The cabin door opened discreetly and Powell, incarnation of decorous punctualities even amid existing tumultuously discomposing circumstances, entered.

"From the villa, sir," he said, depositing letters and newspapers upon the table.

Richard put out his hand, turned them over mechanically. For again, somehow, notwithstanding the babel without, that exquisite invitation—"Ernani, Ernani, involami,"—assailed his ears.

The valet waited a little, quiet and deferential in bearing, yet observing his master with a certain keenness and anxiety.

"I saw Mr. Bates, as you desired, sir," he said at last.

Richard looked up at him vaguely. And it struck him that while Powell was on shore to-day he had undoubtedly had his hair cut. This interested him—though why, he would have found it difficult to say.

"Mr. Bates thought you should be informed that a gentleman called early yesterday afternoon, as he said by appointment."

Yes—certainly Powell had had his hair cut.—"Did the gentleman give his name?"

"Yes, sir, M. Paul Destournelle."

Powell spoke slowly, getting his tongue carefully round the foreign syllables, and, for all the confusion of his hearer's mind, the name went home. Vagueness passed from Richard's glance.

"He was refused, of course."

"Her ladyship had given orders that should any person of that name call he was to be admitted."—Powell spoke with evident reluctance. "Consequently Mr. Bates was uncertain how to act, having received contrary orders from you, sir, the day before yesterday. He explained this to her ladyship, but she insisted."

Richard's mind had become perfectly lucid.

"Very well," he said coldly.

"Mr. Bates also thought you should know, sir, that after M. Destournelle's visit her ladyship announced she should not remain at the villa. She left about five o'clock, taking her maid. Charles followed with all the baggage."

The valet paused. Richard's manner was decidedly discouraging, yet, something further must at least be intimated.

"Her ladyship gave no address to Mr. Bates for the forwarding of her letters."

But here the cabin door, left slightly ajar by Powell, was opened wide, and that with none of the calm and discretion displayed by the functionary in question. A long perspective of grimy deck behind him, his oilskins shiny from the wet, with trim, black beard, square-made, bold-eyed, hot-tempered, warm-hearted, alert, humorous—typical West Countryman as his gentle dreamy cousin, Penberthy, the second mate, though of a very different type—stood Captain Vanstone. His easily-ruffled temper suffered from the after effects of what is commonly known as a "jolly row," and his speech was curt in consequence thereof.

"Sorry to disturb you, Sir Richard," he said, "and still more sorry to disappoint you, but it can't be helped."

Dickie turned upon him so strangely drawn and haggard a countenance, that Vanstone with difficulty repressed an exclamation. He looked in quick inquiry at the valet, who so far departed from his usual decorum as to nod his head in assent to the silent questioning.

"What's wrong now?" Richard said.

"Why, these beggarly rascals have knocked off. Price offered them a higher scale of pay. I had empowered him to do so. But they won't budge. The rain's washed the heart out of them. We've tried persuasion and we've tried threats—it's no earthly use. Not a basket more coal will they put on board before five to-morrow morning."

"Can't we sail with what we have got?"

"Not enough to carry us to Port Said."

"What will be the extent of the delay this time?" Richard asked. His tone had an edge to it.

Again Captain Vanstone glanced at the valet.

"With luck we may get off to-morrow about midnight."

He stepped back, shook himself like a big dog, scattering the water off his oilskins in a shower upon the slippery deck. Then he came inside the cabin and stood near Richard. His expression was very kindly, tender almost.

"You must excuse me, sir," he said. "I know it doesn't come within my province to give you advice. But you do look pretty ill, Sir Richard. Every one's remarking that. And you are ill, sir—you know it, and I know it, and Mr. Powell here knows it. You ought to see a doctor, sir—and if you'll pardon plain language, this beastly cess-pit of a harbour is not a fit place for you to sleep in."

And poor Dickie, after an instant of sharp annoyance, touched by the man's honest humanity smiled upon him—a smile of utter weariness, utter homelessness.

"Perfectly true. Get me out to sea then, Vanstone. I shall be better there than anywhere else," he said.

Whereupon the kindly sailor-man turned away, swearing gently into his trim, black beard.

But the valet remained, impassive in manner, actively anxious at heart.

"Have you any orders for the carriage, sir?" he asked. "Garcia drove me down. I told him to wait until I had inquired."

Richard was long in replying. His brain was all confused and clouded again, while again he heard the voice of the famous soprano—"Ernani, Ernani, involami."

"Yes," he said at last. "Tell Garcia to be here in good time to drive me to the San Carlo. I have an appointment at the opera to-night."



CHAPTER XI

IN WHICH DICKIE GOES TO THE END OF THE WORLD AND LOOKS OVER THE WALL

The opera box, which Richard Calmady had rented along with the Villa Vallorbes, was fifth from the stage on the third tier, to the right of the vast horseshoe. Thus situated, it commanded a very comprehensive view of the interior of the house. The parterre—its somewhat comfortless seats, rising as on iron stilts, as they recede, row by row, from the proscenium—was packed. While, since the aristocratic world had not yet left town, the boxes—piled, tier above tier, without break of dress-circle or gallery, right up to the lofty roof—were well-filled. And it was the effect of these last that affected Richard oddly, displeasingly, as, helped by Powell and Andrews,—the first footman, who acted as his table-steward on board the Reprieve,—he made his way slowly down to the chair, placed on the left, at the front of the box. For the accepted aspects and relations of things seen were remote to him. He perceived effects, shapes, associations of colour, divorced from their habitual significance. It was as though he looked at the written characters of a language unknown to him, observing the form of them, but attaching no intelligible meaning to that form. And so it happened that those many superimposed tiers of boxes were to him as the waxen cells of a gigantic honeycomb, against the angular darknesses of which little figures, seen to the waist, took the light—the blond face, neck and arms of some woman, the fair colours of her dress—and showed up with perplexing insistence. For they were all peopled, these cells of the honeycomb, and—so it seemed to him—with larvae, bright-hued, unworking, indolent, full-fed. Down there upon the parterre, in the close-packed ranks of students, of men and women of the middle-class, soberly attired in walking costume, he recognised the working bees of this giant hive. By their unremitting labour the dainty waxen cells were actually built up, and those larvae were so amply, so luxuriously, fed. And the working bees—there were so many, so very many of them! What if they became mutinous, rebelled against labour, plundered and destroyed the indolent, succulent larvae of which he—yes, he, Richard Calmady—was unquestionably and conspicuously one?

He leaned back in his chair, pulled forward the velvet drapery so as to shut out the view of the house, and fixed his eyes upon the heads of the musicians in the orchestra. The overture was nearly over. The curtain would very soon go up. Then he observed that Powell still stood near him. The man was strangely officious to-day, he thought. Could that be connected in any way with the fact he had had his hair cut? For a moment the notion appeared to Dickie quite extravagantly amusing. But he kept his amusement, as so much else, to himself. And again the working bees, down in the parterre, attracted his attention. They were buzzing, buzzing angrily, displeased with the full-fed larvae in the boxes, because these last were altogether too social, talked too loud and too continuously, drowning the softer passages of the overture. Those dull-coloured insects had expended store of hard-earned lire upon the queer seats they occupied, mounted as upon iron stilts. They meant to have the whole of that which they had paid for, and hear every note. If they swarmed, now, swarmed upward, clung along the edges of those many tiers of boxes, punished inconsiderate insolence with stings?—-It would hardly be unjust.—But there was Powell still, clad in sober garments. He belonged to the working bees. And Richard became aware of a singular diffidence and embarrassment in thinking of that. If they should swarm, those workers, he would rather the valet did not see it, somehow. He was a good fellow, a faithful servant, a man of nice feeling, and such an incident would place him in an awkward position. He ought to be spared that. Carefully Dickie reasoned it all out.

"You need not stay here any longer, Powell," he said.

"When shall I return, sir?"

The curtain went up. A roll of drums, a chorus of men's voices, somewhat truculent, in the drinking song.

"At the end of the performance, of course."

But the valet hesitated.

"You might require to send some message, sir."

Richard stared at the chorus. The opera being performed but this once, economy prevailed. Costumiers had ransacked their stock for discovery of garments not unpardonably inappropriate. The result showed a fine superiority to details of time and place. One Spanish bandit, a portly basso, figured in a surprising variety of Highland dress designed, and that locally, for a chieftain in the opera of Lucia di Lammermoor. His acquaintance with the eccentricities of a kilt being of the slightest, consequences ensued broadly humorous.—Again Dickie experienced great amusement. But that message?—Had he really one to send? Probably he had. He could not remember, and this annoyed him. Possibly he might remember later. He turned to Powell, forgetting his amusement, forgetting the too intimate personal revelations of the unhappy basso.

"Yes—well—come back at the end of the second act, then," he said.

If the bees swarmed it would be over by that time, he supposed, so Powell's return would not matter much one way or the other. A persuasion of something momentous about to be accomplished deepened in him. The madness of going, which had so pushed him earlier in the day, fell dead before it. For this concourse of living creatures must be gathered together to witness some event commensurate in importance with the greatness of their number. He felt sure of that. Yes—before long they would swarm. Incontestably they would swarm!—Again he drew aside the velvet drapery and looked down curiously upon the arena and its occupants. For a new idea had come to him regarding these last. They still presented the effect of a throng of busy, angry insects. But Richard knew better. He had penetrated their disguise, a disguise assumed to insure their ultimate purpose with the greater certainty. He knew them to be human. He knew their purpose to be a moral one. And, looking upon them, recognising the spirit which animated them, he was taken with a reverence and sympathy for average, toiling humanity unfelt by him before. For he saw that by these, the workers, the final issues are inevitably decided, by these the final verdict is pronounced. Individually they may be contemptible, but in their corporate intelligence, corporate strength, they are little short of majestic. Of art, letters, practical civilisation, even religion, even, in a degree, nature herself, they are alike architects and judges. It must be so. It always has been so time out of mind in point of fact. And then he wondered why they were so patient of constraint? Why had they not risen long ago and obliterated the pretensions of those arrogant, indolent larvae peopling the angular apertures of the honey cells—those larvae of whom, by birth and wealth, sinfulness and uselessness, he was himself so conspicuous an example?

But then still clearer understanding of this whole strange matter came to him.—They, like all else,—mighty though they are in their corporate intention,—are obedient to fate. They can only act when the time is ripe. And then he understood yet more clearly. Their purpose in congregating here, whether they were conscious of it or not, was retributive. They were present to witness and to accomplish an act of foreordained justice.—Richard paused a moment, struggling with his own thought. And then he saw quite plainly that he himself was the object of that act of foreordained justice, he himself was the centre of that dimly-apprehended, approaching event. His punishment, his deliverance by means of that punishment, was that which had brought this great multitude together here to-night. He was awed. Yet with that awe came thankfulness, gratitude, an immense sense of relief. He need not seek self-obliteration, losing himself in far-away, tropic islands, or the ice-bound regions of the uttermost South. He could stay here. Sit quite still even—and that was well, for he was horribly tired and spent. He need only wait. When the time was ripe, they would do all the rest—do it for him by doing it to him.—How finely simple it all was! Incidentally he wondered if it would hurt very much. Not that that mattered, for beyond lay peace. Only he hoped they would get to work pretty soon, so that it might be over before the end of the second act, when Powell, the valet, would come back.

Richard's face had grown very youthful and eager. His eyes were unnaturally bright. And still he gazed down at that great company. His heart went out to it. He loved it, loved each and every member of it, as he had never conceived of loving heretofore. He would like to have gone down among them and become part of them, one with them in purpose, a partaker of their corporate strength. But that was forbidden. They were his preordained executioners. Yet in that capacity they were not the less, but the more, lovable. They were welcome to exact full justice. He longed after them, longed after the pain it was their mission to inflict.—And they were getting ready, surely they were getting ready! There was a sensible movement among them. They turned pale faces away from the brilliantly lighted stage, and towards the great horseshoe of waxen cells enclosing them. They were busy, dull-coloured insects again, and they buzzed—resentfully, angrily, they buzzed.

Yet even while Dickie noted all this, greatly moved by it, appreciating its inner meaning, its profound relation to himself and the drama of his own existence, he was not wholly unmindful of the progress of the opera and the charm of the graceful and fluent music which saluted his ears. He was aware of the entrance of the hero, of his greeting by his motley-clad followers. He felt kindly, just off the surface of his emotion so to speak, towards this impersonator of Ernani. The young actor's appearance was attractive, his voice fresh and sympathetic, his bearing modest. But the aristocratic occupants of the boxes treated him cavalierly. The famous Milanese tenor, whose name was on the programme, having failed to arrive, this local, and comparatively inexperienced, artist had been called upon to fill his part. Therefore the smart world talked more loudly than before, while the democratic occupants of the parterre, jealous for the reputation of their fellow-citizen, broke forth into stormy protest. And Richard could have found it in his heart to protest also. For it was waste of energy, this senseless conflict! It was unworthy of the dignity of that dull-coloured multitude, on whom his hopes were so strangely set—of the men in whose hands are the final rewards and punishments, by whose voice the final judgment is pronounced. It pained him to see these ministers of the Eternal Justice thus led away by trivial happenings, and their attention distracted from the main issue. For what, in God's name, did he and his sentimental love-carrollings amount to, this pretty fellow of a player, this fictitious hero of the modern, Neapolitan, operatic stage? Weighed in the balances, he and his whole occupation and calling were lighter, surely, than vanity itself? Rightly considered, he and his singing were but as a spangle, as some glittering trifle of tinsel, upon the veil still hiding the awful, yet benign, countenance of that tremendous and so surely approaching event.—Let him sing away, then, sing in peace. For the sound of his singing might help to lighten the weariness of the hours until the supreme hour should strike, and the glittering veil be torn asunder, and the countenance it covered be at last and wholly revealed.

Reasoning thus, Richard raised his opera glasses and swept those many superimposed ranges of waxen cells. And the aspect of them was to him very sinister, for everywhere he seemed to encounter soft, voluptuous, brainless faces, violences of hot colour, and costly clothing cunningly devised to heighten the physical allurements of womanhood. Everywhere, beside and behind these, he seemed to encounter the faces of men, gluttonous of pleasure, hungering for those generously-discovered, material charms. They were veritable antechambers of vice, those angular-mouthed, waxen cells. And, therefore, very fittingly, as he reflected, he had his place in one of them, since he was infected by the vices, active partaker in the sensuality, of his class.—Oh! that the bees would swarm—swarm, and make short work of it all, inflict completeness of punishment, and thereby cleanse him and set him free! In its intensity his longing came near taking the form of articulate prayer.

And then his thought shifted once more, attaching itself curiously, speculatively, to individual objects. For his survey of the house had just now brought a box into view, situated on the grand tier and almost immediately opposite his own. It was occupied by a party of six persons. With four of those persons Richard was aware he had nothing to do. But with the remaining two persons—a woman fashioned, as it appeared, of ivory and gold, and a young man standing almost directly behind her—he had much, everything, in fact, to do. It was incomprehensible to him that he had not observed these two persons sooner, since they were as necessary to the accomplishment of that terrible, yet beneficent, approaching event as he himself was. The woman he knew actually and intimately, though as yet he could give her no name, nor recall in what his knowledge of her consisted. The young man he knew inferentially. And Dickie was sensible of regarding him with instinctive repulsion, since his appearance presented a living and grossly ribald caricature of a figure august, worshipful, and holy. Long and closely Richard studied those two persons, studied them, forgetful of all else, straining his memory to place them. And all the while they talked.

But, at last, the woman fashioned of ivory and gold ceased talking. She folded her arms upon the velvet cushion of the front of the box and gazed right out into the theatre. There was a splendid arrogance in the pose of her head, and in the droop of her eyelids. Then she looked up and across, straight at Richard. He saw her drooping eyelids raised, her eyes open wide, and remain fixed as in amazement. A something alert, and very fierce, came into her expression. She seemed to think carefully for a brief space. She threw back her head, and he saw uncontrollable laughter convulse her beautiful throat. And, at that same moment, a mighty outburst of applause and of welcome shook the great theatre from floor to ceiling, and, as it died away, the voice of the famous soprano, rich and compelling as of old, swelled out, and made vibrant with passionate sweetness the whole atmosphere. And Richard hailed that glorious voice, not that in itself it moved him greatly, but because in it he recognised the beginning of the end. It came as prelude to catastrophe which was also salvation.—Very soon the bees would swarm now! He rallied his patience. He had not much longer to wait.

Meanwhile he looked back at that box on the grand tier, striving to unriddle the mystery of his knowledge of those two persons. He needed glasses no longer. His sight had become preternaturally keen. Again the two were talking—and about him, that was somehow evident. And, as they talked, he beheld a being, exquisitely formed, perfect in every part, step forth from between the lips of the woman fashioned of ivory and gold. It knelt upon one knee. Over the heads of the vast, dull-coloured multitude of workers, those witnesses of and participators in the execution of Eternal Justice, it gazed at him, Richard Calmady, and at him alone. And its gaze enfolded and held him like an embrace. It wooed him, extending its arms in invitation. It was naked and unashamed. It was black—black as the reeking, liquid lanes between the hulls of the many ships, over which the screaming gulls circled seeking foul provender, down in Naples harbour.—And he knew the fair woman it came forth from for Helen de Vallorbes, herself, in her crocus-yellow gown sewn with seed pearls. And he knew it for the immortal soul of her. And he perceived, moreover, as it smiled on and beckoned him with lascivious gestures, that its hands and its lips were bloody, since it had broken the hearts of living women and torn and devoured the honour of living men.

"Ernani, Ernani, involami"—still the air was vibrant with that glorious voice. But the love of which it was the exponent, the flight which it counseled, had ceased, to Richard's hearing, to bear relation to that which is earthly, concrete, and of the senses. The passion and promise of it were alike turned to nobler and more permanent uses, presaging the quick coming of expiation and of reconciliation contained in that supreme event. For he knew that, in a little moment, Helen must arise and follow the soul which had gone forth from her—the soul of which, in all its admirable perfection of outward form and blackness of intimate lies and lust, was close to him—though he no longer actually beheld it—here, beside him, laying subtle siege to him even yet. Where it went, there, of necessity, she who owned it must shortly follow, since soul and body cannot remain apart, save for the briefest space, until death effect their final divorce. Therefore Helen would come speedily. It could not be otherwise—so, at least, he argued. And her coming meant the culmination. Then, time being fully ripe, the bees would swarm, swarm at last,—labour revenging itself upon sloth, hunger upon gluttony, want upon wealth, obscurity upon privilege,—justice being thus meted out, and he, Richard, cleansed and delivered from the disgrace of deformity now so hideously infecting both his spirit and his flesh.

Of this he was so well assured that, disregarding the felt, though unseen, presence of that errant soul, disdaining to do battle with it, he leaned forward once more, looking down into the close-packed arena of the great theatre. All those brilliant figures, members of his own class, here present, were matter of indifference to him. In this moment of conscious and supreme farewell, it was to the dull-coloured multitude that he turned. They still moved him to sympathy. Unconsciously they had enlightened him concerning matters of infinite moment. At their hands he would receive penance and absolution. Before they dealt more closely with him,—since that dealing must involve suffering which might temporarily cloud his friendship for them,—he wanted to bid them farewell and assure them of his conviction of the righteousness of their corporate action. So, silently, he blessed them, taking leave of them in peace. Then he found there were other farewells to be said.—Farewell to earthly life as he had known it, the struggle and very frequent anguish of it, its many frustrated purposes, fair illusions, unfulfilled hopes. He must bid farewell, moreover, to art as he had relished it—to learning, as he had all too intermittently pursued it—to travel, as he had found solace in it—to the inexhaustible interest, the inextinguishable humour and pathos, in brief, of things seen. And, reviewing all this, a profound nostalgia of all those minor happinesses which are the natural inheritance of the average man arose in him—happiness of healthy, light-hearted activities, not only of the athlete and the fighting-man, but of the playing-field, and the ball-room, and the river—happinesses to him inevitably denied. With an almost boyish passion of longing, he cried out for these.—Just for one day to have lived with the ease and freedom with which the vast majority of men habitually live! Just for one day to have been neither dwarf nor cripple, but to have taken his place and his chance with the rest, before it all was over and the tale told!

But very soon Richard put these thoughts from him, deeming it unworthy to dwell upon them at this juncture. The call was to go forward, not to go back. So he settled himself in his chair once more, pulling the velvet drapery forward so as to shut out the sight of the house. Bitterness should have no part in him. When that happened which was appointed to happen, it must find him not only acquiescent but serene and undisturbed. He composed himself, therefore, with a decent and even lofty pride. Then he turned his eyes upon the narrow door, there in the semi-obscurity of the back of the box, and waited. And all the while royally, triumphantly, Morbita sang.

During that period of waiting—whether in itself brief or prolonged, he knew not—sensation and thought alike were curiously in abeyance. Richard neither slept nor woke. He knew that he existed, but all active relation to being had ceased. And it was with painful effort he in a measure returned to more ordinary correspondence with fact, aroused by the sound of low-toned, emphatic speech close at hand, and by a scratching as of some animal denied and seeking admittance. Then he perceived that the door yielded, letting in a spread of yellow brightness from the corridor. And in the midst of that brightness, part and parcel of it thanks to the lustre of her crocus-yellow dress, her honey-coloured hair, her fair skin and softly-gleaming ornaments, stood Helen de Vallorbes. Behind her, momentarily, Richard caught sight of the young man whose face had impressed him as a ribald travesty of that of some being altogether worshipful and holy. The face peered at him with, as it seemed, malicious curiosity over the rounded shoulder of the woman of ivory and gold, The effect was very hateful, and, with a sense of thankfulness, Richard saw Helen close the door and come, alone, down the two steps leading from the back of the box. As she passed from the dimness into the clearer light, he watched her, quiescent, yet with absorbing interest. For he perceived that the hands of the clock had been put back somehow. Intervening years and the many events of them had ceased to obtain, so that, of all the many Helens, enchanting or evil, whom he had come to know, he saw now only one, and that the first and earliest—a little dancer, with blush-roses in her hat, dainty as a toy, finished to her rosy finger-tips and the toes of her pretty shoes, merry and merciless, as she had pirouetted round him mocking his shuffling, uncertain progress across the Chapel-Room at Brockhurst fifteen years ago.

"Ah! so you have come back!" he exclaimed, almost involuntarily.

Madam de Vallorbes pushed a chair from the front of the box into the shadow of the velvet draperies beside Richard.

"It is unnecessary that all Naples should take part in our interview," she said. She sat down, turning to him, leaning a little towards him.

"You do not deserve that I should come back, you know, Dickie," she continued. "You both deserted and deceived me. That is hardly chivalrous, hardly just indeed, after taking all a woman has to give. You led me to suppose you had departed for good and all. Why should you deceive me?"

"The yacht was not ready for sea," Richard said simply.

"Then you might, in common charity, have let me know that. You were bound to give me an opportunity of speaking to you once again, I think."

In his present state of detachment from all worldly considerations, absolute truthfulness compelled Richard. The event was so certain, the swarming of the bees so very near, that small diplomacies, small evasions, seemed absurdly out of place.

"I did not want to hear you speak," he said.

"But doesn't it strike you that was rather dastardly in face of what had taken place between us? Do you know that you appear in a new and far from becoming light?"

Denial seemed to Richard futile. He remained silent.

For a moment Helen looked towards the stage. When she spoke again it was as with reluctance.

"I was desperately unhappy. I went all over the villa in the vain hope of finding you. I went back to that room of yours in which we parted. I wanted to see it again."—Helen paused. Her speech was low-toned, soft as milk.—"It was rather dreadful, Dickie, for the place was all in disarray, littered with signs of your hasty departure, damp, cheerless—the rain beating against the windows. And I hate rain. I found there, not you—whom I so sorely wanted—but something very much else.—A letter to you from de Vallorbes."—Once more she paused. "I excuse you of anything worse than negligence in omitting to destroy it. Misery knows no law, and I was miserable. I read it."

Richard had listened with the same detachment, yet the same absorbed interest, with which he had watched her entrance. She was a wonderful creature in her adroitness, in her handling of means to serve her own ends! But he could not pay her back in her own coin. The time was too short for anything but simple truth. He felt strangely tired. These reiterated delays became harassing. If the bees would swarm, only swarm! Then it would be over, and he could sleep. He clasped his hands behind his head and looked at Madame de Vallorbes. Her soul kneeled on her lap, its delicate arms were clasped about her neck—black against the lustrous white of her skin and all those twisted ropes of seed pearls. It pressed its breasts against hers, amorously. It loved her and she it. And he understood that in the whole scope of nature there was but it alone, it only, that she ever had loved, or did, or could, love. And, understanding this, he was filled with a great compassion for her. And, answering her, his expression was gentle and pitiful. Still he needs must speak the truth.

"Perhaps it was as well that you should read Luigi's letter," he said.

She turned upon him fiercely and scornfully, yet even as she did so her soul fell to beckoning to him, soliciting him with evilly alluring gestures.

"My congratulations to you," she exclaimed, "upon your praiseworthy candour! I am to gather, then, that you believe that which my husband advises himself to tell you? Under the circumstances it is exceedingly convenient to you to do so, no doubt."

"How can I avoid believing it?" Richard asked, quite sweet-temperedly. "Surely we need not waste the little time which remains in argument as to that? You must admit, Helen, that Luigi's letter fits in. It supplies just the piece of the puzzle which was missing. It tallies with all the rest."

"All the rest?"

"Oh yes! It is part of the whole, precisely that part both of you and of Naples which I knew, and tried so hard not to know, from the first. But it is worse than useless to practice such refusals. The Whole, and nothing less than the whole, is bound to get one in the end. It is contrary to the nature of things that any integral portion of the whole should submit to permanent denial."—Richard's voice deepened. He spoke with a subdued enthusiasm, thinking of the dull-coloured multitude there in the arena and the act of retributive justice on the eve, by them, of accomplishment.—"It seems to me the radical weakness of all human institutions, of all systems of thought, resides in exactly that effort to select and reject, to exalt one part as against another part, and so build not upon the rock of unity and completeness, but upon the sand of partiality and division. And sooner or later the Whole revenges itself, and the fine-fanciful fabric crumbles to ruin, just for lack of that which in our short-sighted over-niceness we have taken such mighty great pains to miss out. This has happened times out of number in respect of religions, and philosophies, and the constitution of kingdoms, and in that of fair romances which promised to stand firm to all eternity. And now, now, in these last few days,—since laws which rule the general, also rule the individual life,—it has happened in respect of you, Helen, to my seeing, and in respect of Naples."—Richard smiled upon her sadly and very sweetly.—"I am sorry," he said, "yes, indeed, horribly sorry. It is a bitter thing to see the last of one's gods go overboard. But there is no remedy. Sorry or not, so it is."

Madame de Vallorbes looked at him keenly. Her attitude was strained. Her face sombre with thought.

"My God! my God!" she exclaimed, "that I should sit and listen to all this! And yet you were never more attractive. There is an unnatural force, unnatural beauty about you. You are ill, Richard. You look and you speak as a man might who was about to join hands with death."

But Dickie's attention had wandered again. He pulled the velvet drapery aside somewhat, and gazed down into the crowded house. They lingered strangely in the performance of their mission, that dull-coloured multitude of workers!—Just then came another mighty outburst of applause, cries, vivas, the famous soprano's name called aloud. The sound was stimulating, as the shout of a victorious army. Richard hailed it as a sign of speedy deliverance, and sank back into his place.

"Oh yes!" he said civilly and lightly, "I fancy I am pretty bad. I am a bit sick of this continued delay, you see. I suppose they know their own business best, but they do seem most infernally slow in getting under weigh. I was ready hours ago. However, they must be nearly through with preliminaries now. And when once we're fairly into it, I shall be all right."

"You mean when the yacht sails?" Madame de Vallorbes asked. Still she looked at him intently. He turned to her smiling, and she observed that his eyes had ceased to be as windows opening back on to empty space. They were luminous with a certain gay content.

"Yes, of course—when the yacht sails, if you like to put it that way," he answered.

"And when will that be?"

The shout of the arena grew louder in the recall. It surged up to the roof and quivered along the lath and plaster partitions of the boxes.

"Very soon now. Immediately, I think, please God," he said.—But why should she make him speak thus foolishly in riddles? Of a surety she must read the signs of the approach of that momentous and beneficent event as clearly as he himself! Was she not equally with himself involved in it? Was she not, like himself, to be cleansed and set free by it? Therefore it came as a painful bewilderment and shock to him when she drew closer to him, leaned forward, laid her hand lightly upon his thigh.

"Richard," she said, very softly, "I forgive all. I am not satisfied with loving. I will come with you. I will stay with you. I will be faithful to you—yes, yes, even that. Your loving is unlike any other. It is unique, as you yourself are unique. I—I want more of it."

"But you must know that it is too late to go back on that now," he said, reasoning with her, greatly perplexed and distressed by her determined ignoring of—to him—self-evident fact. "All that side of things for us is over and done with."

Her lips parted in naughty laughter. And then, not without a shrinking of quick horror, Richard beheld the soul of her—that being of lovely proportions, exquisitely formed in every part, yet black as the foul, liquid lanes between the hulls of the many ships down in Naples harbour—step delicately in between those parted lips, returning whence it came. And, beholding this, instinctively he raised her hand from where it rested upon his thigh, and put it from him, put it upon her glistering, crocus-yellow lap where her soul had so lately kneeled.

"Let us say no more, Helen," he entreated, "lest we both forfeit our remaining chance, and become involved in hopeless and final condemnation."

But Madame de Vallorbes' anger rose to overwhelming height. She slapped her hands together.

"Ah, you despise me!" she cried. "But let me assure you that in any case this assumption of virtue becomes you singularly ill. It really is a little bit too cheap, a work of supererogation in the matter of hypocrisy. Have the courage of your vices. Be honest. You can be so to the point of insult when it serves your purpose. Own that you are capricious, own that you have lighted upon some woman who provokes your appetite more than I do! I have been too tender of you, too lenient with you. I have loved too much and been weakly desirous to please. Own that you are tired of me, that you no longer care for me!"

And he answered, sadly enough:—

"Yes, that last is true. Having seen the Whole, that has happened which I always dreaded might happen. The last of my self-made gods has indeed gone overboard. I care for you no longer."

Helen sprang up from her chair, ran to the door, flung it open. The first act of the opera was concluded. The curtain had come down. The house below and around, the corridor without, were full of confused noise and movement.

"Paul, M. Destournelle, come here," she cried, "and at once!"

But Richard was more than ever tired. The strain of waiting had been too prolonged. Lights, draperies, figures, the crowded arena, the vast honeycomb of boxes, tier above tier, swam before his eyes, blurred, indistinct, vague, shifting, colossal in height, giddy in depth. The bees were swarming, at last, swarming upward through seas of iridescent mist. But he had no longer empire over his own attitude and thoughts. He had hoped to meet the supreme moment in full consciousness, with clear vision and thankfulness of heart. But he was too tired to do so, tired in brain and body alike. And so it happened that a dogged endurance grew on him, simply a setting of the teeth and bracing of himself to suffer silently, even stupidly, all that might be in store. For the bees were close upon him now, countless in number, angry, grudging, violent. But they no longer appeared as insects. They were human, save for their velvet-like, expressionless eyes. And all those eyes were fixed upon him, and him alone. He was the centre towards which, in thought and action, all turned. Nor were the dull-coloured occupants of the parterre alone in their attack. For those gay-coloured larvae—the men and women of his own class—indolent, licentious, full-fed, hung out of the angular mouths of the waxen cells, above the crimson and gold of their cushions, pointing at him, claiming and yet denouncing him. And in the attitude of these the democratic and the aristocratic sections—he detected a difference. The former swarmed to inflict punishment for his selfishness, uselessness, sensuality. But the latter jeered and mocked at his bodily infirmity, deriding his deformity, making merry over his shortened limbs and shuffling walk. And against this background, against this all-enclosing tapestry of faces which encircled him, two persons, and the atmosphere and aroma of them, so to speak, were clearly defined. They were close to him, here within the narrow limits of the opera box. Then a great humiliation overtook Richard, perceiving that they, and not the people, the workers, august in their corporate power and strength, were to be his executioners.—No—no—he wasn't worth that! And, for all his present dulness of sensation, a sob rose in his throat. Madame de Vallorbes, resplendent in crocus-yellow brocade, costly lace, and seed pearls, the young man, her companion—the young man of the light, forked beard, domed skull, vain eyes and peevish mouth—the young man of holy and dissolute aspect—were good enough instruments for the Eternal Justice to employ in respect of him, Richard Calmady.

"Look, M. Destournelle," Helen said very quietly, "this is my cousin of whom I have already spoken to you. But I wished to spare him if possible, and give him room for self-justification, so I did not tell you all. Richard, this is my friend, M. Destournelle, to whom my honour and happiness are not wholly indifferent."

Dickie looked up. He did not speak. Vaguely he prayed it might all soon be over. Paul Destournelle looked down. He raised his eye-glass and bowed himself, examining Richard's mutilated legs and strangely-shod feet. He broke into a little, bleating, goat-like laugh.

"Mais c'est etonnant!" he observed reflectively.

"I was in his house," Helen continued. "I was there unprotected, having absolute faith in his loyalty."—She paused a moment. "He seduced me. Richard can you deny that?"

"Canaille!" M. Destournelle murmured. He drew a pair of gloves through his hands, holding them by the finger-tips. The metal buttons of them were large, three on each wrist. Those gloves arrested Richard's attention oddly.

"I do not deny it," Dickie said.

"And having thus outraged, he deserted me. Do you deny that?"

"No," Dickie said again. For it was true, that which she asserted, true, though penetrated by subtle falsehood impossible, as it seemed to him, to combat,—"No, I do not deny it."

"You hear!" Helen exclaimed. "Now do what you think fit."

Still Destournelle drew the gloves through his hands, holding them by the finger-tips.

"Under other circumstances I might feel myself compelled to do you the honour of sending you a challenge, monsieur," he said. "But a man of sensibility like myself cannot do such violence to his moral and artistic code as to fight with an outcast of nature, an abortion, such as yourself. The sword and the pistol I necessarily reserve for my equals. The deformed person, the cripple, whose very existence is an offense to the eye and to every delicacy of sense, must be condescended to, and, if chastised at all, must be chastised without ceremony, chastised as one would chastise a dog."

And with that he struck Richard again and again across the face with those metal-buttoned gloves.

Mad with rage, blinded and sick with pain, Dickie essayed to fling himself upon his assailant. But Destournelle was too adroit for him. He skipped aside, with his little, bleating, goat-like laugh, and Richard fell heavily full length, his forehead coming in contact with the lower step of the descent from the back of the box. He lay there, too weak to raise himself.

Paul Destournelle bent down and again examined him curiously.

"C'est etonnant!" he repeated.—He gave the prostrate body a contemptuous kick. "Dear madame, are you sufficiently avenged? Is it enough?" he inquired sneeringly.

And vaguely, as from some incalculable distance, Richard heard Helen de Vallorbes' voice:—"Yes—it is a little affair of honour which dates from my childhood. It has taken many years in adjusting. I thank you, mon cher, a thousand times. Now let us go quickly. It is enough."

Then came darkness, silence, rest.



BOOK VI

THE NEW HEAVEN AND THE NEW EARTH



CHAPTER I

IN WHICH MISS ST. QUENTIN BEARS WITNESS TO THE FAITH THAT IS IN HER

Honoria divested herself of her traveling-cap, thrust her hands into the pockets of her frieze ulster, and thus, bareheaded, a tall, supple, solitary figure, paced the railway platform in the dusk. Above the gentle undulations of the western horizon splendours of rose-crimson sunset were outspread, veiled, as they flamed upward, by indigo cloud of the texture and tenuity of finest gauze. And those same rose-crimson splendours found repetition upon the narrow, polished surface of the many lines of rails, causing them to stand out, as though of red-hot metal, from the undeterminate gray-drab of the track where it curved away, southeastward, across the darkening country towards the Savoy Alps. And from out the fastnesses of these last, quick with the bleak purity of snow, came a breathing of evening wind. To Honoria it brought refreshing emphasis of silence, and of immunity from things human and things mechanical. It spoke to her of virgin and unvisited spaces, ignorant of mankind and of obligation to his so many and so insistent needs. And there being in Honoria herself a kindred defiance of subjection, a determination, so to speak, of physical and emotional chastity, she welcomed these intimations of the essential inviolability of nature, finding in them justification and support of her own mental attitude—of the entire wisdom of which she had, it must be owned, grown slightly suspicious of late.

And this was the more grateful to her, not only as contrast to the noise and dust of a lengthy and hurriedly-undertaken journey, but because that same journey had been suddenly and, in a sense violently, imposed upon one whom she held in highest regard, by another whom she had long since agreed with herself to hold in no sort of regard at all. Since the highly-regarded one set forth, she—Honoria—of course, set forth likewise. And yet, in good truth, the whole affair rubbed her not a little the wrong way! She recognised in it a particularly flagrant example of masculine aggression. Some persons, as she reflected, are permitted an amount of elbow room altogether disproportionate to their deserts. Be sufficiently selfish, sufficiently odious, and everybody becomes your humble servant, hat in hand! That is unfair. It is, indeed, quite extensively exasperating to the dispassionate onlooker. And, in Miss St. Quentin's case, exasperation was by no means lessened by the fact that candour compelled her to admit doubt not only as to the actuality of her own dispassionateness, but, as has already been stated, to the wisdom of her mental attitude generally. She wanted to think and feel one way. She was more than half afraid she was much disposed to think and feel quite another way. This was worrying. And, therefore, it came about that Honoria hailed the present interval of silence and solitude, striving to put from her remembrance both the origin and object of her journey, while filling her lungs with the snow-fed purity of the mountain wind and yielding her spirit to the somewhat serious influences of surrounding nature. All too soon the great Paris-express would thunder into the station. The heavy, horse-box-like sleeping-car—now standing on the Culoz-Geneva-Bale siding—would be coupled to the rear of it. Then the roar and rush would begin again—from dark to dawn, and on through the long, bright hours to dark once more, by mountain gorge, and stifling tunnel, and broken woodland, and smiling coastline, and fertile plain, past Chambery, and Turin, and Bologna, and mighty Rome herself, until the journey was ended and distant Naples reached at last.

But Miss St. Quentin's communings with nature were destined to speedy interruption. Ludovic Quayle's elongated person, clothed to the heels in a check traveling-coat, detached itself from the company of waiting passengers, and blue-linen-clad porters, upon the central platform before the main block of station buildings, and made its light and active way across the intervening lines of crimson-stained metals.

"If I am a nuisance mention that chastening fact without hesitation," he said, standing on the railway track and looking up at her with his air of very urbane intelligence. "Present circumstances permit us the privilege—or otherwise—of laying aside restraints of speech, along with other small proprieties of behaviour commonly observed by the polite. So don't spare my feelings, dear Miss St. Quentin. If I am a bore, tell me so, and I will return, and that without any lurking venom in my breast, whence I came."

"Do anything you please," Honoria replied, "except be run over by the Paris train."

"The Paris train, so I have just learned, is an hour late, consequently its arrival hardly enters into the question. But, since you are graciously pleased to bid me do as I like, I stay," Mr. Quayle returned, stepping on to the platform and turning to pace beside her.—"What a gaol delivery it is to get into the open! That last engine of ours threw ashes to a truly penitential extent. My mouth and throat still claim unpleasantly close relation to a neglected, kitchen grate. And if our much vaunted waggon-lits is the last word of civilisation in connection with travel, then all I can say is that, in my humble opinion, civilisation has yet a most exceedingly long way to go. It really is a miraculously uncomfortable vehicle. And how Lady Calmady contrives to endure its eccentricities of climate and of motion, I'm sure I don't know."

"In her case the end would make any sort of means supportable," Honoria answered.

Her pacings had brought her to the extreme end of the platform where it sloped to the level of the track. She stood there a moment, her head thrown back, snuffing the wind as a hind, breaking covert, stands and snuffs it. A spirit of questioning possessed her, though not—as in the hind's case—of things concrete and material. It is true she could have dispensed with Mr. Quayle's society. She did not want him. But he had shown himself so full of resource, so considerate and helpful, ever since the news of Sir Richard Calmady's desperate state had broken up the peace of the little party at Ormiston Castle, now five days ago, that she forgave him even his preciousness of speech, even his slightly irritating superiority of manner. She had ceased to be on her guard with him during these days of travel, had come to take his presence for granted and to treat him with the comfortable indifference of honest good-fellowship. So, it followed that now, speaking with him, she continued to follow out her existing train of thought.

"I'm by no means off my head about poor Dickie Calmady," she said presently,—"specially where Cousin Katherine is concerned. I couldn't go on caring about anybody, irrespective of their conduct, just because they were they. And yet I can't help seeing it must be tremendously satisfying to feel like that."

"A thousand pardons," Ludovic murmured, "but like what?"

"Why as Cousin Katherine feels—just whole-heartedly, without analysis, and without alloy—to feel that no distance, no fatigue, no nothing in short, matters, so long as she gets to him in time. I don't approve of such a state of mind, and yet"—Honoria wheeled round, facing the glory of colour dyeing all the west—"and yet, I'm untrue enough to my own principles rather to envy it."

She sighed, and that sigh her companion noted and filed for reference. Indeed, an unusually expansive cheerfulness became, perceptible in Mr. Quayle.

"By the bye, is there any further news?" she inquired.

"General Ormiston has just had a telegram."

"Anything fresh?"

"Still unconscious, strength fairly maintained."

"Oh! we know that by heart!" Honoria said.

"We do. And we know the consequences of it—the sweet little see-saw of hope and fear, productive of unlimited discussion and anxiety. No weak letting one stand at ease about that telegram! It keeps one's nose hard down on the grindstone."

"If he dies," Honoria said slowly, "if he dies—poor, dear Cousin Katherine!—When can we hear again?"

"At Turin," Mr. Quayle replied.

Then they both fell silent until the far end of the platform was reached. And there, once more, Honoria paused, her small head carried high, her serious eyes fixed upon the sunset. The rosy light falling upon her failed to disguise the paleness of her face or its slight angularity of line. She was a little worn and travel-stained, a little disheveled even. Yet to her companion she had rarely appeared more charming. She might be tired, she might even be somewhat untidy, but her innate distinction remained—nay, gained, so he judged, by suggestion of rough usage endured. Her absolute absence of affectation, her unself-consciousness, her indifference to adventitious prettinesses of toilet, her transparent sincerity, were very entirely approved by Ludovic Quayle.

"Yes, that see-saw of hope and fear must be an awful ordeal, feeling as she does," Miss St. Quentin said presently. "And yet, even so, I am uncertain. I can't help wondering which really is best!"

"Again a thousand pardons," the young man put in, "but I venture to remind you that I was not cradled in the forecourt of the temple of the Pythian Apollo, but only in the nursery of a conspicuously Philistine, English country-house."

For the first time during their conversation Honoria looked full at him. Her glance was very friendly, yet it remained meditative, even a trifle sad.

"Oh! I know, I'm fearfully inconsequent," she said. "But my head is simply rattled to pieces by that beastly waggon-lit. I had gone back to what I was thinking about before you joined me, and to what we were saying just now about Cousin Katherine."

"Yes—yes, exactly," Ludovic put in tentatively. She was going to give herself away—he was sure of it. And such giving away might make for opportunity. In spirit, the young man proceeded to take his shoes from off his feet. The ground on which he stood might prove to be holy. Moreover Miss St. Quentin's direct acts of self-revelation were few and far between. He was horribly afraid those same shoes of his might creak, so to speak, thereby startling her into watchfulness, making her draw back. But Honoria did not draw back. She was too much absorbed by her own thought. She continued to contemplate the glory of the flaming west, her expression touched by a grave and noble enthusiasm.

"I suppose one can't help worrying a little at times—it's laid hold of me very much during the last month or two—as to what is really the finest way to take life. One wants to arrive at that fairly early; not by a process of involuntary elimination, on the burnt-child-fears-the-fire sort of principle, when the show's more than half over, as so many people do. One wants to get hold of the stick by the right end now, while one's still comparatively young, and then work straight along. I want my reason to be the backbone of my action, don't you know, instead of merely the push of society and friendship, and superficial odds and ends of so-called obligation to other people."

"Yes," Mr. Quayle put in again.

"Now, it seems to me, that"—Honoria extended one hand towards the sunset—"is Cousin Katherine's outlook on life and humanity, full of colour, full of warmth. It burns with a certain prodigality of beauty, a superb absence of economy in giving. And that"—with a little shrug of her shoulders she turned towards the severe, and sombre, eastern landscape—"that, it strikes me, comes a good deal nearer my own. Which is best?"

Mr. Quayle congratulated himself upon the removal of his shoes. The ground was holy—holy to the point of embarrassment even to so unabashable and ready-tongued a gentleman as himself. He answered with an unusual degree of diffidence.

"An intermediate position is neither wholly inconceivable nor wholly untenable, perhaps."

"And you occupy it? Yes, you are very neatly balanced. But then, do you really get anywhere?"

"Is not that a rather knavish speech, dear Miss St. Quentin?" the young man inquired mildly.

"I don't know," she answered, "I wish to goodness I did."

Now was here god-given opportunity, or merely a cunningly devised snare for the taking of the unwary? Ludovic pondered the matter. He gently kicked a little pebble from the dingy gray-drab of the asphalt on to the permanent way. It struck one of the metals with a sharp click. A blue-linen-clad porter, short of stature and heavy of build, lighted the gas lamps along the platform. The flame of these wavered at first, and flickered, showing thin and will-o'-the-wisp-like against the great outspread of darkening country across which the wind came with a certain effect of harshness and barrenness—the inevitable concomitant of its inherent purity. And the said wind treated Miss St. Quentin somewhat discourteously, buffeting her, obliging her to put up both hands to push back stray locks of hair. Also the keen breath of it pierced her, making her shiver a little. Both of which things her companion noting, took heart of grace.

"Is it permitted to renew a certain petition?" he asked, in a low voice.

Honoria shook her head.

"Better not, I think," she said.

"And yet, dear Miss St. Quentin, pulverised though I am by the weight of my own unworthiness, I protest that petition is not wholly foreign to the question you did me the honour to ask me just now."

"Oh! dear me! You always contrive to bring it round to that!" she exclaimed, not without a hint of petulance.

"Far from it," the young man returned. "For a good, solid eighteen months, now, I have displayed the accumulated patience of innumerable asses."

"Of course, I see what you're driving at," she continued hastily. "But it is not original. It's just every man's stock argument."

"If it bears the hall-mark of hoary antiquity, so much the better. I entertain a reverence for precedent. And honestly, as common sense goes, I am not ashamed of that of my sex."

Miss St. Quentin resumed her walk.

"You really think it stands in one's way," she said reflectively, "you really think it a disadvantage, to be a woman?"

"Oh! good Lord!" Mr. Quayle ejaculated, softly yet with an air so humorously aghast that it could leave no doubt as to the nature of his sentiments. Then he cursed himself for a fool. His shoes indeed had made a mighty creaking! He expected an explosion of scornful wrath. He admitted he deserved it. It did not come.

Miss St. Quentin looked at him, for a moment, almost piteously. He fancied her mouth quivered and that her eyes filled with tears. Then she turned and swung away with her long, easy, even stride. Mentally the young man took himself by the throat, conscience-stricken at having humiliated her, at having caused her to fall, even momentarily, from the height of her serene, maidenly dignity. For once he became absolutely uncritical, careless of appearances. He fairly ran after her along the platform.

"Dear Miss St. Quentin," he called to her, in tones of most persuasive apology.

But Honoria's moment of piteousness was past. She had recovered all her habitual lazy and gallant grace when he came up with her.

"No—no," she said. "Hear me. I began this rather foolish conversation. I laid myself open to—well to a snubbing. I got one, anyhow!"

"In mercy don't rub it in!" Mr. Quayle murmured contritely.

"But I did," Honoria returned. "Now it's over and I'm going to pick up the pieces and put them back in their places—just where they were before."

"But I protest!—I hailed a new combination. I discover in myself no wild anxiety to have the pieces put back just where they were before."

"Oh! yes, you do," Honoria declared. "At least, you certainly will when I explain it to you."—She paused.—"You see," she said, "it is like this. Living with and watching Cousin Katherine, I have come to know all that side of things at its very finest."

"Forgive me.—It? What? May I recall to you the fact of the Philistine nursery?"

The young lady's delicate face straightened.

"You know perfectly well what I mean," she said.—"That which we all think about so constantly, and yet affect to speak of as a joke or a slight impropriety—love, marriage, motherhood."

"Yes, Lady Calmady is a past-master in those arts," Mr. Quayle replied.—Again the ground was holy. He was conscious his pulse quickened.

"The beauty of it all, as one sees it in her case, breaks one up a little. There is no laugh left in one about those things. One sees that to her they are of the nature of religion—a religion pure and undefiled, a new way of knowing God and of bringing oneself into line with the truth as it is in Him. But, having once seen that, one can decline upon no lower level. One grows ambitious. One will have it that way or not at all."

Honoria paused again. The bleak wind buffeted her. But she was no longer troubled or chilled by it, rather did it brace her to greater fearlessness of resolve and of speech.

"You are contemptuous of women," she said.

"I have betrayed characteristics of the ass, other than its patience," Ludovic lamented.

"Oh! I didn't mean that," Honoria returned, smiling in friendliest fashion upon him. "Every man worth the name really feels as you do, I imagine. I don't blame you. Possibly I am growing a trifle shaky as to feminine superiority, and woman spelled with a capital letter, myself. I'm awfully afraid she is safest—for herself and others—under slight restraint, in a state of mild subjection. She's not quite to be trusted, either intellectually or emotionally—at least, the majority of her isn't. If she got her head, I've a dreadful suspicion she would make a worse hash of creation generally than you men have made of it already, and that"—Honoria's eyes narrowed, her upper lip shortened, and her smile shone out again delightfully—"that's saying a very great deal, you know."

"My spirits rise to giddy heights," Mr. Quayle exclaimed. "I endorse those sentiments. But whence, oh, dear lady, this change of front?"

"Wait a minute. We've not got to the end of my contention yet."

"The Paris train is late. There is time. And this is all excellent hearing."

"I'm not quite so sure of that," Honoria said. "For, you see, just in proportion as I give up the fiction of her superiority, and admit that woman already has her political, domestic, and social deserts, I feel a chivalry towards her, poor, dear thing, which I never felt before. I even feel a chivalry towards the woman in myself. She claims my pity and my care in a quite new way."

"So much the better," Mr. Quayle observed, outwardly discreetly urbane, inwardly almost riotously jubilant.

"Ah! wait a minute," she repeated. Her tone changed, sobered. "I don't want to spread myself, but you know I can meet men pretty well on their own ground. I could shoot and fish as well as most of you, only that I don't think it right to take life except to provide food, or in self-defense. There's not so much happiness going that one's justified in cutting any of it short. Even a jack-snipe may have his little affairs of the heart, and a cock-salmon his gamble. But I can ride as straight as you can. I can break any horse to harness you choose to put me behind. I can sail a boat and handle an axe. I can turn my hand to most practical things—except a needle. I own I always have hated a needle worse—well, worse than the devil! And I can organise, and can speak fairly well, and manage business affairs tidily. And have I not even been known—low be it spoken—to beat you at lawn tennis, and Lord Shotover at billiards?"

"And to overthrow my most Socratic father in argument. And outwit my sister Louisa in diplomacy—vide our poor, dear Dickie Calmady's broken engagement, and the excellent, scatter-brain Decies' marriage."

"But Lady Constance is happy?" Honoria put in hastily.

"Blissful, positively blissful, and with twins too! Think of it!—Decies is blissful also. His sense of humour has deteriorated since his marriage, from constant association with good, little Connie who was never distinguished for ready perception of a joke. He regards those small, simultaneous replicas of himself with unqualified complacency, which shows his appreciation of comedy must be a bit blunted."

"I wonder if it does?" Miss St. Quentin observed reflectively. Whereat Mr. Quayle permitted himself a sound as nearly approaching a chuckle as was possible to so superior a person.

"A thousand pardons," he murmured, "but really, dear lady, you are so very much off on the other tack."

"Am I?" Miss St. Quentin said. "Well, you see—to go back to my demonstration—I've none of the quarrel with your side of things most women have, because I'm not shut out from it, and so I don't envy you. I can amuse and interest myself on your lines. And therefore I can afford to be very considerate and tender of the woman in me. I grow more and more resolved that she shall have the very finest going, or that she shall have nothing, in respect of all which belongs to her special province—in regard to love and marriage. In them she shall have what Cousin Katherine has had, and find what Cousin Katherine has found, or all that shall be a shut book to her forever. Even if discipline and denial make her a little unhappy, poor thing, that's far better than letting her decline upon the second best."

Honoria's voice was full and sweet. She spoke from out the deep places of her thought. Her whole aspect was instinct with a calm and seasoned enthusiasm. And, looking upon her, it became Ludovic Quayle's turn to find the evening wind somewhat bleak and barren. It struck chill, and he turned away and moved westwards towards the sunset. But the rose-crimson splendours had become faint and frail, while the indigo cloud had gathered into long, horizontal lines as of dusky smoke, so that the remaining brightness was seen as through prison bars. A sadness, indeed, seemed to hold the west, even greater than that which held the east, since it was a sadness not of beauty unborn, but of beauty dead. And this struck home to the young man. He did not care to speak. Miss St. Quentin walked beside him in silence, for a time. When at last she spoke it was very gently.

"Please don't be angry with me," she pleaded. "I like you so much that—that I'd give a great deal to be able to think less of my duty to the tiresome woman in me."

"I would give a great deal too," he declared, regardless of grammar.

"But I'm not the only woman in the world, dear Mr. Quayle," she protested presently.

"But I, unfortunately, have no use for any other," he returned.

"Ah, you distress me!" Honoria cried.

"Well, I don't know that you make me superabundantly cheerful," he answered.

Just then the far-away shriek of a locomotive and dull thunder of an approaching train was heard. Mr. Quayle looked once more towards the western horizon.

"Here's the Paris-express!" he said. "We must be off if we mean to get round before our horse-box is shunted."

He jumped down on to the permanent way. Miss St. Quentin followed him, and the two ran helter-skelter across the many lines of metals, in the direction of the Culoz-Geneva-Bale siding. That somewhat childish and undignified proceeding ministered to the restoration of good fellowship.

"Great passions are rare," Mr. Quayle said, laughing a little. His circulation was agreeably quickened. How surprisingly fast this nymph-like creature could get over the ground, and that gracefully, moreover, rather in the style of a lissome, long-limbed youth than in that of a woman.

"Rare? I know it," she answered, the words coming short and sharply. "But I accept the risk. A thousand to one the book remains shut forever."

"And I, meanwhile, am not too proud to pass the time of day with the second best, and take refuge in the accumulated patience of innumerable asses."

And, behind them, the express train thundered into the station.



CHAPTER II

TELLING HOW, ONCE AGAIN, KATHERINE CALMADY LOOKED ON HER SON

The bulletin received at Turin was sufficiently disquieting. Richard had had a relapse. And when at Bologna, just as the train was starting, General Ormiston entered the compartment occupied by the two ladies, there was that in his manner which made Miss St. Quentin lay aside the magazine she was reading and, rising silently from her place opposite Lady Calmady, go out on to the narrow passageway of the long sleeping-car. She was very close to the elder woman in the bonds of a dear and intimate friendship, yet hardly close enough, so she judged, to intrude her presence if evil-tidings were to be told. A man going into battle might look, so she thought, as Roger Ormiston looked now—very stern and strained. It was more fitting to leave the brother and sister alone together for a little space.

At the far end of the passageway the servants were grouped—Clara, comely of face and of person, neat notwithstanding the demoralisation of feminine attire incident to prolonged travel. Winter, the Brockhurst butler, clean-shaven, gray-headed, suggestive of a distinguished Anglican ecclesiastic in mufti. Miss St. Quentin's lady's-maid, Faulstich by name, a North-Country woman, angular of person and of bearing, loyal of heart. And Zimmermann, the colossal German-Swiss courier, with his square, yellow beard and hair en brosse. An air of discouragement pervaded the party, involving even the polyglot conductor of the waggon-lits, a small, quick, sandy-complexioned, young fellow of uncertain nationality, with a gold band round his peaked cap. He respected this family which could afford to take a private railway-carriage half across Europe. He shared their anxieties. And these were evidently great. Clara wept. The old butler's mouth twitched, and his slightly pendulous cheeks quivered. The door at the extreme end of the car was set wide open. Ludovic Quayle stood upon the little, iron balcony smoking. His feet were planted far apart, yet his tall figure swayed and curtseyed queerly as the heavy carriage bumped and rattled across the points. High walls, overtopped by the dark spires of cypresses, overhung by radiant wealth of lilac Wisteria, and of roses red, yellow, and white, reeled away in the keen sunshine to the left and right. Then, clearing the outskirts of the town, the train roared southward across the fair, Italian landscape beneath the pellucid, blue vault of the fair, Italian sky. And to Honoria there was something of heartlessness in all that fair outward prospect. Here, in Italy, the ancient gods reigned still, surely, the gods who are careless of human woe.

"Is there bad news, Winter?" she asked.

"Mr. Bates telegraphs to the General that it would be well her ladyship should be prepared for the worst."

"It'll kill my lady. For certain sure it will kill her! She never could be expected to stand up against that. And just as she was getting round from her own illness so nicely too——"

Audibly Clara wept. Her tears so affected the sandy-complexioned, polyglot conductor that he retired into his little pantry and made a most unholy clattering among the plates and knives and forks. Honoria put her hand upon the sobbing woman's shoulder and drew her into the comparative privacy of the adjoining compartment, rendered not a little inaccessible by a multiplicity of rugs, traveling-bags, and hand-luggage.

"Come, sit down, Clara," she said. "Have your cry out. And then pull yourself together. Remember Lady Calmady will want just all you can do for her if Sir Richard—if"—and Honoria was aware somehow of a sharp catch in her throat—"if he does not live."

And, meanwhile, Roger Ormiston, now in sober and dignified middle-age, found himself called upon to repeat that rather sinister experience of his hot and rackety youth, and, as he put it bitterly, "act hangman to his own sister." For, as he approached her, Katherine, leaning back against the piled-up cushions in the corner of the railway carriage, suddenly sat bolt-upright, stretching out her hands in swift fear and entreaty, as in the state bedroom at Brockhurst nine-and-twenty years ago.

"Oh, Roger, Roger!" she cried, "tell me, what is it?"

"Nothing final as yet, thank God," he answered. "But it would be cruel to keep the truth from you, Kitty, and let you buoy yourself up with false hopes."

"He is worse," Katherine said.

"Yes, he is worse. He is a good deal weaker. I'm afraid the state of affairs has become very grave. Evidently they are apprehensive as to what turn the fever may take in the course of the next twelve hours."

Katherine bowed herself together as though smitten by sharp pain. Then she looked at him hurriedly, fresh alarms assaulting her.

"You are not trying to soften the blow to me? You are not keeping anything back?"

"No, no, no, my dear Kitty. There—see—read it for yourself. I telegraphed twice, so as to have the latest news. Here's the last reply."

Ormiston unfolded the blue paper, crossed by white strips of printed matter, and laid it upon her lap. And as he did so it struck him, aggravating his sense of sinister repetition, that she had on the same rings and bracelets as on that former occasion, and that she wore stone-gray silk too—a long traveling sacque, lined and bordered with soft fur. It rustled as she moved. A coif of black lace covered her upturned hair, framed her sweet face, and was tied soberly under her chin. And, looking upon her, Ormiston yearned in spirit over this beautiful woman who had borne such grievous sorrows, and who, as he feared, had sorrow yet more grievous still to bear.—"For ten to one the boy won't pull through—he won't pull through," he said to himself. "Poor, dear fellow, he's nothing left to fall back upon. He's lived too hard." And then he took himself remorsefully to task, asking himself whether, among the pleasures and ambitions and successes of his own career, he had been quite faithful to the dead, and quite watchful enough over the now dying, Richard Calmady? He reproached himself, for, when Death stands at the gate, conscience grows very sensitive regarding any lapses, real or imagined, of duty towards those for whom that dread ambassador waits.

Twice Katherine read the telegram, weighing each word of it. Then she gave the blue paper back to her brother.

"I will ask you all to let me be alone for a little while, dear Roger," she said. "Tell Honoria, tell Ludovic, tell my good Clara. I must turn my face to the wall for a time, so that, when I turn it upon you dear people again, it may not be too unlovely."

And Ormiston bent his head and kissed her hand, and went out, closing the door behind him—while the train roared southward, through the afternoon sunshine, southward towards Chiusi and Rome.

And Katherine Calmady sat quietly amid the noise and violent, on-rushing movement, making up accounts with her own motherhood. That she might never see Dickie again, she herself dying, was an idea which had grown not unfamiliar to her during these last sad years. But that she should survive, only to see Dickie dead, was a new idea and one which joined hands with despair, since it constituted a conclusion big with the anguish of failure to the tragedy of their relation, hers and his. Her whole sense of justice, of fitness, rebelled under it, rebelled against it. She implored a space, however brief, of reconciliation and reunion before the supreme farewell was said. But it had become natural to Katherine's mind, so unsparingly self-trained in humble obedience to the divine ordering, not to stay in the destructive, but pass on to the constructive stage. She would not indulge herself in rebellion, but rather fashion her thought without delay to that which should make for inward peace. And so now, turning her eyes, in thought, from the present, she went back on the baby-love, the child-love which, notwithstanding the abiding smart of Richard's deformity, had been so very exquisite to her. Upon the happier side of all that she had not dared to dwell during this prolonged period of estrangement. It was too poignant, too deep-seated in the springs of her physical being. To dwell on it enervated and unnerved her. But now, Richard the grown man dying, she gave herself back to Richard the little child. It solaced her to do so. Then he had been wholly hers. And he was wholly hers still, in respect of that early time. The man she had lost—so it seemed, how far through fault of her own she could not tell. And just now she refused to analyse all that. Upon all which strengthened endurance, upon gracious memories engendering thankfulness, could her mind alone profitably be fixed. And so, as the train roared southward, and the sun declined and the swift dusk spread its mantle over the face of the classic landscape, Katherine cradled a phantom baby on her knee, and sat in the oriel window of the Chapel-Room, at Brockhurst, with the phantom of her boy beside her, while she told him old-time legends of war, and of high endeavour, and of gallant adventure, watching the light dance in his eyes as her words awoke in him emulation of those masters of noble deeds whose exploits she recounted. And in this she found comfort, and a chastened calm. So that, when at length General Ormiston—incited thereto by the faithful Clara, who protested that her ladyship must and should dine—returned to her, he found her storm-tossed no longer, but tranquil in expression and solicitous for the comfort of others. She had conquered nature by grace—conquered, in that she had compelled herself to unqualified submission. If this cup might not pass from her, still would she praise Almighty God and bless His Holy Name, asking not that her own, but His will, be done.

It followed that the evening, spent in that strangely noisy, oscillating, onward-rushing dwelling-place of a railway-carriage, was not without a certain subdued brightness of intercourse and conversation. Katherine was neither preoccupied nor distrait, or unamused even by the small accidents and absurdities of travel. Later, while preparations were being made by the servants for the coming night, she went out, with the two gentlemen and Honoria St. Quentin, on to the iron platform at the rear of the swaying car, and stood there under the stars. The mystery of these last, and of the dimly discerned and sleeping land, offered penetrating contrast to the sleeplessness of the hurrying train with its long, sinuous line of lighted windows, and to the sleeplessness of her own heart. The fret of human life is but as a little island in the great ocean of eternal peace—so she told herself—and then bade that sleepless heart of hers both still its passionate beating and take courage. And when, at length, she was alone, and lay down in her narrow berth, peace and thankfulness remained with Katherine. The care and affection of brother, friends, and servants, was very grateful to her, so that she composed herself to rest, whether slumber was granted her or not. The event was in the hands of God—that surely was enough.

And in the dawn, reaching Rome, the news was so far better that it was not worse. Richard lived. And when, some seven hours later, the train steamed into Naples station, and Bates, the house-steward—the marks of haste and keen anxiety upon him—pushed his way up to the carriage door, he could report there was this amount of hope even yet, that Richard still lived, though his strength was as that of an infant and whether it would wax or wane wholly none as yet could say.

"Then we are in time, Bates?" Lady Calmady had asked, desiring further assurance.

"I hope so, my lady. But I would advise your coming as quickly as possible."

"Is he conscious?"

"He knew Captain Vanstone this morning, my lady, just before I left."

The man-servant shouldered the crowd aside unceremoniously, so as to force a passage for Lady Calmady.

"Her ladyship should go up to the villa at once, sir," he said to General Ormiston. "I had better accompany her. I will leave Andrews to make all arrangements here. The carriage is waiting."

Then, Honoria beside her, Katherine was aware of the hot glare and hard shadow, the grind and clatter, the violent colour, the strident vivacity of the Neapolitan streets, as with voice and whip, Garcia sprung the handsome, long-tailed, black horses up the steep ascent. This, followed by the impression of a cool, spacious, and lofty interior, of mild-diffused light, of pale, marble floors and stairways, of rich hangings and distinguished objects of art, of the soft, green gloom of ilex and myrtle, the languid drip of fountains. And this last served to mark, as with raised finger, the hush,—bland, yet very imperative—which held all the place. After the ceaseless jar and tumult of that many-days' journey, here, up at the villa, it seemed as though urgency were absurd, hot haste of affection a little vulgar, a little contemptible, all was so composed, so urbane.

And that urbanity, so bland, so, in a way, supercilious, affected Honoria St. Quentin unpleasantly. She was taken with unreasoning dislike of the place, finding something malign, trenching on cruelty even, in its exalted serenity, its unchanging, inaccessible, mask-like smile. Very certainly the ancient gods held court here yet, the gods who are careless of human tears, heedless of human woe! And she looked anxiously at Lady Calmady, penetrated by fear that the latter was about to be exposed to some insidious danger, to come into conflict with influences antagonistic and subtly evil. Wicked deeds had been committed in this fair place, wicked designs nourished and brought to fruition here. She was convinced of that. Was convinced further that those designs had connection with and had been directed against Lady Calmady. The thought of Helen de Vallorbes, exquisite and vicious,—as she now reluctantly admitted her to be,—was very present to her. As far as she knew, it was quite a number of years since Helen had set foot in the villa. Yet it spoke of her, spoke of the more dangerous aspects of her nature.—Honoria sighed over her friend. Helen had gone, latterly, very much to the bad, she feared. And as all this passed rapidly through her mind it aroused all her knight-errantry, raising a strongly protective spirit in her. She questioned just how much active care she might take of Lady Calmady without indiscretion of over-forwardness.

But even while she thus debated, opportunity of action was lost. Quietly, a great simplicity and singleness of purpose in her demeanour, without word spoken, without looking back, Katherine followed the house-steward across the cool, spacious hall, through a doorway and out of sight.

And that singleness of purpose, so discernible in her outward demeanour, possessed Katherine's being throughout. She was as one who walks in sleep, pushed by blind impulse. She was not conscious of herself, not conscious of joy or fear, or any emotion. She moved forward dumbly, and without volition, towards the event. Her senses were confused by this transition to stillness from noise, by the immobility of all surrounding objects after the reeling landscape on either hand the swaying train, by the bland and tempered light after the harsh contrasts of glare and darkness so constantly offered to her vision of late. She was dazed and faint, moreover, so that her knees trembled, her sensibility, her powers of realisation and of sympathy, for the time being, atrophied.

The house-steward ushered her into a large, square room. The low, darkly-painted, vaulted ceiling of it produced a cavernous effect. An orderly disorder prevailed, and a somewhat mournful dimness of closed, green-slatted shutters and half-drawn curtains. The furniture, costly in fact, but dwarfed, in some cases actually legless, was ranged against the squat, carven bookcases that lined the walls, leaving the middle of the room vacant save for a low, narrow camp-bed. The bed stood at right angles to the door by which Katherine entered, the head of it towards the shuttered, heavily-draped windows, the foot towards the inside wall of the room. At the bedside a man knelt on one knee, and his appearance aroused, in a degree, Katherine's dormant powers of observation. He had a short, crisp, black beard and crisp, black hair. He was alert and energetic of face and figure, a man of dare-devil, humorous, yet kindly eyes. He wore a blue serge suit with brass buttons to it. He was in his stocking-feet. The wristbands and turn-down collar of his white shirt were immaculate. Katherine, lost, trembling, the support of the habitual taken from her, a stranger in a strange land, liked the man. He appeared so admirable an example of physical health. He inspired her with confidence, his presence seeming to carry with it assurance of that which is wholesome, normal, and sane. He glanced at her sharply, not without hint of criticism and of command. Authoritatively he signed to her to remain silent, to stand at the head of the bed, and well clear of it, out of sight. Katherine did not resent this. She obeyed.

And standing thus, rallying her will to conscious effort, she looked steadily, for the first time, at the bed and that which lay upon it. And so doing she could hardly save herself from falling, since she saw there precisely that which the shape of the room and the disarray of it, along with vacant space and the low camp-bed in the centre of that space, had foretold—for all her dumbness of feeling, deadness of sympathy—she must assuredly see.—All these last four-and-twenty hours she had solaced herself with the phantom society of Dickie the baby-child, of Dickie the eager boy, curious of many things. But here was one different from both these. Different, too, from the young man, tremendous in arrogance, and in revolt against the indignity put on him by fate, from whom she had parted in such anguish of spirit nearly five years back. For, in good truth, she saw now, not Richard Calmady her son, her anxious charge, whose debtor—in that she had brought him into life disabled—she held herself eternally to be, but Richard Calmady her husband, the desire of her eyes, the glory of her youth—saw him, worn by suffering, disfigured by unsightly growth of beard, pallid, racked by mortal weakness, the sheet expressing the broad curve of his chest, the sheet and light blanket disclosing the fact of that hideous maiming he had sustained—saw him now as on the night he died.

Captain Vanstone, meanwhile reassured as to the newcomer's discretion and docility, applied his mind to his patient.

"See here, sir," he said, banteringly yet tenderly, "we were just getting along first-rate with these uncommonly mixed liquors. You mustn't cry off again, Sir Richard."

He slipped his arm under the pillows, dexterously raising the young man's head, and held the cup to his lips.

"My dear good fellow, I wish you would let me be," Dickie murmured.

He spoke courteously, yet there were tears in his voice for very weakness. And, hearing him, it was as though something stirred within Katherine which had long been bound by bitterness of heavy frost.

Vanstone shook his head.—"Very sorry, Sir Richard," he replied. "Daren't let you off. I've got my orders, you see."

The bold and kindly eyes had a certain magnetic efficacy of compulsion in them. The sick man drank, swallowed with difficulty, yet drank again. Then he lay back, for a while, his eyes closed, resting. And Katherine stood at the head of the bed, out of sight, waiting till her time should come. She folded her hands high upon her bosom. Her thought remained inarticulate, yet she began to understand that which she had striven so sternly to uproot, that which she had supposed she had extirpated, still remained with her. Once more, with a terror of joyful amazement, she began to scale the height and sound the depth of human love.

Presently the voice—whether that of husband or of son she did not stay to discriminate—it gripped her very vitals—reached her from the bed. She fancied it rang a little stronger.

"It is contemptibly futile, and therefore conspicuously in keeping with the rest, to have taken all this trouble about dying only, in the end, to sneak back."

"Oh! well, sir, after all you're not so very far on the return voyage yet!" Vanstone put in consolingly.

Richard opened his eyes. Katherine's vision was blurred. She could not see very clearly, but she fancied he smiled.

"Yes, with luck, I may still give you all the slip," he said.

"Now, a little more, sir, please. Yes, you can if you try."

"But I tell you I don't care about this business of sneaking back. I don't want to live."

"Very likely not. But I'm very much mistaken if you want to die, like a cat in a cupboard, here ashore. Mend enough to get away on board the yacht to sea. There'll be time enough then to argue the question out, sir. Half a mile of blue water under your feet sends up the value of life most considerably."

As he spoke the sailor looked at Katherine Calmady. His glance enjoined caution, yet conveyed encouragement.

"Here, take down the rest of it, Sir Richard," he said persuasively. "Then I swear I won't plague you any more for a good hour."

Again he raised the sick man dexterously, and as he did so Katherine observed that a purple scar, as of a but newly healed wound, ran right across Dickie's cheek from below the left eye to the turn of the lower jaw. And the sight of it moved her strangely, loosening that last binding as of frost. A swift madness of anger against whoso had inflicted that ugly hurt arose in Katherine, while her studied resignation, her strained passivity of mental attitude, went down before a passion of fierce and primitive emotion. The spirit of battle became dominant in her along with an immense necessity of loving and of being loved. Tender phantoms of past joy ceased to solace. The actual, the concrete, the immediate, compelled her with a certain splendour of demand. Katherine appeared to grow taller, more regal of presence. The noble energy of youth and its limitless generosity returned to her. Instinctively she unfastened her pelisse at the throat, took the lace coif from her head, letting it fall to the ground, and moved nearer.

Richard pushed the cup away from his lips.

"There's some one in the room, Vanstone!" he said, his voice harsh with anger. "Some woman—I heard her dress. I told you all—whatever happened—I would have no woman here."

But Katherine, undismayed, came straight on to the bedside. She loved. She would not be gainsaid. With the whole force of her nature she refused denial of that love.—For a brief space Richard looked at her, his face ghastly and rigid as that of a Corpse. Then he raised himself in the bed, stretching out both arms, with a hoarse cry that tore at his throat and shuddered through all his frame. And, as he would have fallen forward, exhausted by the effort to reach her and the lovely shelter of her, Katherine caught and, kneeling, held him, his poor hands clutching impotently at her shoulders, his head sinking upon her breast. While, in that embrace, not only all the motherhood in her leapt up to claim the sonship in him, but all the womanhood in her leapt up to claim the manhood in him, thereby making the broken circle of her being once more wholly perfect and complete, so that carrying the whole dear burden of his fever-wasted body in her encircling arms and upon her breast, even as she had carried, long since, that dear fruit of love, the unborn babe, within her womb, Katherine was taken with a very ecstasy and rapture of content.

"My beloved is mine—is mine!" she cried,—"and I am his."

Captain Vanstone was on his feet and half-way across the room.

"Man alive, but it hurts like merry hell!" he said, as he softly closed the door.



CHAPTER III

CONCERNING A SPIRIT IN PRISON

Upon those moments of rapture followed days of trembling, during which the sands of Richard Calmady's life ran very low, and his brain wandered in delirium, and he spoke unwittingly of many matters of which it was unprofitable to hear. Periods of unconsciousness, when he lay as one dead; periods of incessant utterance—now violent in unavailing repudiation, now harsh with unavailing remorse—alternated. And, at this juncture, much of Lady Calmady's former very valiant pride asserted itself. In tender jealousy for the honour of her beloved one she shut the door of that sick-room, of sinister aspect, against brother and friend, and even against the faithful Clara. None should see or hear Richard in his present alienation and abjection, save herself and those who had hitherto ministered to him. He should regain a measure, at least, of his old distinction and beauty before any, beyond these, looked on his face. And so his own men-servants—Captain Vanstone, capable, humorous, and alert—and Price, the red-headed, Welsh first-mate, of varied and voluminous gift of invective—continued to nurse him. These men loved him. They would be loyal in silence, since, whatever his lapses, Dickie was and always had been—as Katherine reflected—among the number of those happily-endowed persons who triumphantly give the lie to the cynical saying that "no man is a hero to his valet de chambre."

To herself Katherine reserved the right to enter that sinister sick-room whenever she pleased, and to sit by the bedside, waiting for the moment—should it ever come—when Richard would again recognise her, and give himself to her again. And those vigils proved a searching enough experience, notwithstanding her long apprenticeship to service of sorrow—which was also the service of her son. For, in the mental and moral nudity of delirium, he made strange revelation, not only of acts committed, but of inherent tendencies of character and of thought. He spoke, with bewildering inconsequence and intimacy, of incidents and of persons with whom she was unacquainted, causing her to follow him—a rather brutal pilgrimage—into regions where the feet of women, bred and nurtured like herself, but seldom tread. He spoke of persons with whom she was well acquainted also, and whose names arrested her attention with pathetic significance, offering, for the moment, secure standing ground amid the shifting quicksand of his but half-comprehended words. He spoke of Morabita, the famous prima donna, and of gentle Mrs. Chifney down at the Brockhurst racing-stables. He grew heated in discussion with Lord Fallowfeild. He petted little Lady Constance Quayle. He called Camp, coaxed and chaffed the dog merrily—whereat Lady Calmady rose from her place by the bedside and stood at one of the dim, shuttered windows for a while. He spoke of places, too, and of happenings in them, from Westchurch to Constantinople, from a nautch at Singapore to a country fair at Farley Row. But, recurrent through all his wanderings, were allusions, unsparing in revolt and in self-abasement, to a woman whom he had loved and who had dealt very vilely with him, putting some unpardonable shame upon him, and to a man whom he himself had very basely wronged. The name, neither of man nor woman, did Katherine learn.—Madame de Vallorbes' name, for which she could not but listen, he never mentioned, nor did he mention her own.—And recurrent, also, running as a black thread through all his speech, was lament, not unmanly but very terrible to hear—the lament of a creature, captive, maimed, imprisoned, perpetually striving, perpetually frustrated in the effort, to escape. And, noting all this, Katherine not only divined very dark and evil pages in the history of her beloved one, but a struggle so continuous and a sorrow so abiding that, in her estimation at all events, they cancelled and expiated the darkness and evil of those same pages. While the mystery, both of wrong done and sorrow suffered, so wrought upon her that, having, in the first ecstasy of recovered human love, deserted and depreciated the godward love a little, she now ran back imploring assurance and renewal of that last, in all penitence and humility, lest, deprived of the counsel and sure support of it, she should fail to read the present and deal with the future aright—if, indeed, any future still remained for that beloved one other than the yawning void of death and inscrutable silence of the grave!

The better part of a week passed thus, and then, one fair morning, Winter, bringing her breakfast to the anteroom of that same sea-blue, sea-green bedchamber—sometime tenanted by Helen de Vallorbes—disclosed a beaming countenance.

"Mr. Powell wishes me to inform your ladyship that Sir Richard has passed a very good night. He has come to himself, my lady, and has asked for you."

The butler's hands shook as he set down the tray.

"I hope your ladyship will take something to eat before you go down-stairs," he added. "Mr. Powell told Sir Richard that it was still early, and he desired that on no consideration should you be hurried."

Which little word of thoughtfulness on Dickie's part brought a roundness to Katherine's cheek and a soft shining into her sweet eyes, so that Honoria St. Quentin, sauntering into the room just then with her habitual lazy grace, stood still a moment in pleased surprise, noting the change in her friend's appearance.

"Why, dear Cousin Katherine," she asked, "what's happened? All's right with the world!"

"Yes," Katherine answered. "God's very much in His heaven, to-day, and all's right with all the world, because things are a little more right with one man in it.—That is the woman's creed—always has been, I suppose, and I rather hope always will be. It is frankly personal and individualistic, I know. Possibly it is contemptibly narrow-minded. Still I doubt if she will readily find another one which makes for greater happiness or fulness of life. You don't agree, dearest, I know—nevertheless pour out my tea for me, will you? I want to dispose of this necessary evil of breakfast with all possible despatch. Richard has sent for me. He has slept and is awake."

And as Miss St. Quentin served her dear friend, she pondered this speech curiously, saying to herself:—"Yes, I did right, though I never liked Ludovic Quayle better than now, and never liked any other man as well as I like Ludovic Quayle. But that's not enough. I'm getting hold of the appearance of the thing, but I haven't got hold of the thing itself. And so the woman in me must continue to be kept in the back attic. She shall be denied all further development. She shall have nothing unless she can have the whole of it, and repeat Cousin Katherine's creed from her heart."

Richard did not speak when Lady Calmady crossed the room and sat down at the bedside. He barely raised his eyelids. But he felt out for her hand across the surface of the sheet. And she took the proffered hand in both hers and fell to stroking the palm of it with her finger-tips. And this silent greeting, and confiding contact of hand with hand, was to her exquisitely healing. It gave an assurance of nearness and acknowledged ownership, more satisfying and convincing than many eloquent phrases of welcome. And so she, too, remained silent, only indeed permitting herself, for a little while, to look at him, lest so doing she should make further demand upon his poor quantity of strength. A folding screen in stamped leather, of which age had tempered the ruby and gold to a sober harmony of tone, had been placed round the head of the bed, throwing this last into clear, quiet shadow. The bed linen was fresh and smooth. Richard had made a little toilet. His silk shirt, open at the throat, was also fresh and smooth. He was clean shaven, his hair cropped into that closely-fitting, bright-brown cap of curls. Katherine perceived that his beauty had begun to return to him, though his face was distressingly worn and emaciated, and the long, purplish line of that unexplained scar still disfigured his cheek. His hands were little more than skin and bone. Indeed, he was fragile, she feared, as any person could be who yet had life in him, and she wondered, rather fearfully, if it was yet possible to build up that life again into any joy of energy and of activity. But she put such fears from her as unworthy. For were they not together, he and she, actually and consciously reunited? That was sufficient. The rest could wait.