One day, but one day, and the world would never have heard of Ian Stafford. England would then have approached her conflict with the cup of trembling at her lips, and there would be a new disposition of power in Europe, a new dominating force in the diplomacy and the relations of the peoples of the world. It was Landrassy's own last battle-field of wit and scheming, of intellect and ambition. If he failed in this, his sun would set soon. He was too old to carry on much longer. He could not afford to wait. He was at the end of his career, and he had meant this victory to be the crown of his long services to Slavonia and the world.

But to him was opposed a man who was at the beginning of his career, who needed this victory to give him such a start as few men get in that field of retarded rewards, diplomacy. It had been a man at the end of the journey, and a man at the beginning, measuring skill, playing as desperate a game as was ever played. If Landrassy won—Europe a red battle-field, England at bay; if Ian Stafford won—Europe at peace, England secure. Ambition and patriotism intermingled, and only He who made human nature knew how much was pure patriotism and how much pure ambition. It was a great stake. On this day of days to Stafford destiny hung shivering, each hour that passed was throbbing with unparalleled anxiety, each minute of it was to be the drum-beat of a funeral march or the note of a Te Deum.

Not more uncertain was the roulette-wheel spinning in De Lancy Scovel's house than the wheel of diplomacy which Ian Stafford had set spinning. Rouge et noire—it was no more, no less. But Ian had won; England had won. Black had been beaten.

Landrassy bowed suavely to Ian as they met outside Mennaval's door in the early evening of this day when the business was accomplished, the former coming out, the latter going in.

"Well, Stafford," Landrassy said in smooth tones and with a jerk of the head backward, "the tables are deserted, the croupier is going home. But perhaps you have not come to play?"

Ian smiled lightly. "I've come to get my winnings—as you say," he retorted.

Landrassy seemed to meditate pensively. "Ah yes, ah yes, but I'm not sure that Mennaval hasn't bolted with the bank and your winnings, too!"

His meaning was clear—and hateful. Before Ian had a chance to reply, Landrassy added in a low, confidential voice, saturated with sardonic suggestion, "To tell you the truth, I had ceased to reckon with women in diplomacy. I thought it was dropped with the Second Empire; but you have started a new dispensation—evidemment, evidemment. Still Mennaval goes home with your winnings. Eh bien, we have to pay for our game! Allons gai!"

Before Ian could reply—and what was there to say to insult couched in such highly diplomatic language?—Landrassy had stepped sedately away, swinging his gold-headed cane and humming to himself.

"Duelling had its merits," Ian said to himself, as soon as he had recovered from the first effect of the soft, savage insolence. "There is no way to deal with our Landrassys except to beat them, as I have done, in the business of life."

He tossed his head with a little pardonable pride, as it were, to soothe his heart, and then went in to Mennaval. There, in the arrangements to be made with Moravia he forgot the galling incident; and for hours afterward it was set aside. When, however, he left his club, his supper over, after scribbling letters which he put in his pocket absent-mindedly, and having completed his work at the Foreign Office, it came back to his mind with sudden and scorching force.

Landrassy's insult to Jasmine rankled as nothing had ever rankled in his mind before, not even that letter which she had written him so long ago announcing her intended marriage to Byng. He was fresh from the first triumph of his life: he ought to be singing with joy, shouting to the four corners of the universe his pride, walking on air, finding the world a good, kind place made especially for him—his oyster to open, his nut which he had cracked; yet here he was fresh from the applause of his chief, with a strange heaviness at his heart, a gloom upon his mind.

Victory in his great fight—and love; he had them both and so he said to himself as he opened the door of his rooms and entered upon their comfort and quiet. He had love, and he had success; and the one had helped to give him the other, helped in a way which was wonderful, and so brilliantly skilful and delicate. As he poured out a glass of water, however, the thought stung him that the nature of the success and its value depended on the nature of the love and its value. As the love was, so was the success, no higher, no different, since the one, in some deep way, begot the other. Yes, it was certain that the thing could not have been done at this time without Jasmine, and if not at this time, then the chances were a thousand to one that it never could be done at any time; for Britain's enemies would be on her back while she would have to fight in South Africa. The result of that would mean a shattered, humiliated land, with a people in pawn to the will of a rising power across the northern sea. That it had been prevented just in the nick of time was due to Jasmine, his fate, the power that must beat in his veins till the end of all things.

Yet what was the end to be? To-day he had buried his face in her wonderful cloud of hair and had kissed her; and with it, almost on the instant, had come the end of his great struggle for England and himself; and for that he was willing to pay any price that time and Nemesis might demand—any price save one.

As he thought of that one price his lips tightened, his brow clouded, his eyes half closed with shame.

Rudyard Byng was his friend, whose bread he had eaten, whom he had known since they were boys at school. He remembered acutely Rudyard's words to him that fateful night when he had dined with Jasmine alone—"You will have much to talk about, to say to each other, such old friends as you are." He recalled how Rudyard had left them, trusting them, happy in the thought that Jasmine would have a pleasant evening with the old friend who had first introduced him to her, and that the old friend would enjoy his eager hospitality. Rudyard had blown his friend's trumpet wherever men would listen to him; had proclaimed Stafford as the coming man: and this was what he had done to Rudyard!

This was what he had done; but what did he propose to do? What of the future? To go on in miserable intrigue, twisting the nature, making demands upon life out of all those usual ways in which walk love and companionship—paths that lead through gardens of poppies, maybe, but finding grey wilderness at the end? Never, never the right to take the loved one by the hand before all the world and say: "We two are one, and the reckoning of the world must be made with both." Never to have the right to stand together in pride before the wide-eyed many and say: "See what you choose to see, say what you choose to say, do what you choose to do, we do not care." The open sharing of worldly success; the inner joys which the world may not see—these things could not be for Jasmine and for him.

Yet he loved her. Every fibre in his being thrilled to the thought of her. But as his passion beat like wild music in his veins, a blindness suddenly stole into his sight, and in deep agitation he got up, opened the window, and looked out into the night. For long he stood gazing into the quiet street, and watched a daughter of the night, with dilatory steps and neglected mien, go up towards the more frequented quarter of Piccadilly. Life was grim in so much of it, futile in more, feeble at the best, foolish in the light of a single generation or a single century or a thousand years. It was only reasonable in the vast proportions of eternity. It had only little sips of happiness to give, not long draughts of joy. Who drank deep, long draughts—who of all the men and women he had ever known? Who had had the primrose path without the rain of fire, the cinders beneath the feet, the gins and the nets spread for them?

Yet might it not be that here and there people were permanently happy? And had things been different, might not he and Jasmine have been of the radiant few? He desired her above all things; he was willing to sacrifice all—all for her, if need be; and yet there was that which he could not, would not face. All or nothing—all or nothing. If he must drink of the cup of sorrow and passion mixed, then it would be from the full cup.

With a stifled exclamation he sat down and began to write. Again and again he stopped to think, his face lined and worn and old; then he wrote on and on. Ambition, hope, youth, the Foreign Office, the chancelleries of Europe, the perils of impending war, were all forgotten, or sunk into the dusky streams of subconsciousness. One thought dominated him. He was playing the game that has baffled all men, the game of eluding destiny; and, like all men, he must break his heart in the playing.

"Jasmine," he wrote, "this letter, this first real letter of love which I have ever written you, will tell you how great that love is. It will tell you, too, what it means to me, and what I see before us. To-day I surrendered to you all of me that would be worth your keeping, if it was so that you might take and keep it. When I kissed you, I set the seal upon my eternal offering to you. You have given me success. It is for that I thank you with all my soul, but it is not for that I love you. Love flows from other fountains than gratitude. It rises from the well which has its springs at the beginning of the world, where those beings lived who loved before there were any gods at all, or any faiths, or any truths save the truth of being.

"But it is because what I feel belongs to something in me deeper than I have ever known that, since we parted a few hours ago, I see all in a new light. You have brought to me what perhaps could only have come as it did—through fire and cloud and storm. I did not will it so, indeed, I did not wish it so, as you know; but it came in spite of all. And I shall speak to you of it as to my own soul. I want no illusions, no self-deception, no pretense to be added to my debt to you. With wide-open eyes I want to look at it. I know that this love of mine for you is my fate, the first and the last passion of my soul. And to have known it with all its misery,—for misery there must be; misery, Jasmine, there is—to have known it, to have felt it, the great overwhelming thing, goes far to compensate for all the loss it so terribly exposes. It has brought me, too, the fruit of life's ambition. With the full revelation of all that I feel for you came that which gives me place in the world, confers on me the right to open doors which otherwise were closed to me. You have done this for me, but what have I done for you? One thing at least is forced upon me, which I must do now while I have the sight to see and the mind to understand.

"I cannot go on with things as they are. I cannot face Rudyard and give myself to hourly deception. I think that yesterday, a month ago, I could have done so, but not now. I cannot walk the path which will be paved with things revolting to us both. My love for you, damnable as it would seem in the world's eyes, prevents it. It is not small enough to be sustained or made secure in its furfilment by the devices of intrigue. And I know that if it is so with me, it must be a thousand times so with you. Your beauty would fade and pass under the stress and meanness of it; your heart would reproach me even when you smiled; you would learn to hate me even when you were resting upon my hungry heart. You would learn to loathe the day when you said, Let me help you. Yet, Jasmine, I know that you are mine; that you were mine long ago, even when you did not know, and were captured by opportunity to do what, with me, you felt you could not do. You were captured by it; but it has not proved what it promised. You have not made the best of the power into which you came, and you could not do so, because the spring from which all the enriching waters of married life flow was dry. Poor Jasmine—poor illusion of a wild young heart which reached out for the golden city of the mirage!

"But now.... Two ways spread out, and only two, and one of these two I must take—for your sake. There is the third way, but I will not take it—for your sake and for my own. I will not walk in it ever. Already my feet are burned by the fiery path, already I am choked by the smoke and the ashes. No. I cannot atone for what has been, but I can try and gather up the chances that are left.

"You must come with me away—away, to start life afresh, somewhere, somehow; or I must go alone on some enterprise from which I shall not return. You cannot bear what is, but, together, having braved the world, we could look into each other's eyes without shrinking, knowing that we had been at least true to each other, true at the last to the thing that binds us, taking what Fate gave without repining, because we had faced all that the world could do against us. It would mean that I should leave diplomacy forever, give up all that so far has possessed me in the business of life; but I should not lament. I have done the one big thing I wanted to do, I have cut a swath in the field. I have made some principalities and powers reckon with me. It may be I have done all I was meant to do in doing that—it may be. In any case, the thing I did would stand as an accomplished work—it would represent one definite and original thing; one piece of work in design all my own, in accomplishment as much yours as mine.... To go then—together—with only the one big violence to the conventions of the world, and take the law into our own hands? Rudyard, who understands Life's violence, would understand that; what he could never understand would be perpetual artifice, unseemly secretiveness. He himself would have been a great filibuster in the olden days; he would have carried off the wives and daughters of the chiefs and kings he conquered; but he would never have stolen into the secret garden at night and filched with the hand of the sneak-thief—never.

"To go with me—away, and start afresh. There will be always work to do, always suffering humanity to be helped. We should help because we would have suffered, we should try to set right the one great mistake you made in not coming to me and so furfilling the old promise. To set that error right, even though it be by wronging Rudyard by one great stroke—that is better than hourly wronging him now with no surcease of that wrong. No, no, this cannot go on. You could not have it so. I seem to feel that you are writing to me now, telling me to begone forever, saying that you had given me gifts—success and love; and now to go and leave you in peace.

"Peace, Jasmine, it is that we cry for, pray for, adjure the heavens for in the end. And all this vast, passionate love of mine is the strife of the soul for peace, for fruition.

"That peace we may have in another way: that I should go forever, now, before the terrible bond of habit has done its work, and bound us in chains that never fall, that even remain when love is dead and gone, binding the cold cadre to the living pain. To go now, with something accomplished, and turn my back forever on the world, with one last effort to do the impossible thing for some great cause, and fail and be lost forever—do you not understand? Face it, Jasmine, and try to see it in its true light.... I have a friend, John Caxton—you know him. He is going to the Antarctic to find the futile thing, but the necessary thing so far as the knowledge of the world is concerned. With him, then, that long quiet and in the far white spaces to find peace—forever.

"You? . . . Ah, Jasmine, habit, the habit of enduring me, is not fixed, and in my exit there would be the agony of the moment, and then the comforting knowledge that I had done my best to set things right. Perhaps it is the one way to set things right; the fairest to you, the kindest, and that which has in it most love. The knowledge of a great love ended—yours and mine—would help you to give what you can give with fuller soul. And, maybe, to be happy with Rudyard at the last! Maybe, to be happy with him, without this wonderful throbbing pulse of being, but with quiet, and to get a measure of what is due to you in the scheme of things. Destiny gives us in life so much and no more: to some a great deal in a little time, to others a little over a great deal of time, but never the full cup and the shining sky over long years. One's share small it must be, but one's share! And it may be, in what has come to-day, in the hour of my triumph, in the business of life, in the one hour of revealing love, it may be I have had my share.... And if that is so, then peace should be my goal, and peace I can have yonder in the snows. No one would guess that it was not accident, and I should feel sure that I had stopped in time to save you from the worst. But it must be the one or the other.

"The third way I cannot, will not, take, nor would you take it willingly. It would sear your heart and spirit, it would spoil all that makes you what you are. Jasmine, once for all I am your lover and your friend. I give you love and I give you friendship—whatever comes; always that, always friendship. Tempus fugit sed amicitia est.

"In my veins is a river of fire, and my heart is wrenched with pain; but in my soul is that which binds me to you, together or apart, in life, in death.... Good-night.... Good-morrow.

"Your Man,

"IAN.

"P.S.—I will come for your reply at eleven to-morrow.

"IAN."

He folded the letter slowly and placed it in an envelope which was lying loose on the desk with the letters he had written at the Trafalgar Club, and had forgotten to post. When he had put the letter inside the envelope and stamped it, he saw that the envelope was one carrying the mark of the Club. By accident he had brought it with the letters written there. He hesitated a moment, then refrained from opening the letter again, and presently went out into the night and posted all his letters.



CHAPTER XIX

TO-MORROW . . . PREPARE!

Krool did not sleep. What he read in a letter he had found in a hallway, what he knew of those dark events in South Africa, now to culminate in a bitter war, and what, with the mysterious psychic instinct of race, he divined darkly and powerfully, all kept his eyes unsleeping and his mind disordered. More than any one, he knew of the inner story of the Baas' vrouw during the past week and years; also he had knowledge of what was soon to empty out upon the groaning earth the entrails of South Africa; but how he knew was not to be discovered. Even Rudyard, who thought he read him like a book, only lived on the outer boundaries of his character. Their alliance was only the durable alliance of those who have seen Death at their door, and together have driven him back.

Barry Whalen had regarded Krool as a spy; all Britishers who came and went in the path to Rudyard's door had their doubts or their dislike of him; and to every servant of the household he was a dark and isolated figure. He never interfered with the acts of his fellow-servants, except in so far as those acts affected his master's comfort; and he paid no attention to their words except where they affected himself.

"When you think it's a ghost, it's only Krool wanderin' w'ere he ain't got no business," was the angry remark of the upper-housemaid, whom his sudden appearance had startled in a dim passage one day.

"Lor'! what a turn you give me, Mr. Krool, spookin' about where there's no call for you to be," she had said to him, and below stairs she had enlarged upon his enormities greatly.

"And Mrs. Byng, she not like him better as we do," was the comment of Lablanche, the lady's maid. "A snake in the grass—that is what Madame think."

Slowly the night passed for Krool. His disturbed brain was like some dark wood through which flew songless birds with wings of night; through which sped the furtive dwellers of the grass and the earth-covert. The real and the imaginative crowded the dark purlieus. He was the victim of his blood, his beginnings off there beyond the Vaal, where the veld was swept by the lightning and the storm, the home of wild dreams, and of a loneliness terrible and strange, to which the man who once had tasted its awful pleasures returned and returned again, until he was, at the last, part of its loneliness, its woeful agitations and its reposeless quiet.

It was not possible for him to think or be like pure white people, to do as they did. He was a child of the kopje, the spruit, and the dun veld, where men dwelt with weird beings which were not men—presences that whispered, telling them of things to come, blowing the warnings of Destiny across the waste, over thousands and thousands of miles. Such as he always became apart and lonely because of this companionship of silence and the unseen. More and more they withdrew themselves, unwittingly and painfully, from the understanding and companionship of the usual matter-of-fact, commonplace, sensible people—the settler, the emigrant, and the British man. Sinister they became, but with the helplessness of those in whom the under-spirit of life has been working, estranging them, even against their will, from the rest of the world.

So Krool, estranged, lonely, even in the heart of friendly, pushing, jostling London, still was haunted by presences which whispered to him, not with the old clearness of bygone days, but with confused utterances and clouded meaning; and yet sufficient in dark suggestion for him to know that ill happenings were at hand, and that he would be in the midst of them, an instrument of Fate. All night strange shapes trooped past his clouded eyes, and more than once, in a half-dream, he called out to his master to help him as he was helped long ago when that master rescued him from death.

Long before the rest of the house was stirring, Krool wandered hither and thither through the luxurious rooms, vainly endeavouring to occupy himself with his master's clothes, boots, and belongings. At last he stole into Byng's room and, stooping, laid something on the floor; then reclaiming the two cables which Rudyard had read, crumpled up, and thrown away, he crept stealthily from the room. His face had a sombre and forbidding pleasure as he read by the early morning light the discarded messages with their thunderous warnings—"To-morrow . . . Prepare!"

He knew their meaning well enough. "To-morrow" was here, and it would bring the challenge from Oom Paul to try the might of England against the iron courage of those to whom the Vierkleur was the symbol of sovereignty from sea to sea and the ruin of the Rooinek.

"Prepare!" He knew vastly more than those responsible men in position or in high office, who should know a thousand times as much more. He knew so much that was useful—to Oom Paul; but what he knew he did not himself convey, though it reached those who welcomed it eagerly and grimly. All that he knew, another also near to the Baas also knew, and knew it before Krool; and reaped the reward of knowing.

Krool did not himself need to betray the Baas direct; and, with the reasoning of the native in him, he found it possible to let another be the means and the messenger of betrayal. So he soothed his conscience.

A little time before they had all gone to Glencader, however, he had discovered something concerning this agent of Paul Kruger in the heart of the Outlander camp, whom he employed, which had roused in him the worst passions of an outcast mind. Since then there had been no trafficking with the traitor—the double traitor, whom he was now plotting to destroy, not because he was a traitor to his country, but because he was a traitor to the Baas. In his evil way, he loved his master as a Caliban might love an Apollo. That his devotion took forms abnormal and savage in their nature was due to his origin and his blood. That he plotted to secure the betrayal of the Baas' country and the Outlander interest, while he would have given his life for the Baas, was but the twisted sense of a perverted soul.

He had one obsession now—to destroy Adrian Fellowes, his agent for Paul Kruger in the secret places of British policy and in the house of the Partners, as it were. But how should it be done? What should be the means? On the very day in which Oom Paul would send his ultimatum, the means came to his hand.

"Prepare!" the cable to the Baas had read. The Baas would be prepared for the thunderbolt to be hurled from Pretoria; but he would have no preparation for the thunderbolt which would fall at his feet this day in this house, where white roses welcomed the visitor at the door-way and the beauty of Titians and Botticellis and Rubens' and Goyas greeted him in the luxuriant chambers. There would be no preparation for that war which rages most violently at a fireside and in the human heart.



CHAPTER XX

THE FURNACE DOOR

It was past nine o'clock when Rudyard wakened. It was nearly ten before he turned to leave his room for breakfast. As he did so he stooped and picked up an open letter lying on the floor near the door.

His brain was dazed and still surging with the terrible thoughts which had agonized him the night before. He was as in a dream, and was only vaguely conscious of the fugitive letter. He was wondering whether he would go at once to Jasmine or wait until he had finished breakfast. Opening the door of his room, he saw the maid entering to Jasmine with a gown over her arm.

No, he would not go to her till she was alone, till she was dressed and alone. Then he would tell her all, and take her in his arms, and talk with her—talk as he had never talked before. Slowly, heavily, he went to his study, where his breakfast was always eaten. As he sat down he opened, with uninterested inquiry, the letter he had picked up inside the door of his room. As he did so he vaguely wondered why Krool had overlooked it as he passed in and out. Perhaps Krool had dropped it. His eyes fell on the opening words. . . His face turned ashen white. A harsh cry broke from him.

At eleven o'clock to the minute Ian Stafford entered Byng's mansion and was being taken to Jasmine's sitting-room, when Rudyard appeared on the staircase, and with a peremptory gesture waved the servant away. Ian was suddenly conscious of a terrible change in Rudyard's appearance. His face was haggard and his warm colour had given place to a strange blackish tinge which seemed to underlie the pallor—the deathly look to be found in the faces of those stricken with a mortal disease. All strength and power seemed to have gone from the face, leaving it tragic with uncontrolled suffering. Panic emotion was uppermost, while desperate and reckless purpose was in his eyes. The balance was gone from the general character and his natural force was like some great gun loose from its fastenings on the deck of a sea-stricken ship. He was no longer the stalwart Outlander who had done such great work in South Africa and had such power in political London and in international finance. The demoralization which had stealthily gone on for a number of years was now suddenly a debacle of will and body. Of the superb physical coolness and intrepid mind with which he had sprung upon the stage of Covent Garden Opera House to rescue Al'mah nothing seemed left; or, if it did remain, it was shocked out of its bearings. His eyes were almost glassy as he looked at Ian Stafford, and animal-like hatred was the dominating note of his face and carriage.

"Come with me, Stafford: I want to speak to you," he said, hoarsely. "You've arrived when I wanted you—at the exact time."

"Yes, I said I would come at eleven," responded Stafford, mechanically. "Jasmine expects me at eleven."

"In here," Byng said, pointing to a little morning-room.

As Stafford entered, he saw Krool's face, malign and sombre, show in a doorway of the hall. Was he mistaken in thinking that Krool flashed a look of secret triumph and yet of obscure warning? Warning? There was trouble, strange and dreadful trouble, here; and the wrenching thought had swept into his brain that he was the cause of it all, that he was to be the spring and centre of dreadful happenings.

He was conscious of something else purely objective as he entered the room—of music, the music of a gay light opera being played in the adjoining room, from which this little morning-room was separated only by Indian bead-curtains. He saw idle sunlight play upon these beads, as he sat down at the table to which Rudyard motioned him. He was also subconsciously aware who it was that played the piano beyond there with such pleasant skill. Many a time thereafter, in the days to come, he would be awakened in the night by the sound of that music, a love-song from the light opera "A Lady of London," which had just caught the ears of the people in the street.

Of one thing he was sure: the end of things had come—the end of all things that life meant to him had come. Rudyard knew! Rudyard, sitting there at the other side of the table and leaning toward him with a face where, in control of all else, were hate and panic emotion—he knew.

The music in the next room was soft, persistent and searching. As Ian waited for Rudyard to speak he was conscious that even the words of the silly, futile love-song:

"Not like the roses shall our love be, dear Never shall its lovely petals fade, Singing, it will flourish till the world's last year Happy as the song-birds in the glade."

Through it all now came Rudyard's voice.

"I have a letter here," the voice said, and he saw Rudyard slowly take it from his pocket. "I want you to read it, and when you have read it, I want you to tell me what you think of the man who wrote it."

He threw a letter down on the table—a square white envelope with the crest of the Trafalgar Club upon it. It lay face downward, waiting for his hand.

So it had come. His letter to Jasmine which told all—Rudyard had read it. And here was the end of everything—the roses faded before they had bloomed an hour. It was not for them to flourish "till the world's last year."

His hand reached out for the letter. With eyes almost blind he raised it, and slowly and mechanically took the document of tragedy from the envelope. Why should Rudyard insist on his reading it? It was a devilish revenge, which he could not resent. But time—he must have time; therefore he would do Rudyard's bidding, and read this thing he had written, look at it with eyes in which Penalty was gathering its mists.

So this was the end of it all—friendship gone with the man before him; shame come to the woman he loved; misery to every one; a home-life shattered; and from the souls of three people peace banished for evermore.

He opened out the pages with a slowness that seemed almost apathy, while the man opposite clinched his hands on the table spasmodically. Still the music from the other room with cheap, flippant sensuousness stole through the burdened air:

"Singing, it will flourish till the world's last year—"

He looked at the writing vaguely, blindly. Why should this be exacted of him, this futile penalty? Then all at once his sight cleared; for this handwriting was not his—this letter was not his; these wild, passionate phrases—this terrible suggestiveness of meaning, these references to the past, this appeal for further hours of love together, this abjectly tender appeal to Jasmine that she would wear one of his white roses when he saw her the next day—would she not see him between eleven and twelve o'clock?—all these words were not his.

They were written by the man who was playing the piano in the next room; by the man who had come and gone in this house like one who had the right to do so; who had, as it were, fed from Rudyard Byng's hand; who lived on what Byng paid him; who had been trusted with the innermost life of the household and the life and the business of the master of it.

The letter was signed, Adrian.

His own face blanched like the face of the man before him. He had braced himself to face the consequences of his own letter to the woman he loved, and he was face to face with the consequences of another man's letter to the same woman, to the woman who had two lovers. He was face to face with Rudyard's tragedy, and with his own.... She, Jasmine, to whom he had given all, for whom he had been ready to give up all—career, fame, existence—was true to none, unfaithful to all, caring for none, but pretending to care for all three—and for how many others? He choked back a cry.

"Well—well?" came the husband's voice across the table. "There's one thing to do, and I mean to do it." He waved a hand towards the music-room. "He's in the next room there. I mean to kill him—to kill him—now. I wanted you to know why, to know all, you, Stafford, my old friend and hers. And I'm going to do it now. Listen to him there!"

His words came brokenly and scarce above a whisper, but they were ghastly in their determination, in their loathing, their blind fury. He was gone mad, all the animal in him alive, the brain tossing on a sea of disorder.

"Now!" he said, suddenly, and, rising, he pushed back his chair. "Give that to me."

He reached out his hand for the letter, but his confused senses were suddenly arrested by the look in Ian Stafford's face, a look so strange, so poignant, so insistent, that he paused. Words could not have checked his blind haste like that look. In the interval which followed, the music from the other room struck upon the ears of both, with exasperating insistence:

"Not like the roses shall our love be, dear—"

Stafford made no motion to return the letter. He caught and held Rudyard's eyes.

"You ask me to tell you what I think of the man who wrote this letter," he said, thickly and slowly, for he was like one paralyzed, regaining his speech with blanching effort: "Byng, I think what you think—all you think; but I would not do what you want to do."

As he had read the letter the whole horror of the situation burst upon him. Jasmine had deceived her husband when she turned to himself, and that was to be understood—to be understood, if not to be pardoned. A woman might marry, thinking she cared, and all too soon, sometimes before the second day had dawned, learn that shrinking and repugnance which not even habit can modify or obscure. A girl might be mistaken, with her heart and nature undeveloped, and with that closer intimate life with another of another sex still untried. With the transition from maidenhood to wifehood, fateful beyond all transitions, yet unmade, she might be mistaken once; as so many have been in the revelations of first intimacy; but not twice, not the second time. It was not possible to be mistaken in so vital a thing twice. This was merely a wilful, miserable degeneracy. Rudyard had been wronged—terribly wronged—by himself, by Jasmine; but he had loved Jasmine since she was a child, before Rudyard came—in truth, he all but possessed her when Rudyard came; and there was some explanation, if no excuse, for that betrayal; but this other, it was incredible, it was monstrous. It was incredible but yet it was true. Thoughts that overturned all his past, that made a melee of his life, rushed and whirled through his mind as he read the letter with assumed deliberation when he saw what it was. He read slowly that he might make up his mind how to act, what to say and do in this crisis. To do—what? Jasmine had betrayed him long ago when she had thrown him over for Rudyard, and now she had betrayed him again after she had married Rudyard, and betrayed Rudyard, too; and for whom this second betrayal? His heart seemed to shrink to nothingness. This business dated far beyond yesterday. The letter furnished that sure evidence.

What to do? Like lightning his mind was made up. What to do? Ah, but one thing to do—only one thing to do—save her at any cost, somehow save her! Whatever she was, whatever she had done, however she had spoiled his life and destroyed forever his faith, yet he too had betrayed this broken man before him, with the look in his eyes of an animal at bay, ready to do the last irretrievable thing. Even as her shameless treatment of himself smote him; lowered him to that dust which is ground from the heels of merciless humanity—even as it sickened his soul beyond recovery in this world, up from the lowest depths of his being there came the indestructible thing. It was the thing that never dies, the love that defies injury, shame, crime, deceit, and desertion, and lives pityingly on, knowing all, enduring all, desiring no touch, no communion, yet prevailing—the indestructible thing.

He knew now in a flash what he had to do. He must save her. He saw that Rudyard was armed, and that the end might come at any moment. There was in the wronged husband's eyes the wild, reckless, unseeing thing which disregards consequences, which would rush blindly on the throne of God itself to snatch its vengeance. He spoke again: and just in time.

"I think what you think, Byng, but I would not do what you want to do. I would do something else."

His voice was strangely quiet, but it had a sharp insistence which caused Rudyard to turn back mechanically to the seat he had just left. Stafford saw the instant's advantage which, if he did not pursue, all would be lost. With a great effort he simulated intense anger and indignation.

"Sit down, Byng," he said, with a gesture of authority. He leaned over the table, holding the other's eyes, the letter in one clinched hand. "Kill him—," he said, and pointed to the other room, from which came the maddening iteration of the jingling song—"you would kill him for his hellish insolence, for this infamous attempt to lead your wife astray, but what good will it do to kill him?"

"Not him alone, but her too," came the savage, uncontrolled voice from the uncontrolled savagery of the soul.

Suddenly a great fear shot up in Stafford's heart. His breath came in sharp, breaking gasps. Had he—had he killed Jasmine?

"You have not—not her?"

"No—not yet." The lips of the avenger suddenly ceased twitching, and they shut with ominous certainty.

An iron look came into Stafford's face. He had his chance now. One word, one defense only! It would do all, or all would be lost—sunk in a sea of tragedy. Diplomacy had taught him the gift of control of face and gesture, of meaning in tone and word. He made an effort greater than he had ever put forward in life. He affected an enormous and scornful surprise.

"You think—you dare to think that she—that Jasmine—"

"Think, you say! The letter—that letter—"

"This letter—this letter, Byng—are you a fool? This letter, this preposterous thing from the universal philanderer, the effeminate erotic! It is what it is, and it is no more. Jasmine—you know her. Indiscreet—yes; always indiscreet in her way, in her own way, and always daring. A coquette always. She has coquetted all her life; she cannot help it. She doesn't even know it. She led him on from sheer wilfulness. What did it matter to her that he was of no account! She led him on, to be at her feet like the rest, like bigger and better men—like us all. Was there ever a time when she did not want to master us? She has coquetted since—ah, you do not know as I do, her old friend! She has coquetted since she was a little child. Coquetted, and no more. We have all been her slaves—yes, long before you came—all of us. Look at Mennaval! She—"

With a distracted gesture Byng interrupted. "The world believes the worst. Last night, by accident, I heard at De Lancy Scovel's house that she and Mennaval—and now this—!"

But into the rage, the desperation in the wild eyes, was now creeping an eager look—not of hope, but such a look as might be in eyes that were striving to see through darkness, looking for a glimmer of day in the black hush of morning before the dawn. It was pitiful to see the strong man tossing on the flood of disordered understanding, a willing castaway, yet stretching out a hand to be saved.

"Oh, last night, Mennaval, you say, and to-day—this!" Stafford held up the letter. "This means nothing against her, except indiscretion, and indiscretion which would have been nothing if the man had not been what he is. He is of the slime. He does not matter, except that he has dared—!"

"He has dared, by God—!"

All Byng's rage came back, the lacerated pride, the offended manhood, the self-esteem which had been spattered by the mud of slander, by the cynical defense, or the pitying solicitude of his friends—of De Lancy Scovel, Barry Whalen, Sobieski the Polish Jew, Fleming, Wolff, and the rest. The pity of these for him—for Rudyard Byng, because the flower in his garden, his Jasmine-flower, was swept by the blast of calumny! He sprang from his chair with an ugly oath.

But Stafford stepped in front of him. "Sit down, Byng, or damn yourself forever. If she is innocent—and she is—do you think she would ever live with you again, after you had dragged her name into the dust of the criminal courts and through the reek of the ha'penny press? Do you think Jasmine would ever forgive you for suspecting her? If you want to drive her from you forever, then kill him, and go and tell her that you suspect her. I know her—I have known her all her life, long before you came. I care what becomes of her. She has many who care what becomes of her—her father, her brother, many men, and many women who have seen her grow up without a mother. They understand her, they believe in her, because they have known her over all the years. They know her better than you. Perhaps they care for her— perhaps any one of them cares for her far more than you do."

Now there came a new look into the big, staring eyes. Byng was as one fascinated; light was breaking in on his rage, his besmirched pride, his vengeance; hope was stealing tremblingly into his face.

"She was more to me than all the world—than twenty worlds. She—"

He hesitated, then his voice broke and his body suddenly shook violently, as tears rose in the far, deep wells of feeling and tried to reach the fevered eyes. He leaned his head in his big, awkward hands.

Stafford saw the way of escape for Jasmine slowly open out, and went on quickly. "You have neglected her "—Rudyard's head came up in angry protest—"not wilfully; but you have neglected her. You have been too easy. You should lead, not follow, where a woman is concerned. All women are indiscreet, all are a little dishonourable on opportunity; but not in the big way, only in the small, contemptible way, according to our code. We men are dishonourable in the big way where they are concerned. You have neglected her, Byng, because you have not said, 'This way, Jasmine. Come with me. I want you; and you must came, and come now.' She wanted your society, wanted you all the time; but while you did not have her on the leash she went playing—playing. That is it, and that is all. And now, if you want to keep her, if you want her to live on with you, I warn you not to tell her you know of the insult this letter contains, nor ever say what would make her think you suspected her. If you do, you will bid good-bye to her forever. She has bold blood in her veins, rash blood. Her grandfather—"

"I know—I know." The tone was credulous, understanding now. Hope stole into the distorted face.

"She would resent your suspicion. She, then, would do the mad thing, not you. She would be as frenzied as you were a moment ago; and she would not listen to reason. If you dared to hint outside in the world, that you believed her guilty, there are some of her old friends who would feel like doing to you what you want to do to that libertine in there, to Al'mah's lover—"

"Good God, Stafford—wait!"

"I don't mean Barry Whalen, Fleming, De Lancy Scovel, and the rest. They are not her old friends, and they weren't yours once—that breed; but the others who are the best, of whom you come, over there in Herefordshire, in Dorset, in Westmorland, where your and her people lived, and mine. You have been too long among the Outlanders, Byng. Come back, and bring Jasmine with you. And as for this letter—"

Byng reached out his hand for it.

"No, it contains an insult to your wife. If you get it into your hands, you will read it again, and then you will do some foolish thing, for you have lost grip of yourself. Here is the only place for such stuff—an outburst of sensuality!"

He threw the letter suddenly into the fire. Rudyard sprang to his feet as though to reclaim it, but stood still bewildered, as he saw Stafford push it farther into the coals.

Silent, they watched shrivel such evidence as brings ruin upon men and women in courts of law.

"Leave the whole thing—leave Fellowes to me," Stafford said, after a slight pause. "I will deal with him. He shall leave the country to-night. I will see to that. He shall go for three years at least. Do not see him. You will not contain yourself, and for your own chance of happiness with the woman you love, you must do nothing, nothing at all now."

"He has keys, papers—"

"I will see to that; I will see to everything. Now go, at once. There is enough for you to do. The war, Oom Paul's war, will be on us to day. Do you hear, Byng—to-day! And you have work to do for this your native country and for South Africa, your adopted country. England and the Transvaal will be at each other's throat before night. You have work to do. Do it. You are needed. Go, and leave this wretched business in my hands. I will deal with Fellowes—adequately."

The rage had faded from Byng's fevered eyes, and now there was a moisture in them, a look of incalculable relief. To believe in Jasmine, that was everything to him. He had not seen her yet, not since he left the white rose on her pillow last night—Adrian Fellowes' tribute; and after he had read the letter, he had had no wish to see her till he had had his will and done away with Fellowes forever. Then he would see her—for the last time: and she should die, too,—with himself. That had been his purpose. Now all was changed. He would not see her now, not till Fellowes was gone forever. Then he would come again, and say no word which would let her think he knew what Fellowes had written. Yes, Stafford was right. She must not know, and they must start again, begin life again together, a new understanding in his heart, new purposes in their existence. In these few minutes Stafford had taught him much, had showed him where he had been wrong, had revealed to him Jasmine's nature as he never really understood it.

At the door, as Stafford helped him on with a light overcoat, he took a revolver from his pocket.

"That's the proof of what I meant to do," he said; "and this is proof of what I mean to do," he added, as he handed over the revolver and Stafford's fingers grasped it with a nervous force which he misinterpreted.

"Ah yes," he exclaimed, sadly, "you don't quite trust me yet—not quite, Stafford; and I don't wonder; but it's all right.... You've been a good, good friend to us both," he added. "I wish Jasmine might know how good a friend you've been. But never mind. We'll pay the debt sometime, somehow, she and I. When shall I see you again?"

At that moment a clear voice rang out cheerily in the distance. "Rudyard—where are you, Ruddy?" it called.

A light broke over Byng's haggard face. "Not yet?" he asked Stafford.

"No, not yet," was the reply, and Byng was pushed through the open door into the street.

"Ruddy—where are you, Ruddy?" sang the voice like a morning song.

Then there was silence, save for the music in the room beyond the little room where the two men had sat a few moments ago.

The music was still poured forth, but the tune was changed. Now it was "Pagliacci"—that wonderful passage where the injured husband pours out his soul in agony.

Stafford closed the doors of the little room where he and Byng had sat, and stood an instant listening to the music. He shuddered as the passionate notes swept over his senses. In this music was the note of the character of the man who played—sensuous emotion, sensual delight. There are men who by nature are as the daughters of the night, primary prostitutes, with no minds, no moral sense; only a sensuous organization which has a gift of shallow beauty, while the life is never deep enough for tears nor high enough for real joy.

In Stafford's pocket was the revolver which Byng had given him. He took it out, and as he did so, a flush swept over his face, and every nerve of his body tingled.

"That way out?" he thought. "How easy—and how selfish.... If one's life only concerned oneself.... But it's only partly one's own from first to last." . . . Then his thoughts turned again to the man who was playing "Pagliacci." "I have a greater right to do it than Byng, and I'd have a greater joy in doing it; but whatever he is, it is not all his fault." Again he shuddered. "No man makes love like that to a woman unless she lets him, . . . until she lets him." Then he looked at the fire where the cruel testimony had shrivelled into smoke. "If it had been read to a jury . . . Ah, my God! How many he must have written her like that ... How often...."

With an effort he pulled himself together. "What does it matter now! All things have come to an end for me. There is only one way. My letter to her showed it. But this must be settled first. Then to see her for the last time, to make her understand...."

He went to the beaded curtain, raised it, and stepped into the flood of warm sunlight. The voluptuous, agonizing music came in a wave over him. Tragedy, poignant misery, rang through every note, swelled in a stream which drowned the senses. This man-devil could play, Stafford remarked, cynically, to himself.

"A moment—Fellowes," he said, sharply.

The music frayed into a discord and stopped.



CHAPTER XXI

THE BURNING FIERY FURNACE

There was that in Stafford's tone which made Fellowes turn with a start. It was to this room that Fellowes had begged Jasmine to come this morning, in the letter which Krool had so carefully placed for his master to find, after having read it himself with minute scrutiny. It was in this room they had met so often in those days when Rudyard was in South Africa, and where music had been the medium of an intimacy which had nothing for its warrant save eternal vanity and curiosity, the evil genius of the race of women. Here it was that Krool's antipathy to Jasmine and fierce hatred of Fellowes had been nurtured. Krool had haunted the room, desiring the end of it all; but he had been disarmed by a smiling kindness on Jasmine's part, which shook his purpose again and again.

It had all been a problem which Krool's furtive mind failed to master. If he went to the Baas with his suspicions, the chance was that he would be flayed with a sjambok and turned into the streets; if he warned Jasmine, the same thing might happen, or worse. But fate had at last played into his hands, on the very day that Oom Paul had challenged destiny, when all things were ready for the ruin of the hated English.

Fate had sent him through the hallway between Jasmine's and Rudyard's rooms in the moment when Jasmine had dropped Fellowes' letter; and he had seen it fall. He knew not what it was, but it might be of importance, for he had seen Fellowes' handwriting on an envelope among those waiting for Jasmine's return home. In a far dark corner he had waited till he saw Lablanche enter her mistress' room hurriedly, without observing the letter. Then he caught it up and stole away to the library, where he read it with malevolent eyes.

He had left this fateful letter where Rudyard would see it when he rose in the morning. All had worked out as he had planned, and now, with his ear against the door which led from the music-room, he strained to hear what passed between Stafford and Fellowes.

"Well, what is it?" asked Fellowes, with an attempt to be casual, though there was that in Stafford's face which gave him anxiety, he knew not why. He had expected Jasmine, and, instead, here was Stafford, who had been so much with her of late; who, with Mennaval, had occupied so much of her time that she had scarcely spoken to him, and, when she did so, it was with a detachment which excluded him from intimate consideration.

His face wore a mechanical smile, as his pale blue eyes met the dark intensity of Stafford's. But slowly the peach-bloom of his cheeks faded and his long, tapering fingers played nervously with the leather-trimming of the piano-stool.

"Anything I can do for you, Stafford?" he added, with attempted nonchalance.

"There is nothing you can do for me," was the meaning reply, "but there is something you can do advantageously for yourself, if you will think it worth while."

"Most of us are ready to do ourselves good turns. What am I to do?"

"You will wish to avoid it, and yet you will do yourself a good turn in not avoiding it."

"Is that the way you talk in diplomatic circles—cryptic, they call it, don't they?"

Stafford's chin hardened, and a look of repulsion and disdain crossed over his face.

"It is more cryptic, I confess, than the letter which will cause you to do yourself a good turn."

Now Fellowes' face turned white. "What letter?" he asked, in a sharp, querulous voice.

"The letter you wrote Mrs. Byng from the Trafalgar Club yesterday."

Fellowes made a feint, an attempt at bravado. "What business is it of yours, anyhow? What rights have you got in Mrs. Byng's letters?"

"Only what I get from a higher authority."

"Are you in sweet spiritual partnership with the Trinity?"

"The higher authority I mean is Mr. Byng. Let us have no tricks with words, you fool."

Fellowes made an ineffective attempt at self-possession.

"What the devil . . . why should I listen to you?" There was a peevish stubbornness in the tone.

"Why should you listen to me? Well, because I have saved your life. That should be sufficient reason for you to listen."

"Damnation—speak out, if you've got anything to say! I don't see what you mean, and you are damned officious. Yes, that's it—damned officious." The peevishness was becoming insolent recklessness.

Slowly Stafford drew from his pocket the revolver Rudyard had given him. As Fellowes caught sight of the glittering steel he fell back against the piano-stool, making a clatter, his face livid.

Stafford's lips curled with contempt. "Don't squirm so, Fellowes. I'm not going to use it. But Mr. Byng had it, and he was going to use it. He was on his way to do it when I appeared. I stopped him . . . I will tell you how. I endeavoured to make him believe that she was absolutely innocent, that you had only been an insufferably insolent, presumptuous, and lecherous cad—which is true. I said that, though you deserved shooting, it would only bring scandal to Rudyard Byng's honourable wife, who had been insulted by the lover of Al'mah and the would-be betrayer of an honest girl—of Jigger's sister.... Yes, you may well start. I know of what stuff you are, how you had the soul and body of one of the most credulous and wonderful women in the world in your hands, and you went scavenging. From Al'mah to the flower-girl! . . . I think I should like to kill you myself for what you tried to do to Jigger's sister; and if it wasn't here"—he handled the little steel weapon with an eager fondness—" I think I'd do it. You are a pest."

Cowed, shivering, abject, Fellowes nervously fell back. His body crashed upon the keys of the piano, producing a hideous discord. Startled, he sprang aside and with trembling hands made gestures of appeal.

"Don't—don't! Can't you see I'm willing! What is it you want me to do? I'll do it. Put it away.... Oh, my God—Oh!" His bloodless lips were drawn over his teeth in a grimace of terror.

With an exclamation of contempt Stafford put the weapon back into his pocket again. "Pull yourself together," he said. "Your life is safe for the moment; but I can say no more than that. After I had proved the lady's innocence—you understand, after I had proved the lady's innocence to him—"

"Yes, I understand," came the hoarse reply.

"After that, I said I would deal with you; that he could not be trusted to do so. I said that you would leave England within twenty-four hours, and that you would not return within three years. That was my pledge. You are prepared to fulfil it?"

"To leave England! It is impossible—"

"Perhaps to leave it permanently, and not by the English Channel, either, might be worse," was the cold, savage reply. "Mr. Byng made his terms."

Fellowes shivered. "What am I to do out of England—but, yes, I'll go, I'll go," he added, as he saw the look in Stafford's face and thought of the revolver so near to Stafford's hand.

"Yes, of course you will go," was the stern retort. "You will go, just as I say."

"What shall I do abroad?" wailed the weak voice.

"What you have always done here, I suppose—live on others," was the crushing reply. "The venue will be changed, but you won't change, not you. If I were you, I'd try and not meet Jigger before you go. He doesn't know quite what it is, but he knows enough to make him reckless."

Fellowes moved towards the door in a stumbling kind of way. "I have some things up-stairs," he said.

"They will be sent after you to your chambers. Give me the keys to the desk in the secretary's room."

"I'll go myself, and—"

"You will leave this house at once, and everything will be sent after you—everything. Have no fear. I will send them myself, and your letters and private papers will not be read.... You feel you can rely on me for that—eh?"

"Yes . . . I'll go now . . . abroad . . . where?"

"Where you please outside the United Kingdom."

Fellowes passed heavily out through the other room, where his letter had been read by Stafford, where his fate had been decided. He put on his overcoat nervously and went to the outer door.

Stafford came up to him again. "You understand, there must be no attempt to communicate here.... You will observe this?"

Fellowes nodded. "Yes, I will.... Good-night," he added, absently.

"Good-day," answered Stafford, mechanically.

The outer door shut, and Stafford turned again to the little room where so much had happened which must change so many lives, bring so many tears, divert so many streams of life.

How still the house seemed now! It had lost all its charm and homelikeness. He felt stifled. Yet there was the warm sun streaming through the doorway of the music-room, making the beaded curtains shine like gold.

As he stood in the doorway of the little morning-room, looking in with bitter reflection and dreading beyond words what now must come—his meeting with Jasmine, the story he must tell her, and the exposure of a truth so naked that his nature revolted from it, he heard a footstep behind him. It was Krool.

Stafford looked at the saturnine face and wondered how much he knew; but there was no glimmer of revelation in Krool's impassive look. The eyes were always painful in their deep animal-like glow, and they seemed more than usually intense this morning; that was all.

"Will you present my compliments to Mrs. Byng, and say—"

Krool, with a gesture, stopped him.

"Mrs. Byng is come now," he said, making a gesture towards the staircase. Then he stole away towards the servants' quarters of the house. His work had been well done, of its kind, and he could now await consequences.

Stafford turned to the staircase and saw—in blue, in the old sentimental blue—Jasmine slowly descending, a strange look of apprehension in her face.

Immediately after calling out for Rudyard a little while before, she had discovered the loss of Adrian Fellowes' letter. Hours before this she had read and re-read Ian's letter, that document of pain and purpose, of tragical, inglorious, fatal purpose. She was suddenly conscious of an air of impending catastrophe about her now. Or was it that the catastrophe had come? She had not asked for Adrian Fellowes' letter, for if any servant had found it, and had not returned it, it was useless asking; and if Rudyard had found it—if Rudyard had found it . . . !

Where was Rudyard? Why had he not come to her, Why had he not eaten the breakfast which still lay untouched on the table of his study? Where was Rudyard?

Ian's eyes looked straight into hers as she came down the staircase, and there was that in them which paralyzed her. But she made an effort to ignore the apprehension which filled her soul.

"Good-morning. Am I so very late?" she said, gaily, to him, though there was a hollow note in her voice.

"You are just in time," he answered in an even tone which told nothing.

"Dear me, what a gloomy face! What has happened? What is it? There seems to be a Cassandra atmosphere about the place—and so early in the day, too."

"It is full noon—and past," he said, with acute meaning, as her daintily shod feet met the floor of the hallway and glided towards him. How often he had admired that pretty flitting of her feet!

As he looked at her he was conscious, with a new force, of the wonder of that hair on a little head as queenly as ever was given to the modern world. And her face, albeit pale, and with a strange tremulousness in it now, was like that of some fairy dame painted by Greuze. All last night's agony was gone from the rare blue eyes, whose lashes drooped so ravishingly betimes, though that droop was not there as she looked at Ian now.

She beat a foot nervously on the floor. "What is it—why this Euripidean air in my simple home? There's something wrong, I see. What is it? Come, what is it, Ian?"

Hesitatingly she laid a hand upon his arm, but there was no loving-kindness in his look. The arms which yesterday—only yesterday—had clasped her passionately and hungrily to his breast now hung inert at his side. His eyes were strange and hard.

"Will you come in here," he said, in an arid voice, and held wide the door of the room where he and Rudyard had settled the first chapter of the future and closed the book of the past.

She entered with hesitating step. Then he shut the door with an accentuated softness, and came to the table where he had sat with Rudyard. Mechanically she took the seat which Rudyard had occupied, and looked at him across the table with a dread conviction stealing over her face, robbing it of every vestige of its heavenly colour, giving her eyes a staring and solicitous look.

"Well, what is it? Can't you speak and have it over?" she asked, with desperate impatience.

"Fellowes' letter to you—Rudyard found it," he said, abruptly.

She fell back as though she had been struck, then recovered herself. "You read it?" she gasped.

"Rudyard made me read it. I came in when he was just about to kill Fellowes."

She gave a short, sharp cry, which with a spasm of determination her fingers stopped.

"Kill him—why?" she asked in a weak voice, looking down at her trembling hands which lay clasped on the table before her.

"The letter—Fellowes' letter to you."

"I dropped it last night," she said, in a voice grown strangely impersonal and colourless. "I dropped it in Rudyard's room, I suppose."

She seemed not to have any idea of excluding the terrible facts, but to be speaking as it were to herself and of something not vital, though her whole person was transformed into an agony which congealed the lifeblood.

Her voice sounded tuneless and ragged. "He read it—Rudyard read a letter which was not addressed to him! He read a letter addressed to me—he read my letter.... It gave me no chance."

"No chance—?"

A bitter indignation was added to the cheerless discord of her tones. "Yes, I had a chance, a last chance—if he had not read the letter. But now, there is no chance.... You read it, too. You read the letter which was addressed to me. No matter what it was—my letter, you read it."

"Rudyard said to me in his terrible agitation, 'Read that letter, and then tell me what you think of the man who wrote it.' . . . I thought it was the letter I wrote to you, the letter I posted to you last night. I thought it was my letter to you."

Her eyes had a sudden absent look. It was as though she were speaking in a trance. "I answered that letter—your letter. I answered it this morning. Here is the answer . . . here." She laid a letter on the table before him, then drew it back again into her lap. "Now it does not matter. But it gives me no chance...."

There was a world of despair and remorse in her voice. Her face was wan and strained. "No chance, no chance," she whispered.

"Rudyard did not kill him?" she asked, slowly and cheerlessly, after a moment, as though repeating a lesson. "Why?"

"I stopped him. I prevented him."

"You prevented him—why?" Her eyes had a look of unutterable confusion and trouble. "Why did you prevent it—you?"

"That would have hurt you—the scandal, the grimy press, the world."

Her voice was tuneless, and yet it had a strange, piteous poignancy. "It would have hurt me—yes. Why did you not want to hurt me?"

He did not answer. His hands had gone into his pockets, as though to steady their wild nervousness, and one had grasped the little weapon of steel which Rudyard had given him. It produced some strange, malignant effect on his mind. Everything seemed to stop in him, and he was suddenly possessed by a spirit which carried him into that same region where Rudyard had been. It was the region of the abnormal. In it one moves in a dream, majestically unresponsive to all outward things, numb, unconcerned, disregarding all except one's own agony, which seems to neutralize the universe and reduce all life's problems to one formula of solution.

"What did you say to him that stopped him?" she asked in a whisper of awed and dreadful interest, as, after an earthquake, a survivor would speak in the stillness of dead and unburied millions.

"I said the one thing to say," he answered after a moment, involuntarily laying the pistol on the table before him—doing it, as it were, without conscious knowledge.

It fascinated Jasmine, the ugly, deadly little vehicle of oblivion. Her eyes fastened on it, and for an instant stared at it transfixed; then she recovered herself and spoke again.

"What was the one thing to say?" she whispered.

"That you were innocent—absolutely, that—"

Suddenly she burst into wild laughter—shrill, acrid, cheerless, hysterical, her face turned upward, her hands clasped under her chin, her body shaking with what was not laughter, but the terrifying agitation of a broken organism.

He waited till she had recovered somewhat, and then he repeated his words.

"I said that you were innocent absolutely; that Fellowes' letter was the insolence and madness of a voluptuary, that you had only been wilful and indiscreet, and that—"

In a low, mechanical tone from which was absent any agitation, he told her all he had said to Rudyard, and what Rudyard had said to him. Every word had been burned into his brain, and nearly every word was now repeated, while she sat silent, looking at her hands clasped on the table before her. When he came to the point where Rudyard went from the house, leaving Stafford to deal with Fellowes, she burst again into laughter, mocking, wilful, painful.

"You were left to set things right, to be the lord high executioner—you, Ian!"

How strange his name sounded on her lips now—foreign, distant, revealing the nature of the situation more vividly than all the words which had been said, than all that had been done.

"Rudyard did not think of killing you, I suppose," she went on, presently, with a bitter motion of the lips, and a sardonic note creeping into the voice.

"No, I thought of that," he answered, quietly, "as you know." His eyes sought the weapon on the table involuntarily. "That would have been easy enough," he added. "I was not thinking of myself, or of Fellowes, but only of you—and Rudyard."

"Only of me—and Rudyard," she repeated with drooping eyes, which suddenly became alive again with feeling and passion and wildness. "Wasn't it rather late for that?"

The words stung him beyond endurance. He rose and leaned across the table towards her.

"At least I recognized what I had done, what you had done, and I tried to face it. I did not disguise it. My letter to you proves that. But nevertheless I was true to you. I did not deceive you—ever. I loved you—ah, I loved you as few women have been loved! . . . But you, you might have made a mistake where Rudyard was concerned, made the mistake once, but if you wronged him, you wronged me infinitely more. I was ready to give up all, throw all my life, my career, to the winds, and prove myself loyal to that which was more than all; or I was willing to eliminate myself from the scene forever. I was willing to pay the price—any price—just to stand by what was the biggest thing in my life. But you were true to nothing—to nothing—to nobody."

"If one is untrue—once, why be true at all ever?" she said with an aching laugh, through which tears ran, though none dropped from her eyes. "If one is untrue to one, why not to a thousand?"

Again a mocking laugh burst from her. "Don't you see? One kiss, a wrong? Why not, then, a thousand kisses! The wrong came in the moment that the one kiss was given. It is the one that kills, not the thousand after."

There came to her mind again—and now with what sardonic force—Rudyard's words that day before they went to Glencader: "If you had lived a thousand years ago you would have had a thousand lovers."

"And so it is all understood between you and Rudyard," she added, mechanically. "That is what you have arranged for me—that I go on living as before with Rudyard, while I am not to know from him anything has happened; but to accept what has been arranged for me, and to be repentant and good and live in sackcloth. It has been arranged, has it, that Rudyard is to believe in me?"

"That has not been arranged."

"It has been arranged that I am to live with him as before, and that he is to pretend to love me as before, and—"

"He does love you as before. He has never changed. He believed in you, was so pitifully eager to believe in you even when the letter—"

"Where is the letter?"

He pointed to the fire.

"Who put it in the fire?" she asked. "You?"

He inclined his head.

"Ah yes, always so clever! A burst of indignation at his daring to suspect me even for an instant, and with a flourish into the fire, the evidence. Here is yours—your letter. Would you like to put it into the fire also?" she asked, and drew his letter from the folds of her dress.

"But, no, no, no—" She suddenly sprang to her feet, and her eyes had a look of agonized agitation. "When I have learned every word by heart, I will burn it myself—for your sake." Her voice grew softer, something less discordant came into it. "You will never understand. You could never understand me, or that letter of Adrian Fellowes to me, and that he could dare to write me such a letter. You could never understand it. But I understand you. I understand your letter. It came while I was—while I was broken. It healed me, Ian. Last night I wanted to kill myself. Never mind why. You would not understand. You are too good to understand. All night I was in torture, and then this letter of yours—it was a revelation. I did not think that a man lived like you, so true, so kind, so mad. And so I wrote you a letter, ah, a letter from my soul! and then came down to this—the end of all. The end of everything—forever."

"No, the beginning if you will have it so.... Rudyard loves you . . ."

She gave a cry of agony. "For God's sake—oh, for God's sake, hush! . . . You think that now I could . . ."

"Begin again with new purpose."

"Purpose! Oh, you fool! You fool! You fool—you who are so wise sometimes! You want me to begin again with Rudyard: and you do not want me to begin again—with you?"

He was silent, and he looked her in the eyes steadily.

"You do not want me to begin again with you, because you believe me—because you believed the worst from that letter, from Adrian Fellowes' letter.... You believed, yet you hypnotized Rudyard into not believing. But did you, after all? Was it not that he loves me, and that he wanted to be deceived, wanted to be forced to do what he has done? I know him better than you. But you are right, he would have spoken to me about it if you had not warned him."

"Then begin again—"

"You do not want me any more." The voice had an anguish like the cry of the tragic music in "Elektra." "You do not want what you wanted yesterday—for us together to face it all, Ian. You do not want it? You hate me."

His face was disturbed by emotion, and he did not speak for a moment.

In that moment she became transformed. With a sudden tragic motion she caught the pistol from the table and raised it, but he wrenched it from her hand.

"Do you think that would mend anything?" he asked, with a new pity in his heart for her." That would only hurt those who have been hurt enough already. Be a little magnanimous. Do not be selfish. Give others a chance."

"You were going to do it as an act of unselfishness," she moaned. "You were going to die in order to mend it all. Did you think of me in that? Did you think I would or could consent to that? You believed in me, of course, when you wrote it. But did you think that was magnanimous—when you had got a woman's love, then to kill yourself in order to cure her? Oh, how little you know! . . . But you do not want me now. You do not believe in me now. You abhor me. Yet if that letter had not fallen into Rudyard's hands we might perhaps have now been on our way to begin life again together. Does that look as though there was some one else that mattered—that mattered?"

He held himself together with all his power and will. "There is one way, and only one way," he said, firmly. "Rudyard loves you. Begin again with him." His voice became lower. "You know the emptiness of your home. There is a way to make some recompense to him. You can pay your debt. Give him what he wants so much. It would be a link. It would bind you. A child . . ."

"Oh, how you loathe me!" she said, shudderingly. "Yesterday—and now . . . No, no, no," she added, " I will not, cannot live with Rudyard. I cannot wrench myself from one world into another like that. I will not live with him any more.... There—listen."

Outside the newsboys were calling:

"Extra speshul! Extra speshul! All about the war! War declared! Extra speshul!"

"War! That will separate many," she added. "It will separate Rudyard and me.... No, no, there will be no more scandal.... But it is the way of escape—the war."

"The way of escape for us all, perhaps," he answered, with a light of determination in his eyes. "Good-bye," he added, after a slight pause. "There is nothing more to say."

He turned to go, but he did not hold out his hand, nor even look at her.

"Tell me," she said, in a strange, cold tone, "tell me, did Adrian Fellowes—did he protect me? Did he stand up for me? Did he defend me?"

"He was concerned only for himself," Ian answered, hesitatingly.

Her face hardened. Pitiful, haggard lines had come into it in the last half-hour, and they deepened still more.

"He did not say one word to put me right?"

Ian shook his head in negation. "What did you expect?" he said.

She sank into a chair, and a strange cruelty came into her eyes, something so hard that it looked grotesque in the beautiful setting of her pain-worn, exquisite face.

So utter was her dejection that he came back from the door and bent over her.

"Jasmine," he said, gently, "we have to start again, you and I—in different paths. They will never meet. But at the end of the road—peace. Peace the best thing of all. Let us try and find it, Jasmine."

"He did not try to protect me. He did not defend me," she kept saying to herself, and was only half conscious of what Ian said to her.

He touched her shoulder. "Nothing can set things right between you and me, Jasmine," he added, unsteadily, "but there's Rudyard—you must help him through. He heard scandal about Mennaval last night at De Lancy Scovel's. He didn't believe it. It rests with you to give it all the lie.... Good-bye."

In a moment he was gone. As the door closed she sprang to her feet. "Ian—Ian—come back," she cried. "Ian, one word—one word."

But the door did not open again. For a moment she stood like one transfixed, staring at the place whence he had vanished, then, with a moan, she sank in a heap on the floor, and rocked to and fro like one demented.

Once the door opened quietly, and Krool's face showed, sinister and furtive, but she did not see it, and the door closed again softly.

At last the paroxysms passed, and a haggard face looked out into the world of life and being with eyes which were drowned in misery.

"He did not defend me—the coward!" she murmured; then she rose with a sudden effort, swayed, steadied herself, and arranged her hair in the mirror over the mantelpiece. "The low coward!" she said again. "But before he leaves . . . before he leaves England . . . "

As she turned to go from the room, Rudyard's portrait on the wall met her eyes. "I can't go on, Rudyard," she said to it. "I know that now."

Out in the streets, which Ian Stafford travelled with hasty steps, the newsboys were calling:

"War declared! All about the war!"

"That is the way out for me," Stafford said, aloud, as he hastened on. "That opens up the road.... I'm still an artillery officer."

He directed his swift steps toward Pall Mall and the War Office.



CHAPTER XXII

IN WHICH FELLOWES GOES A JOURNEY

Kruger's ultimatum, expected though it was, shook England as nothing had done since the Indian mutiny, but the tremour of national excitement presently gave way to a quiet, deep determination.

An almost Oriental luxury had gone far to weaken the fibre of that strong and opulent middle-class who had been the backbone of England, the entrenched Philistines. The value of birth as a moral asset which had a national duty and a national influence, and the value of money which had a social responsibility and a communal use, were unrealized by the many nouveaux riches who frequented the fashionable purlieus; who gave vast parties where display and extravagance were the principal feature; who ostentatiously offered large sums to public objects. Men who had made their money where copper or gold or oil or wool or silver or cattle or railways made commercial kings, supported schemes for the public welfare brought them by fine ladies, largely because the ladies were fine; and they gave substantial sums—upon occasion—for these fine ladies' fine causes. Rich men, or reputed rich men, whose wives never appeared, who were kept in secluded quarters in Bloomsbury or Maida Vale, gave dinners at the Savoy or the Carlton which the scrapings of the aristocracy attended; but these gave no dinners in return.

To get money to do things, no matter how,—or little matter how; to be in the swim, and that swim all too rapidly washing out the real people—that was the almost universal ambition. But still the real people, however few or many, in the time of trouble came quietly into the necessary and appointed places with the automatic precision of the disciplined friend of the state and of humanity; and behind them were folk of the humbler sort, the lower middle- class, the labouring-man. Of these were the landpoor peer, with his sense of responsibility cultivated by daily life and duty in his county, on the one hand; the professional man of all professions, the little merchant, the sailor, the clerk and artisan, the digger and delver, on the other; and, in between, those people in the shires who had not yet come to be material and gross, who had old-fashioned ideas of the duty of the citizen and the Christian. In the day of darkness these came and laid what they had at the foot of the altar of sacrifice.

This at least the war did: it served as a sieve to sift the people, and it served as the solvent of many a life-problem.

Ian Stafford was among the first to whom it offered "the way out," who went to it for the solution of their own set problem. Suddenly, as he stood with Jasmine in the little room where so many lives were tossed into the crucible of Fate that morning, the newsboy's voice shouting, "War declared!" had told him the path he must tread.

He had astonished the War Office by his request to be sent to the Front with his old arm, the artillery, and he was himself astonished by the instant assent that was given. And now on this October day he was on his way to do two things—to see whether Adrian Fellowes was keeping his promise, and to visit Jigger and his sister.

There had not been a week since the days at Glencader when he had not gone to the sordid quarters in the Mile End Road to see Jigger, and to hear from him how his sister was doing at the opera, until two days before, when he had learned from Lou herself what she had suffered at the hands of Adrian Fellowes. That problem would now be settled forever; but there remained the question of Jigger, and that must be settled, whatever the other grave problems facing him. Jigger must be cared for, must be placed in a position where he could have his start in life. Somehow Jigger was associated with all the movements of his life now, and was taken as part of the problem. What to do? He thought of it as he went eastward, and it did not seem easy to settle it. Jigger himself, however, cut the Gordian knot.

When he was told that Stafford was going to South Africa, and that it was a question as to what he—Jigger—should now do, in what sphere of life his abnormally "cute" mind must run, he answered, instantly.

"I'm goin' wiv y'r gryce," he said. "That's it—stryght. I'm goin' out there wiv you."

Ian shook his head and smiled sadly. "I'm afraid that's not for you, Jigger. No, think again."

"Ain't there work in Souf Afriker—maybe not in the army itself, y'r gryce? Couldn't I have me chanct out there? Lou's all right now, I bet; an' I could go as easy as can be."

"Yes, Lou will be all right now," remarked Stafford, with a reflective irony.

"I ain't got no stiddy job here, and there's work in Souf Afriker, ain't they? Couldn't I get a job holdin' horses, or carryin' a flag, or cleanin' the guns, or nippin' letters about—couldn't I, y'r gryce? I'm only askin' to go wiv you, to work, same as ever I did before I was run over. Ain't I goin' wiv you, y'r gryce?"

With a sudden resolve Stafford laid a hand on his shoulder. "Yes, you are going 'wiv' me, Jigger. You just are, horse, foot, and artillery. There'll be a job somewhere. I'll get you something to do, or—"

"Or bust, y'r gryce?"

So the problem lessened, and Ian's face cleared a little. If all the difficulties perplexing his life would only clear like that! The babe and the suckling had found the way so simple, so natural; and it was a comforting way, for he had a deep and tender regard for this quaint, clever waif who had drifted across his path.

To-morrow he would come and fetch Jigger: and Jigger's face followed him into the coming dusk, radiant and hopeful and full of life—of life that mattered. Jigger would go out to "Souf Afriker" with all his life before him, but he, Ian Stafford, would go with all his life behind him, all mile-stones passed except one.

So, brooding, he walked till he came to an underground station, and there took a train to Charing Cross. Here he was only a little distance away from the Embankment, where was to be found Adrian Fellowes; and with bent head he made his way among the motley crowd in front of the station, scarcely noticing any one, yet resenting the jostle and the crush. Suddenly in the crowd in front of him he saw Krool stealing along with a wide-awake hat well down over his eyes. Presently the sinister figure was lost in the confusion. It did not occur to him that perhaps Krool might be making for the same destination as himself; but the sight of the man threw his mind into an eddy of torturing thoughts.

The flare of light, white and ghastly, at Charing Cross was shining on a moving mass of people, so many of whom were ghastly also—derelicts of humanity, ruins of womanhood, casuals, adventurers, scavengers of life, prowlers who lived upon chance, upon cards, upon theft, upon women, upon libertines who waited in these precincts for some foolish and innocent woman whom they could entrap. Among them moved also the thousand other good citizens bent upon catching trains or wending their way home from work; but in the garish, cruel light, all, even the good, looked evil in a way, and furtive and unstable. To-night, the crowd were far more restless than usual, far more irritating in their purposeless movements. People sauntered, jerked themselves forward, moved in and out, as it were, intent on going everywhere and nowhere; and the excitement possessing them, the agitation in the air, made them seem still more exasperating, and bewildering. Newsboys with shrill voices rasped the air with invitations to buy, and everywhere eager, nervous hands held out their half-pennies for the flimsy sensational rags.

Presently a girl jostled Stafford, then apologized with an endearing word which brought a sick sensation to his brain; but he only shook his head gravely at her. After all, she had a hard trade and it led nowhere—nowhere.

"Coming home with me, darling?" she added in response to his meditative look. Anything that was not actual rebuff was invitation to her blunted sense. "Coming home with me—?"

Home! A wave of black cynicism, of sardonic mirth passed through Stafford's brain. Home—where the business of this poor wayfarer's existence was carried on, where the shopkeeper sold her wares in the inner sanctuary! Home.... He shook the girl's hand from his elbow and hastened on.

Yet why should he be angered with her, he said to himself. It was not moral elevation which had made him rough with her, but only that word Home she used.... The dire mockery of it burned his mind like a corrosive acid. He had had no home since his father died years ago,—his mother had died when he was very young—and his eldest brother had taken possession of the family mansions, placing them in the control of his foreign wife, who sat in his mother's chair and in her place at table.

He had wished so often in the past for a home of his own, where he could gather round him young faces and lose himself in promoting the interests of those for whom he had become forever responsible. He had longed for the Englishman's castle, for his own little realm of interest where he could be supreme; and now it was never to be.

The idea gained in sacred importance as it receded forever from all possibility. In far-off days it had been associated with a vision in blue, with a face like a dresden-china shepherdess and hair like Aphrodite's. Laughter and wit and raillery had been part of the picture; and long evenings in the winter-time, when they two would read the books they both loved, and maybe talk awhile of world events in which his work had place; in which his gifts were found, shaping, influencing, producing. The garden, the orchard—he loved orchards—the hedges of flowering ivy and lilacs; and the fine grey and chestnut horses driven by his hand or hers through country lanes; the smell of the fallen leaves in the autumn evenings; or the sting of the bracing January wind across the moors or where the woodcock awaited its spoiler. All these had been in the vision. It was all over now. He had seen an image, it had vanished, and he was in the desert alone.

A band was playing "The Banks o' Garry Owen," and the tramp of marching men came to his ears. The crowd surged round him, pushed him, forced him forward, carried him on, till the marching men came near, were alongside of him—a battalion of Volunteers, going to the war to see "Kruger's farmers bite the dust!"—a six months' excursion, as they thought. Then the crowd, as it cheered jostled him against the wall of the shops, and presently he found himself forced down Buckingham Street. It was where he wished to go in order to reach Adrian Fellowes' apartments. He did not notice, as he was practically thrown into the street, that Krool was almost beside him.