What was this universe? What was this grand, eternal pageant to which he had yearned from his childhood up, and in which he could never take part? Every morning the same magnificent sun; every morning the same rainbow in the waterfall; every evening the same glow on the snow-mountains.

Every little fly that buzzed in the sun's rays was a singer in the universal chorus, "knew its place, and was happy in it." Every blade of grass grew and was happy. Everything knew its path and loved it, went forth with a song and returned with a song; only he knew nothing, understood nothing, neither men nor words, nor any of nature's voices; he was a stranger and an outcast.

Oh, he could not then speak these words, or express all he felt! He had been tormented dumbly; but now it appeared to him that he must have said these very words—even then—and that Hippolyte must have taken his picture of the little fly from his tears and words of that time.

He was sure of it, and his heart beat excitedly at the thought, he knew not why.

He fell asleep on the bench; but his mental disquiet continued through his slumbers.

Just before he dozed off, the idea of Hippolyte murdering ten men flitted through his brain, and he smiled at the absurdity of such a thought.

Around him all was quiet; only the flutter and whisper of the leaves broke the silence, but broke it only to cause it to appear yet more deep and still.

He dreamed many dreams as he sat there, and all were full of disquiet, so that he shuddered every moment.

At length a woman seemed to approach him. He knew her, oh! he knew her only too well. He could always name her and recognize her anywhere; but, strange, she seemed to have quite a different face from hers, as he had known it, and he felt a tormenting desire to be able to say she was not the same woman. In the face before him there was such dreadful remorse and horror that he thought she must be a criminal, that she must have just committed some awful crime.

Tears were trembling on her white cheek. She beckoned him, but placed her finger on her lip as though to warn him that he must follow her very quietly. His heart froze within him. He wouldn't, he COULDN'T confess her to be a criminal, and yet he felt that something dreadful would happen the next moment, something which would blast his whole life.

She seemed to wish to show him something, not far off, in the park.

He rose from his seat in order to follow her, when a bright, clear peal of laughter rang out by his side. He felt somebody's hand suddenly in his own, seized it, pressed it hard, and awoke. Before him stood Aglaya, laughing aloud.

VIII.

SHE laughed, but she was rather angry too.

"He's asleep! You were asleep," she said, with contemptuous surprise.

"Is it really you?" muttered the prince, not quite himself as yet, and recognizing her with a start of amazement. "Oh yes, of course," he added, "this is our rendezvous. I fell asleep here."

"So I saw."

"Did no one awake me besides yourself? Was there no one else here? I thought there was another woman."

"There was another woman here?"

At last he was wide awake.

"It was a dream, of course," he said, musingly. "Strange that I should have a dream like that at such a moment. Sit down—"

He took her hand and seated her on the bench; then sat down beside her and reflected.

Aglaya did not begin the conversation, but contented herself with watching her companion intently.

He looked back at her, but at times it was clear that he did not see her and was not thinking of her.

Aglaya began to flush up.

"Oh yes!" cried the prince, starting. "Hippolyte's suicide—"

"What? At your house?" she asked, but without much surprise. "He was alive yesterday evening, wasn't he? How could you sleep here after that?" she cried, growing suddenly animated.

"Oh, but he didn't kill himself; the pistol didn't go off." Aglaya insisted on hearing the whole story. She hurried the prince along, but interrupted him with all sorts of questions, nearly all of which were irrelevant. Among other things, she seemed greatly interested in every word that Evgenie Pavlovitch had said, and made the prince repeat that part of the story over and over again.

"Well, that'll do; we must be quick," she concluded, after hearing all. "We have only an hour here, till eight; I must be home by then without fail, so that they may not find out that I came and sat here with you; but I've come on business. I have a great deal to say to you. But you have bowled me over considerably with your news. As to Hippolyte, I think his pistol was bound not to go off; it was more consistent with the whole affair. Are you sure he really wished to blow his brains out, and that there was no humbug about the matter?"

"No humbug at all."

"Very likely. So he wrote that you were to bring me a copy of his confession, did he? Why didn't you bring it?"

"Why, he didn't die! I'll ask him for it, if you like."

"Bring it by all means; you needn't ask him. He will be delighted, you may be sure; for, in all probability, he shot at himself simply in order that I might read his confession. Don't laugh at what I say, please, Lef Nicolaievitch, because it may very well be the case."

"I'm not laughing. I am convinced, myself, that that may have been partly the reason.

"You are convinced? You don't really mean to say you think that honestly?" asked Aglaya, extremely surprised.

She put her questions very quickly and talked fast, every now and then forgetting what she had begun to say, and not finishing her sentence. She seemed to be impatient to warn the prince about something or other. She was in a state of unusual excitement, and though she put on a brave and even defiant air, she seemed to be rather alarmed. She was dressed very simply, but this suited her well. She continually trembled and blushed, and she sat on the very edge of the seat.

The fact that the prince confirmed her idea, about Hippolyte shooting himself that she might read his confession, surprised her greatly.

"Of course," added the prince, "he wished us all to applaud his conduct—besides yourself."

"How do you mean—applaud?"

"Well—how am I to explain? He was very anxious that we should all come around him, and say we were so sorry for him, and that we loved him very much, and all that; and that we hoped he wouldn't kill himself, but remain alive. Very likely he thought more of you than the rest of us, because he mentioned you at such a moment, though perhaps he did not know himself that he had you in his mind's eye."

"I don't understand you. How could he have me in view, and not be aware of it himself? And yet, I don't know—perhaps I do. Do you know I have intended to poison myself at least thirty times—ever since I was thirteen or so—and to write to my parents before I did it? I used to think how nice it would be to lie in my coffin, and have them all weeping over me and saying it was all their fault for being so cruel, and all that—what are you smiling at?" she added, knitting her brow. "What do YOU think of when you go mooning about alone? I suppose you imagine yourself a field-marshal, and think you have conquered Napoleon?"

"Well, I really have thought something of the sort now and then, especially when just dozing off," laughed the prince. "Only it is the Austrians whom I conquer—not Napoleon."

"I don't wish to joke with you, Lef Nicolaievitch. I shall see Hippolyte myself. Tell him so. As for you, I think you are behaving very badly, because it is not right to judge a man's soul as you are judging Hippolyte's. You have no gentleness, but only justice—so you are unjust."

The prince reflected.

"I think you are unfair towards me," he said. "There is nothing wrong in the thoughts I ascribe to Hippolyte; they are only natural. But of course I don't know for certain what he thought. Perhaps he thought nothing, but simply longed to see human faces once more, and to hear human praise and feel human affection. Who knows? Only it all came out wrong, somehow. Some people have luck, and everything comes out right with them; others have none, and never a thing turns out fortunately."

"I suppose you have felt that in your own case," said Aglaya.

"Yes, I have," replied the prince, quite unsuspicious of any irony in the remark.

"H'm—well, at all events, I shouldn't have fallen asleep here, in your place. It wasn't nice of you, that. I suppose you fall asleep wherever you sit down?"

"But I didn't sleep a wink all night. I walked and walked about, and went to where the music was—"

"What music?"

"Where they played last night. Then I found this bench and sat down, and thought and thought—and at last I fell fast asleep."

"Oh, is that it? That makes a difference, perhaps. What did you go to the bandstand for?"

"I don't know; I—-"

"Very well—afterwards. You are always interrupting me. What woman was it you were dreaming about?"

"It was—about—you saw her—"

"Quite so; I understand. I understand quite well. You are very—Well, how did she appear to you? What did she look like? No, I don't want to know anything about her," said Aglaya, angrily; "don't interrupt me—"

She paused a moment as though getting breath, or trying to master her feeling of annoyance.

"Look here; this is what I called you here for. I wish to make you a—to ask you to be my friend. What do you stare at me like that for?" she added, almost angrily.

The prince certainly had darted a rather piercing look at her, and now observed that she had begun to blush violently. At such moments, the more Aglaya blushed, the angrier she grew with herself; and this was clearly expressed in her eyes, which flashed like fire. As a rule, she vented her wrath on her unfortunate companion, be it who it might. She was very conscious of her own shyness, and was not nearly so talkative as her sisters for this reason—in fact, at times she was much too quiet. When, therefore, she was bound to talk, especially at such delicate moments as this, she invariably did so with an air of haughty defiance. She always knew beforehand when she was going to blush, long before the blush came.

"Perhaps you do not wish to accept my proposition?" she asked, gazing haughtily at the prince.

"Oh yes, I do; but it is so unnecessary. I mean, I did not think you need make such a proposition," said the prince, looking confused.

"What did you suppose, then? Why did you think I invited you out here? I suppose you think me a 'little fool,' as they all call me at home?"

"I didn't know they called you a fool. I certainly don't think you one."

"You don't think me one! Oh, dear me!—that's very clever of you; you put it so neatly, too."

"In my opinion, you are far from a fool sometimes—in fact, you are very intelligent. You said a very clever thing just now about my being unjust because I had ONLY justice. I shall remember that, and think about it."

Aglaya blushed with pleasure. All these changes in her expression came about so naturally and so rapidly—they delighted the prince; he watched her, and laughed.

"Listen," she began again; "I have long waited to tell you all this, ever since the time when you sent me that letter—even before that. Half of what I have to say you heard yesterday. I consider you the most honest and upright of men—more honest and upright than any other man; and if anybody says that your mind is—is sometimes affected, you know—it is unfair. I always say so and uphold it, because even if your surface mind be a little affected (of course you will not feel angry with me for talking so—I am speaking from a higher point of view) yet your real mind is far better than all theirs put together. Such a mind as they have never even DREAMED of; because really, there are TWO minds—the kind that matters, and the kind that doesn't matter. Isn't it so?"

"May be! may be so!" said the prince, faintly; his heart was beating painfully.

"I knew you would not misunderstand me," she said, triumphantly. "Prince S. and Evgenie Pavlovitch and Alexandra don't understand anything about these two kinds of mind, but, just fancy, mamma does!"

"You are very like Lizabetha Prokofievna."

"What! surely not?" said Aglaya.

"Yes, you are, indeed."

"Thank you; I am glad to be like mamma," she said, thoughtfully. "You respect her very much, don't you?" she added, quite unconscious of the naiveness of the question.

"VERY much; and I am so glad that you have realized the fact."

"I am very glad, too, because she is often laughed at by people. But listen to the chief point. I have long thought over the matter, and at last I have chosen you. I don't wish people to laugh at me; I don't wish people to think me a 'little fool.' I don't want to be chaffed. I felt all this of a sudden, and I refused Evgenie Pavlovitch flatly, because I am not going to be forever thrown at people's heads to be married. I want—I want—well, I'll tell you, I wish to run away from home, and I have chosen you to help me."

"Run away from home?" cried the prince.

"Yes—yes—yes! Run away from home!" she repeated, in a transport of rage. "I won't, I won't be made to blush every minute by them all! I don't want to blush before Prince S. or Evgenie Pavlovitch, or anyone, and therefore I have chosen you. I shall tell you everything, EVERYTHING, even the most important things of all, whenever I like, and you are to hide nothing from me on your side. I want to speak to at least one person, as I would to myself. They have suddenly begun to say that I am waiting for you, and in love with you. They began this before you arrived here, and so I didn't show them the letter, and now they all say it, every one of them. I want to be brave, and be afraid of nobody. I don't want to go to their balls and things—I want to do good. I have long desired to run away, for I have been kept shut up for twenty years, and they are always trying to marry me off. I wanted to run away when I was fourteen years old—I was a little fool then, I know—but now I have worked it all out, and I have waited for you to tell me about foreign countries. I have never seen a single Gothic cathedral. I must go to Rome; I must see all the museums; I must study in Paris. All this last year I have been preparing and reading forbidden books. Alexandra and Adelaida are allowed to read anything they like, but I mayn't. I don't want to quarrel with my sisters, but I told my parents long ago that I wish to change my social position. I have decided to take up teaching, and I count on you because you said you loved children. Can we go in for education together—if not at once, then afterwards? We could do good together. I won't be a general's daughter any more! Tell me, are you a very learned man?"

"Oh no; not at all."

"Oh-h-h! I'm sorry for that. I thought you were. I wonder why I always thought so—but at all events you'll help me, won't you? Because I've chosen you, you know."

"Aglaya Ivanovna, it's absurd."

"But I will, I WILL run away!" she cried—and her eyes flashed again with anger—"and if you don't agree I shall go and marry Gavrila Ardalionovitch! I won't be considered a horrible girl, and accused of goodness knows what."

"Are you out of your mind?" cried the prince, almost starting from his seat. "What do they accuse you of? Who accuses you?"

"At home, everybody, mother, my sisters, Prince S., even that detestable Colia! If they don't say it, they think it. I told them all so to their faces. I told mother and father and everybody. Mamma was ill all the day after it, and next day father and Alexandra told me that I didn't understand what nonsense I was talking. I informed them that they little knew me—I was not a small child—I understood every word in the language—that I had read a couple of Paul de Kok's novels two years since on purpose, so as to know all about everything. No sooner did mamma hear me say this than she nearly fainted!"

A strange thought passed through the prince's brain; he gazed intently at Aglaya and smiled.

He could not believe that this was the same haughty young girl who had once so proudly shown him Gania's letter. He could not understand how that proud and austere beauty could show herself to be such an utter child—a child who probably did not even now understand some words.

"Have you always lived at home, Aglaya Ivanovna?" he asked. "I mean, have you never been to school, or college, or anything?"

"No—never—nowhere! I've been at home all my life, corked up in a bottle; and they expect me to be married straight out of it. What are you laughing at again? I observe that you, too, have taken to laughing at me, and range yourself on their side against me," she added, frowning angrily. "Don't irritate me—I'm bad enough without that—I don't know what I am doing sometimes. I am persuaded that you came here today in the full belief that I am in love with you, and that I arranged this meeting because of that," she cried, with annoyance.

"I admit I was afraid that that was the case, yesterday," blundered the prince (he was rather confused), "but today I am quite convinced that—"

"How?" cried Aglaya—and her lower lip trembled violently. "You were AFRAID that I—you dared to think that I—good gracious! you suspected, perhaps, that I sent for you to come here in order to catch you in a trap, so that they should find us here together, and make you marry me—"

"Aglaya Ivanovna, aren't you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don't believe a word of what you say, and probably you don't even know what you are talking about."

Aglaya sat with her eyes on the ground; she seemed to have alarmed even herself by what she had said.

"No, I'm not; I'm not a bit ashamed!" she murmured. "And how do you know my heart is innocent? And how dared you send me a love—letter that time?"

"LOVE-LETTER? My letter a love-letter? That letter was the most respectful of letters; it went straight from my heart, at what was perhaps the most painful moment of my life! I thought of you at the time as a kind of light. I—"

"Well, very well, very well!" she said, but quite in a different tone. She was remorseful now, and bent forward to touch his shoulder, though still trying not to look him in the face, as if the more persuasively to beg him not to be angry with her. "Very well," she continued, looking thoroughly ashamed of herself, "I feel that I said a very foolish thing. I only did it just to try you. Take it as unsaid, and if I offended you, forgive me. Don't look straight at me like that, please; turn your head away. You called it a 'horrible idea'; I only said it to shock you. Very often I am myself afraid of saying what I intend to say, and out it comes all the same. You have just told me that you wrote that letter at the most painful moment of your life. I know what moment that was!" she added softly, looking at the ground again.

"Oh, if you could know all!"

"I DO know all!" she cried, with another burst of indignation. "You were living in the same house as that horrible woman with whom you ran away." She did not blush as she said this; on the contrary, she grew pale, and started from her seat, apparently oblivious of what she did, and immediately sat down again. Her lip continued to tremble for a long time.

There was silence for a moment. The prince was taken aback by the suddenness of this last reply, and did not know to what he should attribute it.

"I don't love you a bit!" she said suddenly, just as though the words had exploded from her mouth.

The prince did not answer, and there was silence again. "I love Gavrila Ardalionovitch," she said, quickly; but hardly audibly, and with her head bent lower than ever.

"That is NOT true," said the prince, in an equally low voice.

"What! I tell stories, do I? It is true! I gave him my promise a couple of days ago on this very seat."

The prince was startled, and reflected for a moment.

"It is not true," he repeated, decidedly; "you have just invented it!"

"You are wonderfully polite. You know he is greatly improved. He loves me better than his life. He let his hand burn before my very eyes in order to prove to me that he loved me better than his life!"

"He burned his hand!"

"Yes, believe it or not! It's all the same to me!"

The prince sat silent once more. Aglaya did not seem to be joking; she was too angry for that.

"What! he brought a candle with him to this place? That is, if the episode happened here; otherwise I can't."

"Yes, a candle! What's there improbable about that?"

"A whole one, and in a candlestick?"

"Yes—no-half a candle—an end, you know—no, it was a whole candle; it's all the same. Be quiet, can't you! He brought a box of matches too, if you like, and then lighted the candle and held his finger in it for half an hour and more!—There! Can't that be?"

"I saw him yesterday, and his fingers were all right!"

Aglaya suddenly burst out laughing, as simply as a child.

"Do you know why I have just told you these lies?" She appealed to the prince, of a sudden, with the most childlike candour, and with the laugh still trembling on her lips. "Because when one tells a lie, if one insists on something unusual and eccentric—something too 'out of the way'' for anything, you know—the more impossible the thing is, the more plausible does the lie sound. I've noticed this. But I managed it badly; I didn't know how to work it." She suddenly frowned again at this point as though at some sudden unpleasant recollection.

"If"—she began, looking seriously and even sadly at him—"if when I read you all that about the 'poor knight,' I wished to-to praise you for one thing—I also wished to show you that I knew all—and did not approve of your conduct."

"You are very unfair to me, and to that unfortunate woman of whom you spoke just now in such dreadful terms, Aglaya."

"Because I know all, all—and that is why I speak so. I know very well how you—half a year since—offered her your hand before everybody. Don't interrupt me. You see, I am merely stating facts without any comment upon them. After that she ran away with Rogojin. Then you lived with her at some village or town, and she ran away from you." (Aglaya blushed dreadfully.) "Then she returned to Rogojin again, who loves her like a madman. Then you—like a wise man as you are—came back here after her as soon as ever you heard that she had returned to Petersburg. Yesterday evening you sprang forward to protect her, and just now you dreamed about her. You see, I know all. You did come back here for her, for her—now didn't you?"

"Yes—for her!" said the prince softly and sadly, and bending his head down, quite unconscious of the fact that Aglaya was gazing at him with eyes which burned like live coals. "I came to find out something—I don't believe in her future happiness as Rogojin's wife, although—in a word, I did not know how to help her or what to do for her—but I came, on the chance."

He glanced at Aglaya, who was listening with a look of hatred on her face.

"If you came without knowing why, I suppose you love her very much indeed!" she said at last.

"No," said the prince, "no, I do not love her. Oh! if you only knew with what horror I recall the time I spent with her!"

A shudder seemed to sweep over his whole body at the recollection.

"Tell me about it," said Aglaya.

"There is nothing which you might not hear. Why I should wish to tell you, and only you, this experience of mine, I really cannot say; perhaps it really is because I love you very much. This unhappy woman is persuaded that she is the most hopeless, fallen creature in the world. Oh, do not condemn her! Do not cast stones at her! She has suffered too much already in the consciousness of her own undeserved shame.

"And she is not guilty—oh God!—Every moment she bemoans and bewails herself, and cries out that she does not admit any guilt, that she is the victim of circumstances—the victim of a wicked libertine.

"But whatever she may say, remember that she does not believe it herself,—remember that she will believe nothing but that she is a guilty creature.

"When I tried to rid her soul of this gloomy fallacy, she suffered so terribly that my heart will never be quite at peace so long as I can remember that dreadful time!—Do you know why she left me? Simply to prove to me what is not true—that she is base. But the worst of it is, she did not realize herself that that was all she wanted to prove by her departure! She went away in response to some inner prompting to do something disgraceful, in order that she might say to herself—'There—you've done a new act of shame—you degraded creature!'

"Oh, Aglaya—perhaps you cannot understand all this. Try to realize that in the perpetual admission of guilt she probably finds some dreadful unnatural satisfaction—as though she were revenging herself upon someone.

"Now and then I was able to persuade her almost to see light around her again; but she would soon fall, once more, into her old tormenting delusions, and would go so far as to reproach me for placing myself on a pedestal above her (I never had an idea of such a thing!), and informed me, in reply to my proposal of marriage, that she 'did not want condescending sympathy or help from anybody.' You saw her last night. You don't suppose she can be happy among such people as those—you cannot suppose that such society is fit for her? You have no idea how well-educated she is, and what an intellect she has! She astonished me sometimes."

"And you preached her sermons there, did you?"

"Oh no," continued the prince thoughtfully, not noticing Aglaya's mocking tone, "I was almost always silent there. I often wished to speak, but I really did not know what to say. In some cases it is best to say nothing, I think. I loved her, yes, I loved her very much indeed; but afterwards—afterwards she guessed all."

"What did she guess?"

"That I only PITIED her—and—and loved her no longer!"

"How do you know that? How do you know that she is not really in love with that—that rich cad—the man she eloped with?"

"Oh no! I know she only laughs at him; she has made a fool of him all along."

"Has she never laughed at you?"

"No—in anger, perhaps. Oh yes! she reproached me dreadfully in anger; and suffered herself, too! But afterwards—oh! don't remind me—don't remind me of that!"

He hid his face in his hands.

"Are you aware that she writes to me almost every day?"

"So that is true, is it?" cried the prince, greatly agitated. "I had heard a report of it, but would not believe it."

"Whom did you hear it from?" asked Aglaya, alarmed. "Rogojin said something about it yesterday, but nothing definite."

"Yesterday! Morning or evening? Before the music or after?"

"After—it was about twelve o'clock."

"Ah! Well, if it was Rogojin—but do you know what she writes to me about?"

"I should not be surprised by anything. She is mad!"

"There are the letters." (Aglaya took three letters out of her pocket and threw them down before the prince.) "For a whole week she has been entreating and worrying and persuading me to marry you. She—well, she is clever, though she may be mad—much cleverer than I am, as you say. Well, she writes that she is in love with me herself, and tries to see me every day, if only from a distance. She writes that you love me, and that she has long known it and seen it, and that you and she talked about me—there. She wishes to see you happy, and she says that she is certain only I can ensure you the happiness you deserve. She writes such strange, wild letters—I haven't shown them to anyone. Now, do you know what all this means? Can you guess anything?"

"It is madness—it is merely another proof of her insanity!" said the prince, and his lips trembled.

"You are crying, aren't you?"

"No, Aglaya. No, I'm not crying." The prince looked at her.

"Well, what am I to do? What do you advise me? I cannot go on receiving these letters, you know."

"Oh, let her alone, I entreat you!" cried the prince. "What can you do in this dark, gloomy mystery? Let her alone, and I'll use all my power to prevent her writing you any more letters."

"If so, you are a heartless man!" cried Aglaya. "As if you can't see that it is not myself she loves, but you, you, and only you! Surely you have not remarked everything else in her, and only not THIS? Do you know what these letters mean? They mean jealousy, sir—nothing but pure jealousy! She—do you think she will ever really marry this Rogojin, as she says here she will? She would take her own life the day after you and I were married."

The prince shuddered; his heart seemed to freeze within him. He gazed at Aglaya in wonderment; it was difficult for him to realize that this child was also a woman.

"God knows, Aglaya, that to restore her peace of mind and make her happy I would willingly give up my life. But I cannot love her, and she knows that."

"Oh, make a sacrifice of yourself! That sort of thing becomes you well, you know. Why not do it? And don't call me 'Aglaya'; you have done it several times lately. You are bound, it is your DUTY to 'raise' her; you must go off somewhere again to soothe and pacify her. Why, you love her, you know!"

"I cannot sacrifice myself so, though I admit I did wish to do so once. Who knows, perhaps I still wish to! But I know for CERTAIN, that if she married me it would be her ruin; I know this and therefore I leave her alone. I ought to go to see her today; now I shall probably not go. She is proud, she would never forgive me the nature of the love I bear her, and we should both be ruined. This may be unnatural, I don't know; but everything seems unnatural. You say she loves me, as if this were LOVE! As if she could love ME, after what I have been through! No, no, it is not love."

"How pale you have grown!" cried Aglaya in alarm.

"Oh, it's nothing. I haven't slept, that's all, and I'm rather tired. I—we certainly did talk about you, Aglaya."

"Oh, indeed, it is true then! You could actually talk about me with her; and—and how could you have been fond of me when you had only seen me once?"

"I don't know. Perhaps it was that I seemed to come upon light in the midst of my gloom. I told you the truth when I said I did not know why I thought of you before all others. Of course it was all a sort of dream, a dream amidst the horrors of reality. Afterwards I began to work. I did not intend to come back here for two or three years—"

"Then you came for her sake?" Aglaya's voice trembled.

"Yes, I came for her sake."

There was a moment or two of gloomy silence. Aglaya rose from her seat.

"If you say," she began in shaky tones, "if you say that this woman of yours is mad—at all events I have nothing to do with her insane fancies. Kindly take these three letters, Lef Nicolaievitch, and throw them back to her, from me. And if she dares," cried Aglaya suddenly, much louder than before, "if she dares so much as write me one word again, tell her I shall tell my father, and that she shall be taken to a lunatic asylum."

The prince jumped up in alarm at Aglaya's sudden wrath, and a mist seemed to come before his eyes.

"You cannot really feel like that! You don't mean what you say. It is not true," he murmured.

"It IS true, it IS true," cried Aglaya, almost beside herself with rage.

"What's true? What's all this? What's true?" said an alarmed voice just beside them.

Before them stood Lizabetha Prokofievna.

"Why, it's true that I am going to marry Gavrila Ardalionovitch, that I love him and intend to elope with him tomorrow," cried Aglaya, turning upon her mother. "Do you hear? Is your curiosity satisfied? Are you pleased with what you have heard?"

Aglaya rushed away homewards with these words.

"H'm! well, YOU are not going away just yet, my friend, at all events," said Lizabetha, stopping the prince. "Kindly step home with me, and let me have a little explanation of the mystery. Nice goings on, these! I haven't slept a wink all night as it is."

The prince followed her.

IX.

ARRIVED at her house, Lizabetha Prokofievna paused in the first room. She could go no farther, and subsided on to a couch quite exhausted; too feeble to remember so much as to ask the prince to take a seat. This was a large reception-room, full of flowers, and with a glass door leading into the garden.

Alexandra and Adelaida came in almost immediately, and looked inquiringly at the prince and their mother.

The girls generally rose at about nine in the morning in the country; Aglaya, of late, had been in the habit of getting up rather earlier and having a walk in the garden, but not at seven o'clock; about eight or a little later was her usual time.

Lizabetha Prokofievna, who really had not slept all night, rose at about eight on purpose to meet Aglaya in the garden and walk with her; but she could not find her either in the garden or in her own room.

This agitated the old lady considerably; and she awoke her other daughters. Next, she learned from the maid that Aglaya had gone into the park before seven o'clock. The sisters made a joke of Aglaya's last freak, and told their mother that if she went into the park to look for her, Aglaya would probably be very angry with her, and that she was pretty sure to be sitting reading on the green bench that she had talked of two or three days since, and about which she had nearly quarrelled with Prince S., who did not see anything particularly lovely in it.

Arrived at the rendezvous of the prince and her daughter, and hearing the strange words of the latter, Lizabetha Prokofievna had been dreadfully alarmed, for many reasons. However, now that she had dragged the prince home with her, she began to feel a little frightened at what she had undertaken. Why should not Aglaya meet the prince in the park and have a talk with him, even if such a meeting should be by appointment?

"Don't suppose, prince," she began, bracing herself up for the effort, "don't suppose that I have brought you here to ask questions. After last night, I assure you, I am not so exceedingly anxious to see you at all; I could have postponed the pleasure for a long while." She paused.

"But at the same time you would be very glad to know how I happened to meet Aglaya Ivanovna this morning?" The prince finished her speech for her with the utmost composure.

"Well, what then? Supposing I should like to know?" cried Lizabetha Prokofievna, blushing. "I'm sure I am not afraid of plain speaking. I'm not offending anyone, and I never wish to, and—"

"Pardon me, it is no offence to wish to know this; you are her mother. We met at the green bench this morning, punctually at seven o'clock,—according to an agreement made by Aglaya Ivanovna with myself yesterday. She said that she wished to see me and speak to me about something important. We met and conversed for an hour about matters concerning Aglaya Ivanovna herself, and that's all."

"Of course it is all, my friend. I don't doubt you for a moment," said Lizabetha Prokofievna with dignity.

"Well done, prince, capital!" cried Aglaya, who entered the room at this moment. "Thank you for assuming that I would not demean myself with lies. Come, is that enough, mamma, or do you intend to put any more questions?"

"You know I have never needed to blush before you, up to this day, though perhaps you would have been glad enough to make me," said Lizabetha Prokofievna,—with majesty. "Good-bye, prince; forgive me for bothering you. I trust you will rest assured of my unalterable esteem for you."

The prince made his bows and retired at once. Alexandra and Adelaida smiled and whispered to each other, while Lizabetha Prokofievna glared severely at them. "We are only laughing at the prince's beautiful bows, mamma," said Adelaida. "Sometimes he bows just like a meal-sack, but to-day he was like—like Evgenie Pavlovitch!"

"It is the HEART which is the best teacher of refinement and dignity, not the dancing-master," said her mother, sententiously, and departed upstairs to her own room, not so much as glancing at Aglaya.

When the prince reached home, about nine o'clock, he found Vera Lebedeff and the maid on the verandah. They were both busy trying to tidy up the place after last night's disorderly party.

"Thank goodness, we've just managed to finish it before you came in!" said Vera, joyfully.

"Good-morning! My head whirls so; I didn't sleep all night. I should like to have a nap now."

"Here, on the verandah? Very well, I'll tell them all not to come and wake you. Papa has gone out somewhere."

The servant left the room. Vera was about to follow her, but returned and approached the prince with a preoccupied air.

"Prince!" she said, "have pity on that poor boy; don't turn him out today."

"Not for the world; he shall do just as he likes."

"He won't do any harm now; and—and don't be too severe with him."

"Oh dear no! Why—"

"And—and you won't LAUGH at him? That's the chief thing."

"Oh no! Never."

"How foolish I am to speak of such things to a man like you," said Vera, blushing. "Though you do look tired," she added, half turning away, "your eyes are so splendid at this moment—so full of happiness."

"Really?" asked the prince, gleefully, and he laughed in delight.

But Vera, simple-minded little girl that she was (just like a boy, in fact), here became dreadfully confused, of a sudden, and ran hastily out of the room, laughing and blushing.

"What a dear little thing she is," thought the prince, and immediately forgot all about her.

He walked to the far end of the verandah, where the sofa stood, with a table in front of it. Here he sat down and covered his face with his hands, and so remained for ten minutes. Suddenly he put his hand in his coat-pocket and hurriedly produced three letters.

But the door opened again, and out came Colia.

The prince actually felt glad that he had been interrupted,—and might return the letters to his pocket. He was glad of the respite.

"Well," said Colia, plunging in medias res, as he always did, "here's a go! What do you think of Hippolyte now? Don't respect him any longer, eh?"

"Why not? But look here, Colia, I'm tired; besides, the subject is too melancholy to begin upon again. How is he, though?"

"Asleep—he'll sleep for a couple of hours yet. I quite understand—you haven't slept—you walked about the park, I know. Agitation—excitement—all that sort of thing—quite natural, too!"

"How do you know I walked in the park and didn't sleep at home?"

"Vera just told me. She tried to persuade me not to come, but I couldn't help myself, just for one minute. I have been having my turn at the bedside for the last two hours; Kostia Lebedeff is there now. Burdovsky has gone. Now, lie down, prince, make yourself comfortable, and sleep well! I'm awfully impressed, you know."

"Naturally, all this—"

"No, no, I mean with the 'explanation,' especially that part of it where he talks about Providence and a future life. There is a gigantic thought there."

The prince gazed affectionately at Colia, who, of course, had come in solely for the purpose of talking about this "gigantic thought."

"But it is not any one particular thought, only; it is the general circumstances of the case. If Voltaire had written this now, or Rousseau, I should have just read it and thought it remarkable, but should not have been so IMPRESSED by it. But a man who knows for certain that he has but ten minutes to live and can talk like that—why—it's—it's PRIDE, that is! It is really a most extraordinary, exalted assertion of personal dignity, it's—it's DEFIANT! What a GIGANTIC strength of will, eh? And to accuse a fellow like that of not putting in the cap on purpose; it's base and mean! You know he deceived us last night, the cunning rascal. I never packed his bag for him, and I never saw his pistol. He packed it himself. But he put me off my guard like that, you see. Vera says you are going to let him stay on; I swear there's no danger, especially as we are always with him."

"Who was by him at night?"

"I, and Burdovsky, and Kostia Lebedeff. Keller stayed a little while, and then went over to Lebedeff's to sleep. Ferdishenko slept at Lebedeff's, too; but he went away at seven o'clock. My father is always at Lebedeff's; but he has gone out just now. I dare say Lebedeff will be coming in here directly; he has been looking for you; I don't know what he wants. Shall we let him in or not, if you are asleep? I'm going to have a nap, too. By-the-by, such a curious thing happened. Burdovsky woke me at seven, and I met my father just outside the room, so drunk, he didn't even know me. He stood before me like a log, and when he recovered himself, asked hurriedly how Hippolyte was. 'Yes,' he said, when I told him, 'that's all very well, but I REALLY came to warn you that you must be very careful what you say before Ferdishenko.' Do you follow me, prince?"

"Yes. Is it really so? However, it's all the same to us, of course."

"Of course it is; we are not a secret society; and that being the case, it is all the more curious that the general should have been on his way to wake me up in order to tell me this."

"Ferdishenko has gone, you say?"

"Yes, he went at seven o'clock. He came into the room on his way out; I was watching just then. He said he was going to spend 'the rest of the night' at Wilkin's; there's a tipsy fellow, a friend of his, of that name. Well, I'm off. Oh, here's Lebedeff himself! The prince wants to go to sleep, Lukian Timofeyovitch, so you may just go away again."

"One moment, my dear prince, just one. I must absolutely speak to you about something which is most grave," said Lebedeff, mysteriously and solemnly, entering the room with a bow and looking extremely important. He had but just returned, and carried his hat in his hand. He looked preoccupied and most unusually dignified.

The prince begged him to take a chair.

"I hear you have called twice; I suppose you are still worried about yesterday's affair."

"What, about that boy, you mean? Oh dear no, yesterday my ideas were a little—well—mixed. Today, I assure you, I shall not oppose in the slightest degree any suggestions it may please you to make."

"What's up with you this morning, Lebedeff? You look so important and dignified, and you choose your words so carefully," said the prince, smiling.

"Nicolai Ardalionovitch!" said Lebedeff, in a most amiable tone of voice, addressing the boy. "As I have a communication to make to the prince which concerns only myself—"

"Of course, of course, not my affair. All right," said Colia, and away he went.

"I love that boy for his perception," said Lebedeff, looking after him. "My dear prince," he continued, "I have had a terrible misfortune, either last night or early this morning. I cannot tell the exact time."

"What is it?"

"I have lost four hundred roubles out of my side pocket! They're gone!" said Lebedeff, with a sour smile.

"You've lost four hundred roubles? Oh! I'm sorry for that."

"Yes, it is serious for a poor man who lives by his toil."

"Of course, of course! How was it?"

"Oh, the wine is to blame, of course. I confess to you, prince, as I would to Providence itself. Yesterday I received four hundred roubles from a debtor at about five in the afternoon, and came down here by train. I had my purse in my pocket. When I changed, I put the money into the pocket of my plain clothes, intending to keep it by me, as I expected to have an applicant for it in the evening."

"It's true then, Lebedeff, that you advertise to lend money on gold or silver articles?"

"Yes, through an agent. My own name doesn't appear. I have a large family, you see, and at a small percentage—"

"Quite so, quite so. I only asked for information—excuse the question. Go on."

"Well, meanwhile that sick boy was brought here, and those guests came in, and we had tea, and—well, we made merry—to my ruin! Hearing of your birthday afterwards, and excited with the circumstances of the evening, I ran upstairs and changed my plain clothes once more for my uniform [Civil Service clerks in Russia wear uniform.]—you must have noticed I had my uniform on all the evening? Well, I forgot the money in the pocket of my old coat—you know when God will ruin a man he first of all bereaves him of his senses—and it was only this morning at half-past seven that I woke up and grabbed at my coat pocket, first thing. The pocket was empty—the purse gone, and not a trace to be found!"

"Dear me! This is very unpleasant!"

"Unpleasant! Indeed it is. You have found a very appropriate expression," said Lebedeff, politely, but with sarcasm.

"But what's to be done? It's a serious matter," said the prince, thoughtfully. "Don't you think you may have dropped it out of your pocket whilst intoxicated?"

"Certainly. Anything is possible when one is intoxicated, as you neatly express it, prince. But consider—if I, intoxicated or not, dropped an object out of my pocket on to the ground, that object ought to remain on the ground. Where is the object, then?"

"Didn't you put it away in some drawer, perhaps?"

"I've looked everywhere, and turned out everything."

"I confess this disturbs me a good deal. Someone must have picked it up, then."

"Or taken it out of my pocket—two alternatives."

"It is very distressing, because WHO—? That's the question!"

"Most undoubtedly, excellent prince, you have hit it—that is the very question. How wonderfully you express the exact situation in a few words!"

"Come, come, Lebedeff, no sarcasm! It's a serious—"

"Sarcasm!" cried Lebedeff, wringing his hands. "All right, all right, I'm not angry. I'm only put out about this. Whom do you suspect?"

"That is a very difficult and complicated question. I cannot suspect the servant, for she was in the kitchen the whole evening, nor do I suspect any of my children."

"I should think not. Go on."

"Then it must be one of the guests."

"Is such a thing possible?"

"Absolutely and utterly impossible—and yet, so it must be. But one thing I am sure of, if it be a theft, it was committed, not in the evening when we were all together, but either at night or early in the morning; therefore, by one of those who slept here. Burdovsky and Colia I except, of course. They did not even come into my room."

"Yes, or even if they had! But who did sleep with you?"

"Four of us, including myself, in two rooms. The general, myself, Keller, and Ferdishenko. One of us four it must have been. I don't suspect myself, though such cases have been known."

"Oh! do go on, Lebedeff! Don't drag it out so."

"Well, there are three left, then—Keller firstly. He is a drunkard to begin with, and a liberal (in the sense of other people's pockets), otherwise with more of the ancient knight about him than of the modern liberal. He was with the sick man at first, but came over afterwards because there was no place to lie down in the room and the floor was so hard."

"You suspect him?"

"I DID suspect him. When I woke up at half-past seven and tore my hair in despair for my loss and carelessness, I awoke the general, who was sleeping the sleep of innocence near me. Taking into consideration the sudden disappearance of Ferdishenko, which was suspicious in itself, we decided to search Keller, who was lying there sleeping like a top. Well, we searched his clothes thoroughly, and not a farthing did we find; in fact, his pockets all had holes in them. We found a dirty handkerchief, and a love-letter from some scullery-maid. The general decided that he was innocent. We awoke him for further inquiries, and had the greatest difficulty in making him understand what was up. He opened his mouth and stared—he looked so stupid and so absurdly innocent. It wasn't Keller."

"Oh, I'm so glad!" said the prince, joyfully. "I was so afraid."

"Afraid! Then you had some grounds for supposing he might be the culprit?" said Lebedeff, frowning.

"Oh no—not a bit! It was foolish of me to say I was afraid! Don't repeat it please, Lebedeff, don't tell anyone I said that!"

"My dear prince! your words lie in the lowest depth of my heart—it is their tomb!" said Lebedeff, solemnly, pressing his hat to the region of his heart.

"Thanks; very well. Then I suppose it's Ferdishenko; that is, I mean, you suspect Ferdishenko?"

"Whom else?" said Lebedeff, softly, gazing intently into the prince s face.

"Of course—quite so, whom else? But what are the proofs?"

"We have evidence. In the first place, his mysterious disappearance at seven o'clock, or even earlier."

"I know, Colia told me that he had said he was off to—I forget the name, some friend of his, to finish the night."

"H'm! then Colia has spoken to you already?"

"Not about the theft."

"He does not know of it; I have kept it a secret. Very well, Ferdishenko went off to Wilkin's. That is not so curious in itself, but here the evidence opens out further. He left his address, you see, when he went. Now prince, consider, why did he leave his address? Why do you suppose he went out of his way to tell Colia that he had gone to Wilkin's? Who cared to know that he was going to Wilkin's? No, no! prince, this is finesse, thieves' finesse! This is as good as saying, 'There, how can I be a thief when I leave my address? I'm not concealing my movements as a thief would.' Do you understand, prince?"

"Oh yes, but that is not enough."

"Second proof. The scent turns out to be false, and the address given is a sham. An hour after—that is at about eight, I went to Wilkin's myself, and there was no trace of Ferdishenko. The maid did tell me, certainly, that an hour or so since someone had been hammering at the door, and had smashed the bell; she said she would not open the door because she didn't want to wake her master; probably she was too lazy to get up herself. Such phenomena are met with occasionally!"

"But is that all your evidence? It is not enough!"

"Well, prince, whom are we to suspect, then? Consider!" said Lebedeff with almost servile amiability, smiling at the prince. There was a look of cunning in his eyes, however.

"You should search your room and all the cupboards again," said the prince, after a moment or two of silent reflection.

"But I have done so, my dear prince!" said Lebedeff, more sweetly than ever.

"H'm! why must you needs go up and change your coat like that?" asked the prince, banging the table with his fist, in annoyance.

"Oh, don't be so worried on my account, prince! I assure you I am not worth it! At least, not I alone. But I see you are suffering on behalf of the criminal too, for wretched Ferdishenko, in fact!"

"Of course you have given me a disagreeable enough thing to think about," said the prince, irritably, "but what are you going to do, since you are so sure it was Ferdishenko?"

"But who else COULD it be, my very dear prince?" repeated Lebedeff, as sweet as sugar again. "If you don't wish me to suspect Mr. Burdovsky?"

"Of course not."

"Nor the general? Ha, ha, ha!"

"Nonsense!" said the prince, angrily, turning round upon him.

"Quite so, nonsense! Ha, ha, ha! dear me! He did amuse me, did the general! We went off on the hot scent to Wilkin's together, you know; but I must first observe that the general was even more thunderstruck than I myself this morning, when I awoke him after discovering the theft; so much so that his very face changed—he grew red and then pale, and at length flew into a paroxysm of such noble wrath that I assure you I was quite surprised! He is a most generous-hearted man! He tells lies by the thousands, I know, but it is merely a weakness; he is a man of the highest feelings; a simple-minded man too, and a man who carries the conviction of innocence in his very appearance. I love that man, sir; I may have told you so before; it is a weakness of mine. Well—he suddenly stopped in the middle of the road, opened out his coat and bared his breast. 'Search me,' he says, 'you searched Keller; why don't you search me too? It is only fair!' says he." And all the while his legs and hands were trembling with anger, and he as white as a sheet all over! So I said to him, "Nonsense, general; if anybody but yourself had said that to me, I'd have taken my head, my own head, and put it on a large dish and carried it round to anyone who suspected you; and I should have said: 'There, you see that head? It's my head, and I'll go bail with that head for him! Yes, and walk through the fire for him, too. There,' says I, 'that's how I'd answer for you, general!' Then he embraced me, in the middle of the street, and hugged me so tight (crying over me all the while) that I coughed fit to choke! 'You are the one friend left to me amid all my misfortunes,' says he. Oh, he's a man of sentiment, that! He went on to tell me a story of how he had been accused, or suspected, of stealing five hundred thousand roubles once, as a young man; and how, the very next day, he had rushed into a burning, blazing house and saved the very count who suspected him, and Nina Alexandrovna (who was then a young girl), from a fiery death. The count embraced him, and that was how he came to marry Nina Alexandrovna, he said. As for the money, it was found among the ruins next day in an English iron box with a secret lock; it had got under the floor somehow, and if it had not been for the fire it would never have been found! The whole thing is, of course, an absolute fabrication, though when he spoke of Nina Alexandrovna he wept! She's a grand woman, is Nina Alexandrovna, though she is very angry with me!"

"Are you acquainted with her?"

"Well, hardly at all. I wish I were, if only for the sake of justifying myself in her eyes. Nina Alexandrovna has a grudge against me for, as she thinks, encouraging her husband in drinking; whereas in reality I not only do not encourage him, but I actually keep him out of harm's way, and out of bad company. Besides, he's my friend, prince, so that I shall not lose sight of him, again. Where he goes, I go. He's quite given up visiting the captain's widow, though sometimes he thinks sadly of her, especially in the morning, when he's putting on his boots. I don't know why it's at that time. But he has no money, and it's no use his going to see her without. Has he borrowed any money from you, prince?"

"No, he has not."

"Ah, he's ashamed to! He MEANT to ask you, I know, for he said so. I suppose he thinks that as you gave him some once (you remember), you would probably refuse if he asked you again."

"Do you ever give him money?"

"Prince! Money! Why I would give that man not only my money, but my very life, if he wanted it. Well, perhaps that's exaggeration; not life, we'll say, but some illness, a boil or a bad cough, or anything of that sort, I would stand with pleasure, for his sake; for I consider him a great man fallen—money, indeed!"

"H'm, then you DO give him money?"

"N-no, I have never given him money, and he knows well that I will never give him any; because I am anxious to keep him out of intemperate ways. He is going to town with me now; for you must know I am off to Petersburg after Ferdishenko, while the scent is hot; I'm certain he is there. I shall let the general go one way, while I go the other; we have so arranged matters in order to pop out upon Ferdishenko, you see, from different sides. But I am going to follow that naughty old general and catch him, I know where, at a certain widow's house; for I think it will be a good lesson, to put him to shame by catching him with the widow."

"Oh, Lebedeff, don't, don't make any scandal about it!" said the prince, much agitated, and speaking in a low voice.

"Not for the world, not for the world! I merely wish to make him ashamed of himself. Oh, prince, great though this misfortune be to myself, I cannot help thinking of his morals! I have a great favour to ask of you, esteemed prince; I confess that it is the chief object of my visit. You know the Ivolgins, you have even lived in their house; so if you would lend me your help, honoured prince, in the general's own interest and for his good."

Lebedeff clasped his hands in supplication.

"What help do you want from me? You may be certain that I am most anxious to understand you, Lebedeff."

"I felt sure of that, or I should not have come to you. We might manage it with the help of Nina Alexandrovna, so that he might be closely watched in his own house. Unfortunately I am not on terms... otherwise... but Nicolai Ardalionovitch, who adores you with all his youthful soul, might help, too."

"No, no! Heaven forbid that we should bring Nina Alexandrovna into this business! Or Colia, either. But perhaps I have not yet quite understood you, Lebedeff?"

Lebedeff made an impatient movement.

"But there is nothing to understand! Sympathy and tenderness, that is all—that is all our poor invalid requires! You will permit me to consider him an invalid?"

"Yes, it shows delicacy and intelligence on your part."

"I will explain my idea by a practical example, to make it clearer. You know the sort of man he is. At present his only failing is that he is crazy about that captain's widow, and he cannot go to her without money, and I mean to catch him at her house today—for his own good; but supposing it was not only the widow, but that he had committed a real crime, or at least some very dishonourable action (of which he is, of course, incapable), I repeat that even in that case, if he were treated with what I may call generous tenderness, one could get at the whole truth, for he is very soft-hearted! Believe me, he would betray himself before five days were out; he would burst into tears, and make a clean breast of the matter; especially if managed with tact, and if you and his family watched his every step, so to speak. Oh, my dear prince," Lebedeff added most emphatically, "I do not positively assert that he has... I am ready, as the saying is, to shed my last drop of blood for him this instant; but you will admit that debauchery, drunkenness, and the captain's widow, all these together may lead him very far."

"I am, of course, quite ready to add my efforts to yours in such a case," said the prince, rising; "but I confess, Lebedeff, that I am terribly perplexed. Tell me, do you still think... plainly, you say yourself that you suspect Mr. Ferdishenko?"

Lebedeff clasped his hands once more.

"Why, who else could I possibly suspect? Who else, most outspoken prince?" he replied, with an unctuous smile.

Muishkin frowned, and rose from his seat.

"You see, Lebedeff, a mistake here would be a dreadful thing. This Ferdishenko, I would not say a word against him, of course; but, who knows? Perhaps it really was he? I mean he really does seem to be a more likely man than... than any other."

Lebedeff strained his eyes and ears to take in what the prince was saying. The latter was frowning more and more, and walking excitedly up and down, trying not to look at Lebedeff.

"You see," he said, "I was given to understand that Ferdishenko was that sort of man,—that one can't say everything before him. One has to take care not to say too much, you understand? I say this to prove that he really is, so to speak, more likely to have done this than anyone else, eh? You understand? The important thing is, not to make a mistake."

"And who told you this about Ferdishenko?"

"Oh, I was told. Of course I don't altogether believe it. I am very sorry that I should have had to say this, because I assure you I don't believe it myself; it is all nonsense, of course. It was stupid of me to say anything about it."

"You see, it is very important, it is most important to know where you got this report from," said Lebedeff, excitedly. He had risen from his seat, and was trying to keep step with the prince, running after him, up and down. "Because look here, prince, I don't mind telling you now that as we were going along to Wilkin's this morning, after telling me what you know about the fire, and saving the count and all that, the general was pleased to drop certain hints to the same effect about Ferdishenko, but so vaguely and clumsily that I thought better to put a few questions to him on the matter, with the result that I found the whole thing was an invention of his excellency's own mind. Of course, he only lies with the best intentions; still, he lies. But, such being the case, where could you have heard the same report? It was the inspiration of the moment with him, you understand, so who could have told YOU? It is an important question, you see!"

"It was Colia told me, and his father told HIM at about six this morning. They met at the threshold, when Colia was leaving the room for something or other." The prince told Lebedeff all that Colia had made known to himself, in detail.

"There now, that's what we may call SCENT!" said Lebedeff, rubbing his hands and laughing silently. "I thought it must be so, you see. The general interrupted his innocent slumbers, at six o'clock, in order to go and wake his beloved son, and warn him of the dreadful danger of companionship with Ferdishenko. Dear me! what a dreadfully dangerous man Ferdishenko must be, and what touching paternal solicitude, on the part of his excellency, ha! ha! ha!"

"Listen, Lebedeff," began the prince, quite overwhelmed; "DO act quietly—don't make a scandal, Lebedeff, I ask you—I entreat you! No one must know—NO ONE, mind! In that case only, I will help you."

"Be assured, most honourable, most worthy of princes—be assured that the whole matter shall be buried within my heart!" cried Lebedeff, in a paroxysm of exaltation. "I'd give every drop of my blood... Illustrious prince, I am a poor wretch in soul and spirit, but ask the veriest scoundrel whether he would prefer to deal with one like himself, or with a noble-hearted man like you, and there is no doubt as to his choice! He'll answer that he prefers the noble-hearted man—and there you have the triumph of virtue! Au revoir, honoured prince! You and I together—softly! softly!"

X.

THE prince understood at last why he shivered with dread every time he thought of the three letters in his pocket, and why he had put off reading them until the evening.

When he fell into a heavy sleep on the sofa on the verandah, without having had the courage to open a single one of the three envelopes, he again dreamed a painful dream, and once more that poor, "sinful" woman appeared to him. Again she gazed at him with tears sparkling on her long lashes, and beckoned him after her; and again he awoke, as before, with the picture of her face haunting him.

He longed to get up and go to her at once—but he COULD NOT. At length, almost in despair, he unfolded the letters, and began to read them.

These letters, too, were like a dream. We sometimes have strange, impossible dreams, contrary to all the laws of nature. When we awake we remember them and wonder at their strangeness. You remember, perhaps, that you were in full possession of your reason during this succession of fantastic images; even that you acted with extraordinary logic and cunning while surrounded by murderers who hid their intentions and made great demonstrations of friendship, while waiting for an opportunity to cut your throat. You remember how you escaped them by some ingenious stratagem; then you doubted if they were really deceived, or whether they were only pretending not to know your hiding-place; then you thought of another plan and hoodwinked them once again. You remember all this quite clearly, but how is it that your reason calmly accepted all the manifest absurdities and impossibilities that crowded into your dream? One of the murderers suddenly changed into a woman before your very eyes; then the woman was transformed into a hideous, cunning little dwarf; and you believed it, and accepted it all almost as a matter of course—while at the same time your intelligence seemed unusually keen, and accomplished miracles of cunning, sagacity, and logic! Why is it that when you awake to the world of realities you nearly always feel, sometimes very vividly, that the vanished dream has carried with it some enigma which you have failed to solve? You smile at the extravagance of your dream, and yet you feel that this tissue of absurdity contained some real idea, something that belongs to your true life,—something that exists, and has always existed, in your heart. You search your dream for some prophecy that you were expecting. It has left a deep impression upon you, joyful or cruel, but what it means, or what has been predicted to you in it, you can neither understand nor remember.

The reading of these letters produced some such effect upon the prince. He felt, before he even opened the envelopes, that the very fact of their existence was like a nightmare. How could she ever have made up her mind to write to her? he asked himself. How could she write about that at all? And how could such a wild idea have entered her head? And yet, the strangest part of the matter was, that while he read the letters, he himself almost believed in the possibility, and even in the justification, of the idea he had thought so wild. Of course it was a mad dream, a nightmare, and yet there was something cruelly real about it. For hours he was haunted by what he had read. Several passages returned again and again to his mind, and as he brooded over them, he felt inclined to say to himself that he had foreseen and known all that was written here; it even seemed to him that he had read the whole of this some time or other, long, long ago; and all that had tormented and grieved him up to now was to be found in these old, long since read, letters.

"When you open this letter" (so the first began), "look first at the signature. The signature will tell you all, so that I need explain nothing, nor attempt to justify myself. Were I in any way on a footing with you, you might be offended at my audacity; but who am I, and who are you? We are at such extremes, and I am so far removed from you, that I could not offend you if I wished to do so."

Farther on, in another place, she wrote: "Do not consider my words as the sickly ecstasies of a diseased mind, but you are, in my opinion—perfection! I have seen you—I see you every day. I do not judge you; I have not weighed you in the scales of Reason and found you Perfection—it is simply an article of faith. But I must confess one sin against you—I love you. One should not love perfection. One should only look on it as perfection—yet I am in love with you. Though love equalizes, do not fear. I have not lowered you to my level, even in my most secret thoughts. I have written 'Do not fear,' as if you could fear. I would kiss your footprints if I could; but, oh! I am not putting myself on a level with you!—Look at the signature—quick, look at the signature!"

"However, observe" (she wrote in another of the letters), "that although I couple you with him, yet I have not once asked you whether you love him. He fell in love with you, though he saw you but once. He spoke of you as of 'the light.' These are his own words—I heard him use them. But I understood without his saying it that you were all that light is to him. I lived near him for a whole month, and I understood then that you, too, must love him. I think of you and him as one."

"What was the matter yesterday?" (she wrote on another sheet). "I passed by you, and you seemed to me to BLUSH. Perhaps it was only my fancy. If I were to bring you to the most loathsome den, and show you the revelation of undisguised vice—you should not blush. You can never feel the sense of personal affront. You may hate all who are mean, or base, or unworthy—but not for yourself—only for those whom they wrong. No one can wrong YOU. Do you know, I think you ought to love me—for you are the same in my eyes as in his-you are as light. An angel cannot hate, perhaps cannot love, either. I often ask myself—is it possible to love everybody? Indeed it is not; it is not in nature. Abstract love of humanity is nearly always love of self. But you are different. You cannot help loving all, since you can compare with none, and are above all personal offence or anger. Oh! how bitter it would be to me to know that you felt anger or shame on my account, for that would be your fall—you would become comparable at once with such as me.

"Yesterday, after seeing you, I went home and thought out a picture.

"Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone—the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing—one hand reposing on the child's bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them—His face is sad. The little one leans its elbow upon Christ's knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.

"You are innocent—and in your innocence lies all your perfection—oh, remember that! What is my passion to you?—you are mine now; I shall be near you all my life—I shall not live long!"

At length, in the last letter of all, he found:

"For Heaven's sake, don't misunderstand me! Do not think that I humiliate myself by writing thus to you, or that I belong to that class of people who take a satisfaction in humiliating themselves—from pride. I have my consolation, though it would be difficult to explain it—but I do not humiliate myself.

"Why do I wish to unite you two? For your sakes or my own? For my own sake, naturally. All the problems of my life would thus be solved; I have thought so for a long time. I know that once when your sister Adelaida saw my portrait she said that such beauty could overthrow the world. But I have renounced the world. You think it strange that I should say so, for you saw me decked with lace and diamonds, in the company of drunkards and wastrels. Take no notice of that; I know that I have almost ceased to exist. God knows what it is dwelling within me now—it is not myself. I can see it every day in two dreadful eyes which are always looking at me, even when not present. These eyes are silent now, they say nothing; but I know their secret. His house is gloomy, and there is a secret in it. I am convinced that in some box he has a razor hidden, tied round with silk, just like the one that Moscow murderer had. This man also lived with his mother, and had a razor hidden away, tied round with white silk, and with this razor he intended to cut a throat.

"All the while I was in their house I felt sure that somewhere beneath the floor there was hidden away some dreadful corpse, wrapped in oil-cloth, perhaps buried there by his father, who knows? Just as in the Moscow case. I could have shown you the very spot!

"He is always silent, but I know well that he loves me so much that he must hate me. My wedding and yours are to be on the same day; so I have arranged with him. I have no secrets from him. I would kill him from very fright, but he will kill me first. He has just burst out laughing, and says that I am raving. He knows I am writing to you."

There was much more of this delirious wandering in the letters—one of them was very long.

At last the prince came out of the dark, gloomy park, in which he had wandered about for hours just as yesterday. The bright night seemed to him to be lighter than ever. "It must be quite early," he thought. (He had forgotten his watch.) There was a sound of distant music somewhere. "Ah," he thought, "the Vauxhall! They won't be there today, of course!" At this moment he noticed that he was close to their house; he had felt that he must gravitate to this spot eventually, and, with a beating heart, he mounted the verandah steps.

No one met him; the verandah was empty, and nearly pitch dark. He opened the door into the room, but it, too, was dark and empty. He stood in the middle of the room in perplexity. Suddenly the door opened, and in came Alexandra, candle in hand. Seeing the prince she stopped before him in surprise, looking at him questioningly.

It was clear that she had been merely passing through the room from door to door, and had not had the remotest notion that she would meet anyone.

"How did you come here?" she asked, at last.

"I-I—came in—"

"Mamma is not very well, nor is Aglaya. Adelaida has gone to bed, and I am just going. We were alone the whole evening. Father and Prince S. have gone to town."

"I have come to you—now—to—"

"Do you know what time it is?"

"N—no!"

"Half-past twelve. We are always in bed by one."

"I-I thought it was half-past nine!"

"Never mind!" she laughed, "but why didn't you come earlier? Perhaps you were expected!"

"I thought" he stammered, making for the door.

"Au revoir! I shall amuse them all with this story tomorrow!"

He walked along the road towards his own house. His heart was beating, his thoughts were confused, everything around seemed to be part of a dream.

And suddenly, just as twice already he had awaked from sleep with the same vision, that very apparition now seemed to rise up before him. The woman appeared to step out from the park, and stand in the path in front of him, as though she had been waiting for him there.

He shuddered and stopped; she seized his hand and pressed it frenziedly.

No, this was no apparition!

There she stood at last, face to face with him, for the first time since their parting.

She said something, but he looked silently back at her. His heart ached with anguish. Oh! never would he banish the recollection of this meeting with her, and he never remembered it but with the same pain and agony of mind.

She went on her knees before him—there in the open road—like a madwoman. He retreated a step, but she caught his hand and kissed it, and, just as in his dream, the tears were sparkling on her long, beautiful lashes.

"Get up!" he said, in a frightened whisper, raising her. "Get up at once!"

"Are you happy—are you happy?" she asked. "Say this one word. Are you happy now? Today, this moment? Have you just been with her? What did she say?"

She did not rise from her knees; she would not listen to him; she put her questions hurriedly, as though she were pursued.

"I am going away tomorrow, as you bade me—I won't write—so that this is the last time I shall see you, the last time! This is really the LAST TIME!"

"Oh, be calm—be calm! Get up!" he entreated, in despair.

She gazed thirstily at him and clutched his hands.

"Good-bye!" she said at last, and rose and left him, very quickly.

The prince noticed that Rogojin had suddenly appeared at her side, and had taken her arm and was leading her away.

"Wait a minute, prince," shouted the latter, as he went. "I shall be back in five minutes."

He reappeared in five minutes as he had said. The prince was waiting for him.

"I've put her in the carriage," he said; "it has been waiting round the corner there since ten o'clock. She expected that you would be with THEM all the evening. I told her exactly what you wrote me. She won't write to the girl any more, she promises; and tomorrow she will be off, as you wish. She desired to see you for the last time, although you refused, so we've been sitting and waiting on that bench till you should pass on your way home."

"Did she bring you with her of her own accord?"

"Of course she did!" said Rogojin, showing his teeth; "and I saw for myself what I knew before. You've read her letters, I suppose?"

"Did you read them?" asked the prince, struck by the thought.

"Of course—she showed them to me herself. You are thinking of the razor, eh? Ha, ha, ha!"

"Oh, she is mad!" cried the prince, wringing his hands. "Who knows? Perhaps she is not so mad after all," said Rogojin, softly, as though thinking aloud.

The prince made no reply.

"Well, good-bye," said Rogojin. "I'm off tomorrow too, you know. Remember me kindly! By-the-by," he added, turning round sharply again, "did you answer her question just now? Are you happy, or not?"

"No, no, no!" cried the prince, with unspeakable sadness.

"Ha, ha! I never supposed you would say 'yes,'" cried Rogojin, laughing sardonically.

And he disappeared, without looking round again.



PART IV

I.

A WEEK had elapsed since the rendezvous of our two friends on the green bench in the park, when, one fine morning at about half-past ten o'clock, Varvara Ardalionovna, otherwise Mrs. Ptitsin, who had been out to visit a friend, returned home in a state of considerable mental depression.

There are certain people of whom it is difficult to say anything which will at once throw them into relief—in other words, describe them graphically in their typical characteristics. These are they who are generally known as "commonplace people," and this class comprises, of course, the immense majority of mankind. Authors, as a rule, attempt to select and portray types rarely met with in their entirety, but these types are nevertheless more real than real life itself.

"Podkoleosin" [A character in Gogol's comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, "Tu l'as voulu, Georges Dandin!" like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are "watered down," so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Moliere presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,—what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

For instance, when the whole essence of an ordinary person's nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine—. I think such an individual really does become a type of his own—a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;—characters which—I admit—I have not drawn very vividly up to now for my reader's benefit.

Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.

There is nothing so annoying as to be fairly rich, of a fairly good family, pleasing presence, average education, to be "not stupid," kind-hearted, and yet to have no talent at all, no originality, not a single idea of one's own—to be, in fact, "just like everyone else."

Of such people there are countless numbers in this world—far more even than appear. They can be divided into two classes as all men can—that is, those of limited intellect, and those who are much cleverer. The former of these classes is the happier.

To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving.

Many of our young women have thought fit to cut their hair short, put on blue spectacles, and call themselves Nihilists. By doing this they have been able to persuade themselves, without further trouble, that they have acquired new convictions of their own. Some men have but felt some little qualm of kindness towards their fellow-men, and the fact has been quite enough to persuade them that they stand alone in the van of enlightenment and that no one has such humanitarian feelings as they. Others have but to read an idea of somebody else's, and they can immediately assimilate it and believe that it was a child of their own brain. The "impudence of ignorance," if I may use the expression, is developed to a wonderful extent in such cases;—unlikely as it appears, it is met with at every turn.

This confidence of a stupid man in his own talents has been wonderfully depicted by Gogol in the amazing character of Pirogoff. Pirogoff has not the slightest doubt of his own genius,—nay, of his SUPERIORITY of genius,—so certain is he of it that he never questions it. How many Pirogoffs have there not been among our writers—scholars, propagandists? I say "have been," but indeed there are plenty of them at this very day.

Our friend, Gania, belonged to the other class—to the "much cleverer" persons, though he was from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the "clever commonplace" person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;—his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,—and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality).

Gania was a beginner, as it were, upon this road. A deep and unchangeable consciousness of his own lack of talent, combined with a vast longing to be able to persuade himself that he was original, had rankled in his heart, even from childhood.

He seemed to have been born with overwrought nerves, and in his passionate desire to excel, he was often led to the brink of some rash step; and yet, having resolved upon such a step, when the moment arrived, he invariably proved too sensible to take it. He was ready, in the same way, to do a base action in order to obtain his wished-for object; and yet, when the moment came to do it, he found that he was too honest for any great baseness. (Not that he objected to acts of petty meanness—he was always ready for THEM.) He looked with hate and loathing on the poverty and downfall of his family, and treated his mother with haughty contempt, although he knew that his whole future depended on her character and reputation.

Aglaya had simply frightened him; yet he did not give up all thoughts of her—though he never seriously hoped that she would condescend to him. At the time of his "adventure" with Nastasia Philipovna he had come to the conclusion that money was his only hope—money should do all for him.

At the moment when he lost Aglaya, and after the scene with Nastasia, he had felt so low in his own eyes that he actually brought the money back to the prince. Of this returning of the money given to him by a madwoman who had received it from a madman, he had often repented since—though he never ceased to be proud of his action. During the short time that Muishkin remained in Petersburg Gania had had time to come to hate him for his sympathy, though the prince told him that it was "not everyone who would have acted so nobly" as to return the money. He had long pondered, too, over his relations with Aglaya, and had persuaded himself that with such a strange, childish, innocent character as hers, things might have ended very differently. Remorse then seized him; he threw up his post, and buried himself in self-torment and reproach.

He lived at Ptitsin's, and openly showed contempt for the latter, though he always listened to his advice, and was sensible enough to ask for it when he wanted it. Gavrila Ardalionovitch was angry with Ptitsin because the latter did not care to become a Rothschild. "If you are to be a Jew," he said, "do it properly—squeeze people right and left, show some character; be the King of the Jews while you are about it."

Ptitsin was quiet and not easily offended—he only laughed. But on one occasion he explained seriously to Gania that he was no Jew, that he did nothing dishonest, that he could not help the market price of money, that, thanks to his accurate habits, he had already a good footing and was respected, and that his business was flourishing.

"I shan't ever be a Rothschild, and there is no reason why I should," he added, smiling; "but I shall have a house in the Liteynaya, perhaps two, and that will be enough for me." "Who knows but what I may have three!" he concluded to himself; but this dream, cherished inwardly, he never confided to a soul.