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The History of England in Three Volumes, Vol.I., Part F. - From Charles II. to James II.
by David Hume
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* The duke of Buckingham died on the 16th of April 1688.

This severe satire, together with the good sense of the nation, corrected, after some time, the extravagancies of the fashionable wit; but the productions of literature still wanted much of that correctness and delicacy which we so much admire in the ancients, and in the French writers, their judicious imitators. It was, indeed, during this period chiefly, that that nation left the English behind them in the productions of poetry, eloquence, history, and other branches of polite letters; and acquired a superiority which the efforts of English writers, during the subsequent age, did more successfully contest with them. The arts and sciences were imported from Italy into this island as early as into France; and made at first more sensible advances. Spenser, Shakspeare, Bacon, Jonson, were superior to their contemporaries who flourished in that kingdom. Milton, Waller, Denham, Cowley, Harvey, were at least equal to their contemporaries. The reign of Charles II., which some preposterously represent as our Augustan age, retarded the progress of polite literature in this island; and it was then found, that the immeasurable licentiousness, indulged or rather applauded at court, was more destructive to the refined arts, than even the cant, nonsense, and enthusiasm of the preceding period.

Most of the celebrated writers of this age remain monuments of genius, perverted by indecency and bad taste; and none more than Dryden, both by reason of the greatness of his talents and the gross abuse which he made of them. His plays, excepting a few scenes, are utterly disfigured by vice or folly, or both. His translations appear too much the offspring of haste and hunger: even his fables are ill-chosen tales, conveyed in an incorrect, though spirited versification. Yet amidst this great number of loose productions, the refuse of our language, there are found some small pieces, his Ode to St. Cecilia, the greater part of Absalom and Achitophel, and a few more, which discover so great genius, such richness of expression, such pomp and variety of numbers, that they leave us equally full of regret and indignation, on account of the inferiority or rather great absurdity of his other writings. He died in 1701, aged sixty-nine.

The very name of Rochester is offensive to modest ears, yet does his poetry discover such energy of style and such poignancy of satire, as give ground to imagine what so fine a genius, had he fallen in a more happy age, and had followed better models, was capable of producing. The ancient satirists often used great liberties in their expressions; but their free-* *dom no more resembles the licentiousness of Rochester, than the nakedness of an Indian does that of a common prostitute.

Wycherley was ambitious of the reputation of wit and libertinism, and he attained it: he was probably capable of reaching the fame of true comedy and instructive ridicule. Otway had a genius finely turned to the pathetic; but he neither observed strictly the rules of the drama, nor the rules, still more essential, of propriety and decorum. By one single piece, the duke of Buckingham did both great service to his age and honor to himself. The earls of Mulgrave, Dorset, and Roscommon wrote in a good taste; but their productions are either feeble or careless. The marquis of Halifax discovers a refined genius; and nothing but leisure and an inferior station seem wanting to have procured him eminence in literature.

Of all the considerable writers of this age, Sir William Temple is almost the only one that kept himself altogether unpolluted by that inundation of vice and licentiousness which overwhelmed the nation. The style of this author, though extremely negligent, and even infected with foreign idioms, is agreeable and interesting. That mixture of vanity which appears in his works, is rather a recommendation to them. By means of it we enter into acquaintance with the character of the author, full of honor and humanity; and fancy that we are engaged, not in the perusal of a book, but in conversation with a companion. He died in 1698, aged seventy.

Though Hudibras was published, and probably composed, during the reign of Charles II., Butler may justly, as well as Milton, be thought to belong to the foregoing period. No composition abounds so much as Hudibras in strokes of just and inimitable wit; yet are there many performances which give as great or greater entertainment on the whole perusal. The allusions in Butler are often dark and far-fetched; and though scarcely any author was ever able to express his thoughts in so few words, he often employs too many thoughts on one subject, and thereby becomes prolix after an unusual manner. It is surprising how much erudition Butler has introduced with so good a grace into a work of pleasantry and humor: Hudibras is perhaps one of the most learned compositions that is to be found in any language. The advantage which the royal cause received from this poem, in exposing the fanaticism and false pretences of the former parliamentary party, was prodigious. The king himself had so good a taste as to be highly pleased with the merit of the work, and had even got a great part of it by heart: yet was he either so careless in his temper, or so little endowed with the virtue of liberality, or, more properly speaking, of gratitude, that he allowed the author, a man of virtue and probity, to live in obscurity, and die in want.[*]

* Butler died in 1680, aged sixty-eight.

Dryden is an instance of a negligence of the same kind. His Absalom sensibly contributed to the victory which the tories obtained over the whigs, after the exclusion parliaments; yet could not this merit, aided by his great genius, procure him an establishment which might exempt him from the necessity of writing for bread. Otway, though a professed royalist, could not even procure bread by his writings; and he had the singular fate of dying literally of hunger. These incidents throw a great stain on the memory of Charles; who had discernment, loved genius, was liberal of money, but attained not the praise of true generosity.



NOTES.

[Footnote 1: NOTE A, p. 58. The articles were, that he had advised the king to govern by military power, without parliaments; that he had affirmed the king to be a papist, or popishly affected; that he had received great sums of money, for procuring the Canary patent, and other illegal patents; that he had advised and procured divers of his majesty's subjects to be imprisoned against law, in remote islands and garrisons, thereby to prevent their having the benefit of the law; that he had procured the customs to be farmed at under rates; that he had received great sums from the vintners' company, for allowing them to enhance the price of wines; that he had in a short time gained a greater estate than could have been supposed to arise from the profits of his offices; that he had introduced an arbitrary government into his majesty's plantations; that he had rejected a proposal for the preservation of Nevis and St. Christopher's, which was the occasion of great losses in those parts; that when he was in his majesty's service beyond sea, he held a correspondence with Cromwell and his accomplices; that he advised the sale of Dunkirk; that he had unduly altered letters patent under the king's seal; that he had unduly decided causes in council, which should have been brought before chancery; that he had issued quo warrantos against corporations, with an intention of squeezing money from them; that he had taken money for passing the bill of settlement in Ireland; that he betrayed the nation in all foreign treaties, and that he was the principal adviser of dividing the fleet in June, 1666.]

[Footnote 2: NOTE B, p. 80. The abstract of the report of the Brook House committee (so that committee was called) was first published by Mr. Ralph (vol. i. p. 177), from Lord Halifax's collections, to which I refer. If we peruse their apology, which we find in the subsequent page of the same author, we shall find that they acted with some malignity towards the king. They would take notice of no services performed before the first of September, 1664. But all the king's preparations preceded that date, and, as Chancellor Clarendon told the parliament, amounted to eight hundred thousand pounds; and the computation is very probable. This sum, therefore, must be added. The committee likewise charged seven hundred thousand pounds to the king, on account of the winter and summer guards, saved during two years and ten months that the war lasted. But this seems iniquitous. For though that was an usual burden on the revenue, which was then saved, would not the diminution of the customs during the war be an equivalent to it? Besides, near three hundred and forty thousand pounds are charged for prize money, which perhaps the king thought he ought not to account for. These sums exceed the million and a half.]



[Footnote 3: NOTE C, p. 85. Gourville has said in his Memoirs, (vol. ii. p. 14, 67,) that Charles was never sincere in the triple alliance; and that, having entertained a violent animosity against De Wit, he endeavored by this artifice to detach him from the French alliance, with a view of afterwards finding an opportunity to satiate his vengeance upon him. This account, though very little honorable to the king's memory, seems probable from the events, as well as from the authority of the author.]

THE END

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