schubart; at the end of a year, he was grown so weak, that he could not stand except by leaning on the walls of his cell. A little while, and he bade fair to get beyond the reach of all his tyrants. This, however, was not what they wanted. The prisoner was removed to a wholesome upper room; allowed the use of certain books, the sight of certain company, and had, at least, the privilege to think and breathe without obstruction. He was farther gratified by hearing that his wife and children had been treated kindly: the boys had been admitted to the Stuttgard school, where Schiller was now studying; to their mother there had been assigned a pension of two hundred gulden. Charles of Wuertemberg was undoubtedly a weak and heartless man, but we know not that he was a savage one: in the punishment of Schubart, it is possible enough that he believed himself to be discharging an important duty to the world. The only subject of regret is, that any duty to the world, beyond the duty of existing inoffensively, should be committed to such hands; that men like Charles and Ried, endowed with so very small a fraction of the common faculties of manhood, should have the destiny of any living thing at their control.

Another mitigating circumstance in Schubart's lot was the character of his gaoler. This humane person had himself tasted the tender mercies of 'paternal' government; he knew the nature of a dungeon better even than his prisoner. 'For four years,' we are told, 'he had seen no human face; his scanty food had been lowered to him through a trap-door; neither chair nor table were allowed him, his cell was never swept, his beard and nails were left to grow, the humblest conveniences of civilised humanity were denied him!'[67] On this man affliction had produced its softening, not its hardening influence: he had grown religious, and merciful in heart; he studied to alleviate Schubart's hard fate by every means within his power. He spoke comfortingly to him; ministered to his infirmities, and, in spite of orders, lent him all his books. These, it is true, were only treatises on theosophy and mystical devotion; but they were the best he had; and to Schubart, in his first lonely dungeon, they afforded occupation and solace.

[Footnote 67: And yet Mr. Fox is reported to have said: There was one FREE Government on the Continent, and that one was—Wuertemberg. They had a parliament and 'three estates' like the English.—So much for paper Constitutions!]

Human nature will accommodate itself to anything. The King of Pontus taught himself to eat poison: Schubart, cut out from intemperance and jollity, did not pine away in confinement and abstemiousness; he had lost Voltaire and gay company, he found delight in solitude and Jacob Boehm. Nature had been too good to him to let his misery in any case be unalloyed. The vague unguided ebullience of spirit, which had so often set the table in a roar, and made him the most fascinating of debauchees, was now mellowed into a cloudy enthusiasm, the sable of which was still copiously blended with rainbow colours. His brain had received a slight though incurable crack; there was a certain exasperation mixed with his unsettled fervour; but he was not wretched, often even not uncomfortable. His religion was not real; but it had reality enough for present purposes; he was at once a sceptic and a mystic, a true disciple of Boehm as well as of Voltaire. For afflicted, irresolute, imaginative men like Schubart, this is not a rare or altogether ineffectual resource: at the bottom of their minds they doubt or disbelieve, but their hearts exclaim against the slightest whisper of it; they dare not look into the fathomless abyss of Infidelity, so they cover it over with the dense and strangely-tinted smoke of Theosophy. Schubart henceforth now and then employed the phrases and figures of religion; but its principles had made no change in his theory of human duties: it was not food to strengthen the weakness of his spirit, but an opiate to stay its craving.

Schubart had still farther resources: like other great men in captivity, he set about composing the history of his life. It is true, he had no pens or paper; but this could not deter him. A fellow-prisoner, to whom, as he one day saw him pass by the grating of his window, he had communicated his desire, entered eagerly into the scheme: the two contrived to unfasten a stone in a wall that divided their apartments; when the prison-doors were bolted for the night, this volunteer amanuensis took his place, Schubart trailed his mattress to the friendly orifice, and there lay down, and dictated in whispers the record of his fitful story. These memoirs have been preserved; they were published and completed by a son of Schubart's: we have often wished to see them, but in vain.

By day, Schubart had liberty to speak with certain visitors. One of these, as we have said above, was Schiller. That Schubart, in their single interview, was pleased with the enthusiastic friendly boy, we could have conjectured, and he has himself informed us. 'Excepting Schiller,' said the veteran garreteer, in writing afterwards to Gleim, 'I scarcely know of any German youth in whom the sacred spark of genius has mounted up within the soul like flame upon the altar of a Deity. We are fallen into the shameful times, when women bear rule over men; and make the toilet a tribunal before which the most gigantic minds must plead. Hence the stunted spirit of our poets; hence the dwarf products of their imagination; hence the frivolous witticism, the heartless sentiment, crippled and ricketed by soups, ragouts and sweetmeats, which you find in fashionable balladmongers.'

Time and hours wear out the roughest day. The world began to feel an interest in Schubart, and to take some pity on him: his songs and poems were collected and published; their merit and their author's misery exhibited a shocking contrast. His Highness of Wuertemberg at length condescended to remember that a mortal, of wants and feelings like his own, had been forced by him to spend, in sorrow and inaction, the third part of an ordinary lifetime; to waste, and worse than waste, ten years of precious time; time, of which not all the dukes and princes in the universe could give him back one instant. He commanded Schubart to be liberated; and the rejoicing Editor (unacquitted, unjudged, unaccused!) once more beheld the blue zenith and the full ring of the horizon. He joined his wife at Stuttgard, and recommenced his newspaper. The Deutsche Chronik was again popular; the notoriety of its conductor made amends for the decay which critics did not fail to notice in his faculties. Schubart's sufferings had in fact permanently injured him; his mind was warped and weakened by theosophy and solitude; bleak northern vapours often flitted over it, and chilled its tropical luxuriance. Yet he wrote and rhymed; discoursed on the corruption of the times, and on the means of their improvement. He published the first portion of his Life, and often talked amazingly about the Wandering Jew, and a romance of which he was to form the subject. The idea of making old Joannes a temporibus, the 'Wandering,' or as Schubart's countrymen denominate him the 'Eternal Jew,' into a novel hero, was a mighty favourite with him. In this antique cordwainer, as on a raft at anchor in the stream of time, he would survey the changes and wonders of two thousand years: the Roman and the Arab were to figure there; the Crusader and the Circumnavigator, the Eremite of the Thebaid and the Pope of Rome. Joannes himself, the Man existing out of Time and Space, Joannes the unresting and undying, was to be a deeply tragic personage. Schubart warmed himself with this idea; and talked about it in his cups, to the astonishment of simple souls. He even wrote a certain rhapsody connected with it, which is published in his poems. But here he rested; and the project of the Wandering Jew, which Goethe likewise meditated in his youth, is still unexecuted. Goethe turned to other objects: and poor Schubart was surprised by death, in the midst of his schemes, on the 10th of October 1791.

Of Schubart's character as a man, this record of his life leaves but a mean impression. Unstable in his goings, without principle or plan, he flickered through existence like an ignis-fatuus; now shooting into momentary gleams of happiness and generosity, now quenched in the mephitic marshes over which his zig-zag path conducted him. He had many amiable qualities, but scarcely any moral worth. From first to last his circumstances were against him; his education was unfortunate, its fluctuating aimless wanderings enhanced its ill effects. The thrall of the passing moment, he had no will; the fine endowments of his heart were left to riot in chaotic turbulence, and their forces cancelled one another. With better models and advisers, with more rigid habits, and a happier fortune, he might have been an admirable man: as it is, he is far from admirable.

The same defects have told with equal influence on his character as a writer. Schubart had a quick sense of the beautiful, the moving, and the true; his nature was susceptible and fervid; he had a keen intellect, a fiery imagination; and his 'iron memory' secured forever the various produce of so many gifts. But he had no diligence, no power of self-denial. His knowledge lay around him like the plunder of a sacked city. Like this too, it was squandered in pursuit of casual objects. He wrote in gusts; the labor limae et mora was a thing he did not know. Yet his writings have great merit. His newspaper essays abound in happy illustration and brilliant careless thought. His songs, excluding those of a devotional and theosophic cast, are often full of nature, heartiness and true simplicity. 'From his youth upwards,' we are told, 'he studied the true Old-German Volkslied; he watched the artisan on the street, the craftsman in his workshop, the soldier in his guardhouse, the maid by the spinning-wheel; and transferred the genuine spirit of primeval Germanism, which he found in them, to his own songs.' Hence their popularity, which many of them still retain. 'In his larger lyrical pieces,' observes the same not injudicious critic, 'we discover fearless singularity; wild imagination, dwelling rather on the grand and frightful than on the beautiful and soft; deep, but seldom long-continued feeling; at times far-darting thoughts, original images, stormy vehemence; and generally a glowing, self-created, figurative diction. He never wrote to show his art; but poured forth, from the inward call of his nature, the thought or feeling which happened for the hour to have dominion in him.'[68]

[Footnote 68: Joerdens Lexicon: from which most part of the above details are taken.—There exists now a decidedly compact, intelligent and intelligible Life of Schubart, done, in three little volumes, by Strauss, some years ago. (Note of 1857.)]

Such were Schubart and his works and fortunes; the disjecta membra of a richly-gifted but ill-starred and infatuated poet! The image of his persecutions added speed to Schiller's flight from Stuttgard; may the image of his wasted talents and ineffectual life add strength to our resolves of living otherwise!



LETTERS OF SCHILLER.

A few Extracts from Schiller's correspondence may be gratifying to some readers. The Letters to Dalberg, which constitute the chief part of it as yet before the public, are on the whole less interesting than might have been expected, if we did not recollect that the writer of them was still an inexperienced youth, overawed by his idea of Dalberg, to whom he could communicate with freedom only on a single topic; and besides oppressed with grievances, which of themselves would have weighed down his spirit, and prevented any frank or cordial exposition of its feelings.

Of the Reichsfreiherr von Dalberg himself, this correspondence gives us little information, and we have gleaned little elsewhere. He is mentioned incidentally in almost every literary history connected with his time; and generally as a mild gentlemanly person, a judicious critic, and a warm lover of the arts and their cultivators. The following notice of his death is extracted from the Conversations-Lexicon, Part III. p. 12: 'Died at Mannheim, on the 27th of December 1806, in his 85th year, Wolfgang Heribert, Reichsfreiherr von Dalberg; knighted by the Emperor Leopold on his coronation at Frankfort. A warm friend and patron of the arts and sciences; while the German Society flourished at Mannheim, he was its first President; and the theatre of that town, the school of the best actors in Germany, of Iffland, Beck, Beil, and many others, owes to him its foundation, and its maintenance throughout his long Intendancy, which he held till 1803. As a writer and a poet, he is no less favourably known. We need only refer to his Cora, a musical drama, and to 'the Monch von Carmel.'—These letters of Schiller were found among his papers at his death; rescued from destruction by two of his executors, and published at Carlsruhe, in a small duodecimo, in the year 1819. There is a verbose preface, but no note or comment, though some such aid is now and then a little wanted.

The letters most worthy of our notice are those relating to the exhibition of the Robbers on the Mannheim stage, and to Schiller's consequent embarrassments and flight. From these, accordingly, the most of our selections shall be taken. It is curious to see with what timidity the intercourse on Schiller's part commences; and how this awkward shyness gradually gives place to some degree of confidence, as he becomes acquainted with his patron, or is called to treat of subjects where he feels that he himself has a dignity, and rights of his own, forlorn and humble as he is. At first he never mentions Dalberg but with all his titles, some of which to our unceremonious ears seem ludicrous enough. Thus in the full style of German reverence, he avoids directly naming his correspondent, but uses the oblique designation of 'your Excellency,' or something equally exalted: and he begins his two earliest letters with an address, which, literally interpreted, runs thus: 'Empire-free, Highly-wellborn, Particularly-much-to-be-venerated, Lord Privy Counsellor!' Such sounding phrases make us smile: but they entirely depend on custom for their import, and the smile which they excite is not by any means a philosophic one. It is but fair that in our version we omit them, or render them by some more grave equivalent.

The first letter is as follows:

[No date.]

'The proud judgment, passed upon me in the flattering letter which I had the honour to receive from your Excellency, is enough to set the prudence of an Author on a very slippery eminence. The authority of the quarter it proceeds from, would almost communicate to that sentence the stamp of infallibility, if I could regard it as anything but a mere encouragement of my Muse. More than this a deep feeling of my weakness will not let me think it; but if my strength shall ever climb to the height of a masterpiece, I certainly shall have this warm approval of your Excellency alone to thank for it, and so will the world. For several years I have had the happiness to know you from the public papers: long ago the splendour of the Mannheim theatre attracted my attention. And, I confess, ever since I felt any touch of dramatic talent in myself, it has been among my darling projects some time or other to remove to Mannheim, the true temple of Thalia; a project, however, which my closer connection with Wuertemberg might possibly impede.

'Your Excellency's very kind proposal on the subject of the Robbers, and such other pieces as I may produce in future, is infinitely precious to me; the maturing of it well deserves a narrower investigation of your Excellency's theatre, its special mode of management, its actors, the non plus ultra of its machinery; in a word, a full conception of it, such as I shall never get while my only scale of estimation is this Stuttgard theatre of ours, an establishment still in its minority. Unhappily my economical circumstances render it impossible for me to travel much; though I could travel now with the greater happiness and confidence, as I have still some pregnant ideas for the Mannheim theatre, which I could wish to have the honour of communicating to your Excellency. For the rest, I remain,' &c.

From the second letter we learn that Schiller had engaged to theatrilise his original edition of the Robbers, and still wished much to be connected in some shape with Mannheim. The third explains itself:

'Stuttgard, 6th October 1781.

'Here then at last returns the luckless prodigal, the remodelled Robbers! I am sorry that I have not kept the time, appointed by myself; but a transitory glance at the number and extent of the changes I have made, will, I trust, be sufficient to excuse me. Add to this, that a contagious epidemic was at work in our military Hospital, which, of course, interfered very often with my otia poetica. After finishing my work, I may assure you I could engage with less effort of mind, and certainly with far more contentment, to compose a new piece, than to undergo the labour I have just concluded. The task was complicated and tedious. Here I had to correct an error, which naturally was rooted in the very groundwork of the play; there perhaps to sacrifice a beauty to the limits of the stage, the humour of the pit, the stupidity of the gallery, or some such sorrowful convention; and I need not tell you, that as in nature, so on the stage, an idea, an emotion, can have only one suitable expression, one proper tone. A single alteration in a trait of character may give a new tendency to the whole personage, and, consequently, to his actions, and the mechanism of the piece which depends on them.

'In the original, the Robbers are exhibited in strong contrast with each other; and I dare maintain that it is difficult to draw half a dozen robbers in strong contrast, without in some of them offending the delicacy of the stage. In my first conception of the piece, I excluded the idea of its ever being represented in a theatre; hence came it that Franz was planned as a reasoning villain; a plan which, though it may content the thinking Reader, cannot fail to vex and weary the Spectator, who does not come to think, and who wants not philosophy, but action.

'In the new edition, I could not overturn this arrangement without breaking-down the whole economy of the piece. Accordingly I can predict, with tolerable certainty, that Franz when he appears on the stage, will not play the part which he has played with the reader. And, at all events, the rushing stream of the action will hurry the spectator over all the finer shadings, and rob him of a third part of the whole character.

'Karl von Moor might chance to form an era on the stage; except a few speculations, which, however, work as indispensable colours in the general picture, he is all action, all visible life. Spiegelberg, Schweitzer, Hermann, are, in the strictest sense, personages for the stage; in a less degree, Amelia and the Father.

'Written and oral criticisms I have endeavoured to turn to advantage. The alterations are important; certain scenes are altogether new. Of this number, are Hermann's counter-plots to undermine the schemes of Franz; his interview with that personage, which, in the first composition of the work, was entirely and very unhappily forgotten. His interview with Amelia in the garden has been postponed to the succeeding act; and my friends tell me that I could have fixed upon no better act than this, no better time than a few moments prior to the meeting of Amelia with Moor. Franz is brought a little nearer human nature; but the mode of it is rather strange. A scene like his condemnation in the fifth act has never, to my knowledge, been exhibited on any stage; and the same may be said of the scene where Amelia is sacrificed by her lover.

'If the piece should be too long, it stands at the discretion of the manager to abbreviate the speculative parts of it, or here and there, without prejudice to the general impression, to omit them altogether. But in the printing, I use the freedom humbly to protest against the leaving out of anything. I had satisfactory reasons of my own for all that I allowed to pass; and my submission to the stage does not extend so far, that I can leave holes in my work, and mutilate the characters of men for the convenience of actors.

'In regard to the selection of costume, without wishing to prescribe any rules, I may be permitted to remark, that though in nature dress is unimportant, on the stage it is never so. In this particular, the taste of my Robber Moor will not be difficult to hit. He wears a plume; for this is mentioned expressly in the play, at the time when he abdicates his office. I have also given him a baton. His dress should always be noble without ornament, unstudied but not negligent.

'A young but excellent composer is working at a symphony for my unhappy prodigal: I know it will be masterly. So soon as it is finished, I shall take the liberty of offering it to you.

'I must also beg you to excuse the irregular state of the manuscript, the incorrectness of the penmanship. I was in haste to get the piece ready for you; hence the double sort of handwriting in it; hence also my forbearing to correct it. My copyist, according to the custom of all reforming caligraphers, I find, has wofully abused the spelling. To conclude, I recommend myself and my endeavours to the kindness of an honoured judge. I am,' &c.

'Stuttgard, 12th December 1781.

'With the change projected by your Excellency, in regard to the publishing of my play, I feel entirely contented, especially as I perceive that by this means two interests that had become very alien, are again made one, without, as I hope, any prejudice to the results and the success of my work. Your Excellency, however, touches on some other very weighty changes, which the piece has undergone from your hands; and these, in respect of myself, I feel to be so important, that I shall beg to explain my mind at some length regarding them. At the outset, then, I must honestly confess to you, I hold the projected transference of the action represented in my play to the epoch of the Landfried, and the Suppression of Private Wars, with the whole accompaniment which it gains by this new position, as infinitely better than mine; and must hold it so, although the whole piece should go to ruin thereby. Doubtless it is an objection, that in our enlightened century, with our watchful police and fixedness of statute, such a reckless gang should have arisen in the very bosom of the laws, and still more, have taken root and subsisted for years: doubtless the objection is well founded, and I have nothing to allege against it, but the license of Poetry to raise the probabilities of the real world to the rank of true, and its possibilities to the rank of probable.

'This excuse, it must be owned, is little adequate to the objection it opposes. But when I grant your Excellency so much (and I grant it honestly, and with complete conviction), what will follow? Simply that my play has got an ugly fault at its birth, which fault, if I may say so, it must carry with it to its grave, the fault being interwoven with its very nature, and not to be removed without destruction of the whole.

'In the first place, all my personages speak in a style too modern, too enlightened for that ancient time. The dialect is not the right one. That simplicity so vividly presented to us by the author of Goetz von Berlichingen, is altogether wanting. Many long tirades, touches great and small, nay entire characters, are taken from the aspect of the present world, and would not answer for the age of Maximilian. In a word, this change would reduce the piece into something like a certain woodcut which I remember meeting with in an edition of Virgil. The Trojans wore hussar boots, and King Agamemnon had a pair of pistols in his belt. I should commit a crime against the age of Maximilian, to avoid an error against the age of Frederick the Second.

'Again, my whole episode of Amelia's love would make a frightful contrast with the simple chivalry attachment of that period. Amelia would, at all hazards, need to be re-moulded into a chivalry maiden; and I need not tell you that this character, and the sort of love which reigns in my work, are so deeply and broadly tinted into the whole picture of the Robber Moor, nay, into the whole piece, that every part of the delineation would require to be re-painted, before those tints could be removed. So likewise is it with the character of Franz, that speculative, metaphysico-refining knave.