Mrs. Hopkins was delighted with the dignity and novelty of these two names, which were forthwith adopted. As they were rather long for common use in the family, they were shortened into the easier forms of Sossy and Minthy, under which designation the babes began very soon to thrive mightily, turning bread and milk into the substance of little sinners at a great rate, and growing as if they were put out at compound interest.

This short episode shows us the family conditions surrounding Byles Gridley, who, as we were saying, had just been called down to tea by Miss Susan Posey.

"I am coming, my dear," he said,—which expression quite touched Miss Susan, who did not know that it was a kind of transferred caress from the delicious page he was reading. It was not the living child that was kissed, but the dead one lying under the snow, if we may make a trivial use of a very sweet and tender thought we all remember.

Not long after this, happening to call in at the lawyer's office, his eye was caught by the corner of a book lying covered up by a pile of papers. Somehow or other it seemed to look very natural to him. Could that be a copy of "Thoughts on the Universe"? He watched his opportunity, and got a hurried sight of the volume. His own treatise, sure enough! Leaves Uncut. Opened of itself to the one hundred and twentieth page. The axiom Murray Bradshaw had quoted—he did not remember from what,—"sounded like Coleridge"—was staring him in the face from that very page. When he remembered how he had pleased himself with that compliment the other day, he blushed like a school-girl; and then, thinking out the whole trick,—to hunt up his forgotten book, pick out a phrase or two from it, and play on his weakness with it, to win his good opinion,—for what purpose he did not know, but doubtless to use him in some way,—he grinned with a contempt about equally divided between himself and the young schemer.

"Ah ha!" he muttered scornfully. "Sounds like Coleridge, hey? Niccolo Macchiavelli Bradshaw!"

From this day forward he looked on all the young lawyer's doings with even more suspicion than before. Yet he would not forego his company and conversation; for he was very agreeable and amusing to study; and this trick he had played him was, after all, only a diplomatist's way of flattering his brother plenipotentiary. Who could say? Some time or other he might cajole England or France or Russia into a treaty with just such a trick. Shallower men than he had gone out as ministers of the great Republic. At any rate, the fellow was worth watching.



CHAPTER VI.

THE USE OF SPECTACLES.

The old Master of Arts had a great reputation in the house where he lived for knowing everything that was going on. He rather enjoyed it; and sometimes amused himself with surprising his simple-hearted landlady and her boarders with the unaccountable results of his sagacity. One thing was quite beyond her comprehension. She was perfectly sure that Mr. Gridley could see out of the back of his head, just as other people see with their natural organs. Time and again he had told her what she was doing when his back was turned to her, just as if he had been sitting squarely in front of her. Some laughed at this foolish notion; but others, who knew more of the nebulous sciences, told her it was like's not jes' so. Folks had read letters laid ag'in' the pits o' their stomachs, 'n' why should n't they see out o' the backs o' their heads?

Now there was a certain fact at the bottom of this belief of Mrs. Hopkins; and as it world be a very small thing to make a mystery of so simple a matter, the reader shall have the whole benefit of knowing all there is in it,—not quite yet, however, of knowing all that came of it. It was not the mirror trick, of course, which Mrs. Felix Lorraine and other dangerous historical personages have so long made use of. It was nothing but this: Mr. Byles Gridley wore a pair of formidable spectacles with large round glasses. He had often noticed the reflection of objects behind him when they caught their images at certain angles, and had got the habit of very often looking at the reflecting surface of one or the other of the glasses, when he seemed to be looking through them. It put a singular power into his possession, which might possibly hereafter lead to something more significant than the mystification of the Widow Hopkins.

A short time before Myrtle Hazard's disappearance, Mr. Byles Gridley had occasion to call again at the office of Penhallow and Bradshaw on some small matter of business of his own. There were papers to look over, and he put on his great round-glassed spectacles. He and Mr. Penhallow sat down at the table, and Mr. Bradshaw was at a desk behind them. After sitting for a while, Mr. Penhallow seemed to remember something he had meant to attend to, for he said all at once: "Excuse me, Mr. Gridley. Mr. Bradshaw, if you are not busy, I wish you would look over this bundle of papers. They look like old receipted bills and memoranda of no particular use; but they came from the garret of the Withers place, and might possibly have something that would be of value. Look them over, will you, and see whether there is anything there worth saving."

The young man took the papers, and Mr. Penhallow sat down again at the table with Mr. Byles Gridley.

This last-named gentleman felt just then a strong impulse to observe the operations of Murray Bradshaw. He could not have given any very good reason for it, any more than any of us can for half of what we do.

"I should like to examine that conveyance we were speaking of once more," said he. "Please to look at this one in the mean time, will you, Mr. Penhallow?"

Master Gridley held the document up before him. He did not seem to find it quite legible, and adjusted his spectacles carefully, until they were just as he wanted them. When he had got them to suit himself, sitting there with his back to Murray Bradshaw, he could see him and all his movements, the desk at which he was standing, and the books in the shelves before him,—all this time appearing as if he were intent upon his own reading.

The young man began in a rather indifferent way to look over the papers. He loosened the band round them, and took them up one by one, gave a careless glance at them, and laid them together to tie up again when he had gone through them. Master Gridley saw all this process, thinking what a fool he was all the time to be watching such a simple proceeding. Presently he noticed a more sudden movement: the young man had found something which arrested his attention, and turned his head to see if he was observed. The senior partner and his client were both apparently deep in their own affairs. In his hand Mr. Bradshaw held a paper folded like the others, the back of which he read, holding it in such a way that Master Gridley saw very distinctly three large spots of ink upon it, and noticed their position. Murray Bradshaw took another hurried glance at the two gentlemen, and then quickly opened the paper. He ran it over with a flash of his eye, folded it again, and laid it by itself. With another quick turn of his head, as if to see whether he were observed or like to be, he reached his hand out and took a volume down from the shelves. In this volume he shut the document, whatever it was, which he had just taken out of the bundle, and placed the book in a very silent and as it were stealthy way back in its place. He then gave a look at each of the other papers, and said to his partner: "Old bills, old leases, and insurance policies that have run out. Malachi seems to have kept every scrap of paper that had a signature to it."

"That 's the way with the old misers, always," said Mr. Penhallow.

Byles Gridley had got through reading the document he held,—or pretending to read it. He took off his spectacles.

"We all grow timid and cautious as we get old, Mr. Penhallow." Then turning round to the young man, he slowly repeated the lines,

"'Multa senem circumveniunt incommoda, vel quod Quaerit et inventis miser abstinet, ac timet uti; Vel quod res omnes timide, gelideque ministrat'

"You remember the passage, Mr. Bradshaw?"

While he was reciting these words from Horace, which he spoke slowly as if he relished every syllable, he kept his eyes on the young man steadily, but with out betraying any suspicion. His old habits as a teacher made that easy.

Murray Bradshaw's face was calm as usual, but there was a flush on his cheek, and Master Gridley saw the slight but unequivocal signs of excitement.

"Something is going on inside there," the old man said to himself. He waited patiently, on the pretext of business, until Mr. Bradshaw got up and left the office. As soon as he and the senior partner were alone, Master Gridley took a lazy look at some of the books in his library. There stood in the book-shelves a copy of the Corpus Juris Civilis,—the fine Elzevir edition of 1664. It was bound in parchment, and thus readily distinguishable at a glance from all the books round it. Now Mr. Penhallow was not much of a Latin scholar, and knew and cared very little about the civil law. He had fallen in with this book at an auction, and bought it to place in his shelves with the other "properties" of the office, because it would look respectable. Anything shut up in one of those two octavos might stay there a lifetime without Mr. Penhallow's disturbing it; that Master Gridley knew, and of course the young man knew it too.

We often move to the objects of supreme curiosity or desire, not in the lines of castle or bishop on the chess-board, but with the knight's zigzag, at first in the wrong direction, making believe to ourselves we are not after the thing coveted. Put a lump of sugar in a canary-bird's cage, and the small creature will illustrate the instinct for the benefit of inquirers or sceptics. Byles Gridley went to the other side of the room and took a volume of Reports from the shelves. He put it back and took a copy of "Fearne on Contingent Remainders," and looked at that for a moment in an idling way, as if from a sense of having nothing to do. Then he drew the back of his forefinger along the books on the shelf, as if nothing interested him in them, and strolled to the shelf in front of the desk at which Murray Bradshaw had stood. He took down the second volume of the Corpus Juris Civilis, turned the leaves over mechanically, as if in search of some title, and replaced it.

He looked round for a moment. Mr. Penhallow was writing hard at his table, not thinking of him, it was plain enough. He laid his hand on the FIRST volume of the Corpus Juris Civilis. There was a document shut up in it. His hand was on the book, whether taking it out or putting it back was not evident, when the door opened and Mr. William Murray Bradshaw entered.

"Ah, Mr. Gridley," he said, "you are not studying the civil law, are you?" He strode towards him as he spoke, his face white, his eyes fixed fiercely on him.

"It always interests me, Mr. Bradshaw," he answered, "and this is a fine edition of it. One may find a great many valuable things in the Corpus Juris Civilis."

He looked impenetrable, and whether or not he had seen more than Mr. Bradshaw wished him to see, that gentleman could not tell. But there stood the two books in their place, and when, after Master Gridley had gone, he looked in the first volume, there was the document he had shut up in it.



CHAPTER VII.

MYRTLE'S LETTER—THE YOUNG MEN'S PURSUIT.

"You know all about it, Olive?" Cyprian Eveleth said to his sister, after a brief word of greeting.

"Know of what, Cyprian?"

"Why, sister, don't you know that Myrtle Hazard is missing,—gone!—gone nobody knows where, and that we are looking in all directions to find her?"

Olive turned very pale and was silent for a moment. At the end of that moment the story seemed almost old to her. It was a natural ending of the prison-life which had been round Myrtle since her earliest years. When she got large and strong enough, she broke out of jail,—that was all. The nursery-bar is always climbed sooner or later, whether it is a wooden or an iron one. Olive felt as if she had dimly foreseen just such a finishing to the tragedy of the poor girl's home bringing-up. Why could not she have done something to prevent it? Well,—what shall we do now, and as it is?—that is the question.

"Has she left no letter,—no explanation of her leaving in this way?"

"Not a word, so far as anybody in the village knows."

"Come over to the post-office with me; perhaps we may find a letter. I think we shall."

Olive's sagacity and knowledge of her friend's character had not misled her. She found a letter from Myrtle to herself, which she opened and read as here follows:

MY DEAREST OLIVE:—Think no evil of me for what I have done. The fire-hang-bird's nest, as Cyprian called it, is empty, and the poor bird is flown.

I can live as I have lived no longer. This place is chilling all the life out of me, and I must find another home. It is far, far away, and you will not hear from me again until I am there. Then I will write to you.

You know where I was born,—under a hot sun and in the midst of strange, lovely scenes that I seem still to remember. I must visit them again: my heart always yearns for them. And I must cross the sea to get there,—the beautiful great sea that I have always longed for and that my river has been whispering about to me ever so many years. My life is pinched and starved here. I feel as old as aunt Silence, and I am only fifteen,—a child she has called me within a few days. If this is to be a child, what is it to be a woman?

I love you dearly,—and your brother is almost to me as if he were mine. I love our sweet, patient Bathsheba,—yes, and the old man that has spoken so kindly with me, good Master Gridley; I hate to give you pain,—to leave you all,—but my way of life is killing me, and I am too young to die. I cannot take the comfort with you, my dear friends, that I would; for it seems as if I carried a lump of ice in my heart, and all the warmth I find in you cannot thaw it out.

I have had a strange warning to leave this place, Olive. Do you remember how the angel of the Lord appeared to Joseph and told him to flee into Egypt? I have had a dream like that, Olive. There is an old belief in our family that the spirit of one who died many generations ago watches over some of her descendants. They say it led our first ancestor to come over here when it was a wilderness. I believe it has appeared to others of the family in times of trouble. I have had a strange dream at any rate, and the one I saw, or thought I saw, told me to leave this place. Perhaps I should have stayed if it had not been for that, but it seemed like an angel's warning.

Nobody will know how I have gone, or which way I have taken. On Monday, you may show this letter to my friends, not before. I do not think they will be in danger of breaking their hearts for me at our house. Aunt Silence cares for nothing but her own soul, and the other woman hates me, I always thought. Kitty Fagan will cry hard. Tell her perhaps I shall come back by and by. There is a little box in my room, with some keepsakes marked,—one is for poor Kitty. You can give them to the right ones. Yours is with them.

Good-by, dearest. Keep my secret, as I told you, till Monday. And if you never see me again, remember how much I loved you. Never think hardly of me, for you have grown up in a happy home, and do not know how much misery can be crowded into fifteen years of a young girl's life. God be with you!

MYRTLE HAZARD.

Olive could not restrain her tears, as she handed the letter to Cyprian. "Her secret is as safe with you as with me," she said. "But this is madness, Cyprian, and we must keep her from doing herself a wrong.

"What she means to do, is to get to Boston, in some way or other, and sail for India. It is strange that they have not tracked her. There is no time to be lost. She shall not go out into the world in this way, child that she is. No; she shall come back, and make her home with us, if she cannot be happy with these people. Ours is a happy and a cheerful home, and she shall be to me as a younger sister, and your sister too, Cyprian. But you must see her; you must leave this very hour; and you may find her. Go to your cousin Edward, in Boston, at once; tell him your errand, and get him to help you find our poor dear sister. Then give her the note I will write, and say I know your heart, Cyprian, and I can trust that to tell you what to say."

In a very short time Cyprian Eveleth was on his way to Boston. But another, keener even in pursuit than he, was there before him.

Ever since the day when Master Gridley had made that over-curious observation of the young lawyer's proceedings at the office, Murray Bradshaw had shown a far livelier interest than before in the conditions and feelings of Myrtle Hazard. He had called frequently at The Poplars to talk over business matters, which seemed of late to require a deal of talking. He had been very deferential to Miss Silence, and had wound himself into the confidence of Miss Badlam. He found it harder to establish any very near relations with Myrtle, who had never seemed to care much for any young man but Cyprian Eveleth, and to care for him quite as much as Olive's brother as for any personal reason. But he carefully studied Myrtle's tastes and ways of thinking and of life, so that, by and by, when she should look upon herself as a young woman, and not as a girl, he would have a great advantage in making her more intimate acquaintance.

Thus, she corresponded with a friend of her mother's in India. She talked at times as if it were her ideal home, and showed many tastes which might well be vestiges of early Oriental impressions. She made herself a rude hammock,—such as are often used in hot climates,—and swung it between two elms. Here she would lie in the hot summer days, and fan herself with the sandal-wood fan her friend in India had sent her,—the perfume of which, the women said, seemed to throw her into day-dreams, which were almost like trances.

These circumstances gave a general direction to his ideas, which were presently fixed more exactly by two circumstances which he learned for himself and kept to himself; for he had no idea of making a hue and cry, and yet he did not mean that Myrtle Hazard should get away if he could help it.

The first fact was this. He found among the copies of the city newspaper they took at The Poplars a recent number from which a square had been cut out. He procured another copy of this paper of the same date, and found that the piece cut out was an advertisement to the effect that the A 1 Ship Swordfish, Captain Hawkins, was to sail from Boston for Calcutta, on the 20th of June.

The second fact was the following. On the window-sill of her little hanging chamber, which the women allowed him to inspect, he found some threads of long, black, glossy hair caught by a splinter in the wood. They were Myrtle's of course. A simpleton might have constructed a tragedy out of this trivial circumstance,—how she had cast herself from the window into the waters beneath it,—how she had been thrust out after a struggle, of which this shred from her tresses was the dreadful witness,—and so on. Murray Bradshaw did not stop to guess and wonder. He said nothing about it, but wound the shining threads on his finger, and, as soon as he got home, examined them with a magnifier. They had been cut off smoothly, as with a pair of scissors. This was part of a mass of hair, then, which had been shorn and thrown from the window. Nobody would do that but she herself. What would she do it for? To disguise her sex, of course. The other inferences were plain enough.

The wily young man put all these facts and hints together, and concluded that he would let the rustics drag the ponds and the river, and scour the woods and swamps, while he himself went to the seaport town from which she would without doubt sail if she had formed the project he thought on the whole most probable.

Thus it was that we found him hurrying to the nearest station to catch the train to Boston, while they were all looking for traces of the missing girl nearer home. In the cars he made the most suggestive inquiries he could frame, to stir up the gentlemanly conductor's memory. Had any young fellow been on the train within a day or two, who had attracted his notice? Smooth, handsome face, black eyes, short black hair, new clothes, not fitting very well, looked away when he paid his fare, had a soft voice like a woman's,—had he seen anybody answering to some such description as this? The gentlemanly conductor had not noticed,—was always taking up and setting down way-passengers,—might have had such a young man aboard,—there was two or three students one day in the car singing college songs,—he did n't care how folks looked if they had their tickets ready,—and minded their own business,—and, so saying, he poked a young man upon whose shoulder a ringleted head was reclining with that delightful abandon which the railroad train seems to provoke in lovely woman,—"Fare!"

It is a fine thing to be set down in a great, overcrowded hotel, where they do not know you, looking dusty, and for the moment shabby, with nothing but a carpet-bag in your hand, feeling tired, and anything but clean, and hungry, and worried, and every way miserable and mean, and to undergo the appraising process of the gentleman in the office, who, while he shoves the book round to you for your name, is making a hasty calculation as to how high up he can venture to doom you. But Murray Bradshaw's plain dress and carpet-bag were more than made up for by the air and tone which imply the habit of being attended to. The clerk saw that in a glance, and, as he looked at the name and address in the book, spoke sharply in the explosive dialect of his tribe,—

"Jun! ta'tha'genlm'n'scarpetbag'n'showhimupt'thirtyone!"

When Cyprian Eveleth reached the same hotel late at night, he appeared in his best clothes and with a new valise; but his amiable countenance and gentle voice and modest manner sent him up two stories higher, where he found himself in a room not much better than a garret, feeling lonely enough, for he did not know he had an acquaintance in the same house. The two young men were in and out so irregularly that it was not very strange that they did not happen to meet each other.

The young lawyer was far more likely to find Myrtle if she were in the city than the other, even with the help of his cousin Edward. He was not only older, but sharper, better acquainted with the city and its ways, and, whatever might be the strength of Cyprian's motives, his own were of such intensity that he thought of nothing else by day, and dreamed of nothing else by night. He went to work, therefore, in the most systematic manner. He first visited the ship Swordfish, lying at her wharf, saw her captain, and satisfied himself that as yet nobody at all corresponding to the description of Myrtle Hazard had been seen by any person on board. He visited all the wharves, inquiring on every vessel where it seemed possible she might have been looking about. Hotels, thoroughfares, every place where he might hear of her or meet her, were all searched. He took some of the police into his confidence, and had half a dozen pairs of eyes besides his own opened pretty widely, to discover the lost girl.

On Sunday, the 19th, he got the first hint which encouraged him to think he was on the trail of his fugitive. He had gone down again to the wharf where the Swordfish, advertised to sail the next day, was lying. The captain was not on board, but one of the mates was there, and he addressed his questions to him, not with any great hope of hearing anything important, but determined to lose no chance, however small. He was startled with a piece of information which gave him such an exquisite pang of delight that he could hardly keep the usual quiet of his demeanor. A youth corresponding to his description of Myrtle Hazard in her probable disguise had been that morning on board the Swordfish, making many inquires as to the hour at which she was to sail, and who were to be the passengers, and remained some time on board, going all over the vessel, examining her cabin accommodations, and saying he should return to-morrow before she sailed,—doubtless intending to take passage in her, as there was plenty of room on board. There could be little question, from the description, who this young person was. It was a rather delicate—looking, dark—haired youth, smooth-faced, somewhat shy and bashful in his ways, and evidently excited and nervous. He had apparently been to look about him, and would come back at the last moment, just as the vessel was ready to sail, and in an hour or two be beyond the reach of inquiry.

Murray Bradshaw returned to his hotel, and, going to his chamber, summoned all his faculties in state council to determine what course he should follow, now that he had the object of his search certainly within reaching distance. There was no danger now of her eluding him; but the grave question arose, what was he to do when he stood face to face with her. She must not go,—that was fixed. If she once got off in that ship, she might be safe enough; but what would become of certain projects in which he was interested,—that was the question. But again, she was no child, to be turned away from her adventure by cajolery, or by any such threats as common truants would find sufficient to scare them back to their duty. He could tell the facts of her disguise and the manner of her leaving home to the captain of the vessel, and induce him to send her ashore as a stray girl, to be returned to her relatives. But this would only make her furious with him; and he must not alienate her from himself, at any rate. He might plead with her in the name of duty, for the sake of her friends, for the good name of the family. She had thought all these things over before she ran away. What if he should address her as a lover, throw himself at her feet, implore her to pity him and give up her rash scheme, and, if things came to the very worst, offer to follow her wherever she went, if she would accept him in the only relation that would render it possible. Fifteen years old,—he nearly ten years older,—but such things had happened before, and this was no time to stand on trifles.

He worked out the hypothesis of the matrimonial offer as he would have reasoned out the probabilities in a law case he was undertaking.

1. He would rather risk that than lose all hold upon her. The girl was handsome enough for his ambitious future, wherever it might carry him. She came of an honorable family, and had the great advantage of being free from a tribe of disagreeable relatives, which is such a drawback on many otherwise eligible parties. To these considerations were to be joined other circumstances which we need not here mention, of a nature to add greatly to their force, and which would go far of themselves to determine his action.

2. How was it likely she would look on such an extraordinary proposition? At first, no doubt, as Lady Anne looked upon the advances of Richard. She would be startled, perhaps shocked. What then? She could not help feeling flattered at such an offer from him,—him, William Murray Bradshaw, the rising young man of his county, at her feet, his eyes melting with the love he would throw into them, his tones subdued to their most sympathetic quality, and all those phrases on his lips which every day beguile women older and more discreet than this romantic, long-imprisoned girl, whose rash and adventurous enterprise was an assertion of her womanhood and her right to dispose of herself as she chose. He had not lived to be twenty-five years old without knowing his power with women. He believed in himself so thoroughly, that his very confidence was a strong promise of success.

3. In case all his entreaties, arguments, and offers made no impression, should he make use of that supreme resource, not to be employed save in extreme need, but which was of a nature, in his opinion, to shake a resolution stronger than this young girl was like to oppose to it? That would be like Christian's coming to his weapon called All-prayer, he said to himself, with a smile that his early readings of Bunyan should have furnished him an image for so different an occasion. The question was one he could not settle till the time came,—he must leave it to the instinct of the moment.

The next morning found him early waking after a night of feverish dreams. He dressed himself with more than usual care, and walked down to the wharf where the Swordfish was moored. The ship had left the wharf, and was lying out in the stream: A small boat had just reached her, and a slender youth, as he appeared at that distance, climbed, not over-adroitly, up the vessel's side.

Murray Bradshaw called to a boatman near by and ordered the man to row him over as fast as he could to the vessel lying in the stream. He had no sooner reached the deck of the Swordfish than he asked for the young person who had just been put on board.

"He is in the cabin, sir, just gone down with the captain," was the reply.

His heart beat, in spite of his cool temperament, as he went down the steps leading to the cabin. The young person was talking earnestly with the captain, and, on his turning round, Mr. William Murray Bradshaw had the pleasure of recognizing his young friend, Mr. Cyprian Eveleth.



CHAPTER VIII.

DOWN THE RIVER.

Look at the flower of a morning-glory the evening before the dawn which is to see it unfold. The delicate petals are twisted into a spiral, which at the appointed hour, when the sunlight touches the hidden springs of its life, will uncoil itself and let the day into the chamber of its virgin heart. But the spiral must unwind by its own law, and the hand that shall try to hasten the process will only spoil the blossom which would have expanded in symmetrical beauty under the rosy fingers of morning.

We may take a hint from Nature's handling of the flower in dealing with young souls, and especially with the souls of young girls, which, from their organization and conditions, require more careful treatment than those of their tougher-fibred brothers. Many parents reproach themselves for not having enforced their own convictions on their children in the face of every inborn antagonism they encountered. Let them not be too severe in their self-condemnation. A want of judgment in this matter has sent many a young person to Bedlam, whose nature would have opened kindly enough if it had only been trusted to the sweet influences of morning sunshine. In such cases it may be that the state we call insanity is not always an unalloyed evil. It may take the place of something worse, the wretchedness of a mind not yet dethroned, but subject to the perpetual interferences of another mind governed by laws alien and hostile to its own. Insanity may perhaps be the only palliative left to Nature in this extremity. But before she comes to that, she has many expedients. The mind does not know what diet it can feed on until it has been brought to the starvation point. Its experience is like that of those who have been long drifting about on rafts or in long-boats. There is nothing out of which it will not contrive to get some sustenance. A person of note, long held captive for a political offence, is said to have owed the preservation of his reason to a pin, out of which he contrived to get exercise and excitement by throwing it down carelessly on the dark floor of his dungeon, and then hunting for it in a series of systematic explorations until he had found it.

Perhaps the most natural thing Myrtle Hazard could have done would have been to go crazy, and be sent to the nearest asylum, if Providence, which in its wisdom makes use of the most unexpected agencies, had not made a special provision for her mental welfare. She was in that arid household as the prophet in the land where there was no dew nor rain for these long years. But as he had the brook Cherith, and the bread and flesh in the morning and the bread and flesh in the evening which the ravens brought him, so she had the river and her secret store of books.

The river was light and life and music and companionship to her. She learned to row herself about upon it, to swim boldly in it, for it had sheltered nooks but a little way above The Poplars. But there was more than that in it,—it was infinitely sympathetic. A river is strangely like a human soul. It has its dark and bright days, its troubles from within, and its disturbances from without. It often runs over ragged rocks with a smooth surface, and is vexed with ripples as it slides over sands that are level as a floor. It betrays its various moods by aspects which are the commonplaces of poetry, as smiles and dimples and wrinkles and frowns. Its face is full of winking eyes, when the scattering rain-drops first fall upon it, and it scowls back at the storm-cloud, as with knitted brows, when the winds are let loose. It talks, too, in its own simple dialect, murmuring, as it were, with busy lips all the way to the ocean, as children seeking the mother's breast and impatient of delay. Prisoners who know what a flower or an insect has been to them in their solitary cell, invalids who have employed their vacant minds in studying the patterns of paper-hangings on the walls of their sick-chambers, can tell what the river was to the lonely, imaginative creature who used to sit looking into its depths, hour after hour, from the airy height of the Fire-hang-bird's Nest.

Of late a thought had mingled with her fancies which had given to the river the aspect of something more than a friend and a companion. It appeared all at once as a Deliverer. Did not its waters lead, after long wanderings, to the great highway of the world, and open to her the gates of those cities from which she could take her departure unchallenged towards the lands of the morning or of the sunset? Often, after a freshet, she had seen a child's miniature boat floating down on its side past her window, and traced it in imagination back to some crystal brook flowing by the door of a cottage far up a blue mountain in the distance. So she now began to follow down the stream the airy shallop that held her bright fancies. These dreams of hers were colored by the rainbows of an enchanted fountain,—the books of adventure, the romances, the stories which fortune had placed in her hands,—the same over which the heart of the Pride of the County had throbbed in the last century, and on the pages of some of which the traces of her tears might still be seen.

The literature which was furnished for Myrtle's improvement was chiefly of a religious character, and, however interesting and valuable to those to whom it was adapted, had not been chosen with any wise regard to its fitness for her special conditions. Of what use was it to offer books like the "Saint's Rest" to a child whose idea of happiness was in perpetual activity? She read "Pilgrim's Progress," it is true, with great delight. She liked the idea of travelling with a pack on one's back, the odd shows at the House of the interpreter, the fighting, the adventures, the pleasing young ladies at the palace the name of which was Beautiful, and their very interesting museum of curiosities. As for the allegorical meaning, it went through her consciousness like a peck of wheat through a bushel measure with the bottom out, without touching.

But the very first book she got hold of out of the hidden treasury threw the "Pilgrim's Progress" quite into the shade. It was the story of a youth who ran away and lived on an island,—one Crusoe,—a homely narrative, but evidently true, though full of remarkable adventures. There too was the history, coming much nearer home, of Deborah Sampson, the young woman who served as a soldier in the Revolutionary War, with a portrait of her in man's attire, looking intrepid rather than lovely. A virtuous young female she was, and married well, as she deserved to, and raised a family with as good a name as wife and mother as the best of them. But perhaps not one of these books and stories took such hold of her imagination as the tale of Rasselas, which most young persons find less entertaining than the "Vicar of Wakefield," with which it is nowadays so commonly bound up. It was the prince's discontent in the Happy Valley, the iron gate opening to the sound of music, and closing forever on those it admitted, the rocky boundaries of the imprisoning valley, the visions of the world beyond, the projects of escape, and the long toil which ended in their accomplishment, which haunted her sleeping and waking. She too was a prisoner, but it was not in the Happy Valley. Of the romances and the love-letters we must take it for granted that she selected wisely, and read discreetly; at least we know nothing to the contrary.

There were mysterious reminiscences and hints of her past coming over her constantly. It was in the course of the long, weary spring before her disappearance, that a dangerous chord was struck which added to her growing restlessness. In an old closet were some seashells and coral-fans, and dried star-fishes and sea, horses, and a natural mummy of a rough-skinned dogfish. She had not thought of them for years, but now she felt impelled to look after them. The dim sea odors which still clung to them penetrated to the very inmost haunts of memory, and called up that longing for the ocean breeze which those who have once breathed and salted their blood with it never get over, and which makes the sweetest inland airs seem to them at last tame and tasteless. She held a tigershell to her ear, and listened to that low, sleepy murmur, whether in the sense or in the soul we hardly know, like that which had so often been her lullaby,—a memory of the sea, as Landor and Wordsworth have sung.

"You are getting to look like your father," Aunt Silence said one day; "I never saw it before. I always thought you took after old Major Gideon Withers. Well, I hope you won't come to an early grave like poor Charles,—or at any rate, that you may be prepared."

It did not seem very likely that the girl was going out of the world at present, but she looked Miss Silence in the face very seriously, and said, "Why not an early grave, Aunt, if this world is such a bad place as you say it is?"

"I'm afraid you are not fit for a better."

She wondered if Silence Withers and Cynthia Badlam were just ripe for heaven.

For some months Miss Cynthia Badlam, who, as was said, had been an habitual visitor at The Poplars, had lived there as a permanent resident. Between her and Silence Withers, Myrtle Hazard found no rest for her soul. Each of them was for untwisting the morning-glory without waiting for the sunshine to do it. Each had her own wrenches and pincers to use for that purpose. All this promised little for the nurture and admonition of the young girl, who, if her will could not be broken by imprisonment and starvation at three years old, was not likely to be over-tractable to any but gentle and reasonable treatment at fifteen.

Aunt Silence's engine was responsibility,—her own responsibility, and the dreadful consequences which would follow to her, Silence, if Myrtle should in any way go wrong. Ever since her failure in that moral coup d'etat by which the sinful dynasty of the natural self-determining power was to be dethroned, her attempts in the way of education had been a series of feeble efforts followed by plaintive wails over their utter want of success. The face she turned upon the young girl in her solemn expostulations looked as if it were inscribed with the epitaphs of hope and virtue. Her utterances were pitched in such a forlorn tone, that the little bird in his cage, who always began twittering at the sound of Myrtle's voice, would stop in his song, and cock his head with a look of inquiry full of pathos, as if he wanted to know what was the matter, and whether he could do anything to help.

The specialty of Cynthia Badlam was to point out all the dangerous and unpardonable trangressions into which young people generally, and this young person in particular, were likely to run, to hold up examples of those who had fallen into evil ways and come to an evil end, to present the most exalted standard of ascetic virtue to the lively girl's apprehension, leading her naturally to the conclusion that a bright example of excellence stood before her in the irreproachable relative who addressed her. Especially with regard to the allurements which the world offers to the young and inexperienced female, Miss Cynthia Badlam was severe and eloquent. Sometimes poor Myrtle would stare, not seeing the meaning of her wise caution, sometimes look at Miss Cynthia with a feeling that there was something about her that was false and forced, that she had nothing in common with young people, that she had no pity for them, only hatred of their sins, whatever these might be,—a hatred which seemed to extend to those sources of frequent temptation, youth and beauty, as if they were in themselves objectionable.

Both the lone women at The Poplars were gifted with a thin vein of music. They gave it expression in psalmody, of course, in which Myrtle, who was a natural singer, was expected to bear her part. This would have been pleasantry if the airs most frequently selected had been cheerful or soothing, and if the favorite hymns had been of a sort to inspire a love for what was lovely in this life, and to give some faint foretaste of the harmonies of a better world to come. But there is a fondness for minor keys and wailing cadences common to the monotonous chants of cannibals and savages generally, to such war-songs as the wild, implacable "Marseillaise," and to the favorite tunes of low—spirited Christian pessimists. That mournful "China," which one of our most agreeable story-tellers has justly singled out as the cry of despair itself, was often sung at The Poplars, sending such a sense of utter misery through the house, that poor Kitty Fagan would cross herself, and wring her hands, and think of funerals, and wonder who was going to die,—for she fancied she heard the Banshee's warning in those most dismal ululations.

On the first Saturday of June, a fortnight before her disappearance, Myrtle strolled off by the river shore, along its lonely banks, and came dome with her hands full of leaves and blossoms. Silence Withers looked at them as if they were a kind of melancholy manifestation of frivolity on the part of the wicked old earth. Not that she did not inhale their faint fragrance with a certain pleasure, and feel their beauty as none whose souls are not wholly shriveled and hardened can help doing, but the world was, in her estimate, a vale of tears, and it was only by a momentary forgetfulness that she could be moved to smile at anything.

Miss Cynthia, a sharper-edged woman, had formed the habit of crushing everything for its moral, until it lost its sweetness and grew almost odious, as flower-de-luces do when handled roughly. "There's a worm in that leaf, Myrtle. He has rolled it all round him, and hidden himself from sight; but there is a horrid worm in it, for all it is so young and fresh. There is a worm in every young soul, Myrtle."

"But there is not a worm in every leaf, Miss Cynthia. Look," she said," all these are open, and you can see all over and under them, and there is nothing there. Are there never any worms in the leaves after they get old and yellow, Miss Cynthia?"

That was a pretty fair hit for a simple creature of fifteen, but perhaps she was not so absolutely simple as one might have thought.

It was on the evening of this same day that they were sitting together. The sweet season was opening, and it seemed as if the whispering of the leaves, the voices of the birds, the softness of the air, the young life stirring in everything, called on all creatures to join the universal chorus of praise that was going up around them.

"What shall we sing this evening?" said Miss Silence.

"Give me one of the books, if you please, Cousin Silence," said Miss Cynthia. "It is Saturday evening. Holy time has begun. Let us prepare our minds for the solemnities of the Sabbath."

She took the book, one well known to the schools and churches of this nineteenth century.

"Book Second. Hymn 44. Long metre. I guess 'Putney' will be as good a tune as any to sing it to."

The trio began,—

"With holy fear, and humble song,"

and got through the first verse together pretty well. Then came the second verse:

"Far in the deep where darkness dwells, The land of horror and despair, Justice has built a dismal hell, And laid her stores of vengeance there."

Myrtle's voice trembled a little in singing this verse, and she hardly kept up her part with proper spirit.

"Sing out, Myrtle," said Miss Cynthia, and she struck up the third verse:

"Eternal plagues and heavy chains, Tormenting racks and fiery coals, And darts t' inflict immortal pains, Dyed in the blood of damned souls."

This last verse was a duet, and not a trio. Myrtle closed her lips while it was singing, and when it was done threw down the book with a look of anger and disgust. The hunted soul was at bay.

"I won't sing such words," she said, "and I won't stay here to hear them sung. The boys in the streets say just such words as that, and I am not going to sing them. You can't scare me into being good with your cruel hymn-book!"

She could not swear: she was not a boy. She would not cry: she felt proud, obdurate, scornful, outraged. All these images, borrowed from the holy Inquisition, were meant to frighten her—and had simply irritated her. The blow of a weapon that glances off, stinging, but not penetrating, only enrages. It was a moment of fearful danger to her character, to her life itself.

Without heeding the cries of the two women, she sprang up-stairs to her hanging chamber. She threw open the window and looked down into the stream. For one moment her head swam with the sudden, overwhelming, almost maddening thought that came over her,—the impulse to fling herself headlong into those running waters and dare the worst these dreadful women had threatened her with. Something she often thought afterwards it was an invisible hand held her back during that brief moment, and the paroxysm—just such a paroxysm as throws many a young girl into the Thames or the Seine—passed away. She remained looking, in a misty dream, into the water far below. Its murmur recalled the whisper of the ocean waves. And through the depths it seemed as if she saw into that strange, half—remembered world of palm-trees and white robes and dusky faces, and amidst them, looking upon her with ineffable love and tenderness, until all else faded from her sight, the face of a fair woman,—was it hers, so long, long dead, or that dear young mother's who was to her less a recollection than a dream?

Could it have been this vision that soothed her, so that she unclasped her hands and lifted her bowed head as if she had heard a voice whispering to her from that unknown world where she felt there was a spirit watching over her? At any rate, her face was never more serene than when she went to meeting with the two maiden ladies on the following day, Sunday, and heard the Rev. Mr. Stoker preach a sermon from Luke vii. 48, which made both the women shed tears, but especially so excited Miss Cynthia that she was in a kind of half-hysteric condition all the rest of the day.

After that Myrtle was quieter and more docile than ever before. Could it be, Miss Silence thought, that the Rev. Mr. Stoker's sermon had touched her hard heart? However that was, she did not once wear the stormy look with which she had often met the complaining remonstrances Miss Silence constantly directed against all the spontaneous movements of the youthful and naturally vivacious subject of her discipline.

June is an uncertain month, as everybody knows, and there were frosts in many parts of New England in the June of 1859. But there were also beautiful days and nights, and the sun was warm enough to be fast ripening the strawberries,—also certain plans which had been in flower some little time. Some preparations had been going on in a quiet way, so that at the right moment a decisive movement could be made. Myrtle knew how to use her needle, and always had a dexterous way of shaping any article of dress or ornament,—a natural gift not very rare, but sometimes very needful, as it was now.

On the morning of the 15th of June she was wandering by the shores of the river, some distance above The Poplars, when a boat came drifting along by her, evidently broken loose from its fastenings farther up the stream. It was common for such waifs to show themselves after heavy rains had swollen the river. They might have run the gauntlet of nobody could tell how many farms, and perhaps passed by half a dozen towns and villages in the night, so that, if of common, cheap make, they were retained without scruple, by any who might find them, until the owner called for them, if he cared to take the trouble.

Myrtle took a knife from her pocket, cut down a long, slender sapling, and coaxed the boat to the side of the bank. A pair of old oars lay in the bottom of the boat; she took one of these and paddled it into a little cove, where it could lie hid among the thick alders. Then she went home and busied herself about various little matters more interesting to her than to us.

She was never more amiable and gracious than on this day. But she looked often at the clock, as they remembered afterwards, and studied over a copy of the Farmer's Almanac which was lying in the kitchen, with a somewhat singular interest. The days were nearly at their longest, the weather was mild, the night promised to be clear and bright.

The household was, to all appearance, asleep at the usual early hour. When all seemed quiet, Myrtle lighted her lamp, stood before her mirror, and untied the string that bound her long and beautiful dark hair, which fell in its abundance over her shoulders and below her girdle.

She lifted its heavy masses with one hand, and severed it with a strong pair of scissors, with remorseless exaction of every wandering curl, until she stood so changed by the loss of that outward glory of her womanhood, that she felt as if she had lost herself and found a brother she had never seen before.

"Good-by, Myrtle!" she said, and, opening her window very gently, she flung the shining tresses upon the running water, and watched them for a few moments as they floated down the stream. Then she dressed herself in the character of her imaginary brother, took up the carpet-bag in which she had placed what she chose to carry with her, stole softly down-stairs, and let herself out of a window on the lower floor, shutting it very carefully so as to be sure that nobody should be disturbed.

She glided along, looking all about her, fearing she might be seen by some curious wanderer, and reached the cove where the boat she had concealed was lying. She got into it, and, taking the rude oars, pulled herself into the middle of the swollen stream. Her heart beat so that it seemed to her as if she could hear it between the strokes of the oar. The lights were not all out in the village, and she trembled lest she should see the figure of some watcher looking from the windows in sight of which she would have to pass, and that a glimpse of this boat stealing along at so late an hour might give the clue to the secret of her disappearance, with which the whole region was to be busied in the course of the next day.

Presently she came abreast of The Poplars. The house lay so still, so peaceful,—it would wake to such dismay! The boat slid along beneath her own overhanging chamber.

"No song to-morrow from the Fire-hang-bird's Nest!" she said. So she floated by the slumbering village, the flow of the river carrying her steadily on, and the careful strokes of the oars adding swiftness to her flight.

At last she came to the "Broad Meadows," and knew that she was alone, and felt confident that she had got away unseen. There was nothing, absolutely nothing, to point out which way she had gone. Her boat came from nobody knew where, her disguise had been got together at different times in such a manner as to lead to no suspicion, and not a human being ever had the slightest hint that she had planned and meant to carry out the enterprise which she had now so fortunately begun.

Not till the last straggling house had been long past, not till the meadows were stretched out behind her as well as before her, spreading far off into the distance on each side, did she give way to the sense of wild exultation which was coming fast over her. But then, at last, she drew a long, long breath, and, standing up in the boat, looked all around her. The stars were shining over her head and deep down beneath her. The cool wind came fresh upon her cheek over the long grassy reaches. No living thing moved in all the wide level circle which lay about her. She had passed the Red Sea, and was alone in the Desert.

She threw down her oars, lifted her hands like a priestess, and her strong, sweet voice burst into song,—the song of the Jewish maiden when she went out before the chorus of, women and sang that grand solo, which we all remember in its ancient words, and in their modern paraphrase,

"Sound the loud timbrel o'er Egypt's dark sea! Jehovah hath triumphed, his people are free!"

The poor child's repertory was limited to songs of the religious sort mainly, but there was a choice among these. Her aunt's favorites, beside "China," already mentioned, were "Bangor," which the worthy old New England clergyman so admired that he actually had the down-east city called after it, and "Windsor," and "Funeral Hymn." But Myrtle was in no mood for these. She let off her ecstasy in "Balerma," and "Arlington," and "Silver Street," and at last in that most riotous of devotional hymns, which sounds as if it had been composed by a saint who had a cellar under his chapel,—"Jordan." So she let her wild spirits run loose; and then a tenderer feeling stole over her, and she sang herself into a more tranquil mood with the gentle music of "Dundee." And again she pulled quietly and steadily at her oars, until she reached the wooded region through which the river winds after leaving the "Broad Meadows."

The tumult in her blood was calmed, yet every sense and faculty was awake to the manifold delicious, mysterious impressions of that wonderful June night, The stars were shining between the tall trees, as if all the jewels of heaven had been set in one belt of midnight sky. The voices of the wind, as they sighed through the pines, seemed like the breath of a sleeping child, and then, as they lisped from the soft, tender leaves of beeches and maples, like the half-articulate whisper of the mother hushing all the intrusive sounds that might awaken it. Then came the pulsating monotone of the frogs from a far-off pool, the harsh cry of an owl from an old tree that overhung it, the splash of a mink or musquash, and nearer by, the light step of a woodchuck, as he cantered off in his quiet way to his hole in the nearest bank. The laurels were just coming into bloom,—the yellow lilies, earlier than their fairer sisters, pushing their golden cups through the water, not content, like those, to float on the surface of the stream that fed them, emblems of showy wealth, and, like that, drawing all manner of insects to feed upon them. The miniature forests of ferns came down to the edge of the stream, their tall, bending plumes swaying in the night breeze. Sweet odors from oozing pines, from dewy flowers, from spicy leaves, stole out of the tangled thickets, and made the whole scene more dream-like with their faint, mingled suggestions.

By and by the banks of the river grew lower and marshy, and in place of the larger forest-trees which had covered them stood slender tamaracks, sickly, mossy, looking as if they had been moon-struck and were out of their wits, their tufts of leaves staring off every way from their spindling branches. The winds came cool and damp out of the hiding-places among their dark recesses. The country people about here called this region the "Witches' Hollow," and had many stories about the strange things that happened there. The Indians used to hold their "powwows," or magical incantations, upon a broad mound which rose out of the common level, and where some old hemlocks and beeches formed a dark grove, which served them as a temple for their demon-worship. There were many legends of more recent date connected with this spot, some of them hard to account for, and no superstitious or highly imaginative person would have cared to pass through it alone in the dead of the night, as this young girl was doing.

She knew nothing of all these fables and fancies. Her own singular experiences in this enchanted region were certainly not suggested by anything she had heard, and may be considered psychologically curious by those who would not think of attributing any mystical meaning to them. We are at liberty to report many things without attempting to explain them, or committing ourselves to anything beyond the fact that so they were told us. The reader will find Myrtle's "Vision," as written out at a later period from her recollections, at the end of this chapter.

The night was passing, and she meant to be as far away as possible from the village she had left, before morning. But the boat, like all craft on country rivers, was leaky, and she had to work until tired, bailing it out, before she was ready for another long effort. The old tin measure, which was all she had to bail with, leaked as badly as the boat, and her task was a tedious one. At last she got it in good trim, and sat down to her oars with the determination to pull steadily as long as her strength would hold out.

Hour after hour she kept at her work, sweeping round the long bends where the river was hollowing out one bank and building new shore on the opposite one, so as gradually to shift its channel; by clipper-shaped islands, sharp at the bows looking up stream, sharp too at the stern, looking down,—their shape solving the navigator's problem of least resistance, as a certain young artist had pointed out; by slumbering villages; by outlying farm-houses; between cornfields where the young plants were springing up in little thready fountains; in the midst of stumps where the forest had just been felled; through patches, where the fire of the last great autumnal drought had turned all the green beauty of the woods into brown desolation; and again amidst broad expanses of open meadow stretching as far as the eye could reach in the uncertain light. A faint yellow tinge was beginning to stain the eastern horizon. Her boat was floating quietly along, for she had at last taken in her oars, and she was now almost tired out with toil and excitement. She rested her head upon her hands, and felt her eyelids closing in spite of herself. And now there stole upon her ear a low, gentle, distant murmur, so soft that it seemed almost to mingle with the sound of her own breathing, but so steady, so uniform, that it soothed her to sleep, as if it were the old cradle-song the ocean used to sing to her, or the lullaby of her fair young mother.

So she glided along, slowly, slowly, down the course of the winding river, and the flushing dawn kindled around her as she slumbered, and the low, gentle murmur grew louder and louder, but still she slept, dreaming of the murmuring ocean.



APPENDIX TO CHAPTER VIII.

MYRTLE HAZARD'S STATEMENT.

"A Vision seen by me, Myrtle Hazard, aged fifteen, on the night of June 15, 1859. Written out at the request of a friend from my recollections.

"The place where I saw these sights is called, as I have been told since, Witches' Hollow. I had never been there before, and did not know that it was called so, or anything about it.

"The first strange thing that I noticed was on coming near a kind of hill or mound that rose out of the low meadows. I saw a burning cross lying on the slope of that mound. It burned with a pale greenish light, and did not waste, though I watched it for a long time, as the boat I was in moved slowly with the current and I had stopped rowing.

"I know that my eyes were open, and I was awake while I was looking at this cross. I think my eyes were open when I saw these other appearances, but I felt just as if I were dreaming while awake.

"I heard a faint rustling sound, and on looking up I saw many figures moving around me, and I seemed to see myself among them as if I were outside of myself.

"The figures did not walk, but slid or glided with an even movement, as if without any effort. They made many gestures, and seemed to speak, but I cannot tell whether I heard what they said, or knew its meaning in some other way.

"I knew the faces of some of these figures. They were the same I have seen in portraits, as long as I can remember, at the old house where I was brought up, called The Poplars. I saw my father and my mother as they look in the two small pictures; also my grandmother, and her father and mother and grandfather, and one other person, who lived a great while ago. All of these have been long dead, and the longer they had been dead the less like substance they looked and the more like shadows, so that the oldest was like one's breath of a frosty morning, but shaped like the living figure.

"There was no motion of their breasts, and their lips seemed to be moving as if they were saying, Breath! Breath! Breath! I thought they wanted to breathe the air of this world again in my shape, which I seemed to see as it were empty of myself and of these other selves, like a sponge that has water pressed out of it.

"Presently it seemed to me that I returned to myself, and then those others became part of me by being taken up, one by one, and so lost in my own life.

"My father and mother came up, hand in hand, looking more real than any of the rest. Their figures vanished, and they seemed to have become a part of me; for I felt all at once the longing to live over the life they had led, on the sea and in strange countries.

"Another figure was just like the one we called the Major, who was a very strong, hearty-looking man, and who is said to have drank hard sometimes, though there is nothing about it on his tombstone, which I used to read in the graveyard. It seemed to me that there was something about his life that I did not want to make a part of mine, but that there was some right he had in me through my being of his blood, and so his health and his strength went all through me, and I was always to have what was left of his life in that shadow-like shape, forming a portion of mine.

"So in the same way with the shape answering to the portrait of that famous beauty who was the wife of my great-grandfather, and used to be called the Pride of the County.

"And so too with another figure which had the face of that portrait marked on the back, Ruth Bradford, who married one of my ancestors, and was before the court, as I have heard, in the time of the witchcraft trials.

"There was with the rest a dark, wild-looking woman, with a head-dress of feathers. She kept as it were in shadow, but I saw something of my own features in her face.

"It was on my mind very strongly that the shape of that woman of our blood who was burned long ago by the Papists came very close to me, and was in some way made one with mine, and that I feel her presence with me since, as if she lived again in me; but not always,—only at times,—and then I feel borne up as if I could do anything in the world. I had a feeling as if she were my guardian and protector.

"It seems to me that these, and more, whom I have not mentioned, do really live over some part of their past lives in my life. I do not understand it all, and perhaps it can be accounted for in some way I have not thought of. I write it down as nearly as I can give it from memory, by request, and if it is printed at this time had rather have all the real names withheld.

"MYRTLE HAZARD."

NOTE BY THE FRIEND.

"This statement must be accounted for in some way, or pass into the category of the supernatural. Probably it was one of those intuitions, with objective projection, which sometimes come to imaginative young persons, especially girls, in certain exalted nervous conditions. The study of the portraits, with the knowledge of some parts of the history of the persons they represented, and the consciousness of instincts inherited in all probability from these same ancestors, formed the basis of Myrtle's 'Vision.' The lives of our progenitors are, as we know, reproduced in different proportions in ourselves. Whether they as individuals have any consciousness of it, is another matter. It is possible that they do get a second as it were fractional life in us. It might seem that many of those whose blood flows in our veins struggle for the mastery, and by and by one or more get the predominance, so that we grow to be like father, or mother, or remoter ancestor, or two or more are blended in us, not to the exclusion, however, it must be understood, of a special personality of our own, about which these others are grouped. Independently of any possible scientific value, this 'Vision' serves to illustrate the above-mentioned fact of common experience, which is not sufficiently weighed by most moralists.

"How much it may be granted to certain young persons to see, not in virtue of their intellectual gifts, but through those direct channels which worldly wisdom may possibly close to the luminous influx, each reader must determine for himself by his own standards of faith and evidence.

"One statement of the narrative admits of a simple natural explanation, which does not allow the lovers of the marvellous to class it with the quasi-miraculous appearance seen by Colonel Gardiner, and given in full by Dr. Doddridge in his Life of that remarkable Christian soldier. Decaying wood is often phosphorescent, as many readers must have seen for themselves. The country people are familiar with the sight of it in wild timber-land, and have given it the name of 'Fox-fire.' Two trunks of trees in this state, lying across each other, will account for the fact observed, and vindicate the truth of the young girl's story without requiring us to suppose any exceptional occurrence outside of natural laws."



CHAPTER IX.

MR. CLEMENT LINDSAY RECEIVES A LETTER, AND BEGINS HIS ANSWER.

It was already morning when a young man living in the town of Alderbank, after lying awake for an hour thinking the unutterable thoughts that nineteen years of life bring to the sleeping and waking dreams of young people, rose from his bed, and, half dressing himself, sat down at his desk, from which he took a letter, which he opened and read. It was written in a delicate, though hardly formed female hand, and crossed like a checker-board, as is usual with these redundant manuscripts. The letter was as follows:

OXBOW VILLAGE, June 13, 1859.

MY DEAREST CLEMENT,—You was so good to write me such a sweet little bit of a letter,—only, dear, you never seem to be in quite so good spirits as you used to be. I wish your Susie was with you to cheer you up; but no, she must be patient, and you must be patient too, for you are so ambitious! I have heard you say so many times that nobody could be a great artist without passing years and years at work, and growing pale and lean with thinking so hard. You won't grow pale and lean, I hope; for I do so love to see that pretty color in your cheeks you have always had ever since I have known you; and besides, I do not believe you will have to work so very hard to do something great,—you have so much genius, and people of genius do such beautiful things with so little trouble. You remember those beautiful lines out of our newspaper I sent you? Well, Mr. Hopkins told me he wrote those lines in one evening without stopping! I wish you could see Mr. Hopkins,—he is a very talented person. I cut out this little piece about him from the paper on purpose to show you,—for genius loves genius,—and you would like to hear him read his own poetry,—he reads it beautifully. Please send this piece from the paper back, as I want to put it in my scrapbook, under his autograph:—

"Our young townsman, Mr. Gifted Hopkins, has proved himself worthy of the name he bears. His poetical effusions are equally creditable to his head and his heart, displaying the highest order of genius and powers of imagination and fancy hardly second to any writer of the age. He is destined to make a great sensation in the world of letters."

Mrs. Hopkins is the same good soul she always was. She is very proud of her son, as is natural, and keeps a copy of everything he writes. I believe she cries over them every time she reads them. You don't know how I take to little Sossy and Minthy, those two twins I have written to you about before. Poor little creatures,—what a cruel thing it was in their father and mother not to take care of them! What do you think? Old bachelor Gridley lets them come up into his room, and builds forts and castles for them with his big books! "The world's coming to an end," Mrs. Hopkins said the first time he did so. He looks so savage with that scowl of his, and talks so gruff when he is scolding at things in general, that nobody would have believed he would have let such little things come anywhere near him. But he seems to be growing kind to all of us and everybody. I saw him talking to the Fire-hang-bird the other day. You know who the Fire-hang-bird is, don't you? Myrtle Hazard her name is. I wish you could see her. I don't know as I do, though. You would want to make a statue of her, or a painting, I know. She is so handsome that all the young men stand round to see her come out of meeting. Some say that Lawyer Bradshaw is after her; but my! he is ten years older than she is. She is nothing but a girl, though she looks as if she was eighteen. She lives up at a place called The Poplars, with an old woman that is her aunt or something, and nobody seems to be much acquainted with her except Olive Eveleth, who is the minister's daughter at Saint Bartholomew's Church. She never has beauxs round her, as some young girls do—they say that she is not happy with her aunt and another woman that stays with her, and that is the reason she keeps so much to herself. The minister came to see me the other day,—Mr. Stoker his name is. I was all alone, and it frightened me, for he looks, oh, so solemn on Sundays! But he called me "My dear," and did n't say anything horrid, you know, about my being such a dreadful, dreadful sinner, as I have heard of his saying to some people,—but he looked very kindly at me, and took my hand, and laid his hand on my shoulder like a brother, and hoped I would come and see him in his study. I suppose I must go, but I don't want to. I don't seem to like him exactly.

I hope you love me as well as ever you did. I can't help feeling sometimes as if you was growing away from me,—you know what I mean,—getting to be too great a person for such a small person as I am.

I know I can't always understand you when you talk about art, and that you know a great deal too much for such a simple girl as I am. Oh, if I thought I could never make you happy!... There, now! I am almost ashamed to send this paper so spotted. Gifted Hopkins wrote some beautiful verses one day on "A Maiden Weeping." He compared the tears falling from her eyes to the drops of dew which one often sees upon the flowers in the morning. Is n't it a pretty thought?

I wish I loved art as well as I do poetry; but I am afraid I have not so much taste as some girls have. You remember how I liked that picture in the illustrated magazine, and you said it was horrid. I have been afraid since to like almost anything, for fear you should tell me some time or other it was horrid. Don't you think I shall ever learn to know what is nice from what is n't?

Oh, dear Clement, I wish you would do one thing to please me. Don't say no, for you can do everything you try to,—I am sure you can. I want you to write me some poetry,—just three or four little verses TO SUZIE. Oh, I should feel so proud to have some lines written all on purpose for me. Mr. Hopkins wrote some the other day, and printed them in the paper, "To M—-e." I believe he meant them for Myrtle,—the first and last letter of her name, you see, "M" and "e."

Your letter was a dear one, only so short! I wish you would tell me all about what you are doing at Alderbank. Have you made that model of Innocence that is to have my forehead, and hair parted like mine! Make it pretty, do, that is a darling.

Now don't make a face at my letter. It is n't a very good one, I know; but your poor little Susie does the best she can, and she loves you so much!

Now do be nice and write me one little bit of a mite of a poem,—it will make me just as happy!

I am very well, and as happy as I can be when you are away.

Your affectionate SUSIE.

(Directed to Mr. Clement Lindsay, Alderbank.)

The envelope of this letter was unbroken, as was before said, when the young man took it from his desk. He did not tear it with the hot impatience of some lovers, but cut it open neatly, slowly, one would say sadly. He read it with an air of singular effort, and yet with a certain tenderness. When he had finished it, the drops were thick on his forehead; he groaned and put his hands to his face, which was burning red.

This was what the impulse of boyhood, years ago, had brought him to! He was a stately youth, of noble bearing, of high purpose, of fastidious taste; and, if his broad forehead, his clear, large blue eyes, his commanding features, his lips, firm, yet plastic to every change of thought and feeling, were not an empty mask, might not improbably claim that Promethean quality of which the girl's letter had spoken,—the strange, divine, dread gift of genius.

This poor, simple, innocent, trusting creature, so utterly incapable of coming into any true relation with his aspiring mind, his large and strong emotions,—this mere child, all simplicity and goodness, but trivial and shallow as the little babbling brooklet that ran by his window to the river, to lose its insignificant being in the swift torrent he heard rushing over the rocks,—this pretty idol for a weak and kindly and easily satisfied worshipper, was to be enthroned as the queen of his affections, to be adopted as the companion of his labors! The boy, led by the commonest instinct, the mere attraction of biped to its female, which accident had favored, had thrown away the dearest possession of manhood,—liberty,—and this bauble was to be his lifelong reward! And yet not a bauble either, for a pleasing person and a gentle and sweet nature, which had once made her seem to him the very paragon of loveliness, were still hers. Alas! her simple words were true,—he had grown away from her. Her only fault was that she had not grown with him, and surely he could not reproach her with that.

"No," he said to himself, "I will never leave her so long as her heart clings to me. I have been rash, but she shall not pay the forfeit. And if I may think of myself, my life need not be wretched because she cannot share all my being with me. The common human qualities are more than all exceptional gifts. She has a woman's heart; and what talent of mine is to be named by the love a true woman can offer in exchange for these divided and cold affections? If it had pleased God to mate me with one more equal in other ways, who could share my thoughts, who could kindle my inspiration, who had wings to rise into the air with me as well as feet to creep by my side upon the earth,—what cannot such a woman do for a man!

"What! cast away the flower I took in the bud because it does not show as I hoped it would when it opened? I will stand by my word; I will be all as a man that I promised as a boy. Thank God, she is true and pure and sweet. My nest will be a peaceful one; but I must take wing alone,—alone."

He drew one long sigh, and the cloud passed from his countenance. He must answer that letter now, at once. There were reasons, he thought, which made it important. And so, with the cheerfulness which it was kind and becoming to show, so far as possible, and yet with a little excitement on one particular point, which was the cause of his writing so promptly, he began his answer.

ALDERBANK, Thursday morning, June 16, 1859.

MY DEAR SUSIE,—I have just been reading your pleasant letter; and if I do not send you the poem you ask for so eloquently, I will give you a little bit of advice, which will do just as well,—won't it, my dear? I was interested in your account of various things going on at Oxbow Village. I am very glad you find young Mr. Hopkins so agreeable a friend. His poetry is better than some which I see printed in the village papers, and seems generally unexceptionable in its subjects and tone. I do not believe he is a dangerous companion, though the habit of writing verse does not always improve the character. I think I have seen it make more than one of my acquaintances idle, conceited, sentimental, and frivolous,—perhaps it found them so already. Don't make too much of his talent, and particularly don't let him think that because he can write verses he has nothing else to do in this world. That is for his benefit, dear, and you must skilfully apply it.

Now about yourself. My dear Susie, there was something in your letter that did not please me. You speak of a visit from the Rev. Mr. Stoker, and of his kind, brotherly treatment, his cordiality of behavior, and his asking you to visit him in his study. I am very glad to hear you say that you "don't seem to like him." He is very familiar, it seems to me, for so new an acquaintance. What business had he to be laying his hand on your shoulder? I should like to see him try these free-and-easy ways in my presence! He would not have taken that liberty, my dear! No, he was alone with you, and thought it safe to be disrespectfully familiar. I want you to maintain your dignity always with such persons, and I beg you not to go to the study of this clergyman, unless some older friend goes with you on every occasion, and sits through the visit. I must speak plainly to you, my dear, as I have a right to. If the minister has anything of importance to say, let it come through the lips of some mature person. It may lose something of the fervor with which it would have been delivered at first hand, but the great rules of Christian life are not so dependent on the particular individual who speaks them, that you must go to this or that young man to find out what they are. If to any man, I should prefer the old gentleman whom you have mentioned in your letters, Father Pemberton. You understand me, my dear girl, and the subject is not grateful. You know how truly I am interested in all that relates to you,—that I regard you with an affection which—

HELP! HELP! HELP!

A cry as of a young person's voice was heard faintly, coming from the direction of the river. Something in the tone of it struck to his heart, and he sprang as if he had been stabbed. He flung open his chamber window and leaped from it to the ground. He ran straight to the bank of the river by the side of which the village of Alderbank was built, a little farther down the stream than the house in which he was living.

Everybody that travels in that region knows the beautiful falls which break the course of the river just above the village; narrow and swift, and surrounded by rocks of such picturesque forms that they are sought and admired by tourists. The stream was now swollen, and rushed in a deep and rapid current over the ledges, through the rocky straits, plunging at last in tumult and foam, with loud, continuous roar, into the depths below the cliff from which it tumbled.

A short distance above the fall there projected from the water a rock which had, by parsimonious saving during a long course of years, hoarded a little soil, out of which a small tuft of bushes struggled to support a decent vegetable existence. The high waters had nearly submerged it, but a few slender twigs were seen above their surface.

A skiff was lying close to this rock, between it and the brink of the fall, which was but a few rods farther down. In the skiff was a youth of fourteen or fifteen years, holding by the slender twigs, the boat dragging at them all the time, and threatening to tear them away and go over the fall. It was not likely that the boy would come to shore alive if it did. There were stories, it is true, that the Indians used to shoot the fall in their canoes with safety; but everybody knew that at least three persons had been lost by going over it since the town was settled; and more than one dead body had been found floating far down the river, with bruises and fractured bones, as if it had taken the same fatal plunge.

There was no time to lose. Clement ran a little way up the river-bank, flung off his shoes, and sprang from the bank as far as he could leap into the water. The current swept him toward the fall, but he worked nearer and nearer the middle of the stream. He was making for the rock, thinking he could plant his feet upon it and at the worst hold the boat until he could summon other help by shouting. He had barely got his feet upon the rock, when the twigs by which the boy was holding gave way. He seized the boat, but it dragged him from his uncertain footing, and with a desperate effort he clambered over its side and found himself its second doomed passenger.

There was but an instant for thought.

"Sit still," he said, "and, just as we go over, put your arms round me under mine, and don't let go for your life!"

He caught up the single oar, and with a few sharp paddle-strokes brought the skiff into the blackest centre of the current, where it was deepest, and would plunge them into the deepest pool.

"Hold your breath! God save us! Now!"

They rose, as if with one will, and stood for an instant, the arms of the younger closely embracing the other as he had directed.

A sliding away from beneath them of the floor on which they stood, as the drop fails under the feet of a felon. A great rush of air, and a mighty, awful, stunning roar,—an involuntary gasp, a choking flood of water that came bellowing after them, and hammered them down into the black depths so far that the young man, though used to diving and swimming long distances underwater, had well-nigh yielded to the fearful need of air, and sucked in his death in so doing.

The boat came up to the surface, broken in twain, splintered, a load of firewood for those who raked the river lower down. It had turned crosswise, and struck the rocks. A cap rose to the surface, such a one as boys wear,—the same that boy had on. And then—after how many seconds by the watch cannot be known, but after a time long enough, as the young man remembered it, to live his whole life over in memory—Clement Lindsay felt the blessed air against his face, and, taking a great breath, came to his full consciousness. The arms of the boy were still locked around him as in the embrace of death. A few strokes brought him to the shore, dragging his senseless burden with him.

He unclasped the arms that held him so closely encircled, and laid the slender form of the youth he had almost died to save gently upon the grass. It was as if dead. He loosed the ribbon that was round the neck, he tore open the checked shirt—

The story of Myrtle Hazard's sex was told; but she was deaf to his cry of surprise, and no blush came to her cold cheek. Not too late, perhaps, to save her,—not too late to try to save her, at least!

He placed his lips to hers, and filled her breast with the air from his own panting chest. Again and again he renewed these efforts, hoping, doubting, despairing,—once more hoping, and at last, when he had almost ceased to hope, she gasped, she breathed, she moaned, and rolled her eyes wildly round her, she was born again into this mortal life.

He caught her up in his arms, bore her to the house, laid her on a sofa, and, having spent his strength in this last effort, reeled and fell, and lay as one over whom have just been whispered the words,

"He is gone."



CHAPTER X.

MR. CLEMENT LINDSAY FINISHES HIS LETTER—WHAT CAME OF IT.

The first thing Clement Lindsay did, when he was fairly himself again, was to finish his letter to Susan Posey. He took it up where it left off, "with an affection which——" and drew a long dash, as above. It was with great effort he wrote the lines which follow, for he had got an ugly blow on the forehead, and his eyes were "in mourning," as the gentlemen of the ring say, with unbecoming levity.

"An adventure! Just as I was writing these last words, I heard the cry of a young person, as it sounded, for help. I ran to the river and jumped in, and had the pleasure of saving a life. I got some bruises which have laid me up for a day or two; but I am getting over them very well now, and you need not worry about me at all. I will write again soon; so pray do not fret yourself, for I have had no hurt that will trouble me for any time."

Of course, poor Susan Posey burst out crying, and cried as if her heart would break. Oh dear! Oh dear! what should she do! He was almost killed, she knew he was, or he had broken some of his bones. Oh dear! Oh dear! She would go and see him, there!—she must and would. He would die, she knew he would,—and so on.

It was a singular testimony to the evident presence of a human element in Mr. Bytes Gridley that the poor girl, on her extreme trouble, should think of him as a counsellor. But the wonderful relenting kind of look on his grave features as he watched the little twins tumbling about his great books, and certain marks of real sympathy he had sometimes shown for her in her lesser woes, encouraged her, and she went straight to his study, letter in hand. She gave a timid knock at the door of that awful sanctuary.

"Come in, Susan Posey," was its answer, in a pleasant tone. The old master knew her light step and the maidenly touch of her small hand on the panel.

What a sight! 'there were Sossy and Minthy intrenched in a Sebastopol which must have cost a good half-hour's engineering, and the terrible Bytes Gridley besieging the fortress with hostile manifestations of the most singular character. He was actually discharging a large sugar-plum at the postern gate, which having been left unclosed, the missile would certainly have reached one of the garrison, when he paused as the door opened, and the great round spectacles and four wide, staring infants' eyes were levelled at Miss Susan Posey.

She almost forgot her errand, grave as it was, in astonishment at this manifestation. The old man had emptied his shelves of half their folios to build up the fort, in the midst of which he had seated the two delighted and uproarious babes. There was his Cave's "Historia Literaria," and Sir Walter Raleigh's "History of the World," and a whole array of Christian Fathers, and Plato, and Aristotle, and Stanley's book of Philosophers, with Effigies, and the Junta Galen, and the Hippocrates of Foesius, and Walton's Polyglot, supported by Father Sanchez on one side and Fox's "Acts and Monuments" on the other,—an odd collection, as folios from lower shelves are apt to be.

The besieger discharged his sugar-plum, which was so well aimed that it fell directly into the lap of Minthy, who acted with it as if the garrison had been on short rations for some time.

He saw at once, on looking up, that there was trouble. "What now, Susan Posey, my dear?"

"O Mr. Gridley, I am in such trouble! What shall I do? What shall I do?"

She turned back the name and the bottom of the letter in such a way that Mr. Gridley could read nothing but the few lines relating their adventure.

"So Mr. Clement Lindsay has been saving a life, has he, and got some hard knocks doing it, hey, Susan Posey? Well, well, Clement Lindsay is a brave fellow, and there is no need of hiding his name, my child. Let me take the letter again a moment, Susan Posey. What is the date of it? June 16th. Yes,—yes,—yes!"

He read the paragraph over again, and the signature too, if he wanted to; for poor Susan had found that her secret was hardly opaque to those round spectacles and the eyes behind them, and, with a not unbecoming blush, opened the fold of the letter before she handed it back.

"No, no, Susan Posey. He will come all right. His writing is steady, and if he had broken any bones he would have mentioned it. It's a thing his wife will be proud of, if he is ever married, Susan Posey," (blushes,) "and his children too," (more blushes running up to her back hair,) "and there 's nothing to be worried about. But I'll tell you what, my dear, I've got a little business that calls me down the river tomorrow, and I shouldn't mind stopping an hour at Alderbank and seeing how our young friend Clement Lindsay is; and then, if he was going to have a long time of it, why we could manage it somehow that any friend who had any special interest in him could visit him, just to while away the tiresomeness of being sick. That's it, exactly. I'll stop at Alderbank, Susan Posey. Just clear up these two children for me, will you, my dear? Isosceles, come now,—that 's a good child. Helminthia, carry these sugar-plums down—stairs for me, and take good care of them, mind!"