 |
The Life of Charlotte Bronte by Elizabeth Claghorn Gaskell Volume 2 [At this date we are still working on Volume 1]
by ELIZABETH CLAGHORN GASKELL
CONTENTS OF VOLUME TWO
CHAPTER I. Mr. Bronte afflicted with blindness, and relieved by a successful operation for cataract—Charlotte Bronte's first work of fiction, "The Professor"—She commences "Jane Eyre"—Circumstances attending its composition—Her ideas of a heroine—Her attachment to home—Haworth in December—A letter of confession and counsel.
CHAPTER II. State of Charlotte Bronte's health at the commencement of 1847— Family trials—"Wuthering Heights" and "Agnes Grey" accepted by a publisher—"The Professor" rejected—Completion of "Jane Eyre", its reception and publication—The reviews of "Jane Eyre", and the author's comments on them—Her father's reception of the book—Public interest excited by "Jane Eyre"—Dedication of the second edition to Mr. Thackeray—Correspondence of Currer Bell with Mr. Lewes on "Jane Eyre"—Publication of "Wuthering Heights" and "Agnes Grey"—Miss Bronte's account of the authoress of "Wuthering Heights"—Domestic anxieties of the Bronte sisters—Currer Bell's correspondence with Mr. Lewes—Unhealthy state of Haworth—Charlotte Bronte on the revolutions of 1848—Her repudiation of authorship—Anne Bronte's second tale, "The Tenant of Wildfell Hall"—Misunderstanding as to the individuality of the three Bells, and its results—Currer and Acton Bell visit London—Charlotte Bronte's account of her visit—The Chapter Coffee House—The Clergy Daughters' School at Casterton—Death of Branwell Bronte—Illness and death of Emily Bronte.
CHAPTER III The Quarterly Review on "Jane Eyre"—Severe illness of Anne Bronte—Her last verses—She is removed to Scarborough—Her last hours, and death and burial there—Charlotte's return to Haworth, and her loneliness.
CHAPTER IV. Commencement and completion of "Shirley"—Originals of the characters, and circumstances under which it was written—Loss on railway shares—Letters to Mr. Lewes and other friends on "Shirley," and the reviews of it—Miss Bronte visits London, meets Mr. Thackeray, and makes the acquaintance of Miss Martineau—Her impressions of literary men.
CHAPTER V. "Currer Bell" identified as Miss Bronte at Haworth and the vicinity—Her letter to Mr. Lewes on his review of "Shirley"—Solitude and heavy mental sadness and anxiety—She visits Sir J. and Lady Kay Shuttleworth—Her comments on critics, and remarks on Thackeray's "Pendennis" and Scott's "Suggestions on Female Education"—Opinions of "Shirley" by Yorkshire readers.
CHAPTER VI. An unhealthy spring at Haworth—Miss Bronte's proposed visit to London—Her remarks on "The Leader"—Associations of her walks on the moors—Letter to an unknown admirer of her works—Incidents of her visit to London—Her impressions of a visit to Scotland—Her portrait, by Richmond—Anxiety about her father.
CHAPTER VII. Visit to Sir J. and Lady Kay Shuttleworth—The biographer's impressions of Miss Bronte—Miss Bronte's account of her visit to the Lakes of Westmoreland—Her disinclination for acquaintance and visiting—Remarks on "Woman's Mission," Tennyson's "In Memoriam," etc.—Impressions of her visit to Scotland—Remarks on a review in the "Palladium."
CHAPTER VIII. Intended republication of "Wuthering Heights" and "Agnes Grey"— Reaction after her visit to Scotland—Her first meeting with Mr. Lewes—Her opinion of Balzac and George Sand—A characteristic incident—Account of a friendly visit to Haworth Parsonage—Remarks on "The Roman," by Sydney Dobell, and on the character of Dr. Arnold—Letter to Mr. Dobell.
CHAPTER IX. Miss Bronte's visit to Miss Martineau, and estimate of her hostess—Remarks on Mr. Ruskin's "Stones of Venice"—Preparations for another visit to London—Letter to Mr. Sydney Dobell: the moors in autumn—Mr. Thackeray's second lecture at Willis's Rooms, and sensation produced by Currer Bell's appearance there—Her account of her visit to London—She breakfasts with Mr. Rogers, visits the Great Exhibition, and sees Lord Westminster's pictures—Return to Haworth and letter thence—Her comment on Mr. Thackeray's Lecture—Counsel on development of character.
CHAPTER X. Remarks on friendship—Letter to Mrs. Gaskell on her and Miss Martineau's views of the Great Exhibition and Mr. Thackeray's lecture, and on the "Saint's Tragedy"—Miss Bronte's feelings towards children—Her comments on Mr. J. S. Mill's article on the Emancipation of Women—More illness at Haworth Parsonage—Letter on Emigration—Periodical returns of illness—Miss Wooler visits Haworth—Miss Bronte's impressions of her visit to London—Her account of the progress of Villette—Her increasing illness and sufferings during winter—Her letter on Mr. Thackeray's Esmond— Revival of sorrows and accessions of low spirits—Remarks on some recent books—Retrospect of the winter of 1851-2—Letter to Mrs. Gaskell on "Ruth."
CHAPTER XI. Miss Bronte revisits Scarborough—Serious illness and ultimate convalescence of her father—Her own illness—"Villette" nearly completed—Further remarks on "Esmond" and "Uncle Tom's Cabin"—Letter respecting "Villette"—Another letter about "Villette"—Instance of extreme sensibility.
CHAPTER XII. The biographer's difficulty—Deep and enduring attachment of Mr. Nicholls for Miss Bronte—Instance of her self-abnegation—She again visits London—Impressions of this visit—Letter to Mrs. Gaskell—Reception of the critiques on "Villette"—Misunderstanding with Miss Martineau—Letter on Mr. Thackeray's portrait—Visit of the Bishop of Ripon to Haworth Parsonage—Her wish to see the unfavourable critiques on her works—Her nervous shyness of strangers, and its cause—Letter on Mr. Thackeray's lectures.
CHAPTER XIII. Letter to Mrs. Gaskell on writing fiction, etc.—The biographer's account of her visit to Haworth, and reminiscences of conversations with Miss Bronte—Letters from Miss Bronte to her friends—Her engagement to Mr. Nicholls, and preparations for the marriage—The marriage ceremony and wedding tour—Her happiness in the married state—New symptoms of illness, and their cause—The two last letters written by Mrs. Nicholls—An alarming change—Her death.
CHAPTER XIV. Mourners at the funeral—Conclusion.
CHAPTER I
During this summer of 1846, while her literary hopes were waning, an anxiety of another kind was increasing. Her father's eyesight had become seriously impaired by the progress of the cataract which was forming. He was nearly blind. He could grope his way about, and recognise the figures of those he knew well, when they were placed against a strong light; but he could no longer see to read; and thus his eager appetite for knowledge and information of all kinds was severely balked. He continued to preach. I have heard that he was led up into the pulpit, and that his sermons were never so effective as when he stood there, a grey sightless old man, his blind eyes looking out straight before him, while the words that came from his lips had all the vigour and force of his best days. Another fact has been mentioned to me, curious as showing the accurateness of his sensation of time. His sermons had always lasted exactly half an hour. With the clock right before him, and with his ready flow of words, this had been no difficult matter as long as he could see. But it was the same when he was blind; as the minute-hand came to the point, marking the expiration of the thirty minutes, he concluded his sermon.
Under his great sorrow he was always patient. As in times of far greater affliction, he enforced a quiet endurance of his woe upon himself. But so many interests were quenched by this blindness that he was driven inwards, and must have dwelt much on what was painful and distressing in regard to his only son. No wonder that his spirits gave way, and were depressed. For some time before this autumn, his daughters had been collecting all the information they could respecting the probable success of operations for cataract performed on a person of their father's age. About the end of July, Emily and Charlotte had made a journey to Manchester for the purpose of searching out an operator; and there they heard of the fame of the late Mr. Wilson as an oculist. They went to him at once, but he could not tell, from description, whether the eyes were ready for being operated upon or not. It therefore became necessary for Mr. Bronte to visit him; and towards the end of August, Charlotte brought her father to him. He determined at once to undertake the operation, and recommended them to comfortable lodgings, kept by an old servant of his. These were in one of numerous similar streets of small monotonous-looking houses, in a suburb of the town. From thence the following letter is dated, on August 21st, 1846:—
"I just scribble a line to you to let you know where I am, in order that you may write to me here, for it seems to me that a letter from you would relieve me from the feeling of strangeness I have in this big town. Papa and I came here on Wednesday; we saw Mr. Wilson, the oculist, the same day; he pronounced papa's eyes quite ready for an operation, and has fixed next Monday for the performance of it. Think of us on that day! We got into our lodgings yesterday. I think we shall be comfortable; at least our rooms are very good, but there is no mistress of the house (she is very ill, and gone out into the country), and I am somewhat puzzled in managing about provisions; we board ourselves. I find myself excessively ignorant. I can't tell what to order in the way of meat. For ourselves I could contrive, papa's diet is so very simple; but there will be a nurse coming in a day or two, and I am afraid of not having things good enough for her. Papa requires nothing, you know, but plain beef and mutton, tea and bread and butter; but a nurse will probably expect to live much better; give me some hints if you can. Mr. Wilson says we shall have to stay here for a month at least. I wonder how Emily and Anne will get on at home with Branwell. They, too, will have their troubles. What would I not give to have you here! One is forced, step by step, to get experience in the world; but the learning is so disagreeable. One cheerful feature in the business is, that Mr. Wilson thinks most favourably of the case."
"August 26th, 1846.
"The operation is over; it took place yesterday Mr. Wilson performed it; two other surgeons assisted. Mr. Wilson says, he considers it quite successful; but papa cannot yet see anything. The affair lasted precisely a quarter of an hour; it was not the simple operation of couching Mr. C. described, but the more complicated one of extracting the cataract. Mr. Wilson entirely disapproves of couching. Papa displayed extraordinary patience and firmness; the surgeons seemed surprised. I was in the room all the time; as it was his wish that I should be there; of course, I neither spoke nor moved till the thing was done, and then I felt that the less I said, either to papa or the surgeons, the better. Papa is now confined to his bed in a dark room, and is not to be stirred for four days; he is to speak and be spoken to as little as possible. I am greatly obliged to you for your letter, and your kind advice, which gave me extreme satisfaction, because I found I had arranged most things in accordance with it, and, as your theory coincides with my practice, I feel assured the latter is right. I hope Mr. Wilson will soon allow me to dispense with the nurse; she is well enough, no doubt, but somewhat too obsequious; and not, I should think, to be much trusted; yet I was obliged to trust her in some things. . . .
"Greatly was I amused by your account of ——'s flirtations; and yet something saddened also. I think Nature intended him for something better than to fritter away his time in making a set of poor, unoccupied spinsters unhappy. The girls, unfortunately, are forced to care for him, and such as him, because, while their minds are mostly unemployed, their sensations are all unworn, and, consequently, fresh and green; and he, on the contrary, has had his fill of pleasure, and can with impunity make a mere pastime of other people's torments. This is an unfair state of things; the match is not equal. I only wish I had the power to infuse into the souls of the persecuted a little of the quiet strength of pride—of the supporting consciousness of superiority (for they are superior to him because purer)—of the fortifying resolve of firmness to bear the present, and wait the end. Could all the virgin population of —— receive and retain these sentiments, he would continually have to veil his crest before them. Perhaps, luckily, their feelings are not so acute as one would think, and the gentleman's shafts consequently don't wound so deeply as he might desire. I hope it is so."
A few days later, she writes thus: "Papa is still lying in bed, in a dark room, with his eyes bandaged. No inflammation ensued, but still it appears the greatest care, perfect quiet, and utter privation of light are necessary to ensure a good result from the operation. He is very patient, but, of course, depressed and weary. He was allowed to try his sight for the first time yesterday. He could see dimly. Mr. Wilson seemed perfectly satisfied, and said all was right. I have had bad nights from the toothache since I came to Manchester."
All this time, notwithstanding the domestic anxieties which were harassing them—notwithstanding the ill-success of their poems—the three sisters were trying that other literary venture, to which Charlotte made allusion in one of her letters to the Messrs. Aylott. Each of them had written a prose tale, hoping that the three might be published together. "Wuthering Heights" and "Agnes Grey" are before the world. The third—Charlotte's contribution—is yet in manuscript, but will be published shortly after the appearance of this memoir. The plot in itself is of no great interest; but it is a poor kind of interest that depends upon startling incidents rather than upon dramatic development of character; and Charlotte Bronte never excelled one or two sketches of portraits which she had given in "The Professor", nor, in grace of womanhood, ever surpassed one of the female characters there described. By the time she wrote this tale, her taste and judgment had revolted against the exaggerated idealisms of her early girlhood, and she went to the extreme of reality, closely depicting characters as they had shown themselves to her in actual life: if there they were strong even to coarseness,—as was the case with some that she had met with in flesh and blood existence,—she "wrote them down an ass;" if the scenery of such life as she saw was for the most part wild and grotesque, instead of pleasant or picturesque, she described it line for line. The grace of the one or two scenes and characters, which are drawn rather from her own imagination than from absolute fact stand out in exquisite relief from the deep shadows and wayward lines of others, which call to mind some of the portraits of Rembrandt.
The three tales had tried their fate in vain together, at length they were sent forth separately, and for many months with still- continued ill success. I have mentioned this here, because, among the dispiriting circumstances connected with her anxious visit to Manchester, Charlotte told me that her tale came back upon her hands, curtly rejected by some publisher, on the very day when her father was to submit to his operation. But she had the heart of Robert Bruce within her, and failure upon failure daunted her no more than him. Not only did "The Professor" return again to try his chance among the London publishers, but she began, in this time of care and depressing inquietude, in those grey, weary, uniform streets; where all faces, save that of her kind doctor, were strange and untouched with sunlight to her,—there and then, did the brave genius begin "Jane Eyre". Read what she herself says:—"Currer Bell's book found acceptance nowhere, nor any acknowledgment of merit, so that something like the chill of despair began to invade his heart." And, remember it was not the heart of a person who, disappointed in one hope, can turn with redoubled affection to the many certain blessings that remain. Think of her home, and the black shadow of remorse lying over one in it, till his very brain was mazed, and his gifts and his life were lost;—think of her father's sight hanging on a thread;—of her sister's delicate health, and dependence on her care;—and then admire as it deserves to be admired, the steady courage which could work away at "Jane Eyre", all the time "that the one-volume tale was plodding its weary round in London."
I believe I have already mentioned that some of her surviving friends consider that an incident which she heard, when at school at Miss Wooler's, was the germ of the story of Jane Eyre. But of this nothing. can be known, except by conjecture. Those to whom she spoke upon the subject of her writings are dead and silent; and the reader may probably have noticed, that in the correspondence from which I have quoted, there has been no allusion whatever to the publication of her poems, nor is there the least hint of the intention of the sisters to publish any tales. I remember, however, many little particulars which Miss Bronte gave me, in answer to my inquiries respecting her mode of composition, etc. She said, that it was not every day, that she could write. Sometimes weeks or even months elapsed before she felt that she had anything to add to that portion of her story which was already written. Then, some morning, she would waken up, and the progress of her tale lay clear and bright before her, in distinct vision. when this was the case, all her care was to discharge her household and filial duties, so as to obtain leisure to sit down and write out the incidents and consequent thoughts, which were, in fact, more present to her mind at such times than her actual life itself. Yet notwithstanding this "possession" (as it were), those who survive, of her daily and household companions, are clear in their testimony, that never was the claim of any duty, never was the call of another for help, neglected for an instant. It had become necessary to give Tabby—now nearly eighty years of age—the assistance of a girl. Tabby relinquished any of her work with jealous reluctance, and could not bear to be reminded, though ever so delicately, that the acuteness of her senses was dulled by age. The other servant might not interfere with what she chose to consider her exclusive work. Among other things, she reserved to herself the right of peeling the potatoes for dinner; but as she was growing blind, she often left in those black specks, which we in the North call the "eyes" of the potato. Miss Bronte was too dainty a housekeeper to put up with this; yet she could not bear to hurt the faithful old servant, by bidding the younger maiden go over the potatoes again, and so reminding Tabby that her work was less effectual than formerly. Accordingly she would steal into the kitchen, and quietly carry off the bowl of vegetables, without Tabby's being aware, and breaking off in the full flow of interest and inspiration in her writing, carefully cut out the specks in the potatoes, and noiselessly carry them back to their place. This little proceeding may show how orderly and fully she accomplished her duties, even at those times when the "possession" was upon her.
Any one who has studied her writings,—whether in print or in her letters; any one who has enjoyed the rare privilege of listening to her talk, must have noticed her singular felicity in the choice of words. She herself, in writing her books, was solicitous on this point. One set of words was the truthful mirror of her thoughts; no others, however apparently identical in meaning, would do. She had that strong practical regard for the simple holy truth of expression, which Mr. Trench has enforced, as a duty too often neglected. She would wait patiently searching for the right term, until it presented itself to her. It might be provincial, it might be derived from the Latin; so that it accurately represented her idea, she did not mind whence it came; but this care makes her style present the finish of a piece of mosaic. Each component part, however small, has been dropped into the right place. She never wrote down a sentence until she clearly understood what she wanted to say, had deliberately chosen the words, and arranged them in their right order. Hence it comes that, in the scraps of paper covered with her pencil writing which I have seen, there will occasionally be a sentence scored out, but seldom, if ever, a word or an expression. She wrote on these bits of paper in a minute hand, holding each against a piece of board, such as is used in binding books, for a desk. This plan was necessary for one so short-sighted as she was; and, besides, it enabled her to use pencil and paper, as she sat near the fire in the twilight hours, or if (as was too often the case) she was wakeful for hours in the night. Her finished manuscripts were copied from these pencil scraps, in clear, legible, delicate traced writing, almost as easy to read as print.
The sisters retained the old habit, which was begun in their aunt's life-time, of putting away their work at nine o'clock, and beginning their study, pacing up and down the sitting room. At this time, they talked over the stories they were engaged upon, and described their plots. Once or twice a week, each read to the others what she had written, and heard what they had to say about it. Charlotte told me, that the remarks made had seldom any effect in inducing her to alter her work, so possessed was she with the feeling that she had described reality; but the readings were of great and stirring interest to all, taking them out of the gnawing pressure of daily-recurring cares, and setting them in a free place. It was on one of these occasions, that Charlotte determined to make her heroine plain, small, and unattractive, in defiance of the accepted canon.
The writer of the beautiful obituary article on "the death of Currer Bell" most likely learnt from herself what is there stated, and which I will take the liberty of quoting, about Jane Eyre.
"She once told her sisters that they were wrong—even morally wrong—in making their heroines beautiful as a matter of course. They replied that it was impossible to make a heroine interesting on any other terms. Her answer was, 'I will prove to you that you are wrong; I will show you a heroine as plain and as small as myself, who shall be as interesting as any of yours.' Hence 'Jane Eyre,' said she in telling the anecdote: 'but she is not myself, any further than that.' As the work went on, the interest deepened to the writer. When she came to 'Thornfield' she could not stop. Being short-sighted to excess, she wrote in little square paper-books, held close to her eyes, and (the first copy) in pencil. On she went, writing incessantly for three weeks; by which time she had carried her heroine away from Thornfield, and was herself in a fever which compelled her to pause."
This is all, I believe, which can now be told respecting the conception and composition of this wonderful book, which was, however, only at its commencement when Miss Bronte returned with her father to Haworth, after their anxious expedition to Manchester.
They arrived at home about the end of September. Mr. Bronte was daily gaining strength, but he was still forbidden to exercise his sight much. Things had gone on more comfortably while she was away than Charlotte had dared to hope, and she expresses herself thankful for the good ensured and the evil spared during her absence.
Soon after this some proposal, of which I have not been able to gain a clear account, was again mooted for Miss Bronte's opening a school at some place distant from Haworth. It elicited the following fragment of a characteristic reply:—
"Leave home!—I shall neither be able to find place nor employment, perhaps, too, I shall be quite past the prime of life, my faculties will be rusted, and my few acquirements in a great measure forgotten. These ideas sting me keenly sometimes; but, whenever I consult my conscience, it affirms that I am doing right in staying at home, and bitter are its upbraidings when I yield to an eager desire for release. I could hardly expect success if I were to err against such warnings. I should like to hear from you again soon. Bring —— to the point, and make him give you a clear, not a vague, account of what pupils he really could promise; people often think they can do great things in that way till they have tried; but getting pupils is unlike getting any other sort of goods."
Whatever might be the nature and extent of this negotiation, the end of it was that Charlotte adhered to the decision of her conscience, which bade her remain at home, as long as her presence could cheer or comfort those who were in distress, or had the slightest influence over him who was the cause of it. The next extract gives us a glimpse into the cares of that home. It is from a letter dated December 15th.
"I hope you are not frozen up; the cold here is dreadful. I do not remember such a series of North-Pole days. England might really have taken a slide up into the Arctic Zone; the sky looks like ice; the earth is frozen; the wind is as keen as a two-edged blade. We have all had severe colds and coughs in consequence of the weather. Poor Anne has suffered greatly from asthma, but is now, we are glad to say, rather better. She had two nights last week when her cough and difficulty of breathing were painful indeed to hear and witness, and must have been most distressing to suffer; she bore it, as she bears all affliction, without one complaint, only sighing now and then when nearly worn out. She has an extraordinary heroism of endurance. I admire, but I certainly could not imitate her." . . . "You say I am to 'tell you plenty.' What would you have me say? Nothing happens at Haworth; nothing, at least, of a pleasant kind. One little incident occurred about a week ago, to sting us to life; but if it gives no more pleasure for you to hear, than it did for us to witness, you will scarcely thank me for adverting to it. It was merely the arrival of a Sheriff's officer on a visit to B., inviting him either to pay his debts or take a trip to York. Of course his debts had to be paid. It is not agreeable to lose money, time after time, in this way; but where is the use of dwelling on such subjects? It will make him no better."
"December 28th.
"I feel as if it was almost a farce to sit down and write to you now, with nothing to say worth listening to; and, indeed, if it were not for two reasons, I should put off the business at least a fortnight hence. The first reason is, I want another letter from you, for your letters are interesting, they have something in them; some results of experience and observation; one receives them with pleasure, and reads them with relish; and these letters I cannot expect to get, unless I reply to them. I wish the correspondence could be managed so as to be all on one side. The second reason is derived from a remark in your last, that you felt lonely, something as I was at Brussels, and that consequently you had a peculiar desire to hear from old acquaintance. I can understand and sympathise with this. I remember the shortest note was a treat to me, when I was at the above-named place; therefore I write. I have also a third reason: it is a haunting terror lest you should imagine I forget you—that my regard cools with absence. It is not in my nature to forget your nature; though, I dare say, I should spit fire and explode sometimes if we lived together continually; and you, too, would get angry, and then we should get reconciled and jog on as before. Do you ever get dissatisfied with your own temper when you are long fixed to one place, in one scene, subject to one monotonous species of annoyance? I do: I am now in that unenviable frame of mind; my humour, I think, is too soon over- thrown, too sore, too demonstrative and vehement. I almost long for some of the uniform serenity you describe in Mrs. ——'s disposition; or, at least, I would fain have her power of self- control and concealment; but I would not take her artificial habits and ideas along with her composure. After all I should prefer being as I am. . . You do right not to be annoyed at any maxims of conventionality you meet with. Regard all new ways in the light of fresh experience for you: if you see any honey gather it." . . . "I don't, after all, consider that we ought to despise everything we see in the world, merely because it is not what we are accustomed to. I suspect, on the contrary, that there are not unfrequently substantial reasons underneath for customs that appear to us absurd; and if I were ever again to find myself amongst strangers, I should be solicitous to examine before I condemned. Indiscriminating irony and faultfinding are just sumphishness, and that is all. Anne is now much better, but papa has been for near a fortnight far from well with the influenza; he has at times a most distressing cough, and his spirits are much depressed."
So ended the year 1846.
CHAPTER II
The next year opened with a spell of cold dreary weather, which told severely on a constitution already tried by anxiety and care. Miss Bronte describes herself as having utterly lost her appetite, and as looking "grey, old, worn and sunk," from her sufferings during the inclement season. The cold brought on severe toothache; toothache was the cause of a succession of restless miserable nights; and long wakefulness told acutely upon her nerves, making them feel with redoubled sensitiveness all the harass of her oppressive life. Yet she would not allow herself to lay her bad health to the charge of an uneasy mind; "for after all," said she at this time, "I have many, many things to be thankful for." But the real state of things may be gathered from the following extracts from her letters.
"March 1st.
"Even at the risk of appearing very exacting, I can't help saying that I should like a letter as long as your last, every time you write. Short notes give one the feeling of a very small piece of a very good thing to eat,—they set the appetite on edge, and don't satisfy it,—a letter leaves you more contented; and yet, after all, I am very glad to get notes; so don't think, when you are pinched for time and materials, that it is useless to write a few lines; be assured, a few lines are very acceptable as far as they go; and though I like long letters, I would by no means have you to make a task of writing them. . . . I really should like you to come to Haworth, before I again go to B——. And it is natural and right that I should have this wish. To keep friendship in proper order, the balance of good offices must be preserved, otherwise a disquieting and anxious feeling creeps in, and destroys mutual comfort. In summer and in fine weather, your visit here might be much better managed than in winter. We could go out more, be more independent of the house and of our room. Branwell has been conducting himself very badly lately. I expect, from the extravagance of his behaviour, and from mysterious hints he drops (for he never will speak out plainly), that we shall be hearing news of fresh debts contracted by him soon. My health is better: I lay the blame of its feebleness on the cold weather, more than on an uneasy mind."
"March 24th, 1847.
"It is at Haworth, if all be well, that we must next see each other again. I owe you a grudge for giving Miss M—— some very exaggerated account about my not being well, and setting her on to urge my leaving home as quite a duty. I'll take care not to tell you next time, when I think I am looking specially old and ugly; as if people could not have that privilege, without being supposed to be at the last gasp! I shall be thirty-one next birthday. My youth is gone like a dream; and very little use have I ever made of it. What have I done these last thirty years? Precious little."
The quiet, sad year stole on. The sisters were contemplating near at hand, and for a long time, the terrible effects of talents misused and faculties abused in the person of that brother, once their fond darling and dearest pride. They had to cheer the poor old father, into whose heart all trials sank the deeper, because of the silent stoicism of his endurance. They had to watch over his health, of which, whatever was its state, he seldom complained. They had to save, as much as they could, the precious remnants of his sight. They had to order the frugal household with increased care, so as to supply wants and expenditure utterly foreign to their self-denying natures. Though they shrank from overmuch contact with their fellow-beings, for all whom they met they had kind words, if few; and when kind actions were needed, they were not spared, if the sisters at the parsonage could render them. They visited the parish-schools duly; and often were Charlotte's rare and brief holidays of a visit from home shortened by her sense of the necessity of being in her place at the Sunday-school.
In the intervals of such a life as this, "Jane Eyre" was making progress. "The Professor" was passing slowly and heavily from publisher to publisher. "Wuthering Heights" and "Agnes Grey" had been accepted by another publisher, "on terms somewhat impoverishing to the two authors;" a bargain to be alluded to more fully hereafter. It was lying in his hands, awaiting his pleasure for its passage through the press, during all the months of early summer.
The piece of external brightness to which the sisters looked during these same summer months, was the hope that the friend to whom so many of Charlotte's letters are addressed, and who was her chosen companion, whenever circumstances permitted them to be together, as well as a favourite with Emily and Anne, would be able to pay them a visit at Haworth. Fine weather had come in May, Charlotte writes, and they hoped to make their visitor decently comfortable. Their brother was tolerably well, having got to the end of a considerable sum of money which he became possessed of in the spring, and therefore under the wholesome restriction of poverty. But Charlotte warns her friend that she must expect to find a change in his appearance, and that he is broken in mind; and ends her note of entreating invitation by saying, "I pray for fine weather, that we may get out while you stay."
At length the day was fixed.
"Friday will suit us very well. I DO trust nothing will now arise to prevent your coming. I shall be anxious about the weather on that day; if it rains, I shall cry. Don't expect me to meet you; where would be the good of it? I neither like to meet, nor to be met. Unless, indeed, you had a box or a basket for me to carry; then there would be some sense in it. Come in black, blue, pink, white, or scarlet, as you like. Come shabby or smart, neither the colour nor the condition signifies; provided only the dress contain E——, all will be right."
But there came the first of a series of disappointments to be borne. One feels how sharp it must have been to have wrung out the following words.
"May 20th.
"Your letter of yesterday did indeed give me a cruel chill of disappointment. I cannot blame you, for I know it was not your fault. I do not altogether exempt —— from reproach. . . . This is bitter, but I feel bitter. As to going to B——, I will not go near the place till you have been to Haworth. My respects to all and sundry, accompanied with a large amount of wormwood and gall, from the effusion of which you and your mother are alone excepted.—C. B.
"You are quite at liberty to tell what I think, if you judge proper. Though it is true I may be somewhat unjust, for I am deeply annoyed. I thought I had arranged your visit tolerably comfortable for you this time. I may find it more difficult on another occasion."
I must give one sentence from a letter written about this time, as it shows distinctly the clear strong sense of the writer.
"I was amused by what she says respecting her wish that, when she marries, her husband will, at least, have a will of his own, even should he be a tyrant. Tell her, when she forms that aspiration again, she must make it conditional if her husband has a strong will, he must also have strong sense, a kind heart, and a thoroughly correct notion of justice; because a man with a WEAK BRAIN and a STRONG WILL, is merely an intractable brute; you can have no hold of him; you can never lead him right. A TYRANT under any circumstances is a curse."
Meanwhile, "The Professor" had met with many refusals from different publishers; some, I have reason to believe, not over-courteously worded in writing to an unknown author, and none alleging any distinct reasons for its rejection. Courtesy is always due; but it is, perhaps, hardly to be expected that, in the press of business in a great publishing house, they should find time to explain why they decline particular works. Yet, though one course of action is not to be wondered at, the opposite may fall upon a grieved and disappointed mind with all the graciousness of dew; and I can well sympathise with the published account which "Currer Bell" gives, of the feelings experienced on reading Messrs. Smith and Elder's letter containing the rejection of "The Professor".
"As a forlorn hope, we tried one publishing house more. Ere long, in a much shorter space than that on which experience had taught him to calculate, there came a letter, which he opened in the dreary anticipation of finding two hard hopeless lines, intimating that "Messrs. Smith and Elder were not disposed to publish the MS.," and, instead, he took out of the envelope a letter of two pages. He read it trembling. It declined, indeed, to publish that tale, for business reasons, but it discussed its merits and demerits, so courteously, so considerately, in a spirit so rational, with a discrimination so enlightened, that this very refusal cheered the author better than a vulgarly-expressed acceptance would have done. It was added, that a work in three volumes would meet with careful attention."
Mr. Smith has told me a little circumstance connected with the reception of this manuscript, which seems to me indicative of no ordinary character. It came (accompanied by the note given below) in a brown paper parcel, to 65 Cornhill. Besides the address to Messrs. Smith and Co., there were on it those of other publishers to whom the tale had been sent, not obliterated, but simply scored through, so that Messrs. Smith at once perceived the names of some of the houses in the trade to which the unlucky parcel had gone, without success.
To MESSRS. SMITH AND ELDER.
"July 15th, 1847.
"Gentlemen—I beg to submit to your consideration the accompanying manuscript. I should be glad to learn whether it be such as you approve, and would undertake to publish at as early a period as possible. Address, Mr. Currer Bell, under cover to Miss Bronte, Haworth, Bradford, Yorkshire."
Some time elapsed before an answer was returned.
A little circumstance may be mentioned here, though it belongs to a somewhat earlier period, as showing Miss Bronte's inexperience of the ways of the world, and willing deference to the opinion of others. She had written to a publisher about one of her manuscripts, which she had sent him, and, not receiving any reply, she consulted her brother as to what could be the reason for the prolonged silence. He at once set it down to her not having enclosed a postage-stamp in her letter. She accordingly wrote again, to repair her former omission, and apologise for it.
To MESSRS. SMITH AND ELDER.
"August 2nd, 1847.
"Gentlemen,—About three weeks since, I sent for your consideration a MS. entitled "The Professor", a tale by Currer Bell. I should be glad to know whether it reached your hands safely, and likewise to learn, at your earliest convenience, whether it be such as you can undertake to publish.—I am, gentlemen, yours respectfully,
"CURRER BELL.
"I enclose a directed cover for your reply."
This time her note met with a prompt answer; for, four days later, she writes (in reply to the letter which she afterwards characterised in the Preface to the second edition of "Wuthering Heights", as containing a refusal so delicate, reasonable, and courteous, as to be more cheering than some acceptances):
"Your objection to the want of varied interest in the tale is, I am aware, not without grounds; yet it appears to me that it might be published without serious risk, if its appearance were speedily followed up by another work from the same pen, of a more striking and exciting character. The first work might serve as an introduction, and accustom the public to the author's the success of the second might thereby be rendered more probable. I have a second narrative in three volumes, now in progress, and nearly completed, to which I have endeavoured to impart a more vivid interest than belongs to "The Professor". In about a month I hope to finish it, so that if a publisher were found for "The Professor", the second narrative might follow as soon as was deemed advisable; and thus the interest of the public (if any interest was aroused) might not be suffered to cool. Will you be kind enough to favour me with your judgment on this plan?"
While the minds of the three sisters were in this state of suspense, their long-expected friend came to pay her promised visit. She was with them at the beginning of the glowing August of that year. They were out on the moors for the greater part of the day basking in the golden sunshine, which was bringing on an unusual plenteousness of harvest, for which, somewhat later, Charlotte expressed her earnest desire that there should be a thanksgiving service in all the churches. August was the season of glory for the neighbourhood of Haworth. Even the smoke, lying in the valley between that village and Keighley, took beauty from the radiant colours on the moors above, the rich purple of the heather bloom calling out an harmonious contrast in the tawny golden light that, in the full heat of summer evenings, comes stealing everywhere through the dun atmosphere of the hollows. And up, on the moors, turning away from all habitations of men, the royal ground on which they stood would expand into long swells of amethyst-tinted hills, melting away into aerial tints; and the fresh and fragrant scent of the heather, and the "murmur of innumerable bees," would lend a poignancy to the relish with which they welcomed their friend to their own true home on the wild and open hills.
There, too, they could escape from the Shadow in the house below.
Throughout this time—during all these confidences—not a word was uttered to their friend of the three tales in London; two accepted and in the press—one trembling in the balance of a publisher's judgment; nor did she hear of that other story "nearly completed," lying in manuscript in the grey old parsonage down below. She might have her suspicions that they all wrote with an intention of publication some time; but she knew the bounds which they set to themselves in their communications; nor could she, nor can any one else, wonder at their reticence, when remembering how scheme after scheme had failed, just as it seemed close upon accomplishment.
Mr. Bronte, too, had his suspicions of something going on; but, never being spoken to, he did not speak on the subject, and consequently his ideas were vague and uncertain, only just prophetic enough to keep him from being actually stunned when, later on, he heard of the success of "Jane Eyre"; to the progress of which we must now return.
To MESSRS. SMITH AND ELDER.
"August 24th.
"I now send you per rail a MS. entitled 'Jane Eyre,' a novel in three volumes, by Currer Bell. I find I cannot prepay the carriage of the parcel, as money for that purpose is not received at the small station-house where it is left. If, when you acknowledge the receipt of the MS., you would have the goodness to mention the amount charged on delivery, I will immediately transmit it in postage stamps. It is better in future to address Mr. Currer Bell, under cover to Miss Bronte, Haworth, Bradford, Yorkshire, as there is a risk of letters otherwise directed not reaching me at present. To save trouble, I enclose an envelope."
"Jane Eyre" was accepted, and printed and published by October 16th.
While it was in the press, Miss Bronte went to pay a short visit to her friend at B——. The proofs were forwarded to her there, and she occasionally sat at the same table with her friend, correcting them; but they did not exchange a word on the subject.
Immediately on her return to the Parsonage, she wrote:
"September.
"I had a very wet, windy walk home from Keighley; but my fatigue quite disappeared when I reached home, and found all well. Thank God for it.
"My boxes came safe this morning. I have distributed the presents. Papa says I am to remember him most kindly to you. The screen will be very useful, and he thanks you for it. Tabby was charmed with her cap. She said, 'she never thought o' naught o' t' sort as Miss sending her aught, and, she is sure, she can never thank her enough for it.' I was infuriated on finding a jar in my trunk. At first, I hoped it was empty, but when I found it heavy and replete, I could have hurled it all the way back to B——. However, the inscription A. B. softened me much. It was at once kind and villainous in you to send it. You ought first to be tenderly kissed, and then afterwards as tenderly whipped. Emily is just now on the floor of the bed-room where I am writing, looking at her apples. She smiled when I gave the collar to her as your present, with an expression at once well-pleased and slightly surprised. All send their love.—Yours, in a mixture of anger and love."
When the manuscript of "Jane Eyre" had been received by the future publishers of that remarkable novel, it fell to the share of a gentleman connected with the firm to read it first. He was so powerfully struck by the character of the tale, that he reported his impression in very strong terms to Mr. Smith, who appears to have been much amused by the admiration excited. "You seem to have been so enchanted, that I do not know how to believe you," he laughingly said. But when a second reader, in the person of a clear-headed Scotchman, not given to enthusiasm, had taken the MS. home in the evening, and became so deeply interested in it, as to sit up half the night to finish it, Mr. Smith's curiosity was sufficiently excited to prompt him to read it for himself; and great as were the praises which had been bestowed upon it, he found that they had not exceeded the truth.
On its publication, copies were presented to a few private literary friends. Their discernment had been rightly reckoned upon. They were of considerable standing in the world of letters; and one and all returned expressions of high praise along with their thanks for the book. Among them was the great writer of fiction for whom Miss Bronte felt so strong an admiration; he immediately appreciated, and, in a characteristic note to the publishers, acknowledged its extraordinary merits.
The Reviews were more tardy, or more cautious. The Athenaeum and the Spectator gave short notices, containing qualified admissions of the power of the author. The Literary Gazette was uncertain as to whether it was safe to praise an unknown author. The Daily News declined accepting the copy which had been sent, on the score of a rule "never to review novels;" but a little later on, there appeared a notice of the Bachelor of the Albany in that paper; and Messrs. Smith and Elder again forwarded a copy of "Jane Eyre" to the Editor, with a request for a notice. This time the work was accepted; but I am not aware what was the character of the article upon it.
The Examiner came forward to the rescue, as far as the opinions of professional critics were concerned. The literary articles in that paper were always remarkable for their genial and generous appreciation of merit nor was the notice of "Jane Eyre" an exception; it was full of hearty, yet delicate and discriminating praise. Otherwise, the press in general did little to promote the sale of the novel; the demand for it among librarians had begun before the appearance of the review in the Examiner; the power of fascination of the tale itself made its merits known to the public, without the kindly finger-posts of professional criticism; and, early in December, the rush began for copies.
I will insert two or three of Miss Bronte's letters to her publishers, in order to show how timidly the idea of success was received by one so unaccustomed to adopt a sanguine view of any subject in which she was individually concerned. The occasions on which these notes were written, will explain themselves.
"Oct. 19th, 1847.
"Gentlemen,—The six copies of "Jane Eyre" reached me this morning. You have given the work every advantage which good paper, clear type, and a seemly outside can supply;—if it fails, the fault will lie with the author,—you are exempt.
"I now await the judgment of the press and the public.—I am, Gentlemen, yours respectfully,
C. BELL."
MESSRS. SMITH, ELDER, AND CO.
"Oct. 26th, 1847.
"Gentlemen,—I have received the newspapers. They speak quite as favourably of "Jane Eyre" as I expected them to do. The notice in the Literary Gazette seems certainly to have been indited in rather a flat mood, and the Athenaeum has a style of its own, which I respect, but cannot exactly relish; still when one considers that journals of that standing have a dignity to maintain which would be deranged by a too cordial recognition of the claims of an obscure author, I suppose there is every reason to be satisfied.
"Meantime a brisk sale would be effectual support under the hauteur of lofty critics.—I am, Gentlemen, yours respectfully,
"C. BELL."
MESSRS. SMITH, ELDER, AND CO.
"Nov. 13th, 1847.
"Gentlemen,—I have to acknowledge the receipt of yours of the 11th inst., and to thank you for the information it communicates. The notice from the People's Journal also duly reached me, and this morning I received the Spectator. The critique in the Spectator gives that view of the book which will naturally be taken by a certain class of minds; I shall expect it to be followed by other notices of a similar nature. The way to detraction has been pointed out, and will probably be pursued. Most future notices will in all likelihood have a reflection of the Spectator in them. I fear this turn of opinion will not improve the demand for the book—but time will show. If "Jane Eyre" has any solid worth in it, it ought to weather a gust of unfavourable wind.—I am, Gentlemen, yours respectfully,
"C. BELL."
MESSRS. SMITH, ELDER, AND CO.
"Nov. 30th, 1847.
"Gentlemen,—I have received the Economist, but not the Examiner; from some cause that paper has missed, as the Spectator did on a former occasion; I am glad, however, to learn through your letter, that its notice of "Jane Eyre" was favourable, and also that the prospects of the work appear to improve.
"I am obliged to you for the information respecting "Wuthering Heights".—I am, Gentlemen, yours respectfully,
"C. BELL."
To MESSRS. SMITH, ELDER, AND CO.
"Dec. 1st, 1847.
"Gentlemen,—The Examiner reached me to-day; it had been missent on account of the direction, which was to Currer Bell, care of Miss Bronte. Allow me to intimate that it would be better in future not to put the name of Currer Bell on the outside of communications; if directed simply to Miss Bronte they will be more likely to reach their destination safely. Currer Bell is not known in the district, and I have no wish that he should become known. The notice in the Examiner gratified me very much; it appears to be from the pen of an able man who has understood what he undertakes to criticise; of course, approbation from such a quarter is encouraging to an author, and I trust it will prove beneficial to the work.—I am, Gentlemen, yours respectfully,
C. BELL.
"I received likewise seven other notices from provincial papers enclosed in an envelope. I thank you very sincerely for so punctually sending me all the various criticisms on "Jane Eyre"."
TO MESSRS. SMITH, ELDER, AND CO.
"Dec. 10th, 1847.
"Gentlemen,—I beg to acknowledge the receipt of your letter inclosing a bank post bill, for which I thank you. Having already expressed my sense of your kind and upright conduct, I can now only say that I trust you will always have reason to be as well content with me as I am with you. If the result of any future exertions I may be able to make should prove agreeable and advantageous to you, I shall be well satisfied; and it would be a serious source of regret to me if I thought you ever had reason to repent being my publishers.
"You need not apologise, Gentlemen, for having written to me so seldom; of course I am always glad to hear from you, but I am truly glad to hear from Mr. Williams likewise; he was my first favourable critic; he first gave me encouragement to persevere as an author, consequently I naturally respect him and feel grateful to him.
"Excuse the informality of my letter, and believe me, Gentlemen, yours respectfully,
CURRER BELL."
There is little record remaining of the manner in which the first news of its wonderful success reached and affected the one heart of the three sisters. I once asked Charlotte—we were talking about the description of Lowood school, and she was saying that she was not sure whether she should have written it, if she had been aware how instantaneously it would have been identified with Cowan Bridge—whether the popularity to which the novel attained had taken her by surprise. She hesitated a little, and then said: "I believed that what had impressed me so forcibly when I wrote it, must make a strong impression on any one who read it. I was not surprised at those who read "Jane Eyre" being deeply interested in it; but I hardly expected that a book by an unknown author could find readers."
The sisters had kept the knowledge of their literary ventures from their father, fearing to increase their own anxieties and disappointment by witnessing his; for he took an acute interest in all that befell his children, and his own tendency had been towards literature in the days when he was young and hopeful. It was true he did not much manifest his feelings in words; he would have thought that he was prepared for disappointment as the lot of man, and that he could have met it with stoicism; but words are poor and tardy interpreters of feelings to those who love one another, and his daughters knew how he would have borne ill-success worse for them than for himself. So they did not tell him what they were undertaking. He says now that he suspected it all along, but his suspicions could take no exact form, as all he was certain of was, that his children were perpetually writing—and not writing letters. We have seen how the communications from their publishers were received "under cover to Miss Bronte." Once, Charlotte told me, they overheard the postman meeting Mr. Bronte, as the latter was leaving the house, and inquiring from the parson where one Currer Bell could be living, to which Mr. Bronte replied that there was no such person in the parish. This must have been the misadventure to which Miss Bronte alludes in the beginning of her correspondence with Mr. Aylott.
Now, however, when the demand for the work had assured success to "Jane Eyre," her sisters urged Charlotte to tell their father of its publication. She accordingly went into his study one afternoon after his early dinner, carrying with her a copy of the book, and one or two reviews, taking care to include a notice adverse to it.
She informed me that something like the following conversation took place between her and him. (I wrote down her words the day after I heard them; and I am pretty sure they are quite accurate.)
"Papa, I've been writing a book."
"Have you, my dear?"
"Yes, and I want you to read it."
"I am afraid it will try my eyes too much."
"But it is not in manuscript: it is printed."
"My dear! you've never thought of the expense it will be! It will be almost sure to be a loss, for how can you get a book sold? No one knows you or your name."
"But, papa, I don't think it will be a loss; no more will you, if you will just let me read you a review or two, and tell you more about it."
So she sate down and read some of the reviews to her father; and then, giving him the copy of "Jane Eyre" that she intended for him, she left him to read it. When he came in to tea, he said, "Girls, do you know Charlotte has been writing a book, and it is much better than likely?"
But while the existence of Currer Bell, the author, was like a piece of a dream to the quiet inhabitants of Haworth Parsonage, who went on with their uniform household life,—their cares for their brother being its only variety,—the whole reading-world of England was in a ferment to discover the unknown author. Even the publishers of "Jane Eyre" were ignorant whether Currer Bell was a real or an assumed name,—whether it belonged to a man or a woman. In every town people sought out the list of their friends and acquaintances, and turned away in disappointment. No one they knew had genius enough to be the author. Every little incident mentioned in the book was turned this way and that to answer, if possible, the much-vexed question of sex. All in vain. People were content to relax their exertions to satisfy their curiosity, and simply to sit down and greatly admire.
I am not going to write an analysis of a book with which every one who reads this biography is sure to be acquainted; much less a criticism upon a work, which the great flood of public opinion has lifted up from the obscurity in which it first appeared, and laid high and safe on the everlasting hills of fame.
Before me lies a packet of extracts from newspapers and periodicals, which Mr. Bronte has sent me. It is touching to look them over, and see how there is hardly any notice, however short and clumsily-worded, in any obscure provincial paper, but what has been cut out and carefully ticketed with its date by the poor, bereaved father,—so proud when he first read them—so desolate now. For one and all are full of praise of this great, unknown genius, which suddenly appeared amongst us. Conjecture as to the authorship ran about like wild-fire. People in London, smooth and polished as the Athenians of old, and like them "spending their time in nothing else, but either to tell or to hear some new thing," were astonished and delighted to find that a fresh sensation, a new pleasure, was in reserve for them in the uprising of an author, capable of depicting with accurate and Titanic power the strong, self-reliant, racy, and individual characters which were not, after all, extinct species, but lingered still in existence in the North. They thought that there was some exaggeration mixed with the peculiar force of delineation. Those nearer to the spot, where the scene of the story was apparently laid, were sure, from the very truth and accuracy of the writing, that the writer was no Southeron; for though "dark, and cold, and rugged is the North," the old strength of the Scandinavian races yet abides there, and glowed out in every character depicted in "Jane Eyre." Farther than this, curiosity, both honourable and dishonourable, was at fault.
When the second edition appeared, in the January of the following year, with the dedication to Mr. Thackeray, people looked at each other and wondered afresh. But Currer Bell knew no more of William Makepeace Thackeray as an individual man—of his life, age, fortunes, or circumstances—than she did of those of Mr. Michael Angelo Titmarsh. The one had placed his name as author upon the title-page of Vanity Fair, the other had not. She was thankful for the opportunity of expressing her high admiration of a writer, whom, as she says, she regarded "as the social regenerator of his day—as the very master of that working corps who would restore to rectitude the warped state of things. . . . His wit is bright, his humour attractive, but both bear the same relation to his serious genius, that the mere lambent sheet-lightning, playing under the edge of the summer cloud, does to the electric death-spark hid in its womb."
Anne Bronte had been more than usually delicate all the summer, and her sensitive spirit had been deeply affected by the great anxiety of her home. But now that "Jane Eyre" gave such indications of success, Charlotte began to plan schemes of future pleasure,—perhaps relaxation from care, would be the more correct expression,—for their darling younger sister, the "little one" of the household. But, although Anne was cheered for a time by Charlotte's success, the fact was, that neither her spirits nor her bodily strength were such as to incline her to much active exertion, and she led far too sedentary a life, continually stooping either over her book, or work, or at her desk. "It is with difficulty," writes her sister, "that we can prevail upon her to take a walk, or induce her to converse. I look forward to next summer with the confident intention that she shall, if possible, make at least a brief sojourn at the sea-side." In this same letter, is a sentence, telling how dearly home, even with its present terrible drawback, lay at the roots of her heart; but it is too much blended with reference to the affairs of others to bear quotation.
Any author of a successful novel is liable to an inroad of letters from unknown readers, containing commendation—sometimes of so fulsome and indiscriminating a character as to remind the recipient of Dr. Johnson's famous speech to one who offered presumptuous and injudicious praise—sometimes saying merely a few words, which have power to stir the heart "as with the sound of a trumpet," and in the high humility they excite, to call forth strong resolutions to make all future efforts worthy of such praise; and occasionally containing that true appreciation of both merits and demerits, together with the sources of each, which forms the very criticism and help for which an inexperienced writer thirsts. Of each of these kinds of communication Currer Bell received her full share; and her warm heart, and true sense and high standard of what she aimed at, affixed to each its true value. Among other letters of hers, some to Mr. G. H. Lewes have been kindly placed by him at my service; and as I know Miss Bronte highly prized his letters of encouragement and advice, I shall give extracts from her replies, as their dates occur, because they will indicate the kind of criticism she valued, and also because throughout, in anger, as in agreement and harmony, they show her character unblinded by any self-flattery, full of clear-sighted modesty as to what she really did well, and what she failed in, grateful for friendly interest, and only sore and irritable when the question of sex in authorship was, as she thought, roughly or unfairly treated. As to the rest, the letters speak for themselves, to those who know how to listen, far better than I can interpret their meaning into my poorer and weaker words. Mr. Lewes has politely sent me the following explanation of that letter of his, to which the succeeding one of Miss Bronte is a reply.
"When 'Jane Eyre' first appeared, the publishers courteously sent me a copy. The enthusiasm with which I read it, made me go down to Mr. Parker, and propose to write a review of it for Frazer's Magazine. He would not consent to an unknown novel—for the papers had not yet declared themselves—receiving such importance, but thought it might make one on 'Recent Novels: English and French'—which appeared in Frazer, December, 1847. Meanwhile I had written to Miss Bronte to tell her the delight with which her book filled me; and seem to have sermonised her, to judge from her reply."
To G. H. LEWES, ESQ.
"Nov. 6th, 1847.
"Dear Sir,—Your letter reached me yesterday; I beg to assure you, that I appreciate fully the intention with which it was written, and I thank you sincerely both for its cheering commendation and valuable advice.
"You warn me to beware of melodrama, and you exhort me to adhere to the real. When I first began to write, so impressed was I with the truth of the principles you advocate, that I determined to take Nature and Truth as my sole guides, and to follow in their very footprints; I restrained imagination, eschewed romance, repressed excitement; over-bright colouring, too, I avoided, and sought to produce something which should be soft, grave, and true.
"My work (a tale in one volume) being completed, I offered it to a publisher. He said it was original, faithful to nature, but he did not feel warranted in accepting it; such a work would not sell. I tried six publishers in succession; they all told me it was deficient in 'startling incident' and 'thrilling excitement,' that it would never suit the circulating libraries, and, as it was on those libraries the success of works of fiction mainly depended, they could not undertake to publish what would be overlooked there.
"'Jane Eyre' was rather objected to at first, on the same grounds, but finally found acceptance.
"I mention this to you, not with a view of pleading exemption from censure, but in order to direct your attention to the root of certain literary evils. If, in your forthcoming article in Frazer, you would bestow a few words of enlightenment on the public who support the circulating libraries, you might, with your powers, do some good.
"You advise me, too, not to stray far from the ground of experience, as I become weak when I enter the region of fiction; and you say, 'real experience is perennially interesting, and to all men.'
"I feel that this also is true; but, dear Sir, is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?
"I shall anxiously search the next number of Fraser for your opinions on these points.—Believe me, dear Sir, yours gratefully,
"C. BELL."
But while gratified by appreciation as an author, she was cautious as to the person from whom she received it; for much of the value of the praise depended on the sincerity and capability of the person rendering it. Accordingly, she applied to Mr. Williams (a gentleman connected with her publishers' firm) for information as to who and what Mr. Lewes was. Her reply, after she had learnt something of the character of her future critic, and while awaiting his criticism, must not be omitted. Besides the reference to him, it contains some amusing allusions to the perplexity which began to be excited respecting the "identity of the brothers Bell," and some notice of the conduct of another publisher towards her sister, which I refrain from characterising, because I understand that truth is considered a libel in speaking of such people.
To W. S. WILLIAMS, ESQ.
"Nov. 10th, 1847.
"Dear Sir,—I have received the Britannia and the Sun, but not the Spectator which I rather regret, as censure, though not pleasant, is often wholesome.
"Thank you for your information regarding Mr. Lewes. I am glad to hear that he is a clever and sincere man: such being the case, I can await his critical sentence with fortitude; even if it goes against me, I shall not murmur; ability and honesty have a right to condemn, where they think condemnation is deserved. From what you say, however, I trust rather to obtain at least a modified approval.
"Your account of the various surmises respecting the identity of the brothers Bell, amused me much: were the enigma solved, it would probably be found not worth the trouble of solution; but I will let it alone; it suits ourselves to remain quiet, and certainly injures no one else.
"The reviewer who noticed the little book of poems, in the Dublin Magazine, conjectured that the soi-disant three personages were in reality but one, who, endowed with an unduly prominent organ of self-esteem, and consequently impressed with a somewhat weighty notion of his own merits, thought them too vast to be concentrated in a single individual, and accordingly divided himself into three, out of consideration, I suppose, for the nerves of the much-to-be-astounded public! This was an ingenious thought in the reviewer,—very original and striking, but not accurate. We are three.
"A prose work, by Ellis and Acton, will soon appear: it should have been out, indeed, long since; for the first proof-sheets were already in the press at the commencement of last August, before Currer Bell had placed the MS. of "Jane Eyre" in your hands. Mr.——, however, does not do business like Messrs. Smith and Elder; a different spirit seems to preside at —— Street, to that which guides the helm at 65, Cornhill. . . . My relations have suffered from exhausting delay and procrastination, while I have to acknowledge the benefits of a management at once business-like and gentleman-like, energetic and considerate.
"I should like to know if Mr. —— often acts as he has done to my relations, or whether this is an exceptional instance of his method. Do you know, and can you tell me anything about him? You must excuse me for going to the point at once, when I want to learn anything: if my questions are importunate, you are, of course, at liberty to decline answering them.—I am, yours respectfully,
C. BELL."
To G. H. LEWES, ESQ.
"Nov. 22nd, 1847.
"Dear Sir,—I have now read 'Ranthorpe.' I could not get it till a day or two ago; but I have got it and read it at last; and in reading 'Ranthorpe,' I have read a new book,—not a reprint—not a reflection of any other book, but a NEW BOOK.
"I did not know such books were written now. It is very different to any of the popular works of fiction: it fills the mind with fresh knowledge. Your experience and your convictions are made the reader's; and to an author, at least, they have a value and an interest quite unusual. I await your criticism on 'Jane Eyre' now with other sentiments than I entertained before the perusal of 'Ranthorpe.'
"You were a stranger to me. I did not particularly respect you. I did not feel that your praise or blame would have any special weight. I knew little of your right to condemn or approve. NOW I am informed on these points.
"You will be severe; your last letter taught me as much. Well! I shall try to extract good out of your severity: and besides, though I am now sure you are a just, discriminating man, yet, being mortal, you must be fallible; and if any part of your censure galls me too keenly to the quick—gives me deadly pain—I shall for the present disbelieve it, and put it quite aside, till such time as I feel able to receive it without torture.—I am, dear Sir, yours very respectfully,
C. BELL."
In December, 1847, "Wuthering Heights" and "Agnes Grey" appeared. The first-named of these stories has revolted many readers by the power with which wicked and exceptional characters are depicted. Others, again, have felt the attraction of remarkable genius, even when displayed on grim and terrible criminals. Miss Bronte herself says, with regard to this tale, "Where delineation of human character is concerned, the case is different. I am bound to avow that she had scarcely more practical knowledge of the peasantry amongst whom she lived, than a nun has of the country-people that pass her convent gates. My sister's disposition was not naturally gregarious: circumstances favoured and fostered her tendency to seclusion; except to go to church, or take a walk on the hills, she rarely crossed the threshold of home. Though the feeling for the people around her was benevolent, intercourse with them she never sought, nor, with very few exceptions, ever experienced and yet she knew them, knew their ways, their language, and their family histories; she could hear of them with interest, and talk of them with detail minute, graphic, and accurate; but WITH them she rarely exchanged a word. Hence it ensued, that what her mind has gathered of the real concerning them, was too exclusively confined to those tragic and terrible traits, of which, in listening to the secret annals of every rude vicinage, the memory is sometimes compelled to receive the impress. Her imagination, which was a spirit more sombre than sunny—more powerful than sportive—found in such traits material whence it wrought creations like Heathcliff, like Earnshaw, like Catherine. Having formed these beings, she did not know what she had done. If the auditor of her work, when read in manuscript, shuddered under the grinding influence of natures so relentless and implacable—of spirits so lost and fallen; if it was complained that the mere hearing of certain vivid and fearful scenes banished sleep by night, and disturbed mental peace by day, Ellis Bell would wonder what was meant, and suspect the complainant of affectation. Had she but lived, her mind would of itself have grown like a strong tree—loftier, straighter, wider-spreading—and its matured fruits would have attained a mellower ripeness and sunnier bloom; but on that mind time and experience alone could work; to the influence of other intellects she was not amenable."
Whether justly or unjustly, the productions of the two younger Miss Brontes were not received with much favour at the time of their publication. "Critics failed to do them justice. The immature, but very real, powers revealed in 'Wuthering Heights,' were scarcely recognised; its import and nature were misunderstood; the identity of its author was misrepresented: it was said that this was an earlier and ruder attempt of the same pen which had produced 'Jane Eyre.'" . . . "Unjust and grievous error! We laughed at it at first, but I deeply lament it now."
Henceforward Charlotte Bronte's existence becomes divided into two parallel currents—her life as Currer Bell, the author; her life as Charlotte Bronte, the woman. There were separate duties belonging to each character—not opposing each other; not impossible, but difficult to be reconciled. When a man becomes an author, it is probably merely a change of employment to him. He takes a portion of that time which has hitherto been devoted to some other study or pursuit; he gives up something of the legal or medical profession, in which he has hitherto endeavoured to serve others, or relinquishes part of the trade or business by which he has been striving to gain a livelihood; and another merchant or lawyer, or doctor, steps into his vacant place, and probably does as well as he. But no other can take up the quiet, regular duties of the daughter, the wife, or the mother, as well as she whom God has appointed to fill that particular place: a woman's principal work in life is hardly left to her own choice; nor can she drop the domestic charges devolving on her as an individual, for the exercise of the most splendid talents that were ever bestowed. And yet she must not shrink from the extra responsibility implied by the very fact of her possessing such talents. She must not hide her gift in a napkin; it was meant for the use and service of others. In an humble and faithful spirit must she labour to do what is not impossible, or God would not have set her to do it.
I put into words what Charlotte Bronte put into actions.
The year 1848 opened with sad domestic distress. It is necessary, however painful, to remind the reader constantly of what was always present to the hearts of father and sisters at this time. It is well that the thoughtless critics, who spoke of the sad and gloomy views of life presented by the Brontes in their tales, should know how such words were wrung out of them by the living recollection of the long agony they suffered. It is well, too, that they who have objected to the representation of coarseness and shrank from it with repugnance, as if such conceptions arose out of the writers, should learn, that, not from the imagination—not from internal conception—but from the hard cruel facts, pressed down, by external life, upon their very senses, for long months and years together, did they write out what they saw, obeying the stern dictates of their consciences. They might be mistaken. They might err in writing at all, when their affections were so great that they could not write otherwise than they did of life. It is possible that it would have been better to have described only good and pleasant people, doing only good and pleasant things (in which case they could hardly have written at any time): all I say is, that never, I believe, did women, possessed of such wonderful gifts, exercise them with a fuller feeling of responsibility for their use. As to mistakes, stand now—as authors as well as women—before the judgment-seat of God.
"Jan. 11th, 1848.
"We have not been very comfortable here at home lately. Branwell has, by some means, contrived to get more money from the old quarter, and has led us a sad life. . . . Papa is harassed day and night; we have little peace, he is always sick; has two or three times fallen down in fits; what will be the ultimate end, God knows. But who is without their drawback, their scourge, their skeleton behind the curtain? It remains only to do one's best, and endure with patience what God sends."
I suppose that she had read Mr. Lewes' review on "Recent Novels," when it appeared in the December of the last year, but I find no allusion to it till she writes to him on January 12th, 1848.
"Dear Sir,—I thank you then sincerely for your generous review; and it is with the sense of double content I express my gratitude, because I am now sure the tribute is not superfluous or obtrusive. You were not severe on 'Jane Eyre;' you were very lenient. I am glad you told me my faults plainly in private, for in your public notice you touch on them so lightly, I should perhaps have passed them over thus indicated, with too little reflection.
"I mean to observe your warning about being careful how I undertake new works; my stock of materials is not abundant, but very slender; and, besides, neither my experience, my acquirements, nor my powers, are sufficiently varied to justify my ever becoming a frequent writer. I tell you this, because your article in Frazer left in me an uneasy impression that you were disposed to think better of the author of 'Jane Eyre' than that individual deserved; and I would rather you had a correct than a flattering opinion of me, even though I should never see you.
"If I ever DO write another book, I think I will have nothing of what you call 'melodrama;' I think so, but I am not sure. I THINK, too, I will endeavour to follow the counsel which shines out of Miss Austen's 'mild eyes,' 'to finish more and be more subdued;' but neither am I sure of that. When authors write best, or, at least, when they write most fluently, an influence seems to waken in them, which becomes their master—which will have its own way—putting out of view all behests but its own, dictating certain words, and insisting on their being used, whether vehement or measured in their nature; new-moulding characters, giving unthought of turns to incidents, rejecting carefully-elaborated old ideas, and suddenly creating and adopting new ones.
"Is it not so? And should we try to counteract this influence? Can we indeed counteract it?
"I am glad that another work of yours will soon appear; most curious shall I be to see whether you will write up to your own principles, and work out your own theories. You did not do it altogether in 'Ranthorpe'—at least not in the latter part; but the first portion was, I think, nearly without fault; then it had a pith, truth, significance in it, which gave the book sterling value; but to write so, one must have seen and known a great deal, and I have seen and known very little.
"Why do you like Miss Austen so very much? I am puzzled on that point. What induced you to say that you would have rather written "Pride and Prejudice,' or 'Tom Jones,' than any of the 'Waverley Novels'?
"I had not seen 'Pride and Prejudice' till I read that sentence of yours, and then I got the book. And what did I find? An accurate, daguerreotyped portrait of a commonplace face; a carefully-fenced, highly-cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses. These observations will probably irritate you, but I shall run the risk.
"Now I can understand admiration of George Sand; for though I never saw any of her works which I admired throughout (even 'Consuelo,' which is the best, or the best that I have read, appears to me to couple strange extravagance with wondrous excellence), yet she has a grasp of mind, which, if I cannot fully comprehend, I can very deeply respect; she is sagacious and profound;—Miss Austen is only shrewd and observant.
"Am I wrong—or, were you hasty in what you said? If you have time, I should be glad to hear further on this subject; if not, or if you think the questions frivolous, do not trouble yourself to reply.—I am, yours respectfully,
C. BELL."
To G. H. LEWES, ESQ.
"Jan. 18th, 1848.
"Dear Sir,—I must write one more note, though I had not intended to trouble you again so soon. I have to agree with you, and to differ from you.
"You correct my crude remarks on the subject of the 'influence'; well, I accept your definition of what the effects of that influence should be; I recognise the wisdom of your rules for its regulation. . . .
"What a strange lecture comes next in your letter! You say I must familiarise my mind with the fact, that 'Miss Austen is not a poetess, has no "sentiment" (you scornfully enclose the word in inverted commas), no eloquence, none of the ravishing enthusiasm of poetry,'—and then you add, I MUST 'learn to acknowledge her as ONE OF THE GREATEST ARTISTS, OF THE GREATEST PAINTERS OF HUMAN CHARACTER, and one of the writers with the nicest sense of means to an end that ever lived.'
"The last point only will I ever acknowledge.
"Can there be a great artist without poetry?
"What I call—what I will bend to, as a great artist then—cannot be destitute of the divine gift. But by POETRY, I am sure, you understand something different to what I do, as you do by 'sentiment.' It is POETRY, as I comprehend the word, which elevates that masculine George Sand, and makes out of something coarse, something Godlike. It is 'sentiment,' in my sense of the term—sentiment jealously hidden, but genuine, which extracts the venom from that formidable Thackeray, and converts what might be corrosive poison into purifying elixir.
"If Thackeray did not cherish in his large heart deep feeling for his kind, he would delight to exterminate; as it is, I believe, he wishes only to reform. Miss Austen being, as you say, without 'sentiment,' without Poetry, maybe IS sensible, real (more REAL than TRUE), but she cannot be great.
"I submit to your anger, which I have now excited (for have I not questioned the perfection of your darling?); the storm may pass over me. Nevertheless, I will, when I can (I do not know when that will be, as I have no access to a circulating library), diligently peruse all Miss Austen's works, as you recommend. . . . You must forgive me for not always being able to think as you do, and still believe me, yours gratefully,
C. BELL."
I have hesitated a little, before inserting the following extract from a letter to Mr. Williams, but it is strikingly characteristic; and the criticism contained in it is, from that circumstance, so interesting (whether we agree with it or not), that I have determined to do so, though I thereby displace the chronological order of the letters, in order to complete this portion of a correspondence which is very valuable, as showing the purely intellectual side of her character.
To W. S. WILLIAMS, BSQ.
"April 26th, 1848.
"My dear Sir,—I have now read 'Rose, Blanche, and Violet,' and I will tell you, as well as I can, what I think of it. Whether it is an improvement on 'Ranthorpe' I do not know, for I liked 'Ranthorpe' much; but, at any rate, it contains more of a good thing. I find in it the same power, but more fully developed.
"The author's character is seen in every page, which makes the book interesting—far more interesting than any story could do; but it is what the writer himself says that attracts far more than what he puts into the mouths of his characters. G. H. Lewes is, to my perception, decidedly the most original character in the book. . . . The didactic passages seem to me the best—far the best—in the work; very acute, very profound, are some of the views there given, and very clearly they are offered to the reader. He is a just thinker; he is a sagacious observer; there is wisdom in his theory, and, I doubt not, energy in his practice. But why, then, are you often provoked with him while you read? How does he manage, while teaching, to make his hearer feel as if his business was, not quietly to receive the doctrines propounded, but to combat them? You acknowledge that he offers you gems of pure truth; why do you keep perpetually scrutinising them for flaws?
"Mr. Lewes, I divine, with all his talents and honesty, must have some faults of manner; there must be a touch too much of dogmatism; a dash extra of confidence in him, sometimes. This you think while you are reading the book; but when you have closed it and laid it down, and sat a few minutes collecting your thoughts, and settling your impressions, you find the idea or feeling predominant in your mind to be pleasure at the fuller acquaintance you have made with a fine mind and a true heart, with high abilities and manly principles. I hope he will not be long ere he publishes another book. His emotional scenes are somewhat too uniformly vehement: would not a more subdued style of treatment often have produced a more masterly effect? Now and then Mr. Lewes takes a French pen into his hand, wherein he differs from Mr. Thackeray, who always uses an English quill. However, the French pen does not far mislead Mr. Lewes; he wields it with British muscles. All honour to him for the excellent general tendency of his book!
"He gives no charming picture of London literary society, and especially the female part of it; but all coteries, whether they be literary, scientific, political, or religious, must, it seems to me, have a tendency to change truth into affectation. When people belong to a clique, they must, I suppose, in some measure, write, talk, think, and live for that clique; a harassing and narrowing necessity. I trust, the press and the public show themselves disposed to give the book the reception it merits, and that is a very cordial one, far beyond anything due to a Bulwer or D'Israeli production."
Let us return from Currer Bell to Charlotte Bronte. The winter in Haworth had been a sickly season. Influenza had prevailed amongst the villagers, and where there was a real need for the presence of the clergyman's daughters, they were never found wanting, although they were shy of bestowing mere social visits on the parishioners. They had themselves suffered from the epidemic; Anne severely, as in her case it had been attended with cough and fever enough to make her elder sisters very anxious about her.
There is no doubt that the proximity of the crowded church-yard rendered the Parsonage unhealthy, and occasioned much illness to its inmates. Mr. Bronte represented the unsanitary state at Haworth pretty forcibly to the Board of Health; and, after the requisite visits from their officers, obtained a recommendation that all future interments in the churchyard should be forbidden, a new graveyard opened on the hill-side, and means set on foot for obtaining a water-supply to each house, instead of the weary, hard-worked housewives having to carry every bucketful, from a distance of several hundred yards, up a steep street. But he was baffled by the rate-payers; as, in many a similar instance, quantity carried it against quality, numbers against intelligence. And thus we find that illness often assumed a low typhoid form in Haworth, and fevers of various kinds visited the place with sad frequency. |
|
