"That's it,—that's it, young man," the Deacon broke in,—"Natur' and Grace,—Natur' and Grace. Nobody ever knew better what those two words meant than Scott did, and I'm very glad to see—you've chosen such good wholesome reading. You can't set up too late, young man, to read Scott. If I had twenty children, they should all begin reading Scott as soon as they were old enough to spell sin,—and that's the first word my little ones learned, next to 'pa' and I 'ma.' Nothing like beginning the lessons of life in good season."

"What a grim old satirist!" Clement said to himself. "I wonder if the old man reads other novelists.—Do tell me, Deacon, if you have read Thackeray's last story?"

"Thackeray's story? Published by the American Tract Society?"

"Not exactly," Clement answered, smiling, and quite delighted to find such an unexpected vein of grave pleasantry about the demure-looking church-dignitary; for the Deacon asked his question without moving a muscle, and took no cognizance whatever of the young man's tone and smile. First-class humorists are, as is well known, remarkable for the immovable solemnity of their features. Clement promised himself not a little amusement from the curiously sedate drollery of the venerable Deacon, who, it was plain from his conversation, had cultivated a literary taste which would make him a more agreeable companion than the common ecclesiastics of his grade in country villages.

After breakfast, Mr. Clement walked forth in the direction of Mrs. Hopkins's house, thinking as he went of the pleasant surprise his visit would bring to his longing and doubtless pensive Susan; for though she knew he was coming, she did not know that he was at that moment in Oxbow Village.

As he drew near the house, the first thing he saw was Susan Posey, almost running against her just as he turned a corner. She looked wonderfully lively and rosy, for the weather was getting keen and the frosts had begun to bite. A young gentleman was walking at her side, and reading to her from a paper he held in his hand. Both looked deeply interested,—so much so that Clement felt half ashamed of himself for intruding upon them so abruptly.

But lovers are lovers, and Clement could not help joining them. The first thing, of course, was the utterance of two simultaneous exclamations, "Why, Clement!" "Why, Susan!" What might have come next in the programme, but for the presence of a third party, is matter of conjecture; but what did come next was a mighty awkward look on the part of Susan Posey, and the following short speech: "Mr. Lindsay, let me introduce Mr. Hopkins, my friend, the poet I 've written to you about. He was just reading two of his poems to me. Some other time, Gifted—Mr. Hopkins."

"Oh no, Mr. Hopkins,—pray go on," said Clement. "I 'm very fond of poetry."

The poet did not require much urging, and began at once reciting over again the stanzas which were afterwards so much admired in the "Banner and Oracle,"—the first verse being, as the readers of that paper will remember,

"She moves in splendor, like the ray That flashes from unclouded skies, And all the charms of night and day Are mingled in her hair and eyes."

Clement, who must have been in an agony of impatience to be alone with his beloved, commanded his feelings admirably. He signified his approbation of the poem by saying that the lines were smooth and the rhymes absolutely without blemish. The stanzas reminded him forcibly of one of the greatest poets of the century.

Gifted flushed hot with pleasure. He had tasted the blood of his own rhymes; and when a poet gets as far as that, it is like wringing the bag of exhilarating gas from the lips of a fellow sucking at it, to drag his piece away from him.

"Perhaps you will like these lines still better," he said; "the style is more modern:—

"'O daughter of the spiced South, Her bubbly grapes have spilled the wine That staineth with its hue divine The red flower of thy perfect mouth.'"

And so on, through a series of stanzas like these, with the pulp of two rhymes between the upper and lower crust of two others.

Clement was cornered. It was necessary to say something for the poet's sake,—perhaps for Susan's; for she was in a certain sense responsible for the poems of a youth of genius, of whom she had spoken so often and so enthusiastically.

"Very good, Mr. Hopkins, and a form of verse little used, I should think, until of late years. You modelled this piece on the style of a famous living English poet, did you not?"

"Indeed I did not, Mr. Lindsay,—I never imitate. Originality is, if I may be allowed to say so much for myself, my peculiar forte. Why, the critics allow as much as that. See here, Mr. Lindsay."

Mr. Gifted Hopkins pulled out his pocket-book, and, taking therefrom a cutting from a newspaper,—which dropped helplessly open of itself, as if tired of the process, being very tender in the joints or creases, by reason of having been often folded and unfolded read aloud as follows:

"The bard of Oxbow Pillage—our valued correspondent who writes over the signature of G. H.—is, in our opinion, more remarkable for his originality than for any other of his numerous gifts."

Clement was apparently silenced by this, and the poet a little elated with a sense of triumph. Susan could not help sharing his feeling of satisfaction, and without meaning it in the least, nay, without knowing it, for she was as simple and pure as new milk, edged a little bit—the merest infinitesimal atom—nearer to Gifted Hopkins, who was on one side of her, while Clement walked on the other. Women love the conquering party,—it is the way of their sex. And poets, as we have seen, are well-nigh irresistible when they exert their dangerous power of fascination upon the female heart. But Clement was above jealousy; and, if he perceived anything of this movement, took no notice of it.

He saw a good deal of his pretty Susan that day. She was tender in her expressions and manners as usual, but there was a little something in her looks and language from time to time that Clement did not know exactly what to make of. She colored once or twice when the young poet's name was mentioned. She was not so full of her little plans for the future as she had sometimes been, "everything was so uncertain," she said. Clement asked himself whether she felt quite as sure that her attachment would last as she once did. But there were no reproaches, not even any explanations, which are about as bad between lovers. There was nothing but an undefined feeling on his side that she did not cling quite so closely to him, perhaps, as he had once thought, and that, if he had happened to have been drowned that day when he went down with the beautiful young woman, it was just conceivable that Susan, who would have cried dreadfully, no doubt, would in time have listened to consolation from some other young man,—possibly from the young poet whose verses he had been admiring. Easy-crying widows take new husbands soonest; there is nothing like wet weather for transplanting, as Master Gridley used to say. Susan had a fluent natural gift for tears, as Clement well knew, after the exercise of which she used to brighten up like the rose which had been washed, just washed in a shower, mentioned by Cowper.

As for the poet, he learned more of his own sentiments during this visit of Clement's than he had ever before known. He wandered about with a dreadfully disconsolate look upon his countenance. He showed a falling-off in his appetite at tea-time, which surprised and disturbed his mother, for she had filled the house with fragrant suggestions of good things coming, in honor of Mr. Lindsay, who was to be her guest at tea. And chiefly the genteel form of doughnut called in the native dialect cymbal (Qu. Symbol? B. G.) which graced the board with its plastic forms, suggestive of the most pleasing objects,—the spiral ringlets pendent from the brow of beauty; the magic circlet, which is the pledge of plighted affection,—the indissoluble knot, which typifies the union of hearts, which organs were also largely represented; this exceptional delicacy would at any other time have claimed his special notice. But his mother remarked that he paid little attention to these, and his, "No, I thank you," when it came to the preserved "damsels," as some call them, carried a pang with it to the maternal bosom. The most touching evidence of his unhappiness—whether intentional or the result of accident was not evident was a broken heart, which he left upon his plate, the meaning of which was as plain as anything in the language of flowers. His thoughts were gloomy during that day, running a good deal on the more picturesque and impressive methods of bidding a voluntary farewell to a world which had allured him with visions of beauty only to snatch them from his impassioned gaze. His mother saw something of this, and got from him a few disjointed words, which led her to lock up the clothes-line and hide her late husband's razors,—an affectionate, yet perhaps unnecessary precaution, for self-elimination contemplated from this point of view by those who have the natural outlet of verse to relieve them is rarely followed by a casualty. It may rather be considered as implying a more than average chance for longevity; as those who meditate an—imposing finish naturally save themselves for it, and are therefore careful of their health until the time comes, and this is apt to be indefinitely postponed so long as there is a poem to write or a proof to be corrected.



CHAPTER XX. THE SECOND MEETING.

Miss Eveleth requests the pleasure of Mr. Lindsay's company to meet a few friends on the evening of the Feast of St. Ambrose, December 7th, Wednesday.

THE PARSONAGE, December 6th.

It was the luckiest thing in the world. They always made a little festival of that evening at the Rev. Ambrose Eveleth's, in honor of his canonized namesake, and because they liked to have a good time. It came this year just at the right moment, for here was a distinguished stranger visiting in the place. Oxbow Village seemed to be running over with its one extra young man,—as may be seen sometimes in larger villages, and even in cities of moderate dimensions.

Mr. William Murray Bradshaw had called on Clement the day after his arrival. He had already met the Deacon in the street, and asked some questions about his transient boarder.

A very interesting young man, the Deacon said, much given to the reading of pious books. Up late at night after he came, reading Scott's Commentary. Appeared to be as fond of serious works as other young folks were of their novels and romances and other immoral publications. He, the Deacon, thought of having a few religious friends to meet the young gentleman, if he felt so disposed; and should like to have him, Mr. Bradshaw, come in and take a part in the exercises.—Mr. Bradshaw was unfortunately engaged. He thought the young gentleman could hardly find time for such a meeting during his brief visit.

Mr. Bradshaw expected naturally to see a youth of imperfect constitution, and cachectic or dyspeptic tendencies, who was in training to furnish one of those biographies beginning with the statement that, from his infancy, the subject of it showed no inclination for boyish amusements, and so on, until he dies out, for the simple reason that there was not enough of him to live. Very interesting, no doubt, Master Byles Gridley would have said, but had no more to do with good, hearty, sound life than the history of those very little people to be seen in museums preserved in jars of alcohol, like brandy peaches.

When Mr. Clement Lindsay presented himself, Mr. Bradshaw was a good deal surprised to see a young fellow of such a mould. He pleased himself with the idea that he knew a man of mark at sight, and he set down Clement in that category at his first glance. The young man met his penetrating and questioning look with a frank, ingenuous, open aspect, before which he felt himself disarmed, as it were, and thrown upon other means of analysis. He would try him a little in talk.

"I hope you like these people you are with. What sort of a man do you find my old friend the Deacon?"

Clement laughed. "A very queer old character. Loves his joke as well, and is as sly in making it, as if he had studied Joe Miller instead of the Catechism."

Mr. Bradshaw looked at the young man to know what he meant. Mr. Lindsay talked in a very easy way for a serious young person. He was puzzled. He did not see to the bottom of this description of the Deacon. With a lawyer's instinct, he kept his doubts to himself and tried his witness with a new question.

"Did you talk about books at all with the old man?"

"To be sure I did. Would you believe it,—that aged saint is a great novel-reader. So he tells me. What is more, he brings up his children to that sort of reading, from the time when they first begin to spell. If anybody else had told me such a story about an old country deacon, I wouldn't have believed it; but he said so himself, to me, at breakfast this morning."

Mr. Bradshaw felt as if either he or Mr. Lindsay must certainly be in the first stage of mild insanity, and he did not think that he himself could be out of his wits. He must try one more question. He had become so mystified that he forgot himself, and began putting his interrogation in legal form.

"Will you state, if you please—I beg your pardon—may I ask who is your own favorite author?"

"I think just now I like to read Scott better than almost anybody."

"Do you mean the Rev. Thomas Scott, author of the Commentary?"

Clement stared at Mr. Bradshaw, and wondered whether he was trying to make a fool of him. The young lawyer hardly looked as if he could be a fool himself.

"I mean Sir Walter Scott," he said, dryly.

"Oh!" said Mr. Bradshaw. He saw that there had been a slight misunderstanding between the young man and his worthy host, but it was none of his business, and there were other subjects of interest to talk about.

"You know one of our charming young ladies very well, I believe, Mr. Lindsay. I think you are an old acquaintance of Miss Posey, whom we all consider so pretty."

Poor Clement! The question pierced to the very marrow of his soul, but it was put with the utmost suavity and courtesy, and honeyed with a compliment to the young lady, too, so that there was no avoiding a direct and pleasant answer to it.

"Yes," he said, "I have known the young lady you speak of for a long time, and very well,—in fact, as you must have heard, we are something more than friends. My visit here is principally on her account."

"You must give the rest of us a chance to see something of you during your visit, Mr. Lindsay. I hope you are invited to Miss Eveleth's to-morrow evening?"

"Yes, I got a note this morning. Tell me, Mr. Bradshaw, who is there that I shall meet if I go? I have no doubt there are girls here in the village I should like to see, and perhaps some young fellows that I should like to talk with. You know all that's prettiest and pleasantest, of course."

"Oh, we're a little place, Mr. Lindsay. A few nice people, the rest comme Va, you know. High-bush blackberries and low-bush black-berries,—you understand,—just so everywhere,—high-bush here and there, low-bush plenty. You must see the two parsons' daughters,—Saint Ambrose's and Saint Joseph's,—and another girl I want particularly to introduce you to. You shall form your own opinion of her. I call her handsome and stylish, but you have got spoiled, you know. Our young poet, too, one we raised in this place, Mr. Lindsay, and a superior article of poet, as we think,—that is, some of us, for the rest of us are jealous of him, because the girls are all dying for him and want his autograph. And Cyp,—yes, you must talk to Cyp,—he has ideas. But don't forget to get hold of old Byles Master Gridley I mean—before you go. Big head. Brains enough for a cabinet minister, and fit out a college faculty with what was left over. Be sure you see old Byles. Set him talking about his book, 'Thoughts on the Universe.' Did n't sell much, but has got knowing things in it. I'll show you a copy, and then you can tell him you know it, and he will take to you. Come in and get your dinner with me to-morrow. We will dine late, as the city folks do, and after that we will go over to the Rector's. I should like to show you some of our village people."

Mr. Bradshaw liked the thought of showing the young man to some of his friends there. As Clement was already "done for," or "bowled out," as the young lawyer would have expressed the fact of his being pledged in the matrimonial direction, there was nothing to be apprehended on the score of rivalry. And although Clement was particularly good-looking, and would have been called a distinguishable youth anywhere, Mr. Bradshaw considered himself far more than his match, in all probability, in social accomplishments. He expected, therefore, a certain amount of reflex credit for bringing such a fine young fellow in his company, and a second instalment of reputation from outshining him in conversation. This was rather nice calculating, but Murray Bradshaw always calculated. With most men life is like backgammon, half skill, and half luck, but with him it was like chess. He never pushed a pawn without reckoning the cost, and when his mind was least busy it was sure to be half a dozen moves ahead of the game as it was standing.

Mr. Bradshaw gave Clement a pretty dinner enough for such a place as Oxbow Village. He offered him some good wine, and would have made him talk so as to show his lining, to use one of his own expressions, but Clement had apparently been through that trifling experience, and could not be coaxed into saying more than he meant to say. Murray Bradshaw was very curious to find out how it was that he had become the victim of such a rudimentary miss as Susan Posey. Could she be an heiress in disguise? Why no, of course not; had not he made all proper inquiries about that when Susan came to town? A small inheritance from an aunt or uncle, or some such relative, enough to make her a desirable party in the eyes of certain villagers perhaps, but nothing to allure a man like this, whose face and figure as marketable possessions were worth say a hundred thousand in the girl's own right, as Mr. Bradshaw put it roughly, with another hundred thousand if his talent is what some say, and if his connection is a desirable one, a fancy price,—anything he would fetch. Of course not. Must have got caught when he was a child. Why the diavolo didn't he break it off, then?

There was no fault to find with the modest entertainment at the Parsonage. A splendid banquet in a great house is an admirable thing, provided always its getting up did not cost the entertainer an inward conflict, nor its recollection a twinge of economical regret, nor its bills a cramp of anxiety. A simple evening party in the smallest village is just as admirable in its degree, when the parlor is cheerfully lighted, and the board prettily spread, and the guests are made to feel comfortable without being reminded that anybody is making a painful effort.

We know several of the young people who were there, and need not trouble ourselves for the others. Myrtle Hazard had promised to come. She had her own way of late as never before; in fact, the women were afraid of her. Miss Silence felt that she could not be responsible for her any longer. She had hopes for a time that Myrtle would go through the customary spiritual paroxysm under the influence of the Rev. Mr. Stoker's assiduous exhortations; but since she had broken off with him, Miss Silence had looked upon her as little better than a backslider. And now that the girl was beginning to show the tendencies which seemed to come straight down to her from the belle of the last century, (whose rich physical developments seemed to the under-vitalized spinster as in themselves a kind of offence against propriety,) the forlorn woman folded her thin hands and looked on hopelessly, hardly venturing a remonstrance for fear of some new explosion. As for Cynthia, she was comparatively easy since she had, through Mr. Byles Gridley, upset the minister's questionable arrangement of religious intimacy. She had, in fact, in a quiet way, given Mr. Bradshaw to understand that he would probably meet Myrtle at the Parsonage if he dropped in at their small gathering. Clement walked over to Mrs. Hopkins's after his dinner with the young lawyer, and asked if Susan was ready to go with him. At the sound of his voice, Gifted Hopkins smote his forehead, and called himself, in subdued tones, a miserable being. His imagination wavered uncertain for a while between pictures of various modes of ridding himself of existence, and fearful deeds involving the life of others. He had no fell purpose of actually doing either, but there was a gloomy pleasure in contemplating them as possibilities, and in mentally sketching the "Lines written in Despair" which would be found in what was but an hour before the pocket of the youthful bard, G. H., victim of a hopeless passion. All this emotion was in the nature of a surprise to the young man. He had fully believed himself desperately in love with Myrtle Hazard; and it was not until Clement came into the family circle with the right of eminent domain over the realm of Susan's affections, that this unfortunate discovered that Susan's pretty ways and morning dress and love of poetry and liking for his company had been too much for him, and that he was henceforth to be wretched during the remainder of his natural life, except so far as he could unburden himself in song.

Mr. William Murray Bradshaw had asked the privilege of waiting upon Myrtle to the little party at the Eveleths. Myrtle was not insensible to the attractions of the young lawyer, though she had never thought of herself except as a child in her relations with any of these older persons. But she was not the same girl that she had been but a few months before. She had achieved her independence by her audacious and most dangerous enterprise. She had gone through strange nervous trials and spiritual experiences which had matured her more rapidly than years of common life would have done. She had got back her health, bringing with it a riper wealth of womanhood. She had found her destiny in the consciousness that she inherited the beauty belonging to her blood, and which, after sleeping for a generation or two as if to rest from the glare of the pageant that follows beauty through its long career of triumph, had come to the light again in her life, and was to repeat the legends of the olden time in her own history.

Myrtle's wardrobe had very little of ornament, such as the modistes of the town would have thought essential to render a young girl like her presentable. There were a few heirlooms of old date, however, which she had kept as curiosities until now, and which she looked over until she found some lace and other convertible material, with which she enlivened her costume a little for the evening. As she clasped the antique bracelet around her wrist, she felt as if it were an amulet that gave her the power of charming which had been so long obsolete in her lineage. At the bottom of her heart she cherished a secret longing to try her fascinations on the young lawyer. Who could blame her? It was not an inwardly expressed intention,—it was the simple instinctive movement to subjugate the strongest of the other sex who had come in her way, which, as already said, is as natural to a woman as it is to a man to be captivated by the loveliest of those to whom he dares to aspire.

Before William Murray Bradshaw and Myrtle Hazard had reached the Parsonage, the girl's cheeks were flushed and her dark eyes were flashing with a new excitement. The young man had not made love to her directly, but he had interested her in herself by a delicate and tender flattery of manner, and so set her fancies working that she was taken with him as never before, and wishing that the Parsonage had been a mile farther from The Poplars. It was impossible for a young girl like Myrtle to conceal the pleasure she received from listening to her seductive admirer, who was trying all his trained skill upon his artless companion. Murray Bradshaw felt sure that the game was in his hands if he played it with only common prudence. There was no need of hurrying this child,—it might startle her to make downright love abruptly; and now that he had an ally in her own household, and was to have access to her with a freedom he had never before enjoyed, there was a refined pleasure in playing his fish,—this gamest of golden-scaled creatures,—which had risen to his fly, and which he wished to hook, but not to land, until he was sure it would be worth his while.

They entered the little parlor at the Parsonage looking so beaming, that Olive and Bathsheba exchanged glances which implied so much that it would take a full page to tell it with all the potentialities involved.

"How magnificent Myrtle is this evening, Bathsheba!" said Cyprian Eveleth, pensively.

"What a handsome pair they are, Cyprian!" said Bathsheba cheerfully.

Cyprian sighed. "She always fascinates me whenever I look upon her. Is n't she the very picture of what a poet's love should be,—a poem herself,—a glorious lyric,—all light and music! See what a smile the creature has! And her voice! When did you ever hear such tones? And when was it ever so full of life before."

Bathsheba sighed. "I do not know any poets but Gifted Hopkins. Does not Myrtle look more in her place by the side of Murray Bradshaw than she would with Gifted hitched on her arm?"

Just then the poet made his appearance. He looked depressed, as if it had cost him an effort to come. He was, however, charged with a message which he must deliver to the hostess of the evening.

"They 're coming presently," he said. "That young man and Susan. Wants you to introduce him, Mr. Bradshaw."

The bell rang presently, and Murray Bradshaw slipped out into the entry to meet the two lovers.

"How are you, my fortunate friend?" he said, as he met them at the door. "Of course you're well and happy as mortal man can be in this vale of tears. Charming, ravishing, quite delicious, that way of dressing your hair, Miss Posey! Nice girls here this evening, Mr. Lindsay. Looked lovely when I came out of the parlor. Can't say how they will show after this young lady puts in an appearance." In reply to which florid speeches Susan blushed, not knowing what else to do, and Clement smiled as naturally as if he had been sitting for his photograph.

He felt, in a vague way, that he and Susan were being patronized, which is not a pleasant feeling to persons with a certain pride of character. There was no expression of contempt about Mr. Bradshaw's manner or language at which he could take offence. Only he had the air of a man who praises his neighbor without stint, with a calm consciousness that he himself is out of reach of comparison in the possessions or qualities which he is admiring in the other. Clement was right in his obscure perception of Mr. Bradshaw's feeling while he was making his phrases. That gentleman was, in another moment, to have the tingling delight of showing the grand creature he had just begun to tame. He was going to extinguish the pallid light of Susan's prettiness in the brightness of Myrtle's beauty. He would bring this young man, neutralized and rendered entirely harmless by his irrevocable pledge to a slight girl, face to face with a masterpiece of young womanhood, and say to him, not in words, but as plainly as speech could have told him, "Behold my captive!"

It was a proud moment for Murray Bradshaw. He had seen, or thought that he had seen, the assured evidence of a speedy triumph over all the obstacles of Myrtle's youth and his own present seeming slight excess of maturity. Unless he were very greatly mistaken, he could now walk the course; the plate was his, no matter what might be the entries. And this youth, this handsome, spirited-looking, noble-aired young fellow, whose artist-eye could not miss a line of Myrtle's proud and almost defiant beauty, was to be the witness of his power, and to look in admiration upon his prize! He introduced him to the others, reserving her for the last. She was at that moment talking with the worthy Rector, and turned when Mr. Bradshaw spoke to her.

"Miss Hazard, will you allow me to present to you my friend, Mr. Clement Lindsay?"

They looked full upon each other, and spoke the common words of salutation. It was a strange meeting; but we who profess to tell the truth must tell strange things, or we shall be liars.

In poor little Susan's letter there was some allusion to a bust of Innocence which the young artist had begun, but of which he had said nothing in his answer to her. He had roughed out a block of marble for that impersonation; sculpture was a delight to him, though secondary to his main pursuit. After his memorable adventure, the image of the girl he had rescued so haunted him that the pale ideal which was to work itself out in the bust faded away in its perpetual presence, and—alas, poor Susan! in obedience to the impulse that he could not control, he left Innocence sleeping in the marble, and began modelling a figure of proud and noble and imperious beauty, to which he gave the name of Liberty.

The original which had inspired his conception was before him. These were the lips to which his own had clung when he brought her back from the land of shadows. The hyacinthine curl of her lengthening locks had added something to her beauty; but it was the same face which had haunted him. This was the form he had borne seemingly lifeless in his arms, and the bosom which heaved so visibly before him was that which his eyes they were the calm eyes of a sculptor, but of a sculptor hardly twenty years old.

Yes,—her bosom was heaving. She had an unexplained feeling of suffocation, and drew great breaths,—she could not have said why,—but she could not help it; and presently she became giddy, and had a great noise in her ears, and rolled her eyes about, and was on the point of going into an hysteric spasm. They called Dr. Hurlbut, who was making himself agreeable to Olive just then, to come and see what was the matter with Myrtle.

"A little nervous turn,—that is all," he said.

"Open the window. Loose the ribbon round her neck. Rub her hands. Sprinkle some water on her forehead.

"A few drops of cologne. Room too warm for her,—that 's all, I think."

Myrtle came to herself after a time without anything like a regular paroxysm. But she was excitable, and whatever the cause of the disturbance may have been, it seemed prudent that she should go home early; and the excellent Rector insisted on caring for her, much to the discontent of Mr. William Murray Bradshaw.

"Demonish odd," said this gentleman, "was n't it, Mr. Lindsay, that Miss Hazard should go off in that way. Did you ever see her before?"

"I—I—have seen that young lady before," Clement answered.

"Where did you meet her?" Mr. Bradshaw asked, with eager interest.

"I met her in the Valley of the Shadow of Death," Clement answered, very solemnly.—"I leave this place to-morrow morning. Have you any commands for the city?"

"Knows how to shut a fellow up pretty well for a young one, doesn't he?" Mr. Bradshaw thought to himself.

"Thank you, no," he answered, recovering himself. "Rather a melancholy place to make acquaintance in, I should think, that Valley you spoke of. I should like to know about it."

Mr. Clement had the power of looking steadily into another person's eyes in a way that was by no means encouraging to curiosity or favorable to the process of cross-examination. Mr. Bradshaw was not disposed to press his question in the face of the calm, repressive look the young man gave him.

"If he was n't bagged, I shouldn't like the shape of things any too well," he said to himself.

The conversation between Mr. Clement Lindsay and Miss Susan Posey, as they walked home together, was not very brilliant. "I am going to-morrow morning," he said, "and I must bid you good-by tonight." Perhaps it is as well to leave two lovers to themselves, under these circumstances.

Before he went he spoke to his worthy host, whose moderate demands he had to satisfy, and with whom he wished to exchange a few words.

"And by the way, Deacon, I have no use for this book, and as it is in a good type, perhaps you would like it. Your favorite, Scott, and one of his greatest works. I have another edition of it at home, and don't care for this volume."

"Thank you, thank you, Mr. Lindsay, much obleeged. I shall read that copy for your sake, the best of books next to the Bible itself."

After Mr. Lindsay had gone, the Deacon looked at the back of the book. "Scott's Works, Vol. IX." He opened it at hazard, and happened to fall on a well-known page, from which he began reading aloud, slowly,

"When Izrul, of the Lord beloved, Out of the land of bondage came."

The whole hymn pleased the grave Deacon. He had never seen this work of the author of the Commentary. No matter; anything that such a good man wrote must be good reading, and he would save it up for Sunday. The consequence of this was, that, when the Rev. Mr. Stoker stopped in on his way to meeting on the "Sabbath," he turned white with horror at the spectacle of the senior Deacon of his church sitting, open-mouthed and wide-eyed, absorbed in the pages of "Ivanhoe," which he found enormously interesting; but, so far as he had yet read, not occupied with religious matters so much as he had expected.

Myrtle had no explanation to give of her nervous attack. Mr. Bradshaw called the day after the party, but did not see her. He met her walking, and thought she seemed a little more distant than common. That would never do. He called again at The Poplars a few days afterwards, and was met in the entry by Miss Cynthia, with whom he had a long conversation on matters involving Myrtle's interests and their own.



CHAPTER XXI. MADNESS?

Mr. Clement Lindsay returned to the city and his usual labors in a state of strange mental agitation. He had received an impression for which he was unprepared. He had seen for the second time a young girl whom, for the peace of his own mind, and for the happiness of others, he should never again have looked upon until Time had taught their young hearts the lesson which all hearts must learn, sooner or later.

What shall the unfortunate person do who has met with one of those disappointments, or been betrayed into one of those positions, which do violence to all the tenderest feelings, blighting the happiness of youth, and the prospects of after years?

If the person is a young man, he has various resources. He can take to the philosophic meerschaum, and nicotine himself at brief intervals into a kind of buzzing and blurry insensibility, until he begins to "color" at last like the bowl of his own pipe, and even his mind gets the tobacco flavor. Or he can have recourse to the more suggestive stimulants, which will dress his future up for him in shining possibilities that glitter like Masonic regalia, until the morning light and the waking headache reveal his illusion. Some kind of spiritual anaesthetic he must have, if he holds his grief fast tied to his heartstrings. But as grief must be fed with thought, or starve to death, it is the best plan to keep the mind so busy in other ways that it has no time to attend to the wants of that ravening passion. To sit down and passively endure it, is apt to end in putting all the mental machinery into disorder.

Clement Lindsay had thought that his battle of life was already fought, and that he had conquered. He believed that he had subdued himself completely, and that he was ready, without betraying a shadow of disappointment, to take the insufficient nature which destiny had assigned him in his companion, and share with it all of his own larger being it was capable, not of comprehending, but of apprehending.

He had deceived himself. The battle was not fought and won. There had been a struggle, and what seemed to be a victory, but the enemy—intrenched in the very citadel of life—had rallied, and would make another desperate attempt to retrieve his defeat.

The haste with which the young man had quitted the village was only a proof that he felt his danger. He believed that, if he came into the presence of Myrtle Hazard for the third time, he should be no longer master of his feelings. Some explanation must take place between them, and how was it possible that it should be without emotion? and in what do all emotions shared by a young man with such a young girl as this tend to find their last expression?

Clement determined to stun his sensibilities by work. He would give himself no leisure to indulge in idle dreams of what might have been. His plans were never so carefully finished, and his studies were never so continuous as now. But the passion still wrought within him, and, if he drove it from his waking thoughts, haunted his sleep until he could endure it no longer, and must give it some manifestation. He had covered up the bust of Liberty so closely, that not an outline betrayed itself through the heavy folds of drapery in which it was wrapped. His thoughts recurred to his unfinished marble, as offering the one mode in which he could find a silent outlet to the feelings and thoughts which it was torture to keep imprisoned in his soul. The cold stone would tell them, but without passion; and having got the image which possessed him out of himself into a lifeless form, it seemed as if he might be delivered from a presence which, lovely as it was, stood between him and all that made him seem honorable and worthy to himself.

He uncovered the bust which he had but half shaped, and struck the first flake from the glittering marble. The toil, once begun, fascinated him strangely, and after the day's work was done, and at every interval he could snatch from his duties, he wrought at his secret task.

"Clement is graver than ever," the young men said at the office. "What's the matter, do you suppose? Turned off by the girl they say he means to marry by and by? How pale he looks too! Must have something worrying him: he used to look as fresh as a clove pink."

The master with whom he studied saw that he was losing color, and looking very much worn; and determined to find out, if he could, whether he was not overworking himself. He soon discovered that his light was seen burning late into the night, that he was neglecting his natural rest, and always busy with some unknown task, not called for in his routine of duty or legitimate study.

"Something is wearing on you, Clement," he said. "You are killing yourself with undertaking too much. Will you let me know what keeps you so busy when you ought to be asleep, or taking your ease and comfort in some way or other?"

Nobody but himself had ever seen his marble or its model. He had now almost finished it, laboring at it with such sleepless devotion, and he was willing to let his master have a sight of his first effort of the kind,—for he was not a sculptor, it must be remembered, though he had modelled in clay, not without some success, from time to time.

"Come with me," he said.

The master climbed the stairs with him up to his modest chamber. A closely shrouded bust stood on its pedestal in the light of the solitary window.

"That is my ideal personage," Clement said. "Wait one moment, and you shall see how far I have caught the character of our uncrowned queen."

The master expected, very naturally, to see the conventional young woman with classical wreath or feather headdress, whom we have placed upon our smallest coin, so that our children may all grow up loving Liberty.

As Clement withdrew the drapery that covered his work, the master stared at it in amazement. He looked at it long and earnestly, and at length turned his eyes, a little moistened by some feeling which thus betrayed itself, upon his scholar.

"This is no ideal, Clement. It is the portrait of a very young but very beautiful woman. No common feeling could have guided your hand in shaping such a portrait from memory. This must be that friend of yours of whom I have often heard as an amiable young person. Pardon me, for you know that nobody cares more for you than I do,—I hope that you are happy in all your relations with this young friend of yours. How could one be otherwise?"

It was hard to bear, very hard. He forced a smile. "You are partly right," he said. "There is a resemblance, I trust, to a living person, for I had one in my mind."

"Did n't you tell me once, Clement, that you were attempting a bust of Innocence? I do not see any block in your room but this. Is that done?"

"Done with!" Clement answered; and, as he said it, the thought stung through him that this was the very stone which was to have worn the pleasant blandness of pretty Susan's guileless countenance. How the new features had effaced the recollection of the others!

In a few days more Clement had finished his bust. His hours were again vacant to his thick-coming fancies. While he had been busy with his marble, his hands had required his attention, and he must think closely of every detail upon which he was at work. But at length his task was done, and he could contemplate what he had made of it. It was a triumph for one so little exercised in sculpture. The master had told him so, and his own eye could not deceive him. He might never succeed in any repetition of his effort, but this once he most certainly had succeeded. He could not disguise from himself the source of this extraordinary good fortune in so doubtful and difficult an attempt. Nor could he resist the desire of contemplating the portrait bust, which—it was foolish to talk about ideals—was not Liberty, but Myrtle Hazard.

It was too nearly like the story of the ancient sculptor; his own work was an over-match for its artist. Clement had made a mistake in supposing that by giving his dream a material form he should drive it from the possession of his mind. The image in which he had fixed his recollection of its original served only to keep her living presence before him. He thought of her as she clasped her arms around him, and they were swallowed up in the rushing waters, coming so near to passing into the unknown world together. He thought of her as he stretched her lifeless form upon the bank, and looked for one brief moment on her unsunned loveliness,—"a sight to dream of, not to tell." He thought of her as his last fleeting glimpse had shown her, beautiful, not with the blossomy prettiness that passes away with the spring sunshine, but with a rich vitality of which noble outlines and winning expression were only the natural accidents. And that singular impression which the sight of him had produced upon her,—how strange! How could she but have listened to him,—to him, who was, as it were, a second creator to her, for he had bought her back from the gates of the unseen realm,—if he had recalled to her the dread moments they had passed in each other's arms, with death, not love, in all their thoughts. And if then he had told her how her image had remained with him, how it had colored all his visions, and mingled with all his conceptions, would not those dark eyes have melted as they were turned upon him? Nay, how could he keep the thought away, that she would not have been insensible to his passion, if he could have suffered its flame to kindle in his heart? Did it not seem as if Death had spared them for Love, and that Love should lead them together through life's long journey to the gates of Death?

Never! never! never! Their fates were fixed. For him, poor insect as he was, a solitary flight by day, and a return at evening to his wingless mate! For her—he thought he saw her doom.

Could he give her up to the cold embraces of that passionless egotist, who, as he perceived plainly enough, was casting his shining net all around her? Clement read Murray Bradshaw correctly. He could not perhaps have spread his character out in set words, as we must do for him, for it takes a long apprenticeship to learn to describe analytically what we know as soon as we see it; but he felt in his inner consciousness all that we must tell for him. Fascinating, agreeable, artful, knowing, capable of winning a woman infinitely above himself, incapable of understanding her,—oh, if he could but touch him with the angel's spear, and bid him take his true shape before her whom he was gradually enveloping in the silken meshes of his subtle web! He would make a place for her in the world,—oh yes, doubtless. He would be proud of her in company, would dress her handsomely, and show her off in the best lights. But from the very hour that he felt his power over her firmly established, he would begin to remodel her after his own worldly pattern. He would dismantle her of her womanly ideals, and give her in their place his table of market-values. He would teach her to submit her sensibilities to her selfish interest, and her tastes to the fashion of the moment, no matter which world or half-world it came from. "As the husband is, the wife is,"—he would subdue her to what he worked in.

All this Clement saw, as in apocalyptic vision, stored up for the wife of Murray Bradshaw, if he read him rightly, as he felt sure he did, from the few times he had seen him. He would be rich by and by, very probably. He looked like one of those young men who are sharp, and hard enough to come to fortune. Then she would have to take her place in the great social exhibition where the gilded cages are daily opened that the animals may be seen, feeding on the sight of stereotyped toilets and the sound of impoverished tattle. O misery of semi-provincial fashionable life, where wealth is at its wit's end to avoid being tired of an existence which has all the labor of keeping up appearances, without the piquant profligacy which saves it at least from being utterly vapid! How many fashionable women at the end of a long season would be ready to welcome heaven itself as a relief from the desperate monotony of dressing, dawdling, and driving!

This could not go on so forever. Clement had placed a red curtain so as to throw a rose-bloom on his marble, and give it an aspect which his fancy turned to the semblance of life. He would sit and look at the features his own hand had so faithfully wrought, until it seemed as if the lips moved, sometimes as if they were smiling, sometimes as if they were ready to speak to him. His companions began to whisper strange things of him in the studio,—that his eye was getting an unnatural light,—that he talked as if to imaginary listeners,—in short, that there was a look as if something were going wrong with his brain, which it might be feared would spoil his fine intelligence. It was the undecided battle, and the enemy, as in his noblest moments he had considered the growing passion, was getting the better of him.

He was sitting one afternoon before the fatal bust which had smiled and whispered away his peace, when the post-man brought him a letter. It was from the simple girl to whom he had given his promise. We know how she used to prattle in her harmless way about her innocent feelings, and the trifling matters that were going on in her little village world. But now she wrote in sadness. Something, she did not too clearly explain what, had grieved her, and she gave free expression to her feelings. "I have no one that loves me but you," she said; "and if you leave me I must droop and die. Are you true to me, dearest Clement,—true as when we promised each other that we would love while life lasted? Or have you forgotten one who will never cease to remember that she was once your own Susan?"

Clement dropped the letter from his hand, and sat a long hour looking at the exquisitely wrought features of her who had come between him and honor and his plighted word.

At length he arose, and, lifting the bust tenderly from its pedestal, laid it upon the cloth with which it had been covered. He wrapped it closely, fold upon fold, as the mother whom man condemns and God pities wraps the child she loves before she lifts her hand against its life. Then he took a heavy hammer and shattered his lovely idol into shapeless fragments. The strife was over.



CHAPTER XXII. A CHANGE OF PROGRAMME.

Mr. William Murray Bradshaw was in pretty intimate relations with Miss Cynthia Badlam. It was well understood between them that it might be of very great advantage to both of them if he should in due time become the accepted lover of Myrtle Hazard. So long as he could be reasonably secure against interference, he did not wish to hurry her in making her decision. Two things he did wish to be sure of, if possible, before asking her the great question;—first, that she would answer it in the affirmative; and secondly, that certain contingencies, the turning of which was not as yet absolutely capable of being predicted, should happen as he expected. Cynthia had the power of furthering his wishes in many direct and indirect ways, and he felt sure of her cooperation. She had some reason to fear his enmity if she displeased him, and he had taken good care to make her understand that her interests would be greatly promoted by the success of the plan which he had formed, and which was confided to her alone.

He kept the most careful eye on every possible source of disturbance to this quietly maturing plan. He had no objection to have Gifted Hopkins about Myrtle as much as she would endure to have him. The youthful bard entertained her very innocently with his bursts of poetry, but she was in no danger from a young person so intimately associated with the yard-stick, the blunt scissors, and the brown-paper parcel. There was Cyprian too, about whom he did not feel any very particular solicitude. Myrtle had evidently found out that she was handsome and stylish and all that, and it was not very likely she would take up with such a bashful, humble, country youth as this. He could expect nothing beyond a possible rectorate in the remote distance, with one of those little pony chapels to preach in, which, if it were set up on a stout pole, would pass for a good-sized martin-house. Cyprian might do to practise on, but there was no danger of her looking at him in a serious way. As for that youth, Clement Lindsay, if he had not taken himself off as he did, Murray Bradshaw confessed to himself that he should have felt uneasy. He was too good-looking, and too clever a young fellow to have knocking about among fragile susceptibilities. But on reflection he saw there could be no danger.

"All up with him,—poor diavolo! Can't understand it—such a little sixpenny miss—pretty enough boiled parsnip blonde, if one likes that sort of thing—pleases some of the old boys, apparently. Look out, Mr. L. remember Susanna and the Elders. Good!

"Safe enough if something new doesn't turn up. Youngish. Sixteen's a little early. Seventeen will do. Marry a girl while she's in the gristle, and you can shape her bones for her. Splendid creature without her trimmings. Wants training. Must learn to dance, and sing something besides psalm-tunes."

Mr. Bradshaw began humming the hymn, "When I can read my title clear," adding some variations of his own. "That 's the solo for my prima donna!"

In the mean time Myrtle seemed to be showing some new developments. One would have said that the instincts of the coquette, or at least of the city belle, were coming uppermost in her nature. Her little nervous attack passed away, and she gained strength and beauty every day. She was becoming conscious of her gifts of fascination, and seemed to please herself with the homage of her rustic admirers. Why was it that no one of them had the look and bearing of that young man she had seen but a moment the other evening? To think that he should have taken up with such a weakling as Susan Posey! She sighed, and not so much thought as felt how kind it would have been in Heaven to have made her such a man. But the image of the delicate blonde stood between her and all serious thought of Clement Lindsay. She saw the wedding in the distance, and very foolishly thought to herself that she could not and would not go to it.

But Clement Lindsay was gone, and she must content herself with such worshippers as the village afforded. Murray Bradshaw was surprised and confounded at the easy way in which she received his compliments, and played with his advances, after the fashion of the trained ball-room belles, who know how to be almost caressing in manner, and yet are really as far off from the deluded victim of their suavities as the topmost statue of the Milan cathedral from the peasant that kneels on its floor. He admired her all the more for this, and yet he saw that she would be a harder prize to win than he had once thought. If he made up his mind that he would have her, he must go armed with all implements, from the red hackle to the harpoon.

The change which surprised Murray Bradshaw could not fail to be noticed by all those about her. Miss Silence had long ago come to pantomime, rolling up of eyes, clasping of hands, making of sad mouths, and the rest,—but left her to her own way, as already the property of that great firm of World & Co. which drives such sharp bargains for young souls with the better angels. Cynthia studied her for her own purposes, but had never gained her confidence. The Irish servant saw that some change had come over her, and thought of the great ladies she had sometimes looked upon in the old country. They all had a kind of superstitious feeling about Myrtle's bracelet, of which she had told them the story, but which Kitty half believed was put in the drawer by the fairies, who brought her ribbons and partridge feathers, and other slight adornments with which she contrived to set off her simple costume, so as to produce those effects which an eye for color and cunning fingers can bring out of almost nothing.

Gifted Hopkins was now in a sad, vacillating condition, between the two great attractions to which he was exposed. Myrtle looked so immensely handsome ere Sunday when he saw her going to church, not to meeting, for she world not go, except when she knew Father Pemberton was going to be the preacher, that the young poet was on the point of going down on his knees to her, and telling her that his heart was hers and hers alone. But he suddenly remembered that he had on his best trousers, and the idea of carrying the marks of his devotion in the shape of two dusty impressions on his most valued article of apparel turned the scale against the demonstration. It happened the next morning, that Susan Posey wore the most becoming ribbon she had displayed for a long time, and Gifted was so taken with her pretty looks that he might very probably have made the same speech to her that he had been on the point of making to Myrtle the day before, but that he remembered her plighted affections, and thought what he should have to say for himself when Clement Lindsay, in a frenzy of rage and jealousy, stood before him, probably armed with as many deadly instruments as a lawyer mentions by name in an indictment for murder.

Cyprian Eveleth looked very differently on the new manifestations Myrtle was making of her tastes and inclinations. He had always felt dazzled, as well as attracted, by her; but now there was something in her expression and manner which made him feel still more strongly that they were intended for different spheres of life. He could not but own that she was born for a brilliant destiny,—that no ball-room would throw a light from its chandeliers too strong for her,—that no circle would be too brilliant for her to illuminate by her presence. Love does not thrive without hope, and Cyprian was beginning to see that it was idle in him to think of folding these wide wings of Myrtle's so that they would be shut up in any cage he could ever offer her. He began to doubt whether, after all, he might not find a meeker and humbler nature better adapted to his own. And so it happened that one evening after the three girls, Olive, Myrtle, and Bathsheba, had been together at the Parsonage, and Cyprian, availing himself of a brother's privilege, had joined them, he found he had been talking most of the evening with the gentle girl whose voice had grown so soft and sweet, during her long ministry in the sick-chamber, that it seemed to him more like music than speech. It would not be fair to say that Myrtle was piqued to see that Cyprian was devoting himself to Bathsheba. Her ambition was already reaching beyond her little village circle, and she had an inward sense that Cyprian found a form of sympathy in the minister's simple-minded daughter which he could not ask from a young woman of her own aspirations.

Such was the state of affairs when Master Byles Gridley was one morning surprised by an early call from Myrtle. He had a volume of Walton's Polyglot open before him, and was reading Job in the original, when she entered.

"Why, bless me, is that my young friend Miss Myrtle Hazard?" he exclaimed. "I might call you Keren-Happuch, which is Hebrew for Child of Beauty, and not be very far out of the way, Job's youngest daughter, my dear. And what brings my young friend out in such good season this morning? Nothing going wrong up at our ancient mansion, The Poplars, I trust?"

"I want to talk with you, dear Master Gridley," she answered. She looked as if she did not know just how to begin.

"Anything that interests you, Myrtle, interests me. I think you have some project in that young head of yours, my child. Let us have it, in all its dimensions, length, breadth, and thickness. I think I can guess, Myrtle, that we have a little plan of some kind or other. We don't visit Papa Job quite so early as this without some special cause,—do we, Miss Keren-Happuch?"

"I want to go to the city—to school," Myrtle said, with the directness which belonged to her nature.

"That is precisely what I want you to do myself, Miss Myrtle Hazard. I don't like to lose you from the village, but I think we must spare you for a while."

"You're the best and dearest man that ever lived. What could have made you think of such a thing for me, Mr. Gridley?"

"Because you are ignorant, my child,—partly I want to see you fitted to take a look at the world without feeling like a little country miss. Has your aunt Silence promised to bear your expenses while you are in the city? It will cost a good deal of money."

"I have not said a word to her about it. I am sure I don't know what she would say. But I have some money, Mr. Gridley."

She showed him a purse with gold, telling him how she came by it. "There is some silver besides. Will it be enough?"

"No, no, my child, we must not meddle with that. Your aunt will let me put it in the bank for you, I think, where it will be safe. But that shall not make any difference. I have got a little money lying idle, which you may just as well have the use of as not. You can pay it back perhaps some time or other; if you did not, it would not make much difference. I am pretty much alone in the world, and except a book now and then—Aut liberos aut libros, as our valiant heretic has it,—you ought to know a little Latin, Myrtle, but never mind—I have not much occasion for money. You shall go to the best school that any of our cities can offer, Myrtle, and you shall stay there until we agree that you are fitted to come back to us an ornament to Oxbow Village, and to larger places than this if you are called there. We have had some talk about it, your aunt Silence and I, and it is all settled. Your aunt does not feel very rich just now, or perhaps she would do more for you. She has many pious and poor friends, and it keeps her funds low. Never mind, my child, we will have it all arranged for you, and you shall begin the year 1860 in Madam Delacoste's institution for young ladies. Too many rich girls and fashionable ones there, I fear, but you must see some of all kinds, and there are very good instructors in the school,—I know one,—he was a college boy with me,—and you will find pleasant and good companions there, so he tells me; only don't be in a hurry to choose your friends, for the least desirable young persons are very apt to cluster about a new-comer."

Myrtle was bewildered with the suddenness of the prospect thus held out to her. It is a wonder that she did not bestow an embrace upon the worthy old master. Perhaps she had too much tact. It is a pretty way enough of telling one that he belongs to a past generation, but it does tell him that not over-pleasing fact. Like the title of Emeritus Professor, it is a tribute to be accepted, hardly to be longed for.

When the curtain rises again, it will show Miss Hazard in a new character, and surrounded by a new world.



CHAPTER XXIII. MYRTLE HAZARD AT THE CITY SCHOOL.

Mr. Bradshaw was obliged to leave town for a week or two on business connected with the great land-claim. On his return, feeling in pretty good spirits, as the prospects looked favorable, he went to make a call at The Poplars. He asked first for Miss Hazard.

"Bliss your soul, Mr. Bridshaw," answered Mistress Kitty Fagan, "she's been gahn nigh a wake. It's to the city, to the big school, they've sint her."

This announcement seemed to make a deep impression on Murray Bradshaw, for his feelings found utterance in one of the most energetic forms of language to which ears polite or impolite are accustomed. He next asked for Miss Silence, who soon presented herself. Mr. Bradshaw asked, in a rather excited way, "Is it possible, Miss Withers, that your niece has quitted you to go to a city school?"

Miss Silence answered, with her chief—mourner expression, and her death-chamber tone: "Yes, she has left us for a season. I trust it may not be her destruction. I had hoped in former years that she would become a missionary, but I have given up all expectation of that now. Two whole years, from the age of four to that of six, I had prevailed upon her to give up sugar,—the money so saved to go to a graduate of our institution—who was afterwards——he labored among the cannibal-islanders. I thought she seemed to take pleasure in this small act of self-denial, but I have since suspected that Kitty gave her secret lumps. It was by Mr. Gridley's advice that she went, and by his pecuniary assistance. What could I do? She was bent on going, and I was afraid she would have fits, or do something dreadful, if I did not let her have her way. I am afraid she will come back to us spoiled. She has seemed so fond of dress lately, and once she spoke of learning—yes, Mr. Bradshaw, of learning to—dance! I wept when I heard of it. Yes, I wept."

That was such a tremendous thing to think of, and especially to speak of in Mr. Bradshaw's presence, for the most pathetic image in the world to many women is that of themselves in tears,—that it brought a return of the same overflow, which served as a substitute for conversation until Miss Badlam entered the apartment.

Miss Cynthia followed the same general course of remark. They could not help Myrtle's going if they tried. She had always maintained that, if they had only once broke her will when she was little, they would have kept the upper hand of her; but her will never was broke. They came pretty near it once, but the child would n't give in.

Miss Cynthia went to the door with Mr. Bradshaw, and the conversation immediately became short and informal.

"Demonish pretty business! All up for a year or more,—hey?"

"Don't blame me,—I couldn't stop her."

"Give me her address,—I 'll write to her. Any young men teach in the school?"

"Can't tell you. She'll write to Olive and Bathsheba, and I'll find out all about it."

Murray Bradshaw went home and wrote a long letter to Mrs. Clymer Ketchum, of 24 Carat Place, containing many interesting remarks and inquiries, some of the latter relating to Madam Delacoste's institution for the education of young ladies.

While this was going on at Oxbow Village, Myrtle was establishing herself at the rather fashionable school to which Mr. Gridley had recommended her. Mrs. or Madam Delacoste's boarding-school had a name which on the whole it deserved pretty well. She had some very good instructors for girls who wished to get up useful knowledge in case they might marry professors or ministers. They had a chance to learn music, dancing, drawing, and the way of behaving in company. There was a chance, too, to pick up available acquaintances, for many rich people sent their daughters to the school, and it was something to have been bred in their company.

There was the usual division of the scholars into a first and second set, according to the social position, mainly depending upon the fortune, of the families to which they belonged. The wholesale dealer's daughter very naturally considered herself as belonging to a different order from the retail dealer's daughter. The keeper of a great hotel and the editor of a widely circulated newspaper were considered as ranking with the wholesale dealers, and their daughters belonged also to the untitled nobility which has the dollar for its armorial bearing. The second set had most of the good scholars, and some of the prettiest girls; but nobody knew anything about their families, who lived off the great streets and avenues, or vegetated in country towns.

Myrtle Hazard's advent made something like a sensation. They did not know exactly what to make of her. Hazard? Hazard? No great firm of that name. No leading hotel kept by any Hazard, was there? No newspaper of note edited by anybody called Hazard, was there? Came from where? Oxbow Village. Oh, rural district. Yes.—Still they could not help owning that she was handsome, a concession which of course had to be made with reservations.

"Don't you think she's vuiry good-lookin'?" said a Boston girl to a New York girl. "I think she's real pooty."

"I dew, indeed. I didn't think she was haaf so handsome the feeest time I saw her," answered the New York girl.

"What a pity she had n't been bawn in Bawston!"

"Yes, and moved very young to Ne Yock!"

"And married a sarsaparilla man, and lived in Fiff Avenoo, and moved in the fust society."

"Better dew that than be strong-mainded, and dew your own cook'n, and live in your own kitch'n."

"Don't forgit to send your card when you are Mrs. Old Dr. Jacob!"

"Indeed I shaan't. What's the name of the alley, and which bell?" The New York girl took out a memorandum-book as if to put it down.

"Had n't you better let me write it for you, dear?" said the Boston girl. "It is as well to have it legible, you know."

"Take it," said the New York girl. "There 's tew York shill'ns in it when I hand it to you."

"Your whole quarter's allowance, I bullieve,—ain't it?" said the Boston girl.

"Elegant manners, correct deportment, and propriety of language will be strictly attended to in this institution. The most correct standards of pronunciation will be inculcated by precept and example. It will be the special aim of the teachers to educate their pupils out of all provincialisms, so that they may be recognized as well-bred English scholars wherever the language is spoken in its purity."—Extract from the Prospectus of Madam Delacoste's Boarding-school.

Myrtle Hazard was a puzzle to all the girls. Striking, they all agreed, but then the criticisms began. Many of the girls chattered a little broken French, and one of them, Miss Euphrosyne De Lacy, had been half educated in Paris, so that she had all the phrases which are to social operators what his cutting instruments are to the surgeon. Her face she allowed was handsome; but her style, according to this oracle, was a little bourgeoise, and her air not exactly comme il faut. More specifically, she was guilty of contours fortement prononces,—corsage de paysanne,—quelque chose de sauvage, etc., etc. This girl prided herself on her figure.

Miss Bella Pool, (La Belle Poule as the demi-Parisian girl had christened her,) the beauty of the school, did not think so much of Myrtle's face, but considered her figure as better than the De Lacy girl's.

The two sets, first and second, fought over her as the Greeks and Trojans over a dead hero, or the Yale College societies over a live freshman. She was nobody by her connections, it is true, so far as they could find out, but then, on the other hand, she had the walk of a queen, and she looked as if a few stylish dresses and a season or two would make her a belle of the first water. She had that air of indifference to their little looks and whispered comments which is surest to disarm all the critics of a small tattling community. On the other hand, she came to this school to learn, and not to play; and the modest and more plainly dressed girls, whose fathers did not sell by the cargo, or keep victualling establishments for some hundreds of people, considered her as rather in sympathy with them than with the daughters of the rough-and-tumble millionnaires who were grappling and rolling over each other in the golden dust of the great city markets.

She did not mean to belong exclusively to either of their sets. She came with that sense of manifold deficiencies, and eager ambition to supply them, which carries any learner upward, as if on wings, over the heads of the mechanical plodders and the indifferent routinists. She learned, therefore, in a way to surprise the experienced instructors. Her somewhat rude sketching soon began to show something of the artist's touch. Her voice, which had only been taught to warble the simplest melodies, after a little training began to show its force and sweetness and flexibility in the airs that enchant drawing-room audiences. She caught with great readiness the manner of the easiest girls, unconsciously, for she inherited old social instincts which became nature with the briefest exercise. Not much license of dress was allowed in the educational establishment of Madam Delacoste, but every girl had an opportunity to show her taste within the conventional limits prescribed. And Myrtle soon began to challenge remark by a certain air she contrived to give her dresses, and the skill with which she blended their colors.

"Tell you what, girls," said Miss Berengaria Topping, female representative of the great dynasty that ruled over the world-famous Planet Hotel, "she's got style, lots of it. I call her perfectly splendid, when she's got up in her swell clothes. That oriole's wing she wears in her bonnet makes her look gorgeous, she'll be a stunning Pocahontas for the next tableau."

Miss Rose Bugbee, whose family opulence grew out of the only merchantable article a Hebrew is never known to seek profit from, thought she could be made presentable in the first circles if taken in hand in good season. So it came about that, before many weeks had passed over her as a scholar in the great educational establishment, she might be considered as on the whole the most popular girl in the whole bevy of them. The studious ones admired her for her facility of learning, and her extraordinary appetite for every form of instruction, and the showy girls, who were only enduring school as the purgatory that opened into the celestial world of society, recognized in her a very handsome young person, who would be like to make a sensation sooner or later.

There were, however, it must be confessed, a few who considered themselves the thickest of the cream of the school-girls, who submitted her to a more trying ordeal than any she had yet passed.

"How many horses does your papa keep?" asked Miss Florence Smythe. "We keep nine, and a pony for Edgar."

Myrtle had to explain that she had no papa, and that they did not keep any horses. Thereupon Miss Florence Smythe lost her desire to form an acquaintance, and wrote home to her mother (who was an ex-bonnet-maker) that the school was getting common, she was afraid,—they were letting in persons one knew nothing about.

Miss Clare Browne had a similar curiosity about the amount of plate used in the household from which Myrtle came. Her father had just bought a complete silver service. Myrtle had to own that they used a good deal of china at her own home,—old china, which had been a hundred years in the family, some of it.

"A hundred years old!" exclaimed Miss Clare Browne. "What queer-looking stuff it must be! Why, everything in our house is just as new and bright! Papaa had all our pictures painted on purpose for us. Have you got any handsome pictures in your house?"

"We have a good many portraits of members of the family," she said, "some of them older than the china."

"How very very odd! What do the dear old things look like?"

"One was a great beauty in her time."

"How jolly!"

"Another was a young woman who was put to death for her religion,—burned to ashes at the stake in Queen Mary's time."

"How very very wicked! It was n't nice a bit, was it? Ain't you telling me stories? Was that a hundred years ago?—But you 've got some new pictures and things, have n't you? Who furnished your parlors?"

"My great-grandfather, or his father, I believe."

"Stuff and nonsense. I don't believe it. What color are your carriage-horses?"

"Our woman, Kitty Fagan, told somebody once we didn't keep any horse but a cow."

"Not keep any horses! Do for pity's sake let me look at your feet."

Myrtle put out as neat a little foot as a shoemaker ever fitted with a pair of number two. What she would have been tempted to do with it, if she had been a boy, we will not stop to guess. After all, the questions amused her quite as much as the answers instructed Miss Clara Browne. Of that young lady's ancestral claims to distinction there is no need of discoursing. Her "papaa" commonly said sir in talking with a gentleman, and her "mammaa" would once in a while forget, and go down the area steps instead of entering at the proper door; but they lived behind a brown stone front, which veneers everybody's antecedents with a facing of respectability.

Miss Clara Browne wrote home to her mother in the same terms as Miss Florence Smythe,—that the school was getting dreadful common, and they were letting in very queer folks.

Still another trial awaited Myrtle, and one which not one girl in a thousand would have been so unprepared to meet. She knew absolutely nothing of certain things with which the vast majority of young persons were quite familiar.

There were literary young ladies, who had read everything of Dickens and Thackeray, and something at least of Sir Walter, and occasionally, perhaps, a French novel, which they had better have let alone. One of the talking young ladies of this set began upon Myrtle one day.

"Oh, is n't 'Pickwick' nice?" she asked.

"I don't know," Myrtle replied; "I never tasted any."

The girl stared at her as if she were a crazy creature. "Tasted any! Why, I mean the 'Pickwick Papers,' Dickens's story. Don't you think they're nice."

Poor Myrtle had to confess that she had never read them, and did n't know anything about them.

"What! did you never read any novels?" said the young lady.

"Oh, to be sure I have," said Myrtle, blushing as she thought of the great trunk and its contents. "I have read 'Caleb Williams,' and 'Evelina,' and 'Tristram Shandy'" (naughty girl!), "and the 'Castle of Otranto,' and the 'Mysteries of Udolpho,' and the 'Vicar of Wakefield,' and 'Don Quixote'—"

The young lady burst out laughing. "Stop! stop! for mercy's sake," she cried. "You must be somebody that's been dead and buried and come back to life again. Why you're Rip Van Winkle in a petticoat! You ought to powder your hair and wear patches."

"We've got the oddest girl here," this young lady wrote home. "She has n't read any book that is n't a thousand years old. One of the girls says she wears a trilobite for a breastpin; some horrid old stone, I believe that is, that was a bug ever so long ago. Her name, she says, is Myrtle Hazard, but I call her Rip Van Myrtle."

Notwithstanding the quiet life which these young girls were compelled to lead, they did once in a while have their gatherings, at which a few young gentlemen were admitted. One of these took place about a month after Myrtle had joined the school. The girls were all in their best, and by and by they were to have a tableau. Myrtle came out in all her force. She dressed herself as nearly as she dared like the handsome woman of the past generation whom she resembled. The very spirit of the dead beauty seemed to animate every feature and every movement of the young girl whose position in the school was assured from that moment. She had a good solid foundation to build upon in the jealousy of two or three of the leading girls of the style of pretensions illustrated by some of their talk which has been given. There is no possible success without some opposition as a fulcrum: force is always aggressive, and crowds something or other, if it does not hit or trample on it.

The cruelest cut of all was the remark attributed to Mr. Livingston Jerkins, who was what the opposition girls just referred to called the great "swell" among the privileged young gentlemen who were present at the gathering.

"Rip Van Myrtle, you call that handsome girl, do you, Miss Clara? By Jove, she's the stylishest of the whole lot, to say nothing of being a first-class beauty. Of course you know I except one, Miss Clara. If a girl can go to sleep and wake up after twenty years looking like that, I know a good many who had better begin their nap without waiting. If I were Florence Smythe, I'd try it, and begin now,—eh, Clara?"

Miss Browne felt the praise of Myrtle to be slightly alleviated by the depreciation of Miss Smythe, who had long been a rival of her own. A little later in the evening Miss Smythe enjoyed almost precisely the same sensation, produced in a very economical way by Mr. Livingston Jenkins's repeating pretty nearly the same sentiments to her, only with a change in the arrangement of the proper names. The two young ladies were left feeling comparatively comfortable with regard to each other, each intending to repeat Mr. Livingston Jenkins's remark about her friend to such of her other friends as enjoyed clever sayings, but not at all comfortable with reference to Myrtle Hazard, who was evidently considered by the leading "swell" of their circle as the most noticeable personage of the assembly. The individual exception in each case did very well as a matter of politeness, but they knew well enough what he meant.

It seemed to Myrtle Hazard, that evening, that she felt the bracelet on her wrist glow with a strange, unaccustomed warmth. It was as if it had just been unclasped from the arm of a yohng woman full of red blood and tingling all over with swift nerve-currents. Life had never looked to her as it did that evening. It was the swan's first breasting the water,—bred on the desert sand, with vague dreams of lake and river, and strange longings as the mirage came and dissolved, and at length afloat upon the sparkling wave. She felt as if she had for the first time found her destiny. It was to please, and so to command, to rule with gentle sway in virtue of the royal gift of beauty,—to enchant with the commonest exercise of speech, through the rare quality of a voice which could not help being always gracious and winning, of a manner which came to her as an inheritance of which she had just found the title. She read in the eyes of all that she was more than any other the centre of admiration. Blame her who may, the world was a very splendid vision as it opened before her eyes in its long vista of pleasures and of triumphs. How different the light of these bright saloons from the glimmer of the dim chamber at The Poplars! Silence Withers was at that very moment looking at the portraits of Anne Holyoake and of Judith Pride. "The old picture seems to me to be fading faster than ever," she was thinking. But when she held her lamp before the other, it seemed to her that the picture never was so fresh before, and that the proud smile upon its lips was more full of conscious triumph than she remembered it. A reflex, doubtless, of her own thoughts, for she believed that the martyr was weeping even in heaven over her lost descendant, and that the beauty, changed to the nature of the malignant spiritual company with which she had long consorted in the under-world, was pleasing herself with the thought that Myrtle was in due time to bring her news from the Satanic province overhead, where she herself had so long indulged in the profligacy of embonpoint and loveliness.

The evening at the school-party was to terminate with some tableaux. The girl who had suggested that Myrtle would look "stunning" or "gorgeous" or "jolly," or whatever the expression was, as Pocahontas, was not far out of the way, and it was so evident to the managing heads that she would make a fine appearance in that character, that the "Rescue of Captain John Smith" was specially got up to show her off.

Myrtle had sufficient reason to believe that there was a hint of Indian blood in her veins. It was one of those family legends which some of the members are a little proud of, and others are willing to leave uninvestigated. But with Myrtle it was a fixed belief that she felt perfectly distinct currents of her ancestral blood at intervals, and she had sometimes thought there were instincts and vague recollections which must have come from the old warriors and hunters and their dusky brides. The Indians who visited the neighborhood recognized something of their own race in her dark eyes, as the reader may remember they told the persons who were searching after her. It had almost frightened her sometimes to find how like a wild creature she felt when alone in the woods. Her senses had much of that delicacy for which the red people are noted, and she often thought she could follow the trail of an enemy, if she wished to track one through the forest, as unerringly as if she were a Pequot or a Mohegan.

It was a strange feeling that came over Myrtle, as they dressed her for the part she was to take. Had she never worn that painted robe before? Was it the first time that these strings of wampum had ever rattled upon her neck and arms? And could it be that the plume of eagle's feathers with which they crowned her dark, fast-lengthening locks had never shadowed her forehead until now? She felt herself carried back into the dim ages when the wilderness was yet untrodden save by the feet of its native lords. Think of her wild fancy as we may, she felt as if that dusky woman of her midnight vision on the river were breathing for one hour through her lips. If this belief had lasted, it is plain enough where it would have carried her. But it came into her imagination and vivifying consciousness with the putting on of her unwonted costume, and might well leave her when she put it off. It is not for us, who tell only what happened, to solve these mysteries of the seeming admission of unhoused souls into the fleshly tenements belonging to air-breathing personalities. A very little more, and from that evening forward the question would have been treated in full in all the works on medical jurisprudence published throughout the limits of Christendom. The story must be told or we should not be honest with the reader.

TABLEAU 1. Captain John Smith (Miss Euphrosyne de Lacy) was to be represented prostrate and bound, ready for execution; Powhatan (Miss Florence Smythe) sitting upon a log; savages with clubs (Misses Clara Browne, A. Van Boodle, E. Van Boodle, Heister, Booster, etc., etc.) standing around; Pocahontas holding the knife in her hand, ready to cut the cords with which Captain John Smith is bound.—Curtain.

TABLEAU 2. Captain John Smith released and kneeling before Pocahontas, whose hand is extended in the act of raising him and presenting him to her father. Savages in various attitudes of surprise. Clubs fallen from their hands. Strontian flame to be kindled.—Curtain.

This was a portion of the programme for the evening, as arranged behind the scenes. The first part went off with wonderful eclat, and at its close there were loud cries for Pocahontas. She appeared for a moment. Bouquets were flung to her; and a wreath, which one of the young ladies had expected for herself in another part, was tossed upon the stage, and laid at her feet. The curtain fell.

"Put the wreath on her for the next tableau," some of them whispered, just as the curtain was going to rise, and one of the girls hastened to place it upon her head.

The disappointed young lady could not endure it, and, in a spasm of jealous passion, sprang at Myrtle, snatched it from her head, and trampled it under her feet at the very instant the curtain was rising. With a cry which some said had the blood-chilling tone of an Indian's battle-shriek, Myrtle caught the knife up, and raised her arm against the girl who had thus rudely assailed her. The girl sank to the ground, covering her eyes in her terror. Myrtle, with her arm still lifted, and the blade glistening in her hand, stood over her, rigid as if she had been suddenly changed to stone. Many of those looking on thought all this was a part of the show, and were thrilled with the wonderful acting. Before those immediately around her had had time to recover from the palsy of their fright Myrtle had flung the knife away from her, and was kneeling, her head bowed and her hands crossed upon her breast. The audience went into a rapture of applause as the curtain came suddenly down; but Myrtle had forgotten all but the dread peril she had just passed, and was thanking God that his angel—her own protecting spirit, as it seemed to her had stayed the arm which a passion such as her nature had never known, such as she believed was alien to her truest self, had lifted with deadliest purpose. She alone knew how extreme the danger had been. "She meant to scare her,—that 's all," they said. But Myrtle tore the eagle's feathers from her hair, and stripped off her colored beads, and threw off her painted robe. The metempsychosis was far too real for her to let her wear the semblance of the savage from whom, as she believed, had come the lawless impulse at the thought of which her soul recoiled in horror.

"Pocahontas has got a horrid headache," the managing young ladies gave it out, "and can't come to time for the last tableau." So this all passed over, not only without loss of credit to Myrtle, but with no small addition to her local fame,—for it must have been acting; "and was n't it stunning to see her with that knife, looking as if she was going to stab Bells, or to scalp her, or something?"

As Master Gridley had predicted, and as is the case commonly with new-comers at colleges and schools, Myrtle had come first in contact with those who were least agreeable to meet. The low-bred youth who amuse themselves with scurvy tricks on freshmen, and the vulgar girls who try to show off their gentility to those whom they think less important than themselves, are exceptions in every institution; but they make themselves odiously prominent before the quiet and modest young people have had time to gain the new scholar's confidence. Myrtle found friends in due time, some of them daughters of rich people, some poor girls, who came with the same sincerity of purpose as herself. But not one was her match in the facility of acquiring knowledge. Not one promised to make such a mark in society, if she found an opening into its loftier circles. She was by no means ignorant of her natural gifts, and she cultivated them with the ambition which would not let her rest.

During her stay at the great school, she made but one visit to Oxbow Village. She did not try to startle the good people with her accomplishments, but they were surprised at the change which had taken place in her. Her dress was hardly more showy, for she was but a school-girl, but it fitted her more gracefully. She had gained a softness of expression, and an ease in conversation, which produced their effect on all with whom she came in contact. Her aunt's voice lost something of its plaintiveness in talking with her. Miss Cynthia listened with involuntary interest to her stories of school and school-mates. Master Byles Gridley accepted her as the great success of his life, and determined to make her his chief heiress, if there was any occasion for so doing. Cyprian told Bathsheba that Myrtle must come to be a great lady. Gifted Hopkins confessed to Susan Posey that he was afraid of her, since she had been to the great city school. She knew too much and looked too much like a queen, for a village boy to talk with.

Mr. William Murray Bradshaw tried all his fascinations upon her, but she parried compliments so well, and put off all his nearer advances so dexterously, that he could not advance beyond the region of florid courtesy, and never got a chance, if so disposed, to risk a question which he would not ask rashly, believing that, if Myrtle once said No, there would be little chance of her ever saying Yes.



CHAPTER XXIV. MUSTERING OF FORCES.

Not long after the tableau performance had made Myrtle Hazard's name famous in the school and among the friends of the scholars, she received the very flattering attention of a call from Mrs. Clymer Ketchum, of 24 Carat Place. This was in consequence of a suggestion from Mr. Livingston Jenkins, a particular friend of the family.

"They've got a demonish splendid school-girl over there," he said to that lady, "made the stunningest looking Pocahontas at the show there the other day. Demonish plucky looking filly as ever you saw. Had a row with another girl,—gave the war-whoop, and went at her with a knife. Festive,—hey? Say she only meant to scare her,—looked as if she meant to stick her, anyhow. Splendid style. Why can't you go over to the shop and make 'em trot her out?"

The lady promised Mr. Livingston Jenkins that she certainly would, just as soon as she could find a moment's leisure,—which, as she had nothing in the world to do, was not likely to be very soon. Myrtle in the mean time was busy with her studies, little dreaming what an extraordinary honor was awaiting her.

That rare accident in the lives of people who have nothing to do, a leisure morning, did at last occur. An elegant carriage, with a coachman in a wonderful cape, seated on a box lofty as a throne, and wearing a hat-band as brilliant as a coronet, stopped at the portal of Madam Delacoste's establishment. A card was sent in bearing the open sesame of Mrs. Clymer Ketchum, the great lady of 24 Carat Place. Miss Myrtle Hazard was summoned as a matter of course, and the fashionable woman and the young girl sat half an hour together in lively conversation.

Myrtle was fascinated by her visitor, who had that flattering manner which, to those not experienced in the world's ways, seems to imply unfathomable depths of disinterested devotion. Then it was so delightful to look upon a perfectly appointed woman,—one who was as artistically composed as a poem or an opera,—in whose costume a kind of various rhythm undulated in one fluent harmony, from the spray that nodded on her bonnet to the rosette that blossomed on her sandal. As for the lady, she was captivated with Myrtle. There is nothing that your fashionable woman, who has ground and polished her own spark of life into as many and as glittering social facets as it will bear, has a greater passion for than a large rough diamond, which knows nothing of the sea of light it imprisons, and which it will be her pride to have cut into a brilliant under her own eye, and to show the world for its admiration and her own reflected glory. Mrs. Clymer Ketchum had taken the entire inventory of Myrtle's natural endowments before the interview was over. She had no marriageable children, and she was thinking what a killing bait Myrtle would be at one of her stylish parties.