"I. MRS. GAMP'S ACCOUNT OF HER CONNEXION WITH THIS AFFAIR.

"Which Mrs. Harris's own words to me, was these: 'Sairey Gamp,' she says, 'why not go to Margate? Srimps,' says that dear creetur, 'is to your liking, Sairey; why not go to Margate for a week, bring your constitootion up with srimps, and come back to them loving arts as knows and wallies of you, blooming? Sairey,' Mrs. Harris says, 'you are but poorly. Don't denige it, Mrs. Gamp, for books is in your looks. You must have rest. Your mind,' she says, 'is too strong for you; it gets you down and treads upon you, Sairey. It is useless to disguige the fact—the blade is a wearing out the sheets.' 'Mrs. Harris,' I says to her, 'I could not undertake to say, and I will not deceive you ma'am, that I am the woman I could wish to be. The time of worrit as I had with Mrs. Colliber, the baker's lady, which was so bad in her mind with her first, that she would not so much as look at bottled stout, and kept to gruel through the month, has agued me, Mrs. Harris. But ma'am,' I says to her, 'talk not of Margate, for if I do go anywheres, it is elsewheres and not there.' 'Sairey,' says Mrs. Harris, solemn, 'whence this mystery? If I have ever deceived the hardest-working, soberest, and best of women, which her name is well beknown is S. Gamp Midwife Kingsgate Street High Holborn, mention it. If not,' says Mrs. Harris, with the tears a standing in her eyes, 'reweal your intentions.' 'Yes, Mrs. Harris,' I says, 'I will. Well I knows you Mrs. Harris; well you knows me; well we both knows wot the characters of one another is. Mrs. Harris then,' I says, 'I have heerd as there is a expedition going down to Manjestir and Liverspool, a play-acting. If I goes anywheres for change, it is along with that.' Mrs. Harris clasps her hands, and drops into a chair, as if her time was come—which I know'd it couldn't be, by rights, for six weeks odd. 'And have I lived to hear,' she says, 'of Sairey Gamp, as always kept hersef respectable, in company with play-actors!' 'Mrs. Harris,' I says to her, 'be not alarmed—not reg'lar play-actors—hammertoors.' 'Thank Evans!' says Mrs. Harris, and bustiges into a flood of tears.

"When the sweet creetur had compoged hersef (which a sip of brandy and water warm, and sugared pleasant, with a little nutmeg did it), I proceeds in these words. 'Mrs. Harris, I am told as these hammertoors are litter'ry and artistickle.' 'Sairey,' says that best of wimmin, with a shiver and a slight relasp, 'go on, it might be worse.' 'I likewise hears,' I says to her, 'that they're agoin play-acting, for the benefit of two litter'ry men; one as has had his wrongs a long time ago, and has got his rights at last, and one as has made a many people merry in his time, but is very dull and sick and lonely his own sef, indeed.' 'Sairey,' says Mrs. Harris, 'you're an Inglish woman, and that's no business of you'rn.'

"'No, Mrs. Harris,' I says, 'that's very true; I hope I knows my dooty and my country. But,' I says, 'I am informed as there is Ladies in this party, and that half a dozen of 'em, if not more, is in various stages of a interesting state. Mrs. Harris, you and me well knows what Ingeins often does. If I accompanies this expedition, unbeknown and second cladge, may I not combine my calling with change of air, and prove a service to my feller creeturs?' 'Sairey,' was Mrs. Harris's reply, 'you was born to be a blessing to your sex, and bring 'em through it. Good go with you! But keep your distance till called in, Lord bless you Mrs. Gamp; for people is known by the company they keeps, and litterary and artistickle society might be the ruin of you before you was aware, with your best customers, both sick and monthly, if they took a pride in themselves.'

"II. MRS. GAMP IS DESCRIPTIVE.

"The number of the cab had a seven in it I think, and a ought I know—and if this should meet his eye (which it was a black 'un, new done, that he saw with; the other was tied up), I give him warning that he'd better take that umbereller and patten to the Hackney-coach Office before he repents it. He was a young man in a weskit with sleeves to it and strings behind, and needn't flatter himsef with a suppogition of escape, as I gave this description of him to the Police the moment I found he had drove off with my property; and if he thinks there an't laws enough he's much mistook—I tell him that:

"I do assure you, Mrs. Harris, when I stood in the railways office that morning with my bundle on my arm and one patten in my hand, you might have knocked me down with a feather, far less porkmangers which was a lumping against me, continual and sewere all round. I was drove about like a brute animal and almost worritted into fits, when a gentleman with a large shirt-collar and a hook nose, and a eye like one of Mr. Sweedlepipes's hawks, and long locks of hair, and wiskers that I wouldn't have no lady as I was engaged to meet suddenly a turning round a corner, for any sum of money you could offer me, says, laughing, 'Halloa, Mrs. Gamp, what are you up to!' I didn't know him from a man (except by his clothes); but I says faintly, 'If you're a Christian man, show me where to get a second-cladge ticket for Manjester, and have me put in a carriage, or I shall drop!' Which he kindly did, in a cheerful kind of a way, skipping about in the strangest manner as ever I see, making all kinds of actions, and looking and vinking at me from under the brim of his hat (which was a good deal turned up), to that extent, that I should have thought he meant something but for being so flurried as not to have no thoughts at all until I was put in a carriage along with a individgle—the politest as ever I see—in a shepherd's plaid suit with a long gold watch-guard hanging round his neck, and his hand a trembling through nervousness worse than a aspian leaf.

"'I'm wery appy, ma'am,' he says—the politest vice as ever I heerd!—'to go down with a lady belonging to our party.'

"'Our party, sir!' I says.

"'Yes, m'am,' he says, 'I'm Mr. Wilson. I'm going down with the wigs.'

"Mrs. Harris, wen he said he was agoing down with the wigs, such was my state of confugion and worrit that I thought he must be connected with the Government in some ways or another, but directly moment he explains himsef, for he says:

"'There's not a theatre in London worth mentioning that I don't attend punctually. There's five-and-twenty wigs in these boxes, ma'am,' he says, a pinting towards a heap of luggage, 'as was worn at the Queen's Fancy Ball. There's a black wig, ma'am,' he says, 'as was worn by Garrick; there's a red one, ma'am,' he says, 'as was worn by Kean; there's a brown one, ma'am,' he says, 'as was worn by Kemble; there's a yellow one, ma'am,' he says, 'as was made for Cooke; there's a grey one, ma'am,' he says, 'as I measured Mr. Young for, mysef; and there's a white one, ma'am, that Mr. Macready went mad in. There's a flaxen one as was got up express for Jenny Lind the night she came out at the Italian Opera. It was very much applauded was that wig, ma'am, through the evening. It had a great reception. The audience broke out, the moment they see it.'

"'Are you in Mr. Sweedlepipes's line, sir?' I says.

"'Which is that, ma'am?' he says—the softest and genteelest vice I ever heerd, I do declare, Mrs. Harris!

"'Hair-dressing,' I says.

"'Yes, ma'am,' he replies, 'I have that honour. Do you see this, ma'am?' he says, holding up his right hand.

"'I never see such a trembling,' I says to him. And I never did!

"'All along of Her Majesty's Costume Ball, ma'am,' he says. 'The excitement did it. Two hundred and fifty-seven ladies of the first rank and fashion had their heads got up on that occasion by this hand, and my t'other one. I was at it eight-and-forty hours on my feet, ma'am, without rest. It was a Powder ball, ma'am. We have a Powder piece at Liverpool. Have I not the pleasure,' he says, looking at me curious, 'of addressing Mrs. Gamp?'

"'Gamp I am, sir,' I replies. 'Both by name and natur.'

"'Would you like to see your beeograffer's moustache and wiskers, ma'am?' he says. 'I've got 'em in this box.'

"'Drat my beeograffer, sir,' I says, 'he has given me no region to wish to know anythink about him.'

"'Oh, Missus Gamp, I ask your parden'—I never see such a polite man, Mrs. Harris! 'P'raps,' he says, 'if you're not of the party, you don't know who it was that assisted you into this carriage!'

"'No, Sir,' I says, 'I don't, indeed.'

"'Why, ma'am,' he says, a wisperin', 'that was George, ma'am.'

"'What George, sir? I don't know no George,' says I.

"'The great George, ma'am,' says he. 'The Crookshanks.'

"If you'll believe me, Mrs. Harris, I turns my head, and see the wery man a making picturs of me on his thumb nail, at the winder! while another of 'em—a tall, slim, melancolly gent, with dark hair and a bage vice—looks over his shoulder, with his head o' one side as if he understood the subject, and cooly says, 'I've draw'd her several times—in Punch,' he says too! The owdacious wretch!

"'Which I never touches, Mr. Wilson,' I remarks out loud—I couldn't have helped it, Mrs. Harris, if you had took my life for it!—'which I never touches, Mr. Wilson, on account of the lemon!'

"'Hush!' says Mr. Wilson. 'There he is!'

"I only see a fat gentleman with curly black hair and a merry face, a standing on the platform rubbing his two hands over one another, as if he was washing of 'em, and shaking his head and shoulders wery much; and I was a wondering wot Mr. Wilson meant, wen he says, 'There's Dougladge, Mrs. Gamp!' he says. 'There's him as wrote the life of Mrs. Caudle!'

"Mrs. Harris, wen I see that little willain bodily before me, it give me such a turn that I was all in a tremble. If I hadn't lost my umbereller in the cab, I must have done him a injury with it! Oh the bragian little traitor! right among the ladies, Mrs. Harris; looking his wickedest and deceitfullest of eyes while he was a talking to 'em; laughing at his own jokes as loud as you please; holding his hat in one hand to cool his-sef, and tossing back his iron-grey mop of a head of hair with the other, as if it was so much shavings—there, Mrs. Harris, I see him, getting encouragement from the pretty delooded creeturs, which never know'd that sweet saint, Mrs. C, as I did, and being treated with as much confidence as if he'd never wiolated none of the domestic ties, and never showed up nothing! Oh the aggrawation of that Dougladge! Mrs. Harris, if I hadn't apologiged to Mr. Wilson, and put a little bottle to my lips which was in my pocket for the journey, and which it is very rare indeed I have about me, I could not have abared the sight of him—there, Mrs. Harris! I could not!—I must have tore him, or have give way and fainted.

"While the bell was a ringing, and the luggage of the hammertoors in great confugion—all a litter'ry indeed—was handled up, Mr. Wilson demeens his-sef politer than ever. 'That,' he says, 'Mrs. Gamp,' a pinting to a officer-looking gentleman, that a lady with a little basket was a taking care on, 'is another of our party. He's a author too—continivally going up the walley of the Muses, Mrs. Gamp. There,' he says, alluding to a fine looking, portly gentleman, with a face like a amiable full moon, and a short mild gent, with a pleasant smile, 'is two more of our artists, Mrs G, well beknowed at the Royal Academy, as sure as stones is stones, and eggs is eggs. This resolute gent,' he says, 'a coming along here as is aperrently going to take the railways by storm—him with the tight legs, and his weskit very much buttoned, and his mouth very much shut, and his coat a flying open, and his heels a giving it to the platform, is a cricket and beeograffer, and our principal tragegian.' 'But who,' says I, when the bell had left off, and the train had begun to move, 'who, Mr. Wilson, is the wild gent in the prespiration, that's been a tearing up and down all this time with a great box of papers under his arm, a talking to everybody wery indistinct, and exciting of himself dreadful?' 'Why?' says Mr. Wilson, with a smile. 'Because, sir,' I says, 'he's being left behind.' 'Good God!' cries Mr. Wilson, turning pale and putting out his head, 'it's your beeograffer—the Manager—and he has got the money, Mrs. Gamp!' Hous'ever, some one chucked him into the train and we went off. At the first shreek of the whistle, Mrs. Harris, I turned white, for I had took notice of some of them dear creeturs as was the cause of my being in company, and I know'd the danger that—but Mr. Wilson, which is a married man, puts his hand on mine, and says, 'Mrs. Gamp, calm yourself; it's only the Ingein.'"

Of those of the party with whom these humorous liberties were taken there are only two now living to complain of their friendly caricaturist, and Mr. Cruikshank will perhaps join me in a frank forgiveness not the less heartily for the kind words about himself that reached me from Broadstairs not many days after Mrs. Gamp. "At Canterbury yesterday" (2nd of September) "I bought George Cruikshank's Bottle. I think it very powerful indeed: the two last plates most admirable, except that the boy and girl in the very last are too young, and the girl more like a circus-phenomenon than that no-phenomenon she is intended to represent. I question, however, whether anybody else living could have done it so well. There is a woman in the last plate but one, garrulous about the murder, with a child in her arms, that is as good as Hogarth. Also, the man who is stooping down, looking at the body. The philosophy of the thing, as a great lesson, I think all wrong; because to be striking, and original too, the drinking should have begun in sorrow, or poverty, or ignorance—the three things in which, in its awful aspect, it does begin. The design would then have been a double-handed sword—but too 'radical' for good old George, I suppose."

The same letter made mention of other matters of interest. His accounts for the first half-year of Dombey were so much in excess of what had been expected from the new publishing arrangements, that from this date all embarrassments connected with money were brought to a close. His future profits varied of course with his varying sales, but there was always enough, and savings were now to begin. "The profits of the half-year are brilliant. Deducting the hundred pounds a month paid six times, I have still to receive two thousand two hundred and twenty pounds, which I think is tidy. Don't you? . . . Stone is still here, and I lamed his foot by walking him seventeen miles the day before yesterday; but otherwise he flourisheth. . . . Why don't you bring down a carpet-bag-full of books, and take possession of the drawing-room all the morning? My opinion is that Goldsmith would die more easy by the seaside. Charley and Walley have been taken to school this morning in high spirits, and at London Bridge will be folded in the arms of Blimber. The Government is about to issue a Sanitary commission, and Lord John, I am right well pleased to say, has appointed Henry Austin secretary." Mr. Austin, who afterwards held the same office under the Sanitary act, had married his youngest sister Letitia; and of his two youngest brothers I may add that Alfred, also a civil-engineer, became one of the sanitary inspectors, and that Augustus was now placed in a city employment by Mr. Thomas Chapman, which after a little time he surrendered, and then found his way to America.

The next Broadstairs letter (5th of September) resumed the subject of Goldsmith, whose life I was then bringing nearly to completion. "Supposing your Goldsmith made a general sensation, what should you think of doing a cheap edition of his works? I have an idea that we might do some things of that sort with considerable effect. There is really no edition of the great British novelists in a handy nice form, and would it not be a likely move to do it with some attractive feature that could not be given to it by the Teggs and such people? Supposing one wrote an essay on Fielding for instance, and another on Smollett, and another on Sterne, recalling how one read them as a child (no one read them younger than I, I think;) and how one gradually grew up into a different knowledge of them, and so forth—would it not be interesting to many people? I should like to know if you descry anything in this. It is one of the dim notions fluctuating within me.[144]. . . The profits, brave indeed, are four hundred pounds more than the utmost I expected. . . . The same yearnings have been mine, in reference to the Praslin business. It is pretty clear to me, for one thing, that the Duchess was one of the most uncomfortable women in the world, and that it would have been hard work for anybody to have got on with her. It is strange to see a bloody reflection of our friends Eugene Sue and Dumas in the whole melodrama. Don't you think so . . . remembering what we often said of the canker at the root of all that Paris life? I dreamed of you, in a wild manner, all last night. . . . A sea fog here, which prevents one's seeing the low-water mark. A circus on the cliff to the right, and of course I have a box to-night! Deep slowness in the inimitable's brain. A shipwreck on the Goodwin sands last Sunday, which WALLY, with a hawk's eye, SAW GO DOWN: for which assertion, subsequently confirmed and proved, he was horribly maltreated at the time."

Devonshire-terrace meanwhile had been left by his tenant; and coming up joyfully himself to take possession, he brought for completion in his old home an important chapter of Dombey. On the way he lost his portmanteau, but "Thank God! the MS. of the chapter wasn't in it. Whenever I travel, and have anything of that valuable article, I always carry it in my pocket."[145] He had begun at this time to find difficulties in writing at Broadstairs, of which he told me on his return. "Vagrant music is getting to that height here, and is so impossible to be escaped from, that I fear Broadstairs and I must part company in time to come. Unless it pours of rain, I cannot write half-an-hour without the most excruciating organs, fiddles, bells, or glee-singers. There is a violin of the most torturing kind under the window now (time, ten in the morning) and an Italian box of music on the steps—both in full blast." He closed with a mention of improvements in the Margate theatre since his memorable last visit. In the past two years it had been managed by a son of the great comedian, Dowton, with whose name it is pleasant to connect this note. "We went to the manager's benefit on Wednesday" (10th of September): "As You Like It really very well done, and a most excellent house. Mr. Dowton delivered a sensible and modest kind of speech on the occasion, setting forth his conviction that a means of instruction and entertainment possessing such a literature as the stage in England, could not pass away; and, that what inspired great minds, and delighted great men, two thousand years ago, and did the same in Shakespeare's day, must have within itself a principle of life superior to the whim and fashion of the hour. And with that, and with cheers, he retired. He really seems a most respectable man, and he has cleared out this dust-hole of a theatre into something like decency."

He was to be in London at the end of the month: but I had from him meanwhile his preface[146] for his first completed book in the popular edition (Pickwick being now issued in that form, with an illustration by Leslie); and sending me shortly after (12th of Sept.) the first few slips of the story of the Haunted Man proposed for his next Christmas book, he told me he must finish it in less than a month if it was to be done at all, Dombey having now become very importunate. This prepared me for his letter of a week's later date. "Have been at work all day, and am seedy in consequence. Dombey takes so much time, and requires to be so carefully done, that I really begin to have serious doubts whether it is wise to go on with the Christmas book. Your kind help is invoked. What do you think? Would there be any distinctly bad effect in holding this idea over for another twelvemonth? saying nothing whatever till November; and then announcing in the Dombey that its occupation of my entire time prevents the continuance of the Christmas series until next year, when it is proposed to be renewed. There might not be anything in that but a possibility of an extra lift for the little book when it did come—eh? On the other hand, I am very loath to lose the money. And still more so to leave any gap at Christmas firesides which I ought to fill. In short I am (forgive the expression) BLOWED if I know what to do. I am a literary Kitely—and you ought to sympathize and help. If I had no Dombey, I could write and finish the story with the bloom on—but there's the rub. . . . Which unfamiliar quotation reminds me of a Shakspearian (put an e before the s; I like it much better) speculation of mine. What do you say to 'take arms against a sea of troubles' having been originally written 'make arms,' which is the action of swimming. It would get rid of a horrible grievance in the figure, and make it plain and apt. I think of setting up a claim to live in The House at Stratford, rent-free, on the strength of this suggestion. You are not to suppose that I am anything but disconcerted to-day, in the agitation of my soul concerning Christmas; but I have been brooding, like Dombey himself, over Dombey these two days, until I really can't afford to be depressed." To his Shakespearian suggestion I replied that it would hardly give him the claim he thought of setting up, for that swimming through your troubles would not be "opposing" them. And upon the other point I had no doubt of the wisdom of delay. The result was that the Christmas story was laid aside until the following year.

The year's closing incidents were his chairmanship at a meeting of the Leeds Mechanics' Society on the 1st of December, and his opening of the Glasgow Athenaeum on the 28th; where, to immense assemblages in both,[147] he contrasted the obstinacy and cruelty of the Power of ignorance with the docility and gentleness of the Power of knowledge; pointed the use of popular institutes in supplementing what is learnt first in life, by the later education for its employments and equipment for its domesticities and virtues, which the grown person needs from day to day as much as the child its reading and writing; and he closed at Glasgow with allusion to a bazaar set on foot by the ladies of the city, under patronage of the Queen, for adding books to its Athenaeum library. "We never tire of the friendships we form with books," he said, "and here they will possess the added charm of association with their donors. Some neighbouring Glasgow widow will be mistaken for that remoter one whom Sir Roger de Coverley could not forget; Sophia's muff will be seen and loved, by another than Tom Jones, going down the High-street some winter day; and the grateful students of a library thus filled will be apt, as to the fair ones who have helped to people it, to couple them in their thoughts with Principles of the Population and Additions to the History of Europe, by an author of older date than Sheriff Alison." At which no one laughed so loudly as the Sheriff himself, who had cordially received Dickens as his guest, and stood with him on the platform.

On the last day but one of the old year he wrote to me from Edinburgh. "We came over this afternoon, leaving Glasgow at one o'clock. Alison lives in style in a handsome country house out of Glasgow, and is a capital fellow, with an agreeable wife, nice little daughter, cheerful niece, all things pleasant in his household. I went over the prison and lunatic asylum with him yesterday;[148] at the Lord Provost's had gorgeous state-lunch with the Town Council; and was entertained at a great dinner-party at night. Unbounded hospitality and enthoozymoozy the order of the day, and I have never been more heartily received anywhere, or enjoyed myself more completely. The great chemist, Gregory, who spoke at the meeting, returned with us to Edinburgh to-day, and gave me many new lights on the road regarding the extraordinary pains Macaulay seems for years to have taken to make himself disagreeable and disliked here. No one else, on that side, would have had the remotest chance of being unseated at the last election; and, though Gregory voted for him, I thought he seemed quite as well pleased as anybody else that he didn't come in. . . . I am sorry to report the Scott Monument a failure. It is like the spire of a Gothic church taken off and stuck in the ground." On the first day of 1848, still in Edinburgh, he wrote again: "Jeffrey, who is obliged to hold a kind of morning court in his own study during the holidays, came up yesterday in great consternation, to tell me that a person had just been to make and sign a declaration of bankruptcy; and that on looking at the signature he saw it was James Sheridan Knowles. He immediately sent after, and spoke with him; and of what passed I am eager to talk with you." The talk will bring back the main subject of this chapter, from which another kind of strolling has led me away; for its results were other amateur performances, of which the object was to benefit Knowles.

This was the year when a committee had been formed for the purchase and preservation of Shakespeare's house at Stratford, and the performances in question took the form of contributions to the endowment of a curatorship to be held by the author of Virginius and the Hunchback. The endowment was abandoned upon the town and council of Stratford finally (and very properly) taking charge of the house; but the sum realised was not withdrawn from the object really desired, and one of the finest of dramatists profited yet more largely by it than Leigh Hunt did by the former enterprise. It may be proper to remark also, that, like Leigh Hunt, Knowles received soon after, through Lord John Russell, the same liberal pension; and that smaller claims to which attention had been similarly drawn were not forgotten, Mr. Poole, after much kind help from the Bounty Fund, being in 1850 placed on the Civil List for half the amount by the same minister and friend of letters.

Dickens threw himself into the new scheme with all his old energy;[149] and prefatory mention may be made of our difficulty in selection of a suitable play to alternate with our old Ben Jonson. The Alchemist had been such a favourite with some of us, that, before finally laying it aside, we went through two or three rehearsals, in which I recollect thinking Dickens's Sir Epicure Mammon as good as anything he had done; and now the same trouble, with the same result, arising from a vain desire to please everybody, was taken successively with Beaumont and Fletcher's Beggar's Bush, and Goldsmith's Good Natured Man, with Jerrold's characteristic drama of the Rent Day, and Bulwer's masterly comedy of Money. Choice was at last made of Shakespeare's Merry Wives, in which Lemon played Falstaff, I took again the jealous husband as in Jonson's play, and Dickens was Justice Shallow; to which was added a farce, Love, Law, and Physick, in which Dickens took the part he had acted long ago, before his days of authorship; and, besides the professional actresses engaged, we had for our Dame Quickly the lady to whom the world owes incomparably the best Concordance to Shakespeare that has ever been published, Mrs. Cowden Clarke. The success was undoubtedly very great. At Manchester, Liverpool, and Edinburgh there were single representations; but Birmingham and Glasgow had each two nights, and two were given at the Haymarket, on one of which the Queen and Prince were present. The gross receipts from the nine performances, before the necessary large deductions for London and local charges, were two thousand five hundred and fifty-one pounds and eightpence.[150] The first representation was in London on the 15th of April, the last in Glasgow on the 20th of July, and everywhere Dickens was the leading figure. In the enjoyment as in the labour he was first. His animal spirits, unresting and supreme, were the attraction of rehearsal at morning, and of the stage at night. At the quiet early dinner, and the more jovial unrestrained supper, where all engaged were assembled daily, his was the brightest face, the lightest step, the pleasantest word. There seemed to be no rest needed for that wonderful vitality.

My allusion to the last of these splendid strollings in aid of what we believed to be the interests of men of letters, shall be as brief as I can make it. Two winters after the present, at the close of November 1850, in the great hall of Lord Lytton's old family mansion in Knebworth-park, there were three private performances by the original actors in Ben Jonson's Every Man in His Humour. All the circumstances and surroundings were very brilliant; some of the gentlemen of the county played both in the comedy and farces; our generous host was profuse of all noble encouragement; and amid the general pleasure and excitement hopes rose high. Recent experience had shown what the public interest in this kind of amusement might place within reach of its providers; and there came to be discussed the possibility of making permanent such help as had been afforded to fellow writers, by means of an endowment that should not be mere charity, but should combine indeed something of both pension-list and college-lectureship, without the drawbacks of either. It was not enough considered that schemes for self-help, to be successful, require from those they are meant to benefit, not only a general assent to their desirability, but zealous and active co-operation. Without discussing now, however, what will have to be stated hereafter, it suffices to say that the enterprise was set on foot, and the "Guild of Literature and Art" originated at Knebworth. A five-act comedy was to be written by Sir Edward Lytton, and, when a certain sum of money had been obtained by public representations of it, the details of the scheme were to be drawn up, and appeal made to those whom it addressed more especially. In a very few months everything was ready, except a farce which Dickens was to have written to follow the comedy, and which unexpected cares of management and preparation were held to absolve him from. There were other reasons. "I have written the first scene," he told me (23rd March, 1851), "and it has droll points in it, more farcical points than you commonly find in farces,[151] really better. Yet I am constantly striving, for my reputation's sake, to get into it a meaning that is impossible in a farce; constantly thinking of it, therefore, against the grain; and constantly impressed with a conviction that I could never act in it myself with that wild abandonment which can alone carry a farce off. Wherefore I have confessed to Bulwer Lytton and asked for absolution." There was substituted a new farce of Lemon's, to which, however, Dickens soon contributed so many jokes and so much Gampish and other fun of his own, that it came to be in effect a joint piece of authorship; and Gabblewig, which the manager took to himself, was one of those personation parts requiring five or six changes of face, voice, and gait in the course of it, from which, as we have seen, he derived all the early theatrical ambition that the elder Mathews had awakened in him. "You have no idea," he continued, "of the immensity of the work as the time advances, for the Duke even throws the whole of the audience on us, or he would get (he says) into all manner of scrapes." The Duke of Devonshire had offered his house in Piccadilly for the first representations, and in his princely way discharged all the expenses attending them. A moveable theatre was built and set up in the great drawing-room, and the library was turned into a green-room.

Not so Bad as We Seem was played for the first time at Devonshire-house on the 27th of May, 1851, before the Queen and Prince and as large an audience as places could be found for; Mr. Nightingale's Diary being the name given to the farce. The success abundantly realised the expectations formed; and, after many representations at the Hanover-square Rooms in London, strolling began in the country, and was continued at intervals for considerable portions of this and the following year. From much of it, illness and occupation disabled me, and substitutes had to be found; but to this I owe the opportunity now of closing with a characteristic picture of the course of the play, and of Dickens amid the incidents and accidents to which his theatrical career exposed him. The company carried with them, it should be said, the theatre constructed for Devonshire-house, as well as the admirable scenes which Stanfield, David Roberts, Thomas Grieve, Telbin, Absolon, and Louis Haghe had painted as their generous free-offerings to the comedy; of which the representations were thus rendered irrespective of theatres or their managers, and took place in the large halls or concert-rooms of the various towns and cities.

"The enclosure forgotten in my last" (Dickens writes from Sunderland on the 29th of August 1852), "was a little printed announcement which I have had distributed at the doors wherever we go, knocking Two o' Clock in the Morning bang out of the bills. Funny as it used to be, it is become impossible to get anything out of it after the scream of Mr. Nightingale's Diary. The comedy is so far improved by the reductions which your absence and other causes have imposed on us, that it acts now only two hours and twenty-five minutes, all waits included, and goes 'like wildfire,' as Mr. Tonson[152] says. We have had prodigious houses, though smaller rooms (as to their actual size) than I had hoped for. The Duke was at Derby, and no end of minor radiances. Into the room at Newcastle (where Lord Carlisle was by the bye) they squeezed six hundred people, at twelve and sixpence, into a space reasonably capable of holding three hundred. Last night, in a hall built like a theatre, with pit, boxes, and gallery, we had about twelve hundred—I dare say more. They began with a round of applause when Coote's white waistcoat appeared in the orchestra, and wound up the farce with three deafening cheers. I never saw such good fellows. Stanny is their fellow-townsman; was born here; and they applauded his scene as if it were himself. But what I suffered from a dreadful anxiety that hung over me all the time, I can never describe. When we got here at noon, it appeared that the hall was a perfectly new one, and had only had the slates put upon the roof by torchlight over night. Farther, that the proprietors of some opposition rooms had declared the building to be unsafe, and that there was a panic in the town about it; people having had their money back, and being undecided whether to come or not, and all kinds of such horrors. I didn't know what to do. The horrible responsibility of risking an accident of that awful nature seemed to rest wholly upon me; for I had only to say we wouldn't act, and there would be no chance of danger. I was afraid to take Sloman into council lest the panic should infect our men. I asked W. what he thought, and he consolingly observed that his digestion was so bad that death had no terrors for him! I went and looked at the place; at the rafters, walls, pillars, and so forth; and fretted myself into a belief that they really were slight! To crown all, there was an arched iron roof without any brackets or pillars, on a new principle! The only comfort I had was in stumbling at length on the builder, and finding him a plain practical north-countryman with a foot rule in his pocket. I took him aside, and asked him should we, or could we, prop up any weak part of the place: especially the dressing-rooms, which were under our stage, the weight of which must be heavy on a new floor, and dripping wet walls. He told me there wasn't a stronger building in the world; and that, to allay the apprehension, they had opened it, on Thursday night, to thousands of the working people, and induced them to sing, and beat with their feet, and make every possible trial of the vibration. Accordingly there was nothing for it but to go on. I was in such dread, however, lest a false alarm should spring up among the audience and occasion a rush, that I kept Catherine and Georgina out of the front. When the curtain went up and I saw the great sea of faces rolling up to the roof, I looked here and looked there, and thought I saw the gallery out of the perpendicular, and fancied the lights in the ceiling were not straight. Rounds of applause were perfect agony to me, I was so afraid of their effect upon the building. I was ready all night to rush on in case of an alarm—a false alarm was my main dread—and implore the people for God's sake to sit still. I had our great farce-bell rung to startle Sir Geoffrey instead of throwing down a piece of wood, which might have raised a sudden-apprehension. I had a palpitation of the heart, if any of our people stumbled up or down a stair. I am sure I never acted better, but the anxiety of my mind was so intense, and the relief at last so great, that I am half-dead to-day, and have not yet been able to eat or drink anything or to stir out of my room. I shall never forget it. As to the short time we had for getting the theatre up; as to the upsetting, by a runaway pair of horses, of one of the vans at the Newcastle railway station, with all the scenery in it, every atom of which was turned over; as to the fatigue of our carpenters, who have now been up four nights, and who were lying dead asleep in the entrances last night; I say nothing, after the other gigantic nightmare, except that Sloman's splendid knowledge of his business, and the good temper and cheerfulness of all the workmen, are capital. I mean to give them a supper at Liverpool, and address them in a neat and appropriate speech. We dine at two to-day (it is now one) and go to Sheffield at four, arriving there at about ten. I had been as fresh as a daisy; walked from Nottingham to Derby, and from Newcastle here; but seem to have had my nerves crumpled up last night, and have an excruciating headache. That's all at present. I shall never be able to bear the smell of new deal and fresh mortar again as long as I live."

Manchester and Liverpool closed the trip with enormous success at both places; and Sir Edward Lytton was present at a public dinner which was given in the former city, Dickens's brief word about it being written as he was setting foot in the train that was to bring him to London. "Bulwer spoke brilliantly at the Manchester dinner, and his earnestness and determination about the Guild was most impressive. It carried everything before it. They are now getting up annual subscriptions, and will give us a revenue to begin with. I swear I believe that people to be the greatest in the world. At Liverpool I had a Round Robin on the stage after the play was over, a place being left for your signature, and as I am going to have it framed, I'll tell Green to send it to Lincoln's-inn-fields. You have no idea how good Tenniel, Topham, and Collins have been in what they had to do."

These names, distinguished in art and letters, represent additions to the company who had joined the enterprise; and the last of them, Mr. Wilkie Collins, became, for all the rest of the life of Dickens, one of his dearest and most valued friends.

FOOTNOTES:

[142] He entered the Royal Navy, and survived his father only a year and eleven months. He was a Lieutenant, at the time of his death from a sharp attack of bronchitis; being then on board the P. and O. steamer "Malta," invalided from his ship the Topaze, and on his way home. He was buried at sea on the 2nd of May, 1872. Poor fellow! He was the smallest in size of all the children, in his manhood reaching only to a little over five feet; and throughout his childhood was never called by any other name than the "Ocean Spectre," from a strange little weird yet most attractive look in his large wondering eyes, very happily caught in a sketch in oils by the good Frank Stone, done at Bonchurch in September 1849 and remaining in his aunt's possession. "Stone has painted," Dickens then wrote to me, "the Ocean Spectre, and made a very pretty little picture of him." It was a strange chance that led his father to invent this playful name for one whom the ocean did indeed take to itself at last.

[143] I think it right to place on record here Leigh Hunt's own allusion to the incident (Autobiography, p. 432), though it will be thought to have too favourable a tone, and I could have wished that other names had also found mention in it. But I have already (p. 211) stated quite unaffectedly my own opinion of the very modest pretensions of the whole affair, and these kind words of Hunt may stand valeant quantum. "Simultaneous with the latest movement about the pension was one on the part of my admirable friend Dickens and other distinguished men, Forsters and Jerrolds, who, combining kindly purpose with an amateur inclination for the stage, had condescended to show to the public what excellent actors they could have been, had they so pleased,—what excellent actors, indeed, some of them were. . . . They proposed . . . a benefit for myself, . . . and the piece performed on the occasion was Ben Jonson's Every Man in his Humour. . . . If anything had been needed to show how men of letters include actors, on the common principle of the greater including the less, these gentlemen would have furnished it. Mr. Dickens's Bobadil had a spirit in it of intellectual apprehension beyond anything the existing stage has shown . . . and Mr. Forster delivered the verses of Ben Jonson with a musical flow and a sense of their grace and beauty unknown, I believe, to the recitation of actors at present. At least I have never heard anything like it since Edmund Kean's.". . . To this may be added some lines from Lord Lytton's prologue spoken at Liverpool, of which I have not been able to find a copy, if indeed it was printed at the time; but the verses come so suddenly and completely back to me, as I am writing after twenty-five years, that in a small way they recall a more interesting effort of memory told me once by Macready. On a Christmas night at Drury Lane there came a necessity to put up the Gamester, which he had not played since he was a youth in his father's theatre thirty years before. He went to rehearsal shrinking from the long and heavy study he should have to undergo, when, with the utterance of the opening sentence, the entire words of the part came back, including even a letter which Beverly has to read, and which it is the property-man's business to supply. My lines come back as unexpectedly; but with pleasanter music than any in Mr. Moore's dreary tragedy, as a few will show.

"Mild amid foes, within a prison free, He comes . . . our grey-hair'd bard of Rimini! Comes with the pomp of memories in his train, Pathos and wit, sweet pleasure and sweet pain! Comes with familiar smile and cordial tone, Our hearths' wise cheerer!—Let us cheer his own! Song links her children with a golden thread, To aid the living bard strides forth the dead. Hark the frank music of the elder age— Ben Jonson's giant tread sounds ringing up the stage! Hail! the large shapes our fathers loved! again Wellbred's light ease, and Kitely's jealous pain. Cob shall have sense, and Stephen be polite, Brainworm shall preach, and Bobadil shall fight— Each, here, a merit not his own shall find, And Every Man the Humour to be kind."

[144] Another, which for many reasons we may regret went also into the limbo of unrealized designs, is sketched in the subjoined (7th of January, 1848). "Mac and I think of going to Ireland for six weeks in the spring, and seeing whether anything is to be done there, in the way of a book? I fancy it might turn out well." The Mac of course is Maclise.

[145] "Here we are" (23rd of August) "in the noble old premises; and very nice they look, all things considered. . . . Trifles happen to me which occur to nobody else. My portmanteau 'fell off' a cab last night somewhere between London-bridge and here. It contained on a moderate calculation L70 worth of clothes. I have no shirt to put on, and am obliged to send out to a barber to come and shave me."

[146] "Do you see anything to object to in it? I have never had so much difficulty, I think, in setting about any slight thing; for I really didn't know that I had a word to say, and nothing seems to live 'twixt what I have said and silence. The advantage of it is, that the latter part opens an idea for future prefaces all through the series, and may serve perhaps to make a feature of them." (7th of September, 1847.)

[147] From his notes on these matters I may quote. "The Leeds appears to be a very important institution, and I am glad to see that George Stephenson will be there, besides the local lights, inclusive of all the Baineses. They talk at Glasgow of 6,000 people." (26th of November.) "You have got Southey's Holly Tree. I have not. Put it in your pocket to-day. It occurs to me (up to the eyes in a mass of Glasgow Athenaeum papers) that I could quote it with good effect in the North." (24th of December.) "A most brilliant demonstration last night, and I think I never did better. Newspaper reports bad." (29th of December.)

[148] "Tremendous distress at Glasgow, and a truly damnable jail, exhibiting the separate system in a most absurd and hideous form. Governor practical and intelligent; very anxious for the associated silent system; and much comforted by my fault-finding." (30th of December.)

[149] It would amuse the reader, but occupy too much space, to add to my former illustrations of his managerial troubles; but from an elaborate paper of rules for rehearsals, which I have found in his handwriting, I quote the opening and the close. "Remembering the very imperfect condition of all our plays at present, the general expectation in reference to them, the kind of audience before which they will be presented, and the near approach of the nights of performance, I hope everybody concerned will abide by the following regulations, and will aid in strictly carrying them out." Elaborate are the regulations set forth, but I take only the three last. "Silence, on the stage and in the theatre, to be faithfully observed; the lobbies &c. being always available for conversation. No book to be referred to on the stage; but those who are imperfect to take their words from the prompter. Everyone to act, as nearly as possible, as on the night of performance; everyone to speak out, so as to be audible through the house. And every mistake of exit, entrance, or situation, to be corrected three times successively." He closes thus. "All who were concerned in the first getting up of Every Man in his Humour, and remember how carefully the stage was always kept then, and who have been engaged in the late rehearsals of the Merry Wives, and have experienced the difficulty of getting on, or off: of being heard, or of hearing anybody else: will, I am sure, acknowledge the indispensable necessity of these regulations."

[150] I give the sums taken at the several theatres. Haymarket, L319 14s.; Manchester, L266 12s. 6d.; Liverpool, L467 6s. 6d.; Birmingham, L327 10s., and L262 18s. 6d.; Edinburgh, L325 1s. 6d.; Glasgow, L471 7s. 8d., and (at half the prices of the first night) L210 10s.

[151] "Those Rabbits have more nature in them than you commonly find in Rabbits"—the self-commendatory remark of an aspiring animal-painter showing his piece to the most distinguished master in that line—was here in my friend's mind.

[152] Mr. Tonson was a small part in the comedy entrusted with much appropriateness to Mr. Charles Knight, whose Autobiography has this allusion to the first performance, which, as Mr. Pepys says, is "pretty to observe." "The actors and the audience were so close together that as Mr. Jacob Tonson sat in Wills's Coffee-house he could have touched with his clouded cane the Duke of Wellington." (iii. 116.)



CHAPTER XVIII.

SEASIDE HOLIDAYS.

1848-1851.

Louis Philippe dethroned—French Missive from C. D.—At Broadstairs—A Chinese Junk—What it was like—Perplexing Questions—A Type of Finality—A Contrast—Dickens's View of Temperance Agitation—Cruikshank's Bottle: and Drunkard's Children—Realities of Cruikshank's Pencil—Dickens on Hogarth—Exit of Gin-lane—Wisdom of the Great Painter—Originality of Leech—Superiority of his Method—Excuses for the Rising Generation—What Leech will be remembered for—Pony-chaise Accident—Fortunate Escape—Strenuous Idleness—Hint for Mr. Taine—At Brighton—A Name for his New Book—At Broadstairs—Summoned as Special Juror—A Male Mrs. Gamp and Mrs. Harris—At Bonchurch—Rev. James White—First Impressions of the Undercliff—Talfourd made a Judge—Touching Letter from Jeffrey—The Comedian Regnier—Progress in Writing—A Startling Revelation—Effects of Bonchurch Climate—Mr. Browne's Sketch for Micawber—Accident to Leech—Its Consequences—At Broadstairs—A Copperfield Banquet—Thoughts of a New Book.

THE portion of Dickens's life over which his adventures of strolling extended was in other respects not without interest; and this chapter will deal with some of his seaside holidays before I pass to the publication in 1848 of the story of The Haunted Man, and to the establishment in 1850 of the Periodical which had been in his thoughts for half a dozen years before, and has had foreshadowings nearly as frequent in my pages.

Among the incidents of 1848 before the holiday season came, were the dethronement of Louis Philippe, and birth of the second French republic: on which I ventured to predict that a Gore-house friend of ours, and his friend, would in three days be on the scene of action. The three days passed, and I had this letter. "Mardi, Fevrier 29, 1848. MON CHER. Vous etes homme de la plus grande penetration! Ah, mon Dieu, que vous etes absolument magnifique! Vous prevoyez presque toutes les choses qui vont arriver; et aux choses qui viennent d'arriver vous etes merveilleusement au-fait. Ah, cher enfant, quelle idee sublime vous vous aviez a la tete quand vous prevites si clairement que M. le Comte Alfred d'Orsay se rendrait au pays de sa naissance! Quel magicien! Mais—c'est tout egal, mais—il n'est pas parti. Il reste a Gore-house, ou, avant-hier, il y avait un grand diner a tout le monde. Mais quel homme, quel ange, neanmoins! MON AMI, je trouve que j'aime tant la Republique, qu'il me faut renoncer ma langue et ecrire seulement le langage de la Republique de France—langage des Dieux et des Anges—langage, en un mot, des Francais! Hier au soir je rencontrai a l'Athenaeum Monsieur Mack Leese, qui me dit que MM. les Commissionnaires des Beaux Arts lui avaient ecrit, par leur secretaire, un billet de remerciements a propos de son tableau dans la Chambre des Deputes, et qu'ils lui avaient prie de faire l'autre tableau en fresque, dont on y a besoin. Ce qu'il a promis. Voici des nouvelles pour les champs de Lincoln's Inn! Vive la gloire de France! Vive la Republique! Vive le Peuple! Plus de Royaute! Plus des Bourbons! Plus de Guizot! Mort aux traitres! Faisons couler le sang pour la liberte, la justice, la cause populaire! Jusqu'a cinq heures et demie, adieu, mon brave! Recevez l'assurance de ma consideration distinguee, et croyez-moi, CONCITOYEN! votre tout devoue, CITOYEN CHARLES DICKENS." I proved to be not quite so wrong, nevertheless, as my friend supposed.

Somewhat earlier than usual this summer, on the close of the Shakespeare-house performances, he tried Broadstairs once more, having no important writing in hand: but in the brief interval before leaving he saw a thing of celebrity in those days, the Chinese Junk; and I had all the details in so good a description that I could not resist the temptation of using some parts of it at the time. "Drive down to the Blackwall railway," he wrote to me, "and for a matter of eighteen-pence you are at the Chinese Empire in no time. In half a score of minutes, the tiles and chimney-pots, backs of squalid houses, frowsy pieces of waste ground, narrow courts and streets, swamps, ditches, masts of ships, gardens of dockweed, and unwholesome little bowers of scarlet beans, whirl away in a flying dream, and nothing is left but China. How the flowery region ever came into this latitude and longitude is the first thing one asks; and it is not certainly the least of the marvel. As Aladdin's palace was transported hither and thither by the rubbing of a lamp, so the crew of Chinamen aboard the Keying devoutly believed that their good ship would turn up, quite safe, at the desired port, if they only tied red rags enough upon the mast, rudder, and cable. Somehow they did not succeed. Perhaps they ran short of rag; at any rate they hadn't enough on board to keep them above water; and to the bottom they would undoubtedly have gone but for the skill and coolness of a dozen English sailors, who brought them over the ocean in safety. Well, if there be any one thing in the world that this extraordinary craft is not at all like, that thing is a ship of any kind. So narrow, so long, so grotesque; so low in the middle, so high at each end, like a China pen-tray; with no rigging, with nowhere to go to aloft; with mats for sails, great warped cigars for masts, gaudy dragons and sea-monsters disporting themselves from stem to stern, and on the stern a gigantic cock of impossible aspect, defying the world (as well he may) to produce his equal,—it would look more at home at the top of a public building, or at the top of a mountain, or in an avenue of trees, or down in a mine, than afloat on the water. As for the Chinese lounging on the deck, the most extravagant imagination would never dare to suppose them to be mariners. Imagine a ship's crew, without a profile among them, in gauze pinafores and plaited hair; wearing stiff clogs a quarter of a foot thick in the sole; and lying at night in little scented boxes, like backgammon men or chess-pieces, or mother-of-pearl counters! But by Jove! even this is nothing to your surprise when you go down into the cabin. There you get into a torture of perplexity. As, what became of all those lanterns hanging to the roof when the Junk was out at sea? Whether they dangled there, banging and beating against each other, like so many jesters' baubles? Whether the idol Chin Tee, of the eighteen arms, enshrined in a celestial Punch's Show, in the place of honour, ever tumbled out in heavy weather? Whether the incense and the joss-stick still burnt before her, with a faint perfume and a little thread of smoke, while the mighty waves were roaring all around? Whether that preposterous tissue-paper umbrella in the corner was always spread, as being a convenient maritime instrument for walking about the decks with in a storm? Whether all the cool and shiny little chairs and tables were continually sliding about and bruising each other, and if not why not? Whether anybody on the voyage ever read those two books printed in characters like bird-cages and fly-traps? Whether the Mandarin passenger, He Sing, who had never been ten miles from home in his life before, lying sick on a bamboo couch in a private china closet of his own (where he is now perpetually writing autographs for inquisitive barbarians), ever began to doubt the potency of the Goddess of the Sea, whose counterfeit presentment, like a flowery monthly nurse, occupies the sailors' joss-house in the second gallery? Whether it is possible that the said Mandarin, or the artist of the ship, Sam Sing, Esquire, R.A. of Canton, can ever go ashore without a walking-staff of cinnamon, agreeably to the usage of their likenesses in British tea-shops? Above all, whether the hoarse old ocean could ever have been seriously in earnest with this floating toy-shop; or had merely played with it in lightness of spirit—roughly, but meaning no harm—as the bull did with another kind of china-shop on St. Patrick's day in the morning."

The reply made on this brought back comment and sequel not less amusing. "Yes, there can be no question that this is Finality in perfection; and it is a great advantage to have the doctrine so beautifully worked out, and shut up in a corner of a dock near a fashionable white-bait house for the edification of man. Thousands of years have passed away since the first junk was built on this model, and the last junk ever launched was no better for that waste and desert of time. The mimic eye painted on their prows to assist them in finding their way, has opened as wide and seen as far as any actual organ of sight in all the interval through the whole immense extent of that strange country. It has been set in the flowery head to as little purpose for thousands of years. With all their patient and ingenious but never advancing art, and with all their rich and diligent agricultural cultivation, not a new twist or curve has been given to a ball of ivory, and not a blade of experience has been grown. There is a genuine finality in that; and when one comes from behind the wooden screen that encloses the curious sight, to look again upon the river and the mighty signs on its banks of life, enterprise, and progress, the question that comes nearest is beyond doubt a home one. Whether we ever by any chance, in storms, trust to red flags; or burn joss-sticks before idols; or grope our way by the help of conventional eyes that have no sight in them; or sacrifice substantial facts for absurd forms? The ignorant crew of the Keying refused to enter on the ships' books, until 'a considerable amount of silvered-paper, tin-foil, and joss-stick' had been laid in by the owners for the purposes of their worship. And I wonder whether our seamen, let alone our bishops and deacons, ever stand out upon points of silvered-paper and tin-foil and joss-sticks. To be sure Christianity is not Chin-Teeism, and that I suppose is why we never lose sight of the end in contemptible and insignificant quarrels about the means. There is enough matter for reflection aboard the Keying at any rate to last one's voyage home to England again."

Other letters of the summer from Broadstairs will complete what he wrote from the same place last year on Mr. Cruikshank's efforts in the cause of temperance, and will enable me to say, what I know he wished to be remembered in his story, that there was no subject on which through his whole life he felt more strongly than this. No man advocated temperance, even as far as possible its legislative enforcement, with greater earnestness; but he made important reservations. Not thinking drunkenness to be a vice inborn, or incident to the poor more than to other people, he never would agree that the existence of a gin-shop was the alpha and omega of it. Believing it to be, the "national horror," he also believed that many operative causes had to do with having made it so; and his objection to the temperance agitation was that these were left out of account altogether. He thought the gin-shop not fairly to be rendered the exclusive object of attack, until, in connection with the classes who mostly made it their resort, the temptations that led to it, physical and moral, should have been more bravely dealt with. Among the former he counted foul smells, disgusting habitations, bad workshops and workshop-customs, scarcity of light, air, and water, in short the absence of all easy means of decency and health; and among the latter, the mental weariness and languor so induced, the desire of wholesome relaxation, the craving for some stimulus and excitement, not less needful than the sun itself to lives so passed, and last, and inclusive of all the rest, ignorance, and the want of rational mental training, generally applied. This was consistently Dickens's "platform" throughout the years he was known to me; and holding it to be within the reach as well as the scope of legislation, which even our political magnates have been discovering lately, he thought intemperance to be but the one result that, out of all those arising from the absence of legislation, was the most wretched. For him, drunkenness had a teeming and reproachful history anterior to the drunken stage; and he thought it the first duty of the moralist bent upon annihilating the gin-shop, to "strike deep and spare not" at those previous remediable evils. Certainly this was not the way of Mr. Cruikshank, any more than it is that of the many excellent people who take part in temperance agitations. His former tale of the Bottle, as told by his admirable pencil, was that of a decent working man, father of a boy and a girl, living in comfort and good esteem until near the middle age, when, happening unluckily to have a goose for dinner one day in the bosom of his thriving family, he jocularly sends out for a bottle of gin, persuades his wife, until then a picture of neatness and good housewifery, to take a little drop after the stuffing, and the whole family from that moment drink themselves to destruction. The sequel, of which Dickens now wrote to me, traced the lives of the boy and girl after the wretched deaths of their drunken parents, through gin-shop, beer-shop, and dancing-rooms, up to their trial for robbery, when the boy is convicted, dying aboard the hulks; and the girl, desolate and mad after her acquittal, flings herself from London-bridge into the night-darkened river.

"I think," said Dickens, "the power of that closing scene quite extraordinary. It haunts the remembrance like an awful reality. It is full of passion and terror, and I doubt very much whether any hand but his could so have rendered it. There are other fine things too. The death-bed scene on board the hulks; the convict who is composing the face, and the other who is drawing the screen round the bed's head; seem to me masterpieces worthy of the greatest painter. The reality of the place, and the fidelity with which every minute object illustrative of it is presented, are surprising. I think myself no bad judge of this feature, and it is remarkable throughout. In the trial scene at the Old Bailey, the eye may wander round the Court, and observe everything that is a part of the place. The very light and atmosphere are faithfully reproduced. So, in the gin-shop and the beer-shop. An inferior hand would indicate a fragment of the fact, and slur it over; but here every shred is honestly made out. The man behind the bar in the gin-shop, is as real as the convicts at the hulks, or the barristers round the table in the Old Bailey. I found it quite curious, as I closed the book, to recall the number of faces I had seen of individual identity, and to think what a chance they have of living, as the Spanish friar said to Wilkie, when the living have passed away. But it only makes more exasperating to me the obstinate one-sidedness of the thing. When a man shows so forcibly the side of the medal on which the people in their faults and crimes are stamped, he is the more bound to help us to a glance at that other side on which the faults and vices of the governments placed over the people are not less gravely impressed."

This led to some remark on Hogarth's method in such matters, and I am glad to be able to preserve this fine criticism of that great Englishman, by a writer who closely resembled him in genius; as another generation will be probably more apt than our own to discover. "Hogarth avoided the Drunkard's Progress, I conceive, precisely because the causes of drunkenness among the poor were so numerous and widely spread, and lurked so sorrowfully deep and far down in all human misery, neglect, and despair, that even his pencil could not bring them fairly and justly into the light. It was never his plan to be content with only showing the effect. In the death of the miser-father, his shoe new-soled with the binding of his bible, before the young Rake begins his career; in the worldly father, listless daughter, impoverished young lord, and crafty lawyer, of the first plate of Marriage-a-la mode; in the detestable advances through the stages of Cruelty; and in the progress downward of Thomas Idle; you see the effects indeed, but also the causes. He was never disposed to spare the kind of drunkenness that was of more 'respectable' engenderment, as one sees in his midnight modern conversation, the election plates, and crowds of stupid aldermen and other guzzlers. But after one immortal journey down Gin-lane, he turned away in pity and sorrow—perhaps in hope of better things, one day, from better laws and schools and poor men's homes—and went back no more. The scene of Gin-lane, you know, is that just cleared away for the extension of Oxford-street, which we were looking at the other day; and I think it a remarkable trait of Hogarth's picture, that while it exhibits drunkenness in the most appalling forms, it also forces on attention a most neglected wretched neighbourhood, and an unwholesome, indecent, abject condition of life that might be put as frontispiece to our sanitary report of a hundred years later date. I have always myself thought the purpose of this fine piece to be not adequately stated even by CHARLES LAMB. 'The very houses seem absolutely reeling' it is true; but beside that wonderful picture of what follows intoxication, we have indication quite as powerful of what leads to it among the neglected classes. There is no evidence that any of the actors in the dreary scene have ever been much better than we see them there. The best are pawning the commonest necessaries, and tools of their trades; and the worst are homeless vagrants who give us no clue to their having been otherwise in bygone days. All are living and dying miserably. Nobody is interfering for prevention or for cure, in the generation going out before us, or the generation coming in. The beadle is the only sober man in the composition except the pawnbroker, and he is mightily indifferent to the orphan-child crying beside its parent's coffin. The little charity-girls are not so well taught or looked after, but that they can take to dram-drinking already. The church indeed is very prominent and handsome; but as, quite passive in the picture, it coldly surveys these things in progress under shadow of its tower, I cannot but bethink me that it was not until this year of grace 1848 that a Bishop of London first came out respecting something wrong in poor men's social accommodations, and I am confirmed in my suspicion that Hogarth had many meanings which have not grown obsolete in a century."

Another art-criticism by Dickens should be added. Upon a separate publication by Leech of some drawings on stone called the Rising Generation, from designs done for Mr. Punch's gallery, he wrote at my request a little essay of which a few sentences will find appropriate place with his letter on the other great caricaturist of his time. I use that word, as he did, only for want of a better. Dickens was of opinion that, in this particular line of illustration, while he conceded all his fame to the elder and stronger contemporary, Mr. Leech was the very first Englishman who had made Beauty a part of his art; and he held, that, by striking out this course, and setting the successful example of introducing always into his most whimsical pieces some beautiful faces or agreeable forms, he had done more than any other man of his generation to refine a branch of art to which the facilities of steam-printing and wood-engraving were giving almost unrivalled diffusion and popularity. His opinion of Leech in a word was that he turned caricature into character; and would leave behind him not a little of the history of his time and its follies, sketched with inimitable grace.

"If we turn back to a collection of the works of Rowlandson or Gilray, we shall find, in spite of the great humour displayed in many of them, that they are rendered wearisome and unpleasant by a vast amount of personal ugliness. Now, besides that it is a poor device to represent what is satirized as being necessarily ugly, which is but the resource of an angry child or a jealous woman, it serves no purpose but to produce a disagreeable result. There is no reason why the farmer's daughter in the old caricature who is squalling at the harpsichord (to the intense delight, by the bye, of her worthy father, whom it is her duty to please) should be squab and hideous. The satire on the manner of her education, if there be any in the thing at all, would be just as good, if she were pretty. Mr. Leech would have made her so. The average of farmers' daughters in England are not impossible lumps of fat. One is quite as likely to find a pretty girl in a farm-house, as to find an ugly one; and we think, with Mr. Leech, that the business of this Style of art is with the pretty one. She is not only a pleasanter object, but we have more interest in her. We care more about what does become her, and does not become her. Mr. Leech represented the other day certain delicate creatures with bewitching countenances encased in several varieties of that amazing garment, the ladies' paletot. Formerly those fair creatures would have been made as ugly and ungainly as possible, and then the point would have been lost. The spectator, with a laugh at the absurdity of the whole group, would not have cared how such uncouth creatures disguised themselves, or how ridiculous they became. . . . But to represent female beauty as Mr. Leech represents it, an artist must have, a most delicate perception of it; and the gift of being able to realise it to us with two or three slight, sure touches of his pencil. This power Mr. Leech possesses, in an extraordinary degree. . . . For this reason, we enter our protest against those of the Rising Generation who are precociously in love being made the subject of merriment by a pitiless and unsympathizing world. We never saw a boy more distinctly in the right than the young gentleman kneeling on the chair to beg a lock of hair from his pretty cousin, to take back to school. Madness is in her apron, and Virgil dog's-eared and defaced is in her ringlets. Doubts may suggest themselves of the perfect disinterestedness of the other young gentleman contemplating the fair girl at the piano—doubts engendered by his worldly allusion to 'tin'; though even that may have arisen in his modest consciousness of his own inability to support an establishment—but that he should be 'deucedly inclined to go and cut that fellow out,' appears to us one of the most natural emotions of the human breast. The young gentleman with the dishevelled hair and clasped hands who loves the transcendant beauty with the bouquet, and can't be happy without her, is to us a withering and desolate spectacle. Who could be happy without her? . . . The growing youths are not less happily observed and agreeably depicted than the grown women. The languid little creature who 'hasn't danced since he was quite a boy,' is perfect; and the eagerness of the small dancer whom he declines to receive for a partner at the hands of the glorious old lady of the house (the little feet quite ready for the first position, the whole heart projected into the quadrille, and the glance peeping timidly at the desired one out of a flutter of hope and doubt) is quite delightful to look at. The intellectual juvenile who awakens the tremendous wrath of a Norma of private life by considering woman an inferior animal, is lecturing at the present moment, we understand, on the Concrete in connexion with the Will. The legs of the young philosopher who considers Shakespeare an over-rated man, were seen by us dangling over the side of an omnibus last Tuesday. We have no acquaintance with the scowling young gentleman who is clear that 'if his Governor don't like the way he goes on in, why he must have chambers and so much a week;' but if he is not by this time in Van Diemen's land, he will certainly go to it through Newgate. We should exceedingly dislike to have personal property in a strong box, to live in the suburb of Camberwell, and to be in the relation of bachelor-uncle to that youth. . . . In all his designs, whatever Mr. Leech desires to do, he does. His drawing seems to us charming; and the expression indicated, though by the simplest means, is exactly the natural expression, and is recognised as such immediately. Some forms of our existing life will never have a better chronicler. His wit is good-natured, and always the wit of a gentleman. He has a becoming sense of responsibility and self-restraint; he delights in agreeable things; he imparts some pleasant air of his own to things not pleasant in themselves; he is suggestive and full of matter; and he is always improving. Into the tone as well as into the execution of what he does, he has brought a certain elegance which is altogether new, without involving any compromise of what is true. Popular art in England has not had so rich an acquisition." Dickens's closing allusion was to a remark made by Mr. Ford in a review of Oliver Twist formerly referred to. "It is eight or ten years since a writer in the Quarterly Review, making mention of MR. GEORGE CRUIKSHANK, commented on the absurdity of excluding such a man from the Royal Academy, because his works were not produced in certain materials, and did not occupy a certain space in its annual shows. Will no Associates be found upon its books one of these days, the labours of whose oil and brushes will have sunk into the profoundest obscurity, when many pencil-marks of MR. CRUIKSHANK and of MR. LEECH will be still fresh in half the houses in the land?"

Of what otherwise occupied him at Broadstairs in 1848 there is not much to mention until the close of his holiday. He used to say that he never went for more than a couple of days from his own home without something befalling him that never happened to anyone else, and his Broadstairs adventure of the present summer verged closer on tragedy than comedy. Returning there one day in August after bringing up his boys to school, it had been arranged that his wife should meet him at Margate; but he had walked impatiently far beyond the place for meeting when at last he caught sight of her, not in the small chaise but in a large carriage and pair followed by an excited crowd, and with the youth that should have been driving the little pony bruised and bandaged on the box behind the two prancing horses. "You may faintly imagine my amazement at encountering this carriage, and the strange people, and Kate, and the crowd, and the bandaged one, and all the rest of it." And then in a line or two I had the story. "At the top of a steep hill on the road, with a ditch on each side, the pony bolted, upon which what does John do but jump out! He says he was thrown out, but it cannot be. The reins immediately became entangled in the wheels, and away went the pony down the hill madly, with Kate inside rending the Isle of Thanet with her screams. The accident might have been a fearful one, if the pony had not, thank Heaven, on getting to the bottom, pitched over the side; breaking the shaft and cutting her hind legs, but in the most extraordinary manner smashing her own way apart. She tumbled down, a bundle of legs with her head tucked underneath, and left the chaise standing on the bank! A Captain Devaynes and his wife were passing in their carriage at the moment, saw the accident with no power of preventing it, got Kate out, laid her on the grass, and behaved with infinite kindness. All's well that ends well, and I think she's really none the worse for the fright. John is in bed a good deal bruised, but without any broken bone, and likely soon to come right; though for the present plastered all over, and, like Squeers, a brown-paper parcel chock-full of nothing but groans. The women generally have no sympathy for him whatever; and the nurse says, with indignation, how could he go and leave an unprotected female in the shay!"

Holiday incidents there were many, but none that need detain us. This was really a summer idleness: for it was the interval between two of his important undertakings, there was no periodical yet to make demands on him, and only the task of finishing his Haunted Man for Christmas lay ahead. But he did even his nothings in a strenuous way, and on occasion could make gallant fight against the elements themselves. He reported himself, to my horror, thrice wet through on a single day, "dressed four times," and finding all sorts of great things, brought out by the rains, among the rocks on the sea-beach. He also sketched now and then morsels of character for me, of which I will preserve one. "F is philosophical, from sunrise to bedtime: chiefly in the French line, about French women going mad, and in that state coming to their husbands, and saying, 'Mon ami, je vous ai trompe. Voici les lettres de mon amant!' Whereupon the husbands take the letters and think them waste paper, and become extra-philosophical at finding that they really were the lover's effusions: though what there is of philosophy in it all, or anything but unwholesomeness, it is not easy to see." (A remark that it might not be out of place to offer to Mr. Taine's notice.) "Likewise about dark shades coming over our wedded Emmeline's face at parties; and about F handing her to her carriage, and saying, 'May I come in, for a lift homeward?' and she bending over him out of window, and saying in a low voice, I DARE NOT! And then of the carriage driving away like lightning, leaving F more philosophical than ever on the pavement." Not till the close of September I heard of work intruding itself, in a letter twitting me for a broken promise in not joining him: "We are reasonably jolly, but rurally so; going to bed o' nights at ten, and bathing o' mornings at half-past seven; and not drugging ourselves with those dirty and spoiled waters of Lethe that flow round the base of the great pyramid." Then, after mention of the friends who had left him, Sheriff Gordon, the Leeches, Lemon, Egg and Stone: "reflection and pensiveness are coming. I have NOT

'—seen Fancy write With a pencil of light On the blotter so solid, commanding the sea!'

but I shouldn't wonder if she were to do it, one of these days. Dim visions of divers things are floating around me; and I must go to work, head foremost, when I get home. I am glad, after all, that I have not been at it here; for I am all the better for my idleness, no doubt. . . . Roche was very ill last night, and looks like one with his face turned to the other world, this morning. When are you coming? Oh what days and nights there have been here, this week past!" My consent to a suggestion in his next letter, that I should meet him on his way back, and join him in a walking-excursion home, got me full absolution for broken promises; and the way we took will remind friends of his later life, when he was lord of Gadshill, of an object of interest which he delighted in taking them to see. "You will come down booked for Maidstone (I will meet you at Paddock-wood), and we will go thither in company over a most beautiful little line of railroad. The eight miles walk from Maidstone to Rochester, and the visit to the Druidical altar on the wayside, are charming. This could be accomplished on the Tuesday; and Wednesday we might look about us at Chatham, coming home by Cobham on Thursday. . . ."

His first seaside holiday in 1849 was at Brighton, where he passed some weeks in February; and not, I am bound to add, without the usual unusual adventure to signalize his visit. He had not been a week in his lodgings, where Leech and his wife joined him, when both his landlord and the daughter of his landlord went raving mad, and the lodgers were driven away to the Bedford hotel. "If you could have heard the cursing and crying of the two; could have seen the physician and nurse quoited out into the passage by the madman at the hazard of their lives; could have seen Leech and me flying to the doctor's rescue; could have seen our wives pulling us back; could have seen the M.D. faint with fear; could have seen three other M.D.'s come to his aid; with an atmosphere of Mrs. Gamps, strait-waistcoats, struggling friends and servants, surrounding the whole; you would have said it was quite worthy of me, and quite in keeping with my usual proceedings." The letter ended with a word on what then his thoughts were full of, but for which no name had yet been found. "A sea-fog to-day, but yesterday inexpressibly delicious. My mind running, like a high sea, on names—not satisfied yet, though." When he next wrote from the seaside, in the beginning of July, he had found the name; had started his book; and was "rushing to Broadstairs" to write the fourth number of David Copperfield.

In this came the childish experiences which had left so deep an impression upon him, and over which he had some difficulty in throwing the needful disguises. "Fourteen miles to-day in the country," he had written to me on the 21st of June, "revolving number four!" Still he did not quite see his way. Three days later he wrote: "On leaving you last night, I found myself summoned on a special jury in the Queen's Bench to-day. I have taken no notice of the document,[153] and hourly expect to be dragged forth to a dungeon for contempt of court. I think I should rather like it. It might help me with a new notion or two in my difficulties. Meanwhile I shall take a stroll to-night in the green fields from 7 to 10, if you feel inclined to join." His troubles ended when he got to Broadstairs, from which he wrote on the tenth of July to tell me that agreeably to the plan we had discussed he had introduced a great part of his MS. into the number. "I really think I have done it ingeniously, and with a very complicated interweaving of truth and fiction. Vous verrez. I am getting on like a house afire in point of health, and ditto ditto in point of number."

In the middle of July the number was nearly done, and he was still doubtful where to pass his longer summer holiday. Leech wished to join him in it, and both desired a change from Broadstairs. At first he thought of Folkestone,[154] but disappointment there led to a sudden change. "I propose" (15th of July) "returning to town to-morrow by the boat from Ramsgate, and going off to Weymouth or the Isle of Wight, or both, early the next morning." A few days after, his choice was made.

He had taken a house at Bonchurch, attracted there by the friend who had made it a place of interest for him during the last few years, the Reverend James White, with whose name and its associations my mind connects inseparably many of Dickens's happiest hours. To pay him fitting tribute would not be easy, if here it were called for. In the kindly shrewd Scotch face, a keen sensitiveness to pleasure and pain was the first thing that struck any common observer. Cheerfulness and gloom coursed over it so rapidly that no one could question the tale they told. But the relish of his life had outlived its more than usual share of sorrows; and quaint sly humour, love of jest and merriment, capital knowledge of books, and sagacious quips at men, made his companionship delightful. Like his life, his genius was made up of alternations of mirth and melancholy. He would be immersed, at one time, in those darkest Scottish annals from which he drew his tragedies; and overflowing, at another, into Sir Frizzle Pumpkin's exuberant farce. The tragic histories may probably perish with the actor's perishable art; but three little abstracts of history written at a later time in prose, with a sunny clearness of narration and a glow of picturesque interest to my knowledge unequalled in books of such small pretension, will find, I hope, a lasting place in literature. They are filled with felicities of phrase, with breadth of understanding and judgment, with manful honesty, quiet sagacity, and a constant cheerful piety, valuable for all and priceless for the young. Another word I permit myself to add. With Dickens, White was popular supremely for his eager good fellowship; and few men brought him more of what he always liked to receive. But he brought nothing so good as his wife. "He is excellent, but she is better," is the pithy remark of his first Bonchurch letter; and the true affection and respect that followed is happily still borne her by his daughters.

Of course there is something strange to be recorded of the Bonchurch holiday, but it does not come till nearer the ending; and, with more attention to Mrs. Malaprop's advice to begin with a little aversion, might probably not have come at all. He began with an excess of liking. Of the Undercliff he was full of admiration. "From the top of the highest downs," he wrote in his second letter (28th of July) "there are views which are only to be equalled on the Genoese shore of the Mediterranean; the variety of walks is extraordinary; things are cheap, and everybody is civil. The waterfall acts wonderfully, and the sea bathing is delicious. Best of all, the place is certainly cold rather than hot, in the summer time. The evenings have been even chilly. White very jovial, and emulous of the inimitable in respect of gin-punch. He had made some for our arrival. Ha! ha! not bad for a beginner. . . . I have been, and am, trying to work this morning; but I can't make anything of it, and am going out to think. I am invited by a distinguished friend to dine with you on the first of August, but I have pleaded distance and the being resident in a cave on the sea shore; my food, beans; my drink, the water from the rock. . . . I must pluck up heart of grace to write to Jeffrey, of whom I had but poor accounts from Gordon just before leaving. Talfourd delightful, and amuses me mightily. I am really quite enraptured at his success, and think of his happiness with uncommon pleasure." Our friend was now on the bench; which he adorned with qualities that are justly the pride of that profession, and with accomplishments that have become more rare in its highest places than they were in former times. His elevation only made those virtues better known. Talfourd assumed nothing with the ermine but the privilege of more frequent intercourse with the tastes and friends he loved, and he continued to be the most joyous and least affected of companions. Such small oddities or foibles as he had made him secretly only dearer to Dickens, who had no friend he was more attached to; and the many happy nights made happier by the voice so affluent in generous words, and the face so bright with ardent sensibility, come back to me sorrowfully now. "Deaf the prais'd ear, and mute the tuneful tongue." The poet's line has a double application and sadness.

He wrote again on the first of August. "I have just begun to get into work. We are expecting the Queen to come by very soon, in grand array, and are going to let off ever so many guns. I had a letter from Jeffrey yesterday morning, just as I was going to write to him. He has evidently been very ill, and I begin to have fears for his recovery. It is a very pathetic letter, as to his state of mind; but only in a tranquil contemplation of death, which I think very noble." His next letter, four days later, described himself as continuing still at work; but also taking part in dinners at Blackgang, and picnics of "tremendous success" on Shanklin Down. "Two charity sermons for the school are preached to-day, and I go to the afternoon one. The examination of said school t'other day was very funny. All the boys made Buckstone's bow in the Rough Diamond, and some in a very wonderful manner recited pieces of poetry, about a clock, and may we be like the clock, which is always a going and a doing of its duty, and always tells the truth (supposing it to be a slap-up chronometer I presume, for the American clock in the school was lying frightfully at that moment); and after being bothered to death by the multiplication table, they were refreshed with a public tea in Lady Jane Swinburne's garden." (There was a reference in one of his letters, but I have lost it, to a golden-haired lad of the Swinburnes whom his own boys used to play with, since become more widely known.) "The rain came in with the first tea-pot, and has been active ever since. On Friday we had a grand, and what is better, a very good dinner at 'parson' Fielden's, with some choice port. On Tuesday we are going on another picnic; with the materials for a fire, at my express stipulation; and a great iron pot to boil potatoes in. These things, and the eatables, go to the ground in a cart. Last night we had some very good merriment at White's, where pleasant Julian Young and his wife (who are staying about five miles off) showed some droll new games"—and roused the ambition in my friend to give a "mighty conjuring performance for all the children in Bonchurch," for which I sent him the materials and which went off in a tumult of wild delight. To the familiar names in this letter I will add one more, grieving freshly even now to connect it with suffering. "A letter from Poole has reached me since I began this letter, with tidings in it that you will be very sorry to hear. Poor Regnier has lost his only child; the pretty daughter who dined with us that nice day at your house, when we all pleased the poor mother by admiring her so much. She died of a sudden attack of malignant typhus. Poole was at the funeral, and writes that he never saw, or could have imagined, such intensity of grief as Regnier's at the grave. How one loves him for it. But is it not always true, in comedy and in tragedy, that the more real the man the more genuine the actor?"

After a few more days I heard of progress with his writing in spite of all festivities. "I have made it a rule that the inimitable is invisible, until two every day. I shall have half the number done, please God, to-morrow. I have not worked quickly here yet, but I don't know what I may do. Divers cogitations have occupied my mind at intervals, respecting the dim design." The design was the weekly periodical so often in his thoughts, of which more will appear in my next chapter. His letter closed with intimations of discomfort in his health; of an obstinate cough; and of a determination he had formed to mount daily to the top of the downs. "It makes a great difference in the climate to get a blow there and come down again." Then I heard of the doctor "stethoscoping" him, of his hope that all was right in that quarter, and of rubbings "a la St. John Long" being ordered for his chest. But the mirth still went on. "There has been a Doctor Lankester at Sandown, a very good merry fellow, who has made one at the picnics, and whom I went over and dined with, along with Danby (I remember your liking for Danby, and don't wonder at it), Leech, and White." A letter towards the close of August resumed yet more of his ordinary tone. "We had games and forfeits last night at White's. Davy Roberts's pretty little daughter is there for a week, with her husband, Bicknell's son. There was a dinner first to say good-bye to Danby, who goes to other clergyman's-duty, and we were very merry. Mrs. White unchanging; White comically various in his moods. Talfourd comes down next Tuesday, and we think of going over to Ryde on Monday, visiting the play, sleeping there (I don't mean at the play), and bringing the Judge back. Browne is coming down when he has done his month's work. Should you like to go to Alum Bay while you are here? It would involve a night out, but I think would be very pleasant; and if you think so too, I will arrange it sub rosa, so that we may not be, like Bobadil, 'oppressed by numbers.' I mean to take a fly over from Shanklin to meet you at Ryde; so that we can walk back from Shanklin over the landslip, where the scenery is wonderfully beautiful. Stone and Egg are coming next month, and we hope to see Jerrold before we go." Such notices from his letters may be thought hardly worth preserving; but a wonderful vitality in every circumstance, as long as life under any conditions remained to the writer, is the picture they contribute to; nor would it be complete without the addition, that fond as he was, in the intervals of his work, of this abundance and variety of enjoyments, to no man were so essential also those quieter hours of thought, and talk, not obtainable when "oppressed by numbers."

My visit was due at the opening of September, but a few days earlier came the full revelation of which only a passing shadow had reached in two or three previous letters. "Before I think of beginning my next number, I perhaps cannot do better than give you an imperfect description of the results of the climate of Bonchurch after a few weeks' residence. The first salubrious effect of which the Patient becomes conscious is an almost continual feeling of sickness, accompanied with great prostration of strength, so that his legs tremble under him, and his arms quiver when he wants to take hold of any object. An extraordinary disposition to sleep (except at night, when his rest, in the event of his having any, is broken by incessant dreams) is always present at the same time; and, if he have anything to do requiring thought and attention, this overpowers him to such a degree that he can only do it in snatches: lying down on beds in the fitful intervals. Extreme depression of mind, and a disposition to shed tears from morning to night, developes itself at the same period. If the Patient happen to have been a good walker, he finds ten miles an insupportable distance; in the achievement of which his legs are so unsteady, that he goes from side to side of the road, like a drunken man. If he happen to have ever possessed any energy of any kind, he finds it quenched in a dull, stupid languor. He has no purpose, power, or object in existence whatever. When he brushes his hair in the morning, he is so weak that he is obliged to sit upon a chair to do it. He is incapable of reading, at all times. And his bilious system is so utterly overthrown, that a ball of boiling fat appears to be always behind the top of the bridge of his nose, simmering between his haggard eyes. If he should have caught a cold, he will find it impossible to get rid of it, as his system is wholly incapable of making any effort. His cough will be deep, monotonous, and constant. 'The faithful watch-dog's honest bark' will be nothing to it. He will abandon all present idea of overcoming it, and will content himself with keeping an eye upon his blood-vessels to preserve them whole and sound. Patient's name, Inimitable B. . . . It's a mortal mistake!—That's the plain fact. Of all the places I ever have been in, I have never been in one so difficult to exist in, pleasantly. Naples is hot and dirty, New York feverish, Washington bilious, Genoa exciting, Paris rainy—but Bonchurch, smashing. I am quite convinced that I should die here, in a year. It's not hot, it's not close, I don't know what it is, but the prostration of it is awful. Nobody here has the least idea what I think of it; but I find, from all sorts of hints from Kate, Georgina, and the Leeches, that they are all affected more or less in the same way, and find it very difficult to make head against. I make no sign, and pretend not to know what is going on. But they are right. I believe the Leeches will go soon, and small blame to 'em!—For me, when I leave here at the end of this September, I must go down to some cold place; as Ramsgate for example, for a week or two; or I seriously believe I shall feel the effects of it for a long time. . . . What do you think of that? . . . The longer I live, the more I doubt the doctors. I am perfectly convinced, that, for people suffering under a wasting disease, this Undercliff is madness altogether. The doctors, with the old miserable folly of looking at one bit of a subject, take the patient's lungs and the Undercliff's air, and settle solemnly that they are fit for each other. But the whole influence of the place, never taken into consideration, is to reduce and overpower vitality. I am quite confident that I should go down under it, as if it were so much lead, slowly crushing me. An American resident in Paris many years, who brought me a letter from Olliffe, said, the day before yesterday, that he had always had a passion for the sea never to be gratified enough, but that after living here a month, he could not bear to look at it; he couldn't endure the sound of it; he didn't know how it was, but it seemed associated with the decay of his whole powers." These were grave imputations against one of the prettiest places in England; but of the generally depressing influence of that Undercliff on particular temperaments, I had already enough experience to abate something of the surprise with which I read the letter. What it too bluntly puts aside are the sufferings other than his own, projected and sheltered by what only aggravated his; but my visit gave me proof that he had really very little overstated the effect upon himself. Making allowance, which sometimes he failed to do, for special peculiarities, and for the excitability never absent when he had in hand an undertaking such as Copperfield, I observed a nervous tendency to misgivings and apprehensions to the last degree unusual with him, which seemed to make the commonest things difficult; and though he stayed out his time, and brought away nothing that his happier associations with the place and its residents did not long survive, he never returned to Bonchurch.