"Here it is, then."

Denzil took the coin and his hat.

"Aren't you going to earn it, you beggar? Sit down and write something for me."

Denzil got pen and paper, and took his place.

"What do you want me to write?"

"Your Epic Poem."

Denzil started and flushed. But he set to work. Grodman leaned back in his arm-chair and laughed, studying the poet's grave face.

Denzil wrote three lines and paused.

"Can't remember any more? Well, read me the start."

Denzil read:—

"Of man's first disobedience and the fruit Of that forbidden tree whose mortal taste Brought death into the world—"

"Hold on!" cried Grodman. "What morbid subjects you choose, to be sure!"

"Morbid! Why, Milton chose the same subject!"

"Blow Milton. Take yourself off—you and your Epics."

Denzil went. The pock-marked person opened the street door for him.

"When am I to have that new dress, dear?" she whispered coquettishly.

"I have no money, Jane," he said shortly.

"You have a sovereign."

Denzil gave her the sovereign, and slammed the door viciously. Grodman overheard their whispers, and laughed silently. His hearing was acute. Jane had first introduced Denzil to his acquaintance about two years ago, when he spoke of getting an amanuensis, and the poet had been doing odd jobs for him ever since. Grodman argued that Jane had her reasons. Without knowing them, he got a hold over both. There was no one, he felt, he could not get a hold over. All men—and women—have something to conceal, and you have only to pretend to know what it is. Thus Grodman, who was nothing if not scientific.

Denzil Cantercot shambled home thoughtfully, and abstractedly took his place at the Crowl dinner-table.



VI

Mrs. Crowl surveyed Denzil Cantercot so stonily and cut him his beef so savagely that he said grace when the dinner was over. Peter fed his metaphysical genius on tomatoes. He was tolerant enough to allow his family to follow their Fads; but no savoury smells ever tempted him to be false to his vegetable loves. Besides, meat might have reminded him too much of his work. There is nothing like leather, but Bow beefsteaks occasionally come very near it.

After dinner Denzil usually indulged in poetic reverie. But to-day he did not take his nap. He went out at once to "raise the wind." But there was a dead calm everywhere. In vain he asked for an advance at the office of the Mile End Mirror, to which he contributed scathing leaderettes about vestrymen. In vain he trudged to the City and offered to write the Ham and Eggs Gazette an essay on the modern methods of bacon-curing. Denzil knew a great deal about the breeding and slaughtering of pigs, smoke-lofts and drying processes, having for years dictated the policy of the New Pork Herald in these momentous matters. Denzil also knew a great deal about many other esoteric matters, including weaving machines, the manufacture of cabbage leaves and snuff, and the inner economy of drain-pipes. He had written for the trade papers since boyhood. But there is great competition on these papers. So many men of literary gifts know all about the intricate technicalities of manufactures and markets, and are eager to set the trade right. Grodman perhaps hardly allowed sufficiently for the step backwards that Denzil made when he devoted his whole time for months to Criminals I have Caught. It was as damaging as a debauch. For when your rivals are pushing forwards, to stand still is to go back.

In despair Denzil shambled toilsomely to Bethnal Green. He paused before the window of a little tobacconist's shop, wherein was displayed a placard announcing

"PLOTS FOR SALE."

The announcement went on to state that a large stock of plots was to be obtained on the premises—embracing sensational plots, humorous plots, love plots, religious plots, and poetic plots; also complete manuscripts, original novels, poems, and tales. Apply within.

It was a very dirty-looking shop, with begrimed bricks and blackened woodwork. The window contained some musty old books, an assortment of pipes and tobacco, and a large number of the vilest daubs unhung, painted in oil on Academy boards, and unframed. These were intended for landscapes, as you could tell from the titles. The most expensive was "Chingford Church," and it was marked IS. 9d. The others ran from 6d. to IS. 3d., and were mostly representations of Scottish scenery—a loch with mountains in the background, with solid reflections in the water and a tree in the foreground. Sometimes the tree would be in the background. Then the loch would be in the foreground. Sky and water were intensely blue in all. The name of the collection was "Original oil-paintings done by hand." Dust lay thick upon everything, as if carefully shovelled on; and the proprietor looked as if he slept in his shop-window at night without taking his clothes off. He was a gaunt man with a red nose, long but scanty black locks covered by a smoking-cap, and a luxuriant black moustache. He smoked a long clay pipe, and had the air of a broken-down operatic villain.

"Ah, good afternoon, Mr. Cantercot," he said, rubbing his hands, half from cold, half from usage; "what have you brought me?"

"Nothing," said Denzil, "but if you will lend me a sovereign I'll do you a stunner."

The operatic villain shook his locks, his eyes full of pawky cunning. "If you did it after that, it would be a stunner."

What the operatic villain did with these plots, and who bought them, Cantercot never knew nor cared to know. Brains are cheap to-day, and Denzil was glad enough to find a customer.

"Surely you've known me long enough to trust me," he cried.

"Trust is dead," said the operatic villain, puffing away.

"So is Queen Anne," cried the irritated poet. His eyes took a dangerous hunted look. Money he must have. But the operatic villain was inflexible. No plot, no supper.

Poor Denzil went out flaming. He knew not where to turn. Temporarily he turned on his heel again and stared despairingly at the shop-window. Again he read the legend

"PLOTS FOR SALE."

He stared so long at this that it lost its meaning. When the sense of the words suddenly flashed upon him again, they bore a new significance. He went in meekly, and borrowed fourpence of the operatic villain. Then he took the 'bus for Scotland Yard. There was a not ill-looking servant girl in the 'bus. The rhythm of the vehicle shaped itself into rhymes in his brain. He forgot all about his situation and his object. He had never really written an epic—except "Paradise Lost"—but he composed lyrics about wine and women and often wept to think how miserable he was. But nobody ever bought anything of him, except articles on bacon-curing or attacks on vestrymen. He was a strange, wild creature, and the wench felt quite pretty under his ardent gaze. It almost hypnotised her, though, and she looked down at her new French kid boots to escape it.

At Scotland Yard Denzil asked for Edward Wimp. Edward Wimp was not on view. Like kings and editors, detectives are difficult of approach—unless you are a criminal, when you cannot see anything of them at all. Denzil knew of Edward Wimp, principally because of Grodman's contempt for his successor. Wimp was a man of taste and culture. Grodman's interests were entirely concentrated on the problems of logic and evidence. Books about these formed his sole reading; for belles lettres he cared not a straw. Wimp, with his flexible intellect, had a great contempt for Grodman and his slow, laborious, ponderous, almost Teutonic methods. Worse, he almost threatened to eclipse the radiant tradition of Grodman by some wonderfully ingenious bits of workmanship. Wimp was at his greatest in collecting circumstantial evidence; in putting two and two together to make five. He would collect together a number of dark and disconnected data and flash across them the electric light of some unifying hypothesis in a way which would have done credit to a Darwin or a Faraday. An intellect which might have served to unveil the secret workings of nature was subverted to the protection of a capitalistic civilisation.

By the assistance of a friendly policeman, whom the poet magnetised into the belief that his business was a matter of life and death, Denzil obtained the great detective's private address. It was near King's Cross. By a miracle Wimp was at home in the afternoon. He was writing when Denzil was ushered up three pairs of stairs into his presence, but he got up and flashed the bull's-eye of his glance upon the visitor.

"Mr. Denzil Cantercot, I believe," said Wimp.

Denzil started. He had not sent up his name, merely describing himself as a gentleman.

"That is my name," he murmured.

"You were one of the witnesses at the inquest on the body of the late Arthur Constant. I have your evidence there." He pointed to a file. "Why have you come to give fresh evidence?"

Again Denzil started, flushing in addition this time. "I want money," he said, almost involuntarily.

"Sit down." Denzil sat. Wimp stood.

Wimp was young and fresh-coloured. He had a Roman nose, and was smartly dressed. He had beaten Grodman by discovering the wife Heaven meant for him. He had a bouncing boy, who stole jam out of the pantry without any one being the wiser. Wimp did what work he could do at home in a secluded study at the top of the house. Outside his chamber of horrors he was the ordinary husband of commerce. He adored his wife, who thought poorly of his intellect but highly of his heart. In domestic difficulties Wimp was helpless. He could not tell even whether the servant's "character" was forged or genuine. Probably he could not level himself to such petty problems. He was like the senior wrangler who has forgotten how to do quadratics, and has to solve equations of the second degree by the calculus.

"How much money do you want?" he asked.

"I do not make bargains," Denzil replied, his calm come back by this time. "I came here to tender you a suggestion. It struck me that you might offer me a fiver for my trouble. Should you do so, I shall not refuse it."

"You shall not refuse it—if you deserve it."

"Good. I will come to the point at once. My suggestion concerns—Tom Mortlake."

Denzil threw out the name as if it were a torpedo. Wimp did not move.

"Tom Mortlake," went on Denzil, looking disappointed, "had a sweetheart." He paused impressively.

Wimp said, "Yes?"

"Where is that sweetheart now?"

"Where, indeed?"

"You know about her disappearance?"

"You have just informed me of it."

"Yes, she is gone—without a trace. She went about a fortnight before Mr. Constant's murder."

"Murder? How do you know it was murder?"

"Mr. Grodman says so," said Denzil, startled again.

"H'm! Isn't that rather a proof that it was suicide? Well, go on."

"About a fortnight before the suicide, Jessie Dymond disappeared. So they tell me in Stepney Green, where she lodged and worked."

"What was she?"

"She was a dressmaker. She had a wonderful talent. Quite fashionable ladies got to know of it. One of her dresses was presented at Court. I think the lady forgot to pay for it; so Jessie's landlady said."

"Did she live alone?"

"She had no parents, but the house was respectable."

"Good-looking, I suppose?"

"As a poet's dream."

"As yours, for instance?"

"I am a poet; I dream."

"You dream you are a poet. Well, well! She was engaged to Mortlake?"

"Oh, yes! They made no secret of it. The engagement was an old one. When he was earning 36s. a week as a compositor, they were saving up to buy a home. He worked at Railton and Hockes who print the New Pork Herald. I used to take my 'copy' into the comps' room, and one day the Father of the Chapel told me all about 'Mortlake and his young woman.' Ye gods! How times are changed! Two years ago Mortlake had to struggle with my calligraphy—now he is in with all the nobs, and goes to the 'At Homes' of the aristocracy."

"Radical M.P.'s," murmured Wimp, smiling.

"While I am still barred from the dazzling drawing-rooms, where beauty and intellect foregather. A mere artisan! A manual labourer!" Denzil's eyes flashed angrily. He rose with excitement. "They say he always was a jabberer in the composing-room, and he has jabbered himself right out of it and into a pretty good thing. He didn't have much to say about the crimes of capital when he was set up to second the toast of 'Railton and Hockes' at the beanfeast."

"Toast and butter, toast and butter," said Wimp, genially. "I shouldn't blame a man for serving the two together, Mr. Cantercot."

Denzil forced a laugh. "Yes; but consistency's my motto. I like to see the royal soul immaculate, unchanging, immovable by fortune. Anyhow, when better times came for Mortlake the engagement still dragged on. He did not visit her so much. This last autumn he saw very little of her."

"How do you know?"

"I—I was often in Stepney Green. My business took me past the house of an evening. Sometimes there was no light in her room. That meant she was downstairs gossiping with the landlady."

"She might have been out with Tom?"

"No, sir; I knew Tom was on the platform somewhere or other. He was working up to all hours organising the eight hours' working movement."

"A very good reason for relaxing his sweethearting."

"It was. He never went to Stepney Green on a week night."

"But you always did."

"No—not every night."

"You didn't go in?"

"Never. She wouldn't permit my visits. She was a girl of strong character. She always reminded me of Flora Macdonald."

"Another lady of your acquaintance?"

"A lady I know better than the shadows who surround me, who is more real to me than the women who pester me for the price of apartments. Jessie Dymond, too, was of the race of heroines. Her eyes were clear blue, two wells with Truth at the bottom of each. When I looked into those eyes my own were dazzled. They were the only eyes I could never make dreamy." He waved his hand as if making a pass with it. "It was she who had the influence over me."

"You knew her, then?"

"Oh, yes. I knew Tom from the old New Pork Herald days, and when I first met him with Jessie hanging on his arm he was quite proud to introduce her to a poet. When he got on he tried to shake me off."

"You should have repaid him what you borrowed."

"It—it—was only a trifle," stammered Denzil.

"Yes, but the world turns on trifles," said the wise Wimp.

"The world is itself a trifle," said the pensive poet. "The Beautiful alone is deserving of our regard."

"And when the Beautiful was not gossiping with her landlady, did she gossip with you as you passed the door?"

"Alas, no! She sat in her room reading, and cast a shadow—"

"On your life?"

"No; on the blind."

"Always one shadow?"

"No, sir. Once or twice, two."

"Ah, you had been drinking."

"On my life, not. I have sworn off the treacherous wine-cup."

"That's right. Beer is bad for poets. It makes their feet shaky. Whose was the second shadow?"

"A man's."

"Naturally. Mortlake's, perhaps."

"Impossible. He was still striking eight hours."

"You found out whose shadow? You didn't leave a shadow of doubt?"

"No; I waited till the substance came out."

"It was Arthur Constant."

"You are a magician! You—you terrify me. Yes, it was he."

"Only once or twice, you say?"

"I didn't keep watch over them."

"No, no, of course not. You only passed casually. I understand you thoroughly."

Denzil did not feel comfortable at the assertion.

"What did he go there for?" Wimp went on.

"I don't know. I'd stake my soul on Jessie's honour."

"You might double your stake without risk."

"Yes, I might! I would! You see her with my eyes."

"For the moment they are the only ones available. When was the last time you saw the two together?"

"About the middle of November."

"Mortlake knew nothing of the meetings?"

"I don't know. Perhaps he did. Mr. Constant had probably enlisted her in his social mission work. I knew she was one of the attendants at the big children's tea in the Great Assembly Hall early in November. He treated her quite like a lady. She was the only attendant who worked with her hands."

"The others carried the cups on their feet, I suppose."

"No; how could that be? My meaning is that all the other attendants were real ladies, and Jessie was only an amateur, so to speak. There was no novelty for her in handing kids cups of tea. I dare say she had helped her landlady often enough at that—there's quite a bushel of brats below stairs. It's almost as bad as at friend Crowl's. Jessie was a real brick. But perhaps Tom didn't know her value. Perhaps he didn't like Constant to call on her, and it led to a quarrel. Anyhow, she's disappeared, like the snowfall on the river. There's not a trace. The landlady, who was such a friend of hers that Jessie used to make up her stuff into dresses for nothing, tells me that she's dreadfully annoyed at not having been left the slightest clue to her late tenant's whereabouts."

"You have been making inquiries on your own account apparently?"

"Only of the landlady. Jessie never even gave her the week's notice, but paid her in lieu of it, and left immediately. The landlady told me I could have knocked her down with a feather. Unfortunately, I wasn't there to do it, or I should certainly have knocked her down for not keeping her eyes open better. She says if she had only had the least suspicion beforehand that the minx (she dared to call Jessie a minx) was going, she'd have known where, or her name would have been somebody else's. And yet she admits that Jessie was looking ill and worried. Stupid old hag!"

"A woman of character," murmured the detective.

"Didn't I tell you so?" cried Denzil, eagerly. "Another girl would have let out that she was going. But no, not a word. She plumped down the money and walked out. The landlady ran upstairs. None of Jessie's things were there. She must have quietly sold them off, or transferred them to the new place. I never in my life met a girl who so thoroughly knew her own mind or had a mind so worth knowing. She always reminded me of the Maid of Saragossa."

"Indeed! And when did she leave?"

"On the l9th of November."

"Mortlake of course knows where she is?"

"I can't say. Last time I was at the house to inquire—it was at the end of November—he hadn't been seen there for six weeks. He wrote to her, of course, sometimes—the landlady knew his writing."

Wimp looked Denzil straight in the eyes, and said, "You mean, of course, to accuse Mortlake of the murder of Mr. Constant?"

"N-n-no, not at all," stammered Denzil, "only you know what Mr. Grodman wrote to the Pell Mell. The more we know about Mr. Constant's life the more we shall know about the manner of his death. I thought my information would be valuable to you, and I brought it."

"And why didn't you take it to Mr. Grodman?"

"Because I thought it wouldn't be valuable to me."

"You wrote Criminals I have Caught?"

"How—how do you know that?" Wimp was startling him to-day with a vengeance.

"Your style, my dear Mr. Cantercot. The unique, noble style."

"Yes, I was afraid it would betray me," said Denzil. "And since you know, I may tell you that Grodman's a mean curmudgeon. What does he want with all that money and those houses—a man with no sense of the Beautiful? He'd have taken my information, and given me more kicks than ha'pence for it, so to speak."

"Yes, he is a shrewd man after all. I don't see anything valuable in your evidence against Mortlake."

"No!" said Denzil in a disappointed tone, and fearing he was going to be robbed. "Not when Mortlake was already jealous of Mr. Constant, who was a sort of rival organiser, unpaid! A kind of blackleg doing the work cheaper—nay, for nothing."

"Did Mortlake tell you he was jealous?" said Wimp, a shade of sarcastic contempt piercing through his tones.

"Oh, yes! He said to me, 'That man will work mischief. I don't like your kid-glove philanthropists meddling in matters they don't understand.'"

"Those were his very words?"

"His ipsissima verba."

"Very well. I have your address in my files. Here is a sovereign for you."

"Only one sovereign! It's not the least use to me."

"Very well. It's of great use to me. I have a wife to keep."

"I haven't," said Denzil, with a sickly smile, "so perhaps I can manage on it after all." He took his hat and the sovereign.

Outside the door he met a rather pretty servant just bringing in some tea to her master. He nearly upset her tray at sight of her. She seemed more amused at the rencontre than he.

"Good afternoon, dear," she said coquettishly. "You might let me have that sovereign. I do so want a new Sunday bonnet."

Denzil gave her the sovereign, and slammed the hall-door viciously when he got to the bottom of the stairs. He seemed to be walking arm-in-arm with the long arm of coincidence. Wimp did not hear the duologue. He was already busy on his evening's report to headquarters. The next day Denzil had a body-guard wherever he went. It might have gratified his vanity had he known it. But to-night he was yet unattended, so no one noted that he went to 46 Glover Street, after the early Crowl supper. He could not help going. He wanted to get another sovereign. He also itched to taunt Grodman. Not succeeding in the former object, he felt the road open for the second.

"Do you still hope to discover the Bow murderer?" he asked the old bloodhound.

"I can lay my hand on him now," Grodman announced curtly.

Denzil hitched his chair back involuntarily. He found conversation with detectives as lively as playing at skittles with bombshells. They got on his nerves terribly, these undemonstrative gentlemen with no sense of the Beautiful.

"But why don't you give him up to justice?" he murmured.

"Ah—it has to be proved yet. But it is only a matter of time."

"Oh!" said Denzil, "and shall I write the story for you?"

"No. You will not live long enough."

Denzil turned white. "Nonsense! I am years younger than you," he gasped.

"Yes," said Grodman, "but you drink so much."



VII

When Wimp invited Grodman to eat his Christmas plum-pudding at King's Cross, Grodman was only a little surprised. The two men were always overwhelmingly cordial when they met, in order to disguise their mutual detestation. When people really like each other, they make no concealment of their mutual contempt. In his letter to Grodman, Wimp said that he thought it might be nicer for him to keep Christmas in company than in solitary state. There seems to be a general prejudice in favour of Christmas numbers, and Grodman yielded to it. Besides, he thought that a peep at the Wimp domestic interior would be as good as a pantomime. He quite enjoyed the fun that was coming, for he knew that Wimp had not invited him out of mere "peace and goodwill."

There was only one other guest at the festive board. This was Wimp's wife's mother's mother, a lady of sweet seventy. Only a minority of mankind can obtain a grandmother-in-law by marrying, but Wimp was not unduly conceited. The old lady suffered from delusions. One of them was that she was a centenarian. She dressed for the part. It is extraordinary what pains ladies will take to conceal their age. Another of Wimp's grandmother-in-law's delusions was that Wimp had married to get her into the family. Not to frustrate his design, she always gave him her company on high-days and holidays. Wilfred Wimp—the little boy who stole the jam—was in great form at the Christmas dinner. The only drawback to his enjoyment was that its sweets needed no stealing. His mother presided over the platters, and thought how much cleverer Grodman was than her husband. When the pretty servant who waited on them was momentarily out of the room, Grodman had remarked that she seemed very inquisitive. This coincided with Mrs. Wimp's own convictions, though Mr. Wimp could never be brought to see anything unsatisfactory or suspicious about the girl, not even though there were faults in spelling in the "character" with which her last mistress had supplied her.

It was true that the puss had pricked up her ears when Denzil Cantercot's name was mentioned. Grodman saw it, and watched her, and fooled Wimp to the top of his bent. It was, of course, Wimp who introduced the poet's name, and he did it so casually that Grodman perceived at once that he wished to pump him. The idea that the rival bloodhound should come to him for confirmation of suspicions against his own pet jackal was too funny. It was almost as funny to Grodman that evidence of some sort should be obviously lying to hand in the bosom of Wimp's hand-maiden; so obviously that Wimp could not see it. Grodman enjoyed his Christmas dinner, secure that he had not found a successor after all. Wimp, for his part, contemptuously wondered at the way Grodman's thought hovered about Denzil without grazing the truth. A man constantly about him, too!

"Denzil is a man of genius," said Grodman. "And as such comes under the heading of Suspicious Characters. He has written an Epic Poem and read it to me. It is morbid from start to finish. There is 'death' in the third line. I dare say you know he polished up my book?" Grodman's artlessness was perfect.

"No. You surprise me," Wimp replied. "I'm sure he couldn't have done much to it. Look at your letter in the Pell Mell. Who wants more polish and refinement than that showed?"

"Ah, I didn't know you did me the honour of reading that."

"Oh, yes; we both read it," put in Mrs. Wimp. "I told Mr. Wimp it was very clever and cogent. After that quotation from the letter to the poor fellow's fiancee there could be no more doubt but that it was murder. Mr. Wimp was convinced by it too, weren't you, Edward?"

Edward coughed uneasily. It was a true statement, and therefore an indiscreet. Grodman would plume himself terribly. At this moment Wimp felt that Grodman had been right in remaining a bachelor. Grodman perceived the humour of the situation, and wore a curious, sub-mocking smile.

"On the day I was born," said Wimp's grand-mother-in-law, "over a hundred years ago, there was a babe murdered."—Wimp found himself wishing it had been she. He was anxious to get back to Cantercot. "Don't let us talk shop on Christmas Day," he said, smiling at Grodman. "Besides, murder isn't a very appropriate subject."

"No, it ain't," said Grodman. "How did we get on to it? Oh, yes—Denzil Cantercot. Ha! ha! ha! That's curious, for since Denzil revised Criminals I have Caught, his mind's running on nothing but murders. A poet's brain is easily turned."

Wimp's eye glittered with excitement and contempt for Grodman's blindness. In Grodman's eye there danced an amused scorn of Wimp; to the outsider his amusement appeared at the expense of the poet.

Having wrought his rival up to the highest pitch, Grodman slyly and suddenly unstrung him.

"How lucky for Denzil!" he said, still in the same naive, facetious Christmasy tone, "that he can prove an alibi in this Constant affair."

"An alibi!" gasped Wimp. "Really?"

"Oh, yes. He was with his wife, you know. She's my woman of all work, Jane. She happened to mention his being with her."

Jane had done nothing of the kind. After the colloquy he had overheard, Grodman had set himself to find out the relation between his two employees. By casually referring to Denzil as "your husband," he so startled the poor woman that she did not attempt to deny the bond. Only once did he use the two words, but he was satisfied. As to the alibi, he had not yet troubled her; but to take its existence for granted would upset and discomfort Wimp. For the moment that was triumph enough for Wimp's guest.

"Par," said Wilfred Wimp, "what's a alleybi? A marble?"

"No, my lad," said Grodman, "it means being somewhere else when you're supposed to be somewhere."

"Ah, playing truant," said Wilfred, self-consciously; his schoolmaster had often proved an alibi against him. "Then Denzil will be hanged."

Was it a prophecy? Wimp accepted it as such; as an oracle from the gods bidding him mistrust Grodman. Out of the mouths of little children issueth wisdom; sometimes even when they are not saying their lessons.

"When I was in my cradle, a century ago," said Wimp's grandmother-in-law, "men were hanged for stealing horses."

They silenced her with snapdragon performances.

Wimp was busy thinking how to get at Grodman's factotum.

Grodman was busy thinking how to get at Wimp's domestic.

Neither received any of the usual messages from the Christmas Bells.

* * * * *

The next day was sloppy and uncertain. A thin rain drizzled languidly. One can stand that sort of thing on a summer Bank Holiday; one expects it. But to have a bad December Bank Holiday is too much of a bad thing. Some steps should surely be taken to confuse the weather clerk's chronology. Once let him know that Bank Holiday is coming, and he writes to the company for more water. To-day his stock seemed low, and he was dribbling it out; at times the wintry sun would shine in a feeble, diluted way, and though the holiday-makers would have preferred to take their sunshine neat, they swarmed forth in their myriads whenever there was a ray of hope. But it was only dodging the raindrops; up went the umbrellas again, and the streets became meadows of ambulating mushrooms.

Denzil Cantercot sat in his fur overcoat at the open window, looking at the landscape in watercolours. He smoked an after-dinner cigarette, and spoke of the Beautiful. Crowl was with him. They were in the first floor front, Crowl's bedroom, which, from its view of the Mile End Road, was livelier than the parlour with its outlook on the backyard. Mrs. Crowl was an anti-tobacconist as regards the best bedroom; but Peter did not like to put the poet or his cigarette out. He felt there was something in common between smoke and poetry, over and above their being both Fads. Besides, Mrs. Crowl was sulking in the kitchen. She had been arranging for an excursion with Peter and the children to Victoria Park. (She had dreamed of the Crystal Palace, but Santa Claus had put no gifts in the cobbler's shoes.) Now she could not risk spoiling the feather in her bonnet. The nine brats expressed their disappointment by slapping one another on the staircases. Peter felt that Mrs. Crowl connected him in some way with the rainfall, and was unhappy. Was it not enough that he had been deprived of the pleasure of pointing out to a superstitious majority the mutual contradictions of Leviticus and the Song of Solomon? It was not often that Crowl could count on such an audience.

"And you still call Nature Beautiful?" he said to Denzil, pointing to the ragged sky and the dripping eaves. "Ugly old scare-crow!"

"Ugly she seems to-day," admitted Denzil. "But what is Ugliness but a higher form of Beauty? You have to look deeper into it to see it; such vision is the priceless gift of the few. To me this wan desolation of sighing rain is lovely as the sea-washed ruins of cities."

"Ah, but you wouldn't like to go out into it," said Peter Crowl. As he spoke the drizzle suddenly thickened into a torrent.

"We do not always kiss the woman we love."

"Speak for yourself, Denzil. I'm only a plain man, and I want to know if Nature isn't a Fad. Hallo, there goes Mortlake! Lord, a minute of this will soak him to the skin."

The labour leader was walking along with bowed head. He did not seem to mind the shower. It was some seconds before he even heard Crowl's invitation to him to take shelter. When he did hear it he shook his head.

"I know I can't offer you a drawing-room with duchesses stuck about it," said Peter, vexed.

Tom turned the handle of the shop door and went in. There was nothing in the world which now galled him more than the suspicion that he was stuck-up and wished to cut old friends. He picked his way through the nine brats who clung affectionately to his wet knees, dispersing them finally by a jet of coppers to scramble for. Peter met him on the stairs and shook his hand lovingly and admiringly, and took him into Mrs. Crowl's bedroom.

"Don't mind what I say, Tom. I'm only a plain man, and my tongue will say what comes uppermost! But it ain't from the soul, Tom, it ain't from the soul," said Peter, punning feebly, and letting a mirthless smile play over his sallow features. "You know Mr. Cantercot, I suppose? The Poet."

"Oh, yes; how do you do, Tom?" cried the Poet. "Seen the New Pork Herald lately? Not bad, those old times, eh?"

"No," said Tom, "I wish I was back in them."

"Nonsense, nonsense," said Peter, in much concern. "Look at the good you are doing to the working man. Look how you are sweeping away the Fads. Ah, it's a grand thing to be gifted, Tom. The idea of your chuckin' yourself away on a composin'-room! Manual labour is all very well for plain men like me, with no gift but just enough brains to see into the realities of things—to understand that we've got no soul and no immortality, and all that—and too selfish to look after anybody's comfort but my own and mother's and the kids'. But men like you and Cantercot—it ain't right that you should be peggin' away at low material things. Not that I think Cantercot's gospel any value to the masses. The Beautiful is all very well for folks who've got nothing else to think of, but give me the True. You're the man for my money, Mortlake. No reference to the funds, Tom, to which I contribute little enough, Heaven knows; though how a place can know anything, Heaven alone knows. You give us the Useful, Tom; that's what the world wants more than the Beautiful."

"Socrates said that the Useful is the Beautiful," said Denzil.

"That may be," said Peter, "but the Beautiful ain't the Useful."

"Nonsense!" said Denzil. "What about Jessie—I mean Miss Dymond? There's a combination for you. She always reminds me of Grace Darling. How is she, Tom?"

"She's dead!" snapped Tom.

"What?" Denzil turned as white as a Christmas ghost.

"It was in the papers," said Tom; "all about her and the lifeboat."

"Oh, you mean Grace Darling," said Denzil, visibly relieved. "I meant Miss Dymond."

"You needn't be so interested in her," said Tom surlily. "She don't appreciate it. Ah, the shower is over. I must be going."

"No, stay a little longer, Tom," pleaded Peter.

"I see a lot about you in the papers, but very little of your dear old phiz now. I can't spare the time to go and hear you. But I really must give myself a treat. When's your next show?"

"Oh, I am always giving shows," said Tom, smiling a little. "But my next big performance is on the twenty-first of January, when that picture of poor Mr. Constant is to be unveiled at the Bow Break o' Day Club. They have written to Gladstone and other big pots to come down. I do hope the old man accepts. A non-political gathering like this is the only occasion we could both speak at, and I have never been on the same platform with Gladstone."

He forgot his depression and ill-temper in the prospect, and spoke with more animation.

"No, I should hope not, Tom," said Peter. "What with his Fads about the Bible being a Rock, and Monarchy being the right thing, he is a most dangerous man to lead the Radicals. He never lays his axe to the root of anything—except oak trees."

"Mr. Cantycot!" It was Mrs. Crowl's voice that broke in upon the tirade. "There's a gentleman to see you." The astonishment Mrs. Crowl put into the "gentleman" was delightful. It was almost as good as a week's rent to her to give vent to her feelings. The controversial couple had moved away from the window when Tom entered, and had not noticed the immediate advent of another visitor who had spent his time profitably in listening to Mrs. Crowl before asking to see the presumable object of his visit.

"Ask him up if it's a friend of yours, Cantercot," said Peter. It was Wimp. Denzil was rather dubious as to the friendship, but he preferred to take Wimp diluted. "Mortlake's upstairs," he said; "will you come up and see him?"

Wimp had intended a duologue, but he made no objection, so he, too, stumbled through the nine brats to Mrs. Crowl's bedroom. It was a queer quartette. Wimp had hardly expected to find anybody at the house on Boxing Day, but he did not care to waste a day. Was not Grodman, too, on the track? How lucky it was that Denzil had made the first overtures, so that he could approach him without exciting suspicion.

Mortlake scowled when he saw the detective. He objected to the police—on principle. But Crowl had no idea who the visitor was, even when told his name. He was rather pleased to meet one of Denzil's high-class friends, and welcomed him warmly. Probably he was some famous editor, which would account for his name stirring vague recollections. He summoned the eldest brat and sent him for beer (people would have their Fads), and not without trepidation called down to "Mother" for glasses. "Mother" observed at night (in the same apartment) that the beer money might have paid the week's school fees for half the family.

"We were just talking of poor Mr. Constant's portrait, Mr. Wimp," said the unconscious Crowl; "they're going to unveil it, Mortlake tells me, on the twenty-first of next month at the Bow Break o' Day Club."

"Ah," said Wimp, elate at being spared the trouble of manoeuvring the conversation; "mysterious affair that, Mr. Crowl."

"No; it's the right thing," said Peter. "There ought to be some memorial of the man in the district where he worked and where he died, poor chap." The cobbler brushed away a tear.

"Yes, it's only right," echoed Mortlake, a whit eagerly. "He was a noble fellow, a true philanthropist—the only thoroughly unselfish worker I've ever met."

"He was that," said Peter; "and it's a rare pattern is unselfishness. Poor fellow, poor fellow. He preached the Useful, too. I've never met his like. Ah, I wish there was a heaven for him to go to!" He blew his nose violently with a red pocket-handkerchief.

"Well, he's there, if there is," said Tom.

"I hope he is," added Wimp, fervently; "but I shouldn't like to go there the way he did."

"You were the last person to see him, Tom, weren't you?" said Denzil.

"Oh, no," answered Tom, quickly. "You remember he went out after me; at least, so Mrs. Drabdump said at the inquest."

"That last conversation he had with you, Tom," said Denzil. "He didn't say anything to you that would lead you to suppose—"

"No, of course not!" interrupted Mortlake, impatiently.

"Do you really think he was murdered, Tom?" said Denzil.

"Mr. Wimp's opinion on that point is more valuable than mine," replied Tom, testily. "It may have been suicide. Men often get sick of life—especially if they are bored," he added meaningly.

"Ah, but you were the last person known to be with him," said Denzil.

Crowl laughed. "Had you there, Tom."

But they did not have Tom there much longer, for he departed, looking even worse-tempered than when he came. Wimp went soon after, and Crowl and Denzil were left to their interminable argumentation concerning the Useful and the Beautiful.

Wimp went West. He had several strings (or cords) to his bow, and he ultimately found himself at Kensal Green Cemetery. Being there, he went down the avenues of the dead to a grave to note down the exact date of a death. It was a day on which the dead seemed enviable. The dull, sodden sky, the dripping, leafless trees, the wet, spongy soil, the reeking grass—everything combined to make one long to be in a warm, comfortable grave away from the leaden ennuis of life. Suddenly the detective's keen eye caught sight of a figure that made his heart throb with sudden excitement. It was that of a woman in a grey shawl and a brown bonnet, standing before a railed-in grave. She had no umbrella. The rain plashed mournfully upon her, but left no trace on her soaking garments. Wimp crept up behind her, but she paid no heed to him. Her eyes were lowered to the grave, which seemed to be drawing them towards it by some strange morbid fascination. His eyes followed hers. The simple headstone bore the name, "Arthur Constant."

Wimp tapped her suddenly on the shoulder.

"How do you do, Mrs. Drabdump?"

Mrs. Drabdump went deadly white. She turned round, staring at Wimp without any recognition.

"You remember me, surely," he said; "I've been down once or twice to your place about that poor gentleman's papers." His eye indicated the grave.

"Lor! I remember you now," said Mrs. Drabdump.

"Won't you come under my umbrella? You must be drenched to the skin."

"It don't matter, sir. I can't take no hurt. I've had the rheumatics this twenty year."

Mrs. Drabdump shrank from accepting Wimp's attentions, not so much perhaps because he was a man as because he was a gentleman. Mrs. Drabdump liked to see the fine folks keep their place, and not contaminate their skirts by contact with the lower castes. "It's set wet, it'll rain right into the new year," she announced. "And they say a bad beginnin' makes a worse endin'." Mrs. Drabdump was one of those persons who give you the idea that they just missed being born barometers.

"But what are you doing in this miserable spot, so far from home?" queried the detective.

"It's Bank Holiday," Mrs. Drabdump reminded him in tones of acute surprise. "I always make a hexcursion on Bank Holiday."



VIII

The New Year drew Mrs. Drabdump a new lodger. He was an old gentleman with a long grey beard. He rented the rooms of the late Mr. Constant, and lived a very retired life. Haunted rooms—or rooms that ought to be haunted if the ghosts of those murdered in them had any self-respect—are supposed to fetch a lower rent in the market. The whole Irish problem might be solved if the spirits of "Mr. Balfour's victims" would only depreciate the value of property to a point consistent with the support of an agricultural population. But Mrs. Drabdump's new lodger paid so much for his rooms that he laid himself open to a suspicion of a special interest in ghosts. Perhaps he was a member of the Psychical Society. The neighbourhood imagined him another mad philanthropist, but as he did not appear to be doing any good to anybody it relented and conceded his sanity. Mortlake, who occasionally stumbled across him in the passage, did not trouble himself to think about him at all. He was too full of other troubles and cares. Though he worked harder than ever, the spirit seemed to have gone out of him. Sometimes he forgot himself in a fine rapture of eloquence—lashing himself up into a divine resentment of injustice or a passion of sympathy with the sufferings of his brethren—but mostly he plodded on in dull, mechanical fashion. He still made brief provincial tours, starring a day here and a day there, and everywhere his admirers remarked how jaded and overworked he looked. There was talk of starting a subscription to give him a holiday on the Continent—a luxury obviously unobtainable on the few pounds allowed him per week. The new lodger would doubtless have been pleased to subscribe, for he seemed quite to like occupying Mortlake's chamber the nights he was absent, though he was thoughtful enough not to disturb the hard-worked landlady in the adjoining room by unseemly noise. Wimp was always a quiet man.

Meantime the twenty-first of the month approached, and the East-end was in excitement. Mr. Gladstone had consented to be present at the ceremony of unveiling the portrait of Arthur Constant, presented by an unknown donor to the Bow Break o' Day Club, and it was to be a great function. The whole affair was outside the lines of party politics, so that even Conservatives and Socialists considered themselves justified in pestering the committee for tickets. To say nothing of ladies! As the committee desired to be present themselves, nine-tenths of the applications for admission had to be refused, as is usual on these occasions. The committee agreed among themselves to exclude the fair sex altogether as the only way of disposing of their womankind, who were making speeches as long as Mr. Gladstone's. Each committeeman told his sisters, female cousins, and aunts, that the other committeemen had insisted on divesting the function of all grace; and what could a man do when he was in a minority of one?

Crowl, who was not a member of the Break o' Day Club, was particularly anxious to hear the great orator whom he despised; fortunately Mortlake remembered the cobbler's anxiety to hear himself, and on the eve of the ceremony sent him a ticket. Crowl was in the first flush of possession when Denzil Cantercot returned, after a sudden and unannounced absence of three days. His clothes were muddy and tattered, his cocked hat was deformed, his cavalier beard was matted, and his eyes were bloodshot. The cobbler nearly dropped the ticket at the sight of him. "Hallo, Cantercot!" he gasped. "Why, where have you been all these days?"

"Terribly busy!" said Denzil. "Here, give me a glass of water. I'm dry as the Sahara."

Crowl ran inside and got the water, trying hard not to inform Mrs. Crowl of their lodger's return. "Mother" had expressed herself freely on the subject of the poet during his absence, and not in terms which would have commended themselves to the poet's fastidious literary sense. Indeed, she did not hesitate to call him a sponger and a low swindler, who had run away to avoid paying the piper. Her fool of a husband might be quite sure he would never set eyes on the scoundrel again. However, Mrs. Crowl was wrong. Here was Denzil back again. And yet Mr. Crowl felt no sense of victory. He had no desire to crow over his partner and to utter that "See! didn't I tell you so?" which is a greater consolation than religion in most of the misfortunes of life. Unfortunately, to get the water, Crowl had to go to the kitchen; and as he was usually such a temperate man, this desire for drink in the middle of the day attracted the attention of the lady in possession. Crowl had to explain the situation. Mrs. Crowl ran into the shop to improve it. Mr. Crowl followed in dismay, leaving a trail of spilt water in his wake.

"You good-for-nothing, disreputable scare-crow, where have—"

"Hush, mother. Let him drink. Mr. Cantercot is thirsty."

"Does he care if my children are hungry?"

Denzil tossed the water greedily down his throat almost at a gulp, as if it were brandy.

"Madam," he said, smacking his lips, "I do care. I care intensely. Few things in life would grieve me more deeply than to hear that a child, a dear little child—the Beautiful in a nutshell—had suffered hunger. You wrong me." His voice was tremulous with the sense of injury. Tears stood in his eyes.

"Wrong you? I've no wish to wrong you," said Mrs. Crowl. "I should like to hang you."

"Don't talk of such ugly things," said Denzil, touching his throat nervously.

"Well, what have you been doin' all this time?"

"Why, what should I be doing?"

"How should I know what became of you? I thought it was another murder."

"What!" Denzil's glass dashed to fragments on the floor. "What do you mean?"

But Mrs. Crowl was glaring too viciously at Mr. Crowl to reply. He understood the message as if it were printed. It ran: "You have broken one of my best glasses. You have annihilated threepence, or a week's school fees for half the family." Peter wished she would turn the lightning upon Denzil, a conductor down whom it would run innocuously. He stooped down and picked up the pieces as carefully as if they were cuttings from the Koh-i-noor. Thus the lightning passed harmlessly over his head and flew towards Cantercot.

"What do I mean?" Mrs. Crowl echoed, as if there had been no interval. "I mean that it would be a good thing if you had been murdered."

"What unbeautiful ideas you have to be sure!" murmured Denzil.

"Yes; but they'd be useful," said Mrs. Crowl, who had not lived with Peter all these years for nothing. "And if you haven't been murdered, what have you been doing?"

"My dear, my dear," put in Crowl, deprecatingly, looking up from his quadrupedal position like a sad dog, "you are not Cantercot's keeper."

"Oh, ain't I?" flashed his spouse. "Who else keeps him, I should like to know?"

Peter went on picking up the pieces of the Koh-i-noor.

"I have no secrets from Mrs. Crowl," Denzil explained courteously. "I have been working day and night bringing out a new paper. Haven't had a wink of sleep for three nights."

Peter looked up at his bloodshot eyes with respectful interest.

"The capitalist met me in the street—an old friend of mine—I was overjoyed at the rencontre and told him the idea I'd been brooding over for months, and he promised to stand all the racket."

"What sort of a paper?" said Peter.

"Can you ask? To what do you think I've been devoting my days and nights but to the cultivation of the Beautiful?"

"Is that what the paper will be devoted to?"

"Yes. To the Beautiful."

"I know," snorted Mrs. Crowl, "with portraits of actresses."

"Portraits? Oh, no!" said Denzil. "That would be the True, not the Beautiful."

"And what's the name of the paper?" asked Crowl.

"Ah, that's a secret, Peter. Like Scott, I prefer to remain anonymous."

"Just like your Fads. I'm only a plain man, and I want to know where the fun of anonymity comes in. If I had any gifts, I should like to get the credit. It's a right and natural feeling to my thinking."

"Unnatural, Peter; unnatural. We're all born anonymous, and I'm for sticking close to Nature. Enough for me that I disseminate the Beautiful. Any letters come during my absence, Mrs. Crowl?"

"No," she snapped. "But a gent named Grodman called. He said you hadn't been to see him for some time, and looked annoyed to hear you'd disappeared. How much have you let him in for?"

"The man's in my debt," said Denzil, annoyed. "I wrote a book for him and he's taken all the credit for it, the rogue! My name doesn't appear even in the Preface. What's that ticket you're looking so lovingly at, Peter?"

"That's for to-night—the unveiling of Constant's portrait. Gladstone speaks. Awful demand for places."

"Gladstone!" sneered Denzil. "Who wants to hear Gladstone? A man who's devoted his life to pulling down the pillars of Church and State."

"A man who's devoted his whole life to propping up the crumbling Fads of Religion and Monarchy. But, for all that, the man has his gifts, and I'm burnin' to hear him."

"I wouldn't go out of my way an inch to hear him," said Denzil; and went up to his room, and when Mrs. Crowl sent him up a cup of nice strong tea at tea-time, the brat who bore it found him lying dressed on the bed, snoring unbeautifully.

The evening wore on. It was fine frosty weather. The Whitechapel Road swarmed with noisy life, as though it were a Saturday night. The stars flared in the sky like the lights of celestial costermongers. Everybody was on the alert for the advent of Mr. Gladstone. He must surely come through the Road on his journey from the West Bow-wards. But nobody saw him or his carriage, except those about the Hall. Probably he went by tram most of the way. He would have caught cold in an open carriage, or bobbing his head out of the window of a closed.

"If he had only been a German prince, or a cannibal king," said Crowl, bitterly, as he plodded towards the Club, "we should have disguised Mile End in bunting and blue fire. But perhaps it's a compliment. He knows his London, and it's no use trying to hide the facts from him. They must have queer notions of cities, those monarchs. They must fancy everybody lives in a flutter of flags and walks about under triumphal arches, like as if I were to stitch shoes in my Sunday clothes." By a defiance of chronology Crowl had them on to-day, and they seemed to accentuate the simile.

"And why shouldn't life be fuller of the Beautiful?" said Denzil. The poet had brushed the reluctant mud off his garments to the extent it was willing to go, and had washed his face, but his eyes were still bloodshot from the cultivation of the Beautiful. Denzil was accompanying Crowl to the door of the Club out of good fellowship. Denzil was himself accompanied by Grodman, though less obtrusively. Least obtrusively was he accompanied by his usual Scotland Yard shadows, Wimp's agents. There was a surging nondescript crowd about the Club, so that the police, and the doorkeeper, and the stewards could with difficulty keep out the tide of the ticketless, through which the current of the privileged had equal difficulty in permeating. The streets all around were thronged with people longing for a glimpse of Gladstone. Mortlake drove up in a hansom (his head a self-conscious pendulum of popularity, swaying and bowing to right and left) and received all the pent-up enthusiasm.

"Well, good-by, Cantercot," said Crowl.

"No, I'll see you to the door, Peter."

They fought their way shoulder to shoulder.

Now that Grodman had found Denzil he was not going to lose him again. He had only found him by accident, for he was himself bound to the unveiling ceremony, to which he had been invited in view of his known devotion to the task of unveiling the Mystery. He spoke to one of the policemen about, who said, "Ay, ay, sir," and he was prepared to follow Denzil, if necessary, and to give up the pleasure of hearing Gladstone for an acuter thrill. The arrest must be delayed no longer.

But Denzil seemed as if he were going in on the heels of Crowl. This would suit Grodman better. He could then have the two pleasures. But Denzil was stopped halfway through the door.

"Ticket, sir!"

Denzil drew himself up to his full height.

"Press," he said majestically. All the glories and grandeurs of the Fourth Estate were concentrated in that haughty monosyllable. Heaven itself is full of journalists who have overawed St. Peter. But the doorkeeper was a veritable dragon.

"What paper, sir?"

"New York Herald" said Denzil, sharply. He did not relish his word being distrusted.

"New York Herald" said one of the bystanding stewards, scarce catching the sounds. "Pass him in."

And in the twinkling of an eye Denzil had eagerly slipped inside.

But during the brief altercation Wimp had come up. Even he could not make his face quite impassive, and there was a suppressed intensity in the eyes and a quiver about the mouth. He went in on Denzil's heels, blocking up the doorway with Grodman. The two men were so full of their coming coups that they struggled for some seconds, side by side, before they recognised each other. Then they shook hands heartily.

"That was Cantercot just went in, wasn't it, Grodman?" said Wimp.

"I didn't notice," said Grodman, in tones of utter indifference.

At bottom Wimp was terribly excited. He felt that his coup was going to be executed under very sensational circumstances. Everything would combine to turn the eyes of the country upon him—nay, of the world, for had not the Big Bow Mystery been discussed in every language under the sun? In these electric times the criminal receives a cosmopolitan reputation. It is a privilege he shares with few other artists. This time Wimp would be one of them. And he felt deservedly so. If the criminal had been cunning to the point of genius in planning the murder, he had been acute to the point of divination in detecting it. Never before had he pieced together so broken a chain. He could not resist the unique opportunity of setting a sensational scheme in a sensational framework. The dramatic instinct was strong in him; he felt like a playwright who has constructed a strong melodramatic plot, and has the Drury Lane stage suddenly offered him to present it on. It would be folly to deny himself the luxury, though the presence of Mr. Gladstone and the nature of the ceremony should perhaps have given him pause. Yet, on the other hand, these were the very factors of the temptation. Wimp went in and took a seat behind Denzil. All the seats were numbered, so that everybody might have the satisfaction of occupying somebody else's. Denzil was in the special reserved places in the front row just by the central gangway; Crowl was squeezed into a corner behind a pillar near the back of the hall. Grodman had been honoured with a seat on the platform, which was accessible by steps on the right and left, but he kept his eye on Denzil. The picture of the poor idealist hung on the wall behind Grodman's head, covered by its curtain of brown holland. There was a subdued buzz of excitement about the hall, which swelled into cheers every now and again as some gentleman known to fame or Bow took his place upon the platform. It was occupied by several local M.P.'s of varying politics, a number of other Parliamentary satellites of the great man, three or four labour leaders, a peer or two of philanthropic pretensions, a sprinkling of Toynbee and Oxford Hall men, the president and other honorary officials, some of the family and friends of the deceased, together with the inevitable percentage of persons who had no claim to be there save cheek. Gladstone was late—later than Mortlake, who was cheered to the echo when he arrived, some one starting "For He's a Jolly Good Fellow," as if it were a political meeting. Gladstone came in just in time to acknowledge the compliment. The noise of the song, trolled out from iron lungs, had drowned the huzzahs heralding the old man's advent. The convivial chorus went to Mortlake's head, as if champagne had really preceded it. His eyes grew moist and dim. He saw himself swimming to the Millennium on waves of enthusiasm. Ah, how his brother toilers should be rewarded for their trust in him!

With his usual courtesy and consideration, Mr. Gladstone had refused to perform the actual unveiling of Arthur Constant's portrait. "That," he said in his postcard, "will fall most appropriately to Mr. Mortlake, a gentleman who has, I am given to understand, enjoyed the personal friendship of the late Mr. Constant, and has cooperated with him in various schemes for the organisation of skilled and unskilled classes of labour, as well as for the diffusion of better ideals—ideals of self-culture and self-restraint—among the working men of Bow, who have been fortunate, so far as I can perceive, in the possession (if in one case unhappily only temporary possession) of two such men of undoubted ability and honesty to direct their divided counsels and to lead them along a road, which, though I cannot pledge myself to approve of it in all its turnings and windings, is yet not unfitted to bring them somewhat nearer to goals to which there are few of us but would extend some measure of hope that the working classes of this great Empire may in due course, yet with no unnecessary delay, be enabled to arrive."

Mr. Gladstone's speech was an expansion of his postcard, punctuated by cheers. The only new thing in it was the graceful and touching way in which he revealed what had been a secret up till then—that the portrait had been painted and presented to the Bow Break o' Day Club, by Lucy Brent, who in the fulness of time would have been Arthur Constant's wife. It was a painting for which he had sat to her while alive, and she had stifled yet pampered her grief by working hard at it since his death. The fact added the last touch of pathos to the occasion. Crowl's face was hidden behind his red handkerchief; even the fire of excitement in Wimp's eye was quenched for a moment by a teardrop, as he thought of Mrs. Wimp and Wilfred. As for Grodman, there was almost a lump in his throat. Denzil Cantercot was the only unmoved man in the room. He thought the episode quite too Beautiful, and was already weaving it into rhyme.

At the conclusion of his speech Mr. Gladstone called upon Tom Mortlake to unveil the portrait. Tom rose, pale and excited. He faltered as he touched the cord. He seemed overcome with emotion. Was it the mention of Lucy Brent that had moved him to his depths?

The brown holland fell away—the dead stood revealed as he had been in life. Every feature, painted by the hand of Love, was instinct with vitality: the fine, earnest face, the sad kindly eyes, the noble brow, seeming still a-throb with the thought of Humanity. A thrill ran through the room—there was a low, undefinable murmur. Oh, the pathos and the tragedy of it! Every eye was fixed, misty with emotion, upon the dead man in the picture, and the living man who stood, pale and agitated, and visibly unable to commence his speech, at the side of the canvas. Suddenly a hand was laid upon the labour leader's shoulder, and there rang through the hall in Wimp's clear, decisive tones the words—"Tom Mortlake, I arrest you for the murder of Arthur Constant!"



IX

For a moment there was an acute, terrible silence. Mortlake's face was that of a corpse; the face of the dead man at his side was flushed with the hues of life. To the overstrung nerves of the onlookers, the brooding eyes of the picture seemed sad and stern with menace, and charged with the lightnings of doom.

It was a horrible contrast. For Wimp, alone, the painted face had fuller, more tragical meanings. The audience seemed turned to stone. They sat or stood—in every variety of attitude—frozen, rigid. Arthur Constant's picture dominated the scene, the only living thing in a hall of the dead.

But only for a moment. Mortlake shook off the detective's hand.

"Boys!" he cried, in accents of infinite indignation, "this is a police conspiracy."

His words relaxed the tension. The stony figures were agitated. A dull excited hubbub answered him. The little cobbler darted from behind his pillar, and leapt upon a bench. The cords of his brow were swollen with excitement. He seemed a giant overshadowing the hall.

"Boys!" he roared, in his best Victoria Park voice, "listen to me. This charge is a foul and damnable lie."

"Bravo!" "Hear, hear!" "Hooray!" "It is!" was roared back at him from all parts of the room. Everybody rose and stood in tentative attitudes, excited to the last degree.

"Boys!" Peter roared on, "you all know me. I'm a plain man, and I want to know if it's likely a man would murder his best friend."

"No!" in a mighty volume of sound.

Wimp had scarcely calculated upon Mortlake's popularity. He stood on the platform, pale and anxious as his prisoner.

"And if he did, why didn't they prove it the first time?"

"Hear, Hear!"

"And if they want to arrest him, why couldn't they leave it till the ceremony was over? Tom Mortlake's not the man to run away."

"Tom Mortlake! Tom Mortlake! Three cheers for Tom Mortlake!" "Hip, hip, hip, hooray!"

"Three groans for the police!" "Hoo! Oo! Oo!"

Wimp's melodrama was not going well. He felt like the author to whose ears is borne the ominous sibilance of the pit. He almost wished he had not followed the curtain-raiser with his own stronger drama. Unconsciously the police, scattered about the hall, drew together. The people on the platform knew not what to do. They had all risen and stood in a densely packed mass. Even Mr. Gladstone's speech failed him in circumstances so novel. The groans died away; the cheers for Mortlake rose and swelled and fell and rose again. Sticks and umbrellas were banged and rattled, handkerchiefs were waved, the thunder deepened. The motley crowd still surging about the hall took up the cheers, and for hundreds of yards around people were going black in the face out of mere irresponsible enthusiasm. At last Tom waved his hand—the thunder dwindled, died. The prisoner was master of the situation.

Grodman stood on the platform, grasping the back of his chair, a curious mocking Mephistophelian glitter about his eyes, his lips wreathed into a half smile. There was no hurry for him to get Denzil Cantercot arrested now. Wimp had made an egregious, a colossal blunder. In Grodman's heart there was a great, glad calm as of a man who has strained his sinews to win in a famous match, and has heard the judge's word. He felt almost kindly to Denzil now.

Tom Mortlake spoke. His face was set and stony. His tall figure was drawn up haughtily to its full height. He pushed the black mane back from his forehead with a characteristic gesture. The fevered audience hung upon his lips—the men at the back leaned eagerly forward—the reporters were breathless with fear lest they should miss a word. What would the great labour leader have to say at this supreme moment?

"Mr. Chairman and gentlemen. It is to me a melancholy pleasure to have been honoured with the task of unveiling to-night this portrait of a great benefactor to Bow and a true friend to the labouring classes. Except that he honoured me with his friendship while living, and that the aspirations of my life have, in my small and restricted way, been identical with his, there is little reason why this honourable duty should have fallen upon me. Gentlemen, I trust that we shall all find an inspiring influence in the daily vision of the dead, who yet liveth in our hearts and in this noble work of art—wrought, as Mr. Gladstone has told us, by the hand of one who loved him." The speaker paused a moment, his low vibrant tones faltering into silence. "If we humble working men of Bow can never hope to exert individually a tithe of the beneficial influence wielded by Arthur Constant, it is yet possible for each of us to walk in the light he has kindled in our midst—a perpetual lamp of self-sacrifice and brotherhood."

That was all. The room rang with cheers. Tom Mortlake resumed his seat. To Wimp the man's audacity verged on the Sublime; to Denzil on the Beautiful. Again there was a breathless hush. Mr. Gladstone's mobile face was working with excitement. No such extraordinary scene had occurred in the whole of his extraordinary experience. He seemed about to rise. The cheering subsided to a painful stillness. Wimp cut the situation by laying his hand again upon Tom's shoulder.

"Come quietly with me," he said. The words were almost a whisper, but in the supreme silence they travelled to the ends of the hall.

"Don't you go, Tom!" The trumpet tones were Peter's. The call thrilled an answering chord of defiance in every breast, and a low ominous murmur swept through the hall.

Tom rose, and there was silence again. "Boys," he said, "let me go. Don't make any noise about it. I shall be with you again to-morrow."

But the blood of the Break o' Day boys was at fever heat. A hurtling mass of men struggled confusedly from their seats. In a moment all was chaos. Tom did not move. Half-a-dozen men headed by Peter scaled the platform. Wimp was thrown to one side, and the invaders formed a ring round Tom's chair. The platform people scampered like mice from the centre. Some huddled together in the corners, others slipped out at the rear. The committee congratulated themselves on having had the self-denial to exclude ladies. Mr. Gladstone's satellites hurried the old man off and into his carriage, though the fight promised to become Homeric. Grodman stood at the side of the platform secretly more amused than ever, concerning himself no more with Denzil Cantercot, who was already strengthening his nerves at the bar upstairs. The police about the hall blew their whistles, and policemen came rushing in from outside and the neighbourhood. An Irish M.P. on the platform was waving his gingham like a shillelagh in sheer excitement, forgetting his new-found respectability and dreaming himself back at Donnybrook Fair. Him a conscientious constable floored with a truncheon. But a shower of fists fell on the zealot's face, and he tottered back bleeding. Then the storm broke in all its fury. The upper air was black with staves, sticks, and umbrellas, mingled with the pallid hailstones of knobby fists. Yells, and groans, and hoots, and battle-cries blent in grotesque chorus, like one of Dvorak's weird diabolical movements. Mortlake stood impassive, with arms folded, making no further effort, and the battle raged round him as the water swirls round some steadfast rock. A posse of police from the back fought their way steadily towards him, and charged up the heights of the platform steps, only to be sent tumbling backwards, as their leader was hurled at them like a battering-ram. Upon the top of the heap he fell, surmounting the strata of policemen. But others clambered upon them, escalading the platform. A moment more and Mortlake would have been taken. Then the miracle happened.

As when of old a reputable goddess ex machina saw her favourite hero in dire peril, straightway she drew down a cloud from the celestial stores of Jupiter and enveloped her fondling in kindly night, so that his adversary strove with the darkness, so did Crowl, the cunning cobbler, the much-daring, essay to ensure his friend's safety. He turned off the gas at the meter.

An Arctic night—unpreceded by twilight—fell, and there dawned the sabbath of the witches. The darkness could be felt—and it left blood and bruises behind it. When the lights were turned on again, Mortlake was gone. But several of the rioters were arrested, triumphantly.

And through all, and over all, the face of the dead man, who had sought to bring peace on earth, brooded.

* * * * *

Crowl sat meekly eating his supper of bread and cheese, with his head bandaged, while Denzil Cantercot told him the story of how he had rescued Tom Mortlake. He had been among the first to scale the height, and had never budged from Tom's side or from the forefront of the battle till he had seen him safely outside and into a by-street.

"I am so glad you saw that he got away safely," said Crowl, "I wasn't quite sure he would."

"Yes; but I wish some cowardly fool hadn't turned off the gas. I like men to see that they are beaten."

"But it seemed—easier," faltered Crowl.

"Easier!" echoed Denzil, taking a deep draught of bitter. "Really, Peter, I'm sorry to find you always will take such low views. It may be easier, but it's shabby. It shocks one's sense of the Beautiful."

Crowl ate his bread and cheese shamefacedly.

"But what was the use of breaking your head to save him?" said Mrs. Crowl, with an unconscious pun. "He must be caught."

"Ah, I don't see how the Useful does come in, now," said Peter, thoughtfully. "But I didn't think of that at the time."

He swallowed his water quickly, and it went the wrong way and added to his confusion. It also began to dawn upon him that he might be called to account. Let it be said at once that he wasn't. He had taken too prominent a part.

Meantime, Mrs. Wimp was bathing Mr. Wimp's eye, and rubbing him generally with arnica. Wimp's melodrama had been, indeed, a sight for the gods. Only virtue was vanquished and vice triumphant. The villain had escaped, and without striking a blow.



X

There was matter and to spare for the papers the next day. The striking ceremony—Mr. Gladstone's speech—the sensational arrest—these would of themselves have made excellent themes for reports and leaders. But the personality of the man arrested, and the Big Bow Mystery Battle—as it came to be called—gave additional piquancy to the paragraphs and the posters. The behaviour of Mortlake put the last touch to the picturesqueness of the position. He left the hall when the lights went out, and walked unnoticed and unmolested through pleiads of policemen to the nearest police station, where the superintendent was almost too excited to take any notice of his demand to be arrested. But to do him justice, the official yielded as soon as he understood the situation. It seems inconceivable that he did not violate some red-tape regulation in so doing. To some this self-surrender was limpid proof of innocence; to others it was the damning token of despairing guilt.

The morning papers were pleasant reading for Grodman, who chuckled as continuously over his morning egg, as if he had laid it. Jane was alarmed for the sanity of her saturnine master. As her husband would have said, Grodman's grins were not Beautiful. But he made no effort to suppress them. Not only had Wimp perpetrated a grotesque blunder, but the journalists to a man were down on his great sensation tableau, though their denunciations did not appear in the dramatic columns. The Liberal papers said that he had endangered Mr. Gladstone's life; the Conservative that he had unloosed the raging elements of Bow blackguardism, and set in motion forces which might have easily swelled to a riot, involving severe destruction of property. But "Tom Mortlake" was, after all, the thought swamping every other. It was, in a sense, a triumph for the man.

But Wimp's turn came when Mortlake, who reserved his defence, was brought up before a magistrate, and by force of the new evidence, fully committed for trial on the charge of murdering Arthur Constant. Then men's thoughts centred again on the Mystery, and the solution of the inexplicable problem agitated mankind from China to Peru.

In the middle of February, the great trial befell. It was another of the opportunities which the Chancellor of the Exchequer neglects. So stirring a drama might have easily cleared its expenses—despite the length of the cast, the salaries of the stars, and the rent of the house—in mere advance booking. For it was a drama which (by the rights of Magna Charta) could never be repeated; a drama which ladies of fashion would have given their earrings to witness, even with the central figure not a woman. And there was a woman in it anyhow, to judge by the little that had transpired at the magisterial examination, and the fact that the country was placarded with bills offering a reward for information concerning a Miss Jessie Dymond. Mortlake was defended by Sir Charles Brown-Harland, Q.C., retained at the expense of the Mortlake Defence Fund (subscriptions to which came also from Australia and the Continent), and set on his mettle by the fact that he was the accepted labour candidate for an East-end constituency. Their Majesties, Victoria and the Law, were represented by Mr. Robert Spigot, Q.C.

Mr. SPIGOT, Q.C, in presenting his case, said: "I propose to show that the prisoner murdered his friend and fellow-lodger, Mr. Arthur Constant, in cold blood, and with the most careful premeditation; premeditation so studied, as to leave the circumstances of the death an impenetrable mystery for weeks to all the world, though, fortunately, without altogether baffling the almost superhuman ingenuity of Mr. Edward Wimp, of the Scotland Yard Detective Department. I propose to show that the motives of the prisoner were jealousy and revenge; jealousy, not only of his friend's superior influence over the working men he himself aspired to lead, but the more commonplace animosity engendered by the disturbing element of a woman having relations to both. If, before my case is complete, it will be my painful duty to show that the murdered man was not the saint the world has agreed to paint him, I shall not shrink from unveiling the truer picture, in the interests of justice, which cannot say nil nisi bonum even of the dead. I propose to show that the murder was committed by the prisoner shortly before half-past six on the morning of December 4th, and that the prisoner having, with the remarkable ingenuity which he has shown throughout, attempted to prepare an alibi by feigning to leave London by the first train to Liverpool, returned home, got in with his latch-key through the street door, which he had left on the latch, unlocked his victim's bedroom with a key which he possessed, cut the sleeping man's throat, pocketed his razor, locked the door again, and gave it the appearance of being bolted, went downstairs, unslipped the bolt of the big lock, closed the door behind him, and got to Euston in time for the second train to Liverpool. The fog helped his proceedings throughout." Such was in sum the theory of the prosecution. The pale, defiant figure in the dock winced perceptibly under parts of it.

Mrs. Drabdump was the first witness called for the prosecution. She was quite used to legal inquisitiveness by this time, but did not appear in good spirits.

"On the night of December 3rd, you gave the prisoner a letter?"

"Yes, your ludship."

"How did he behave when he read it?"

"He turned very pale and excited. He went up to the poor gentleman's room, and I'm afraid he quarrelled with him. He might have left his last hours peaceful." (Amusement.)

"What happened then?"

"Mr. Mortlake went out in a passion, and came in again in about an hour."

"He told you he was going away to Liverpool very early the next morning?"

"No, your ludship, he said he was going to Devonport." (Sensation.)

"What time did you get up the next morning?"

"Half-past six."

"That is not your usual time?"

"No, I always get up at six."

"How do you account for the extra sleepiness?"

"Misfortunes will happen."

"It wasn't the dull, foggy weather?"

"No, my lud, else I should never get up early." (Laughter.)

"You drink something before going to bed?"

"I like my cup o' tea. I take it strong, without sugar. It always steadies my nerves."

"Quite so. Where were you when the prisoner told you he was going to Devonport?"

"Drinkin' my tea in the kitchen."

"What should you say if prisoner dropped something in it to make you sleep late?"

WITNESS (startled): "He ought to be shot."

"He might have done it without your noticing it, I suppose?"

"If he was clever enough to murder the poor gentleman, he was clever enough to try and poison me."

The JUDGE: "The witness in her replies must confine herself to the evidence."

Mr. SPIGOT, Q.C.: "I must submit to your lordship that it is a very logical answer, and exactly illustrates the interdependence of the probabilities. Now, Mrs. Drabdump, let us know what happened when you awoke at half-past six the next morning." Thereupon Mrs. Drabdump recapitulated the evidence (with new redundancies, but slight variations) given by her at the inquest. How she became alarmed—how she found the street door locked by the big lock—how she roused Grodman, and got him to burst open the door—how they found the body—all this with which the public was already familiar ad nauseam was extorted from her afresh.

"Look at this key (key passed to witness). Do you recognise it?"

"Yes; how did you get it? It's the key of my first-floor front. I am sure I left it sticking in the door."

"Did you know a Miss Dymond?"

"Yes, Mr. Mortlake's sweetheart. But I knew he would never marry her, poor thing." (Sensation.)

"Why not?"

"He was getting too grand for her." (Amusement.)

"You don't mean anything more than that?"

"I don't know; she only came to my place once or twice. The last time I set eyes on her must have been in October."

"How did she appear?"

"She was very miserable, but she wouldn't let you see it." (Laughter.)

"How has the prisoner behaved since the murder?"

"He always seemed very glum and sorry for it."

Cross-examined: "Did not the prisoner once occupy the bedroom of Mr. Constant, and give it up to him, so that Mr. Constant might have the two rooms on the same floor?"

"Yes, but he didn't pay as much."

"And, while occupying this front bedroom, did not the prisoner once lose his key and have another made?"

"He did; he was very careless."

"Do you know what the prisoner and Mr. Constant spoke about on the night of December 3rd?"

"No; I couldn't hear."

"Then how did you know they were quarrelling?"

"They were talkin' so loud."

Sir CHARLES BROWN-HARLAND, Q.C. (sharply): "But I'm talking loudly to you now. Should you say I was quarrelling?"

"It takes two to make a quarrel." (Laughter.)

"Was prisoner the sort of man who, in your opinion, would commit a murder?"

"No, I never should ha' guessed it was him."

"He always struck you as a thorough gentleman?"

"No, my lud. I knew he was only a comp."

"You say the prisoner has seemed depressed since the murder. Might not that have been due to the disappearance of his sweetheart?"

"No, he'd more likely be glad to get rid of her."

"Then he wouldn't be jealous if Mr. Constant took her off his hands?" (Sensation.)

"Men are dog-in-the-mangers."

"Never mind about men, Mrs. Drabdump. Had the prisoner ceased to care for Miss Dymond?"

"He didn't seem to think of her, my lud. When he got a letter in her handwriting among his heap he used to throw it aside till he'd torn open the others."

BROWN-HARLAND, Q.C. (with a triumphant ring in his voice): "Thank you, Mrs. Drabdump. You may sit down."

SPIGOT, Q.C.: "One moment, Mrs. Drabdump. You say the prisoner had ceased to care for Miss Dymond. Might not this have been in consequence of his suspecting for some time that she had relations with Mr. Constant?"

The JUDGE: "That is not a fair question."

SPIGOT, Q.C.: "That will do, thank you, Mrs. Drabdump."

BROWN-HARLAND, Q.C.: "No; one question more, Mrs. Drabdump. Did you ever see anything—say, when Miss Dymond came to your house—to make you suspect anything between Mr. Constant and the prisoner's sweetheart?"

"She did meet him once when Mr. Mortlake was out." (Sensation.)

"Where did she meet him?"

"In the passage. He was going out when she knocked and he opened the door." (Amusement.)

"You didn't hear what they said?"

"I ain't a eavesdropper. They spoke friendly and went away together."

Mr. GEORGE GRODMAN was called, and repeated his evidence at the inquest. Cross-examined, he testified to the warm friendship between Mr. Constant and the prisoner. He knew very little about Miss Dymond, having scarcely seen her. Prisoner had never spoken to him much about her. He should not think she was much in prisoner's thoughts. Naturally the prisoner had been depressed by the death of his friend. Besides, he was overworked. Witness thought highly of Mortlake's character. It was incredible that Constant had had improper relations of any kind with his friend's promised wife. Grodman's evidence made a very favourable impression on the jury; the prisoner looked his gratitude; and the prosecution felt sorry it had been necessary to call this witness.

Inspector HOWLETT and Sergeant RUNNYMEDE had also to repeat their evidence. Dr. ROBINSON, police surgeon, likewise retendered his evidence as to the nature of the wound, and the approximate hour of death. But this time he was much more severely examined. He would not bind himself down to state the time within an hour or two. He thought life had been extinct two or three hours when he arrived, so that the deed had been committed between seven and eight. Under gentle pressure from the prosecuting counsel, he admitted that it might possibly have been between six and seven. Cross-examined, he reiterated his impression in favour of the later hour.

Supplementary evidence from medical experts proved as dubious and uncertain as if the court had confined itself to the original witness. It seemed to be generally agreed that the data for determining the time of death of any body were too complex and variable to admit of very precise inference; rigor mortis and other symptoms setting in within very wide limits and differing largely in different persons. All agreed that death from such a cut must have been practically instantaneous, and the theory of suicide was rejected by all. As a whole the medical evidence tended to fix the time of death, with a high degree of probability, between the hours of six and half-past eight. The efforts of the prosecution were bent upon throwing back the time of death to as early as possible after about half-past five. The defence spent all its strength upon pinning the experts to the conclusion that death could not have been earlier than seven. Evidently the prosecution was going to fight hard for the hypothesis that Mortlake had committed the crime in the interval between the first and second trains for Liverpool; while the defence was concentrating itself on an alibi, showing that the prisoner had travelled by the second train which left Euston Station at a quarter-past seven, so that there could have been no possible time for the passage between Bow and Euston. It was an exciting struggle. As yet the contending forces seemed equally matched. The evidence had gone as much for as against the prisoner. But everybody knew that worse lay behind.

"Call Edward Wimp."

The story EDWARD WIMP had to tell began tamely enough with thrice-threshed-out facts. But at last the new facts came.

"In consequence of suspicions that had formed in your mind you took up your quarters, disguised, in the late Mr. Constant's rooms?"

"I did; at the commencement of the year. My suspicions had gradually gathered against the occupants of No. 11 Glover Street, and I resolved to quash or confirm these suspicions once for all."

"Will you tell the jury what followed?"

"Whenever the prisoner was away for the night I searched his room. I found the key of Mr. Constant's bedroom buried deeply in the side of prisoner's leather sofa. I found what I imagine to be the letter he received on December 3rd, in the pages of a 'Bradshaw' lying under the same sofa. There were two razors about."

Mr. SPIGOT, Q.C., said: "The key has already been identified by Mrs. Drabdump. The letter I now propose to read."

It was undated, and ran as follows:—

"Dear Tom,—This is to bid you farewell. It is best for us all. I am going a long way, dearest. Do not seek to find me, for it will be useless. Think of me as one swallowed up by the waters, and be assured that it is only to spare you shame and humiliation in the future that I tear myself from you and all the sweetness of life. Darling, there is no other way. I feel you could never marry me now. I have felt it for months. Dear Tom, you will understand what I mean. We must look facts in the face. I hope you will always be friends with Mr. Constant. Good-by, dear. God bless you! May you always be happy, and find a worthier wife than I. Perhaps when you are great, and rich, and famous, as you deserve, you will sometimes think not unkindly of one who, however faulty and unworthy of you, will at least love you till the end.—Yours, till death,

"JESSIE."

By the time this letter was finished numerous old gentlemen, with wigs or without, were observed to be polishing their glasses. Mr. Wimp's examination was resumed.

"After making these discoveries what did you do?"

"I made inquiries about Miss Dymond, and found Mr. Constant had visited her once or twice in the evening. I imagined there would be some traces of a pecuniary connection. I was allowed by the family to inspect Mr. Constant's cheque-book, and found a paid cheque made out for L25 in the name of Miss Dymond. By inquiry at the Bank, I found it had been cashed on November l2th of last year. I then applied for a warrant against the prisoner."

Cross-examined: "Do you suggest that the prisoner opened Mr. Constant's bedroom with the key you found?"

"Certainly."

BROWN-HARLAND, Q.C. (sarcastically): "And locked the door from within with it on leaving?"

"Certainly."

"Will you have the goodness to explain how the trick was done?"

"It wasn't done. (Laughter.) The prisoner probably locked the door from the outside. Those who broke it open naturally imagined it had been locked from the inside when they found the key inside. The key would, on this theory, be on the floor as the outside locking could not have been effected if it had been in the lock. The first persons to enter the room would naturally believe it had been thrown down in the bursting of the door. Or it might have been left sticking very loosely inside the lock so as not to interfere with the turning of the outside key, in which case it would also probably have been thrown to the ground."

"Indeed. Very ingenious. And can you also explain how the prisoner could have bolted the door within from the outside?"

"I can. (Renewed sensation.) There is only one way in which it was possible—and that was, of course, a mere conjurer's illusion. To cause a locked door to appear bolted in addition, it would only be necessary for the person on the inside of the door to wrest the staple containing the bolt from the woodwork. The bolt in Mr. Constant's bedroom worked perpendicularly. When the staple was torn off, it would simply remain at rest on the pin of the bolt instead of supporting it or keeping it fixed. A person bursting open the door and finding the staple resting on the pin and torn away from the lintel of the door, would, of course, imagine he had torn it away, never dreaming the wresting off had been done beforehand." (Applause in court, which was instantly checked by the ushers.) The counsel for the defence felt he had been entrapped in attempting to be sarcastic with the redoubtable detective. Grodman seemed green with envy. It was the one thing he had not thought of.