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The Home
by Fredrika Bremer
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"Ah, how charming!" was Leonore's exclamation as she entered Eva's chamber; and in fact nothing could be imagined more charming than that little abode of peace, adorned as it now was by the coquetry of affection. The most delicious odour of fruit and flowers filled the air, and the sun threw his friendly beams on a table near the sofa, on which a basket filled with beautiful fruit stood enticingly in the midst of many pretty and tastefully arranged trifles.

"Here, dear Leonore," said Eva, "you will remain during this time. It will do you good to leave your room a little. And look, they have all left you an offering! This gothic church of bronze is from Jacobi. It is a lamp! do you see? Light comes through the church window;—how beautiful! We will light it this evening. And this fruit here—do you see the beautiful grapes? All these are a plot between Henrik and Petrea. The copperplate engravings are from my father; Louise has worked you the slippers; and the little lady, she——"

Leonore clasped her hands. "Is it possible," said she, "that you all have thought so much about me! How good you are—ah, too good!"

"Nay, do not weep, sweet Leonore," said Eva; "you should not weep, you should be joyful. But the best part of the entertainment remains yet behind. Do you see this new novel of Miss Edgeworth's? Mamma has given us this, for us to read together. I will read to you aloud till midnight, if you will. A delicate little supper has been prepared for us by Louise, and we shall sup up here. We'll have a banquet in our own way. Take now one of those big grapes which grow two on one stem, and I will take the other. The king's health! Oh, glorious!"

Whilst the two sisters are banqueting at their own innocent feast, we will see how it goes on in the great company at

AXELHOLM.

Things are not carried on in so enviably easy and unconstrained a manner at every ball as at that of the citizens in the good little city of * * * ping, where one saw the baker's wife and the confectioner's wife waltzing together, but altogether in a wrong fashion, to which the rest only said, "It does not signify, if they only go on!" Oh, no! such simplicity as that is very rarely met with, and least of all among those of whom we write.

At Axelholm, as at other great balls, the rocky shores of conventionality made it impossible to move without a thousand ceremonies, proprieties, dubiosities, formalities, and all the rest, which, taken together, make up a vast sum of difficulties. The great ball at Axelholm was not without pretension, and on that account not without its stiff difficulties. Among these may be reckoned that several of the young gentlemen considered themselves too old, or too——to dance at all, and that, in consequence, many of the dance-loving ladies could not dance at all either, because, on account of the threatening eye-glasses of the gentlemen, they had not courage to dance with one another. Nevertheless the scene looked like one of pure delight. The great saloon so splendidly lighted, and a vast assembly collected there!

It is now the moment just before the dancing begins; the gentlemen stand in a great group in the middle of the room, spreading themselves out in direct or wavy lines towards the circle of ladies. These sit, like flowers in the garden beds, on the benches round the room, mostly in bashful stillness; whilst a few, in the consciousness of zephyr-like lightness, float about the room like butterflies. All look happy; all talk one with another, with all that animation, that reciprocal good-will, which the sight of so much beauty, united to the consciousness that they themselves are wearing their best looks, as well as the expectation of pleasure, infuses.

Now the music begins to sound; now young hearts beat with more or less disquiet; now go the engaged ones, amid the jostlings of the servants, who are perpetually soliciting the young ladies to partake of the now disdained tea. There one saw several young girls numerously surrounded, who were studying the promised dances which were inscribed on the ivory of their fans, declining fervent solicitations for the third, fourth, fifth—nay, even up to the twelfth dance; but, fascinatingly-gracious, promising themselves for the thirteenth, which perhaps may never be danced; whilst others in their neighbourhood sit quiet and undisturbed, waiting for the first invitation, in order thereto to say a willing and thankful yes. Among the many-surrounded and the much-solicited, we may see Sara and even Louise. With these emulated the three Misses Aftonstjerna—Isabella, Stella, and Aurora—who stood constantly round the chair of the Countess Solenstrale, which was placed before the great mirror at the far end of the saloon. Among those who sat expectantly, in the most beautiful repose, we shall discover our Petrea, who nevertheless, with her bandeau of pearls in her hair, and a certain bloom of innocence and goodness in her youthful countenance, looked uncommonly well. Her heart beat with an indescribable desire to be engaged.

"Ah!" sighed she, as she saw two most elegant young men, the two brothers B——, walking round the circle of ladies, with their eye-glasses in their hands. Their eye-glasses rested for a moment on Petrea; the one whispered something in the ear of the other; both smiled, and went on. Petrea felt humiliated, she knew not why.

"Now!" thought she, as Lieutenant S—— approached her quickly. But Lieutenant S—— came to engage Miss T——, and Petrea remained sitting. The music played the liveliest anglaise, and Petrea's feet were all in agitation to be moving.

"Ah!" thought she, "if I were but a man I would engage Petrea."

The anglaise streamed past Petrea's nose.

"Where is Eva?" asked Jeremias Munter, in a hasty and displeased tone, from Louise, in the pause between the anglaise and the waltz.

"She has remained at home with Leonore," said Louise; "she was determined upon it."

"How stupid!" exclaimed he; "why did I come here then."

"Nay, that I really cannot tell!" returned Louise, smiling.

"Not!" retorted the Assessor. "Now then I will tell you, sister Louise, I came here entirely to see Eva dance—solely and altogether on that account, and for nothing else. What a stupid affair it was that she should stop at home! You had a great deal better, all the rest of you, have stopped at home together; you yourself, dear sister, reckoned into the bargain! Petrea, there! what has she to do here? She was always a vexation to me, but now I cannot endure her, since she has not understanding enough to stay at home in Eva's place; and this little curly-pate, which must dance with grown people just as if she were a regular person; could not she find a piece of sugar to keep her at home, instead of coming here to be in a flurry! You are all wearisome together; and such entertainments as these are the most horrible things I know."

Louise floated away in the waltz with Jacobi, laughing over this sally; and the Countess Solenstrale, the sun of the ball, said as she passed her chair, "Charmant, charmant!"

Besides this couple, who distinguished themselves by their easy harmonious motion, there was another, which whirled past in wild circles, and drew all eyes upon them likewise: this was Sara and the boisterous Schwartz. Her truly beaming beauty, her dress, her haughty bearing, her flashing eyes, called forth a universal ah! of astonishment and admiration. Petrea forgot that she was sitting while she looked upon her. She thought that she had never seen anything so transporting as Sara in the whirl of the dance. But the Countess Solenstrale, as she sate in her chair, said of this couple—nothing; nay, people even imagined that they read an expression of displeasure in her countenance. The Misses Aftonstjerna sailed round with much dignity.

"My dear girl," said Elise kindly, but seriously, to Sara after the waltz, "you must not dance thus; your chest will not allow it. How warm you are! You really burn!"

"It is my climate," answered Sara; "it agrees with me excellently."

"I beseech you sit this dance. It is positively injurious to you to heat yourself thus," said Elise.

"This dance?" returned Sara; "impossible! I am engaged for it to Colonel H——."

"Then, do not dance the next," besought Elise; "if you would do me a pleasure, do not dance it with Schwartz. He dances in such a wild manner as is prejudicial to the health; besides which, it is hardly becoming."

"It gives me pleasure to dance with him," answered Sara, both with pride and insolence, as she withdrew; and the mother, wounded and displeased, returned to her seat.

The Countess Solenstrale lavished compliments on Elise on account of her children. "They are positively the ornament of the room," said she;—"charmant! and your son a most prepossessing young man—so handsome and comme il faut! A charming ball!"

Isabella Aftonstjerna threw beaming glances on the handsome Henrik.

"What madness this dancing is!" said Mr. Munter, as with a strong expression of weariness and melancholy he seated himself beside Evelina. "Nay, look how they hop about and exert themselves, as if without this they could not get thin enough; then, good heavens! how difficult it seems, and how ugly it is! As if this could give them any pleasure! For some of them it seems as if it were day-labour, and as if it were a frenzy to others; and for a third, a kind of affectation; nay, I must go my ways, for I shall become mad or splenetic if I look any longer on this super-extra folly!"

"If Eva Frank were dancing too, you would not think it so," said Evelina, with a well-bred smile.

"Eva!" repeated he, whilst a light seemed to diffuse itself over his countenance, and his eyes suddenly beamed with pleasure—"Eva! no! I believe so too. To see her dance is to see living harmony. Ah! it enlivens my mind if I only see her figure, her gait, her slightest movement; and then to know that all this harmony, all this beauty, is not mere paint—not mere outside; but that it is the true expression of the soul! I find myself actually better when I am near her; and I have often a real desire to thank her for the sentiments which she instils into me. In fact, she is my benefactress; and I can assure you that it reconciles me to mankind and to myself, that I can feel thus to a fellow-creature. I cannot describe how agreeable it is, because commonly there is so much to vex oneself about in this so-called masterpiece of the Creator!"

"But, best friend," said Evelina, "why are you so vexed? Most people have still——"

"Ah, don't go and make yourself an ange de clemence for mankind," said he, "in order to exalt secretly yourself over me, otherwise I shall be vexed with you; and you belong to the class that I can best endure. Why do I vex myself? What a stupid question! Why are people stupid and wearisome, and yet make themselves important with their stupidity? And wherefore am I myself such a melancholy personage, worse than anybody else, and should have withal such a pair of quick eyes, as if only on purpose to see the infirmities and perversions of the world? There may, however, in my case be sufficient reason for all this. When one has had the fancy to come into the world against all order and Christian usage; has seen neither father nor mother beside one's cradle; heard nothing, seen nothing, learned nothing, which is in the least either beautiful or instructive—one has not entered upon life very merrily. And then, after all, to be called Munter![11] Good heavens! Munter! Had I been called Blannius, or Skarnius, or Brummerius, or Grubblerius, or Rhabarberius, there might have been some sense in the joke; but Munter! I ask you now, is it not enough to make a man splenetic and melancholy all the days of his life? And then, to have been born into the world with a continual cold, and since then never to have been able to look up to heaven without sneezing—do you find that merry or edifying. Well, and then! after I had worked my way successfully through the schools, the dust of books, and the hall of anatomy, and had come to hate them all thoroughly, and to love that which was beautiful in nature and in art, am I to thank my stars that I must win my daily bread by studying and caring for all that is miserable and revolting in the world, and hourly to go about among jaundice, and colic, and disease of the lungs? On this account I never can be anything but a melancholy creature! Yes, indeed, if there were not the lilies on the earth, the stars in heaven, and beyond all these some one Being who must be glorious—and were there not among mankind the human-rose Eva—the beautiful, fascinating Eva, then——"

He paused; a tear stood in his eye; but the expression of his countenance soon was changed when he perceived no less than five young girls—they danced now the "free choice"—and among them the three enchanting Miss Aftonstjernas, who, all locked together, came dancing towards him with a roguish expression. He cast towards them the very grimmest of his glances, rose up suddenly, and hastened away.

Sara danced the second waltz with Schwartz, yet wilder than the first. Elise turned her eyes away from her with inward displeasure; but Petrea's heart beat with secret desire for a dance as wild, and she followed their whirlings with sparkling eyes.

"Oh," thought she, "if one could only fly through life in a joyful whirl like that!"

It was the sixth dance, and Petrea was sitting yet. She felt her nose red and swollen. "See now!" thought she, "farewell to all hopes of dancing! It must be that I am ugly, and nobody will look at me!" At the same moment she was aware of the eye of her mother fixed upon her with a certain expression of discomfort, and that glance was to her like a stab at the heart; but the next moment her heart raised itself in opposition to that depressing feeling which seemed about to overcome her. "It is unpleasant," thought she, "but it cannot be altered, and it is no fault of mine! And as nobody will give me any pleasure, I will even find some for myself."

Scarcely had Petrea made this determination, than she felt herself quite cheered; a spring of independence and freedom bubbled up within her; she felt as if she were able even to take down the chandelier from the ceiling, and all the more so when she saw so many life-enjoying people skipping around her.

At this moment an old gentleman rose up from a bench opposite Petrea, with a tea-cup in his hand. In a mania of officiousness she rushed forward in order to assist him in setting it aside. He drew himself back, and held the cup firmly, whilst Petrea, with the most firm and unwearying "Permit me, sir," seemed determined to take it. The strife about the cup continued amid the unending bows of the gentleman, and the equally unending curtseys of Petrea, until a passing waltzing couple gave a jostle, without the least ceremony whatever to the compliment-makers, which occasioned a shake of the tea-cup, and revealed to Petrea the last thing in the world which she had imagined, that the cup was not empty! Shocked and embarrassed, she let go her hold, and allowed the old gentleman, with what remained of his cup of tea, to go and find out for himself a securer place. Petrea seated herself, she hardly knew how, on a bench near an elderly lady, who looked at her very good-naturedly, and who helped very kindly to wipe off the ablution of tea which she had received. Petrea felt herself quite confidential with this excellent person, and inquired from her what was her opinion of Swedenborg, beginning also to give her own thoughts on spectral visions, ghosts, etc. The lady looked at her, as if she thought she might be a little deranged, and then hastened to change her place.

A stout military gentleman sat himself down ponderously, with a deep sigh, on the seat which the old lady had left, as if he were saying to himself, "Ah, thank God! here I can sit in peace!" But, no! he had not sate there three minutes and a half when he found himself called upon by Petrea to avow his political faith, and invited by her to unite in the wish of speedy war with Russia. Lieutenant-Colonel Uh——turned rather a deaf ear to the battery by which his neighbour assailed him, but for all that he probably felt it not the less heavy, because after several little sham coughs he rose up, and left our Petrea alone with her warlike thoughts.

She also rose, from the necessity she felt of looking elsewhere for more sympathy and interest.

"In heaven's name, dear Petrea, keep your seat!" whispered Louise, who encountered her on her search for adventures.

Petrea now cast her eyes on a young girl who seemed to have had no better dancing fortune than herself, but who seemed to bear it much worse, appeared weary of sitting, and could hardly refrain from tears. Petrea, in whose disposition it lay to impart to others whatever she herself possessed—sometimes overlooking the trifling fact that what she possessed was very little desired by others—and feeling herself now in possession of a considerable degree of prowess, wished to impart some of the same to her companion in misfortune, and seated herself by her for that purpose.

"I know not a soul here, and I find it so horribly wearisome," was the unasked outpouring of soul which greeted Petrea, and which went directly to her sympathising heart.

Petrea named every person she knew in the company to the young unfortunate, and then, in order to escape from the weight of the present, began to unfold great plans and undertakings for the future. She endeavoured to induce her new acquaintance to give her her parole d'honneur that she would sometime conduct a social theatre with her, which would assist greatly to make social life more interesting; and further than that, that they should establish together a society of Sisters of Charity in Sweden, and make a pilgrimage to Jerusalem; furthermore, that they would write novels together; and that on the following day, or more properly in the night, they would rise at half-past two o'clock, and climb to the top of a high mountain in order to see the sun rise; and finally, after all these, and sundry other propositions, Petrea suggested to her new acquaintance a thee-and-thou friendship between them! But, ah! neither Petrea's great prowess, nor her great plans; neither the social theatre, nor the pilgrimage to Jerusalem, least of all the thee-and-thou friendship, availed anything towards enlivening the churlish young girl. Petrea saw plainly that an invitation to dance would avail more than all her propositions, so, sighing deeply because she was not a man to offer so great a pleasure, she rose up, and left the object of her vain endeavours.

She looked round for a new subject, and her eye fell on the Countess Solenstrale. Petrea was dazzled, and became possessed of the frenzied desire to become acquainted with her, to be noticed by her; in short, in some kind of way to approach the sun of the ball, fancying thereby that a little glory would be reflected upon herself. But how was she to manage it? If the Countess would but let fall her handkerchief, or her fan, she might dart forward and pick it up, and then deliver it to her with a compliment in verse. Petrea, hereupon, began to improvise to herself; there was something, of course, about the sun in it. Undoubtedly this would delight the Countess, and give occasion to more acquaintance, and perhaps—but, ah! she dropped neither handkerchief nor fan, and no opportunity seemed likely to occur in which she could make use of her poem with effect. In the mean time she felt drawn as by a secret influence (like the planet to the sun) ever nearer and nearer to the queen of the saloon. The Aftonstjernas were now standing, beaming around her, bending their white and pearl-ornamented necks to listen to her jesting observations, and between whiles replying with smiles to the politeness and solicitations of elegant gentlemen. It looked magnificent and beautiful, and Petrea sighed from the ardent longing to ascend to the haute volee.

At this moment Jacobi, quite warm, came hastening towards her to engage her for the following quadrille.

Petrea joyfully thanked him; but suddenly reddening to the resemblance of a peony with her mania of participation, she added, "Might I accept your invitation for another person? Do me the great pleasure to ask that young girl that sits there in the window at our left."

"But why?" asked Jacobi; "why will not you?"

"I earnestly beseech you to do it!" said Petrea. "It would give me greater pleasure to see her dancing than if I danced myself."

Jacobi made some friendly objections, but did in the end as she requested.

It was a great pleasure to Petrea to perceive the influence of this engagement on her young friend. But Fate and the Candidate seemed determined to make Petrea dance this quadrille; and a young officer presented himself before her in splendid uniform, with dark eyes, dark hair, large dark moustache, martial size, and very martial mien. Petrea had no occasion, and no disposition either, to return anything but a "yes" to this son of Mars. In fact, she never expected to receive a more honourable invitation; and a few minutes later she found herself standing close beside the chair of the Countess Solenstrale, dancing in the same quadrille with the Aftonstjernas, and vis-a-vis with the Candidate. Petrea felt herself highly exalted, and would have been perfectly prosperous had it not been for her restless demon, which incessantly spurred her with the desire of coming in closer contact with the beautiful, magnificent lady to whom she stood so near. To tread upon her foot or her dress, might, it is true, have furnished an easy occasion for many fine and reverential excuses; but, at the same time, this would be neither polite nor agreeable. To fall in some kind of way before her feet, and then, when graciously raised by the Countess, to thank her in a verse, in which the sun played a conspicuous part, would have been incontestibly better; but now—Petrea must dance on!

Was it that our Petrea really was so addled (if people will graciously allow us such an expression) that she had no right power over her limbs, or did it happen from want of ballast, in consequence of the slender dinner she had eaten, or was it the result of her usual distraction—we know not; but this much is certain, that she in chassee-ing on the right hand, on which she had to pass her vis-a-vis, made an error, and came directly up to him. He withdrew to the other side, but Petrea was already there: and as the Candidate again withdrew to the right, there was she again; and amid all this chassee-ing her feet got so entangled with his, that as he made a despairing attempt to pass her, it so happened that both fell down in the middle of the quadrille!

When Petrea, with tears in her eyes, again stood upright, she saw before her the eye-glass gentlemen, the two brothers B., who were nearly dying with laughter. A hasty glance convinced Petrea that her mother saw nothing of it; and a second glance, that she had now attracted the attention of the Countess Solenstrale, who was smiling behind her fan. The first observation consoled her for the last; and she fervently assured Jacobi, who was heartily distressed on her account, that she had not hurt herself; that it signified nothing; that it was her fault, etc., etc.; cast a tranquil glance on the yet laughing gentlemen, and chasseed boldly back again. But what, however, made the deepest impression on Petrea, was the conduct of her partner, and his suddenly altered behaviour. He brought the continued and unbecoming merriment of the brothers B. to an end by one determined glance; and he who hitherto had been parsimonious of words, and who had only answered all her attempts at being entertaining by a yes or a no, now became quite conversable, polite, and agreeable, and endeavoured in every possible way to divert her attention from the unpleasant accident which had just occurred, engaging her moreover for the anglaise after supper.

Petrea understood his kindness; tears came into her eyes, and her heart beat for joy at the thought of hastening to her mother after the quadrille, and saying, "Mamma, I am engaged for the anglaise after supper."

But no thought, no feeling, could remain in tranquillity with the poor little "Chaos;" so many others came rushing in, that the first were quite effaced. Her first impression of the kindness of Lieutenant Y. was, "how good he is!" the second was, "perhaps he may endure me!" And hereupon a flood of imagined courtesy and courtship poured in, which almost turned her head. But she would not marry, heaven forbid! yet still it would be a divine thing to have a lover, and to be oneself "an object" of passion, like Sara and Louise. Perhaps the young Lieutenant Y. might be related to the Countess Solenstrale, and, oh heavens! how well it would sound when it was said, "A nephew of the Countess Solenstrale is a passionate admirer of Petrea Frank!" What a coming forth that would be! A less thing than that might make one dizzy. Petrea was highly excited by these imaginings, and was suddenly changed by them into an actual coquette, who set herself at work by all possible means to enslave "her object;" in which a little, and for the moment very white, hand (for even hands have their moments), figuring about the head, played a conspicuous part. Petrea's amazing animation and talkativeness directed the eye-glass of her mother—for her mother was somewhat short-sighted—often in this direction, and called forth glances besides from Louise, which positively would have operated with a very subduing effect, had not Petrea been too much excited to remark them. The observations and smiles of her neighbours Petrea mistook for tokens of applause; but she deceived herself, for they only amused themselves with the little coquetting, but not very dangerous lady. Lieutenant Y., nevertheless, seemed to find pleasure in her liveliness, for when the quadrille was ended, he continued a dispute which had commenced during it, and for this purpose conducted her into one of the little side rooms, which strengthened her in the idea of having made a conquest. Isabella Aftonstjerna was singing there a little French song, the refrain of which was—

Hommage a la plus belle, Honneur au plus vaillant!

The world was all brightness to Petrea: the song carried her back to the beautiful days of knighthood: Lieutenant Y. appeared to her as the ideal of knightly honour, and the glass opposite showed her own face and nose in such an advantageous light, that she, meeting herself there all beaming with joy, fancied herself almost handsome. A beautiful rose-tree was blossoming in the window, and Petrea, breaking off a flower, presented it to the Lieutenant, with the words—

Honneur au plus vaillant.

Petrea thought that this was remarkably striking and apropos, and secretly expected that her knight would lay the myrtle-spray with which he was playing at her feet, adding very appropriately—

Hommage a la plus belle.

"Most humble thanks!" said Lieutenant Y., taking the rose with misfortune-promising indifference. But Fate delivered Petrea from the unpleasantness of waiting in vain for a politeness she desired, for suddenly there arose a disturbance in the ball-room, and voices were heard which said, "She is fainting! Gracious heaven! Sara!"

Myrtle-spray, knight, conquest, all vanished now from Petrea's mind, and with a cry of horror she rushed from Lieutenant Y. into the ball-room at the very moment when Sara was carried out fainting. The violent dancing had produced dizziness; but taken into a cool room, and sprinkled with eau de Cologne and water, she soon recovered, and complained only of horrible headache. This was a common ailment of Sara's, but was quickly removed when a certain remedy was at hand.

"My drops!" prayed Sara, in a faint voice.

"Where? where?" asked Petrea, with a feeling as if she would run to China.

"In the little box in our chamber," said Sara.

Quick as thought sped the kind Petrea across the court to the east wing. She sought through the chamber where their things were, but the box was not to be found. It must have been left in the carriage. But where was the carriage? It was locked up in the coach-house. And where was the key of the coach-house?

Great was Petrea's fatigue before she obtained this; before she reached the coach-house; and then before, with a lantern in her hand, she had found the missing box. Great also, on the other hand, was her joy, as breathless, but triumphant, she hastened up to Sara with the little bottle of medicine in her hand, and for reward she received the not less agreeable commission of dropping out sixty drops for Sara. Scarcely, however, was the medicine swallowed, when Sara exclaimed with violence:

"You have killed me, Petrea! You have given me poison! It is unquestionably Louise's elixir!"

It was so! The wrong bottle had been brought, and great was the perplexity.

"You do everything so left-handedly, Petrea!" exclaimed Sara, in ill-humour; "you are like the ass in the fable, that would break the head of his friend in driving away a fly!"

These were hard words for poor Petrea, who was just about to run off again in order to redeem her error. This, added to other agitation of mind, brought tears to her eyes, and blood to her head. Her nose began violently to bleed. Louise, excited against Sara by her severity to Petrea, and some little also by her calling her elixir poison, threw upon her a look of great displeasure, and devoted herself to the weeping and bleeding Petrea.

Whether it was the spirit of anger that dispersed Sara's headache, or actually Louise's elixir (Louise was firmly persuaded that it was the latter), we know not; but certain it was that Sara very soon recovered and returned to the company, without saying one consoling word to Petrea.

Petrea was in no condition to appear at the supper-table, and Louise kindly remained with her. Aunt Evelina, Laura, Karin, and even the lady of the War-Councillor herself, brought them delicacies. Amid so much kindness, Petrea could not do otherwise than become again tranquil and lively. She should, she thought, after all, dance the anglaise after supper with "le plus vaillant," as she called the Lieutenant, who had truly captivated her evidently not steeled heart.

The anglaise had already begun as the sisters entered the ball-room. The Candidate hastened to meet them quite in an uneasy state of mind; he had engaged Louise for this dance, and they now stood up together in the crowd of dancers. Petrea expected, likewise, that "le plus vaillant" would rush up to her and seize her hand; but as she cast a hasty glance around, she perceived him, not rushing towards her, but dancing with Sara, who was looking more beautiful and brilliant than ever. The rose which Petrea had given him—faithless knight!—together with the myrtle-sprig on which she had speculated, were both of them placed in Sara's bosom. The eyes of "le plus vaillaut" were incessantly riveted upon "la plus belle," as Sara was then unanimously declared to be. The glory of the Aftonstjernas paled in the night, as they were too much heated by dancing, but Sara's star burned brighter and brighter. She was introduced to the Countess Solenstrale, who paid her charming compliments, and called her "la reine du bal," at which the Aftonstjernas looked displeased.

"Thousand devils, how handsome she is!" exclaimed the old gentleman who had striven with Petrea about the tea-cup, and who now, without being aware of it, trod upon her foot as he thrust himself before her to get a better view of "la reine du bal."

Overlooked, humiliated, silent, and dejected, Petrea withdrew into another room. The scenes of the evening passed in review before her soul, and appeared now quite in an altered light. The mirror which a few hours before had flattered her with the notion that she might be called la plus belle, now showed her her face red and unsightly; she thought herself the most ridiculous and unfortunate of human beings. She felt at this moment a kind of hostility against herself. She thought on something which she was preparing for Sara, and which was to be an agreeable surprise to her, and which was to be made known to her in a few days—she thought of this, and in that moment of trouble the thought of it, like a sunbeam on dark clouds, brightened the night in her soul. The thought of gratifying one, who on this evening had so deeply wounded her, gave a mild and beneficial turn to her mind.

After supper, a balcony in the saloon adjoining the ball-room was opened, in order somewhat to cool the heated atmosphere of the room.

Two persons, a lady and gentleman, stepped into the balcony; a light white shawl was thrown over the lady's shoulders; stars garlanded her dark hair; stars flashed in her black eyes, which glanced fiercely around into free space.

There lay over the landscape the deliciously mysterious half-darkness of a May-night, a magical veil which half hides and half reveals its beauty, and which calls forth mysterious forebodings. A mighty and entrancing revelation of the gloriousness of life seemed to sing in the wind, which passed tranquilly murmuring through space, shone in the stars, and wandered high above earth.

"Ah, life! life!" exclaimed she, and stretched forth her arms towards space, as if she would embrace it.

"Enchanting girl!" said he, while he seized her hand, "my life belongs to you!"

"Conduct me forth into free, fresh life," said she, without withdrawing her hand, and looking haughtily at him all the while, "and my hand belongs to you! But remember you this, that I will be free—free as the wind which now kisses your forehead, and lifts those topmost branches of the tree! I love freedom, power, and honour! Conduct me to these, help me to obtain these, and my gratitude will secure to you my love; will fetter me to you with stronger bonds than those of ceremony and prejudice, to which I only submit out of regard to those who otherwise would weep over me, and whom I would not willingly distress more than there is need for. It shall not bind us more than we ourselves wish. Freedom shall be the knitting and the loosening of our bond!"

"Beautiful woman!" answered he, "raised above the hypocrisy of weakness—above the darkness of prejudice—I admire you and obey you! Only to such a woman can my will submit! My beautiful scholar is become my teacher! Well, then, let the hand of the priest unite us; my hand shall conduct you up to that brilliant throne which your beauty and your talents deserve! I will only elevate you in order, as now, to fall before your feet the most devoted of your servants!"

He dropped upon one knee before her; and she, bending herself towards him, let her lips touch his forehead. He threw his arms round her, and held her for one moment bent towards him. A supercilious, scornful expression, unobserved by her, played upon his lips.

"Release me, Hermann! some one comes," said she; he did so, and as she raised her proud neck against his will, a dark flash of indignation burned in her eyes.

They withdrew, and another couple stepped out into the balcony.

He. Wait, let me wrap my cloak better round you; the wind is cool.

She. Ah, how beautiful to feel how it wraps us both! Do you see how we are here standing between heaven and earth, separated from all the world?

He. I do not see it—I see my lovely world in my arms! I have you, Laura! Laura, tell me, are you happy?

She. Ah, no!

He. How?

She. Ah, I am not happy because I am too happy! I fancy I never can have deserved this happiness. I cannot conceive how it came to my share. Ah, Arvid! to live thus with you, with my mother, my sister, all that I most love—and then to be yours ever, ever!

He. Say eternally, my Laura! Our union belongs as much to heaven as to earth, here as there; to all eternity I am yours, and you are mine!

She. Hush, my Arvid! I hear my mother's voice—she calls me. Let us go to her.

They returned into the room, and presently another couple stepped on the balcony.

He. Cousin Louise, do you like evening air? Cousin Louise, I fancy, is rather romantic. Cousin, do you like the stars? I am a great friend of the stars too; I think on what the poet sings:

——silently as Egypt's priests They move.

Look, Cousin Louise, towards the corner, in the west there lies Oestanvik. If it would give you any pleasure to make a little tour there, I would beg that I might drive you there in my new landau. I really think, Cousin Louise, that Oestanvik would please you: the peaches and the vines are just now in full bloom; it is a beautiful sight.

A deep sigh is heard.

She. Who sighs so?

A Voice. Somebody who is poor, and who now, for the first time, envies the rich.

He. Oh rich! rich! God forbid! rich I am not exactly. One has one's competency, thank God! One has wherewith to live. I can honestly maintain myself and a family. I sow two hundred bushels of wheat; and what do you think, Cousin Louise—but where is Cousin Louise?

A Voice. It seemed to her, no doubt, as if a cold wind came over here from Oestanvik.

At the moment when the gentlemen returned to the room, a girl came into the balcony. She was alone. The misfortunes of the evening depressed her heart, and were felt to be so much more humiliating because they were of such a mean kind. Some burning tears stole quickly and silently over her cheeks. The evening wind kissed them gently away. She looked up to heaven; never had it seemed to her so high and glorious. Her soul raised itself, mounted even higher than her glance, up to the mighty friend of human hearts; and He gave to hers a presentiment that a time would come, when, in his love, she would be reconciled to and forget all adversities of earth.

* * * * *

The days at Axelholm wore on merrily amid ever-varying delights. Petrea wrote long letters, in prose and in verse, to her sisters at home, and imparted to them all that occurred here. Her own misfortunes, which she even exaggerated, she described in such a comic manner that those very things which were at first distressing to her, were made a spring of hearty merriment both to herself and to her family.

She received one day a letter from her father, which contained the following words:

"My good Child,

"Your letters, my dear child, give me and your sisters great pleasure; not merely on account of the lively things which they contain, but more especially on account of your way of bearing that which is anything but lively. Continue to do thus, my child, and you—my heart rejoices in the thought—will advance on the way to wisdom and happiness, and you will have joyfully to acknowledge the blessed truth which the history of great things, as well as of small, establishes, that there is nothing evil which may not be made conducive to good; and thus our own errors may be made steps on our way to improvement.

"Greet your sisters cordially from their and your tenderly devoted

"Father."

Petrea kissed these lines with tears of grateful joy. She wore them for several days near her heart; she preserved them through her whole life as one of the endeared means by which she had gone happily through the chromatic scale of existence.

Louise was joked much about Cousin Thure; Cousin Thure was joked much about Louise; it pleased him very much to be joked about her, to be told that Oestanvik wanted a mistress, that he himself wanted a pretty wife, and that without doubt Louise Frank was one of the most sensible as well as one of the prettiest girls in the country; and more than this, was besides of such a respectable family! The Landed-proprietor received already felicitations on his betrothal.

What the bride-elect, however, thought on the matter was more difficult to fathom. She was certainly always polite to Cousin Thure; still this politeness seemed expressive rather of indifference than friendship; and she declined, with a decision amazing to many people, his pressing and often repeated solicitations to make an excursion to Oestanvik in his new landau, drawn by what he styled "his foxes—his four horses in one rein." Many people asserted that the agreeable and cordial Jacobi was much nearer to Louise's heart than the rich Landed-proprietor! but even towards Jacobi her conduct was so equal, so tranquil, so unconstrained, that nobody could exactly tell how it might be. Nobody knew so well as we do, that Louise considered it consistent with the dignity of woman to show only perfect indifference to the attentions or doux-propos of men, until they had been openly and fully declared. Louise despised coquetry so far as to dread anything which bordered on the very limits of it. Her young female friends joked with her upon her strict notions on this head, and fancied that she would remain unmarried.

"That may be," said Louise, calmly.

They told her one day of a gentleman who said "I will not stand up before any girl who is not some little of a coquette."

"Then he may remain sitting," answered Louise, with much dignity.

Louise's views of the dignity of woman, her grave and decided principles, and her manner of expressing them, amused her young friends, whilst at the same time they inspired for her a true esteem, and gave occasion for many little contentions and discussions, in which Louise intrepidly, though not without some little warmth, maintained the rights of the cause. These contentions, however, which began in merriment, did not always terminate so.

A young and rather coquettish lady was one day wounded by the severity with which Louise spoke of the coquetry of her sex, and particularly of married ladies, and in revenge she used an expression which excited Louise's astonishment and anger. An explanation followed between the two, the result of which was not only their perfect estrangement, but an altered state of mind in Louise which she in vain endeavoured to conceal.

During the first days of her stay at Axelholm she had been uncommonly joyous and lively; now she was quiet, thoughtful, often absent, and towards the Candidate, as it seemed, less friendly than formerly, whilst she lent a more willing ear to the Landed-proprietor, although she still resolutely withstood his proposal of a drive to Oestanvik.

On the evening of the day after this explanation, Elise was engaged in a lively conversation with Jacobi on the balcony.

"And if," said he, "I endeavour to win her heart, would her parents—would her mother see it without displeasure? Ah, speak candidly with me; the well-being of my life depends upon it."

"You have my accordance, my good wishes, Jacobi," returned Elise. "I say to you what I have already said to my husband, that I should willingly call you son."

"Oh!" exclaimed Jacobi, deeply moved, and falling on one knee, whilst he pressed her hand to his lips—"oh that my whole life might evidence to you my gratitude and my love—!"

At this very moment, Louise, who had been seeking her mother, approached the balcony; she saw Jacobi's action, and heard his words: she withdrew quickly, as if she had been stung by a snake.

From this time a great change was more and more perceptible in her. Still, reserved, and very pale, she moved about like one in a dream, amid the lively circles of Axelholm, and agreed willingly to the proposition which her mother, who was uneasy on her account, made of their stay being shortened. Jacobi, as much astonished as distressed by the sudden unfriendliness of Louise towards him, began to think that the place must in some kind of way be bewitched, and desired more than anybody else to get away from it.

FOOTNOTES:

[10] A mile Swedish is equal to six English miles.

[11] Merry, in Swedish.



CHAPTER IX.

THE RETURN HOME.

What was it that Jacobi and Henrik had so much to arrange together before their departure from Axelholm, and even whilst they were there? Petrea's curiosity was terribly excited, but she could not come at any clue by which to satisfy it. Some kind of plot which concerned the family, seemed to be in agitation.

Henrik and his friend had long intended to give a little entertainment to the family, and the opportunity to do so now seemed favourable, as well as also to combine it with an agreeable surprise; the scene of which should be a pretty and good Inn, half way between Axelholm and the city. Here, on their return, they would halt under pretence of some repair being necessary to one of the carriages, and the ladies should be persuaded to enter the house, where, in the mean time, all should be prepared.

The two friends had greatly delighted themselves over this scheme, and in order to obtain for Louise her favourite luxury of ices, Jacobi had drained his already reduced purse.

In going to Axelholm the family had so divided themselves that Louise with Petrea went in what is called a Medewi-carriage, the Judge's own equipage, which was driven by Jacobi, with whom Henrik sate on the driving-box, whilst the mother and the other daughters went in a covered hired carriage, driven by the Judge himself. On the return, the same arrangement was to be observed, with the difference of Jacobi driving the large carriage, and Henrik driving his sisters.

The mother, and even the young gentlemen, declared with becoming discretion that they would not confide the reins to less skilful hands, because the road was rough and hilly, and moreover bad from rain. Notwithstanding all this, however, Jacobi intrigued so that, contrary to the established arrangement, he mounted the coach-box of the young ladies, and Henrik that of his mother. But the Candidate had not much pleasure from so doing, since "the object" was no longer such as she was during the drive thither. At that time she was more cheerful than common; rejoiced so heartily over the spring air, over the song of the lark; over fields, and cows, and cottages, and over everything that she saw, communicating all her delight to Jacobi, who sate all the way on the driving-box with his face turned towards the carriage (Henrik solemnly advised him to fix himself in this reversed position), and their blue eyes then rested on each other with a spring of pure devotion. Now, everything was otherwise: "the object" appeared to give attention to nothing. She leaned back in the carriage with her veil over her face, and a cathedral is far more conversable than she; for it speaks through the tongue in its tower, but Louise's tongue was perfectly dumb, and Petrea's, which once never ceased, enlivened her not. In vain Jacobi sought to catch Louise's eye. She avoided him, and he was quite cast down.

After having been many times most properly jogged and shaken, they arrived fortunately at the wayside inn; yet no! not so fortunately either, one of the carriage-wheels was discovered to be somewhat broken: it was not dangerously so, oh no, heaven forbid that! but it must of necessity be mended before they could proceed further. Henrik prayed his mother and sisters while this was doing to alight and enter the inn, the host and hostess of which now stood at the door, and with bows and curtseys besought the travellers to enter. The host came himself and opened the carriage-doors. Elise was startled, and uttered an exclamation of surprise;—the host really and truly must be her husband; and the hostess, the very prettiest hostess in the world, was bodily her daughter Eva! The travelling daughters, too, were as much astonished, made all kinds of exclamations, and recognised in host and hostess father and sister. But neither host nor hostess were confounded, nor allowed themselves to be confused by the confusion of the travellers; they knew themselves too well who they were, and knew, too, how to conduct themselves in their office. They led their guests, with many apologies and politenesses, up to two large and handsome rooms, and here the host, quite in despair, began to bustle about, and to summon both maid and waiter. At last the waiter came in his blue apron. A new miracle! He was a living image of the Candidate! And now came the maid. A new amazement! A handsomer person, or one that more nearly resembled Henrik it would have been impossible to find! But she went about clumsily, and had nearly fallen down, stumbling first with this, and then with that. The host scolded her vehemently on account of her clumsiness, and scolded the waiter also till he made them both cry, at least so it seemed; whereupon he chased them both out with the order to return instantly with refreshments. The host, now again in brilliant, excellent, polite humour, let fly with his own hand the corks of two champagne bottles, poured out, and drank with the ladies. After they had refreshed themselves with all kinds of delicious eating, amid the most lively conversation, some person, who called himself Noah's grandson, was announced, requesting permission to exhibit to the company various strange animals and other beautiful curiosities, which had been found in the ark. The grandson of Noah was called in by a great majority of voices, and a face presented itself at the door which, with the exception of a certain grey beard, bore a great resemblance to Jeremias Munter. His menagerie, and his cabinet of art, were set out in another room, into which the company were conducted; and there many strangely-formed creatures were exhibited, and little scenes represented, to which Noah's grandson gave explanations and made speeches which were almost as humorous and witty (to be quite so was impossible) as those of Japhet, in that wonderful and exquisite book, "Noah's Ark."[12] Two other grandsons of Noah, who bore no resemblance to any acquaintance of the family, assisted at this exhibition, at the end of which Noah's learned grandson gave to each of the spectators a little souvenir from the contents of the ark, and that with so much tact, that every one received precisely the thing which gave him pleasure. Louise, moreover, received a remarkable sermon, which was preached by Father Noah himself on the first Sunday of his abode in the ark. But near the title-page of this same sermon she found a piece of poetry which evidently bore a later date. Louise did not, however, read it then, but blushing very deeply, put it carefully by.

The whole affair might have been as merry as it was droll, had not Louise—herself the most important person in the entertainment—been in no state of mind to enjoy it. But although she used her utmost endeavour to take part in all the diversion, and to appear cheerful, she became every moment more depressed; and when at last the ices came, and the waiter, with the utmost cordiality beaming from his eyes, urged her to take a vanilla-ice, she was only just able to taste it, upon which she set it down, rushed out of the room, and burst into a convulsive fit of weeping. This was a thing so unusual with Louise, that it occasioned a general perplexity. Host, hostess, maid, waiter, Noah's grandson, all threw off their characters; and all illusion, as well as all reality of festivity, were at an end. It is true that Louise composed herself speedily, besought pardon, and assigned as the cause of her emotion sudden spasm in the chest. Elise and Eva, and more particularly Petrea, endeavoured, on account of Henrik and Jacobi, to jest back again the former merriment, but it would not come, and nothing more could succeed. Everybody, but more especially Jacobi, were out of tune, and they now began to speak of returning home.

But now all at once the heavy trampling of horses, and a bustle at the inn door was heard, and at the same moment a splendid landau, drawn by four prancing bays, drew up before it. It was the Landed-proprietor, who, unacquainted with returning there after a short absence, and who had drawn up at this inn for a moment's breathing-time for his horses, and to order for himself a glass of the beer for which the place was renowned. The company which he here so unexpectedly encountered occasioned an alteration in his first plan. He determined to accompany the family to the city, and besought his aunt and cousins to make use of his landau. It would certainly please them so much; it went with such unexampled ease; was so comfortable that one could sleep therein with perfect convenience even on the heaviest roads, etc., etc. Elise, who really had suffered from the merciless shaking of the hired carriage, was inclined to accept the offer; and as it immediately began to rain, and as the Judge preferred the carriage to the chaise in which he had driven with Eva, the affair was quickly arranged. Elise and some of the daughters were to go in the landau, which was turned in the mean time into a coach; and the Judge and the rest of the company were to divide themselves among the other carriages. As these were ready to receive the company, Jacobi drove his Medewi-carriage close on the landau of the Landed-proprietor, who looked more than once with a dark countenance to see whether any profane or injurious contact had taken place between the great and the little carriage.

Jacobi's heart beat violently as Louise came out on the steps of the inn door. The Landed-proprietor stood on one side offering her his hand, and Jacobi on the other offering his also, to conduct her to her former seat. She appeared faint, and moved slowly. She hesitated for one moment, and then gave, with downcast eyes, her hand to the Landed-proprietor, who assisted her triumphantly into the carriage to her mother, and mounting the box himself, away the next moment dashed the landau with its four prancing bays. Jacobi laid his hand on his heart, a choking sensation seemed to deprive him of breath, and with tears in his eyes he watched the handsome departing carriage. He was roused out of his painful observations by the voice of Petrea, who jestingly announced to him that the enviable happiness awaited him of driving herself and the Assessor in the Medewi-carriage. He took his former seat in silence; his heart was full of disquiet; and intentionally he remained far behind the others, in order that he might not have the least glimpse of the landau.

Scarcely had the Medewi-carriage again made acquaintance with the ruts of the road, than a violent shock brought off one of the fore wheels, and the Candidate, Petrea, and the Assessor, were tumbled one over the other into the mud. Quickly, however, they were all three once again on their feet; Petrea laughing, and the Assessor scolding and fuming. When Jacobi had discovered that all which had life was unhurt, he looked lightly on the affair, and began to think how best it might be remedied. A short council was held in the rain, and it was concluded that Jacobi should remain with the carriage till some one came to his assistance, and that in the mean time Petrea and the Assessor should make the best of their way on foot towards the city, and send, as soon as possible, some people to his help. A labourer, who came by immediately afterwards, promised to do the same, and Petrea and Assessor Munter, who, however, was anything but consistent with his name, began their walk through rain and mud. All this while, however, Petrea became more joyful and happy: firstly, all this was an adventure for her; secondly, she never before had been out in such weather; thirdly, she felt herself so light and unencumbered as she scarcely ever had done before; and because she looked upon her clothes as given up to fate—to a power against which none other on earth could contend, she walked on in joy of heart, splashing through the puddles, and feeling with great delight how the rain penetrated her dress, and seeing how the colour was washed away both from shawl and bonnet. She held her nose high in the air, in order to enjoy the glorious rain.

Petrea had in all this a resemblance to her brother, and flattered herself also that she might have some resemblance to Diogenes; and as her inclination lay towards extremes, she would very willingly be Diogenes, since she could not, as she very well knew, be Alexander. Now she perceived that in reality she needed very little of outward comforts to make her happy; she felt herself in her adverse circumstances so free and rich; she had become on thee-and-thou terms with the rain-drops, with the wind, with the shrubs and grass, with all nature in short; she had not here the mishaps and the humiliations to fear which annoyed her so often in company. If the magpies laughed at her, she laughed at them in return. Long life to freedom!

With all these feelings, Petrea got into such excessively high spirits, that she infected therewith her companions in misfortune; or, according to her vocabulary, good fortune. But now, however, came on a horrible tempest, with hail, whose great stones made themselves thou to such a degree with Petrea's nose as astonished and almost offended her. The Assessor looked out for shelter; and Petrea, quite charmed that she was nearly blown away, followed him along a narrow footpath that led into the wood, onward in the direction of a smoke, which, driven towards them by the storm, seemed to announce that a hospitable hut was at hand where they might obtain shelter from the tempest. Whilst they were wandering about to discover this, Petrea's fancy, more unrestrained than the storm, busied itself with unbounded creations of robbers' castles, wise hermits, hidden treasures, and other splendours, to which the smoke was to conduct her. But ah! they were altogether built up of smoke, since it arose from no other than a charcoal-burner's kiln, and Petrea had not the smallest desire to make a nearer acquaintance with the hidden divinity of which this smoke was the evidence. The small hut of the charcoal-burner, in the form of a sugar-loaf, stood not far from the kiln, the unbolted door of which was opened by the Assessor. No hermit, nor even robber, had his abode therein; the hut was empty, but clean and compact, and it was with no little pleasure that the Assessor took possession of it, and seated himself with Petrea on the only bench which it possessed. Petrea sighed. What a miserable metamorphosis of her glorious castle in the air!

The prospect which the open door of the hut presented, and which had no interest for Petrea, appeared, on the contrary, captivating to her companion. He was there deep in the wood, in a solitude wild, but still of an elevating character. The hut stood in an open space, but round about it various species of pine-trees stood boldly grouped, and bowed themselves not before the storm which howled in their tops. Several lay fallen on the ground, but evidently from age; grass and flowers grew on the earth, which these patriarchs of the wood had torn up with their powerful roots. Among others, two tall pine-trees stood together: the one was decayed, and seemed about to separate itself from its root; but the other, young, green, and strong, had so entwined it in its branches, that it stood upright, mingling its withered arms with the verdure of the other, and yielding not, although shook by the tempest. The expressive glance of the Assessor rested long on these trees; his eyes filled with tears; his peculiar, beautiful, but melancholy smile played about his lips, and kindly sentiments seemed to fill his breast. He spoke to Petrea of a people of antiquity who dwelt in deserts; he spoke of the pure condition of the Essenes, a morning dawn of Christendom, and his words ran thus:

"A thirst after holiness drove men and women out of the tumult of the world, out of great cities, into desert places, in order that they might dedicate themselves to a pure and perfect life. There they built for themselves huts, and formed a state, whose law was labour and devotion to God. No earthly possession was enjoyed merely on account of pleasure, but only as the means of a higher life. They strove after purity in soul and body; tranquillity and seriousness characterised their demeanour. They assembled together at sunrise, and lifted up hymns and prayers to the Supreme Being. Seventeen hours of each day were devoted to labour, study, and contemplation. Their wants were few, and therefore life was easy. Their discourse was elevated, and was occupied by subjects of the sublime learning which belonged to their sect. They believed on one Eternal God, whose existence was light and purity. They sought to approach him by purity of heart and action, by renunciation of the pleasures of the world, and by humility of heart and mind to understand the works of the allwise Creator. They believed in quiet abodes on the other side of the desert pilgrimage, where clear waters ran and soft winds blew, where spring and peace had their home; there they hoped to arrive at the end of their journey through life."

There is no want of rays of light on earth; they penetrate its misty atmosphere in manifold directions, although human perception is not as much aware of them at one time as at another. The words of the Assessor made at this moment an indescribable impression on Petrea. She wept from the sweet emotion excited by the description of a condition which was so perfect, and of endeavours which were so holy. It appeared to her as if she knew her own vocation, her own path through life; one which would release her soul from all trifles, all vanities, all disquiets, and which would speed her on to light and peace. Whilst these thoughts, or rather sentiments, swelled in her breast, she looked through her tears on her companion, as he sate there with his expressive countenance and his large beautiful eyes fixed on the scene before him, and she saw in him, not Jeremias Munter, but a wise hermit, with a soul full of sublime and holy knowledge. She longed to throw herself at his feet, and beseech his blessing; to propose to him that he should remain in this solitude, in this hut, with her; that he should teach her wisdom; and she would wait upon him as a daughter, or as a servant, would rise with him and pray at sunrise, and do in all things like the Essenes. Thus would they die to the world, and live only for heaven.

Overpowered by her excited feelings, surrendered to the transports of the moment, and nearly choked with tears, Petrea sank on the breast of Jeremias, stammering forth her undefined wishes.

If a millstone had fallen round his neck, our good Assessor could not have been more confounded than he was at that moment. Deeply sunk in his own thoughts, he had quite forgotten that Petrea was there, till reminded of her presence in this unexpected manner. But he was a man, nevertheless, who could easily understand the excitement of mind in a young girl, and with a pure fervour of eye, whilst a good-humoured satire played about his mouth, he endeavoured to tranquillise her over-wrought feelings. Beautiful, then, was the discourse he held with her on all that which calms and sanctifies life; on all that on which man may found his abode whether in the desert or in the human crowd. He spoke words then which Petrea never forgot, and which often, in a future day, broke the chaotic state of her soul like beams of pure light.

In the mean time the tempest had dispersed itself, and the Assessor began to think of a return; for Petrea thought nothing about it, but would willingly have seen herself compelled to pass the night in the gloomy wood. But now the thought of relating her adventures at home attracted her, and before she got out of the wood these adventures were increased, since fate presented her with the good fortune of assisting, with the help of her companion, an old woman, who had fallen with her bundle of sticks, upon her legs again, and of carrying the said bundle to her cottage, and of lighting her fire for her; with releasing two sparrows which a boy had made captive; and, last of all, with releasing the Assessor himself from a thorn-bush, which, as it appeared, would have held him with such force as vexed even himself. Petrea's hands bled in consequence of this operation, but that only made her the livelier.

When they came out of the wood, the rain had ceased altogether, the wind had abated, and the setting sun illumined the heavens, and diffused over the landscape a peculiar and beautiful radiance. The countenance of Jeremias Munter was cheerful; he listened to the ascending song of the lark, and said, "That is beautiful!" He looked upon the rain-drops which hung on the young grass, and saw how heaven reflected itself in them, and smiled, and said, "That is pure indeed!" Petrea gave to little children that she met with all her savings from the feast at Axelholm, and would willingly also have given them some of her clothes, had she not had the fear of Louise and her mother before her eyes. She wished in her bravery for more adventures, and more particularly for a longer way than it at this time appeared to be; she thought she arrived at home too soon; but the Assessor thought not, neither did the rest of the party, who were beginning to be very uneasy on account of their long absence. In the mean time Petrea and her companion had become very good friends on the walk; Petrea was complimented for her courage, and Henrik pathetically declaimed in her praise—

Not every one such height as Xenophon can gain, As scholar and as hero, a laurel-wreath obtain;

and they laughed.

FOOTNOTES:

[12] half-dramatic poem, remarkable for its wit and humour, from the pen of the Swedish poet Fahlcrantz.



CHAPTER X.

FIRESIDE SCENES.

"From home may be good, but at home is best!" said Elise from the bottom of her heart, as she was once more in her own house, and beside her own husband.

The young people said nothing in opposition to this sentiment as they returned to their comfortable every-day life, which they now enlivened with recollections and relations out of the lately-past time. They hoped that Louise would become pleasant and contented with her calm activity in the house and family as formerly, but it was not so; a gnawing pain seemed to consume her; she became perceptibly thinner; her good humour had vanished, and her eyes were often red with weeping. In vain her parents and sisters endeavoured, with the tenderest anxiety, to fathom the occasion of the change; she would confess it to no one. That the root of her grief lay at her heart she would not deny, but she appeared determined to conceal it from the eye of day. Jacobi also began to look pale and thin, since he lamented deeply her state of feeling, and her altered behaviour, especially towards himself, which led him to the belief that he unconsciously had wounded her, or in some other way that he was the cause of her displeasure; and never had he felt more than now what a high value he set upon her, nor how much he loved her. This tension of mind, and his anxiety to approach Louise, and bring back a friendly understanding between them, occasioned various little scenes, which we will here describe.

FIRST SCENE.

Louise sits by the window at her embroidery-frame: Jacobi seats himself opposite to her.

Jacobi (sighing). Ah, Mamselle Louise!

Louise looks at her shepherdess, and works on in silence.

Jacobi. Everything in the world has appeared to me for some time wearisome and oppressive.

Louise works on, and is silent.

Jacobi. And you could so easily make all so different. Ah, Louise! only one kind word, one friendly glance!—Cannot you bestow one friendly glance on him who would gladly give everything to see you happy? [Aside. She blushes—she seems moved—she is going to speak! Ah, what will she say to me!]

Louise. One, two, three, four, five, six, seven, eight, nine, ten stitches to the nose—the pattern is here not very distinct.

Jacobi. You will not hear me, will not understand me; you play with my distress! Ah, Louise!

Louise. I want some more wool;—I have left it in my room. [She goes.]

SECOND SCENE.

The family is assembled in the library; tea is just finished. Louise, at Petrea's and Gabriele's urgent request, has laid out the cards on a little table to tell them their fortunes. The Candidate seats himself near them, and appears determined to amuse himself with them, and to be lively; but "the object" assumes all the more her "cathedral air." The Landed-proprietor steps in, bows, snorts, and kisses the hand of the "gracious aunt."

Landed-proprietor. Very cold this evening; I fancy we shall have frost.

Elise. It is a gloomy spring. We have lately read a most affecting account of the famine in the northern provinces. It is the misfortune of these late springs.

Landed-proprietor. Oh, yes, the famine up there. No, we'll talk of something else—that's too gloomy. I've had my peas covered with straw. Cousin Louise, are you fond of playing Patience? I am very fond of it too; it is so composing. At my seat at Oestanvik I have little, little patience-cards. I fancy really that they would please my cousin.

The Landed-proprietor seats himself on the other side of Louise: the Candidate gives some extraordinary shrugs.

Louise. This is not patience, but a little witchcraft, by which I read Fate. Shall I prophesy to you, Cousin Thure?

Landed-proprietor. Oh, yes! prophesy something to me. Nothing disagreeable! If I hear anything disagreeable in an evening, I always have bad dreams at night. Prophesy me prettily—a little wife—a wife as lovely and as amiable as Cousin Louise.

The Candidate (with a look as if he would send the Landed-proprietor head-over-heels to Oestanvik). I don't know whether Mamselle Louise likes flattery.

Landed-proprietor (who seems as if he neither heard nor saw his rival). Cousin Louise, are you fond of blue?

Louise. Blue? That is truly a lovely colour; but yet I prefer green.

Landed-proprietor.. Nay, that is good! that is excellent! At Oestanvik my dressing-room furniture is blue, beautiful light blue silk damask; but in my sleeping-room I have green moreen. I fancy really, Cousin Louise, that——

The Candidate coughs, and then rushes out of the room. Louise looks after him, sighs, and then examines the cards, in which she finds so many misfortunes for Cousin Thure that he is quite terrified: the peas frosted, conflagration in the dressing-room, and last of all a rejection! The Landed-proprietor declares, notwithstanding, that he finds nothing of this unpleasant. The sisters smile, and make remarks.

THIRD SCENE.

The family assembled after supper:

The Assessor puts the question—What is the bitterest affliction?

Jacobi. Unreturned love.

Petrea. Not to know what one shall be.

Eva. To have offended some one that one loves beyond reconciliation.

The Mother. I am of Eva's opinion; I think nothing can be more painful.

Louise. Ah! there is yet something more painful than that—something more bitter—and that is to lose one's faith in those whom one has loved; to doubt—(Louise's lip trembles, she can say no more, becomes pale, rises, and goes out quickly; a general sensation ensues).

The Father. What is amiss with Louise? Elise, we must know what it is! She should, she must tell us! I cannot bear any longer to see her thus; and I will go this moment and speak with her, if you will not rather do it. But you must not be satisfied till you know her very inmost feelings. The most horrible thing, I think, is mystery and vapours!

The Mother. I will go directly to her. I have now an idea what it is, dearest Ernst; and if I am somewhat long with her, let the others go to bed; I shall then find you alone. [She goes out.]

FOURTH SCENE.

The Mother and Daughter.

The daughter on her knees, her face buried in her hands; the mother goes softly up to her and throws her arms around her.

Mother. Louise, my good girl, what is amiss with you? I have never seen you thus before. You must tell me what is at your heart—you must!

Louise. I cannot! I ought not!

Mother. You can! you ought! Will you make me, will you make all of us wretched by going on in this way? Ah, Louise, do not let false shame, or false tenderness mislead you. Tell me, do you break any oath, or violate any sacred duty, by confessing what it is which depresses you?

Louise. No oath; no sacred duty—and yet——yet——

Mother. Then speak, in heaven's name, my child! Unquestionably some unfounded suspicion is the cause of your present state. What do the words mean with which you left us this evening? You weep! Louise, I pray, I beseech of you, if you love me, conceal nothing from me! Who is it that you love, yet can no more have faith in—no longer highly esteem? Answer me—is it your mother?

Louise. My mother! my mother! Ah, while you look on me thus I feel a pain, and yet a confidence! Ah, my God! all may be an error—a miserable slander, and I——Well then, it shall out—that secret which has gnawed my heart, and which I conceived it my duty to conceal! But forgive me, my mother, if I grieve you; forgive me if my words disturb your peace; forgive me, if in my weakness, if in my doubt I have done you injustice, and remove the grief which has poisoned my life! Ah, do you see, mother, it was mine, it was my sisters' happiness, to consider you so spotless—so angelically pure! It was my pride that you were so, and that you were my mother! And now——

Mother. And now, Louise?

Louise. And now it has been whispered to me——Oh, I cannot speak the words!

Mother. Speak them—I demand it! I desire it from you! We both stand before the Judgment-seat of God!

Louise. I have been led to believe that even my mother was not blameless—that she——

Mother. Go on, Louise!

Louise. That she and Jacobi loved one another—that evil tongues had not blamed them without cause, and that still—I despised these words, I despised the person who spoke them! I endeavoured to chase these thoughts as criminal from my soul. On this account it happened that I went one day to find you—and I found Jacobi on his knee before you—I heard him speaking of his love. Now you know all, my mother!

Mother. And what is your belief in all this?

Louise. Ah, I know not what I ought to believe! But since that moment there has been no peace in my soul, and I have fancied that it never would return—that I should never lose the doubt which I could make known to no one.

Mother. Let peace return to your soul, my child! Good God! how unfortunate I should be at this moment if my conscience were not pure! But, thank heaven, my child, your mother has no such fault to reproach herself with; and Jacobi deserves your utmost esteem, your utmost regard. I will entirely and freely confess to you the entire truth of that which has made you so uneasy. For one moment, when Jacobi first came to us, a warmer sentiment towards me awoke in his young, thoughtless heart, and in part it was returned by me. But you will not condemn me on account of an involuntary feeling which your father looked on with pardoning eyes. In a blessed hour we opened to each other our hearts, and it was his love, his strength and gentleness, which gave me power to overcome my weakness. Jacobi, at the same moment, woke to a consciousness of his error, struggled against it, and overcame it. We separated soon after, and it was our mutual wish not to meet again for several years. In the mean time Henrik was committed to his care, and Jacobi has been for him an exemplary friend and instructor. Three years later, when I again met him, I extended my hand to him as a sister; and he——yes, my dear girl! and I err greatly if he did not then begin in his heart to love me as a mother. But that which then had its beginning, has since then had its completion—it was in the character of a son that you saw him kneel to me; thanking me that I would favour his love to my daughter—to my Louise, who, therefore, has so unnecessarily conjured up a spectre to terrify herself and us all.

In the latter part of this conversation the mother spoke in a quiet jesting tone, which, perhaps, did more even than her simple explanation to reassure the heart of her daughter. She pressed her hands on her heart, and looked thankfully up to heaven.

"And if," continued her mother, "you yet entertain any doubt, talk with your father, talk with Jacobi, and their words will strengthen mine. But I see you need it not—your heart, my child, is again at peace!"

"Ah, thank God! thank God!" exclaimed Louise, sinking on her knees before her mother, and covering her hands and even her dress with kisses. "Oh, that I dared look up again to you, my mother! Oh, can you forgive my being so weak: my being so easy of belief? Never, never shall I forgive myself!"

Louise was out of herself, her whole frame trembled violently; she had never before been in a state of such agitation. Her mother was obliged to apply remedies both for mind and body, tender words and soothing drops—to tranquillise her excited state. She besought her therefore to go to rest, seated herself beside her bed, took her hands in hers, and then attempted to divert her mind from the past scene, endeavouring with the utmost delicacy to turn her mind on the Candidate and on the Landed-proprietor as lovers. But Louise had only one thought, one sentiment—the happy release from her doubt, and thankfulness for it. When her mother saw that she was calmer, she embraced her, "And now go to sleep, my dear girl," said she; "I must now leave you, in order to hasten to one who waits impatiently for me, and that is your father. He has been extremely uneasy on your account, and I can now make him easy by candidly communicating all that has passed between us. For the rest I can assure you that you have said nothing that can make us uneasy. That I was calumniated by one person, and am so still, he knows as well as I do. He has assisted me to bear it calmly, he is truly so superior, so excellent! Ah, Louise, it is a great blessing when husband and wife, parents and children, cherish an entire confidence in each other! It is so beautiful, so glorious, to be able to say everything to each other in love!"

FIFTH SCENE.

The garden. It is morning! the larks sing, the jonquils fill the air with odour; the bird's cherry-tree waves in the morning breeze; the cherry blossoms open themselves to the bees which hum about in their bosom. The sun shines on all its children.

Louise is walking in the middle alley, Father Noah's sermon in her hand, but with her eyes fixed on the little poem appended to it, which by no means had anything to do with Father Noah. The Candidate comes towards her from a cross walk, with a gloomy air, and with a black pansy in his hand.

The two meet, and salute each other silently.

Jacobi. Might I speak one moment with you? I will not detain you long.

Louise bows her head, is silent, and blushes.

Jacobi. In an hour's time I shall take my departure, but I must beseech of you to answer me one question before I say farewell to you!

Louise. You going! Where? Why?

Jacobi. Where, is indifferent to me, so that I leave this place; why, because I cannot bear the unkindness of one person who is dear to me, and who, I once thought, cherished a friendship for me! For fourteen days you have behaved in such a way to me as has embittered my life; and why? Have I been so unfortunate as to offend you, or to excite your displeasure? Why then delay explaining the cause to me? Is it right to sentence any one unheard, and that one a friend—a friend from childhood? Is it right—pardon me, Louise—is it Christian, to be so severe, so immovable? In the sermons which you are so fond of rending, do you find nothing said of kindness and reconciliation!

Jacobi spoke with a fervour, and with such an almost severe seriousness, as was quite foreign to his gentle and cheerful spirit.

"I have done wrong," replied Louise, with a deep emotion, "very wrong, but I have been misled; at some future time, perhaps, I may tell you how. Since last evening, I know how deceived I have been, how I have deceived myself; and now God be thanked and praised, I know that nobody is to blame in this affair but myself. I have much, very much, to reproach myself with, on account of my reserve towards my own family, and towards you also. Forgive me, best Jacobi," continued she, offering her hand with almost humility; "forgive me, I have been very unkind to you; but believe me," added she, "neither have I been happy either!"

"Thanks! thanks, Louise!" exclaimed Jacobi, grasping her hand, and pressing it to his breast and to his lips; "oh, how happy this kindness makes me! Now I can breathe again! Now I can leave you with a cheerful heart!"

"But why will you leave us?" asked she, in a half-discontented tone.

"Because," answered Jacobi, "it would not give me pleasure to witness a betrothal which will soon be celebrated; because, from your late behaviour, I must be convinced you cannot entertain any warmer sentiments towards me."

"If that were the case," replied she, in the same tone as before, "I should not have been depressed so long."

"How!" exclaimed Jacobi, joyfully. "Ah, Louise, what words! what bold hopes may they not excite! Might I mention them to you? might I venture to say to you what I some time have thought, and still now think?"

Louise was silent, and Jacobi continued:

"I have thought," said he, "that the humble, unprovided-for Jacobi could offer you a better fortune than your rich neighbour of Oestanvik. I have hoped that my love, the true dedication of my whole life, might make you happy; that a smaller portion of worldly wealth might satisfy you, if it were offered you by a man who know deeply your worth, and who desired nothing better than to be ennobled by your hand. Oh, if this beloved hand would guide me through life, how bright, how peaceful would not life be! I should fear neither adversity nor temptation! and how should I not endeavour to be grateful to Providence for his goodness to me! Ah, Louise! it is thus that I have thought, and fancied, and dreamed! Oh, tell me, was it only a dream, or may not the dream become a reality?"

Louise did not withdraw the hand which he had taken, but looked upon the speaker with infinite kindness.

"One word," besought Jacobi, "only one word! Might I say my Louise? Louise—mine?"

"Speak with my parents," said Louise, deeply blushing, and turning aside her head.

"My Louise!" exclaimed Jacobi, and, intoxicated with tenderness and joy, pressed her to his heart.

"Think of my parents," said Louise, gently pushing him back; "without their consent I will make no promise. Their answer shall decide me."

"We will hasten together, my Louise," said he, "and desire their blessing."

"Go alone, dear Jacobi," said Louise. "I do not feel myself calm enough, nor strong enough. I will wait your return here."

* * * * *

With this fifth scene we conjecture that the little drama has arrived at the desired conclusion, and therefore we add no further scene to that which naturally follows.

As the Candidate hastened with lover's speed to Louise's parents he struck hard against somebody in the doorway, who was coming out. The two opponents stepped back each a few paces, and the Candidate and the Landed-proprietor stared in astonishment on each other.

"Pardon me," said the Candidate, and was advancing; but the Landed-proprietor held him back, whilst he inquired with great earnestness, and with a self-satisfied smile, "Hear you, my friend: can you tell me whether Cousin Louise is in the garden? I came this moment from her parents, and would now speak with her. Can you tell me where she is?"

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