"... not the righteous, but sinners to repentance."

He had a sudden muddled vision of another world, a world where sturdy men gave him their hands and in reality fulfilled June Bowman's mocking words. There the houses, the streets of his youth would have been impossible. Ah, he was thinking of another kind of heaven; it was a hop dream.

There was a stir below and he heard the clatter of plates. Dinner was in preparation. "Lem!" his wife called. "Mr. Bowman wants you to go to the butcher's."

"Call me June," he put in; adding: "Sure, Lem; the butcher's; we want a tenderloin, cut thick. You can't get any pep on greens; we ain't cattle."

Doret felt that he would have been infinitely happier with his own thin fare. In a manner he got comfort from a pinch of hunger; somehow the physical deprivation gave him a sense of purification. The other man, purple with the meat and beer, shook out a cigarette from a paper pack.

"Always smoke caporal halves," he proclaimed.

The blue vapor from the three burning cigarettes rose and mingled. Bella was quiet, reflective; Bowman sat with half-shut speculative eyes; Lemuel Doret was again lost in visions.

"How long are you taking the milk cure?" Bowman asked.

Lemuel made no reply, but his wife smiled bitterly.

"I had an idea," the other continued; "but it's a little soon to spring anything. And I don't know but you might prefer it here."

"Try me," Bella proclaimed; "that's all I want!"

Doret still said nothing of his determination to conquer life in Nantbrook. A swift impulse seized him to take June Bowman by the collar and fling him into the street.

"Just try me!" Bella repeated.

He would be helpless in his, Doret's, hands. It was hard enough to be upright without an insinuating crook in the place. There was a heavy movement of feet in the front of the house, and he went out to meet a customer.

Sliding the sensitive razor blade over a young tanned cheek he pondered moodily on the undesirable fact of June Bowman.

Returning from this exercise of his trade he saw Bella descending the stair with a plate.

"With all your going on over Flavilla," she told him, "it never came to you that she'd like a piece of steak."

"But Doctor Frazee told us nothing solid. I took her up two eggs in the morning."

"Yes, and you'd had two dollars to pay as well if I hadn't showed you different. Flavilla's probably as well as any of us. I wish you would fix yourself a little, Lem. I'm tired of having you about the house in your suspenders."

He viewed her silently. Bella had on a dress he had never seen before, thin red-spotted yellow silk drawn tightly over a pronounced figure, a red girdle, and high-heeled patent-leather slippers.

"If you're going to look like this," he admitted, "I'll have to get a move on."

When they were first in Nantbrook she had worn a denim apron, and that, too, with all the other differences had seemed to express their new life; but now in yellow silk she was back in the old. Lemuel Doret studied his wife with secret doubt; more than the dress had changed. She seemed younger; rather she was adopting a younger manner. In the presence of June Bowman it intensified.

"That idea I spoke about," the latter advanced: "I've been sizing you up, the both of you, and you look good. Well, I've got hold of a concession on the Atlantic Boardwalk and the necessary cash is in sight." He turned to Lemuel. "How would you like to run a bowling game? It's on the square and would give you a lead into something bigger. You're wise; why, you might turn into a shore magnate, with Bella here dressed up in stones."

Doret shook his head. "Treasure on earth," he thought; "moth and rust." But it would be hopeless to attempt any explanation. "No," he said; "we'll play it out here."

"We will?" Bella echoed him. "Indeed! We will?" Now the emphasis was sharply on the first word. "What's going to keep me?"

"You're my wife," he replied simply; "we have a child."

"Times have changed, Snow," Bowman interrupted. "You ought to read the papers. This is ladies' day. The old harem stuff don't go no longer. They are emancipated."

"Lemuel," Doret insisted, a narrowed hard gaze on the other man; "Lemuel Doret."

"He thinks nobody'll remember," his wife explained. "Lem's redeemed."

"Your name's what you say," Bowman agreed, "but remember this—you can't throw any scare into me. I'm no Fauntleroy, neither. Behave."

The anger seethed again beneath Lemuel's restraint. It began to be particular, personal, focused on Bowman; and joined to it was a petty dislike for the details of the man's appearance, the jaunty bearing and conspicuous necktie, the gloss of youth over the unmistakable signs of degeneration, the fatty pouches of his eyes and loose throat.

"I wouldn't bother with scaring you," he told him. "Why should I? You've got no kick. I took you in, didn't I? And all I said was my name. Snow Doret's dead; he died in prison; and this Lemuel's all different——"

"I've heard about that too," Bowman returned; "but somehow I don't take stock in these miracles."

"If you ever see me looking like I might be Snow, go quiet," Lemuel advised. "That's all."

With clenched hands he abruptly departed. The cords of his neck were swollen and rigid; there was a haze before his eyes. He went up to the refuge of his daughter's room. She was lying still, breathing thickly, with a finger print of scarlet on each cheek.

She was so thin, so wasted, the bed and room so stripped of every comfort, that he dropped forward on his knees, his arms outflung across her body in an inarticulate prayer for faith, for strength and patience.

It was not much he wanted—only food for one child and help for a woman, and a grip on the devil tearing at him in the form of hatred.

He got only a temporary relief, for when he went down Bella and June Bowman were whispering together; he passed the door with his silent tread and saw their heads close. Bella was actually pretty.

An astonishing possibility occurred to him—perhaps Bella would go away with Bowman. An unbidden deep relief at such a prospect invaded him; how happy he could be with Flavilla. They would get a smaller house, which Flavilla would soon learn to keep for him; they would go to church and prayer meeting together, her soprano voice and his bass joined in the praise of the Lord, of the Almighty who raised the dead and his Son, who took the thief to glory.

This speculation was overcome by a troubled mind; both his innate pride in his wife as an institution of his honor, the feeling that he would uphold it at any cost, and his Christianity interrupted the vision of release. He must not let her stumble, and he would see that June Bowman didn't interfere in his home. More beer made its appearance, and the other man grew louder, boastful. He exhibited the roll of money—that was nothing, four times that much could be had from the same source. He was a spender, too, and treated all his friends liberally. Lemuel was to see if there was any wine in the damned jumping-off place; and when would they all go to Atlantic?

"Never," Doret repeated.

Bowman laughed skeptically.

The rage stirred and increased, blinding Lemuel Doret's heart, stinging his eyes. Bella, watching him, became quieter, and she gave June—she called him June—a warning pressure of her fingers. Her husband saw it with indifference; everything small was lost in the hot tide enveloping him. His hands twitched, but there was no other outward sign of his tumult. He smoked his cigarettes with extreme deliberation.

It was evening again, and they were sitting on the narrow porch. The west was a serene lake of fading light against which the trees made dark blots of foliage. Nantbrook seemed unreal, a place of thin shadow, the future unsubstantial as well; only the past was actual in Lemuel Doret's mind—the gray cold prison, the city at night, locked rooms filled with smoke and lurid lights, avaricious voices in the mechanical sentences of gambling, agonized tones begging for a shot, just a shot, of an addicted drug, a girl crying.

He tried to sing a measure of praise beneath his breath but the tune and words evaded him. He glanced furtively at Bowman's complacent bulk, the flushed face turned fatuously to Bella. Under the other's left arm his coat was drawn smoothly on a cushion of fat.

Later Lemuel stopped at Flavilla's bed, and though she was composed he was vaguely alarmed at what seemed to him an unreal rigidity. She was not asleep, but sunk in a stupor with a glimmer of vision and an elusive pulse. He should not have listened to Bella but had a doctor as Frazee had advised. It appeared now that—with all Flavilla held for him—he had been strangely neglectful. At the same time he was conscious of the steady increase of his hatred for Bowman. This was natural, he told himself; Bowman in a way was the past—all that he, Doret, had put out of his life. At least he had believed that accomplished, yet here it was back again, alive and threatening; drinking beer in his rooms, whispering to his wife, putting the thought of Flavilla from his head.

In the morning even Bella admitted that Flavilla might be sick and a doctor necessary. He took one look at his daughter's burning face, heard the shrill labor of her breathing, and hurried downstairs with a set face. He was standing with Bella in the hall when June Bowman descended.

"Flavilla ain't right," she told him.

The latter promptly exhibited the wad of money. "Whatever you need," he said.

"Put it away," Lemuel replied shortly. "I don't want any of that for Flavilla."

Bowman studied him. Doret made no effort to mask his bitterness, and the other whistled faintly. Bella laughed, turning from her husband.

"He's cracked," she declared; "you'll get no decency off him. A body would think I had been in jail and him looking out for her all those ten years and more. I can say thank you, though; we'll need your help, and glad."

"Put it away," Lemuel Doret repeated. He was more than ever catlike, alert, bent slightly forward with tense fingers.

Bowman was unperturbed. "I told you about this flash stuff," he observed. "Nobody's forcing money on you. Get the bend out of you and give me a shave. That'll start you on the pills."

Lemuel Doret mechanically followed him into the rude barber shop; he was fascinated by the idea of laying the razor across Bowman's throat. The latter extended himself in the chair and Doret slowly, thoroughly, covered his lower face with lather, through which the blade drew with a clean smooth rip. A fever burned in the standing man's brain, he fought constantly against a stiffening of his employed fingers—a swift turn, a cutting twist. Subconsciously he called noiselessly upon the God that had sustained him and, divided between apprehension and the increasing lust to kill, his lips held the form in which they had pronounced that impressive name. He had the sensation of battling against a terrific wind, a remorseless force beating him to submission. His body ached from the violence of the struggle to keep his hand steadily, evenly, busied, following in a delicate sweep the cords of June Bowman's neck, the jugulars.

The other looked up at him and grinned confidently. "Little children," he said, "love one another."

Lemuel stopped, the razor suspended in air; there was a din in his ears, his vision blurred, his grip tightened on the bone handle. A sweat started out on his brow and he found himself dabbing June Bowman's face with a wet cold towel.

"Witch hazel?" he asked mechanically.

Suddenly he was so tired that his legs seemed incapable of support. He wiped the razor blade and put it away with a lax nerveless hand. He realized that he had been again at the point of murder. He had been saved by the narrowest margin in the world. For a moment the fact that he had been saved absorbed him, and then the imminent danger of his position, his weakness, filled him with the sense of failure, a heavy feeling of hopelessness. His prayers and singing, his plans for redemption, for a godly life, had threatened to end at the first assault of evil.

He temporarily overcame his dejection at the memory of Flavilla. Doctor Markley lived in a larger town than Nantbrook, a dozen miles beyond the fields and green hills, and he must get him by telephone. Then there was the problem of payment. The doctor, he knew, would expect his fee, two dollars, immediately from such an applicant as himself; and he had less than a dollar. He explained something of this over the wire, adding that if Markley would see Flavilla at the end of the day the money would be forthcoming. That, the crisp, disembodied tone replied, was impossible; he must call in the middle of the morning, but no difficulty would be made about his bill; Doret could send the amount to him promptly.

He hurried back to the house with this information, and found Bella seated in the kitchen, the inevitable cigarette throwing up its ribbon of smoke from her fingers, and June Bowman at her shoulder. Lemuel ignored the latter.

"The doctor'll be here at about eleven," he announced. "Mind you listen to all he says and get Flavilla into a clean nightgown and sheets."

"What's the matter with your tending to her?" Bella demanded.

"I won't be here; not till night. I'm going to put up hay with one of the farmers. I hear they're in a hurry and offering good money."

Bella's expression was strange. She laughed in a forced way.

"We got to hand it to you," Bowman admitted genially; "you're there. I guess I'd starve before ever it would come to me to fork hay."

Lemuel's wife added nothing; her lips twisted into a fixed smile at once defiant and almost tremulous. Well, he was late now; he couldn't linger to inquire into Bella's moods. Yet at the door he hesitated again to impress on her the importance of attending the doctor's every word.

It seemed to him an hour later that he was burning up in a dry intolerable haze of sun and hay. He awkwardly balanced heavy ragged forkfuls, heaving them onto the mounting stack of the wagon in a paste of sweat and dust. His eyes were filmed and his throat dry. He struggled on in the soft unaccustomed tyranny of the grass, the glare of sun, with his mind set on the close of day. He thought of cool shadows, of city streets wet at night, and a swift plunge into a river where it swept about the thrust of a wharf. He wondered what Doctor Markley would say about Flavilla; probably the child wasn't seriously sick.

The day drew apparently into a tormenting eternity; the physical effort he welcomed; it seemed to exhaust that devil in him which had so nearly betrayed and ruined him forever in the morning; but the shifting slippery hay, the fiery dust, the incandescent blaze created an inferno in the midst of which his mind whirled with monotonous giddy images and half-meaningless phrases spoken and re-spoken. Yet the sun was not, as he had begun to suppose, still in the sky; it sank toward the horizon, the violet shadows slipped out from the western hills, and Lemuel finished his toil in a swimming gold mist. It was two miles to Nantbrook, and disregarding his aching muscles he hurried over the gray undulating road. The people of the village were gathered on their commanding porches, the barkeeper at the hotel bulked in his doorway. The lower part of Lemuel's own house was closed; no one appeared as he mounted the insecure steps.

"Bella!" he cried in an overwhelming anxiety before he reached the hall.

There was no reply. He paused inside and called again. His voice echoed about the bare walls; he heard a dripping from the kitchen sink; nothing more.

"I'd better go up," he said aloud with a curious tightening of his throat. He progressed evenly up the stairs; suddenly a great weight seemed to bow his shoulders; the illusion was so vivid that he actually staggered; he was incapable of breaking from his measured progress. He turned directly into Flavilla's room. She was there—he saw her at once. But Bella hadn't put a fresh nightgown on her, and the sheets were disordered and unchanged.

Lemuel took a step forward; then he stopped. "The fever's gone," he vainly told the dread freezing about his heart at a stilled white face.

"Yes," he repeated with numb lips; "it's gone."

He approached the bed and standing over it and the meager body he cursed softly and wonderingly. The light was failing and it veiled the sharp lines of the dead child's countenance. For a moment his gaze strayed about the room and he felt a swift sorrow at its ugliness. He had wanted pretty things, pictures and a bright carpet and ribbons, for Flavilla. Then he was conscious of a tearing rage, but now he was unmindful of it, impervious to its assault in the fixed necessity of the present.

Later——

He was sitting again on his porch, after the momentary morbid stir of curiosity and small funeral, when the unrestrained sweep of his own emotion overcame him. His appearance had not changed; it was impossible for his expression to become bleaker; but there was a tremendous change within. Yet it was not strange; rather he had the sensation of returning to an old familiar condition. There he was at ease; he moved swiftly, surely forward in the realization of what lay ahead.

Bella and June Bowman had left the house almost directly after him, and Markley, finding it empty, with no response to his repeated knocking, had turned away, being as usual both impatient and hurried. Yes, Bella had gone and left Flavilla without even a glass of water. But Bella didn't matter. He couldn't understand this—except where he saw at last that she never had mattered; yet it was so. June Bowman was different.

There was no rush about the latter—to-morrow, next week would do equally. There was no doubt either. Lemuel Doret gave a passing thought, like a half-contemptuous gesture of final dismissal, to so much that had lately occupied him. The shadow of a smile disfigured his metallic lips.

The following noon he shut the door of his house with a sharp impact and made his way over the single street of Nantbrook toward the city. His fear of it had vanished; and when he reached the steel-bound towering masonry, the pouring crowds, he moved directly to a theater from which an audience composed entirely of men was passing out by the posters of a hectic burlesque.

"Clegett?" he asked at the grille of the box office.

A small man with a tilted black derby came from the darkened auditorium.

"Where have you been?" he demanded as he caught sight of Lemuel Doret. "I asked two or three but you might have been dead for all of them."

"That's just about what I have," Doret answered. "Mr. Clegett, I'd like a little money."

"How little?"

"A hundred would be plenty."

The other without hesitation produced a fold of currency, from which he transferred an amount to Lemuel Doret. It went into his pocket without a glance. He hesitated a moment, then added: "This will be all."

Clegett nodded. "It might, and it might not," he asserted; "but you can't jam me. You're welcome to that, anyhow. It was coming to you. I wondered when you'd be round."

It was not far from the theater to a glittering hardware store, a place that specialized in sporting goods. There were cases of fishing reels, brilliant tied flies and varnished, gayly wrapped cane rods, gaffs and coiled wire leaders, and an impressive assortment of modern pistols, rifles and shotguns.

"Something small and neat," Doret told the man in charge of the weapons.

He examined a compact automatic pistol, a blunted shape no larger than his palm. It was a beautiful mechanism, and as with his silken razors, merely to hold it, to test the smooth action, gave him a sense of pleasure.

Later, seated in a quiet cafe, an adjunct of the saloon below, he could not resist the temptation of taking the pistol in its rubber holster from his pocket, merely to finger the delicate trigger. There was no hurry. He knew his world thoroughly: it was a small land in which the inhabitants had constant knowledge of each other. A question in the right place would bring all the information he needed. Lemuel was absolutely composed, actually he was a little sleepy; longing and inner strife, dreams, were at an end; only an old familiar state, a thoroughly comprehensible purpose remained.

A girl—she could have been no more than fourteen—was hurriedly slipping a paper of white crystalline powder into a glass of sarsaparilla. She smiled at him as she saw his indifferent interrogation.

"It's better rolled with a pencil first," he said, and then returned to the contemplation of his own affair.

The result of this was that, soon after, he was seated in the smoking car of an electric train that, hurtling across a sedgy green expanse of salt meadow, deposited him in a colorful thronging city built on sand and the rim of the sea. It was best to avoid if possible even a casual inquiry, and Bowman had spoken of Atlantic City. The afternoon was hot and bright, the beach was still dotted with groups of bathers; and Lemuel Doret found an inconspicuous place in a row of swing chairs protected by an awning ... where he waited for evening. Below him a young woman lay contentedly with her head in a youth's lap; a child in a red scrap of bathing suit dug sturdily with an ineffectual tin spade.

The day declined, the water darkened and the groups vanished from the beach. An attendant was stacking the swing chairs, and Lemuel Doret left his place. The boardwalk, elevated above him, was filled with a gay multitude, subdued by the early twilight and the brightening lemon- yellow radiance of the strung globes. Drifting, with only his gaze alert, in the scented mob, he stopped at an unremarkable lunch room for coffee, and afterward turned down a side avenue to where some automobiles waited at the curb. A driver moved from his seat as Lemuel approached, but after a closer inspection the former's interest died.

Doret lighted a cigarette. "How are they hitting you?" he asked negligently.

"Bad; but the season ain't opened up right yet. It'll have to soon, though, if they want me; gas has gone to where it's like shoving champagne into your car."

"The cafes doing anything?"

"None except the Torquay; but the cabaret they got takes all the profits. That's on the front. Then there's the World, back of the town. It's colored, but white go. Quite a place—I saw a sailor come out last night hashed with a knife."

He found the Torquay, a place of brilliant illumination and color, packed with tables about a dancing floor, and small insistent orchestra. He sat against the wall by the entrance, apparently sunk in apathy, but his vision searched the crowd like the cutting bar of light thrown on the intermittent singers. He renewed his order. Toward midnight a fresh influx of people swept in; his search was unsatisfied.

The cigarette girl, pinkly pretty with an exaggerated figure, carrying a wooden tray with her wares, stopped at his gesture.

"Why don't you hang that about your neck with something?" he inquired.

"And get round shouldered!" she demanded. Her manner became confidential. "I do get fierce tired," she admitted; "nine till two- thirty."

He asked for a particular brand of cigarette.

"We haven't got them." She studied him with a memorizing frown. "They are hardly ever asked for; and now—yes, there was a man, last night, I think——"

"He must have made an impression."

"Another move and I'd slapped him if I lost my job. They got to be some fresh when they disturb me, too."

"Alone, then?"

"That's right. Wanted me to meet him, and showed me a roll of money. Me!" her contempt sharpened.

"He was young?"

"Young nothing, with gray in his shoebrush mustache."

By such small things, Lemuel Doret reflected, the freshness that had fixed June Bowman in the girl's memory, men were marked and followed.

"I told him," she volunteered further, "he didn't belong on the boardwalk but in the rough joints past the avenue."

Paying for his drink Doret left the Torquay; and following the slight pressure of two suggestions and a faint possibility he found himself in a sodden dark district where a red-glass electric sign proclaimed the entrance to the World. An automobile stopped and a chattering group of young colored girls in sheer white with vivid ribbons, accompanied by sultry silent negroes, preceded him into the cafe. He was met by a brassy racket and a curiously musty heavy air.

The room was long and narrow, and on one wall a narrow long platform was built above the floor for the cabaret. There was a ledge about the other walls the width of one table, and below that the space was crowded by a singular assembly. There were women faintly bisque in shade, with beautiful regular features, and absolute blacks with flattened noses and glistening eyes in burning red and green muslins. Among them were white girls with untidy bright-gold hair, veiled gaze and sullen painted lips; white men sat scattered through the darker throng, men like Lemuel Doret, quiet and watchful, others laughing carelessly, belligerent, and still more sunk in a stupor of drink.

Perhaps ten performers occupied the stage, and at one end was the hysterical scraping on strings, the muffled hammered drums, that furnished the rhythm for a slow intense waltz.

Yet in no detail was the place so marked as by an indefinable oppressive atmosphere. The strong musk and edged perfumes, the races, distinct and subtly antagonistic or mingled and spoiled, the rasping instruments, combined in an unnatural irritating pressure; they produced an actual sensation of cold and staleness like that from the air of a vault.

Doret ordered beer in a bottle, and watched the negro waitress snap off the cap. He had never seen a cafe such as this before, and he was engaged, slightly; its character he expressed comprehensively in the word "bad."

A wonderfully agile dancer caught the attention of the room. The musicians added their voices to the jangle, and the minor half- inarticulate wail, the dull regular thudding of the bass drum were savage. The song fluctuated and died; the dancer dropped exhausted into her chair.

Then Lemuel saw June Bowman. He was only a short distance away, and— without Bella—seated alone but talking to the occupants of the next table. Lemuel Doret was composed. In his pocket he removed the automatic pistol from its rubber case. Still there was no hurry—Bowman was half turned from him, absolutely at his command. The other twisted about, his glance swept the room, and he recognized Doret. He half rose from his chair, made a gesture of acknowledgment that died before Lemuel's stony face, and sank back into his place. Lemuel saw Bowman's hand slip under his coat, but it came out immediately; the fingers drummed on the table.

The careless fool—he was unarmed.

There was no hurry; he could make one, two steps at Bowman's slightest movement.... Lemuel thought of Flavilla deserted, dying alone with a parched mouth, of all that had gone to wreck in the evil that had overtaken him—the past that could not, it appeared, be killed. Yet where Bowman was the past, it was nearly over. He'd finish the beer before him, that would leave some in the bottle, and then end it. With the glass poised in his hand he heard an absurd unexpected sound. Looking up he saw that it came from the platform, from a black woman in pale-blue silk, a short ruffled skirt and silver-paper ornaments in her tightly crinkled hair. She was singing, barely audibly:

"Oh, children ... lost in Egypt See that chariot.... ... good tidings!"

Even from his table across the room he realized that she was sunk in an abstraction; her eyes were shut and her body rocking in beat to the line.

"Good tidings," she sang.

A negro close beside Doret looked up suddenly, and his voice joined in a humming undertone, "See that chariot, oh, good tidings ... that Egyptian chariot."

A vague emotion stirred within Lemuel Doret, the singing annoyed him, troubled him with memories of perishing things. Another joined, and the spiritual swelled slightly, haltingly above the clatter of glasses and laughter. The woman who had begun it was swept to her feet; she stood with her tinsel gayety of apparel making her tragic ebony face infinitely grotesque and tormented while her tone rose in a clear emotional soprano:

"Children of Israel, unhappy slaves, Good tidings, good tidings, For that chariot's coming, God's chariot's coming, ... coming, ........... chariot out of Egypt."

The magic of her feeling swept like a flame over the room; shrill mirth, mocking calls, curses were bound in a louder and louder volume of hope and praise. The negroes were on their feet, swaying in the hysterical contagion of melody, the unutterable longing of their alien isolation.

"God's chariot's coming." The song filled the roof, hung with bright strips of paper, it boomed through the windows and doors. Sobbing cries cut through it, profound invocations, beautiful shadowy voices chimed above the weight of sound.

It beat like a hammer on Lemuel Doret's brain and heart. Suddenly he couldn't breathe, and he rose with a gasp, facing the miracle that had overtaken the place he called bad. God's chariot—was there! He heard God's very tone directed at him. Borne upward on the flood of exaltation he seemed to leave the earth far, far away. Something hard, frozen, in him burst, and tears ran over his face; he was torn by fear and terrible joy. His Lord....

He fell forward on his knees, an arm overturning the bottle of beer; and, his sleeve dabbled in it, he pressed his head against the cold edge of the table, praying wordlessly for faith, incoherently ravished by the marvel of salvation, the knowledge of God here, everywhere.

The harmony wavered and sank, and out of the shuddering silence that followed Lemuel Doret turned again from the city.



THE FLOWER OF SPAIN

I

From the window of the drawing-room Lavinia Sanviano could see, on the left, the Statue of Garibaldi, where the Corso Regina Maria cut into the Lungarno; on the right, and farther along, the gray-green foliage of the Cascine. Before her the Arno flowed away, sluggish and without a wrinkle or reflection on its turbid surface, into Tuscany. It was past the middle of afternoon, and a steady procession of carriages and mounted officers in pale blue tunics moved below toward the shade of the Cascine.

Lavinia could not see this gay progress very well, for the window—it had only a narrow ledge guarded by an iron grille—was practically filled by her sister, Gheta, and Anna Mantegazza. Occasionally she leaned forward, pressed upon Gheta's shoulder, for a hasty unsatisfactory glimpse.

"You are crushing my sleeves!" Gheta finally and sharply complained. "Do go somewhere else. Anna and I want to talk without your young ears eternally about. When do you return to the convent?"

Lavinia drew back. However, she didn't leave. She was accustomed to her sister's complaining, and—unless the other went to their father—she ignored her hints. Lavinia's curiosity in worldly scenes and topics was almost as full as her imagination thereof. She was sixteen, and would have to endure another year of obscurity before her marriage could be thought of, or she take any part in the social life where Gheta moved with such marked success.

But, Lavinia realized with a sigh, she couldn't expect to be pursued like Gheta, who was very beautiful. Gheta was so exceptional that she had been introduced to the Florentine polite world without the customary preliminary of marriage. She could, almost every one agreed, marry very nearly whomever and whenever she willed. Even now, after the number of years she had been going about with practically all her friends wedded, no one seriously criticized the Sanvianos for not insisting on a match with one of the several eligibles who had unquestionably presented themselves.

Gheta was slender and round; her complexion had the flawless pallid bloom of a gardenia; her eyes and hair were dark, and her lips an enticing scarlet thread. Perhaps her chin was a trifle lacking in definition, her voice a little devoid of warmth; but those were minor defects in a person so precisely radiant. Her dress was always noticeably lovely; at present she wore pink tulle over lustrous gray, with a high silver girdle, a narrow black velvet band and diamond clasp about her delicate full throat.

Anna Mantegazza was more elaborately gowned, in white embroidery, with a little French hat; but Anna Mantegazza was an American with millions, and elaboration was a commonplace with her. Lavinia wore only a simple white slip, confined about her flexible waist with a yellow ribbon; and she was painfully conscious of the contrast she presented to the two women seated in the front of the window.

The fact was that a whole fifth of the Sanvianos' income was spent on Gheta's clothes; and this left only the most meager provision for Lavinia. But this, the latter felt, was just—still in the convent, she required comparatively little personal adornment; while the other's beauty demanded a worthy emphasis. Later Lavinia would have tulle and silver lace. She wished, however, that Gheta would get married; for Lavinia knew that even if she came home she would be held back until the older sister was settled. It was her opinion that Gheta was very silly to show such indifference to Cesare Orsi.... Suddenly she longed to have men—not fat and good-natured like the Neapolitan banker, but austere and romantic—in love with her. She clasped her hands to her fine young breast and a delicate color stained her cheeks. She stood very straight and her breathing quickened through parted lips.

She was disturbed by the echo of a voice from the cool depths of the house, and turned at approaching footfalls. The room was so high and large that its stiff gilt and brocade furnishing appeared insignificant. Three long windows faced the Lungarno, but two were screened with green slatted blinds and heavily draped, and the light within was silvery and illusive. A small man in correct English clothes, with a pointed bald head and a heavy nose, entered impulsively.

"It's Bembo," Lavinia announced flatly.

"Of course it's Bembo," he echoed vivaciously. "Who's more faithful to the Casa Sanviano——"

"At tea time," Lavinia interrupted.

"Lavinia," her sister said sharply, "don't be impertinent. There are so many strangers driving," she continued, to the man; "do stand and tell us who they are. You know every second person in Europe."

He pressed eagerly forward, and Anna Mantegazza turned and patted his hand.

"I wish you were so attentive to Pier and myself," she remarked, both light and serious. "I'd like to buy you—you're indispensable in Florence."

"Contessa!" he protested. "Delighted! At once."

"Bembo," Gheta demanded, "duty—who's that in the little carriage with the bells bowed over the horses?"

He leaned out over the grille, his beady alert gaze sweeping the way below.

"Litolff," he pronounced without a moment's hesitation—"a Russian swell. The girl with him is——" He stopped with a side glance at Lavinia, a slight shrug.

"Positively, Lavinia," Gheta insisted again, more crossly, "you're a nuisance! When do you go back to school?"

"In a week," Lavinia answered serenely.

With Bembo added to the others, she could see almost nothing of the scene below. Across the river the declining sun cast a rosy light on the great glossy hedges and clipped foliage of the Boboli Gardens; far to the left the paved height of the Piazzale Michelangelo rose above the somber sweep of roofs and bridges; an aged bell rang harshly and mingled with the inconsequential clatter on the Lungarno. An overwhelming sense of the mystery of being stabbed, sharp as a knife, at her heart; a choking longing possessed her to experience all—all the wonders of life, but principally love.

"Look, Bembo!" Anna Mantegazza suddenly exclaimed. "No; there— approaching! Who's that singular person in the hired carriage?"

Her interest was so roused that Lavinia, once more forgetful of Gheta's sleeves, leaned over her sister's shoulder, and immediately distinguished the object of their curiosity.

An open cab was moving slowly, almost directly under the window, with a single patron—a slender man, sitting rigidly erect, in a short, black shell jacket, open upon white linen, a long black tie, and a soft narrow scarlet sash. He wore a wide-brimmed stiff felt hat slanted over a thin countenance burned by the sun as dark as green bronze; his face was as immobile as metal, too; it bore, as if permanently molded, an expression of excessive contemptuous pride.

Bembo's voice rose in a babble of excited information.

"'Singular?' Why, that's one of the most interesting men alive. It's Abrego y Mochales, the greatest bullfighter in existence, the Flower of Spain. I've seen him in the ring and at San Sebastian with the King; and I can assure you that one was hardly more important than the other. He's idolized by every one in Spain and South America; women of all classes fall over each other with declarations and gifts."

As if he had heard the pronouncement of his name the man in the cab turned sharply and looked up. Gheta was leaning out, and his gaze fastened upon her with a sudden and extraordinary intensity. Lavinia saw that her sister, without dissembling her interest, sat forward, statuesque and lovely. It seemed to the former that the cab was an intolerable time passing; she wished to draw Gheta back, to cover her indiscretion from Anna Mantegazza's prying sight. She sighed with inexplicable relief when she saw that the man had driven beyond them and that he did not turn.

A bull-fighter! A blurred picture formed in Lavinia's mind from the various details she had read and heard of the cruelty of the Spanish national sport—torn horses, stiff on blood-soaked sand; a frenzied and savage populace; and charging bulls, drenched with red froth. She shuddered.

"What a brute!" she spoke aloud unintentionally.

Gheta glanced at her out of a cool superiority, but Anna Mantegazza nodded vigorously.

"He would be a horrid person!" she affirmed.

"How silly!" Gheta responded. "It's an art, like the opera; he's an artist in courage. Personally I find it rather fascinating. Most men are so—so mild."

Lavinia knew that the other was thinking of Cesare Orsi, and she agreed with her sister that Orsi was far too mild. Without the Orsi fortune— he had much more even than Anna Mantegazza—Cesare would simply get nowhere. The Spaniard—Lavinia could not recall his name, although it hung elusively among her thoughts—was different; women of all classes, Bembo had said, pursued him with favors. He could be cruel, she decided, and shivered a little vicariously. She half heard Bembo's rapid high-pitched excitement over trifles.

"You are going to the Guarinis' sale to-morrow afternoon? But, of course, every one is. Well, if I come across Abrego y Mochales before then, and I'm almost certain to, and he'll come, I'll bring him. He's as proud as the devil—duchesses, you see—so no airs with him. The Flower of Spain. A king of sport sits high at the table—" He went on, apparently interminable; but Lavinia turned away to where tea was being laid in a far angle.

Others approached over the tiled hall and the Marchese Sanviano entered with Cesare Orsi. The window was deserted, and the women trailed gracefully toward the bubbling minor note of the alcohol lamp. Both Sanviano and Orsi were big men—the former, like Bembo, wore English clothes; but Orsi's ungainly body had been tightly garbed by a Southern military tailor, making him—Lavinia thought—appear absolutely ridiculous. His collar was both too tight and too high, although perspiration promised relief from the latter.

A general and unremarkable conversation mingled with the faint rattle of passing cups and low directions to a servant. Lavinia was seated next to Cesare Orsi, but she was entirely oblivious of his heavy kindly face and almost anxiously benevolent gaze. He spoke to her, and because she had comprehended nothing of his speech she smiled at him with an absent and illuminating charm. He smiled back, happy in her apparent pleasure; and his good-nature was so insistent that she was impelled to reward it with a remark.

She thought, she said, that Gheta was particularly lovely this afternoon. He agreed eagerly; and Lavinia wondered whether she had been clumsy. She simply couldn't imagine marrying Cesare Orsi, but she knew that such a match for Gheta was freely discussed, and she hoped that her sister would not make difficulties. She wouldn't have dresses so fussy as Gheta's—in figure, anyhow, she was perhaps her sister's superior—fine materials, simply cut, with a ruffle at the throat and hem, a satin wrap pointed at the back, with a soft tassel....

Orsi was talking to Gheta, and she was answering him with a brevity that had cast a shade of annoyance over the Marchese Sanviano's large features. Lavinia agreed with her father that Gheta was a fool. She must be thirty, the younger suddenly realized. Bembo was growing hysterical from the tea and his own shrill anecdotes. He resembled a grotesque performing bird with a large beak. Lavinia's mind returned to the silent dark man who had passed in a cab. She wished, now, that she had been sitting at the front of the window—the object of his unsparing intense gaze. She realized that he was extremely handsome, and contrasted his erect slim carriage with Orsi's thick slouched shoulders. The latter interrupted her look, misinterpreted it, and said something about candy from Giacosa's.

Lavinia thanked him and rose; the discussion about the tea table became unbearably stupid, no better than the flat chatter of the nuns at school.

Her room was small and barely furnished, with a thin rug over the stone floor, and opened upon the court about which the house was built. The Sanvianos occupied the second floor. Below, the piano nobile was rented by the proprietor of a great wine industry. It was evident that he was going out to dinner, for his dark blue brougham was waiting at the inner entrance. The horse, a fine sleek animal, was stamping impatiently, with ringing shoes, on the paved court. A flowering magnolia tree against one corner filled the thickening dusk with a heavy palpitating sweetness.

Lavinia stayed for a long while at the ledge of her window. Her hair, which she wore braided in a smooth heavy rope, slid out and hung free. The brougham left, with a clatter of hoofs and a final clang of the great iron-bound door on the street; above, white stars grew visible in a blue dust. She dressed slowly, changing from one plain gown to another hardly less simple. Before the mirror, in an unsatisfactory lamplight, she studied her appearance in comparison with Gheta's.

She lacked the latter's lustrous pallor, the petal-like richness of Gheta's skin. Lavinia's cheeks bore a perceptible flush, which she detested and tried vainly to mask with powder. Her eyes, a clear bluish gray, inherited from the Lombard strain in her mother, were not so much fancied as her sister's brown; but at least they were more uncommon and contrasted nicely with her straight dark bang. Her shoulders and arms she surveyed with frank healthy approbation. Now her hair annoyed her, swinging childishly about her waist, and she secured it in an instinctively effective coil on the top of her head. She decided to leave it there for dinner. Her mother was away for the night; and she knew that Gheta's sarcasm would only stir their father to a teasing mirth.

Later, Gheta departed for a ball, together with the Marchese Sanviano— to be dropped at his club—and Lavinia was left alone. The scene in the court was repeated, but with less flourish than earlier in the evening. Gheta would be nominally in the charge of Anna Mantegazza; but Lavinia knew how laxly the American would hold her responsibility. She wished, moving disconsolately under high painted ceilings through the semi- gloom of still formal chambers, that she was a recognized beauty—free, like Gheta.

The drawing-room, from which they had watched the afternoon procession, was in complete darkness, save for the luminous rectangle of the window they had occupied. Its drapery was still disarranged. Lavinia crossed the room and stood at the grille. The lights strung along the river, curving away like uniform pale bubbles, cast a thin illumination over the Lungarno, through which a solitary vehicle moved. Lavinia idly watched it approach, but her interest increased as it halted directly opposite where she stood. A man got quickly out—a lithe figure with a broad-brimmed hat slanted across his eyes. It was, she realized with an involuntary quickening of her blood, Abrego y Mochales. A second man followed, tendered him a curiously shaped object, and stood by the waiting cab while the bull-fighter walked deliberately forward. He stopped under the window and shifted the thing in his hands.

A rich chord of strings vibrated through the night, another followed, and then a brief pattern of sound was woven from the serious notes of a guitar. Lavinia shrank back within the room—it was, incredibly, a serenade on the stolid Lungarno. It was for Gheta! The romance of the south of Spain had come to life under their window. A voice joined the instrument, melodious and melancholy, singing an air with little variation, but with an insistent burden of desire. The voice and the guitar mingled and fluctuated, drifting up from the pavement exotic and moving. Lavinia could comprehend but little of the Spanish:

"I followed through the acacias, But it was only the wind. .... looked for you beyond the limes——"

The thrill at her heart deepened until tears wet her cheeks. It was for Gheta, but it overwhelmed Lavinia with a formless and aching emotion; it was for Gheta, but her response was instant and uncontrollable. It seemed to Lavinia that the sheer beauty of life, which had moved her so sharply, had been magnified unbearably; she had never dreamed of the possibilities of such ecstasy or such delectable grief.

The song ended abruptly, with a sharp jarring note. The man by the carriage moved deferentially forward and took the guitar. She could see the minute pulsating sparks of cigarettes; heard a direction to the driver. Abrego y Mochales and the other got into the cab and it turned and shambled away. Lavinia Sanviano moved forward mechanically, gazing after the dark vanishing shape on the road. She was shaken, almost appalled, by the feeling that stirred her. A momentary terror of living swept over her; the thrills persisted; her hands were icy cold. She had been safely a child until now, when she had lost that small security, and gained—what?

She studied herself, clad in her coarse nightgown with narrow lace, in her inadequate mirror. The color had left her cheeks and her eyes shone darkly from shadows. "Lavinia Sanviano!" she spoke aloud, with the extraordinary sensation of addressing, in her reflection, a stranger. She could never, never wear her hair down again, she thought with an odd pang.

II

Gheta invariably took breakfast in her room. It was a larger chamber by far than Lavinia's, toward the Via Garibaldi. A thick white bearskin was spread by the canopied bed, an elaborate dressing table stood between long windows drawn with ruffled pink silk, while the ceiling bore a scaling ottocento frescoing of garlanded cupids. She was sitting in bed, the chocolate pot on a painted table at her side, when Lavinia entered.

A maid was putting soft paper in the sleeves of Gheta's ball dress, and Lavinia, finding an unexpected reluctance to proceed with what she had come to say, watched the servant's deft care.

"Mochales was here last night," Lavinia finally remarked abruptly— "that is he stood on the street and serenaded you."

Gheta put her cup down with a clatter.

"How charming!" she exclaimed. "And I missed it for an insufferable affair. He stood under the window—"

"With a guitar," Lavinia proceeded evenly. "It was very beautiful."

"Heavens! Bembo's going to fetch him to the Guarinis' sale, and I forgot and promised Anna Mantegazza to drive out to Arcetri! But Anna won't miss this. It was really a very pretty compliment."

She spoke with a trivial satisfaction that jarred painfully on Lavinia's memory of the past night. Gheta calmly accepted the serenade as another tribute to her beauty; Lavinia could imagine what Anna Mantegazza and her sister would say, and they both seemed commonplace— even a little vulgar—to her acutely sensitive being. She suddenly lost her desire to resemble Gheta; her sister diminished in her estimation. The elder, Lavinia realized with an unsparing detachment, was enveloped in a petty vanity acquired in an atmosphere of continuous flattery; it had chilled her heart.

The Guarinis, who had been overtaken by misfortune, and whose household goods were, being disposed of at public sale, occupied a large gloomy floor on the Via Cavour. The rooms were crowded by their friends and the merely curious; the carpets were protected by a temporary covering; and all the furnishings, the chairs and piano, pictures, glass and bijoux, bore gummed and numbered labels.

The sale was progressing in one of the larger salons, but the crowd circulated in a slow solid undulation through every room. Gheta and Anna Mantegazza had sought the familiar comfortable corner of an entresol, and were seated. Lavinia was standing tensely, with a laboring breast, when Bembo suddenly appeared with the man whom he had called the Flower of Spain.

"The Contessa Mantegazza," Bembo said suavely, "Signorina Sanviano, this is Abrego y Mochales."

The bull-fighter bowed with magnificent flexibility. A hot resentment possessed Lavinia at Bembo's apparent ignoring of her; but he had not seen her at first and hastened to repair his omission. Lavinia inclined her head stiffly. An increasing confusion enveloped her, but she forced herself to gaze directly into Mochales' still black eyes. His face, she saw, was gaunt, the ridges of his skull apparent under the bronzed skin. His hair, worn in a queue, was pinned in a flat disk on his head, and small gold loops had been riveted in his ears; but these peculiarities of garb were lost in the man's intense virility, his patent brute force. His fine perfumed linen, the touch of scarlet at his waist, his extremely high-heeled patent-leather boots under soft uncreased trousers, served only to emphasize his resolute metal—they resembled an embroidered and tasseled scabbard that held a keen, thin and dangerous blade.

Anna Mantegazza extended her hand in the American fashion, and Gheta smiled from—Lavinia saw—her best facial angle. The Spaniard regarded Gheta Sanviano so fixedly that after a moment she turned, in a species of constraint, to Anna. The latter spoke with her customary facility and the man responded gravely.

They stood a little aside from Lavinia; she only partly heard their remarks, but she saw that Abrego y Mochales' attention never strayed from her sister. Vicariously it made her giddy. The man absolutely summed up all that Lavinia had dreamed of a romantic and masterful personage. She felt convinced that he had destroyed her life's happiness—no other man could ever appeal to her now; none other could satisfy the tumult he had aroused in her. This, she told herself, desperately miserable, was love.

Gheta spoke of her, for the three turned to regard her. She met their scrutiny with a doubtful half smile, which vanished as Anna Mantegazza made a light comment upon her hair being so newly up. Lavinia detested the latter with a sudden and absurd intensity. She saw Anna, with a veiled glance at Gheta, make an apology and leave to join an eddy of familiars that had formed in the human stream sweeping by. Mochales stood very close to her sister, speaking seriously, while Gheta nervously fingered the short veil hanging from her gay straw hat.

A familiar kindly voice sounded suddenly in Lavinia's ears, and Cesare Orsi joined her. He was about to move forward toward Gheta; but, before he could attract her attention, she disappeared in the crowd with the Spaniard.

"Who was it?" he inquired. "He resembles a juggler."

Lavinia elaborately masked her hot resentment at this fresh stupidity. She must not, she felt, allow Orsi to discover her feeling for Abrego y Mochales; that was a secret she must keep forever from the profane world. She would die, perhaps at a terribly advanced age, with it locked in her heart. But if Gheta married him she would go into a convent.

"A bull-fighter, I believe," she said carelessly.

"In other words, a brute," Orsi continued. "Such men are not fit for the society of—of your sister. One would think his mere presence would make her ill.... Yet she seemed quite pleased."

"Strange!" Lavinia spoke with innocent eyes.

It was like turning a knife in her wound to agree apparently with Cesare Orsi—rather, she wanted to laugh at him coldly and leave him standing alone; but she must cultivate her defenses. There was, too, a sort of negative pleasure in misleading the banker, a sort of torment not unlike that enjoyed by the early martyrs.

Cesare Orsi regarded her with new interest and approbation.

"You're a sensible girl," he proclaimed; "and extremely pretty in the bargain." He added this in an accent of profound surprise, as if she had suddenly grown presentable under his eyes. "In some ways," he went on, gathering conviction, "you are as handsome as Gheta."

"Thank you, Signor Orsi," Lavinia responded with every indication of a modesty, which, in fact, was the indifference of a supreme contempt.

"I have been blind," he asseverated, vivaciously gesticulating with his thick hands.

Lavinia studied him with a remote young brutality, from his fluffy disarranged hair, adhering to his wet brow, to his extravagantly pointed shoes. The ridiculous coral charm hanging from his heavy watch chain, a violent green handkerchief, an insufferable cameo pin—all contributed pleasurably to the lowering of her opinion of him.

"I must find Gheta," she pronounced, suddenly aware of her isolation with Cesare Orsi in the crowd, and of curious glances. Orsi immediately took her arm, but she eluded him. "Go first, please; we can get through sooner that way."

They progressed from room to room, thoroughly exploring the dense throng about the auctioneer, but without finding either Gheta, Anna Mantegazza or the bull-fighter.

"I can't think how she could have forgotten me!" Lavinia declared with increasing annoyance. "It's clear that they have all gone."

"Don't agitate yourself," Cesare Orsi begged. "Sanviano will be absolutely contented to have you in my care. I am delighted. You shall go home directly in my carriage." He conducted her, with a show of form that in any one else or at another time she would have enjoyed hugely, to the street, where he handed her into an immaculately glossy and corded victoria, drawn by a big stamping bay, and stood with his hat off until she had rolled away.

It was comfortable in the luxuriously upholstered seat and, in spite of herself, Lavinia sank back with a contented sigh. There was in its case a gilt hand mirror, into which she peered, and a ledge that pulled out, with a crystal box for cigarettes and a spirit lighter. The Sanvianos had only a landaulet, no longer in its first condition; and Lavinia wondered why Gheta, who adored ease, had been so long in securing for herself such comforts as Orsi's victoria.

They swept smoothly on rubber tires into the Lungarno and rapidly approached her home. The carriage stopped before the familiar white facade, built of marble in the pseudo-severity of the early nineteenth century, and the porter swung open the great iron gate to the courtyard. Lavinia mounted the square white shaft of the stairs to the Sanvianos' floor with a deepening sense of injury. She would make it plain to Gheta that she was no longer a child to be casually overlooked.

A small room, used in connection with the dining room for coffee and smoking, gave directly on the hall; there she saw her father sitting, with his hat still on, his face stamped with an almost comical dismay, and holding an unlighted cigar.

"Gheta left me at the Guarinis'," Lavinia halted impetuously. "If it hadn't been for Signor Orsi I shouldn't be here yet; I was completely ignored."

"Heavens!" her father exclaimed, waving her away. "Another feminine catastrophe! Go to your sister and mother. My head is in a whirl."

Her mother, then, had returned. She went forward and was suddenly startled by hearing Gheta's voice rise in a wail of despairing misery. She hurried forward to her sister's room. Gheta, fully dressed, was prostrate, face down, upon her bed, shaken by a strangled sobbing that at intervals rose to a thin hysterical scream. The Marchesa Sanviano, still in her traveling suit and close-fitting black hat, sat by her elder daughter's side, trying vainly to calm the tumult. In the background the maid, her face streaming with sympathetic tears, was hovering distractedly with a jar of volatile salts.

"Mamma," Lavinia demanded, torn by extravagant fears, "what has happened?"

The marchesa momentarily turned a concerned countenance.

"Your sister," she said seriously, "has found some wrinkles on her forehead."

Lavinia with difficulty restrained a sharp giggle. Gheta's grief and their mother's anxiety at first seemed so foolishly disproportionate to their cause. Then a realization of what such an occurrence meant to Gheta dawned upon her. To an acknowledged beauty like Gheta Sanviano the marks of Time were an absolute tragedy; they threatened her on every plane of her being.

"But when—" Lavinia began.

"They—Anna Mantegazza and she—went to the dressing room at the Guarinis', where, it seems, Anna discovered them—sympathetically, of course."

Gheta's sobbing slowly subsided under the marchesa's urgent plea that unrestrained emotion would only deepen her trouble. She did not appear at dinner; and afterward the marchese, his wife and Lavinia sat wrapped in a gloomy silence. The marchesa was still handsome, in spite of increasing weight. The gray gaze inherited by Lavinia had escaped the parent; her eyes were soft and dense, like brown velvet. She was a woman of decision and now she brought her hands smartly together.

"We have waited too long with Gheta; we should not have counted so confidently on her beauty; time flies so treacherously. She must marry as soon as possible."

"Thank God, there's Cesare Orsi!" her husband responded.

Lavinia was gazing inward at the secretly enshrined image of the Flower of Spain.

III

Gheta Sanviano often passed a night at the Mantegazzas' villa on the Height of Castena, a long mile from the city.

Lavinia, too, knew the dwelling well, for Sanviano and Pier Mantegazza had been intimate from their similar beginnings, and she had played there as a child. However, she had never been regularly asked with Gheta; and when that occurred—Gheta indifferently delivered Anna Mantegazza's message—and her mother acquiesced, Lavinia had a renewed sense of her growing importance.

She went out early, in the heat of midday, a time that fitted best with the involved schedule of the Sanvianos' single equipage—Anna would take her sister directly from a luncheon at the Ginoris'. Lavinia looked with mingled anticipation and relief at the approaching graceful facade added scarcely a hundred and fifty years before to the otherwise somber abode of the Mantegazzas, first established in the twelfth century.

The villa stood on an eminence, circled by austere pines, and terraced with innumerable vegetable gardens and frugally planted olives. The road mounted abruptly, turned under a frowning wall incongruously topped with delicately painted urns, and doubled across the massive iron-bound door that closed the arched entrance. Within, an immensely high timbered hall was pleasantly cool and dark after the white blaze without. It was bare of furnishing except for a number of rude oak settles against the naked stone walls. It had been a place of fear to Lavinia when a child; and even now she left it with a sense of relief for the modernized interior beyond.

Pier Mantegazza was standing before a high inclined table, which bore a number of blackened and shapeless medallions. He was a famous numismatic—a tall stooping man, slightly lame, and enveloped in a premature gray ill health that resembled clinging cobwebs. He bent and brushed Lavinia's forehead with his crisp mustache, and then returned to the delicate manipulation of a magnifying glass and a small blue bottle of acid. She left him for a deep chair and a surprising French romance by Remy de Gourmont. At a long philosophical dialogue the book drooped, and she thought of Anna Mantegazza and her husband.

She wondered whether they were happy. But she decided, measuring that condition solely by her own requirement, that such a state was impossible for them. It had certainly been a marriage for money and position; prior to the ceremony the Casa Mantegazza had been closed for years, and Pier Mantegazza occupied a small establishment near the Military Hospital, on the Via San Gallo. Anna Cane had arrived in Rome, without family or credentials, and unknown to the American Embassy other than by amazing deposits at the best banks. But she did have, in addition to this, a pungent charm and undeniable force and good taste. It was said that the moment she had seen Mantegazza's villa she had decided to possess it, even at the price of its sere withdrawn holder.

She had gone at once into the best Florentine and Roman society. That was ten years before, but Lavinia realized that she had never successfully assimilated the Italian social formula. She mixed the most diverse elements of their world willfully and found enjoyment in bringing about amusing situations. She seemed devoid of the foundations of proper caution; in fact, she mocked at them openly. And if she had not been a model Catholic, and herself above the slightest moral question, even Mantegazza could not have carried her among his own circles. As it was, people flocked to her elaborate parties, torn between the hope of being amazed and the fear that they should furnish the hub of the occasion.

Gheta and her hostess arrived later. The former, it appeared to Lavinia, looked disconcerted; and it was evident that she had been remonstrating with Anna Mantegazza. The other laughed provokingly.

"Nonsense!" she declared. "It was too good to miss; besides, you're an old campaigner."

A stair of flagging, turning sharply round a stone pillar, led incongruously from the light French furnishings to the chamber where Lavinia was to sleep. A Renaissance bed, made of thick quilting directly upon the floor, was covered with gilt ecclesiastical embroidery; and a movable tub stood in a stone corner. The narrow deep windows overlooked Florence, a somber expanse of roofing; and, coming rapidly toward the villa, Lavinia could see a tall dogcart, with a groom and two passengers. They were men; and, as they drew nearer, Lavinia—with a sudden pounding of her heart—realized the cause of the slight friction between the two women. The cart bore Cesare Orsi, and Mochales the bull-fighter, the Flower of Spain. It was a part of Anna Mantegazza's humor that the men, so essentially antagonistic, should arrive together clinging precariously on the high insecure trap.

Tea was served at five on the terrace, and Lavinia dressed with minute care. Gheta, she knew, had brought a new lavender lawn with little gold velvet buttons and lace; while she had nothing but the familiar coarse white mull. But she had fresh ribbons and she gazed with satisfaction at her firm, faintly rosy countenance. She would have no wrinkles for years to come. However, she thought, with a return to her sense of tragic gloom, such considerations were of little moment, as Abrego y Mochales would scarcely be aware of her existence; he would never know.... Perhaps, years after—

She purposely delayed her appearance on the terrace until the others had assembled, and then quietly took possession of a chair. Cesare Orsi greeted her with effusive warmth, the Spaniard bowed ceremoniously. A wide prospect of countryside flowed away in innumerable hills and valleys, clothed in the silvery smoke of olives and in green-black pines; below, a bank of cherry trees were in bloom. The air was sweet and still and full of a warm radiance.

Lavinia luxuriated in her unhappiness. Mochales, she decided, must be the handsomest man in existence. His unchanging gravity fascinated her —the man's face, his voice, his dignified gestures, were all steeped in a splendid melancholy.

"I am a peasant," he said, apparently addressing them all, but with his eyes upon Gheta, "from Estremadura, in the mountains. The life there was very hard, and that was fortunate for me; the food was scarce, and that was good too. If I ate like the grandees a bull would end me in the hot sun of the first fiesta; I'd double up like a pancake. I must work all the time—run for miles and play pelota."

Lavinia was possessed by a new contempt for her kind, which she centered upon Orsi, clumsy and stupidly smiling. It was clear that he couldn't run a mile; in fact, he admitted that he detested all exercise. How absurd he looked in his tight plaited jacket! It appeared that he was always perspiring; a crime, she felt sure—with entire disregard of its fatal consequences—that Mochales never committed.

"A friend of ours—it was Bembo—said that he saw you at San Sebastian with your King," Anna Mantegazza put in.

"Why not? But Alphonso is a fine boy; he understands the business of royalty. Every year I dedicate a magnificent bull to the King on his name day."

"Will you dedicate one to me?" Gheta asked carelessly.

"The best in Andalusia," he responded with fire.

Cesare Orsi made a slight sharp exclamation, and Lavinia's heart beat painfully. The former turned to her with sudden determination.

"Were you comfortable in my carriage," he demanded, "and fetched home at a smart pace?" Lavinia thanked him.

"You are always so quiet," he complained. "I'm certain there's a great deal in that wise young head worth hearing."

"Lavinia is still in the schoolroom," Gheta explained brutally. "Yesterday she put up her hair, to-day Anna Mantegazza invites her, and we have an effect."

Anna Mantegazza turned to the younger with a new veiled scrutiny. Her gaze rested for an instant on Orsi and then moved contemplatively to Gheta and Abrego y Mochales. It was evident that her thoughts were very busy; a faint sparkle appeared in her eyes, a fresh vivacity animated her manner. Suddenly she included Lavinia in her remarks; she put queries to the girl patently intended to draw her out. Gheta grew uneasy and then cross.

"I'm sick of sitting here," she declared; "let's walk about. It's cooler, and Pier Mantegazza's place is always worth investigation." She rose and waited for Cesare Orsi, then led the small procession from under the striped tea kiosk down the terrace. The way grew steep and she rested a hand on Orsi's arm. Anna, Lavinia and the Flower of Spain followed together, until the first moved forward to join the leaders. Lavinia's gaze was obscured by a sort of warm mist; she clasped her hands to keep them from trembling. In a narrow flagged turn Mochales brushed her shoulder. He scarcely moved his eyes from Gheta's back. Once he gazed somberly at the girl beside him and she responded with a pale questioning smile. "I have had a great misfortune," he told her.

"Oh, I'm terribly, terribly sorry!"

"I've lost a blessed coin that interceded for me since the first day I went in the bull ring. I'd give a thousand wax candles for its return. Now—when I need everything," he continued as if to himself. "Your sister is beautiful," he added abruptly. "Everybody thinks so," Lavinia replied in a voice she endeavored to make enthusiastic. "She has had tens of admirers here and at Rome and Lucca." There she knew she should stop; but she continued: "Cesare Orsi is very persistent and tremendously rich."

Mochales made a short unintelligible remark in Spanish. He twisted a cigarette with lightning-like rapidity and only one hand. Together they looked at Orsi's broad ungainly back, and the bull-fighter's lips tightened, exposing a glimmer of his immaculate teeth. They passed a neat whitewashed cottage, where an old couple stood bowing abjectly, and came on a series of long pale-brown buildings and walls.

"The stables and barn," Lavinia explained.

Anna Mantegazza turned. "You may see something of interest here," she called to Mochales.

A series of steps, made by projecting stones, rose to the top of an eight-foot wall, up which Anna unexpectedly led the way. The wall was broad, afforded a comfortable footing, and enclosed a straw-littered yard. A number of doors led into a barn, and into one some men were urging refractory cattle. In a corner a small compact bull, with the rapierlike horns of the mountain breeds, was secured by a nose ring and a short chain; and to the latter the men turned when the other animals had been confined. Two threatened the animal with long poles, while a third unfastened the chain from the wall; and then all endeavored to drive him within. Abrego y Mochales stood easily above, watching these clumsy efforts.

Suddenly the bull stopped, plunged his front hoofs into the soft mold of the stable yard and swept his head from side to side with a broken hoarse bellow. The men prodded him with urgent cries; but the bull suddenly whirled, snapping the poles, and there was an immediate scattering.

The sight of the retreating forms apparently enraged the animal, for he charged with astonishing speed and barely missed horning the last man to fall over the barricade of a half door. Mochales smiled; he called familiarly to the bull. Then he stooped and vaulted lightly down into the yard. Lavinia gave a short exclamation; she was cold with fear. Orsi looked on without any emotion visible on his heavy face. Anna Mantegazza leaned forward, tense with interest. "Bravo!" she called.

Gheta Sanviano smiled.

The bull did not see Mochales at first, then the man cried tauntingly. The bull turned and stood with a lowered slowly-moving head, an uneasy tail. The Spaniard found a small milking stool and, carrying it to the middle of the yard, sat and comfortably rolled another cigarette. He was searching for a match when the bull moved forward a pace; he had found and was striking it when the bull increased his pace; he was guarding the flame about the cigarette's end when the animal broke into a charging run.

The Flower of Spain inhaled a deep breath of smoke, which he expelled in deliberate globes.

"Oh, don't! Oh——" Lavinia exclaimed, an arm before her eyes.

Mochales shifted easily from his seat and apparently in the same instant the bull crushed the stool to splinters.

"Bravo! Bravo!" Anna Mantegazza called again, and the man bowed until his extended hat rested on the ground.

He straightened slowly; the bull whirled about and flung himself forward. Abrego y Mochales now had one of the discarded poles; and, waiting until the horns had almost encircled him, he vaulted lightly and beautifully over the running animal's shoulder. He waited again, avoiding the infuriated charge by a scant step; and, when the bull stopped he had Mochales' hat placed squarely upon his horns. Lavinia watched now in fascinated terror; she could not remove her gaze from the slim figure in the short black jacket and narrow crimson sash. At the moment when her tension relaxed, Mochales, with a short running step, vaulted cleanly to the top of the wall. His cigarette was still burning. She wanted desperately to add her praise to Anna Mantegazza's enthusiastic plaudits, Gheta's subtle smile; but only the utmost banalities occurred to her.

They descended the stone steps and slowly mounted toward the house. Cesare Orsi resolutely dropped back beside Lavinia.

"You are really superb!" he told her in his highly colored Neapolitan manner. "Most women—Anna Mantegazza for example—are like children before such a show as that back there. Your sister, too, was pleased; it appealed to her vanity, as the fellow intended it should. But you only disliked it.... I could see that in your attitude. It was the circus—that's all."

Lavinia gazed at him out of an unfathomable contempt. She thought: What a fool he is! It wasn't Abrego y Mochales' courage that appealed to her most, although that had afforded her an exquisite thrill, but his powerful grace, his absolute physical perfection. Orsi was heated again and his tie had slipped up over the back of his collar.

She recalled the first talk she had had with him about Mochales and the manner in which she had masked her true feeling for the latter.

How easy Orsi had been to mislead! Now she was seized by the desire to show him the actual state of her mind; she wanted, in bitter sentences, to tell him how infinitely superior the Spaniard was to such fat easy grubs as himself. She longed to make clear to him exactly what it was that women admired in men—romance and daring and splendid strength. It might suit Gheta, who had wrinkles, to encourage such men as Cesare Orsi; their wealth might appeal to cold and material minds, but they could never hope to inspire passion; no one would ever cherish for them a hopeless lifelong love.

"Do you know," Orsi declared with firm conviction, "you are even handsomer than your sister!"

"Fool! fool! fool!" But she could not, of course, say a word of what was in her thoughts. She met his admiring gaze with a blank face, conscious of how utterly her exterior belied and hid the actual Lavinia Sanviano. She felt wearily old, sophisticated. In her room, dressing for the evening, she made up her mind that she must have a black dinner gown—later she would wear no other shade.

IV

Anna Mantegazza knocked and entered just as Lavinia had finished with her hair and was slipping into the familiar white dress. There had been, within the last few hours, a perceptible change in the former's attitude toward her. Lavinia realized that Anna Mantegazza regarded her with a new interest, a greater and more personal friendliness.

"My dear Lavinia!" she exclaimed, critically overlooking the other's preparations. "You look very appealing—like a snowdrop; exactly. I should say the toilet for Sunday at the convent; but no longer appropriate outside. Really, I must speak to the marchesa—parents are so slow to see the differences in their own family. Gheta has been a little overemphasized.

"I wonder," she continued with glowing vivacity, "if you would allow me—I assure you it would give me the greatest pleasure in the world.... Your figure is a thousand times better than mine; but, thank heaven, I'm still slender.... A little evening dress from Vienna! It should really do you very well. Will you accept it from me? I'd like to give you something, Lavinia; and it has never been out of its box."

She turned and was out of the room before Lavinia could reply. There was no reason why she shouldn't take a present from Anna—Pier Mantegazza and her father had been lifelong friends, and his wife was an intimate of the Sanvianos. It would not, probably, be black. It wasn't. Anna returned, followed by her maid, who bore carefully over her arm a shimmering mass of glowing pink.

"Now!" Anna Mantegazza cried. "Your hair is very pretty, very original —but hardly for a dress by Verlat. Sara!"

The maid moved quietly forward and directed an appraising gaze at Lavinia. She was a flat-hipped Englishwoman, with a cleft chin and enigmatic greenish eyes. "I see exactly, madame," she assured Anna; and with her deft dry hands she took down Lavinia's laboriously arranged hair.

She drew it back from the brow apparently as simply as before, twisted it into a low knot slightly eccentric in shape, and recut a bang. Lavinia's eyes seemed bluer, her delicate flush more elusive; the shape of her face appeared changed, it was more pointed and had a new willful charm.

"The stockings," Anna commanded.

Dressed, Lavinia Sanviano stood curiously before the long mirror; she saw a fresh Lavinia that was yet the old; and she was absorbing her first great lesson in the magic of clothes. Verlat, a celebrated dressmaker, was typical of the Viennese spirit—the gown Lavinia wore resembled, in all its implications, an orchid. There was a whisper here of satin, a pale note of green, a promise of chiffon. Her crisp round shoulders were bare; her finely molded arms were clouded, as it were, with a pink mist; the skirt was full, incredibly airy; yet every movement was draped by a suave flowing and swaying.

Lavinia recognized that she had been immensely enriched in effect; it was not a question of mere beauty—beauty here gave way to a more subtle and potent consideration. It was a potency which she instinctively shrank from probing. For a moment she experienced, curiously enough, a gust of passionate resentment, followed by a quickly passing melancholy, a faint regret.

Anna Mantegazza and the maid radiated with satisfaction at the result of their efforts. The former murmured a phrase that bore Gheta's name, but Lavinia caught nothing else. The maid said:

"Without a doubt, madame."

Lavinia lingered in her room, strangely reluctant to go down and see her sister. She was embarrassed by her unusual appearance and dreaded the prominence of the inevitable exclamations. At last she was obliged to proceed. The rest stood by the entrance of the dining room. Anna Mantegazza was laughing at a puzzled expression on the good-natured countenance of Cesare Orsi; Gheta was slowly waving a fan of gilded feathers; Abrego y Mochales was standing rigid and somberly handsome; and, as usual, Pier Mantegazza was late.

Gheta Sanviano turned and saw Lavinia approaching, and the elder's face, always pale, grew suddenly chalky; it was drawn, and the wrinkles, carefully treated with paste, became visible about her eyes. Her hands shook a little as she took a step forward.

"What does this mean, Lavinia?" she demanded. "Why did I know nothing about that dress?"

"I knew nothing myself until a little bit ago," Lavinia explained apologetically, filled with a formless pity for Gheta. "Isn't it pretty? Anna Mantegazza gave it to me."

She could see, over Gheta's shoulder, Cesare Orsi staring at her in idiotic surprise.

"Don't you like it, Gheta?" Anna asked.

Gheta Sanviano didn't answer, but closed her eyes for a moment in an effort to control the anger that shone in them. The silence deepened to constraint, and then she laughed lightly.

"Quite a woman of fashion!" she observed of Lavinia. "Fancy! It's a pity that she must go back to the convent so soon."

Her eyes while she was speaking were directed toward Anna Mantegazza and the resentment changed to hatred. The other shrugged her shoulders indifferently and moved toward the dining room, catching Lavinia's arm in her own.

Mantegazza entered at the soup and was seated on Gheta's right; Cesare Orsi was on Anna's left; and Lavinia sat between the two men, with Mochales opposite. Whatever change had taken place in her looks made absolutely no impression upon the latter; it was clear that he saw no one besides Gheta Sanviano.

In the candlelight his face more than ever resembled bronze; his hair was dead-black; above the white linen his head was like a superb effigy of an earlier and different race from the others. It was almost savage in its still austerity. Cesare Orsi, too, said little, which was extraordinary for him. If Lavinia had made small mark on Mochales, at least she had overpowered the other to a ludicrous degree. It seemed that he had never before half observed her; he even muttered to himself and smiled uncertainly when she chanced to gaze at him.

But what the others lacked conversationally Anna Mantegazza more than supplied; she was at her best, and that was very sparkling, touched with malice and understanding, and absolute independence. She insisted on including Lavinia in every issue. At first Lavinia was only confused by the attention pressed on her; she retreated, growing more inarticulate at every sally. Then she became easier; spurred partly by Gheta's direct unpleasantness and partly by the consciousness of her becoming appearance, she retorted with spirit; engaged Pier Mantegazza in a duet of verbal confetti. She gazed challengingly at Abrego y Mochales, but got no other answer than a grave perfunctory inclination.

She thought of an alternative to the black gowns and unrelieved melancholy—she might become the gayest member of the gay Roman world, be known throughout Italy for her reckless exploits, her affairs and Vienna gowns, all the while hiding her passion for the Flower of Spain. It would be a vain search for forgetfulness, with an early death in an atmosphere of roses and champagne. Gheta was gazing at her so crossly that she took a sip of Mantegazza's brandy; it burned her throat cruelly, but she concealed the choking with a smile of high bravado.

After dinner they progressed to a drawing-room that filled an entire end of the villa; it lay three steps below the hall, the imposing walls and floor covered with tapestries and richly dark rugs. Lavinia more than ever resembled an orchid, here in a gloom of towering trees curiously suggested by the draperies and space. She went forward with Anna Mantegazza to an amber blur of lamplight, the others following irregularly.

Cesare Orsi sat at Lavinia's side, quickly finishing one long black cigar and lighting another; Pier Mantegazza and Mochales smoked cigarettes. Anna was smoking, but Gheta had refused. Lavinia's feeling for her sister had changed from pity to total indifference. The elder had been an overbearing and thoughtless superior; and now, when Lavinia felt in some subtle inexplicable manner that Gheta was losing rank, her store of sympathy was small. Lavinia hoped that she would marry Orsi immediately and leave the field free for herself. She wondered whether her father would buy her a dress by Verlat.

"Honestly," Orsi murmured, "more beautiful than your—"

She stopped him with an impatient gesture, wondering what Mochales was saying to Gheta. A possibility suddenly filled her with dread—it was evident that the Spaniard was growing hourly more absorbed in Gheta, and the latter might——Lavinia could not support the possibility of Abrego y Mochales married to her sister. But, she reassured herself, there was little danger of that—Gheta would never make a sacrifice for emotion; she would be sure of the comfortable material thing, and now more than ever.

Anna Mantegazza moved to a piano, which, in the obscurity, she began to play. The notes rose deliberate and melodious. Gheta Sanviano told Orsi:

"That's Iris. Do you remember, we heard it at the Pergola in the winter?"

"Do go over to her," Lavinia whispered.

He rose heavily and went to Gheta's side, and Lavinia waited expectantly for Mochales to change too. The Spaniard shifted, but it was toward the piano, where he stood with the rosy reflection of his cigarette on a moody countenance. It was Pier Mantegazza who sat beside her, with a quizzical expression on his long gray visage. He said something to her in Latin, which she only partly understood, but which alluded to the changing of water into wine.

"I am a subject of jest," he continued in Italian, "because I prefer water."

She smiled with polite vacuity, wondering what he meant.

"You always satisfied me, Lavinia, with your dark smooth plait and white simplicity; you were cool and refreshing. Now they have made you only disturbing. I suppose it was inevitable, and with you the change will be temporary."

"I'll never let my hair down again," she retorted. "I've settled that with Gheta. Mother didn't care, really."

She was annoyed by the implied criticism, his entire lack of response to her new being. He had grown blind staring at his stupid old coins.

A step sounded behind her; she turned hopefully, but it was only Cesare Orsi.

"The others have gone outside," he told her, and she noticed that the piano had stopped.

Mantegazza rose and bowed in mock serious formality, at which Lavinia shrugged an impatient shoulder and walked with Orsi across the room and out upon the terrace.

Florence had sunk into a dark chasm of night, except for the curving double row of lights that marked the Lungarno and the indifferent illumination of a few principal squares. The stars seemed big and near in deep blue space. Orsi was standing very close to her, and she moved away; but he followed.

"Lavinia," he muttered, and suddenly his arm was about her waist.

She leaned back, pushing with both hands against his chest; but he swept her irresistibly up to him and kissed her clumsily. A cold rage possessed her. She stopped struggling; yet there was no need to continue—he released her immediately and opened a stammering apology.

"I am a madman," he admitted abjectly—"a little animal that ought to be shot. I don't know what came over me; my head was in a carnival. You must forgive or I shall be a maniac, I——"

She turned and walked swiftly into the house and mounted to her room. All the pleasure she had had in the evening, the Viennese gown, evaporated, left her possessed by an utter loathing of self. Now, in the mirror, she seemed hateful, the clouded chiffon and airy clinging satin unspeakable. Looking back out of the dim glass was a stranger who had betrayed and cheapened her. Her pure serenity revolted against the currents of life sweeping down upon her, threatening to inundate her.

She unhooked the Verlat gown with trembling fingers and—once more in simple white—dropped into a deep chair, where she cried with short painful inspirations, her face pressed against her arm. Her emotion subsided, changed to a formless dread, and again to a black sense of helplessness. Suddenly she rose and mechanically shook loose her hair— footsteps were approaching. Her sister entered, pale and vindictive.

"You are to be congratulated," she proceeded thinly; "you made a success with everybody—that is, with all but Mochales. It was for him, wasn't it? You were very clever, but you failed ridiculously."

Lavinia made no reply.

"I hope Mochales excuses you because of your greenness."

"Youth isn't any longer your crime," Lavinia retorted at last.

"That dress—it would suit Anna Mantegazza; but you looked only indecent."

"Perhaps you're right, Gheta," Lavinia said unexpectedly. "I'm going to bed now, please."

Her balance, restored by sleep, was once more normal when she returned to the Lungarno. It was again late afternoon, the daily procession was returning from the Cascine, and Gheta was at the window, looking coldly down. The Marchesa Sanviano was knitting at prodigious speed a shapeless gray garment. They all turned when a servant entered:

Signer Orsi wished to see the marchese.

This unusual formality on the part of Cesare Orsi could have but one purpose, and Lavinia and their mother gazed significantly at the elder sister.

"The marchese is dressing," his wife directed.

She drew a long breath of relief and nodded over her needles. Gheta raised her chin; her lips bore the half-contemptuous expression that lately had become habitual; her eyes were half closed.

Lavinia sat with her hands loose in her lap. She was wondering whether or not, should she make a vigorous protest, they would send her back to the convent. The Verlat gown was carefully hung in her closet. Last night she had been idiotic.

The Marchese Sanviano appeared hurriedly and alone; his tie was crooked and his expression very much disturbed. His wife looked up, startled.

"What!" she demanded directly. "Didn't he——"

"Yes," Sanviano replied, "he did! He wants to marry Lavinia."

Lavinia half rose, with a horrified protest; Gheta seemed suddenly turned to stone; the knitting fell unheeded from the marchesa's lap. Sanviano spread out his hands helplessly.

"Well," he demanded, "what could I do?... A man with Orsi's blameless character and the Orsi banks!"

V

The house to which Cesare Orsi took Lavinia was built over the rim of a small steep island in the Bay of Naples, opposite Castellamare. It faced the city, rising in an amphitheater of bright stucco and almond blossoms, across an expanse of glassy and incredibly blue water. It was evening, the color of sky and bay was darkening, intensified by a vaporous rosy column where the ascending smoke of Vesuvius held the last upflung glow of the vanished sun. Lavinia could see from her window the pale distant quiver of the electric lights springing up along the Villa Nazionale.

The dwelling itself drew a long irregular facade of white marble on its abrupt verdant screen—a series of connected pavilions, galleries, pergolas, belvedere, flowering walls and airy chambers. There were tesselated remains from the time of the great pleasure-saturated Roman emperors, a later distinctly Moorish influence, quattrocento-painted eaves, an eighteenth-century sodded court, and a smoking room with the startling colored glass of the nineteenth.

The windows of Lavinia's room had no sashes; they were composed of a double marble arch, supported in the center by a slender twisted marble column, with Venetian blinds. She stood in the opening, gazing fixedly over the water turning into night. She could hear, from the room beyond, her husband's heavy deliberate footfalls; and the sound filled her with a formless resentment. She wished to be justifiably annoyed by them, or him; but there was absolutely no cause. Cesare Orsi's character and disposition were alike beyond reproach—transparent and heroically optimistic. Since their marriage she had been insolent, she had been both captious and continuously indifferent, without unsettling the determined eager good-nature with which he met her moods.

During the week he went by launch into Naples in the interests of his banking, and did not return for luncheon; and she had long uninterrupted hours for the enjoyment of her pleasant domain. Altogether, his demands upon her were reasonable to the point of self- effacement. He laughed a great deal; this annoyed her youthful gravity and she remonstrated sharply more than once, but he only leaned back and laughed harder. Then she would either grow coldly disdainful or leave the room, followed by the echo of his merriment. There was something impervious, like armor, in his excellent humor. Apparently she could not get through it to wound him as she would have liked; and she secretly wondered.

He was prodigal in his generosity—the stores of the Via Roma were prepared to empty themselves at her desire. Cesare Orsi's wife was a figure of importance in Naples. She had been made welcome by the Neapolitan society—lawn fetes had been given in villas under the burnished leaves of magnolias on the height of Vomero. The Cavaliere Nelli, Orsi's cousin and a retired colonel of Bersaglieri, entertained lavishly at dinner on the terrace of Bertolini's; she went out to old houses looking through aged and riven pines at the sea.

She would have enjoyed all this hugely if she had not been married to Orsi; but the continual reiteration of the fact that she was Orsi's wife filled her with an accumulating resentment. The implication that she had been exceedingly fortunate became more than she could bear. The consequence was that, as soon as it could be managed, she ceased going about.

She was now at the window, immersed in a melancholy sense of total isolation; the water stirring along the masonry below, a call from a shadowy fishing boat dropping down the bay, filled her with longing for the cheerful existence of the Lungarno. She had had a letter from Gheta that morning, the first from her sister since she had left Florence, brief but without any actual expression of ill will. After all was said, she had brought Gheta a great disappointment; if she had been in the elder's place probably she would have behaved no better.... It occurred to her to ask Gheta to Naples. At least then she would have some one with whom to recall the pleasant trifles of past years. She would have liked to ask Anna Mantegazza, too; but this she knew was impossible—Gheta had not forgiven Anna for her part on the night that had resulted in Orsi's proposal for Lavinia.

She wondered, more obscurely, whether Abrego y Mochales was still in Florence. He loomed at the back of her thoughts, inscrutably dark and romantic. It piqued her that he had not made the slightest response to her palpable admiration. But he had been tremendously stirred by Gheta, who was never touched by such emotions.

A desire to see Mochales grew insidiously out of her speculations; a desire to talk about him, hear his name. Lavinia deliberately shut her eyes to the fact that this last became her principal reason for wishing to see Gheta.

She told Cesare, with a diffidence which she was unable to overcome, that she had written asking her sister for a visit. Seemingly he didn't hear her. They were at breakfast, on the wine-red tiling of a pergola by the water, and he had shaken his fist, with a rueful curse, in the direction of Naples. Before him lay an open letter with an engraved page heading.

"I said," Lavinia repeated impatiently, "that Gheta will probably be here the last of the week."

"The sacred camels!" Orsi exclaimed; then: "Oh, Gheta—good!" But he fell immediately into an angry reverie. "If I dared—" he muttered.

"What has stirred you up so?"

"It's difficult to explain to any one not born in Naples. Here, you see, all is not in order, like Florence; we have had a stormy time between brigands and secret factions and foreign rulers; and certain societies sprang up, necessary once, but now—when one still exists—a source of bribery and nuisance. This letter, for example, congratulates me on the possession of a charming bride; it expresses the devotion of a hidden organization, but points out that in order to guarantee your safety in a city where the guards are admittedly insufficient it will be necessary for me to forward two thousand lire at once."

"You will, of course, ignore it."

"I will certainly send the money at once."

"What a cowardly attitude!" Lavinia declared contemptuously. "You allow yourself to be blackmailed like a common criminal."

Orsi laughed, his equilibrium quickly restored.

"I warned you that a stranger could not understand," he reminded her. "If the money weren't sent, in ten days or two weeks perhaps, there would be a little accident on the Chiaja—your carriage would be run into; you would be upset, confused, angry. There would be profuse apologies, investigation, perhaps arrests; but nothing would come of it. If the money was still held back something a little more serious would occur. Nothing really dangerous, you understand; but finally the two thousand lire would be gladly paid over and the accidents would mysteriously cease."

"An outrage!" Lavinia asserted, and Orsi nodded.

"If you had an enemy," he continued, "you could have her gown ruined in the foyer of the San Carlos; if it were a man he would be caught at his club with an uncomfortable ace in his cuff. At least so I'm assured. I haven't had any reason to look the society up yet." He laughed prodigiously. "Even murders are ascribed to it. Careful, Cesare, or a new valet will cut your throat some fine morning and your widow walk away with a more graceful man!"

"Your jokes are so stupid." Lavinia shrugged her shoulders.

He laid the letter on the table's edge and a wandering air bore it slanting to the floor, but he promptly recovered it.

"That must go in the safe," he ended; "it is well to have a slight grasp on those gentlemen."

He rose; and a few minutes later Lavinia saw his trim brown launch, with its awning and steersman in gleaming white, rushing through the bay toward Naples.

VI

The basin from which the launch plied lay inside a seawall inclosing a small placid rectangle with a walk all about and iron benches. Steps at the back, guarded by two great Pompeian sandstone urns, and pressed by a luxuriant growth, led up to the villa. Gheta looked curiously about as she stepped from the launch and went forward with her brother-in- law. Lavinia followed, with Gheta's maid and a porter in the rear.

Lavinia realized that her sister looked badly; in the unsparing blaze of midday the wrinkles about her eyes were apparent, and they had multiplied. Although it was past the first of June, Gheta was wearing a linen suit of last year; and—as her maid unpacked—Lavinia saw the familiar pink tulle and the lavender gown with the gold velvet buttons.

"Your dressmaker is very late," she observed thoughtlessly.

A slow flush spread over the other's countenance; she did not reply immediately and Lavinia would have given a great deal to unsay her period.

"It isn't that," Gheta finally explained; "the family find that I am too expensive. You see, I haven't justified their hopes and they have been cutting down."

Her voice was thin, metallic; her features had sharpened like folded paper creased between the fingers.

"It's very good form here," she went on, dancing about her room. It was hardly more than a marble gallery, the peristyle choked with flowering bushes, camellias and althea and hibiscus, barely furnished, and filled with drifting perfumes and the savor of the sea. "What a shame that these things must be got at a price!"

Lavinia glanced at her sharply; until the present moment that would have expressed her own attitude, but said by Gheta it seemed a little crude. It was, anyhow, painfully obvious, and she had no intention of showing Gheta the true state of her being.