THE LADY OF LYONS

or, LOVE AND PRIDE



By Edward Bulwer Lytton

To the author of "Ion."

Whose genius and example have alike contributed towards the regeneration of The National Drama,

This play is inscribed.



PREFACE.

An indistinct recollection of the very pretty little tale, called "The Bellows-Mender," suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast.

Having long had a wish to illustrate certain periods of the French history, so, in the selection of the date in which the scenes of this play are laid, I saw that the era of the Republic was that in which the incidents were rendered most probable, in which the probationary career of the hero could well be made sufficiently rapid for dramatic effect, and in which the character of the time itself was depicted by the agencies necessary to the conduct of the narrative. For during the early years of the first and most brilliant successes of the French Republic, in the general ferment of society, and the brief equalization of ranks, Claude's high-placed love; his ardent feelings, his unsettled principles (the struggle between which makes the passion of this drama), his ambition, and his career, were phenomena that characterized the age, and in which the spirit of the nation went along with the extravagance of the individual.

The play itself was composed with a twofold object. In the first place, sympathizing with the enterprise of Mr. Macready, as Manager of Covent Garden, and believing that many of the higher interests of the Drama were involved in the success or failure of an enterprise equally hazardous and disinterested, I felt, if I may so presume to express myself, something of the Brotherhood of Art; and it was only for Mr. Macready to think it possible that I might serve him in order to induce me to make the attempt.

Secondly, in that attempt I was mainly anxious to see whether or not, after the comparative failure on the stage of "The Duchess de la Valliere," certain critics had truly declared that it was not in my power to attain the art of dramatic construction and theatrical effect. I felt, indeed, that it was in this that a writer, accustomed to the narrative class of composition, would have the most both to learn and unlearn. Accordingly, it was to the development of the plot and the arrangement of the incidents that I directed my chief attention;—and I sought to throw whatever belongs to poetry less into the diction and the "felicity of words" than into the construction of the story, the creation of the characters, and the spirit of the pervading sentiment.

The authorship of the play was neither avowed nor suspected until the play had established itself in public favor. The announcement of my name was the signal for attacks, chiefly political, to which it is now needless to refer. When a work has outlived for some time the earlier hostilities of criticism, there comes a new race of critics to which a writer may, for the most part, calmly trust for a fair consideration, whether of the faults or the merits of his performance.



DRAMATIS PERSONAE.

BEAUSEANT, a rich gentleman of Lyons, in love with, and refused by, Pauline Deschappelles MR. ELTON.

GLAVIS, his friend, also a rejected suitor to Pauline MR. MEADOWS.

COLONEL (afterwards General) DAMAS, cousin to Mme. Deschappelles, and an officer in the French army MR. BARTLEY.

MONSIEUR DESCHAPPELLES, a Lyonnese merchant father to Pauline MR. STRICKLAND.

GASPAR MR. DIDDEAR.

CLAUDE MELNOTTE MR. MACREADY.

FIRST OFFICER MR. HOWE.

SECOND OFFICER MR. PRITCHARD.

THIRD OFFICER MR. ROBERTS.

Servants, Notary, etc.

MADAME DESCHAPPELLES MRS. W. CLIFFORD.

PAULINE, her daughter MISS HELEN FAUCIT.

THE WIDOW MELNOTTE, mother to Claude MRS. GRIFFITH.

JANET, the innkeeper's daughter MRS. EAST.

MARIAN, maid to Pauline MISS GARRICK.

Scene—Lyons and the neighborhood.

Time—1795-1798

First performed on Thursday, the 15th of February, 1838, at Covent Garden Theatre.



THE LADY OF LYONS;

or,

LOVE AND PRIDE.



ACT I.—SCENE I.

A room in the house of M. DESCHAPPELLES, at Lyons. PAULINE reclining on a sofa; MARIAN, her maid, fanning her—Flowers and notes on a table beside the sofa—MADAME DESCHAPPELLES seated—The gardens are seen from the open window.

Mme. Deschap. Marian, put that rose a little more to the left.—[MARIAN alters the position of a rose in PAULINE's hair.]—Ah, so!—that improves the hair,—the tournure, the j'e ne sais quoi!—You are certainly very handsome, child!—quite my style;—I don't wonder that you make such a sensation!—Old, young, rich, and poor, do homage to the Beauty of Lyons!—Ah, we live again in our children,—especially when they have our eyes and complexion!

Pauline [languidly]. Dear mother, you spoil your Pauline!—[Aside.] I wish I knew who sent me these flowers!

Mme. Deschap. No, child!—If I praise you, it is only to inspire you with a proper ambition.—You are born to make a great marriage.—Beauty is valuable or worthless according as you invest the property to the best advantage. Marian, go and order the carriage! [Exit MARIAN.

Pauline. Who can it be that sends me, every day, these beautiful flowers?—how sweet they are!

Enter Servant.

Servant. Monsieur Beauseant, Madam.

Mme. Deschap. Let him enter. Pauline, this is another offer!—I know it is!—Your father should engage an additional clerk to keep the account-book of your conquests.

Enter BEAUSEANT.

Beau. Ah, ladies how fortunate I am to find you at home!—[Aside.] How lovely she looks!—It is a great sacrifice I make in marrying into a family in trade!—they will be eternally grateful!—[Aloud.] Madam, you will permit me a word with your charming daughter.—[Approaches PAULINE, who rises disdainfully.]—Mademoiselle, I have ventured to wait upon you, in a hope that you must long since have divined. Last night, when you outshone all the beauty of Lyons, you completed your conquest over me! You know that my fortune is not exceeded by any estate in the province,—you know that, but for the Revolution, which has defrauded me of my titles, I should be noble. May I, then, trust that you will not reject my alliance? I offer you my hand and heart.

Pauline [aside.] He has the air of a man who confers a favor!—[Aloud.] Sir, you are very condescending—I thank you humbly; but, being duly sensible of my own demerits, you must allow me to decline the honor you propose. [Curtsies, and turns away.

Beau. Decline! Impossible!—you are not serious!—Madam, suffer me to appeal to you. I am a suitor for your daughter's hand—the settlements shall be worthy of her beauty and my station. May I wait on M. Deschappelles?

Mme. Deschap. M. Deschappelles never interferes in the domestic arrangements,—you are very obliging. If you were still a marquis, or if my daughter were intended to marry a commoner,—why, perhaps, we might give you the preference.

Beau. A commoner!—we are all commoners in France now.

Mme. Deschap. In France, yes; but there is a nobility still left in the other countries in Europe. We are quite aware of your good qualities, and don't doubt that you will find some lady more suitable to your pretensions. We shall be always happy to see you as an acquaintance, M. Beauseant!—My dear child, the carriage will be here presently.

Beau. Say no more, madam!—say no more!—[Aside.] Refused! and by a merchant's daughter!—refused! It will be all over Lyons before sunset!—I will go and bury myself in my chateau, study philosophy, and turn woman-hater. Refused! they ought to be sent to a madhouse!— Ladies, I have the honor to wish you a very good morning. [Exit.

Mme. Deschap. How forward these men are!—I think, child, we kept up our dignity. Any girl, however inexperienced, knows how to accept an offer, but it requires a vast deal of address to refuse one with proper condescension and disdain. I used to practise it at school with the dancing-master.

Enter DAMAS.

Damas. Good morning, cousin Deschappelles.—Well, Pauline, are you recovered from last night's ball?—So many triumphs must be very fatiguing. Even M. Glavis sighed most piteously when you departed; but that might be the effect of the supper.

Pauline. M. Glavis, indeed!

Mme. Deschap. M. Glavis?—as if my daughter would think of M. Glavis!

Damas. Hey-day!—why not?—His father left him a very pretty fortune, and his birth is higher than yours, cousin Deschappelles. But perhaps you are looking to M. Beauseant,—his father was a marquis before the Revolution.

Pauline. M. Beauseant!—Cousin, you delight in tormenting me!

Mme. Deschap. Don't mind him, Pauline!—Cousin Damas, you have no susceptibility of feeling,—there is a certain indelicacy in all your ideas.—M. Beauseant knows already that he is no match for my daughter!

Damas. Pooh! pooh! one would think you intended your daughter to marry a prince!

Mme. Deschap. Well, and if I did?—what then?—Many a foreign prince—

Damas [interrupting her]. Foreign prince!—foreign fiddlestick!—you ought to be ashamed of such nonsense at your time of life.

Mme. Deschap. My time of life!—That is an expression never applied to any lady till she is sixty-nine and three-quarters;—and only then by the clergyman of the parish.

Enter Servant.

Servant. Madame, the carriage is at the door. [Exit.

Mme. Deschap. Come, child, put on your bonnet—you really have a very thorough-bred air—not at all like your poor father.—[Fondly]. Ah, you little coquette! when a young lady is always making mischief, it is a sure sign that she takes after her mother!

Pauline. Good day, cousin Damas—and a better humor to you.—[Going back to the table and taking the flowers]. Who could have sent me these flowers? [Exeunt PAULINE and MADAME DESCHAPPELLES.

Damas. That would be an excellent girl if her head had not been turned. I fear she is now become incorrigible! Zounds, what a lucky fellow I am to be still a bachelor! They may talk of the devotion of the sex—but the most faithful attachment in life is that of a woman in love—with herself. [Exit.

SCENE II.

The exterior of a small Village Inn—sign, the Golden Lion—A few leagues from Lyons, which is seen at a distance.

Beau. [behind the scenes.] Yes, you may bait the horses; we shall rest here an hour.

Enter BEAUSEANT and GLAVIS.

Gla. Really, my dear Beauseant, consider that I have promised to spend a day or two with you at your chateau, that I am quite at your mercy for my entertainment,—and yet you are as silent and as gloomy as a mute at a funeral, or an Englishman at a party of pleasure.

Beau. Bear with me!—the fact is that I am miserable.

Gla. You—the richest and gayest bachelor in Lyons?

Beau. It is because I am a bachelor that I am miserable.—Thou knowest Pauline—the only daughter of the rich merchant, Mons. Deschappelles?

Gla. Know her?—who does not?—as pretty as Venus, and as proud as Juno.

Beau. Her taste is worse than her pride.—[Drawing himself up.] Know, Glavis, she has actually refused me!

Gla. [aside]. So she has me!—very consoling! In all cases of heart-ache, the application of another man's disappointment draws out the pain and allays the irritation.—[Aloud.] Refused you! and wherefore?

Beau. I know not, unless it be because the Revolution swept away my father's title of Marquis,—and she will not marry a commoner. Now, as we have no noblemen left in France,—as we are all citizens and equals, she can only hope that, in spite of the war, some English Milord or German Count will risk his life, by coming to Lyons, that this fille du Roturier may condescend to accept him. Refused me, and with scorn!—By Heaven, I'll not submit to it tamely:—I'm in a perfect fever of mortification and rage.—Refuse me, indeed!

Gla. Be comforted, my dear fellow,—I will tell you a secret. For the same reason she refused ME!

Beau. You!—that's a very different matter! But give me your hand, Glavis,—we'll think of some plan to humble her. Mille diables! I should like to see her married to a strolling player!

Enter Landlord and his Daughter from the Inn.

Land. Your servant, citizen Beauseant,—servant, Sir. Perhaps you will take dinner before you proceed to your chateau; our larder is most plentifully supplied.

Beau. I have no appetite.

Gla. Nor I. Still it is bad travelling on an empty stomach. What have you got? [Takes and looks over the bill of fare.]

[Shout without.] "Long live the Prince!—Long live the Prince!"

Beau. The Prince!—what Prince is that? I thought we had no princes left in France.

Land. Ha, ha! the lads always call him Prince. He has just won the prize in the shooting-match, and they are taking him home in triumph.

Beau. Him! and who's Mr. Him?

Land. Who should he be but the pride of the village, Claude Melnotte?—Of course you have heard of Claude Melnotte?

Gla. [giving back the bill of fare.] Never had that honor. Soup—ragout of hare—roast chicken, and, in short, all you have!

Beau. The son of old Alelnotte, the gardener?

Land. Exactly so—a wonderful young man.

Beau. How, wonderful?—Are his cabbages better than other people's

Land. Nay, he don't garden any more; his father left him well off. He's only a genus.

Gla. A what?

Land. A genus!—a man who can do everything in life except anything that's useful—that's a genus.

Beau. You raise my curiosity;—proceed.

Land. Well, then, about four years ago, old Melnotte died, and left his son well to do in the world. We then all observed that a great change came over young Claude: he took to reading and Latin, and hired a professor from Lyons, who had so much in his head that he was forced to wear a great full-bottom wig to cover it. Then he took a fencing-master, and a dancing-master, and a music-master; and then he learned to paint; and at last it was said that young Claude was to go to Paris, and set up for a painter. The lads laughed at him at first; but he is a stout fellow, is Claude, and as brave as a lion, and soon taught them to laugh the wrong side of their mouths; and now all the boys swear by him, and all the girls pray for him.

Beau. A promising youth, certainly! And why do they call him Prince?

Land. Partly because he is at the head of them all, and partly because he has such a proud way with him, and wears such fine clothes—and, in short, looks like a prince.

Beau. And what could have turned the foolish fellow's brain? The Revolution, I suppose?

Land. Yes—the revolution that turns us all topsy-turvy—the revolution of Love.

Beau. Romantic young Corydon! And with whom is he in love?

Land. Why—but it is a secret, gentlemen.

Beau. Oh! certainly.

Land. Why, then, I hear from his mother, good soul! that it is no less a person than the Beauty of Lyons, Pauline Deschappelles.

Beau. and Glavis. Ha, ha!—Capital!

Land. You may laugh, but it is as true as I stand here.

Beau. And what does the Beauty of Lyons say to his suit?

Land. Lord, sir, she never even condescended to look at him, though when he was a boy he worked in her father's garden.

Beau. Are you sure of that?

Land. His mother says that Mademoiselle does not know him by sight.

Beau. [taking Glavis aside]. I have hit it,—I have it; here is our revenge! Here is a prince for our haughty damsel. Do you take me?

Gla. Deuce take me if I do!

Beau. Blockhead!—it's as clear as a map. What if we could make this elegant clown pass himself off as a foreign prince?—lend him money, clothes, equipage for the purpose?—make him propose to Pauline?—marry Pauline? Would it not be delicious?

Gla. Ha, ha!—Excellent! But how shall we support the necessary expenses of his highness?

Beau. Pshaw! Revenge is worth a much larger sacrifice than a few hundred louis;—as for details, my valet is the trustiest fellow, in the world, and shall have the appointment of his highness's establishment. Let's go to him at once, and see if he be really this Admirable Crichton.

Gla. With all my heart;—but the dinner?

Beau. Always thinking of dinner! Hark ye, landlord; how far is it to young Melnotte's cottage? I should like to see such a prodigy.

Land. Turn down the lane,—then strike across the common,—and you will see his mother's cottage.

Beau. True, he lives with his mother.—[Aside.] We will not trust to an old woman's discretion; better send for him hither. I'll just step in and write a note. Come, Glavis.

Gla. Yes,—Beauseant, Glavis, and Co., manufacturers of princes, wholesale and retail,—an uncommonly genteel line of business. But why so grave?

Beau. You think only of the sport,—I of the revenge. [Exeunt within the Inn.

SCENE III.

The interior of MELNOTTE'S cottage; flowers placed here and there; a guitar on an oaken table, with a portfolio, etc.; a picture on an easel, covered by a curtain; fencing foils crossed over the mantelpiece; an attempt at refinement in site of the homeliness of the furniture, etc.; a staircase to the right conducts to the upper story.

[Shout without]. "Long live Claude Melnotte!" "Long live the Prince!"

The Widow Mel. Hark!—there's my dear son;—carried off the prize, I'm sure; and now he'll want to treat them all.

Claude Mel. [opening the door]. What! you will not come in, my friends! Well, well, there's a trifle to make merry elsewhere. Good day to you all,—good day!

[Shout]. "Hurrah! Long live Prince Claude!"

Enter CLAUDE MELNOTTE, with a rifle in his hand.

Mel. Give me joy, dear mother!—I've won the prize!—never missed one shot! Is it not handsome, this gun?

Widow. Humph!—Well, what is it worth, Claude?

Mel. Worth! What is a riband worth to a soldier? Worth! everything! Glory is priceless!

Widow. Leave glory to great folks. Ah! Claude, Claude, castles in the air cost a vast deal to keep up! How is all this to end? What good does it do thee to learn Latin, and sing songs, and play on the guitar, and fence, and dance, and paint pictures? All very fine; but what does it bring in?

Mel. Wealth! wealth, my mother! Wealth to the mind—wealth to the heart—high thoughts—bright dreams—the hope of fame—the ambition to be worthier to love Pauline.

Widow. My poor son!—The young lady will never think of thee.

Mel. Do the stars think of us? Yet if the prisoner see them shine into his dungeon, wouldst thou bid him turn away from their lustre? Even so from this low cell, poverty, I lift my eyes to Pauline and forget my chains.—[Goes to the picture and draws aside the curtain.]

See, this is her image—painted from memory. Oh, how the canvas wrongs her!—[Takes up the brush and throws it aside.] I shall never be a painter! I can paint no likeness but one, and that is above all art. I would turn soldier—France needs soldiers! But to leave the air that Pauline breathes! What is the hour?—so late? I will tell thee a secret, mother. Thou knowest that for the last six weeks I have sent every day the rarest flowers to Pauline?—she wears them. I have seen them on her breast. Ah, and then the whole universe seemed filled with odors! I have now grown more bold—I have poured my worship into poetry—I have sent the verses to Pauline—I have signed them with my own name. My messenger ought to—be back by this time. I bade him wait for the answer.

Widow. And what answer do you expect, Claude?

Mel. That which the Queen of Navarre sent to the poor troubadour:—"Let me see the Oracle that can tell nations I am beautiful!" She will admit me. I shall hear her speak—I shall meet her eyes—I shall read upon her cheek the sweet thoughts that translate themselves into blushes. Then—then, oh, then—she may forget that I am the peasant's son!.

Widow. Nay, if she will but hear thee talk, Claude?

Mel. I foresee it all. She will tell me that desert is the true rank. She will give me a badge—a flower—a glove! Oh rapture! I shall join the armies of the republic—I shall rise—I shall win a name that beauty will not blush to hear. I shall return with the right to say to her—"See, how love does not level the proud, but raise the—humble!" Oh, how my heart swells within me!—Oh, what glorious prophets of the future are youth and hope!

[Knock at the door.]

Widow. Come in.

Enter GASPAR.

Mel. Welcome, Gaspar, welcome. Where is the letter? Why do you turn away, man? where is the letter? [GASPAR gives him one.] This! This is mine, the one I intrusted to thee. Didst thou not leave it?

Gaspar. Yes, I left it.

Mel. My own verses returned to me. Nothing else!

Gaspar. Thou wilt be proud to hear how thy messenger was honored. For thy sake, Melnotte, I have borne that which no Frenchman can bear without disgrace.

Mel. Disgrace, Gaspar! Disgrace?

Gaspar. I gave thy letter to the porter, who passed it from lackey to lackey till it reached the lady it was meant for.

Mel. It reached her, then; you are sure of that! It reached her,—well, well!

Gaspar. It reached her, and was returned to me with blows. Dost hear, Melnotte? with blows! Death! are we slaves still, that we are to be thus dealt with, we peasants?

Mel. With blows? No, Gaspar, no; not blows!

Gaspar. I could show thee the marks if it were not so deep a shame to bear them. The lackey who tossed thy letter into the mire swore that his lady and her mother never were so insulted. What could thy letter contain, Claude?

Mel. [looking over the letter]. Not a line that a serf might not have written to an empress. No, not one.

Gaspar. They promise thee the same greeting they gave me, if thou wilt pass that way. Shall we endure this, Claude?

Mel. [wringing GASPAR's hand]. Forgive me, the fault was mine, I have brought this on thee; I will not forget it; thou shalt be avenged! The heartless insolence!

Gaspar. Thou art moved, Melnotte; think not of me; I would go through fire and water to serve thee; but,—a blow! It is not the bruise that galls,—it is the blush, Melnotte.

Mel. Say, what message?—How insulted!—Wherefore?—What the offence?

Gaspar. Did you not write to Pauline Deschappelles, the daughter of the rich merchant?

Mel. Well?

Gaspar. And are you not a peasant—a gardener's son?—that was the offence. Sleep on it, Melnotte. Blows to a French citizen, blows! [Exit.

Widow. Now you are cured, Claude!

Mel. tearing the letter. So do I scatter her image to the winds—I will stop her in the open streets—I will insult her—I will beat her menial ruffians—I will—[Turns suddenly to Widow.] Mother, am I humpbacked—deformed—hideous? Widow. You!

Mel. A coward—a thief—a liar?

Widow. You!

Mel. Or a dull fool—a vain, drivelling, brainless idiot? Widow. No, no. Mel. What am I then—worse than all these? Why, I am a peasant! What has a peasant to do with love? Vain revolutions, why lavish your cruelty on the great? Oh that we—we, the hewers of wood and drawers of water—had been swept away, so that the proud might learn what the world would be without us! [Knock at the door.

Enter Servant from the Inn.

Servant. A letter for Citizen Melnotte.

Mel. A letter! from her perhaps—who sent thee?

Servant. Why, Monsieur—I mean Citizen—Beauseant, who stops to dine at the Golden Lion, on his way to his chateau.

Mel. Beauseant!—[Reads].

"Young man, I know thy secret—thou lovest above thy station: if thou hast wit, courage, and discretion, I can secure to thee the realization of thy most sanguine hopes; and the sole condition I ask in return is, that thou shalt be steadfast to thine own ends. I shall demand from thee a solemn oath to marry her whom thou lovest; to bear her to thine home on thy wedding night. I am serious—if thou wouldst learn more, lose not a moment, but follow the bearer of this letter to thy friend and patron,—CHARLES BEAUSEANT."

Mel. Can I believe my eyes? Are our own passions the sorcerers that raise up for us spirits of good or evil? I will go instantly.

Widow. What is this, Claude?

Mel. "Marry her whom thou lovest,"—"bear her to thine own home."— Oh, revenge and love; which of you is the stronger?—[Gazing on the picture.] Sweet face, thou smilest on me from the canvas: weak fool that I am, do I then love her still? No, it is the vision of my own romance that I have worshipped: it is the reality to which I bring scorn for scorn. Adieu, mother: I will return anon. My brain reels—the earth swims before me.—[Looks again at the letter.] No, it is not a mockery; I do not dream! [Exit.



ACT II.—SCENE I.

The Gardens of M. DESCHAPPELLEs' house at Lyons—the house seen at the back of the stage.

Enter BEAUSEANT and GLAVIS.

Beau. Well, what think you of my plot? Has it not succeeded to a miracle? The instant that I introduced his Highness the Prince of Como to the pompous mother and the scornful daughter, it was all over with them: he came—he saw—he conquered: and, though it is not many days since he arrived, they have already promised him the hand of Pauline.

Gla. It is lucky, though, that you told them his highness travelled incognito, for fear the Directory (who are not very fond of princes) should lay him by the heels; for he has a wonderful wish to keep up his rank, and scatters our gold about with as much coolness as if he were watering his own flower-pots.

Beau. True, he is damnably extravagant; I think the sly dog does it out of malice. How ever, it must be owned that he reflects credit on his loyal subjects, and makes a very pretty figure in his fine clothes, with my diamond snuff-box.

Gla. And my diamond ring! But do you think he will be firm to the last? I fancy I see symptoms of relenting: he will never keep up his rank, if he once let out his conscience.

Beau. His oath binds him! he cannot retract without being foresworn, and those low fellows are always superstitious! But, as it is, I tremble lest he be discovered: that bluff Colonel Damas (Madame Deschappelles' cousin) evidently suspects him: we must make haste and conclude the farce: I have thought of a plan to end it this very day.

Gla. This very day! Poor Pauline: her dream will be soon over.

Beau. Yes, this day they shall be married; this evening, according to his oath, he shall carry his bride to the Golden Lion, and then pomp, equipage, retinue, and title, all shall vanish at once; and her Highness the Princess shall find that she has refused the son of a Marquis, to marry the son of a gardener.—Oh, Pauline! once loved, now hated, yet still not relinquished, thou shalt drain the cup to the dregs,—thou shalt know what it is to be humbled!

Enter from the house, MELNOTTE, as the Prince of Como, leading in PAULINE; MADAME

DESCHAPPELLES, fanning herself; and COLONEL DAMAS.

[BEAUSEANT and GLAVIS bow respectfully, fully. PAULINE and MELNOTTE walk apart.

Mme. Deschap. Good morning, gentlemen; really I am so fatigued with laughter; the dear Prince is so entertaining. What wit he has! Any one may see that he has spent his whole life in courts.

Damas. And what the deuce do you know about courts, cousin Deschappelles? You women regard men just as you buy books—you never care about what is in them, but how they are bound and lettered. 'Sdeath, I don't think you would even look at your Bible if it had not a title to it.

Mme. Deschap. How coarse you are, cousin Damas!—quite the manners of a barrack—you don't deserve to be one of our family; really we must drop your acquaintance when Pauline marries. I cannot patronize any relations that would discredit my future son-in-law, the Prince of Como.

Mel. [advancing]. These are beautiful gardens, madame, [BEAUSEANT and GLAVIS retire]—who planned them?

Mme. Deschap. A gardener named Melnotte, your highness—an honest man who knew his station. I can't say as much for his son—a presuming fellow, who,—ha! ha! actually wrote verses—such doggerel!—to my daughter.

Pauline. Yes, how you would have laughed at them, Prince! you, who write such beautiful verses!

Mel. This Melnotte must be a monstrous impudent person!

Damas. Is he good-looking?

Mme. Deschap. I never notice such canaille—an ugly, mean-looking clown, if I remember right.

Damas. Yet I heard your porter say he was wonderfully like his highness.

Mel. [taking snuff]. You are complimentary.

Mme. Deschap. For shame, cousin Damas!—like the Prince, indeed!

Pauline. Like you! Ah, mother, like our beautiful prince! I'll never speak to you again, cousin Damas.

Mel. [aside]. Humph!—rank is a great beautifier! I never passed for an Apollo while I was a peasant; if I am so handsome as a prince, what should I be as an emperor! [Aloud.] Monsieur Beauseant, will you honor me? [Offers snuff.

Beau. No, your highness; I have no small vices.

Mel. Nay, if it were a vice, you'd be sure to have it, Monsieur Beauseant.

Mme. Deschap. Ha! ha!—how very severe!—what wit!

Beau. [in a rage and aside]. Curse his impertinence!

Mme. Deschap. What a superb snuff-box! Pauline. And what a beautiful ring!

Mel. You like the box—a trifle—interesting perhaps from associations— a present from Louis XIV. to my great-great grandmother. Honor me by—accepting it.

Beau. plucking him by the sleeve. How!—what the devil! My box—are you mad? It is worth five hundred louis.

Mel. [unheeding him, and turning to PAULINE]. And you like this ring? Ah, it has, indeed a lustre since your eyes have shone on it placing it on her finger. Henceforth hold me, sweet enchantress, the Slave of the Ring.

Gla. [pulling him]. Stay, stay—what are you about? My maiden aunt's legacy—a diamond of the first water. You shall be hanged for swindling, sir.

Mel. [pretending not to hear]. It is curious, this ring; it is the one with which my grandfather, the Doge of Venice, married the Adriatic!

(Madame and PAULINE examine the ring.) Mel. [to BEAUSEANT and GLAVIS]. Fie, gentlemen! princes must be generous?—[Turns to DAMAS, who watches them closely.] These kind friends have my interest so much at heart, that they are as careful of my property as if it were their own!

Beau and Gla. [confusedly]. Ha! ha!—very good joke that!

[Appears to remonstrate with MELNOTTE in dumb show.

Damas. What's all that whispering? I am sure there is some juggle here: hang me, if I think he is an Italian after all. Gad, I'll try him. Servitore umillissimo, Eccellenza.* (* Your Excellency's most humble servant.)

Mel. Hum—what does he mean, I wonder?

Damas. Godo di vedervi in buona salute.* (* I am glad to see you in good health.)

Mel. Hem—hem!

Damas. Fa bel tempo—the si dice di nuovo? * (* Fine weather. What news is there?)

Mel. Well, sir, what's all that gibberish?

Damas. Oh, oh!—only Italian, your highness!—The Prince of Como does not understand his own language!

Mel. Not as you pronounce it; who the deuce could?

Mme. Deschap. Ha! ha! cousin Damas, never pretend to what you don't know.

Pauline. Ha! ha! cousin Damas; you speak Italian, indeed!

[Makes a mocking gesture at him.

Beau. [to GLAVIS]. Clever dog!—how ready!

Gla. Ready, yes; with my diamond ring!—Damn his readiness!

Damas. Laugh at me!—laugh at a Colonel in the French army!—the fellow's an impostor; I know he is. I'll see if he understands fighting as well as he does Italian.—[Goes up to him, and aside.] Sir, you are a jackanapes.—Can you construe that?

Mel. No, sir; I never construe affronts in the presence of ladies; by-and-by I shall be happy to take a lesson—or give one.

Damas. I'll find the occasion, never fear!

Mme. Deschap. Where are you going, cousin?

Damas. To correct my Italian. [Exit.

Beau. [to GLAVIS]. Let us after, and pacify him; he evidently suspects something.

Gla. Yes!—but my diamond ring!

Beau. And my box!—We are over-taxed fellow-subjects!—we must stop the supplies, and dethrone the prince.

Gla. Prince!—he ought to be heir-apparent to King Stork.

[Exeunt BEAUSEANT and GLAVIS.

Mme. Deschap. Dare I ask your highness to forgive my cousin's insufferable vulgarity?

Pauline. Oh yes!—you will forgive his manner for the sake of his heart.

Mel. And the sake of his cousin.—Ah, madam, there is one comfort in rank,—we are so sure of our position that we are not easily affronted. Besides, M. Damas has bought the right of indulgence from his friends, by never showing it to his enemies.

Pauline. Ah! he is, indeed, as brave in action as he is rude in speech. He rose from the ranks to his present grade, and in two years!

Mel. In two years!—two years, did you say?

Mme. Deschap. [aside]. I don't like leaving girls alone with their lovers; but, with a prince, it would be so ill-bred to be prudish. [Exit.

Mel. You can be proud of your connection with one who owes his position to merit—not birth.

Pauline. Why, yes; but still

Mel. Still what, Pauline!

Pauline. There is something glorious in the heritage of command. A man who has ancestors is like a representative of the past.

Mel. True; but, like other representatives, nine times out of ten he is a silent member. Ah, Pauline! not to the past, but to the future, looks true nobility, and finds its blazon in posterity.

Pauline. You say this to please me, who have no ancestors; but you, prince, must be proud of so illustrious a race!

Mel. No, no! I would not, were I fifty times a prince, be a pensioner on the dead! I honor birth and ancestry when they are regarded as the incentives to exertion, not the titledeeds to sloth! I honor the laurels that overshadow the graves of our fathers; it is our fathers I emulate, when I desire that beneath the evergreen I myself have planted, my own ashes may repose! Dearest! couldst thou but see with my eyes!

Pauline. I cannot forego pride when I look on thee, and think that thou lovest me. Sweet Prince, tell me again of thy palace by the Lake of Como; it is so pleasant to hear of thy splendors since thou didst swear to me that they would be desolate without Pauline; and when thou describest them, it is with a mocking lip and a noble scorn, as if custom had made thee disdain greatness.

Mel. Nay, dearest, nay, if thou wouldst have me paint The home to which, could love fulfil its prayers, This hand would lead thee, listen!*—

(* The reader will observe that Melnotte evades the request of Pauline. He proceeds to describe a home, which he does not say he possesses, but to which he would lead her, "could Love fulfil its prayers." This caution is intended as a reply to a sagacious critic who censures the description, because it is not an exact and prosaic inventory of the characteristics of the Lake of Como!—When Melnotte, for instance, talks of birds "that syllable the name of Pauline" (by the way, a literal translation from an Italian poet), he is not thinking of ornithology, but probably of the Arabian Nights. He is venting the extravagant, but natural, enthusiasm of the poet and the lover.)

A deep vale Shut out by Alphine hills from the rude world; Near a clear lake, margin'd by fruits of gold And whispering myrtles; glassing softest skies, As cloudless, save with rare and roseate shadows, As I would have thy fate!

Pauline. My own dear love!

Mel. A palace lifting to eternal summer Its marble walls, from out a glossy bower Of coolest foliage musical with birds, Whose songs should syllable thy name! At noon We'd sit beneath the arching vines, and wonder Why Earth could be unhappy, while the Heavens Still left us youth and love! We'd have no friends That were not lovers; no ambition, save To excel them all in love; we'd read no books That were not tales of love—that we might smile To think how poorly eloquence of words Translates the poetry of hearts like ours! And when night came, amidst the breathless Heavens We'd guess what star should be our home when love Becomes immortal; while the perfumed light Stole through the mists of alabaster lamps, And every air was heavy with the sighs Of orange-groves and music from sweet lutes, And murmurs of low fountains that gush forth I' the midst of roses!—Dost thou like the picture?

Pauline. Oh, as the bee upon the flower, I hang Upon the honey of thy eloquent tongue! Am I not blest? And if I love too wildly, Who would not love thee like Pauline?

Mel. [bitterly.] Oh, false one! It is the prince thou lovest, not the man If in the stead of luxury, pomp, and power, I had painted poverty, and toil, and care, Thou hadst found no honey on my tongue;—Pauline, That is not love!

Pauline. Thou wrong'st me, cruel Prince! At first, in truth, I might not have been won, Save through the weakness of a flatter'd pride; But now,—oh! trust me,—couldst thou fall from power And sink—

Mel. As low as that poor gardener's son Who dared to lift his eyes to thee?—

Pauline. Even then, Methinks thou wouldst be only made more dear By the sweet thought that I could prove how deep Is woman's love! We are like the insects, caught By the poor glittering of a garish flame; But, oh, the wings once scorch'd, the brightest star Lures us no more; and by the fatal light We cling till death!

Mel. Angel! [Aside.] O conscience! conscience! It must not be; her love hath grown a torture Worse than her hate. I will at once to Beauseant, And—ha! he comes. Sweet love, one moment leave me. I have business with these gentlemen—I—I Will forwith join you.

Pauline. Do not tarry long! [Exit.

Enter BEAUSEANT and GLAVIS.

Mel. Release me from my oath,—I will not marry her!

Beau Then thou art perjured.

Mel. No, I was not in my senses when I swore to thee to marry her! I was blind to all but her scorn!—deaf to all but my passion and my rage! Give me back my poverty and my honor!

Beau. It is too late,—you must marry her! and this day. I have a story already coined, and sure to pass current. This Damas suspects thee,—he will set the police to work!—thou wilt be detected—Pauline will despise and execrate thee. Thou wilt be sent to the common gaol as a swindler.

Mel. Fiend!

Beau. And in the heat of the girl's resentment (you know of what resentment is capable) and the parents' shame, she will be induced to marry the first that offers—even perhaps your humble servant.

Mel. You! No; that were worse—for thou hast no mercy! I will marry her.—I will keep my oath. Quick, then, with the damnable invention thou art hatching;—quick, if thou wouldst not have me strangle thee or myself.

Gla. What a tiger! Too fierce for a prince; he ought to have been the Grand Turk.

Beau. Enough—I will dispatch; be prepared.

[Exeunt BEAUSEANT and GLAVIS.

Enter DAMAS with two swords.

Damas. Now, then, sir, the ladies are no longer your excuse. I have brought you a couple of dictionaries; let us see if your highness can find out the Latin for bilbo.

Mel. Away, sir! I am in no humor for jesting. Damas. I see you understand something of the grammar; you decline the non-substantive "small-swords" with great ease; but that won't do—you must take a lesson in parsing.

Mel. Fool! Damas. Sir, as sons take after their mother, so the man who calls me a fool insults the lady who bore me; there's no escape for you—fight you shall, or—

Mel. Oh, enough! enough!—take your ground.

They fight; DAMAS is disarmed. MELNOTTE takes up the sword and returns it to DAMAS respectfully. A just punishment to the brave soldier who robs the state of its best property—the sole right to his valor and his life.

Damas. Sir, you fence exceedingly well; you must be a man of honor—I don't care a jot whether you are a prince; but a man who has carte and tierce at his fingers' ends must be a gentleman.

Mel. [aside.] Gentleman! Ay, I was a gentleman before I turned conspirator; for honest men are the gentlemen of Nature! Colonel, they tell me you rose from the ranks.

Damas. I did.

Mel. And in two years!

Damas. It is true; that's no wonder in our army at present. Why the oldest general in the service is scarcely thirty, and we have some of two-and-twenty.

Mel. Two-and-twenty!

Damas. Yes; in the French army, now a days, promotion is not a matter of purchase. We are all heroes, because we may be all generals. We have no fear of the cypress, because we may all hope for the laurel.

Mel. A general at two-and-twenty! [turning away]—Sir, I may ask you a favor one of these days.

Damas. Sir, I shall be proud to grant it. It is astonishing how much I like a man after I've fought with him. [Hides the swords.

Enter MADAME DESCHAPPELLES and BEAUSEANT.

Mme. Deschap. Oh, prince,—prince!—What do I hear? You must fly—you must quit us!

Mel. I!

Beau. Yes, prince: read this letter, just received from my friend at Paris, one of the Directory; they suspect you of designs against the Republic: they are very suspicious of princes, and your family take part with the Austrians. Knowing that I introduced your highness at Lyons, my friend writes to me to say that you must quit the town immediately, or you will be arrested,—thrown into prison, perhaps guillotined! Fly!—I will order horses to your carriage instantly. Fly to Marsailles; there you can take ship to Leghorn.

Mme. Deschap. And what's to become of Pauline? Am I not to be mother to a princess, after all?

Enter PAULINE and MONSIEUR DESCHAPPELLES.

Pauline [throwing herself into MELNOTTE's arms.] You must leave us!—Leave Pauline!

Beau. Not a moment is to be wasted.

M. Deschap. I will go to the magistrates and inquire—

Beau. Then he is lost; the magistrates, hearing he is suspected, will order his arrest.

Mme. Deschap. And I shall not be a princess-dowager!

Beau. Why not? There is only one thing to be done:—send for the priest—let the marriage take place at once, and the prince carry home a bride?

Mel. Impossible!—[Aside.] Villain.

Mme. Deschap. What, lose my child?

Beau. And gain a princess!

Mme Deschap. Oh, Monsieur Beauseant, you are so very kind, it must be so,—we ought not to be selfish, my daughter's happiness at stake. She will go away, too, in a carriage and six!

Pauline. Thou art here still,—I cannot part from my heart will break.

Mel. But thou wilt not consent to this hasty union?—thou wilt not wed an outcast—a fugitive?

Pauline. Ah! if thou art in danger, who should share it but Pauline?

Mel. [aside]. Distraction!—If the earth could swallow me!

M. Deschap. Gently! gently! The settlements—the contracts—my daughter's dowry!

Mel. The dowry!—I am not base enough for that; no, not one farthing!

Beau. [to MADAM]. Noble fellow!—Really your good husband is too mercantile in these matters. Monsieur Deschappelles, you hear his highness: we can arrange the settlements by proxy; 'tis the way with people of quality.

M. Deschap. But—

Mme. Deschap. Hold your tongue!—Don't expose yourself!

Beau. I will bring the priest in a trice. Go in all of you and prepare; the carriage shall be at the door before the ceremony is over.

Mme. Deschap. Be sure there are six horses, Beauseant! You are very good to have forgiven us for refusing you; but you see—a prince!

Beau. And such a prince! Madam, I cannot blush at the success of so illustrious a rival.—[Aside.] Now will I follow them to the village, enjoy my triumph, and to-morrow, in the hour of thy shame and grief, I think, proud girl, thou wilt prefer even these arms to those of the gardener's son. [Exit.

Mme. Deschap. Come, Monsieur Deschappelles, give your arm to her highness that is to be.

M. Deschap. I don't like doing business in such a hurry; 'tis not the way with the house of Deschappelles & Co.

Mme. Deschap. There, now, you fancy you are in the counting-house, don't you?

[Pushes him to PAULINE.

Mel. Stay, stay, Pauline—one word. Have you no scruple, no fear? Speak—it is not yet too late.

Pauline. When I loved thee, thy fate became mine. Triumph or danger— joy or sorrow—I am by thy side.

Damas. Well, well, prince, thou art a lucky man to be so loved. She is a good little girl in spite of her foibles make her as happy as if she were not to be a princess [slapping him on the shoulder]. Come, sir, I wish you joy—young tender—lovely;—zounds, I envy you!

Mel. [who has stood apart in gloomy abstraction]. Do you?*

(* On the stage the following lines are added:—)

"Do you? Wise judges are we of each other. 'Woo, wed, and bear her home! So runs the bond To which I sold myself,—and then—what then? Away?—I will not look beyond the hour. Like children in the dark, I dare not face The shades that gather sound me in the distance. You envy me—I thank you—you may read My joy upon my brow—I thank you, sir! If hearts had audible language, you would hear What mine would answer when you talk of ENVY!"



ACT III.—SCENE I.

The exterior of the Golden Leon—time, twilight. The moon rises during the scene.

Enter Landlord and his Daughter from the Inn.

Land. Ha—ha—ha! Well, I never shall get over it. Our Claude is a prince with a vengeance now. His carriage breaks down at my inn—ha—ha!

Janet. And what airs the young lady gives herself! "Is this the best room you have, young woman?" with such a toss of the head.

Land. Well, get in, Janet: get in and see to the supper: the servants must sup before they go back. [Exeunt.

Enter BEAUSEANT and GLAVIS.

Beau. You see our princess is lodged at last—one stage more, and she'll be at her journey's end—the beautiful palace at the foot of the Alps!—ha—ha!

Gla. Faith, I pity the poor Pauline—especially if she's going to sup at the Golden Lion [makes a wry face]. I shall never forget that cursed ragout.

Enter MELNOTTE from the Inn.

Beau. Your servant, my prince; you reigned most worthily, I condole with you on your abdication. I am afraid that your highness's retinue are not very faithful servants. I think they will quit you in the moment of your fall 'tis the fate of greatness. But you are welcome to your fine clothes—also the diamond snuff-box, which Louis XIV. gave to your great-great-grandmother.

Gla. And the ring, with which your grandfather the Dodge of Venice married the Adriatic.

Mel. I have kept my oath, gentlemen—say, have I kept my oath?

Beau. Most religiously.

Mel. Then you have done with me and mine—away with you!

Beau. How, knave?

Mel. Look you, our bond is over. Proud conquerors that we are, we have won the victory over a simple girl compromised her honor—embittered her life—blasted, in their very blossoms, all the flowers of her youth. This is your triumph,—it is my shame! [Turns to BEAUSEANT.] Enjoy thy triumph, but not in my sight. I was her betrayer—I am her protector! Cross but her path—one word of scorn, one look of insult—nay, but one quiver of that mocking lip, and I will teach thee that bitter word thou hast graven eternally in this heart—Repentance.

Beau. His highness is most grandiloquent.

Mel. Highness me no more! Beware! Remorse has made me a new being. Away with you! There is danger in me. Away!

Gla. [aside]. He's an awkward fellow to deal with: come away, Beauseant.

Beau. I know the respect clue to rank. Adieu, my prince. Any commands at Lyons? Yet hold—I promised you 200 Louis on your wedding-day; here they are.

Mel. [dashing the purse to the ground]. I gave you revenge, I did not sell it. Take up your silver, Judas; take it. Ay, it is fit you should learn to stoop.

Beau. You will beg my pardon for this some clay. [Aside to GLAVIS.] Come to my chateau—I shall return hither to morrow, to learn how Pauline likes her new dignity.

Mel. Are you not gone yet?

Beau. Your highness's most obedient, most faithful

Gla. And most humble servants. Ha! ha! [Exeunt BEAUSEANT and GLAVIS.

Mel. Thank heaven I had no weapon, or I should have slain them. Wretch! what can I say? Where turn? On all sides mockery—the very boors within—[Laughter from the Inn].—'Sdeath, if even in this short absence the exposure should have chanced. I will call her. We will go hence. I have already sent one I can trust to my mother's house. There, at least, none can insult her agony—gloat upon her shame! There alone must she learn what a villain she has sworn to love. [As he turns to the door enter PAULINE from the Inn.

Pauline. Ah! my lord, what a place! I never saw such rude people. They stare and wink so. I think the very sight of a prince, though he travels incognito, turns their honest heads. What a pity the carriage should break down in such a spot! You are not well—the drops stand on your brow—your hand is feverish.

Mel. Nay, it is but a passing spasm;—the air

Pauline. Is not the soft air of your native south—How pale he is!—indeed thou art not well. Where are our people? I will call them.

Mel. Hold! I—I am well.

Pauline. Thou art!—Ah! now I know it. Thou fanciest, my kind lord—I know thou dost— Thou fanciest these rude walls, these rustic gossips, Brick'd floors, sour wine, coarse viands, vex Pauline; And so they might, but thou art by my side, And I forget all else.

Enter Landlord, the Servants peeping and laughing over his shoulder.

Land. My lord—your highness—Will your most noble excellency choose—

Mel. Begone, sir! [Exit Landlord laughing.

Pauline. How could they have learn'd thy rank? One's servants are so vain!—nay, let it not Chafe thee, sweet prince!—a few short days and we Shall see thy palace by its lake of silver, And—nay, nay, spendthrift, is thy wealth of smiles, Already drain'd, or dost thou play the miser?

Mel. Thine eyes would call up smiles in deserts, fair one. Let us escape these rustics: close at hand There is a cot, where I have bid prepare Our evening lodgment—a rude, homely roof, But honest, where our welcome will not be Made torture by the vulgar eyes and tongues That are as death to Love! A heavenly night! The wooing air and the soft moon invite us. Wilt walk? I pray thee, now,—I know the path, Ay, every inch of it!

Pauline. What, thou! Methought Thou wert a stranger in these parts? Ah, truant, Some village beauty lured thee;—thou art now Grown constant?

Mel. Trust me.

Pauline. Princes are so changeful!

Mel. Come, dearest, come.

Pauline. Shall I not call our people To light us?

Mel. Heaven will lend its stars for torches! It is not far.

Pauline. The night breeze chills me.

Mel. Nay, Let me thus mantle thee;—it is not cold.

Pauline. Never beneath thy smile!

Mel. [aside.] O Heaven! forgive me! [Exeunt

SCENE II.

MELNOTTE'S cottage—Widow bustling about—a table spread for supper.

Widow. So, I think that looks very neat. He sent me a line, so blotted that I can scarcely read it, to say he would be here almost immediately. She must have loved him well indeed to have forgotten his birth; for though he was introduced to her in disguise, he is too honorable not to have revealed to her the artifice, which her love only could forgive. Well, I do not wonder at it; for though my son is not a prince, he ought to be one, and that's almost as good, [Knock at the door.] Ah! here they are.

Enter MELNOTTE and PAULINE.

Widow. Oh, my boy—the pride of my heart!—welcome, welcome! I beg pardon, ma'am, but I do love him so!

Pauline. Good woman, I really—why prince, what is this?—does the old lady know you? Oh, I guess, you have done her some service. Another proof of your kind heart? is it not?

Mel. Of my kind heart, ay!

Pauline. So you know the prince?

Widow. Know him, madam?—Ah, I begin to fear it is you who know him not!

Pauline. Do you think she is mad? Can we stay here, my lord? I think there's something very wild about her.

Mel. Madam, I—no, I cannot tell her; my knees knock together: what a coward is a man who has lost his honor! Speak to her—speak to her [to his mother]—tell her that—O Heaven, that I were dead!

Pauline. How confused he looks!—this strange place?—this woman—what can it mean?—I half suspect—Who are you, madam!—who are you! can't you speak? are you struck dumb?

Widow. Claude, you have not deceived her?—Ah, shame upon you! I thought that, before you went to the altar, she was to have known all.

Pauline. All! what!—My blood freezes in my veins!

Widow. Poor lady!—dare I tell her, Claude? [MELNOTTE makes a sign of assent.] Know you not then, madam, that this young man is of poor though honest parents? Know you not that you are wedded to my son, Claude Melnotte?

Pauline. Your son! hold—hold! do not speak to me.—[Approaches MELNOTTE, and lays her hand on his arm.]—Is this a jest? is it? I know it is, only speak—one word—one look one smile. I cannot believe—I who loved thee so—I cannot believe that thou art such a—No, I will not wrong thee by a harsh word—Speak!

Mel. Leave us—have pity on her, on me: leave us.

Widow. Oh, Claude, that I should live to see thee bowed by shame! thee of whom I was so proud! [Exit by the staircase.

Pauline. Her son—her son!

Mel. Now, lady, hear me.

Pauline. Hear thee! Ay, speak—her son! have fiends a parent? speak, That thou mayst silence curses—speak!

Mel. No, curse me: Thy curse would blast me less than thy forgiveness.

Pauline [laughing wildly]. "This is thy palace, where the perfumed light Steals through the mist of alabaster lamps, And every air is heavy with the sighs Of orange-groves, and music from the sweet lutes, And murmurs of low fountains, that gush forth I' the midst of roses!" Dost thou like the picture? This is my bridal home, and thou my bridegroom. O fool—O dupe—O wretch!—I see it all Thy by-word and the jeer of every tongue In Lyons. Hast thou in thy heart one touch Of human kindness? if thou hast, why, kill me, And save thy wife from madness. No, it cannot It cannot be: this is some horrid dream: I shall wake soon.—[Touching him.] Art flesh art man? or but The shadows seen in sleep? It is too real. What have I done to thee? how sinn'd against thee, That thou shouldst crush me thus?

Mel. Pauline, by pride Angels have fallen ere thy time: by pride That sole alloy of thy most lovely mould The evil spirit of a bitter love, And a revengeful heart, had power upon thee. From my first years my soul was fill'd with thee: I saw thee midst the flow'rs the lowly boy Tended, unmark'd by thee—a spirit of bloom, And joy, and freshness, as if Spring itself Were made a living thing, and wore thy shape! I saw thee, and the passionate heart of man Enter'd the breast of the wild-dreaming boy. And from that hour I grew—what to the last I shall be—thine adorer! Well, this love Vain, frantic, guilty, if thou wilt, became A fountain of ambition and bright hope; I thought of tales that by the winter hearth Old gossips tell—how maidens sprung from kings Have stoop'd from their high sphere; how love, like death Levels all ranks, and lays the shepherd's crook Beside the sceptre. Thus I made my home In the soft palace of a fairy Future! My father died; and I, the peasant-born, Was my own lord. Then did I seek to rise Out of the prison of my mean estate; And, with such jewels as the exploring mind Brings from the caves of knowledge, buy my ransom From those twin gaolers of the daring heart Low birth and iron fortune. Thy bright image Glass'd in my soul, took all the hues of glory, And lured me on to those inspiring toils By which man masters men! For thee I grew A midnight student o'er the dreams of sages. For thee I sought to borrow from each grace, And every muse, such attributes as lend Ideal charms to love. I thought of thee, And passion taught me poesy—of thee, And on the painter's canvas grew the life Of beauty! Art became the shadow Of the dear starlight of thy haunting eyes Men call'd me vain—some mad—I heeded not; But still toil'd on—hoped on—for it was sweet, If not to win, to feel more worthy thee?

Pauline. Has he a magic to exorcise hate!

Mel. At last, in one mad hour, I dared to pour The thoughts that burst their channels into song, And sent them to thee—such a tribute, lady, As beauty rarely scorns, even from the meanest. The name—appended by the burning heart That long'd to show its idol what bright things It had created—yea, the enthusiast's name, That should have been thy triumph, was thy scorn! That very hour—when passion, turn'd to wrath, Resembled hatred most—when thy disdain Made my whole soul a chaos—in that hour The tempters found me a revengeful tool For their revenge! Thou hadst trampled on the worm It turn'd and stung thee!

Pauline. Love, sir, hath no sting. What was the slight of a poor powerless girl To the deep wrong of this most vile revenge? Oh, how I loved this man!—a serf!—a slave!

Mel. Hold, lady! No, not slave! Despair is free! I will not tell thee of the throes—the struggles The anguish—the remorse: No, let it pass! And let me come to such most poor atonement Yet in my power. Pauline!

[Approaching her with great emotion, and about to take her hand.

Pauline. No, touch me not! I know my fate. You are, by law, my tyrant; And I—O Heaven!—a peasant's wife! I'll work Toil—drudge—do what thou wilt—but touch me not; Let my wrongs make me sacred!

Mel. Do not fear me. Thou dost not know me, madam: at the altar My vengeance ceased—my guilty oath expired! Henceforth, no image of some marble saint, Niched in cathedral aisles, is hallow'd more From the rude hand of sacrilegious wrong. I am thy husband—nay, thou need'st not shudder; Here, at thy feet, I lay a husband's rights. A marriage thus unholy—unfulfill'd— A bond of fraud—is, by the laws of France, Made void and null. To-night sleep—sleep in peace. To-morrow, pure and virgin as this morn I bore thee, bathed in blushes, from the shrine, Thy father's arms shall take thee to thy home. The law shall do thee justice, and restore Thy right to bless another with thy love. And when thou art happy, and hast half forgot Him who so loved—so wrong'd thee, think at least Heaven left some remnant of the angel still In that poor peasant's nature!

Ho! my mother! [Enter Widow.

Conduct this lady—(she is not my wife; She is our guest,—our honor'd guest, my mother)— To the poor chamber, where the sleep of virtue, Never, beneath my father's honest roof, Ev'n villains dared to mar! Now, lady, now, I think thou wilt believe me. Go, my mother!

Widow. She is not thy wife!

Mel. Hush, hush! for mercy's sake! Speak not, but go.

[Widow ascends the stairs; PAULINE follows weeping—turns to look back.

Mel. [sinking down]. All angels bless and guard her!



ACT IV.—SCENE I.

The cottage as before—MELNOTTE seated before a table—writing implements, etc.—(Day breaking.)

Mel. Hush, hush!—she sleeps at last!—thank Heaven, for a while she forgets even that I live! Her sobs, which have gone to my heart the whole, long, desolate night, have ceased!—all calm—all still! I will go now; I will send this letter to Pauline's father: when he arrives, I will place in his hands my own consent to the divorce, and then, O France! my country! accept among thy protectors, thy defenders—the peasant's Son! Our country is less proud than custom, and does not refuse the blood, the heart, the right hand of the poor man.

Enter Widow.

Widow. My son, thou hast acted ill; but sin brings its own punishment. In the hour of thy remorse, it is not for a mother to reproach thee.

Mel. What is past is past. There is a future left to all men, who have the virtue to repent, and the energy to atone. Thou shalt be proud of thy son yet. Meanwhile, remember this poor lady has been grievously injured. For the sake of thy son's conscience, respect, honor, bear with her. If she weep, console—if she chide, be silent. 'Tis but a little while more—I shall send an express fast as horse can speed to her father. Farewell! I shall return shortly.

Widow. It is the only course left to thee—thou wert led astray, but thou art not hardened. Thy heart is right still, as ever it was when, in thy most ambitious hopes thou wert never ashamed of thy poor mother.

Mel. Ashamed of thee; No, if I yet endure, yet live, yet hope,—it is only because I would not die till I have redeemed the noble heritage I have lost—the heritage I took unstained from thee and my dead father—a proud conscience and an honest name. I shall win them back yet—heaven bless you! [Exit.

Widow. My dear Claude! How my heart bleeds for him.

[PAULINE looks down from above, and after a pause descends

Pauline. Not here!—he spares me that pain at least: so far he is considerate—yet the place seems still more desolate without him. Oh, that I could hate him—the gardener's son!—and yet how nobly he—no—no—no I will not be so mean a thing as to forgive him!

Widow. Good morning, madam; I would have waited on you if I had known you were stirring.

Pauline. It is no matter, ma'am—your son's wife ought to wait on herself.

Widow. My son's wife—let not that thought vex you, madam—he tells me that you will have your divorce. And I hope I shall live to see him smile again. There are maidens in this village, young and fair, madam, who may yet console him.

Pauline. I dare say—they are very welcome—and when the divorce is got—he will marry again. I am sure I hope so. [Weeps.

Widow. He could have married the richest girl in the province, if he had pleased it; but his head was turned, poor child! he could think of nothing but you. [Weeps.

Pauline. Don't weep, mother.

Widow. Ah, he has behaved very ill, I know, but love is so headstrong in the young. Don't weep, madam.

Pauline. So, as you were saying—go on.

Widow. Oh, I cannot excuse him, ma'am—he was not in his right senses.

Pauline. But he always—always [sobbing] loved—loved me then?

Widow. He thought of nothing else. See here—he learnt to paint that he might take your likeness [uncovers the picture]. But that's all over now—I trust you have cured him of his folly;—but, dear heart, you have had no breakfast!

Pauline. I can't take anything—don't trouble yourself.

Widow. Nay, madam, be persuaded; a little coffee will refresh you. Our milk and eggs are excellent. I will get out Claude's coffee-cup—It is of real Sevres; he saved up all his money to buy it three years ago, because the name of Pauline was inscribed on it.

Pauline. Three years ago! Poor Claude!—Thank you; I think I will have some coffee. Oh! if he were but a poor gentleman, even a merchant: but a gardener's son—and what a home!—Oh no,—it is too dreadful!

They seat themselves at the table, BEAUSEANT opens the lattice and looks in.

Beau. So—so—the coast is clear! I saw Claude in the lane—I shall have an excellent opportunity. [Shuts the lattice and knocks at the door.

Pauline. [starting]. Can it be my father?—he has not sent for—him yet? No, he cannot be in such a hurry to get rid of me.

Widow. It is not time for your father to arrive yet; it must be some neighbor.

Pauline. Don't admit any one.

[Widow opens the door, BEAUSEANT pushes her aside and enters. Ha! Heavens! that hateful Beauseant! This is indeed bitter!

Beau. Good morning, madam! O widow, your son begs you will have the goodness to go to him in the village he wants to speak to you on particular business; you'll find him at the inn, or the grocer's shop, or the baker's, or at some other friend's of your family—make haste.

Pauline. Don't leave me, mother!—don't leave me.

Beau. [with great respect]. Be not alarmed, madam. Believe me your friend—your servant.

Pauline. Sir, I have no fear of you, even in this house! Go, madam, if your son wishes it; I will not contradict his commands whilst, at least he has still the right to be obeyed.

Widow. I don't understand this; however, I sha'n't be long gone. [Exit.

Pauline. Sir, I divine the object of your visit—you wish to exult in the humiliation of one who humbled you. Be it so; I am prepared to endure all—even your presence!

Beau. You mistake me, madam—Pauline, you mistake me! I come to lay my fortune at your feet. You must already be disenchanted with this impostor; these walls are not worthy to be hallowed by your beauty! Shall that form be clasped in the arms of a base-born peasant? Beloved, beautiful Pauline! fly with me—my carriage waits without—I will bear you to a home more meet for your reception. Wealth, luxury, station—all shall yet be yours. I forget your past disdain—I remember only your beauty and my unconquerable love!

Pauline. Sir! leave this house—it is humble: but a husband's roof, however lowly, is, in the eyes of God and man, the temple of a wife's honor! Know that I would rather starve—yes—with him who has betrayed me, than accept your lawful hand, even were you the prince whose name he bore.—Go.

Beau. What! is not your pride humbled yet?

Pauline. Sir, what was pride in prosperity in affliction becomes virtue.

Beau. Look round: these rugged floors—these homely walls—this wretched struggle of poverty for comfort—think of this! and contrast with such a picture the refinement, the luxury, the pomp, that the wealthiest gentleman of Lyons offers to the loveliest lady. Ah, hear me!

Pauline. Oh! my father!—why did I leave you?—why am I thus friendless? Sir, you see before you a betrayed, injured, miserable woman!—respect her anguish.

[MELNOTTE opens the door silently, and pauses at the threshold.

Beau. No! let me rather thus console it; let me snatch from those lips one breath of that fragrance which never should be wasted on the low churl thy husband.

Pauline. Help! Claude!—Claude!—Have I no protector?'

Beau. Be silent! [showing a pistol.] See, I do not come unprepared even for violence. I will brave all things—thy husband and all his race— for thy sake. Thus, then, I clasp thee!

Mel. [dashing him to the other end of the stage]. Pauline—look up, Pauline! thou art safe.

Beau. [levelling his pistol]. Dare you thus insult a man of my birth, ruffian?

Pauline. Oh, spare him—spare my husband!—Beauseant—Claude—no—no [faints].

Mel. Miserable trickster! shame upon you! brave devices to terrify a woman! Coward!—you tremble—you have outraged the laws—you know that your weapon is harmless—you have the courage of the mountebank, not the bravo!—Pauline, there is no danger.

Beau. I wish thou wert a gentleman—as it is, thou art beneath me.— Good day, and a happy honeymoon.—[Aside.] I will not die till I am avenged. [Exit.

Mel. I hold her in these arms—the last embrace Never, ah never more, shall this dear head Be pillow'd on the heart that should have shelter'd And has betray'd!—Soft—soft! one kiss—poor wretch! No scorn on that pale lip forbids me now! One kiss—so ends all record of my crime! It is the seal upon the tomb of hope, By which, like some lost, sorrowing angel, sits Sad memory evermore; she breathes—she moves She wakes to scorn, to hate, but not to shudder Beneath the touch of my abhorred love. Places her on a seat. There—we are strangers now!

Pauline. All gone—all calm Is every thing a dream? thou art safe, unhurt I do not love thee;—but—but I am woman, And—and—no blood is spilt?

Mel. No, lady, no; My guilt hath not deserved so rich a blessing As even danger in thy cause.

Enter WIDOW.

Widow. My son, I have been everywhere in search of you; why did you send for me?

Mel. I did not send for you.

Widow. No! but I must tell you your express has returned.

Mel. So soon! impossible!

Widow. Yes, he met the lady's father and mother on the road; they were going into the country on a visit. Your messenger says that Monsieur Deschappelles turned almost white with anger when he read your letter. They will be here almost immediately. Oh, Claude, Claude! what will they do to you? How I tremble! Ah, madam! do not let them injure him—if you knew how he doated on you.

Pauline. Injure him! no, ma'am, be not afraid;—my father! how shall I meet him? how go back to Lyons? the scoff of the whole city! Cruel, cruel, Claude [in great agitation]. Sir, you have acted most treacherously.

Mel. I know it, madam.

Pauline [aside.] If he would but ask me to forgive him!—I never can forgive you, sir.

Mel. I never dared to hope it.

Pauline. But you are my husband now, and I have sworn to—to love you, sir.

Mel. That was under a false belief, madam; Heaven and the laws will release you from your vow.

Pauline. He will drive me mad! if he were but less proud—if he would but ask me to remain—hark, hark—I hear the wheels of the carriage—Sir—Claude, they are coming; have you no word to say ere it is loo late? Quick speak.

Mel. I can only congratulate you on your release. Behold your parents

Enter MONSIEUR and MADAME DESCHAPPELLES and COLONEL DAMAS.

M. Deschap. My child! my child!

Mme. Deschap. Oh, my poor Pauline!—what a villanous hovel this is! Old woman, get me a chair—I shall faint I certainly shall. What will the world say? Child, you have been a fool. A mother's heart is easily broken.

Damas. Ha, ha! most noble Prince—I am sorry to see a man of your quality in such a condition; I am afraid your highness will go to the House of Correction.

Mel. Taunt on, sir; I spared you when you were unarmed—I am unarmed now. A man who has no excuse for crime is indeed defenceless!

Damas. There's something fine in the rascal, after all!

M. Deschap. Where is the impostor?—Are you thus shameless, traitor? Can you brave the presence of that girl's father?

Mel. Strike me, if it please you—you are her father.

Pauline. Sir—sir, for my sake; whatever his guilt, he has acted nobly in atonement.

Mme. Deschap. Nobly! Are you mad, girl? I have no patience with you— to disgrace all your family thus! Nobly! Oh you abominable, hardened, pitiful, mean, ugly villain!

Damas. Ugly! Why he was beautiful yesterday!

Pauline. Madame, this is his roof, and he is my husband. Respect your daughter, or let blame fall alone on her.

Mme. Deschap. You—you—Oh, I'm choking.

M. Deschap. Sir, it were idle to waste reproach upon a conscience like yours—you renounce all pretensions to the person of this lady?

Mel. I do. [Gives a paper.] Here is my consent to a divorce—my full confession of the fraud which annuls the marriage. Your daughter has been foully wronged—I grant it, sir; but her own lips will tell you that, from the hour in which she crossed this threshold, I returned to my own station, and respected hers. Pure and inviolate, as when yestermorn you laid your hand upon her head, and blessed her, I yield her back to you. For myself—I deliver you for ever from my presence. An outcast and a criminal, I seek some distant land, where I may mourn my sin, and pray for your daughter's peace. Farewell—farewell to you all, for ever!

Willow. Claude, Claude, you will not leave your poor old mother? She does not disown you in your sorrow no, not even in your guilt. No divorce can separate a mother from her son.

Pauline. This poor widow teaches me my duty. No, mother,—no, for you are now my mother also!—nor should any law, human or divine, separate the wife from her husband's sorrows. Claude—Claude—all is forgotten forgiven—I am thine for ever!

Mme. Deschap. What do I hear?—Come away, or never see my face again.

M. Deschap. Pauline, we never betrayed you!—do you forsake us for him?

Pauline. [going back to her father]. Oh no—but you will forgive him too; we will live together—he shall be your son.

M. Deschap. Never! Cling to him and forsake your parents! His home shall be yours—his fortune yours—his fate yours: the wealth I have acquired by honest industry shall never enrich the dishonest man.

Pauline. And you would have a wife enjoy luxury while a husband toils! Claude, take me; thou canst not give me wealth, titles, station—but thou canst give me a true heart I will work for thee, tend thee, bear with thee, and never, never shall these lips reproach thee for the past.

Damas. I'll be hanged if I am not going to blubber!

Mel. This is the heaviest blow of all!—What a heart I have wronged!— Do not fear me, sir; I am not all hardened—I will not rob her of a holier love than mine. Pauline!—angel of love and mercy!—your memory shall lead me back to virtue!—The husband of a being so beautiful in her noble and sublime tenderness may be poor—may be low born;—(there is no guilt in the decrees of providence!)—but he should be one who can look thee in the face without a blush,—to whom thy love does not bring remorse,—who can fold thee to his heart, and say,—"Here there is no deceit!" I am not that man!

Damas. [aside to MELNOTTE]. Thou art a noble fellow, notwithstanding; and wouldst make an excellent soldier. Serve in my regiment. I have had a letter from the Directory—our young general takes the command of the army in Italy,—I am to join him at Marseilles, I will depart this day, if thou wilt go with me.

Mel. It is the favor I would have asked thee, if I dared. Place me wherever a foe is most dreaded,—wherever France most needs a life!

Damas. There shall not be a forlorn hope without thee!

Mel. There is my hand!—mother, your blessing. I shall see you again,—a better man than a prince,—a man who has bought the right to high thoughts by brave deeds. And thou!—thou! so wildly worshipped, so guiltily betrayed, all is not yet lost!—for thy memory, at least, must be mine till death! If I live, the name of him thou hast once loved shall not rest dishonored;—if I fall, amidst the carnage and the roar of battle, my soul will fly back to thee, and love shall share with death my last sigh!—More—more would I speak to thee!—to pray!—to bless! But no; When I am less unworthy I will utter it to Heaven!—I cannot trust myself to [turning to DESCHAPPELLES] Your pardon, sir; they are my last words Farewell! [Exit.

Damas. I will go after him.—France will thank me for this.

Pauline [starting from her father's arms]. Claude!—Claude!—my husband!

M. Deschap. You have a father still!



ACT V.

Two years and a half from the date of Act IV.

SCENE I.

The Streets of Lyons.

Enter First, Second, and Third Officers.

First Officer. Well, here we are at Lyons, with gallant old Damas: it is his native place.

Second Officer. Yes; he has gained a step in the army since he was here last. The Lyonnese ought to be very proud of stout General Damas.

Third Officer. Promotion is quick in the French army. This mysterious Morier,—the hero of Lodi, and the favorite of the commander-in-chief,—has risen to a colonel's rank to two years and a half. Enter DAMAS, as a General.

Damas. Good morrow, gentlemen; I hope you will amuse yourselves during our short stay at Lyons. It is a fine city: improved since I left it. Ah! it is a pleasure to grow old, when the years that bring decay to ourselves do but ripen the prosperity of our country. You have not met with Morier?

First Officer. No: we were just speaking of him.

Second Officer. Pray, general, can you tell us who this Morier really is?

Damas. Is!—why a colonel in the French army.

Third Officer. True. But what was he at first?

Damas. At first? Why a baby in long clothes, I suppose.

First Officer. Ha, ha! Ever facetious, general.

Second Officer. [to Third]. The general is sore upon this point; you will only chafe him.—Any commands, general?

Damas. None. Good day to you. [Exeunt Second and Third Officers.

Damas. Our comrades are very inquisitive. Poor Morier is the subject of a vast deal of curiosity.

First Officer. Say interest, rather, general. His constant melancholy, the loneliness of his habits,—his daring valor, his brilliant rise in the profession,—your friendship, and the favors of the commander-in-chief,—all tend to make him as much the matter of gossip as of admiration. But where is he, general? I have missed him all the morning.

Damas. Why, captain, I'll let you into a secret. My young friend has come with me to Lyons in hopes of finding a miracle.

First Officer. A miracle!

Damas. Yes, a miracle! in other words,—a constant woman.

First Officer. Oh! an affair of love!

Damas. Exactly so. No sooner did he enter Lyons than he waved his hand to me, threw himself from his horse, and is now, I warrant, asking every one who can know anything about the matter, whether a certain lady is still true to a certain gentleman!

First Officer. Success to him! and of that success there can be no doubt. The gallant Colonel Morier, the hero of Lodi, might make his choice out of the proudest families in France.

Damas. Oh, if pride be a recommendation, the lady and her mother are most handsomely endowed. By the way, captain, if you should chance to meet with Morier, tell him he will find me at the hotel.

First Officer. I will, general. [Exit.

Damas. Now will I go to the Deschappelles, and make a report to my young Colonel. Ha! by Mars, Bacchus, Apollo, Virorum,—here comes Monsieur Beauseant!

Enter BEAUSEANT.

Good morrow, Monsieur Beauseant! How fares it with you?

Beau. [aside.] Damas! that is unfortunate;—if the Italian campaign should have filled his pockets, he may seek to baffle me in the moment of my victory. [Aloud]. Your servant, general,—for such, I think, is your new distinction! Just arrived in Lyons?

Damas. Not an hour ago. Well, how go on the Deschappelles? Have they forgiven you in that affair of young Melnotte? You had some hand in that notable device,—eh?

Beau. Why, less than you think for! The fellow imposed upon me. I have set it all right now. What has become of him? He could not have joined the army, after all. There is no such name in the books.

Damas. I know nothing about Melnotte. As you say, I never heard the name in the Grand Army.

Beau. Hem!—You are not married, general?

Damas. Do I look like a married man, sir?—No, thank Heaven! My profession is to make widows, not wives.

Beau. You must have gained much booty in Italy! Pauline will be your heiress—eh?

Damas. Booty! Not I! Heiress to what? Two trunks and a portmanteau,— four horses,—three swords, two suits of regimentals, and six pair of white leather inexpressibles! A pretty fortune for a young lady!

Beau. [aside.] Then all is safe! [Aloud]. Ha! ha! Is that really all your capital, General Damas? Why, I thought Italy had been a second Mexico to you soldiers.

Damas. All a toss-up, sir. I was not one of the lucky ones! My friend Morier, indeed, saved something handsome. But our commander-in-chief took care of him, and Morier is a thrifty, economical dog,—not like the rest of us soldiers, who spend our money as carelessly as if it were our blood.

Beau. Well, it is no matter! I do not want fortune with Pauline. And you must know, General Damas, that your fair cousin has at length consented to reward my long and ardent attachment.

Damas. You!—the devil! Why, she is already married! There is no divorce!

Beau. True; but this very day she is formally to authorize the necessary proceedings, this very day she is to sign the contract that is to make her mine within one week from the day on which her present illegal marriage is annulled.

Damas. You tell me wonders!—Wonders! No; I believe anything of women!

Beau. I must wish you good morning. [As he is going, enter DESCHAPPELLES.

M. Deschap. Oh, Beauseant! well met. Let us come to the notary at once.

Damas [to Deschap.]. Why, cousin!

M. Deschap. Damas, welcome to Lyons. Pray call on us; my wife will be delighted to see you.

Damas. Your wife be-blessed for her condescension! But [taking him aside] what do I hear? Is it possible that your daughter has consented to a divorce?—that she will marry Monsieur Beauseant?

M. Deschap. Certainly. What have you to say against it? A gentleman of birth, fortune, character. We are not so proud as we were; even my wife has had enough of nobility and princes!

Damas. But Pauline loved that young man so tenderly!

M. Deschap. [taking snuff]. That was two years and a half ago.

Damas. Very true. Poor Melnotte!

M. Deschap. But do not talk of that impostor; I hope he is dead or has left the country. Nay, even were he in Lyons at this moment, he ought to rejoice that, in an honorable and suitable alliance, my daughter may forget her sufferings and his crime.

Damas.—Nay, if it be all settled, I have no more to say. Monsieur Beauseant informs me that the contract is to be signed this very day.

M. Deschap, It is; at one o'clock precisely. Will you be one of the witnesses?

Damas. I?—No; that is to say—yes, certainly!—at one o'clock I will wait on you.

M. Deschap. Till then, adieu—come Beauseant.

[Exeunt BEAUSEANT and DESCHAPELLES

Damas. The man who sets his heart upon a woman Is a chameleon, and doth feed on air; From air he takes his colors—holds his life,— Changes with every wind,—grows lean or fat, Rosy with hope, or green with jealousy, Or pallid with despair—just as the gale Varies from North to South—from heat to cold! Oh, woman! woman! thou shouldst have few sins Of thine own to answer for! Thou art the author Of such a book of follies in a man, That it would need the tears of all the angels To blot the record out!

[Enter MELNOTTE, pale and agitated.

I need not tell thee! Thou hast heard—

Mel. The worst! I have!

Damas. Be cheer'd; others are fair as she is!

Mel. Others! The world is crumbled at my feet! She was my world; fill'd up the whole of being— Smiled in the sunshine—walk'd the glorious earth— Sate in my heart—was the sweet life of life. The Past was hers; I dreamt not of a Future That did not wear her shape! Mem'ry and Hope Alike are gone. Pauline is faithless! Henceforth The universal space is desolate!

Damas. Hope yet.

Mel. Hope, yes!—one hope is left me still— A soldier's grave! Glory has died with love. I look into my heart, and, where I saw Pauline, see Death!

[After a pause].—But am I not deceived? I went but by the rumor of the town; Rumor is false,—I was too hasty! Damas, Whom hast thou seen?

Damas. Thy rival and her father. Arm thyself for the truth.—He heeds not.

Mel. She.

Will never know how deeply she was loved! The charitable night, that wont to bring Comfort to-day, in bright and eloquent dreams, Is henceforth leagued with misery! Sleep, farewell, Or else become eternal! Oh, the waking From false oblivion, and to see the sun, And know she is another's!

Damas. Be a man!

Mel. I am a man!—it is the sting of woe Like mine that tells us we are men!

Damas. The false one Did not deserve thee.

Mel. Hush!—No word against her! Why should she keep, through years and silent absence, The holy tablets of her virgin faith True to a traitor's name! Oh, blame her not; It were a sharper grief to think her worthless Than to be what I am! To-day,—to-day! They, said "To-day!" This day, so wildly welcomed— This clay, my soul had singled out of time And mark'd for bliss! This day! oh, could I see her, See her once more unknown; but hear her voice. So that one echo of its music might Make ruin less appalling in its silence.

Damas. Easily done! Come with me to her house; Your dress—your cloak—moustache—the bronzed hues Of time and toil—the name you bear—belief In your absence, all will ward away suspicion. Keep in the shade. Ay, I would have you come There may be hope? Pauline is yet so young, They may have forced her to these second bridals Out of mistaken love.

Mel. No, bid me hope not! Bid me not hope! I could not bear again To fall from such a heaven! One gleam of sunshine, And the ice breaks and I am lost! Oh, Damas, There's no such thing as courage in a man; The veriest slave that ever crawl'd from danger Might spurn me now. When first I lost her, Damas, I bore it, did I not? I still had hope, And now I—I— [Bursts into an agony of grief.

Damas. What, comrade! all the women That ever smiled destruction on brave hearts Were not worth tears like these!

Mel. 'Tis past—forget it. I am prepared; life has no further ills! The cloud has broken in that stormy rain, And on the waste I stand, alone with Heaven.

Damas. His very face is changed; a breaking heart Does its work soon!—Come, Melnotte, rouse thyself: One effort more. Again thou'lt see her.

Mel. See her! There is a passion in that simple sentence That shivers all the pride and power of reason Into a chaos!

Damas. Time wanes; come, ere yet It be too late.

Mel. Terrible words—"Too late!" Lead on. One last look more, and then—

Damas. Forget her!

Mel. Forget her! yes—For death remembers not. [Exeunt.

SCENE II.

A room in the house of MONSIEUR DESCHAPPELLES; PAULINE seated in great dejection.

Pauline. It is so, then. I must be false to Love, Or sacrifice a father! Oh, my Claude, My lover, and my husband! Have I lived To pray that thou mayest find some fairer boon Than the deep faith of this devoted heart— Nourish'd till now—now broken?

Enter MONSIEUR DESCHAPPELLES.

M. Deschap. My dear child, How shall I thank—how bless thee? Thou hast saved, I will not say my fortune—I could bear Reverse, and shrink not—but that prouder wealth Which merchants value most—my name, my credit— The hard—won honors of a toilsome life:— These thou hast saved, my child!

Pauline. Is there no hope? No hope but this?

M. Deschap. None. If, without the sum Which Beauseant offers for thy hand, this day Sinks to the west—to-morrow brings our ruin! And hundreds, mingled in that ruin, curse The bankrupt merchant! and the insolvent herd We feasted and made merry cry in scorn, "How pride has fallen!—Lo, the bankrupt merchant!" My daughter, thou hast saved us!