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The Heart of Rome
by Francis Marion Crawford
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"I wish I had counted the slices of bread I have eaten," said Sabina at last.

Malipieri laughed gaily. It did not seem possible that an hour or two earlier they had been looking death in the face. But his laughter died away suddenly, and he was very grave in a moment.

"I do not know what to do now," he said. "We shall have to make the Baroness believe that you have spent the night at Sassi's house. That is the only place where you can possibly be supposed to have been. I am not good at lying, I believe. Can you help me at all?"

Sabina laughed.

"That is a flattering way of putting it!" she answered. "It is true that I was brought up to lie about everything, but I never liked it. The others used to ask me why I would not, and whether I thought myself better than they."

"What are we to do?"

"Suppose that we tell the truth," said Sabina, nibbling thoughtfully at a last slice of bread. "It is much easier, you know."

"Yes."

Malipieri set his elbows on the table, leaned his bearded chin upon his scarred knuckles and looked at her. He wondered whether in her innocence she even faintly guessed what people would think of her, if they knew that she had spent a night in his rooms. He had no experience at all of young girls, and he wondered whether there were many like Sabina. He thought it unlikely.

"I believe in telling the truth, too," he said at last. "But when you do, you must trust the person to whom it is told. Now the person in this case will be the Baroness Volterra. I shall have to go and see her in the morning, and tell her what has happened. Then, if she believes me, she must come here in a cab and take you back. That will be absolutely necessary. You need say nothing that I have not said, and I shall say nothing that is not true."

"That is the best way," said Sabina, who liked the simplicity of the plan.

Her voice sounded sleepy, and she suppressed a little yawn.

"But suppose that she refuses to believe me," Malipieri continued, without noticing her weariness, "what then?"

"What else can she believe?" asked Sabina indifferently.

Malipieri did not answer for a long time, and looked away, while he thought over the very difficult situation. When he turned to her again, he saw that she was resting her head in her hand and that her eyes were closed.

"You are sleepy," he said.

She looked up, and smiled, hardly able to keep her eyes open.

"So sleepy!" she answered slowly. "I cannot keep awake a moment longer."

"You must go to bed," he said, rising.

"Yes—anywhere! Only let me sleep."

"You will have to sleep in my room. Do you mind very much?"

"Anywhere!" She hardly knew what she said, she hardly saw his face any longer.

He led the way with one of the lights, and she followed him with her eyes half shut.

"It seems to be in tolerably good order," he said, glancing round, and setting down the candle. "The key is in the inside. Turn it, please, when I am gone."

The room was scrupulously neat. Malipieri shut the window carefully. When he turned, he saw that she was sitting on the edge of the bed, nodding with sleep.

"Good-night," he said, in a low voice that was nevertheless harsh. "Lock your door."

"Good-night," she answered, with an effort.

He did not look at her again as he went out and shut the door, and he went quickly through the small room which divided the bedroom from the study, and in which he kept most of his clothes. He was very wide awake now, in spite of being tired, and he sat down in his armchair and smoked for some time. Suddenly he noticed the state of his hands, and he realized what his appearance must be.

Without making any noise, though he was sure that Sabina was in a deep sleep by this time, he went back through the first door and quietly got a supply of clothes, and took them with him to Masin's room, and washed there, and dressed himself as carefully as if he were going out. Then he went back to his study and sat down wearily in his armchair. Worn out at last, he was asleep in a few minutes, asleep as men are after a battle, whether the fight has ended in victory or defeat. Even the thought of Sabina did not keep him awake, and he would not have thought of her at all as he sat down, if he could have helped it.

After such a night as they had passed it was not likely that they should wake before ten o'clock on the following morning.

But the porter was up early, as usual, with his broom, to sweep the stairs and the paved entrance under the arch. When he had come back from the errand on which Malipieri had sent him, it had been already dusk. He had gone up and had rung the bell several times, but as no one opened he had returned to his lodge. It was not unusual for Malipieri and Masin to be both out at the same time, and he thought it likely that they were in the vaults. He cursed them both quietly for the trouble they had given him of mounting the stairs for nothing, and went to his supper, and in due time to bed.

He must go up again at eight o'clock, by which time Malipieri was always dressed, and as it was now only seven o'clock he had plenty of time to sweep. So he lit his pipe deliberately and took his broom, and went out of his lodge.

The first thing that met his eye was a dark stain on the stones, close to the postern. He passed his broom over it, and saw that it was dry; and it was red, but not like wine. Wine makes a purple stain on stones. He stooped and scratched it with his thick thumbnail. It was undoubtedly blood, and nothing else. Some one had been badly hurt there, or being wounded had stood some moments on the spot to open the door and get out.

The old man leaned on his broom awhile, considering the matter, and debating whether he should call his wife. His natural impulse was not to do so, but to get a bucket of water and wash the place before she could see it. The idea of going out and calling a policeman never occurred to him, for he was a real Roman, and his first instinct was to remove every trace of blood from the house in which he lived, whether it had been shed by accident or in quarrel. On the other hand, his wife might come out at any moment, to go to her work, and find him washing the pavement, and she would of course suppose that he had killed somebody or had helped to kill somebody during the night, and would begin to scream, and call him an assassin, and there would be a great noise, and much trouble afterwards. According to his view, any woman would naturally behave in this way, and as his views were founded on his own experience, he was probably right, so far as his wife was concerned. He therefore determined to call her.

She came, she saw, she threw up her hands and moaned a little about the curse that was on the house, and she helped him to scrub the stones as quickly as possible. When that was done, and when they had flooded the whole pavement under the arch, in order to conceal the fact that it had been washed in one place, it occurred to them that they should look on the stairs, to see if there were any blood there, and in the courtyard, too, near the entrance; but they could not find anything, and it was time for the woman to go to the place where she worked all day at ironing fine linen, which had been her occupation before she had been married. So she went away, leaving her husband alone.

He smoked thoughtfully and swept the stone gutter, towards the other end of the courtyard. He noticed nothing unusual, until he reached the door of the coach-house, and saw that it was ajar, whereas it was always locked, and he had the key in his lodge. He opened it, and looked in. The flood of morning light fell upon a little heap of broken brick and mortar, and he saw at a glance that a small breach had been made in the wall. This did not surprise him, for he knew that Malipieri and Masin had made holes in more than one place, and the architect had more than once taken the key of the coach-house.

What frightened him was the steady, roaring sound that came from the breach. He would as soon have thought of trusting himself to enter the place, as of facing the powers of darkness, even if his big body could have squeezed itself through the aperture. But he guessed that the sound came from the "lost water," which he had more than once heard in the cellar below, in its own channel, and he was instinctively sure that something had happened which might endanger the palace. The cellars were probably flooded.

On the mere chance that the door of the winding staircase might not be locked, he went out and turned into the passage where it was. He found it wide open. He had in his pocket one of those long wax tapers rolled into a little ball, which Roman porters generally have about them; he lit it and went down. There was water at the foot of the steps, water several feet deep. He retreated, and with more haste than he usually showed to do anything, he crossed the courtyard and went up to call Malipieri.

But Malipieri was asleep in his armchair in the inner room, and the bell only rang in the outer hall. The old man rang it again and again, but no one came. Then he stood still on the landing, took off his cap and deliberately scratched his head. In former times, it would have been his duty to inform Sassi, in whom centred every responsibility connected with the palace. But the porter did not know whether Sassi were dead or alive now, and was quite sure that the Baron would not approve of sending for him.

There was nothing to be done but to inform the Baron himself, without delay, since Malipieri was apparently already gone out. The Baron would take the responsibility, since the house was his.

The porter went down to his lodge, took off his old linen jacket and put on his best coat and cap, put some change into his pocket, went out and turned the key of the lock in the postern, and then stumped off towards the Piazza Sant' Apollinare to get a cab, for there was no time to be lost.

It was eight o'clock when he rang at the smart new house in the Via Ludovisi. Sabina and Malipieri had slept barely five hours.

A footman in an apron opened the door, and without waiting to know his business, asked him why he did not go to the servants' entrance.

"I live in a palace where there is a porter," answered the old man, assuming the overpowering manner that belongs to the retainers of really great old Roman houses. "Please inform the Baron that the 'lost water' has broken out and flooded the cellars of the Palazzo Conti, and that I am waiting for instructions."



CHAPTER XVII



Volterra went to bed early, but he did not rise late, for he was always busy, and had many interests that needed constant attention; and he had preserved the habits of a man who had enriched himself and succeeded in life by being wide awake and at work when other people were napping or amusing themselves. At eight o'clock in the morning, he was already in his study, reading his letters, and waiting for his secretary.

He sent for the porter, listened to his story attentively, and without expressing any opinion about what had happened, went directly to the palace in the cab which had brought the old man. He made the latter sit beside him, because it would be an excellent opportunity of showing the world that he was truly democratic. Half of Rome knew him by sight at least, though not one in twenty thousand could have defined his political opinions.

At the palace he paid the cabman instead of keeping him by the hour, for he expected to stay some time, and it was against his principles to spend a farthing for what he did not want. As he entered through the postern, he glanced approvingly at the damp pavement. He did not in the least believe that the porter washed it every morning, of course, but he appreciated the fact that the man evidently wished him to think so, and was afraid of him.

"You say that you rang several times at Signor Malipieri's door," he said. "Has he not told you that he is going to live somewhere else?"

"No, sir."

"Does he never leave his key with you when he goes out?"

"No, sir."

"Did you see him come in last night? Was he at home?"

"No, sir. I rang several times, about dusk, but no one opened. I did not hear him come in after that. Shall I go up and ring again?"

"No." Volterra reflected for a moment. "He has left, and has taken his key by mistake," he said. "But I should think that you must have seen him go. He would have had some luggage with him."

The porter explained that Malipieri had sent him on an errand on the previous afternoon, and had been gone when he returned. This seemed suspicious to Volterra, as indeed it must have looked to any one. Considering his views of mankind generally, it was not surprising if he thought that Malipieri might have absconded with something valuable which he had found in the vaults. He remembered, too, that Malipieri had been unwilling to let him visit the treasure on the previous day, and had named the coming afternoon instead.

"Can you get a man to open the door?" he asked.

"There is Gigi, the carpenter of the palace," answered the porter. "He is better than a locksmith and his shop is close by—but there is the water in the cellars—"

"Go and get him," said the Baron. "I will wait here."

The porter went out, and Volterra began to walk slowly up and down under the archway, breathing the morning air with satisfaction, and jingling a little bunch of keys in his pocket.

There was a knock at the postern. He listened and stood still. He knew that the porter had the key, for he had just seen him return it to his pocket after they had both come in; he did not wish to be disturbed by any one else just then, so he neither answered nor moved. The knock was repeated, louder than before. It had an authoritative sound, and no one but Malipieri himself would have a right to knock in that way. Volterra went to the door at once, but did not open it.

"Who is there?" he asked, through the heavy panel.

"The police," came the answer, short and sharp. "Open at once."

Volterra opened, and was confronted by a man in plain clothes, who was accompanied by two soldiers in grey uniforms, and another man, who looked like a cabman. On seeing a gentleman, the detective, who had been about to enter unceremoniously, checked himself and raised his hat, with an apology. Volterra stepped back.

"Come in," he said, "and tell me what your business is. I am the owner of this palace, at present. I am Baron Volterra, and a Senator."

The men all became very polite at once, and entered rather sheepishly. The cabman came in last, and Volterra shut the door.

"Who is this individual?" he asked, looking at the cabman.

"Tell your story," said the man in plain clothes, addressing the latter.

"I am a coachman, Excellency," the man answered in a servile tone. "I have a cab, number eight hundred and seventy-six, at the service of your Excellency, and it was I who drove the gentleman to the hospital yesterday afternoon."

"What gentleman?"

"The gentleman who was hurt in the house of your Excellency."

Volterra stared from the cabman to the man in plain clothes, not understanding. Then it occurred to him that the man in uniform might be wearing it as a disguise, and that he had to do with a party of clever thieves, and he felt for a little revolver which he always carried about with him.

"I know nothing about the matter," he said.

"Excellency," continued the cabman, "the poor gentleman was lying here, close to the door, bleeding from his head. You see the porter has washed the stones this morning."

"Go on." Volterra listened attentively.

"A big man who looked more like a workman than a servant came to call me in the square. When we got here, he unlocked the door himself, and made me help him to put the gentleman into the cab. It was about half- past five or a quarter to six, Excellency, and I waited at the hospital door till eight o'clock, but could not get any money."

"What became of the big man who called you?" asked Volterra. "Why did he not pay you?"

"He was arrested, Excellency."

"Arrested? Why? For taking a wounded man to the hospital?"

"Yes. You can imagine that I did not wish to be concerned in other people's troubles, Excellency, nor to be asked questions. So when I had seen the man and the doorkeepers take the gentleman in, I drove on about twenty paces, and waited for the man to come out. But soon two policemen came and went in, and came out again a few minutes later with the big man walking quietly between them, and they went off in the other direction, so that he did not even notice me."

"What did you do then?"

"May it please your Excellency, I went back to the door and asked the doorkeeper why the man had been arrested, and told him I had not been paid. But he laughed in my face, and advised me to go to the police for my fare, since the police had taken the man away. And I asked him many questions but he drove me away with several evil words."

"Is that all that happened?" asked Volterra. "Do you know nothing more?"

"Nothing, your Excellency," whined the man, "and I am a poor father of a family with eight children, and my wife is ill—"

"Yes," interrupted Volterra, "I suppose so. And what do you know about it all?" he enquired, turning to the man in plain clothes.

"This, sir. The gentleman was still unconscious this morning, but turns out to be a certain Signor Pompeo Sassi. His cards were in his pocket-book. The man who took him to the hospital was arrested because he entirely declined to give his name, or to explain what had happened, or where he had found the wounded gentleman. Of course all the police stations were informed during the night, as the affair seemed mysterious, and when this cabman came this morning and lodged a complaint of not having been paid for a fare from this palace to the hospital, it looked as if whatever had happened, must have happened here, or near here, and I was sent to make enquiries."

"That is perfectly clear," the Baron said, taking out his pocket-book. "You have no complaint to make, except that you were not paid," he continued, speaking to the cabman. "There are ten francs, which is much more than is owing to you. Give me your number."

The man knew that it was useless to ask for more, and as he produced his printed number and gave it, he implored the most complicated benedictions, even to miracles, including a thousand years of life and everlasting salvation afterwards, all for the Baron, his family, and his descendants.

"I suppose he may go now," Volterra said to the police officer.

The cabman would have liked to stay, but one of the soldiers opened the postern and stood waiting by it till he had gone out, and closed it upon his parting volley of blessings. The Senator reflected that they might mean a vote, some day, and did not regret his ten francs.

"I know Signor Sassi," he said to the detective. "He was the agent of Prince Conti's estate, and of this palace. But I did not know that he had been here yesterday afternoon. I live in the Via Ludovisi and had just come here on business, when you knocked."

He was very affable now, and explained the porter's absence, and the fact that a gentleman who had lived in the house, but had left it, had accidentally taken his key with him, so that it was necessary to get a workman to open the door.

"And it is as well that you should be here," he added, "for the big man of whom the cabman spoke may be the servant of that gentleman. I remember seeing him once, and I noticed that he was unusually big. He may have been here yesterday after his master left, and we may find some clue in the apartment."

"Excellent!" said the detective, rubbing his hands.

He was particularly fond of cases in which doors had to be opened by force, and understood that part of his business thoroughly.

The key turned in the lock of the postern, and the porter entered, bringing Gigi with him. They both started and turned pale when they saw the policeman and the detective.

"At what time did Signor Malipieri send you out on that errand yesterday afternoon?" asked Volterra, looking hard at the porter.

The old man drew himself up, wiped his forehead with a blue cotton handkerchief, and looked from the Baron to the detective, trying to make out whether his employer wished him to speak the truth. A moment's reflection told him that he had better do so, as the visit of the police must be connected with the stain of blood he had washed from the pavement, and he could prove that he had nothing to do with it.

"It was about five o'clock," he answered quietly.

"And when did you come back?" enquired the detective.

"It was dusk. It was after Ave Maria, for I heard the bells ringing before I got here."

"And you did not notice the blood on the stones when you came in, because it was dusk, I suppose," said the detective, assuming a knowing smile, as if he had caught the man.

"I saw it this morning," answered the porter without hesitation, "and I washed it away."

"You should have called the police," said the other severely.

"Should I, sir?" The porter affected great politeness all at once. "You will excuse my ignorance."

"We are wasting time," Volterra said to the detective. "The porter knows nothing about it. Let us go upstairs."

He led the way, and the others followed, including Gigi, who carried a leathern bag containing a few tools.

"It is of no use to ring again," observed Volterra. "There cannot be anybody in the apartment, and this is my own house. Open that door for us, my man, and do as little damage as you can."

Gigi looked at the patent lock.

"I cannot pick that, sir," he said. "The gentleman made me put it on for him, and it is one of those American patent locks."

"Break it, then," Volterra answered.

Gigi selected a strong chisel, and inserted the blade in the crack of the door, on a level with the brass disk. He found the steel bolt easily.

"Take care," he said to the Baron, who was nearest to him and drew back to give him room to swing his hammer.

He struck three heavy blows, and the door flew open at the third. The detective had looked at his watch, for it was his business to note the hour at which any forcible entrance was made. It was twenty minutes to nine. Malipieri and Sabina had slept a little more than five hours and a half.

Malipieri, still sleeping heavily in his armchair, heard the noise in a dream. He fancied he was in the vaults again, driving his crowbar into the bricks, and that he suddenly heard Masin working from the other side. But Masin was not alone, for there were voices, and he had several people with him.

Malipieri awoke with a violent start. Volterra, the detective, the two police soldiers, Gigi and the porter were all in the study, looking at him as he sat there in his armchair, in the broad light, carefully dressed as if he had been about to go out when he had sat down.

"You sleep soundly, Signer Malipieri," said the fat Baron, with a caressing smile.

Malipieri had good nerves, but for a moment he was dazed, and then, perhaps for the first time in his life, he was thoroughly frightened, for he knew that Sabina must be still asleep in his room, and in spite of his urgent request when he had left her, he did not believe that she had locked the door after all. The first thought that flashed upon him was that Volterra had somehow discovered that she was there, and had come to find her. There were six men in the room; he guessed that the Baron was one of those people who carry revolvers about with them, and two of the others were police soldiers, also armed with revolvers. He was evidently at their mercy. Short of throwing at least three of the party out of the window, nothing could avail. Such things are done without an effort on the stage by the merest wisp of a man, but in real life one must be a Hercules or a gladiator even to attempt them. Malipieri thought of what Sabina had said in the vault. Had any two people ever been in such a situation before?

For one instant, his heart stood still, and he passed his hand over his eyes.

"Excuse me," he said then, quite naturally. "I had dressed to go to your house this morning, and I fell asleep in my chair while waiting till it should be time. How did you get in? And why have you brought these people with you?"

He was perfectly cool now, and the Baron regretted that he had made a forcible entrance.

"I must really apologize," he answered. "The porter rang yesterday evening, several times, and again this morning, but could get no answer, and as you had told me that you were going to change your quarters, we supposed that you had left and had accidentally taken the key with you."

Malipieri did not believe a word of what he said, but the tone was very apologetic.

"The cellars are flooded," said the porter, speaking over Volterra's shoulder.

"I know it," Malipieri answered. "I was going to inform you of that this morning," he continued, speaking to the Baron. "I do not think that the police are necessary to our conversation," he added, smiling at the detective.

"I beg your pardon, sir," answered the latter, "but we are here to ask if you know anything of a grave accident to a certain Signor Sassi, who was taken from this palace unconscious, yesterday afternoon, at about a quarter to six, by a very large man, who would not give any name, nor any explanation, and who was consequently arrested."

Malipieri did not hesitate.

"Only this much," he replied. "With the authority of the Senator here, who is the owner of the palace, I have been making some archaeological excavations in the cellars. Signor Sassi was the agent—"

"I have explained that," interrupted the Baron, turning to the detective. "I will assume the whole responsibility of this affair. Signor Sassi shall be well cared for. I shall be much obliged if you will leave us."

He spoke rather hurriedly.

"It is my duty to make a search in order to discover the motive of the crime," said the detective with importance.

"What crime?" asked Malipieri with sudden sternness.

"Signor Sassi was very badly injured in this palace," answered the other. "The man who took him to the hospital would give no account of himself, and the circumstances are suspicious. The Baron thinks that the man may be your servant."

"Yes, he is my servant," Malipieri said. "Signor Sassi was trying to follow me into the excavations—"

"Yes, yes—that is of no importance," interrupted Volterra.

"I think it is," retorted Malipieri. "I will not let any man remain in prison suspected of having tried to murder poor old Sassi! I went on," he continued, explaining to the detective, "leaving the two together. The old gentleman must have fallen and hurt himself so badly that my man thought it necessary to carry him out at once. When I tried to get back, I found that the water had risen in the excavations and that the passage was entirely closed, and I had to work all night with a crowbar and pickaxe to break another way for myself. As for my man, if he refused to give any explanations, it was because he had express orders to preserve the utmost secrecy about the excavations. He is a faithful fellow, and he obeyed. That is all."

"A very connected account, sir, from your point of view," said the detective. "If you will allow me, I will write it down. You see, the service requires us to note everything."

"Write it down by all means," Malipieri answered quietly. "You will find what you need at that table."

The detective sat down, pulled back the cuff of his coat, took up the pen and began his report with a magnificent flourish.

"You two may go," said Malipieri to the porter and Gigi. "We shall not want you any more."

"As witnesses, perhaps," said the detective, overhearing. "Pray let them stay."

He went on writing, and the Baron settled himself in Malipieri's armchair, and lit a cigar. Malipieri walked slowly up and down the room, determined to keep perfectly cool.

"I hope the Baroness is quite well," he said after a time.

"Quite well, thank you," answered Volterra, nodding and smiling.

Malipieri continued to pace the floor, trying to see some way out of the situation in which he was caught, and praying to heaven that Sabina might still be sound asleep. If she were up, she would certainly come to the study in search of him before long, as the doors opened in no other direction. All his nerves and faculties were strung to the utmost tension, and if the worst came he was prepared to attempt anything.

"It is a very fine day after the rain," observed the Baron presently.

"It never rains long in Rome, in the spring," answered Malipieri.

The detective wrote steadily, and neither spoke again till he had finished.

"Of course," he said to Malipieri, "you are quite sure of your statements."

"Provided that you have written down exactly what I said," Malipieri answered.

The detective rose and handed him the sheets, at which he glanced rapidly.

"Yes. That is what I said."

"Let me see," Volterra put in, rising and holding out his hand.

He took the paper and read every word carefully, before he returned the manuscript.

"You might add," he said, "that I have been most anxious to keep the excavations a secret because I do not wish to be pestered by reporters before I have handed over to the government any discoveries which may be made."

"Certainly," answered the man, taking his pen again, and writing rapidly.

Volterra was almost as anxious to get rid of him as Malipieri himself. What the latter had said had informed him that in spite of the water the vaults could be reached, and he was in haste to go down. He had, indeed, noted the fact that whereas Sabina had left his house with Sassi at five o'clock, the latter had been taken to the hospital only three quarters of an hour later, and he wondered where she could be; but it did not even occur to him as possible that she should be in Malipieri's apartment. The idea would have seemed preposterous.

The detective rose, folded the sheets of paper and placed them in a large pocket-book which he produced.

"And now, gentlemen," he said, "we have only one more formality to fulfil, before I have the honour of taking my leave."

"What is that?" asked the Baron, beginning to show his impatience at last.

"Signor Malipieri—is that your name, sir? Yes. Signer Malipieri will be kind enough to let me and my men walk through the rooms of the apartment."

"I think that is quite unnecessary," Malipieri answered. "By this time Signor Sassi has probably recovered consciousness, and has told his own story, which will explain the accident."

"In the performance of my duty," objected the detective, "I must go through the house, to see whether there are any traces of blood. I am sure that you will make no opposition."

Fate was closing in upon Malipieri, but he kept his head as well as he could. He opened the door that led back to the hall.

"Will you come?" he said, showing the way.

The detective glanced at the other door, but said nothing and prepared to follow.

"I will stay here," said the Baron, settling himself in the armchair again.

"Oh, no! Pray come," Malipieri said. "I should like you to see for yourself that Sassi was not hurt here."

Volterra rose reluctantly and went with the rest. His chief preoccupation was to get rid of the detective and his men as quickly as possible. Malipieri opened the doors as he went along, and showed several empty rooms, before he came to Masin's.

"This is where my man sleeps," he said carelessly.

The detective went in, looked about and suddenly pounced upon a towel on which there were stains of blood.

"What is this?" he asked sharply. "What is the meaning of this?"

Malipieri showed his scarred hands.

"After I got out of the vault, I washed here," he said. "I had cut my hands a good deal, as you see. Of course the blood came off on the towels."

The detective assumed his smile of professional cunning.

"I understand," he said. "But do you generally wash in your servant's room?"

"No. It happened to be convenient when I got in. There was water here, and there were towels."

"It is strange," said the detective.

Even Volterra looked curiously at Malipieri, for he was much puzzled. But he was impatient, too, and came to the rescue.

"Do you not see," he asked of the detective, "that Signor Malipieri was covered with dust and that his clothes were very wet? There they are, lying on the floor. He did not wish to go to his bedroom as he was, taking all that dirt and dampness with him, so he came here."

"That is a sufficient explanation, I am sure," said Malipieri.

"Perfectly, perfectly," answered the detective, smiling. "Wrap up those towels in a newspaper," he said to the two soldiers. "We will take them with us. You see," he continued in an apologetic tone, "we are obliged to be very careful in the execution of our duties. If Signor Sassi should unfortunately die in the hospital, and especially if he should die unconscious, the matter would become very serious, and I should be blamed if I had not made a thorough examination."

"I hope he is not so seriously injured," said Malipieri.

"The report we received was that his skull was fractured," answered the detective calmly. "The hospitals report all suspicious cases to the police stations by telephone during the night, and of course, as your man refused to speak, special enquiries were made about the wounded gentleman."

"I understand," said Malipieri. "And now, I suppose, you have made a sufficient search."

"We have not seen your own room. If you will show me that, as a mere formality, I think I need not trouble you any further."

It had come at last. Malipieri felt himself growing cold, and said nothing for a moment. Volterra again began to watch him curiously.

"I fancy," the detective said, "that your room opens from the study in which we have already been. I only wish to look in."

"There is a small room before it, where I keep my clothes."

"I suppose we can go through the small room?"

"You may see that," said Malipieri, "but I shall not allow you to go into my bedroom."

"How very strange!" cried Volterra, staring at him.

Then the fat Baron broke into a laugh, that, made his watch-chain dance on his smooth and rotund speckled waistcoat.

"I see! I see!" he tried to say.

The detective understood, and smiled in a subdued way. Malipieri knit his brows angrily, as he felt himself becoming more and more utterly powerless to stave off the frightful catastrophe that threatened Sabina. But the detective was anxious to make matters pleasant by diplomatic means.

"I had not been told that Signor Malipieri was a married man," he said. "Of course, if the Signora Malipieri is not yet visible, I shall be delighted to give her time to dress."

Malipieri bit his lip and made a few steps up and down.

"I did not know that your wife was in Rome," Volterra said, glancing at him, and apparently confirming the detective in his mistake.

"For that matter," said the detective, "I am a married man myself, and if the lady is in bed, she might allow me merely to stand at the door, and glance in."

"I think she is still asleep," Malipieri answered. "I do not like to disturb her, and the room is quite dark."

"My time is at your disposal," said the detective. "Shall we go back and wait in the study? You would perhaps be so kind as to see whether the Signora is awake or not, but I am quite ready to wait till she comes out of her room. I would not put her to any inconvenience for the world, I assure you."

"Really," the Baron said to Malipieri, "I think you might wake her."

The soldiers looked on stolidly, the porter kept his eyes and ears open, and Gigi, full of curiosity, wore the expression of a smiling weasel. To the porter's knowledge, so far as it went, no woman but his own wife had entered the palace since Malipieri had been living in it.

Malipieri made no answer to Volterra's last speech, and walked up and down, seeking a solution. The least possible one seemed to be that suggested by the Baron himself. The latter, though now very curious, was more than ever in a hurry to bring the long enquiry to a close. It occurred to him that it would simplify matters if he and Malipieri and the detective were left alone together, and he said so, urging that as there was unexpectedly a lady in the case, the presence of so many witnesses should be avoided. Even now he never thought of the possibility that the lady in question might be Sabina.

The detective now yielded the point willingly enough, and the soldiers were sent off with Gigi and the porter to wait in the latter's lodge. It was a slight relief to Malipieri to see them go. He and his two companions went back to the study together.

The Baron resumed his seat in the armchair; he always sat down when he had time, and he had not yet finished his big cigar. The detective went to the window and looked out through the panes, as if to give Malipieri time to make up his mind what to do; and Malipieri paced the floor with bent head, his hands in his pockets, in utter desperation. At any moment Sabina might appear, yet he dared not even go to her door, lest the two men should follow him.

But at least he could prevent her from coming in, for he could lock the entrance to the small room. As he reached the end of his walk he turned the key and put it into his pocket. The detective turned round sharply and Volterra moved his head at the sound.

"Why do you do that?" he asked, in a tone of annoyance.

"Because no one shall go in, while I have the key," Malipieri answered.

"I must go in, sooner or later," said the detective, "I can wait all day, and all night, if you please, for I shall not use force where a lady is concerned. But I must see that room."

Like all such men, he was obstinate, when he believed that he was doing his duty. Malipieri looked from him to Volterra, and back again, and suddenly made up his mind. He preferred the detective, of the two, if he must trust any one, the more so as the latter probably did not know Sabina by sight.

"If you will be so kind as to stay there, in that armchair," he said to Volterra, "I will see what I can do to hasten matters. Will you?"

"Certainly. I am very comfortable here." The Baron laughed a little.

"Then," said Malipieri, turning to the detective, "kindly come with me, and I will explain as far as I can."

He took the key from his pocket again, and opened the door of the small room, let in the detective and shut it after him without locking it. He had hardly made up his mind what to say, but he knew what he wished.

"This is a very delicate affair," he began in a whisper. "I will see whether the lady is awake."

He went to the door of the bedroom on tiptoe and listened. Not a sound reached him. The room was quite out of hearing of the rest of the apartment, and Sabina, accustomed as she was to sleep eight hours without waking, was still resting peacefully. Malipieri came back noiselessly.

"She is asleep," he whispered. "Will you not take my word for it that there is nothing to be found in the room which can have the least connection with Sassi's accident?"

The detective shook his head gravely, and raised his eyebrows, while he shut his eyes, as some men do when they mean that nothing can convince them.

"I advise you to go in and wake your wife," he whispered, still very politely. "She can wrap herself up and sit in a chair while I look in."

"That is impossible. I cannot go in and wake her."

The detective looked surprised, and was silent for a moment.

"This is a very strange situation," he muttered. "A man who dares not go into his wife's room when she is asleep—I do not understand."

"I cannot explain," answered Malipieri, "but it is altogether impossible. I ask you to believe me, on my oath, that you will find nothing in the room."

"I have already told you, sir, that I must fulfil the formalities, whatever I may wish to believe. And it is my firm belief that Signor Sassi came by the injuries of which he may possibly die, somewhere in this apartment, yesterday afternoon. My reputation is at stake, and I am a government servant. To oblige you, I will wait an hour, but if the lady is not awake then, I shall go and knock at that door and call until she answers. It would be simpler if you would do it yourself. That is all, and you must take your choice."

Malipieri saw that he must wake Sabina, and explain to her through the door that she must dress. He reflected a moment, and was about to ask the detective to go back to the study, when a sound of voices came from that direction, and one was a woman's.

"It seems that there is another lady in the house," said the detective. "Perhaps she can help us. Surely you will allow a lady to enter your wife's room and wake her."

But Malipieri was speechless at that moment and was leaning stupidly against the jamb of the study door. He had recognized the voice of the Baroness talking excitedly with her husband. Fate had caught him now, and there was no escape. Instinctively, he was sure that the Baroness had come in search of Sabina, and would not leave the house till she had found her, do what he might.



CHAPTER XVIII



The Baroness had been called to the telephone five minutes after Volterra had gone out with the porter, leaving word that he was going to the Palazzo Conti and would be back within two hours. The message she received was from the Russian Embassy, and informed her that the dowager Princess Conti had arrived at midnight, was the guest of the Ambassador, and wished her daughter Sabina to come and see her between eleven and twelve o'clock. In trembling tones the Baroness had succeeded in saying that Sabina should obey, and had rung off the connection at once. Then, for the first time in her life, she had felt for a moment as if she were going to faint.

The facts, which were unknown to her, were simple enough. The Ambassador had been informed that a treasure had been discovered, and had telegraphed the fact in cipher to the Minister of Foreign Affairs in St. Petersburg, who had telegraphed the news to Prince Rubomirska, who had telegraphed to the Ambassador, who was his intimate friend, requesting him to receive the Princess for a few days. As the Prince and his sister were already in the country, in Poland, not far from the Austrian frontier, it had not taken her long to reach Rome. Of all this, the poor Baroness was in ignorance. The one fact stared her in the face, that the Princess had come to claim Sabina, and Sabina had disappeared.

She had learned that the porter had come to say that the cellars of the Palazzo Conti were flooded, and she knew that her husband would be there some time. She found Sassi's card, on which his address was printed, and she drove there in a cab, climbed the stairs and rang the bell. The old woman who opened was in terrible trouble, and was just going out. She showed the Baroness the news of Sassi's mysterious accident shortly given in a paragraph of the Messaggero, the little morning paper which is universally read greedily by the lower classes. She was just going to the accident hospital, the "Consolazione," to see her poor master. He had gone out at half past four on the previous afternoon, and she had sat up all night, hoping that he would come in. She was quite sure that he had not returned at all after he had gone out. She was quite sure, too, that he had been knocked down and robbed, for he had a gold watch and chain, and always carried money in his pocket.

The Baroness looked at her, and saw that she was speaking the truth and was in real distress. It would be quite useless to search the rooms for Sabina. The old woman-servant had no idea who the Baroness was, and in her sudden trouble would certainly have confided to her that there was a young lady in the house, who had not been able to get home.

"For the love of heaven, Signora," she cried, "come with me to the hospital, if you know him, for he may be dying."

The Baroness promised to go later, and really intended to do so. She drove to the convent in which Donna Clementina was now a cloistered nun, and asked the portress whether Donna Sabina Conti had been to see her sister on the previous day. The portress answered that she had not, and was quite positive of the fact. The Baroness looked at her watch and hastened to the Palazzo Conti. When she got there, the porter had already returned to his lodge, and he led her upstairs and to the door of the study.

Finding her husband alone, she explained what was the matter, in a few words and in a low voice. The Princess had come back, and wished to see Sabina that very morning, and Sabina could not be found. She sank into a chair, and her sallow face expressed the utmost fright and perplexity.

"Sassi left our house at five o'clock with Sabina," said the Baron, "and at a quarter to six he was taken from the door of this palace to the hospital by Malipieri's man. Either Malipieri or his man must have seen her."

"She is here!" cried the Baroness in a loud tone, something of the truth flashing upon her. "I know she is here!"

Volterra's mind worked rapidly at the possibility, as at a problem. If his wife were not mistaken it was easy to explain Malipieri's flat refusal to let any one enter the bedroom.

"You may be right," he said, rising. "If she is in the palace she is in the room beyond that one." He pointed to the door. "You must go in," he said. "Never mind Malipieri. I will manage him."

At that moment the door opened. Malipieri had recovered his senses enough to attempt a final resistance, and stood there, very pale, ready for anything.

But the fat Baron knew what he was about, and as he came forward with his wife he suddenly thrust out his hand at Malipieri's head, and the latter saw down the barrel of Volterra's revolver.

"You must let my wife pass," cried Volterra coolly, "or I will shoot you."

Malipieri was as active as a sailor. In an instant he had hurled himself, bending low, at the Baron's knees, and the fat man fell over him, while the revolver flew from his hand, half across the room, fortunately not going off as it fell on its side. While Malipieri was struggling to get the upper hand, the detective ran forward and helped Volterra. The two threw themselves upon the younger man, and between the detective's wiry strength and the Baron's tremendous weight, he lay panting and powerless on his back for an instant.

The Baroness had possibly assisted at some scenes of violence in the course of her husband's checkered career. At all events, she did not stop to see what happened after the way was clear, but ran to the door of the bedroom, and threw it wide open, for it was not locked. The light that entered showed her where the window was; she opened it in an instant, and looked round.

Sabina was sitting up in bed, staring at her with a dazed expression, her hair in wild confusion round her pale face and falling over her bare neck. Her clothes lay in a heap on the floor, beside the bed, Never was any woman more fairly caught in a situation impossible to explain. Even in that first moment she felt it, when she looked at the Baroness's face.

The latter did not speak, for she was utterly incapable of finding words. The sound of a scuffle could be heard from the study in the distance; she quietly shut the door and turned the key. Then she came and stood by the bed, facing the window. Sabina had sunk back upon the pillows, but her eyes looked up bravely and steadily. Of the two she was certainly the one less disturbed, even then, for she remembered that Malipieri had meant to go and tell the Baroness the whole truth, early in the morning. He had done so, of course, and the Baroness had come to take her back, very angry of course, but that was all. This was what Sabina told herself, but she guessed that matters would turn out much worse.

"Did he tell you how it happened that I could not get home?" she asked, almost calmly.

"No one has told me anything. Your mother arrived in Rome last night. She is at the Russian Embassy and wishes to see you at eleven o'clock."

"My mother?" Sabina raised herself on one hand in surprise.

"Yes. And I find you here."

The Baroness folded her arms like a man, her brows contracted, and her face was almost livid.

"Have you the face to meet your mother, after this?" she asked sternly.

"Yes—of course," answered Sabina. "But I must go home and dress. My frock is ruined."

"You are a brazen creature," said the Baroness in disgust and anger. "You do not seem to know what shame means."

Sabina's deep young eyes flashed; it was not safe to say such things to her.

"I have done nothing to be ashamed of," she answered proudly, "and you shall not speak to me like that. Do you understand?"

"Nothing to be ashamed of!" The Baroness stared at her in genuine amazement. "Nothing to be ashamed of!" she repeated, and her voice shook with emotion. "You leave my house by stealth, you let no one know where you are going, and the next morning I find you here, in your lover's house, in your lover's room, the door not even locked, your head upon your lover's pillow! Nothing to be ashamed of! Merciful heavens! And you have not only ruined yourself, but you have done an irreparable injury to honest people who took you in when you were starving!"

The poor woman paused for breath, and in her horror, she hid her face in her hands. She had her faults, no doubt, and she knew that the world was bad, but she had never dreamt of such barefaced and utterly monstrous cynicism as Sabina's. If the girl had been overcome with shame and repentance, and had broken down entirely, imploring help and forgiveness, as would have seemed natural, the Baroness, for her own social sake, might have been at last moved to help her out of her trouble. Instead, being a person of rigid virtue and judging the situation in the only way really possible for her to see it, she was both disgusted and horrified. It was no wonder. But she was not prepared for Sabina's answer.

"If I were strong enough, I would kill you," said the young girl, quietly laying her head on the pillow again.

The Baroness laughed hysterically. She felt as if she were in the presence of the devil himself. She was not at all a hysterical woman nor often given to dramatic exhibitions of feeling, but she had never dreamt that a human being could behave with such horribly brazen shamelessness.

For some moments there was silence. Then Sabina spoke, in a quietly scornful tone, while the Baroness turned her back on her and stood quite still, looking out of the window.

"I suppose you have a right to be surprised," Sabina said, "but you have no right to insult me and say things that are not true. Perhaps Signor Malipieri likes me very much. I do not know. He has never told me he loved me."

The Baroness's large figure shook with fury, but she did not turn round. What more was the girl going to say? That she did not even care a little for the man with whom she had ruined herself? Yes. That was what she was going on to explain. It was beyond belief.

"I have only seen him a few times," Sabina said. "I daresay I shall be very fond of him if I see him often. I think he is very like my ideal of what a man should be."

The Baroness turned her face half round with an expression that was positively savage. But she said nothing, and again looked through the panes. She remembered afterwards that the room smelt slightly of stale cigar smoke, soap and leather.

"He wished me to see the things he has found before any one else should," Sabina continued. "So he got Sassi to bring me here. While we were in the vaults, the water came, and we could not get out. He worked for hours to break a hole, and it was two o'clock in the morning when we were free. I had not had any dinner, and of course I could not go with him to your house at that hour, even if I had not been worn out. So he brought me here and gave me something to eat, and his room to sleep in. As for the door not being locked, he told me twice to lock it, and I was so sleepy that I forgot to. That is what happened." After an ominous silence, the Baroness turned round. Her face was almost yellow now.

"I do not believe a word you have told me," she said, half choking.

"Then go!" cried Sabina, sitting up with flashing eyes. "I do not care a straw whether you believe the truth or not! Go! Go!"

She stretched out one straight white arm and pointed to the door, in wrath. The Baroness looked at her, and stood still a moment. Then she shrugged her shoulders in a manner anything but aristocratic, and left the room without deigning to turn her head. The instant she was gone Sabina sprang out of bed and locked the door after her.

Meanwhile, the struggle between Malipieri and his two adversaries had come to an end very soon. Malipieri had not really expected to prevent the Baroness from going to Sabina, but he had wished to try and explain matters to her before she went. He had upset Volterra, because the latter had pointed a revolver at his head, which will seem a sufficient reason to most hot-tempered men. The detective had suggested putting handcuffs on him, while they held him down, but Volterra was anxious to settle matters amicably.

"It was my fault," he said, drawing back. "I thought that you were going to resist, and I pulled out my pistol too soon. I offer you all my apologies."

He had got to his feet with more alacrity than might have been expected of such a fat man, and was adjusting his collar and tie, and smoothing his waistcoat over his rotundity. Malipieri had risen the moment he was free. The detective looked as if nothing had happened out of the common way, and the neatness of his appearance was not in the least disturbed.

"I offer you my apologies, Signor Malipieri," repeated the Baron cordially and smiling in a friendly way. "I should not have drawn my pistol on you. I presume you will accept the excuses I make?"

"Do not mention the matter," answered Malipieri with coolness, but civilly enough, seeing that there was nothing else to be done. "I trust you are none the worse for your fall."

"Not at all, not at all," replied Volterra. "I hope," he said, turning to the detective, "that you will say nothing about this incident, since no harm has been done. It concerns a private matter,—I may almost say, a family matter. I have some little influence, and if I can be of any use to you, I shall always be most happy."

The gratitude of so important a personage was not to be despised, as the detective knew. He produced a card bearing his name, and handed it to the Senator with a bow.

"Always at your service, sir," he said. "It is very fortunate that the revolver did not go off and hurt one of us," he added, picking up the weapon and handing it to Volterra. "I have noticed that these things almost invariably kill the wrong person, when they kill anybody at all, which is rare."

Volterra smiled, thanked him and returned the revolver to his pocket. Malipieri had watched the two in silence. Fate had taken matters out of his hands, and there was absolutely nothing to be done. In due time, Sabina would come out with the Baroness, but he could not guess what would happen then. Volterra would probably not speak out before the detective, who would not recognize Sabina, even if he knew her by sight. The Baroness would take care that he should not see the girl's face, as both Volterra and Malipieri knew.

The three men sat down and waited in silence after the detective had last spoken. Volterra lit a fresh cigar, and offered one to the detective a few moments later. The latter took it with a bow and put it into his pocket for a future occasion.

The door opened at last, and the Baroness entered, her face discoloured to a blotchy yellowness by her suppressed anger. She stood still a moment after she had come in, and glared at Malipieri. He and the detective rose, but Volterra kept his seat.

"Were you right, my dear?" the latter enquired, looking at her.

"Yes," she answered in a thick voice, turning to him for an instant, and then glaring at Malipieri again, as if she could hardly keep her hands from him in her righteous anger.

He saw clearly enough that she had not believed the strange story which Sabina must have told her, and he wondered whether any earthly power could possibly make her believe it in spite of herself. During the moments of silence that followed, the whole situation rose before him, in the only light under which it could at first appear to any ordinary person. It was frightful to think that what had been a bit of romantic quixotism on his part, in wishing Sabina to see the statues which should have been hers, should end in her social disgrace, perhaps in her utter ruin if the Baroness and her husband could not be mollified. He did not know that there was one point in Sabina's favour, in the shape of the Princess's sudden return to Rome, though he guessed the Baroness's character well enough to have foreseen, had he known of the new complication, that she would swallow her pride and even overlook Sabina's supposed misdeeds, rather than allow the Princess to accuse her of betraying her trust and letting the young girl ruin herself.

"I must consult with you," the Baroness said to her husband, controlling herself as she came forward into the room and passed Malipieri. "We cannot talk here," she added, glancing at the detective.

"This gentleman," said Volterra, waving his hand towards the latter, "is here officially, to make an enquiry about Sassi's accident."

"I shall be happy to wait outside if you have private matters to discuss," said the detective, who wished to show himself worthy of the Baron's favour, if he could do so without neglecting his duties.

"You are extremely obliging," Volterra said, in a friendly tone.

The detective smiled, bowed and left the room by the door leading towards the hall.

"It seems to me," the Baroness said, still suppressing her anger, as she turned her face a little towards Malipieri and spoke at him over her shoulder, "it seems to me that you might go too."

It was not for Malipieri to resent her tone or words just then, and he knew it, though he hated her for believing the evidence of her senses rather than Sabina's story. He made a step towards the door.

"No," Volterra said, without rising, "I think he had better stay, and hear what we have to say about this. After all, the responsibility for what has happened falls upon him."

"I should think it did!" cried the Baroness, breaking out at last, in harsh tones. "You abominable villain, you monster of iniquity, you snake, you viper—"

"Hush, hush, my dear!" interposed the Baron, realizing vaguely that his wife's justifiable excitement was showing itself in unjustifiably vulgar vituperation.

"You toad!" yelled the Baroness, shaking her fist in Malipieri's face. "You reptile, you accursed ruffian, you false, black-hearted, lying son of Satan!"

She gasped for breath, and her whole frame quivered with fury, while her livid lips twisted themselves to hiss out the epithets of abuse. Volterra feared lest she should fall down in an apoplexy, and he rose from his seat quickly. He gathered her to his corpulent side with one arm and made her turn away towards the window, which he opened with his free hand.

"I should be all that, and worse, if a tenth of what you believe were true," Malipieri said, coming nearer and then standing still.

He was very pale, and he was conscious of a cowardly wish that Volterra's revolver might have killed him ten minutes earlier. But he was ashamed of the mere thought when he remembered what Sabina would have to face. Volterra, while holding his wife firmly against the window sill, to force her to breathe the outer air, turned his head towards Malipieri.

"She is quite beside herself, you see," he said apologetically.

The Baroness was a strong woman, and after the first explosion of her fury she regained enough self-control to speak connectedly. She turned round, in spite of the pressure of her husband's arm.

"He is not even ashamed of what he has done!" she said. "He stands there—"

The Baron interrupted her, fearing another outburst.

"Let me speak," he said in the tone she could not help obeying. "What explanation have you to offer of Donna Sabina's presence here?" he asked.

As he put the question, he nodded significantly to Malipieri, over his wife's shoulder, evidently to make the latter understand that he must at least invent some excuse if he had none ready. The Baron did not care a straw what became of him, or of Sabina, and wished them both out of his way for ever, but he had always avoided scandal, and was especially anxious to avoid it now.

Malipieri resented the hint much more than the Baroness's anger, but he was far too much in the wrong, innocent though he was, to show his resentment.

He told his story firmly and coolly, and it agreed exactly with Sabina's.

"That is exactly what happened last night," he concluded. "If you will go down, you will find the breach I made, and the first vaults full of water. I have nothing more to say."

"You taught her the lesson admirably," said the Baroness with withering scorn. "She told me the same story almost word for word!"

"Madam," Malipieri answered, "I give you my word of honour that it is true."

"My dear," Volterra said, speaking to his wife, "when a gentleman gives his word of honour, you are bound to accept it."

"I hope so," said Malipieri.

"Any man would perjure himself for a woman," retorted the Baroness with contempt.

"No, my dear," the Baron objected, trying to mollify her. "Perjury is a crime, you know."

"And what he has done is a much worse crime!" she cried.

"I have not committed any crime," Malipieri answered. "I would give all I possess, and my life, to undo what has happened, but I have neither said nor done anything to be ashamed of. For Donna Sabina's sake, you must accept my explanation. In time you will believe it."

"Yes, yes," urged Volterra, "I am sure you will, my dear. In any case you must accept it as the only one. I will go downstairs with Signor Malipieri and we will take the porter to the cellars. Then you can go out with Sabina, and if you are careful no one will ever know that she has been here."

"And do you mean to let her live under your roof after this?" asked the Baroness indignantly.

"Her mother is now in Rome," answered Volterra readily. "When she is dressed, you will take her to the Princess, and you will say that as we are going away, we are reluctantly obliged to decline the responsibility of keeping the young girl with us any longer. That is what you will do."

"I am glad you admit at least that she cannot live with us any longer," the Baroness answered. "I am sure I have no wish to ruin the poor girl, who has been this man's unhappy victim—"

"Hush, hush!" interposed Volterra. "You must really accept the explanation he has given."

"For decency's sake, you may, and I shall have to pretend that I do. At least," she continued, turning coldly to Malipieri, "you will make such reparation as is in your power."

"I will do anything I can," answered Malipieri gravely.

"You will marry her as soon as possible," the Baroness said with frigid severity. "It is the only thing you can do."

Malipieri was silent. The Baron looked at him, and a disagreeable smile passed over his fat features. But at that moment the door opened, and Sabina entered. Without the least hesitation she came forward to Malipieri, frankly holding out her hand.

"Good morning," she said. "Before I go, I wish to thank you again for saving my life, and for taking care of me here."

He held her hand a moment.

"I ask your pardon, with all my heart, for having brought you into danger and trouble," he answered.

"It was not your fault," she said. "It was nobody's fault, and I am glad I saw the statues before any one else. You told me last night that you were probably going away. If we never meet again, I wish you to remember that you are not to reproach yourself for anything that may happen to me. You might, you know. Will you remember?"

She spoke quite naturally and without the least fear of Volterra and his wife, who looked on and listened in dumb surprise at her self- possession. She meant every word she said, and more too, but she had thought out the little speech while she was dressing, for she had guessed what must be happening in the study. Malipieri fixed his eyes on hers gratefully, but did not find an answer at once.

"Will you remember?" she repeated.

"I shall never forget," he answered, not quite steadily,

By one of those miracles which are the birthright of certain women, she had made her dress look almost fresh again. The fawn-coloured hat was restored to its shape, or nearly. The mud that had soiled her skirt had dried and she had brushed it away, though it had left faint spots on the cloth, here and there; pins hid the little rents so cleverly that only a woman's eye could have detected anything wrong, and the russet shoes were tolerably presentable. The Baroness saw traces of the adventure to which the costume had been exposed, but Volterra smiled and was less inclined than ever to believe the story which both had told, though he did not say so.

"My wife and I," he said cordially, "quite understand what has happened, and no one shall ever know about it, unless you speak of it yourself. She will go home with you now, and will then take you to the Russian Embassy to see your mother."

Sabina looked at him in surprise, for she had expected a disagreeable scene. Then she glanced at the Baroness's sallow and angry face, and she partly understood the position.

"Thank you," she said proudly, "but if you do not mind, I will go to my mother directly. You will perhaps be so kind as to have my things sent to the Embassy, or my mother's maid will come and get them."

"You cannot go looking like that," said the Baroness severely.

"On the contrary," Volterra interposed, "I think that considering your dangerous adventure, you look perfectly presentable. Of course, we quite understand that as the Princess has returned, you should wish to go back to her at once, though we are very sorry to let you go."

Sabina paused a moment before answering. Then she spoke to the Baroness, only glancing at Volterra.

"Until to-day, you have been very kind to me," she said with an effort. "I thank you for your kindness, and I am sorry that you think so badly of me."

"My dear young lady," cried the Baron, lying with hearty cordiality, "you are much mistaken! I assure you, it was only a momentary misapprehension on the part of my wife, who had not even spoken with Signor Malipieri. His explanation has been more than satisfactory. Is it not so, my dear?" he asked, turning to the Baroness for confirmation of his fluent assurances.

"Of course," she answered, half choking, and with a face like thunder; but she dared not disobey.

"If my mother says anything about my frock, I shall tell her the whole story," said Sabina, glancing at her skirt.

"If you do," said the Baroness, "I shall deny it from beginning to end."

"I think that it would perhaps be wiser to explain that in some other way," the Baron suggested. "Signor Malipieri, will you be so very kind as to go down first, and take the porter with a light to the entrance of the cellars? He knows Donna Sabina, you see. I will come down presently, for I shall stay behind and ask the detective to look out of the window in the next room, while my wife and Donna Sabina pass through. In that way we shall be quite sure that she will not be recognized. Will you do that, Signor Malipieri? Unless you have a better plan to suggest, of course."

Malipieri saw that the plan was simple and apparently safe. He looked once more at Sabina, and she smiled, and just bent her head, but said nothing. He left the room. The detective was sitting in a corner of the room beyond, and the two men exchanged a silent nod as Malipieri passed.

Everything was arranged as the Baron had planned, and ten minutes later the Baroness and Sabina descended the stairs together in silence and reached the great entrance. The two soldiers were standing by the open door of the lodge, and saluted in military fashion. Gigi, the carpenter, sprang forward and opened the postern door, touching his paper cap to the ladies.

They did not exchange a word as they walked to the Piazza Sant' Apollinare to find a cab. Sabina held her head high and looked straight before her, and the Baroness's invisible silk bellows were distinctly audible in the quiet street.

"By the hour," said the Baroness, as they got into the first cab they reached on the stand. "Go to the Russian Embassy, in the Corso."



CHAPTER XIX



"So you spent last night in the rooms of a man you have not seen half a dozen times," said the Princess, speaking with a cigarette in her mouth. "And what is worse, those dreadful Volterra people found you there. No Conti ever had any common sense!"

What Sabina had foreseen had happened. Her mother had looked her over, from head to foot, to see what sort of condition she was in, as a horse-dealer looks over a promising colt he has not seen for some time; and the Princess had instantly detected the signs of an accident. In answer to her question Sabina told the truth. Her mother had watched her face and her innocent eyes while she was telling the story, and needed no other confirmation.

"You are a good girl," she continued, as Sabina did not reply to the last speech. "But you are a little fool. I wonder why my children are all idiots! I am not so stupid after all. I suppose it must have been your poor father."

The white lids closed thoughtfully over her magnificent eyes, and opened again after a moment, as if she had called up a vision of her departed husband and had sent it away again.

"I suppose it was silly of me to go at all," Sabina admitted, leaning back in her chair. "But I wanted so much to see the statues!"

She felt at home. Her mother had brought her up badly and foolishly, and of late had neglected her shamefully. Sabina knew that and neither loved her nor respected her, and it was not because she was her mother that the girl felt suddenly at ease in her presence, as she never could feel with the Baroness. She did not wish to be at all like her mother in character, or even in manner, and yet she felt that they belonged to the same kind, spoke the same language, and had an instinctive understanding of each other, though these things implied neither mutual respect nor affection.

"That horrible old Volterra!" said the Princess, with emphasis. "He means to keep everything he has found, for himself, if he can. I have come only just in time."

Sabina did not answer. She knew nothing of the law, and though she fancied that she might have some morally just claim to a share in the treasure, she had never believed that it could be proved.

"Of course," the Princess continued, smoking thoughtfully, "there is only one thing to be done. You must marry this Malipieri at once, whether you like him or not. What sort of man is he?"

The faint colour rose in Sabina's cheeks and not altogether at the mere thought of marrying Malipieri; she was hurt by the way her mother spoke of him.

"What kind of man is he?" the Princess repeated, "I suppose he is a Venetian, a son of the man who married the Gradenigo heiress, about the time when I was married myself. Is he the man who discovered Troy?"

"Carthage, I think," said Sabina.

"Troy, Carthage, America, it is all the same. He discovered something, and I fancy he will be rich. But what is he like? Dark, fair, good, bad, snuffy or smart? As he is an archaeologist, he must be snuffy, a bore, probably, and what the English call a male frump. It cannot be helped, my dear! You will have to marry him. Describe him to me."

"He is dark," said Sabina.

"I am glad of that. I always liked dark men—your father was fair, like you. Besides, as you are a blonde, you will always look better beside a dark husband. But of course he is dreadfully careless, with long hair and doubtful nails. All those people are."

"No," said Sabina. "He is very nice-looking and neat, and wears good clothes."

The Princess's brow cleared.

"All the better," she said. "Well, my dear, it is not so bad after all. We have found a husband for you, rich, of good family—quite as good as yours, my child! Good-looking, smart—what more do you expect? Besides, he cannot possibly refuse to marry you after what has happened. On the whole, I think your adventure has turned out rather well. You can be married in a month. Every one will think it quite natural that it should have been kept quiet until I came, you see."

"But even if I wanted to marry him, he will never ask for me," objected Sabina, who was less surprised than might be expected, for she knew her mother thoroughly.

The Princess laughed, and blew a cloud of smoke from her lips, and then showed her handsome teeth.

"I have only to say the word," she answered. "When a young girl of our world has spent the night in a man's rooms, he marries her, if her family wishes it. No man of honour can possibly refuse. I suppose that this Malipieri is a gentleman?"

"Indeed he is!" Sabina spoke with considerable indignation.

"Precisely. Then he will come to me this afternoon and tell his story frankly, just as you have done—it was very sensible of you, my dear— and he will offer to marry you. Of course I shall accept."

"But, mother," cried Sabina, aghast at the suddenness of the conclusion, "I am not at all sure—"

She stopped, feeling that she was much more sure of being in love with Malipieri than she had been when she had driven to the palace with Sassi on the previous afternoon.

"Is there any one you like better?" asked the Princess sharply. "Are you in love with any one else?"

"No! But—"

"I had never seen your father when our marriage was arranged," the Princess observed.

"And you were very unhappy together," Sabina answered promptly. "You always say so."

"Oh, unhappy? I am not so sure, now. Certainly Hot nearly so miserable as half the people I know. After all, what is happiness, child? Doing what you please, is it not?"

Sabina had not thought of this definition, and she laughed, without accepting it. In one way, everything looked suddenly bright and cheerful, since her mother had believed her story, and she knew that she was not to go back to the Baroness, who had not believed her at all, and had called her bad names.

"And I almost always did as I pleased," the Princess continued, after a moment's reflection. "The only trouble was that your dear father did not always like what I did. He was a very religious man. That was what ruined us. He gave half his income to charities and then scolded me because I could not live on the other half. Besides, he turned the Ten Commandments into a hundred. It was a perfect multiplication, table of things one was not to do."

Poor Sabina's recollections of her father had nothing of affection in them, and she did not feel called upon to defend his memory. Like many weak but devout men, he had been severe to his children, even to cruelty, while perfectly incapable of controlling his wife's caprices.

"I remember, though I was only a little girl when he died," Sabina said.

"Is Malipieri very religious?" the Princess asked "I mean, does he make a fuss about having fish on Fridays?" She spoke quite gravely.

"I fancy not," Sabina answered, seeing nothing odd in her mother's implied definition of righteousness. "He never talked to me about religion, I am sure."

"Thank God!" exclaimed the Princess devoutly.

"He always says he is a republican," Sabina remarked, glad to talk about him.

"Really?" The Princess was interested. "I adore revolutionaries," she said thoughtfully. "They always have something to say. I have always longed to meet a real anarchist."

"Signor Malipieri is not an anarchist," said Sabina.

"Of course not, child! I never said he was. All anarchists are shoemakers or miners, or something like that. I only said that I always longed to meet one. People who do not value their lives are generally amusing. When I was a girl, I was desperately in love with a cousin of mine who drove a four-in-hand down a flight of steps, and won a bet by jumping on a wild bear's back. He was always doing those things. I loved him dearly." The Princess laughed.

"What became of him?" Sabina asked.

"He shot himself one day in Geneva, poor boy, because he was bored. I was always sorry, though they would not have let me marry him, because he had lost all his money at cards." The Princess sighed. "Of course you want a lot of new clothes, my dear," she said, changing the subject rather suddenly. "Have you nothing but that to wear?"

Sabina's things had not yet come from the Via Ludovisi. She explained that she had plenty of clothes.

"I fancy they are nothing but rags," her mother answered incredulously. "We shall have to go to Paris in any case for your trousseau. You cannot get anything here."

"But we have no money," objected Sabina.

"As if that made any difference! We can always get money, somehow. What a child you are!"

Sabina said nothing, for she knew that her mother always managed to have what she wanted, even when it looked quite impossible. The girl had been brought up in the atmosphere of perpetual debt and borrowing which seemed natural to the Princess, and nothing of that sort surprised her, though it was all contrary to her own instinctively conscientious and honourable nature.

Her mother had always been a mystery to her, and now, as Sabina sat near her, she crossed her feet, which were encased in a pair of the Princess's slippers, and looked at her as she had often looked before, wondering how such a reckless, scatter-brained, almost penniless woman could have remained the great personage which the world always considered her to be, and that, too, without the slightest effort on her part to maintain her position.

Then Sabina reflected upon the Baroness's existence, which was one long struggle to reach a social elevation not even remotely rivalling that of the Princess Conti; a struggle in which she was armed with a large fortune, with her husband's political power, with the most strictly virtuous views of life, and an iron will; a struggle which could never raise her much beyond the point she had already reached.

Sabina's meditations were soon interrupted by the arrival of her belongings, in charge of her mother's maid, and the immediate necessity of dressing more carefully than had been possible when she had been so rudely roused by the Baroness. She was surprised to find herself so little tired by the desperate adventure, and without even a cold as the result of the never-to-be-forgotten chill she had felt in the vaults.

In the afternoon, the Princess declared that she would not go out. She was sure that Malipieri would present himself, and she would receive him in her boudoir. The ambassador had given her a very pretty set of rooms. He was a bachelor, and was of course delighted to have her stay with him, and still more pleased that her pretty daughter should join her. It was late in the season, he was detained in Rome by an international complication, and he looked upon the arrival of the two guests as a godsend, more especially as the Princess was an old acquaintance of his and the wife of an intimate friend. Nothing could have been more delightful, and everything was for the best. The Princess herself felt that fortune was shining upon her, for she never doubted that she could lay hands on some of the money which the statues would bring, and she was sure, at least, of marrying Sabina extremely well in a few weeks, which was an advantage not to be despised.

During the hours that followed her first conversation with her mother, Sabina found time to reflect upon her own future, and the more she thought of it, the more rosy it seemed. She was sure that Malipieri loved her, though he had certainly not told her so yet, and she was sure that she had never met a man whom she liked half so much. It was true that she had not met many, and none at all in even such intimacy as had established itself between him and her at their very first meeting; but that mattered little, and last night she had seen him as few women ever see a man, fighting for her life and his own for hours together, and winning in the end. Indeed, had she known it, their situation had been really desperate, for while Masin was in prison and in ignorance of what had happened, and Sassi lying unconscious at the hospital after a fall that had nearly killed him outright, it was doubtful whether any one else could have guessed that they were in the vaults or would have been able to get them out alive, had it been known.

She had always expected to be married against her will by her mother, or at all events without any inclination on her own part. She had been taught that it was the way of the world, which it was better to accept. If the proposed husband had been a cripple, or an old man, she would have been capable of rebellion, of choosing the convent, of running away alone into the world, of almost anything. But if he had turned out to be an average individual, neither uglier, nor older, nor more repulsive than many others, she would probably have accepted her fate with indifference, or at least with the necessary resignation, especially if she had never met Malipieri. Instead of that, it was probably Malipieri whom she was to marry, the one of all others whom she had chosen for herself, and in place of a dreary existence, stretching out through endless blank years in the future, she saw a valley of light, carpeted with roses, opening suddenly in the wilderness to receive her and the man she loved.

It was no wonder that she smiled in her sleep as she lay resting in the warm afternoon, in her own room. Her mother had made her lie down, partly because she was still tired, and partly because it would be convenient that she should be out of the way if Malipieri came.

He came, as the Princess had expected, and between two and three o'clock, an hour at which he was almost sure to find her at home. From what Sabina had said to the Baroness in his presence, and from his judgment of the girl's character, he felt certain that she would tell her mother the whole story at once. As they had acknowledged to each other in the vaults, they were neither of them good at inventing falsehoods, and Sabina would surely tell the truth. In the extremely improbable case that she had not been obliged to say anything about the events of the night, his visit would not seem at all out of place. He had seen a good deal of Sabina during her mother's absence, and it was proper that he should present himself in order to make the Princess's acquaintance.

He studied her face quickly as he came forward, and made up his mind that she expected him, though she looked up with an air of languid surprise as he entered. She leaned forward a little in her comfortable seat, and held out her plump hand.

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