A tap sounded at his door, and Mrs. Schiller appeared. "Telephone for you, Mr. Gilbert," she said.

"For ME?" said Aubrey in amazement. How could it be for him, he thought, for no one knew he was there.

"The party on the wire asked to speak to the gentleman who arrived about half an hour ago, and I guess you must be the one he means."

"Did he say who he is?" asked Aubrey.

"No, sir."

For a moment Aubrey thought of refusing to answer the call. Then it occurred to him that this would arouse Mrs. Schiller's suspicions. He ran down to the telephone, which stood under the stairs in the front hall.

"Hello," he said.

"Is this the new guest?" said a voice—a deep, gargling kind of voice.

"Yes," said Aubrey.

"Is this the gentleman that arrived half an hour ago with a handbag?"

"Yes; who are you?"

"I'm a friend," said the voice; "I wish you well."

"How do you do, friend and well-wisher," said Aubrey genially.

"I schust want to warn you that Gissing Street is not healthy for you," said the voice.

"Is that so?" said Aubrey sharply. "Who are you?"

"I am a friend," buzzed the receiver. There was a harsh, bass note in the voice that made the diaphragm at Aubrey's ear vibrate tinnily. Aubrey grew angry.

"Well, Herr Freund," he said, "if you're the well-wisher I met on the Bridge last night, watch your step. I've got your number."

There was a pause. Then the other repeated, ponderously, "I am a friend. Gissing Street is not healthy for you." There was a click, and he had rung off.

Aubrey was a good deal perplexed. He returned to his room, and sat in the dark by the window, smoking a pipe and thinking, with his eyes on the bookshop.

There was no longer any doubt in his mind that something sinister was afoot. He reviewed in memory the events of the past few days.

It was on Monday that a bookloving friend had first told him of the existence of the shop on Gissing Street. On Tuesday evening he had gone round to visit the place, and had stayed to supper with Mr. Mifflin. On Wednesday and Thursday he had been busy at the office, and the idea of an intensive Daintybit campaign in Brooklyn had occurred to him. On Friday he had dined with Mr. Chapman, and had run into a curious string of coincidences. He tabulated them:—

(1) The Lost ad in the Times on Friday morning.

(2) The chef in the elevator carrying the book that was supposed to be lost—he being the same man Aubrey had seen in the bookshop on Tuesday evening.

(3) Seeing the chef again on Gissing Street.

(4) The return of the book to the bookshop.

(5) Mifflin had said that the book had been stolen from him. Then why should it be either advertised or returned?

(6) The rebinding of the book.

(7) Finding the original cover of the book in Weintraub's drug store.

(8) The affair on the Bridge.

(9) The telephone message from "a friend"—a friend with an obviously Teutonic voice.

He remembered the face of anger and fear displayed by the Octagon chef when he had spoken to him in the elevator. Until this oddly menacing telephone message, he could have explained the attack on the Bridge as merely a haphazard foot-pad enterprise; but now he was forced to conclude that it was in some way connected with his visits to the bookshop. He felt, too, that in some unknown way Weintraub's drug store had something to do with it. Would he have been attacked if he had not taken the book cover from the drug store? He got the cover out of his bag and looked at it again. It was of plain blue cloth, with the title stamped in gold on the back, and at the bottom the lettering London: Chapman and Hall. From the width of the backstrap it was evident that the book had been a fat one. Inside the front cover the figure 60 was written in red pencil—this he took to be Roger Mifflin's price mark. Inside the back cover he found the following notations—

vol. 3—166, 174, 210, 329, 349 329 ff. cf. W. W.

These references were written in black ink, in a small, neat hand. Below them, in quite a different script and in pale violet ink, was written

153 (3) 1, 2

"I suppose these are page numbers," Aubrey thought. "I think I'd better have a look at that book."

He put the cover in his pocket and went out for a bite of supper. "It's a puzzle with three sides to it," he thought, as he descended the crepitant stairs, "The Bookshop, the Octagon, and Weintraub's; but that book seems to be the clue to the whole business."



Chapter VIII

Aubrey Goes to the Movies, and Wishes he Knew More German

A few doors from the bookshop was a small lunchroom named after the great city of Milwaukee, one of those pleasant refectories where the diner buys his food at the counter and eats it sitting in a flat-armed chair. Aubrey got a bowl of soup, a cup of coffee, beef stew, and bran muffins, and took them to an empty seat by the window. He ate with one eye on the street. From his place in the corner he could command the strip of pavement in front of Mifflin's shop. Halfway through the stew he saw Roger come out onto the pavement and begin to remove the books from the boxes.

After finishing his supper he lit one of his "mild but they satisfy" cigarettes and sat in the comfortable warmth of a near-by radiator. A large black cat lay sprawled on the next chair. Up at the service counter there was a pleasant clank of stout crockery as occasional customers came in and ordered their victuals. Aubrey began to feel a relaxation swim through his veins. Gissing Street was very bright and orderly in its Saturday evening bustle. Certainly it was grotesque to imagine melodrama hanging about a second-hand bookshop in Brooklyn. The revolver felt absurdly lumpy and uncomfortable in his hip pocket. What a different aspect a little hot supper gives to affairs! The most resolute idealist or assassin had better write his poems or plan his atrocities before the evening meal. After the narcosis of that repast the spirit falls into a softer mood, eager only to be amused. Even Milton would hardly have had the inhuman fortitude to sit down to the manuscript of Paradise Lost right after supper. Aubrey began to wonder if his unpleasant suspicions had not been overdrawn. He thought how delightful it would be to stop in at the bookshop and ask Titania to go to the movies with him.

Curious magic of thought! The idea was still sparkling in his mind when he saw Titania and Mrs. Mifflin emerge from the bookshop and pass briskly in front of the lunchroom. They were talking and laughing merrily. Titania's face, shining with young vitality, seemed to him more "attention-compelling" than any ten-point Caslon type-arrangement he had ever seen. He admired the layout of her face from the standpoint of his cherished technique. "Just enough 'white space,'" he thought, "to set off her eyes as the 'centre of interest.' Her features aren't this modern bold-face stuff, set solid," he said to himself, thinking typographically. "They're rather French old-style italic, slightly leaded. Set on 22-point body, I guess. Old man Chapman's a pretty good typefounder, you have to hand it to him."

He smiled at this conceit, seized hat and coat, and dashed out of the lunchroom.

Mrs. Mifflin and Titania had halted a few yards up the street, and were looking at some pert little bonnets in a window. Aubrey hurried across the street, ran up to the next corner, recrossed, and walked down the eastern pavement. In this way he would meet them as though he were coming from the subway. He felt rather more excited than King Albert re-entering Brussels. He saw them coming, chattering together in the delightful fashion of women out on a spree. Helen seemed much younger in the company of her companion. "A lining of pussy-willow taffeta and an embroidered slip-on," she was saying.

Aubrey steered onto them with an admirable gesture of surprise.

"Well, I never!" said Mrs. Mifflin. "Here's Mr. Gilbert. Were you coming to see Roger?" she added, rather enjoying the young man's predicament.

Titania shook hands cordially. Aubrey, searching the old-style italics with the desperate intensity of a proof-reader, saw no evidence of chagrin at seeing him again so soon.

"Why," he said rather lamely, "I was coming to see you all. I—I wondered how you were getting along."

Mrs. Mifflin had pity on him. "We've left Mr. Mifflin to look after the shop," she said. "He's busy with some of his old crony customers. Why don't you come with us to the movies?"

"Yes, do," said Titania. "It's Mr. and Mrs. Sidney Drew, you know how adorable they are!"

No one needs to be told how quickly Aubrey assented. Pleasure coincided with duty in that the outer wing of the party placed him next to Titania.

"Well, how do you like bookselling?" he asked.

"Oh, it's the greatest fun!" she cried. "But it'll take me ever and ever so long to learn about all the books. People ask such questions! A woman came in this afternoon looking for a copy of Blase Tales. How was I to know she wanted The Blazed Trail?"

"You'll get used to that," said Mrs. Mifflin. "Just a minute, people, I want to stop in at the drug store."

They went into Weintraub's pharmacy. Entranced as he was by the proximity of Miss Chapman, Aubrey noticed that the druggist eyed him rather queerly. And being of a noticing habit, he also observed that when Weintraub had occasion to write out a label for a box of powdered alum Mrs. Mifflin was buying, he did so with a pale violet ink.

At the glass sentry-box in front of the theatre Aubrey insisted on buying the tickets.

"We came out right after supper," said Titania as they entered, "so as to get in before the crowd."

It is not so easy, however, to get ahead of Brooklyn movie fans. They had to stand for several minutes in a packed lobby while a stern young man held the waiting crowd in check with a velvet rope. Aubrey sustained delightful spasms of the protective instinct in trying to shelter Titania from buffets and pushings. Unknown to her, his arm extended behind her like an iron rod to absorb the onward impulses of the eager throng. A rustling groan ran through these enthusiasts as they saw the preliminary footage of the great Tarzan flash onto the screen, and realized they were missing something. At last, however, the trio got through the barrier and found three seats well in front, at one side. From this angle the flying pictures were strangely distorted, but Aubrey did not mind.

"Isn't it lucky I got here when I did," whispered Titania. "Mr. Mifflin has just had a telephone call from Philadelphia asking him to go over on Monday to make an estimate on a library that's going to be sold so I'll be able to look after the shop for him while he's gone."

"Is that so?" said Aubrey. "Well, now, I've got to be in Brooklyn on Monday, on business. Maybe Mrs. Mifflin would let me come in and buy some books from you."

"Customers always welcome," said Mrs. Mifflin.

"I've taken a fancy to that Cromwell book," said Aubrey. "What do you suppose Mr. Mifflin would sell it for?"

"I think that book must be valuable," said Titania. "Somebody came in this afternoon and wanted to buy it, but Mr. Mifflin wouldn't part with it. He says it's one of his favourites. Gracious, what a weird film this is!"

The fantastic absurdities of Tarzan proceeded on the screen, tearing celluloid passions to tatters, but Aubrey found the strong man of the jungle coming almost too close to his own imperious instincts. Was not he, too—he thought naively—a poor Tarzan of the advertising jungle, lost among the elephants and alligators of commerce, and sighing for this dainty and unattainable vision of girlhood that had burst upon his burning gaze! He stole a perilous side-glance at her profile, and saw the racing flicker of the screen reflected in tiny spangles of light that danced in her eyes. He was even so unknowing as to imagine that she was not aware of his contemplation. And then the lights went up.

"What nonsense, wasn't it?" said Titania. "I'm so glad it's over! I was quite afraid one of those elephants would walk off the screen and tread on us."

"I never can understand," said Helen, "why they don't film some of the really good books—think of Frank Stockton's stuff, how delightful that would be. Can't you imagine Mr. and Mrs. Drew playing in Rudder Grange!"

"Thank goodness!" said Titania. "Since I entered the book business, that's the first time anybody's mentioned a book that I've read. Yes—do you remember when Pomona and Jonas visit an insane asylum on their honeymoon? Do you know, you and Mr. Mifflin remind me a little of Mr. and Mrs. Drew."

Helen and Aubrey chuckled at this innocent correlation of ideas. Then the organ began to play "O How I Hate To Get Up in the Morning" and the ever-delightful Mr. and Mrs. Drew appeared on the screen in one of their domestic comedies. Lovers of the movies may well date a new screen era from the day those whimsical pantomimers set their wholesome and humane talent at the service of the arc light and the lens. Aubrey felt a serene and intimate pleasure in watching them from a seat beside Titania. He knew that the breakfast table scene shadowed before them was only a makeshift section of lath propped up in some barnlike motion picture studio; yet his rocketing fancy imagined it as some arcadian suburb where he and Titania, by a jugglery of benign fate, were bungalowed together. Young men have a pioneering imagination: it is doubtful whether any young Orlando ever found himself side by side with Rosalind without dreaming himself wedded to her. If men die a thousand deaths before this mortal coil is shuffled, even so surely do youths contract a thousand marriages before they go to the City Hall for a license.

Aubrey remembered the opera glasses, which were still in his pocket, and brought them out. The trio amused themselves by watching Sidney Drew's face through the magnifying lenses. They were disappointed in the result, however, as the pictures, when so enlarged, revealed all the cobweb of fine cracks on the film. Mr. Drew's nose, the most amusing feature known to the movies, lost its quaintness when so augmented.

"Why," cried Titania, "it makes his lovely nose look like the map of Florida."

"How on earth did you happen to have these in your pocket?" asked Mrs. Mifflin, returning the glasses.

Aubrey was hard pressed for a prompt and reasonable fib, but advertising men are resourceful.

"Oh," he said, "I sometimes carry them with me at night to study the advertising sky-signs. I'm a little short sighted. You see, it's part of my business to study the technique of the electric signs."

After some current event pictures the programme prepared to repeat itself, and they went out. "Will you come in and have some cocoa with us?" said Helen as they reached the door of the bookshop. Aubrey was eager enough to accept, but feared to overplay his hand. "I'm sorry," he said, "but I think I'd better not. I've got some work to do to-night. Perhaps I can drop in on Monday when Mr. Mifflin's away, and put coal on the furnace for you, or something of that sort?"

Mrs. Mifflin laughed. "Surely!" she said. "You're welcome any time." The door closed behind them, and Aubrey fell into a profound melancholy. Deprived of the heavenly rhetoric of her eye, Gissing Street seemed flat and dull.

It was still early—not quite ten o'clock—and it occurred to Aubrey that if he was going to patrol the neighbourhood he had better fix its details in his head. Hazlitt, the next street below the bookshop, proved to be a quiet little byway, cheerfully lit with modest dwellings. A few paces down Hazlitt Street a narrow cobbled alley ran through to Wordsworth Avenue, passing between the back yards of Gissing Street and Whittier Street. The alley was totally dark, but by counting off the correct number of houses Aubrey identified the rear entrance of the bookshop. He tried the yard gate cautiously, and found it unlocked. Glancing in he could see a light in the kitchen window and assumed that the cocoa was being brewed. Then a window glowed upstairs, and he was thrilled to see Titania shining in the lamplight. She moved to the window and pulled down the blind. For a moment he saw her head and shoulders silhouetted against the curtain; then the light went out.

Aubrey stood briefly in sentimental thought. If he only had a couple of blankets, he mused, he could camp out here in Roger's back yard all night. Surely no harm could come to the girl while he kept watch beneath her casement! The idea was just fantastic enough to appeal to him. Then, as he stood in the open gateway, he heard distant footfalls coming down the alley, and a grumble of voices. Perhaps two policemen on their rounds, he thought: it would be awkward to be surprised skulking about back doors at this time of night. He slipped inside the gate and closed it gently behind him, taking the precaution to slip the bolt.

The footsteps came nearer, stumbling down the uneven cobbles in the darkness. He stood still against the back fence. To his amazement the men halted outside Mifflin's gate, and he heard the latch quietly lifted.

"It's no use," said a voice—"the gate is locked. We must find some other way, my friend."

Aubrey tingled to hear the rolling, throaty "r" in the last word. There was no mistaking—this was the voice of his "friend and well-wisher" over the telephone.

The other said something in German in a hoarse whisper. Having studied that language in college, Aubrey caught only two words—Thur and Schlussel, which he knew meant door and key.

"Very well," said the first voice. "That will be all right, but we must act to-night. The damned thing must be finished to-morrow. Your idiotic stupidity—"

Again followed some gargling in German, in a rapid undertone too fluent for Aubrey's grasp. The latch of the alley gate clicked once more, and his hand was on his revolver; but in a moment the two had passed on down the alley.

The young advertising agent stood against the fence in silent horror, his heart bumping heavily. His hands were clammy, his feet seemed to have grown larger and taken root. What damnable complot was this? A sultry wave of anger passed over him. This bland, slick, talkative bookseller, was he arranging some blackmailing scheme to kidnap the girl and wring blood-money out of her father? And in league with Germans, too, the scoundrel! What an asinine thing for old Chapman to send an unprotected girl over here into the wilds of Brooklyn . . . and in the meantime, what was he to do? Patrol the back yard all night? No, the friend and well-wisher had said "We must find some other way." Besides, Aubrey remembered something having been said about the old terrier sleeping in the kitchen. He felt sure Bock would not let any German in at night without raising the roof. Probably the best way would be to watch the front of the shop. In miserable perplexity he waited several minutes until the two Germans would be well out of earshot. Then he unbolted the gate and stole up the alley on tiptoe, in the opposite direction. It led into Wordsworth Avenue just behind Weintraub's drug store, over the rear of which hung the great girders and trestles of the "L" station, a kind of Swiss chalet straddling the street on stilts. He thought it prudent to make a detour, so he turned east on Wordsworth Avenue until he reached Whittier Street, then sauntered easily down Whittier for a block, spying sharply for evidences of pursuit. Brooklyn was putting out its lights for the night, and all was quiet. He turned into Hazlitt Street and so back onto Gissing, noticing now that the Haunted Bookshop lights were off. It was nearly eleven o'clock: the last audience was filing out of the movie theatre, where two workmen were already perched on ladders taking down the Tarzan electric light sign, to substitute the illuminated lettering for the next feature.

After some debate he decided that the best thing to do was to return to his room at Mrs. Schiller's, from which he could keep a sharp watch on the front door of the bookshop. By good fortune there was a lamp post almost directly in front of Mifflin's house, which cast plenty of light on the little sunken area before the door. With his opera glasses he could see from his bedroom whatever went on. As he crossed the street he cast his eyes upward at the facade of Mrs. Schiller's house. Two windows in the fourth storey were lit, and the gas burned minutely in the downstairs hall, elsewhere all was dark. And then, as he glanced at the window of his own chamber, where the curtain was still tucked back behind the pane, he noticed a curious thing. A small point of rosy light glowed, faded, and glowed again by the window. Someone was smoking a cigar in his room.

Aubrey continued walking in even stride, as though he had seen nothing. Returning down the street, on the opposite side, he verified his first glance. The light was still there, and he judged himself not far out in assuming the smoker to be the friend and well-wisher or one of his gang. He had suspected the other man in the alley of being Weintraub, but he could not be sure. A cautious glance through the window of the drug store revealed Weintraub at his prescription counter. Aubrey determined to get even with the guttural gentleman who was waiting for him, certainly with no affectionate intent. He thanked the good fortune that had led him to stick the book cover in his overcoat pocket when leaving Mrs. Schiller's. Evidently, for reasons unknown, someone was very anxious to get hold of it.

An idea occurred to him as he passed the little florist's shop, which was just closing. He entered and bought a dozen white carnations, and then, as if by an afterthought, asked "Have you any wire?"

The florist produced a spool of the slender, tough wire that is sometimes used to nip the buds of expensive roses, to prevent them from blossoming too quickly.

"Let me have about eight feet," said Aubrey. "I need some to-night and I guess the hardware stores are all closed."

With this he returned to Mrs. Schiller's, picking his way carefully and close to the houses so as to be out of sight from the upstairs windows. He climbed the steps and unlatched the door with bated breath. It was half-past eleven, and he wondered how long he would have to wait for the well-wisher to descend.

He could not help chuckling as he made his preparations, remembering an occasion at college somewhat similar in setting though far less serious in purpose. First he took off his shoes, laying them carefully to one side where he could find them again in a hurry. Then, choosing a banister about six feet from the bottom of the stairs he attached one end of the wire tightly to its base and spread the slack in a large loop over two of the stair treads. The remaining end of the wire he passed out through the banisters, twisting it into a small loop so that he could pull it easily. Then he turned out the hall gas and sat down in the dark to wait events.

He sat for a long time, in some nervousness lest the pug dog might come prowling and find him. He was startled by a lady in a dressing gown—perhaps Mrs. J. F. Smith—who emerged from a ground-floor room passed very close to him in the dark, and muttered upstairs. He twitched his noose out of the way just in time. Presently, however, his patience was rewarded. He heard a door squeak above, and then the groaning of the staircase as someone descended slowly. He relaid his trap and waited, smiling to himself. A clock somewhere in the house was chiming twelve as the man came groping down the last flight, feeling his way in the dark. Aubrey heard him swearing under his breath.

At the precise moment, when both his victim's feet were within the loop, Aubrey gave the wire a gigantic tug. The man fell like a safe, crashing against the banisters and landing in a sprawl on the floor. It was a terrific fall, and shook the house. He lay there groaning and cursing.

Barely retaining his laughter, Aubrey struck a match and held it over the sprawling figure. The man lay with his face twisted against one out-spread arm, but the beard was unmistakable. It was the assistant chef again, and he seemed partly unconscious. "Burnt hair is a grand restorative," said Aubrey to himself, and applied the match to the bush of beard. He singed off a couple of inches of it with intense delight, and laid his carnations on the head of the stricken one. Then, hearing stirrings in the basement, he gathered up his wire and shoes and fled upstairs. He gained his room roaring with inward mirth, but entered cautiously, fearing some trap. Save for a strong tincture of cigar smoke, everything seemed correct. Listening at his door he heard Mrs. Schiller exclaiming shrilly in the hall, assisted by yappings from the pug. Doors upstairs were opened, and questions were called out. He heard guttural groans from the bearded one, mingled with oaths and some angry remark about having fallen downstairs. The pug, frenzied with excitement, yelled insanely. A female voice—possibly Mrs. J. F. Smith—cried out "What's that smell of burning?" Someone else said, "They're burning feathers under his nose to bring him to."

"Yes, Hun's feathers," chuckled Aubrey to himself. He locked his door, and sat down by the window with his opera glasses.



Chapter IX

Again the Narrative is Retarded

Roger had spent a quiet evening in the bookshop. Sitting at his desk under a fog of tobacco, he had honestly intended to do some writing on the twelfth chapter of his great work on bookselling. This chapter was to be an (alas, entirely conjectural) "Address Delivered by a Bookseller on Being Conferred the Honorary Degree of Doctor of Letters by a Leading University," and it presented so many alluring possibilities that Roger's mind always wandered from the paper into entranced visions of his imagined scene. He loved to build up in fancy the flattering details of that fine ceremony when bookselling would at last be properly recognized as one of the learned professions. He could see the great auditorium, filled with cultivated people: men with Emersonian profiles, ladies whispering behind their fluttering programmes. He could see the academic beadle, proctor, dean (or whatever he is, Roger was a little doubtful) pronouncing the august words of presentation—

A man who, in season and out of season, forgetting private gain for public weal, has laboured with Promethean and sacrificial ardour to instil the love of reasonable letters into countless thousands; to whom, and to whose colleagues, amid the perishable caducity of human affairs, is largely due the pullulation of literary taste; in honouring whom we seek to honour the noble and self-effacing profession of which he is so representative a member——

Then he could see the modest bookseller, somewhat clammy in his extremities and lost within his academic robe and hood, nervously fidgeting his mortar-board, haled forward by ushers, and tottering rubescent before the chancellor, provost, president (or whoever it might be) who hands out the diploma. Then (in Roger's vision) he could see the garlanded bibliopole turning to the expectant audience, giving his trailing gown a deft rearward kick as the ladies do on the stage, and uttering, without hesitation or embarrassment, with due interpolation of graceful pleasantry, that learned and unlaboured discourse on the delights of bookishness that he had often dreamed of. Then he could see the ensuing reception: the distinguished savants crowding round; the plates of macaroons, the cups of untasted tea; the ladies twittering, "Now there's something I want to ask you—why are there so many statues to generals, admirals, parsons, doctors, statesmen, scientists, artists, and authors, but no statues to booksellers?"

Contemplation of this glittering scene always lured Roger into fantastic dreams. Ever since he had travelled country roads, some years before, selling books from a van drawn by a fat white horse, he had nourished a secret hope of some day founding a Parnassus on Wheels Corporation which would own a fleet of these vans and send them out into the rural byways where bookstores are unknown. He loved to imagine a great map of New York State, with the daily location of each travelling Parnassus marked by a coloured pin. He dreamed of himself, sitting in some vast central warehouse of second-hand books, poring over his map like a military chief of staff and forwarding cases of literary ammunition to various bases where his vans would re-stock. His idea was that his travelling salesmen could be recruited largely from college professors, parsons, and newspaper men, who were weary of their thankless tasks, and would welcome an opportunity to get out on the road. One of his hopes was that he might interest Mr. Chapman in this superb scheme, and he had a vision of the day when the shares of the Parnassus on Wheels Corporation would pay a handsome dividend and be much sought after by serious investors.

These thoughts turned his mind toward his brother-in-law Andrew McGill, the author of several engaging books on the joys of country living, who dwells at the Sabine Farm in the green elbow of a Connecticut valley. The original Parnassus, a quaint old blue wagon in which Roger had lived and journeyed and sold books over several thousand miles of country roads in the days before his marriage, was now housed in Andrew's barn. Peg, his fat white horse, had lodging there also. It occurred to Roger that he owed Andrew a letter, and putting aside his notes for the bookseller's collegiate oration, he began to write:

THE HAUNTED BOOKSHOP 163 Gissing Street, Brooklyn, November 30, 1918.

MY DEAR ANDREW:

It is scandalous not to have thanked you sooner for the annual cask of cider, which has given us even more than the customary pleasure. This has been an autumn when I have been hard put to it to keep up with my own thoughts, and I've written no letters at all. Like everyone else I am thinking constantly of this new peace that has marvellously come upon us. I trust we may have statesmen who will be able to turn it to the benefit of humanity. I wish there could be an international peace conference of booksellers, for (you will smile at this) my own conviction is that the future happiness of the world depends in no small measure on them and on the librarians. I wonder what a German bookseller is like?

I've been reading The Education of Henry Adams and wish he might have lived long enough to give us his thoughts on the War. I fear it would have bowled him over. He thought that this is not a world "that sensitive and timid natures can regard without a shudder." What would he have said of the four-year shambles we have watched with sickened hearts?

You remember my favourite poem—old George Herbert's Church Porch—where he says—

By all means use sometimes to be alone; Salute thyself; see what thy soul doth wear; Dare to look in thy chest, for 'tis thine own, And tumble up and down what thou find'st there—

Well, I've been tumbling my thoughts up and down a good deal. Melancholy, I suppose, is the curse of the thinking classes; but I confess my soul wears a great uneasiness these days! The sudden and amazing turnover in human affairs, dramatic beyond anything in history, already seems to be taken as a matter of course. My great fear is that humanity will forget the atrocious sufferings of the war, which have never been told. I am hoping and praying that men like Philip Gibbs may tell us what they really saw.

You will not agree with me on what I am about to say, for I know you as a stubborn Republican; but I thank fortune that Wilson is going to the Peace Conference. I've been mulling over one of my favourite books—it lies beside me as I write—Cromwell's Letters and Speeches, edited by Carlyle, with what Carlyle amusingly calls "Elucidations." (Carlyle is not very good at "elucidating" anything!) I have heard somewhere or other that this is one of Wilson's favourite books, and indeed, there is much of the Cromwell in him. With what a grim, covenanting zeal he took up the sword when at last it was forced into his hand! And I have been thinking that what he will say to the Peace Conference will smack strongly of what old Oliver used to say to Parliament in 1657 and 1658—"If we will have Peace without a worm in it, lay we foundations of Justice and Righteousness." What makes Wilson so irritating to the unthoughtful is that he operates exclusively upon reason, not upon passion. He contradicts Kipling's famous lines, which apply to most men—

Very rarely will he squarely push the logic of a fact To its ultimate conclusion in unmitigated act.

In this instance, I think, Reason is going to win. I feel the whole current of the world setting in that direction.

It's quaint to think of old Woodrow, a kind of Cromwell-Wordsworth, going over to do his bit among the diplomatic shell-craters. What I'm waiting for is the day when he'll get back into private life and write a book about it. There's a job, if you like, for a man who might reasonably be supposed to be pretty tired in body and soul! When that book comes out I'll spend the rest of my life in selling it. I ask nothing better! Speaking of Wordsworth, I've often wondered whether Woodrow hasn't got some poems concealed somewhere among his papers! I've always imagined that he may have written poems on the sly. And by the way, you needn't make fun of me for being so devoted to George Herbert. Do you realize that two of the most familiar quotations in our language come from his pen, viz.:

Wouldst thou both eat thy cake, and have it?

and

Dare to be true: nothing can need a ly; A fault, which needs it most, grows two thereby.

Forgive this tedious sermon! My mind has been so tumbled up and down this autumn that I am in a queer state of mingled melancholy and exaltation. You know how much I live in and for books. Well, I have a curious feeling, a kind of premonition that there are great books coming out of this welter of human hopes and anguishes, perhaps A book in which the tempest-shaken soul of the race will speak out as it never has before. The Bible, you know, is rather a disappointment: it has never done for humanity what it should have done. I wonder why? Walt Whitman is going to do a great deal, but he is not quite what I mean. There is something coming—I don't know just what! I thank God I am a bookseller, trafficking in the dreams and beauties and curiosities of humanity rather than some mere huckster of merchandise. But how helpless we all are when we try to tell what goes on within us! I found this in one of Lafcadio Hearn's letters the other day—I marked the passage for you

Baudelaire has a touching poem about an albatross, which you would like—describing the poet's soul superb in its own free azure—but helpless, insulted, ugly, clumsy when striving to walk on common earth—or rather, on a deck, where sailors torment it with tobacco pipes, etc.

You can imagine what evenings I have here among my shelves, now the long dark nights are come! Of course until ten o'clock, when I shut up shop, I am constantly interrupted—as I have been during this letter, once to sell a copy of Helen's Babies and once to sell The Ballad of Reading Gaol, so you can see how varied are my clients' tastes! But later on, after we have had our evening cocoa and Helen has gone to bed, I prowl about the place, dipping into this and that, fuddling myself with speculation. How clear and bright the stream of the mind flows in those late hours, after all the sediment and floating trash of the day has drained off! Sometimes I seem to coast the very shore of Beauty or Truth, and hear the surf breaking on those shining sands. Then some offshore wind of weariness or prejudice bears me away again. Have you ever come across Andreyev's Confessions of a Little Man During Great Days? One of the honest books of the War. The Little Man ends his confession thus—

My anger has left me, my sadness returned, and once more the tears flow. Whom can I curse, whom can I judge, when we are all alike unfortunate? Suffering is universal; hands are outstretched to each other, and when they touch . . . the great solution will come. My heart is aglow, and I stretch out my hand and cry, "Come, let us join hands! I love you, I love you!"

And of course, as soon as one puts one's self in that frame of mind someone comes along and picks your pocket. . . . I suppose we must teach ourselves to be too proud to mind having our pockets picked!

Did it ever occur to you that the world is really governed by BOOKS? The course of this country in the War, for instance, has been largely determined by the books Wilson has read since he first began to think! If we could have a list of the principal books he has read since the War began, how interesting it would be.

Here's something I'm just copying out to put up on my bulletin board for my customers to ponder. It was written by Charles Sorley, a young Englishman who was killed in France in 1915. He was only twenty years old—

TO GERMANY

You are blind like us. Your hurt no man designed, And no man claimed the conquest of your land. But gropers both through fields of thought confined We stumble and we do not understand. You only saw your future bigly planned, And we, the tapering paths of our own mind, And in each other's dearest ways we stand, And hiss and hate. And the blind fight the blind.

When it is peace, then we may view again With new-won eyes each other's truer form And wonder. Grown more loving-kind and warm We'll grasp firm hands and laugh at the old pain, When it is peace. But until peace, the storm The darkness and the thunder and the rain.

Isn't that noble? You see what I am dumbly groping for—some way of thinking about the War that will make it seem (to future ages) a purification for humanity rather than a mere blackness of stinking cinders and tortured flesh and men shot to ribbons in marshes of blood and sewage. Out of such unspeakable desolation men MUST rise to some new conception of national neighbourhood. I hear so much apprehension that Germany won't be punished sufficiently for her crime. But how can any punishment be devised or imposed for such a huge panorama of sorrow? I think she has already punished herself horribly, and will continue to do so. My prayer is that what we have gone through will startle the world into some new realization of the sanctity of life—all life, animal as well as human. Don't you find that a visit to a zoo can humble and astound you with all that amazing and grotesque variety of living energy?

What is it that we find in every form of life? Desire of some sort—some unexplained motive power that impels even the smallest insect on its queer travels. You must have watched some infinitesimal red spider on a fence rail, bustling along—why and whither? Who knows? And when you come to man, what a chaos of hungers and impulses keep thrusting him through his cycle of quaint tasks! And in every human heart you find some sorrow, some frustration, some lurking pang. I often think of Lafcadio Hearn's story of his Japanese cook. Hearn was talking of the Japanese habit of not showing their emotions on their faces. His cook was a smiling, healthy, agreeable-looking young fellow whose face was always cheerful. Then one day, by chance, Hearn happened to look through a hole in the wall and saw his cook alone. His face was not the same face. It was thin and drawn and showed strange lines worn by old hardships or sufferings. Hearn thought to himself, "He will look just like that when he is dead." He went into the kitchen to see him, and instantly the cook was all changed, young and happy again. Never again did Hearn see that face of trouble; but he knew the man wore it when he was alone.

Don't you think there is a kind of parable there for the race as a whole? Have you ever met a man without wondering what shining sorrows he hides from the world, what contrast between vision and accomplishment torments him? Behind every smiling mask is there not some cryptic grimace of pain? Henry Adams puts it tersely. He says the human mind appears suddenly and inexplicably out of some unknown and unimaginable void. It passes half its known life in the mental chaos of sleep. Even when awake it is a victim of its own ill-adjustment, of disease, of age, of external suggestion, of nature's compulsions; it doubts its own sensations and trusts only in instruments and averages. After sixty years or so of growing astonishment the mind wakes to find itself looking blankly into the void of death. And, as Adams says, that it should profess itself pleased by this performance is all that the highest rules of good breeding can ask. That the mind should actually be satisfied would prove that it exists only as idiocy!

I hope that you will write to tell me along what curves your mind is moving. For my own part I feel that we are on the verge of amazing things. Long ago I fell back on books as the only permanent consolers. They are the one stainless and unimpeachable achievement of the human race. It saddens me to think that I shall have to die with thousands of books unread that would have given me noble and unblemished happiness. I will tell you a secret. I have never read King Lear, and have purposely refrained from doing so. If I were ever very ill I would only need to say to myself "You can't die yet, you haven't read Lear." That would bring me round, I know it would.

You see, books are the answer to all our perplexities! Henry Adams grinds his teeth at his inability to understand the universe. The best he can do is to suggest a "law of acceleration," which seems to mean that Nature is hustling man along at an ever-increasing rate so that he will either solve all her problems or else die of fever in the effort. But Adams' candid portrait of a mind grappling helplessly with its riddles is so triumphantly delightful that one forgets the futility of the struggle in the accuracy of the picture. Man is unconquerable because he can make even his helplessness so entertaining. His motto seems to be "Even though He slay me, yet will I make fun of Him!"

Yes, books are man's supreme triumph, for they gather up and transmit all other triumphs. As Walter de la Mare writes, "How uncomprehendingly must an angel from heaven smile on a poor human sitting engrossed in a romance: angled upon his hams, motionless in his chair, spectacles on nose, his two feet as close together as the flukes of a merman's tail, only his strange eyes stirring in his time-worn face."

Well, I've been scribbling away all this time and haven't given you any news whatever. Helen came back the other day from a visit to Boston where she enjoyed herself greatly. To-night she has gone out to the movies with a young protegee of ours, Miss Titania Chapman, an engaging damsel whom we have taken in as an apprentice bookseller. It's a quaint idea, done at the request of her father, Mr. Chapman, the proprietor of Chapman's Daintybits which you see advertised everywhere. He is a great booklover, and is very eager to have the zeal transmitted to his daughter. So you can imagine my glee to have a neophyte of my own to preach books at! Also it will enable me to get away from the shop a little more. I had a telephone call from Philadelphia this afternoon asking me to go over there on Monday evening to make an estimate of the value of a private collection that is to be sold. I was rather flattered because I can't imagine how they got hold of my name.

Forgive this long, incoherent scrawl. How did you like Erewhon? It's pretty near closing time and I must say grace over the day's accounts.

Yours ever, ROGER MIFFLIN.



Chapter X

Roger Raids the Ice-Box

Roger had just put Carlyle's Cromwell back in its proper place in the History alcove when Helen and Titania returned from the movies. Bock, who had been dozing under his master's chair, rose politely and wagged a deferential tail.

"I do think Bock has the darlingest manners," said Titania.

"Yes," said Helen, "it's really a marvel that his wagging muscles aren't all worn out, he has abused them so."

"Well," said Roger, "did you have a good time?"

"An adorable time!" cried Titania, with a face and voice so sparkling that two musty habitues of the shop popped their heads out of the alcoves marked ESSAYS and THEOLOGY and peered in amazement. One of these even went so far as to purchase the copy of Leigh Hunt's Wishing Cap Papers he had been munching through, in order to have an excuse to approach the group and satisfy his bewildered eyes. When Miss Chapman took the book and wrapped it up for him, his astonishment was made complete.

Unconscious that she was actually creating business, Titania resumed.

"We met your friend Mr. Gilbert on the street," she said, "and he went to the movies with us. He says he's coming in on Monday to fix the furnace while you're away."

"Well," said Roger, "these advertising agencies are certainly enterprising, aren't they? Think of sending a man over to attend to my furnace, just on the slim chance of getting my advertising account."

"Did you have a quiet evening?" said Helen.

"I spent most of the time writing to Andrew," said Roger. "One amusing thing happened, though. I actually sold that copy of Philip Dru."

"No!" cried Helen.

"A fact," said Roger. "A man was looking at it, and I told him it was supposed to be written by Colonel House. He insisted on buying it. But what a sell when he tries to read it!"

"Did Colonel House really write it?" asked Titania.

"I don't know," said Roger. "I hope not, because I find in myself a secret tendency to believe that Mr. House is an able man. If he did write it, I devoutly hope none of the foreign statesmen in Paris will learn of that fact."

While Helen and Titania took off their wraps, Roger was busy closing up the shop. He went down to the corner with Bock to mail his letter, and when he returned to the den Helen had prepared a large jug of cocoa. They sat down by the fire to enjoy it.

"Chesterton has written a very savage poem against cocoa," said Roger, "which you will find in The Flying Inn; but for my part I find it the ideal evening drink. It lets the mind down gently, and paves the way for slumber. I have often noticed that the most terrific philosophical agonies can be allayed by three cups of Mrs. Mifflin's cocoa. A man can safely read Schopenhauer all evening if he has a tablespoonful of cocoa and a tin of condensed milk available. Of course it should be made with condensed milk, which is the only way."

"I had no idea anything could be so good," said Titania. "Of course, Daddy makes condensed milk in one of his factories, but I never dreamed of trying it. I thought it was only used by explorers, people at the North Pole, you know."

"How stupid of me!" exclaimed Roger. "I quite forgot to tell you! Your father called up just after you had gone out this evening, and wanted to know how you were getting on."

"Oh, dear," said Titania. "He must have been delighted to hear I was at the movies, on the second day of my first job! He probably said it was just like me."

"I explained that I had insisted on your going with Mrs. Mifflin, because I felt she needed the change."

"I do hope," said Titania, "you won't let Daddy poison your mind about me. He thinks I'm dreadfully frivolous, just because I LOOK frivolous. But I'm so keen to make good in this job. I've been practicing doing up parcels all afternoon, so as to learn how to tie the string nicely and not cut it until after the knot's tied. I found that when you cut it beforehand either you get it too short and it won't go round, or else too long and you waste some. Also I've learned how to make wrapping paper cuffs to keep my sleeves clean."

"Well, I haven't finished yet," continued Roger. "Your father wants us all to spend to-morrow out at your home. He wants to show us some books he has just bought, and besides he thinks maybe you're feeling homesick."

"What, with all these lovely books to read? Nonsense! I don't want to go home for six months!"

"He wouldn't take No for an answer. He's going to send Edwards round with the car the first thing to-morrow morning."

"What fun!" said Helen. "It'll be delightful."

"Goodness," said Titania. "Imagine leaving this adorable bookshop to spend Sunday in Larchmont. Well, I'll be able to get that georgette blouse I forgot."

"What time will the car be here?" asked Helen.

"Mr. Chapman said about nine o'clock. He begs us to get out there as early as possible, as he wants to spend the day showing us his books."

As they sat round the fading bed of coals, Roger began hunting along his private shelves. "Have you ever read any Gissing?" he said.

Titania made a pathetic gesture to Mrs. Mifflin. "It's awfully embarrassing to be asked these things! No, I never heard of him."

"Well, as the street we live on is named after him, I think you ought to," he said. He pulled down his copy of The House of Cobwebs. "I'm going to read you one of the most delightful short stories I know. It's called 'A Charming Family.'"

"No, Roger," said Mrs. Mifflin firmly. "Not to-night. It's eleven o'clock, and I can see Titania's tired. Even Bock has left us and gone in to his kennel. He's got more sense than you have."

"All right," said the bookseller amiably. "Miss Chapman, you take the book up with you and read it in bed if you want to. Are you a librocubicularist?"

Titania looked a little scandalized.

"It's all right, my dear," said Helen. "He only means are you fond of reading in bed. I've been waiting to hear him work that word into the conversation. He made it up, and he's immensely proud of it."

"Reading in bed?" said Titania. "What a quaint idea! Does any one do it? It never occurred to me. I'm sure when I go to bed I'm far too sleepy to think of such a thing."

"Run along then, both of you," said Roger. "Get your beauty sleep. I shan't be very late."

He meant it when he said it, but returning to his desk at the back of the shop his eye fell upon his private shelf of books which he kept there "to rectify perturbations" as Burton puts it. On this shelf there stood Pilgrim's Progress, Shakespeare, The Anatomy of Melancholy, The Home Book of Verse, George Herbert's Poems, The Notebooks of Samuel Butler, and Leaves of Grass. He took down The Anatomy of Melancholy, that most delightful of all books for midnight browsing. Turning to one of his favourite passages—"A Consolatory Digression, Containing the Remedies of All Manner of Discontents"—he was happily lost to all ticking of the clock, retaining only such bodily consciousness as was needful to dump, fill, and relight his pipe from time to time. Solitude is a dear jewel for men whose days are spent in the tedious this-and-that of trade. Roger was a glutton for his midnight musings. To such tried companions as Robert Burton and George Herbert he was wont to exonerate his spirit. It used to amuse him to think of Burton, the lonely Oxford scholar, writing that vast book to "rectify" his own melancholy.

By and by, turning over the musty old pages, he came to the following, on Sleep—

The fittest time is two or three hours after supper, whenas the meat is now settled at the bottom of the stomach, and 'tis good to lie on the right side first, because at that site the liver doth rest under the stomach, not molesting any way, but heating him as a fire doth a kettle, that is put to it. After the first sleep 'tis not amiss to lie on the left side, that the meat may the better descend, and sometimes again on the belly, but never on the back. Seven or eight hours is a competent time for a melancholy man to rest——

In that case, thought Roger, it's time for me to be turning in. He looked at his watch, and found it was half-past twelve. He switched off his light and went back to the kitchen quarters to tend the furnace.

I hesitate to touch upon a topic of domestic bitterness, but candor compels me to say that Roger's evening vigils invariably ended at the ice-box. There are two theories as to this subject of ice-box plundering, one of the husband and the other of the wife. Husbands are prone to think (in their simplicity) that if they take a little of everything palatable they find in the refrigerator, but thus distributing their forage over the viands the general effect of the depradation will be almost unnoticeable. Whereas wives say (and Mrs. Mifflin had often explained to Roger) that it is far better to take all of any one dish than a little of each; for the latter course is likely to diminish each item below the bulk at which it is still useful as a left-over. Roger, however, had the obstinate viciousness of all good husbands, and he knew the delights of cold provender by heart. Many a stewed prune, many a mess of string beans or naked cold boiled potato, many a chicken leg, half apple pie, or sector of rice pudding, had perished in these midnight festivals. He made it a point of honour never to eat quite all of the dish in question, but would pass with unabated zest from one to another. This habit he had sternly repressed during the War, but Mrs. Mifflin had noticed that since the armistice he had resumed it with hearty violence. This is a custom which causes the housewife to be confronted the next morning with a tragical vista of pathetic scraps. Two slices of beet in a little earthenware cup, a sliver of apple pie one inch wide, three prunes lowly nestling in a mere trickle of their own syrup, and a tablespoonful of stewed rhubarb where had been one of those yellow basins nearly full—what can the most resourceful kitcheneer do with these oddments? This atrocious practice cannot be too bitterly condemned.

But we are what we are, and Roger was even more so. The Anatomy of Melancholy always made him hungry, and he dipped discreetly into various vessels of refreshment, sharing a few scraps with Bock whose pleading brown eye at these secret suppers always showed a comical realization of their shameful and furtive nature. Bock knew very well that Roger had no business at the ice-box, for the larger outlines of social law upon which every home depends are clearly understood by dogs. But Bock's face always showed his tremulous eagerness to participate in the sin, and rather than have him stand by as a silent and damning critic, Roger used to give him most of the cold potato. The censure of a dog is something no man can stand. But I rove, as Burton would say.

After the ice-box, the cellar. Like all true householders, Roger was fond of his cellar. It was something mouldy of smell, but it harboured a well-stocked little bin of liquors, and the florid glow of the furnace mouth upon the concrete floor was a great pleasure to the bookseller. He loved to peer in at the dancing flicker of small blue flames that played above the ruddy mound of coals in the firebox—tenuous, airy little flames that were as blue as violets and hovered up and down in the ascending gases. Before blackening the fire with a stoking of coal he pulled up a wooden Bushmills box, turned off the electric bulb overhead, and sat there for a final pipe, watching the rosy shine of the grate. The tobacco smoke, drawn inward by the hot inhaling fire, seemed dry and gray in the golden brightness. Bock, who had pattered down the steps after him, nosed and snooped about the cellar. Roger was thinking of Burton's words on the immortal weed—

Tobacco, divine, rare, superexcellent tobacco, which goes far beyond all the panaceas, potable gold, and philosopher's stones, a sovereign remedy to all diseases. . . . a virtuous herb, if it be well qualified, opportunely taken, and medicinally used; but as it is commonly abused by most men, which take it as tinkers do ale, 'tis a plague, a mischief, a violent purger of goods, lands, health, hellish, devilish, and damned tobacco, the ruin and overthrow of body and soul——

Bock was standing on his hind legs, looking up at the front wall of the cellar, in which two small iron-grated windows opened onto the sunken area by the front door of the shop. He gave a low growl, and seemed uneasy.

"What is it, Bock?" said Roger placidly, finishing his pipe.

Bock gave a short, sharp bark, with a curious note of protest in it. But Roger's mind was still with Burton.

"Rats?" he said. "Aye, very likely! This is Ratisbon, old man, but don't bark about it. Incident of the French Camp: 'Smiling, the rat fell dead.'"

Bock paid no heed to this persiflage, but prowled the front end of the cellar, looking upward in curious agitation. He growled again, softly.

"Shhh," said Roger gently. "Never mind the rats, Bock. Come on, we'll stoke up the fire and go to bed. Lord, it's one o'clock."



Chapter XI

Titania Tries Reading in Bed

Aubrey, sitting at his window with the opera glasses, soon realized that he was blind weary. Even the exalted heroics of romance are not proof against fatigue, most potent enemy of all who do and dream. He had had a long day, coming after the skull-smiting of the night before; it was only the frosty air at the lifted sash that kept him at all awake. He had fallen into a half drowse when he heard footsteps coming down the opposite side of the street.

He had forced himself awake several times before, to watch the passage of some harmless strollers through the innocent blackness of the Brooklyn night, but this time it was what he sought. The man stepped stealthily, with a certain blend of wariness and assurance. He halted under the lamp by the bookshop door, and the glasses gave him enlarged to Aubrey's eye. It was Weintraub, the druggist.

The front of the bookshop was now entirely dark save for a curious little glimmer down below the pavement level. This puzzled Aubrey, but he focussed his glasses on the door of the shop. He saw Weintraub pull a key out of his pocket, insert it very carefully in the lock, and open the door stealthily. Leaving the door ajar behind him, the druggist slipped into the shop.

"What devil's business is this?" thought Aubrey angrily. "The swine has even got a key of his own. There's no doubt about it. He and Mifflin are working together on this job."

For a moment he was uncertain what to do. Should he run downstairs and across the street? Then, as he hesitated, he saw a pale beam of light over in the front left-hand corner of the shop. Through the glasses he could see the yellow circle of a flashlight splotched upon dim shelves of books. He saw Weintraub pull a volume out of the case, and the light vanished. Another instant and the man reappeared in the doorway, closed the door behind him with a gesture of careful silence, and was off up the street quietly and swiftly. It was all over in a minute. Two yellow oblongs shone for a minute or two down in the area underneath the door. Through the glasses he now made out these patches as the cellar windows. Then they disappeared also, and all was placid gloom. In the quivering light of the street lamps he could see the bookseller's sign gleaming whitely, with its lettering THIS SHOP IS HAUNTED.

Aubrey sat back in his chair. "Well," he said to himself, "that guy certainly gave his shop the right name. This is by me. I do believe it's only some book-stealing game after all. I wonder if he and Weintraub go in for some first-edition faking, or some such stunt as that? I'd give a lot to know what it's all about."

He stayed by the window on the qui vive, but no sound broke the stillness of Gissing Street. In the distance he could hear the occasional rumble of the Elevated trains rasping round the curve on Wordsworth Avenue. He wondered whether he ought to go over and break into the shop to see if all was well. But, like every healthy young man, he had a horror of appearing absurd. Little by little weariness numbed his apprehensions. Two o'clock clanged and echoed from distant steeples. He threw off his clothes and crawled into bed.

It was ten o'clock on Sunday morning when he awoke. A broad swath of sunlight cut the room in half: the white muslin curtain at the window rippled outward like a flag. Aubrey exclaimed when he saw his watch. He had a sudden feeling of having been false to his trust. What had been happening across the way?

He gazed out at the bookshop. Gissing Street was bright and demure in the crisp quietness of the forenoon. Mifflin's house showed no sign of life. It was as he had last seen it, save that broad green shades had been drawn down inside the big front windows, making it impossible to look through into the book-filled alcoves.

Aubrey put on his overcoat in lieu of a dressing gown, and went in search of a bathtub. He found the bathroom on his floor locked, with sounds of leisurely splashing within. "Damn Mrs. J. F. Smith," he said. He was about to descend to the storey below, bashfully conscious of bare feet and pyjamaed shins, but looking over the banisters he saw Mrs. Schiller and the treasure-dog engaged in some household manoeuvres. The pug caught sight of his pyjama legs and began to yap. Aubrey retreated in the irritation of a man baulked of a cold tub. He shaved and dressed rapidly.

On his way downstairs he met Mrs. Schiller. He thought that her gaze was disapproving.

"A gentleman called to see you last night, sir," she said. "He said he was very sorry to miss you."

"I was rather late in getting in," said Aubrey. "Did he leave his name?"

"No, he said he'd see you some other time. He woke the whole house up by falling downstairs," she added sourly.

He left the lodging house swiftly, fearing to be seen from the bookshop. He was very eager to learn if everything was all right, but he did not want the Mifflins to know he was lodging just opposite. Hastening diagonally across the street, he found that the Milwaukee Lunch, where he had eaten the night before, was open. He went in and had breakfast, rejoicing in grapefruit, ham and eggs, coffee, and doughnuts. He lit a pipe and sat by the window wondering what to do next. "It's damned perplexing," he said to himself. "I stand to lose either way. If I don't do anything, something may happen to the girl; if I butt in too soon I'll get in dutch with her. I wish I knew what Weintraub and that chef are up to."

The lunchroom was practically empty, and in two chairs near him the proprietor and his assistant were sitting talking. Aubrey was suddenly struck by what they said.

"Say, this here, now, bookseller guy must have struck it rich."

"Who, Mifflin?"

"Yeh; did ya see that car in front of his place this morning?"

"No."

"Believe me, some boat."

"Musta hired it, hey? Where'd he go at?"

"I didn't see. I just saw the bus standing front the door."

"Say, did you see that swell dame he's got clerking for him?"

"I sure did. What's he doing, taking her joy-riding?"

"Shouldn't wonder. I wouldn't blame him——"

Aubrey gave no sign of having heard, but got up and left the lunchroom. Had the girl been kidnapped while he overslept? He burned with shame to think what a pitiful failure his knight-errantry had been. His first idea was to beard Weintraub and compel him to explain his connection with the bookshop. His next thought was to call up Mr. Chapman and warn him of what had been going on. Then he decided it would be futile to do either of these before he really knew what had happened. He determined to get into the bookshop itself, and burst open its sinister secret.

He walked hurriedly round to the rear alley, and surveyed the domestic apartments of the shop. Two windows in the second storey stood slightly open, but he could discern no signs of life. The back gate was still unlocked, and he walked boldly into the yard.

The little enclosure was serene in the pale winter sunlight. Along one fence ran a line of bushes and perennials, their roots wrapped in straw. The grass plot was lumpy, the sod withered to a tawny yellow and granulated with a sprinkle of frost. Below the kitchen door—which stood at the head of a flight of steps—was a little grape arbour with a rustic bench where Roger used to smoke his pipe on summer evenings. At the back of this arbour was the cellar door. Aubrey tried it, and found it locked.

He was in no mood to stick at trifles. He was determined to unriddle the mystery of the bookshop. At the right of the door was a low window, level with the brick pavement. Through the dusty pane he could see it was fastened only by a hook on the inside. He thrust his heel through the pane. As the glass tinkled onto the cellar floor he heard a low growl. He unhooked the catch, lifted the frame of the broken window, and looked in. There was Bock, with head quizzically tilted, uttering a rumbling guttural vibration that seemed to proceed automatically from his interior.

Aubrey was a little dashed, but he said cheerily "Hullo, Bock! Good old man! Well, well, nice old fellow!" To his surprise, Bock recognized him as a friend and wagged his tail slightly, but still continued to growl.

"I wish dogs weren't such sticklers for form," thought Aubrey. "Now if I went in by the front door, Bock wouldn't say anything. It's just because he sees me coming in this way that he's annoyed. Well, I'll have to take a chance."

He thrust his legs in through the window, carefully holding up the sash with its jagged triangles of glass. It will never be known how severely Bock was tempted by the extremities thus exposed to him, but he was an old dog and his martial instincts had been undermined by years of kindness. Moreover, he remembered Aubrey perfectly well, and the smell of his trousers did not seem at all hostile. So he contented himself with a small grumbling of protest. He was an Irish terrier, but there was nothing Sinn Fein about him.

Aubrey dropped to the floor, and patted the dog, thanking his good fortune. He glanced about the cellar as though expecting to find some lurking horror. Nothing more appalling than several cases of beer bottles met his eyes. He started quietly to go up the cellar stairs, and Bock, evidently consumed with legitimate curiosity, kept at his heels.

"Look here," thought Aubrey. "I don't want the dog following me all through the house. If I touch anything he'll probably take a hunk out of my shin."

He unlocked the door into the yard, and Bock obeying the Irish terrier's natural impulse to get into the open air, ran outside. Aubrey quickly closed the door again. Bock's face appeared at the broken window, looking in with so quaint an expression of indignant surprise that Aubrey almost laughed. "There, old man," he said, "it's all right. I'm just going to look around a bit."

He ascended the stairs on tiptoe and found himself in the kitchen. All was quiet. An alarm clock ticked with a stumbling, headlong hurry. Pots of geraniums stood on the window sill. The range, with its lids off and the fire carefully nourished, radiated a mild warmth. Through a dark little pantry he entered the dining room. Still no sign of anything amiss. A pot of white heather stood on the table, and a corncob pipe lay on the sideboard. "This is the most innocent-looking kidnapper's den I ever heard of," he thought. "Any moving-picture director would be ashamed not to provide a better stage-set."

At that instant he heard footsteps overhead. Curiously soft, muffled footsteps. Instantly he was on the alert. Now he would know the worst.

A window upstairs was thrown open. "Bock, what are you doing in the yard?" floated a voice—a very clear, imperious voice that somehow made him think of the thin ringing of a fine glass tumbler. It was Titania.

He stood aghast. Then he heard a door open, and steps on the stair. Merciful heaven, the girl must not find him here. What WOULD she think? He skipped back into the pantry, and shrank into a corner. He heard the footfalls reach the bottom of the stairs. There was a door into the kitchen from the central hall: it was not necessary for her to pass through the pantry, he thought. He heard her enter the kitchen.

In his anxiety he crouched down beneath the sink, and his foot, bent beneath him, touched a large tin tray leaning against the wall. It fell over with a terrible clang.

"Bock!" said Titania sharply, "what are you doing?"

Aubrey was wondering miserably whether he ought to counterfeit a bark, but it was too late to do anything. The pantry door opened, and Titania looked in.

They gazed at each other for several seconds in mutual horror. Even in his abasement, crouching under a shelf in the corner, Aubrey's stricken senses told him that he had never seen so fair a spectacle. Titania wore a blue kimono and a curious fragile lacy bonnet which he did not understand. Her dark, gold-spangled hair came down in two thick braids across her shoulders. Her blue eyes were very much alive with amazement and alarm which rapidly changed into anger.

"Mr. Gilbert!" she cried. For an instant he thought she was going to laugh. Then a new expression came into her face. Without another word she turned and fled. He heard her run upstairs. A door banged, and was locked. A window was hastily closed. Again all was silent.

Stupefied with chagrin, he rose from his cramped position. What on earth was he to do? How could he explain? He stood by the pantry sink in painful indecision. Should he slink out of the house? No, he couldn't do that without attempting to explain. And he was still convinced that some strange peril hung about this place. He must put Titania on her guard, no matter how embarrassing it proved. If only she hadn't been wearing a kimono—how much easier it would have been.

He stepped out into the hall, and stood at the bottom of the stairs in the throes of doubt. After waiting some time in silence he cleared the huskiness from his throat and called out:

"Miss Chapman!"

There was no answer, but he heard light, rapid movements above.

"Miss Chapman!" he called again.

He heard the door opened, and clear words edged with frost came downward. This time he thought of a thin tumbler with ice in it.

"Mr. Gilbert!"

"Yes?" he said miserably.

"Will you please call me a taxi?"

Something in the calm, mandatory tone nettled him. After all, he had acted in pure good faith.

"With pleasure," he said, "but not until I have told you something. It's very important. I beg your pardon most awfully for frightening you, but it's really very urgent."

There was a brief silence. Then she said:

"Brooklyn's a queer place. Wait a few minutes, please."

Aubrey stood absently fingering the pattern on the wallpaper. He suddenly experienced a great craving for a pipe, but felt that the etiquette of the situation hardly permitted him to smoke.

In a few moments Titania appeared at the head of the stairs in her customary garb. She sat down on the landing. Aubrey felt that everything was as bad as it could possibly be. If he could have seen her face his embarrassment would at least have had some compensation. But the light from a stair window shone behind her, and her features were in shadow. She sat clasping her hands round her knees. The light fell crosswise down the stairway, and he could see only a gleam of brightness upon her ankle. His mind unconsciously followed its beaten paths. "What a corking pose for a silk stocking ad!" he thought. "Wouldn't it make a stunning full-page layout. I must suggest it to the Ankleshimmer people."

"Well?" she said. Then she could not refrain from laughter, he looked so hapless. She burst into an engaging trill. "Why don't you light your pipe?" she said. "You look as doleful as the Kaiser."

"Miss Chapman," he said, "I'm afraid you think—I don't know what you must think. But I broke in here this morning because I—well, I don't think this is a safe place for you to be."

"So it seems. That's why I asked you to get me a taxi."

"There's something queer going on round this shop. It's not right for you to be here alone this way. I was afraid something had happened to you. Of course, I didn't know you were—were——"

Faint almond blossoms grew in her cheeks. "I was reading," she said. "Mr. Mifflin talks so much about reading in bed, I thought I'd try it. They wanted me to go with them to-day but I wouldn't. You see, if I'm going to be a bookseller I've got to catch up with some of this literature that's been accumulating. After they left I—I—well, I wanted to see if this reading in bed is what it's cracked up to be."

"Where has Mifflin gone?" asked Aubrey. "What business has he got to leave you here all alone?"

"I had Bock," said Titania. "Gracious, Brooklyn on Sunday morning doesn't seem very perilous to me. If you must know, he and Mrs. Mifflin have gone over to spend the day with father. I was to have gone, too, but I wouldn't. What business is it of yours? You're as bad as Morris Finsbury in The Wrong Box. That's what I was reading when I heard the dog barking."

Aubrey began to grow nettled. "You seem to think this was a mere impertinence on my part," he said. "Let me tell you a thing or two." And he briefly described to her the course of his experiences since leaving the shop on Friday evening, but omitting the fact that he was lodging just across the street.

"There's something mighty unpalatable going on," he said. "At first I thought Mifflin was the goat. I thought it might be some frame-up for swiping valuable books from his shop. But when I saw Weintraub come in here with his own latch-key, I got wise. He and Mifflin are in cahoots, that's what. I don't know what they're pulling off, but I don't like the looks of it. You say Mifflin has gone out to see your father? I bet that's just camouflage, to stall you. I've got a great mind to ring Mr. Chapman up and tell him he ought to get you out of here."

"I won't hear a word said against Mr. Mifflin," said Titania angrily. "He's one of my father's oldest friends. What would Mr. Mifflin say if he knew you had been breaking into his house and frightening me half to death? I'm sorry you got that knock on the head, because it seems that's your weak spot. I'm quite able to take care of myself, thank you. This isn't a movie."

"Well, how do you explain the actions of this man Weintraub?" said Aubrey. "Do you like to have a man popping in and out of the shop at all hours of the night, stealing books?"

"I don't have to explain it at all," said Titania. "I think it's up to you to do the explaining. Weintraub is a harmless old thing and he keeps delicious chocolates that cost only half as much as what you get on Fifth Avenue. Mr. Mifflin told me that he's a very good customer. Perhaps his business won't let him read in the daytime, and he comes in here late at night to borrow books. He probably reads in bed."

"I don't think anybody who talks German round back alleys at night is a harmless old thing," said Aubrey. "I tell you, your Haunted Bookshop is haunted by something worse than the ghost of Thomas Carlyle. Let me show you something." He pulled the book cover out of his pocket, and pointed to the annotations in it.

"That's Mifflin's handwriting," said Titania, pointing to the upper row of figures. "He puts notes like that in all his favourite books. They refer to pages where he has found interesting things."

"Yes, and that's Weintraub's," said Aubrey, indicating the numbers in violet ink. "If that isn't a proof of their complicity, I'd like to know what is. If that Cromwell book is here, I'd like to have a look at it."

They went into the shop. Titania preceded him down the musty aisle, and it made Aubrey angry to see the obstinate assurance of her small shoulders. He was horribly tempted to seize her and shake her. It annoyed him to see her bright, unconscious girlhood in that dingy vault of books. "She's as out of place here as—as a Packard ad in the Liberator" he said to himself.

They stood in the History alcove. "Here it is," she said. "No, it isn't—that's the History of Frederick the Great."

There was a two-inch gap in the shelf. Cromwell was gone.

"Probably Mr. Mifflin has it somewhere around," said Titania. "It was there last night."

"Probably nothing," said Aubrey. "I tell you, Weintraub came in and took it. I saw him. Look here, if you really want to know what I think, I'll tell you. The War's not over by a long sight. Weintraub's a German. Carlyle was pro-German—I remember that much from college. I believe your friend Mifflin is pro-German, too. I've heard some of his talk!"

Titania faced him with cheeks aflame.

"That'll do for you!" she cried. "Next thing I suppose you'll say Daddy's pro-German, and me, too! I'd like to see you say that to Mr. Mifflin himself."

"I will, don't worry," said Aubrey grimly. He knew now that he had put himself hopelessly in the wrong in Titania's mind, but he refused to abate his own convictions. With sinking heart he saw her face relieved against the shelves of faded bindings. Her eyes shone with a deep and sultry blue, her chin quivered with anger.

"Look here," she said furiously. "Either you or I must leave this place. If you intend to stay, please call me a taxi."

Aubrey was as angry as she was.

"I'm going," he said. "But you've got to play fair with me. I tell you on my oath, these two men, Mifflin and Weintraub, are framing something up. I'm going to get the goods on them and show you. But you mustn't put them wise that I'm on their track. If you do, of course, they'll call it off. I don't care what you think of me. You've got to promise me that."

"I won't promise you ANYTHING," she said, "except never to speak to you again. I never saw a man like you before—and I've seen a good many."

"I won't leave here until you promise me not to warn them," he retorted. "What I told you, I said in confidence. They've already found out where I'm lodging. Do you think this is a joke? They've tried to put me out of the way twice. If you breathe a word of this to Mifflin he'll warn the other two."

"You're afraid to have Mr. Mifflin know you broke into his shop," she taunted.

"You can think what you like."

"I won't promise you anything!" she burst out. Then her face altered. The defiant little line of her mouth bent and her strength seemed to run out at each end of that pathetic curve. "Yes, I will," she said. "I suppose that's fair. I couldn't tell Mr. Mifflin, anyway. I'd be ashamed to tell him how you frightened me. I think you're hateful. I came over here thinking I was going to have such a good time, and you've spoilt it all!"

For one terrible moment he thought she was going to cry. But he remembered having seen heroines cry in the movies, and knew it was only done when there was a table and chair handy.

"Miss Chapman," he said, "I'm as sorry as a man can be. But I swear I did what I did in all honesty. If I'm wrong in this, you need never speak to me again. If I'm wrong, you—you can tell your father to take his advertising away from the Grey-Matter Company. I can't say more than that."

And, to do him justice, he couldn't. It was the supreme sacrifice.

She let him out of the front door without another word.



Chapter XII

Aubrey Determines to give Service that's Different

Seldom has a young man spent a more desolate afternoon than Aubrey on that Sunday. His only consolation was that twenty minutes after he had left the bookshop he saw a taxi drive up (he was then sitting gloomily at his bedroom window) and Titania enter it and drive away. He supposed that she had gone to join the party in Larchmont, and was glad to know that she was out of what he now called the war zone. For the first time on record, O. Henry failed to solace him. His pipe tasted bitter and brackish. He was eager to know what Weintraub was doing, but did not dare make any investigations in broad daylight. His idea was to wait until dark. Observing the Sabbath calm of the streets, and the pageant of baby carriages wheeling toward Thackeray Boulevard, he wondered again whether he had thrown away this girl's friendship for a merely imaginary suspicion.

At last he could endure his cramped bedroom no longer. Downstairs someone was dolefully playing a flute, most horrible of all tortures to tightened nerves. While her lodgers were at church the tireless Mrs. Schiller was doing a little housecleaning: he could hear the monotonous rasp of a carpet-sweeper passing back and forth in an adjoining room. He creaked irritably downstairs, and heard the usual splashing behind the bathroom door. In the frame of the hall mirror he saw a pencilled note: Will Mrs. Smith please call Tarkington 1565, it said. Unreasonably annoyed, he tore a piece of paper out of his notebook and wrote on it Will Mrs. Smith please call Bath 4200. Mounting to the second floor he tapped on the bathroom door. "Don't come in!" cried an agitated female voice. He thrust the memorandum under the door, and left the house.

Walking the windy paths of Prospect Park he condemned himself to relentless self-scrutiny. "I've damned myself forever with her," he groaned, "unless I can prove something." The vision of Titania's face silhouetted against the shelves of books came maddeningly to his mind. "I was going to have such a good time, and you've spoilt it all!" With what angry conviction she had said: "I never saw a man like you before—and I've seen a good many!"

Even in his disturbance of soul the familiar jargon of his profession came naturally to utterance. "At least she admits I'm DIFFERENT," he said dolefully. He remembered the first item in the Grey-Matter Code, a neat little booklet issued by his employers for the information of their representatives:

Business is built upon CONFIDENCE. Before you can sell Grey-Matter Service to a Client, you must sell YOURSELF.

"How am I going to sell myself to her?" he wondered. "I've simply got to deliver, that's all. I've got to give her service that's DIFFERENT. If I fall down on this, she'll never speak to me again. Not only that, the firm will lose the old man's account. It's simply unthinkable."

Nevertheless, he thought about it a good deal, stimulated from time to time as in the course of his walk (which led him out toward the faubourgs of Flatbush) he passed long vistas of signboards, which he imagined placarded with vivid lithographs in behalf of the Chapman prunes. "Adam and Eve Ate Prunes On Their Honeymoon" was a slogan that flashed into his head, and he imagined a magnificent painting illustrating this text. Thus, in hours of stress, do all men turn for comfort to their chosen art. The poet, battered by fate, heals himself in the niceties of rhyme. The prohibitionist can weather the blackest melancholia by meditating the contortions of other people's abstinence. The most embittered citizen of Detroit will never perish by his own hand while he has an automobile to tinker.

Aubrey walked many miles, gradually throwing his despair to the winds. The bright spirits of Orison Swett Marden and Ralph Waldo Trine, Dioscuri of Good Cheer, seemed to be with him reminding him that nothing is impossible. In a small restaurant he found sausages, griddle cakes and syrup. When he got back to Gissing Street it was dark, and he girded his soul for further endeavour.

About nine o'clock he walked up the alley. He had left his overcoat in his room at Mrs. Schiller's and also the Cromwell bookcover—having taken the precaution, however, to copy the inscriptions into his pocket memorandum-book. He noticed lights in the rear of the bookshop, and concluded that the Mifflins and their employee had got home safely. Arrived at the back of Weintraub's pharmacy, he studied the contours of the building carefully.

The drug store lay, as we have explained before, at the corner of Gissing Street and Wordsworth Avenue, just where the Elevated railway swings in a long curve. The course of this curve brought the scaffolding of the viaduct out over the back roof of the building, and this fact had impressed itself on Aubrey's observant eye the day before. The front of the drug store stood three storeys, but in the rear it dropped to two, with a flat roof over the hinder portion. Two windows looked out upon this roof. Weintraub's back yard opened onto the alley, but the gate, he found, was locked. The fence would not be hard to scale, but he hesitated to make so direct an approach.

He ascended the stairs of the "L" station, on the near side, and paying a nickel passed through a turnstile onto the platform. Waiting until just after a train had left, and the long, windy sweep of planking was solitary, he dropped onto the narrow footway that runs beside the track. This required watchful walking, for the charged third rail was very near, but hugging the outer side of the path he proceeded without trouble. Every fifteen feet or so a girder ran sideways from the track, resting upon an upright from the street below. The fourth of these overhung the back corner of Weintraub's house, and he crawled cautiously along it. People were passing on the pavement underneath, and he greatly feared being discovered. But he reached the end of the beam without mishap. From here a drop of about twelve feet would bring him onto Weintraub's back roof. For a moment he reflected that, once down there, it would be impossible to return the same way. However, he decided to risk it. Where he was, with his legs swinging astride the girder, he was in serious danger of attracting attention.

He would have given a great deal, just then, to have his overcoat with him, for by lowering it first he could have jumped onto it and muffled the noise of his fall. He took off his coat and carefully dropped it on the corner of the roof. Then cannily waiting until a train passed overhead, drowning all other sounds with its roar, he lowered himself as far as he could hang by his hands, and let go.

For some minutes he lay prone on the tin roof, and during that time a number of distressing ideas occurred to him. If he really expected to get into Weintraub's house, why had he not laid his plans more carefully? Why (for instance) had he not made some attempt to find out how many there were in the household? Why had he not arranged with one of his friends to call Weintraub to the telephone at a given moment, so that he could be more sure of making an entry unnoticed? And what did he expect to see or do if he got inside the house? He found no answer to any of these questions.

It was unpleasantly cold, and he was glad to slip his coat on again. The small revolver was still in his hip pocket. Another thought occurred to him—that he should have provided himself with tennis shoes. However, it was some comfort to know that rubber heels of a nationally advertised brand were under him. He crawled quietly up to the sill of one of the windows. It was closed, and the room inside was dark. A blind was pulled most of the way down, leaving a gap of about four inches. Peeping cautiously over the sill, he could see farther inside the house a brightly lit door and a passageway.

"One thing I've got to look out for," he thought, "is children. There are bound to be some—who ever heard of a German without offspring? If I wake them, they'll bawl. This room is very likely a nursery, as it's on the southeastern side. Also, the window is shut tight, which is probably the German idea of bedroom ventilation."

His guess may not have been a bad one, for after his eyes became accustomed to the dimness of the room he thought he could perceive two cot beds. He then crawled over to the other window. Here the blind was pulled down flush with the bottom of the sash. Trying the window very cautiously, he found it locked. Not knowing just what to do, he returned to the first window, and lay there peering in. The sill was just high enough above the roof level to make it necessary to raise himself a little on his hands to see inside, and the position was very trying. Moreover, the tin roof had a tendency to crumple noisily when he moved. He lay for some time, shivering in the chill, and wondering whether it would be safe to light a pipe.

"There's another thing I'd better look out for," he thought, "and that's a dog. Who ever heard of a German without a dachshund?"

He had watched the lighted doorway for a long while without seeing anything, and was beginning to think he was losing time to no profit when a stout and not ill-natured looking woman appeared in the hallway. She came into the room he was studying, and closed the door. She switched on the light, and to his horror began to disrobe. This was not what he had counted on at all, and he retreated rapidly. It was plain that nothing was to be gained where he was. He sat timidly at one edge of the roof and wondered what to do next.

As he sat there, the back door opened almost directly below him, and he heard the clang of a garbage can set out by the stoop. The door stood open for perhaps half a minute, and he heard a male voice—Weintraub's, he thought—speaking in German. For the first time in his life he yearned for the society of his German instructor at college, and also wondered—in the rapid irrelevance of thought—what that worthy man was now doing to earn a living. In a rather long and poorly lubricated sentence, heavily verbed at the end, he distinguished one phrase that seemed important. "Nach Philadelphia gehen"—"Go to Philadelphia."

Did that refer to Mifflin? he wondered.

The door closed again. Leaning over the rain-gutter, he saw the light go out in the kitchen. He tried to look through the upper portion of the window just below him, but leaning out too far, the tin spout gave beneath his hands. Without knowing just how he did it, he slithered down the side of the wall, and found his feet on a window-sill. His hands still clung to the tin gutter above. He made haste to climb down from his position, and found himself outside the back door. He had managed the descent rather more quietly than if it had been carefully planned. But he was badly startled, and retreated to the bottom of the yard to see if he had aroused notice.

A wait of several minutes brought no alarm, and he plucked up courage. On the inner side of the house—away from Wordsworth Avenue—a narrow paved passage led to an outside cellar-way with old-fashioned slanting doors. He reconnoitred this warily. A bright light was shining from a window in this alley. He crept below it on hands and knees fearing to look in until he had investigated a little. He found that one flap of the cellar door was open, and poked his nose into the aperture. All was dark below, but a strong, damp stench of paints and chemicals arose. He sniffed gingerly. "I suppose he stores drugs down there," he thought.

Very carefully he crawled back, on hands and knees, toward the lighted window. Lifting his head a few inches at a time, finally he got his eyes above the level of the sill. To his disappointment he found the lower half of the window frosted. As he knelt there, a pipe set in the wall suddenly vomited liquid which gushed out upon his knees. He sniffed it, and again smelled a strong aroma of acids. With great care, leaning against the brick wall of the house, he rose to his feet and peeped through the upper half of the pane.

It seemed to be the room where prescriptions were compounded. As it was empty, he allowed himself a hasty survey. All manner of bottles were ranged along the walls; there was a high counter with scales, a desk, and a sink. At the back he could see the bamboo curtain which he remembered having noticed from the shop. The whole place was in the utmost disorder: mortars, glass beakers, a typewriter, cabinets of labels, dusty piles of old prescriptions strung on filing hooks, papers of pills and capsules, all strewn in an indescribable litter. Some infusion was heating in a glass bowl propped on a tripod over a blue gas flame. Aubrey noticed particularly a heap of old books several feet high piled carelessly at one end of the counter.