Miss Badlam called to see Mrs. Hopkins, then, and the two had a long talk together, of which only a portion is on record. Here are such fragments as have been preserved.

"What would I do about it? Why, I'd put a stop to such carry'n's on, mighty quick, if I had to tie the girl to the bedpost, and have a bulldog that world take the seat out of any pair of black pantaloons that come within forty rod of her,—that's what I'd do about it! He undertook to be mighty sweet with our Susan one while, but ever sence he's been talkin' religion with Myrtle Hazard he's let us alone. Do as I did when he asked our Susan to come to his study,—stick close to your girl and you 'll put a stop to all this business. He won't make love to two at once, unless they 're both pretty young, I 'll warrant. Follow her round, Miss Cynthy, and keep your eyes on her."

"I have watched her like a cat, Mrs. Hopkins, but I can't follow her everywhere,—she won't stand what Susan Posey 'll stand. There's no use our talking to her,—we 've done with that at our house. You never know what that Indian blood of hers will make her do. She's too high-strung for us to bit and bridle. I don't want to see her name in the paper again, alongside of that" (She did not finish the sentence.) "I'd rather have her fished dead out of the river, or find her where she found her uncle Malachi!"

"You don't think, Miss Cynthy, that the man means to inveigle the girl with the notion of marryin' her by and by, after poor Mrs. Stoker's dead and gone?"

"The Lord in heaven forbid!" exclaimed Miss Cynthia, throwing up her hands. "A child of fifteen years old, if she is a woman to look at!"

"It's too bad,—it's too bad to think of, Miss Cynthy; and there's that poor woman dyin' by inches, and Miss Bathsheby settin' with her day and night, she has n't got a bit of her father in her, it's all her mother,—and that man, instead of bein' with her to comfort her as any man ought to be with his wife, in sickness and in health, that's what he promised. I 'm sure when my poor husband was sick.... To think of that man goin' about to talk religion to all the prettiest girls he can find in the parish, and his wife at home like to leave him so soon,—it's a shame,—so it is, come now! Miss Cynthy, there's one of the best men and one of the learnedest men that ever lived that's a real friend of Myrtle Hazard, and a better friend to her than she knows of,—for ever sence he brought her home, he feels jest like a father to her,—and that man is Mr. Gridley, that lives in this house. It's him I 'll speak to about the minister's carry'in's on. He knows about his talking sweet to our Susan, and he'll put things to rights! He's a master hand when he does once take hold of anything, I tell you that! Jest get him to shet up them books of his, and take hold of anybody's troubles, and you'll see how he 'll straighten 'em out."

There was a pattering of little feet on the stairs, and the two small twins, "Sossy" and "Minthy," in the home dialect, came hand in hand into the room, Miss Susan leaving them at the threshold, not wishing to interrupt the two ladies, and being much interested also in listening to Mr. Gifted Hopkins, who was reading some of his last poems to her, with great delight to both of them.

The good woman rose to take them from Susan, and guide their uncertain steps. "My babies, I call 'em, Miss Cynthy. Ain't they nice children? Come to go to bed, little dears? Only a few minutes, Miss Cynthy."

She took them into the bedroom on the same floor, where they slept, and, leaving the door open, began undressing them. Cynthia turned her rocking-chair round so as to face the open door. She looked on while the little creatures were being undressed; she heard the few words they lisped as their infant prayer, she saw them laid in their beds, and heard their pretty good-night.

A lone woman to whom all the sweet cares of maternity have been denied cannot look upon a sight like this without feeling the void in her own heart where a mother's affection should have nestled. Cynthia sat perfectly still, without rocking, and watched kind Mrs. Hopkins at her quasi parental task. A tear stole down her rigid face as she saw the rounded limbs of the children bared in their white beauty, and their little heads laid on the pillow. They were sleeping quietly when Mrs. Hopkins left the room for a moment on some errand of her own. Cynthia rose softly from her chair, stole swiftly to the bedside, and printed a long, burning kiss on each of their foreheads.

When Mrs. Hopkins came back, she found the maiden lady sitting in her place just as she left her, but rocking in her chair and sobbing as one in sudden pangs of grief.

"It is a great trouble, Miss Cynthy," she said,—"a great trouble to have such a child as Myrtle to think of and to care for. If she was like our Susan Posey, now!—but we must do the best we can; and if Mr. Gridley once sets himself to it, you may depend upon it he 'll make it all come right. I wouldn't take on about it if I was you. You let me speak to our Mr. Gridley. We all have our troubles. It is n't everybody that can ride to heaven in a C-spring shay, as my poor husband used to say; and life 's a road that 's got a good many thank-you-ma'ams to go bumpin' over, says he."

Miss Badlam acquiesced in the philosophical reflections of the late Mr. Ammi Hopkins, and left it to his widow to carry out her own suggestion in reference to consulting Master Gridley. The good woman took the first opportunity she had to introduce the matter, a little diffusely, as is often the way of widows who keep boarders.

"There's something going on I don't like, Mr. Gridley. They tell me that Minister Stoker is following round after Myrtle Hazard, talking religion at her jest about the same way he'd have liked to with our Susan, I calculate. If he wants to talk religion to me or Silence Withers,—well, no, I don't feel sure about Silence,—she ain't as young as she used to be, but then ag'in she ain't so fur gone as some, and she's got money,—but if he wants to talk religion with me, he may come and welcome. But as for Myrtle Hazard, she's been sick, and it's left her a little flighty by what they say, and to have a minister round her all the time ravin' about the next world as if he had a latch-key to the front door of it, is no way to make her come to herself again. I 've seen more than one young girl sent off to the asylum by that sort of work, when, if I'd only had 'em, I'd have made 'em sweep the stairs, and mix the puddin's, and tend the babies, and milk the cow, and keep 'em too busy all day to be thinkin' about themselves, and have 'em dress up nice evenin's and see some young folks and have a good time, and go to meetin' Sundays, and then have done with the minister, unless it was old Father Pemberton. He knows forty times as much about heaven as that Stoker man does, or ever 's like to,—why don't they run after him, I should like to know? Ministers are men, come now; and I don't want to say anything against women, Mr. Gridley, but women are women, that's the fact of it, and half of 'em are hystericky when they're young; and I've heard old Dr. Hurlbut say many a time that he had to lay in an extra stock of valerian and assafaetida whenever there was a young minister round,—for there's plenty of religious ravin', says he, that's nothin' but hysterics."

[Mr. Fronde thinks that was the trouble with Bloody Queen Mary, but the old physician did not get the idea from him.]

"Well, and what do you propose to do about the Rev. Joseph Bellamy Stoker and his young proselyte, Miss Myrtle Hazard?" said Mr. Gridley, when Mrs. Hopkins at last gave him a chance to speak.

"Mr. Gridley,"—Mrs. Hopkins looked full upon him as she spoke,—"people used to say that you was a good man and a great man and one of the learnedest men alive, but that you didn't know much nor care for much except books. I know you used to live pretty much to yourself when you first came to board in this house. But you've been very good to my son; ...and if Gifted lives till you ...till you are in ...your grave, ...he will write a poem—I know he will—that will tell your goodness to babes unborn."

[Here Master Gridley groaned, and repeated to himself silently,

"Scindentur vestes gemmae frangentur et aurum, Carmina quam tribuent fama perennis erit."

All this inwardly, and without interrupting the worthy woman's talk.]

"And if ever Gifted makes a book,—don't say anything about it, Mr. Gridley, for goodness' sake, for he wouldn't have anybody know it, only I can't help thinking that some time or other he will print a book,—and if he does, I know whose name he'll put at the head of it,—'Dedicated to B. G., with the gratitude and respect—' There, now, I had n't any business to say a word about it, and it's only jest in case he does, you know. I'm sure you deserve it all. You've helped him with the best of advice. And you've been kind to me when I was in trouble. And you've been like a grandfather" [Master Gridley winced,—why could n't the woman have said father?—that grand struck his ear like a spade going into the gravel] "to those babes, poor little souls! left on my door-step like a couple of breakfast rolls,—only you know it's the baker left then. I believe in you, Mr. Gridley, as I believe in my Maker and in Father Pemberton,—but, poor man, he's old, and you won't be old these twenty years yet."

[Master Gridley shook his head as if to say that was n't so, but felt comforted and refreshed.]

"You've got to help Myrtle Hazard again. You brought her home when she come so nigh drowning. You got the old doctor to go and see her when she come so nigh being bewitched with the magnetism and nonsense, whatever they call it, and the young doctor was so nigh bein' crazy, too. I know, for Nurse Byloe told me all about it. And now Myrtle's gettin' run away with by that pesky Minister Stoker. Cynthy Badlam was here yesterday crying and sobbing as if her heart would break about it. For my part, I did n't think Cynthy cared so much for the girl as all that, but I saw her takin' on dreadfully with my own eyes. That man's like a hen-hawk among the chickens, first he picks up one, and then he picks up another. I should like to know if nobody but young folks has souls to be saved, and specially young women!"

"Tell me all you know about Myrtle Hazard and Joseph Bellamy Stoker," said Master Gridley.

Thereupon that good lady related all that Miss Badlam had imparted to her, of which the reader knows the worst, being the interview of which the keen spinster had been a witness, having followed them for the express purpose of knowing, in her own phrase, what the minister was up to.

It is not to be supposed that Myrtle had forgotten the discreet kindness of Master Gridley in bringing her back and making the best of her adventure. He, on his part, had acquired a kind of right to consider himself her adviser, and had begun to take a pleasure in the thought that he, the worn-out and useless old pedant, as he had been in the way of considering himself, might perhaps do something even more important than his previous achievement to save this young girl from the dangers that surrounded her. He loved his classics and his old books; he took an interest, too, in the newspapers and periodicals that brought the fermenting thought and the electric life of the great world into his lonely study; but these things just about him were getting strong hold on him, and most of all the fortunes of this beautiful young woman. How strange! For a whole generation he had lived in no nearer relation to his fellow-creatures than that of a half-fossilized teacher; and all at once he found himself face to face with the very most intense form of life, the counsellor of threatened innocence, the champion of imperilled loveliness. What business was it of his? growled the lower nature, of which he had said in "Thoughts on the Universe,"—"Every man leads or is led by something that goes on four legs."

Then he remembered the grand line of the African freedman, that makes all human interests everybody's business, and had a sudden sense of dilatation and evolution, as it were, in all his dimensions, as if he were a head taller, and a foot bigger round the chest, and took in an extra gallon of air at every breath, Then—you who have written a book that holds your heart-leaves between its pages will understand the movement—he took down "Thoughts on the Universe" for a refreshing draught from his own wellspring. He opened as chance ordered it, and his eyes fell on the following passage:

"The true American formula was well phrased by the late Samuel Patch, the Western Empedocles, 'Some things can be done as well as others.' A homely utterance, but it has virtue to overthrow all dynasties and hierarchies. These were all built up on the Old-World dogma that some things can NOT be done as well as others."

"There, now!" he said, talking to himself in his usual way, "is n't that good? It always seems to me that I find something to the point when I open that book. 'Some things can be done as well as others,' can they? Suppose I should try what I can do by visiting Miss Myrtle Hazard? I think I may say I am old and incombustible enough to be trusted. She does not seem to be a safe neighbor to very inflammable bodies?"

Myrtle was sitting in the room long known as the Study, or the Library, when Master Byles Gridley called at The Poplars to see her. Miss Cynthia, who received him, led him to this apartment and left him alone with Myrtle. She welcomed him very cordially, but colored as she did so,—his visit was a surprise. She was at work on a piece of embroidery. Her first instinctive movement was to thrust it out of sight with the thought of concealment; but she checked this, and before the blush of detection had reached her cheek, the blush of ingenuous shame for her weakness had caught and passed it, and was in full possession. She sat with her worsted pattern held bravely in sight, and her cheek as bright as its liveliest crimson.

"Miss Cynthia has let me in upon you," he said, "or I should not have ventured to disturb you in this way. A work of art, is it, Miss Myrtle Hazard?"

"Only a pair of slippers, Mr. Gridley,—for my pastor."

"Oh! oh! That is well. A good old man. I have a great regard for the Rev. Eliphalet Pemberton. I wish all ministers were as good and simple and pure-hearted as the Rev. Eliphalet Pemberton. And I wish all the young people thought as much about their elders as you do, Miss Myrtle Hazard. We that are old love little acts of kindness. You gave me more pleasure than you knew of, my dear, when you worked that handsome cushion for me. The old minister will be greatly pleased,—poor old man!"

"But, Mr. Gridley, I must not let you think these are for Father Pemberton. They are for—Mr. Stoker."

"The Rev. Joseph Bellamy Stoker! He is not an old man, the Rev. Joseph Bellamy Stoker. He may perhaps be a widower before a great while.—Does he know that you are working those slippers for him?"

"Dear me! no, Mr. Gridley. I meant them for a surprise to him. He has been so kind to me, and understands me so much better than I thought anybody did. He is so different from what I thought; he makes religion so perfectly simple, it seems as if everybody would agree with him, if they could only hear him talk."

"Greatly interested in the souls of his people, is n't he?"

"Too much, almost, I am afraid. He says he has been too hard in his sermons sometimes, but it was for fear he should not impress his hearers enough."

"Don't you think he worries himself about the souls of young women rather more than for those of old ones, Myrtle?"

There was something in the tone of this question that helped its slightly sarcastic expression. Myrtle's jealousy for her minister's sincerity was roused.

"How can you ask that, Mr. Gridley? I am sure I wish you or anybody could have heard him talk as I have. There is no age in souls, he says; and I am sure that it would do anybody good to hear him, old or young."

"No age in souls,—no age in souls. Souls of forty as young as souls of fifteen; that 's it." Master Gridley did not say this loud. But he did speak as follows: "I am glad to hear what you say of the Rev. Joseph Bellamy Stoker's love of being useful to people of all ages. You have had comfort in his companionship, and there are others who might be very glad to profit by it. I know a very excellent person who has had trials, and is greatly interested in religious conversation. Do you think he would be willing to let this friend of mine share in the privileges of spiritual intercourse which you enjoy?"

There was but one answer possible. Of course he would.

"I hope it is so, my dear young lady. But listen to me one moment. I love you, my dear child, do you know, as if I were your own—grandfather." (There was moral heroism in that word.) "I love you as if you were of my own blood; and so long as you trust me, and suffer me, I mean to keep watch against all dangers that threaten you in mind, body, or estate. You may wonder at me, you may sometimes doubt me; but until you say you distrust me, when any trouble comes near you, you will find me there. Now, my dear child, you ought to know that the Rev. Joseph Bellamy Stoker has the reputation of being too fond of prosecuting religious inquiries with young and handsome women."

Myrtle's eyes fell,—a new suspicion seemed to have suggested itself.

"He wanted to get up a spiritual intimacy with our Susan Posey,—a very pretty girl, as you know."

Myrtle tossed her head almost imperceptibly, and bit her lip.

"I suppose there are a dozen young people that have been talked about with him. He preaches cruel sermons in his pulpit, cruel as death, and cold-blooded enough to freeze any mother's blood if nature did not tell her he lied, and then smooths it all over with the first good-looking young woman he can get to listen to him."

Myrtle had dropped the slipper she was working on.

"Tell me, my dear, would you be willing to give up meeting this man alone, and gratify my friend, and avoid all occasion of reproach?"

"Of course I would," said Myrtle, her eyes flashing, for her doubts, her shame, her pride, were all excited. "Who is your friend, Mr. Gridley?"

"An excellent woman,—Mrs. Hopkins. You know her, Gifted Hopkins's mother, with whom I am residing. Shall the minister be given to understand that you will see him hereafter in her company?"

Myrtle came pretty near a turn of her old nervous perturbations. "As you say," she answered. "Is there nobody that I can trust, or is everybody hunting me like a bird?" She hid her face in her hands.

"You can trust me, my dear," said Byles Gridley. "Take your needle, my child, and work at your pattern,—it will come out a rose by and by. Life is like that, Myrtle, one stitch at a time, taken patiently, and the pattern will come out all right like the embroidery. You can trust me. Good-by, my dear."

"Let her finish the slippers," the old man said to himself as he trudged home, "and make 'em big enough for Father Pemberton. He shall have his feet in 'em yet, or my name is n't Byles Gridley!"



CHAPTER XV.

ARRIVAL OF REINFORCEMENTS.

Myrtle Hazard waited until the steps of Master Byles Gridley had ceased to be heard, as he walked in his emphatic way through the long entry of the old mansion. Then she went to her little chamber and sat down in a sort of revery. She could not doubt his sincerity, and there was something in her own consciousness which responded to the suspicions he had expressed with regard to the questionable impulses of the Rev. Joseph Bellamy Stoker.

It is not in the words that others say to us, but in those other words which these make us say to ourselves, that we find our gravest lessons and our sharpest rebukes. The hint another gives us finds whole trains of thought which have been getting themselves ready to be shaped in inwardly articulated words, and only awaited the touch of a burning syllable, as the mottoes of a pyrotechnist only wait for a spark to become letters of fire.

The artist who takes your photograph must carry you with him into his "developing" room, and he will give you a more exact illustration of the truth just mentioned. There is nothing to be seen on the glass just taken from the camera. But there is a potential, though invisible, picture hid in the creamy film which covers it. Watch him as he pours a wash over it, and you will see that miracle wrought which is at once a surprise and a charm,—the sudden appearance of your own features where a moment before was a blank without a vestige of intelligence or beauty.

In some such way the grave warnings of Master Byles Gridley had called up a fully shaped, but hitherto unworded, train of thought in the consciousness of Myrtle Hazard. It was not merely their significance, it was mainly because they were spoken at the fitting time. If they had been uttered a few weeks earlier, when Myrtle was taking the first stitch on the embroidered slippers, they would have been as useless as the artist's developing solution on a plate which had never been exposed in the camera. But she had been of late in training for her lesson in ways that neither she nor anybody else dreamed of. The reader who has shrugged his (or her) shoulders over the last illustration will perhaps hear this one which follows more cheerfully. The physician in the Arabian Nights made his patient play at ball with a bat, the hollow handle of which contained drugs of marvellous efficacy. Whether it was the drugs that made the sick man get well, or the exercise, is not of so much consequence as the fact that he did at any rate get well.

These walks which Myrtle had taken with her reverend counsellor had given her a new taste for the open air, which was what she needed just now more than confessions of faith or spiritual paroxysms. And so it happened that, while he had been stimulating all those imaginative and emotional elements of her nature which responded to the keys he loved to play upon, the restoring influences of the sweet autumnal air, the mellow sunshine, the soothing aspects of the woods and fields and sky, had been quietly doing their work. The color was fast returning to her cheek, and the discords of her feelings and her thoughts gradually resolving themselves into the harmonious and cheerful rhythms of bodily and mental health. It needed but the timely word from the fitting lips to change the whole programme of her daily mode of being. The word had been spoken. She saw its truth; but how hard it is to tear away a cherished illusion, to cast out an unworthy intimate! How hard for any!—but for a girl so young, and who had as yet found so little to love and trust, how cruelly hard!

She sat, still and stony, like an Egyptian statue. Her eyes were fixed on a vacant chair opposite the one on which she was sitting. It was a very singular and fantastic old chair, said to have been brought over by the first emigrant of her race. The legs and arms were curiously turned in spirals, the suggestions of which were half pleasing and half repulsive. Instead of the claw-feet common in furniture of a later date, each of its legs rested on a misshapen reptile, which it seemed to flatten by its weight, as if it were squeezing the breath out of the ugly creature. Over this chair hung the portrait of her beautiful ancestress, her neck and arms, the specialty of her beauty, bare, except for a bracelet on the left wrist, and her shapely figure set off by the ample folds of a rich crimson brocade. Over Myrtle's bed hung that other portrait, which was to her almost as the pictures of the Mater Dolorosa to trustful souls of the Roman faith. She had longed for these pictures while she was in her strange hysteric condition, and they had been hung up in her chamber.

The night was far gone, as she knew by the declining of the constellations which she bad seen shining brightly almost overhead in the early evening, when she awoke, and found herself still sitting in the very attitude in which she was sitting hours before. Her lamp had burned out, and the starlight but dimly illuminated her chamber. She started to find herself sitting there, chilled and stiffened by long remaining in one posture; and as her consciousness returned, a great fear seized her, and she sprang for a match. It broke with the quick movement she made to kindle it, and she snatched another as if a fiend were after her. It flashed and went out. Oh the terror, the terror! The darkness seemed alive with fearful presences. The lurid glare of her own eyeballs flashed backwards into her brain. She tried one more match; it kindled as it should, and she lighted another lamp. Her first impulse was to assure herself that nothing was changed in the familiar objects around her. She held the lamp up to the picture of Judith Pride. The beauty looked at her, it seemed as if with a kind of lofty recognition in her eyes; but there she was, as always. She turned the light upon the pale face of the martyr-portrait. It looked troubled and faded, as it seemed to Myrtle, but still it was the same face she remembered from her childhood. Then she threw the light on the old chair, and, shuddering, caught up a shawl and flung it over the spiral-wound arms and legs, and the flattened reptiles on which it stood.

In those dead hours of the night which had passed over her sitting there, still and stony, as it should seem, she had had strange visitors. Two women had been with her, as real as any that breathed the breath of life,—so it appeared to her,—yet both had long been what is called, in our poor language, dead. One came in all the glory of her ripened beauty, bare-necked, bare-armed, full dressed by nature in that splendid animal equipment which in its day had captivated the eyes of all the lusty lovers of complete muliebrity. The other,—how delicate, how translucent, how aerial she seemed! yet real and true to the lineaments of her whom the young girl looked upon as her hereditary protector.

The beautiful woman turned, and, with a face full of loathing and scorn, pointed to one of the reptiles beneath the feet of the chair. And while Myrtle's eyes followed hers, the flattened and half-crushed creature seemed to swell and spread like his relative in the old fable, like the black dog in Faust, until he became of tenfold size, and at last of colossal proportions. And, fearful to relate, the batrachian features humanized themselves as the monster grew, and, shaping themselves more and more into a remembered similitude, Myrtle saw in them a hideous likeness of—No! no! it was too horrible, was that the face which had been so close to hers but yesterday? were those the lips, the breath from which had stirred her growing curls as he leaned over her while they read together some passionate stanza from a hymn that was as much like a love-song as it dared to be in godly company? A shadow of disgust—the natural repugnance of loveliness for deformity-ran all through her, and she shrieked, as she thought, and threw herself at the feet of that other figure. She felt herself lifted from the floor, and then a cold thin hand seemed to take hers. The warm life went out of her, and she was to herself as a dimly conscious shadow that glided with passive acquiescence wherever it was led. Presently she found herself in a half-lighted apartment, where there were books on the shelves around, and a desk with loose manuscripts lying on it, and a little mirror with a worn bit of carpet before it. And while she looked, a great serpent writhed in through the half-open door, and made the circuit of the room, laying one huge ring all round it, and then, going round again, laid another ring over the first, and so on until he was wound all round the room like the spiral of a mighty cable, leaving a hollow in the centre; and then the serpent seemed to arch his neck in the air, and bring his head close down to Myrtle's face; and the features were not those of a serpent, but of a man, and it hissed out the words she had read that very day in a little note which said, "Come to my study to-morrow, and we will read hymns together."

Again she was back in her little chamber, she did not know how, and the two women were looking into her eyes with strange meaning in their own. Something in them seemed to plead with her to yield to their influence, and her choice wavered which of them to follow, for each would have led her her own way,—whither she knew not. It was the strife of her "Vision," only in another form,—the contest of two lives her blood inherited for the mastery of her soul. The might of beauty conquered. Myrtle resigned herself to the guidance of the lovely phantom, which seemed so much fuller of the unextinguished fire of life, and so like herself as she would grow to be when noon should have ripened her into maturity.

Doors opened softly before them; they climbed stairs, and threaded corridors, and penetrated crypts, strange yet familiar to her eyes, which seemed to her as if they could see, as it were, in darkness. Then came a confused sense of eager search for something that she knew was hidden, whether in the cleft of a rock, or under the boards of a floor, or in some hiding-place among the skeleton rafters, or in a forgotten drawer, or in a heap of rubbish, she could not tell; but somewhere there was something which she was to find, and which, once found, was to be her talisman. She was in the midst of this eager search when she awoke.

The impression was left so strongly on her mind that with all her fears she could not resist the desire to make an effort to find what meaning there was in this frightfully real dream. Her courage came back as her senses assured her that all around her was natural, as when she left it. She determined to follow the lead of the strange hint her nightmare had given her.

In one of the upper chambers of the old mansion there stood a tall, upright desk of the ancient pattern, with folding doors above and large drawers below. "That desk is yours, Myrtle," her uncle Malachi had once said to her; "and there is a trick or two about it that it will pay you to study." Many a time Myrtle had puzzled herself about the mystery of the old desk. All the little drawers, of which there were a considerable number, she had pulled out, and every crevice, as she thought, she had carefully examined. She determined to make one more trial. It was the dead of the night, and this was a fearful old place to be wandering about; but she was possessed with an urgent feeling which would not let her wait until daylight.

She stole like a ghost from her chamber. She glided along the narrow entries as she had seemed to move in her dream. She opened the folding doors of the great upright desk. She had always before examined it by daylight, and though she had so often pulled all the little drawers out, she had never thoroughly explored the recesses which received them. But in her new-born passion of search, she held her light so as to illuminate all these deeper spaces. At once she thought she saw the marks of pressure with a finger. She pressed her own finger on this place, and, as it yielded with a slight click, a small mahogany pilaster sprang forward, revealing its well-kept secret that it was the mask of a tall, deep, very narrow drawer. There was something heavy in it, and, as Myrtle turned it over, a golden bracelet fell into her hand. She recognized it at once as that which had been long ago the ornament of the fair woman whose portrait hung in her chamber. She clasped it upon her wrist, and from that moment she felt as if she were the captive of the lovely phantom who had been with her in her dream.

"The old man walked last night, God save us!" said Kitty Fagan to Biddy Finnegan, the day after Myrtle's nightmare and her curious discovery.



CHAPTER XVI.

VICTORY.

It seems probable enough that Myrtle's whole spiritual adventure was an unconscious dramatization of a few simple facts which her imagination tangled together into a kind of vital coherence. The philosopher who goes to the bottom of things will remark that all the elements of her fantastic melodrama had been furnished her while waking. Master Byles Gridley's penetrating and stinging caution was the text, and the grotesque carvings and the portraits furnished the "properties" with which her own mind had wrought up this scenic show.

The philosopher who goes to the bottom of things might not find it so easy to account for the change which came over Myrtle Hazard from the hour when she clasped the bracelet of Judith Pride upon her wrist. She felt a sudden loathing of the man whom she had idealized as a saint. A young girl's caprice? Possibly. A return of the natural instincts of girlhood with returning health? Perhaps so. An impression produced by her dream? An effect of an influx from another sphere of being? The working of Master Byles Gridley's emphatic warning? The magic of her new talisman?

We may safely leave these questions for the present. As we have to tell, not what Myrtle Hazard ought to have done, and why she should have done it, but what she did do, our task is a simpler one than it would be to lay bare all the springs of her action. Until this period, she had hardly thought of herself as a born beauty. The flatteries she had received from time to time were like the chips and splinters under the green wood, when the chill women pretended to make a fire in the best parlor at The Poplars, which had a way of burning themselves out, hardly warming, much less kindling, the fore-stick and the back-log.

Myrtle had a tinge of what some call superstition, and she began to look upon her strange acquisition as a kind of amulet. Its suggestions betrayed themselves in one of her first movements. Nothing could be soberer than the cut of the dresses which the propriety of the severe household had established as the rule of her costume. But the girl was no sooner out of bed than a passion came over her to see herself in that less jealous arrangement of drapery which the Beauty of the last century had insisted on as presenting her most fittingly to the artist. She rolled up the sleeves of her dress, she turned down its prim collar and neck, and glanced from her glass to the portrait, from the portrait back to the glass. Myrtle was not blind nor dull, though young, and in many things untaught. She did not say in so many words, "I too am a beauty," but she could mot help seeing that she had many of the attractions of feature and form which had made the original of the picture before her famous. The same stately carriage of the head, the same full-rounded neck, the same more than hinted outlines of figure, the same finely shaped arms and hands, and something very like the same features startled her by their identity in the permanent image of the canvas and the fleeting one of the mirror.

The world was hers then,—for she had not read romances and love-letters without finding that beauty governs it in all times and places. Who was this middle-aged minister that had been hanging round her and talking to her about heaven, when there was not a single joy of earth that she had as yet tasted? A man that had been saying all his fine things to Miss Susan Posey, too, had he, before he had bestowed his attentions on her? And to a dozen other girls, too, nobody knows who!

The revulsion was a very sadden one. Such changes of feeling are apt to be sudden in young people whose nerves have been tampered with, and Myrtle was not of a temperament or an age to act with much deliberation where a pique came in to the aid of a resolve. Master Gridley guessed sagaciously what would be the effect of his revelation, when he told her of the particular attentions the minister had paid to pretty Susan Posey and various other young women.

The Rev. Mr. Stoker had parted his hair wonderfully that morning, and made himself as captivating as his professional costume allowed. He had drawn down the shades of his windows so as to let in that subdued light which is merciful to crow's-feet and similar embellishments, and wheeled up his sofa so that two could sit at the table and read from the same book.

At eleven o'clock he was pacing the room with a certain feverish impatience, casting a glance now and then at the mirror as he passed it. At last the bell rang, and he himself went to answer it, his heart throbbing with expectation of meeting his lovely visitor.

Myrtle Hazard appeared by an envoy extraordinary, the bearer of sealed despatches. Mistress Kitty Fagan was the young lady's substitute, and she delivered into the hand of the astonished clergyman the following missive:

TO THE REV. MR. STOKER.

Reverend Sir,—I shall not come to your study this day. I do not feel that I have any more need of religious counsel at this time, and I am told by a friend that there are others who will be glad to hear you talk on this subject. I hear that Mrs. Hopkins is interested in religious subjects, and would have been glad to see you in my company. As I cannot go with her, perhaps Miss Susan Posey will take my place. I thank you for all the good things you have said to me, and that you have given me so much of your company. I hope we shall sing hymns together in heaven some time, if we are good enough, but I want to wait for that awhile, for I do not feel quite ready. I am not going to see you any more alone, reverend sir. I think this is best, and I have good advice. I want to see more of young people of my own age, and I have a friend, Mr. Gridley, who I think is older than you are, that takes an interest in me; and as you have many others that you must be interested in, he can take the place of a father better than you can do. I return to you the hymn-book, I read one of those you marked, and do not care to read any more.

Respectfully yours,

MYRTLE HAZARD.

The Rev. Mr. Stoker uttered a cry of rage as he finished this awkwardly written, but tolerably intelligible letter. What could he do about it? It would hardly do to stab Myrtle Hazard, and shoot Byles Gridley, and strangle Mrs. Hopkins, every one of which homicides he felt at the moment that he could have committed. And here he was in a frantic paroxysm, and the next day was Sunday, and his morning's discourse was unwritten. His savage mediaeval theology came to his relief, and he clutched out of a heap of yellow manuscripts his well-worn "convulsion-fit" sermon. He preached it the next day as if it did his heart good, but Myrtle Hazard did not hear it, for she had gone to St. Bartholomew's with Olive Eveleth.



CHAPTER XVII.

SAINT AND SINNER

It happened a little after this time that the minister's invalid wife improved—somewhat unexpectedly in health, and, as Bathsheba was beginning to suffer from imprisonment in her sick-chamber, the physician advised very strongly that she should vary the monotony of her life by going out of the house daily for fresh air and cheerful companionship. She was therefore frequently at the house of Olive Eveleth; and as Myrtle wanted to see young people, and had her own way now as never before, the three girls often met at the parsonage. Thus they became more and more intimate, and grew more and more into each other's affections.

These girls presented three types of spiritual character which are to be found in all our towns and villages. Olive had been carefully trained, and at the proper age confirmed. Bathsheba had been prayed for, and in due time startled and converted. Myrtle was a simple daughter of Eve, with many impulses like those of the other two girls, and some that required more watching. She was not so safe, perhaps, as either of the other girls, for this world or the next; but she was on some accounts more interesting, as being a more genuine representative of that inexperienced and too easily deluded, yet always cherished, mother of our race, whom we must after all accept as embodying the creative idea of woman, and who might have been alive and happy now (though at a great age) but for a single fatal error.

The Rev. Ambrose Eveleth, Rector of Saint Bartholomew's, Olive's father, was one of a class numerous in the Anglican Church, a cultivated man, with pure tastes, with simple habits, a good reader, a neat writer, a safe thinker, with a snug and well-fenced mental pasturage, which his sermons kept cropped moderately close without any exhausting demand upon the soil. Olive had grown insensibly into her religious maturity, as into her bodily and intellectual developments, which one might suppose was the natural order of things in a well-regulated Christian—household, where the children are brought up in the nurture and admonition of the Lord.

Bathsheba had been worried over and perplexed and depressed with vague apprehensions about her condition, conveyed in mysterious phrases and graveyard expressions of countenance, until about the age of fourteen years, when she had one of those emotional paroxysms very commonly considered in some Protestant sects as essential to the formation of religious character. It began with a shivering sense of enormous guilt, inherited and practised from her earliest infancy. Just as every breath she ever drew had been malignantly poisoning the air with carbonic acid, so her every thought and feeling had been tainting the universe with sin. This spiritual chill or rigor had in due order been followed by the fever-flush of hope, and that in its turn had ushered in the last stage, the free opening of all the spiritual pores in the peaceful relaxation of self-surrender.

Good Christians are made by many very different processes. Bathsheba had taken her religion after the fashion of her sect; but it was genuine, in spite of the cavils of the formalists, who could not understand that the spirit which kept her at her mother's bedside was the same as that which poured the tears of Mary of Magdala on the feet of her Lord, and led her forth at early dawn with the other Mary to visit his sepulchre.

Myrtle was a child of nature, and of course, according to the out-worn formulae which still shame the distorted religion of humanity, hateful to the Father in Heaven who made her. She had grown up in antagonism with all that surrounded her. She had been talked to about her corrupt nature and her sinful heart, until the words had become an offence and an insult. Bathsheba knew her father's fondness for young company too well to suppose that his intercourse with Myrtle had gone beyond the sentimental and poetical stage, and was not displeased when she found that there was some breach between them. Myrtle herself did not profess to have passed through the technical stages of the customary spiritual paroxysm. Still, the gentle daughter of the terrible preacher loved her and judged her kindly. She was modest enough to think that perhaps the natural state of some girls might be at least as good as her own after the spiritual change of which she had been the subject. A manifest heresy, but not new, nor unamiable, nor inexplicable.

The excellent Bishop Joseph Hall, a painful preacher and solid divine of Puritan tendencies, declares that he prefers good-nature before grace in the election of a wife; because, saith he, "it will be a hard Task, where the Nature is peevish and froward, for Grace to make an entire Conquest whilst Life lasteth." An opinion apparently entertained by many modern ecclesiastics, and one which may be considered very encouraging to those young ladies of the politer circles who have a fancy for marrying bishops and other fashionable clergymen. Not of course that "grace" is so rare a gift among the young ladies of the upper social sphere; but they are in the habit of using the word with a somewhat different meaning from that which the good Bishop attached to it.



CHAPTER XVIII.

VILLAGE POET.

It was impossible for Myrtle to be frequently at Olive's without often meeting Olive's brother, and her reappearance with the bloom on her cheek was a signal which her other admirers were not likely to overlook as a hint to recommence their flattering demonstrations; and so it was that she found herself all at once the centre of attraction to three young men with whom we have made some acquaintance, namely, Cyprian Eveleth, Gifted Hopkins, and Murray Bradshaw.

When the three girls were together at the house of Olive, it gave Cyprian a chance to see something of Myrtle in the most natural way. Indeed, they all became used to meeting him in a brotherly sort of relation; only, as he was not the brother of two of them, it gave him the inside track, as the sporting men say, with reference to any rivals for the good-will of either of these. Of course neither Bathsheba nor Myrtle thought of him in any other light than as Olive's brother, and would have been surprised with the manifestation on his part of any other feeling, if it existed. So he became very nearly as intimate with them as Olive was, and hardly thought of his intimacy as anything more than friendship, until one day Myrtle sang some hymns so sweetly that Cyprian dreamed about her that night; and what young person does not know that the woman or the man once idealized and glorified in the exalted state of the imagination belonging to sleep becomes dangerous to the sensibilities in the waking hours that follow? Yet something drew Cyprian to the gentler and more subdued nature of Bathsheba, so that he often thought, like a gayer personage than himself, whose divided affections are famous in song, that he could have been blessed to share her faithful heart, if Myrtle had not bewitched him with her unconscious and innocent sorceries. As for poor, modest Bathsheba, she thought nothing of herself, but was almost as much fascinated by Myrtle as if she had been one of the sex she was born to make in love with her.

The first rival Cyprian was to encounter in his admiration of Myrtle Hazard was Mr. Gifted Hopkins. This young gentleman had the enormous advantage of that all-subduing accomplishment, the poetical endowment. No woman, it is pretty generally understood, can resist the youth or man who addresses her in verse. The thought that she is the object of a poet's love is one which fills a woman's ambition more completely than all that wealth or office or social eminence can offer. Do the young millionnaires and the members of the General Court get letters from unknown ladies, every day, asking for their autographs and photographs? Well, then!

Mr. Gifted Hopkins, being a poet, felt that it was so, to the very depth of his soul. Could he not confer that immortality so dear to the human heart? Not quite yet, perhaps,—though the "Banner and Oracle" gave him already "an elevated niche in the Temple of Fame," to quote its own words,—but in that glorious summer of his genius, of which these spring blossoms were the promise. It was a most formidable battery, then, which Cyprian's first rival opened upon the fortress of Myrtle's affections.

His second rival, Mr. William Murray Bradshaw, had made a half-playful bet with his fair relative, Mrs. Clymer Ketchum, that he would bag a girl within twelve months of date who should unite three desirable qualities, specified in the bet, in a higher degree than any one of the five who were on the matrimonial programme which she had laid out for him,—and Myrtle was the girl with whom he meant to win the bet. When a young fellow like him, cool and clever, makes up his mind to bring down his bird, it is no joke, but a very serious and a tolerably certain piece of business. Not being made a fool of by any boyish nonsense,—passion and all that,—he has a great advantage. Many a woman rejects a man because he is in love with her, and accepts another because he is not. The first is thinking too much of himself and his emotions,—the other makes a study of her and her friends, and learns what ropes to pull. But then it must be remembered that Murray Bradshaw had a poet for his rival, to say nothing of the brother of a bosom friend.

The qualities of a young poet are so exceptional, and such interesting objects of study, that a narrative like this can well afford to linger awhile in the delineation of this most envied of all the forms of genius. And by contrasting the powers and limitations of two such young persons as Gifted Hopkins and Cyprian Eveleth, we may better appreciate the nature of that divine inspiration which gives to poetry the superiority it claims over every other form of human expression.

Gifted Hopkins had shown an ear for rhythm, and for the simpler forms of music, from his earliest childhood. He began beating with his heels the accents of the psalm tunes sung at meeting at a very tender age,—a habit, indeed, of which he had afterwards to correct himself, as, though it shows a sensibility to rhythmical impulses like that which is beautifully illustrated when a circle join hands and emphasize by vigorous downward movements the leading syllables in the tune of Auld Lang Syne, yet it is apt to be too expressive when a large number of boots join in the performance. He showed a remarkable talent for playing on one of the less complex musical instruments, too limited in compass to satisfy exacting ears, but affording excellent discipline to those who wish to write in the simpler metrical forms,—the same which summons the hero from his repose and stirs his blood in battle.

By the time he was twelve years old he was struck with the pleasing resemblance of certain vocal sounds which, without being the same, yet had a curious relation which made them agree marvellously well in couples; as eyes with skies; as heart with art, also with part and smart; and so of numerous others, twenty or thirty pairs, perhaps, which number he considerably increased as he grew older, until he may have had fifty or more such pairs at his command.

The union of so extensive a catalogue of words which matched each other, and of an ear so nice that it could tell if there were nine or eleven syllables in an heroic line, instead of the legitimate ten, constituted a rare combination of talents in the opinion of those upon whose judgment he relied. He was naturally led to try his powers in the expression of some just thought or natural sentiment in the shape of verse, that wonderful medium of imparting thought and feeling to his fellow-creatures which a bountiful Providence had made his rare and inestimable endowment.

It was at about this period of his life, that is to say, when he was of the age of thirteen, or we may perhaps say fourteen years, for we do not wish to overstate his precocity, that he experienced a sensation so entirely novel, that, to the best of his belief, it was such as no other young person had ever known, at least in anything like the same degree. This extraordinary emotion was brought on by the sight of Myrtle Hazard, with whom he had never before had any near relations, as they had been at different schools, and Myrtle was too reserved to be very generally known among the young people of his age.

Then it was that he broke forth in his virgin effort, "Lines to M——e," which were published in the village paper, and were claimed by all possible girls but the right one; namely, by two Mary Annes, one Minnie, one Mehitable, and one Marthie, as she saw fit to spell the name borrowed from her who was troubled about many things.

The success of these lines, which were in that form of verse known to the hymn-books as "common metre," was such as to convince the youth that, whatever occupation he might be compelled to follow for a time to obtain a livelihood or to assist his worthy parent, his true destiny was the glorious career of a poet. It was a most pleasing circumstance, that his mother, while she fully recognized the propriety of his being diligent in the prosaic line of business to which circumstances had called him, was yet as much convinced as he himself that he was destined to achieve literary fame. She had read Watts and Select Hymns all through, she said, and she did n't see but what Gifted could make the verses come out jest as slick, and the sound of the rhymes jest as pooty, as Izik Watts or the Selectmen, whoever they was,—she was sure they couldn't be the selectmen of this town, wherever they belonged. It is pleasant to say that the young man, though favored by nature with this rarest of talents, did not forget the humbler duties that Heaven, which dresses few singing-birds in the golden plumes of fortune, had laid upon him. After having received a moderate amount of instruction at one of the less ambitious educational institutions of the town, supplemented, it is true, by the judicious and gratuitous hints of Master Gridley, the young poet, in obedience to a feeling which did him the highest credit, relinquished, at least for the time, the Groves of Academus, and offered his youth at the shrine of Plutus, that is, left off studying and took to business. He became what they call a "clerk" in what they call a "store" up in the huckleberry districts, and kept such accounts as were required by the business of the establishment. His principal occupation was, however, to attend to the details of commerce as it was transacted over the counter. This industry enabled him, to his great praise be it spoken, to assist his excellent parent, to clothe himself in a becoming manner, so that he made a really handsome figure on Sundays and was always of presentable aspect, likewise to purchase a book now and then, and to subscribe for that leading periodical which furnishes the best models to the youth of the country in the various modes of composition.

Though Master Gridley was very kind to the young man, he was rather disposed to check the exuberance of his poetical aspirations. The truth was, that the old classical scholar did not care a great deal for modern English poetry. Give him an Ode of Horace, or a scrap from the Greek Anthology, and he would recite it with great inflation of spirits; but he did not think very much of "your Keatses, and your Tennysons, and the whole Hasheesh crazy lot," as he called the dreamily sensuous idealists who belong to the same century that brought in ether and chloroform. He rather shook his head at Gifted Hopkins for indulging so largely in metrical composition.

"Better stick to your ciphering, my young friend," he said to him, one day. "Figures of speech are all very well, in their way; but if you undertake to deal much in them, you'll figure down your prospects into a mighty small sum. There's some danger that it will take all the sense out of you, if you keep writing verses at this rate. You young scribblers think any kind of nonsense will do for the public, if it only has a string of rhymes tacked to it. Cut off the bobs of your kite, Gifted Hopkins, and see if it does n't pitch, and stagger, and come down head-foremost. Don't write any stuff with rhyming tails to it that won't make a decent show for itself after you've chopped all the rhyming tails off. That's my advice, Gifted Hopkins. Is there any book you would like to have out of my library? Have you ever read Spenser's Faery Queen?"

He had tried, the young man answered, on the recommendation of Cyprian Eveleth, but had found it rather hard reading.

Master Gridley lifted his eyebrows very slightly, remembering that some had called Spenser the poet's poet. "What a pity," he said to himself, "that this Gifted Hopkins has n't got the brains of that William Murray Bradshaw! What's the reason, I wonder, that all the little earthen pots blow their covers off and froth over in rhymes at such a great rate, while the big iron pots keep their lids on, and do all their simmering inside?"

That is the way these old pedants will talk, after all their youth and all their poetry, if they ever had any, are gone. The smiles of woman, in the mean time, encouraged the young poet to smite the lyre. Fame beckoned him upward from her templed steep. The rhymes which rose before him unbidden were as the rounds of Jacob's ladder, on which he would climb to a heaven of-glory.

Master Gridley threw cold water on the young man's too sanguine anticipations of success. "All up with the boy, if he's going to take to rhyming when he ought to be doing up papers of brown sugar and weighing out pounds of tea. Poor-house,—that 's what it'll end in. Poets, to be sure! Sausage-makers! Empty skins of old phrases,—stuff 'em with odds and ends of old thoughts that never were good for anything,—cut 'em up in lengths and sell'em to fools!

"And if they ain't big fools enough to buy 'em, give'em away; and if you can't do that, pay folks to take'em. Bah! what a fine style of genius common-sense is! There's a passage in the book that would fit half these addle-headed rhymesters. What is that saying of mine about I squinting brains?"

He took down "Thoughts on the Universe," and read:—

"Of Squinting Brains.

"Where there is one man who squints with his eyes, there are a dozen who squint with their brains. It is an infirmity in one of the eyes, making the two unequal in power, that makes men squint. Just so it is an inequality in the two halves of the brain that makes some men idiots and others rascals. I knows a fellow whose right half is a genius, but his other hemisphere belongs to a fool; and I had a friend perfectly honest on one side, but who was sent to jail because the other had an inveterate tendency in the direction of picking pockets and appropriating aes alienum."

All this, talking and reading to himself in his usual fashion.

The poetical faculty which was so freely developed in Gifted Hopkins had never manifested itself in Cyprian Eveleth, whose look and voice might, to a stranger, have seemed more likely to imply an imaginative nature. Cyprian was dark, slender, sensitive, contemplative, a lover of lonely walks,—one who listened for the whispers of Nature and watched her shadows, and was alive to the symbolisms she writes over everything. But Cyprian had never shown the talent or the inclination for writing in verse.

He was on the pleasantest terms with the young poet, and being somewhat older, and having had the advantage of academic and college culture, often gave him useful hints as to the cultivation of his powers, such as genius frequently requires at the hands of humbler intelligences. Cyprian was incapable of jealousy; and although the name of Gifted Hopkins was getting to be known beyond the immediate neighborhood, and his autograph had been requested by more than one young lady living in another county, he never thought of envying the young poet's spreading popularity.

That the poet himself was flattered by these marks of public favor may be inferred from the growing confidence with which he expressed himself in his conversations with Cyprian, more especially in one which was held at the "store" where he officiated as "clerk."

"I become more and more assured, Cyprian," he said, leaning over the counter, "that I was born to be a poet. I feel it in my marrow. I must succeed. I must win the laurel of fame. I must taste the sweets of"—

"Molasses," said a bareheaded girl of ten who entered at that moment, bearing in her hand a cracked pitcher, "ma wants three gills of molasses."

Gifted Hopkins dropped his subject and took up a tin measure. He served the little maid with a benignity quite charming to witness, made an entry on a slate of .08, and resumed the conversation.

"Yes, I am sure of it, Cyprian. The very last piece I wrote was copied in two papers. It was 'Contemplations in Autumn,' and—don't think I am too vain—one young lady has told me that it reminded her of Pollok. You never wrote in verse, did you, Cyprian?"

"I never wrote at all, Gifted, except school and college exercises, and a letter now and then. Do you find it an easy and pleasant exercise to make rhymes?"

Pleasant! Poetry is to me a delight and a passion. I never know what I am going to write when I sit down. And presently the rhymes begin pounding in my brain,—it seems as if there were a hundred couples of them, paired like so many dancers,—and then these rhymes seem to take possession of me, like a surprise party, and bring in all sorts of beautiful thoughts, and I write and write, and the verses run measuring themselves out like"—

"Ribbins,—any narrer blue ribbins, Mr. Hopkins? Five eighths of a yard, if you please, Mr. Hopkins. How's your folks?" Then, in a lower tone, "Those last verses of yours in the Bannernoracle were sweet pooty."

Gifted Hopkins meted out the five eighths of blue ribbon by the aid of certain brass nails on the counter. He gave good measure, not prodigal, for he was loyal to his employer, but putting a very moderate strain on the ribbon, and letting the thumb-nail slide with a contempt of infinitesimals which betokened a large soul in its genial mood.

The young lady departed, after casting upon him one of those bewitching glances which the young poet—let us rather say the poet, without making odious distinctions—is in the confirmed habit of receiving from dear woman.

Mr. Gifted Hopkins resumed: "I do not know where this talent, as my friends call it, of mine, comes from. My father used to carry a chain for a surveyor sometimes, and there is a ten-foot pole in the house he used to measure land with. I don't see why that should make me a poet. My mother was always fond of Dr. Watts's hymns; but so are other young men's mothers, and yet they don't show poetical genius. But wherever I got it, it comes as easy to me to write in verse as to write in prose, almost. Don't you ever feel a longing to send your thoughts forth in verse, Cyprian?"

"I wish I had a greater facility of expression very often," Cyprian answered; "but when I have my best thoughts I do not find that I have words that seem fitting to clothe them. I have imagined a great many poems, Gifted, but I never wrote a rhyming verse, or verse of any kind. Did you ever hear Olive play 'Songs without Words'? If you have ever heard her, you will know what I mean by unrhymed and unversed poetry."

"I am sure I don't know what you mean, Cyprian, by poetry without rhyme or verse, any more than I should if you talked about pictures that were painted on nothing, or statues that were made out of nothing. How can you tell that anything is poetry, I should like to know, if there is neither a regular line with just so many syllables, nor a rhyme? Of course you can't. I never have any thoughts too beautiful to put in verse: nothing can be too beautiful for it."

Cyprian left the conversation at this point. It was getting more suggestive than interpenetrating, and he thought he might talk the matter over better with Olive. Just then a little boy came in, and bargained with Gifted for a Jews-harp, which, having obtained, he placed against his teeth, and began playing upon it with a pleasure almost equal to that of the young poet reciting his own verses.

"A little too much like my friend Gifted Hopkins's poetry," Cyprian said, as he left the "store." "All in one note, pretty much. Not a great many tunes, 'Hi Betty Martin,' 'Yankee Doodle,' and one or two more like them. But many people seem to like them, and I don't doubt it is as exciting to Gifted to write them as it is to a great genius to express itself in a poem."

Cyprian was, perhaps, too exacting. He loved too well the sweet intricacies of Spenser, the majestic and subtly interwoven harmonies of Milton. These made him impatient of the simpler strains of Gifted Hopkins.

Though he himself never wrote verses, he had some qualities which his friend the poet may have undervalued in comparison with the talent of modelling the symmetries of verse and adjusting the correspondences of rhyme. He had kept in a singular degree all the sensibilities of childhood, its simplicity, its reverence. It seemed as if nothing of all that he met in his daily life was common or unclean to him, for there was no mordant in his nature for what was coarse or vile, and all else he could not help idealizing into its own conception of itself, so to speak. He loved the leaf after its kind as well as the flower, and the root as well as the leaf, and did not exhaust his capacity of affection or admiration on the blossom or bud upon which his friend the poet lavished the wealth of his verse. Thus Nature took him into her confidence. She loves the men of science well, and tells them all her family secrets,—who is the father of this or that member of the group, who is brother, sister, cousin, and so on, through all the circle of relationship. But there are others to whom she tells her dreams; not what species or genus her lily belongs to, but what vague thought it has when it dresses in white, or what memory of its birthplace that is which we call its fragrance. Cyprian was one of these. Yet he was not a complete nature. He required another and a wholly different one to be the complement of his own. Olive came as near it as a sister could, but—we must borrow an old image—moonlight is no more than a cold and vacant glimmer on the sun-dial, which only answers to the great flaming orb of day. If Cyprian could but find some true, sweet-tempered, well-balanced woman, richer in feeling than in those special imaginative gifts which made the outward world at times unreal to him in the intense reality of his own inner life, how he could enrich and adorn her existence,—how she could direct and chasten and elevate the character of all his thoughts and actions!

"Bathsheba," said Olive, "it seems to me that Cyprian is getting more and more fascinated with Myrtle Hazard. He has never got over the fancy he took to her when he first saw her in her red jacket, and called her the fire-hang-bird. Wouldn't they suit each other by and by, after Myrtle has come to herself and grown into a beautiful and noble woman, as I feel sure she will in due time?"

"Myrtle is very lovely," Bathsheba answered, "but is n't she a little too—flighty—for one like your brother? Cyprian isn't more like other young men than Myrtle is like other young girls. I have thought sometimes—I wondered whether out-of-the-way people and common ones do not get along best together. Does n't Cyprian want some more every-day kind of girl to keep him straight? Myrtle is beautiful, beautiful,—fascinates everybody. Has Mr. Bradshaw been following after her lately? He is taken with her too. Didn't you ever think she would have to give in to Murray Bradshaw at last? He looks to me like a man that would hold on desperately as a lover."

If Myrtle Hazard, instead of being a half-finished school-girl, hardly sixteen years old, had been a young woman of eighteen or nineteen, it would have been plain sailing enough for Murray Bradshaw. But he knew what a distance their ages seemed just now to put between them,—a distance which would grow practically less and less with every year, and he did not wish to risk anything so long as there was no danger of interference. He rather encouraged Gifted Hopkins to write poetry to Myrtle. "Go in, Gifted," he said, "there's no telling what may come of it," and Gifted did go in at a great rate.

Murray Bradshaw did not write poetry himself, but he read poetry with a good deal of effect, and he would sometimes take a hint from one of Gifted Hopkins's last productions to recite a passionate lyric of Byron or Moore, into which he would artfully throw so much meaning that Myrtle was almost as much puzzled, in her simplicity, to know what it meant, as she had been by the religious fervors of the Rev. Mr. Stoker.

He spoke well of Cyprian Eveleth. A good young man,—limited, but exemplary. Would succeed well as rector of a small parish. That required little talent, but a good deal of the humbler sort of virtue. As for himself, he confessed to ambition,—yes, a great deal of ambition. A failing, he supposed, but not the worst of failings. He felt the instinct to handle the larger interests of society. The village would perhaps lose sight of him for a time; but he meant to emerge sooner or later in the higher spheres of government or diplomacy. Myrtle must keep his secret. Nobody else knew it. He could not help making a confidant of her,—a thing he had never done before with any other person as to his plans in life. Perhaps she might watch his career with more interest from her acquaintance with him. He loved to think that there was one woman at least who would be pleased to hear of his success if he succeeded, as with life and health he would,—who would share his disappointment if fate should not favor him.—So he wound and wreathed himself into her thoughts.

It was not very long before Myrtle began to accept the idea that she was the one person in the world whose peculiar duty it was to sympathize with the aspiring young man whose humble beginnings she had the honor of witnessing. And it is not very far from being the solitary confidant, and the single source of inspiration, to the growth of a livelier interest, where a young man and a young woman are in question.

Myrtle was at this time her own mistress as never before. The three young men had access to her as she walked to and from meeting and in her frequent rambles, besides the opportunities Cyprian had of meeting her in his sister's company, and the convenient visits which, in connection with the great lawsuit, Murray Bradshaw could make, without question, at The Poplars.

It was not long before Cyprian perceived that he could never pass a certain boundary of intimacy with Myrtle. Very pleasant and sisterly always she was with him; but she never looked as if she might mean more than she said, and cherished a little spark of sensibility which might be fanned into the flame of love. Cyprian felt this so certainly that he was on the point of telling his grief to Bathsheba, who looked to him as if she would sympathize as heartily with him as his own sister, and whose sympathy would have a certain flavor in it,—something which one cannot find in the heart of the dearest sister that ever lived. But Bathsheba was herself sensitive, and changed color when Cyprian ventured a hint or two in the direction of his thought, so that he never got so fax as to unburden his heart to her about Myrtle, whom she admired so sincerely that she could not have helped feeling a great interest in his passion towards her.

As for Gifted Hopkins, the roses that were beginning to bloom fresher and fresher every day in Myrtle's cheeks unfolded themselves more and more freely, to speak metaphorically, in his song. Every week she would receive a delicately tinted note with lines to "Myrtle awaking," or to "Myrtle retiring," (one string of verses a little too Musidora-ish, and which soon found itself in the condition of a cinder, perhaps reduced to that state by spontaneous combustion,) or to "The Flower of the Tropics," or to the "Nymph of the River-side," or other poetical alias, such as bards affect in their sieges of the female heart.

Gifted Hopkins was of a sanguine temperament. As he read and re-read his verses it certainly seemed to him that they must reach the heart of the angelic being to whom they were addressed. That she was slow in confessing the impression they made upon her, was a favorable sign; so many girls called his poems "sweet pooty," that those charming words, though soothing, no longer stirred him deeply. Myrtle's silence showed that the impression his verses had made was deep. Time would develop her sentiments; they were both young; his position was humble as yet; but when he had become famous through the land-oh blissful thought!—the bard of Oxbow Village would bear a name that any woman would be proud to assume, and the M. H. which her delicate hands had wrought on the kerchiefs she wore would yet perhaps be read, not Myrtle Hazard, but Myrtle Hopkins.



CHAPTER XIX.

SUSAN'S YOUNG MAN.

There seems no reasonable doubt that Myrtle Hazard might have made a safe thing of it with Gifted Hopkins, (if so inclined,) provided that she had only been secured against interference. But the constant habit of reading his verses to Susan Posey was not without its risk to so excitable a nature as that of the young poet. Poets were always capable of divided affections, and Cowley's "Chronicle" is a confession that would fit the whole tribe of them. It is true that Gifted had no right to regard Susan's heart as open to the wiles of any new-comer. He knew that she considered herself, and was considered by another, as pledged and plighted. Yet she was such a devoted listener, her sympathies were so easily roused, her blue eyes glistened so tenderly at the least poetical hint, such as "Never, oh never," "My aching heart," "Go, let me weep,"—any of those touching phrases out of the long catalogue which readily suggests itself, that her influence was getting to be such that Myrtle (if really anxious to secure him) might look upon it with apprehension, and the owner of Susan's heart (if of a jealous disposition) might have thought it worth while to make a visit to Oxbow Village to see after his property.

It may seem not impossible that some friend had suggested as much as this to the young lady's lover.

The caution would have been unnecessary, or at least premature. Susan was loyal as ever to her absent friend. Gifted Hopkins had never yet presumed upon the familiar relations existing between them to attempt to shake her allegiance. It is quite as likely, after all, that the young gentleman about to make his appearance in Oxbow Village visited the place of his own accord, without a hint from anybody. But the fact concerns us more than the reason of it, just now.

"Who do you think is coming, Mr. Gridley? Who do you think is coming?" said Susan Posey, her face covered with a carnation such as the first season may see in a city belle, but not the second.

"Well, Susan Posey, I suppose I must guess, though I am rather slow at that business. Perhaps the Governor. No, I don't think it can be the Governor, for you would n't look so happy if it was only his Excellency. It must be the President, Susan Posey,—President James Buchanan. Have n't I guessed right, now, tell me, my dear?"

"O Mr. Gridley, you are too bad,—what do I care for governors and presidents? I know somebody that's worth fifty million thousand presidents,—and he 's coming,—my Clement is coming," said Susan, who had by this time learned to consider the awful Byles Gridley as her next friend and faithful counsellor.

Susan could not stay long in the house after she got her note informing her that her friend was soon to be with her. Everybody told everything to Olive Eveleth, and Susan must run over to the parsonage to tell her that there was a young gentleman coming to Oxbow Village; upon which Olive asked who it was, exactly as if she did not know; whereupon Susan dropped her eyes and said, "Clement,—I mean Mr. Lindsay."

That was a fair piece of news now, and Olive had her bonnet on five minutes after Susan was gone, and was on her way to Bathsheba's,—it was too bad that the poor girl who lived so out of the world shouldn't know anything of what was going on in it. Bathsheba had been in all the morning, and the Doctor had said she must take the air every day; so Bathsheba had on her bonnet a little after Olive had gone, and walked straight up to The Poplars to tell Myrtle Hazard that a certain young gentleman, Clement Lindsay, was coming to Oxbow Village.

It was perhaps fortunate that there was no special significance to Myrtle in the name of Clement Lindsay. Since the adventure which had brought these two young persons together, and, after coming so near a disaster, had ended in a mere humiliation and disappointment, and but for Master Gridley's discreet kindness might have led to foolish scandal, Myrtle had never referred to it in any way. Nobody really knew what her plans had been except Olive and Cyprian, who had observed a very kind silence about the whole matter. The common version of the story was harmless, and near enough to the truth,—down the river,—boat upset,—pulled out,—taken care of by some women in a house farther down,—sick, brain fever,—pretty near it, anyhow,—old Dr. Hurlbut called in,—had her hair cut,—hystericky, etc., etc.

Myrtle was contented with this statement, and asked no questions, and it was a perfectly understood thing that nobody alluded to the subject in her presence. It followed from all this that the name of Clement Lindsay had no peculiar meaning for her. Nor was she like to recognize him as the youth in whose company she had gone through her mortal peril, for all her recollections were confused and dreamlike from the moment when she awoke and found herself in the foaming rapids just above the fall, until that when her senses returned, and she saw Master Byles Gridley standing over her with that look of tenderness in his square features which had lingered in her recollection, and made her feel towards him as if she were his daughter.

Now this had its advantage; for as Clement was Susan's young man, and had been so for two or three years, it would have been a great pity to have any such curious relations established between him and Myrtle Hazard as a consciousness on both sides of what had happened would naturally suggest.

"Who is this Clement Lindsay, Bathsheba?" Myrtle asked.

Why, Myrtle, don't you remember about Susan Posey's is-to-be,—the young man that has been well, I don't know, but I suppose engaged to her ever since they were children almost?"

"Yes, yes, I remember now. Oh dear! I have forgotten so many things, I should think I had been dead and was coming back to life again. Do you know anything about him, Bathsheba? Did n't somebody say he was very handsome? I wonder if he is really in love with Susan Posey. Such a simple thing? I want to see him. I have seen so few young men."

As Myrtle said these words, she lifted the sleeve a little on her left arm, by a half-instinctive and half-voluntary movement. The glimmering gold of Judith Pride's bracelet flashed out the yellow gleam which has been the reddening of so many hands and the blackening of so, many souls since that innocent sin-breeder was first picked up in the land of Havilah. There came a sudden light into her eye, such as Bathsheba had never seen there before. It looked to her as if Myrtle were saying unconsciously to herself that she had the power of beauty, and would like to try its influence on the handsome young man whom she was soon to meet, even at the risk of unseating poor little Susan in his affections. This pained the gentle and humble-minded girl, who, without having tasted the world's pleasures, had meekly consecrated herself to the lowly duties which lay nearest to her. For Bathsheba's phrasing of life was in the monosyllables of a rigid faith. Her conceptions of the human soul were all simplicity and purity, but elementary. She could not conceive the vast license the creative energy allows itself in mingling the instincts which, after long conflict, may come into harmonious adjustment. The flash which Myrtle's eye had caught from the gleam of the golden bracelet filled Bathsheba with a sudden fear that she was like to be led away by the vanities of that world lying in wickedness of which the minister's daughter had heard so much and seen so little.

Not that Bathsheba made any fine moral speeches, to herself. She only felt a slight shock, such as a word or a look from one we love too often gives us,—such as a child's trivial gesture or movement makes a parent feel,—that impalpable something which in the slightest possible inflection of a syllable or gradation of a tone will sometimes leave a sting behind it, even in a trusting heart. This was all. But it was true that what she saw meant a great deal. It meant the dawning in Myrtle Hazard of one of her as yet unlived secondary lives. Bathsheba's virgin perceptions had caught a faint early ray of its glimmering twilight.

She answered, after a very slight pause, which this explanation has made seem so long, that she had never seen the young gentleman, and that she did not know about Susan's sentiments. Only, as they had kept so long to each other, she supposed there must be love between them.

Myrtle fell into a revery, with certain tableaux glowing along its perspectives which poor little Susan Posey would have shivered to look upon, if they could have been transferred from the purple clouds of Myrtle's imagination to the pale silvery mists of Susan's pretty fancies. She sat in her day-dream long after Bathsheba had left her, her eyes fixed, not on the faded portrait of her beatified ancestress, but on that other canvas where the dead Beauty seemed to live in all the splendors of her full-blown womanhood.

The young man whose name had set her thoughts roving was handsome, as the glance at him already given might have foreshadowed. But his features had a graver impress than his age seemed to account for, and the sober tone of his letter to Susan implied that something had given him a maturity beyond his years. The story was not an uncommon one. At sixteen he had dreamed-and told his dream. At eighteen he had awoke, and found, as he believed, that a young heart had grown to his so that its life was dependent on his own. Whether it would have perished if its filaments had been gently disentangled from the object to which they had attached themselves, experienced judges of such matters may perhaps question. To justify Clement in his estimate of the danger of such an experiment, we must remember that to young people in their teens a first passion is a portentous and unprecedented phenomenon. The young man may have been mistaken in thinking that Susan would die if he left her, and may have done more than his duty in sacrificing himself; but if so, it was the mistake of a generous youth, who estimated the depth of another's feelings by his own. He measured the depth of his own rather by what he felt they might be, than by that of any abysses they had yet sounded.

Clement was called a "genius" by those who knew him, and was consequently in danger of being spoiled early. The risk is great enough anywhere, but greatest in a new country, where there is an almost universal want of fixed standards of excellence.

He was by nature an artist; a shaper with the pencil or the chisel, a planner, a contriver capable of turning his hand to almost any work of eye and hand. It would not have been strange if he thought he could do everything, having gifts which were capable of various application,—and being an American citizen. But though he was a good draughtsman, and had made some reliefs and modelled some figures, he called himself only an architect. He had given himself up to his art, not merely from a love of it and talent for it, but with a kind of heroic devotion, because he thought his country wanted a race of builders to clothe the new forms of religious, social, and national life afresh from the forest, the quarry, and the mine. Some thought he would succeed, others that he would be a brilliant failure.

"Grand notions,—grand notions," the master with whom he studied said. "Large ground plan of life,—splendid elevation. A little wild in some of his fancies, perhaps, but he's only a boy, and he's the kind of boy that sometimes grows to be a pretty big man. Wait and see,—wait and see. He works days, and we can let him dream nights. There's a good deal of him, anyhow." His fellow-students were puzzled. Those who thought of their calling as a trade, and looked forward to the time when they should be embodying the ideals of municipal authorities in brick and stone, or making contracts with wealthy citizens, doubted whether Clement would have a sharp eye enough for business. "Too many whims, you know. All sorts of queer ideas in his head,—as if a boy like him were going to make things all over again!".