"Where do you keep it?" she asked.

"What do you mean?"

"Look at your complexion, ma'am. You will frighten him if he sees you like that. A touch of color you must have. Where do you keep it? What! you haven't got it? you never use it? Dear, dear, dear me!"

For a moment surprise fairly deprived her of her self-possession. Recovering herself, she begged permission to leave me for a minute. I let her go, knowing what her errand was. She came back with a box of paint and powders; and I said nothing to check her. I saw, in the glass, my skin take a false fairness, my cheeks a false color, my eyes a false brightness—and I never shrank from it. No! I let the odious conceit go on; I even admired the extraordinary delicacy and dexterity with which it was all done. "Anything" (I thought to myself, in the madness of that miserable time) "so long as it helps me to win the Major's confidence! Anything, so long as I discover what those last words of my husband's really mean!"

The transformation of my face was accomplished. The chambermaid pointed with her wicked forefinger in the direction of the glass.

"Bear in mind, ma'am, what you looked like when you sent for me," she said. "And just see for yourself how you look now. You're the prettiest woman (of your style) in London. Ah what a thing pearl-powder is, when one knows how to use it!"



CHAPTER VIII. THE FRIEND OF THE WOMEN.

I FIND it impossible to describe my sensations while the carriage was taking me to Major Fitz-David's house. I doubt, indeed, if I really felt or thought at all, in the true sense of those words.

From the moment when I had resigned myself into the hands of the chambermaid I seemed in some strange way to have lost my ordinary identity—to have stepped out of my own character. At other times my temperament was of the nervous and anxious sort, and my tendency was to exaggerate any difficulties that might place themselves in my way. At other times, having before me the prospect of a critical interview with a stranger, I should have considered with myself what it might be wise to pass over, and what it might be wise to say. Now I never gave my coming interview with the Major a thought; I felt an unreasoning confidence in myself, and a blind faith in him. Now neither the past nor the future troubled me; I lived unreflectingly in the present. I looked at the shops as we drove by them, and at the other carriages as they passed mine. I noticed—yes, and enjoyed—the glances of admiration which chance foot-passengers on the pavement cast on me. I said to myself, "This looks well for my prospect of making a friend of the Major!" When we drew up at the door in Vivian Place, it is no exaggeration to say that I had but one anxiety—anxiety to find the Major at home.

The door was opened by a servant out of livery, an old man who looked as if he might have been a soldier in his earlier days. He eyed me with a grave attention, which relaxed little by little into sly approval. I asked for Major Fitz-David. The answer was not altogether encouraging: the man was not sure whether his master were at home or not.

I gave him my card. My cards, being part of my wedding outfit, necessarily had the false name printed on them—Mrs. Eustace Woodville. The servant showed me into a front room on the ground-floor, and disappeared with my card in his hand.

Looking about me, I noticed a door in the wall opposite the window, communicating with some inner room. The door was not of the ordinary kind. It fitted into the thickness of the partition wall, and worked in grooves. Looking a little nearer, I saw that it had not been pulled out so as completely to close the doorway. Only the merest chink was left; but it was enough to convey to my ears all that passed in the next room.

"What did you say, Oliver, when she asked for me?" inquired a man's voice, pitched cautiously in a low key.

"I said I was not sure you were at home, sir," answered the voice of the servant who had let me in.

There was a pause. The first speaker was evidently Major Fitz-David himself. I waited to hear more.

"I think I had better not see her, Oliver," the Major's voice resumed.

"Very good, sir."

"Say I have gone out, and you don't know when I shall be back again. Beg the lady to write, if she has any business with me."

"Yes, sir."

"Stop, Oliver!"

Oliver stopped. There was another and longer pause. Then the master resumed the examination of the man.

"Is she young, Oliver?"

"Yes, sir."

"And—pretty?"

"Better than pretty, sir, to my thinking."

"Aye? aye? What you call a fine woman—eh, Oliver?"

"Certainly, sir."

"Tall?"

"Nearly as tall as I am, Major."

"Aye? aye? aye? A good figure?"

"As slim as a sapling, sir, and as upright as a dart."

"On second thoughts, I am at home, Oliver. Show her in! show her in!"

So far, one thing at least seemed to be clear. I had done well in sending for the chambermaid. What would Oliver's report of me have been if I had presented myself to him with my colorless cheeks and my ill-dressed hair?

The servant reappeared, and conducted me to the inner room. Major Fitz-David advanced to welcome me. What was the Major like?

Well, he was like a well-preserved old gentleman of, say, sixty years old, little and lean, and chiefly remarkable by the extraordinary length of his nose. After this feature, I noticed next his beautiful brown wig; his sparkling little gray eyes; his rosy complexion; his short military whisker, dyed to match his wig; his white teeth and his winning smile; his smart blue frock-coat, with a camellia in the button-hole; and his splendid ring, a ruby, flashing on his little finger as he courteously signed to me to take a chair.

"Dear Mrs. Woodville, how very kind of you this is! I have been longing to have the happiness of knowing you. Eustace is an old friend of mine. I congratulated him when I heard of his marriage. May I make a confession?—I envy him now I have seen his wife."

The future of my life was perhaps in this man's hands. I studied him attentively: I tried to read his character in his face.

The Major's sparkling little gray eyes softened as they looked at me; the Major's strong and sturdy voice dropped to its lowest and tenderest tones when he spoke to me; the Major's manner expressed, from the moment when I entered the room, a happy mixture of admiration and respect. He drew his chair close to mine, as if it were a privilege to be near me. He took my hand and lifted my glove to his lips, as if that glove were the most delicious luxury the world could produce. "Dear Mrs. Woodville," he said, as he softly laid my hand back on my lap, "bear with an old fellow who worships your enchanting sex. You really brighten this dull house. It is such a pleasure to see you!"

There was no need for the old gentleman to make his little confession. Women, children, and dogs proverbially know by instinct who the people are who really like them. The women had a warm friend—perhaps at one time a dangerously warm friend—in Major Fitz-David. I knew as much of him as that before I had settled myself in my chair and opened my lips to answer him.

"Thank you, Major, for your kind reception and your pretty compliment," I said, matching my host's easy tone as closely as the necessary restraints on my side would permit. "You have made your confession. May I make mine?"

Major Fitz-David lifted my hand again from my lap and drew his chair as close as possible to mine. I looked at him gravely and tried to release my hand. Major Fitz-David declined to let go of it, and proceeded to tell me why.

"I have just heard you speak for the first time," he said. "I am under the charm of your voice. Dear Mrs. Woodville, bear with an old fellow who is under the charm! Don't grudge me my innocent little pleasures. Lend me—I wish I could say give me—this pretty hand. I am such an admirer of pretty hands! I can listen so much better with a pretty hand in mine. The ladies indulge my weakness. Please indulge me too. Yes? And what were you going to say?"

"I was going to say, Major, that I felt particularly sensible of your kind welcome because, as it happens, I have a favor to ask of you."

I was conscious, while I spoke, that I was approaching the object of my visit a little too abruptly. But Major Fitz-David's admiration rose from one climax to another with such alarming rapidity that I felt the importance of administering a practical check to it. I trusted to those ominous words, "a favor to ask of you," to administer the check, and I did not trust in vain. My aged admirer gently dropped my hand, and, with all possible politeness, changed the subject.

"The favor is granted, of course!" he said. "And now, tell me, how is our dear Eustace?"

"Anxious and out of spirits." I answered.

"Anxious and out of spirits!" repeated the Major. "The enviable man who is married to You anxious and out of spirits? Monstrous! Eustace fairly disgusts me. I shall take him off the list of my friends."

"In that case, take me off the list with him, Major. I am in wretched spirits too. You are my husband's old friend. I may acknowledge to you that our married life is just now not quite a happy one."

Major Fitz-David lifted his eyebrows (dyed to match his whiskers) in polite surprise.

"Already!" he exclaimed. "What can Eustace be made of? Has he no appreciation of beauty and grace? Is he the most insensible of living beings?"

"He is the best and dearest of men," I answered. "But there is some dreadful mystery in his past life—"

I could get no further; Major Fitz-David deliberately stopped me. He did it with the smoothest politeness, on the surface. But I saw a look in his bright little eyes which said, plainly, "If you will venture on delicate ground, madam, don't ask me to accompany you."

"My charming friend!" he exclaimed. "May I call you my charming friend? You have—among a thousand other delightful qualities which I can see already—a vivid imagination. Don't let it get the upper hand. Take an old fellow's advice; don't let it get the upper hand! What can I offer you, dear Mrs. Woodville? A cup of tea?"

"Call me by my right name, sir," I answered, boldly. "I have made a discovery. I know as well as you do that my name is Macallan."

The Major started, and looked at me very attentively. His manner became grave, his tone changed completely, when he spoke next.

"May I ask," he said, "if you have communicated to your husband the discovery which you have just mentioned to me?"

"Certainly!" I answered. "I consider that my husband owes me an explanation. I have asked him to tell me what his extraordinary conduct means—and he has refused, in language that frightens me. I have appealed to his mother—and she has refused to explain, in language that humiliates me. Dear Major Fitz-David, I have no friends to take my part: I have nobody to come to but you! Do me the greatest of all favors—tell me why your friend Eustace has married me under a false name!"

"Do me the greatest of all favors;" answered the Major. "Don't ask me to say a word about it."

He looked, in spite of his unsatisfactory reply, as if he really felt for me. I determined to try my utmost powers of persuasion; I resolved not to be beaten at the first repulse.

"I must ask you," I said. "Think of my position. How can I live, knowing what I know—and knowing no more? I would rather hear the most horrible thing you can tell me than be condemned (as I am now) to perpetual misgiving and perpetual suspense. I love my husband with all my heart; but I cannot live with him on these terms: the misery of it would drive me mad. I am only a woman, Major. I can only throw myself on your kindness. Don't—pray, pray don't keep me in the dark!"

I could say no more. In the reckless impulse of the moment I snatched up his hand and raised it to my lips. The gallant old gentleman started as if I had given him an electric shock.

"My dear, dear lady!" he exclaimed, "I can't tell you how I feel for you! You charm me, you overwhelm me, you touch me to the heart. What can I say? What can I do? I can only imitate your admirable frankness, your fearless candor. You have told me what your position is. Let me tell you, in my turn, how I am placed. Compose yourself—pray compose yourself! I have a smelling-bottle here at the service of the ladies. Permit me to offer it."

He brought me the smelling-bottle; he put a little stool under my feet; he entreated me to take time enough to compose myself. "Infernal fool!" I heard him say to himself, as he considerately turned away from me for a few moments. "If I had been her husband, come what might of it, I would have told her the truth!"

Was he referring to Eustace? And was he going to do what he would have done in my husband's place?—was he really going to tell me the truth?

The idea had barely crossed my mind when I was startled by a loud and peremptory knocking at the street door. The Major stopped and listened attentively. In a few moments the door was opened, and the rustling of a woman's dress was plainly audible in the hall. The Major hurried to the door of the room with the activity of a young man. He was too late. The door was violently opened from the outer side, just as he got to it. The lady of the rustling dress burst into the room.



CHAPTER IX. THE DEFEAT OF THE MAJOR.

MAJOR FITZ-DAVID'S visitor proved to be a plump, round-eyed overdressed girl, with a florid complexion and straw colored hair. After first fixing on me a broad stare of astonishment, she pointedly addressed her apologies for intruding on us to the Major alone. The creature evidently believed me to be the last new object of the old gentleman's idolatry; and she took no pains to disguise her jealous resentment on discovering us together. Major Fitz-David set matters right in his own irresistible way. He kissed the hand of the overdressed girl as devotedly as he had kissed mine; he told her she was looking charmingly. Then he led her, with his happy mixture of admiration and respect, back to the door by which she had entered—a second door communicating directly with the hall.

"No apology is necessary, my dear," he said. "This lady is with me on a matter of business. You will find your singing-master waiting for you upstairs. Begin your lesson; and I will join you in a few minutes. Au revoir, my charming pupil—au revoir."

The young lady answered this polite little speech in a whisper—with her round eyes fixed distrustfully on me while she spoke. The door closed on her. Major Fitz-David was a t liberty to set matters right with me, in my turn.

"I call that young person one of my happy discoveries;" said the old gentleman, complacently. "She possesses, I don't hesitate to say, the finest soprano voice in Europe. Would you believe it, I met with her at the railway station. She was behind the counter in a refreshment-room, poor innocent, rinsing wine-glasses, and singing over her work. Good Heavens, such singing! Her upper notes electrified me. I said to myself; 'Here is a born prima donna—I will bring her out!' She is the third I have brought out in my time. I shall take her to Italy when her education is sufficiently advanced, and perfect her at Milan. In that unsophisticated girl, my dear lady, you see one of the future Queens of Song. Listen! She is beginning her scales. What a voice! Brava! Brava! Bravissima!"

The high soprano notes of the future Queen of Song rang through the house as he spoke. Of the loudness of the young lady's voice there could be no sort of doubt. The sweetness and the purity of it admitted, in my opinion, of considerable dispute.

Having said the polite words which the occasion rendered necessary, I ventured to recall Major Fitz-David to the subject in discussion between us when his visitor had entered the room. The Major was very unwilling to return to the perilous topic on which we had just touched when the interruption occurred. He beat time with his forefinger to the singing upstairs; he asked me about my voice, and whether I sang; he remarked that life would be intolerable to him without Love and Art. A man in my place would have lost all patience, and would have given up the struggle in disgust. Being a woman, and having my end in view, my resolution was invincible. I fairly wore out the Major's resistance, and compelled him to surrender at discretion. It is only justice to add that, when he did make up his mind to speak to me again of Eustace, he spoke frankly, and spoke to the point.

"I have known your husband," he began, "since the time when he was a boy. At a certain period of his past life a terrible misfortune fell upon him. The secret of that misfortune is known to his friends, and is religiously kept by his friends. It is the secret that he is keeping from You. He will never tell it to you as long as he lives. And he has bound me not to tell it, under a promise given on my word of honor. You wished, dear Mrs. Woodville, to be made acquainted with my position toward Eustace. There it is!"

"You persist in calling me Mrs. Woodville," I said.

"Your husband wishes me to persist," the Major answered. "He assumed the name of Woodville, fearing to give his own name, when he first called at your uncle's house. He will now acknowledge no other. Remonstrance is useless. You must do what we do—you must give way to an unreasonable man. The best fellow in the world in other respects: in this one matter as obstinate and self-willed as he can be. If you ask me my opinion, I tell you honestly that I think he was wrong in courting and marrying you under his false name. He trusted his honor and his happiness to your keeping in making you his—wife. Why should he not trust the story of his troubles to you as well? His mother quite shares my opinion in this matter. You must not blame her for refusing to admit you into her confidence after your marriage: it was then too late. Before your marriage she did all she could do—without betraying secrets which, as a good mother, she was bound to respect—to induce her son to act justly toward you. I commit no indiscretion when I tell you that she refused to sanction your marriage mainly for the reason that Eustace refused to follow her advice, and to tell you what his position really was. On my part I did all I could to support Mrs. Macallan in the course that she took. When Eustace wrote to tell me that he had engaged himself to marry a niece of my good friend Doctor Starkweather, and that he had mentioned me as his reference, I wrote back to warn him that I would have nothing to do with the affair unless he revealed the whole truth about himself to his future wife. He refused to listen to me, as he had refused to listen to his mother; and he held me at the same time to my promise to keep his secret. When Starkweather wrote to me, I had no choice but to involve myself in a deception of which I thoroughly disapproved, or to answer in a tone so guarded and so brief as to stop the correspondence at the outset. I chose the last alternative; and I fear I have offended my good old friend. You now see the painful position in which I am placed. To add to the difficulties of that situation, Eustace came here this very day to warn me to be on my guard, in case of your addressing to me the very request which you have just made! He told me that you had met with his mother, by an unlucky accident, and that you had discovered the family name. He declared that he had traveled to London for the express purpose of speaking to me personally on this serious subject. 'I know your weakness,' he said, 'where women are concerned. Valeria is aware that you are my old friend. She will certainly write to you; she may even be bold enough to make her way into your house. Renew your promise to keep the great calamity of my life a secret, on your honor and on your oath. 'Those were his words, as nearly as I can remember them. I tried to treat the thing lightly; I ridiculed the absurdly theatrical notion of 'renewing my promise,' and all the rest of it. Quite useless! He refused to leave me; he reminded me of his unmerited sufferings, poor fellow, in the past time. It ended in his bursting into tears. You love him, and so do I. Can you wonder that I let him have his way? The result is that I am doubly bound to tell you nothing, by the most sacred promise that a man can give. My dear lady, I cordially side with you in this matter; I long to relieve your anxieties. But what can I do?"

He stopped, and waited—gravely waited—to hear my reply.

I had listened from beginning to end without interrupting him. The extraordinary change in his manner, and in his way of expressing himself, while he was speaking of Eustace, alarmed me as nothing had alarmed me yet. How terrible (I thought to myself) must this untold story be, if the mere act of referring to it makes light-hearted Major Fitz-David speak seriously and sadly, never smiling, never paying me a compliment, never even noticing the singing upstairs! My heart sank in me as I drew that startling conclusion. For the first time since I had entered the house I was at the end of my resources; I knew neither what to say nor what to do next.

And yet I kept my seat. Never had the resolution to discover what my husband was hiding from me been more firmly rooted in my mind than it was at that moment! I cannot account for the extraordinary inconsistency in my character which this confession implies. I can only describe the facts as they really were.

The singing went on upstairs. Major Fitz-David still waited impenetrably to hear what I had to say—to know what I resolved on doing next.

Before I had decided what to say or what to do, another domestic incident happened. In plain words, another knocking announced a new visitor at the house door. On this occasion there was no rustling of a woman's dress in the hall. On this occasion only the old servant entered the room, carrying a magnificent nosegay in his hand. "With Lady Clarinda's kind regards. To remind Major Fitz-David of his appointment." Another lady! This time a lady with a title. A great lady who sent her flowers and her messages without condescending to concealment. The Major—first apologizing to me—wrote a few lines of acknowledgment, and sent them out to the messenger. When the door was closed again he carefully selected one of the choicest flowers in the nosegay. "May I ask," he said, presenting the flower to me with his best grace, "whether you now understand the delicate position in which I am placed between your husband and yourself?"

The little interruption caused by the appearance of the nosegay had given a new impulse to my thoughts, and had thus helped, in some degree, to restore me to myself. I was able at last to satisfy Major Fitz-David that his considerate and courteous explanation had not been thrown away upon me.

"I thank you, most sincerely, Major," I said "You have convinced me that I must not ask you to forget, on my account, the promise which you have given to my husband. It is a sacred promise, which I too am bound to respect—I quite understand that."

The Major drew a long breath of relief, and patted me on the shoulder in high approval of what I had said to him.

"Admirably expressed!" he rejoined, recovering his light-hearted looks and his lover-like ways all in a moment. "My dear lady, you have the gift of sympathy; you see exactly how I am situated. Do you know, you remind me of my charming Lady Clarinda. She has the gift of sympathy, and sees exactly how I am situated. I should so enjoy introducing you to each other," said the Major, plunging his long nose ecstatically into Lady Clarinda's flowers.

I had my end still to gain; and, being (as you will have discovered by this time) the most obstinate of living women, I still kept that end in view.

"I shall be delighted to meet Lady Clarinda," I replied. "In the meantime—"

"I will get up a little dinner," proceeded the Major, with a burst of enthusiasm. "You and I and Lady Clarinda. Our young prima donna shall come in the evening, and sing to us. Suppose we draw out the menu? My sweet friend, what is your favorite autumn soup?"

"In the meantime," I persisted, "to return to what we were speaking of just now—"

The Major's smile vanished; the Major's hand dropped the pen destined to immortalize the name of my favorite autumn soup.

"Must we return to that?" he asked, piteously.

"Only for a moment," I said.

"You remind me," pursued Major Fitz-David, shaking his head sadly, "of another charming friend of mine—a French friend—Madame Mirliflore. You are a person of prodigious tenacity of purpose. Madame Mirliflore is a person of prodigious tenacity of purpose. She happens to be in London. Shall we have her at our little dinner?" The Major brightened at the idea, and took up the pen again. "Do tell me," he said, "what is your favorite autumn soup?"

"Pardon me," I began, "we were speaking just now—"

"Oh, dear me!" cried Major Fitz-David. "Is this the other subject?"

"Yes—this is the other subject."

The Major put down his pen for the second time, and regretfully dismissed from his mind Madame Mirliflore and the autumn soup.

"Yes?" he said, with a patient bow and a submissive smile. "You were going to say—"

"I was going to say," I rejoined, "that your promise only pledges you not to tell the secret which my husband is keeping from me. You have given no promise not to answer me if I venture to ask you one or two questions."

Major Fitz-David held up his hand warningly, and cast a sly look at me out of his bright little gray eyes.

"Stop!" he said. "My sweet friend, stop there! I know where your questions will lead me, and what the result will be if I once begin to answer them. When your husband was here to-day he took occasion to remind me that I was as weak as water in the hands of a pretty woman. He is quite right. I am as weak as water; I can refuse nothing to a pretty woman. Dear and admirable lady, don't abuse your influence! don't make an old soldier false to his word of honor!"

I tried to say something here in defense of my motives. The Major clasped his hands entreatingly, and looked at me with a pleading simplicity wonderful to see.

"Why press it?" he asked. "I offer no resistance. I am a lamb—why sacrifice me? I acknowledge your power; I throw myself on your mercy. All the misfortunes of my youth and my manhood have come to me through women. I am not a bit better in my age—I am just as fond of the women and just as ready to be misled by them as ever, with one foot in the grave. Shocking, isn't it? But how true! Look at this mark!" He lifted a curl of his beautiful brown wig, and showed me a terrible scar at the side of his head. "That wound (supposed to be mortal at the time) was made by a pistol bullet," he proceeded. "Not received in the service of my country—oh dear, no! Received in the service of a much-injured lady, at the hands of her scoundrel of a husband, in a duel abroad. Well, she was worth it." He kissed his hand affectionately to the memory of the dead or absent lady, and pointed to a water-color drawing of a pretty country-house hanging on the opposite wall. "That fine estate," he proceeded, "once belonged to me. It was sold years and years since. And who had the money? The women—God bless them all!—the women. I don't regret it. If I had another estate, I have no doubt it would go the same way. Your adorable sex has made its pretty playthings of my life, my time, and my money—and welcome! The one thing I have kept to myself is my honor. And now that is in danger. Yes, if you put your clever little questions, with those lovely eyes and with that gentle voice, I know what will happen. You will deprive me of the last and best of all my possessions. Have I deserved to be treated in that way, and by you, my charming friend?—by you, of all people in the world? Oh, fie! fie!"

He paused and looked at me as before—the picture of artless entreaty, with his head a little on one side. I made another attempt to speak of the matter in dispute between us, from my own point of view. Major Fitz-David instantly threw himself prostrate on my mercy more innocently than ever.

"Ask of me anything else in the wide world," he said; "but don't ask me to be false to my friend. Spare me that—and there is nothing I will not do to satisfy you. I mean what I say, mind!" he went on, bending closer to me, and speaking more seriously than he had spoken yet "I think you are very hardly used. It is monstrous to expect that a woman, placed in your situation, will consent to be left for the rest of her life in the dark. No! no! if I saw you, at this moment, on the point of finding out for yourself what Eustace persists in hiding from you, I should remember that my promise, like all other promises, has its limits and reserves. I should consider myself bound in honor not to help you—but I would not lift a finger to prevent you from discovering the truth for yourself."

At last he was speaking in good earnest: he laid a strong emphasis on his closing words. I laid a stronger emphasis on them still by suddenly leaving my chair. The impulse to spring to my feet was irresistible. Major Fitz-David had started a new idea in my mind.

"Now we understand each other!" I said. "I will accept your own terms, Major. I will ask nothing of you but what you have just offered to me of your own accord."

"What have I offered?" he inquired, looking a little alarmed.

"Nothing that you need repent of," I answered; "nothing which is not easy for you to grant. May I ask a bold question? Suppose this house was mine instead of yours?"

"Consider it yours," cried the gallant old gentleman. "From the garret to the kitchen, consider it yours!"

"A thousand thanks, Major; I will consider it mine for the moment. You know—everybody knows—that one of a woman's many weaknesses is curiosity. Suppose my curiosity led me to examine everything in my new house?"

"Yes?"

"Suppose I went from room to room, and searched everything, and peeped in everywhere? Do you think there would be any chance—"

The quick-witted Major anticipated the nature of my question. He followed my example; he too started to his feet, with a new idea in his mind.

"Would there be any chance," I went on, "of my finding my own way to my husband's secret in this house? One word of reply, Major Fitz-David! Only one word—Yes or No?"

"Don't excite yourself!" cried the Major.

"Yes or No?" I repeated, more vehemently than ever.

"Yes," said the Major, after a moment's consideration.

It was the reply I had asked for; but it was not explicit enough, now I had got it, to satisfy me. I felt the necessity of leading him (if possible) into details.

"Does 'Yes' mean that there is some sort of clew to the mystery?" I asked. "Something, for instance, which my eyes might see and my hands might touch if I could only find it?"

He considered again. I saw that I had succeeded in interesting him in some way unknown to myself; and I waited patiently until he was prepared to answer me.

"The thing you mention," he said, "the clew (as you call it), might be seen and might be touched—supposing you could find it."

"In this house?" I asked.

The Major advanced a step nearer to me, and answered—

"In this room."

My head began to swim; my heart throbbed violently. I tried to speak; it was in vain; the effort almost choked me. In the silence I could hear the music-lesson still going on in the room above. The future prima donna had done practicing her scales, and was trying her voice now in selections from Italian operas. At the moment when I first heard her she was singing the beautiful air from the Somnambula, "Come per me sereno." I never hear that delicious melody, to this day, without being instantly transported in imagination to the fatal back-room in Vivian Place.

The Major—strongly affected himself by this time—was the first to break the silence.

"Sit down again," he said; "and pray take the easy-chair. You are very much agitated; you want rest."

He was right. I could stand no longer; I dropped into the chair. Major Fitz-David rang the bell, and spoke a few words to the servant at the door.

"I have been here a long time," I said, faintly. "Tell me if I am in the way."

"In the way?" he repeated, with his irresistible smile. "You forget that you are in your own house!"

The servant returned to us, bringing with him a tiny bottle of champagne and a plateful of delicate little sugared biscuits.

"I have had this wine bottled expressly for the ladies," said the Major. "The biscuits came to me direct from Paris. As a favor to me, you must take some refreshment. And then—" He stopped and looked at me very attentively. "And then," he resumed, "shall I go to my young prima donna upstairs and leave you here alone?"

It was impossible to hint more delicately at the one request which I now had it in my mind to make to him. I took his hand and pressed it gratefully.

"The tranquillity of my whole life to come is at stake," I said. "When I am left here by myself, does your generous sympathy permit me to examine everything in the room?"

He signed to me to drink the champagne and eat a biscuit before he gave his answer.

"This is serious," he said. "I wish you to be in perfect possession of yourself. Restore your strength—and then I will speak to you."

I did as he bade me. In a minute from the time when I drank it the delicious sparkling wine had begun to revive me.

"Is it your express wish," he resumed, "that I should leave you here by yourself to search the room?"

"It is my express wish," I answered.

"I take a heavy responsibility on myself in granting your request. But I grant it for all that, because I sincerely believe—as you believe—that the tranquillity of your life to come depends on your discovering the truth." Saying those words, he took two keys from his pocket. "You will naturally feel a suspicion," he went on, "of any locked doors that you may find here. The only locked places in the room are the doors of the cupboards under the long book-case, and the door of the Italian cabinet in that corner. The small key opens the book-case cupboards; the long key opens the cabinet door."

With that explanation, he laid the keys before me on the table.

"Thus far," he said, "I have rigidly respected the promise which I made to your husband. I shall continue to be faithful to my promise, whatever may be the result of your examination of the room. I am bound in honor not to assist you by word or deed. I am not even at liberty to offer you the slightest hint. Is that understood?"

"Certainly!"

"Very good. I have now a last word of warning to give you—and then I have done. If you do by any chance succeed in laying your hand on the clew, remember this—the discovery which follows will be a terrible one. If you have any doubt about your capacity to sustain a shock which will strike you to the soul, for God's sake give up the idea of finding out your husband's secret at once and forever!"

"I thank you for your warning, Major. I must face the consequences of making the discovery, whatever they may be."

"You are positively resolved?"

"Positively."

"Very well. Take any time you please. The house, and every person in it, are at your disposal. Ring the bell once if you want the man-servant. Ring twice if you wish the housemaid to wait on you. From time to time I shall just look in myself to see how you are going on. I am responsible for your comfort and security, you know, while you honor me by remaining under my roof."

He lifted my hand to his lips, and fixed a last attentive look on me.

"I hope I am not running too great a risk," he said—more to himself than to me. "The women have led me into many a rash action in my time. Have you led me, I wonder, into the rashest action of all?"

With those ominous last words he bowed gravely and left me alone in the room.



CHAPTER X. THE SEARCH.

THE fire burning in the grate was not a very large one; and the outer air (as I had noticed on my way to the house) had something of a wintry sharpness in it that day.

Still, my first feeling, when Major Fitz-David left me, was a feeling of heat and oppression, with its natural result, a difficulty in breathing freely. The nervous agitation of the time was, I suppose, answerable for these sensations. I took off my bonnet and mantle and gloves, and opened the window for a little while. Nothing was to be seen outside but a paved courtyard, with a skylight in the middle, closed at the further end by the wall of the Major's stables. A few minutes at the window cooled and refreshed me. I shut it down again, and took my first step on the way of discovery. In other words, I began my first examination of the four walls around me, and of all that they inclosed.

I was amazed at my own calmness. My interview with Major Fitz-David had, perhaps, exhausted my capacity for feeling any strong emotion, for the time at least. It was a relief to me to be alone; it was a relief to me to begin the search. Those were my only sensations so far.

The shape of the room was oblong. Of the two shorter walls, one contained the door in grooves which I have already mentioned as communicating with the front room; the other was almost entirely occupied by the broad window which looked out on the courtyard.

Taking the doorway wall first, what was there, in the shape of furniture, on either side of it? There was a card-table on either side. Above each card-table stood a magnificent china bowl placed on a gilt and carved bracket fixed to the wall.

I opened the card-tables. The drawers beneath contained nothing but cards, and the usual counters and markers. With the exception of one pack, the cards in both tables were still wrapped in their paper covers exactly as they had come from the shop. I examined the loose pack, card by card. No writing, no mark of any kind, was visible on any one of them. Assisted by a library ladder which stood against the book-case, I looked next into the two china bowls. Both were perfectly empty. Was there anything more to examine on that side of the room? In the two corners there were two little chairs of inlaid wood, with red silk cushions. I turned them up and looked under the cushions, and still I made no discoveries. When I had put the chairs back in their places my search on one side of the room was complete. So far I had found nothing.

I crossed to the opposite wall, the wall which contained the window.

The window (occupying, as I have said, almost the entire length and height of the wall) was divided into three compartments, and was adorned at their extremity by handsome curtains of dark red velvet. The ample heavy folds of the velvet left just room at the two corners of the wall for two little upright cabinets in buhl, containing rows of drawers, and supporting two fine bronze productions (reduced in size) of the Venus Milo and the Venus Callipyge. I had Major Fitz-David's permission to do just what I pleased. I opened the si x drawers in each cabinet, and examined their contents without hesitation.

Beginning with the cabinet in the right-hand corner, my investigations were soon completed. All the six drawers were alike occupied by a collection of fossils, which (judging by the curious paper inscriptions fixed on some of them) were associated with a past period of the Major's life when he had speculated, not very successfully in mines. After satisfying myself that the drawers contained nothing but the fossils and their inscriptions, I turned to the cabinet in the left-hand corner next.

Here a variety of objects was revealed to view, and the examination accordingly occupied a much longer time.

The top drawer contained a complete collection of carpenter's tools in miniature, relics probably of the far-distant time when the Major was a boy, and when parents or friends had made him a present of a set of toy tools. The second drawer was filled with toys of another sort—presents made to Major Fitz-David by his fair friends. Embroidered braces, smart smoking-caps, quaint pincushions, gorgeous slippers, glittering purses, all bore witness to the popularity of the friend of the women. The contents of the third drawer were of a less interesting sort: the entire space was filled with old account-books, ranging over a period of many years. After looking into each book, and opening and shaking it uselessly, in search of any loose papers which might be hidden between the leaves, I came to the fourth drawer, and found more relics of past pecuniary transactions in the shape of receipted bills, neatly tied together, and each inscribed at the back. Among the bills I found nearly a dozen loose papers, all equally unimportant. The fifth drawer was in sad confusion. I took out first a loose bundle of ornamental cards, each containing the list of dishes at past banquets given or attended by the Major in London or Paris; next, a box full of delicately tinted quill pens (evidently a lady's gift); next, a quantity of old invitation cards; next, some dog's-eared French plays and books of the opera; next, a pocket-corkscrew, a bundle of cigarettes, and a bunch of rusty keys; lastly, a passport, a set of luggage labels, a broken silver snuff-box, two cigar-cases, and a torn map of Rome. "Nothing anywhere to interest me," I thought, as I closed the fifth, and opened the sixth and last drawer.

The sixth drawer was at once a surprise and a disappointment. It literally contained nothing but the fragments of a broken vase.

I was sitting, at the time, opposite to the cabinet, in a low chair. In the momentary irritation caused by my discovery of the emptiness of the last drawer, I had just lifted my foot to push it back into its place, when the door communicating with the hall opened, and Major Fitz-David stood before me.

His eyes, after first meeting mine, traveled downward to my foot. The instant he noticed the open drawer I saw a change in his face. It was only for a moment; but in that moment he looked at me with a sudden suspicion and surprise—looked as if he had caught me with my hand on the clew.

"Pray don't let me disturb you," said Major Fitz-David. "I have only come here to ask you a question."

"What is it, Major?"

"Have you met with any letters of mine in the course of your investigations?"

"I have found none yet," I answered. "If I do discover any letters, I shall, of course, not take the liberty of examining them."

"I wanted to speak to you about that," he rejoined. "It only struck me a moment since, upstairs, that my letters might embarrass you. In your place I should feel some distrust of anything which I was not at liberty to examine. I think I can set this matter right, however, with very little trouble to either of us. It is no violation of any promises or pledges on my part if I simply tell you that my letters will not assist the discovery which you are trying to make. You can safely pass them over as objects that are not worth examining from your point of view. You understand me, I am sure?"

"I am much obliged to you, Major—I quite understand."

"Are you feeling any fatigue?"

"None whatever, thank you."

"And you still hope to succeed? You are not beginning to be discouraged already?"

"I am not in the least discouraged. With your kind leave, I mean to persevere for some time yet."

I had not closed the drawer of the cabinet while we were talking, and I glanced carelessly, as I answered him, at the fragments of the broken vase. By this time he had got his feelings under perfect command. He, too, glanced at the fragments of the vase with an appearance of perfect indifference. I remembered the look of suspicion and surprise that had escaped him on entering the room, and I thought his indifference a little overacted.

"That doesn't look very encouraging," he said, with a smile, pointing to the shattered pieces of china in the drawer.

"Appearances are not always to be trusted," I replied. "The wisest thing I can do in my present situation is to suspect everything, even down to a broken vase."

I looked hard at him as I spoke. He changed the subject.

"Does the music upstairs annoy you?" he asked.

"Not in the least, Major."

"It will soon be over now. The singing-master is going, and the Italian master has just arrived. I am sparing no pains to make my young prima donna a most accomplished person. In learning to sing she must also learn the language which is especially the language of music. I shall perfect her in the accent when I take her to Italy. It is the height of my ambition to have her mistaken for an Italian when she sings in public. Is there anything I can do before I leave you again? May I send you some more champagne? Please say yes!"

"A thousand thanks, Major. No more champagne for the present."

He turned at the door to kiss his hand to me at parting. At the same moment I saw his eyes wander slyly toward the book-case. It was only for an instant. I had barely detected him before he was out of the room.

Left by myself again, I looked at the book-case—looked at it attentively for the first time.

It was a handsome piece of furniture in ancient carved oak, and it stood against the wall which ran parallel with the hall of the house. Excepting the space occupied in the upper corner of the room by the second door, which opened into the hall, the book-case filled the whole length of the wall down to the window. The top was ornamented by vases, candelabra, and statuettes, in pairs, placed in a row. Looking along the row, I noticed a vacant space on the top of the bookcase at the extremity of it which was nearest to the window. The opposite extremity, nearest to the door, was occupied by a handsome painted vase of a very peculiar pattern. Where was the corresponding vase, which ought to have been placed at the corresponding extremity of the book-case? I returned to the open sixth drawer of the cabinet, and looked in again. There was no mistaking the pattern on the fragments when I examined them now. The vase which had been broken was the vase which had stood in the place now vacant on the top of the book-case at the end nearest to the window.

Making this discovery, I took out the fragments, down to the smallest morsel of the shattered china, and examined them carefully one after another.

I was too ignorant of the subject to be able to estimate the value of the vase or the antiquity of the vase, or even to know whether it were of British or of foreign manufacture. The ground was of a delicate cream-color. The ornaments traced on this were wreaths of flowers and Cupids surrounding a medallion on either side of the vase. Upon the space within one of the medallions was painted with exquisite delicacy a woman's head, representing a nymph or a goddess, or perhaps a portrait of some celebrated person—I was not learned enough to say which. The other medallion inclosed the head of a man, also treated in the classical style. Reclining shepherds and shepherdesses in Watteau costume, with their dogs and their sheep, formed the adornments of the pedestal. Such had the vase been in the days of its prosperity, when it stood on the top of the book-case. By what accident had it become broken? And why had Major Fitz-David's face changed when he found that I had discovered the remains of his shattered work of art in the cabinet drawer?

The remains left those serious questions unanswered—the remains told me absolutely nothing. And yet, if my own observation of the Major were to be trusted, the way to the clew of which I was in search lay, directly or indirectly, through the broken vase.

It was useless to pursue the question, knowing no more than I knew now. I returned to the book-case.

Thus far I had assumed (without any sufficient reason) that the clew of which I was in search must necessarily reveal itself through a written paper of some sort. It now occurred to me—after the movement which I had detected on the part of the Major—that the clew might quite as probably present itself in the form of a book.

I looked along the lower rows of shelves, standing just near enough to them to read the titles on the backs of the volumes. I saw Voltaire in red morocco, Shakespeare in blue, Walter Scott in green, the "History of England" in brown, the "Annual Register" in yellow calf. There I paused, wearied and discouraged already by the long rows of volumes. How (I thought to myself) am I to examine all these books? And what am I to look for, even if I do examine them all?

Major Fitz-David had spoken of a terrible misfortune which had darkened my husband's past life. In what possible way could any trace of that misfortune, or any suggestive hint of something resembling it, exist in the archives of the "Annual Register" or in the pages of Voltaire? The bare idea of such a thing seemed absurd The mere attempt to make a serious examination in this direction was surely a wanton waste of time.

And yet the Major had certainly stolen a look at the book-case. And again, the broken vase had once stood on the book-case. Did these circumstances justify me in connecting the vase and the book-case as twin landmarks on the way that led to discovery? The question was not an easy one to decide on the spur of the moment.

I looked up at the higher shelves.

Here the collection of books exhibited a greater variety. The volumes were smaller, and were not so carefully arranged as on the lower shelves. Some were bound in cloth, some were only protected by paper covers; one or two had fallen, and lay flat on the shelves. Here and there I saw empty spaces from which books had been removed and not replaced. In short, there was no discouraging uniformity in these higher regions of the book-case. The untidy top shelves looked suggestive of some lucky accident which might unexpectedly lead the way to success. I decided, if I did examine the book-case at all, to begin at the top.

Where was the library ladder?

I had left it against the partition wall which divided the back room from the room in front. Looking that way, I necessarily looked also toward the door that ran in grooves—the imperfectly closed door through which I heard Major Fitz-David question his servant on the subject of my personal appearance when I first entered the house. No one had moved this door during the time of my visit. Everybody entering or leaving the room had used the other door, which led into the hall.

At the moment when I looked round something stirred in the front room. The movement let the light in suddenly through the small open space left by the partially closed door. Had somebody been watching me through the chink? I stepped softly to the door, and pushed it back until it was wide open. There was the Major, discovered in the front room! I saw it in his face—he had been watching me at the book-case!

His hat was in his hand. He was evidently going out; and he dexterously took advantage of that circumstance to give a plausible reason for being so near the door.

"I hope I didn't frighten you," he said.

"You startled me a little, Major."

"I am so sorry, and so ashamed! I was just going to open the door, and tell you that I am obliged to go out. I have received a pressing message from a lady. A charming person—I should so like you to know her. She is in sad trouble, poor thing. Little bills, you know, and nasty tradespeople who want their money, and a husband—oh, dear me, a husband who is quite unworthy of her! A most interesting creature. You remind me of her a little; you both have the same carriage of the head. I shall not be more than half an hour gone. Can I do anything for you? You are looking fatigued. Pray let me send for some more champagne. No? Promise to ring when you want it. That's right! Au revoir, my charming friend—au revoir!"

I pulled the door to again the moment his back was turned, and sat down for a while to compose myself.

He had been watching me at the book-case! The man who was in my husband's confidence, the man who knew where the clew was to be found, had been watching me at the book-case! There was no doubt of it now. Major Fitz-David had shown me the hiding-place of the secret in spite of himself!

I looked with indifference at the other pieces of furniture, ranged against the fourth wall, which I had not examined yet. I surveyed, without the slightest feeling of curiosity, all the little elegant trifles scattered on the tables and on the chimney-piece, each one of which might have been an object of suspicion to me under other circumstances. Even the water-color drawings failed to interest me in my present frame of mind. I observed languidly that they were most of them portraits of ladies—fair idols, no doubt, of the Major's facile adoration—and I cared to notice no more. My business in that room (I was certain of it now!) began and ended with the book-case. I left my seat to fetch the library ladder, determining to begin the work of investigation on the top shelves.

On my way to the ladder I passed one of the tables, and saw the keys lying on it which Major Fitz-David had left at my disposal.

The smaller of the two keys instantly reminded me of the cupboards under the bookcase. I had strangely overlooked these. A vague distrust of the locked doors a vague doubt of what they might be hiding from me, stole into my mind. I left the ladder in its place against the wall, and set myself to examine the contents of the cupboards first.

The cupboards were three in number. As I opened the first of them the singing upstairs ceased. For a moment there was something almost oppressive in the sudden change from noise to silence. I suppose my nerves must have been overwrought. The next sound in the house—nothing more remarkable than the creaking of a man's boots descending the stairs—made me shudder all over. The man was no doubt the singing-master, going away after giving his lesson. I heard the house door close on him, and started at the familiar sound as if it were something terrible which I had never heard before. Then there was silence again. I roused myself as well as I could, and began my examination of the first cupboard.

It was divided into two compartments.

The top compartment contained nothing but boxes of cigars, ranged in rows, one on another. The under compartment was devoted to a collection of shells. They were all huddled together anyhow, the Major evidently setting a far higher value on his cigars than on his shells. I searched this lower compartment carefully for any object interesting to me which might be hidden in it. Nothing was to be found in any part of it besides the shells.

As I opened the second cupboard it struck me that the light was beginning to fail.

I looked at the window: it was hardly evening yet. The darkening of the light was produced by gathering clouds. Rain-drops pattered against the glass; the autumn wind whistled mournfully in the corners of the courtyard. I mended the fire before I renewed my search. My nerves were in fault again, I suppose. I shivered when I went back to the book-case. My hands trembled: I wondered what was the matter with me.

The second cupboard revealed (in the upper division of it) some really beautiful cameos—not mounted, but laid on cotton-wool in neat cardboard trays. In one corner, half hidden under one of the trays, there peeped out the whit e leaves of a little manuscript. I pounced on it eagerly, only to meet with a new disappointment: the manuscript proved to be a descriptive catalogue of the cameos—nothing more!

Turning to the lower division of the cupboard, I found more costly curiosities in the shape of ivory carvings from Japan and specimens of rare silk from China. I began to feel weary of disinterring the Major's treasures. The longer I searched, the farther I seemed to remove myself from the one object that I had it at heart to attain. After closing the door of the second cupboard, I almost doubted whether it would be worth my while to proceed farther and open the third and last door.

A little reflection convinced me that it would be as well, now that I had begun my examination of the lower regions of the book-case, to go on with it to the end. I opened the last cupboard.

On the upper shelf there appeared, in solitary grandeur, one object only—a gorgeously bound book.

It was of a larger size than usual, judging of it by comparison with the dimensions of modern volumes. The binding was of blue velvet, with clasps of silver worked in beautiful arabesque patterns, and with a lock of the same precious metal to protect the book from prying eyes. When I took it up, I found that the lock was not closed.

Had I any right to take advantage of this accident, and open the book? I have put the question since to some of my friends of both sexes. The women all agree that I was perfectly justified, considering the serious interests that I had at stake, in taking any advantage of any book in the Major's house. The men differ from this view, and declare that I ought to have put back the volume in blue velvet unopened, carefully guarding myself from any after-temptation to look at it again by locking the cupboard door. I dare say the men are right.

Being a woman, however, I opened the book without a moment's hesitation.

The leaves were of the finest vellum, with tastefully designed illuminations all round them. And what did these highly ornamental pages contain? To my unutterable amazement and disgust, they contained locks of hair, let neatly into the center of each page, with inscriptions beneath, which proved them to be love-tokens from various ladies who had touched the Major's susceptible heart at different periods of his life. The inscriptions were written in other languages besides English, but they appeared to be all equally devoted to the same curious purpose, namely, to reminding the Major of the dates at which his various attachments had come to an untimely end. Thus the first page exhibited a lock of the lightest flaxen hair, with these lines beneath: "My adored Madeline. Eternal constancy. Alas, July 22, 1839!" The next page was adorned by a darker shade of hair, with a French inscription under it: "Clemence. Idole de mon ame. Toujours fidele. Helas, 2me Avril, 1840." A lock of red hair followed, with a lamentation in Latin under it, a note being attached to the date of dissolution of partnership in this case, stating that the lady was descended from the ancient Romans, and was therefore mourned appropriately in Latin by her devoted Fitz-David. More shades of hair and more inscriptions followed, until I was weary of looking at them. I put down the book, disgusted with the creatures who had assisted in filling it, and then took it up again, by an afterthought. Thus far I had thoroughly searched everything that had presented itself to my notice. Agreeable or not agreeable, it was plainly of serious importance to my own interests to go on as I had begun, and thoroughly to search the book.

I turned over the pages until I came to the first blank leaf. Seeing that they were all blank leaves from this place to the end, I lifted the volume by the back, and, as a last measure of precaution, shook it so as to dislodge any loose papers or cards which might have escaped my notice between the leaves.

This time my patience was rewarded by a discovery which indescribably irritated and distressed me.

A small photograph, mounted on a card, fell out of the book. A first glance showed me that it represented the portraits of two persons.

One of the persons I recognized as my husband.

The other person was a woman.

Her face was entirely unknown to me. She was not young. The picture represented her seated on a chair, with my husband standing behind, and bending over her, holding one of her hands in his. The woman's face was hard-featured and ugly, with the marking lines of strong passions and resolute self-will plainly written on it. Still, ugly as she was, I felt a pang of jealousy as I noticed the familiarly affectionate action by which the artist (with the permission of his sitters, of course) had connected the two figures in a group. Eustace had briefly told me, in the days of our courtship, that he had more than once fancied himself to be in love before he met with me. Could this very unattractive woman have been one of the early objects of his admiration? Had she been near enough and dear enough to him to be photographed with her hand in his? I looked and looked at the portraits until I could endure them no longer. Women are strange creatures—mysteries even to themselves. I threw the photograph from me into a corner of the cupboard. I was savagely angry with my husband; I hated—yes, hated with all my heart and soul!—the woman who had got his hand in hers—the unknown woman with the self-willed, hard-featured face.

All this time the lower shelf of the cupboard was still waiting to be looked over.

I knelt down to examine it, eager to clear my mind, if I could, of the degrading jealousy that had got possession of me.

Unfortunately, the lower shelf contained nothing but relics of the Major's military life, comprising his sword and pistols, his epaulets, his sash, and other minor accouterments. None of these objects excited the slightest interest in me. My eyes wandered back to the upper shelf; and, like the fool I was (there is no milder word that can fitly describe me at that moment), I took the photograph out again, and enraged myself uselessly by another look at it. This time I observed, what I had not noticed before, that there were some lines of writing (in a woman's hand) at the back of the portraits. The lines ran thus:

"To Major Fitz-David, with two vases. From his friends, S. and E. M."

Was one of those two vases the vase that had been broken? And was the change that I had noticed in Major Fitz-David's face produced by some past association in connection with it, which in some way affected me? It might or might not be so. I was little disposed to indulge in speculation on this topic while the far more serious question of the initials confronted me on the back of the photograph.

"S. and E. M.?" Those last two letters might stand for the initials of my husband's name—his true name—Eustace Macallan. In this case the first letter ("S.") in all probability indicated her name. What right had she to associate herself with him in that manner? I considered a little—my memory exerted itself—I suddenly called to mind that Eustace had sisters. He had spoken of them more than once in the time before our marriage. Had I been mad enough to torture myself with jealousy of my husband's sister? It might well be so; "S." might stand for his sister's Christian name. I felt heartily ashamed of myself as this new view of the matter dawned on me. What a wrong I had done to them both in my thoughts! I turned the photograph, sadly and penitently, to examine the portraits again with a kinder and truer appreciation of them.

I naturally looked now for a family likeness between the two faces. There was no family likeness; on the contrary, they were as unlike each other in form and expression as faces could be. Was she his sister, after all? I looked at her hands, as represented in the portrait. Her right hand was clasped by Eustace; her left hand lay on her lap. On the third finger, distinctly visible, there was a wedding-ring. Were any of my husband's sisters married? I had myself asked him the question when he mentioned them to me, and I perfectly remembered that he had replied in the negative.

Was it possible that my first jealous instinct had led me to the right conclusion after all? If it had, what did the association of the three initial letters mean? What did the wedding-ring mean? Good Heavens! was I looking at the portrait of a rival in my husband's affections—and was that rival his Wife?

I threw the photograph from me with a cry of horror. For one terrible moment I felt as if my reason was giving way. I don't know what would have happened, or what I should have done next, if my love for Eustace had not taken the uppermost place among the contending emotions that tortured me. That faithful love steadied my brain. That faithful love roused the reviving influences of my better and nobler sense. Was the man whom I had enshrined in my heart of hearts capable of such base wickedness as the bare idea of his marriage to another woman implied? No! Mine was the baseness, mine the wickedness, in having even for a moment thought it of him!

I picked up the detestable photograph from the floor, and put it back in the book. I hastily closed the cupboard door, fetched the library ladder, and set it against the book-case. My one idea now was the idea of taking refuge in employment of any sort from my own thoughts. I felt the hateful suspicion that had degraded me coming back again in spite of my efforts to repel it. The books! the books! my only hope was to absorb myself, body and soul, in the books.

I had one foot on the ladder, when I heard the door of the room open—the door which communicated with the hall.

I looked around, expecting to see the Major. I saw instead the Major's future prima donna standing just inside the door, with her round eyes steadily fixed on me.

"I can stand a good deal," the girl began, coolly, "but I can't stand this any longer?"

"What is it that you can't stand any longer?" I asked.

"If you have been here a minute, you have been here two good hours," she went on. "All by yourself in the Major's study. I am of a jealous disposition—I am. And I want to know what it means." She advanced a few steps nearer to me, with a heightening color and a threatening look. "Is he going to bring you out on the stage?" she asked, sharply.

"Certainly not."

"He ain't in love with you, is he?"

Under other circumstances I might have told her to leave the room. In my position at that critical moment the mere presence of a human creature was a positive relief to me. Even this girl, with her coarse questions and her uncultivated manners, was a welcome intruder on my solitude: she offered me a refuge from myself.

"Your question is not very civilly put," I said. "However, I excuse you. You are probably not aware that I am a married woman."

"What has that got to do with it?" she retorted. "Married or single, it's all one to the Major. That brazen-faced hussy who calls herself Lady Clarinda is married, and she sends him nosegays three times a week! Not that I care, mind you, about the old fool. But I've lost my situation at the railway, and I've got my own interests to look after, and I don't know what may happen if I let other women come between him and me. That's where the shoe pinches, don't you see? I'm not easy in my mind when I see him leaving you mistress here to do just what you like. No offense! I speak out—I do. I want to know what you are about all by yourself in this room? How did you pick up with the Major? I never heard him speak of you before to-day."

Under all the surface selfishness and coarseness of this strange girl there was a certain frankness and freedom which pleaded in her favor—to my mind, at any rate. I answered frankly and freely on my side.

"Major Fitz-David is an old friend of my husband's," I said, "and he is kind to me for my husband's sake. He has given me permission to look in this room—"

I stopped, at a loss how to describe my employment in terms which should tell her nothing, and which should at the same time successfully set her distrust of me at rest.

"To look about in this room—for what?" she asked. Her eye fell on the library ladder, beside which I was still standing. "For a book?" she resumed.

"Yes," I said, taking the hint. "For a book."

"Haven't you found it yet?"

"No."

She looked hard at me, undisguisedly considering with herself whether I were or were not speaking the truth.

"You seem to be a good sort," she said, making up her mind at last. "There's nothing stuck-up about you. I'll help you if I can. I have rummaged among the books here over and over again, and I know more about them than you do. What book do you want?"

As she put that awkward question she noticed for the first time Lady Clarinda's nosegay lying on the side-table where the Major had left it. Instantly forgetting me and my book, this curious girl pounced like a fury on the flowers, and actually trampled them under her feet!

"There!" she cried. "If I had Lady Clarinda here I'd serve her in the same way."

"What will the Major say?" I asked.

"What do I care? Do you suppose I'm afraid of him? Only last week I broke one of his fine gimcracks up there, and all through Lady Clarinda and her flowers!"

She pointed to the top of the book-case—to the empty space on it close by the window. My heart gave a sudden bound as my eyes took the direction indicated by her finger. She had broken the vase! Was the way to discovery about to reveal itself to me through this girl? Not a word would pass my lips; I could only look at her.

"Yes!" she said. "The thing stood there. He knows how I hate her flowers, and he put her nosegay in the vase out of my way. There was a woman's face painted on the china, and he told me it was the living image of her face. It was no more like her than I am. I was in such a rage that I up with the book I was reading at the time and shied it at the painted face. Over the vase went, bless your heart, crash to the floor. Stop a bit! I wonder whether that's the book you have been looking after? Are you like me? Do you like reading Trials?"

Trials? Had I heard her aright? Yes: she had said Trials.

I answered by an affirmative motion of my head. I was still speechless. The girl sauntered in her cool way to the fire-place, and, taking up the tongs, returned with them to the book-case.

"Here's where the book fell," she said—"in the space between the book-case and the wall. I'll have it out in no time."

I waited without moving a muscle, without uttering a word.

She approached me with the tongs in one hand and with a plainly bound volume in the other.

"Is that the book?" she said. "Open it, and see."

I took the book from her.

"It is tremendously interesting," she went on. "I've read it twice over—I have. Mind you, I believe he did it, after all."

Did it? Did what? What was she talking about? I tried to put the question to her. I struggled—quite vainly—to say only these words: "What are you talking about?"

She seemed to lose all patience with me. She snatched the book out of my hand, and opened it before me on the table by which we were standing side by side.

"I declare, you're as helpless as a baby!" she said, contemptuously. "There! Is that the book?"

I read the first lines on the title-page—

A COMPLETE REPORT OF THE TRIAL OF EUSTACE MACALLAN.



I stopped and looked up at her. She started back from me with a scream of terror. I looked down again at the title-page, and read the next lines—

FOR THE ALLEGED POISONING OF HIS WIFE.

There, God's mercy remembered me. There the black blank of a swoon swallowed me up.



CHAPTER XI. THE RETURN TO LIFE.

My first remembrance when I began to recover my senses was the remembrance of Pain—agonizing pain, as if every nerve in my body were being twisted and torn out of me. My whole being writhed and quivered under the dumb and dreadful protest of Nature against the effort to recall me to life. I would have given worlds to be able to cry out—to entreat the unseen creatures about me to give me back to death. How long that speechless agony held me I never knew. In a longer or shorter time there stole over me slowly a sleepy sense of relief. I heard my own labored breathing. I felt my hands moving feebly and mechanically, like the hands of a baby. I faintly opened my eyes and looked round me—as if I had passed through the ordeal of death, and had awakened to new senses in a new world.

The first person I saw was a man—a stranger. He moved quietly out of my sight; beckoning, as he disappeared, to some other person in the room.

Slowly and unwillingly the other person advanced to the sofa on which I lay. A faint cry of joy escaped me; I tried to hold out my feeble hands. The other person who was approaching me was my husband!

I looked at him eagerly. He never looked at me in return. With his eyes on the ground, with a strange appearance of confusion and distress in his face, he too moved away out of my sight. The unknown man whom I had first noticed followed him out of the room. I called after him faintly, "Eustace!" He never answered; he never returned. With an effort I moved my head on the pillow, so as to look round on the other side of the sofa. Another familiar face appeared before me as if in a dream. My good old Benjamin was sitting watching me, with the tears in his eyes.

He rose and took my hand silently, in his simple, kindly way.

"Where is Eustace?" I asked. "Why has he gone away and left me?"

I was still miserably weak. My eyes wandered mechanically round the room as I put the question. I saw Major Fitz-David, I saw the table on which the singing girl had opened the book to show it to me. I saw the girl herself, sitting alone in a corner, with her handkerchief to her eyes as if she were crying. In one mysterious moment my memory recovered its powers. The recollection of that fatal title-page came back to me in all its horror. The one feeling that it roused in me now was a longing to see my husband—to throw myself into his arms, and tell him how firmly I believed in his innocence, how truly and dearly I loved him. I seized on Benjamin with feeble, trembling hands. "Bring him back to me!" I cried, wildly. "Where is he? Help me to get up!"

A strange voice answered, firmly and kindly: "Compose yourself, madam. Mr. Woodville is waiting until you have recovered, in a room close by."

I looked at him, and recognized the stranger who had followed my husband out of the room. Why had he returned alone? Why was Eustace not with me, like the rest of them? I tried to raise myself, and get on my feet. The stranger gently pressed me back again on the pillow. I attempted to resist him—quite uselessly, of course. His firm hand held me as gently as ever in my place.

"You must rest a little," he said. "You must take some wine. If you exert yourself now you will faint again."

Old Benjamin stooped over me, and whispered a word of explanation.

"It's the doctor, my dear. You must do as he tells you."

The doctor! They had called the doctor in to help them! I began dimly to understand that my fainting fit must have presented symptoms far more serious than the fainting fits of women in general. I appealed to the doctor, in a helpless, querulous way, to account to me for my husband's extraordinary absence.

"Why did you let him leave the room?" I asked. "If I can't go to him, why don't you bring him here to me?"

The doctor appeared to be at a loss how to reply to me. He looked at Benjamin, and said, "Will you speak to Mrs. Woodville?"

Benjamin, in his turn, looked at Major Fitz-David, and said, "Will you?" The Major signed to them both to leave us. They rose together, and went into the front room, pulling the door to after them in its grooves. As they left us, the girl who had so strangely revealed my husband's secret to me rose in her corner and approached the sofa.

"I suppose I had better go too?" she said, addressing Major Fitz-David.

"If you please," the Major answered.

He spoke (as I thought) rather coldly. She tossed her head, and turned her back on him in high indignation. "I must say a word for myself!" cried this strange creature, with a hysterical outbreak of energy. "I must say a word, or I shall burst!"

With that extraordinary preface, she suddenly turned my way and poured out a perfect torrent of words on me.

"You hear how the Major speaks to me?" she began. "He blames me—poor Me—for everything that has happened. I am as innocent as the new-born babe. I acted for the best. I thought you wanted the book. I don't know now what made you faint dead away when I opened it. And the Major blames Me! As if it was my fault! I am not one of the fainting sort myself; but I feel it, I can tell you. Yes! I feel it, though I don't faint about it. I come of respectable parents—I do. My name is Hoighty—Miss Hoighty. I have my own self-respect; and it's wounded. I say my self-respect is wounded, when I find myself blamed without deserving it. You deserve it, if anybody does. Didn't you tell me you were looking for a book? And didn't I present it to you promiscuously, with the best intentions? I think you might say so yourself, now the doctor has brought you to again. I think you might speak up for a poor girl who is worked to death with singing and languages and what not—a poor girl who has nobody else to speak for her. I am as respectable as you are, if you come to that. My name is Hoighty. My parents are in business, and my mamma has seen better days, and mixed in the best of company."

There Miss Hoighty lifted her handkerchief again to her face, and burst modestly into tears behind it.

It was certainly hard to hold her responsible for what had happened. I answered as kindly as I could, and I attempted to speak to Major Fitz-David in her defense. He knew what terrible anxieties were oppressing me at that moment; and, considerately refusing to hear a word, he took the task of consoling his young prima donna entirely on himself. What he said to her I neither heard nor cared to hear: he spoke in a whisper. It ended in his pacifying Miss Hoighty, by kissing her hand, and leading her (as he might have led a duchess) out of the room.

"I hope that foolish girl has not annoyed you—at such a time as this," he said, very earnestly, when he returned to the sofa. "I can't tell you how grieved I am at what has happened. I was careful to warn you, as you may remember. Still, if I could only have foreseen—"

I let him proceed no further. No human forethought could have provided against what had happened. Besides, dreadful as the discovery had been, I would rather have made it, and suffered under it, as I was suffering now, than have been kept in the dark. I told him this. And then I turned to the one subject that was now of any interest to me—the subject of my unhappy husband.

"How did he come to this house?" I asked.

"He came here with Mr. Benjamin shortly after I returned," the Major replied.

"Long after I was taken ill?"

"No. I had just sent for the doctor—feeling seriously alarmed about you."

"What brought him here? Did he return to the hotel and miss me?"

"Yes. He returned earlier than he had anticipated, and he felt uneasy at not finding you at the hotel."

"Did he suspect me of being with you? Did he come here from the hotel?"

"No. He appears to have gone first to Mr. Benjamin to inquire about you. What he heard from your old friend I cannot say. I only know that Mr. Benjamin accompanied him when he came here."

This brief explanation was quite enough for me—I understood what had happened. Eustace would easily frighten simple old Benjamin about my absence from the hotel; and, once alarmed, Benjamin would be persuaded without difficulty to repeat the few words which had passed between us on the subject of Major Fitz-David. My husband's presence in the Major's house was perfectly explained. But his extraordinary conduct in leaving the room at the very time when I was just recovering my senses still remained to be accounted for. Major Fitz-David looked seriously embarrassed when I put the question to him.

"I hardly know how to explain it to you," he said. "Eustace has surprised and disappointed me."

He spoke very gravely. His looks told me more than his words: his looks alarmed me.

"Eustace has not quarreled with you?" I said.

"Oh no!"

"He understands that you have not broken your promise to him?"

"Certainly. My young vocalist (Miss Hoighty) told the doctor exactly what had happened; and the doctor in her presence repeated the statement to your husband."

"Did the doctor see the Trial?"

"Neither the doctor nor Mr. Benjamin has seen the Trial. I have locked it up; and I have carefully kept the terrible story of your connection with the prisoner a secret from all of them. Mr. Benjamin evidently has his suspicions. But the doctor has no idea, and Miss Hoighty has no idea, of the true cause of your fainting fit. They both believe that you are subject to serious nervous attacks, and that your husband's name is really Woodville. All that the truest friend could do to spare Eustace I have done. He persists, nevertheless, in blaming me for letting you enter my house. And worse, far worse than this, he persists in declaring the event of to-day has fatally estranged you from him. 'There is an end of our married life,' he said to me, 'now she knows that I am the man who was tried at Edinburgh for poisoning my wife!"'

I rose from the sofa in horror.

"Good God!" I cried, "does Eustace suppose that I doubt his innocence?"

"He denies that it is possible for you or for anybody to believe in his innocence," the Major replied.

"Help me to the door," I said. "Where is he? I must and will see him!"

I dropped back exhausted on the sofa as I said the words. Major Fitz-David poured out a glass of wine from the bottle on the table, and insisted on my drinking it.

"You shall see him," said the Major. "I promise you that. The doctor has forbidden him to leave the house until you have seen him. Only wait a little! My poor, dear lady, wait, if it is only for a few minutes, until you are stronger."

I had no choice but to obey him. Oh, those miserable, helpless minutes on the sofa! I cannot write of them without shuddering at the recollection—even at this distance of time.

"Bring him here!" I said. "Pray, pray bring him here!"

"Who is to persuade him to come back?" asked the Major, sadly. "How can I, how can anybody, prevail with a man—a madman I had almost said!—who could leave you at the moment when you first opened your eyes on him? I saw Eustace alone in the next room while the doctor was in attendance on you. I tried to shake his obstinate distrust of your belief in his innocence and of my belief in his innocence by every argument and every appeal that an old friend could address to him. He had but one answer to give me. Reason as I might, and plead as I might, he still persisted in referring me to the Scotch Verdict."

"The Scotch Verdict?" I repeated. "What is that?"

The Major looked surprised at the question.

"Have you really never heard of the Trial?" he said.

"Never."

"I thought it strange," he went on, "when you told me you had found out your husband's true name, that the discovery appeared to have suggested no painful association to your mind. It is not more than three years since all England was talking of your husband. One can hardly wonder at his taking refuge, poor fellow, in an assumed name. Where could you have been at the time?"

"Did you say it was three years ago?" I asked.

"Yes."

"I think I can explain my strange ignorance of what was so well known to every one else. Three years since my father was alive. I was living with him in a country-house in Italy—up in the mountains, near Sienna. We never saw an English newspaper or met with an English traveler for weeks and weeks together. It is just possible that there might have been some reference made to the Trial in my father's letters from England. If there were, he never told me of it. Or, if he did mention the case, I felt no interest in it, and forgot it again directly. Tell me—what has the Verdict to do with my husband's horrible doubt of us? Eustace is a free man. The Verdict was Not Guilty, of course?"

Major Fitz-David shook his head sadly.

"Eustace was tried in Scotland," he said. "There is a verdict allowed by the Scotch law, which (so far as I know) is not permitted by the laws of any other civilized country on the face of the earth. When the jury are in doubt whether to condemn or acquit the prisoner brought before them, they are permitted, in Scotland, to express that doubt by a form of compromise. If there is not evidence enough, on the one hand, to justify them in finding a prisoner guilty, and not evidence enough, on the other hand, to thoroughly convince them that a prisoner is innocent, they extricate themselves from the difficulty by finding a verdict of Not Proven."

"Was that the Verdict when Eustace was tried?" I asked.

"Yes."

"The jury were not quite satisfied that my husband was guilty? and not quite satisfied that my husband was innocent? Is that what the Scotch Verdict means?"

"That is what the Scotch Verdict means. For three years that doubt about him in the minds of the jury who tried him has stood on public record."

Oh, my poor darling! my innocent martyr! I understood it at last. The false name in which he had married me; the terrible words he had spoken when he had warned me to respect his secret; the still more terrible doubt that he felt of me at that moment—it was all intelligible to my sympathies, it was all clear to my understanding, now. I got up again from the sofa, strong in a daring resolution which the Scotch Verdict had suddenly kindled in me—a resolution at once too sacred and too desperate to be confided, in the first instance, to any other than my husband's ear.

"Take me to Eustace!" I cried. "I am strong enough to bear anything now."

After one searching look at me, the Major silently offered me his arm, and led me out of the room.



CHAPTER XII. THE SCOTCH VERDICT.

We walked to the far end of the hall. Major Fitz-David opened the door of a long, narrow room built out at the back of the house as a smoking-room, and extending along one side of the courtyard as far as the stable wall.

My husband was alone in the room, seated at the further end of it, near the fire-place. He started to his feet and faced me in silence as I entered. The Major softly closed the door on us and retired. Eustace never stirred a step to meet me. I ran to him, and threw my arms round his neck and kissed him. The embrace was not returned; the kiss was not returned. He passively submitted—nothing more.

"Eustace!" I said, "I never loved you more dearly than I love you at this moment! I never felt for you as I feel for you now!"

He released himself deliberately from my arms. He signed to me with the mechanical courtesy of a stranger to take a chair.

"Thank you, Valeria," he answered, in cold, measured tones. "You could say no less to me, after what has happened; and you could say no more. Thank you."

We were standing before the fire-place. He left me, and walked away slowly with his head down, apparently intending to leave the room.

I followed him—I got before him—I placed myself between him and the door.

"Why do you leave me?" I said. "Why do you speak to me in this cruel way? Are you angry, Eustace? My darling, if you are angry, I ask you to forgive me."

"It is I who ought to ask your pardon," he replied. "I beg you to forgive me, Valeria, for having made you my wife."

He pronounced those words with a hopeless, heart-broken humility dreadful to see. I laid my hand on his bosom. I said, "Eustace, look at me."

He slowly lifted his eyes to my face—eyes cold and clear and tearless—looking at me in steady resignation, in immovable despair. In the utter wretchedness of that moment, I was like him; I was as quiet and as cold as my husband. He chilled, he froze me.

"Is it possible," I said, "that you doubt my belief in your innocence?"

He left the question unanswered. He sighed bitterly to himself. "Poor woman!" he said, as a stranger might have said, pitying me. "Poor woman!"

My heart swelled in me as if it would burst. I lifted my hand from his bosom, and laid it on his shoulder to support myself.

"I don't ask you to pity me, Eustace; I ask you to do me justice. You are not doing me justice. If you had trusted me with the truth in the days when we first knew that we loved each other—if you had told me all, and more than all that I know now—as God is my witness I would still have married you! Now do you doubt that I believe you are an innocent man!"

"I don't doubt it," he said. "All your impulses are generous, Valeria. You are speaking generously and feeling generously. Don't blame me, my poor child, if I look on further than you do: if I see what is to come—too surely to come—in the cruel future."

"The cruel future!" I repeated. "What do you mean?"

"You believe in my innocence, Valeria. The jury who tried me doubted it—and have left that doubt on record. What reason have you for believing, in the face of the Verdict, that I am an innocent man?"

"I want no reason! I believe in spite of the jury—in spite of the Verdict."

"Will your friends agree with you? When your uncle and aunt know what has happened—and sooner or later they must know it—what will they say? They will say, 'He began badly; he concealed from our niece that he had been wedded to a first wife; he married our niece under a false name. He may say he is innocent; but we have only his word for it. When he was put on his Trial, the Verdict was Not Proven. Not Proven won't do for us. If the jury have done him an injustice—if he is innocent—let him prove it.' That is what the world thinks and says of me. That is what your friends will think and say of me. The time is coming, Valeria, when you—even You—will feel that your friends have reason to appeal to on their side, and that you have no reason on yours."

"That time will never come!" I answered, warmly. "You wrong me, you insult me, in thinking it possible!"

He put down my hand from him, and drew back a step, with a bitter smile.

"We have only been married a few days, Valeria. Your love for me is new and young. Time, which wears away all things, will wear away the first fervor of that love."

"Never! never!"

He drew back from me a little further still.

"Look at the world around you," he said. "The happiest husbands and wives have their occasional misunderstandings and disagreements; the brightest married life has its passing clouds. When those days come for us, the doubts and fears that you don't feel now will find their way to you then. When the clouds rise in our married life—when I say my first harsh word, when you make your first hasty reply—then, in the solitude of your own room, in the stillness of the wakeful night, you will think of my first wife's miserable death. You will remember that I was held responsible for it, and that my innocence was never proved. You will say to yourself, 'Did it begin, in her time, with a harsh word from him and with a hasty reply from her? Will it one day end with me as the jury half feared that it ended with her?' Hideous questions for a wife to ask herself! You will stifle them; you will recoil from them, like a good woman, with horror. But when we meet the next morning you will be on your guard, and I shall see it, and know in my heart of hearts what it means. Imbittered by that knowledge, my next harsh word may be harsher still. Your next thoughts of me may remind you more vividly and more boldly that your husband was once tried as a poisoner, and that the question of his first wife's death was never properly cleared up. Do you see what materials for a domestic hell are mingling for us here? Was it for nothing that I warned you, solemnly warned you, to draw back, when I found you bent on discovering the truth? Can I ever be at your bedside now, when you are ill, and not remind you, in the most innocent things I do, of what happened at that other bedside, in the time of that other woman whom I married first? If I pour out your medicine, I commit a suspicious action—they say I poisoned her in her medicine. If I bring you a cup of tea, I revive the remembrance of a horrid doubt—they said I put the arsenic in her cup of tea. If I kiss you when I leave the room, I remind you that the prosecution accused me of kissing her, to save appearances and produce an effect on the nurse. Can we live together on such terms as these? No mortal creatures could support the misery of it. This very day I said to you, 'If you stir a step further in this matter, there is an end of your happiness for the rest of your life.' You have taken that step and the end has come to your happiness and to mine. The blight that cankers and kills is on you and on me for the rest of our lives!"