At the same time he was conscious of being temporarily worsted by an unknown group of schemers, in which he felt convinced that Jules was an important item. He could scarcely look Nella in the eyes. The girl had evidently expected him to unmask this conspiracy at once, with a single stroke of the millionaire's magic wand. She was thoroughly accustomed, in the land of her birth, to seeing him achieve impossible feats. Over there he was a 'boss'; men trembled before his name; when he wished a thing to happen—well, it happened; if he desired to know a thing, he just knew it. But here, in London, Theodore Racksole was not quite the same Theodore Racksole. He dominated New York; but London, for the most part, seemed not to take much interest in him; and there were certainly various persons in London who were capable of snapping their fingers at him—at Theodore Racksole. Neither he nor his daughter could get used to that fact.

As for Nella, she concerned herself for a little with the ordinary business of the bureau, and watched the incomings and outgoings of Prince Aribert with a kindly interest. She perceived, what her father had failed to perceive, that His Highness had assumed an attitude of reserve merely to hide the secret distraction and dismay which consumed him. She saw that the poor fellow had no settled plan in his head, and that he was troubled by something which, so far, he had confided to nobody. It came to her knowledge that each morning he walked to and fro on the Victoria Embankment, alone, and apparently with no object. On the third morning she decided that driving exercise on the Embankment would be good for her health, and thereupon ordered a carriage and issued forth, arrayed in a miraculous putty-coloured gown. Near Blackfriars Bridge she met the Prince, and the carriage was drawn up by the pavement.

'Good morning, Prince,' she greeted him. 'Are you mistaking this for Hyde Park?'

He bowed and smiled.

'I usually walk here in the mornings,' he said.

'You surprise me,' she returned. 'I thought I was the only person in London who preferred the Embankment, with this view of the river, to the dustiness of Hyde Park. I can't imagine how it is that London will never take exercise anywhere except in that ridiculous Park. Now, if they had Central Park—'

'I think the Embankment is the finest spot in all London,' he said.

She leaned a little out of the landau, bringing her face nearer to his.

'I do believe we are kindred spirits, you and I,' she murmured; and then, 'Au revoir, Prince!'

'One moment, Miss Racksole.' His quick tones had a note of entreaty.

'I am in a hurry,' she fibbed; 'I am not merely taking exercise this morning. You have no idea how busy we are.'

'Ah! then I will not trouble you. But I leave the Grand Babylon to-night.'

'Do you?' she said. 'Then will your Highness do me the honour of lunching with me today in Father's room? Father will be out—he is having a day in the City with some stockbroking persons.'

'I shall be charmed,' said the Prince, and his face showed that he meant it.

Nella drove off.

If the lunch was a success that result was due partly to Rocco, and partly to Nella. The Prince said little beyond what the ordinary rules of the conversational game demanded. His hostess talked much and talked well, but she failed to rouse her guest. When they had had coffee he took a rather formal leave of her.

'Good-bye, Prince,' she said, 'but I thought—that is, no I didn't.

Good-bye.'

'You thought I wished to discuss something with you. I did; but I have decided that I have no right to burden your mind with my affairs.'

'But suppose—suppose I wish to be burdened?'

'That is your good nature.'

'Sit down,' she said abruptly, 'and tell me everything; mind, everything. I adore secrets.'

Almost before he knew it he was talking to her, rapidly, eagerly.

'Why should I weary you with my confidences?' he said. 'I don't know, I cannot tell; but I feel that I must. I feel that you will understand me better than anyone else in the world. And yet why should you understand me? Again, I don't know. Miss Racksole, I will disclose to you the whole trouble in a word. Prince Eugen, the hereditary Grand Duke of Posen, has disappeared. Four days ago I was to have met him at Ostend. He had affairs in London. He wished me to come with him. I sent Dimmock on in front, and waited for Eugen. He did not arrive. I telegraphed back to Cologne, his last stopping-place, and I learned that he had left there in accordance with his programme; I learned also that he had passed through Brussels. It must have been between Brussels and the railway station at Ostend Quay that he disappeared. He was travelling with a single equerry, and the equerry, too, has vanished. I need not explain to you, Miss Racksole, that when a person of the importance of my nephew contrives to get lost one must proceed cautiously. One cannot advertise for him in the London Times. Such a disappearance must be kept secret. The people at Posen and at Berlin believe that Eugen is in London, here, at this hotel; or, rather, they did so believe. But this morning I received a cypher telegram from—from His Majesty the Emperor, a very peculiar telegram, asking when Eugen might be expected to return to Posen, and requesting that he should go first to Berlin. That telegram was addressed to myself. Now, if the Emperor thought that Eugen was here, why should he have caused the telegram to be addressed to me? I have hesitated for three days, but I can hesitate no longer. I must myself go to the Emperor and acquaint him with the facts.'

'I suppose you've just got to keep straight with him?' Nella was on the point of saying, but she checked herself and substituted, 'The Emperor is your chief, is he not? "First among equals", you call him.'

'His Majesty is our over-lord,' said Aribert quietly.

'Why do you not take immediate steps to inquire as to the whereabouts of your Royal nephew?' she asked simply. The affair seemed to her just then so plain and straightforward.

'Because one of two things may have happened. Either Eugen may have been, in plain language, abducted, or he may have had his own reasons for changing his programme and keeping in the background—out of reach of telegraph and post and railways.'

'What sort of reasons?'

'Do not ask me. In the history of every family there are passages—' He stopped.

'And what was Prince Eugen's object in coming to London?'

Aribert hesitated.

'Money,' he said at length. 'As a family we are very poor—poorer than anyone in Berlin suspects.'

'Prince Aribert,' Nella said, 'shall I tell you what I think?' She leaned back in her chair, and looked at him out of half-closed eyes. His pale, thin, distinguished face held her gaze as if by some fascination. There could be no mistaking this man for anything else but a Prince.

'If you will,' he said.

'Prince Eugen is the victim of a plot.'

'You think so?'

'I am perfectly convinced of it.'

'But why? What can be the object of a plot against him?'

'That is a point of which you should know more than me,' she remarked drily.

'Ah! Perhaps, perhaps,' he said. 'But, dear Miss Racksole, why are you so sure?'

'There are several reasons, and they are connected with Mr Dimmock. Did you ever suspect, your Highness, that that poor young man was not entirely loyal to you?'

'He was absolutely loyal,' said the Prince, with all the earnestness of conviction.

'A thousand pardons, but he was not.'

'Miss Racksole, if any other than yourself made that assertion, I would—I would—'

'Consign them to the deepest dungeon in Posen?' she laughed, lightly.

'Listen.' And she told him of the incidents which had occurred in the night preceding his arrival in the hotel.

'Do you mean, Miss Racksole, that there was an understanding between poor Dimmock and this fellow Jules?'

'There was an understanding.'

'Impossible!'

'Your Highness, the man who wishes to probe a mystery to its root never uses the word "impossible". But I will say this for young Mr Dimmock. I think he repented, and I think that it was because he repented that he—er—died so suddenly, and that his body was spirited away.'

'Why has no one told me these things before?' Aribert exclaimed.

'Princes seldom hear the truth,' she said.

He was astonished at her coolness, her firmness of assertion, her air of complete acquaintance with the world.

'Miss Racksole,' he said, 'if you will permit me to say it, I have never in my life met a woman like you. May I rely on your sympathy—your support?'

'My support, Prince? But how?'

'I do not know,' he replied. 'But you could help me if you would. A woman, when she has brain, always has more brain than a man.'

'Ah!' she said ruefully, 'I have no brains, but I do believe I could help you.'

What prompted her to make that assertion she could not have explained, even to herself. But she made it, and she had a suspicion—a prescience—that it would be justified, though by what means, through what good fortune, was still a mystery to her.

'Go to Berlin,' she said. 'I see that you must do that; you have no alternative. As for the rest, we shall see. Something will occur. I shall be here. My father will be here. You must count us as your friends.'

He kissed her hand when he left, and afterwards, when she was alone, she kissed the spot his lips had touched again and again. Now, thinking the matter out in the calmness of solitude, all seemed strange, unreal, uncertain to her. Were conspiracies actually possible nowadays? Did queer things actually happen in Europe? And did they actually happen in London hotels? She dined with her father that night.

'I hear Prince Aribert has left,' said Theodore Racksole.

'Yes,' she assented. She said not a word about their interview.



Chapter Eight ARRIVAL AND DEPARTURE OF THE BARONESS

ON the following morning, just before lunch, a lady, accompanied by a maid and a considerable quantity of luggage, came to the Grand Babylon Hotel. She was a plump, little old lady, with white hair and an old-fashioned bonnet, and she had a quaint, simple smile of surprise at everything in general.

Nevertheless, she gave the impression of belonging to some aristocracy, though not the English aristocracy. Her tone to her maid, whom she addressed in broken English—the girl being apparently English—was distinctly insolent, with the calm, unconscious insolence peculiar to a certain type of Continental nobility. The name on the lady's card ran thus: 'Baroness Zerlinski'. She desired rooms on the third floor. It happened that Nella was in the bureau.

'On the third floor, madam?' questioned Nella, in her best clerkly manner.

'I did say on de tird floor,' said the plump little old lady.

'We have accommodation on the second floor.'

'I wish to be high up, out of de dust and in de light,' explained the Baroness.

'We have no suites on the third floor, madam.'

'Never mind, no mattaire! Have you not two rooms that communicate?'

Nella consulted her books, rather awkwardly.

'Numbers 122 and 123 communicate.'

'Or is it 121 and 122? the little old lady remarked quickly, and then bit her lip.

'I beg your pardon. I should have said 121 and 122.'

At the moment Nella regarded the Baroness's correction of her figures as a curious chance, but afterwards, when the Baroness had ascended in the lift, the thing struck her as somewhat strange. Perhaps the Baroness Zerlinski had stayed at the hotel before. For the sake of convenience an index of visitors to the hotel was kept and the index extended back for thirty years. Nella examined it, but it did not contain the name of Zerlinski. Then it was that Nella began to imagine, what had swiftly crossed her mind when first the Baroness presented herself at the bureau, that the features of the Baroness were remotely familiar to her. She thought, not that she had seen the old lady's face before, but that she had seen somewhere, some time, a face of a similar cast. It occurred to Nella to look at the 'Almanach de Gotha'—that record of all the mazes of Continental blue blood; but the 'Almanach de Gotha' made no reference to any barony of Zerlinski. Nella inquired where the Baroness meant to take lunch, and was informed that a table had been reserved for her in the dining-room, and she at once decided to lunch in the dining-room herself. Seated in a corner, half-hidden by a pillar, she could survey all the guests, and watch each group as it entered or left. Presently the Baroness appeared, dressed in black, with a tiny lace shawl, despite the June warmth; very stately, very quaint, and gently smiling. Nella observed her intently. The lady ate heartily, working without haste and without delay through the elaborate menu of the luncheon. Nella noticed that she had beautiful white teeth. Then a remarkable thing happened. A cream puff was served to the Baroness by way of sweets, and Nella was astonished to see the little lady remove the top, and with a spoon quietly take something from the interior which looked like a piece of folded paper. No one who had not been watching with the eye of a lynx would have noticed anything extraordinary in the action; indeed, the chances were nine hundred and ninety-nine to one that it would pass unheeded. But, unfortunately for the Baroness, it was the thousandth chance that happened. Nella jumped up, and walking over to the Baroness, said to her:

'I'm afraid that the tart is not quite nice, your ladyship.'

'Thanks, it is delightful,' said the Baroness coldly; her smile had vanished. 'Who are you? I thought you were de bureau clerk.'

'My father is the owner of this hotel. I thought there was something in the tart which ought not to have been there.'

Nella looked the Baroness full in the face. The piece of folded paper, to which a little cream had attached itself, lay under the edge of a plate.

'No, thanks.' The Baroness smiled her simple smile.

Nella departed. She had noticed one trifling thing besides the paper—namely, that the Baroness could pronounce the English 'th' sound if she chose.

That afternoon, in her own room, Nella sat meditating at the window for long time, and then she suddenly sprang up, her eyes brightening.

'I know,' she exclaimed, clapping her hands. 'It's Miss Spencer, disguised!

Why didn't I think of that before?' Her thoughts ran instantly to Prince Aribert. 'Perhaps I can help him,' she said to herself, and gave a little sigh. She went down to the office and inquired whether the Baroness had given any instructions about dinner. She felt that some plan must be formulated. She wanted to get hold of Rocco, and put him in the rack. She knew now that Rocco, the unequalled, was also concerned in this mysterious affair.

'The Baroness Zerlinski has left, about a quarter of an hour ago,' said the attendant.

'But she only arrived this morning.'

'The Baroness's maid said that her mistress had received a telegram and must leave at once. The Baroness paid the bill, and went away in a four-wheeler.'

'Where to? 'The trunks were labelled for Ostend.'

Perhaps it was instinct, perhaps it was the mere spirit of adventure; but that evening Nella was to be seen of all men on the steamer for Ostend which leaves Dover at 11 p.m. She told no one of her intentions—not even her father, who was not in the hotel when she left. She had scribbled a brief note to him to expect her back in a day or two, and had posted this at Dover. The steamer was the Marie Henriette, a large and luxurious boat, whose state-rooms on deck vie with the glories of the Cunard and White Star liners. One of these state-rooms, the best, was evidently occupied, for every curtain of its windows was carefully drawn. Nella did not hope that the Baroness was on board; it was quite possible for the Baroness to have caught the eight o'clock steamer, and it was also possible for the Baroness not to have gone to Ostend at all, but to some other place in an entirely different direction. Nevertheless, Nella had a faint hope that the lady who called herself Zerlinski might be in that curtained stateroom, and throughout the smooth moonlit voyage she never once relaxed her observation of its doors and its windows.

The Maria Henriette arrived in Ostend Harbour punctually at 2 a.m. in the morning. There was the usual heterogeneous, gesticulating crowd on the quay.

Nella kept her post near the door of the state-room, and at length she was rewarded by seeing it open. Four middle-aged Englishmen issued from it. From a glimpse of the interior Nella saw that they had spent the voyage in card-playing.

It would not be too much to say that she was distinctly annoyed. She pretended to be annoyed with circumstances, but really she was annoyed with Nella Racksole. At two in the morning, without luggage, without any companionship, and without a plan of campaign, she found herself in a strange foreign port—a port of evil repute, possessing some of the worst-managed hotels in Europe. She strolled on the quay for a few minutes, and then she saw the smoke of another steamer in the offing. She inquired from an official what that steamer might be, and was told that it was the eight o'clock from Dover, which had broken down, put into Calais for some slight necessary repairs, and was arriving at its destination nearly four hours late. Her mercurial spirits rose again. A minute ago she was regarding herself as no better than a ninny engaged in a wild-goose chase. Now she felt that after all she had been very sagacious and cunning. She was morally sure that she would find the Zerlinski woman on this second steamer, and she took all the credit to herself in advance. Such is human nature.

The steamer seemed interminably slow in coming into harbour. Nella walked on the Digue for a few minutes to watch it the better. The town was silent and almost deserted. It had a false and sinister aspect. She remembered tales which she had heard of this glittering resort, which in the season holds more scoundrels than any place in Europe, save only Monte Carlo. She remembered that the gilded adventures of every nation under the sun forgathered there either for business or pleasure, and that some of the most wonderful crimes of the latter half of the century had been schemed and matured in that haunt of cosmopolitan iniquity.

When the second steamer arrived Nella stood at the end of the gangway, close to the ticket-collector. The first person to step on shore was—not the Baroness Zerlinski, but Miss Spencer herself! Nella turned aside instantly, hiding her face, and Miss Spencer, carrying a small bag, hurried with assured footsteps to the Custom House. It seemed as if she knew the port of Ostend fairly well. The moon shone like day, and Nella had full opportunity to observe her quarry. She could see now quite plainly that the Baroness Zerlinski had been only Miss Spencer in disguise. There was the same gait, the same movement of the head and of the hips; the white hair was easily to be accounted for by a wig, and the wrinkles by a paint brush and some grease paints. Miss Spencer, whose hair was now its old accustomed yellow, got through the Custom House without difficulty, and Nella saw her call a closed carriage and say something to the driver. The vehicle drove off. Nella jumped into the next carriage—an open one—that came up.

'Follow that carriage,' she said succinctly to the driver in French.

'Bien, madame!' The driver whipped up his horse, and the animal shot forward with a terrific clatter over the cobbles. It appeared that this driver was quite accustomed to following other carriages.

'Now I am fairly in for it!' said Nella to herself. She laughed unsteadily, but her heart was beating with an extraordinary thump.

For some time the pursued vehicle kept well in front. It crossed the town nearly from end to end, and plunged into a maze of small streets far on the south side of the Kursaal. Then gradually Nella's equipage began to overtake it. The first carriage stopped with a jerk before a tall dark house, and Miss Spencer emerged. Nella called to her driver to stop, but he, determined to be in at the death, was engaged in whipping his horse, and he completely ignored her commands. He drew up triumphantly at the tall dark house just at the moment when Miss Spencer disappeared into it. The other carriage drove away. Nella, uncertain what to do, stepped down from her carriage and gave the driver some money. At the same moment a man reopened the door of the house, which had closed on Miss Spencer.

'I want to see Miss Spencer,' said Nella impulsively. She couldn't think of anything else to say.

'Miss Spencer? 'Yes; she's just arrived.'

'It's O.K., I suppose,' said the man.

'I guess so,' said Nella, and she walked past him into the house. She was astonished at her own audacity.

Miss Spencer was just going into a room off the narrow hall. Nella followed her into the apartment, which was shabbily furnished in the Belgian lodging-house style.

'Well, Miss Spencer,' she greeted the former Baroness Zerlinski, 'I guess you didn't expect to see me. You left our hotel very suddenly this afternoon, and you left it very suddenly a few days ago; and so I've just called to make a few inquiries.'

To do the lady justice, Miss Spencer bore the surprising ordeal very well.

She did not flinch; she betrayed no emotion. The sole sign of perturbation was in her hurried breathing.

'You have ceased to be the Baroness Zerlinski,' Nella continued. 'May I sit down?'

'Certainly, sit down,' said Miss Spencer, copying the girl's tone. 'You are a fairly smart young woman, that I will say. What do you want? Weren't my books all straight?'

'Your books were all straight. I haven't come about your books. I have come about the murder of Reginald Dimmock, the disappearance of his corpse, and the disappearance of Prince Eugen of Posen. I thought you might be able to help me in some investigations which I am making.'

Miss Spencer's eyes gleamed, and she stood up and moved swiftly to the mantelpiece.

'You may be a Yankee, but you're a fool,' she said.

She took hold of the bell-rope.

'Don't ring that bell if you value your life,' said Nella.

'If what?' Miss Spencer remarked.

'If you value your life,' said Nella calmly, and with the words she pulled from her pocket a very neat and dainty little revolver.



Chapter Nine TWO WOMEN AND THE REVOLVER

'YOU—you're only doing that to frighten me,' stammered Miss Spencer, in a low, quavering voice.

'Am I?' Nella replied, as firmly as she could, though her hand shook violently with excitement, could Miss Spencer but have observed it. 'Am I? You said just now that I might be a Yankee girl, but I was a fool. Well, I am a Yankee girl, as you call it; and in my country, if they don't teach revolver-shooting in boarding-schools, there are at least a lot of girls who can handle a revolver. I happen to be one of them. I tell you that if you ring that bell you will suffer.'

Most of this was simple bluff on Nella's part, and she trembled lest Miss Spencer should perceive that it was simple bluff. Happily for her, Miss Spencer belonged to that order of women who have every sort of courage except physical courage. Miss Spencer could have withstood successfully any moral trial, but persuade her that her skin was in danger, and she would succumb. Nella at once divined this useful fact, and proceeded accordingly, hiding the strangeness of her own sensations as well as she could.

'You had better sit down now,' said Nella, 'and I will ask you a few questions.'

And Miss Spencer obediently sat down, rather white, and trying to screw her lips into a formal smile.

'Why did you leave the Grand Babylon that night?' Nella began her examination, putting on a stern, barrister-like expression.

'I had orders to, Miss Racksole.'

'Whose orders?'

'Well, I'm—I'm—the fact is, I'm a married woman, and it was my husband's orders.'

'Who is your husband? 'Tom Jackson—Jules, you know, head waiter at the Grand Babylon.'

'So Jules's real name is Tom Jackson? Why did he want you to leave without giving notice?'

'I'm sure I don't know, Miss Racksole. I swear I don't know. He's my husband, and, of course, I do what he tells me, as you will some day do what your husband tells you. Please heaven you'll get a better husband than mine!'

Miss Spencer showed a sign of tears.

Nella fingered the revolver, and put it at full cock. 'Well,' she repeated, 'why did he want you to leave?' She was tremendously surprised at her own coolness, and somewhat pleased with it, too.

'I can't tell you, I can't tell you.'

'You've just got to,' Nella said, in a terrible, remorseless tone.

'He—he wished me to come over here to Ostend. Something had gone wrong.

Oh! he's a fearful man, is Tom. If I told you, he'd—'

'Had something gone wrong in the hotel, or over here?'

'Both.'

'Was it about Prince Eugen of Posen?'

'I don't know—that is, yes, I think so.'

'What has your husband to do with Prince Eugen?'

'I believe he has some—some sort of business with him, some money business.'

'And was Mr Dimmock in this business? 'I fancy so, Miss Racksole. I'm telling you all I know, that I swear.'

'Did your husband and Mr Dimmock have a quarrel that night in Room 111?'

'They had some difficulty.'

'And the result of that was that you came to Ostend instantly?'

'Yes; I suppose so.'

'And what were you to do in Ostend? What were your instructions from this husband of yours?'

Miss Spencer's head dropped on her arms on the table which separated her from Nella, and she appeared to sob violently.

'Have pity on me,' she murmured, 'I can't tell you any more.'

'Why?'

'He'd kill me if he knew.'

'You're wandering from the subject,' observed Nella coldly. 'This is the last time I shall warn you. Let me tell you plainly I've got the best reasons for being desperate, and if anything happens to you I shall say I did it in sell-defence. Now, what were you to do in Ostend?'

'I shall die for this anyhow,' whined Miss Spencer, and then, with a sort of fierce despair, 'I had to keep watch on Prince Eugen.'

'Where? In this house?'

Miss Spencer nodded, and, looking up, Nella could see the traces of tears in her face.

'Then Prince Eugen was a prisoner? Some one had captured him at the instigation of Jules?'

'Yes, if you must have it.'

'Why was it necessary for you specially to come to Ostend?'

'Oh! Tom trusts me. You see, I know Ostend. Before I took that place at the Grand Babylon I had travelled over Europe, and Tom knew that I knew a thing or two.'

'Why did you take the place at the Grand Babylon?'

'Because Tom told me to. He said I should be useful to him there.'

'Is your husband an Anarchist, or something of that kind, Miss Spencer?'

'I don't know. I'd tell you in a minute if I knew. But he's one of those that keep themselves to themselves.'

'Do you know if he has ever committed a murder? 'Never!' said Miss Spencer, with righteous repudiation of the mere idea.

'But Mr Dimmock was murdered. He was poisoned. If he had not been poisoned why was his body stolen? It must have been stolen to prevent inquiry, to hide traces. Tell me about that.'

'I take my dying oath,' said Miss Spencer, standing up a little way from the table, 'I take my dying oath I didn't know Mr Dimmock was dead till I saw it in the newspaper.'

'You swear you had no suspicion of it?'

'I swear I hadn't.'

Nella was inclined to believe the statement. The woman and the girl looked at each other in the tawdry, frowsy, lamp-lit room. Miss Spencer nervously patted her yellow hair into shape, as if gradually recovering her composure and equanimity. The whole affair seemed like a dream to Nella, a disturbing, sinister nightmare. She was a little uncertain what to say. She felt that she had not yet got hold of any very definite information. 'Where is Prince Eugen now?' she asked at length.

'I don't know, miss.'

'He isn't in this house?'

'No, miss.'

'Ah! We will see presently.'

'They took him away, Miss Racksole.'

'Who took him away? Some of your husband's friends?'

'Some of his—acquaintances.'

'Then there is a gang of you?'

'A gang of us—a gang! I don't know what you mean,' Miss Spencer quavered.

'Oh, but you must know,' smiled Nella calmly. 'You can't possibly be so innocent as all that, Mrs Tom Jackson. You can't play games with me. You've just got to remember that I'm what you call a Yankee girl. There's one thing that I mean to find out, within the next five minutes, and that is—how your charming husband kidnapped Prince Eugen, and why he kidnapped him. Let us begin with the second question. You have evaded it once.'

Miss Spencer looked into Nella's face, and then her eyes dropped, and her fingers worked nervously with the tablecloth.

'How can I tell you,' she said, 'when I don't know? You've got the whip-hand of me, and you're tormenting me for your own pleasure.' She wore an expression of persecuted innocence.

'Did Mr Tom Jackson want to get some money out of Prince Eugen?'

'Money! Not he! Tom's never short of money.'

'But I mean a lot of money—tens of thousands, hundreds of thousands?'

'Tom never wanted money from anyone,' said Miss Spencer doggedly.

'Then had he some reason for wishing to prevent Prince Eugen from coming to London?'

'Perhaps he had. I don't know. If you kill me, I don't know.' Nella stopped to reflect. Then she raised the revolver. It was a mechanical, unintentional sort of action, and certainly she had no intention of using the weapon, but, strange to say, Miss Spencer again cowered before it. Even at that moment Nella wondered that a woman like Miss Spencer could be so simple as to think the revolver would actually be used. Having absolutely no physical cowardice herself, Nella had the greatest difficulty in imagining that other people could be at the mercy of a bodily fear. Still, she saw her advantage, and used it relentlessly, and with as much theatrical gesture as she could command. She raised the revolver till it was level with Miss Spencer's face, and suddenly a new, queer feeling took hold of her. She knew that she would indeed use that revolver now, if the miserable woman before her drove her too far. She felt afraid—afraid of herself; she was in the grasp of a savage, primeval instinct. In a flash she saw Miss Spencer dead at her feet—the police—a court of justice—the scaffold. It was horrible.

'Speak,' she said hoarsely, and Miss Spencer's face went whiter.

'Tom did say,' the woman whispered rapidly, awesomely, 'that if Prince Eugen got to London it would upset his scheme.'

'What scheme? What scheme? Answer me.'

'Heaven help me, I don't know.' Miss Spencer sank into a chair. 'He said Mr Dimmock had turned tail, and he should have to settle him and then Rocco—'

'Rocco! What about Rocco?' Nella could scarcely hear herself. Her grip of the revolver tightened.

Miss Spencer's eyes opened wider; she gazed at Nella with a glassy stare.

'Don't ask me. It's death!' Her eyes were fixed as if in horror.

'It is,' said Nella, and the sound of her voice seemed to her to issue from the lips of some third person.

'It's death,' repeated Miss Spencer, and gradually her head and shoulders sank back, and hung loosely over the chair. Nella was conscious of a sudden revulsion. The woman had surely fainted. Dropping the revolver she ran round the table. She was herself again—feminine, sympathetic, the old Nella. She felt immensely relieved that this had happened. But at the same instant Miss Spencer sprang up from the chair like a cat, seized the revolver, and with a wild movement of the arm flung it against the window. It crashed through the glass, exploding as it went, and there was a tense silence.

'I told you that you were a fool,' remarked Miss Spencer slowly, 'coming here like a sort of female Jack Sheppard, and trying to get the best of me.

We are on equal terms now. You frightened me, but I knew I was a cleverer woman than you, and that in the end, if I kept on long enough, I should win.

Now it will be my turn.'

Dumbfounded, and overcome with a miserable sense of the truth of Miss Spencer's words, Nella stood still. The idea of her colossal foolishness swept through her like a flood. She felt almost ashamed. But even at this juncture she had no fear. She faced the woman bravely, her mind leaping about in search of some plan. She could think of nothing but a bribe—an enormous bribe.

'I admit you've won,' she said, 'but I've not finished yet. Just listen.'

Miss Spencer folded her arms, and glanced at the door, smiling bitterly.

'You know my father is a millionaire; perhaps you know that he is one of the richest men in the world. If I give you my word of honour not to reveal anything that you've told me, what will you take to let me go free?'

'What sum do you suggest?' asked Miss Spencer carelessly.

'Twenty thousand pounds,' said Nella promptly. She had begun to regard the affair as a business operation.

Miss Spencer's lip curled.

'A hundred thousand.'

Again Miss Spencer's lip curled.

'Well, say a million. I can rely on my father, and so may you.'

'You think you are worth a million to him?'

'I do,' said Nella.

'And you think we could trust you to see that it was paid?'

'Of course you could.'

'And we should not suffer afterwards in any way?'

'I would give you my word, and my father's word.'

'Bah!' exclaimed Miss Spencer: 'how do you know I wouldn't let you go free for nothing? You are only a rash, silly girl.'

'I know you wouldn't. I can read your face too well.'

'You are right,' Miss Spencer replied slowly. 'I wouldn't. I wouldn't let you go for all the dollars in America.'

Nella felt cold down the spine, and sat down again in her chair. A draught of air from the broken window blew on her cheek. Steps sounded in the passage; the door opened, but Nella did not turn round. She could not move her eyes from Miss Spencer's. There was a noise of rushing water in her ears. She lost consciousness, and slipped limply to the ground.



Chapter Ten AT SEA

IT seemed to Nella that she was being rocked gently in a vast cradle, which swayed to and fro with a motion at once slow and incredibly gentle. This sensation continued for some time, and there was added to it the sound of a quick, quiet, muffled beat. Soft, exhilarating breezes wafted her forward in spite of herself, and yet she remained in a delicious calm. She wondered if her mother was kneeling by her side, whispering some lullaby in her childish ears. Then strange colours swam before her eyes, her eyelids wavered, and at last she awoke. For a few moments her gaze travelled to and fro in a vain search for some clue to her surroundings, was aware of nothing except sense of repose and a feeling of relief that some mighty and fatal struggle was over; she cared not whether she had conquered or suffered defeat in the struggle of her soul with some other soul; it was finished, done with, and the consciousness of its conclusion satisfied and contented her. Gradually her brain, recovering from its obsession, began to grasp the phenomena of her surroundings, and she saw that she was on a yacht, and that the yacht was moving. The motion of the cradle was the smooth rolling of the vessel; the beat was the beat of its screw; the strange colours were the cloud tints thrown by the sun as it rose over a distant and receding shore in the wake of the yacht; her mother's lullaby was the crooned song of the man at the wheel. Nella all through her life had had many experiences of yachting. From the waters of the River Hudson to those bluer tides of the Mediterranean Sea, she had yachted in all seasons and all weathers. She loved the water, and now it seemed deliciously right and proper that she should be on the water again. She raised her head to look round, and then let it sink back: she was fatigued, enervated; she desired only solitude and calm; she had no care, no anxiety, no responsibility: a hundred years might have passed since her meeting with Miss Spencer, and the memory of that meeting appeared to have faded into the remotest background of her mind.

It was a small yacht, and her practised eye at once told that it belonged to the highest aristocracy of pleasure craft. As she reclined in the deck-chair (it did not occur to her at that moment to speculate as to the identity of the person who had led her therein) she examined all visible details of the vessel. The deck was as white and smooth as her own hand, and the seams ran along its length like blue veins. All the brass-work, from the band round the slender funnel to the concave surface of the binnacle, shone like gold.

The tapered masts stretched upwards at a rakish angle, and the rigging seemed like spun silk. No sails were set; the yacht was under steam, and doing about seven or eight knots. She judged that it was a boat of a hundred tons or so, probably Clyde-built, and not more than two or three years old.

No one was to be seen on deck except the man at the wheel: this man wore a blue jersey; but there was neither name nor initial on the jersey, nor was there a name on the white life-buoys lashed to the main rigging, nor on the polished dinghy which hung on the starboard davits. She called to the man, and called again, in a feeble voice, but the steerer took no notice of her, and continued his quiet song as though nothing else existed in the universe save the yacht, the sea, the sun, and himself.

Then her eyes swept the outline of the land from which they were hastening, and she could just distinguish a lighthouse and a great white irregular dome, which she recognized as the Kursaal at Ostend, that gorgeous rival of the gaming palace at Monte Carlo. So she was leaving Ostend. The rays of the sun fell on her caressingly, like a restorative. All around the water was changing from wonderful greys and dark blues to still more wonderful pinks and translucent unearthly greens; the magic kaleidoscope of dawn was going forward in its accustomed way, regardless of the vicissitudes of mortals.

Here and there in the distance she descried a sail—the brown sail of some Ostend fishing-boat returning home after a night's trawling. Then the beat of paddles caught her ear, and a steamer blundered past, wallowing clumsily among the waves like a tortoise. It was the Swallow from London. She could see some of its passengers leaning curiously over the aft-rail. A girl in a mackintosh signalled to her, and mechanically she answered the salute with her arm. The officer of the bridge of the Swallow hailed the yacht, but the man at the wheel offered no reply. In another minute the Swallow was nothing but a blot in the distance.

Nella tried to sit straight in the deck-chair, but she found herself unable to do so. Throwing off the rug which covered her, she discovered that she had been tied to the chair by means of a piece of broad webbing. Instantly she was alert, awake, angry; she knew that her perils were not over; she felt that possibly they had scarcely yet begun. Her lazy contentment, her dreamy sense of peace and repose, vanished utterly, and she steeled herself to meet the dangers of a grave and difficult situation.

Just at that moment a man came up from below. He was a man of forty or so, clad in irreproachable blue, with a peaked yachting cap. He raised the cap politely.

'Good morning,' he said. 'Beautiful sunrise, isn't it?' The clever and calculated insolence of his tone cut her like a lash as she lay bound in the chair. Like all people who have lived easy and joyous lives in those fair regions where gold smoothes every crease and law keeps a tight hand on disorder, she found it hard to realize that there were other regions where gold was useless and law without power. Twenty-four hours ago she would have declared it impossible that such an experience as she had suffered could happen to anyone; she would have talked airily about civilization and the nineteenth century, and progress and the police. But her experience was teaching her that human nature remains always the same, and that beneath the thin crust of security on which we good citizens exist the dark and secret forces of crime continue to move, just as they did in the days when you couldn't go from Cheapside to Chelsea without being set upon by thieves. Her experience was in a fair way to teach her this lesson better than she could have learnt it even in the bureaux of the detective police of Paris, London, and St Petersburg.

'Good morning,' the man repeated, and she glanced at him with a sullen, angry gaze.

'You!' she exclaimed, 'You, Mr Thomas Jackson, if that is your name! Loose me from this chair, and I will talk to you.' Her eyes flashed as she spoke, and the contempt in them added mightily to her beauty. Mr Thomas Jackson, otherwise Jules, erstwhile head waiter at the Grand Babylon, considered himself a connoisseur in feminine loveliness, and the vision of Nella Racksole smote him like an exquisite blow.

'With pleasure,' he replied. 'I had forgotten that to prevent you from falling I had secured you to the chair'; and with a quick movement he unfastened the band. Nella stood up, quivering with fiery annoyance and scorn.

'Now,' she said, fronting him, 'what is the meaning of this?'

'You fainted,' he replied imperturbably. 'Perhaps you don't remember.'

The man offered her a deck-chair with a characteristic gesture. Nella was obliged to acknowledge, in spite of herself, that the fellow had distinction, an air of breeding. No one would have guessed that for twenty years he had been an hotel waiter. His long, lithe figure, and easy, careless carriage seemed to be the figure and carriage of an aristocrat, and his voice was quiet, restrained, and authoritative.

'That has nothing to do with my being carried off in this yacht of yours.'

'It is not my yacht,' he said, 'but that is a minor detail. As to the more important matter, forgive me that I remind you that only a few hours ago you were threatening a lady in my house with a revolver.'

'Then it was your house?'

'Why not? May I not possess a house?' He smiled.

'I must request you to put the yacht about at once, instantly, and take me back.' She tried to speak firmly.

'Ah!' he said, 'I am afraid that's impossible. I didn't put out to sea with the intention of returning at once, instantly.' In the last words he gave a faint imitation of her tone.

'When I do get back,' she said, 'when my father gets to know of this affair, it will be an exceedingly bad day for you, Mr Jackson.'

'But supposing your father doesn't hear of it—'

'What?'

'Supposing you never get back?'

'Do you mean, then, to have my murder on your conscience?'

'Talking of murder,' he said, 'you came very near to murdering my friend, Miss Spencer. At least, so she tells me.'

'Is Miss Spencer on board?' Nella asked, seeing perhaps a faint ray of hope in the possible presence of a woman.

'Miss Spencer is not on board. There is no one on board except you and myself and a small crew—a very discreet crew, I may add.'

'I will have nothing more to say to you. You must take your own course.'

Thanks for the permission,' he said. 'I will send you up some breakfast.'

He went to the saloon stairs and whistled, and a Negro boy appeared with a tray of chocolate. Nella took it, and, without the slightest hesitation, threw it overboard. Mr Jackson walked away a few steps and then returned.

'You have spirit,' he said, 'and I admire spirit. It is a rare quality.'

She made no reply. 'Why did you mix yourself up in my affairs at all?' he went on. Again she made no reply, but the question set her thinking: why had she mixed herself up in this mysterious business? It was quite at variance with the usual methods of her gay and butterfly existence to meddle at all with serious things. Had she acted merely from a desire to see justice done and wickedness punished? Or was it the desire of adventure? Or was it, perhaps, the desire to be of service to His Serene Highness Prince Aribert? 'It is no fault of mine that you are in this fix,' Jules continued. 'I didn't bring you into it. You brought yourself into it. You and your father—you have been moving along at a pace which is rather too rapid.'

'That remains to be seen,' she put in coldly.

'It does,' he admitted. 'And I repeat that I can't help admiring you—that is, when you aren't interfering with my private affairs. That is a proceeding which I have never tolerated from anyone—not even from a millionaire, nor even from a beautiful woman.' He bowed. 'I will tell you what I propose to do. I propose to escort you to a place of safety, and to keep you there till my operations are concluded, and the possibility of interference entirely removed. You spoke just now of murder. What a crude notion that was of yours! It is only the amateur who practises murder—'

'What about Reginald Dimmock?' she interjected quickly.

He paused gravely.

'Reginald Dimmock,' he repeated. 'I had imagined his was a case of heart disease. Let me send you up some more chocolate. I'm sure you're hungry.'

'I will starve before I touch your food,' she said.

'Gallant creature!' he murmured, and his eyes roved over her face. Her superb, supercilious beauty overcame him. 'Ah!' he said, 'what a wife you would make!' He approached nearer to her. 'You and I, Miss Racksole, your beauty and wealth and my brains—we could conquer the world. Few men are worthy of you, but I am one of the few. Listen! You might do worse. Marry me. I am a great man; I shall be greater. I adore you. Marry me, and I will save your life. All shall be well. I will begin again. The past shall be as though there had been no past.'

'This is somewhat sudden—Jules,' she said with biting contempt.

'Did you expect me to be conventional?' he retorted. 'I love you.'

'Granted,' she said, for the sake of the argument. 'Then what will occur to your present wife?'

'My present wife?'

'Yes, Miss Spencer, as she is called.'

'She told you I was her husband?'

'Incidentally she did.'

'She isn't.'

'Perhaps she isn't. But, nevertheless, I think I won't marry you.' Nella stood like a statue of scorn before him.

He went still nearer to her. 'Give me a kiss, then; one kiss—I won't ask for more; one kiss from those lips, and you shall go free. Men have ruined themselves for a kiss. I will.'

'Coward!' she ejaculated.

'Coward!' he repeated. 'Coward, am I? Then I'll be a coward, and you shall kiss me whether you will or not.'

He put a hand on her shoulder. As she shrank back from his lustrous eyes, with an involuntary scream, a figure sprang out of the dinghy a few feet away. With a single blow, neatly directed to Mr Jackson's ear, Mr Jackson was stretched senseless on the deck. Prince Aribert of Posen stood over him with a revolver. It was probably the greatest surprise of Mr Jackson's whole life.

'Don't be alarmed,' said the Prince to Nella, 'my being here is the simplest thing in the world, and I will explain it as soon as I have finished with this fellow.'

Nella could think of nothing to say, but she noticed the revolver in the Prince's hand.

'Why,' she remarked, 'that's my revolver.'

'It is,' he said, 'and I will explain that, too.'

The man at the wheel gave no heed whatever to the scene.



Chapter Eleven THE COURT PAWNBROKER

'MR SAMPSON LEVI wishes to see you, sir.'

These words, spoken by a servant to Theodore Racksole, aroused the millionaire from a reverie which had been the reverse of pleasant. The fact was, and it is necessary to insist on it, that Mr Racksole, owner of the Grand Babylon Hotel, was by no means in a state of self-satisfaction. A mystery had attached itself to his hotel, and with all his acumen and knowledge of things in general he was unable to solve that mystery. He laughed at the fruitless efforts of the police, but he could not honestly say that his own efforts had been less barren. The public was talking, for, after all, the disappearance of poor Dimmock's body had got noised abroad in an indirect sort of way, and Theodore Racksole did not like the idea of his impeccable hotel being the subject of sinister rumours. He wondered, grimly, what the public and the Sunday newspapers would say if they were aware of all the other phenomena, not yet common property: of Miss Spencer's disappearance, of Jules' strange visits, and of the non-arrival of Prince Eugen of Posen. Theodore Racksole had worried his brain without result. He had conducted an elaborate private investigation without result, and he had spent a certain amount of money without result. The police said that they had a clue; but Racksole remarked that it was always the business of the police to have a clue, that they seldom had more than a clue, and that a clue without some sequel to it was a pretty stupid business. The only sure thing in the whole affair was that a cloud rested over his hotel, his beautiful new toy, the finest of its kind. The cloud was not interfering with business, but, nevertheless, it was a cloud, and he fiercely resented its presence; perhaps it would be more correct to say that he fiercely resented his inability to dissipate it.

'Mr Sampson Levi wishes to see you, sir,' the servant repeated, having received no sign that his master had heard him.

'So I hear,' said Racksole. 'Does he want to see me, personally?'

'He asked for you, sir.'

'Perhaps it is Rocco he wants to see, about a menu or something of that kind?'

'I will inquire, sir,' and the servant made a move to withdraw.

'Stop,' Racksole commanded suddenly. 'Desire Mr Sampson Levi to step this way.'

The great stockbroker of the 'Kaffir Circus' entered with a simple unassuming air. He was a rather short, florid man, dressed like a typical Hebraic financier, with too much watch-chain and too little waistcoat. In his fat hand he held a gold-headed cane, and an absolutely new silk hat—for it was Friday, and Mr Levi purchased a new hat every Friday of his life, holiday times only excepted. He breathed heavily and sniffed through his nose a good deal, as though he had just performed some Herculean physical labour. He glanced at the American millionaire with an expression in which a slight embarrassment might have been detected, but at the same time his round, red face disclosed a certain frank admiration and good nature.

'Mr Racksole, I believe—Mr Theodore Racksole. Proud to meet you, sir.'

Such were the first words of Mr Sampson Levi. In form they were the greeting of a third-rate chimney-sweep, but, strangely enough, Theodore Racksole liked their tone. He said to himself that here, precisely where no one would have expected to find one, was an honest man.

'Good day,' said Racksole briefly. 'To what do I owe the pleasure—'

'I expect your time is limited,' answered Sampson Levi. 'Anyhow, mine is, and so I'll come straight to the point, Mr Racksole. I'm a plain man. I don't pretend to be a gentleman or any nonsense of that kind. I'm a stockbroker, that's what I am, and I don't care who knows it. The other night I had a ball in this hotel. It cost me a couple of thousand and odd pounds, and, by the way, I wrote out a cheque for your bill this morning. I don't like balls, but they're useful to me, and my little wife likes 'em, and so we give 'em. Now, I've nothing to say against the hotel management as regards that ball: it was very decently done, very decently, but what I want to know is this—Why did you have a private detective among my guests?'

'A private detective?' exclaimed Racksole, somewhat surprised at this charge.

'Yes,' Mr Sampson Levi said firmly, fanning himself in his chair, and gazing at Theodore Racksole with the direct earnest expression of a man having a grievance. 'Yes; a private detective. It's a small matter, I know, and I dare say you think you've got a right, as proprietor of the show, to do what you like in that line; but I've just called to tell you that I object. I've called as a matter of principle. I'm not angry; it's the principle of the thing.'

'My dear Mr Levi,' said Racksole, 'I assure you that, having let the Gold Room to a private individual for a private entertainment, I should never dream of doing what you suggest.'

'Straight?' asked Mr Sampson Levi, using his own picturesque language.

'Straight,' said Racksole smiling.

'There was a gent present at my ball that I didn't ask. I've got a wonderful memory for faces, and I know. Several fellows asked me afterwards what he was doing there. I was told by someone that he was one of your waiters, but I didn't believe that. I know nothing of the Grand Babylon; it's not quite my style of tavern, but I don't think you'd send one of your own waiters to watch my guests—unless, of course, you sent him as a waiter; and this chap didn't do any waiting, though he did his share of drinking.'

'Perhaps I can throw some light on this mystery,' said Racksole. 'I may tell you that I was already aware that man had attended your ball uninvited.'

'How did you get to know?'

'By pure chance, Mr Levi, and not by inquiry. That man was a former waiter at this hotel—the head waiter, in fact—Jules. No doubt you have heard of him.'

'Not I,' said Mr Levi positively.

'Ah!' said Racksole, 'I was informed that everyone knew Jules, but it appears not. Well, be that as it may, previously to the night of your ball, I had dismissed Jules. I had ordered him never to enter the Babylon again.

But on that evening I encountered him here—not in the Gold Room, but in the hotel itself. I asked him to explain his presence, and he stated he was your guest. That is all I know of the matter, Mr Levi, and I am extremely sorry that you should have thought me capable of the enormity of placing a private detective among your guests.'

'This is perfectly satisfactory to me,' Mr Sampson Levi said, after a pause.

'I only wanted an explanation, and I've got it. I was told by some pals of mine in the City I might rely on Mr Theodore Racksole going straight to the point, and I'm glad they were right. Now as to that feller Jules, I shall make my own inquiries as to him. Might I ask you why you dismissed him?'

'I don't know why I dismissed him.'

'You don't know? Oh! come now! I'm only asking because I thought you might be able to give me a hint why he turned up uninvited at my ball. Sorry if I'm too inquisitive.'

'Not at all, Mr Levi; but I really don't know. I only sort of felt that he was a suspicious character. I dismissed him on instinct, as it were. See?'

Without answering this question Mr Levi asked another. 'If this Jules is such a well-known person,' he said, 'how could the feller hope to come to my ball without being recognized?'

'Give it up,' said Racksole promptly.

'Well, I'll be moving on,' was Mr Sampson Levi's next remark. 'Good day, and thank ye. I suppose you aren't doing anything in Kaffirs?'

Mr Racksole smiled a negative.

'I thought not,' said Levi. Well, I never touch American rails myself, and so I reckon we sha'n't come across each other. Good day.'

'Good day,' said Racksole politely, following Mr Sampson Levi to the door.

With his hand on the handle of the door, Mr Levi stopped, and, gazing at Theodore Racksole with a shrewd, quizzical expression, remarked:

'Strange things been going on here lately, eh?'

The two men looked very hard at each other for several seconds.

'Yes,' Racksole assented. 'Know anything about them?'

'Well—no, not exactly,' said Mr Levi. 'But I had a fancy you and I might be useful to each other; I had a kind of fancy to that effect.'

'Come back and sit down again, Mr Levi,' Racksole said, attracted by the evident straightforwardness of the man's tone. 'Now, how can we be of service to each other? I flatter myself I'm something of a judge of character, especially financial character, and I tell you—if you'll put your cards on the table, I'll do ditto with mine.'

'Agreed,' said Mr Sampson Levi. 'I'll begin by explaining my interest in your hotel. I have been expecting to receive a summons from a certain Prince Eugen of Posen to attend him here, and that summons hasn't arrived. It appears that Prince Eugen hasn't come to London at all. Now, I could have taken my dying davy that he would have been here yesterday at the latest.'

'Why were you so sure?'

'Question for question,' said Levi. 'Let's clear the ground first, Mr Racksole. Why did you buy this hotel? That's a conundrum that's been puzzling a lot of our fellows in the City for some days past. Why did you buy the Grand Babylon? And what is the next move to be?'

'There is no next move,' answered Racksole candidly, 'and I will tell you why I bought the hotel; there need be no secret about it. I bought it because of a whim.' And then Theodore Racksole gave this little Jew, whom he had begun to respect, a faithful account of the transaction with Mr Felix Babylon. 'I suppose,' he added, 'you find a difficulty in appreciating my state of mind when I did the deal.'

'Not a bit,' said Mr Levi. 'I once bought an electric launch on the Thames in a very similar way, and it turned out to be one of the most satisfactory purchases I ever made. Then it's a simple accident that you own this hotel at the present moment?'

'A simple accident—all because of a beefsteak and a bottle of Bass.'

'Um!' grunted Mr Sampson Levi, stroking his triple chin.

'To return to Prince Eugen,' Racksole resumed. 'I was expecting His Highness here. The State apartments had been prepared for him. He was due on the very afternoon that young Dimmock died. But he never came, and I have not heard why he has failed to arrive; nor have I seen his name in the papers. What his business was in London, I don't know.'

'I will tell you,' said Mr Sampson Levi, 'he was coming to arrange a loan.'

'A State loan?'

'No—a private loan.'

'Whom from?'

'From me, Sampson Levi. You look surprised. If you'd lived in London a little longer, you'd know that I was just the person the Prince would come to. Perhaps you aren't aware that down Throgmorton Street way I'm called "The Court Pawnbroker", because I arrange loans for the minor, second-class Princes of Europe. I'm a stockbroker, but my real business is financing some of the little Courts of Europe. Now, I may tell you that the Hereditary Prince of Posen particularly wanted a million, and he wanted it by a certain date, and he knew that if the affair wasn't fixed up by a certain time here he wouldn't be able to get it by that certain date. That's why I'm surprised he isn't in London.'

'What did he need a million for?'

'Debts,' answered Sampson Levi laconically.

'His own?'

'Certainly.'

'But he isn't thirty years of age?'

'What of that? He isn't the only European Prince who has run up a million of debts in a dozen years. To a Prince the thing is as easy as eating a sandwich.'

'And why has he taken this sudden resolution to liquidate them?'

'Because the Emperor and the lady's parents won't let him marry till he has done so! And quite right, too! He's got to show a clean sheet, or the Princess Anna of Eckstein-Schwartzburg will never be Princess of Posen. Even now the Emperor has no idea how much Prince Eugen's debts amount to. If he had—!'

'But would not the Emperor know of this proposed loan?'

'Not necessarily at once. It could be so managed. Twig?' Mr Sampson Levi laughed. 'I've carried these little affairs through before. After marriage it might be allowed to leak out. And you know the Princess Anna's fortune is pretty big! Now, Mr Racksole,' he added, abruptly changing his tone, 'where do you suppose Prince Eugen has disappeared to? Because if he doesn't turn up to-day he can't have that million. To-day is the last day. To-morrow the money will be appropriated, elsewhere. Of course, I'm not alone in this business, and my friends have something to say.'

'You ask me where I think Prince Eugen has disappeared to?'

'I do.'

'Then you think it's a disappearance?'

Sampson Levi nodded. 'Putting two and two together,' he said, 'I do. The Dimmock business is very peculiar—very peculiar, indeed. Dimmock was a left-handed relation of the Posen family. Twig? Scarcely anyone knows that.

He was made secretary and companion to Prince Aribert, just to keep him in the domestic circle. His mother was an Irishwoman, whose misfortune was that she was too beautiful. Twig?' (Mr Sampson Levi always used this extraordinary word when he was in a communicative mood.) 'My belief is that Dimmock's death has something to do with the disappearance of Prince Eugen.

The only thing that passes me is this: Why should anyone want to make Prince Eugen disappear? The poor little Prince hasn't an enemy in the world. If he's been "copped", as they say, why has he been "copped"? It won't do anyone any good.'

'Won't it?' repeated Racksole, with a sudden flash.

'What do you mean?' asked Mr Levi.

'I mean this: Suppose some other European pauper Prince was anxious to marry Princess Anna and her fortune, wouldn't that Prince have an interest in stopping this loan of yours to Prince Eugen? Wouldn't he have an interest in causing Prince Eugen to disappear—at any rate, for a time?'

Sampson Levi thought hard for a few moments.

'Mr Theodore Racksole,' he said at length, 'I do believe you have hit on something.'



Chapter Twelve ROCCO AND ROOM NO. 111

ON the afternoon of the same day—the interview just described had occurred in the morning—Racksole was visited by another idea, and he said to himself that he ought to have thought of it before. The conversation with Mr Sampson Levi had continued for a considerable time, and the two men had exchanged various notions, and agreed to meet again, but the theory that Reginald Dimmock had probably been a traitor to his family—a traitor whose repentance had caused his death—had not been thoroughly discussed; the talk had tended rather to Continental politics, with a view to discovering what princely family might have an interest in the temporary disappearance of Prince Eugen. Now, as Racksole considered in detail the particular affair of Reginald Dimmock, deceased, he was struck by one point especially, to wit: Why had Dimmock and Jules manoeuvred to turn Nella Racksole out of Room No. 111 on that first night? That they had so manoeuvred, that the broken window-pane was not a mere accident, Racksole felt perfectly sure. He had felt perfectly sure all along; but the significance of the facts had not struck him. It was plain to him now that there must be something of extraordinary and peculiar importance about Room No. 111. After lunch he wandered quietly upstairs and looked at Room No. 111; that is to say, he looked at the outside of it; it happened to be occupied, but the guest was leaving that evening. The thought crossed his mind that there could be no object in gazing blankly at the outside of a room; yet he gazed; then he wandered quickly down again to the next floor, and in passing along the corridor of that floor he stopped, and with an involuntary gesture stamped his foot.

'Great Scott!' he said, 'I've got hold of something—No. 111 is exactly over the State apartments.'

He went to the bureau, and issued instructions that No. 111 was not to be re-let to anyone until further orders. At the bureau they gave him Nella's note, which ran thus:

Dearest Papa,—I am going away for a day or two on the trail of a due.

If I'm not back in three days, begin to inquire for me at Ostend. Till then leave me alone.—Your sagacious daughter, NELL.

These few words, in Nella's large scrawling hand, filled one side of the paper. At the bottom was a P.T.O. He turned over, and read the sentence, underlined, 'P.S.—Keep an eye on Rocco.'

'I wonder what the little creature is up to?' he murmured, as he tore the letter into small fragments, and threw them into the waste-paper basket.

Then, without any delay, he took the lift down to the basement, with the object of making a preliminary inspection of Rocco in his lair. He could scarcely bring himself to believe that this suave and stately gentleman, this enthusiast of gastronomy, was concerned in the machinations of Jules and other rascals unknown. Nevertheless, from habit, he obeyed his daughter, giving her credit for a certain amount of perspicuity and cleverness.

The kitchens of the Grand Babylon Hotel are one of the wonders of Europe.

Only three years before the events now under narration Felix Babylon had had them newly installed with every device and patent that the ingenuity of two continents could supply. They covered nearly an acre of superficial space.

They were walled and floored from end to end with tiles and marble, which enabled them to be washed down every morning like the deck of a man-of-war.

Visitors were sometimes taken to see the potato-paring machine, the patent plate-dryer, the Babylon-spit (a contrivance of Felix Babylon's own), the silver-grill, the system of connected stock-pots, and other amazing phenomena of the department. Sometimes, if they were fortunate, they might also see the artist who sculptured ice into forms of men and beasts for table ornaments, or the first napkin-folder in London, or the man who daily invented fresh designs for pastry and blancmanges. Twelve chefs pursued their labours in those kitchens, helped by ninety assistant chefs, and a further army of unconsidered menials. Over all these was Rocco, supreme and unapproachable. Half-way along the suite of kitchens, Rocco had an apartment of his own, wherein he thought out those magnificent combinations, those marvellous feats of succulence and originality, which had given him his fame. Visitors never caught a glimpse of Rocco in the kitchens, though sometimes, on a special night, he would stroll nonchalantly through the dining-room, like the great man he was, to receive the compliments of the hotel habitues—people of insight who recognized his uniqueness.

Theodore Racksole's sudden and unusual appearance in the kitchen caused a little stir. He nodded to some of the chefs, but said nothing to anyone, merely wandering about amid the maze of copper utensils, and white-capped workers. At length he saw Rocco, surrounded by several admiring chefs. Rocco was bending over a freshly-roasted partridge which lay on a blue dish. He plunged a long fork into the back of the bird, and raised it in the air with his left hand. In his right he held a long glittering carving-knife. He was giving one of his world-famous exhibitions of carving. In four swift, unerring, delicate, perfect strokes he cleanly severed the limbs of the partridge. It was a wonderful achievement—how wondrous none but the really skilful carver can properly appreciate. The chefs emitted a hum of applause, and Rocco, long, lean, and graceful, retired to his own apartment. Racksole followed him. Rocco sat in a chair, one hand over his eyes; he had not noticed Theodore Racksole.

'What are you doing, M. Rocco?' the millionaire asked smiling. 'Ah!' exclaimed Rocco, starting up with an apology. 'Pardon! I was inventing a new mayonnaise, which I shall need for a certain menu next week.'

'Do you invent these things without materials, then?' questioned Racksole.

'Certainly. I do dem in my mind. I tink dem. Why should I want materials? I know all flavours. I tink, and tink, and tink, and it is done. I write down.

I give the recipe to my best chef—dere you are. I need not even taste, I know how it will taste. It is like composing music. De great composers do not compose at de piano.'

'I see,' said Racksole.

'It is because I work like dat dat you pay me three thousand a year,' Rocco added gravely.

'Heard about Jules?' said Racksole abruptly.

'Jules?'

'Yes. He's been arrested in Ostend,' the millionaire continued, lying cleverly at a venture. 'They say that he and several others are implicated in a murder case—the murder of Reginald Dimmock.'

'Truly?' drawled Rocco, scarcely hiding a yawn. His indifference was so superb, so gorgeous, that Racksole instantly divined that it was assumed for the occasion.

'It seems that, after all, the police are good for something. But this is the first time I ever knew them to be worth their salt. There is to be a thorough and systematic search of the hotel to-morrow,' Racksole went on. 'I have mentioned it to you to warn you that so far as you are concerned the search is of course merely a matter of form. You will not object to the detectives looking through your rooms?'

'Certainly not,' and Rocco shrugged his shoulders.

'I shall ask you to say nothing about this to anyone,' said Racksole. 'The news of Jules' arrest is quite private to myself. The papers know nothing of it. You comprehend?'

Rocco smiled in his grand manner, and Rocco's master thereupon went away.

Racksole was very well satisfied with the little conversation. It was perhaps dangerous to tell a series of mere lies to a clever fellow like Rocco, and Racksole wondered how he should ultimately explain them to this great master-chef if his and Nella's suspicions should be unfounded, and nothing came of them. Nevertheless, Rocco's manner, a strange elusive something in the man's eyes, had nearly convinced Racksole that he was somehow implicated in Jules' schemes—and probably in the death of Reginald Dimmock and the disappearance of Prince Eugen of Posen.

That night, or rather about half-past one the next morning, when the last noises of the hotel's life had died down, Racksole made his way to Room 111 on the second floor. He locked the door on the inside, and proceeded to examine the place, square foot by square foot. Every now and then some creak or other sound startled him, and he listened intently for a few seconds. The bedroom was furnished in the ordinary splendid style of bedrooms at the Grand Babylon Hotel, and in that respect called for no remark. What most interested Racksole was the flooring. He pulled up the thick Oriental carpet, and peered along every plank, but could discover nothing unusual.

Then he went to the dressing-room, and finally to the bathroom, both of which opened out of the main room. But in neither of these smaller chambers was he any more successful than in the bedroom itself. Finally he came to the bath, which was enclosed in a panelled casing of polished wood, after the manner of baths. Some baths have a cupboard beneath the taps, with a door at the side, but this one appeared to have none. He tapped the panels, but not a single one of them gave forth that 'curious hollow sound' which usually betokens a secret place. Idly he turned the cold-tap of the bath, and the water began to rush in. He turned off the cold-tap and turned on the waste-tap, and as he did so his knee, which was pressing against the panelling, slipped forward. The panelling had given way, and he saw that one large panel was hinged from the inside, and caught with a hasp, also on the inside. A large space within the casing of the end of the bath was thus revealed. Before doing anything else, Racksole tried to repeat the trick with the waste-tap, but he failed; it would not work again, nor could he in any way perceive that there was any connection between the rod of the waste-tap and the hasp of the panel. Racksole could not see into the cavity within the casing, and the electric light was fixed, and could not be moved about like a candle. He felt in his pockets, and fortunately discovered a box of matches. Aided by these, he looked into the cavity, and saw nothing; nothing except a rather large hole at the far end—some three feet from the casing. With some difficulty he squeezed himself through the open panel, and took a half-kneeling, half-sitting posture within. There he struck a match, and it was a most unfortunate thing that in striking, the box being half open, he set fire to all the matches, and was half smothered in the atrocious stink of phosphorus which resulted. One match burned clear on the floor of the cavity, and, rubbing his eyes, Racksole picked it up, and looked down the hole which he had previously descried. It was a hole apparently bottomless, and about eighteen inches square. The curious part about the hole was that a rope-ladder hung down it. When he saw that rope-ladder Racksole smiled the smile of a happy man.

The match went out.

Should he make a long journey, perhaps to some distant corner of the hotel, for a fresh box of matches, or should he attempt to descend that rope-ladder in the dark? He decided on the latter course, and he was the more strongly moved thereto as he could now distinguish a faint, a very faint tinge of light at the bottom of the hole.

With infinite care he compressed himself into the well-like hole, and descended the latter. At length he arrived on firm ground, perspiring, but quite safe and quite excited. He saw now that the tinge of light came through a small hole in the wood. He put his eye to the wood, and found that he had a fine view of the State bathroom, and through the door of the State bathroom into the State bedroom. At the massive marble-topped washstand in the State bedroom a man was visible, bending over some object which lay thereon.

The man was Rocco!



Chapter Thirteen IN THE STATE BEDROOM

IT was of course plain to Racksole that the peculiar passageway which he had, at great personal inconvenience, discovered between the bathroom of No. 111 and the State bathroom on the floor below must have been specially designed by some person or persons for the purpose of keeping a nefarious watch upon the occupants of the State suite of apartments. It was a means of communication at once simple and ingenious. At that moment he could not be sure of the precise method employed for it, but he surmised that the casing of the waterpipes had been used as a 'well', while space for the pipes themselves had been found in the thickness of the ample brick walls of the Grand Babylon. The eye-hole, through which he now had a view of the bedroom, was a very minute one, and probably would scarcely be noticed from the exterior. One thing he observed concerning it, namely, that it had been made for a man somewhat taller than himself; he was obliged to stand on tiptoe in order to get his eye in the correct position. He remembered that both Jules and Rocco were distinctly above the average height; also that they were both thin men, and could have descended the well with comparative ease. Theodore Racksole, though not stout, was a well-set man with large bones.

These things flashed through his mind as he gazed, spellbound, at the mysterious movements of Rocco. The door between the bathroom and the bedroom was wide open, and his own situation was such that his view embraced a considerable portion of the bedroom, including the whole of the immense and gorgeously-upholstered bedstead, but not including the whole of the marble washstand. He could see only half of the washstand, and at intervals Rocco passed out of sight as his lithe hands moved over the object which lay on the marble. At first Theodore Racksole could not decide what this object was, but after a time, as his eyes grew accustomed to the position and the light, he made it out.

It was the body of a man. Or, rather, to be more exact, Racksole could discern the legs of a man on that half of the table which was visible to him. Involuntarily he shuddered, as the conviction forced itself upon him that Rocco had some unconscious human being helpless on that cold marble surface. The legs never moved. Therefore, the hapless creature was either asleep or under the influence of an anaesthetic—or (horrible thought!) dead.

Racksole wanted to call out, to stop by some means or other the dreadful midnight activity which was proceeding before his astonished eyes; but fortunately he restrained himself.

On the washstand he could see certain strangely-shaped utensils and instruments which Rocco used from time to time. The work seemed to Racksole to continue for interminable hours, and then at last Rocco ceased, gave a sign of satisfaction, whistled several bars from 'Cavalleria Rusticana', and came into the bath-room, where he took off his coat, and very quietly washed his hands. As he stood calmly and leisurely wiping those long fingers of his, he was less than four feet from Racksole, and the cooped-up millionaire trembled, holding his breath, lest Rocco should detect his presence behind the woodwork. But nothing happened, and Rocco returned unsuspectingly to the bedroom. Racksole saw him place some sort of white flannel garment over the prone form on the table, and then lift it bodily on to the great bed, where it lay awfully still. The hidden watcher was sure now that it was a corpse upon which Rocco had been exercising his mysterious and sinister functions.

But whose corpse? And what functions? Could this be a West End hotel, Racksole's own hotel, in the very heart of London, the best-policed city in the world? It seemed incredible, impossible; yet so it was. Once more he remembered what Felix Babylon had said to him and realized the truth of the saying anew. The proprietor of a vast and complicated establishment like the Grand Babylon could never know a tithe of the extraordinary and queer occurrences which happened daily under his very nose; the atmosphere of such a caravanserai must necessarily be an atmosphere of mystery and problems apparently inexplicable. Nevertheless, Racksole thought that Fate was carrying things with rather a high hand when she permitted his chef to spend the night hours over a man's corpse in his State bedroom, this sacred apartment which was supposed to be occupied only by individuals of Royal Blood. Racksole would not have objected to a certain amount of mystery, but he decidedly thought that there was a little too much mystery here for his taste. He thought that even Felix Babylon would have been surprised at this.

The electric chandelier in the centre of the ceiling was not lighted; only the two lights on either side of the washstand were switched on, and these did not sufficiently illuminate the features of the man on the bed to enable Racksole to see them clearly. In vain the millionaire strained his eyes; he could only make out that the corpse was probably that of a young man. Just as he was wondering what would be the best course of action to pursue, he saw Rocco with a square-shaped black box in his hand. Then the chef switched off the two electric lights, and the State bedroom was in darkness. In that swift darkness Racksole heard Rocco spring on to the bed. Another half-dozen moments of suspense, and there was a blinding flash of white, which endured for several seconds, and showed Rocco standing like an evil spirit over the corpse, the black box in one hand and a burning piece of aluminium wire in the other. The aluminium wire burnt out, and darkness followed blacker than before.

Rocco had photographed the corpse by flashlight.

But the dazzling flare which had disclosed the features of the dead man to the insensible lens of the camera had disclosed them also to Theodore Racksole. The dead man was Reginald Dimmock!

Stung into action by this discovery, Racksole tried to find the exit from his place of concealment. He felt sure that there existed some way out into the State bathroom, but he sought for it fruitlessly, groping with both hands and feet. Then he decided that he must ascend the rope-ladder, make haste for the first-floor corridor, and intercept Rocco when he left the State apartments. It was a painful and difficult business to ascend that thin and yielding ladder in such a confined space, but Racksole was managing it very nicely, and had nearly reached the top, when, by some untoward freak of chance, the ladder broke above his weight, and he slipped ignominiously down to the bottom of the wooden tube. Smothering an excusable curse, Racksole crouched, baffled. Then he saw that the force of his fall had somehow opened a trap-door at his feet. He squeezed through, pushed open another tiny door, and in another second stood in the State bathroom. He was dishevelled, perspiring, rather bewildered; but he was there. In the next second he had resumed absolute command of all his faculties.

Strange to say, he had moved so quietly that Rocco had apparently not heard him. He stepped noiselessly to the door between the bathroom and the bedroom, and stood there in silence. Rocco had switched on again the lights over the washstand and was busy with his utensils.

Racksole deliberately coughed.



Chapter Fourteen ROCCO ANSWERS SOME QUESTIONS

ROCCO turned round with the swiftness of a startled tiger, and gave Theodore Racksole one long piercing glance.

'D—n!' said Rocco, with as pure an Anglo-Saxon accent and intonation as Racksole himself could have accomplished.

The most extraordinary thing about the situation was that at this juncture Theodore Racksole did not know what to say. He was so dumbfounded by the affair, and especially by Rocco's absolute and sublime calm, that both speech and thought failed him.

'I give in,' said Rocco. 'From the moment you entered this cursed hotel I was afraid of you. I told Jules I was afraid of you. I knew there would be trouble with a man of your kidney, and I was right; confound it! I tell you I give in. I know when I'm beaten. I've got no revolver and no weapons of any kind. I surrender. Do what you like.'

And with that Rocco sat down on a chair. It was magnificently done. Only a truly great man could have done it. Rocco actually kept his dignity.

For answer, Racksole walked slowly into the vast apartment, seized a chair, and, dragging it up to Rocco's chair, sat down opposite to him. Thus they faced each other, their knees almost touching, both in evening dress. On Rocco's right hand was the bed, with the corpse of Reginald Dimmock. On Racksole's right hand, and a little behind him, was the marble washstand, still littered with Rocco's implements. The electric light shone on Rocco's left cheek, leaving the other side of his face in shadow. Racksole tapped him on the knee twice.

'So you're another Englishman masquerading as a foreigner in my hotel,'

Racksole remarked, by way of commencing the interrogation.

'I'm not,' answered Rocco quietly. 'I'm a citizen of the United States.'

'The deuce you are!' Racksole exclaimed.

'Yes, I was born at West Orange, New Jersey, New York State. I call myself an Italian because it was in Italy that I first made a name as a chef—at Rome. It is better for a great chef like me to be a foreigner. Imagine a great chef named Elihu P. Rucker. You can't imagine it. I changed my nationality for the same reason that my friend and colleague, Jules, otherwise Mr Jackson, changed his.'

'So Jules is your friend and colleague, is he?'

'He was, but from this moment he is no longer. I began to disapprove of his methods no less than a week ago, and my disapproval will now take active form.'

'Will it?' said Racksole. 'I calculate it just won't, Mr Elihu P. Rucker, citizen of the United States. Before you are very much older you'll be in the kind hands of the police, and your activities, in no matter what direction, will come to an abrupt conclusion.'

'It is possible,' sighed Rocco.

'In the meantime, I'll ask you one or two questions for my own private satisfaction. You've acknowledged that the game is up, and you may as well answer them with as much candour as you feel yourself capable of. See?'