"Very cold, is it, eh? so much the better. I like cold weather."

"It snows even very much, Monsieur l'Abbe."

"In that case, my large Polish boots."

"Your large Polish boots! And for what purpose?"

"Not to write a poem in, probably; for if Boileau very sensibly remarked, that in order to write a good poem time and taste were necessary, he did not add that boots were indispensable. Once for all, I want my Polish boots to go out shooting in. Is not that plain enough, Monsieur Mascarille?"

"Cough shooting, Monsieur l'Abbe?"

"Maraud! wolf-shooting—in the wood. Come, quick, my boots, and no chattering."

"Here are your boots, Monsieur l'Abbe. Truly you have no thought for your health."

"Have you a design upon my boots, also? Be so good, most discursive valet, as to fetch me my deer-skin gloves, my hat, and gun."

The Abbe de Voisenon was soon equipped with the aid of his valet, who, during the operation of dressing, never ceased repeating to him:

"It is fearfully cold this morning. Dogs have been found frozen to death in their kennels, fish dead in the fish-ponds, cattle dead in the stables, birds dead on the trees, and even wolves dead in the forest."

"My good friend," replied the Abbe de Voisenon, "you have said too much; your story of the wolves prevents me believing the rest: upon this I start. Now listen to me. On my return from shooting I expect to find my poultices ready, my asses-milk properly warmed, and my tisanes mixed; give directions about all this in the kitchen."

"Yes, Monsieur l'Abbe. He'll never return, that's certain," murmured the valet, as he packed up his master in his great-coat, and drew his fur cap well down over his ears.

Followed by three of his dogs, our abbe started on his shooting excursion. At the very first step he took on leaving the court-yard, he fell; but he was up in an instant, and brushed speedily along. It must have been a strange spectacle to see this old man, as black as a mute at a funeral, with his black gloves, black boots, black coat, all black in short, tripping gayly along over the snow with three dogs at his heels, sometimes whistling and shouting aloud, sometimes cracking his pocket-whip, and occasionally pointing his fowling-piece in the direction of a flight of crows.

He had passed through the village of Voisenon, and had just gained the open country, when he was stopped at the entrance of a lane of small cottages by a young girl, who, the instant she perceived him, cried out,

"Ah, monseigneur" (for many people styled him monseigneur), "it is surely Providence that has sent you to us!"

"What is the matter?" inquired the abbe.

"Our grandfather is dying, and he is unwilling to die without confession."

"But I have nothing to do with that, my child; that is the priest's business."

"But are you not a priest, monseigneur?"

"Almost," replied our abbe, rather taken aback by this home-thrust, and in a very bad humor besides at the interruption, "almost; but address yourself in preference to the prior of the convent. Run to the chateau, ring at the convent-gate; ring loudly, and reserve me for a better occasion."

"Monseigneur," repeated the girl, "our grandfather has not time to wait; he is dying—you must come."

"I tell you," replied the abbe, confused within himself at his refusal, "I cannot go. I am, as you see, out shooting: the thing is utterly impossible."

With these words he sought to pursue his way; but the young girl, who could not comprehend the bad arguments made use of by the abbe, clung obstinately to his coat skirts, and compelled him to turn round. Aroused by the noise of this altercation, a few of the male population appeared on the thresholds of their doors, others at their windows; and as a village resembles a bundle of dry hay, which a spark will set in a blaze, the wives joined their husbands, the children their mothers, and soon the entire population flocked into the street to see what was the matter.

The Abbe du Jard, seigneur of Voisenon, king of the country, felt deeply humiliated amid the crowd which surrounded him, and which had already begun to murmur at this refusal, as irreligious as it was inhuman.

But our poor abbe was not inhuman. The fact was, he had completely forgotten the formula used on such occasions; and if the truth must be told, as he was careless and indifferent in religious matters, rather than hypocritical, his conscience reproached him for going to absolve or condemn a fellow-creature when he inwardly felt how utterly unworthy he was himself of judging others at the tribunal of the confessional.

Necessity, however, prevailed over his just scruples; which scruples, however, be it said, could not be made use of as excuses to his vassals: so, with downcast eyes and his reversed fowling-piece under his arm, he permitted himself to be led to the cottage where lay the old man, who was unwilling to render his last sigh without having made the official avowal of his sins.

The villagers knelt in a circle before the door, whilst the abbe seated himself by the side of the dying man, in order the better to receive his confession.

Since the unlucky moment in which the Abbe de Voisenon had been balked of his morning's sport, he had lost—for he had at times his intervals of superstitious terror—the proud determination he had formed of not believing himself ill on that day. But then, what signs of evil augury had greeted him! He had tripped and fallen on leaving home; he had seen flocks of crows; a weeping girl had dragged him to the bedside of a terrified sinner—even now they were repeating the prayers for the dying around him. The Abbe de Voisenon was overcome; his former temerity oozed palpably away, he felt sick at heart, his ears tingled, his asthma groaned within his chest.

"I am ill," thought he. "I was in the wrong to come out; why did I not take my old servant's advice, and remain at home?"

Finally he lent an ear to the old man's confession.

"You were born the same day as myself!" exclaimed the abbe, at the patient's first confidential communication; "you were born the same day as myself!"

The old man continued, and here a new terror arose for our abbe.

"You have never heard mass to the end! And I," thought he, "have never heard even the beginning for these last thirty years!"

The penitent continued:—

"I have committed, monseigneur, the great sin that you know."

"The great sin that I know! I know so many," thought the abbe. "What sin, my friend?"

"Yea, the great sin—although married—"

"Ah! I understand!" Then, sotto voce, "My great sin, although a priest."

A deplorable fatality, if it was a fatality, had so willed it that the vassal should have fallen into the same snares as had his lord, who was now called to judge him at his last hour.

When the confession was ended, the Abbe de Voisenon consulted his own heart with inward terror, and after some hesitation he remitted his penitent's sins, inwardly avowing to himself that the dying man ought, at least, out of gratitude, to render him the same service.

The ceremony over, the abbe rose to depart: but his limbs failed him, and they were actually obliged to carry him home, where he arrived in a state of prostration that seriously alarmed his household. During the remainder of that day he spoke to no one; wrapped up in the silence of his own melancholy thoughts, he opened his lips only to cough. The night was bad; icy shiverings passed over his frame: the image of this man, of the same age, and burdened with the same sins as he himself had committed, would not leave his memory. By daylight his trouble of mind and body was at its height; he desired his valet to summon his physician and the prior of the convent. "And immediately," added he, "immediately."

Comprehending better this time the wishes of his master, the domestic hastened to arouse the prior, whose convent almost adjoined the chateau, and the physician, who had apartments in the chateau itself. This physician was a young man, chosen by the celebrated Tronchin from among his cleverest pupils at the express desire of the Abbe de Voisenon.

Seriously alarmed at the danger of the abbe, both prior and physician hastened to obey the summons. M. de Voisenon was so ill last night. Should they arrive in time? So equal and so prompt was their zeal that both reached the abbe's bedroom door together. But when they opened it, what was their astonishment to find that the bird had flown; our abbe had got over his little fright, and had gone out shooting again.

The end of that fatal eighteenth century was now approaching; undermined by years and debauchery, it was now like a ruined spend-thrift moving away from the calendar of the world in rags; it was hideously old, but its years inspired not respect. Old king, old ministers, old generals—if indeed there were generals,—old courtiers, old mistresses, old poets, old musicians, old opera dancers, broken down with ennui, pleasure, and idleness—toothless, faded, rouged, and wrinkled—were descending slowly to the tomb. Louis XV. formed one of the funeral procession; he was taken to St. Denis between two lines of cabarets filled with drunken revellers, madly rejoicing at being rid of this plague, which another plague had carried off to the grave. Crebillon was dead; the son of the great Racine, honored by the famous title of Member of the Academy of Inscriptions and Belles Lettres, was taken off by a malignant fever, and obtained from the grateful publicity of the day the following necrological eulogium, as brief as it was eloquent: "M. Racine, last of the name, died yesterday of a malignant fever; as a man of letters he was long dead, having become stupefied by wine and devotion." Twelve days afterwards Marivaux followed Racine to the grave. The Abbe Prevost died of a tenth attack of apoplexy in the forest of Chantilly. In the following spring the celebrated Madame de Pompadour descended, at the age of forty-four, into the grave, after having exhaled a bon mot in guise of confession. Desirous, as it would appear, of leaving this world like the rest of his worthy comperes, the composer Rameau cried furiously to his confessor, whose lugubrious note while intoning the service at his bedside offended the delicacy of his ear, 'What the devil are you muttering there, Monsieur le Cure? you are horribly out of tune!' And thereupon Master Rameau expired of a putrid fever. And what think you, worthy reader, occupied the public the day following the death of the most celebrated musician in Europe, the king of the French school? Why, nothing less than this wonderful piece of news: "Mademoiselle Mire, of the Opera, more celebrated as a courtesan than as a danseuse, has interred her lover; on his tomb are engraven these words:

MI RE LA MI LA."

A touching funeral oration, truly, for poor Rameau! Panard, the father of the French vaudeville, died some days after Rameau; and the Parisian public, with its national tenderness of heart, merely remarked, that "the words could not be separated from the accompaniment."

You see, reader, how the ranks were thinning, how all these old candles were expiring in their sockets, how the ball was approaching its end.

"Piron died yesterday," writes a journalist; and he adds, "They say he received the cure of St. Roche very badly." What an admirable piece of buffoonery! these cures going in turn to shrive the writers of the eighteenth century, and having flung at their heads epigrams composed for the occasion, perhaps, ten years before.

Louis XV. died soon after Piron. A few hours before his death he said to Cardinal de la Roche-Aymon: "Although the king is answerable to God alone for his conduct, you can say that he is sorry for having caused any scandal to his subjects, and that from henceforth he desires to live but for the support of faith and religion, and for the happiness of his people!"

Like Rameau, Piron, Helvetius, and Pompadour, this good little king Louis XV. must have his bon mot; he was sorry for having caused any scandal to his subjects, and at his last moment of existence would live from henceforth for the sole happiness of his people! "Can any thing be finer than this?"

Finally came the Abbe de Voisenon's turn. Witty to his last hour, when they brought home the leaden coffin, the exact form and dimensions of which he had himself arranged and ordered beforehand, he said to one of his domestics,—

"There is a great-coat, any how, that you will not be tempted to steal from me."

He died on the 22d of November, 1775, aged sixty-eight.

FOOTNOTES:

[Q] This was the celebrated society called the Academie de ces Messieurs: it numbered among its members all the more celebrated wits of the day.



IRELAND IN THE LAST AGE.

Recollections of Curran.

From the London Times

If the work of Mr. Charles Phillips were a description of the Roman bar in the time of Hadrian, it would scarcely be more completely than at present the picture of a time and system entirely passed away; yet he professes to give us—and performs his promise—a somewhat gossipping and very amusing description of the Irish bar, and the great men belonging to it, very little more than half a century since. But we travel and change quickly in these days of steam and railroads; even Time himself appears now to have attached his travelling carriage to a locomotive, and in the space of one man's life performs a journey that in staid and ancient days would have occupied the years of many generations, and, as if in illustration of the fleeting nature of men and things and systems at this time, here we find a contemporary (at this moment hardly past the prime of life) giving us portraits, and relating anecdotes of men with whom he, in his youth, lived in intimate and professional relations, but who seem now as absolutely to belong to a bygone order of things, as if they had wrangled before the Dikasts of Athens, or pleaded before the Praetor at Rome. Mr. Phillips seems to feel this, and, as the gay days of his sanguine youth flit by his memory, the retrospect brings, as it will ever bring, melancholy, and even sadness, with it. Yielding himself up to the dominion of feeling, in place of keeping his reason predominant, he mourns over the past, as if, in comparison with the present, it were greatly more worthy. Forgetting that there is a change also in himself; that the capacity for enjoyment is largely diminished; that hope has been fulfilled, or is for ever frustrate; he tests the present by his own emotions, instead of weighing with philosophic indifference the relative merits of the system that he describes, and of that in which he lives. We are told—

"'Tis distance lends enchantment to the view;"

but, when age comes upon us, we must turn and look back, if we desire to enjoy this pleasing hallucination.

But in what is the present of Ireland so different from the past, in which our fathers lived? And what do these repinings mean? What is the charm that has for ever faded? The answer to this question, if complete, would occupy a volume, for the composition of which that of Mr. Phillips might well serve in the character of une piece historique, abounding, as it does, in apt and instructive illustration, and giving, by its aggregation of anecdotes and descriptions, a somewhat confused but still interesting and lively picture of a very curious and stirring period. There lies, indeed, at the bottom of this inquiry a question with which the practical statesman has now little reason to trouble himself, but which, nevertheless, to the speculative philosopher, cannot fail to be a subject of never-failing interest.

The great physical discoveries of modern times, by which the powers of nature are made to act in subservience to the use and comfort of mankind, steadily tend to one great political result, viz., the permanently uniting and knitting together of much larger numbers of men into one and the same community, and subjecting them to one and the same Government, and that Government one of law and not of force, than was ever known or possible during the early days of man's history. This result, as regards the peace of the world and all the material comforts of life, is highly favorable. Whether the same can be said, of the mental vigor and moral excellence of the human race is a question upon which men may speculate, but which time alone can satisfactorily answer.

The small, contentious, and active communities of Greece; the little, ill-governed, yet vigorous Republics of modern Italy, stand out in the history of mankind bright and illustrious beyond all hope of comparison; and, from the wondrous intellects that appeared among them, they have proved to all succeeding times a never-failing subject of admiration, envy, and despair. Just in proportion to our own advancement in art, literature, and science, is the intensity of our astonishment, of our envy, and of our despondency. We endeavor to compete with, but can never equal them; we imitate, but, like all imitators, we are condemned to mediocrity; it is only when we attempt to explore some new and untrod region of art or science that we can pretend to the dignity even of comparison. And these regions are rare indeed.

But, if we compare our own social condition with that of the Greeks or the Italians—if we look into their houses, their cities, and their fields,—if we acquire an accurate and vivid conception of the insecurity of life, of property, and of peace among them,—and if we measure the happiness of life by the comforts of every day existence, then, indeed, the superiority belongs to ourselves; and we may be led to ask, whether the advantages of both conditions of political and social existence may not be united; and to that end seek to learn what it was that brought out into such vigorous relief the wonderful mental activity of the two periods, which form such peculiar and hitherto unequalled epocha in the history of mankind. We shall find, if we pursue this inquiry into other times and among other people, that there was one circumstance, among many others indeed, of peculiar weight and importance, which then exercised and has never failed to exercise, wheresoever it has existed, a vast influence upon the mental and moral character of the people—we mean a feeling of intense nationality. This feeling is not all that is required; without it no great originality or vigor in a people is probable, and where it has been strongly manifest, it has generally led to great deeds, and much mental activity. The character of this manifestation will, indeed, greatly depend upon the natural character of the people—upon the peculiar state of their civilization, and upon their political condition. If these be all favorable, the spirit of nationality is divine, and manifest in great and ennobling deeds and thoughts; but, if adverse, then the spirit will be destructive, and vice will be quickened into fatal activity.

In Ireland, at the end of the eighteenth century, a remarkable series of events cherished, if it did not indeed produce, this sentiment of a separate nationality and independence. Conquerors and conquered, in spite of social and religious distinctions, had long since coalesced into one people; and the successful revolt of our American colonies, induced the people of Ireland to demand for themselves freedom and independence also. With arms in their hands the Volunteers wrung from England an independent Parliament in 1782; and in the eighteen years which followed, all that is really great in the history of Ireland, is comprised. The Volunteers, indeed, obtained independence, but that was all. The constitution of the Irish was, as before, narrow and mischievous, oppressive and corrupt; but it was Irish, and independent of the Parliament of England. And the struggles of an independent people, endeavoring, by their own efforts, to reform their own institutions, led to the rising of that brilliant galaxy of statesmen, orators, wits, and lawyers, to which Irishmen of the present day, almost without exception, refer with grief and despondency, not unmixed with indignation, when wishing to make the world appreciate the evils their country has suffered in consequence of its union with England. But, unhappily, the great spirit of freedom was awakened in evil times. Great, vigorous, and almost glorious was this wonderful manifestation of its power; but eventually the horrible corruption and vice of the period bore all before it, and extinguished every chance of benefit from the acquisition of independence. Great men appeared, but they were powerless. Of the remarkable period in which they lived, however, every memorial is of interest. With the society of which they formed a part, so different from our own—with the character and manners of the men themselves, their history, their good sayings and wild deeds, every student of history wishes to become acquainted, and seizes with avidity upon every piece of evidence from which authentic information respecting them may be gathered—and, as a portion of this evidence, the work of Mr. Phillips deserves consideration.

Among the most remarkable of the many distinguished characters of this stirring period was John Philpot Curran,—among Irish advocates, as was Erskine among those of England, facile princeps. With him, when on the bench as Master of the Rolls in Ireland, Mr. Phillips, himself then a junior at the Irish bar, became acquainted. Acquaintance became intimacy, and intimacy led to friendship, which lasted without interruption to the day of Curran's death. Admiration and affection induced Mr. Phillips to gather together memorials of his deceased friend, round whose portrait he has grouped sketches of many of his celebrated cotemporaries. He says in his preface—

"My object has been, touching as lightly as possible on the politics of the time, to give merely personal sketches of the characters as they appeared upon the scene to me. Many of them were my acquaintances—some of them my intimates; and the aim throughout has been a verisimilitude in the portraiture;—in short, to make the reader as familiar with the originals as I was myself."

And a more curious collection of likenesses was never crowded into one canvas. They all, indeed, have a strong family resemblance, but certainly they are like nothing else in nature; and to us, living in grave, and possibly dull and prosaic England—and in this our matter of fact and decorous age—the doings of the society which they have made illustrious, appear more like a mad saturnalia than the sober and commonplace procedure of rational men. The whole people—every class, profession, and degree—seemed to consider life but a species of delirious dance, and a wild and frantic excitement the one sole pleasure. Repose, thoughtfulness, and calm, they must have considered a premature death. Every emotion was sought for in its extreme, and a rapid variation from merriment to misery, from impassioned love to violent hate, was the ordinary (if in such an existence any thing could be deemed ordinary)—the common and ordinary condition of life. Laughter, that was ever on the brink of tears—a wild joy, that might in an instant be followed by hopeless despondency—alternations from sanguine and eager hope to blank and apparently crushing despair,—such was Irish life, in which every one appeared to be acting a part, and striving to appear original by means of a strained and laborious affectation. Steady, continued, and rational industry, was either unknown or despised; economy was looked upon as meanness—thrift was called avarice—and the paying a just debt, except upon compulsion, was deemed conduct wholly unworthy of a gentleman. Take the account Mr. Phillips himself gives. He speaks of the Irish squire; but the Irish squire was the raw material out of which so-called Irish gentlemen were made. "The Irish squire of half a century ago scorned not to be in debt; it would be beneath his dignity to live within his income; and next to not incurring a debt, the greatest degradation would have been voluntarily to pay one." And yet was there great pretension to honor, but a man of honor of those days would in our time be considered a ruffian certainly, and probably a blackleg or a swindler. "It was a favorite boast of his (the first Lord Norbury) that he began life with fifty pounds, and a pair of hair-trigger pistols." "They served his purpose well.... The luck of the hair-triggers triumphed, and Toler not only became Chief Justice, but the founder of two peerages, and the testator of an enormous fortune. After his promotion, the code of honor became, as it were, engrafted on that of the Common Pleas; the noble chief not unfrequently announcing that he considered himself a judge only while he wore his robes." The sort of law dispensed by this fire-eating judge might be easily conceived even without the aid of such an anecdote as the following: "A nonsuit was never heard of in his time. Ill-natured people said it was to draw suitors to his court." Toler's reason for it was that he was too constitutional to interfere with a jury, Be that as it may, a nonsuit was a nonentity, 'I hope, my Lord,' said counsel in a case actually commanding one, 'your Lordship will, for once, have the courage to nonsuit? In a moment the hair-triggers were uppermost. 'Courage! I tell you what, Mr. Wallace, there are two sorts of courage—courage to shoot, and courage to nonshoot—and I have both; but nonshoot now I certainly will not; and argument is only a waste of time.' "I remember well," says Mr. Phillips, when speaking of another judge, Mr. Justice Fletcher, "at the Sligo summer assizes for 1812, being counsel in the case of 'The King v. Fenton,' for the murder of Major Hillas in a duel, when old Judge Fletcher thus capped his summing up to the jury: 'Gentlemen, it's my business to lay down the law to you, and I will. The law says, the killing a man in a duel is murder, and I am bound to tell you it is murder; therefore, in the discharge of my duty, I tell you so; but I tell you at the same time, a fairer duel than this I never heard of in the whole coorse of my life.' It is scarcely necessary to add that there was an immediate acquittal." By way of giving some idea of the character of society then, the following enumeration is supplied by the memory of Mr. Phillips:—

"Lord Clare, afterwards Lord Chancellor, fought Curran, afterwards Master of the Rolls. So much for equity; but common law also sustained its reputation. Clonmel, afterwards Chief Justice, fought two Lords and two Commoners,—to show his impartiality, no doubt. Medge, afterwards Baron, fought his own brother-in-law, and two others. Toler, afterwards Chief Justice of the Common Pleas, fought three persons, one of whom was Fitzgerald, even in Ireland the 'fire-eater,' par excellence. Patterson, also afterwards Chief Justice of the same court, fought three country gentlemen, one of them with guns, another with swords, and wounded them all! Corry, Chancellor of the Exchequer, fought Mr. Grattan. The Provost of Dublin University, a Privy Councillor, fought Mr. Doyle, a Master in Chancery, and several others. His brother, collector of Customs, fought Lord Mountmorris. Harry Deane Grady, counsel to the Revenue, fought several duels; and 'all hits,' adds Barrington, with unction. Curran fought four persons, one of whom was Egan, Chairman of Kilmainham; afterwards his friend, with Lord Buckinghamshire. A duel in these days was often a prelude to intimacy."

In spite, nevertheless, of this rude, nay, almost wild condition of society,—in spite of a most fantastic affectation attending nearly every act and thought and word,—yet were Curran and his cotemporaries men of great and vigorous ability. Grattan, Curran, and Flood, deserve indeed to take rank among the foremost class of their own age,—among the men of genius of every age and country. If we speak of them as orators, and wish to judge of their excellence with relation to the great orators of our own country, we must bear in mind the character of the society in which they lived, and of the assemblies they addressed. It would be unjust to try them by the rules of our fastidious taste and undemonstrative manners. They addressed Irishmen, and Irishmen just when most excited, and indulging in all the wild sallies of a dearly-prized and lately acquired independence. What to us would appear offensive rant and disgusting affectation, would, in the Irish House of Commons, have been but the usual manifestation of strong feeling, and was absolutely required, if the speaker desired to move as well as convince his auditory.

If, however, we seek to know what was the virtue of these men, more especially that of Curran, we must probe to the bottom the corruptions and baseness of that society, which deserves to be branded as among the most base and the most corrupt that history has hitherto described. The temptations which England employed, the horrible corruption and profligacy she fostered, must be fully known, if we desire to do justice to the men who came out undefiled from that filthy ordeal.



THE LOST LETTER.

From Chambers' Papers for the People.

I.

One night, between twenty and thirty years ago, a party were assembled in the drawing-rooms of a house situated in one of the most spacious squares of the great metropolis. The brightly lighted lamps lent an additional lustre to yet brighter eyes, and the sprightly tones of various instruments accompanied the graceful evolutions of the dancers, as they threaded the mazes of the country-dance, cotillon, or quadrille; for waltz, polka, and schottish, were then unknown in our ball-rooms. Here and there sat a couple in a quiet corner, evidently enjoying the pleasures of a flirtation, while one pair, more romantic or more serious than the others, had strayed out upon the balcony, to indulge more unrestrainedly in the conversation, which, to judge by their low and earnest tones, and abstracted air, seemed deeply interesting to both.

It was now long past the hour 'of night's black arch, the keystone,' and the early dawn of a midsummer morning was already bestowing its first calm sweet smile on the smoke-begrimed streets and world-worn thoroughfares of mighty London, as well as on the dewy hay-fields, shady lanes, green hedgerows, and quiet country homes of rural England. The morning star, large, mild, and lustrous, was declining in the clear sky; and on the left of the lovely planet lay a soft purple cloud, tinged on the edge with the lucid amber of the dawning day. A light breeze just stirred the leaves of the trees in the square garden, and fanned the warm cheeks of the two spectators, as, suddenly silent, they stood feasting their eyes and hearts on the surpassingly beautiful scene before them, and marvelling at the remarkable purity of the atmosphere, which, in the foggy metropolis of Britain, seemed almost to realize the Venetian transparency of the pictures of Canaletti. Perhaps it may be as well to take advantage of the pause to describe the two lovers, for that they were lovers you have of course already guessed.

A handsomer pair, I am sure, you would never wish to see! The well-knit, well-proportioned figure of the gentleman bespoke at once activity and ease, while the spirited, intelligent expression of his countenance—dark-complexioned as that of an Andalusian—would have given interest to far plainer features. The glance of his dark eye, as it rested fondly on his fair companion, or was turned abroad on the world, told alternately of a loving heart and a proud spirit. Philip Hayforth was one who would have scorned to commit an ignoble action, or to stain his soul with the shadow of a falsehood for all the treasures and the blessings the earth has to bestow; but he was quick to resent an injury, and slow to forget it, and not for all the world would he have been the first to sue for a reconciliation. Like many other proud people, however, he was open-hearted and generous, and ready to forgive when forgiveness was asked; the reason of which might be, that a petition for pardon is, to the spirit of a proud man, a sort of homage far more gratifying than the most skilful flattery, since it establishes at once his own superiority. But to his Emily, Philip was all consideration and tenderness, and she, poor girl, with the simple faith of youth and love, believed him to be perfection, and admired even his pride. A very lovely girl was Emily Sherwood—gifted with a beauty of a rare and intellectual cast. As she now stood leaning on the arm of her companion, her tall yet pliant and graceful figure enveloped in the airy drapery of her white dress, with her eyes turned in mute admiration towards the dawning day, it would have required but a slight stretch of the imagination to have beheld in her a priestess of the sun, awaiting in reverent adoration the appearance of her fire-god. Her complexion and features, too, would have helped to strengthen the fantasy, for the one was singularly fair, pale, and transparent, and the other characterized by delicacy, refinement, and a sort of earnest yet still enthusiasm. Her hair, of the softest and palest brown, was arranged in simple yet massive plaits around her finely-shaped head, and crowned with a wreath of 'starry jessamine.' From the absence of color, one might have imagined that her beauty would have been cold and statue-like; but you had only to glance at her soft, intellectual mouth, or to look into her large, clear, hazel eyes, which seemed to have borrowed their sweet, thoughtful, chastened radiance from the star whose beams were now fast paling in the brightening sky, to learn that Emily Sherwood could both think and love.

"Dear Philip," she said at last, in that low tone which is the natural expression of all the finer and deeper emotions, "is it not beautiful? I feel at this moment as if I were almost oppressed with happiness—as if this were but an intense dream of love and beauty, that must, as sentimental people say, 'be too bright to last.' I never felt as I do now in all my life before."

"Nor I neither, my Emily, my sweet little poetess; but I suppose it is because we love, for love intensifies all the feelings."

"All the best feelings."

"The whole nature, I think. It is, for instance, more difficult to bear a slight from those we love than from a comparatively indifferent person."

"A slight! but there can be no such thing as a slight between those who love perfectly—as we do. Are we not all in all to each other? Is not our happiness indivisible?"

"It is my pride and joy to believe so, my sweet Emily. I know in my own heart that the needle is not more true to the magnet than my thoughts and feelings are to you. It shall be the chief care of my life to save you from all uneasiness; but, Emily, I expect the same devotion I give: unkindness from you, of all the world, I could not and would not endure."

"Oh, Philip, Philip!" she said, half tenderly, half reproachfully, "why should you say this? I do not doubt you, dear Philip, for I judge your love by my own."

He looked into the truthful and affectionate eyes which were raised so trustingly to his face, and replied, in a voice tremulous with emotion, "Forgive me, Emily. I trust you entirely; but I had started an idea, the barest contemplation of which was insupportable—maddening, because of the very excess of my affection. In short, Emily, I know—that is, I suspect—your father looked for a higher match for you than I am. Report says that his prejudices are strong in favor of birth, and that he is very proud of his ancient blood; and the idea did cross me for a moment, that when you were with him he might influence you to despise me."

"My father is proud; but, dear Philip, is nobody proud but he? And notwithstanding his prejudices, as you call them, I can assure you, you are not more honorable yourself in every act and thought than he is. He has consented to our marriage, and therefore you need not fear him, even if you cannot trust me alone."

"Oh, Emily, pardon me! And so you think me proud. Well, perhaps I am; and it is better that you should know it, as you will bear with it, I know, for my sake, my best, my truest Emily; and I shall repay your goodness with the most fervent gratitude. Yes, I feel with you that no cloud can ever come between us two."

Emily Sherwood was the eldest daughter of Colonel Sherwood, a cadet of one of the proudest families in England; and which, though it had never been adorned with a title, looked down with something like contempt on the abundant growth of mushroom nobility which had sprung up around it, long after it had already obtained the dignity which, in the opinion of the Sherwoods, generations alone could bestow. Colonel Sherwood inherited all the pride of his race—nay, in him it had been increased by poverty; for poverty, except in minds of the highest class—that rare class who estimate justly the true value of human life, and the true nature of human dignity—is generally allied either with pride or meanness. Of course when I speak of poverty I mean comparative poverty—I allude to those who are poorer than their station. In a retired part of one of the eastern counties, Colonel Sherwood struggled upon his half-pay to support a wife and seven children, and as far as possible to keep up the appearance he considered due to his birth and rank in society. Emily had been for two seasons the belle of the country balls; and the admiration her beauty and manners had everywhere excited, had created in the hearts of her parents a hope that she was destined to form an alliance calculated to shed a lustre on the fading glory of the Sherwoods. But, alas! as Burns sings—

"The best laid schemes of mice and men Gang aft ajee."

During a visit to some relatives in London, Emily became acquainted with Philip Hayforth; and his agreeable manners and person, his intelligent conversation and devotion to herself, had quickly made an impression upon feelings which, though susceptible, were fastidious, and therefore still untouched. Then, too, the romantic ardor with which his attachment was expressed, the enthusiasm he manifested for whatever was great, good, or beautiful, aroused in Emily all the latent poetry of her nature. Naturally imaginative, and full even of passionate tenderness, but diffident and sensitive, she had hitherto, from an instinctive consciousness that they would be misunderstood or disapproved, studiously concealed her deeper feelings. Hence had been generated in her character a degree of thoughtfulness and reserve unusual in one of her years. Now, however, that she beheld the ideas and aspirations she had so long deemed singular, perhaps reprehensible, shadowed forth more powerfully and definitely by a mind more mature and a spirit more daring than her own, her heart responded to its more vigorous counterpart; and at the magic touch of sympathy, the long pent-up waters flowed freely. She loved, was beloved, and asked no more of destiny. It was not, it may be supposed, without some reluctance that Colonel Sherwood consented to the demolition of the aerial castles of which his beautiful Emily had so long been the subject and the tenant, and made up his mind to see her the wife of a man who, though of respectable parentage, could boast neither title nor pedigree, and was only the junior partner in a mercantile firm. But then young Hayforth bore the most honorable character; his prospects were said to be good, and his manners unexceptionable; and, above all, Emily was evidently much attached to him; and remembering the days of his own early love, the father's heart of the aristocratic old colonel was fairly melted, and he consented to receive the young merchant as his son-in-law. The marriage, however, was not to take place till the spring of the following year. Meanwhile the lovers agreed to solace the period of their separation by long and frequent letters. Philip's last words to Emily, as he handed her into the postchaise in which she was to commence her homeward journey, were, "Now write to me very often, my own dearest Emily, for I shall never be happy but when hearing from you or writing to you; and if you are long answering my letters, I shall be miserable, and perhaps jealous." She could only answer by a mute sign, and the carriage drove away. Poor, agitated Emily, half happy, half sad, leaned back in it, and indulged in that feminine luxury—a hearty fit of tears. As for Philip, he took a few turns in the park, walking as if for a wager, and feeling sensible of a sort of coldness and dreariness about every object which he had never remarked before. Then he suddenly recollected that he must go to the counting-house, as he was "very busy." He did not, however, make much progress with his business that day, as somehow or other he fell into a reverie over every thing he attempted.

Nothing could exceed the regularity of the lovers' correspondence for the first two or three months, while their letters were written on the largest orthodox sheets to be had from the stationer's—post-office regulations in those days not admitting of the volumes of little notes now so much in vogue. At last Emily bethought herself of working a purse for Philip, in acknowledgment of a locket he had lately sent her from London. Generally speaking, Emily was not very fond of work; but somehow or other no occupation, not even the perusal of a favorite poem or novel, had ever afforded her half the pleasure that she derived from the manufacture of this purse. Each stitch she netted, each bead she strung, was a new source of delight—for she was working for Philip. Love is the true magic of life, effecting more strange metamorphoses than ever did the spells of Archimago, or the arts of Armida—the moral alchemy which can transmute the basest things into the most precious. It is true of all circumstances, as well as of personal qualities, that

"Things base and vile, holding no quantity, Love can transpose to form and dignity."

The purse was quickly finished, and dispatched to Philip, together with a letter. Emily was in high spirits at the prospect of the answer. She danced about the house, singing snatches of songs and ballads, and displaying an unusual amount of gayety; for, though generally cheerful, she was of too thoughtful a disposition to be often merry. Philip, she was sure, would write by return of post. How she wished the time were come! She knew pretty well, to be sure, what he would say; but what did that signify? She longed to feast her eyes on the words his hand had traced, and to fancy the tones and the looks which would have accompanied them had they been spoken instead of written. The expected day came at last, but the post-bag contained no letter for Emily. At first she could hardly believe it; her countenance fell, and for a few minutes she seemed much disappointed; but never mind, the letter would come to-morrow, and she soon began to trip about and to sing almost as gayly as before. But another day passed, and another and another, and still no letter! Poor Emily's blithe voice was mute now, and her light step rarely heard. Sometimes she tried to read, or to play on the piano, but without much success; while her anxious looks, and the tear which occasionally might be seen to glisten in her eye, betrayed the trouble within. A whole week elapsed, a longer period than had ever passed before without a letter from Philip Hayforth—a fortnight—a month—and the poor girl's appetite failed, her nights were sleepless, and her drooping figure and pining looks told of that anxious suffering, that weary life-gnawing suspense, which is ten times more hard to bear than any evil, however great, of which we can ascertain the nature and discern the limits. Could Philip be ill? Could he—No, he could not be inconstant. Ought she to write to him again? But to this question her parents answered "No. It would be unfeminine, unladylike, undignified. If Mr. Hayforth were ill, he would doubtless write as soon as he was able; and if he were well, his conduct was inexcusable, and on Emily's part rendered any advance impossible." Poor Emily shrank from transgressing what her parents represented as the limits due to delicacy and decorum, and she would have died rather than have been guilty of a real impropriety, or have appeared unfeminine in the eyes of Philip Hayforth; and yet it did often suggest itself to her mind—rather, however, in the shape of an undefined feeling than of a conscious thought—that the shortest, best, most straight-forward way of proceeding, was to write at once to Mr. Hayforth, and ask an explanation. She could not herself see clearly how this could be wrong; but she supposed it must be so, and she acknowledged her own ignorance and inexperience. Emily was scarcely twenty; just at the age when an inquiring and thoughtful mind can no longer rely with the unquestioning faith of childhood on assertions sanctioned merely by authority, and when a diffident one is too timid to venture to trust to its own suggestions. It is only after much experience, or one of those bitter mistakes, which are the great lessons of life, that such a character learns that self-reliance, exercised with deliberation and humility, is the only safeguard for individual rectitude. Emily, therefore, did not write, but lived on in the silent, wasting agony of constant expectation and perpetual disappointment. Her mother, in the hope of affording her some relief, inquired in a letter she was writing to her relative in London, if the latter had lately seen Mr. Hayforth. The answer was like a death-blow to poor Emily. Her mother's correspondent had "met Mr. Hayforth walking with a lady. He had passed her with a very stiff bow, and seemed inclined to avoid her. He had not called for a long time. She could not at all understand it." Colonel Sherwood could now no longer contain his indignation. He forbade the mention of Philip Hayforth's name, declaring that "his Emily was far too good and beautiful for the wife of a low-born tradesman, and that he deserved the indignity now thrown upon his family for ever having thought of degrading it by the permission of such a union. And his darling child would, he knew, bear up with the spirit of the Sherwoods." Poor Emily had, it is to be feared, little of the spirit of the Sherwoods, but she tried to bear up from perhaps as good a motive. But it was a difficult task, for she was well-nigh broken-hearted. She now never mentioned Philip Hayforth, and to all appearance her connection with him was as if it had never been; but, waking or sleeping, he was ever present to her thoughts. Oh! was it indeed possible that she should never, never see him again? No, it could not be; he would seek her, claim her yet, her heart said; but reason whispered that it was madness to think so, and bade her at once make up her mind to her inevitable fate. But this she could not do—not yet at all events. Month after month of the long dreary winter dragged slowly on; her kind parents tried to dissipate her melancholy by taking her to every amusement within reach, and she went, partly from indifference as to what became of her, partly out of gratitude for their kindness. At last the days began to lengthen, and the weather to brighten; but spring flowers and sunny skies brought no corresponding bloom to the faded hopes and the joyless life of Emily Sherwood. The only hope she felt was "the hope which keeps alive despair."

One May morning, as she was listlessly looking over in a newspaper the list of marriages, her eye fell upon a well-known name—the name of one who at that very time ought to have knelt at the altar with her. She uttered neither scream nor cry, but clasping her hands with one upward look of mute despair, fell down in a dead faint. For many days she was very ill, and sometimes quite delirious; but her mother tended her with the most assiduous affection, while her comfort and recreation seemed her father's sole care. They were repaid at last by her recovery, and from that time forth she was less miserable. In such a case as Emily's, there is not only the shock to the affections, but the terrible wrench of all the faculties to be overcome, which ensues on the divorce of the thoughts from those objects and that future to which they have so long been wedded. There is not only the breaking heart to be healed, but the whole mental current to be forcibly turned into a different channel from that which alone habit has made easy or pleasant. "The worst," as it is called, is, however, easier to be endured than suspense; and if Emily's spirits did not regain their former elasticity, she ere long became quite resigned, and comparatively cheerful.

More than a year had elapsed since that bright spring morning on which she had beheld the irrefragable proof of her lover's perfidy, when she received an offer of marriage from a gentleman, of good family and large property. He had been struck by her beauty at a party where he had seen her; and after a few meetings, made formal proposals to her father almost ere she was aware that he admired her. Much averse to form a new engagement, she would at once have declined receiving his addresses, had her parents not earnestly pressed the match as one in every respect highly eligible. Overcome at last by their importunities, and having, as she thought, no object in existence save to give pleasure to them, she yielded so far to their wishes as to consent to receive Mr. Beauchamp as her future husband, on condition that he should be made acquainted with the history of her previous engagement, and the present state of her feelings. She secretly hoped that when he learned that she had no heart to give with her hand, he would withdraw his suit. But she was mistaken. Mr. Beauchamp, it is true, knew that there was such a word as heart, had a notion that it was a term much in vogue with novel-writers, and was sometimes mentioned by parsons in their sermons; but that the heart could have any thing to do with the serious affairs of life never once entered into his head to suppose. He therefore testified as much satisfaction at Emily's answer, as if she had avowed for him the deepest affection. They were shortly afterwards married, and the pensive bride accompanied her husband to her new home—Woodthorpe Hall; an ancient, castellated edifice, situated in an extensive and finely-wooded park on an estate in the East Riding of Yorkshire.

But I have too long neglected Philip Hayforth—too long permitted a cloud to rest upon his honor and constancy. He was not, in truth, the heartless, light-minded wretch that I fear you may think him. Pride, not falsehood or levity, was the blemish in his otherwise fine character; but it was a very plague-spot, tainting his whole moral nature, and frequently neutralizing the effect of his best qualities. He had been quite as much charmed with Emily's present and Emily's letter, as she had ever ventured to hope, and had lost not a moment in writing to her in return a long epistle full of the fervent love and gratitude with which his heart was overflowing. He had also mentioned several affairs of mutual interest and of a pressing nature, but about which he was unwilling to take any steps without the concurrence of "his own dearest and kindest Emily." He therefore entreated her to write immediately; "to write by return of post, if she loved him." But this letter never reached its destination: it was lost—a rare occurrence certainly, but, as most of us are aware from our own experience, not unknown. And now began with Philip Hayforth the same agony which Emily was enduring—nay, a greater agony; for there was not only the same disappointed affection, the same heart-sickness, the same weary expectation, but there was the stronger suffering of a more passionate and less disciplined temper; and, above all, there was the incessant struggle between pride and love—the same fearful strife which, we are told, once made war in Heaven.

Sometimes he thought that Emily might be ill; but then that did not seem likely, as her health was generally good; and she was, when she had last written, perfectly well, and apparently in excellent spirits. Should he write to her again? No, she owed him a letter, and if she loved him, would doubtless answer it as soon as circumstances would permit; and he 'would let that haughty old aristocrat, her father, see that Philip Hayforth, the merchant, had more of the spirit of a man in him than to cringe to the proudest blood in England. And as for Emily, she was his betrothed bride—the same as his wife; and if he was not more to her than any father on earth, she was unworthy of the love he had given her. Let her only be true to him, and he was ready to devote his life to her—to die for her.' As the time wore slowly away, he became more and more exasperated, fevered, wretched. Sometimes it seemed to him that he could no longer endure such torment; that life itself was a burthen too intolerable to be borne. But here pride came to the aid of a better principle. His cheek tinged at the thought of being spoken of as the slighted lover, and his blood boiled at the bare idea of Colonel Sherwood's contemptuous pity for the vain plebeian who had dared to raise his thoughts to an alliance with his beautiful, high-born daughter. He 'would show the world that he was no love-sick, despairing swain; and Miss Sherwood's vanity should never be gratified by the display of the wounds her falsehood had inflicted. He would very soon, he knew, forget the fair coquette who had trampled thus upon his most sacred feelings.' So he tried to persuade himself, but his heart misgave him. No: he could not forget her—it was in vain to attempt it; but the more his feelings acknowledged her power, even the more the pride she had wounded in its tenderest point rose up in wrath against her; and he chafed at his own powerlessness to testify towards her his scorn and contempt. At such times as these he seemed even to himself on the verge of madness. But he had saner moments—moments when his better nature triumphed, and pride resigned for a brief space her stormy empire to the benigner sway of the contending passion.

In the midst of those terrific tornados, which in the West Indies and elsewhere carry in their path, over immense districts, ruin and desolation, there is a pause, often of considerable duration, caused, the scientific inform us, by the calm in the centre of the atmospheric vortex of which they are composed. Such a calm would occasionally rest upon the mind of Philip Hayforth, over the length and breadth of which the whirlwind of passion had lately been tearing. One night, after one of those hidden transports, which the proud man would have died rather than any mortal eye should have scanned, he threw himself upon his bed (for he rarely went to bed now, in the accepted sense of the phrase) in a state approaching exhaustion, mental and bodily. By degrees a sort of dream-like peace fell upon his spirit; the present vanished away, and the past became, as it were, once more a living reality. He thought of Emily Sherwood as he had first seen her—a vision of loveliness and grace. He thought of her as he had beheld her almost the last time on that clear summer morning, and like refreshing dew on his scorched and desolated heart fell the remembrance of her gentle words and loving looks. Could they have deceived? Ah no! and his whole nature seemed suddenly softened. He seemed to see her before him now, with her angel face and her floating white robes; he seemed even yet to be looking into those soft, bright eyes, and to read there again, as he had read before, love unspeakable, truth unchangeable. His heart was filled with a yearning tenderness, an intense and longing fondness, and he extended his arms, as if to embrace that white-robed image of truth and gentleness: but she was not there; it was but her spirit which had come to still his angry passions with the calm of trust and love. And in the fond superstition that so it was, he sprang from his couch, seized a pen, and wrote to her a passionate, incoherent epistle, telling her that she had tried him almost beyond his strength, but that he loved and believed in her still, and if she answered immediately, that he was ready to forgive her for all the pain she had caused him. This letter finished, he threw himself upon his bed once again, and after a space, slept more soundly than he had done for many a long night before. When he rose in the morning he read over his letter, and felt, as he read, some faint misgivings; but these were put to flight by the recollection of Emily, as she had appeared to him in the vision of the previous night. As the post, however, did not go out till evening, he would keep the letter till then. Alas for the delay! It changed for ever his own fate and that of Emily Sherwood. It chanced that very afternoon that, taking up a provincial newspaper in a coffee-room into which he had strolled, on his way to the post-office, the following paragraph met his eye:—'We understand that there is a matrimonial alliance in contemplation between J—— R——, Esq., eldest son of Sir J—— R——, Bart., and the lovely and accomplished Miss Sherwood, daughter of Colonel Sherwood, late of the —th dragoons, and granddaughter of the late R. Sherwood, Esq., of —— Park.' On reading this most unfounded rumor, Philip Hayforth waited not another moment, but rushed home as if driven by the furies; and tearing his letter in a thousand pieces, threw it and the purse, Emily's gift, into the fire, and vowed to bestow not another thought on the heartless woman who had perjured her own faith and sold his true and fervent love for riches and title. Oh how he scorned her! how he felt in his own true heart that all the wealth and grandeur of the earth would have been powerless to tempt one thought of his from her!

To conceal all suspicion of his sufferings from the world, and, if possible, banish their remembrance from his own mind, he now went even more than formerly into society; and when there, simulated a gayety of manner that had hitherto distinguished his most vivacious moments. He had always been a general favorite, and now his company was more sought after than ever. Among the young persons of the opposite sex with whom his engagements most frequently brought him in contact, was a young girl of the name of Fanny Hartley, pretty, gentle, excessively amiable, but without much mind, and with no literary taste whatever. She had nothing to say, but she listened to him, and he felt in her society a sort of repose, which was at present peculiarly grateful to his angry, troubled spirit. Her very silence soothed him, while the absorbing nature of his own feelings prevented him at first from thinking of hers. Philip Hayforth had certainly not more than an average share of human vanity, but he did at last suspect, partly from an accidental circumstance which had first drawn his attention to the subject, that he had created in the heart of the innocent Fanny a deeper interest than he had ever intended. He was touched, grateful, but at first grieved, for he "could never love again." But the charm of being loved soon began to work: his heart was less desolate, his feelings were less bitter, when he thought of Fanny Hartley, and began to ask himself if he were wise to reject the consolation which Providence seemed to offer him in the affection of this amiable and artless young creature. And when he thought of the pain she might perchance be suffering on his account, all hesitation upon the subject was removed at once. If she loved him, as he believed, his conduct, it seemed to his really kind heart, had already been barbarous. He ought not to delay another day. And accordingly that very evening he offered his hand to Fanny Hartley, and was accepted with trembling joy.

Their marriage proved a happy one. Fanny was as amiable as she had appeared, and in the conduct of the commoner affairs of life, good-feeling with her supplied in a great measure any deficiency of strong sense. Philip did perhaps occasionally heave a gentle sigh, and think for a moment of Emily Sherwood, when he found how incapable his wife was of responding to a lofty or poetic thought, or of appreciating the points of an argument, unless it were upon some such subject as the merits of a new dress or the seasoning of a pudding. But he quickly checked the rising discontent, for Fanny was so pure in heart, and so unselfish in disposition, that it was impossible not to respect as well as to love her. In short, Philip Hayforth was a fortunate man, and what is more surprising, knew himself to be so. And when, after twenty years of married life, he saw his faithful, gentle Fanny laid in her grave, he felt bereaved indeed. It seemed to him then, as perhaps, at such a time, it always does to a tender heart, that he had never done her justice, never loved her as her surpassing goodness deserved. And yet a kinder husband never lived than he had been; and Fanny had died blessing him, and thanking him, as she said, "for twenty years of happiness." "How infinitely superior," he now daily and hourly thought, "was her sweet temper and loving disposition to all the intellect and all the poetry that ever were enshrined in the most beautiful form." And yet Philip Hayforth certainly was not sorry that his eldest daughter—his pretty, lively Fanny—should have turned out not only amiable and affectionate, but clever and witty. He was, in truth, very proud of Fanny. He loved all his children most dearly; but Fanny was the apple of his eye—the very delight of his existence. He had now almost forgotten Emily Sherwood; but when he did think of her, it was with indifference rather than forgiveness. He had not heard of her since his marriage, having, some time previous to that event, completely broken off the slight acquaintance he had formed with her relations; while a short absence abroad, at the time of her union with Mr. Beauchamp, had prevented him from seeing its announcement in the papers.

Meanwhile poor Emily's married life had not been so happy as that of her former lover. Mr. Beauchamp was of a pompous, tyrannical disposition, and had a small, mean mind. He was constantly worrying about trifles, perpetually taking offence with nothing, and would spend whole days in discussing some trivial point of etiquette, in the breach of which, he conceived himself aggrieved. A very miserable woman was his wife amid all the cold magnificence of her stately home. Often, very often, in her hours of loneliness and depression, her thoughts would revert to the brief, bright days of her early love, and her spirit would be rapt away by the recollection of that scene on the balcony, when Philip Hayforth and she had stood with locked hands and full hearts gazing at the sinking star and the sweetly breaking day, and loving, feeling, thinking, as if they had but one mind between them, till the present seemed all a fevered dream, and the past alone reality. She could not have been deceived then: then, at least, he had loved her. Oh, had she not wronged him? had there not been a mistake—some incident unexplained? He had warned her that his temper was proud and jealous, and she felt now that she ought to have written and asked an explanation. She had thrown away her happiness, and deserved her fate. Then she recollected that such thoughts in her, the wife of Mr. Beauchamp, were worse than foolish—they were sinful; and the upbraidings of her conscience added to her misery.

But Emily had a strong mind, and a lofty sense of right; and in those solitary struggles was first developed the depth and strength of her character. Partly to divert her thoughts from subjects dangerous to her peace, and partly from the natural bent of her inclinations, she sought assiduously to cultivate the powers of her mind, while her affections found ample scope for their exercise in the love of her infant son, and in considerate care for her many dependants, by all of whom she was loved and reverenced in no common degree. She learned thus the grand lessons—'to suffer and be strong,' and to make the best of destiny; and she felt that if she were a sadder woman, she was also a wiser one, and at any price wisdom, she knew, is a purchase not to be despised.

Mrs. Beauchamp had been married little more than five years when her husband died. His will showed, that however unhappy he had made her during his life, he had not been insensible to her merit, for he left her the sole guardian of their only son, and, while she should remain unmarried, the mistress of Woodthorpe Hall. In the childish affection and opening mind of her little boy poor Emily at last found happiness—unspeakable happiness, although it was of course qualified by the anxiety inseparable from parental love. She doted upon him; but her love was of too wise and unselfish a nature to permit her to spoil him, while her maternal affection furnished her with another motive for the cultivation of her own mind and the improvement of her own character. She was fired with the noble ambition of being the mother of her child's mind, as well as of that mind's mere perishable shrine.

II.

Twenty-five years have passed away, with all their changes—their many changes; and now,

'Gone are the heads of silvery hair, And the young that were have a brow of care:'

And the babe of twenty-five years ago is now a man, ready to rush into the thickest and the hottest of the great battle of life.

It was Christmas time; the trees were bare on Woodthorpe Chase; the lawns were whitened by a recent shower of snow, and crisped by a sharp frost; the stars were coming out in the cold cloudless sky; and two enormous fires, high piled with Christmas logs, blazed, crackled, and roared in the huge oaken chimneys of the great oak hall. Mrs. Beauchamp and her son sat together in the drawing-room, in momentary expectation of the arrival of their Christmas guests—a party of cousins, who lived at about ten miles' distance from Woodthorpe Hall. Edmund Beauchamp was now a very promising young man, having hitherto fulfilled the hopes and answered the cares of his fond and anxious mother. He had already reaped laurels at school and college, and his enlightened and liberal views, and generous, enthusiastic mind, gave earnest of a career alike honourable and useful. In person and features, though both were agreeable, he did not much resemble his mother; but he had the same large, soft, thoughtful eyes, the same outward tranquillity of demeanour hiding the same earnest spirit. At present he was silent, and seemed meditative. Mrs. Beauchamp gazed at him long and fondly, and as she gazed, her mother's heart swelled with love and pride, and her eyes glistened with heartfelt joy. At last she remarked, "I hope the Sharpes's new governess is as nice a person as the old one."

"Oh, much nicer!" cried Edmund suddenly, and as if awakening from a reverie.

"Indeed! I used to think Miss Smith a very nice person."

"Oh, so she was—very good-natured and obliging; but Miss Dalton is altogether a different sort of person."

"I wonder you never told me you found her so agreeable."

"I—Oh, I did not——That is, you never asked me."

"Is she young?"

"Yes—not much above twenty I should think."

"Is she pretty?"

"I—I don't exactly know," he said, hesitating and colouring; "I suppose—most persons——I should think she is." "How foolish I am!" thought Edmund. "What will my mother think of all this?" He then continued in a more composed manner—"She is a very excellent girl at least. She is the daughter of a London merchant—a remarkably honourable man—who has been ruined by these bad times; and though brought up in luxury, and with the expectation of large fortune, she has conformed to her circumstances in the most cheerful manner, and supports, it seems, with the fruits of her talents and industry, two little sisters at school. The Sharpes are all so fond of her, and she is the greatest favorite imaginable with the children." Edmund spoke with unwonted warmth. His mother looked at him half-sympathisingly, half-anxiously. She seemed about to speak, when the sound of carriage wheels, and the loud knock of a footman at the hall-door, announced the arrival of the Sharpes, and Mrs. Beauchamp and her son hastened into the hall to welcome their guests. Mrs. Beauchamp's eye sought for the stranger, partly because she was a stranger, and partly from the interest in her her son's conversation had created. But Miss Dalton was the last to enter.

Edmund had not erred in saying she was a pretty girl. Even beneath the cumbrous load of cloaks and furs in which she was now enveloped, you could detect the exquisite proportions of her petite figure, and the sprightly grace of her carriage; while a pretty winter bonnet set off to advantage a face remarkable for the intelligence and vivacity of its expression. Her features, though not regular, were small, while the brilliancy of her colour, though her complexion was that of a brunette, lent a yet brighter glow to her sparkling dark eyes, and contrasted well with the glossy black ringlets which shaded her animated countenance. At this moment, however, her little head was carried somewhat haughtily, and there was a sort of something not unlike bashfulness or awkwardness in her manner which seemed hardly natural to it. The truth was, Miss Dalton had come very unwillingly to share in the festivities of Woodthorpe Hall. She was not acquainted with Mrs. Beauchamp, and report said she was a very dignified lady, which Fanny Dalton interpreted to mean a very proud one; and from her change of circumstances, rendered unduly sensitive, she dreaded in her hostess the haughty neglect or still haughtier condescension by which vulgar and shallow minds mark out their sense of another's social inferiority. And therefore it was that she held her head so high, and exhibited the constraint of manner to which I have alluded. But all her pride and shyness quickly melted before the benign presence and true heart-politeness of Mrs. Beauchamp. Dignified the latter certainly was; but her dignity was tempered with the utmost benevolence of expression, and the most winning sweetness of manner; and when she took the hand of her little stranger-guest between both of hers, and holding it kindly, said, "You are the only stranger here, Miss Dalton; but for my sake you must try to feel at home," an affection for Mrs. Beauchamp entered into the heart of the young girl, which has continued ever since steadily to increase. That she should conceive such an affection was not unnatural, for there was something in the appearance and manners of Mrs. Beauchamp, combined with her position in life, calculated to strike the imagination and touch the feelings of a warm-hearted and romantic girl such as Fanny Dalton, more especially one circumstanced as she was. Even her previous prejudice, with the reaction natural to a generous mind, was likely to heighten her subsequent admiration. But it is not so easy to account for the sudden interest the pretty governess created at first sight in the heart of her hostess. Many girls as pretty and as intelligent looking as Miss Dalton she had seen before, without their having inspired a spark of the tenderness she felt towards this unknown stranger. She could not comprehend it herself. She was not prone "to take fancies," as the phrase is; and yet, whatever might be the case, certain it was that there was a nameless something about this girl, which seemed to touch one of the deepest chords of her nature, and to cause her heart to yearn towards her with something like a mother's love. She felt that if Miss Dalton were all that she had heard, and that if she should really prove her son's choice, he should not be gainsaid by her.

The Christmas party at Woodthorpe Hall was generally a merry one; and this year it was even merrier than usual. Fanny Dalton was the life of the party; her disposition was naturally a lively one, and this hour of sunshine in her clouded day called forth all its vivacity. But Fanny was not only clever, lively, and amiable; her conduct and manners occasionally displayed traits of spirit—nay, of pride; the latter, however, of a generous rather than an egotistical description. Nothing was so certain to call it forth as any tale of meanness or oppression. One morning Miss Sharpe had been relating an anecdote of a gentleman in the neighborhood who had jilted (odious word!) an amiable and highly estimable young lady, to whom he had long been engaged, in order to marry a wealthy and titled widow. There were many aggravating circumstances attending the whole affair, which had contributed to excite still more against the offender the indignation of all right-thinking persons. The unfortunate young lady was reported to be dying of a broken heart.

Fanny, who had been all along listening to the narration with an eager and interested countenance, now exclaimed—"Dying of a broken heart! Poor thing! But if I were she, I would not break my heart—I would scorn him as something far beneath me, poor and unimportant as I am. No, I might break my heart for the loss of a true lover, but never for the loss of a false one!" As Fanny's eyes shone, and her lip curled with a lofty contempt, as her naturally clear, merry tones grew deeper and stronger with the indignation she expressed, a mist seemed suddenly to be cleared away from the eyes of Mrs. Beauchamp, and in that slight young girl she beheld the breathing image of one whom she had once intimately known and dearly loved—in those indignant accents she seemed to recognize the tones of a voice long since heard, but the echoes of which yet lingered in her heart. Why she had so loved Fanny Dalton was no mystery now—she saw in her but the gentler type of him whom she had once believed the master of her destiny—even of Philip Hayforth, long unheard of, but never forgotten. But what connection could there be between Philip Hayforth and Fanny Dalton? and whence this strange resemblance, which lay not so much in form or in feature, as in that nameless, intangible similarity of expression, gesture, manner, and voice, so frequently exhibited by members of the same family.

As soon as Mrs. Beauchamp could quit the table, she withdrew to her own room, where she remained for some time in deep meditation, the result of which was a determination to fathom the mystery, if mystery there was. It was just possible, too, that the attempt might assist her to find a key to the riddle of her own destiny.

Accordingly, on the afternoon of the same day, she took an opportunity of being alone with Miss Dalton and her son, to say to the former—"I think you told me, my dear, that your father was alive?"

"Oh yes, thank God, he is alive! How I wish you knew him, Mrs. Beauchamp! I think you would like him, and I am sure he would like and admire you."

"Does your father at all resemble you in appearance?"

"I am not sure. I have been told that I was like him, and I always consider it a great compliment; for papa is still a very handsome man, and was of course even handsomer when he was young, and before his hair became grey. I have a miniature likeness of him, taken before his marriage, which I have with me, and will show you, if you will so far indulge my vanity."

Mrs. Beauchamp having replied that she should like exceedingly to see it, Fanny tripped away, and returned in a few minutes, carrying in her hand a handsome, but old-fashioned, morocco case. Mrs. Beauchamp had never seen it before, but she well remembered having given directions for the making of a case of that very size, shape, and color, for a miniature which was to have been painted for her. Her heart began to beat. She seemed upon the brink of a discovery. Fanny now opened the case, and placing it before Mrs. Beauchamp, exclaimed, "Now, isn't he a handsome man?" But Mrs. Beauchamp could not answer. One glance had been sufficient. A cold mist gathered before her eyes, and she was obliged to lean for support, upon the back of a chair.

"Dear Mrs. Beauchamp, are you ill?"

"My dear mother!" cried Edmund.

"It is nothing," she answered, quickly recovering herself; "only a little faintness." And then with the self-command which long habit had made easy, she sat down and continued with her usual calm sweetness—"I could almost fancy I had seen your father; but I do not remember ever knowing any one of the name of Dalton but yourself."

"Oh, but perhaps you might have seen him before he changed his name; and yet it seems hardly likely. His name used to be Hayforth; but by the will of his former partner, who, dying without near relations, left papa all his money, he took the name of Dalton. The money is all gone now, to be sure," she continued with the faintest possible sigh; "but we all loved the dear old man, and so we still keep his name."

Fanny had seated herself beside Mrs. Beauchamp, and as she finished speaking, the latter, obeying the impulse of her heart, drew her towards her and kissed her. Fanny, whose feelings were not only easily touched, and very strong, but even unusually demonstrative, threw her arms round Mrs. Beauchamp, and cried, with tears in her eyes, "How kind you are to me, Mrs. Beauchamp! You could hardly be kinder, if you were my mother."

"Dear Fanny," she answered in a low and affectionate tone, "I wish, indeed, I were your mother!"

As she spoke, Edmund, who had been standing in a window apart, made a sudden movement towards the two ladies, but as suddenly checked himself. At this moment his eyes encountered those of his mother, and colouring violently, he abruptly quitted the room. This little scene passed quite unnoticed by Fanny, who at the instant was thinking only of Mrs. Beauchamp, and of her own gentle mother, now beneath the sod.

The daughter of Philip Hayforth became a frequent guest at Woodthorpe Hall, spending most of her Sundays with Mrs. Beauchamp, who would frequently drive over to the Sharpes's for her of a Saturday afternoon, and send her back on the Monday morning. She was invited to spend the Easter holidays at the Hall—a most welcome invitation, as she was not to return home till the midsummer vacation. A most agreeable time were these Easter holidays! Never had Fanny seemed more bright and joyous. Her presence operated as perpetual sunshine on the more pensive natures of the mother and son. It was therefore a great surprise to Mrs. Beauchamp when, one day at luncheon, about a week before the time fixed for the termination of her visit, Fanny announced her intention of leaving Woodthorpe that afternoon, if her friend could spare her the carriage.

"I can certainly spare it, Fanny; but I should like to know the reason of this sudden determination?"

"You must excuse my telling you, Mrs. Beauchamp; but I hope you will believe me when I say that it is from a sense of duty." As she spoke, she raised her head with a proud look, her eyes flashed, and she spoke in the haughty tone which always brought before Mrs. Beauchamp the image of her early lover; for it was in her proud moments that Fanny most resembled her father.

"Far be it from me, Fanny," she replied, with her wonted sweetness and benignity, "to ask any one to tamper with duty; but, my child, our faults, our pride frequently mislead us. You shall go to-night, if you please; but I wish, for my sake, you could stay at least till to-morrow morning. I have not offended you, Fanny?"

"Oh, dearest Mrs. Beauchamp!" and the poor girl burst into tears. "I wish—I wish I could only show you how I love you—how grateful I am for all your goodness; but you will never, never know."

Mrs. Beauchamp looked anxiously at her, and began, "Fanny"——But suddenly stopped, as if she knew not how to proceed. Immediately afterwards the young girl left the room, silently and passionately kissing Mrs. Beauchamp's hand as she passed her on her way to the door.

A few hours later in the day, as Mrs. Beauchamp sat reading in her boudoir, according to her custom at that particular hour, Edmund abruptly entered the little room in a state of agitation quite foreign to his ordinary disposition and habits.

"Mother!" he cried.

"My love! what is the matter?"

"Mother! I love Fanny Dalton—I love her with all my soul. I think her not only the loveliest and most charming of women, but the best and truest! I feel that she might make my life not only happier, but better. Oh, mother! is not love as real a thing as either wealth or station? Is it not as sufficient for all noble works? Is it not in some shape the only motive for all real improvement? It seems to me that such is the lesson I have been learning from you all my life long."

"And in that you have learned it I am deeply grateful, and far more than repaid for all my care and anxiety on your account; and now thank you for your confidence, my dear Edmund, though I think you might have bestowed it after a calmer fashion. It would have been better, I think, to have said all those violent things to Fanny than to me."

"I have said more than all these to Fanny, and—she has rejected me!"

"Rejected you! my dearest Edmund! I am grieved indeed; but I do not see how I can help you."

"And yet I should not be quite hopeless if you would plead my cause. Miss Dalton says that you have loaded her with kindness which she can never repay; that she values your affection beyond all expression; and that she is determined not to prove herself unworthy of it by being the means of disappointing the expectations you may have formed for your son, for whom, she says, she is no match either in wealth or station. She would not listen to me when I attempted to speak to her but this instant in the Laurel Walk, but actually ran away, positively commanding me not to follow; and yet, I do think, if she had decidedly disliked me, she would have given me to understand so at once, without mentioning you. Mother! what do you—what do you think?"

"You shall hear presently, Edmund; but in the first place let us find Miss Dalton."

They went out together, and had not sought her long, when they discovered her pacing perturbedly up and down a broad walk of closely-shaven grass, inclosed on both sides by a tall impenetrable fence of evergreens. As soon as she saw them, she advanced quickly to meet them, her face covered with blushes, but her bearing open and proud. Ere Mrs. Beauchamp had time to speak, she exclaimed, "Mrs. Beauchamp, I do not deserve your reproaches. Never till this morning was I aware of Mr. Beauchamp's sentiments towards me. Dear, kind friend, I would have suffered any tortures rather than that this should have happened."

Fanny was violently agitated; while Mrs. Beauchamp, on the contrary, preserved a calm exterior. She took one of the young girl's hands between both of hers, and answered soothingly, "Compose yourself, my dear Fanny, I entreat you. Believe me, I do not blame you for the affection my son has conceived for you."

"Oh thank you! Indeed you only do me justice."

"But, Fanny, I blame you very much for another reason."

"For what reason, then, madam?"

"For the same reason which now causes your eye to flash, and makes you call your friend by a ceremonious title. I blame you for your pride, which has made you think of me harshly and unjustly. Unkind Fanny! What reason have I ever given you to think me heartless or worldly? Do you not know that those who love are equals? and that if it be a more blessed thing to give, yet to a generous heart, for that very reason, it ought to be a pleasure to receive? Are you too proud, Fanny, to take any thing from us, or is it because my son's affection is displeasing to you that you have rejected him?"

Fanny was now in tears, and even sobbing aloud. "Oh, forgive me," she cried, "forgive me! I acknowledge my fault. I see that what I believed to be a sense of duty was at least partly pride. Oh, Mrs. Beauchamp, you would forgive me if you only knew how miserable I was making myself too!"

"Were you—were you indeed making yourself miserable?" cried Edmund. "Oh say so again, dearest Fanny; and say you are happy now!"

Mrs. Beauchamp smiled fondly as she answered, "I will do more than forgive you, my poor Fanny, if you will only love my son. Will you make us both so happy?"

Fanny only replied by a rapid glance at Edmund, and by throwing herself into the arms of Mrs. Beauchamp, which were extended to receive her. And as she was pressed to that fond, maternal heart, she whispered audibly, "My mother!—our mother!"

Mrs. Beauchamp then taking her hand, and placing it in that of her son, said with evident emotion, "Only make Edmund happy, Fanny, and all the gratitude between us will be due on my side; and oh, my children, as you value your future peace, believe in each other through light and darkness. And may Heaven bless you both!" She had turned towards the house, when she looked back to ask, "Shall I countermand the carriage, Fanny?" And Edmund added, half-tenderly, half-slyly, "Shall you go to-morrow?"

Fanny's tears were scarcely dry, and her blushes were deeper than ever, but she answered immediately, with her usual lively promptitude, "That depends upon the sort of entertainment you may provide as an inducement to prolong my visit."

And Edmund, finding that he had no chance with Fanny where repartee or badinage was in question, had recourse again to the serious vein, and rejoined, "If my power to induce you to prolong your visit were at all equal to my will, you would remain for ever, my own dearest Fanny."

We must now pass over a few months. The early freshness and verdure of spring had passed away, and the bloom and the glory of summer had departed. The apple-trees were now laden with their rosy treasures, the peach was ripe on the sunny wall, and the summer darkness of the woods had but just begun to be varied by the appearance of a few yellow leaves. It was on a September afternoon, when the soft light of the autumn sunset was bathing in its pale golden rays the grey turrets of Woodthorpe Hall, and resting like a parting smile on the summits of the ancestral oaks and elms, while it cast deep shadows, crossed with bright gleams, on the spreading lawns, or glanced back from the antlers of the deer, as they ever and anon appeared in the hollows of the park or between the trees, that a travelling carriage passed under the old Gothic archway which formed the entrance to Woodthorpe Park, and drove rapidly towards the Hall. It contained Edmund and Fanny, the newly-married pair, who had just returned from a wedding trip to Paris. They were not, however, the only occupants of the carriage. With them was Mr. Dalton, whom we knew in former days as Philip Hayforth, and who had been specially invited by Mrs. Beauchamp to accompany the bride and bridegroom on their return to Woodthorpe Hall.

And now the carriage stops beneath the porch, and in the arched doorway stands a noble and graceful figure—the lady of the mansion. The slanting sunbeams, streaming through the stained windows at the upper end of the oak hall, played upon her dress of dark and shining silk, which was partly covered by a shawl or mantle of black lace, while her sweet pale face was lighted up with affection, and her eyes were full of a grave gladness. Her fair hair, just beginning to be streaked with silver, was parted over her serene forehead, and above it rested a simple matronly cap of finest lace. Emily Beauchamp was still a beautiful woman—beautiful even as when in the early prime of youth and love she had stood in the light of the new-born day, clad in her robes of vestal whiteness. The change in her was but the change from morning to evening—from spring to autumn; and to some hearts the waning light and the fading leaves have a charm which sunshine and spring-time cannot boast. Having fondly but hastily embraced her son and daughter, she turned to Mr. Dalton, and with cordial warmth bade him welcome to Woodthorpe Hall. He started at the sound of the gentle, earnest tones which, as if by magic, brought palpably before him scenes and images which lay far remote, down the dim vista of years, obscured, almost hidden, by later interest and more pressing cares. He looked in Mrs. Beauchamp's face, and a new wonder met him in the glance of her large brown eyes, so full of seriousness and benignity, while the smooth white hand which yet held his in its calm friendly clasp seemed strangely like one he had often pressed, but which had always trembled as he held it. What could all this mean? Was he dreaming? He was aroused from the reverie into which he had fallen by the same voice which had at first arrested his attention.

"We must try to become acquainted as quickly as possible, Mr. Dalton," said Mrs. Beauchamp, "and learn to be friends for our children's sake."

Bowing low, he replied, "I have already learned from my daughter to know and to esteem Mrs. Beauchamp."

The more Mr. Dalton saw of Mrs. Beauchamp, the more bewildered he became. He fancied what appeared to him the strangest impossibilities, and yet he found it impossible to believe that there was no ground for his vague conjectures. His life had been one of incessant toil, lately one of heavy distress and anxious cares, which had frequently sent him to a sleepless pillow; but never had he spent a more wakeful night than this, his first under the stately roof which his daughter—his darling Fanny—called that of her home. He felt that he could not endure another day of this uncertainty. He must be satisfied at all hazards, and he resolved to make an opportunity, should such not spontaneously present itself. But he was spared the necessity; for after breakfast the following morning his hostess offered to show him the grounds—an offer which, with his desired end in view, he eagerly accepted. They commenced their walk in silence, and seemed as if both were suddenly under the influence of some secret spell. At last, in a hoarse voice and a constrained manner, Mr. Dalton abruptly inquired, "Pray, madam, may I ask—though I fear the question may seem an unceremonious, perhaps a strange one—if you have any relations of the name of Sherwood?"

He saw her start, as she answered with forced composure, "Yes, Mr. Dalton, I have. It was indeed my own name before I married."

As she made this avowal, both stood still, it would seem by a sort of tacit, mutual consent, and earnestly looked at each other.

Philip Hayforth Dalton was now a man past the meridian of life; his once handsome and still striking countenance was deeply marked with lines of sorrow and care, and his dark luxuriant locks were thinned and grizzled, while his features, which had long been schooled to betray no sign of emotion of a transient or superficial nature, were now, as his eyes met those of Mrs. Beauchamp's, convulsed as by the working of a strong passion. A slight blush tinged Emily's usually pale cheek; she drew a rapid breath, and her voice faltered perceptibly as she said at last, "Yes, Philip Hayforth, I am Emily Sherwood!"