Ah, dearest friend! you have heard how our first step into Rome was a fall, not into a catacomb but a fresh grave[29], and how everything here has been slurred and blurred to us, and distorted from the grand antique associations. I protest to you I doubt whether I shall get over it, and whether I ever shall feel that this is Rome. The first day at the bed's head of that convulsed and dying child; and the next two, three, four weeks in great anxiety about his little sister, who was all but given up by the physicians; the English nurse horribly ill of the same fever, and another case in this house. It was not only sympathy. I was selfishly and intensely frightened for my own treasures; I wished myself at the end of the world with Robert and Penini twenty times a day. Rome has been very peculiarly unhealthy; and I heard a Monsignore observe the other morning that there would not be much truce to the fever till March came. Still, I begin to take breath again and be reasonable. Penini's cheeks are red as apples, and if we avoid the sun, and the wind, and the damp, and, above all if God takes care of us, we shall do excellently. I, of course, am in a flourishing condition; walk out nearly every day and scarcely cough at all. Which isn't enough for me, you see. Dear friend, we have not set foot in the Vatican. Oh, barbarians!

But we have seen Mrs. Kemble, and I am as enchanted as I ought to be, and even, perhaps, a little more. She has been very kind and gracious to me; she was to have spent an evening with us three days since, but something intervened. I am much impressed by her as well as attracted to her. What a voice, what eyes, what eyelids full of utterance!

Then we have had various visits from Mr. Thackeray and his daughters. 'She writes to me of Thackeray instead of Raffael, and she is at Rome'! But she isn't at Rome. There's the sadness of it. We got to Gibson's studio, which is close by, and saw his coloured Venus. I don't like her. She has come out of her cloud of the ideal, and to my eyes is not too decent. Then in the long and slender throat, in the turn of it, and the setting on of the head, you have rather a grisette than a goddess. 'Tis over pretty and petite, the colour adding, of course, to this effect. Crawford's studio (the American sculptor) was far more interesting to me than Gibson's. By the way, Mr. Page's portrait of Miss Cushman is really something wonderful—soul and body together. You can show nothing like it in England, take for granted. Indeed, the American artists consider themselves a little aggrieved when you call it as good as a Titian. 'Did Titian ever produce anything like it?' said an admirer in my hearing. Critics wonder whether the colour will stand. It is a theory of this artist that time does not tone, and that Titian's pictures were painted as we see them. The consequence of which is that his (Page's) pictures are undertoned in the first instance, and if they change at all will turn black[30]. May all Boston rather turn black, which it may do one of these days by an eruption from the South, when 'Uncle Tomison' gets strong enough.

We have been to St. Peter's; we have stood in the Forum and seen the Coliseum. Penini says: 'The sun has tome out. I think God knows I want to go out to walk, and so He has sent the sun out.' There's a child who has faith enough to put us all to shame. A vision of angels wouldn't startle him in the least. When his poor little friend died, and we had to tell him, he inquired, fixing on me those earnest blue eyes, 'Did papa see the angels when they took away Joe?' And when I answered 'No' (for I never try to deceive him by picturesque fictions, I should not dare, I tell him simply what I believe myself), 'Then did Joe go up by himself?' In a moment there was a burst of cries and sobs. The other day he asked me if I thought Joe had seen the Dute of Wellyton. He has a medal of the Duke of Wellington, which put the name into his head. By-the-bye, Robert yesterday, in a burst of national vanity, informed the child that this was the man who beat Napoleon. 'Then I sint he a velly naughty man. What! he beat Napoleon wiz a stit?' (with a stick). Imagine how I laughed, and how Robert himself couldn't help laughing. So, the seraphs judge our glories!

If you have seen Sir David Brewster lately I should like to know whether he has had more experience concerning the tables, and has modified his conclusions in any respect. I myself am convinced as I can be of any fact, that there is an external intelligence; the little I have seen is conclusive to me. And this makes me more anxious that the subject should be examined with common fairness by learned persons. Only the learned won't learn—that's the worst of them. Their hands are too full to gather simples. It seems to me a new development of law in the human constitution, which has worked before in exceptional cases, but now works in general.

Dearest friend, I do not speak of your own anxious watch and tender grief, but think of them deeply. Believe that I love you always and in all truth.

Your E.B.B.

* * * * *

To Miss E.F. Haworth

[Rome:] 43 Bocca di Leone: December 27, [1853].

My dearest Fanny,—I can't judge of your 'obstacles,' of course, but as to your being snowed up on the road or otherwise impeded between Rome and Civita (Castellana or Vecchia), there's certainly not room for even a dream of it. There has been beautiful weather here ever since we came, except for exacting invalids. I, for instance, have been kept in the house for a fortnight or more (till Christmas Day, when I was able to get to St. Peter's) by tramontana; but there has been sun on most days of cold, and nothing has been severe as cold. The hard weather came in November, before we arrived. I was out yesterday, and may be to-day, perhaps. 'Judge ye!'...

You bid me write. But to what end, if you are here on New Year's Day? There's not time for a letter.

And at first I intended not to write, till beginning to consider how, as you are not actually of the race of Medes and Persians, you might possibly so modify your plans as to be able to receive these lines. Oh, a provoking person or persons you are, since you and Ellen Heaton are plural henceforth! No, I won't include her. You are singular, by your own confession, on this occasion. And, instead of Christmas solemnisations, I shall take to reading the Commination Service over you if you stay any longer at Florence because of the impracticable, snowed-up roads around Rome. You really might as well object to coming on account of the heat!...

I thank you very much for meaning to bring my goods for me. I wish I could have seen your pictures before they took to themselves golden wings and fled away. Is it true, really, that you think to exhibit in London Penini's portrait at the piano, as Sophie Eckley tells me? I shall like to hear that you succeed in that.

I see her every day almost, if not quite. Nobody is like her. And there are quantities of people here to choose from. I have not taken heart and 'an evening for reception' yet, but we have had 'squeezes' of more or less stringency. Miss Ogle is here—and her family, of course, for she is young—the author of 'A Lost Love,' that very pretty book; and she is natural and pleasing. Do you know Lady Oswald, and her daughter and son? She is Lady Elgin's sister-in-law, and brought a letter to me from Lady Augusta Bruce. Then the Marshalls found us out through Mr. De Vere (her cousin), and in the name of Alfred Tennyson (their intimate friend). Mrs. Marshall was a Miss Spring Rice, and is very refined in all senses. Refinement expresses the whole woman. Yes, there are some nice people here—nice people; it's the word. Nobody as near to me as Mr. Page, whom we often see, I am happy to say, and who has just presented the world (only that is generally said of the lady) with a son, and is on the point of presenting said world with a Venus. Will you come to see? I wonder....

I want you here to see a portrait taken of me in chalks by Miss Fox. I said 'No' to her in London, which was my sole reason for saying 'Yes' to her in Rome, when she asked me for a patient—or victim. She draws well, and has been very successful with the hair at least. For the likeness you shall judge for yourself. She comes here for an hour in the morning to execute me, and I'm as well as can be expected under it....

May God bless you, dearest Fanny. What Christmas wishes warm from the heart by heartfuls I throw at you! And say to Ellen Heaton, with cordial love, that I thank her much for her kind letter, and remember her in all affectionate wishes made for friends. I shall write to Mr. Ruskin. Don't get this letter, I say.

Your E.B.B.

Robert's love, and Penini's. If 'Fanny' strikes you, 'Madame Bovary' will thunder-strike you.

* * * * *

To Miss Mitford

43 Via di Leone, Rome: January 7, 18[54].

It is long, my ever dearest Miss Mitford, since I wrote to you last, but since we came to Rome we have had troubles, out of the deep pit of which I was unwilling to write to you, lest the shadows of it should cleave as blots to my pen. Then one day followed another, and one day's work was laid on another's shoulders. Well, we are all well, to begin with, and have been well; our troubles came to us through sympathy entirely. A most exquisite journey of eight days we had from Florence to Rome, seeing the great monastery and triple church of Assisi and the wonderful Terni by the way—that passion of the waters which makes the human heart seem so still. In the highest spirits we entered Rome, Robert and Penini singing actually; for the child was radiant and flushed with the continual change of air and scene, and he had an excellent scheme about 'tissing the Pope's foot,' to prevent his taking away 'mine gun,' somebody having told him that such dangerous weapons were not allowed by the Roman police. You remember my telling you of our friends the Storys—how they and their two children helped to make the summer go pleasantly at the baths of Lucca? They had taken an apartment for us in Rome, so that we arrived in comfort to lighted fires and lamps as if coming home, and we had a glimpse of their smiling faces that evening. In the morning, before breakfast, little Edith was brought over to us by the manservant with a message—'The boy was in convulsions; there was danger.' We hurried to the house, of course, leaving Edith with Wilson. Too true! All that first day was spent beside a death-bed; for the child never rallied, never opened his eyes in consciousness, and by eight in the evening he was gone. In the meanwhile, Edith was taken ill at our house—could not be moved, said the physicians. We had no room for her, but a friend of the Storys on the floor immediately below—Mr. Page, the artist—took her in and put her to bed. Gastric fever, with a tendency to the brain, and within two days her life was almost despaired of; exactly the same malady as her brother's. Also the English nurse was apparently dying at the Storys' house, and Emma Page, the artist's youngest daughter, sickened with the same symptoms. Now you will not wonder that, after the first absorbing flow of sympathy, I fell into a selfish human panic about my child. Oh, I 'lost my head,' said Robert; and if I could have caught him up in my arms and run to the ends of the world, the hooting after me of all Rome could not have stopped me. I wished—how I wished!—for the wings of a dove, or any unclean bird, to fly away with him to be at peace. But there was no possibility but to stay; also the physicians assured me solemnly that there was no contagion possible, otherwise I would have at least sent him from us to another house. To pass over this dreary time, I will tell you at once that the three patients recovered; only in poor little Edith's case Roman fever followed the gastric, and has persisted so, ever since, in periodical recurrence, that she is very pale and thin. Roman fever is not dangerous to life—simple fever and ague—but it is exhausting if not cut off, and the quinine fails sometimes. For three or four days now she has been free from the symptoms, and we are beginning to hope. Now you will understand at once what ghastly flakes of death have changed the sense of Rome to me. The first day by a death-bed! The first drive out to the cemetery, where poor little Joe is laid close to Shelley's heart (Cor cordium, says the epitaph), and where the mother insisted on going when she and I went out in the carriage together. I am horribly weak about such things. I can't look on the earth-side of death; I flinch from corpses and graves, and never meet a common funeral without a sort of horror. When I look deathwards I look over death, and upwards, or I can't look that way at all. So that it was a struggle with me to sit upright in that carriage in which the poor stricken mother sate so calmly—not to drop from the seat, which would have been worse than absurd of me. Well, all this has blackened Rome to me. I can't think about the Caesars in the old strain of thought; the antique words get muddled and blurred with warm dashes of modern, every-day tears and fresh grave-clay. Rome is spoiled to me—there's the truth. Still, one lives through one's associations when not too strong, and I have arrived at almost enjoying some things—the climate, for instance, which, though perilous to the general health, agrees particularly with me, and the sight of the blue sky floating like a sea-tide through the great gaps and rifts of ruins. We read in the papers of a tremendously cold winter in England and elsewhere, while I am able on most days to walk out as in an English summer, and while we are all forced to take precautions against the sun. Also Robert is well, and our child has not dropped a single rose-leaf from his radiant cheeks. We are very comfortably settled in rooms turned to the sun, and do work and play by turns—having almost too many visitors—hear excellent music at Mrs. Sartoris's (Adelaide Kemble) once or twice a week, and have Fanny Kemble to come and talk to us with the doors shut, we three together. This is pleasant. I like her decidedly. If anybody wants small-talk by handfuls of glittering dust swept out of salons, here's Mr. Thackeray besides; and if anybody wants a snow-man to match Southey's snow-woman (see 'Thalaba'), here's Mr. Lockhart, who, in complexion, hair, conversation, and manners, might have been made out of one of your English 'drifts'—'sixteen feet deep in some places,' says Galignani. Also, here's your friend V.—Mrs. Archer Clive.[31] We were at her house the other evening. She seems good-natured, but what a very peculiar person as to looks, and even voice and general bearing; and what a peculiar unconsciousness of peculiarity. I do not know her much. I go out very little in the evening, both from fear of the night air and from disinclination to stir. Mr. Page, our neighbour downstairs, pleases me much, and you ought to know more of him in England, for his portraits are like Titian's—flesh, blood, and soul. I never saw such portraits from a living hand. He professes to have discovered secrets, and plainly knows them, from his wonderful effects of colour on canvas—not merely in words. His portrait of Miss Cushman is a miracle. Gibson's famous painted Venus is very pretty—that's my criticism. Yes, I will say besides that I have seldom, if ever, seen so indecent a statue. The colouring with an approximation to flesh tints produces that effect, to my apprehension. I don't like this statue colouring—no, not at all. Dearest Miss Mitford, will you write to me? I don't ask for a long letter, but a letter—a letter. And I entreat you not to prepay. Among other disadvantages, that prepaying tendency of yours may lose me a letter one day. I want much to hear how you are bearing the winter—how you are. Give me details about your dear self.

[The remainder of this letter is missing]

* * * * *

To Mr. Westwood

43 Via Bocca di Leone, Rome: February 2, [1854].

Thank you, my dear Mr. Westwood, for your kind defence of me against the stupid, blind, cur-dog backbiting of the American writer. I will tell you. Three weeks ago I had a letter from my brother, apprising me of what had been said, and pressing on me the propriety of a contradiction in form. Said I in reply: 'When you marry a wife, George, take her from the class of those who have never printed a book, if this thing vexes you. A woman in a crowd can't help the pushing up against her of dirty coats; happy if somebody in boots does not tread upon her toes! Words to that effect, I said. I really could not do the American the honour of sitting down at the table with him to say: 'Sir, you are considerably mistaken.' He was not only mistaken, you see, but so stupid and self-willed in his mistake, so determined to make a system of it, but he was too disreputable to set right. Also of the tendency of one's writings one's readers are the best judges. I don't profess to write a religious commentary on my writings. I am content to stand by the obvious meaning of what I have written, according to the common sense of the general reader.

The tendency of my writings to Swedenborgianism has been observed by others, though I had read Swedenborg, when I wrote most of them, as little as the American editor of 'Robert Hall' can have done, and less can't be certainly. Otherwise, the said editor would have known that the central doctrine of Swedenborgianism being the Godhead of Jesus Christ, no Unitarian, liberal or unliberal, could have produced works Swedenborgian in character, and that William and Mary Howitt being Unitarian (which I believe they are) couldn't have a tendency at the same time to Swedenborgianism, unless it should be possible for them to be bolt upright with a leaning to the floor. I speak to a wise man. Judge what I say. For my own part I have thought freely on most subjects, and upon the state of the Churches among others, but never at any point of my life, and now, thank God, least of all, have I felt myself drawn towards Unitarian opinions. I should throw up revelation altogether if I ceased to recognise Christ as divine. Sectarianism I do not like, even in the form of a State Church, and the Athanasian way of stating opinions, between a scholastic paradox and a curse, is particularly distasteful to me. But I hold to Christ's invisible Church as referred to in Scripture, and to the Saviour's humanity and divinity as they seem to me conspicuous in Scripture, and so you have done me justice and the American has done me injustice....

Well, I have seen your Mrs. Brotherton, only once, though, because she can't come to see me at all, and lives too far for me to go in the winter weather. I shall see more of her presently, I hope, and in the meantime she is very generous to me, and sends me violets, and notes that are better, and we have a great sympathy on the spiritual subjects which set you so in a passion. What do I say? She sends me Greek (of which she does not know a single character), written by her, or rather through her; mystical Greek, from a spirit-world, produced by her hands, she herself not knowing what she writes. The character is beautifully written, and the separate words are generally correct—such words as 'Christ,' 'God,' 'tears,' 'blood,' 'tempest,' 'sea,' 'thunder,' 'calm,' 'morning,' 'sun,' 'joy.' No grammatical construction hitherto, but a significant sort of grouping of the separate words, as if the meaning were struggling out into coherence. My idea is that she is being exercised in the language, in the character, in order to fuller expression hereafter. Well, you would have us snowed upon with poppies till we sleep and forget these things. I, on the contrary, would have our eyes wide open, our senses 'all attentive,' our souls lifted in reverential expectation. Every fact is a word of God, and I call it irreligious to say, 'I will deny this because it displeases me.' 'I will look away from that because it will do me harm.' Why be afraid of the truth? God is in the truth, and He is called also Love. The evil results of certain experiences of this class result mainly from the superstitions and distorted views held by most people concerning the spiritual world. We have to learn—we in the body—that Death does not teach all things. Death is simply an accident. Foolish Jack Smith who died on Monday, is on Tuesday still foolish Jack Smith. If people who on Monday scorned his opinions prudently, will on Tuesday receive his least words as oracles, they very naturally may go mad, or at least do something as foolish as their inspirer is. Also, it is no argument against any subject, that it drives people mad who suffer themselves to be absorbed in it. That would be an argument against all religion, and all love, by your leave. Ask the Commissioners of Lunacy; knock at the door of mad-houses in general, and inquire what two causes act almost universally in filling them. Answer—love and religion. The common objection of the degradation of knocking with the leg of the table, and the ridicule of the position for a spirit, &c., &c., I don't enter into at all. Twice I have been present at table-experiments, and each time I was deeply impressed—impressed, there's the word for it! The panting and shivering of that dead dumb wood, the human emotion conveyed through it—by what? had to me a greater significance than the St. Peter's of this Rome. O poet! do you not know that poetry is not confined to the clipped alleys, no, nor to the blue tops of 'Parnassus hill'? Poetry is where we live and have our being—wherever God works and man understands. Hein! ... if you are in a dungeon and a friend knocks through the outer wall, spelling out by knocks the words you comprehend; you don't think the worse of the friend standing in the sun who remembers you. He is not degraded by it, you rather think. Now apply this. Certainly, there is a reaction from the materialism of the age, and this is certainly well, in my mind, but then there is something more than this, more than a mere human reaction, I believe. I have not the power of writing myself at all, though I have felt the pencil turn in my hand—a peculiar spiral motion like the turning of the tables, and independent of volition, but the power is not with me strong enough to make words or letters even.

We see a good deal of Fanny Kemble, a noble creature, and hear her sister sing—Mrs. Sartoris. Do admit a little society. It is good for soul and body, and on the Continent it is easy to get a handful of society without paying too dear for it. That, I think, is an advantage of Continental life.

* * * * *

To Miss Mitford

43 Via Bocca di Leone, Rome: March 19, 1854.

My dearest Miss Mitford,—Your letter made my heart ache. It is sad, sad indeed, that you should have had this renewed cold just as you appeared to be rallying a little from previous shocks, and I know how depressing and enfeebling a malady the influenza is. It's the vulture finishing the work of the wolf. I pray God that, having battled through this last attack, you may be gradually strengthened and relieved by the incoming of the spring (though an English spring makes one shiver to think of generally), and with the summer come out into the garden, to sit in a chair and be shone upon, dear, dear friend. I shall be in England then, and get down to see you this time, and I tenderly hold to the dear hope of seeing you smile again, and hearing you talk in the old way....

We see a good deal of the Kembles here, and like them both, especially the Fanny, who is looking magnificent still, with her black hair and radiant smile. A very noble creature, indeed. Somewhat unelastic, unpliant to the eye, attached to the old modes of thought and convention, but noble in quality and defects; I like her much. She thinks me credulous and full of dreams, but does not despise me for that reason, which is good and tolerant of her, and pleasant, too, for I should not be quite easy under her contempt. Mrs. Sartoris is genial and generous, her milk has had time to stand to cream, in her happy family relations. The Sartoris's house has the best society at Rome, and exquisite music, of course. We met Lockhart there, and my husband sees a good deal of him—more than I do, because of the access of cold weather lately which has kept me at home chiefly. Robert went down to the seaside in a day's excursion with him and the Sartoris's; and, I hear, found favor in his sight. Said the critic: 'I like Browning, he isn't at all like a damned literary man.' That's a compliment, I believe, according to your dictionary. It made me laugh and think of you directly. I am afraid Lockhart's health is in a bad state; he looks very ill, and every now and then his strength seems to fail. Robert has been sitting for his picture to Fisher, the English artist, who painted Mr. Kenyon and Landor; you remember those pictures in Mr. Kenyon's house? Landor's was praised much by Southey. Well, he has painted Robert, and it is an admirable likeness.[32] The expression is an exceptional expression, but highly characteristic; it is one of Fisher's best works. Now he is about our Wiedeman, and if he succeeds as well in painting angels as men, will do something beautiful with that seraphic face. You are to understand that these works are done by the artist for the artist. Oh, we couldn't afford to have such a luxury as a portrait done for us. But I am pleased to have a good likeness of each of my treasures extant in the possession of somebody. Robert's will, of course, be eminently saleable, and Wiedeman's too, perhaps, for the beauty's sake, with those blue far-reaching eyes, and that innocent angel face emplumed in the golden ringlets! Somebody told me yesterday that she never had known, in a long experience of children, so attractive a child. He is so full of sweetness and vivacity together, of imagination and grace. A poetical child really, and in the best sense. Such a piece of innocence and simplicity with it all, too! A child you couldn't lie to if you tried. I had a fit of remorse for telling him the history of Jack and the Beanstalk, when he turned his earnest eyes up to me at the end and said, 'I think, if Jack went up so high, he must have seen God.'

To see those two works through the press must be a fatigue to you in your present weak state, dearest friend, and I keep wishing vainly I could be of use to you in the matter of the proof sheets. I might, you know, if I were in England. I do some work myself, but doubt much whether I shall be ready for the printers by July; no, indeed, it is clear I shall not. If Robert is, it will be well. Doesn't it surprise you that Alexander Smith should be already in a third edition? I can't make it out for my part. I 'give it up' as is my way with riddles. He is both too bad and too good to explain this phenomenon, which is harder to me than any implied in the turning tables or involuntary writing. By the way, a lady whom I know here writes Greek without knowing or having ever known a single letter of it. The unbelievers writhe under it.

Oh, I have been reading poor Haydon's biography. There is tragedy! The pain of it one can hardly shake off. Surely, surely, wrong was done somewhere, when the worst is admitted of Haydon. For himself, looking forward beyond the grave, I seem to understand that all things when most bitter worked ultimate good to him, for that sublime arrogance of his would have been fatal perhaps to the moral nature if developed further by success. But for the nation we had our duties, and we should not suffer our teachers and originators to sink thus. It is a book written in blood of the heart. Poor Haydon!

May God bless you, my dear friend! I think of you and love you dearly, Robert's love, put to mine, and Penini's love put to Robert's. I give away Penini's love as I please just now.

Your ever affectionate E.B.B.

Send my bulletins; only two lines if you will.

* * * * *

To Miss Browning

[Rome: about March, 1854.]

My dearest Sarianna,—We are all well, and so is the weather, which is diviner. We sit with the windows wide open, and find it almost too warm, and to-day Robert and I have been wandering under the trees of the Pincio and looking to the Monte Marino pine. Let the best come, I don't like Rome, I never shall; and as they have put into the English newspapers that I don't, I might as well acknowledge the barbarism. Very glad I shall be to see you and Paris, even though my beloved Florence shall be left behind. Dearest Sarianna, after a short rest at Paris, we go on to London for the printing of Robert's book (mine won't be ready till later in the year), and for the sight of some dear English faces while the weather shall admit of it, before we settle for the winter in France. Well, you will go with us to England, won't you? The dear nonno[33] will spare you to go with us? It will do you good, and it will do us good, certainly.

I quite agree with you that there's no situation like the Champs Elysees—really, there is scarcely anything like it in Europe, if you put away Venice—for a situation in a city.

The worst of the Champs Elysees is that it is out of the way, and expensive on the point of carriages when you can't walk far. People tell you, too, that the air is sharper at the end of the avenue; yet the sun is so brilliant as to make amends for the disadvantage, if it exists. Then you pay more for houses on account of the concourse of English. And what if I object a little to the English besides? If I do, the desirableness of the pure air and free walking for Penini counterbalances them.

The Thackeray girls have had the scarlatina at Naples, and have been very desolate, I fear, without a female servant or friend near them. They probably were indisposed towards Naples by their own illness (which was slight, however; the scarlet fever is always slight in Italy they say), and by their father's more serious attack, for I have heard very different accounts of the Neapolitan weather. Still, it has been an abnormal winter everywhere, and there are cold winds on that coast on certain months of the year always. Lockhart has gone away with the Duke of Wellington, who was in deep consideration how he should manage his funeral on the road. Robert was present when the question was mooted on the Duke's last evening. Should he send the body to England or bury it? Would it be delicate to ask Lockhart which he preferred? Somebody said: 'Suppose you were to ask what he would do with your body if you died yourself.' I am afraid poor Lockhart is really in a dangerous state of health, and that it would have been better if he had had something tenderer and more considerate than a dukedom travelling with him under his circumstances. He called upon us, and took a great fancy to Robert, I understand, as being 'not at all like a damned literary man.'

Penini is overwhelmed with attentions and gifts of all kinds, and generally acknowledged as the king of the children here. Mrs. Page, the wife of the distinguished American artist, gave a party in honor of him the other day. There was an immense cake inscribed 'Penini' in sugar; and he sat at the head of the table and did the honors. You never saw a child so changed in point of shyness. He will go anywhere with anybody, and talk, and want none of us to back him. Wilson is only instructed not to come till it is 'velly late' to fetch him away. He talks to Fanny Kemble, who 'dashes' most people. 'I not aflaid of nossing,' says he, in his eloquent English. Mr. Fisher's cartoon of him is very pretty, but doesn't do him justice in the delicacy of the lower part of the face. Yet I can't complain of Mr. Fisher after the admirable likeness he has painted of Robert. It is really satisfying to me. You will see it in London. Oh, how cruel it is that we can't buy it, Sarianna; I have a sort of hope that Mr. Kenyon may—but zitto, zitto![34] Arabel will be very grateful to you for the drawings....

[Endorsed by Miss Browning, 'Part of a letter']

* * * * *

The plans, thus confidently spoken of, for a visit to Paris and London in the summer of this year, did not attain fulfilment. The Brownings left Rome for Florence about the end of May, intending to stay there only a few weeks; but their arrangements were altered by letters received from England, and ultimately they remained in Florence until the summer of the following year. Whether for this reason, or because the poems were not, after all, ready for press, the printing of Mr. Browning's new volumes ('Men and Women') was also postponed, and they did not appear until 1855; while 'Aurora Leigh' was still a long way from completion.

* * * * *

To Miss Mitford

Rome: May 10, 1854.

My ever dearest Miss Mitford,—Your letter pained me to a degree which I will not pain you by expressing farther. Now, I do not write to press for another letter. On the contrary, I entreat you not to attempt to write a word to me with your own hand, until you can do so without effort and suffering. In the meanwhile, would it be impossible for K. to send me in one line some account of you? I don't mean to tease, but I should be very glad and thankful to have news of you though in the briefest manner, and if a letter were addressed to me at Poste Restante, Florence, it would reach me, as we rest there on our road to Paris and London. In any case I shall see you this summer, if it shall please God; and stay with you the half hour you allow, and kiss your dear hands and feel again, I hope, the brightness of your smile. As the green summer comes on you must be the better surely; if you can bear to lie out under the trees, the general health will rally and the local injury correct itself. You must have a strong, energetic vitality; and, after all, spinal disorders do not usually attack life, though they disable and overthrow. The pain you endure is the terrible thing. Has a local application of chloroform been ever tried? I catch at straws, perhaps, with my unlearned hands, but it's the instinct of affection. While you suffer, my dear friend, the world is applauding you. I catch sight of stray advertisements and fragmentary notices of 'Atherton,' which seems to have been received everywhere with deserved claps of hands. This will not be comfort to you, perhaps; but you will feel the satisfaction which every workman feels in successful work. I think the edition of plays and poems has not yet appeared, and I suppose there will be nothing in that which can be new to us. 'Atherton' I thirst for, but the cup will be dry, I dare say, till I get to England, for new books even at Florence take waiting for far beyond all necessary bounds. We shall not stay long in Tuscany. We want to be in England late in June or very early in July, and some days belong to Paris as we pass, since Robert's family are resident there. To leave Rome will fill me with barbarian complacency. I don't pretend to have a rag of sentiment about Rome. It's a palimpsest Rome—a watering-place written over the antique—and I haven't taken to it as a poet should, I suppose; only let us speak the truth, above all things. I am strongly a creature of association, and the associations of the place have not been personally favorable to me. Among the rest my child, the light of my eyes, has been more unwell lately than I ever saw him in his life, and we were forced three times to call in a physician. The malady was not serious, it was just the result of the climate, relaxation of the stomach, &c., but the end is that he is looking a delicate, pale, little creature, he who was radiant with all the roses and stars of infancy but two months ago. The pleasantest days in Rome we have spent with the Kembles—the two sisters—who are charming and excellent, both of them, in different ways; and certainly they have given us some exquisite hours on the Campagna, upon picnic excursions, they and certain of their friends—for instance, M. Ampere, the member of the French Institute, who is witty and agreeable; M. Gorze, the Austrian Minister, also an agreeable man; and Mr. Lyons, the son of Sir Edmund, &c. The talk was almost too brilliant for the sentiment of the scenery, but it harmonised entirely with the mayonnaise and champagne. I should mention, too, Miss Hosmer (but she is better than a talker), the young American sculptress, who is a great pet of mine and of Robert's, and who emancipates the eccentric life of a perfectly 'emancipated female' from all shadow of blame by the purity of hers. She lives here all alone (at twenty-two); dines and breakfasts at the cafes precisely as a young man would; works from six o'clock in the morning till night, as a great artist must, and this with an absence of pretension and simplicity of manners which accord rather with the childish dimples in her rosy cheeks than with her broad forehead and high aims. The Archer Clives have been to Naples, but have returned for a time. Mr. Lockhart, who went to England with the Duke of Wellington (the same prepared to bury him on the road), writes to Mrs. Sartoris that he has grown much better under the influence of the native beef and beer. To do him justice he looked, when here, innocent of the recollection even of either. I wonder if you have seen Mrs. Howe's poems, lately out, called 'Passion Flowers.' They were sent to me by an American friend but were intercepted en route, so that I have not set eyes on them yet, but one or two persons, not particularly reliable as critics, have praised them to me. She is the wife of Dr. Howe, the deaf and dumb philanthropist, and herself neither deaf nor dumb (very much the contrary) I understand—a handsome woman and brilliant in society. I gossip on to you, dearest dear Miss Mitford, as if you were in gossiping humour. Believe that my tender thoughts, deeper than any said, are with you always.

Robert's love with that of your attached BA.

We go on the 22nd of this month. You have seen Mr. Chorley's book, I daresay, which I should like much to see.

* * * * *

To Miss Browning

Casa Guidi: Thursday, [end of May 1854].

My dearest Sarianna,—I am delighted to say that we have arrived, and see our dear Florence, the queen of Italy, after all. On the road I said to Penini, 'Make a poem about Florence.' Without a moment's hesitation he began, 'Florence is more pretty of all. Florence is a beauty. Florence was born first, and then Rome was born. And Paris was born after.' Penini is always en verve. He's always ready to make a poem on any subject, and doesn't ask you to wait while he clears his voice. The darling will soon get over the effect of that poisonous Roman air, I do trust, though it is humiliating to hear our Florentines wailing over the loss of bloom and dimples; it doesn't console me that his amount of growth is properly acknowledged. Well, good milk and good air will do their work in a little time with God's blessing, and a most voracious appetite is developed already, I am glad to say. Even in the journey he revived, the blue marks under the darling eyes fading gradually away, and now he looks decidedly better, though unlike himself of two months ago. You are to understand that the child is perfectly well, and that the delicate look is traceable distinctly and only to the attacks he had in Rome during the last few weeks. Throughout the winter he was radiant, as I used to tell you, and the confessed king of the whole host of his contemporaries and country-babies....

The Kembles were our gain in Rome. I appreciate and admire both of them. They fail in nothing as you see them nearer. Noble and upright women, whose social brilliancy is their least distinction! Mrs. Sartoris is the more tender and tolerant, the more loveable and sympathetical, perhaps, to me. I should like you to know them both. Then there is that dear Mr. Page. Yes, and Harriet Hosmer, the young American sculptress, who is an immense favorite with us both.

A comfort is that Robert is considered here to be looking better than he ever was known to look. And this notwithstanding the greyness of his beard, which indeed is, in my own mind, very becoming to him, the argentine touch giving a character of elevation and thought to the whole physiognomy. This greyness was suddenly developed; let me tell you how. He was in a state of bilious irritability on the morning of his arrival in Rome from exposure to the sun or some such cause, and in a fit of suicidal impatience shaved away his whole beard, whiskers and all! I cried when I saw him, I was so horror-struck. I might have gone into hysterics and still been reasonable; for no human being was ever so disfigured by so simple an act. Of course I said, when I recovered breath and voice, that everything was at an end between him and me if he didn't let it all grow again directly, and (upon the further advice of his looking-glass) he yielded the point, and the beard grew. But it grew white, which was the just punishment of the gods—our sins leave their traces.

Well, poor darling, Robert won't shock you after all, you can't choose but be satisfied with his looks. M. de Monclar swore to me that he was not changed for the intermediate years.

Robert talks of money, of waiting for that, among other hindrances to setting out directly. Not my fault, be certain, Sarianna! We seem to have a prospect of letting our house for a year, which, if the thing happens, will give us a lift.

We spent yesterday evening with Lytton at his villa, meeting there Mr. and Mrs. Walpole, Frederick Tennyson, and young Norton (Mrs. Norton's son), who married the Capri girl. She was not present, I am sorry to say. We walked home to the song of nightingales by starlight and firefly-light. Florence looks to us more beautiful than ever after Rome. I love the very stones of it, to say nothing of the cypresses and river.

Robert says, 'Are you nearly done?' I am done. Give Penini's love and mine to the dear nonno, and tell him (and yourself, dear) how delighted we shall be [to] have you both. You are prepared to go to England, I hope. By the way, the weather there is said to be murderous through bitter winds, but it must soften as the season advances. May God bless you! I am yours in truest love.

BA.

We had a very pleasant vettura journey, Robert will have told you.

* * * * *

To Miss Mitford

Florence: June 6, 1854.

Yes, dearest friend, I had your few lines which Arabel sent to me. I had them on the very day I had posted my letter to you, and I need not say how deeply it moved me that you should have thought of giving me that pleasure of Mr. Ruskin's kind word at the expense of what I knew to be so much pain to yourself....

We mean to stay at Florence a week or two longer and then go northward. I love Florence, the place looks exquisitely beautiful in its garden-ground of vineyards and olive trees, sung round by the nightingales day and night, nay, sung into by the nightingales, for as you walk along the streets in the evening the song trickles down into them till you stop to listen. Such nights we have between starlight and firefly-light, and the nightingales singing! I would willingly stay here, if it were not that we are constrained by duty and love to go, and at some day not distant, I daresay we shall come back 'for good and all' as people say, seeing that if you take one thing with another, there is no place in the world like Florence, I am persuaded, for a place to live in. Cheap, tranquil, cheerful, beautiful, within the limit of civilisation yet out of the crush of it. I have not seen the Trollopes yet; but we have spent two delicious evenings at villas on the outside the gates, one with young Lytton, Sir Edward's son, of whom I have told you, I think. I like him, we both do, from the bottom of our hearts. Then our friend Frederick Tennyson, the new poet, we are delighted to see again. Have you caught sight of his poems? If you have, tell me your thought. Mrs. Howe's I have read since I wrote last. Some of them are good—many of the thoughts striking, and all of a certain elevation. Of poetry, however, strictly speaking, there is not much; and there's a large proportion of conventional stuff in the volume. She must be a clever woman. Of the ordinary impotencies and prettinesses of female poets she does not partake, but she can't take rank with poets in the good meaning of the word, I think, so as to stand without leaning. Also there is some bad taste and affectation in the dressing of her personality. I dare say Mr. Fields will bring you her book. Talking of American literature, with the publishers on the back of it, we think of offering the proofs of our new works to any publisher over the water who will pay us properly for the advantage of bringing out a volume in America simultaneously with the publication in England. We have heard that such a proposal will be acceptable, and mean to try it. The words you sent to me from Mr. Ruskin gave me great pleasure indeed, as how should they not from such a man? I like him personally, too, besides my admiration for him as a writer, and I was deeply gratified in every way to have his approbation. His 'Seven Lamps' I have not read yet. Books come out slowly to Italy. It's our disadvantage, as you know. Ruskin and art go together. I must tell you how Rome made me some amends after all. Page, the American artist, painted a picture of Robert like an Italian, and then presented it to me like a prince. It is a wonderful picture, the colouring so absolutely Venetian that artists can't (for the most part) keep their temper when they look at it, and the breath of the likeness is literal.[35] Mr. Page has secrets in the art—certainly nobody else paints like him—and his nature, I must say, is equal to his genius and worthy of it. Dearest Miss Mitford, the 'Athenaeum' is always as frigid as Mont Blanc; it can't be expected to grow warmer for looking over your green valleys and still waters. It wouldn't be Alpine if it did. They think it a point of duty in that journal to shake hands with one finger. I dare say when Mr. Chorley sits down to write an article he puts his feet in cold water as a preliminary. Still, I oughtn't to be impertinent. He has been very good-natured to me, and it isn't his fault if I'm not Poet Laureate at this writing, and engaged in cursing the Czar in Pindarics very prettily. 'Atherton,' meanwhile, wants nobody to praise it, I am sure. How glad I shall be to seize and read it, and how I thank you for the gift! May God bless and keep you! I may hear again if you write soon to Florence, but don't pain yourself for the world, I entreat you. I shall see you before long, I think.

Your ever affectionate E.B.B.

Robert's love.

* * * * *

To Miss Mitford

Florence: July 20, [1854].

My dearest Miss Mitford,—I this moment receive your little note. It makes me very sad and apprehensive about you, and I would give all this bright sunshine for weeks for one explanatory word which might make me more easy. Arabel speaks of receiving your books—I suppose 'Atherton'—and of having heard from yourself a very bad account of your state of health. Are you worse, my beloved friend? I have been waiting to hear the solution of our own plans (dependent upon letters from England) in order to write to you; and when I found our journey to London was definitively rendered impossible till next spring, I deferred writing yet again, it was so painful to me to say to you that our meeting could not take place this year. Now, I receive your little note and write at once to say how sad that makes me. It is the first time that the expression of your love, my beloved friend, has made me sad, and I start as from an omen. On the other hand, the character you write in is so firm and like yourself, that I do hope and trust you are not sensibly worse. Let me hear by a word, if possible, that the change of weather has done you some little good. I understand there has scarcely been any summer in England, and this must necessarily have been adverse to you. A gleam of fine weather would revive you by God's help. Oh, that I could look in your face and say, 'God bless you!' as I feel it. May God bless you, my dear, dear friend.

Our reason for not going to England has not been from caprice, but a cross in money matters. A ship was to have brought us in something, and brought us in nothing instead, with a discount; the consequence of which is that we are transfixed at Florence, and unable even to 'fly to the mountains' as a refuge from the summer heat. It has been a great disappointment to us all, and to our respective families, my poor darling Arabel especially; but we can only be patient, and I take comfort in the obvious fact that my Penini is quite well and almost as rosy as ever in spite of the excessive Florence heat. One of the worst thoughts I have is about you. I had longed so to see you this summer, and had calculated with such certainty upon doing so. I would have gone to England for that single reason if I could, but I can't; we can't stir, really. That we should be able to sit quietly still at Florence and eat our bread and maccaroni is the utmost of our possibilities this summer.

Mrs. Trollope has gone to the Baths of Lucca, and thus I have not seen her. She will be very interested about you, of course. How many hang their hearts upon your sickbed, dearest Miss Mitford! Yes, and their prayers too.

The other day, by an accident, an old number of the 'Athenaeum' fell into my hands, and I read for the second time Mr. Chorley's criticism upon 'Atherton.' It is evidently written in a hurried manner, and is quite inadequate as a notice of the book; but, do you know, I am of opinion that if you considered it more closely you would lose your impression of its being depreciatory and cold. He says that the only fault of the work is its shortness; a rare piece of praise to be given to a work nowadays. You see, your reputation is at the height; neither he nor another could help you; such books as yours make their own way. The 'Athenaeum' doesn't give full critiques of Dickens, for instance, and it is arctical in general temperature. I thought I would say this to you. Certainly I do know that Mr. Chorley highly regards you in every capacity—as writer and as woman—and in the manner in which he named you to me in his last letter there was no chill of sentiment nor recoil of opinion. So do not admit a doubt of him; he is a sure and affectionate friend, and absolutely high-minded and reliable; of an intact and even chivalrous delicacy. I say it, lest you might have need of him and be scrupulous (from your late feeling) about making him useful. It is horrible to doubt of one's friends; oh, I know that, and would save you from it.

We had a letter from Paris two days ago from one of the noblest and most intellectual men in the country, M. Milsand, a writer in the 'Deux Mondes.' He complains of a stagnation in the imaginative literature, but adds that he is consoled for everything by the 'state of politics.' Your Napoleon is doing you credit, his very enemies must confess.

As for me, I can't write to-day. Your little precious, melancholy note hangs round the neck of my heart like a stone. Arabel simply says she is afraid from what you have written to her that you must be very ill; she does not tell me what you wrote to her—perhaps for fear of paining me—and now I am pained by the silence beyond measure.

Robert's love and warmest wishes for you. He appreciates your kind word to him. And I, what am I to say? I love you from a very sad and grateful heart, looking backwards and forwards—and upwards to pray God's love down on you!

Your ever affectionate E.B.B., rather BA.

Precious the books will be to me. I hope not to wait to read them till they reach me, as there is a bookseller here who will be sure to have them. Thank you, thank you.

* * * * *

To Miss Mitford

Florence: September 4, 1854.

Five minutes do not pass, my beloved friend, since reading this dear letter which has wrung from me tender and sorrowful tears, and answering it thus. Pray for you? I do not wait that you should bid me. May the divine love in the face of our Lord Jesus Christ shine upon you day and night, and make all our human loves strike you as cold and dull in comparison with that ineffable tenderness! As to wandering prayers, I cannot believe that it is of consequence whether this poor breath of ours wanders or does not wander. If we have strength to throw ourselves upon Him for everything, for prayer, as well as for the ends of prayer, it is enough, and He will prove it to be enough presently. I have been when I could not pray at all. And then God's face seemed so close upon me that there was no need of prayer, any more than if I were near you, as I yearn to be, as I ought to be, there would be need for this letter. Oh, be sure that He means well by us by what we suffer, and it is when we suffer that He often makes the meaning clearer. You know how that brilliant, witty, true poet Heine, who was an atheist (as much as a man can pretend to be), has made a public profession of a change of opinion which was pathetic to my eyes and heart the other day as I read it. He has joined no church, but simply (to use his own words) has 'returned home to God like the prodigal son after a long tending of the swine.' It is delightful to go home to God, even after a tending of the sheep. Poor Heine has lived a sort of living death for years, quite deprived of his limbs, and suffering tortures to boot, I understand. It is not because we are brought low that we must die, my dearest friend. I hope—I do not say 'hope' for you so much as for me and for the many who hang their hearts on your life—I hope that you may survive all these terrible sufferings and weaknesses, and I take my comfort from your letter, from the firmness and beauty of the manuscript; I who know how weak hands will shudder and reel along the paper. Surely there is strength for more life in that hand. Now I stoop to kiss it in my thought. Feel my kiss on the dear hand, dear, dear friend.

A previous letter of yours pained me much because I seemed to have given you the painful trouble in it of describing your state, your weakness. Ah, I knew what that state was, and it was therefore that the slip of paper which came with 'Atherton' seemed to me so ominous! By the way, I shall see 'Atherton' before long, I dare say. The 'German Library' in our street is to have a 'box of new books' almost directly, and in it surely must be 'Atherton,' and you shall hear my thoughts of the book as soon as I catch sight of it. Then you have sent me the Dramas. Thank you, thank you; they will be precious. I saw the article in the 'Athenaeum' with joy and triumph, and knew Mr. Chorley by the 'Roman hand.' In the 'Illustrated News' also, Robert (not I) read an enthusiastic notice. He fell upon it at the reading-room where I never go on account of my she-dom, women in Florence being supposed not—

(Part of this letter is missing)

Think of me who am far, yet near in love and thought. Love me with that strong heart of yours. May God bless it, bless it!

I am ever your attached E.B.B., rather BA.

I have had a sad letter from poor Haydon's daughter. She has fifty-six pounds a year, and can scarcely live on it in England, and inquires if she could live in any family in Florence. I fear to recommend her to come so far on such means. Robert's love. May God bless you and keep you! Love me.

* * * * *

To Miss Mitford

Florence: October 19, 1854.

I will try not to be overjoyed, my dear, dearest Miss Mitford, but, indeed, it is difficult to refrain from catching at hope with both hands. If the general health will but rally, there is nothing fatal about a spine disease. May God bless you, give you the best blessing in earth and heaven, as the God of the living in both places. We ought not to be selfish, nor stupid, so as to be afraid of leaving you in His hands. What is beautiful and joyful to observe is the patience and self-possession with which you endure even the most painful manifestation of His will; and that, while you lose none of that interest in the things of our mortal life which is characteristic of your sympathetic nature, you are content, just as if you felt none, to let the world go, according to the decision of God. May you be more and more confirmed and elevated and at rest—being the Lord's, whether absent from the body or present in it! For my own part, I have been long convinced that what we call death is a mere incident in life—perhaps scarcely a greater one than the occurrence of puberty, or the revolution which comes with any new emotion or influx of new knowledge. I am heterodox about sepulchres, and believe that no part of us will ever lie in a grave. I don't think much of my nail-parings—do you?—not even of the nail of my thumb when I cut off what Penini calls the 'gift-mark' on it. I believe that the body of flesh is a mere husk which drops off at death, while the spiritual body (see St. Paul) emerges in glorious resurrection at once. Swedenborg says, some persons do not immediately realise that they have passed death, and this seems to me highly probable. It is curious that Maurice, Mr. Kingsley's friend, about whom so much lately has been written and quarrelled (and who has made certain great mistakes, I think), takes this precise view of the resurrection, with an apparent unconsciousness of what Swedenborg has stated upon the subject, and that, I, too, long before I knew Swedenborg, or heard the name of Maurice, came to the same conclusions. I wonder if Mr. Kingsley agrees with us. I dare say he does, upon the whole—for the ordinary doctrine seems to me as little taught by Scripture as it can be reconciled with philosophical probabilities. I believe in an active, human life, beyond death as before it, an uninterrupted human life. I believe in no waiting in the grave, and in no vague effluence of spirit in a formless vapour. But you'll be tired with 'what I believe.'

I have been to the other side of Florence to call on Mrs. Trollope, on purpose that I might talk to her of you, but she was not at home, though she has returned from the Baths of Lucca. From what I hear, she appears to be well, and has recommenced her 'public mornings,' which we shrink away from. She 'receives' every Saturday morning in the most heterogeneous way possible. It must be amusing to anybody not overwhelmed by it, and people say that she snatches up 'characters' for her 'so many volumes a year' out of the diversities of masks presented to her on these occasions. Oh, our Florence! In vain do I cry out for 'Atherton.' The most active circulating library 'hasn't got it yet,' they say. I must still wait. Meanwhile, of course, I am delighted with all your successes, and your books won't spoil by keeping like certain other books. So I may wait.

How young children unfold like flowers, and how pleasant it is to watch them! I congratulate you upon yours—your baby-girl must be a dear forward little thing. But I wish I could show you my Penini, with his drooping golden ringlets and seraphic smile, and his talk about angels—you would like him, I know. Your girl-baby has avenged my name for me, and now, if you heard my Penini say in the midst of a coaxing fit—'O, my sweetest little mama, my darling, dearlest, little Ba,' you would admit that 'Ba' must have a music in it, to my ears at least. The love of two generations is poured out to me in that name—and the stream seems to run (in one instance) when alas! the fountain is dry. I do not refer to the dead who live still.

Ah, dearest friend, you feel how I must have felt about the accident in Wimpole Street.[36] I can scarcely talk to you about it. There will be permanent lameness, Arabel says, according to the medical opinion, though the general health was not for a moment affected. But permanent lameness! That is sad, for a person of active habits. I ventured to write a little note—which was not returned, I thank God—or read, I dare say; but of course there was no result. I never even expected it, as matters have been. I must tell you that our pecuniary affairs are promising better results for next year, and that we shall not, in all probability, be tied up from going to England. For the rest—if I understand you—oh no! My husband has a family likeness to Lucifer in being proud. Besides, it's not necessary. When literary people are treated in England as in some other countries, in that case and that time we may come in for our share in the pensions given by the people, without holding out our hands. Now think of Carlyle—unpensioned! Why, if we sate here in rags, we wouldn't press in for an obolus before Belisarius. Mrs. Sartoris has been here on her way to Rome, spending most of her time with us—singing passionately and talking eloquently. She is really charming. May God bless and keep you and love you, beloved friend! Love your own affectionate

BA.

May it be Robert's love?

* * * * *

To Miss Browning

[Florence:] November 11, 1854 [postmark].

My dearest Sarianna,—I shall be writing my good deeds in water to-day with this mere pretence at inks.[37] We are all well, though it is much too cold for me—a horrible tramontana which would create a cough under the ribs of death, and sets me coughing a little in the morning. I am afraid it's to be a hard winter again this year—or harder than last year's. We began fires on the last day of October, after the most splendid stretch of spring, summer, and autumn I ever remember. We have translated our room into winter—sent off the piano towards the windows, and packed tables, chairs, and sofas as near to the hearth as possible.

What a time of anxiety this war time is![38] I do thank God that we have no reasons for its being a personal agony, through having anyone very precious at the post of danger. I have two first cousins there, a Hedley, and Paget Butler, Sir Thomas's son. I understand that the gloom in England from the actual bereavements is great; that the frequency of deep mourning strikes the eye; that even the shops are filled chiefly with black; and that it has become a sort of mode to wear black or grey, without family losses, and from the mere force of sympathy.

My poor father is still unable to stir from the house, and he has been unwell through a bilious attack, the consequence of want of exercise. Nothing can induce him to go out in a carriage, because he 'never did in his life drive out for mere amusement,' he says. There's what Mr. Kenyon calls 'the Barrett obstinacy,' and it makes me uneasy as to the effect of it in this instance upon the general health of the patient. Poor darling Arabel seems to me much out of spirits—'out of humour,' she calls it, dear thing—oppressed by the gloom of the house, and looking back yearningly to the time when she had sisters to talk to. Oh Sarianna, I wish we were all together to have a good gossip or groaning, with a laugh at the end!...

Your ever affectionate sister, BA.

* * * * *

To Mrs. Martin

Florence: November 1854.

My dearest Mrs. Martin,—You make me wait and I make you wait for letters. It is bad of us both—and remember, worse of you, seeing that you left two long letters of mine unanswered for months. I felt as if I had fallen down an oubliette, and I was about to utter the loud shrieks befitting the occasion, when you wrote at last. Don't treat me so another time; I want to know your plans for the winter, since the winter is upon us. Next summer, if it pleases God, we shall certainly meet somewhere—say Paris, say London. We shall have money for it, which we had not this year; and now the disappointment's over, I don't care. The heat at Florence was very bearable, and our child grew into his roses lost at Rome, and we have lived a very tranquil and happy six months on our own sofas and chairs, among our own nightingales and fireflies. There's an inclination in me to turn round with my Penini and say, 'I'm an Italian.' Certainly both light and love seem stronger with me at Florence than elsewhere....

The war! The alliance is the consolation; the necessity is the justification. For the rest, one shuts one's eyes and ears—the rest is too horrible. What do you mean by fearing that the war itself may not be all the evil of the war? I expect, on the contrary, a freer political atmosphere after this thunder. Louis Napoleon is behaving very tolerably well, won't you admit, after all? And I don't look to a treason at the end as certain of his enemies do, who are reduced to a 'wait, wait, and you'll see.' There's a friend of mine here, a traditional anti-Gallican, and very lively in his politics until the last few months. He can't speak now or lift up his eyelids, and I am too magnanimous in opposition to talk of anything else in his presence except Verdi's last opera, which magnanimity he appreciates, though he has no ear. About a month ago he came suddenly to life again. 'Have you heard the news? Napoleon is suspected of making a secret treaty with Russia.' The next morning he was as dead as ever—poor man! It's a desperate case for him.

Are you not happy—you—in this fast union between England and France? Some of our English friends, coming to Italy through France, say that the general feeling towards England, and the affectionate greetings and sympathies lavished upon them as Englishmen by the French everywhere, are quite strange and touching. 'In two or three years,' said a Frenchman on a railroad, 'French and English, we shall make only one nation.' Are you very curious about the subject of gossip just now between Lord Palmerston and Louis Napoleon? We hear from somebody in Paris, whose metier it is to know everything, that it refers to the readjustment of affairs in Italy. May God grant it! The Italians have been hanging their whole hope's weight upon Louis Napoleon ever since he came to power, and if he does now what he can for them I shall be proud of my protege—oh, and so glad! Robert and I clapped our hands yesterday when we heard this; we couldn't refrain, though our informant was reactionary and in a deep state of conservative melancholy. 'Awful things were to be expected about Italy,' quotha!

Now do be good, and write and tell me what your plans are for the winter. We shall remain here till May, and then, if God pleases, go north—to Paris and London. Robert and I are at work on our books. I have taken to ass's milk to counteract the tramontana, and he is in the twenty-first and I in the twenty-second volume of Alexandre Dumas's 'Memoirs.' The book is un peu hasarde occasionally, as might be expected, but extremely interesting, and I really must recommend it to your attention for the winter if you don't know it already.

We have seen a good deal of Mrs. Sartoris lately on her way to Rome (Adelaide Kemble)—eloquent in talk and song, a most brilliant woman, and noble. She must be saddened since then, poor thing, by her father's death. Tell me if it is true that Harriet Martineau has seceded again from her atheism? We heard so the other day. Dearest Mrs. Martin, do write to me; and do, both of you, remember me, and think of both of us kindly. With Robert's true regards,

I am your as ever affectionate BA.

Tell me dear Mr. Martin's mind upon politics—in the Austrian and Prussian question, for instance. We have no fears, in spite of Dr. Cumming and the prophets generally, of ultimate results.

* * * * *

To Miss Mitford

Florence: December 11, 1854.

I should have written long ago, my dearest Miss Mitford, to try to say half the pleasure and gratitude your letter made for me, but I have been worried and anxious about the illnesses, not exactly in my family but nearly as touching to me, and hanging upon posts from England in a painful way inevitable to these great distances....

I understand that literature is going on flaggingly in England just now, on account of nobody caring to read anything but telegraphic messages. So Thackeray told somebody, only he might refer chiefly to the fortunes of the 'Newcomes,' who are not strong enough to resist the Czar. The book is said to be defective in story. Certainly the subject of the war is very absorbing; we are all here in a state of tremblement about it. Dr. Harding has a son at Sebastopol, who has had already three horses killed under him. What hideous carnage! The allies are plainly numerically too weak, and the two governments are much blamed for not reinforcing long ago. I am discontented about Austria. I don't like handshaking with Austria; I would rather be picking her pocket of her Italian provinces; and, while upon such civil terms, how can we? Yet somebody, who professes to know everything, told somebody at Paris, who professes to tell everything, that Louis Napoleon and Lord Palmerston talked much the other day about what is to be done for Italy; and here in Italy we have long been all opening our mouths like so many young thrushes in a nest, expecting some 'worme small' from your Emperor. Now, if there's an Austrian alliance instead!...

Do you hear from Mr. Kingsley? and, if so, how is his wife? I am reading now Mrs. Stowe's 'Sunny Memories,' and like the naturalness and simplicity of the book much, in spite of the provincialism of the tone of mind and education, and the really wretched writing. It's quite wonderful that a woman who has written a book to make the world ring should write so abominably....

Do you hear often from Mr. Chorley? Mr. Kenyon complains of never seeing him. He seems to have withdrawn a good deal, perhaps into closer occupations, who knows? Aubrey de Vere told a friend of ours in Paris the other day that Mr. Patmore was engaged on a poem which 'was to be the love poem of the age,' parts of which he, Aubrey de Vere, had seen. Last week I was vexed by the sight of Mrs. Trollope's card, brought in because we were at dinner. I should have liked to have seen her for the sake of the opportunity of talking of you.

Do you know the engravings in the 'Story without an End'? The picture of the 'child' is just my Penini. Some one was observing it the other day, and I thought I would tell you, that you might image him to yourself. Think of his sobbing and screaming lately because of the Evangelist John being sent to Patmos. 'Just like poor Robinson Crusoe' said he. I scarcely knew whether to laugh or cry, I was so astonished at this crisis of emotion.

Robert's love will be put in. May God bless you and keep you, and love you better than we all.

Your ever affectionate BA.

* * * * *

To Mrs. Martin

Casa Guidi: February 13, [1855].

My dearest Mrs. Martin,—How am I to thank you for this most beautiful shawl, looking fresh from Galatea's flocks, and woven by something finer than her fingers? You are too good and kind, and I shall wrap myself in this piece of affectionateness on your part with very pleasant feelings. Thank you, thank you. I only wish I could have seen you (though more or less dimly, it would have been a satisfaction) in the face of your friend who was so kind as to bring the parcel to me. But I have been very unwell, and was actually in bed when he called; unwell with the worst attack on the chest I ever suffered from in Italy. Oh, I should have written to you long since if it had not been for this. For a month past or more I have been ill. Now, indeed, I consider myself convalescent; the exhausting cough and night fever are gone, I may say, the pulse quiet, and, though considerably weakened and pulled down, that will be gradually remedied as long as this genial mildness of the weather lasts. You were quite right in supposing us struck here by the cold of which you complained even at Pau. Not only here but at Pisa there has been snow and frost, together with a bitter wind which my precaution of keeping steadily to two rooms opening one into another could not defend me from. My poor Robert has been horribly vexed about me, of course, and indeed suffered physically at one time through sleepless nights, diversified by such pastimes as keeping fires alight and warming coffee, &c. &c. Except for love's sake it wouldn't be worth while to live on at the expense of doing so much harm, but you needn't exhort—I don't give it up. I mean to live on and be well.

In the meantime, in generous exchange for your miraculous shawl, I send you back sixpence worth of rhymes. They were written for Arabel's Ragged School bazaar last spring (she wanted our names), and would not be worth your accepting but for the fact of their not being purchaseable anywhere.[39] A few copies were sent out to us lately. Half I draw back my hand as I give you this little pamphlet, because I seem to hear dear Mr. Martin's sardonic laughter at my phrase about the Czar. 'If she wink, &c.' Well, I don't generally sympathise with the boasting mania of my countrymen, but it's so much in the blood that, even with me, it exceeds now and then, you observe. Ask him to be as gentle with me as possible.

Oh, the East, the East! My husband has been almost frantic on the subject. We may all cover our heads and be humble.[40] Verily we have sinned deeply. As to ministers, that there is blame I do not doubt. The Aberdeen element has done its worst, but our misfortune is that nobody is responsible; and that if you tear up Mr. So-and-so and Lord So-and-so limb from limb, as a mild politician recommended the other day, you probably would do a gross injustice against very well-meaning persons. It's the system, the system which is all one gangrene; the most corrupt system in Europe, is it not? Here is my comfort. Apart from the dreadful amount of individual suffering which cries out against us to heaven and earth, this adversity may teach us much, this shock which has struck to the heart of England may awaken us much, and this humiliation will altogether be good for us. We have stood too long on a pedestal talking of our moral superiority, our political superiority, and all our other superiorities, which I have long been sick of hearing recounted. Here's an inferiority proved. Let us understand it and remedy it, and not talk, talk, any more.

[Part of this letter has been cut out]

We heard yesterday from the editor of the 'Examiner,' Mr. Forster, who expects some terrible consequence of present circumstances in England, as far as I can understand. The alliance with France is full of consolation. There seems to be a real heart-union between the peoples. What a grand thing the Napoleon loan is! It has struck the English with admiration.

I heard, too, among other English news, that Walter Savage Landor, who has just kept his eightieth birthday, and is as young and impetuous as ever, has caught the whooping cough by way of an illustrative accident. Kinglake ('Eōthen') came home from the Crimea (where he went out and fought as an amateur) with fever, which has left one lung diseased. He is better, however....

Dearest Mrs. Martin, dearest friends, be both of you well and strong. Shall we not meet in Paris this early summer?

May God bless you! Your ever affectionate

BA.

* * * * *

To Mrs. Jameson

Florence: February 24, 1855.

The devil (say charitable souls) is not as bad as he is painted, and even I, dearest Mona Nina, am better than I seem. In the first place, let me make haste to say that I never received the letter you sent me to Rome with the information of your family affliction, and that, if I had, it could never have remained an unnoticed letter. I am not so untender, so unsympathising, not so brutal—let us speak out. I lost several letters in Rome, besides a good deal of illusion. I did not like Rome, I think I confessed to you. In the second place, when your last letter reached me—I mean the letter in which you told me to write to you directly—I would have written directly, but was so very unwell that you would not have wished me even to try if, absent in the flesh, you had been present in spirit. I have had a severe attack on the chest—the worst I ever had in Italy—the consequence of exceptionally severe weather—bitter wind and frost together—which quite broke me up with cough and fever at night. Now I am well again, only of course much weakened, and grown thin. I mean to get fat again upon cod's liver oil, in order to appear in England with some degree of decency. You know I'm a lineal descendant of the White Cat, and have seven lives accordingly. Also I have a trick of falling from six-storey windows upon my feet, in the manner of the traditions of my race. Not only I die hard, but I can hardly die. 'Half of it would kill me,' said an admiring friend the other day. 'What strength you must have!' A questionable advantage, except that I have also—a Robert, and a Penini!

Dearest friend, I don't know how to tell you of our fullness of sympathy in your late trials.[41] From a word which reached us from England the other day, there will be, I do trust, some effectual arrangement to relieve your friends from their anxieties about you. Then, there should be an increase of the Government pension by another hundred, that is certain; only the 'should be' lies so far out of sight in the ideal, that nobody in his senses should calculate on its occurrence. As to Law, it's different from Right—particularly in England perhaps—and appeals to Law are disastrous when they cannot be counted on as victorious, always and certainly. Therefore you may be wise in abstaining; you have considered sufficiently, of course. I only hope you are not trammelled in any degree by motives of delicacy which would be preposterous under the actual circumstances. You meantime are as nobly laborious as ever. We have caught hold of fragments in the newspapers from your 'Commonplace Book,' which made us wish for more; and Mr. Kenyon told me of a kind mention of Robert which was very pleasant to me.

How will it be? Shall you be likely to come to Italy before we set out to the north—that is, before the middle of May—or shall we cross on the road, like our letters, or shall we catch you in London, or in Paris at least? Oh, you won't miss the Exhibition in Paris. That seems certain.

I know Florence Nightingale slightly. She came to see me when we were in London last; and I remember her face and her graceful manner, and the flowers she sent me after afterwards. I honor her from my heart. She is an earnest, noble woman, and has fulfilled her woman's duty where many men have failed.

At the same time, I confess myself to be at a loss to see any new position for the sex, or the most imperfect solution of the 'woman's question,' in this step of hers. If a movement at all, it is retrograde, a revival of old virtues! Since the siege of Troy and earlier, we have had princesses binding wounds with their hands; it's strictly the woman's part, and men understand it so, as you will perceive by the general adhesion and approbation on this late occasion of the masculine dignities. Every man is on his knees before ladies carrying lint, calling them 'angelic she's,' whereas, if they stir an inch as thinkers or artists from the beaten line (involving more good to general humanity; than is involved in lint), the very same men would curse the impudence of the very same women and stop there. I can't see on what ground you think you see here the least gain to the 'woman's question,' so called. It's rather the contrary, to my mind, and, any way, the women of England must give the precedence to the soeurs de charite, who have magnificently won it in all matters of this kind. For my own part (and apart from the exceptional miseries of the war), I acknowledge to you that I do not consider the best use to which we can put a gifted and accomplished woman is to make her a hospital nurse. If it is, why then woe to us all who are artists! The woman's question is at an end. The men's 'noes' carry it. For the future I hope you will know your place and keep clear of Raffaelle and criticism; and I shall expect to hear of you as an organiser of the gruel department in the hospital at Greenwich, that is, if you have the luck to percer and distinguish yourself.

Oh, the Crimea! How dismal, how full of despair and horror! The results will, however, be good if we are induced to come down from the English pedestal in Europe of incessant self-glorification, and learn that our close, stifling, corrupt system gives no air nor scope for healthy and effective organisation anywhere. We are oligarchic in all things, from our parliament to our army. Individual interests are admitted as obstacles to the general prosperity. This plague runs through all things with us. It accounts for the fact that, according to the last marriage statistics, thirty per cent, of the male population signed with the mark only. It accounts for the fact that London is at once the largest and ugliest city in Europe. For the rest, if we cannot fight righteous and necessary battles, we must leave our place as a nation, and be satisfied with making pins. Write to me, but don't pay your letters, dear dear friend, and I will tell you why. Through some slip somewhere we have had to pay your two last letters just the same. So don't try it any more. Do you think we grudge postage from you? Tell me if it is true that Harriet Martineau is very ill. What do you hear of her?

May God bless you! With Robert's true love,

Your ever affectionate BA.

* * * * *

The following letter is the first of a few addressed to Mr. Ruskin, which have been made available through the kindness of Mrs. Arthur Severn. The acquaintanceship with Mr. Ruskin dated from the visit of the Brownings to England in 1852 (see vol. ii. p. 87, above); but the occasion of the present correspondence was the recent death of Miss Mitford, which took place on January 10, 1855. Mr. Ruskin had shown much kindness to her during her later years, and after her death had written to Mrs. Browning to tell her of the closing scenes of her friend's life.

* * * * *

To Mr. Ruskin

Florence: March 17, 1855.

I have your letter, dear Mr. Ruskin. The proof is the pleasure it has given me—yes, and given my husband, which is better. 'When has a letter given me so much pleasure?' he exclaimed, after reading it; 'will you write?' I thank you much—much for thinking of it, and I shall be thankful of anything you can tell me of dearest Miss Mitford. I had a letter from her just before she went, written in so firm a hand, and so vital a spirit, that I could feel little apprehension of never seeing her in the body again. God's will be done. It is better so, I am sure. She seemed to me to see her way clearly, and to have as few troubling doubts in respect to the future life as she had to the imminent end of the present.

Often we have talked and thought of you since the last time we saw you, and, before your letter came, we had ventured to put on the list of expected pleasures connected with our visit to England, fixed for next summer, the pleasure of seeing more of Mr. Ruskin. For the rest, there will be some bitter things too. I do not miss them generally in England, and among them this time will be an empty place where I used always to find a tender and too indulgent friend.

You need not be afraid of my losing a letter of yours. The peril would be mine in that case. But among the advantages of our Florence—the art, the olives, the sunshine, the cypresses, and don't let me forget the Arno and mountains at sunset time—is that of an all but infallible post office. One loses letters at Rome. Here, I think, we have lost one in the course of eight years, and for that loss I hold my correspondent to blame.

How good you are to me! How kind! The soul of a cynic, at its third stage of purification, might feel the value of 'Gold' laid on the binding of a book by the hand of John Ruskin. Much more I, who am apt to get too near that ugly 'sty of Epicurus' sometimes! Indeed you have gratified me deeply. There was 'once on a time,' as is said in the fairy tales, a word dropped by you in one of your books, which I picked up and wore for a crown. Your words of goodwill are of great price to me always, and one of my dear friend Miss Mitford's latest kindnesses to me was copying out and sending to me a sentence from a letter of yours which expressed a favorable feeling towards my writings. She knew well—she who knew me—the value it would have for me, and the courage it would give me for any future work.

With my husband's cordial regards,

I remain most truly yours, ELIZABETH BARRETT BROWNING.

Our American friends, who sent to Dresden in vain for your letter, are here now, but will be in England soon on their way to America, with the hope of trying fate again in another visit to you. Thank you! Also thank you for your inquiry about my health. I have had a rather bad attack on my chest (never very strong) through the weather having been colder than usual here, but now I am very well again—for me.

* * * * *

To Mrs. Martin

Florence: April 20, 1855.

My dearest Mrs. Martin,—Having nine lives, as I say, I am alive again, and prosperous—thanking you for wishing to know. People look at me and laugh, because it's a clear case of bulbous root with me—let me pass (being humble) for the onion. I was looking miserable in February, and really could scarcely tumble across the room, and now I am up on my perch again—nay, even out of my cage door. The weather is divine. One feels in one's self why the trees are green. I go out, walk out, have recovered flesh and fire—my very hair curls differently. 'Is I, I?' I say with the metaphysicians. There's something vital about this Florence air, for, though much given to resurrection, I never made such a leap in my life before after illness. Robert and I need to run as well as leap. We have quantities of work to do, and small time to do it in. He is four hours a day engaged in dictating to a friend of ours who transcribes for him, and I am not even ready for transcription—have not transcribed a line of my six or seven thousand. We go to England, or at least to Paris, next month, but it can't be early. Oh, may we meet you! Our little Penini is radiant, and altogether we are all in good spirits. Which is a shame, you will say, considering the state of affairs at Sebastopol. Forgive me. I never, at worst, thought that the great tragedy of the world was going on there. It was tragic, but there are more chronic cruelties and deeper despairs—ay, and more exasperating wrongs. For the rest, we have the most atrocious system in Europe, and we mean to work it out. Oh, you will see. Your committees nibble on, and this and that poisonous berry is pulled off leisurely, while the bush to the root of it remains, and the children eat on unhindered on the other side. I had hoped that there was real feeling among politicians. But no; we are put off with a fast day. There, an end! I begin to think that nothing will do for England but a good revolution, and a 'besom of destruction' used dauntlessly. We are getting up our vainglories again, smoothing our peacock's plumes. We shall be as exemplary as ever by next winter, you will see.

Meanwhile, dearest Mrs. Martin, that you should ask me about 'Armageddon' is most assuredly a sign of the times. You know I pass for being particularly mad myself, and everybody, almost universally, is rather mad, as may be testified by the various letters I have to read about 'visible spirit-hands,' pianos playing themselves, and flesh-and-blood human beings floating about rooms in company with tables and lamps. Dante has pulled down his own picture from the wall of a friend of ours in Florence five times, signifying his pleasure that it should be destroyed at once as unauthentic (our friend burnt it directly, which will encourage me to pull down mine by [word lost]). Savonarola also has said one or two things, and there are gossiping guardian angels, of whom I need not speak. Let me say, though, that nothing has surprised me quite so much as your inquiring about Armageddon, because I am used to think of you as the least in the world of a theorist, and am half afraid of you sometimes, and range the chairs before my speculative dark corners, that you may not think or see 'how very wild that Ba is getting!' Well, now it shall be my turn to be sensible and unbelieving. There's a forced similitude certainly, in the etymology, between the two words; but if it were full and perfect I should be no nearer thinking that the battle of Armageddon could ever signify anything but a great spiritual strife. The terms, taken from a symbolical book, are plainly to my mind symbolical, and Dr. Cumming and a thousand mightier doctors could not talk it out of me, I think. I don't, for the rest, like Dr. Cumming; his books seem to me very narrow. Isn't the tendency with us all to magnify the great events of our own time, just as we diminish the small events? For me, I am heretical in certain things. I expect no renewal of the Jewish kingdom, for instance. And I doubt much whether Christ's 'second coming' will be personal. The end of the world is probably the end of a dispensation. What I expect is, a great development of Christianity in opposition to the churches, and of humanity generally in opposition to the nations, and I look out for this in much quiet hope. Also, and in the meanwhile, the war seems to be just and necessary. There is nothing in it to regret, except the way of conducting it....