Flowing robes after the classical or eastern fashion are of course not to be thought of. They would be mightily out of place in railroad carriages, or in omnibuses, or in walking the streets on muddy days. Modern habits of activity and personal independence require the dress to be tolerably succinct and unvoluminous; but some change in the right direction has been lately made by the introduction of what are called paletots, and other coats of various transitional forms between them and the shooting-jacket proper. In these a good deal of the stiffness and angularity of the regulation frock coat is got rid of, and they admit of adaptation to different statures and sizes. They have much comfort and convenience to recommend them, and it would be a great point gained if they were altogether adopted, and the frock-coat, which still asserts a claim to be considered more correct, were quietly given up.

It may be matter only of custom and association, or it may also depend upon some deeper considerations, but the result of much observation is, that with the ordinary out-of-door costume of the present day, as worn in cities, nothing goes so well as the black hat. There is an ugliness and a stiffness about it which is congruous with the ugliness and stiffness of every thing else. Its very height and straight sides tend to carry the eye upwards, in conformity with the indication of the principal lines in the lower part of the dress. It is like a steeple upon a Gothic tower, and repeats the perpendicular tendencies of what is below it, instead of contradicting them by the introduction of a horizontal element. Certainly, no kind of cap goes well with it: the traveller who has not unpacked his hat, and continues to wear in the streets what served him on the road, or the Turk, European in all but his red fez, cut but a sorry and mongrel figure among the shining beavers around them, which retain their place as necessary evils under the existing order of things.

Once, however, escape from the town, and see how every one gets rid of his regular coat, and of his chimney-pot. The man of business in his rural retreat, the lawyer in vacation, the lounger at the sea-side, have all discarded them. Emancipation from the coat and hat is synonymous with leisure, enjoyment, and freedom from the formal trammels of public and civic life. The most staid and reverend personages may now be seen disporting themselves in divers jackets, and in that Wide-awake which a few years since was confined to the sportsman or his slang imitator. Surely this universal consent of mankind must be accepted as an omen of the future; and when the looser and more sensible garments now worn in the country, shall be established as the usual dress of the towns also, they will be accompanied by the soft and wide-leaved hat of felt, which already goes along with them wherever they are tolerated.



From the Athenaeum.

LIFE IN PERSIA, IN THE MIDDLE OF THE NINETEENTH CENTURY.

Prince Alexis Soltykoff, a Russian, who published in Paris last year his Travels in India, has just given to the world from the same city a volume of Novels in Persia. In both works we find the same charm of simplicity in the narrative, the same truth and spirit in the drawings, and, we may add, what some people would call the same deficiencies—that is to say, the same absence of got-up learning and bookmaking art. There are no historical, geological, or philological treatises pressed into their pages, no statistical calculations, not one quotation from other people's books, not a single word about Darius, Sapor, or Khosroes!

Prince Soltykoff has not followed the too commonly adopted recipe for writing a book of travels. He has not on his return home read every body else's book on the same subject,—and then condensed his readings into one volume, bristling with erudition and stuck full of learned notes which, ten to one, are either not read at all or read in the wrong place. As to notes—there are not two to each volume. Satisfied with having said nothing that is not true, and with having related nothing that he has not seen, he feels no misgivings or regret at leaving much unsaid. Of all the information which can be acquired without leaving one's fireside in London or St. Petersburg he gives not a word, but the valuable testimony of the eyewitness he records in a series of drawings in which Eastern life is 'taken in the fact' with a truth and liveliness of touch rarely found in an amateur pencil. The letter-press is a secondary part of the work,—merely to render the drawings intelligible; and we are convinced that if the author could have imagined a more unpretending title for his book than the one given, he would have selected it. Indeed, the word book is scarcely an appropriate one to use on this occasion; and we may compare the pleasure which we have derived in perusing Prince Soltykoff's travels both in Persia and in India to that afforded by the inspection of the album of an intelligent traveller who should enliven the exhibition by his agreeable and instructive conversation.

The travels in India took place between the years 1841 and 1846, while those in Persia were accomplished as far back as 1838. We are not told why the publication has been so long delayed, and can account for it only by supposing that the fashion which has lately brought before the public in the capacity of authors so many subjects of the Czar, was not in 1838 so prevalent at St. Petersburg. Be that as it may, a picture of the Eastern world in its immobility can brave a lapse of time which would prove fatal to the likeness of any portraiture of European society. The following sketch, for instance, is likely to be as true now, as when it was written:—

"After three months' stay at Teheran, I was heartily tired of it and of Persia altogether. The manner of living is fearfully monotonous. A stranger, debarred from female society, and deprived of all the diversions of European cities, can scarcely find employment for his day. I had hired for six toumans a month (the touman is worth about ten shillings) one of the prettiest houses of the town in the quarter named Gazbine-Dervaze. The air, it is true, circulated as freely through it as in the open street, but the climate is so mild and the weather was so fine that this could scarcely be considered an objection. The house consisted of two stories of several rooms with two terraces to each. Those of the upper story overlooked the town, which, in spite of its dulness, had a certain air of activity. Two rows of windows—the lower closed with wooden shutters and the upper one formed of colored glass,—gave light to the principal room, of which the walls were white as snow. I took advantage of two niches to place therein two complete Persian armors which I had procured with inconceivable trouble, for no one can imagine the numberless and tedious difficulties which impede every kind of transaction. For the most trifling purchase one hundred toumans are spoken of as a hundred roubles in Russia. Besides, punctuality is a virtue unknown in Persia, and this alone would suffice to make the country odious to foreigners. If you charge a tradesman with want of faith, he replies gravely that 'his nose has burned with regret'—a strange expression of repentance certainly! Indeed, the habit of falsehood is so inveterate among Persians of this class—and I may even say of all classes—that when they happen by chance to keep their word they never fail to claim a reward as though they had performed a most rare and meritorious act. Having examined all the rare but rather heterogeneous articles which compose the royal treasury, we went to see the king's second son (the eldest was at Tauris), to whom Count Simonitsch had to pay a farewell visit. We found the little prince in the audience chamber, seated on the floor on a cachmere, and propped by several large bolsters covered with pink muslin. He was a delicate sickly child of four or five years old, with an unmeaning countenance, a pale face, insignificant and rather flattened features, and red hair, or rather, I should say, with his hair dyed of a deep red. He was dressed in a shawl caftan lined with fur, and wore on his little black cap a diamond aigrette. We sat down in front of him on the carpet;—Mirza-Massoud, the minister for foreign affairs, and two or three other dignitaries who were present at the interview, remained standing. Demahi schouma tschogh est? that is to say, 'Is your nose very fat?' inquired Count Simonitsch. This extraordinary form of speech universally used by well-bred persons in Persia, seems to indicate that they ascribe considerable hygienic importance to that feature. All my researches to discover the origin and symbolical meaning of this courtesy have proved in vain; I have never obtained a satisfactory explanation to my questions on this head: all I can say is, that the hackneyed forms of salutation in use among European nations have since seemed to me far less absurd than they formerly did."

We have no doubt that even should Prince Keikhobade-Mirza have departed this life, another original might be found for the following picture of a Persian prince in reduced circumstances:

"On my return home I found an Armenian merchant waiting for me who seemed somewhat less of a rogue than his brethren. He had brought me a Sipehr (shield) in delicately wrought steel, ornamented with inscriptions and arabesques, inlaid in gold; it belonged, he said, to Prince Mohammed-Veli-Mirza, and he demanded a sum of thirty-six toumans (about eighteen pounds), which I gave without hesitation. It was not dear at that price. This Mohammed-Veli-Mirza, one of the numerous sons of the late Fet-Ali-Schah, had been, if I mistake not, governor of Schiraz. His reputation, as well as that of his brother Keikhobade-Mirza, (indeed, I might say of all his brothers), was so well established in the country, that the Armenian begged I would not consider the bargain as concluded until he had paid the money into the prince's hands, lest he should wish to recede from his word. You know, he said, that these Schahzades have no scruples in these matters,—that they are all tamamkharab, that is to say, bad characters—kharab, meaning a thing that is bad—decayed, dilapidated. Fortunately the fears of the prudent Armenian were not realized; for a wonder, Mohammed-Veli-Mirza was contented with the sum he had first asked, and the Sipehr was added to my collection. A few days later I received a deputation from Prince Keikhobade-Mirza, offering me a similar shield as a present. In the first impulse of my gratitude I hastened to present my thanks to the generous donor. His house was the abode of poverty; his appearance was noble and dignified, and his countenance very handsome, although he squinted. The portrait of his royal father, the late Fet-Ali-Schah, hung in the room, and I was struck with the resemblance between father and son. The full-length portrait of my gracious host was there also—in the full dress of a prince of the blood holding a shield. Keikhobade-Mirza, whose gracious and cordial reception touched me the more on account of the evident poverty of his household, pointed to this latter portrait,—saying that in his father's lifetime he was, as I could see, his selictar, or royal shield-bearer, and enjoyed a brilliant station, but that now he was fallen; adding that he had sent me the shield which he had inherited—the same which I saw represented in the picture—knowing that I had been looking out for curious arms at the bazaar. I was profuse in my expressions of gratitude, although thanks in Persia denote a man of mean station, and though my Persian servant, who had accompanied me, was making signs to me to stop. 'It is a mere trifle,' said the Prince, 'and I hope to find some other articles more worthy your acceptance, for my only desire is to be agreeable to you.' The morrow brought me his Nazir, or steward, to ask for three hundred toumans (150l.); and as I seemed in no hurry to give them, he sent for his shield back again. Some time afterwards, he came to see me, and asked why I had returned it. 'You sent for it by your nazir,' I said. 'My nazir,' he replied, (although the man was present and looking on with an ambiguous smile,) 'is a rogue and a storyteller; give me a hundred toumans and I will let you have the shield, which indeed is yours. I begged you to accept it as well as every thing else I may possess.' And so the matter ended."

The foregoing picture of Oriental munificence can scarcely be more disenchanting than the sight of the sketch of Mohammed-Schah which Prince Soltykoff had the honor to take. The large head, the heavy inexpressive features, the clumsy frame, are sad dream dispellers; and were it not for the redeeming Persian cap, the "Centre of the World" might be mistaken for a grocer of the Rue St. Denis in a shawl dressing-gown. On grand occasions the appearance of the Schah must be still more incongruous, if we are to believe the description which the author gives of the state dress preserved in the royal treasury. One can scarcely fancy a gouty Centre of the World attired in a European uniform of blue cloth, with the facings embroidered in diamonds, ruby buttons, and epaulets formed of immense emeralds, to which are attached fringes of large pearls. We translate a description of a last sitting, and of the exchange of courtesies between the royal model and the amateur artist; it may serve to reconcile some of our readers to the rather monotonous form in which royal munificence is usually displayed in European courts. When compared to a lame horse, a gold snuff-box appears—if not an ingenious—at least a convenient present:

"On the 31st of January I went for the last time to the Palace to take leave of the Schah, and make another portrait of him.... He proposed at first to sit for his profile, but as I objected on the score of its being less interesting:—'Well, well, he said, 'as you wish; you understand the thing better than I do.' He then resumed his conversation with the courtiers, who were ranged in a row at the other end of the room,—sounding my praises in Turkish in the most exaggerated terms, according to the rules of Persian politeness, and remarking among other things how difficult it was to catch an exact likeness so quickly—doubtless to set me at my ease, for he saw I was hurrying in my task. To all these remarks the courtiers merely replied: 'Beli, beli, yes, yes,' in a monotonous and inexpressive tone. The Schah seemed much surprised to learn that I was to leave Teheran the following day. He inquired what motive induced me to leave Persia so soon. I replied, that I was eager to join my family and friends, to inform them of the favors I had received at the hands of His Majesty. For these latter words the interpreter substituted the words 'Centre of the World.' I added, that I intended returning to Teheran with my brother in the course of the following year, at which the Prince of course appeared delighted—'Return soon,' he said, 'you will always be welcome at my court.' Then turning to Mirza-Massoud, his Minister for Foreign Affairs, who had accompanied me:—I have known many Franks,' he remarked, 'but none who pleased me as much as this one.' This phrase, it must be said, loses somewhat of its effect when it is known that the good Prince never failed to address it to every stranger who presented himself. He next inquired of the Minister for Foreign Affairs if the presents he intended for me were ready, and particularly recommended that they should not be worth less than three hundred toumans. I then took leave of His Majesty, backing out of the room as well as I could, while he continued to bestow on me his smiles and gracious words. The next day, on my way to the Russian Embassy, I met four of the King's servants, slowly leading in great ceremony a tall, lame, bay horse. Before they accosted me to tell me so, I had guessed that it was intended for me. I had not had time to take on a fitting air for the occasion before my groom, who was walking beside my horse, began to abuse the Schah's people in most lively terms, refusing to admit such a sorry jade into my stables. In spite of my opposition to so rude an action, and my exclamations in bad Turkish, the Persians returned to the Palace stables, where they chose another horse, which they brought me direct to the Embassy. My groom was not more inclined to receive it than the first, nor to listen to my remonstrances, and those of a dragoman of the Embassy, whose aid I had invoked in order to declare that I accepted the royal gift with due respect. All was useless; the quarrel proceeded,—my squire insisting on performing his duty in spite of myself, and only interrupting himself to make me understand that he was acting in my interest. The Schah's servants at last, reduced to silence by the observations of so zealous a follower, departed once more with their horse to submit the affair to the Prime Minister, who was to decide in his wisdom whether the animal was or was not worthy of being offered to me. A mixture of cleverness and cunning, with an almost childish naivete, seemed to me a striking feature in the Persian character. Hadji-Mirza-Agassi pronounced the steed to be to a certain degree valuable, and requested me to excuse it,—for the present a better could not be offered,—adding, that on my return I should receive a magnificent one."

Prince Soltykoff's remarks generally relate more to the habits and indications of character observable among those whom he visits than to any material objects or physical sensations. The notions entertained of politeness in Persia seem especially to have struck him, as our readers may have seen by the extracts which we have given. We will give one more illustrating the same subject. It has often been said that a knowledge of foreign countries is apt to make us better satisfied with our own, and we have shown how an experience of Oriental gifts may restore the oft-derided snuff-box to honor. Who knows whether even saucy children may not in future be more patiently endured by our readers after the following anecdote. For our own part, we know of no "dear little pickle" whom we would not prefer to this very well-behaved Persian boy:

"Three days afterwards I was at Gazbine, installed in the house of a certain Scherif-Khan, and received in his absence by his four sons, who were all dressed alike, and the eldest of whom was barely eleven. In the midst of the ruins of the town—all Persian towns indeed are mere abominable ruins of mud walls—I considered myself fortunate in obtaining a room and a fire-place. One of the walls of the apartment to which I was conducted consisted of small bits of colored glass, checkered at regular intervals with small squares of wood, for glass is both rare and expensive in Persia. As, however, the greater part of the colored glass was broken, and the wind came rushing through the holes and crevices, I was half frozen and nearly stifled with smoke, until an end was put to my sufferings by stopping the holes and nailing some felt on the doors. The children of the house came, under the guidance of a sort of servant who filled the office of tutor, to pay me a visit, and seated themselves on the floor. The second, who was about ten, and who by right of his mother's superior rank was to inherit all the paternal titles and wealth, inquired after my health; and on my asking him in my turn how he felt, replied with a very stiff little air, 'that in my presence every body must feel satisfied.' I then offered him some cakes, requesting to know if they were to his liking.—'All you offer is very good,' he said, 'and all you eat must be excellent.' I had a cap on my head, and another lay on the table; I questioned him on the value which he attached to the two articles, and asked which he preferred. 'Both are superb,' he replied, 'but the one you prefer is undoubtedly the best.' After this piquant specimen of the civility of the country, it may be supposed that I was not sorry to end the conference, and to get rid of such an excessively well bred child. I took care, however, to send a cup of tea to his mother, who, the tutor informed me, was young and pretty, and lived in the house with three other wives of Scherif-Khan. She found it so much to her liking that she sent to beg for a pound of it."

One word more: Oehlenschlaeger used to complain that when he wrote in Danish he wrote for two hundred readers; Russians are very much in the same case, and Prince Soltykoff, like all his countrymen who desire to have a public, has been obliged to have recourse to a foreign language. But the misfortune is so easily and gracefully borne, that we can scarcely find pity for it. The drawings are well lithographed by French artists. Our neighbors are much fonder of lithographic illustrations than we are, and, it must be admitted, excel us in that branch of art. We have noticed especially the lithographs executed by M. Trayer, a young artist, who is also a painter of promise.



From Leigh Hunt's Journal.

DUELLING TWO HUNDRED AND FIFTY YEARS AGO.

SIR THOMAS DUTTON AND SIR HATTON CHEEK.

BY THOMAS CARLYLE.

Peace here, if possible; skins were not made for mere slitting and slashing! You that are for war, cannot you go abroad, and fight the Papist Spaniards? Over in the Netherlands there is always fighting enough. You that are of ruffling humor, gather your truculent ruffians together; make yourselves colonels over them; go to the Netherlands, and fight your bellyful!

Which accordingly many do, earning deathless war-laurels for the moment; and have done, and will continue doing, in those generations. Our gallant Veres, Earl of Oxford and the others, it has long been their way; gallant Cecil, to be called Earl of Wimbledon; gallant Sir John Burroughs, gallant Sir Hatton Cheek,—it is still their way. Deathless military renowns are gathered there in this manner; deathless for the moment. Did not Ben Jonson, in his young hard days, bear arms very manfully as a private soldado there? Ben, who now writes learned plays and court-masks as Poet Laureate, served manfully with pike and sword there, for his groat a day with rations. And once when a Spanish soldier came strutting forward between the lines, flourishing his weapon, and defying all persons in general—Ben stept forth, as I hear; fenced that braggart Spaniard, since no other would do it; and ended by soon slitting him in two, and so silencing him! Ben's war-tuck, to judge by the flourish of his pen, must have had a very dangerous stroke in it.

"Swashbuckler age," we said; but the expression was incorrect, except as a figure. Bucklers went out fifty years ago, "about the twentieth of Queen Elizabeth"; men do not now swash with them, or fight in that way. Iron armor has mostly gone out, except in mere pictures of soldiers; King James said, It was an excellent invention; you could get no harm, and neither could you do any in it. Bucklers, either for horse or foot, are quite gone. Yet old Mr. Stowe, good chronicler, can recollect when every gentleman had his buckler; and at length every serving man and city dandy. Smithfield—still a waste field, full of puddles in wet weather,—was in those days full of buckler duels, every Sunday and holiday in the dry season; and was called Ruffian's Rig, or some such name.

A man, in those days, bought his buckler, of gilt leather and wood, at the haberdasher's; "hung it over his back, by a strap fastened to the pommel of his sword in front." Elegant men showed what taste, or sense of poetic beauty, was in them by the fashion of their buckler. With Spanish beaver, with starched ruff, and elegant Spanish cloak, with elegant buckler hanging at his back, a man, if his moustachios and boots were in good order, stepped forth with some satisfaction. Full of strange oaths, and bearded like the pard; a decidedly truculent-looking figure. Jostle him in the street thoroughfares, accidentally splash his boots as you pass—by heaven the buckler gets upon his arm, the sword flashes in his fist, with oaths enough; and you too being ready, there is a noise! Clink, clank, death and fury; all persons gathering round, and new quarrels springing from this one! And Dogberry comes up with the town guard? And the shopkeepers hastily close their shops? Nay, it is hardly necessary, says Mr. Howe; these buckler fights amount only to noise, for most part; the jingle of iron against tin and painted leather. Ruffling swashers strutting along with big oaths and whiskers, delight to pick a quarrel; but the rule is you do not thrust, you do not strike below the waist; and it was oftenest a dry duel—mere noise, as of working tinsmiths, with profane swearing! Empty vaporing bullyrooks and braggarts, they encumber the thoroughfares mainly. Dogberry and Verges ought to apprehend them. I have seen, in Smithfield, on a dry holiday, "thirty of them on a side," fighting and hammering as if for life; and was not at the pains to look at them, the blockheads; their noise as the mere beating of old kettles to me!

The truth is, serving-men themselves, and city apprentices had got reckless, and the duels, no death following, ceased to be sublime. About fifty years ago, serious men took to fighting with rapiers, and the buckler fell away. Holles, in Sherwood, as we saw, fought with rapier, and he soon spoiled Markham. Rapier and dagger especially; that is a more silent duel, but a terribly serious one! Perhaps the reader will like to take a view of one such serious duel in those days, and therewith close this desultory chapter.

It was at the siege of Juliers, in the Netherlands wars, of the year 1609; we give the date, for wars are perpetual, or nearly so, in the Netherlands. At one of the storm parties of the siege of Juliers, the gallant Sir Hatton Cheek, above alluded to, a superior officer of the English force which fights there under my Lord Cecil, that shall be Wimbledon; the gallant Sir Hatton, I say, being of hot temper, superior officer, and the service a storm-party on some bastion or demilune, speaks sharp word of command to Sir Thomas Dutton, who also is probably of hot temper in this hot moment. Sharp word of command to Dutton; and the movement not proceeding rightly, sharp word of rebuke. To which Dutton, with kindled voice, answers something sharp; is answered still more sharply with voice high flaming;—whereat Dutton suddenly holds in; says merely, "He is under military duty here, but perhaps will not always be so;" and rushing forward, does his order silently, the best he can. His order done, Dutton straightway lays down his commission; packs up, that night, and returns to England.

Sir Hatton Cheek prosecutes his work at the siege of Juliers; gallantly assists at the taking of Juliers, triumphant over all the bastions, and half-moons there; but hears withal that Dutton is at home in England, defaming him as a choleric tyrant and so forth. Dreadful news, which brings some biliary attack on the gallant man, and reduces him to a bed of sickness. Hardly recovered, he dispatches message to Dutton, That he shall request to have the pleasure of his company, with arms and seconds ready, on some neutral ground,—Calais sands for instance,—at an early day, if convenient. Convenient; yes, as dinner to the hungry! answers Dutton; and time, place, and circumstances are rapidly enough agreed upon.

And so, on Calais sands, on a winter morning of the year 1609, this is what we see most authentically, through the lapse of dim Time. Two gentlemen stript to the shirt and waistband; in two hands of each a rapier and dagger clutched; their looks sufficiently serious! The seconds, having stript, equipt, and fairly overhauled and certified them, are just about retiring from the measured fate-circle, not without indignation that they are forbidden to fight. Two gentlemen in this alarming posture; of whom the Universe knows, has known, and will know nothing, except that they were of choleric humor, and assisted in the Netherlands wars! They are evidently English human creatures, in the height of silent fury and measured circuit of fate; whom we here audibly name once more, Sir Hatton Cheek, Sir Thomas Dutton, knights both, soldadoes both. Ill-fated English human creatures, what horrible confusion of the pit is this?

Dutton, though in suppressed rage, the seconds about to withdraw, will explain some things if a word were granted, "No words," says the other; "stand on your guard!" brandishing his rapier, grasping harder his dagger. Dutton, now silent too, is on his guard. Good heavens! after some brief flourishing and flashing,—the gleam of the swift clear steel playing madly in one's eyes,—they, at the first pass, plunge home on one another; home, with beak and claws; home to the very heart! Cheek's rapier is through Dutton's throat from before, and his dagger is through it from behind,—the windpipe miraculously missed; and, in the same instant, Dutton's rapier is through Cheek's body from before, his dagger through his back from behind,—lungs and life not missed; and the seconds have to advance, "pull out the four bloody weapons," disengage that hell-embrace of theirs. This is serious enough! Cheek reels, his life fast-flowing; but still rushes rabid on Dutton, who merely parries, skips, till Cheek reels down, dead in his rage. "He had a bloody burial there that morning," says my ancient friend. He will assist no more in the Netherlands or other wars.

Such scene does history disclose, as in sunbeams, as in blazing hell-fire, on Calais sands, in the raw winter morning; then drops the blanket of centuries, of everlasting night, over it, and passes on elsewhither. Gallant Sir Hatton Cheek lies buried there, and Cecil of Wimbledon, son of Burleigh, will have to seek another superior officer. What became of the living Dutton afterwards, I have never to this moment had the least hint.



From Blackwood's Magazine

MY NOVEL:

OR, VARIETIES IN ENGLISH LIFE.

BY PISISTRATUS CAXTON.

Continued from page 550, Vol. II.

BOOK IV.—INITIAL CHAPTER:

COMPRISING MR. CAXTON'S OPINIONS ON THE MATRIMONIAL STATE, SUPPORTED BY LEARNED AUTHORITIES.

"It was no bad idea of yours, Pisistratus," said my father graciously, "to depict the heightened affections and the serious intentions of Signior Riccabocca by a single stroke—He left off his spectacles! Good."

"Yet," quoth my uncle, "I think Shakspeare represents a lover as falling into slovenly habits, neglecting his person, and suffering his hose to be ungartered, rather than paying that attention to his outer man which induces Signior Riccabocca to leave off his spectacles, and look as handsome as nature will permit him."

"There are different degrees and many phases of the passion," replied my father. "Shakspeare is speaking of an ill-treated, pining, wobegone lover, much aggrieved by the cruelty of his mistress—a lover who has found it of no avail to smarten himself up, and has fallen despondingly into the opposite extreme. Whereas Signior Riccabocca has nothing to complain of in the barbarity of Miss Jemima."

"Indeed he has not!" cried Blanche, tossing her head—"forward creature!"

"Yes, my dear," said my mother, trying her best to look stately, "I am decidedly of opinion that, in that respect, Pisistratus has lowered the dignity of the sex. Not intentionally," added my mother mildly, and afraid she had said something too bitter; "but it is very hard for a man to describe us women."

The Captain nodded approvingly; Mr. Squills smiled; my father quietly resumed the thread of his discourse.

"To continue," quoth he, "Riccabocca has no reason to despair of success in his suit, nor any object in moving his mistress to compassion. He may, therefore, very properly tie up his garters and leave off his spectacles. What do you say, Mr. Squills?—for, after all, since love-making cannot fail to be a great constitutional derangement, the experience of a medical man must be the best to consult."

"Mr. Caxton," replied Squills, obviously flattered, "you are quite right: when a man makes love, the organs of self-esteem and desire of applause are greatly stimulated, and therefore, of course, he sets himself off to the best advantage. It is only, as you observe, when, like Shakspeare's lover, he has given up making love as a bad job, and has received that severe hit on the ganglions which the cruelty of a mistress inflicts, that he neglects his personal appearance: he neglects it, not because he is in love, but because his nervous system is depressed. That was the cause, if you remember, with poor Major Prim. He wore his wig all awry when Susan Smart jilted him; but I set it all right for him."

"By shaming Miss Smart into repentance, or getting him a new sweetheart?" asked my uncle.

"Pooh!" answered Squills, "by quinine and cold bathing."

"We may therefore grant," renewed my father, "that, as a general rule, the process of courtship tends to the spruceness, and even foppery, of the individual engaged in the experiment, as Voltaire has very prettily proved somewhere. Nay, the Mexicans, indeed, were of opinion that the lady at least ought to continue those cares of her person even after marriage. There is extant, in Sahagun's History of New Spain, the advice of an Aztec or Mexican mother to her daughter, in which she says—'That your husband may not take you in dislike, adorn yourself, wash yourself, and let your garments be clean.' It is true that the good lady adds,—'Do it in moderation; since, if every day you are washing yourself and your clothes, the world will say you are over-delicate; and particular people will call you—TAPETZON TINEMAXOCH!' What those words precisely mean," added my father modestly, "I cannot say, since I never had the opportunity to acquire the ancient Aztec language—but something very opprobrious and horrible, no doubt."

"I dare say a philosopher like Signior Riccabocca," said my uncle, "was not himself very tapetzon tine—what d'ye call it?—and a good healthy English wife, like that poor affectionate Jemima, was thrown away upon him."

"Roland," said my father, "you don't like foreigners: a respectable prejudice, and quite natural in a man who has been trying his best to hew them in pieces, and blow them up into splinters. But you don't like philosophers either—and for that dislike you have no equally good reason."

"I only implied that they were not much addicted to soap and water," said my uncle.

"A notable mistake. Many great philosophers have been very great beaux. Aristotle was a notorious fop. Buffon put on his best laced ruffles when he sat down to write, which implies that he washed his hands first. Pythagoras insists greatly on the holiness of frequent ablutions; and Horace—who, in his own way, was as good a philosopher as any the Romans produced—takes care to let us know what a neat, well-dressed, dapper little gentleman he was. But I don't think you ever read the 'Apology of Apuleius?"

"Not I—what is it about?" asked the Captain.

"About a great many things. It is that sage's vindication from several malignant charges—amongst others, and principally indeed, that of being much too refined and effeminate for a philosopher. Nothing can exceed the rhetorical skill with which he excuses himself for using—tooth-powder. 'Ought a philosopher,' he exclaims, 'to allow any thing unclean about him, especially in the mouth—the mouth, which is the vestibule of the soul, the gate of discourse, the portico of thought! Ah, but AEmillianus [the accuser of Apuleius] never opens his mouth but for slander and calumny—tooth-powder would indeed be unbecoming to him! Or, if he use any, it will not be my good Arabian tooth-powder, but charcoal and cinders. Ay, his teeth should be as foul as his language! And yet even the crocodile likes to have his teeth cleaned; insects get into them, and, horrible reptile though he be, he opens his jaws inoffensively to a faithful dentistical bird, who volunteers his beak for a toothpick.'"

My father was now warm in the subject he had started, and soared miles away from Riccabocca and "My Novel." "And observe," he exclaimed—"observe with what gravity this eminent Platonist pleads guilty to the charge of having a mirror. 'Why, what,' he exclaims, 'more worthy of the regards of a human creature than his own image,' (nihil respectabilius homini quam formam suam!) Is not that one of our children the most dear to us who is called 'the picture of his father?' But take what pains you will with a picture, it can never be so like you as the face in your mirror! Think it discreditable to look with proper attention on one's self in the glass! Did not Socrates recommend such attention to his disciples—did he not make a great moral agent of the speculum? The handsome, in admiring their beauty therein, were admonished that handsome is who handsome does; and the more the ugly stared at themselves, the more they became naturally anxious to hide the disgrace of their features in the loveliness of their merits. Was not Demosthenes always at his speculum? Did he not rehearse his causes before it as before a master in the art? He learned his eloquence from Plato, his dialectics from Eubulides; but as for his delivery—there, he came to the mirror!'

"Therefore," concluded Mr. Caxton, returning unexpectedly to the subject—"therefore it is no reason to suppose that Dr. Riccabocca is averse to cleanliness and decent care of the person, because he is a philosopher; and, all things considered, he never showed himself more a philosopher than when he left off his spectacles and looked his best."

"Well," said my mother kindly, "I only hope it may turn out happily. But I should have been better pleased if Pisistratus had had not made Dr. Riccabocca so reluctant a wooer."

"Very true," said the Captain; "the Italian does not shine as a lover. Throw a little more fire into him, Pisistratus—something gallant and chivalrous."

"Fire—gallantry—chivalry!" cried my father, who had taken Riccabocca under his special protection—"why, don't you see that the man is described as a philosopher?—and I should like to know when a philosopher ever plunged into matrimony without considerable misgivings and cold shivers. Indeed, it seems that—perhaps before he was a philosopher—Riccabocca had tried the experiment, and knew what it was. Why, even that plain-speaking, sensible, practical man, Metellus Numidicus, who was not even a philosopher, but only a Roman censor, thus expressed himself in an exhortation to the people to perpetrate matrimony—'If, O Quirites, we could do without wives, we should all dispense with that subject of care (ea molestia careremus); but since nature has so managed it, that we cannot live with women comfortably, nor without them at all, let us rather provide for the human race than our own temporary felicity.'"

Here the ladies set up a cry of such indignation, that both Roland and myself endeavored to appease their wrath by hasty assurances that we utterly repudiated that damnable doctrine of Metellus Numidicus.

My father, wholly unmoved, as soon as a sullen silence was established, re-commenced—"Do not think, ladies," said he, "that you were without advocates at that day; there were many Romans gallant enough to blame the censor for a mode of expressing himself which they held to be equally impolite and injudicious. 'Surely,' said they, with some plausibility, 'if Numidicus wished men to marry, he need not have referred so peremptorily to the disquietudes of the connection, and thus have made them more inclined to turn away from matrimony than given them a relish for it.' But against these critics one honest man (whose name of Titus Castricus should not be forgotten by posterity), maintained that Metellus Numidicus could not have spoken more properly; 'For remark,' said he, 'that Metellus was a censor, not a rhetorician. It becomes rhetoricians to adorn, and disguise, and make the best of things; but Metellus, sanctus vir—a holy and blameless man, grave and sincere to whit, and addressing the Roman people in the solemn capacity of censor—was bound to speak the plain truth, especially as he was treating of a subject on which the observation of every day, and the experience of every life, could not leave the least doubt upon the mind of his audience. 'Still Riccabocca, having decided to marry, has no doubt prepared himself to bear all the concomitant evils—as becomes a professed sage; and I own I admire the art with which Pisistratus has drawn the precise woman likely to suit a philosopher."

Pisistratus bows, and looks round complacently; but recoils from two very peevish and discontented faces feminine.

Mr. Caxton (completing his sentence),—"Not only as regards mildness of temper and other household qualifications, but as regards the very person of the object of his choice. For you evidently remembered, Pisistratus, the reply of Bias, when asked his opinion on marriage: [Greek: Etoi kalen exeis, e aischran kai ei kalen, exeis koinen ei de aischran, exeis poinen.]"

Pisistratus tries to look as if he had the opinion of Bias by heart, and nods acquiescingly.

Mr. Caxton.—"That is, my dears, 'the woman you would marry is either handsome or ugly: if handsome, she is koine, viz: you don't have her to yourself; if ugly, she is poine—that is, a fury.' But, as it is observed in Aulus Gellius, (whence I borrow this citation,) there is a wide interval between handsome and ugly. And thus Ennius, in his tragedy of Menalippus, uses an admirable expression to designate women of the proper degree of matrimonial comeliness, such as a philosopher would select. He calls this degree stata forma—a rational, mediocre sort of beauty, which is not liable to be either koine or poine. And Favorinus, who was a remarkably sensible man, and came from Provence—the male inhabitants of which district have always valued themselves on their knowledge of love and ladies—calls this said stata forma the beauty of wives—the uxorial beauty. Ennius says, that women of a stata forma are almost always safe and modest. Now Jemima, you observe, is described as possessing this stata forma; and it is the nicety of your observation in this respect, which I like the most in the whole of your description of a philosopher's matrimonial courtship, Pisistratus, (excepting only the stroke of the spectacles,) for it shows that you had properly considered the opinion of Bias, and mastered all the counter logic suggested in Book v. chapter xi., of Aulus Gellius."

"For all that," said Blanche, half-archly, half-demurely, with a smile in the eye, and a pout of the lip, "I don't remember that Pisistratus, in the days when he wished to be most complimentary, ever assured me that I had a stata forma—a rational, mediocre sort of beauty."

"And I think," observed my uncle, "that when he comes to his real heroine, whoever that may be, he will not trouble his head much about either Bias or Aulus Gellius."

CHAPTER II.

Matrimony is certainly a great change in life. One is astonished not to find a notable alteration in one's friend, even if he or she have been only wedded a week. In the instance of Dr. and Mrs. Riccabocca the change was peculiarly visible. To speak first of the lady, as in chivalry bound, Mrs. Riccabocca had entirely renounced that melancholy which had characterised Miss Jemima: she became even sprightly and gay, and looked all the better and prettier for the alteration. She did not scruple to confess honestly to Mrs. Dale, that she was now of opinion that the world was very far from approaching its end. But, in the meanwhile, she did not neglect the duty which the belief she had abandoned serves to inculcate—"She set her house in order." The cold and penurious elegance that had characterised the Casino disappeared like enchantment—that is, the elegance remained, but the cold and penury fled before the smile of woman. Like Puss-in-Boots after the nuptials of his master, Jackeymo only now caught minnows and sticklebacks for his own amusement. Jackeymo looked much plumper, and so did Riccabocca. In a word, the fair Jemima became an excellent wife. Riccabocca secretly thought her extravagant, but, like a wise man, declined to look at the house bills, and ate his joint in unreproachful silence.

Indeed, there was so much unaffected kindness in the nature of Mrs. Riccabocca—beneath the quiet of her manner there beat so genially the heart of the Hazeldeans—that she fairly justified the favorable anticipations of Mrs. Dale. And though the Doctor did not noisily boast of his felicity, nor, as some new married folks do, thrust it insultingly under the nimis unctis naribus—the turned-up noses of your surly old married folks, nor force it gaudily and glaringly on the envious eyes of the single, you might still see that he was a more cheerful and light-hearted man than before. His smile was less ironical, his politeness less distant. He did not study Machiavelli so intensely,—and he did not return to the spectacles; which last was an excellent sign. Moreover, the humanising influence of the tidy English wife might be seen in the improvement of his outward or artificial man. His clothes seemed to fit him better; indeed, the clothes were new. Mrs. Dale no longer remarked that the buttons were off the wrist-bands, which was a great satisfaction to her. But the sage still remained faithful to the pipe, the cloak, and the red silk umbrella. Mrs. Riccabocca had (to her credit be it spoken) used all becoming and wifelike arts against these three remnants of the old bachelor Adam, but in vain. "Anima mia—soul of mine," said the Doctor tenderly, "I hold the cloak, the umbrella, and the pipe, as the sole relics that remain to me of my native country. Respect and spare them."

Mrs. Riccabocca was touched, and had the good sense to perceive that man, let him be ever so much married, retains certain signs of his ancient independence—certain tokens of his old identity, which a wife, the most despotic, will do well to concede. She conceded the cloak, she submitted to the umbrella, she concealed her abhorrence of the pipe. After all, considering the natural villany of our sex, she confessed to herself that she might have been worse off. But, through all the calm and cheerfulness of Riccabocca, a nervous perturbation was sufficiently perceptible;—it commenced after the second week of marriage—it went on increasing, till one bright sunny afternoon, as he was standing on his terrace gazing down upon the road, at which Jackeymo was placed,—lo, a stage-coach stopped! The Doctor made a bound, and put both hands to his heart as if he had been shot; he then leapt over the balustrade, and his wife from her window beheld him flying down the hill, with his long hair streaming in the wind, till the trees hid him from her sight.

"Ah," thought she with a natural pang of conjugal jealousy, "henceforth I am only second in his home. He has gone to welcome his child!" And at that reflection Mrs. Riccabocca shed tears.

But so naturally amiable was she, that she hastened to curb her emotion, and efface as well as she could the trace of a stepmother's grief. When this was done, and a silent self-rebuking prayer murmured over, the good woman descended the stairs with alacrity, and, summoning up her best smiles, emerged on the terrace.

She was repaid; for scarcely had she come into the open air, when two little arms were thrown round her, and the sweetest voice that ever came from a child's lips, sighed out in broken English, "Good mamma, love me a little."

"Love you? with my whole heart!" cried the stepmother, with all a mother's honest passion. And she clasped the child to her breast.

"God bless you, my wife!" said Riccabocca, in a husky tone.

"Please take this too," added Jackeymo in Italian, as well as his sobs would let him—and he broke off a great bough full of blossoms from his favorite orange-tree, and thrust it into his mistress's hand. She had not the slightest notion what he meant by it!

CHAPTER III.

Violante was indeed a bewitching child—a child to whom I defy Mrs. Caudle herself (immortal Mrs. Caudle!) to have been a harsh stepmother.

Look at her now, as, released from those kindly arms, she stands, still clinging with one hand to her new mamma, and holding out the other to Riccabocca—with those large dark eyes swimming in happy tears. What a lovely smile!—what an ingenuous candid brow! She looks delicate—she evidently requires care—she wants the mother. And rare is the woman who would not love her the better for that! Still, what an innocent infantine bloom in those clear smooth cheeks!—and in that slight frame, what exquisite natural grace!

"And this, I suppose, is your nurse, darling?' said Mrs. Riccabocca, observing a dark foreign-looking woman, dressed very strangely—without cap or bonnet, but a great silver arrow stuck in her hair, and a filagree chain or necklace resting upon her kerchief.

"Ah, good Annetta," said Violante in Italian. "Papa, she says she is to go back; but she is not to go back—is she?"

Riccabocca, who had scarcely before noticed the woman, started at that question—exchanged a rapid glance with Jackeymo—and then, muttering some inaudible excuse, approached the Nurse, and beckoning her to follow him, went away into the grounds. He did not return for more than an hour, nor did the woman then accompany him home. He said briefly to his wife that the Nurse was obliged to return at once to Italy, and that she would stay in the village to catch the mail; that indeed she would be of no use in their establishment, as she could not speak a word of English; but that he was sadly afraid Violante would pine for her. And Violante did pine at first. But still, to a child it is so great a thing to find a parent—to be at home—that, tender and grateful as Violante was, she could not be inconsolable while her father was there to comfort.

For the first few days, Riccabocca scarcely permitted any one to be with his daughter but himself. He would not even leave her alone with his Jemima. They walked out together—sat together for hours in the Belvidere. Then by degrees he began to resign her more and more to Jemima's care and tuition, especially in English, of which language at present she spoke only a few sentences, (previously perhaps, learned by heart,) so as to be clearly intelligible.

CHAPTER IV.

There was one person in the establishment of Dr. Riccabocca, who was satisfied neither with the marriage of his master nor the arrival of Violante—and that was our friend Lenny Fairfield. Previous to the all-absorbing duties of courtship, the young peasant had secured a very large share of Riccabocca's attention. The sage had felt interest in the growth of this rude intelligence struggling up to light. But what with the wooing, and what with the wedding, Lenny Fairfield had sunk very much out of his artificial position as pupil, into his natural station of under-gardener. And on the arrival of Violante, he saw, with natural bitterness, that he was clean forgotten, not only by Riccabocca, but almost by Jackeymo. It was true that the master still lent him books, and the servant still gave him lectures on horticulture. But Riccabocca had no time nor inclination now to amuse himself with enlightening that tumult of conjecture which the books created. And if Jackeymo had been covetous of those mines of gold buried beneath the acres now fairly taken from the Squire, (and good-naturedly added rent-free, as an aid to Jemima's dower,) before the advent of the young lady whose future dowry the produce was to swell—now that she was actually under the eyes of the faithful servant, such a stimulus was given to his industry, that he could think of nothing else but the land, and the revolution he designed to effect in its natural English crops. The garden, save only the orange-trees, was abandoned entirely to Lenny, and additional laborers were called in for the field-work. Jackeymo had discovered that one part of the soil was suited to lavender, that another would grow camomile. He had in his heart apportioned a beautiful field of rich loam to flax; but against the growth of flax the Squire set his face obstinately. That most lucrative, perhaps, of all crops, when soil and skill suit, had, it would appear, been formerly attempted in England much more commonly than it is now, since you will find few old leases which do not contain a clause prohibitory of flax, as an impoverishment of the land. And though Jackeymo learnedly endeavored to prove to the Squire that the flax itself contained particles which, if returned to the soil, repaid all that the crop took away, Mr. Hazeldean had his old-fashioned prejudices on the matter, which were insuperable. "My forefathers," quoth he, "did not put that clause in their leases without good cause; and as the Casino lands are entailed on Frank, I have no right to gratify your foreign whims at his expense."

To make up for the loss of the flax, Jackeymo resolved to convert a very nice bit of pasture into orchard ground, which he calculated would bring in L10 net per acre by the time Miss Violante was marriageable. At this, Squire pished a little; but as it was quite clear the land would be all the more valuable hereafter for the fruit-trees, he consented to permit the 'grass land' to be thus partially broken up.

All these changes left poor Lenny Fairfield very much to himself—at a time when the new and strange devices which the initiation into book knowledge creates, made it most desirable that he should have the constant guidance of a superior mind.

One evening after his work, as Lenny was returning to his mother's cottage very sullen and very moody, he suddenly came in contact with Sprott the tinker.

CHAPTER V.

The tinker was seated under a hedge, hammering away at an old kettle—with a little fire burning in front of him—and the donkey hard by, indulging in a placid doze. Mr. Sprott looked up as Lenny passed—nodded kindly, and said—

"Good evenin', Lenny: glad to hear you be so 'spectably sitivated with Mounseer."

"Ay," answered Lenny, with a leaven of rancor in his recollections, "You're not ashamed to speak to me now, that I am not in disgrace. But it was in disgrace, when it wasn't my fault, that the real gentleman was most kind to me."

"Ar—r, Lenny," said the Tinker, with a prolonged rattle in that said Ar—r, which was not without great significance. "But you sees the real gentleman who han't got his bread to get, can hafford to 'spise his cracter in the world. A poor tinker must be timbersome and nice in his 'sociations. But sit down here a bit, Lenny; I've summat to say to ye!"

"To me—"

"To ye. Give the neddy a shove out i' the vay, and sit down, I say."

Lenny rather reluctantly, and somewhat superciliously, accepted this invitation.

"I hears," said the Tinker in a voice made rather indistinct by a couple of nails which he had inserted between his teeth; "I hears as how you be unkimmon fond of reading. I ha' sum nice cheap books in my bag yonder—sum low as a penny."

"I should like to see them," said Lenny, his eyes sparkling.

The Tinker rose, opened one of the paniers on the ass's back, took out a bag which he placed before Lenny, and told him to suit himself. The young peasant desired no better. He spread all the contents of the bag on the sward, and a motley collection of food for the mind was there—food and poison—serpentes avibus—good and evil. Here, Milton's Paradise Lost, and there The Age of Reason—here Methodist Tracts, and there True Principles of Socialism—Treatises on Useful Knowledge by sound learning actuated by pure benevolence—Appeals to Operatives by the shallowest reasoners, instigated by the same ambition that had moved Eratosthenes to the conflagration of a temple; works of fiction admirable as Robinson Crusoe, or innocent as the old English Baron, besides coarse translations of such garbage as had rotted away the youth of France under Louis Quinze. This miscellany was an epitome, in short, of the mixed World of Books, of that vast City of the Press, with its palaces and hovels, its aqueducts and sewers—which opens all alike to the naked eye and the curious mind of him to whom you say, in the Tinker's careless phrase, "suit yourself."

But it is not the first impulse of a nature, healthful and still pure, to settle in the hovel and lose itself amidst the sewers; and Lenny Fairfield turned innocently over the bad books, and selecting two of three of the best, brought them to the tinker and asked the price.

"Why," said Mr. Sprott, putting on his spectacles, "you has taken the werry dearest: them 'ere be much cheaper, and more hinterestin'."

"But I don't fancy them," answered Lenny; "I don't understand what they are about, and this seems to tell one how the steam-engine is made, and has nice plates; and this is Robinson Crusoe, which Parson Dale once said he would give me—I'd rather buy it out of my own money."

"Well, please yourself," quoth the Tinker; "you shall have the books for four bob, and you can pay me next month."

"Four bobs—four shillings? it is a great sum," said Lenny, "but I will lay it by, as you are kind enough to trust me; good evening, Mr. Sprott."

"Stay a bit," said the Tinker; "I'll just throw you these two little tracts into the barging; they be only a shilling a dozen, so 'tis but tuppence—and ven you has read those, vy, you'll be a reglar customer."

The Tinker tossed to Lenny Nos. 1 and 2 of Appeals to Operatives, and the peasant took them up gratefully.

The young knowledge-seeker went his way across the green fields, and under the still autumn foliage of the hedgerows. He looked first at one book, then at another; he did not know on which to settle.

The Tinker rose and made a fire with leaves and furze and sticks, some dry and some green.

Lenny has now opened No. 1 of the tracts: they are the shortest to read, and don't require so much effort of the mind as the explanation of the steam-engine.

The Tinker has now set on his grimy gluepot, and the glue simmers.

CHAPTER VI.

As Violante became more familiar with her new home, and those around her became more familiar with Violante, she was remarked for a certain stateliness of manner and bearing, which, had it been less evidently natural and inborn, would have seemed misplaced in the daughter of a forlorn exile, and would have been rare at so early an age among children of the loftiest pretensions. It was with the air of a little princess that she presented her tiny hand to a friendly pressure, or submitted her calm clear cheek to a presuming kiss. Yet withal she was so graceful, and her very stateliness was so pretty and captivating, that she was not the less loved for all her grand airs. And, indeed, she deserved to be loved; for though she was certainly prouder than Mr. Dale could approve of, her pride was devoid of egotism; and that is a pride by no means common. She had an intuitive forethought for others; you could see that she was capable of that grand woman-heroism, abnegation of self; and though she was an original child, and often grave and musing, with a tinge of melancholy, sweet, but deep in her character, still she was not above the happy genial merriment of childhood,—only her silver laugh was more attuned, and her gestures more composed, than those of children habituated to many play-fellows usually are. Mrs. Hazeldean liked her best when she was grave, and said "she would become a very sensible woman." Mrs. Dale liked her best when she was gay, and said "she was born to make many a heart ache;" for which Mrs. Dale was properly reproved by the Parson. Mrs. Hazeldean gave her a little set of garden tools; Mrs. Dale a picture-book and a beautiful doll. For a long time the book and the doll had the preference. But Mrs. Hazeldean having observed to Riccabocca that the poor child looked pale, and ought to be a good deal in the open air, the wise father ingeniously pretended to Violante that Mrs. Riccabocca had taken a great fancy to the picture-book, and that he should be very glad to have the doll, upon which Violante hastened to give them both away, and was never so happy as when mamma (as she called Mrs. Riccabocca) was admiring the picture-book, and Riccabocca with austere gravity dandled the doll. Then Riccabocca assured her that she could be of great use to him in the garden; and Violante instantly put into movement her spade, hoe, and wheelbarrow.

This last occupation brought her into immediate contact with Mr. Leonard Fairfield; and that personage one morning, to his great horror, found Miss Violante had nearly exterminated a whole celery-bed, which she had ignorantly conceived to be a crop of weeds.

Lenny was extremely angry. He snatched away the hoe, and said angrily, "You must not do that, Miss. I'll tell your papa if you—"

Violante drew herself up, and never having been so spoken to before, at least since her arrival in England, there was something comic in the surprise of her large eyes, as well as something tragic in the dignity of her offended mien. "It is very naughty of you, Miss," continued Leonard in a milder tone, for he was both softened by the eyes and awed by the mien, "and I trust you will not do it again."

"Non capisco," (I don't understand,) murmured Violante, and the dark eyes filled with tears. At that moment up came Jackeymo; and Violante, pointing to Leonard, said, with an effort not to betray her emotion, "Il fanciullo e molto grossolano," (he is a very rude boy.)

Jackeymo turned to Leonard with the look of an enraged tiger. "How you dare, scum of de earth that you are," cried he,[T] "how you dare make cry the signorina?" And his English not supplying familiar vituperatives sufficiently, he poured out upon Lenny such a profusion of Italian abuse, that the boy turned red and white in a breath with rage and perplexity.

Violante took instant compassion upon the victim she had made, and, with true feminine caprice, now began to scold Jackeymo for his anger, and, finally approaching Leonard, laid her hand on his arm, and said with a kindness at once child-like and queenly, and in the prettiest imaginable mixture of imperfect English and soft Italian, to which I cannot pretend to do justice, and shall therefore translate: "Don't mind him. I dare say it was all my fault, only I did not understand you: are not these things weeds?"

"No, my darling signorina," said Jackeymo in Italian, looking ruefully at the celery-bed, "they are not weeds, and they sell very well at this time of the year. But still, if it amuses you to pluck them up, I should like to see who's to prevent it."

Lenny walked away. He had been called "the scum of the earth," by a foreigner too! He had again been ill-treated for doing what he conceived his duty. He was again feeling the distinction between rich and poor, and he now fancied that that distinction involved deadly warfare, for he had read from beginning to end those two damnable tracts which the Tinker had presented to him. But in the midst of all the angry disturbance of his mind, he felt the soft touch of the infant's hand, the soothing influence of her conciliating words, and he was half ashamed that he had spoken so roughly to a child.

Still, not trusting himself to speak, he walked away and sat down at a distance. "I don't see," thought he, "why there should be rich and poor, master and servant." Lenny, be it remembered, had not heard the Parson's Political Sermon.

An hour after, having composed himself, Lenny returned to his work. Jackeymo was no longer in the garden; he had gone to the fields; but Riccabocca was standing by the celery-bed, and holding the red silk umbrella over Violante as she sat on the ground looking up at her father with those eyes already so full of intelligence, and love, and soul.

"Lenny," said Riccabocca, "my young lady has been telling me that she has been very naughty, and Giacomo very unjust to you. Forgive them both."

Lenny's sullenness melted in an instant: the reminiscence of tracts Nos. 1 and 2,—

"Like the baseless fabric of a vision, Left not a wreck behind."

He raised his eyes, swimming with all his native goodness, towards the wise man, and dropped them gratefully on the face of the infant peacemaker. Then he turned away his head and fairly wept. The Parson was right: "O ye poor, have charity for the rich; O ye rich, respect the poor."

CHAPTER VII.

Now from that day the humble Lenny and the regal Violante became great friends. With what pride he taught her to distinguish between celery and weeds—and how proud too was she when she learned that she was useful! There is not a greater pleasure you can give to children, especially female children, than to make them feel they are already of value in the world, and serviceable as well as protected. Weeks and months rolled away, and Lenny still read, not only the books lent him by the Doctor, but those he bought of Mr. Sprott. As for the bombs and shells against religion which the Tinker carried in his bag, Lenny was not induced to blow himself up with them. He had been reared from his cradle in simple love and reverence for the Divine Father, and the tender Saviour, whose life, beyond all records of human goodness, whose death, beyond all epics of mortal heroism, no being whose infancy has been taught to supplicate the Merciful and adore the Holy, yea, even though his later life may be entangled amidst the thorns of some desolate pyrrhonism, can ever hear reviled and scoffed without a shock to the conscience and a revolt of the heart. As the deer recoils by instinct from the tiger, as the very look of the scorpion deters you from handling it, though you never saw a scorpion before, so the very first line in some ribald profanity on which the Tinker put his black finger, made Lenny's blood run cold. Safe, too, was the peasant boy from any temptation in works of a gross and licentious nature, not only because of the happy ignorance of his rural life, but because of a more enduring safeguard—genius! Genius, that, manly, robust, healthful as it be, is long before it loses its instinctive Dorian modesty; shamefaced, because so susceptible to glory—genius, that loves indeed to dream, but on the violet bank, not the dung-hill. Wherefore, even in the error of the senses, it seeks to escape from the sensual into worlds of fancy, subtle and refined. But apart from the passions, true genius is the most practical of all human gifts. Like the Apollo, whom the Greek worshipped as its type, even Arcady is its exile, not its home. Soon weary of the dalliance of Tempe, it ascends to its mission—the archer of the silver bow, the guide of the car of light. Speaking more plainly, genius is the enthusiasm for self-improvement; it ceases or sleeps the moment it desists from seeking some object which it believes of value, and by that object it insensibly connects its self-improvement with the positive advance of the world. At present Lenny's genius had no bias that was not to the positive and useful. It took the direction natural to his sphere, and the wants therein—viz., to the arts which call mechanical. He wanted to know about steam-engines and artesian wells; and to know about them it was necessary to know something of mechanics and hydrostatics; so he bought popular elementary works on those mystic sciences, and set all the powers of his mind at work on experiments.

Noble and generous spirits are ye, who, with small care for fame, and little reward from pelf, have opened to the intellects of the poor the portals of wisdom! I honor and revere ye; only do not think ye have done all that is needful. Consider, I pray ye, whether so good a choice from the Tinker's bag would have been made by a boy whom religion had not scared from the pestilent, and genius had not led to the self-improving. And Lenny did not wholly escape from the mephitic portions of the motley elements from which his awakening mind drew its nurture. Think not it was all pure oxygen that the panting lips drew in. No; there were still those inflammatory tracts. Political I do not like to call them, for politics mean the art of government, and the tracts I speak of assailed all government which mankind has hitherto recognized. Sad rubbish, perhaps, were such tracts to you, O sound thinker, in your easy-chair! Or to you, practised statesman, at your post on the treasury bench—to you, calm dignitary of a learned church—or to you, my lord judge, who may often have sent from your bar to the dire Orcus of Norfolk's Isle the ghosts of men whom that rubbish, falling simultaneously on the bumps of acquisitiveness and combativeness, hath untimely slain. Sad rubbish to you! But seems it such rubbish to the poor man, to whom it promises a paradise on the easy terms of upsetting a world! For ye see, these "Appeals to Operatives" represent that same world-upsetting as the simplest thing imaginable—a sort of two-and-two-make-four proposition. The poor have only got to set their strong hands to the axle, and heave-a-hoy! and hurrah for the topsy-turvy! Then, just to put a little wholesome rage into the heave-a-hoy! it is so facile to accompany the eloquence of "Appeals" with a kind of stir-the-bile-up statistics—"Abuses of the Aristocracy"—"Jobs of the Priesthood"—"Expenses of Army kept up for Peers' younger sons"—"Wars contracted for the villainous purpose of raising the rents of the land-owners"—all arithmetically dished up, and seasoned with tales of every gentleman who has committed a misdeed, every clergyman who has dishonored his cloth; as if such instances were fair specimens of average gentlemen and ministers of religion! All this passionately advanced, (and observe, never answered, for that literature admits no controversialists, and the writer has it all his own way) may be rubbish; but it is out of such rubbish that operatives build barricades for attack, and legislators prisons for defence.

Our poor friend Lenny drew plenty of this stuff from the Tinker's bag. He thought it very clever and very eloquent; and he supposed the statistics were as true as mathematical demonstrations.

A famous knowledge-diffuser is looking over my shoulder, and tells me, "Increase education, and cheapen good books, and all this rubbish will disappear!" Sir, I don't believe a word of it. If you printed Ricardo and Adam Smith at a farthing a volume, I still believe that they would be as little read by the operatives as they are now-a-days by a very large proportion of highly cultivated men. I still believe that, while the press works, attacks on the rich, and propositions for heave-a-hoys, will always form a popular portion of the Literature of Labor. There's Lenny Fairfield reading a treatise on hydraulics, and constructing a model for a fountain into the bargain; but that does not prevent his acquiescence in any proposition for getting rid of a National Debt, which he certainly never agreed to pay, and which he is told makes sugar and tea so shamefully dear. No. I tell you what does a little counteract those eloquent incentives to break his own head against the strong walls of the Social System—it is, that he has two eyes in that head, which are not always employed in reading. And, having been told in print that masters are tyrants, parsons hypocrites or drones in the hive, and land-owners vampires and bloodsuckers, he looks out into the little world around him, and, first, he is compelled to acknowledge that his master is not a tyrant, (perhaps because he is a foreigner and a philosopher, and, for what I and Lenny know, a republican.) But then Parson Dale, though High Church to the marrow, is neither hypocrite nor drone. He has a very good living, it is true—much better than he ought to have, according to the "political" opinions of those tracts; but Lenny is obliged to confess that, if Parson Dale were a penny the poorer, he would do a pennyworth's less good; and, comparing one parish with another, such as Roodhall and Hazeldean, he is dimly aware that there is no greater CIVILIZER than a parson tolerably well off. Then, too, Squire Hazeldean, though as arrant a Tory as ever stood upon shoe-leather, is certainly not a vampire nor bloodsucker. He does not feed on the public; a great many of the public feed upon him; and, therefore, his practical experience a little staggers and perplexes Lenny Fairfield as to the gospel accuracy of his theoretical dogmas. Masters, parsons, and land-owners! having at the risk of all popularity, just given a coup de patte to certain sages extremely the fashion at present, I am not going to let you off without an admonitory flea in the ear. Don't suppose that any mere scribbling and typework will suffice to answer the scribbling and typework set at work to demolish you—write down that rubbish you can't—live it down you may. If you are rich, like Squire Hazeldean, do good with your money; if you are poor, like Signor Riccabocca, do good with your kindness.

See! there is Lenny now receiving his week's wages; and though Lenny knows that he can get higher wages in the very next parish, his blue eyes are sparkling with gratitude, not at the chink of the money, but at the poor exile's friendly talk on things apart from all service; while Violante is descending the steps from the terrace, charged by her mother-in-law with a little basket of sago, and such-like delicacies, for Mrs. Fairfield, who has been ailing the last few days.

Lenny will see the Tinker as he goes home, and he will buy a most Demosthenean "Appeal"—a tract of tracts, upon the "Propriety of Strikes," and the Avarice of Masters. But, somehow or other, I think a few words from Signor Riccabocca, that did not cost the Signor a farthing, and the sight of his mother's smile at the contents of the basket, which cost very little, will serve to neutralise the effects of that "Appeal," much more efficaciously than the best article a Brougham or a Mill could write on the subject.

CHAPTER VIII.

Spring had come again; and one beautiful May-day, Leonard Fairfield sate beside the little fountain which he had now actually constructed in the garden. The butterflies were hovering over the belt of flowers which he had placed around his fountain, and the birds were singing overhead. Leonard Fairfield was resting from his day's work, to enjoy his abstemious dinner, beside the cool play of the sparkling waters, and, with the yet keener appetite of knowledge, he devoured his book as he munched his crusts.

A penny tract is the shoeing-horn of literature; it draws on a great many books, and some too tight to be very useful in walking. The penny tract quotes a celebrated writer, you long to read him; it props a startling assertion by a grave authority, you long to refer to it. During the nights of the past winter, Leonard's intelligence had made vast progress: he had taught himself more than the elements of mechanics, and put to practice the principles he had acquired, not only in the hydraulical achievement of the fountain, nor in the still more notable application of science, commenced on the stream in which Jackeymo had fished for minnows, and which Lenny had diverted to the purpose of irrigating two fields, but in various ingenious contrivances for the facilitation or abridgment of labor, which had excited great wonder and praise in the neighborhood. On the other hand, those rabid little tracts, which dealt so summarily with the destinies of the human race, even when his growing reason, and the perusal of works more classical or more logical, had led him to perceive that they were illiterate, and to suspect that they jumped from premises to conclusions with a celerity very different from the careful ratiocination of mechanical science, had still, in the citations and references wherewith they abounded, lured him on to philosophers more specious and more perilous. Out of the Tinker's bag he had drawn a translation of Condorcet's Progress of Man, and another of Rousseau's Social Contract. These had induced him to select from the tracts in the Tinker's miscellany those which abounded most in professions of philanthropy, and predictions of some coming Golden Age, to which old Saturn's was a joke—tracts so mild and mother-like in their language, that it required a much more practical experience than Lenny's to perceive that you would have to pass a river of blood before you had the slightest chance of setting foot on the flowery banks on which they invited you to repose—tracts which rouged poor Christianity on the cheeks, clapped a crown of innocent daffodillies on her head, and set her to dancing a pas de zephyr in the pastoral ballet in which St. Simon pipes to the flock he shears; or having first laid it down as a preliminary axiom, that

"The cloud-capt towers, the gorgeous palaces, The solemn temples, the great globe itself— Yea, all which it inherit, shall dissolve,"

substituted in place thereof Monsieur Fourier's symmetrical phalanstere, or Mr. Owen's architectural parallelogram. It was with some such tract that Lenny was seasoning his crusts and his radishes, when Riccabocca, bending his long dark face over the student's shoulder, said abruptly—

"Diavolo, my friend! What on earth have you got there? Just let me look at it, will you?"

Leonard rose respectfully, and colored deeply as he surrendered the tract to Riccabocca.

The wise man read the first page attentively, the second more cursorily, and only ran his eye over the rest. He had gone through too vast a range of problems political, not to have passed over that venerable Pons Asinorum of Socialism, on which Fouriers and St. Simons sit straddling and cry aloud that they have arrived at the last boundary of knowledge!

"All this is as old as the hills," quoth Riccabocca irreverently; "but the hills stand still, and this—there it goes!" and the sage pointed to a cloud emitted from his pipe. "Did you ever read Sir David Brewster on Optical Delusions? No! Well, I'll lend it to you. You will find therein a story of a lady who always saw a black cat on her hearth-rug. The black cat existed only in her fancy, but the hallucination was natural and reasonable—eh—what do you think?"

"Why, sir," said Leonard, not catching the Italian's meaning, "I don't exactly see that it was natural and reasonable."

"Foolish boy, yes! because black cats are things possible and known. But who ever saw upon earth a community of men such as sit on the hearth-rugs of Messrs. Owen and Fourier? If the lady's hallucination was not reasonable, what is his, who believes in such visions as these?"

Leonard bit his lip.

"My dear boy," cried Riccabocca kindly, "the only thing sure and tangible to which these writers would lead you, lies at the first step, and that is what is commonly called a Revolution. Now, I know what that is. I have gone, not indeed through a revolution, but an attempt at one."

Leonard raised his eyes towards his master with a look of profound respect, and great curiosity.

"Yes," added Riccabocca, and the face on which the boy gazed exchanged its usual grotesque and sardonic expression for one animated, noble, and heroic. "Yes, not a revolution for chimeras, but for that cause which the coldest allow to be good, and which, when successful, all time approves as divine—the redemption of our native soil from the rule of the foreigner! I have shared in such an attempt. And," continued the Italian mournfully, "recalling now all the evil passions it arouses, all the ties it dissolves, all the blood that it commands to flow, all the healthful industry it arrests, all the madmen that it arms, all the victims that it dupes, I question whether one man really honest, pure, and humane, who has once gone through such an ordeal, would ever hazard it again, unless he was assured that the victory was certain—ay, and the object for which he fights not to be wrested from his hands amidst the uproar of the elements that the battle has released."

The Italian paused, shaded his brow with his hand, and remained long silent. Then, gradually resuming his ordinary tone, he continued:

"Revolutions that have no definite objects made clear by the positive experience of history; revolutions, in a word, that aim less at substituting one law or one dynasty for another, than at changing the whole scheme of society, have been little attempted by real statesmen. Even Lycurgus is proved to be a myth who never existed. They are the suggestions of philosophers who lived apart from the actual world, and whose opinions (though generally they were very benevolent, good sort of men, and wrote in an elegant poetical style) one would no more take on a plain matter of life, than one would look upon Virgil's Eclogues as a faithful picture of the ordinary pains and pleasures of the peasants who tend our sheep. Read them as you would read poets, and they are delightful. But attempt to shape the world according to the poetry—and fit yourself for a madhouse. The farther off the age is from the realization of such projects, the more these poor philosophers have indulged them. Thus, it was amidst the saddest corruption of court manners, that it became the fashion in Paris to sit for one's picture, with a crook in one's hand, as Alexis, or Daphne. Just as liberty was fast dying out of Greece, and the successors of Alexander were founding their monarchies, and Rome was growing up to crush in its iron grasp all states save its own, Plato withdraws his eyes from the world, to open them in his dreamy Atlantis. Just in the grimmest period of English history, with the axe hanging over his head, Sir Thomas More gives you his Utopia. Just when the world is to be the theatre of a new Sesostris, the dreamers of France tell you that the age is too enlightened for war, that man is henceforth to be governed by pure reason and live in a Paradise. Very pretty reading all this to a man like me, Lenny, who can admire and smile at it. But to you, to the man who has to work for his living, to the man who thinks it would be so much more pleasant to live at his ease in a phalanstere than to work eight or ten hours a day; to the man of talent, and action, and industry, whose future is invested in that tranquillity and order of a state, in which talent, and action, and industry are a certain capital;—why Messrs. Coutts, the great bankers, had better encourage a theory to upset the system of banking! Whatever disturbs society, yea, even by a causeless panic, much more by an actual struggle, falls first upon the market of labor, and thence affects prejudicially every department of intelligence. In such times the arts are arrested; literature is neglected; people are too busy to read any thing save appeals to their passions. And capital, shaken in its sense of security, no longer ventures boldly through the land, calling forth all the energies of toil and enterprise, and extending to every workman his reward. Now Lenny, take this piece of advice. You are young, clever, and aspiring; men rarely succeed in changing the world; but a man seldom fails of success if he lets the world alone, and resolves to make the best of it. You are in the midst of the great crisis of your life; it is the struggle between the new desires knowledge excites, and that sense of poverty, which those desires convert either into hope and emulation, or into envy and despair. I grant that it is an uphill work that lies before you; but don't you think it is always easier to climb a mountain than it is to level it? These books call on you to level a mountain; and that mountain is the property of other people, subdivided amongst a great many proprietors, and protected by law. At the first stroke of the pick-axe it is ten to one but what you are taken up for a trespass. But the path up the mountain is a right of way uncontested. You may be safe at the summit, before (even if the owners are fools enough to let you) you could have levelled a yard. 'Cospetto!' quoth the doctor, 'it is more than two thousand years ago since poor Plato began to level it, and the mountain is as high as ever!'"

Thus saying, Riccabocca came to the end of his pipe, and, stalking thoughtfully away, he left Leonard Fairfield trying to extract light from the smoke.

CHAPTER IX.

Shortly after this discourse of Riccabocca's, an incident occurred to Leonard that served to carry his mind into new directions. One evening, when his mother was out, he was at work on a new mechanical contrivance, and had the misfortune to break one of the instruments which he employed. Now it will be remembered that his father had been the Squire's head-carpenter; the widow had carefully hoarded the tools of his craft which had belonged to her poor Mark; and though she occasionally lent them to Leonard, she would not give them up to his service. Amongst these, Leonard knew that he should find the one that he wanted; and being much interested in his contrivance, he could not wait till his mother's return. The tools, with other little relics of the lost, were kept in a large trunk in Mrs. Fairfield's sleeping room; the trunk was not locked, and Leonard went to it without ceremony or scruple. In rummaging for the instrument, his eye fell on a bundle of MSS.; and he suddenly recollected that when he was a mere child, and before he much knew the difference between verse and prose, his mother had pointed to these MSS. and said "One day or other, when you can read nicely I'll let you look at these, Lenny. My poor Mark wrote such verses—ah, he was a scollard!" Leonard, reasonably enough, thought that the time had now arrived when he was worthy the privilege of reading the paternal effusions, and he took forth the MSS. with a keen but melancholy interest. He recognized his father's handwriting, which he had often seen before in account-books and memoranda, and read eagerly some trifling poems, which did not show much genius, nor much mastery of language and rhythm—such poems, in short, as a self-educated man with a poetic taste and feeling, rather than poetic inspiration or artistic culture, might compose with credit, but not for fame. But suddenly, as he turned over these 'Occasional Pieces,' Leonard came to others in a different handwriting—a woman's handwriting—small, and fine, and exquisitely formed. He had scarcely read six lines of these last before his attention was irresistibly chained. They were of a different order of merit from poor Mark's; they bore the unmistakable stamp of genius. Like the poetry of women in general, they were devoted to personal feeling—they were not the mirror of a world, but reflections of a solitary heart. Yet this is the kind of poetry most pleasing to the young. And the verses in question had another attraction for Leonard; they seemed to express some struggle akin to his own—some complaint against the actual condition of the writer's life, some sweet melodious murmurs at fortune. For the rest, they were characterized by a vein of sentiment so elevated that, if written by a man, it would have run into exaggeration; written by a woman, the romance was carried off by so many revelations of sincere, deep, pathetic feeling, that it was always natural, though true to a nature from which you would not augur happiness.

Leonard was still absorbed in the perusal of these poems, when Mrs. Fairfield entered the room.

"What have you been about, Lenny?—searching in my box?"

"I came to look for my father's bag of tools, mother, and I found these papers, which you said I might read some day."

"I doesn't wonder you did not hear me when I came in," said the widow sighing. "I used to sit still for the hour together, when my poor Mark read his poems to me. There was such a pretty one about the Peasant's Fireside, Lenny—have you got hold of that?"

"Yes, dear mother; and I remarked the allusion to you; it brought tears to my eyes. But these verses are not my father's—whose are they? They seem a woman's hand."

Mrs. Fairfield looked—changed color—grew faint—and seated herself.

"Poor, poor Nora!" said she falteringly. "I did not know as they were there; Mark kep' 'em; they got among his"—

Leonard.—"Who was Nora?"

Mrs. Fairfield.—"Who?—child,—who? Nora was—was my own—own sister."

Leonard (in great amaze, contrasting his ideal of the writer of these musical lines in that graceful hand, with his homely, uneducated mother, who can neither read nor write.)—"Your sister—is it possible? My aunt, then. How comes it you never spoke of her before? Oh, you should be so proud of her, mother."

Mrs. Fairfield (clasping her hands).—"We were proud of her, all of us—father, mother,—all! She was so beautiful and so good, and not proud she! though she looked like the first lady in the land. Oh! Nora, Nora!"

Leonard (after a pause).—"But she must have been highly educated?"

Mrs. Fairfield.—"'Deed she was!"

Leonard.—"How was that?"

Mrs. Fairfield (rocking herself to and fro in her chair).—"Oh! my Lady was her godmother—Lady Lansmere I mean—and took a fancy to her when she was that high! and had her to stay at the Park, and wait on her ladyship; and then she put her to school, and Nora was so clever that nothing would do but she must go to London as a governess. But don't talk of it, boy!—don't talk of it!"

Leonard.—"Why not, mother?—what has become of her?—where is she?"

Mrs. Fairfield (bursting into a paroxysm of tears).—"In her grave—in her cold grave! Dead, dead!"

Leonard was inexpressibly grieved and shocked. It is the attribute of the poet to seem always living, always a friend. Leonard felt as if some one very dear had been suddenly torn from his heart. He tried to console his mother; but her emotion was contagious, and he wept with her.

"And how long has she been dead?" he asked at last, in mournful accents.

"Many's the long year, many; but," added Mrs. Fairfield, rising, and putting her tremulous hand on Leonard's shoulder, "you'll just never talk to me about her—I can't bear it—it breaks my heart. I can bear better to talk of Mark—come down stairs—come."

"May I not keep these verses, mother? Do let me."

"Well, well, those bits o' paper be all she left behind her—yes, keep them, but put back Mark's. Are they all here?—sure?" And the widow, though she could not read her husband's verses, looked jealously at the MSS. written in his irregular large scrawl, and, smoothing them carefully, replaced them in the trunk, and resettled over them some sprigs of lavender, which Leonard had unwittingly disturbed.

"But," said Leonard, as his eye again rested on the beautiful handwriting of his lost aunt"—but you call her Nora—I see she signs herself L."

"Leonora was her name. I said she was my Lady's godchild. We called her Nora for short"—

"Leonora—and I am Leonard—is that how I came by the name?"

"Yes, yes—do hold your tongue, boy," sobbed poor Mrs. Fairfield; and she could not be soothed nor coaxed into continuing or renewing a subject which was evidently associated with insupportable pain.

CHAPTER X.

It is difficult to exaggerate the effect that this discovery produced on Leonard's train of thought. Some one belonging to his own humble race had, then, preceded him in his struggling flight towards the lofter regions of Intelligence and Desire. It was like the mariner amidst unknown seas, who finds carved upon some desert isle a familiar household name. And this creature of genius and of sorrow—whose existence he had only learned by her song, and whose death created, in the simple heart of her sister, so passionate a grief after the lapse of so many years—supplied to the romance awaking in his young heart the ideal which it unconsciously sought. He was pleased to hear that she had been beautiful and good. He paused from his books to muse on her, and picture her image to his fancy. That there was some mystery in her fate was evident to him; and while that conviction deepened his interest, the mystery itself, by degrees, took a charm which he was not anxious to dispel. He resigned himself to Mrs. Fairfield's obstinate silence. He was contented to rank the dead amongst those holy and ineffable images which we do not seek to unveil. Youth and Fancy have many secret hoards of idea which they do not desire to impart, even to those most in their confidence. I doubt the depth of feeling in any man who has not certain recesses in his soul in which none may enter.

Hitherto, as I have said, the talents of Leonard Fairfield had been more turned to things positive than to the ideal; to science and investigation of fact than to poetry, and that airier truth in which poetry has its element. He had read our greater poets, indeed, but without thought of imitating; and rather from the general curiosity to inspect all celebrated monuments of the human mind, than from that especial predilection for verse which is too common in childhood and youth to be any sure sign of a poet. But now these melodies, unknown to all the world beside, rang in his ear, mingled with his thoughts—set, as it were, his whole life to music. He read poetry with a different sentiment—it seemed to him that he had discovered its secret. And so reading, the passion seized him, and "the numbers came."

To many minds, at the commencement of our grave and earnest pilgrimage, I am Vandal enough to think that the indulgence of poetic taste and reverie does great and lasting harm; that it serves to enervate the character, give false ideas of life, impart the semblance of drudgery to the noble toils and duties of the active man. All poetry would not do this—not, for instance, the Classical, in its diviner masters—not the poetry of Homer, of Virgil, of Sophocles, not, perhaps, even that of the indolent Horace. But the poetry which youth usually loves and appreciates the best—the poetry of mere sentiment—does so in minds already over predisposed to the sentimental, and which require bracing to grow into healthful manhood.

On the other hand, even this latter kind of poetry, which is peculiarly modern, does suit many minds of another mould—minds which our modern life, with its hard positive forms, tends to produce. And as in certain climates plants and herbs, peculiarly adapted as antidotes to those diseases most prevalent in the atmosphere, are profusely sown, as it were, by the benignant providence of nature—so it may be that the softer and more romantic species of poetry, which comes forth in harsh, money-making, unromantic times, is intended as curatives and counter-poisons. The world is so much with us, now-a-days, that we need have something that prates to us, albeit even in too fine an euphuism, of the moon and stars.

Certes, to Leonard Fairfield, at that period of his intellectual life, the softness of our Helicon descended as healing dews. In his turbulent and unsettled ambition, in his vague grapple with the giant forms of political truths, in his bias towards the application of science to immediate practical purposes, this lovely vision of the Muse came in the white robe of the Peacemaker; and with upraised hand, pointing to serene skies, she opened to him fair glimpses of the Beautiful, which is given to Peasant as to Prince—showed to him that on the surface of earth there is something nobler than fortune—that he who can view the world as a poet is always at soul a king; while to practical purpose itself, that larger and more profound invention, which poetry stimulates, supplied the grand design and the subtle view—leading him beyond the mere ingenuity of the mechanic, and habituating him to regard the inert force of the matter at his command with the ambition of the Discoverer. But, above all, the discontent that was within him, finding a vent, not in deliberate war upon this actual world, but through the purifying channels of song—in the vent itself it evaporated, it was lost. By accustoming ourselves to survey all things with the spirit that retains and reproduces them only in their lovelier or grander aspects, a vast philosophy of toleration for what we before gazed on with scorn or hate insensibly grows upon us. Leonard looked into his heart after the enchantress had breathed upon it; and through the mists of the fleeting and tender melancholy which betrayed where she had been, he beheld a new sun of delight and joy dawning over the landscape of human life.